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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and that's where you really miss podcast. Okay.

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Speaker 1: I just had to think about what the name of

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Speaker 1: this podcast was called when I said that, because I'm

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Speaker 1: working at half speed today.

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Speaker 2: This is going really well, Jenna, it really is.

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Speaker 1: I'm boring you already. Kevin is yawning at me. Don't

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Speaker 1: think I won't.

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Speaker 2: It wasn't about you. I was a rehearsal.

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Speaker 1: All always about me. Okay, it's always about me.

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Speaker 2: Also, nobody can see us, so that was supposed to

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Speaker 2: be hidden.

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Speaker 1: You better believe I.

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Speaker 2: Damn it, Jenna, Am I boring you?

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Speaker 1: Okay? This is season six, episode eight. This is a wedding,

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Speaker 1: A wedding, A wedding. This aired on February twenty, ath

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Speaker 1: twenty fifteen, which is around and the final day of

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Speaker 1: our filming on the show complete. Okay, Okay, we're at

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Speaker 1: the wedding. I like to call it the wedding because

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Speaker 1: the wedding. Yeah, it was the wedding.

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Speaker 2: It's the wedding of all weddings, of the every wedding.

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Speaker 1: It was there.

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Speaker 2: Yes. So in the news this week, the number one

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Speaker 2: song is Still and will be Uptown Funk and the

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Speaker 2: number fifty.

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Speaker 1: You were right? Okay, that no news there Glee news.

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Speaker 1: This week, February seventeenth, Glee The Music a Wedding the

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Speaker 1: EP was released. It featured four tracks from season sixth

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Speaker 1: episode eight and was released for digital DOLM only.

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Speaker 2: And you were right we alluded to a few minutes ago.

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Speaker 2: On February twenty first, the day after this episode aired,

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Speaker 2: the cast and crew wrapped production on the show's final episode,

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Speaker 2: six thirteen Dreams Come True, celebrating with a carnival at Paramount.

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Speaker 1: I mean there was a full band, there were games,

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Speaker 1: there were activities.

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Speaker 2: I feel like we should save the retelling of those

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Speaker 2: festivities for that recap.

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Speaker 1: Okay, it was really fun, to be honest.

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Speaker 2: No, no, no, don't say anymore, Jenna.

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Speaker 1: Oh I'm sorry. It was terrible. It was terrible.

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Speaker 2: No, just have no opinion, okay, reined in.

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Speaker 1: Actually not talking, just dis directed by Brad Beaker and.

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Speaker 2: Written by Ross Maxwell. And then I had these special guests.

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Speaker 2: Of all special guests, I mean, it has Gina Gershaan,

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Speaker 2: Jennifer Coolidge, kin Jong, and Gloria Estefan. Like, are you

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Speaker 2: kidding me.

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Speaker 1: When we came back to do this episode, I was like,

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Speaker 1: this is like the ultimate ultimate episode of my dreams.

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Speaker 1: All right, let's let's talk about the songs and we'll

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Speaker 1: get into the whole episode. So this has at last,

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Speaker 1: performed by Mercedes and Artie, and I'm just like, this

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Speaker 1: is the best number ever.

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Speaker 2: Oh my god, I don't know where you're going with that.

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Speaker 1: Oh yeah, best number ever?

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Speaker 2: Uh heyya. Performed by Artie and Jane and Madison.

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Speaker 1: I'm so excited. Performed by mothers Mother and the Trouble

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Speaker 1: Tones of.

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Speaker 2: Course, honestly, dream m h it's like big Trouble Tones. Yes,

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Speaker 2: that's right, and Our Day will Come performed by Kurt, Blaine,

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Speaker 2: Brittany and Santana mm okay uh.

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Speaker 1: This episode includes the return of Sugar Mata after her

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Speaker 1: last appearance in season four episode twenty two, All or

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Speaker 1: Nothing and her unexplained departure. It's not right, unexplained return, It's.

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Speaker 2: Not right, no, not all. What a thrill to have

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Speaker 2: her back, I remember that very clearly.

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Speaker 1: Yes, yes, definitely.

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Speaker 2: The pictures of Blaine and Kurt on Britney's suits are

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Speaker 2: from the season five photo shoot.

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Speaker 1: Of course, the press release for this episode listed Alex

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Speaker 1: Nouell starring as Unique, though with no evidence of Alex

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Speaker 1: be on set and Unique not appearing in the episode,

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Speaker 1: this was thought to be a mistake. However, scription from

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Speaker 1: the episode revealed that Unique was actually supposed to be

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Speaker 1: at the wedding, but subsequently do cut due to Alex

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Speaker 1: being unable to film. So Alex was booked and busy.

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Speaker 2: Good for Alex. Santana and Brittany try on wedding dresses

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Speaker 2: and the same bridle shop that Emma didn't mashup in

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Speaker 2: the first season. Yes, which I appreciate because it's a

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Speaker 2: small town. They would all be going to the same place.

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Speaker 2: But it feels like it would be a very Glee

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Speaker 2: thing for it to be a different one. Yeah, for sure.

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Speaker 1: This is the second time Mercedi sings at a wedding.

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Speaker 2: Okay, so this is my favorite fun fact.

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Speaker 1: Okay.

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Speaker 2: This episode aired four months before the US Supreme Court's

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Speaker 2: landmark ruling on same sex marriage, so it gets I

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Speaker 2: was having this conversation with somebody in London yesterday when

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Speaker 2: it was legalized. This confirms it. On June twenty sixth,

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Speaker 2: twenty fifteen, the Court issued its five four decision in

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Speaker 2: Obergerfeld versus Hodges making marriage equality the law of the

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Speaker 2: land in all fifty states.

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Speaker 1: Wow.

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Speaker 2: Wow, it is crazy though that this was a decade ago. Wow,

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Speaker 2: only a decade ago, And how insane. One of my

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Speaker 2: favorite things about this episode, and not because I love

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Speaker 2: it the opposite in fact that you had to and

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Speaker 2: you know, they reference it in the show about you

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Speaker 2: had to cross state lines to get married, Like it

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Speaker 2: makes a difference, Like it's so insane, and to me

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Speaker 2: it ages and dates the show in a way that

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Speaker 2: nothing else does. Obviously the show is dated in some

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Speaker 2: other ways, but like it has to me, it feels like,

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Speaker 2: you know, same sex marriage has been legalized for so

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Speaker 2: much longer, in a decade, inconceivable in my head. But

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Speaker 2: that's all that that is. That is yeah, crazy, It's

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Speaker 2: really crazy, and I I like, regardless of how people feel,

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Speaker 2: and we will talk about this, about this episode and

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Speaker 2: about you know, the two couples getting married at the

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Speaker 2: same time. I think that was important, the thing about

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Speaker 2: having two gay weddings on national TV and saying how

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Speaker 2: they had to drive out of their home state, born

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Speaker 2: and raised to go to a neighboring state to have

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Speaker 2: a wedding.

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Speaker 1: Right is insanity? Is insanity just to get married like that? Ridiculous?

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Speaker 2: So the official episode summary Jenna, the members of the

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Speaker 2: New Directions are busy at work, planning, planning, and planning,

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Speaker 2: while Sue encourages everyone to follow their hearts. I don't.

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Speaker 2: I don't know about that.

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Speaker 1: People are getting senior atis in all departments, Yeah, in

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Speaker 1: all departments, including us. All right, this is a wedding,

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Speaker 1: and everything in this episode is surrounded by the wedding.

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Speaker 1: It is about the wedding, it's for the wedding, it's

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Speaker 1: it's all all about it.

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Speaker 2: But it's also so mostly just about Coolidge. Well, this

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Speaker 2: episode really is just a vehicle for Jennifer Coolidge to

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Speaker 2: grace us with their comedic prowess.

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Speaker 1: And Ken's toast.

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Speaker 2: So weird and so good.

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Speaker 1: The humor, I don't even know where to start or

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Speaker 1: to be with the humor of what Ken normally does.

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Speaker 1: So it's it's like a next level. It's it's elevated

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Speaker 1: beyond elevation, and Gen's is like elevated just below elevation,

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Speaker 1: and Glee's is just below their tears, So they stick

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Speaker 1: out in the best way because of who they are

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Speaker 1: and what they've brought to stage, screen and us in

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Speaker 1: life prior to Lee.

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Speaker 2: Yes, I don't know why.

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Speaker 1: I just felt like I needed to break that down.

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Speaker 2: Say it, Jenna.

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Speaker 1: But Jennifer Coolidge, well, let's talk about the opening of

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Speaker 1: this before we get into the storylines. Because the opening

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Speaker 1: of this when you guys get into this ranch and

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Speaker 1: you're like, why are we in a barn? And Jennifer

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Speaker 1: Coolidge talking about when Brittany was born?

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Speaker 2: Well, I can I back it up just even a

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Speaker 2: little bit more than that, sure, because I would like,

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Speaker 2: I'm sure nobody cares about this, but I'm a co host,

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Speaker 2: so I'm gonna say what I want.

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Speaker 1: Nobody cares. Nobody cares.

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Speaker 2: The background like we're in a barn in a field,

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Speaker 2: and the background looks fake. It's like, you know, like

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Speaker 2: a hazy house. All of that was there. We were

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Speaker 2: shooting thirty forty five minutes away from Paramount up in

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Speaker 2: Santa Clarita, which is my second home. Basically that's where

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Speaker 2: I grew up in California, and so I was very

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Speaker 2: excited to shoot up there. And we were shooting on

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Speaker 2: a proper like film ranch. That's what it's called.

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Speaker 1: It's the Disney. It's a Walt Disney Company ranch. Yeah,

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Speaker 1: it's called the Golden Oak Ranch.

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Speaker 2: And it was incredible and so cool to get to

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Speaker 2: film up there because it was so many acres of

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Speaker 2: like different settings. They had everything you can think of.

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Speaker 2: If you have seen the Lady Gaga nine one one

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Speaker 2: video that was also up there, that's in another sort

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Speaker 2: of like set thing that's built. So this was just

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Speaker 2: part of that ranch, and we're using the barn and

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Speaker 2: the house and so we were outside, you know, for days.

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Speaker 2: We were up there for like three.

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Speaker 1: Or four days when they released the Doves.

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Speaker 2: Oh God, the Doves, and it was freezing at night

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Speaker 2: and we'd be surrounding a heater. It also when I

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Speaker 2: somehow tweaked my ankle, you know, not even dancing walking,

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Speaker 2: and that's when Jennifer Coolidge was walking with me to

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Speaker 2: the porta potties and was like, well, you should probably

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Speaker 2: have you thought about suing Fox And I'm like yeah,

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Speaker 2: and she was like, well, your ankle's injured and also

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Speaker 2: you probably have back problems from sitting in that wheelchair

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Speaker 2: for six seasons. And I go, well, I actually do

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Speaker 2: have a back issue. I don't know what causes she's like, well,

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Speaker 2: I can be your lawyer. I was like, you could

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Speaker 2: do everything. She's like, yeah, I'll do it. I'll be

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Speaker 2: your lawyer a lawyer and something before Yes, she and

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Speaker 2: I were just like walking to the toilets and she

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Speaker 2: was like fully trying to convince me to sue Fox.

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Speaker 2: It's like, well, they, you know, paid me for the

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Speaker 2: past six years. I don't really know if that's the

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Speaker 2: you know it's true, because let me tell you, she

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Speaker 2: is one of my top five like comedic idols. Yeah, like.

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Speaker 1: This was really a win for me that she was

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Speaker 1: on this show over anybody else. Like, yes, we had Ken,

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Speaker 1: we had Gloria Stuck, like we had Gina Gershan, we

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Speaker 1: had everybody in this episode, but we really we had

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Speaker 1: Jennifer Coolidge. So to go back to what you were saying, well,

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Speaker 1: it also was raining, and she was her heels were

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Speaker 1: all of our heels were actually just sinking into the

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Speaker 1: dirt in the rand. But she like then decided just

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Speaker 1: to make a thing out of it, and like they're

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Speaker 1: shooting bureaul of us at the wedding and cocktail hour

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Speaker 1: before we go into the venue, and her heels she's like,

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Speaker 1: oh my heels are stuck and.

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Speaker 2: She's I.

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Speaker 1: It's so good. It's so good when you're watching genius

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Speaker 1: at work.

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Speaker 2: So this opening scene, oh my god. We shot it

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Speaker 2: first thing in the morning. It was so early, and

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Speaker 2: there were just us there that were in that scene, okay,

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Speaker 2: And it was one of those experiences where I really

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Speaker 2: was trying really hard to check myself to just be like,

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Speaker 2: you're in a scene with Gloria and Jennifer, right, like

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Speaker 2: this is crazy, yeah, yeah, yeah sure. And I had

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Speaker 2: dialogue in it, and so I was also very worried

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Speaker 2: about stepping on either of their lines and then also

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Speaker 2: breaking because obviously Coolidge was like improving a bit. She

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Speaker 2: was doing some bits and some of and it was

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Speaker 2: just also the magic of her was I couldn't tell

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Speaker 2: what was improv and what wasn't, Like I had to

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Speaker 2: go check, and a lot of it wasn't improv. She's

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Speaker 2: just so good that she makes it feel like she's

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Speaker 2: coming up with it on the spot, but I mean

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Speaker 2: she did, and her physical comedy is so good.

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Speaker 1: When she's talking about Brittany being born in the barn,

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Speaker 1: she's like an it was your little head, and it's

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Speaker 1: just it's enjoy it's so enjoyable because it also it

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Speaker 1: makes so much sense as an extension from Brittany, like, yes,

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Speaker 1: this makes so much sense.

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Speaker 2: And it felt like that shooting it, it felt like,

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Speaker 2: oh this is this makes sense. Also, I would I

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Speaker 2: want to take everybody there right now. So if you

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Speaker 2: can think about what it feels like early in the morning,

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Speaker 2: you know, birds are chirping, it's a little cool outside,

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Speaker 2: and you're in an actual barn covered in hay, and

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Speaker 2: you're in the mountains and it is silent, and there

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Speaker 2: is Jennifer Coolidge and acting a birth for feet in

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Speaker 2: front of you, and the dead silence of the mountains

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Speaker 2: at like seven am.

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Speaker 1: Oh wow, it.

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Speaker 2: Was such a ser like I wanted to laugh, We

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Speaker 2: all wanted to laugh, but also because it was so quiet,

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Speaker 2: it felt so inappropriate to laugh. And there she is

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Speaker 2: giving you her all like it deserves to be laughed at.

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Speaker 1: Yes it does.

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Speaker 2: I don't know how she does it, but like to

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Speaker 2: do that in silence, and they keep going and to

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Speaker 2: keep pushing it. It was cinema.

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Speaker 1: Cinema, I true. I mean, what a gift, What a gift,

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Speaker 1: What a way to open this episode? What a way? Yeah,

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Speaker 1: and what a joy to be able to be there

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Speaker 1: for that, I'm I'm actually very envious at that moment.

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Speaker 2: I was very, very very grateful.

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Speaker 1: So so Brittany and Santana are getting married, and they're

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Speaker 1: getting married in the barn, and already is the wedding planner.

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Speaker 1: That's why you're there with them. And for no reason,

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Speaker 1: all the parents are involved. We have Santana's mom and

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Speaker 1: we have Brittany's mom, and basically we're everybody's involved, right,

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Speaker 1: So the glee club, the girls are helping with the

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Speaker 1: dress situation.

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Speaker 2: You're also helping put the barn together. There's a whole

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Speaker 2: thing where like very quickly, you know, Tina's complaining about

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Speaker 2: helping dress or she is, Hey, bails. But everybody's there,

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Speaker 2: Sugar's there, the new kids are there. Also, how did

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Speaker 2: the new kids get an invite to this?

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Speaker 1: Well, they were invited to Will Schuster's house.

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Speaker 2: So yeah, they just wanted to use them for manual labor.

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Speaker 2: Clearly pre manual labor.

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Speaker 1: I remember filming that barn thing. It was actually the

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Speaker 1: dead of night, so we were on the tail opposite

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Speaker 1: of you guys shooting them early morning hours. We were

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Speaker 1: like it was like eight thirty at night and it

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Speaker 1: was frigid. It was so cold, and it was like

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Speaker 1: on the fly we were filming that, like, I mean,

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Speaker 1: I think maybe we got three takes out of that

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Speaker 1: one because we were.

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Speaker 2: I remember everybody panicking, Yeah, because it took longer to

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Speaker 2: start up the set everything that morning.

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Speaker 1: Yeah.

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Speaker 2: I think we did the opening shot the next day,

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Speaker 2: so everything was like that was quick. So everything was

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Speaker 2: set up like that first move in day of setting

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Speaker 2: up all the equipment took obviously more times than they thought.

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Speaker 2: So we were and there was only I remember all

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Speaker 2: of us being crowded around like one heater. There was

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Speaker 2: like a trailer for all of us to hang out in,

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Speaker 2: but it was like sort of far.

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Speaker 1: Dad.

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Speaker 2: Do you remember the pictures of all we took when

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Speaker 2: we got in the same coats, Oh, you're right right.

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Speaker 1: It was like it's like one of those trailers that

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Speaker 1: use when you're on location and you have lunch in

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Speaker 1: the trailers. Yes, And so they set it up because

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Speaker 1: there's so many cast members that we had a lunch

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Speaker 1: trailer for our cast.

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Speaker 2: Yeah, but we didn't want to go there because, like

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Speaker 2: Jenna said, it was muddy and it would and it

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00:18:01,440 --> 00:18:04,919
Speaker 2: was cold, so it would take like too long to

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Speaker 2: go and come back.

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Speaker 1: They put us in rain boots for contacts, like because

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Speaker 1: it was so muddy that like we were in rain

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Speaker 1: boots in between takes instead of like slippers for our

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Speaker 1: for our like heels, took off our heels. You know,

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Speaker 1: everybody's helping, Yes, yes, everybody's helping. And the new direction

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Speaker 1: new new new directions are there. Everybody's kind of like

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Speaker 1: being used as ponds, and as is Tina.

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Speaker 2: And there's a couple of big things happening here. Brittany

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00:18:34,560 --> 00:18:39,639
Speaker 2: is spiraling. She's feeling the obvious and understandable tensions and

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Speaker 2: anxiety about getting married. Everything needs to be perfect. She's

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Speaker 2: becoming like increasingly superstitious. And then Santana is fine, but

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00:18:51,760 --> 00:18:56,280
Speaker 2: Santana has an issue of making sure that Sue is

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Speaker 2: not invited, and so we have like these two next

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Speaker 2: sections is basically of the wedding planning phase, which seems

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Speaker 2: like it happens all within twenty four hours. I mean,

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00:19:05,920 --> 00:19:10,120
Speaker 2: we're just going to suspend time here and pretend none

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Speaker 2: of it. It's not a flat line, you know, right,

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Speaker 2: Like it's it's existing and whatever structure it exists, it's

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Speaker 2: an existential question and we're not smart enough to figure

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Speaker 2: that out.

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Speaker 1: No, it's fine.

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Speaker 2: So there's the seating arrangement thing happening, and that's where

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Speaker 2: Santana sees that Sue has a chair and she's like,

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Speaker 2: that's not happening and flips out about it, and they're

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Speaker 2: all like, whoa, Britney's I understand Britney's side of it,

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Speaker 2: of like, the reason why we know each other is

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Speaker 2: because we both got put on the cheerios.

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Speaker 1: It's true.

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Speaker 2: Sanna says, if she shows up, I'm not showing up.

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Speaker 1: She even goes as far to call her a biach.

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Speaker 2: Yeah. I was like, whoa, yeah, And she goes to

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Speaker 2: Sue to personally tell her she is not allowed and

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Speaker 2: here's why, and Sue sits there and takes it and

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Speaker 2: looks sad.

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Speaker 1: You know, I have to say, it's been weird. Sue's

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Speaker 1: been weird, but she has been really supportive of coach

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00:20:13,840 --> 00:20:19,960
Speaker 1: Beast mm hmmm. She weirdly wants Blaine and Kurt back together,

334
00:20:21,200 --> 00:20:24,160
Speaker 1: and she got that, she did. She still has her

335
00:20:25,800 --> 00:20:27,720
Speaker 1: you know, she wants to take down the glee club

336
00:20:27,760 --> 00:20:33,000
Speaker 1: obviously and her little things about it, but like, you know,

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Speaker 1: that hasn't her motives haven't changed there, but there's a

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Speaker 1: there's a heart coming out of Sue that we haven't

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Speaker 1: seen before.

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Speaker 2: It feels like as the kids are maturing, Like even

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Speaker 2: the way Santana is confrontational with Sue feels more adult

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00:20:52,680 --> 00:20:57,040
Speaker 2: her high school days. That they're all growing together even

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Speaker 2: though Sue's older.

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Speaker 1: Yes, then the kids everything, Yes, like she's yea.

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Speaker 2: And what that ends up being like one of the

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00:21:07,920 --> 00:21:14,560
Speaker 2: best moments of the episode because Sue does show up

347
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Speaker 2: to the wedding.

348
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Speaker 1: But she's just gonna change her too.

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Speaker 2: But she shows up with Bila, and it's really sweet

350
00:21:26,440 --> 00:21:31,000
Speaker 2: and hilarious because we get like a really incredible classical

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Speaker 2: glee like whip flashback. I feel like we haven't been

352
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Speaker 2: getting enough of lately.

353
00:21:36,280 --> 00:21:37,920
Speaker 1: No, we haven't gotten any.

354
00:21:39,760 --> 00:21:49,640
Speaker 2: And she calls her miss Abila. I she used reversed

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00:21:49,880 --> 00:21:55,600
Speaker 2: psychology on her, that's all. No, I mean it. It's

356
00:21:55,640 --> 00:21:57,040
Speaker 2: in the episode.

357
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Speaker 1: Oh I miss that.

358
00:21:59,000 --> 00:22:01,280
Speaker 2: I'm not smart enough to come up that I was like,

359
00:22:01,800 --> 00:22:04,639
Speaker 2: And it's this really beautiful moment. And Abuela, you know,

360
00:22:04,760 --> 00:22:08,399
Speaker 2: still hasn't come around necessarily to the concept of gay marriage,

361
00:22:09,400 --> 00:22:14,120
Speaker 2: but she loves her granddaughter and wants to be there

362
00:22:14,119 --> 00:22:17,199
Speaker 2: and not missus State, you know, and all of that

363
00:22:17,280 --> 00:22:21,480
Speaker 2: tied into the you know, the debate, the Supreme Court case,

364
00:22:22,040 --> 00:22:24,120
Speaker 2: all that. At the time, I thought that was important

365
00:22:24,160 --> 00:22:26,880
Speaker 2: that that was represented in this episode.

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Speaker 1: Yes, And I like the way that Santana says, like

367
00:22:32,040 --> 00:22:34,120
Speaker 1: She's like, you know, a Boila is like, I don't

368
00:22:34,200 --> 00:22:37,600
Speaker 1: you know, agree with some of the things you believe

369
00:22:37,640 --> 00:22:40,800
Speaker 1: in or whatever in Santana like right back at her,

370
00:22:40,960 --> 00:22:42,399
Speaker 1: is like, well, I don't believe in some of the

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Speaker 1: things you believe in. I'm like, yes, thank you.

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Speaker 2: I think at the time, you know, the show was teaching,

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Speaker 2: as we've learned from talking to fans and different people

374
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Speaker 2: that were on the show. People watched the show with

375
00:22:57,920 --> 00:23:03,440
Speaker 2: their families, right, all different demographics, backgrounds, right, And it

376
00:23:03,480 --> 00:23:06,760
Speaker 2: was a way for people to see into different people's

377
00:23:06,800 --> 00:23:09,960
Speaker 2: lives something that they're not normally exposed to, and show

378
00:23:10,000 --> 00:23:13,720
Speaker 2: them how they can be accepting of these things even

379
00:23:13,760 --> 00:23:17,600
Speaker 2: if they don't necessarily understand them or don't agree with it.

380
00:23:18,480 --> 00:23:21,719
Speaker 2: And I thought it was a really nice way without

381
00:23:21,760 --> 00:23:28,840
Speaker 2: really hitting you over the head, respecting one another's opinions

382
00:23:28,880 --> 00:23:29,400
Speaker 2: in that way.

383
00:23:29,600 --> 00:23:29,919
Speaker 1: Sure.

384
00:23:30,200 --> 00:23:35,000
Speaker 2: Sure, and then you know what, four months later, it's legalized,

385
00:23:35,560 --> 00:23:37,520
Speaker 2: I mean finger on the Pulse.

386
00:23:37,800 --> 00:23:39,320
Speaker 1: Yeah, yeah, yeah, yeah.

387
00:23:39,359 --> 00:23:41,200
Speaker 2: The show has been in a position like from day

388
00:23:41,240 --> 00:23:45,840
Speaker 2: one to we were due, like you were, like the groundbreaking.

389
00:23:45,920 --> 00:23:48,840
Speaker 2: And I get why Ryan wanted to have two weddings

390
00:23:49,320 --> 00:23:52,760
Speaker 2: or just have more gay weddings, right, because the show

391
00:23:53,000 --> 00:23:56,720
Speaker 2: from the first episode, when you have characters like Kurt

392
00:23:57,760 --> 00:24:01,320
Speaker 2: and then characters you know that come later Santana and

393
00:24:01,400 --> 00:24:06,600
Speaker 2: Brittany and Blaine. Right to show America on a network

394
00:24:06,640 --> 00:24:10,439
Speaker 2: television show. Yeah, and some of that was played by

395
00:24:10,480 --> 00:24:12,679
Speaker 2: It was an eighteen year old playing it like a

396
00:24:12,760 --> 00:24:18,000
Speaker 2: real team, playing a gay team that just never happened,

397
00:24:18,040 --> 00:24:22,280
Speaker 2: that did not happen at all, right, And to be

398
00:24:22,359 --> 00:24:26,240
Speaker 2: able to give that happy ending for the series for

399
00:24:26,280 --> 00:24:30,080
Speaker 2: that character, yes, was I think really important. And I

400
00:24:30,160 --> 00:24:31,600
Speaker 2: understand why Ryan did it.

401
00:24:31,720 --> 00:24:36,680
Speaker 1: Yeah, I mean I think there was an over arching

402
00:24:36,760 --> 00:24:39,320
Speaker 1: question of like why didn't they get their own wedding

403
00:24:39,560 --> 00:24:42,120
Speaker 1: or why didn't they we do two weddings. It kind

404
00:24:42,160 --> 00:24:45,919
Speaker 1: of like washed over one, and you know I did

405
00:24:46,520 --> 00:24:49,239
Speaker 1: diluted them both, you know, in some ways. But like

406
00:24:49,400 --> 00:24:53,480
Speaker 1: I actually think it was really sweet the way Brittany

407
00:24:54,560 --> 00:24:59,800
Speaker 1: proposed it, and it was also like to your point,

408
00:25:01,240 --> 00:25:04,440
Speaker 1: let's just celebrate it all. Let's put it all out there.

409
00:25:05,040 --> 00:25:08,080
Speaker 1: They deserve to be celebrated, they deserve the happy ending.

410
00:25:08,560 --> 00:25:11,679
Speaker 1: And as Ryan has mentioned before, which I always think about,

411
00:25:11,880 --> 00:25:15,480
Speaker 1: is like when he was alluding to not alerding, he

412
00:25:15,640 --> 00:25:19,800
Speaker 1: was referring to Kurt and Bert's relationship about how to

413
00:25:19,920 --> 00:25:26,760
Speaker 1: see a positive relationship with a young man who's coming

414
00:25:26,800 --> 00:25:30,520
Speaker 1: out right and kind of on that journey navigating that time, Like,

415
00:25:30,960 --> 00:25:35,080
Speaker 1: I think we deserve to also see this.

416
00:25:36,880 --> 00:25:40,480
Speaker 2: Yeah, and I agree, I agree with all of it.

417
00:25:41,640 --> 00:25:43,720
Speaker 2: I think they each should have had their own moments,

418
00:25:43,840 --> 00:25:44,520
Speaker 2: Yeah for sure.

419
00:25:44,880 --> 00:25:45,200
Speaker 1: Yeah.

420
00:25:46,280 --> 00:25:48,679
Speaker 2: I mean I agree with seeing both of them get married.

421
00:25:48,880 --> 00:25:52,160
Speaker 2: It's so we had thirteen episodes, yeah, yeah, so.

422
00:25:52,520 --> 00:25:54,440
Speaker 1: If there's twenty two, maybe we would have gotten it.

423
00:25:54,640 --> 00:25:57,239
Speaker 2: Ye. I was like a classic white gay showing up

424
00:25:57,240 --> 00:25:59,520
Speaker 2: to steal this, the steal the thunder of.

425
00:25:59,440 --> 00:26:04,359
Speaker 1: The lesbian also budget right, but also.

426
00:26:04,200 --> 00:26:06,159
Speaker 2: Everyone just like rolled with it, so we didn't even

427
00:26:06,200 --> 00:26:09,080
Speaker 2: get to it. What happens in a scene here is

428
00:26:09,119 --> 00:26:17,920
Speaker 2: that Sue calls Curt and Blaine over there's a Britanna emergency,

429
00:26:18,000 --> 00:26:20,520
Speaker 2: and obviously, you know there's some hilarity equips about being

430
00:26:20,520 --> 00:26:24,280
Speaker 2: stuck and stuck in an elevator again and Brittany proposes

431
00:26:24,320 --> 00:26:27,800
Speaker 2: that they get married with them, and it does seem

432
00:26:27,800 --> 00:26:31,800
Speaker 2: a little surprising and it seems a little out of character,

433
00:26:31,880 --> 00:26:36,800
Speaker 2: I would say, kind and Santana like pops out and

434
00:26:36,840 --> 00:26:41,880
Speaker 2: says that she agrees with the two and it obviously

435
00:26:41,920 --> 00:26:44,000
Speaker 2: had to come from them. It's their day, so like

436
00:26:44,040 --> 00:26:47,960
Speaker 2: they're co saying it. I just I was like, yeah,

437
00:26:48,000 --> 00:26:51,200
Speaker 2: it was surprising that it was happening, but the moment

438
00:26:51,240 --> 00:26:52,399
Speaker 2: itself was really sweet.

439
00:26:52,720 --> 00:26:55,919
Speaker 1: It was and like just like the Kurt Blaine of

440
00:26:55,960 --> 00:27:02,399
Speaker 1: it all, like the way that you see Chris kind

441
00:27:02,400 --> 00:27:06,439
Speaker 1: of like approach this, and it's like, you don't know

442
00:27:06,480 --> 00:27:11,159
Speaker 1: if Kurt's going to be like completely absolutely, like absolutely not.

443
00:27:11,480 --> 00:27:13,160
Speaker 1: You don't know if he's excited. You don't know if

444
00:27:13,160 --> 00:27:15,359
Speaker 1: he wants to, but he doesn't. Like it was so

445
00:27:15,600 --> 00:27:20,840
Speaker 1: nuanced that I was like, what's gonna happen? And obviously yeah,

446
00:27:20,880 --> 00:27:23,680
Speaker 1: but like it was really nice the way they played it,

447
00:27:23,840 --> 00:27:27,200
Speaker 1: and it was really sweet and you could see what

448
00:27:27,240 --> 00:27:32,080
Speaker 1: they were thinking, like without really you know, having them

449
00:27:32,119 --> 00:27:35,880
Speaker 1: having to say anything. It's like, yeah, we deserve this,

450
00:27:35,960 --> 00:27:39,040
Speaker 1: We've gotten this far, We've been through so much, Like

451
00:27:39,200 --> 00:27:39,880
Speaker 1: why not.

452
00:27:41,280 --> 00:27:44,480
Speaker 2: Well, and this is all like, the reason why Blaine

453
00:27:44,560 --> 00:27:48,240
Speaker 2: comes around to it first, or at least verbalizes it first,

454
00:27:48,320 --> 00:27:51,720
Speaker 2: is because that really sweet conversation with Burton Carroll about

455
00:27:52,320 --> 00:27:56,040
Speaker 2: how important it is to like not waste any time

456
00:27:56,080 --> 00:27:59,800
Speaker 2: with the person that you love and find them and

457
00:27:59,840 --> 00:28:02,920
Speaker 2: to grab it. And so you already have his blessing

458
00:28:03,000 --> 00:28:06,439
Speaker 2: and he's going to be officiating the wedding, and so

459
00:28:08,800 --> 00:28:10,720
Speaker 2: I think Bert has always been sort of a north

460
00:28:10,800 --> 00:28:14,080
Speaker 2: star in that way for everyone on the show, and

461
00:28:14,119 --> 00:28:17,439
Speaker 2: so if he is sort of if he's saying, look,

462
00:28:17,680 --> 00:28:19,280
Speaker 2: I'm not going to judge you. I would do the

463
00:28:19,280 --> 00:28:22,480
Speaker 2: same thing. I've done the same thing and it worked out.

464
00:28:23,400 --> 00:28:26,840
Speaker 2: And I think that's really sweet for Blaine to use

465
00:28:27,119 --> 00:28:30,080
Speaker 2: Kurt's dad's words in that moment, for him to hear

466
00:28:30,119 --> 00:28:35,600
Speaker 2: it remind him, and so they agreed to it. The

467
00:28:35,640 --> 00:28:39,760
Speaker 2: other thing that's happening is Brittany freaking out, which is

468
00:28:39,800 --> 00:28:42,880
Speaker 2: really fun, really fun because we don't really see her

469
00:28:42,880 --> 00:28:43,360
Speaker 2: freak out.

470
00:28:43,880 --> 00:28:50,280
Speaker 1: Now. Only in season five do we start to see that. Yeah,

471
00:28:50,320 --> 00:28:53,800
Speaker 1: I like this. I like this whole superstitious thing about

472
00:28:53,840 --> 00:28:56,920
Speaker 1: seeing the wedding the dresses. It's funny because when you

473
00:28:57,280 --> 00:28:59,720
Speaker 1: get married or you see a lot of friends getting

474
00:28:59,720 --> 00:29:03,240
Speaker 1: married eat around you in like a very specific time

475
00:29:03,520 --> 00:29:05,360
Speaker 1: in your life. There's like a lot of people who

476
00:29:05,360 --> 00:29:09,000
Speaker 1: get married around the same time, and you don't know

477
00:29:09,040 --> 00:29:11,720
Speaker 1: about these people until or like what kind of bride

478
00:29:11,720 --> 00:29:16,400
Speaker 1: they're going to be, until you're it. And so I

479
00:29:16,440 --> 00:29:21,120
Speaker 1: think there's a fun element, whether they were intending to

480
00:29:21,160 --> 00:29:25,560
Speaker 1: do this or not, of like seeing how people take

481
00:29:25,640 --> 00:29:31,200
Speaker 1: to these age old superstitions and and traditions, these traditions

482
00:29:31,560 --> 00:29:33,560
Speaker 1: and things that like you're not supposed to sleep with

483
00:29:33,720 --> 00:29:37,280
Speaker 1: your the person your partner the night before, and you're

484
00:29:37,320 --> 00:29:39,040
Speaker 1: not supposed to see the in the mint a dress

485
00:29:39,120 --> 00:29:42,000
Speaker 1: before and like you're supposed to wear this blue and

486
00:29:42,040 --> 00:29:46,040
Speaker 1: like all the stuff. That's like, yeah, I like tradition

487
00:29:46,280 --> 00:29:48,800
Speaker 1: some of it, but I also like, as we've said,

488
00:29:48,920 --> 00:29:53,760
Speaker 1: like after tradition, we don't do that. Like so I

489
00:29:53,880 --> 00:29:59,080
Speaker 1: liked seeing Brittany go the other way a little.

490
00:29:58,880 --> 00:30:02,000
Speaker 2: Bit, yeah, and her grabbing all the superstitions, like she

491
00:30:02,120 --> 00:30:04,560
Speaker 2: didn't care where it was from, she just it was

492
00:30:04,640 --> 00:30:15,880
Speaker 2: all of them. Did you enjoy doing like the bridle

493
00:30:15,920 --> 00:30:19,120
Speaker 2: shop stuff? Oh, we had that. That looked so much fun.

494
00:30:19,560 --> 00:30:23,320
Speaker 1: It was so much fun. It was well, we had

495
00:30:23,320 --> 00:30:27,160
Speaker 1: done this before, with Rachel's wedding and never got seen.

496
00:30:27,240 --> 00:30:29,320
Speaker 1: It got caught, and so we kept choking. We're like,

497
00:30:29,360 --> 00:30:35,080
Speaker 1: this is gonna get cut. But it was even better

498
00:30:35,160 --> 00:30:38,880
Speaker 1: this time around with her two girls in dresses, like

499
00:30:39,000 --> 00:30:41,920
Speaker 1: coming back and forth, so there's more like a plateful

500
00:30:41,960 --> 00:30:45,080
Speaker 1: element of like, say, yes, the dress, but there's two

501
00:30:45,080 --> 00:30:54,040
Speaker 1: of them, and how there's dresses. We're so ridiculous that

502
00:30:56,000 --> 00:30:59,479
Speaker 1: we had a grandle time watching them, like the light

503
00:30:59,600 --> 00:31:05,480
Speaker 1: up one and so good, it's so funny, and all

504
00:31:05,560 --> 00:31:07,680
Speaker 1: the different ones than I had on. It was just

505
00:31:07,720 --> 00:31:11,000
Speaker 1: like it was girls being girls. We were playing, we

506
00:31:11,040 --> 00:31:13,760
Speaker 1: had it was easy. We were just there to like hang.

507
00:31:13,920 --> 00:31:17,600
Speaker 1: We also hadn't all been together like that in a while,

508
00:31:17,800 --> 00:31:21,400
Speaker 1: like the ogs, so that was really sweet and fun

509
00:31:22,000 --> 00:31:24,840
Speaker 1: to see everybody and just be with them for the morning.

510
00:31:25,000 --> 00:31:32,640
Speaker 1: And I remember I remember more of Heather's dresses than

511
00:31:32,640 --> 00:31:36,000
Speaker 1: I did of Naya's. Maybe we shot more fathers to

512
00:31:36,040 --> 00:31:40,760
Speaker 1: be honest, because she probably ones and yeah, weird trains

513
00:31:40,800 --> 00:31:44,160
Speaker 1: and things like that. But yeah, that was like the

514
00:31:44,200 --> 00:31:52,560
Speaker 1: whole episode overall. I remember more behind the scenes hangs

515
00:31:52,720 --> 00:31:54,280
Speaker 1: than I do remember filming.

516
00:31:55,760 --> 00:32:00,360
Speaker 2: Yeah, I think also because there was so much set

517
00:32:00,440 --> 00:32:02,000
Speaker 2: up and a lot of these things that there was

518
00:32:02,200 --> 00:32:05,200
Speaker 2: a lot of downtime where we weren't actually shooting.

519
00:32:05,960 --> 00:32:08,040
Speaker 1: I don't feel like I shot at all now.

520
00:32:08,080 --> 00:32:10,120
Speaker 2: Like you said, everything felt like it was on the fly.

521
00:32:11,680 --> 00:32:15,040
Speaker 2: It was we didn't have time to like cover Normally

522
00:32:15,280 --> 00:32:18,640
Speaker 2: we're in the choir room, you're like doing a billion

523
00:32:18,680 --> 00:32:21,760
Speaker 2: takes because you're doing it. We're just it takes solely

524
00:32:21,800 --> 00:32:22,760
Speaker 2: on each person.

525
00:32:23,880 --> 00:32:26,400
Speaker 1: There's just so much to cover, and just saying, like

526
00:32:26,640 --> 00:32:29,360
Speaker 1: I remember when we had the Moms in the Troubletones

527
00:32:29,480 --> 00:32:32,560
Speaker 1: filming and I remember like just seeing the rehearsal, like

528
00:32:32,600 --> 00:32:36,040
Speaker 1: I have a video of them doing the rehearsal, and

529
00:32:36,080 --> 00:32:38,719
Speaker 1: then obviously like being there in the corner, but like

530
00:32:38,840 --> 00:32:41,800
Speaker 1: I don't think I filmed more than five minutes for

531
00:32:41,920 --> 00:32:44,360
Speaker 1: that scene, like just watching them perform.

532
00:32:44,640 --> 00:32:49,040
Speaker 2: I do remember like dying watching Vanessa. I distinctly remember

533
00:32:49,040 --> 00:32:52,320
Speaker 2: watching rehearsal and her doing that and we were all

534
00:32:52,760 --> 00:32:54,280
Speaker 2: we shouting.

535
00:32:54,000 --> 00:32:57,240
Speaker 1: Yes, she is insane, and like even when she's just

536
00:32:57,360 --> 00:33:00,000
Speaker 1: dancing by herself, like yeah, that's what I mean.

537
00:33:00,120 --> 00:33:03,600
Speaker 2: Like it's so good in the room because like obviously

538
00:33:03,640 --> 00:33:07,680
Speaker 2: they choreographed these things for the entire number and you're

539
00:33:07,680 --> 00:33:12,400
Speaker 2: seeing it cut up. But if you just watched her

540
00:33:13,400 --> 00:33:16,240
Speaker 2: that entire like her track for the entire song, it was.

541
00:33:16,240 --> 00:33:19,440
Speaker 1: The show She's it's the sugar monos and off is

542
00:33:19,480 --> 00:33:20,640
Speaker 1: what I'm talking about.

543
00:33:22,200 --> 00:33:24,120
Speaker 2: Like, it was so much fun. And also I felt

544
00:33:24,160 --> 00:33:28,080
Speaker 2: like we were getting to watch Gloria like an icon

545
00:33:28,880 --> 00:33:33,800
Speaker 2: perform and also do a number with Jennifer Coolidge, which crazy.

546
00:33:33,400 --> 00:33:35,480
Speaker 1: And all of them. Romy Is like up there, She's

547
00:33:35,520 --> 00:33:38,360
Speaker 1: like are you kidding me? Right now? She's so much

548
00:33:38,400 --> 00:33:40,320
Speaker 1: there was It was really really really fun.

549
00:33:40,480 --> 00:33:45,800
Speaker 2: Speaking of romy M, So we had that trailer we

550
00:33:45,880 --> 00:33:53,200
Speaker 2: all hung out in, and Romie, per tradition of weddings,

551
00:33:53,760 --> 00:34:00,280
Speaker 2: brought some tequila, yes and yes cold nights and so

552
00:34:00,440 --> 00:34:02,320
Speaker 2: we just had it warm up with a little.

553
00:34:02,800 --> 00:34:08,080
Speaker 1: Tequila, just a sip.

554
00:34:08,120 --> 00:34:11,759
Speaker 2: Which we shouldn't have to do. Nobody was drunk, no no, no,

555
00:34:11,760 --> 00:34:14,719
Speaker 2: no no, but this is a sip.

556
00:34:14,760 --> 00:34:14,920
Speaker 1: Well.

557
00:34:14,920 --> 00:34:16,839
Speaker 2: Also, we were waiting for hours, so even if people

558
00:34:16,880 --> 00:34:19,160
Speaker 2: did get a little tipsy, we sobered up before we

559
00:34:19,200 --> 00:34:19,719
Speaker 2: had to work.

560
00:34:20,160 --> 00:34:22,520
Speaker 1: Yeah, it was really not I mean who worked.

561
00:34:23,800 --> 00:34:27,680
Speaker 2: Nobody worked, it was and watch it. Yeah, all of

562
00:34:27,680 --> 00:34:28,760
Speaker 2: it felt so silly.

563
00:34:29,120 --> 00:34:31,480
Speaker 1: We were hanging out in those in that trailer, and

564
00:34:32,040 --> 00:34:36,880
Speaker 1: Romie also brought a sleeping bags, like like a robe

565
00:34:37,280 --> 00:34:39,680
Speaker 1: sleeping bag because it was so cold that she was like,

566
00:34:39,760 --> 00:34:43,840
Speaker 1: let me bring this like sleeping bag thing, and everybody

567
00:34:43,840 --> 00:34:45,920
Speaker 1: decided to like try it on and get in it.

568
00:34:46,000 --> 00:34:47,920
Speaker 1: And then Vanessa was like, you guys could get in

569
00:34:48,000 --> 00:34:51,319
Speaker 1: it together, and so she zipped us up in it,

570
00:34:51,520 --> 00:34:55,000
Speaker 1: but we couldn't get it all the way up, huh.

571
00:34:55,440 --> 00:34:59,200
Speaker 1: And we also for that we fell.

572
00:34:59,760 --> 00:35:03,480
Speaker 2: Yeah, we fell. We were losing it.

573
00:35:03,600 --> 00:35:06,440
Speaker 1: We were really losing it at this point, and everybody's

574
00:35:06,440 --> 00:35:08,560
Speaker 1: hanging out and we were just all I think it

575
00:35:08,600 --> 00:35:11,640
Speaker 1: was lunchtime, to be honest, And it was such a

576
00:35:11,680 --> 00:35:16,160
Speaker 1: fun time to have like old and new all day. Yeah,

577
00:35:16,719 --> 00:35:21,960
Speaker 1: like from the beginning OG's all the way until the newbies,

578
00:35:22,040 --> 00:35:25,320
Speaker 1: Like it was really cool. It was a really fun time.

579
00:35:26,080 --> 00:35:28,760
Speaker 2: It's also like weird, like walking into the Crafty truck

580
00:35:28,920 --> 00:35:32,120
Speaker 2: and then Gina Gershaan is there like making a sandwich

581
00:35:32,160 --> 00:35:35,000
Speaker 2: and I was like, what is so weird? I'm like hi.

582
00:35:37,800 --> 00:35:42,200
Speaker 1: Also, you performed a lot of songs in this episode.

583
00:35:42,600 --> 00:35:46,400
Speaker 1: I remember like seeing you behind like also off camera

584
00:35:46,480 --> 00:35:49,600
Speaker 1: but on camera, like we were never together because you're

585
00:35:49,640 --> 00:35:53,759
Speaker 1: always up on the state. You were just like you

586
00:35:53,840 --> 00:35:55,320
Speaker 1: may as well have gotten married.

587
00:35:56,320 --> 00:35:59,000
Speaker 2: Believe if Already's going to plant this wedding, he will

588
00:35:59,040 --> 00:36:03,640
Speaker 2: be a focus of the wedding.

589
00:36:02,360 --> 00:36:07,320
Speaker 1: You were in every number.

590
00:36:07,960 --> 00:36:10,480
Speaker 2: You know, what's a travesty is not hearing Noah do

591
00:36:10,640 --> 00:36:12,160
Speaker 2: at last with Amber instead of me.

592
00:36:13,600 --> 00:36:16,239
Speaker 1: Oh, I would have liked that. But I will say,

593
00:36:16,320 --> 00:36:18,480
Speaker 1: you guys sounded great like you sounded great.

594
00:36:18,840 --> 00:36:24,680
Speaker 2: It's just it was held a record. Was really such

595
00:36:24,719 --> 00:36:29,399
Speaker 2: an unenjoyable experience because it is such a hard song

596
00:36:29,480 --> 00:36:32,560
Speaker 2: to sing, a song that Amber should be doing by herself.

597
00:36:33,480 --> 00:36:38,759
Speaker 2: And Luke is an incredible singer. As I've said, he's

598
00:36:38,960 --> 00:36:42,200
Speaker 2: much better than I am. He has the range I

599
00:36:42,239 --> 00:36:45,279
Speaker 2: do not. It sat in the most uncomfortable part of

600
00:36:45,320 --> 00:36:49,359
Speaker 2: my voice. Oh god, and it was really discouraging. It was.

601
00:36:50,080 --> 00:36:53,799
Speaker 2: It was so hard to get through. But I mean,

602
00:36:53,840 --> 00:36:55,000
Speaker 2: I love listening to you now.

603
00:36:55,200 --> 00:36:56,800
Speaker 1: Yeah, great number.

604
00:36:57,280 --> 00:36:58,279
Speaker 2: They make me sound great.

605
00:36:58,360 --> 00:37:00,560
Speaker 1: But also hey yah, how is hey ya? The studio

606
00:37:03,719 --> 00:37:04,400
Speaker 1: Hey y'ah.

607
00:37:07,000 --> 00:37:11,680
Speaker 2: Was one of those where I I knew the song

608
00:37:11,880 --> 00:37:18,840
Speaker 2: very very well. Obviously everybody does, and because you know,

609
00:37:19,920 --> 00:37:23,440
Speaker 2: Alex has a method to recording and is very specific

610
00:37:23,480 --> 00:37:28,560
Speaker 2: in particular that and he's right, But yeah, it was

611
00:37:28,800 --> 00:37:32,120
Speaker 2: tough to like it sounds like hundred thousands, just like

612
00:37:32,239 --> 00:37:35,000
Speaker 2: vibing through a lot of that song. And so it's

613
00:37:35,080 --> 00:37:38,360
Speaker 2: hard to like feel that or like give.

614
00:37:38,200 --> 00:37:43,160
Speaker 1: That when you're trying technically it's so specific. Yeah yeah, yeah, yeah, yeah,

615
00:37:43,200 --> 00:37:47,440
Speaker 1: for sure. That's the skill of recording, you know, in

616
00:37:47,520 --> 00:37:48,120
Speaker 1: the studio.

617
00:37:49,160 --> 00:37:51,040
Speaker 2: Yeah, so I thought it would be more fun to record.

618
00:37:51,040 --> 00:37:53,360
Speaker 2: But that also is not that great. But I again,

619
00:37:53,520 --> 00:37:56,200
Speaker 2: I like the I like the recording. I like it

620
00:37:56,280 --> 00:38:00,200
Speaker 2: last better. Feeling that number was fun because we were

621
00:38:00,239 --> 00:38:02,720
Speaker 2: just being stupid. And again, that felt really quick.

622
00:38:04,320 --> 00:38:07,719
Speaker 1: I don't I actually don't remember that one. I don't

623
00:38:07,719 --> 00:38:08,120
Speaker 1: remember that.

624
00:38:08,280 --> 00:38:12,000
Speaker 2: Because it was really quick, so fast. Yeah, this is

625
00:38:12,080 --> 00:38:12,640
Speaker 2: very fast.

626
00:38:12,800 --> 00:38:15,759
Speaker 1: Yeah, this is like shoot it, get the coverage you need,

627
00:38:15,880 --> 00:38:17,799
Speaker 1: get the people you need to cover, and get out.

628
00:38:18,360 --> 00:38:21,880
Speaker 2: And Beaker was an expert at yes, And this is why,

629
00:38:22,120 --> 00:38:24,200
Speaker 2: like you said, we only saw like the Moms and

630
00:38:24,239 --> 00:38:29,480
Speaker 2: the treble Tones shoot a couple times because if we normally,

631
00:38:29,960 --> 00:38:33,080
Speaker 2: if you're like off camera in the room, you stay

632
00:38:33,120 --> 00:38:34,920
Speaker 2: there even if the camera's not on you to give

633
00:38:34,920 --> 00:38:38,319
Speaker 2: the reactions to the other people. Because this was in

634
00:38:38,480 --> 00:38:41,080
Speaker 2: so much space and there were so many people, they

635
00:38:41,120 --> 00:38:42,560
Speaker 2: got all of us out of the room so they

636
00:38:42,600 --> 00:38:45,200
Speaker 2: could move as quickly as possible, so like we were

637
00:38:45,239 --> 00:38:47,080
Speaker 2: only in the room when we were.

638
00:38:46,960 --> 00:38:49,000
Speaker 1: On camps on camera. That's right. That's why I don't

639
00:38:49,000 --> 00:38:52,040
Speaker 1: remember a lot of that either. Yeah, that's right. The

640
00:38:52,120 --> 00:38:58,080
Speaker 1: other thing that's happening is that with speaking of Carol

641
00:38:58,280 --> 00:39:01,640
Speaker 1: and Rummy, is that Rachel is worried about Carl and

642
00:39:01,680 --> 00:39:06,000
Speaker 1: Bert seeing them with Sam because obviously it's Finn's mom

643
00:39:06,320 --> 00:39:10,200
Speaker 1: and it's tough to show that she's moving on.

644
00:39:10,560 --> 00:39:14,600
Speaker 2: Yeah, as an understandable concern, and I yeah, I like

645
00:39:14,680 --> 00:39:19,760
Speaker 2: the way they're treating it's hard to say story behind

646
00:39:19,880 --> 00:39:24,480
Speaker 2: a Finn because we lost it's very much a real person, right,

647
00:39:25,680 --> 00:39:28,399
Speaker 2: But the way that it's sprinkled in, and every time

648
00:39:28,480 --> 00:39:34,160
Speaker 2: it's sprinkled in, it's a very gentle or gentle. It's

649
00:39:34,200 --> 00:39:38,000
Speaker 2: not overly dramatic, right, and not making light of it.

650
00:39:38,000 --> 00:39:41,320
Speaker 2: It's like a really like grounded way. And I really

651
00:39:41,360 --> 00:39:43,319
Speaker 2: respect how they did it, and it was respectful how

652
00:39:43,320 --> 00:39:44,759
Speaker 2: they did it.

653
00:39:44,880 --> 00:39:47,799
Speaker 1: Yeah, I think also there's like part of it. These

654
00:39:47,920 --> 00:39:52,279
Speaker 1: feel like small moments and but in somebody's grief, like

655
00:39:52,360 --> 00:39:56,120
Speaker 1: they feel so large, right, they're huge milestones. They are

656
00:39:56,239 --> 00:39:59,319
Speaker 1: huge milestones, but things you don't think about unless you've

657
00:40:00,040 --> 00:40:04,800
Speaker 1: grand scrape, which most people have some yeah, you know, respect,

658
00:40:04,880 --> 00:40:10,520
Speaker 1: But like I think everything they've hand, if they've done,

659
00:40:10,520 --> 00:40:13,160
Speaker 1: they've just dropped in like you said, they've dropped in

660
00:40:13,200 --> 00:40:16,239
Speaker 1: little pieces to remind us of what Rachel's going through,

661
00:40:16,239 --> 00:40:18,840
Speaker 1: what we're all going through. What and then like also

662
00:40:19,320 --> 00:40:23,080
Speaker 1: mirroring that in real life. So it was really yea sweet.

663
00:40:23,440 --> 00:40:26,440
Speaker 2: And that shot of them entering the dance floor across

664
00:40:26,440 --> 00:40:29,040
Speaker 2: from and Carol and.

665
00:40:28,960 --> 00:40:32,800
Speaker 1: Then Carol them being like, go ahead. It's just so

666
00:40:32,920 --> 00:40:37,839
Speaker 1: sweet and really well done, really really well done. The

667
00:40:38,000 --> 00:40:43,360
Speaker 1: other thing that's happening is that Tina is of course

668
00:40:43,760 --> 00:40:50,680
Speaker 1: feeling jealous without even really knowing it, and she decides

669
00:40:50,719 --> 00:40:53,879
Speaker 1: that she's going to gather her best boys, including Puck,

670
00:40:54,480 --> 00:41:01,040
Speaker 1: and reveal that she's going to propose to Mike and

671
00:41:02,880 --> 00:41:04,040
Speaker 1: at somebody else's wedding.

672
00:41:05,440 --> 00:41:08,520
Speaker 2: I did not know this storyline was in this episode.

673
00:41:09,080 --> 00:41:11,600
Speaker 1: Oh true, Tiniform.

674
00:41:11,400 --> 00:41:17,080
Speaker 2: Because I remember this happening, but you see, this episode

675
00:41:17,120 --> 00:41:20,120
Speaker 2: to me is like the wedding, the wedding, and I

676
00:41:20,160 --> 00:41:24,640
Speaker 2: can't believe it is fit into this episode. Obviously, it

677
00:41:24,640 --> 00:41:27,560
Speaker 2: makes sense thematically, it makes perfect sense. For some reason,

678
00:41:27,840 --> 00:41:28,520
Speaker 2: I just didn't.

679
00:41:29,560 --> 00:41:33,080
Speaker 1: Yeah, So Tina gathers everybody in the choir room and

680
00:41:33,200 --> 00:41:36,960
Speaker 1: Already is the only one that's like slightly skeptical. Obviously,

681
00:41:37,000 --> 00:41:39,799
Speaker 1: Blaine is in like lover's Land again, so he's like

682
00:41:39,880 --> 00:41:45,160
Speaker 1: all four it, and Puck is weirdly there and supportive

683
00:41:45,200 --> 00:41:52,680
Speaker 1: of it. It was hard to justify this, to be honest,

684
00:41:52,920 --> 00:41:57,960
Speaker 1: like in as Tina, like as an actor. M hmm,

685
00:41:59,160 --> 00:42:02,759
Speaker 1: because it like a little bit like we were now.

686
00:42:02,800 --> 00:42:05,680
Speaker 1: I don't hate this storyline. It ends up. I like

687
00:42:05,800 --> 00:42:11,120
Speaker 1: the where it ends up, but just proposing all of

688
00:42:11,200 --> 00:42:14,360
Speaker 1: these people getting married they're in high school or just

689
00:42:14,480 --> 00:42:18,960
Speaker 1: out of high school, Like I think now watching it

690
00:42:19,040 --> 00:42:23,280
Speaker 1: from our perspective as thirty real you know yearal people

691
00:42:23,360 --> 00:42:25,919
Speaker 1: like you're like, oh my god, why is everybody talking

692
00:42:25,920 --> 00:42:28,880
Speaker 1: about marriage? Although we were thinking about it at that time,

693
00:42:29,080 --> 00:42:33,120
Speaker 1: like in high school, like as a society, we are

694
00:42:33,160 --> 00:42:36,960
Speaker 1: built to everybody finds a partner and they get married

695
00:42:37,000 --> 00:42:38,600
Speaker 1: for life and that's it, you know what I mean,

696
00:42:38,640 --> 00:42:41,719
Speaker 1: And like there's a this is the pressure around that.

697
00:42:42,080 --> 00:42:45,520
Speaker 1: So the life plans in high school. I hope it's

698
00:42:45,560 --> 00:42:48,680
Speaker 1: not the same anymore. But I thought I was like

699
00:42:48,719 --> 00:42:51,040
Speaker 1: had my whole life planned out in my twenties. So

700
00:42:52,880 --> 00:42:55,360
Speaker 1: but it was hard to justify because Mike and Tina

701
00:42:55,440 --> 00:42:59,360
Speaker 1: had gone away for so long and like we hadn't

702
00:42:59,400 --> 00:43:01,440
Speaker 1: heard of their relationship for her to just be like

703
00:43:01,520 --> 00:43:03,680
Speaker 1: out of nowhere, like we reconnected and now I'm going

704
00:43:03,760 --> 00:43:07,120
Speaker 1: to propose. But it is kind of Tina, like for

705
00:43:07,160 --> 00:43:10,400
Speaker 1: her to do something like that a little.

706
00:43:10,160 --> 00:43:15,319
Speaker 2: It felt natural Tina, because it's like a little reactionary,

707
00:43:15,320 --> 00:43:16,000
Speaker 2: I mean a lot.

708
00:43:15,840 --> 00:43:19,000
Speaker 1: Of reactionary yeah, impulsive yeah.

709
00:43:18,320 --> 00:43:22,000
Speaker 2: And the fact that like you don't really have a

710
00:43:22,040 --> 00:43:26,279
Speaker 2: relationship with Mike anymore, and you're like, well, because I

711
00:43:26,320 --> 00:43:28,680
Speaker 2: mean that thing of when everyone starts getting married or

712
00:43:28,680 --> 00:43:32,640
Speaker 2: everyone like it starts dating somebody or you feel it

713
00:43:32,680 --> 00:43:35,640
Speaker 2: and you're like, oh do I want that too? Right?

714
00:43:35,960 --> 00:43:38,480
Speaker 2: And so I understand that, but like to be doing

715
00:43:38,520 --> 00:43:43,160
Speaker 2: that at someone else's wedding, wild wild.

716
00:43:43,200 --> 00:43:45,000
Speaker 1: And like I don't think I had the wherewithal to

717
00:43:45,200 --> 00:43:49,680
Speaker 1: realize that as a as Jenna like that you even

718
00:43:49,719 --> 00:43:52,120
Speaker 1: at that point, like you don't propose to somebody at

719
00:43:52,160 --> 00:43:56,399
Speaker 1: somebody else's weddy even though like you don't I don't think,

720
00:43:56,480 --> 00:43:58,120
Speaker 1: Like I was like, oh my god, but now and

721
00:43:58,160 --> 00:44:02,879
Speaker 1: then I watch it again, I'm like Tina. Yeah, thank god,

722
00:44:03,040 --> 00:44:03,520
Speaker 1: he said no.

723
00:44:04,239 --> 00:44:05,960
Speaker 2: It's also one of those things that, like, you know,

724
00:44:06,080 --> 00:44:08,440
Speaker 2: when you go home, you like revert back to how

725
00:44:08,480 --> 00:44:11,040
Speaker 2: you were as a kid or as a teen or whatever,

726
00:44:11,120 --> 00:44:13,560
Speaker 2: and so it's sort of like Tina's probably one way

727
00:44:13,560 --> 00:44:16,960
Speaker 2: at Brown and she comes back and is around all

728
00:44:16,960 --> 00:44:20,000
Speaker 2: the same people and goes back to like taking up

729
00:44:20,040 --> 00:44:22,400
Speaker 2: the role that she was in that yeah, which was

730
00:44:22,440 --> 00:44:24,439
Speaker 2: cringe Tina oh Man.

731
00:44:24,680 --> 00:44:27,000
Speaker 1: And she's also just fearful. I think she's fearful of

732
00:44:27,040 --> 00:44:29,960
Speaker 1: being alone forever. And so it actually ends up that

733
00:44:30,160 --> 00:44:36,279
Speaker 1: Mike says now and it's sweet. Yeah, it was again,

734
00:44:36,320 --> 00:44:37,200
Speaker 1: it was really fast.

735
00:44:38,520 --> 00:44:38,719
Speaker 2: You know.

736
00:44:38,760 --> 00:44:42,880
Speaker 1: What was really fun was shooting the one. The scene

737
00:44:43,360 --> 00:44:45,800
Speaker 1: prior to that when she sees Mike for the first

738
00:44:45,840 --> 00:44:49,280
Speaker 1: time up in the rafters kind of above the wedding

739
00:44:49,480 --> 00:44:53,680
Speaker 1: and Puck is there and Mark was like throwing some

740
00:44:54,280 --> 00:44:59,240
Speaker 1: stupid poop and fart jokes at us like in yeah,

741
00:44:59,400 --> 00:45:02,600
Speaker 1: in between and it was making us laugh a lot,

742
00:45:02,719 --> 00:45:05,920
Speaker 1: And that was a really fun scene to shoot, and

743
00:45:06,000 --> 00:45:07,680
Speaker 1: Harry and I had a really great time shooting the

744
00:45:07,719 --> 00:45:10,160
Speaker 1: other one too. It just it was really fast, Like

745
00:45:10,239 --> 00:45:14,120
Speaker 1: I remember having to in my mind get this right,

746
00:45:14,719 --> 00:45:18,160
Speaker 1: justify it for myself, believe it, and then shoot it

747
00:45:18,280 --> 00:45:21,200
Speaker 1: all at the same time, yeah, which was like just

748
00:45:21,200 --> 00:45:24,400
Speaker 1: get there. But of course, like it was nice to

749
00:45:24,400 --> 00:45:28,239
Speaker 1: work with Harry again. And I just remember having a

750
00:45:28,239 --> 00:45:30,719
Speaker 1: really hard time with that storyline.

751
00:45:30,920 --> 00:45:31,839
Speaker 2: Yeah, I get it.

752
00:45:31,840 --> 00:45:32,800
Speaker 1: It was my favorite.

753
00:45:33,000 --> 00:45:34,320
Speaker 2: It feels really crazy.

754
00:45:34,640 --> 00:45:38,160
Speaker 1: Yeah, And I couldn't couldn't ground myself in it, Like

755
00:45:38,200 --> 00:45:40,000
Speaker 1: I really just couldn't. I was like, I don't know

756
00:45:40,040 --> 00:45:41,560
Speaker 1: that I can get on board with this or whatever.

757
00:45:43,800 --> 00:45:47,000
Speaker 1: But it did lead us to the Artina Tarti scene

758
00:45:47,239 --> 00:45:49,880
Speaker 1: in the classroom, which is one of my favorite films

759
00:45:49,920 --> 00:45:51,680
Speaker 1: to one of my favorite scenes to film.

760
00:45:51,920 --> 00:45:54,760
Speaker 2: I think it's my favorite scene we ever.

761
00:45:54,600 --> 00:45:58,960
Speaker 1: Did, agreed. I mean, we have some ones up there

762
00:45:58,960 --> 00:46:01,880
Speaker 1: that I loved filming, me too. But there was something

763
00:46:02,000 --> 00:46:03,200
Speaker 1: like very mature about this.

764
00:46:03,320 --> 00:46:07,000
Speaker 2: It was very Jenna and Kevin. Yeah yeah, yeah, yeah, yeah,

765
00:46:07,040 --> 00:46:10,319
Speaker 2: And it felt like a really I was appreciative of it,

766
00:46:10,360 --> 00:46:13,160
Speaker 2: and I don't I'm appreciative of it now and I

767
00:46:13,280 --> 00:46:15,680
Speaker 2: was shortly after. I don't know if I realized at

768
00:46:15,719 --> 00:46:19,319
Speaker 2: the time, like what a good button it was for

769
00:46:19,400 --> 00:46:25,920
Speaker 2: us our experiences on the show totally, and it felt,

770
00:46:26,480 --> 00:46:28,720
Speaker 2: you know, a lot of the times our storylines were crazy,

771
00:46:29,239 --> 00:46:31,560
Speaker 2: Like in this episode, you had a crazy storyline. I

772
00:46:31,640 --> 00:46:37,680
Speaker 2: had that STD storyline a couple episodes ago, and so yeah,

773
00:46:38,360 --> 00:46:41,640
Speaker 2: it felt nice to have sort of a grounded, mature,

774
00:46:41,920 --> 00:46:45,040
Speaker 2: real conversation. Yeah, what is crazy is us saying we

775
00:46:45,040 --> 00:46:46,240
Speaker 2: get married when we were thirty?

776
00:46:46,719 --> 00:46:51,040
Speaker 1: I move, I was. Yeah. I gagged a little bit

777
00:46:51,160 --> 00:46:51,880
Speaker 1: on that one.

778
00:46:51,719 --> 00:46:53,719
Speaker 2: Because how old are you when we were filming.

779
00:46:53,360 --> 00:47:03,480
Speaker 1: This twenty nine, twenty nine, twenty eight or twenty nine?

780
00:47:03,719 --> 00:47:05,279
Speaker 2: Yeah, but how old are you now?

781
00:47:06,239 --> 00:47:12,839
Speaker 1: Thirty nine? Yeah, ten years ago. I was twenty eight

782
00:47:12,880 --> 00:47:14,759
Speaker 1: at the time, I was twenty eight because I turned

783
00:47:14,760 --> 00:47:20,000
Speaker 1: twenty nine and April. So yeah, that's crazy. That's also

784
00:47:20,120 --> 00:47:22,800
Speaker 1: like a lot of that packed is usually like by forty,

785
00:47:22,920 --> 00:47:25,640
Speaker 1: you make that pack, right, did you like anybody?

786
00:47:26,480 --> 00:47:26,719
Speaker 2: You know?

787
00:47:26,880 --> 00:47:30,799
Speaker 1: I did with a friend a long time ago, and

788
00:47:30,840 --> 00:47:36,080
Speaker 1: then I hit thirty something and got married. So it

789
00:47:36,120 --> 00:47:41,000
Speaker 1: didn't work out. Yeah I did. But also even forty

790
00:47:41,040 --> 00:47:43,640
Speaker 1: at this point, now you're like, it's not She's a

791
00:47:43,719 --> 00:47:44,440
Speaker 1: different world.

792
00:47:44,600 --> 00:47:46,840
Speaker 2: I also think you know where we grew up. Most

793
00:47:46,840 --> 00:47:47,879
Speaker 2: people grow like in the.

794
00:47:47,800 --> 00:47:49,400
Speaker 1: Suburbs married in their twenties.

795
00:47:49,480 --> 00:47:51,600
Speaker 2: Yeah, yeah, I just have how many friends you haven't

796
00:47:51,640 --> 00:47:53,239
Speaker 2: got married out of high school, like I have friends

797
00:47:53,280 --> 00:47:54,640
Speaker 2: who got bred out of high school.

798
00:47:54,719 --> 00:47:59,959
Speaker 1: No college, college okay, but still thirty felt really close.

799
00:48:00,120 --> 00:48:01,840
Speaker 1: I'm sure we were saying that while we were filming

800
00:48:01,880 --> 00:48:05,520
Speaker 1: it too that I was like, okay, but for Ardentina

801
00:48:05,560 --> 00:48:08,239
Speaker 1: in their life, that felt like a long way like

802
00:48:08,480 --> 00:48:13,800
Speaker 1: a long way away. And yeah, I loved that scene.

803
00:48:13,800 --> 00:48:16,440
Speaker 1: Filming that scene is probably one of my favorites as well.

804
00:48:16,640 --> 00:48:19,080
Speaker 1: Also just because you have Brad Beeker there who like

805
00:48:19,160 --> 00:48:23,480
Speaker 1: comes in like whispers to you in between, like very calm.

806
00:48:23,880 --> 00:48:27,880
Speaker 1: He just he captured it so beautifully. It was just

807
00:48:28,080 --> 00:48:34,120
Speaker 1: honest and like it is a nice button. And uh yeah,

808
00:48:34,160 --> 00:48:35,359
Speaker 1: I really really loved that one.

809
00:48:35,480 --> 00:48:39,040
Speaker 2: Another really quick scene to shoot, and the key was

810
00:48:39,080 --> 00:48:40,960
Speaker 2: I'm noticing, you know in this episode there's a lot

811
00:48:41,000 --> 00:48:45,120
Speaker 2: of scenes with just two people or three people, and

812
00:48:45,200 --> 00:48:47,680
Speaker 2: that's what he could grab us shoot, get it and

813
00:48:47,719 --> 00:48:48,880
Speaker 2: get quickly and move on.

814
00:48:49,040 --> 00:49:02,320
Speaker 1: Yeah. The wedding itself was very fast, like there was

815
00:49:02,360 --> 00:49:05,080
Speaker 1: a lot that happened there, but like the vows, we

816
00:49:05,080 --> 00:49:07,920
Speaker 1: were like fast the vows.

817
00:49:09,000 --> 00:49:13,759
Speaker 2: No, my gusta no. Like these two couples have been

818
00:49:13,920 --> 00:49:16,520
Speaker 2: monumental for all of us.

819
00:49:16,560 --> 00:49:19,439
Speaker 1: And we're splitting them them and then.

820
00:49:19,320 --> 00:49:23,239
Speaker 2: They also just felt like why did all the good

821
00:49:23,280 --> 00:49:28,319
Speaker 2: conversations happen off the altar? Like, I don't know, I

822
00:49:28,400 --> 00:49:33,040
Speaker 2: felt like they could have m done some more meaningful vows,

823
00:49:33,040 --> 00:49:35,479
Speaker 2: and I also wanted Burt to like really lean into

824
00:49:35,520 --> 00:49:37,839
Speaker 2: his burtness, and it all felt because we didn't have time.

825
00:49:37,880 --> 00:49:39,080
Speaker 2: It all felt just really quick.

826
00:49:39,560 --> 00:49:45,120
Speaker 1: Yeah, agreed, agreed, let's crede some performances.

827
00:49:45,560 --> 00:49:51,560
Speaker 2: Okay, at last, At last, I mean the performance is

828
00:49:51,600 --> 00:49:53,600
Speaker 2: sort of boring, but it's the aisle, so I don't know.

829
00:49:53,680 --> 00:50:00,880
Speaker 1: A A hey, yeah, A A yeah, let's do a minus.

830
00:50:01,600 --> 00:50:05,520
Speaker 1: I'm so excited, A plus A plus. I was gonna

831
00:50:05,560 --> 00:50:07,040
Speaker 1: give it a day, but I'll give it a plus

832
00:50:07,080 --> 00:50:11,520
Speaker 1: and our day will come B B plus plus. Okay,

833
00:50:12,360 --> 00:50:17,040
Speaker 1: that was easy. Let's see some charty takes, uh cringe moments.

834
00:50:17,520 --> 00:50:21,799
Speaker 1: Gina Hershan playing drunk is very funny, so funny. I

835
00:50:22,000 --> 00:50:24,640
Speaker 1: was a little creeped out by her hang on Puck,

836
00:50:25,320 --> 00:50:29,719
Speaker 1: even though he guessed he was like a college kid

837
00:50:29,760 --> 00:50:33,879
Speaker 1: at that point. But I was like, mm, I don't know, yeah,

838
00:50:33,880 --> 00:50:37,680
Speaker 1: it doesn't seem I don't okay, I don't know. Yeah,

839
00:50:37,920 --> 00:50:45,440
Speaker 1: I didn't like it. Best dance move Benji's dance the

840
00:50:45,520 --> 00:50:52,160
Speaker 1: whole thing, best song at last, I'm okay with that right? Uh?

841
00:50:52,520 --> 00:50:54,640
Speaker 1: Performance by a prop, Oh, there's.

842
00:50:54,480 --> 00:50:58,000
Speaker 2: A lot, you know, it was my least favorite prop.

843
00:50:58,440 --> 00:51:05,400
Speaker 2: What the ot P hats hated still hate with the

844
00:51:05,480 --> 00:51:06,600
Speaker 2: fiery rage?

845
00:51:07,160 --> 00:51:08,400
Speaker 1: Where did that come from?

846
00:51:08,760 --> 00:51:11,600
Speaker 2: It's it's from the internet, and it felt like old

847
00:51:11,600 --> 00:51:15,120
Speaker 2: people trying to get onto an internet trend. Did they

848
00:51:15,200 --> 00:51:15,960
Speaker 2: learned that there was.

849
00:51:16,080 --> 00:51:17,680
Speaker 1: Oh I don't like that.

850
00:51:17,920 --> 00:51:20,680
Speaker 2: No, I hate that.

851
00:51:21,280 --> 00:51:32,879
Speaker 1: I do like. Uh, the cutouts absolutely press, the seating chart.

852
00:51:33,239 --> 00:51:36,920
Speaker 2: I love a miniature seating chart thing. Yeah, that was

853
00:51:37,000 --> 00:51:38,880
Speaker 2: really fun.

854
00:51:39,200 --> 00:51:40,919
Speaker 1: Yeah.

855
00:51:41,360 --> 00:51:47,160
Speaker 2: Best line, oh, easy, mine is you're blowing it and

856
00:51:47,200 --> 00:51:49,360
Speaker 2: you need to sit down because nobody's uglier than you

857
00:51:49,400 --> 00:51:50,960
Speaker 2: without your clothes on. Knock it off.

858
00:51:52,320 --> 00:51:59,240
Speaker 1: Apparently I'm ugly with everybody's nobody's ugly. And this toaster comment,

859
00:52:00,080 --> 00:52:02,160
Speaker 1: this whole speech is just beyond Oh.

860
00:52:02,440 --> 00:52:05,520
Speaker 2: That's what I wanted to say. What I do remember

861
00:52:05,560 --> 00:52:09,440
Speaker 2: filming and what didn't make it in They gave Ken

862
00:52:09,560 --> 00:52:15,200
Speaker 2: the opportunity and the time to really just go for it,

863
00:52:15,280 --> 00:52:18,680
Speaker 2: and he improved for his life, for his life, and

864
00:52:18,800 --> 00:52:22,719
Speaker 2: like those times were long and they were so good, they.

865
00:52:22,640 --> 00:52:25,799
Speaker 1: Were really funny. I do remember that. Yeah, everybody was

866
00:52:25,960 --> 00:52:30,040
Speaker 1: just laughing. The other quote that I like is Whitney

867
00:52:30,280 --> 00:52:33,560
Speaker 1: in the Barn in the beginning Coolidge. So she's like

868
00:52:34,360 --> 00:52:37,640
Speaker 1: talking about the AMI's country and she's like I quickly

869
00:52:37,680 --> 00:52:40,680
Speaker 1: pulled down my pants and I squatted real low, and

870
00:52:40,760 --> 00:52:43,279
Speaker 1: usually I never looked, but it was just my lucky day.

871
00:52:43,320 --> 00:52:45,400
Speaker 1: I looked down and it turns out I was in

872
00:52:45,440 --> 00:52:49,600
Speaker 1: the labor in Brittany. It was you so good?

873
00:52:51,160 --> 00:52:55,400
Speaker 2: You know what I did? I love Sash Hate was

874
00:52:55,440 --> 00:52:58,200
Speaker 2: in Sue's walking out and she's like, I've got to

875
00:52:58,239 --> 00:53:00,799
Speaker 2: come up with some new ship or fodder. Hmm, how

876
00:53:00,800 --> 00:53:03,799
Speaker 2: about Puck Sades, how's that? Or FABERI can't get enough

877
00:53:03,840 --> 00:53:07,160
Speaker 2: of the lesbians and it's like, don't get any more fuel.

878
00:53:07,520 --> 00:53:17,560
Speaker 1: I know, I know, Live Love, prosper Performance, MVB.

879
00:53:18,480 --> 00:53:21,520
Speaker 2: I think we just have I feel like the couples.

880
00:53:21,239 --> 00:53:28,920
Speaker 1: The couples, yeah, just the squad, the quad, Yeah the quad? Wow. Okay,

881
00:53:28,960 --> 00:53:29,880
Speaker 1: well that's a wedding.

882
00:53:30,640 --> 00:53:32,480
Speaker 2: I was. I'm sad it's over because I was really

883
00:53:32,480 --> 00:53:33,239
Speaker 2: looking forward to that.

884
00:53:33,840 --> 00:53:36,120
Speaker 1: I know. It's just so many memories on that episode.

885
00:53:36,400 --> 00:53:43,800
Speaker 2: Yeah, okay, should we found on TikTok Laurel C. Walls

886
00:53:47,560 --> 00:53:52,640
Speaker 2: posted some Coachella video. She said, Gleeks Never Die and

887
00:53:52,680 --> 00:53:58,759
Speaker 2: it's her at numerous performances and then them saying they

888
00:53:58,760 --> 00:54:06,359
Speaker 2: did this hung Glee bone you have Gaga. It's very

889
00:54:06,480 --> 00:54:12,040
Speaker 2: very accurate. Yeah, I love it because we're everywhere. You

890
00:54:12,080 --> 00:54:13,200
Speaker 2: can't get rid of us.

891
00:54:13,400 --> 00:54:16,640
Speaker 1: Okay, well that's a wedding. Next episode is episode nine

892
00:54:16,680 --> 00:54:20,440
Speaker 1: of thirteen for season six, Kevin and you will leave it.

893
00:54:21,840 --> 00:54:24,840
Speaker 1: Next one is child Star, so Josie Tota is on

894
00:54:25,040 --> 00:54:28,520
Speaker 1: Infineas also joins and we get a lot of songs,

895
00:54:28,560 --> 00:54:36,440
Speaker 1: so tune in. Wow. Okay, that's that's it.

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00:54:36,600 --> 00:54:38,959
Speaker 2: Two more Glee couples married.

897
00:54:40,280 --> 00:54:43,040
Speaker 1: And one who didn't.

898
00:54:42,840 --> 00:54:47,200
Speaker 2: And one forty two minute episode. There you go, that's

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00:54:47,200 --> 00:54:50,120
Speaker 2: where that happened. It is you have saying that a

900
00:54:50,120 --> 00:54:54,120
Speaker 2: little too much lately, Jenna, you're getting a little too comfortable.

901
00:54:54,239 --> 00:54:56,960
Speaker 1: Beat me to it. I challenge you.

902
00:54:57,320 --> 00:54:59,000
Speaker 2: I mean, there's no reason why you can't say it.

903
00:54:59,160 --> 00:55:03,720
Speaker 2: I don't know. Okay, Bye, Thanks for listening and follow

904
00:55:03,800 --> 00:55:06,640
Speaker 2: us on Instagram at and that's what you really miss pod.

905
00:55:06,920 --> 00:55:08,759
Speaker 2: Make sure to write us a review and leave us

906
00:55:08,800 --> 00:55:10,279
Speaker 2: five stars. See you next time.