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Speaker 1: I am all in. I kiss you. I am all

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Speaker 1: in with Scott Patterson and I heart radio podcast. All right, hey, everybody,

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Speaker 1: Scott Patterson here, I am all in podcast. You were

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Speaker 1: in the right place for Gilmore stuff. Uh so, welcome, welcome, welcome,

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Speaker 1: and thanks for being here. Listen. We're gonna get into

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Speaker 1: the mean Girls at Chilton a little bit with our

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Speaker 1: guest here, Shelley Cole. And you know she played Madeline

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Speaker 1: beautifully and you've got uh, you know that you've got

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Speaker 1: that troika of mean girls uh at Chilton and led

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Speaker 1: by uh, the the ever abrasive yet brilliant Paris played

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Speaker 1: by Liza Oil and uh and also Louise was part

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Speaker 1: of that about played by Teal Redmond so so beautifully

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Speaker 1: and uh and we're going to get into it right now.

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Speaker 1: Was Shelly Cole, who played Madeline. Hey, Shelly, how are

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Speaker 1: you welcome to the podcast? How are things going? I

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Speaker 1: am living in Denver. Things are great. I am passed

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Speaker 1: through COVID completely unscathed. Um, my business has come through

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Speaker 1: completely unscathed. Uh And I mean life is good. I

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Speaker 1: just bought a house. I've got my monkey dog here

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Speaker 1: with me. So you teach your teaching acting. You have

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Speaker 1: an acting school that's so interesting. Yeah. Kids, you would

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Speaker 1: never know from my character on Gilmore Girls. Uh, but

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Speaker 1: because she's just so fluffy and funny and odd. But yeah,

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Speaker 1: I I love it. It's kids, kid uh and um

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Speaker 1: it is the great love of my adult life. You know,

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Speaker 1: I was teaching as well when when I got Gilmore,

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Speaker 1: I had I had a kid's class on Saturday, which

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Speaker 1: I did not teach. I had my ex girlfriend, who's

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Speaker 1: master actress, teach the kids because I didn't want to

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Speaker 1: deal with the parents. The parents gettle very you know.

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Speaker 1: You know they're six, seven, eight years old. What do

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Speaker 1: you think do you think my daughter has what it takes?

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Speaker 1: I said, she's eight. Okay, relax. My philosophy is definitely not.

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Speaker 1: I'm not trying to make stars out of these kids.

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Speaker 1: I'm just trying to help them find their voice and

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Speaker 1: whatever comes out of it. Yeah. Anyway, So looking, let's

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Speaker 1: get into the episode a little bit. Okay, just watched

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Speaker 1: it yesterday. Yeah, probably, I think for the first time.

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Speaker 1: Me too. I've never seen it before. Yeah, it's funny.

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Speaker 1: You and I are in it very little, very little,

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Speaker 1: which is kind of fun because it's it's not even

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Speaker 1: really about I like the I like your bit with

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Speaker 1: the pie, like think exactly. So it's like, you know,

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Speaker 1: if she throws a pencil, it's a pie. If she

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Speaker 1: throws a pen it's a trout. That kind of yeah,

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Speaker 1: eating trout. I don't know why. It's just a wacky line, right,

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Speaker 1: it's a wacky line he was capable of having. You know,

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Speaker 1: he did have a sense of humor about um. Yeah,

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Speaker 1: and your first encounter, the first time we see you

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Speaker 1: is in uh is in that scene where Rory gets

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Speaker 1: a D. Correct, Yeah, I think that's the first time, right,

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Speaker 1: And so I think that's the only scene really that

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Speaker 1: I don't want to maybe see. I don't know. Uh, yeah, no,

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Speaker 1: I don't know. Uh she gets the D and Paris

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Speaker 1: does her thing. You know, you gotta name what's her name?

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Speaker 1: Louise is her friend Louise Grant, Yeah, Louise and uh

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Speaker 1: and you gotta be which is right? I respectable? You know,

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Speaker 1: even even I really love I mean, I think all

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Speaker 1: stimately the fans really want lare Lie to end up

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Speaker 1: with Luke. I mean I think that's the kind of

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Speaker 1: the through that's like the end game and always there

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Speaker 1: in present, But I think that fans really likes uh,

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Speaker 1: Scott Cohen, um, Max Max for a for a hot

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Speaker 1: minute and um and interestingly you really as a as

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Speaker 1: a viewer, UM, I really started to feel for f

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Speaker 1: Rory and her struggle and how un there and you know,

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Speaker 1: the headmaster and that whole like dismissal and I'm so angry,

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Speaker 1: M so well, we'll get into that, but I mean,

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Speaker 1: you know, I think what Amy did was she planted

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Speaker 1: that seat. She made Max so likable, and she cast

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Speaker 1: Scott Cohen, who was so incredibly talented and likable guy

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Speaker 1: um anyway, um and such just a terrific actor. Um,

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Speaker 1: but she planted that seed with him that I think

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Speaker 1: kind of hurt the character by making him inappropriate because

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Speaker 1: he leaves that and we'll get to it, but he

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Speaker 1: leaves that message on the answering machine at the end

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Speaker 1: of the show, and it's a message for Rory like

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Speaker 1: you're gonna get the extra credit. You're gonna get the opportunity.

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Speaker 1: Your mom came in and called everybody ill douche, and

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Speaker 1: she wants we're gonna we're gonna give Rory another chance

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Speaker 1: and get her up to speed with the extra credit.

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Speaker 1: And then he at the end of the message, he

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Speaker 1: leaves a message for for Laura la saying that it

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Speaker 1: was God, where are my notes? Um, Laura, Laura Lae.

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Speaker 1: It was a pleasure encountering you. I hope it happens again.

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Speaker 1: And he knows that Rory's gonna hear that message. Why

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Speaker 1: don't you about it until you just brought that up?

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Speaker 1: But you're right, that is actually very inappropriate, inappropriate appropriate.

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Speaker 1: So as great as that character is and as great

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Speaker 1: guys it is, Um, that's you know, that's the fly

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Speaker 1: in the ointment right there, that that the writers planted. Yeah,

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Speaker 1: well you know, okay, this is my little quick side note. UM.

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Speaker 1: After I think, and obviously I think many A couple

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Speaker 1: of years after I was done this show, Scott Cohen

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Speaker 1: and I Um were cast in a pilot together a

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Speaker 1: series Regulars. He played my Dad. It got picked up

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Speaker 1: and there were six episodes filmed, was called Friend's Room,

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Speaker 1: but it never aired. Um, but one of the one

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Speaker 1: of the guys that made that writes for Modern Family,

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Speaker 1: created Danny's let me ask you, alf where where was Chilton?

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Speaker 1: And what was Chilton like in in your experience? Where

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Speaker 1: was it? It was my first job, so I had

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Speaker 1: it was I just where was it? What do you

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Speaker 1: mean do you mean like? Where? Where was it? It

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Speaker 1: was in Connecticut. It in like a heart first, it's

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Speaker 1: a bus ride out there. So what was it like?

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Speaker 1: What was that place like for you the actress? I mean,

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Speaker 1: I mean actually, where physically was it in l A?

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Speaker 1: Where did you shoot it? For a couple of different places.

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Speaker 1: Most of it was on the sound stage sound stage

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Speaker 1: before I think, um, but the exterior where was it?

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Speaker 1: The exterior and some of the interior stuff, Um, was

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Speaker 1: at both the wilshirt Ebel Theater, but primarily it was

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Speaker 1: at the gray Stone Mansion. Drive always loved filming there.

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Speaker 1: It was because Eliza and Teal and I. Whenever we

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Speaker 1: filmed there, there was all these little like do not

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Speaker 1: pass this way. There's a lot of places that were

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Speaker 1: cut off in that mansion, right and Um, we would

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Speaker 1: always break the rules and and explore. There's not a

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Speaker 1: history in that mansion, like life kind of ghostie history

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Speaker 1: in that man. I think we shot that. Yeah, we

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Speaker 1: shot the graduation over there. I remember that now. Yeah.

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Speaker 1: It was a great location where everybody was in tears.

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Speaker 1: Remember everybody was crying. We'll get to that episode. I

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Speaker 1: don't know a couple of years from now, but um um,

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Speaker 1: but you're in You were in your twenties when you

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Speaker 1: got the show, right, so you're filming playing a teenager

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Speaker 1: in your you were twenty seven at a time. I

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Speaker 1: think Lane, I think that Kiki and I were both

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Speaker 1: like the same manage. You were both blew in my

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Speaker 1: mind when I found that out. Amazing. So, yeah, you've

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Speaker 1: got a twenty seven year old, uh in Lane working

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Speaker 1: with an eighteen year old and their peers. It was

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Speaker 1: amazing acting job. Um. So was that similar to your

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Speaker 1: high school experience? I mean the children experience versus the

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Speaker 1: versus the Shelley real life high school. I grew up

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Speaker 1: in Texas. I went to clear Lake High School. Um

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Speaker 1: it was it was definitely a rich high school. I

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Speaker 1: wasn't rich, I was poor, but I went to a

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Speaker 1: rich high school. And um but it was just it

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Speaker 1: wasn't a private school or anything. I mean, Chiltern was

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Speaker 1: so buttoned up and perfect. I remember when we were

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Speaker 1: doing a wardrobe fitting before the even shooting Episode one four,

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Speaker 1: Episode one, Uh, we all had to go to some

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Speaker 1: I don't know, seamstress's shop and get fitted for all

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Speaker 1: the Chiltern outfits, and they had to match Alexis eyes.

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Speaker 1: I remember that was something very specific that may mean

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Speaker 1: like I said, you have to match Yeah, I mean

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Speaker 1: you know, but yeah, yeah, everything was kind of perfect

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Speaker 1: at Chiltern. And I think, you know, Laurel I really

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Speaker 1: says it when she's when she you know, I duch

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Speaker 1: right right? U put what does that mean? I don't

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Speaker 1: know what that means. That was in reference to the

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Speaker 1: Italian a dictator exactly, Muscelane. I love in this episode

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Speaker 1: how everyone keeps saying, what you hit a deer? No,

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Speaker 1: and Lore like the only one that is, like, here's

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Speaker 1: Rory when she says I got hit by a deer.

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Speaker 1: You got hit by a deer. Everyone else says you

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Speaker 1: hit a deer, and their connection with each other that

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Speaker 1: have you ever been hit by a deer? I mean

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Speaker 1: you're in Colorado now, so there's a lot more dear,

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Speaker 1: you have been hit by a deer? Yeah? Yeah? Yeah.

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Speaker 1: It was up way in the Olympic Peninsula off outside

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Speaker 1: of Seattle, and I saw the deer coming. I saw

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Speaker 1: it coming and I was like, oh shoot, I've got

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Speaker 1: like two choices here. I can hit all my brakes

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Speaker 1: or speed up. So I hit the gas as at

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Speaker 1: the card as post able and to the deer hit

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Speaker 1: the side of my car, uh in the back and

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Speaker 1: and put a big dent in it. But much like Rory,

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Speaker 1: I pulled over. Im just like crying, searching through the

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Speaker 1: woods to find this deer. And I saw no sign

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Speaker 1: of the deer for as far as I could walk,

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Speaker 1: because I was more concerned about the deer than my car.

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Speaker 1: And I think it was okay because I didn't find it.

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Speaker 1: So and when did that happen? What year did that happen? Oh,

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Speaker 1: let's see, it wasn't before the show, so it was

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Speaker 1: after the show. It was like two thou seven. I

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Speaker 1: was up there people. And so it's not like Amy

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Speaker 1: found out about it somehow and then put it in

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Speaker 1: an episode. It's like, you know, life imitates art, and yeah,

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Speaker 1: that scene had that episode had such an effect on you, Yes,

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Speaker 1: but I've never seen it doesn't matter. It doesn't matter.

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Speaker 1: We're dealing with mysticism at this point. So it materialized

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Speaker 1: in your own life. Wow, it did. And I was

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Speaker 1: at the table read obviously that's solid. That's how strong

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Speaker 1: the writing is. I think that people always talk about

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Speaker 1: people always ask I'm sure they ask you, why is

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Speaker 1: this show still so you know, mainstream and popular? And

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Speaker 1: it's because you're because you and I were in it.

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Speaker 1: I mean that's why. I mean, I mean that's that's

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Speaker 1: that's the obvious answer, right the writing fan make this

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Speaker 1: for me? I look at that. Wow, that's cool. Fans

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Speaker 1: make the greatest things. The fan artist is amazing. So

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Speaker 1: was it easy playing somebody younger? Ten years younger, eleven

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Speaker 1: years younger? What what was that like from an acting

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Speaker 1: point of view? What was that like for you? I've

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Speaker 1: never played my age ever, um, So I think I

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Speaker 1: was also doing an episode of this show as the guardian,

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Speaker 1: um and I was playing a fourteen year old, right, like,

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Speaker 1: I think this was my first job, and that was

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Speaker 1: my second job. It was first episode seven years old

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Speaker 1: playing a fourteen year old, or twenty playing a fourteen

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Speaker 1: year old girl. And I've always said roles that were

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Speaker 1: younger than me, So it wasn't really. But I've never

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Speaker 1: played a character like Madeline before or after. He was

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Speaker 1: just you know, a whole time zone all of her own, right, right?

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Speaker 1: Did you think Chad Michael Murray was dreamy? No? I

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Speaker 1: get why they did. I did, absolutely, But you know,

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Speaker 1: he and Teal were both young, like til seventeen he

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Speaker 1: started and he so mean, Jared was eighteen. I think

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Speaker 1: Chad was eighteen, wasn't he when they were kids? I

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Speaker 1: think so, they were just kid But I didn't. I

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Speaker 1: didn't find him dreamy just because he's I like dark

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Speaker 1: haired guys, no offense to the blonde men in the world.

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Speaker 1: But I don't know. I thought, I thought you knew

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Speaker 1: who I thought was dreamy. Well, never mind, come on,

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Speaker 1: this is the this is the place they to talk

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Speaker 1: about it. I mean, you're in a safe space. You're

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Speaker 1: in a safe space here here. I thought I thought

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Speaker 1: Scott was a dreamy Scott Cohen. Yeah, okay, yeah, there

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Speaker 1: there you go. A lot of people did. Yeah. And

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Speaker 1: I thought Jared was pretty dreamy too, Jared, Jared and Scott,

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Speaker 1: of course you the dreamiest of the dreams. Well you're welcome.

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Speaker 1: You're gonna make me blush. I mean, God's sake, putting

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Speaker 1: me in the class of a Scott Cohen and a

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Speaker 1: Jared For God's sake, I mean, um, so Madeleine's best

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Speaker 1: friends Paris. Was it difficult for you playing the best

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Speaker 1: friend of somebody who was so mean a mean girl.

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Speaker 1: You were you were, you were a mean girl. You

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Speaker 1: were associated girl for like a hot second and then

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Speaker 1: Amy just started to change her tune and started to

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Speaker 1: write Madaline to be Nice, which I loved. Um but yeah,

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Speaker 1: being you know, I've never been a mean girl in

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Speaker 1: my life, never in high school or anything like that.

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Speaker 1: And um, so it was just it's all in good fun,

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Speaker 1: you know, it's it's all in good fun. And were

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Speaker 1: there what so what were the days like, uh, working

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Speaker 1: with Liza when she had those speeches and she was

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Speaker 1: being soming because a lot of you know, the challenge

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Speaker 1: of acting is reacting when you're not heavily and then

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Speaker 1: you don't have a lot of dialogue in the scene,

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Speaker 1: and you did that really well in that brief moment

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Speaker 1: we first saw you with a day and you're sort

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Speaker 1: of not on your head back and you're kind of agreeing,

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Speaker 1: but then you say, I don't understand what you're talking about.

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Speaker 1: Paris said, well, Rory does you know? So it's a

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Speaker 1: perfect set up line. Um, So, so tell me about

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Speaker 1: those days working with Paris and what that was like

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Speaker 1: for you working with her. That was so long ago,

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Speaker 1: that was back in the day when um, you know

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Speaker 1: Liza and I. Liza and I turned out to be

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Speaker 1: really good friends for a long long time, and that

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Speaker 1: was the beginning of our friendship because she and I

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Speaker 1: were much closer than age in age than Teal uh,

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Speaker 1: and so I was always had great on screen chemistry

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Speaker 1: with Teal, but not I mean we weren't friends outside

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Speaker 1: of um whatever and so, but Eliza and I were

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Speaker 1: really best friends for a very long time. I was

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Speaker 1: at her wedding, UM and these were but working with

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Speaker 1: Liza on set versus hanging out with her outside of

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Speaker 1: of of work were very different experiences. On set, she

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Speaker 1: was really intense. I mean like she walked on set

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Speaker 1: and she was in her character and so, you know,

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Speaker 1: I didn't we didn't pole around. Oh we did in

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Speaker 1: between takes and setups and stuff like that. But she

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Speaker 1: was really intense with her character. And she would always

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Speaker 1: do this little clearing thing with her throat or something

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Speaker 1: when she was like sort of getting into her character

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Speaker 1: when she was just going inside of herself. And she

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Speaker 1: did that a lot. She went inside of herself, UM,

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Speaker 1: and she really was that character. I mean, she just

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Speaker 1: when she was on set, she was that character, and

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Speaker 1: she was so intense and she did an amazing job.

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Speaker 1: She knew so focused, and she had some very difficult

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Speaker 1: dialogue to do. And I was always shocked me whenever

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Speaker 1: you would just and lit a little, little, little little

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Speaker 1: and just get it out. And then I was like,

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Speaker 1: I don't know if I said that. Oh that was

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Speaker 1: really hard. Um, And then she still let's go to

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Speaker 1: lunch show after after that short you want to act?

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Speaker 1: Do you ever corrected this episode? Because I was trying.

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Speaker 1: I was looking to see and I forgot to look

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Speaker 1: it up. Alan Meyerson, Oh, I remember him, remember, Yeah.

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Speaker 1: It was a good experience. It's very mostly it was

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Speaker 1: a good experience with all these directors, but I remember

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Speaker 1: him being particularly pleasant. You knew who my favorite director was,

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Speaker 1: Michael Cattleman. Cattleman. I loved him. He was great, wasn't

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Speaker 1: he He was great? Yeah? He had all that experience too.

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Speaker 1: Wasn't he a show runner on on something else before

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Speaker 1: he came down. Yeah he had, he had a lot

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Speaker 1: of experience before he came to us. Yeah he was,

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Speaker 1: he was right, he was. He was easy to be around, Yeah,

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Speaker 1: very professional, very you know, very engaging. Yeah, very supportively.

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Speaker 1: I loved him. Um. Do you think Madeleine wanted to

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Speaker 1: be friends with Rory underneath it all? M yeah, I

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Speaker 1: think so. I think that's ultimately why she was so

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Speaker 1: nice to Rory. UM. Uh, you know, I don't really

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Speaker 1: think that, uh, Louise cared at all. I think Louise

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Speaker 1: is just like all she wanted to be friends with

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Speaker 1: was like hot guys. But I do think I think Madeline,

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Speaker 1: I think Madeline was ultimately did want to be friend

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Speaker 1: Rory and right, and which she kind of did, right,

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Speaker 1: I thought. And the fans have really responded to that

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Speaker 1: and said, oh I love that your character really was

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Speaker 1: nice to Rory. H we're doing something in the day

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Speaker 1: to know that they have any idea that's going to

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Speaker 1: have such a lasting effect, and I don't know, it's

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Speaker 1: it's something miraculous. Gilber Girls has become something really miraculous. Yes,

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Speaker 1: yes it has. It has. UM. So with all of

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Speaker 1: those extras in the Chiltern scenes, Um, did you ever

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Speaker 1: become friends with any of the extras or or or no? Um,

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Speaker 1: you know, there weren't really there. There were some regular

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Speaker 1: um background players that were recurring, UM, but I'm not

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Speaker 1: not really were very friendly with them. I remember one

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Speaker 1: episode where Louise and Madeline had to like just start

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Speaker 1: making out with these two guys, and instead of casting

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Speaker 1: them because they didn't have any lines, they just lined

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Speaker 1: up like seven guys on against a wall in their

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Speaker 1: chiltern boy uniforms and they were like, okay, pick one,

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Speaker 1: you have to make out with one. And I'm like,

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Speaker 1: this is so weird, like that one still comfortable? Who

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Speaker 1: do you still keep in touch with? Uh? Well? For

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Speaker 1: for it was Liza for a really long time until

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Speaker 1: I moved here. Um. Uh so with the Nick Holmes

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Speaker 1: and I are good friends. Um A, let's see who else?

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Speaker 1: And my friends with Valerie Wardrobe, um Bellerie Campbell, she's

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Speaker 1: so great? Um? Who else? Um? Friendly with George Bell, Georgi.

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Speaker 1: She was just on an episode of Mom the Other Nine.

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Speaker 1: He's a terrific actor, isn't he? He really is? Yeah? Yeah,

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Speaker 1: he's so easy. He was cast as the onset dialogue

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Speaker 1: coach and just kind of George George Bell, for those

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Speaker 1: who don't know, was our onset dialogue coach who would

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Speaker 1: and And the only reason I got throwed is because

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Speaker 1: George Bell. Uh yeah, I invited him into my trailer

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Speaker 1: every single morning, after I ordered breakfast, I asked if

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Speaker 1: George was available, because he's very busy and uh, and

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Speaker 1: he would come into the trail and we just run

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Speaker 1: the scenes for the day until tell him why a

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Speaker 1: dialogue coach was so necessary And it only took him

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Speaker 1: a few years to figure it out. The two years year.

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Speaker 1: So he'd come in and just run lines with you. Um.

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Speaker 1: But not only that, you know, we'd shape the scenes

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Speaker 1: in the trailer. I mean, I know my dialogue coming

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Speaker 1: in to the Yeah. But he's but he's a really

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Speaker 1: good coach and he's a really good actor. So he's

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Speaker 1: reading with you as the scene and you know, he

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Speaker 1: understands the beats of the scene. He understands the nuances

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Speaker 1: of the scene. Um. But also I think one of

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Speaker 1: the reasons why the show was so successful was Amy

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Speaker 1: and Dan, especially Amy, were they were so civic that

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Speaker 1: every single word must be said exactly the way I

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Speaker 1: was written, and that's why there was seventeen hour days. Yeah.

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Speaker 1: Well sure, I mean there, but you know, George would

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Speaker 1: come in and you'd walk on the set. You were bulletproof.

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Speaker 1: You couldn't possibly get it wrong because you were just

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Speaker 1: you were if you were good with George. If George

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Speaker 1: said thumbs up, you were good, you were gonna be

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Speaker 1: If George said, If George said, let's take a little

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Speaker 1: break and we'll run it a few more times, means

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Speaker 1: you need to work on more. It was all up

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Speaker 1: to Jorge. And you know what I think. After year

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Speaker 1: three or four, he came into my trailers say goodbye.

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Speaker 1: Said they're letting me go. And I said, no, they're not.

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Speaker 1: And I you know, I called Amy and I sat

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Speaker 1: down with her and I said, listen, we need this guy.

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Speaker 1: You don't And I don't know. She's so busy. She's

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Speaker 1: wearing so many hats on that show, literally and figuratively,

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Speaker 1: um that you know, maybe that escaped her a little bit.

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Speaker 1: And I said, listen, if George goes, the show goes,

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Speaker 1: the show will have a lesser quality because we'll be

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Speaker 1: here longer. People are gonna blow their lines. George was

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Speaker 1: the glue. And so she goes. You know, I didn't

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Speaker 1: know that. Oh yeah, and I'm gonna see this October,

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00:24:15,119 --> 00:24:18,800
Speaker 1: you know, yeah, Oh really cool. Um, we're trying to

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Speaker 1: get him on the show. Tell him to tell him

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Speaker 1: to call me, tell him to d m me anyway,

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Speaker 1: because I'm done, tell him because we're trying to get

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Speaker 1: him on the show. Um, yeah, I will contact him

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Speaker 1: as soon as we're done with this. Absolutely, the glue

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Speaker 1: of that production was was George Bell. Without him, it

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Speaker 1: was going to be a hot mess. Every single bit

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Speaker 1: his job, he does all because we were on stage

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Speaker 1: together at at the last you know that fan fast Yeah,

385
00:24:50,240 --> 00:24:53,399
Speaker 1: I brought him on. Yeah, he was up there for

386
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Speaker 1: about twenty Toronto, yes, exactly, exactly. Yeah, but I remember

387
00:24:58,600 --> 00:25:00,320
Speaker 1: when we were at dinner and he's like, well, Scott

388
00:25:00,320 --> 00:25:02,720
Speaker 1: wants to do his interview with him, and I'm like, okay,

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00:25:02,720 --> 00:25:07,600
Speaker 1: well you go another glass of wine. Probably a good choice,

390
00:25:07,760 --> 00:25:13,639
Speaker 1: good choice, better choice. You're eventually their backstage really good.

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Speaker 1: It was really good. So what was your what was

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Speaker 1: your favorite episode? That is probably my most I have

393
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Speaker 1: to most asked questions. One is what was your favorite episode?

394
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Speaker 1: And the second one why weren't you in the reunion? So? Um,

395
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Speaker 1: the my favorite episodes were without fail. Uh number one

396
00:25:34,280 --> 00:25:38,440
Speaker 1: was the springbreak episode. Uh, girls in bikinis and boys

397
00:25:38,440 --> 00:25:42,400
Speaker 1: doing the twist, And the other one was concert interrupted

398
00:25:42,440 --> 00:25:45,320
Speaker 1: us with the Bengals. Um, just because it was so

399
00:25:45,359 --> 00:25:47,520
Speaker 1: fun to do and watching the Bengals. We've shot at

400
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Speaker 1: will Shirt and Bill with the wheel shirt Bill Theater.

401
00:25:50,480 --> 00:25:53,800
Speaker 1: That's how Mark Cacy used to say it. And um,

402
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Speaker 1: and was the casting director that came on after you, right,

403
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Speaker 1: Jamie Rudolph, she was from the start. No, she didn't

404
00:26:03,720 --> 00:26:06,600
Speaker 1: cast the pilot. She wasn't there from the pilot. She

405
00:26:06,680 --> 00:26:10,400
Speaker 1: was there from episode one because she cast me exactly

406
00:26:10,480 --> 00:26:12,560
Speaker 1: and uh, and it was weird. It was just her

407
00:26:12,600 --> 00:26:15,000
Speaker 1: and Amy in this crappy little trailer on the Warner

408
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Speaker 1: Brothers lot for episode one. Um, before it became a thing.

409
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Speaker 1: And they got their own building. But right, but we

410
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Speaker 1: we we got our own building. We had our own building. Yeah,

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Speaker 1: well that's what I hinted. We helped build that. We

412
00:26:34,760 --> 00:26:40,040
Speaker 1: know that we helped helped. Yeah. Um, but but I

413
00:26:40,080 --> 00:26:43,600
Speaker 1: got to work with Melissa uh in that episode and

414
00:26:43,680 --> 00:26:47,920
Speaker 1: Lauren more than typically, And um, I know you got

415
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Speaker 1: to be with Melissa plenty. And she's just so like

416
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Speaker 1: the person that sees you at craft Serves and just

417
00:26:55,600 --> 00:26:58,880
Speaker 1: runs up to me and says, tell me about your boyfriend,

418
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Speaker 1: what's going on? Have you cooked anything good recently? Blahlah

419
00:27:01,440 --> 00:27:03,440
Speaker 1: blah blah. And she comes out of the groundlings and

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Speaker 1: I did as well, you did? You did? Yeah, I

421
00:27:08,119 --> 00:27:11,439
Speaker 1: mean I wasn't the groundling. I went through like several

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Speaker 1: different stages of it up until the writing stage. I'm like,

423
00:27:15,560 --> 00:27:17,240
Speaker 1: at the time, I didn't know how to write anything.

424
00:27:17,320 --> 00:27:21,399
Speaker 1: So isn't an amazing You know? What amazes me and

425
00:27:21,440 --> 00:27:26,400
Speaker 1: watching this episode was that Melissa McCarthy wasn't discovered right

426
00:27:26,520 --> 00:27:32,760
Speaker 1: then and there that scene where she finds uh Lucien's

427
00:27:33,119 --> 00:27:38,000
Speaker 1: bill and now has identified And the joy with of

428
00:27:38,040 --> 00:27:42,479
Speaker 1: that scene and the level of her acting joy and

429
00:27:42,520 --> 00:27:47,080
Speaker 1: the comedic timing and the beauty of that scene. I mean,

430
00:27:47,119 --> 00:27:52,520
Speaker 1: if I'm a director of films, I'm thinking, Wow, that girl.

431
00:27:52,560 --> 00:27:56,280
Speaker 1: There's some skills on that girl. There's a natural charisma,

432
00:27:56,400 --> 00:28:00,119
Speaker 1: there's comedic timing. She's why wasn't she just why need

433
00:28:00,200 --> 00:28:02,680
Speaker 1: to take Mike and Molly? Why did it take a decade?

434
00:28:03,520 --> 00:28:04,960
Speaker 1: You know what I mean? It was a different It

435
00:28:05,000 --> 00:28:07,120
Speaker 1: was a different time, right, it was a different time.

436
00:28:08,040 --> 00:28:10,119
Speaker 1: Why did it take so long for her to be discovered?

437
00:28:10,440 --> 00:28:16,919
Speaker 1: It was so obvious it was by every Yes, I

438
00:28:16,960 --> 00:28:20,600
Speaker 1: mean Laura Lai in the in the classrooms, like in

439
00:28:20,600 --> 00:28:23,960
Speaker 1: the world. That was so funny, And I just discovered

440
00:28:23,960 --> 00:28:28,680
Speaker 1: that yesterday for the first time. God, I totally get

441
00:28:28,800 --> 00:28:31,879
Speaker 1: why this. I mean, there's so and yeah Melissa with

442
00:28:31,920 --> 00:28:34,560
Speaker 1: her with the tray and the and the wand she's

443
00:28:34,560 --> 00:28:42,440
Speaker 1: like this. It was great, Jackson, Michelle, it was all

444
00:28:42,560 --> 00:28:47,640
Speaker 1: so good. And you with the Pine. I mean that

445
00:28:47,920 --> 00:28:50,840
Speaker 1: without me in the Pine, that a whole episode falls apart.

446
00:28:50,840 --> 00:29:00,400
Speaker 1: Don't you think my little contribution that those are the

447
00:29:00,480 --> 00:29:02,720
Speaker 1: days where I felt like God him, I you know,

448
00:29:03,200 --> 00:29:04,760
Speaker 1: this is all I got in the script, and I'm

449
00:29:04,800 --> 00:29:06,840
Speaker 1: sitting at table read looking for more lines, and then

450
00:29:06,880 --> 00:29:11,960
Speaker 1: there's like pie and then pens and pencils, and I'm

451
00:29:12,040 --> 00:29:15,920
Speaker 1: not going to survive. There's so much to do with

452
00:29:15,960 --> 00:29:20,160
Speaker 1: some of them. But that's why it's a great ensemble,

453
00:29:20,240 --> 00:29:24,960
Speaker 1: right exactly exactly. Every everybody's going to get there their

454
00:29:25,040 --> 00:29:26,880
Speaker 1: time in the sun. I guess you know. I've been

455
00:29:26,920 --> 00:29:29,160
Speaker 1: on I've been on productions where people were freaking out

456
00:29:29,160 --> 00:29:31,040
Speaker 1: when they didn't have enough lines, and I said, listen,

457
00:29:31,560 --> 00:29:34,920
Speaker 1: you know it's twenty two episodes. Relax, You're gonna have

458
00:29:35,040 --> 00:29:38,920
Speaker 1: your time. They're gonna get right, they're gonna get sick

459
00:29:38,960 --> 00:29:42,480
Speaker 1: of That's what happened with with my um with the

460
00:29:42,520 --> 00:29:47,520
Speaker 1: Springbreak episode. What's so much to do? In that episode

461
00:29:47,520 --> 00:29:50,080
Speaker 1: time in the sun. We even spent the week at

462
00:29:50,080 --> 00:29:54,520
Speaker 1: the c Sprite motel on the beach. Was really fun.

463
00:29:56,640 --> 00:29:58,400
Speaker 1: All right, let's do you want to do rapid fire?

464
00:29:58,440 --> 00:30:02,440
Speaker 1: I think it's time. All get ready? Come on? You better,

465
00:30:02,480 --> 00:30:06,600
Speaker 1: you better, you better strap in? Yeah? Good, exactly, Limburg, Okay,

466
00:30:06,640 --> 00:30:10,040
Speaker 1: here we go. Ready. How do you take your coffee? Uh?

467
00:30:10,160 --> 00:30:13,760
Speaker 1: Coffee and cream and sugar? Can you smell snow? Yes?

468
00:30:13,880 --> 00:30:18,680
Speaker 1: Are you team Logan jesser Deine team I'm I'm team Jared.

469
00:30:18,880 --> 00:30:23,680
Speaker 1: Who's the daddy? Who's the daddy? Oh? God? Um? Logan?

470
00:30:23,840 --> 00:30:29,640
Speaker 1: Best memory of Gilmore Girls? Uh? What that concert scene

471
00:30:29,880 --> 00:30:34,720
Speaker 1: watched with the Shins? Nice? Uh? Favorite Friday night dinner meal.

472
00:30:34,720 --> 00:30:36,640
Speaker 1: I don't know why I'm asking you this, but just

473
00:30:36,680 --> 00:30:40,200
Speaker 1: give me a favorite Friday night dinner meal. My favorite

474
00:30:40,280 --> 00:30:44,200
Speaker 1: move was when Richard, like, without even looking at her,

475
00:30:44,240 --> 00:30:47,960
Speaker 1: passes Royal. The newspaper loved it. Show your bene watching

476
00:30:48,040 --> 00:30:53,360
Speaker 1: right now? Oh god, I'm always watching Modern Family and

477
00:30:53,440 --> 00:30:57,880
Speaker 1: Vampire Diaries. So listen. Anything else you want to add

478
00:30:57,920 --> 00:31:05,080
Speaker 1: about your experience on the show. Uh, it was the

479
00:31:05,120 --> 00:31:07,160
Speaker 1: great It was my first job. It was the greatest

480
00:31:07,200 --> 00:31:09,480
Speaker 1: gift of my life because at the time in my life,

481
00:31:10,120 --> 00:31:12,760
Speaker 1: you know, I grew up really without a family and um,

482
00:31:13,640 --> 00:31:17,000
Speaker 1: and it gave me a sense of stability that I

483
00:31:17,040 --> 00:31:22,040
Speaker 1: had craved my whole life. Um and something became a

484
00:31:22,120 --> 00:31:25,160
Speaker 1: constant in my life for three plus years and I

485
00:31:25,200 --> 00:31:29,840
Speaker 1: needed that. UM And God, those freaking Christmas parties in

486
00:31:29,920 --> 00:31:32,880
Speaker 1: my rights. Yeah, they were good. They were definitely good.

487
00:31:33,440 --> 00:31:35,960
Speaker 1: Oh yeah, you felt like you were stepping back into

488
00:31:36,080 --> 00:31:38,400
Speaker 1: nineteen twenty. You know. It was like that Woody Allen

489
00:31:38,480 --> 00:31:40,880
Speaker 1: film Midnight in Paris. You thought Scott Fitzgerald was going

490
00:31:40,920 --> 00:31:44,560
Speaker 1: to show up totally. It's room that she had they

491
00:31:44,600 --> 00:31:49,520
Speaker 1: had just as a mannequin and addressed. I remember that.

492
00:31:50,800 --> 00:31:52,840
Speaker 1: I know. I don't know how she pulled that off.

493
00:31:52,880 --> 00:31:54,640
Speaker 1: It wasn't creepy at all. It was just kind of cool.

494
00:31:55,360 --> 00:31:59,600
Speaker 1: It overlooked the whole back. But yeah, that show was uh,

495
00:32:00,440 --> 00:32:04,440
Speaker 1: one of the top three greatest gifts of my entire life.

496
00:32:04,440 --> 00:32:07,480
Speaker 1: There you go, there you all right, Shelley, Thank you

497
00:32:07,520 --> 00:32:09,920
Speaker 1: so much, Scott. It was such a great uh great

498
00:32:09,960 --> 00:32:12,360
Speaker 1: seeing you, seeing you to and what's the name of

499
00:32:12,480 --> 00:32:16,840
Speaker 1: your acting school so people can reference it? Oh well,

500
00:32:17,040 --> 00:32:19,760
Speaker 1: so if you want to contact me directly. It's Shelley

501
00:32:19,760 --> 00:32:24,360
Speaker 1: Cole coach at Gmail. But I work with an acting studio,

502
00:32:25,840 --> 00:32:30,160
Speaker 1: Peak Acting Studios. It's here in Denver. Hey, I have

503
00:32:30,200 --> 00:32:35,280
Speaker 1: a question. What's on your hat? What's on my hat? Yeah?

504
00:32:35,760 --> 00:32:40,760
Speaker 1: Like there is on the other side my coffee company. Oh,

505
00:32:40,800 --> 00:32:43,840
Speaker 1: your coffee company. I need to try your coffee. Yes

506
00:32:43,840 --> 00:32:47,080
Speaker 1: you do? Okay, what can I find it ordered online?

507
00:32:47,360 --> 00:32:55,600
Speaker 1: Scotty p dot com Grade one specialty. You'll love it. Okay,

508
00:32:56,360 --> 00:33:01,200
Speaker 1: we'll check it out. Man, check it out, George Bell,

509
00:33:01,240 --> 00:33:03,400
Speaker 1: I'll do that. All right, good deal. I'm putting you.

510
00:33:03,520 --> 00:33:05,880
Speaker 1: I'm putting. I'm putting you to work. Uh. It was

511
00:33:05,920 --> 00:33:09,000
Speaker 1: great seeing you're great catching up. Thanks for coming on,

512
00:33:09,120 --> 00:33:14,480
Speaker 1: ladies and gentlemen. Yes, you a favor. If you review

513
00:33:15,120 --> 00:33:21,200
Speaker 1: the Concert interrupt Us, consider me consider you as a

514
00:33:21,240 --> 00:33:26,440
Speaker 1: guest for Concert Interrupted Season four O. My last episode

515
00:33:26,560 --> 00:33:30,080
Speaker 1: is my favorite. We all heard that. Let's it's it's

516
00:33:30,080 --> 00:33:34,040
Speaker 1: been noted, and well let's try to make it happen. Alright,

517
00:33:35,720 --> 00:33:39,320
Speaker 1: great seeing you, Shelley, Shelley call everybody, thanks for coming

518
00:33:39,360 --> 00:33:48,760
Speaker 1: on by. Al Right, everybody, we're back. That was Shelly Cole,

519
00:33:48,880 --> 00:33:52,520
Speaker 1: who played Madeline Um, one of the mean girls. And

520
00:33:52,560 --> 00:33:55,040
Speaker 1: she wasn't so mean, and she's really cool in real life,

521
00:33:55,080 --> 00:33:57,320
Speaker 1: and we love her and we hope she comes back. Anyway,

522
00:33:57,760 --> 00:34:00,280
Speaker 1: can we talk about listen, just before we you know,

523
00:34:00,320 --> 00:34:03,600
Speaker 1: we talked about anything. Can we just talk about Max

524
00:34:03,720 --> 00:34:06,880
Speaker 1: Medina inappropriate touching in the classroom in front of the

525
00:34:06,920 --> 00:34:09,759
Speaker 1: other pants. What is he doing? Did you see that

526
00:34:09,840 --> 00:34:12,759
Speaker 1: he touched flirting in front of you? Are you kidding me?

527
00:34:12,800 --> 00:34:18,919
Speaker 1: He touched her elbow, he touched her. He mean, this

528
00:34:19,000 --> 00:34:23,400
Speaker 1: is twenty years ago. Maybe that thing was. I like

529
00:34:23,600 --> 00:34:27,319
Speaker 1: that they're flirting. I don't know. I mean, that's a

530
00:34:27,440 --> 00:34:32,080
Speaker 1: really fancy private school, and I know she's beautiful, and

531
00:34:32,160 --> 00:34:35,399
Speaker 1: she's got all that personality and brains and and she's

532
00:34:35,520 --> 00:34:38,440
Speaker 1: funny and all that. But touch actually touching her, I

533
00:34:39,040 --> 00:34:42,840
Speaker 1: think he's crossing goal. I do. I think it's a

534
00:34:42,880 --> 00:34:45,960
Speaker 1: little bit crossing line. But maybe they're just trying to say, Hey,

535
00:34:46,000 --> 00:34:49,000
Speaker 1: he can't help himself. Who could possibly resist? You know,

536
00:34:49,840 --> 00:34:54,640
Speaker 1: Luke certainly can't. Right, he's hanging around, you know, suffering,

537
00:34:54,960 --> 00:34:57,160
Speaker 1: you know, for year after year after year, she dates

538
00:34:57,160 --> 00:34:59,400
Speaker 1: and dates and dates, and uh, you know, I'm hanging

539
00:34:59,400 --> 00:35:01,239
Speaker 1: in there, so why can't he touch her? But it's like,

540
00:35:01,320 --> 00:35:03,120
Speaker 1: you know, I guess, I guess this is a little

541
00:35:03,200 --> 00:35:06,520
Speaker 1: Luke coming out in me wanting they'll just like step

542
00:35:06,560 --> 00:35:11,160
Speaker 1: in and say, pal, don't you're jealous? Well, I think mightbe.

543
00:35:11,239 --> 00:35:14,040
Speaker 1: I'm a little jealous. I could be jealous. Well, let's

544
00:35:14,080 --> 00:35:18,920
Speaker 1: break it down. Is teacher mom inappropriate? I feel like

545
00:35:18,920 --> 00:35:23,280
Speaker 1: it's okay. And Shelley said she thought maxim Medina was dreaming.

546
00:35:23,480 --> 00:35:28,600
Speaker 1: No he is. No, I'm not denying his natural charms.

547
00:35:28,880 --> 00:35:31,439
Speaker 1: I am not, and I'm not denying that they could

548
00:35:31,480 --> 00:35:34,359
Speaker 1: be attracted. Obviously, they're very attracted to one another and

549
00:35:34,360 --> 00:35:39,640
Speaker 1: and you know, platonically, physically, whatever whatever category you want.

550
00:35:39,680 --> 00:35:43,719
Speaker 1: But I mean, that's going to destroy her her education.

551
00:35:44,040 --> 00:35:46,360
Speaker 1: She gets involved with one of her teachers at the

552
00:35:46,400 --> 00:35:49,799
Speaker 1: fancy private school. That's just I don't know. I think

553
00:35:49,800 --> 00:35:51,920
Speaker 1: that's a very selfish move. And I like that they

554
00:35:51,960 --> 00:35:54,640
Speaker 1: threw that out there as an obstacle to get over.

555
00:35:54,680 --> 00:35:57,720
Speaker 1: But to get that, I mean, I obviously we obviously

556
00:35:57,760 --> 00:36:01,080
Speaker 1: all know where it goes. Um. I mean, I haven't

557
00:36:01,120 --> 00:36:02,759
Speaker 1: seen the episodes, but I know you know what the

558
00:36:02,760 --> 00:36:06,080
Speaker 1: storylines are some what. But it's like, really, we're going

559
00:36:06,160 --> 00:36:09,760
Speaker 1: to go there. That's that's very so. So the question

560
00:36:09,760 --> 00:36:14,120
Speaker 1: really goes, why do the writers make that character so

561
00:36:14,200 --> 00:36:20,760
Speaker 1: selfish in that episode? Sorry, so you think Laura ize

562
00:36:20,760 --> 00:36:25,840
Speaker 1: selfish or Max is selfish? I love that Scott, I

563
00:36:25,880 --> 00:36:28,799
Speaker 1: guess Luke in this situation, both Scott and Luke are

564
00:36:28,880 --> 00:36:32,400
Speaker 1: super jealous of what's going on right now. But Scott,

565
00:36:32,880 --> 00:36:36,320
Speaker 1: if you feel if this makes you feel any better, Lorela,

566
00:36:36,360 --> 00:36:39,160
Speaker 1: I didn't like the coffee. You thought it was bad.

567
00:36:39,440 --> 00:36:43,080
Speaker 1: That doesn't make any difference to me. I wanted to

568
00:36:43,160 --> 00:36:46,640
Speaker 1: get his hands off her. Okay, So okay, touch her.

569
00:36:47,840 --> 00:36:53,279
Speaker 1: Pretend you're not Luke. Would you still be upset by this? So?

570
00:36:53,360 --> 00:36:56,320
Speaker 1: Do you think you're bothered by it because you're Luke?

571
00:36:56,840 --> 00:36:59,160
Speaker 1: Or are you bothered by it because you really think

572
00:36:59,800 --> 00:37:04,200
Speaker 1: the teacher shouldn't date this? My my stodgy, straight laced

573
00:37:04,520 --> 00:37:07,799
Speaker 1: right out of the book Upbringing is preventing me from

574
00:37:07,800 --> 00:37:14,839
Speaker 1: accepting this as a possibility. It's not acceptable behavior. So

575
00:37:14,880 --> 00:37:17,320
Speaker 1: did you think that voicemail that he left was creepy?

576
00:37:17,360 --> 00:37:20,440
Speaker 1: I guess you'd call it a message back then. Sorry,

577
00:37:22,600 --> 00:37:25,920
Speaker 1: I think it was a nice message to send Rory

578
00:37:26,000 --> 00:37:29,560
Speaker 1: and then end the phone call when you say and

579
00:37:29,640 --> 00:37:33,000
Speaker 1: if your mother's listening like like they're both listening and

580
00:37:33,280 --> 00:37:35,720
Speaker 1: it's like he expects her to be in the room

581
00:37:36,440 --> 00:37:38,520
Speaker 1: listening to the message that he wants to leave his mother.

582
00:37:38,560 --> 00:37:41,359
Speaker 1: And what what was the word he used? What did

583
00:37:41,440 --> 00:37:44,920
Speaker 1: he say? He said meeting you was what? What did

584
00:37:44,920 --> 00:37:48,320
Speaker 1: he say? I forgot? What did he say? Was it was?

585
00:37:48,400 --> 00:37:51,319
Speaker 1: He used a different words. He didn't say special, But

586
00:37:51,360 --> 00:37:54,520
Speaker 1: I hope it happens again. It was like, God, what

587
00:37:54,560 --> 00:37:58,239
Speaker 1: are you doing? It's like you're stalking the mom on

588
00:37:58,320 --> 00:38:01,480
Speaker 1: the cell phone of its reaching the kid and you're

589
00:38:01,560 --> 00:38:04,759
Speaker 1: like hitting on the mom on he watched it. I

590
00:38:04,800 --> 00:38:10,200
Speaker 1: loved it, but now I loved it. Sorry, it's like

591
00:38:10,320 --> 00:38:15,080
Speaker 1: he's out, Get out. It's not happening. Love Scott Cohen,

592
00:38:15,200 --> 00:38:19,800
Speaker 1: love him, But he is happening, Scott. It is happening

593
00:38:19,880 --> 00:38:23,600
Speaker 1: over my dead body. That's all I have to say.

594
00:38:23,840 --> 00:38:27,000
Speaker 1: So you are bothered by this. I really bugged that

595
00:38:27,000 --> 00:38:33,080
Speaker 1: that he didn't think not to expose his student Rory

596
00:38:33,280 --> 00:38:37,160
Speaker 1: do that message. I mean, if I'm the chief magistrate,

597
00:38:37,200 --> 00:38:39,239
Speaker 1: if I'm if I'm a judge, and I mean if

598
00:38:39,239 --> 00:38:41,720
Speaker 1: I'm I'm a prosecutor, I'm going after him for that.

599
00:38:41,719 --> 00:38:45,719
Speaker 1: That's that's inappropriate. What are you thinking if you're the headmaster,

600
00:38:48,880 --> 00:38:51,560
Speaker 1: I think he would not like that. That's a big meeting.

601
00:38:51,800 --> 00:38:54,200
Speaker 1: Of course he wouldn't like it. And that you know

602
00:38:54,239 --> 00:38:57,280
Speaker 1: that headmaster is you know, that's old as old school

603
00:38:57,320 --> 00:39:00,840
Speaker 1: as it gets. And he I mean that eyes fired

604
00:39:00,920 --> 00:39:05,200
Speaker 1: like that you left. Did you leave this message on

605
00:39:05,200 --> 00:39:11,080
Speaker 1: on Rory Gilmore's on Laureli Gilmore's answering machine. Yes, I did. Okay,

606
00:39:11,280 --> 00:39:14,040
Speaker 1: your your services are no longer required here and you're

607
00:39:14,080 --> 00:39:19,360
Speaker 1: going to lose your a little extreme not just okay,

608
00:39:19,400 --> 00:39:22,480
Speaker 1: put yourself in that situation. You're sixteen years old, you

609
00:39:22,560 --> 00:39:26,080
Speaker 1: go into a fancy school. Okay. In my situation, you know,

610
00:39:26,160 --> 00:39:29,319
Speaker 1: my mother was single. When I was sixteen, I was

611
00:39:29,360 --> 00:39:31,399
Speaker 1: going to a fancy school. And if one of my

612
00:39:31,440 --> 00:39:35,920
Speaker 1: teachers had called, and we didn't have answering machines back then,

613
00:39:35,960 --> 00:39:38,919
Speaker 1: but if they called and said, hi, Scott, you're doing

614
00:39:38,920 --> 00:39:40,839
Speaker 1: great in school, and you know, we think you can

615
00:39:40,880 --> 00:39:43,200
Speaker 1: catch up and all that and do some extra credit.

616
00:39:43,239 --> 00:39:44,719
Speaker 1: But I think you're gonna be able to get back

617
00:39:44,960 --> 00:39:47,040
Speaker 1: because I have confidence with you. And by the way,

618
00:39:47,080 --> 00:39:49,759
Speaker 1: can you put your mother on the phone and then

619
00:39:50,040 --> 00:39:51,560
Speaker 1: and then I and then I get on the other

620
00:39:51,600 --> 00:39:54,080
Speaker 1: line and I'm listening in and he's saying, Hi, Hope,

621
00:39:54,560 --> 00:39:57,480
Speaker 1: how you're doing. Look, I really enjoyed meeting you today.

622
00:39:57,520 --> 00:40:00,759
Speaker 1: Maybe I hope that we see each other again by

623
00:40:00,800 --> 00:40:03,239
Speaker 1: Now that you're saying it this way, it has a

624
00:40:03,320 --> 00:40:05,640
Speaker 1: hint of creepy, But when I was watching it, I

625
00:40:05,760 --> 00:40:10,200
Speaker 1: kind of loved it. I love Max Medina, and I

626
00:40:10,239 --> 00:40:12,960
Speaker 1: love him flirting with Laura Lai and I love I

627
00:40:13,000 --> 00:40:15,880
Speaker 1: think it's very subconscious at this point. I don't know

628
00:40:15,960 --> 00:40:21,960
Speaker 1: that they totally know what they're doing. I don't think

629
00:40:22,040 --> 00:40:24,040
Speaker 1: he knows yet that he wants to ask her out.

630
00:40:25,040 --> 00:40:26,520
Speaker 1: All I can think of now is like that al

631
00:40:26,560 --> 00:40:28,759
Speaker 1: Pacino line in that in that film, I'll take a

632
00:40:28,880 --> 00:40:36,120
Speaker 1: flamethrower to this place. Let's ask our listeners what they

633
00:40:36,160 --> 00:40:42,800
Speaker 1: think is Max Medina creepy or not charming? Creepy or charming?

634
00:40:42,800 --> 00:40:47,000
Speaker 1: Because he's very charming. There's no question about it. It's

635
00:40:47,000 --> 00:40:50,319
Speaker 1: it's it's a choice you make. Come on, guys, a

636
00:40:50,360 --> 00:40:53,399
Speaker 1: guy makes a choice in the moment. Do I turn

637
00:40:53,400 --> 00:40:55,600
Speaker 1: on the charm right now or don't die? Am I

638
00:40:55,640 --> 00:41:00,279
Speaker 1: appropriate or am I not? Moms can teach hers date

639
00:41:00,320 --> 00:41:05,000
Speaker 1: moms is a question we need to ask you absolutely

640
00:41:05,040 --> 00:41:08,120
Speaker 1: not because they're paying. Look, if you're if you're on

641
00:41:08,160 --> 00:41:11,080
Speaker 1: the border directors at that private school, you say to

642
00:41:11,160 --> 00:41:13,920
Speaker 1: Max mcdin and listen, Mr Medina, these people are paying

643
00:41:13,920 --> 00:41:17,880
Speaker 1: fifty dollars a year, plus boarding, plus plus plus plus

644
00:41:18,000 --> 00:41:19,640
Speaker 1: plus all the money we're trying to hit him up

645
00:41:19,680 --> 00:41:22,239
Speaker 1: for for fundraisers throughout the year. So this comes to

646
00:41:22,280 --> 00:41:27,080
Speaker 1: seventy dollars a year, and you're hitting on one of

647
00:41:27,120 --> 00:41:33,080
Speaker 1: the mothers. You know, bye bye, Because that's that kind

648
00:41:33,120 --> 00:41:37,320
Speaker 1: of a story can get around, it can go via,

649
00:41:37,480 --> 00:41:40,400
Speaker 1: It could even go viral back then, and then you

650
00:41:40,719 --> 00:41:43,719
Speaker 1: kind of that guy. You have to protect the institution.

651
00:41:43,719 --> 00:41:45,919
Speaker 1: No matter how classy a guy, no matter how great

652
00:41:45,920 --> 00:41:48,120
Speaker 1: a teaching about, how what kind of credentials he has,

653
00:41:48,600 --> 00:41:51,960
Speaker 1: he could sink that place with that one phone message.

654
00:41:52,200 --> 00:41:54,320
Speaker 1: I thought it was a tad disconcerting that he called

655
00:41:54,360 --> 00:41:57,759
Speaker 1: out Rory she when she got the d he very

656
00:41:57,840 --> 00:42:02,160
Speaker 1: sort of loudly said, like you can work on this

657
00:42:02,280 --> 00:42:05,319
Speaker 1: in front of the other students, kind of calling out

658
00:42:05,320 --> 00:42:07,839
Speaker 1: that she didn't do well. That was sort of aggressive,

659
00:42:08,480 --> 00:42:11,600
Speaker 1: and that's obviously Paris. I could hear that and then

660
00:42:12,120 --> 00:42:16,480
Speaker 1: but that's that's part of the old school way. Like

661
00:42:16,800 --> 00:42:18,719
Speaker 1: you're not going to get a d here and this

662
00:42:18,760 --> 00:42:22,640
Speaker 1: won't happen again, or else you're gonna feel this shamed again.

663
00:42:24,000 --> 00:42:27,040
Speaker 1: It's everything. It's I mean, getting into a school like that,

664
00:42:27,239 --> 00:42:29,880
Speaker 1: it's like that they don't mess around over there. So

665
00:42:29,960 --> 00:42:34,560
Speaker 1: at this point, do you not like Max Medina? I

666
00:42:34,600 --> 00:42:38,759
Speaker 1: guess us, Scott, we know Luke doesn't like him. That

667
00:42:38,960 --> 00:42:43,719
Speaker 1: is very apt. I get why they had to do it.

668
00:42:43,960 --> 00:42:46,520
Speaker 1: I get why the writers had to do it. I

669
00:42:46,600 --> 00:42:53,000
Speaker 1: get it. I don't like Max Medina right now, even

670
00:42:53,040 --> 00:42:55,759
Speaker 1: though okay, let me, let me qualify this. I think

671
00:42:55,800 --> 00:42:58,719
Speaker 1: that he would be a good I mean, because it

672
00:42:58,719 --> 00:43:01,279
Speaker 1: comes down to judgment. It's just a judgment call. It's

673
00:43:01,280 --> 00:43:04,680
Speaker 1: a choice that a man makes now if he ends up.

674
00:43:04,840 --> 00:43:09,160
Speaker 1: And yes, I do agree that he would be a

675
00:43:09,200 --> 00:43:11,600
Speaker 1: good fit for Laurela and a good fit for Rory.

676
00:43:11,719 --> 00:43:16,160
Speaker 1: And you know, but he's the decision that he makes

677
00:43:17,200 --> 00:43:23,640
Speaker 1: is jeopardizing that institution. He's jeopardizing his own reputation, Rory's education,

678
00:43:23,960 --> 00:43:29,120
Speaker 1: and and the reputation of Chilton. Yeah, he's definitely opening

679
00:43:29,200 --> 00:43:32,440
Speaker 1: up Pandora's box. Like this could go really bad. I

680
00:43:32,480 --> 00:43:38,880
Speaker 1: could go very bad, very bad. Yeah, I have so

681
00:43:39,000 --> 00:43:42,520
Speaker 1: much to bank upout touch the elbow, Touch the elbow.

682
00:43:43,080 --> 00:43:50,560
Speaker 1: That really bothered you, Mr Mr handa Mr Hand became

683
00:43:50,719 --> 00:43:56,239
Speaker 1: Mr Fist. That was not gonna work for me. I

684
00:43:56,320 --> 00:44:00,239
Speaker 1: watched that episode and it was like, oh boy, your

685
00:44:00,320 --> 00:44:03,920
Speaker 1: hands off. No no, no, Yeah, there's a lot to

686
00:44:04,000 --> 00:44:07,080
Speaker 1: think about with with how complicated it is, But I

687
00:44:07,120 --> 00:44:13,560
Speaker 1: do see how it's opening up thing for us. That's

688
00:44:13,560 --> 00:44:17,560
Speaker 1: a big deal. You can't go around hitting on the moms,

689
00:44:17,640 --> 00:44:23,400
Speaker 1: even if it's a Laurela Gilmore quality, you know. And

690
00:44:23,440 --> 00:44:26,960
Speaker 1: we haven't talked about what those other parents will think

691
00:44:27,360 --> 00:44:30,880
Speaker 1: when they find out that Max is dating or like,

692
00:44:31,000 --> 00:44:35,480
Speaker 1: because he already sort of in front of the other parents,

693
00:44:35,640 --> 00:44:37,960
Speaker 1: drew attention to them. Oh, speaking of the other parents,

694
00:44:37,960 --> 00:44:41,360
Speaker 1: how about when he's talking about driving the administrator of

695
00:44:41,400 --> 00:44:43,680
Speaker 1: the a P test. Did everybody not immediately think of

696
00:44:43,719 --> 00:44:48,360
Speaker 1: the college scandal, the varsity blues, the college scandal that

697
00:44:48,480 --> 00:44:51,239
Speaker 1: just happened. But I literally heard that line and I

698
00:44:51,280 --> 00:44:55,399
Speaker 1: was like, that aged very well. But it's been going

699
00:44:55,400 --> 00:44:59,279
Speaker 1: on forever. I mean that's sort of how it works everywhere.

700
00:44:59,320 --> 00:45:01,880
Speaker 1: I mean not just one percent, but it works everywhere.

701
00:45:01,880 --> 00:45:05,160
Speaker 1: Everybody's bribe and everybody. But now it's just not acceptable. Yeah,

702
00:45:05,160 --> 00:45:08,760
Speaker 1: because obviously when you made this show, that whole college

703
00:45:08,800 --> 00:45:13,920
Speaker 1: scandal wasn't a thing. But that's what you do, you donate,

704
00:45:14,040 --> 00:45:19,400
Speaker 1: you know, And he obviously was being facetious, but still, yeah, whoa,

705
00:45:20,719 --> 00:45:23,319
Speaker 1: I'm just looking at Max Medina in a Whole Another Life.

706
00:45:23,440 --> 00:45:26,360
Speaker 1: What do you think of all the pressure Rory's putting

707
00:45:26,360 --> 00:45:31,040
Speaker 1: on herself and how she full spiraled in this episode.

708
00:45:32,280 --> 00:45:35,160
Speaker 1: She she's just realizing what it takes to compete at

709
00:45:35,160 --> 00:45:38,200
Speaker 1: that level. It's it's it's really just comes down to

710
00:45:38,239 --> 00:45:39,920
Speaker 1: the amount of reading you have to do. It's like,

711
00:45:40,080 --> 00:45:44,080
Speaker 1: it's not tens of pages, it's hundreds of pages. And

712
00:45:44,560 --> 00:45:46,640
Speaker 1: if you can't read at that level and comprehend at

713
00:45:46,640 --> 00:45:48,240
Speaker 1: that level, you're not going to be able to compete

714
00:45:48,239 --> 00:45:50,680
Speaker 1: at that level. You won't get through the coursework. It

715
00:45:50,760 --> 00:45:55,120
Speaker 1: won't happen. And do you think Paris poking her and

716
00:45:55,680 --> 00:46:00,040
Speaker 1: Tristan's constantly sort of calling her Mary and kind of

717
00:46:00,680 --> 00:46:04,319
Speaker 1: ribbing her contributed to the full meltdown, of course. I mean,

718
00:46:05,920 --> 00:46:08,360
Speaker 1: I love Chad Michael Murray. That character was about his

719
00:46:08,480 --> 00:46:13,040
Speaker 1: obnoxious and condescending and I mean there's another Mr Hand

720
00:46:13,120 --> 00:46:15,200
Speaker 1: turning into Mr Fist. It's like you just want to

721
00:46:15,239 --> 00:46:20,920
Speaker 1: punch the guy. He doesn't care that so smarmy and smug.

722
00:46:21,000 --> 00:46:24,160
Speaker 1: I mean, how does he did a great job of

723
00:46:24,440 --> 00:46:28,040
Speaker 1: portraying it just a spoiled, entitled, rich kid, which is

724
00:46:28,080 --> 00:46:30,360
Speaker 1: exactly what they were looking for. I mean he held

725
00:46:30,400 --> 00:46:34,720
Speaker 1: that because he's a little cutie. Yeah. But there's nothing

726
00:46:35,040 --> 00:46:39,120
Speaker 1: remotely likable about his personality. I mean, it's just nothing there.

727
00:46:39,440 --> 00:46:44,120
Speaker 1: It's just Mr Popular. So he's Mr. Popular. But he

728
00:46:44,200 --> 00:46:46,680
Speaker 1: did ask her out, which I thought was Wow. So

729
00:46:46,719 --> 00:46:49,479
Speaker 1: we learned two things. One, Tristan has asked her out,

730
00:46:49,800 --> 00:46:52,719
Speaker 1: even though she obviously blew it off. And we find

731
00:46:52,719 --> 00:46:55,839
Speaker 1: out in this episode that Dean's asking about her. Right,

732
00:46:56,880 --> 00:47:01,360
Speaker 1: So now we've got the beginnings of this Rory love triangle. Wow.

733
00:47:02,000 --> 00:47:06,640
Speaker 1: Yeah yeah. Um. But anyway, I mean, when you have parents,

734
00:47:06,719 --> 00:47:09,040
Speaker 1: you have a parison at Tristed, you have two of

735
00:47:09,080 --> 00:47:16,040
Speaker 1: the most unlikable, obnoxious, entitled people. Uh uh you could

736
00:47:16,080 --> 00:47:21,760
Speaker 1: possibly imagine. Um. And it's a little unfair because private

737
00:47:21,760 --> 00:47:24,600
Speaker 1: schools maybe, I mean, you know, every kind of school

738
00:47:24,600 --> 00:47:28,680
Speaker 1: produces that individual. It's not really the school producing that individual,

739
00:47:28,680 --> 00:47:31,680
Speaker 1: it's the parents. Uh, It's it's it's how they grow up.

740
00:47:31,800 --> 00:47:35,759
Speaker 1: But and I think that the one percent are unfairly

741
00:47:35,920 --> 00:47:39,000
Speaker 1: labeled across the board as being you know, all of

742
00:47:39,040 --> 00:47:42,680
Speaker 1: this all the same. It's it's really not that um

743
00:47:42,719 --> 00:47:48,440
Speaker 1: but man, yeah, but it's it's like, for the purpose

744
00:47:48,440 --> 00:47:50,799
Speaker 1: of the show, for a traumedy kind of perfect I mean,

745
00:47:50,840 --> 00:47:52,600
Speaker 1: you kind of have to do that stuff. So maybe

746
00:47:52,680 --> 00:47:55,720
Speaker 1: maybe they gave themselves a license for the Maxi Medina

747
00:47:55,800 --> 00:48:02,640
Speaker 1: touching in the creepy phone cree Should we get a

748
00:48:02,760 --> 00:48:09,560
Speaker 1: Riley re enactment of Paris whispering in Rory's ear because

749
00:48:09,600 --> 00:48:15,120
Speaker 1: that was jarring? Riley? Could you perform that for us?

750
00:48:16,080 --> 00:48:19,000
Speaker 1: Let me not to the marriage of true minds, admit

751
00:48:19,080 --> 00:48:24,240
Speaker 1: and pendence. Love is not love, which alters when it altercation, finds,

752
00:48:24,640 --> 00:48:28,279
Speaker 1: or bends with the remover to remove. Oh no, It

753
00:48:28,400 --> 00:48:31,640
Speaker 1: is an ever fixed mark that looks on temptest and

754
00:48:31,800 --> 00:48:35,279
Speaker 1: is never shaken. It is the star to every wandering

755
00:48:35,320 --> 00:48:40,880
Speaker 1: bark who's worth unknown. Although his heights be taken, Love's

756
00:48:40,920 --> 00:48:44,880
Speaker 1: not times full the rosy lips and cheeks within his

757
00:48:44,920 --> 00:48:49,000
Speaker 1: bending sickles compass come. Love alters not with his brief

758
00:48:49,000 --> 00:48:52,000
Speaker 1: hours and weeks, but bears it out even to the

759
00:48:52,160 --> 00:48:54,799
Speaker 1: edge of doom. It is to be air and upon

760
00:48:54,920 --> 00:48:59,400
Speaker 1: me prove I never writ nor no man ever loved

761
00:49:00,640 --> 00:49:07,080
Speaker 1: would today that would be considered bullying, right, like academic bullying.

762
00:49:07,160 --> 00:49:11,120
Speaker 1: It's so like intellectual bullying. Like it's not even mean words,

763
00:49:11,160 --> 00:49:14,440
Speaker 1: it's just Shakespeare. You know. That was my favorite scene.

764
00:49:14,800 --> 00:49:18,160
Speaker 1: That was my favorite. It was so purely evil. But

765
00:49:18,160 --> 00:49:22,920
Speaker 1: but it's listen, it's a tough world out there, and

766
00:49:23,000 --> 00:49:25,239
Speaker 1: you're going to run into people like that and you

767
00:49:25,320 --> 00:49:30,760
Speaker 1: need to compete, overcome, be the better person and win that.

768
00:49:30,760 --> 00:49:33,840
Speaker 1: That's laying down the gauntlet, like, I mean, it was

769
00:49:33,840 --> 00:49:37,720
Speaker 1: beautifully done. That absolutely my favorite scene. Well, and obviously

770
00:49:37,800 --> 00:49:42,000
Speaker 1: Paris she's threatened by Rory, absolutely the only reason she

771
00:49:42,040 --> 00:49:44,800
Speaker 1: did it, of course. Yeah, so that's kind of interesting

772
00:49:44,840 --> 00:49:48,960
Speaker 1: that we know that's coming. Despite Rory's d and the

773
00:49:49,400 --> 00:49:53,440
Speaker 1: i mean, what becomes the test debacle, Harris is still

774
00:49:53,480 --> 00:49:55,560
Speaker 1: threatened and knows that Rory is going to be the

775
00:49:55,600 --> 00:50:01,279
Speaker 1: one that's coming for Paris is sort of being number one. Yeah. Oh,

776
00:50:01,360 --> 00:50:05,680
Speaker 1: the meltdown though, the meltdown, Rory's meltdown, What did you think?

777
00:50:07,800 --> 00:50:11,640
Speaker 1: I think it was so far in the series, Okay,

778
00:50:11,640 --> 00:50:15,640
Speaker 1: and I've only watched what these three episodes now, um

779
00:50:15,920 --> 00:50:20,520
Speaker 1: her finest moment acting moments, I think she just nailed

780
00:50:20,760 --> 00:50:24,239
Speaker 1: and I've never ever seen her or when I was

781
00:50:24,280 --> 00:50:25,840
Speaker 1: acting with her, because I haven't seen the shows, but

782
00:50:25,880 --> 00:50:28,319
Speaker 1: when I was acting with her all those years, I've

783
00:50:28,320 --> 00:50:30,560
Speaker 1: never seen her pop like that, the way she popped

784
00:50:30,560 --> 00:50:34,319
Speaker 1: at Tristan when he said my name is Rory and

785
00:50:34,400 --> 00:50:36,840
Speaker 1: she screamed it out. And I don't think she's ever

786
00:50:36,920 --> 00:50:39,480
Speaker 1: done that. She may have, and I'll discover it, but

787
00:50:40,239 --> 00:50:43,560
Speaker 1: I just thought, Wow, for an eighteen year old kid,

788
00:50:44,680 --> 00:50:47,400
Speaker 1: she can act, that was terrific. It was just a

789
00:50:47,520 --> 00:50:51,319
Speaker 1: terrific to to both of them, but especially to too

790
00:50:51,480 --> 00:50:55,200
Speaker 1: Um Tristan. I enjoyed the heck out of it. You

791
00:50:55,239 --> 00:50:57,960
Speaker 1: know what I found interesting about the meltdown is you

792
00:50:58,000 --> 00:51:00,839
Speaker 1: see Rory's epic meltdown and then a few scenes later

793
00:51:00,920 --> 00:51:06,040
Speaker 1: you see larealize I think meltdown, and it just shows

794
00:51:06,239 --> 00:51:09,359
Speaker 1: that Lorelei and Rory are a lot more similar than

795
00:51:09,400 --> 00:51:12,360
Speaker 1: they think they are, and they constantly have roll reversal

796
00:51:12,719 --> 00:51:16,799
Speaker 1: because when Rory was studying and Loyalize doing like ice cream,

797
00:51:16,840 --> 00:51:20,280
Speaker 1: ice ice cream, ice cream, you realize in that particular scene,

798
00:51:20,360 --> 00:51:24,960
Speaker 1: Rory is fully the mom and Lorala is fully the teenager. Yeah,

799
00:51:25,200 --> 00:51:29,600
Speaker 1: but the Rory meltdown. You had to have it because

800
00:51:29,600 --> 00:51:33,040
Speaker 1: now it's like, Okay, you're in for the fight of

801
00:51:33,120 --> 00:51:36,920
Speaker 1: your life because look at my rage. I know that

802
00:51:37,000 --> 00:51:40,319
Speaker 1: you're an angry little child. But I'm not an angry child.

803
00:51:40,400 --> 00:51:43,600
Speaker 1: I'm a happy child. But don't mess with me, because

804
00:51:43,640 --> 00:51:45,840
Speaker 1: I will destroy you. I have it within me to

805
00:51:45,880 --> 00:51:48,600
Speaker 1: do it. And she displayed that, and that's what that

806
00:51:48,719 --> 00:51:51,800
Speaker 1: was all about. And she was willing to risk getting

807
00:51:51,880 --> 00:51:55,959
Speaker 1: kicked out of the Chilton doing that because she knew

808
00:51:56,000 --> 00:51:58,440
Speaker 1: that that was a bridge too far. Melting down in

809
00:51:58,520 --> 00:52:01,919
Speaker 1: class like that and threatening student. Yeah, and now we're

810
00:52:01,960 --> 00:52:07,319
Speaker 1: teed up for her to overcome and succeed. So satisfying.

811
00:52:07,760 --> 00:52:10,480
Speaker 1: That's what if you were once they want that scene,

812
00:52:10,520 --> 00:52:13,480
Speaker 1: it's like, yes, get in the fight, get in there

813
00:52:13,480 --> 00:52:16,560
Speaker 1: and start swinging. Good for you. That just makes her all.

814
00:52:16,640 --> 00:52:19,080
Speaker 1: I mean, I don't know if there's a more likable

815
00:52:19,160 --> 00:52:23,400
Speaker 1: character in television in the last five years. And Rory Gilmore,

816
00:52:23,480 --> 00:52:29,279
Speaker 1: I mean, what a wonderful character. No, absolutely, but I

817
00:52:29,280 --> 00:52:31,359
Speaker 1: think Rory, I mean you really have to you have

818
00:52:31,440 --> 00:52:34,600
Speaker 1: to really root for her. She's she's sixteen year old kid,

819
00:52:34,760 --> 00:52:37,959
Speaker 1: you know, she's just a kid. You know, she's she's

820
00:52:37,960 --> 00:52:40,719
Speaker 1: got this mom that's you know, pretty terrific and real,

821
00:52:40,880 --> 00:52:46,400
Speaker 1: colorful and unpredictable and wacky and brilliant and loving and

822
00:52:46,440 --> 00:52:48,680
Speaker 1: all that stuff. But she does have her moments where

823
00:52:48,719 --> 00:52:51,600
Speaker 1: she gets very selfish or everybody, we're going to take

824
00:52:51,640 --> 00:52:53,959
Speaker 1: a break and when we come back, we are going

825
00:52:54,040 --> 00:52:58,839
Speaker 1: to get into the hottest topic, uh, probably trending right

826
00:52:58,840 --> 00:53:02,080
Speaker 1: now in the world is the return of the clown pillow.

827
00:53:02,160 --> 00:53:09,359
Speaker 1: We'll be right back. Yeah, are everybody, We're back. We're

828
00:53:09,360 --> 00:53:12,320
Speaker 1: talking clown pillows. And I know a lot of people

829
00:53:12,680 --> 00:53:14,719
Speaker 1: want to talk clown pillows. I've met a lot of

830
00:53:14,760 --> 00:53:18,520
Speaker 1: people recently and over the last twenty one years and

831
00:53:18,520 --> 00:53:20,280
Speaker 1: they come up to me they want to talk clown pillows.

832
00:53:20,280 --> 00:53:22,600
Speaker 1: And now we're you know, we're We've created an entire show.

833
00:53:22,840 --> 00:53:25,440
Speaker 1: This whole podcast is just an excuse to talk about

834
00:53:25,440 --> 00:53:29,399
Speaker 1: that one subject. So here we going there. It was

835
00:53:29,440 --> 00:53:33,840
Speaker 1: there was they were studying, they were doing the study

836
00:53:33,920 --> 00:53:38,160
Speaker 1: crunch and it was subtle but but real. In the

837
00:53:38,239 --> 00:53:41,880
Speaker 1: stair the stairs to the bedrooms in the landing. Although

838
00:53:42,000 --> 00:53:45,000
Speaker 1: is Rory's bedroom upstairs or downstair downstairs, it's by the

839
00:53:45,120 --> 00:53:49,200
Speaker 1: kitchen and laulize upstairs upstairs, yes, which is unner you know,

840
00:53:49,320 --> 00:53:53,279
Speaker 1: it's like that's unnerving. That would make me. You know,

841
00:53:53,360 --> 00:53:55,759
Speaker 1: when when Nick was born, uh, you know he was

842
00:53:55,800 --> 00:53:59,480
Speaker 1: in our room, we didn't let him out of the room. Yeah.

843
00:53:59,480 --> 00:54:01,719
Speaker 1: I wonder when she let Rory move down and like

844
00:54:01,800 --> 00:54:04,560
Speaker 1: giving him his own room eventually was like traumatic for us.

845
00:54:04,600 --> 00:54:06,479
Speaker 1: But he was like, you know, right, he's like one

846
00:54:06,520 --> 00:54:11,360
Speaker 1: door away. I can't imagine anybody. I mean, she must have.

847
00:54:11,840 --> 00:54:14,480
Speaker 1: She must have moved her down there at a necessity

848
00:54:14,560 --> 00:54:17,040
Speaker 1: when she became you know, ten or eleven or something.

849
00:54:17,480 --> 00:54:20,200
Speaker 1: You know, I just can't imagine she'd be downstairs as

850
00:54:20,239 --> 00:54:24,000
Speaker 1: a as a kid, little kid, as a toddler, no way. Yeah,

851
00:54:24,000 --> 00:54:26,120
Speaker 1: and they probably didn't get that house till she was

852
00:54:26,160 --> 00:54:29,200
Speaker 1: a bit old, right right, See, there's a whole life

853
00:54:29,280 --> 00:54:33,719
Speaker 1: before the show. There's a whole life there. The prequel

854
00:54:33,760 --> 00:54:36,000
Speaker 1: would be a good God, you know, you could start

855
00:54:36,040 --> 00:54:39,560
Speaker 1: it when you know Headmster Charlton was a boy. You know,

856
00:54:40,520 --> 00:54:42,560
Speaker 1: we weren't even born yet. I don't know. You could

857
00:54:42,680 --> 00:54:51,520
Speaker 1: definitely do a show though, where Lorelai started as pregnant, right, yeah,

858
00:54:52,680 --> 00:54:56,239
Speaker 1: just the clown pillow was less creepy but yet prominent.

859
00:54:56,480 --> 00:54:59,680
Speaker 1: And we do we have an image of it in

860
00:54:59,719 --> 00:55:02,239
Speaker 1: this episode where it was placed. Do we have an

861
00:55:02,239 --> 00:55:05,120
Speaker 1: image coming up? I kind of feel like we're going

862
00:55:05,160 --> 00:55:07,239
Speaker 1: to see it. We do, and we will post it

863
00:55:07,239 --> 00:55:12,240
Speaker 1: on social so you all can see it. That's fantastic, Okay, Gang,

864
00:55:12,280 --> 00:55:16,920
Speaker 1: I we better discussed the risotto. It's a serious topic.

865
00:55:17,920 --> 00:55:24,920
Speaker 1: It was fine, the magic risotto. The magic risotto. It

866
00:55:25,080 --> 00:55:29,200
Speaker 1: wasn't just fine. I mean, did you see her react

867
00:55:29,200 --> 00:55:32,480
Speaker 1: to that? She she just went blank. She was so

868
00:55:32,520 --> 00:55:35,720
Speaker 1: happy and so so in anticipating such a great review

869
00:55:35,760 --> 00:55:39,040
Speaker 1: and then that just like and then she went full

870
00:55:39,080 --> 00:55:41,480
Speaker 1: c I A. She was going to track down Lucian

871
00:55:42,080 --> 00:55:44,960
Speaker 1: and figure out what went wrong, why he only thought

872
00:55:45,000 --> 00:55:48,799
Speaker 1: the risotto was fine, and then she was gonna fix that.

873
00:55:49,000 --> 00:55:51,400
Speaker 1: One of the great one of the great scenes in

874
00:55:51,440 --> 00:55:55,840
Speaker 1: the entire episode was when she found his his receipt

875
00:55:56,440 --> 00:55:59,719
Speaker 1: right and it had his info on it, and you

876
00:55:59,719 --> 00:56:02,520
Speaker 1: could hear from from the what was she what was

877
00:56:02,520 --> 00:56:04,439
Speaker 1: she doing? She was doing her yell, she was doing

878
00:56:04,480 --> 00:56:11,879
Speaker 1: some kind of choy and right right and then can

879
00:56:11,920 --> 00:56:17,879
Speaker 1: I be fired now? And it's like if you blink

880
00:56:17,920 --> 00:56:20,319
Speaker 1: and you miss it? Like it was so genius. He's like,

881
00:56:20,560 --> 00:56:24,640
Speaker 1: I serve a lot of people like you know. But

882
00:56:24,800 --> 00:56:26,680
Speaker 1: he may have looked like a guy who was drinking

883
00:56:26,680 --> 00:56:29,440
Speaker 1: a bad class of wine. With the magic risotto, the reestling.

884
00:56:29,520 --> 00:56:32,640
Speaker 1: It's like bad battery acid. Exactly, it's like battery acid.

885
00:56:33,120 --> 00:56:38,160
Speaker 1: I mean, my God is cragging me up? Come on.

886
00:56:39,080 --> 00:56:41,640
Speaker 1: That was my favorite scene in the entire episode. And

887
00:56:41,640 --> 00:56:45,600
Speaker 1: then she went full acrobat to hand the risotto backwards

888
00:56:45,719 --> 00:56:48,040
Speaker 1: at the guy's door. Who we never see his face

889
00:56:49,040 --> 00:56:53,160
Speaker 1: like that, poor actor, We never got to see him.

890
00:56:53,239 --> 00:56:55,400
Speaker 1: It might have been somebody. It might have been somebody

891
00:56:55,400 --> 00:56:59,440
Speaker 1: on the crew. I would assume, why pay a day road?

892
00:56:59,520 --> 00:57:02,839
Speaker 1: But no, it's but you're acting with Melissa McCarthy, so

893
00:57:02,960 --> 00:57:12,480
Speaker 1: you need a trained person, you know. That's it was

894
00:57:12,520 --> 00:57:14,640
Speaker 1: somebody it was. I don't know. I'm gonna find that.

895
00:57:14,640 --> 00:57:16,400
Speaker 1: That's that's a good question. I bet you somebody knows.

896
00:57:16,400 --> 00:57:18,760
Speaker 1: If somebody knows that, oh yeah, let's try to see

897
00:57:18,760 --> 00:57:21,720
Speaker 1: if somebody can tell us that who was that guy?

898
00:57:21,880 --> 00:57:24,840
Speaker 1: I like Rossotto? Do you like risotto? Love it? Love

899
00:57:24,920 --> 00:57:28,200
Speaker 1: lobster risotto. There's a wonderful lobster rosota to a place

900
00:57:28,280 --> 00:57:34,720
Speaker 1: around here, or of a mushroom gal like that mushrooms. Yeah,

901
00:57:35,000 --> 00:57:37,160
Speaker 1: she had lobster in that risotto. I think she said

902
00:57:37,400 --> 00:57:39,920
Speaker 1: did she really gave a tad bit of the recipe

903
00:57:40,800 --> 00:57:43,560
Speaker 1: and it was just a little bit of it, which

904
00:57:43,640 --> 00:57:46,400
Speaker 1: was what makes it so magical, isn't It's so great?

905
00:57:46,440 --> 00:57:48,880
Speaker 1: I mean the pride she has in her cooking, attaching

906
00:57:48,880 --> 00:57:51,520
Speaker 1: it to her mother surviving another three years. You know

907
00:57:51,560 --> 00:57:54,840
Speaker 1: what else to like in that kitchen is that in

908
00:57:54,920 --> 00:57:58,640
Speaker 1: the background you see the cheerios, so they're actually somehow

909
00:57:58,680 --> 00:58:00,480
Speaker 1: they cleared it or whatever they did so that you

910
00:58:00,520 --> 00:58:02,840
Speaker 1: have like real food back there and it's not like

911
00:58:04,120 --> 00:58:09,760
Speaker 1: some fake TV food cleared it. Cheers General Mills gotta

912
00:58:09,760 --> 00:58:13,760
Speaker 1: pay up? Yeahs in there and I'm season one of

913
00:58:13,760 --> 00:58:17,800
Speaker 1: that monster hit. Yeah, I'm sure they had to clear

914
00:58:17,840 --> 00:58:24,080
Speaker 1: it cheerious. Was this the first appearance of Dosis market?

915
00:58:24,480 --> 00:58:26,400
Speaker 1: Was that where they were buying the school supplies? They

916
00:58:26,440 --> 00:58:29,960
Speaker 1: just don't really call it out The very first scene

917
00:58:29,960 --> 00:58:34,040
Speaker 1: in this episode for Laura, I wanted Rory to get

918
00:58:34,040 --> 00:58:37,760
Speaker 1: the purple and then she did that whole list of

919
00:58:37,800 --> 00:58:39,640
Speaker 1: things like she did like at the end of the

920
00:58:39,760 --> 00:58:42,920
Speaker 1: last episode, she had all her running jokes and it

921
00:58:43,000 --> 00:58:44,680
Speaker 1: was like get away from me. You're crazy this kind.

922
00:58:44,800 --> 00:58:46,480
Speaker 1: But they were really fun. And then she did again

923
00:58:46,520 --> 00:58:48,880
Speaker 1: with the paper cliss. She was like, your depressed pens,

924
00:58:49,000 --> 00:58:53,160
Speaker 1: right right, right? Um, I think that's Dosie's market. I

925
00:58:53,200 --> 00:58:54,960
Speaker 1: just don't think they called it out. Yeah, I think

926
00:58:54,960 --> 00:58:58,280
Speaker 1: it's I think there's not another market in town. No, No,

927
00:58:58,440 --> 00:59:01,280
Speaker 1: that's doc. That's got to be Jose's market unless there's

928
00:59:01,280 --> 00:59:04,400
Speaker 1: like a school supply office supplies. If we are wrong,

929
00:59:04,720 --> 00:59:10,040
Speaker 1: we are going to get checked by the world, because

930
00:59:10,080 --> 00:59:12,240
Speaker 1: I'll tell you, man, we'd better be right about that.

931
00:59:12,320 --> 00:59:16,640
Speaker 1: One man. Are those girls always late? They've got a

932
00:59:16,680 --> 00:59:22,640
Speaker 1: real alarm clock issue, because first Rory was late for

933
00:59:22,680 --> 00:59:24,920
Speaker 1: school because the fuzzy alarm didn't go off. Then she

934
00:59:25,000 --> 00:59:27,160
Speaker 1: was late for the golf with Richard, and now she

935
00:59:27,520 --> 00:59:32,960
Speaker 1: missed the test because she overslept. Those girls need help

936
00:59:33,000 --> 00:59:35,240
Speaker 1: with the clocks and being on time. Well, I think

937
00:59:35,280 --> 00:59:39,000
Speaker 1: in Richard in being late for the golf game, and

938
00:59:39,160 --> 00:59:42,760
Speaker 1: if we already went over this, I apologize, But you know,

939
00:59:42,920 --> 00:59:45,640
Speaker 1: I really think that that is on a subconscious or

940
00:59:45,680 --> 00:59:52,560
Speaker 1: not level alualized sabotage. Um. No way that she wants

941
00:59:52,600 --> 00:59:54,320
Speaker 1: those two to get together and have a good time

942
00:59:54,360 --> 00:59:57,200
Speaker 1: because she knows that that you know, Richard's a father

943
00:59:57,280 --> 01:00:01,600
Speaker 1: figure to her and a potential of male influence that

944
01:00:01,600 --> 01:00:04,080
Speaker 1: that maybe Laurel I wants nothing to do with it.

945
01:00:04,160 --> 01:00:07,880
Speaker 1: I don't understand why. I mean, he's obviously a loving,

946
01:00:08,200 --> 01:00:12,400
Speaker 1: wealthy area date individual who could be very beneficial. But

947
01:00:12,440 --> 01:00:14,960
Speaker 1: then we get into that thing about what we discussed

948
01:00:15,000 --> 01:00:18,640
Speaker 1: earlier about control, and yeah, I think they just run late,

949
01:00:23,200 --> 01:00:26,760
Speaker 1: but that's a control thing. That's running late is a

950
01:00:26,840 --> 01:00:31,560
Speaker 1: control thing. It is no matter how disorganization or whatever,

951
01:00:31,680 --> 01:00:34,040
Speaker 1: whatever excuse you want to say, that is a control thing.

952
01:00:34,920 --> 01:00:36,760
Speaker 1: It also makes for a great comedy when they're all

953
01:00:36,840 --> 01:00:41,920
Speaker 1: bumbling around running running, it's it's it's actually good television.

954
01:00:42,000 --> 01:00:45,920
Speaker 1: I'm getting hit by dear. And boy did we see

955
01:00:45,960 --> 01:00:50,400
Speaker 1: that deer come? And then kind of all right, we

956
01:00:50,480 --> 01:00:53,520
Speaker 1: saw antlers which was not the real deer, but then

957
01:00:53,560 --> 01:00:59,240
Speaker 1: we saw the real deer run. But that dear, easy,

958
01:00:59,320 --> 01:01:02,960
Speaker 1: easy to share, take off hitting a parked car. It's

959
01:01:03,000 --> 01:01:05,200
Speaker 1: not a big deal to with, Dear, no big deal.

960
01:01:05,440 --> 01:01:07,120
Speaker 1: And then he just kept going. He took off. You

961
01:01:07,160 --> 01:01:09,680
Speaker 1: know you're not gonna find it shook her probably more

962
01:01:09,680 --> 01:01:12,720
Speaker 1: than the absolutely deer. Was like wow, whatever you know,

963
01:01:13,400 --> 01:01:15,680
Speaker 1: and good fashion in this episode, you're back to the

964
01:01:15,720 --> 01:01:21,080
Speaker 1: flannel oh when I did like the line where Laurelai says, oh, backward,

965
01:01:21,200 --> 01:01:26,360
Speaker 1: that's new. I think that might not be the exact quote,

966
01:01:26,360 --> 01:01:29,280
Speaker 1: but it's it's pretty close to that. And her fashion

967
01:01:29,360 --> 01:01:32,720
Speaker 1: was on point, Like she had the leoperture, which I

968
01:01:32,720 --> 01:01:35,479
Speaker 1: thought was cute, and the snakeskin blouse which I also

969
01:01:35,480 --> 01:01:37,920
Speaker 1: thought was cute. So she's big in the animal prints

970
01:01:38,040 --> 01:01:43,160
Speaker 1: and very on point and the two shirt. Yep, I'm

971
01:01:43,160 --> 01:01:47,080
Speaker 1: not qualified to have this conversation. You guys want to

972
01:01:47,120 --> 01:01:50,400
Speaker 1: discuss the fashion, go ahead. That's what makes it fun.

973
01:01:50,880 --> 01:01:54,160
Speaker 1: You guys. I have no opinion on this at all.

974
01:01:54,280 --> 01:01:57,560
Speaker 1: I don't. So you were back in the flannel plat

975
01:01:58,040 --> 01:02:01,240
Speaker 1: it was fine, it was fun. Yeah, all right, let's

976
01:02:01,240 --> 01:02:04,120
Speaker 1: get into some pop culture. So we did the Deer

977
01:02:04,200 --> 01:02:15,200
Speaker 1: Hunters and next up we have Drilla says, back off, Chevalier, Chevalier, chevallet, Chevalier, Chevalier,

978
01:02:16,360 --> 01:02:24,760
Speaker 1: cheval Well, back off Chevalier, right, Maurice say it again,

979
01:02:24,880 --> 01:02:31,240
Speaker 1: right Chevalier. There's an R there, guys, Scott, what does

980
01:02:31,280 --> 01:02:34,920
Speaker 1: that mean? Chevalier? Yeah? What did she say? Get out

981
01:02:34,920 --> 01:02:39,720
Speaker 1: of my way? Chevalier. It's like back off, back off Chevalier.

982
01:02:40,240 --> 01:02:43,520
Speaker 1: Maurice Chevalier, the dancer was Maurice Chevalier, a dancer and

983
01:02:43,560 --> 01:02:45,720
Speaker 1: a singer. Write a famous French dancer and singer and

984
01:02:46,560 --> 01:02:49,760
Speaker 1: rose to prominence in the United States. Maurice Chevalier was

985
01:02:49,800 --> 01:02:53,280
Speaker 1: a huge, huge star of stage in screen, I believe,

986
01:02:53,440 --> 01:02:58,480
Speaker 1: and and she was mocking him for his lack of

987
01:02:58,880 --> 01:03:03,240
Speaker 1: um dexterity on his feet. So it was like, what

988
01:03:03,280 --> 01:03:06,800
Speaker 1: are you doing in my way, Chevalier? Get out, go

989
01:03:07,000 --> 01:03:10,040
Speaker 1: dance away somewhere. I did a quick little Google search

990
01:03:10,280 --> 01:03:14,160
Speaker 1: and it means a night a Chevalrous. I was completely wrong,

991
01:03:16,800 --> 01:03:19,360
Speaker 1: just went on a whole thing, and I was totally wrong.

992
01:03:19,720 --> 01:03:23,160
Speaker 1: There is you. I justified that moment. I thought it

993
01:03:23,720 --> 01:03:25,480
Speaker 1: really seemed like you knew it, because that isn't a

994
01:03:25,680 --> 01:03:29,080
Speaker 1: person that exists. I sold that. I really sold that,

995
01:03:29,240 --> 01:03:31,560
Speaker 1: and I kind of had you guys, but then you

996
01:03:31,760 --> 01:03:34,920
Speaker 1: kind of blew it up. So what's the pronunciation? So

997
01:03:35,040 --> 01:03:39,360
Speaker 1: obviously I have the pronunciation wrong? That right Chevalier? Oh

998
01:03:39,480 --> 01:03:41,640
Speaker 1: wait a minute, no, it isn't. It is a different

999
01:03:41,800 --> 01:03:44,680
Speaker 1: is chevl it is. You're right, you know what, Riley,

1000
01:03:44,720 --> 01:03:52,040
Speaker 1: You're right, it's Chevalier. It is Chevalier because Ken talked

1001
01:03:52,080 --> 01:03:55,680
Speaker 1: about Kevin O'Leary. Listen to this. Kevin O'Leary talked about

1002
01:03:55,680 --> 01:03:58,520
Speaker 1: this on Shark Tank. Because he's he's he's he's a

1003
01:03:58,520 --> 01:04:01,280
Speaker 1: member of a society of wine drinkers that they call

1004
01:04:01,360 --> 01:04:05,200
Speaker 1: themselves something something with the Chevaliers. It's not Chevalier. It's

1005
01:04:05,200 --> 01:04:07,480
Speaker 1: something like that. But anyway, are you guys ready to

1006
01:04:07,480 --> 01:04:11,280
Speaker 1: hear the nights of the wine Drinkers? Go ahead? Chevalier?

1007
01:04:12,120 --> 01:04:20,160
Speaker 1: Riley might have been right, that's not what, that's not what. Well,

1008
01:04:20,240 --> 01:04:23,720
Speaker 1: more time for everybody at home, Chevalier. But that's not

1009
01:04:23,760 --> 01:04:26,160
Speaker 1: what Drella said. What did she say? What did she say?

1010
01:04:26,560 --> 01:04:31,240
Speaker 1: She said cheval Oh god, we have a controversy. We

1011
01:04:31,320 --> 01:04:34,720
Speaker 1: have we have an issue right now. We need to

1012
01:04:34,760 --> 01:04:40,120
Speaker 1: find out. But for the record, Drella says it Chevalier

1013
01:04:40,720 --> 01:04:50,080
Speaker 1: in the episode, So let's go with that. Wow. Well,

1014
01:04:50,120 --> 01:04:53,080
Speaker 1: going on with the Drella theme. So Loura like comes

1015
01:04:53,120 --> 01:04:56,160
Speaker 1: up and says, no blocks Ob, no Steely Dan, no Boston,

1016
01:04:56,200 --> 01:04:59,840
Speaker 1: and no Queen. Yeah what was she playing? She was playing?

1017
01:05:00,080 --> 01:05:02,040
Speaker 1: Uh when Laurel I walked up to her, she was

1018
01:05:02,080 --> 01:05:07,520
Speaker 1: playing DNA. Yeah, she's playing black legit. She should keep

1019
01:05:07,560 --> 01:05:11,360
Speaker 1: playing the hips, play the hits. Lora like I says,

1020
01:05:11,440 --> 01:05:14,240
Speaker 1: we like, we like that. Mozart Jella says, I am

1021
01:05:14,240 --> 01:05:20,200
Speaker 1: already show of harpists, already show a big band leader.

1022
01:05:20,920 --> 01:05:24,400
Speaker 1: Back in the day, back during what Sinatra's time, when

1023
01:05:24,440 --> 01:05:30,280
Speaker 1: Sinatra was on the rise in a superstar, Tommy Dorsey, Nelson,

1024
01:05:30,400 --> 01:05:33,680
Speaker 1: Riddle already Shaw, there was tons, tons of big bands

1025
01:05:33,720 --> 01:05:35,360
Speaker 1: back then. They were fantastic. Have you ever been in

1026
01:05:35,360 --> 01:05:36,800
Speaker 1: a room with a big band, I mean, like a

1027
01:05:36,920 --> 01:05:40,040
Speaker 1: legit big band having dinner. They'll blow your hair back.

1028
01:05:40,040 --> 01:05:46,479
Speaker 1: They're fantastic, great music. I saw, I saw, I saw

1029
01:05:46,560 --> 01:05:54,200
Speaker 1: blow your hair rock second. It is a fantastic It

1030
01:05:54,360 --> 01:05:57,560
Speaker 1: is a fan that dog will hunt to to use

1031
01:05:57,560 --> 01:06:00,680
Speaker 1: a phrase, that dog's gonna hut. I was when I

1032
01:06:00,720 --> 01:06:03,160
Speaker 1: was just a teenager. I saw a big band. I

1033
01:06:03,160 --> 01:06:05,120
Speaker 1: think it was Woody Herman's big band. Remember what do

1034
01:06:05,280 --> 01:06:08,720
Speaker 1: you know? You guys don't know what Herman is um.

1035
01:06:08,760 --> 01:06:10,400
Speaker 1: But he was one of the big band leaders and

1036
01:06:10,440 --> 01:06:14,160
Speaker 1: those bands were powerful. They were powerful, man. It was.

1037
01:06:14,240 --> 01:06:19,280
Speaker 1: It was something now that everybody's asleep. Also, speaking of

1038
01:06:19,320 --> 01:06:22,400
Speaker 1: blowing your hair back, Laura La says, you once told

1039
01:06:22,400 --> 01:06:24,240
Speaker 1: me that you love Saved by the bell What could

1040
01:06:24,280 --> 01:06:30,520
Speaker 1: be more humiliating than that? Was funny? That was totally

1041
01:06:30,880 --> 01:06:33,040
Speaker 1: works today because not only do we all know what

1042
01:06:33,120 --> 01:06:35,800
Speaker 1: saved by the bells, but that show came back and

1043
01:06:35,840 --> 01:06:39,480
Speaker 1: has like it's you know whatever it's called, but that's

1044
01:06:39,480 --> 01:06:41,919
Speaker 1: the way she said it. What could be more humiliating

1045
01:06:42,000 --> 01:06:45,120
Speaker 1: than that? You know? It was so exactly, it was

1046
01:06:45,480 --> 01:06:49,760
Speaker 1: very matter of fact, yes, very final, um Laura. Laura

1047
01:06:50,000 --> 01:06:52,320
Speaker 1: also says, um, I thought this place was gonna be

1048
01:06:52,400 --> 01:06:54,400
Speaker 1: so great, and now I guess this goes on the

1049
01:06:54,440 --> 01:06:57,560
Speaker 1: boy was I wrong? List? Right above Gaucho's but just

1050
01:06:57,640 --> 01:07:00,600
Speaker 1: below the flash dance space. Oh my god, that so epic.

1051
01:07:00,920 --> 01:07:03,080
Speaker 1: Gaucho plants are a little rough. They're just a very

1052
01:07:03,160 --> 01:07:05,760
Speaker 1: wide legged pant and you'd really you have to be

1053
01:07:05,800 --> 01:07:08,640
Speaker 1: pretty tall to really rock those. You could almost fly

1054
01:07:09,120 --> 01:07:12,400
Speaker 1: with those. Yeah, yes, I think those flying squirrel suits

1055
01:07:12,440 --> 01:07:17,840
Speaker 1: may have been inspired from Gaucho design Capri Gaucho tad Ra.

1056
01:07:19,080 --> 01:07:22,120
Speaker 1: Going on Laura Life, Laura Lie says, fresh in my

1057
01:07:22,160 --> 01:07:26,840
Speaker 1: first lifetime as Joan of Arc Yeah, can we get

1058
01:07:26,840 --> 01:07:29,000
Speaker 1: a little history on who Joan of Arc is? Daniel

1059
01:07:29,360 --> 01:07:33,760
Speaker 1: Joan of Arc is a national heroine of France. Heroine heroin.

1060
01:07:34,360 --> 01:07:41,640
Speaker 1: She has Chevalier. We all need to go back to school.

1061
01:07:42,720 --> 01:07:46,560
Speaker 1: Acted Hilton. She was a peasant girl who, believing that

1062
01:07:46,600 --> 01:07:49,840
Speaker 1: she was acting under divine guidance, led the French army

1063
01:07:50,040 --> 01:07:53,840
Speaker 1: in a victory in fourteen twenty nine during the Hundred

1064
01:07:53,960 --> 01:07:58,000
Speaker 1: Years War. All right, so Loraa, I says, I wouldn't

1065
01:07:58,000 --> 01:08:00,840
Speaker 1: want to get you in trouble with ill duch over here, Danielle,

1066
01:08:00,880 --> 01:08:09,280
Speaker 1: what's that duch isleni? That's right, a dish best prepared

1067
01:08:09,520 --> 01:08:13,200
Speaker 1: upside down at a gas station. Dead there you go,

1068
01:08:13,840 --> 01:08:18,080
Speaker 1: Oh wow, that's how he ended up. Was his wife,

1069
01:08:18,479 --> 01:08:21,360
Speaker 1: That's how he was killed. Not not really podcast material

1070
01:08:21,840 --> 01:08:29,599
Speaker 1: that feels about Max. Feels about Max, I say, burnt.

1071
01:08:29,680 --> 01:08:31,439
Speaker 1: You know Joan of Arc was burn at the steak

1072
01:08:31,520 --> 01:08:34,599
Speaker 1: for ques to being a witch. And let's put Max

1073
01:08:34,600 --> 01:08:39,320
Speaker 1: in there too. Just make another steak for him. Maybe

1074
01:08:39,320 --> 01:08:42,800
Speaker 1: he'll come around on Max because I love Max Medina. Yeah,

1075
01:08:42,800 --> 01:08:45,439
Speaker 1: well he just picked a fight with me, I'll tell

1076
01:08:45,439 --> 01:08:49,160
Speaker 1: you that much, lady. Alright, Finally we have Joella is

1077
01:08:49,200 --> 01:08:51,639
Speaker 1: saying what do you think about Pat Benatar? And more

1078
01:08:51,720 --> 01:08:55,320
Speaker 1: lies as great idea? Can she play the harp? Very

1079
01:08:55,360 --> 01:08:59,960
Speaker 1: funny line and hit me with your best shot. Good one. Okay, guys,

1080
01:09:00,040 --> 01:09:03,719
Speaker 1: give me your best lines of the episode. Who's starting?

1081
01:09:03,800 --> 01:09:07,320
Speaker 1: Go ahead, I will when la goes into the parent

1082
01:09:07,400 --> 01:09:11,519
Speaker 1: teacher meeting and she's late and bumbling and crashed into

1083
01:09:11,560 --> 01:09:17,080
Speaker 1: the globe and says, what in the world. But that's

1084
01:09:17,479 --> 01:09:21,400
Speaker 1: that's a tough that's a very difficult acting assignment to

1085
01:09:21,479 --> 01:09:23,679
Speaker 1: make that, to pull that off and to make it funny,

1086
01:09:24,040 --> 01:09:27,320
Speaker 1: that's really tough. And she freaking nailed it because I

1087
01:09:27,400 --> 01:09:32,800
Speaker 1: laughed out loud. And then the other good one was um,

1088
01:09:32,840 --> 01:09:35,160
Speaker 1: that's the one who voted for the scrun cheese, which

1089
01:09:35,200 --> 01:09:37,559
Speaker 1: is so genius because it's a full call back to

1090
01:09:37,600 --> 01:09:40,479
Speaker 1: the story that La Lai told Suki in the kitchen.

1091
01:09:40,640 --> 01:09:43,240
Speaker 1: And then it's the kind of you know, snooty mom,

1092
01:09:43,280 --> 01:09:48,920
Speaker 1: I mean genius. So mine is um. When Rory and

1093
01:09:49,320 --> 01:09:52,760
Speaker 1: Lane to each other, Rory goes, what is that? And

1094
01:09:52,840 --> 01:09:55,479
Speaker 1: Lane goes twelve calories as she's eating a rice cake

1095
01:09:57,640 --> 01:10:00,439
Speaker 1: and then she hands at the Snickers the any Barnes

1096
01:10:00,439 --> 01:10:06,679
Speaker 1: she goes, bless you, you know? Okay? My favorite line

1097
01:10:06,760 --> 01:10:10,120
Speaker 1: was when Rory's waking up, laurea line wrote, Laurel I says,

1098
01:10:10,560 --> 01:10:13,080
Speaker 1: Mommy can't get up right now mommy has been sleeping

1099
01:10:13,080 --> 01:10:20,639
Speaker 1: at a right angle all night. I think my favorite

1100
01:10:20,640 --> 01:10:24,360
Speaker 1: line was was my line, if you throw a pen

1101
01:10:24,479 --> 01:10:29,479
Speaker 1: you I give you a trout no sense at all,

1102
01:10:30,000 --> 01:10:32,680
Speaker 1: but it's just like, you know, that's where did you

1103
01:10:32,720 --> 01:10:35,040
Speaker 1: come up with that? You know, that's in the spirit

1104
01:10:35,080 --> 01:10:37,600
Speaker 1: of the show. I really feel like now Luke is

1105
01:10:37,640 --> 01:10:40,240
Speaker 1: in the flow and he's like being influenced, like he's

1106
01:10:40,240 --> 01:10:45,080
Speaker 1: trying to be funny like Laurel. It is funny, you know. Yeah,

1107
01:10:45,680 --> 01:10:48,479
Speaker 1: So there you go. That's my favorite line. I give

1108
01:10:48,560 --> 01:10:52,400
Speaker 1: Deer Hunters a great episode, great episode where we learned

1109
01:10:52,439 --> 01:10:55,439
Speaker 1: so much. We really did. And I'm nervous for next

1110
01:10:55,439 --> 01:11:00,599
Speaker 1: week just because Cinnamon's Wake does not sound good for

1111
01:11:00,720 --> 01:11:07,280
Speaker 1: that cat by. Yeah, it's gonna be a tough episode

1112
01:11:08,000 --> 01:11:12,080
Speaker 1: for cat lovers because right from the title, you know

1113
01:11:12,240 --> 01:11:18,000
Speaker 1: things are not going well for Cinnamon nine Lives. I

1114
01:11:18,040 --> 01:11:20,080
Speaker 1: don't think so. I'm a little nervous to watch the

1115
01:11:20,120 --> 01:11:23,120
Speaker 1: episode because I'm a cat love where I grew up

1116
01:11:23,120 --> 01:11:27,640
Speaker 1: with is your nemesis, maxim Adina. In the next episode

1117
01:11:27,800 --> 01:11:30,880
Speaker 1: we will find out. I don't know, it could be

1118
01:11:31,880 --> 01:11:36,519
Speaker 1: did they get us together that soon? In confrontation? Oh

1119
01:11:36,560 --> 01:11:41,439
Speaker 1: my goodness, Wow, watch out World. Alright, I get you know.

1120
01:11:41,479 --> 01:11:44,639
Speaker 1: I'm going to watch this episode right after we wait,

1121
01:11:44,680 --> 01:11:48,280
Speaker 1: after we get off here, before we wrap this episode,

1122
01:11:48,880 --> 01:11:51,439
Speaker 1: we do have somebody in the waiting room. She is

1123
01:11:51,479 --> 01:11:55,200
Speaker 1: a fan um and listen to podcast, and we're gonna

1124
01:11:55,240 --> 01:11:57,240
Speaker 1: bring her on to answer a few questions. Great, let's

1125
01:11:57,320 --> 01:12:01,759
Speaker 1: let's meet her. Hi, Scott, Hello, Hi, how are you doing.

1126
01:12:02,240 --> 01:12:04,720
Speaker 1: I'm great, Thank you so much. I'm so excited to

1127
01:12:04,760 --> 01:12:08,120
Speaker 1: be on your show. We're glad to have you. Where.

1128
01:12:08,120 --> 01:12:11,439
Speaker 1: What's your name and where are you. Hi'm Schilpa and

1129
01:12:11,479 --> 01:12:14,599
Speaker 1: I'm from India. Hi. Nice to meet you and thanks

1130
01:12:14,640 --> 01:12:19,439
Speaker 1: for joining us. What's your question, Schilpa? Okay, my question

1131
01:12:19,479 --> 01:12:22,280
Speaker 1: for you is that if you could play any other

1132
01:12:22,400 --> 01:12:26,360
Speaker 1: character in Gilmur Girls other than Luke James, what it

1133
01:12:26,400 --> 01:12:29,439
Speaker 1: would be. Oh gosh, you know, I think I would.

1134
01:12:29,600 --> 01:12:34,600
Speaker 1: I would enjoy playing kirk Um. Yeah, even that's my

1135
01:12:34,680 --> 01:12:38,280
Speaker 1: favorite character. Yeah, I mean mine too. I just because

1136
01:12:38,280 --> 01:12:40,000
Speaker 1: it was so he had so many things to do,

1137
01:12:40,080 --> 01:12:43,200
Speaker 1: so many different jobs, so many chances in comedy, um,

1138
01:12:43,240 --> 01:12:44,960
Speaker 1: just the situations that he was put in. I just

1139
01:12:45,000 --> 01:12:48,479
Speaker 1: think it would be fun. I would have not look

1140
01:12:48,520 --> 01:12:50,320
Speaker 1: forward to the hot dog suit on a hot day,

1141
01:12:50,360 --> 01:12:54,680
Speaker 1: but just very funny character. And so that would be

1142
01:12:54,680 --> 01:12:58,719
Speaker 1: the one. Everybody loves Kirk. However, you can't, you can't

1143
01:12:58,760 --> 01:13:01,760
Speaker 1: not love Kirk. So yeah, I'm I'm, I'm kind of

1144
01:13:01,760 --> 01:13:06,280
Speaker 1: My inner Kirk is strong. It always has been. I

1145
01:13:06,320 --> 01:13:09,960
Speaker 1: hope it always will be. Um, So, thank you so

1146
01:13:10,040 --> 01:13:12,360
Speaker 1: much for your question. Thank you so much for giving

1147
01:13:12,400 --> 01:13:14,799
Speaker 1: us the opportunity to talk to you and ask your questions.

1148
01:13:14,880 --> 01:13:17,400
Speaker 1: It's wonderful. And so are you are you a student?

1149
01:13:17,439 --> 01:13:21,040
Speaker 1: Do you go to school? Yes, I'm a student. Actually

1150
01:13:21,680 --> 01:13:25,240
Speaker 1: I am doing chat at accountancy thing. Oh great, good

1151
01:13:25,280 --> 01:13:27,680
Speaker 1: for you. Well, good luck with everything. And thank you

1152
01:13:27,760 --> 01:13:30,759
Speaker 1: so much Shopa for coming on the show. We enjoyed

1153
01:13:30,800 --> 01:13:35,360
Speaker 1: having Thank you so much. Thank you so much. Okay,

1154
01:13:35,400 --> 01:13:41,599
Speaker 1: by sweetheart, Hi, okay, so listen, guys, that's it. Thanks

1155
01:13:41,600 --> 01:13:46,520
Speaker 1: for tuning in, and uh, we are anticipating a very

1156
01:13:47,200 --> 01:13:52,120
Speaker 1: heavy show Sinnamon's Wake next week. We are. I'm a

1157
01:13:52,160 --> 01:13:55,080
Speaker 1: little nervous, Amy's little nervous. We don't know if it's

1158
01:13:55,120 --> 01:13:58,559
Speaker 1: a demise of Cinnamon, but if it's wake, I think

1159
01:13:58,560 --> 01:14:01,400
Speaker 1: that pretty much tells you what's gonna happened to Cinnamon.

1160
01:14:02,360 --> 01:14:05,280
Speaker 1: And I don't know if I'm looking forward to seeing

1161
01:14:05,320 --> 01:14:07,519
Speaker 1: this episode because I may shed a tear or two

1162
01:14:07,640 --> 01:14:13,759
Speaker 1: for that beautiful cat. Um. We'll see what happens, guys,

1163
01:14:13,960 --> 01:14:17,040
Speaker 1: but look, keep your spirits up and uh, you know,

1164
01:14:17,160 --> 01:14:20,040
Speaker 1: we'll we'll we'll watch the episode. We'll dig into it

1165
01:14:20,080 --> 01:14:24,360
Speaker 1: next week and and uh and make sure to uh

1166
01:14:25,920 --> 01:14:27,960
Speaker 1: make sure to hug your loved ones. Okay, just make

1167
01:14:28,000 --> 01:14:58,120
Speaker 1: sure to do it. Just hug and kiss him. That's it. Okay, bye,

1168
01:15:00,040 --> 01:15:04,680
Speaker 1: m Hey everybody, and don't forget follow us on Instagram

1169
01:15:04,720 --> 01:15:08,559
Speaker 1: at I Am all In podcast and email us at

1170
01:15:08,640 --> 01:15:13,080
Speaker 1: Gilmore at I heart radio dot com. Oh you Gilmore fans.

1171
01:15:13,120 --> 01:15:14,840
Speaker 1: If you're looking for the best cup of coffee in

1172
01:15:14,880 --> 01:15:18,320
Speaker 1: the world, go to my website for my company, scott

1173
01:15:18,280 --> 01:15:20,479
Speaker 1: ep dot com, s C O T. T y P

1174
01:15:20,680 --> 01:15:34,479
Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee. Yeah.