WEBVTT - It's A Dog (S6 E2 Fight Face)

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<v Speaker 1>I am all in you.

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<v Speaker 2>I am all in with Scott Patterson and iHeartRadio Podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast. I

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<v Speaker 1>Heart Radio one eleven productions. We are joined by my

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<v Speaker 1>partial intrepid cru Suseyn French are newbie and and you

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<v Speaker 1>know where you lover are Stalwart, Amy Sugarman. Tara sued

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<v Speaker 1>is on an airplane right now. Danielle Romo may be

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<v Speaker 1>in labor right now, so we are we're praying for

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<v Speaker 1>a beautiful outcome.

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<v Speaker 3>There before we start fight face. This is a do

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<v Speaker 3>you know what you might not know because you're in

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<v Speaker 3>canad working.

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<v Speaker 2>Yeah, we get to see Sullivan's crossing.

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<v Speaker 1>Oh my gosh, right October fourth, Yes, c W at

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<v Speaker 1>eight seventh Central, so you can stream it on the

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<v Speaker 1>CWP too.

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<v Speaker 2>So yeah, so this Wednesday, if you're listening on Monday,

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<v Speaker 2>this Wednesday. And word on the street is it's very

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<v Speaker 2>good A.

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<v Speaker 1>Word on the street. Yeah, we're pretty proud of it,

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<v Speaker 1>pretty exciting. It's very exciting. It's nice to be back

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<v Speaker 1>home at the CW. I started there in two thousand

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<v Speaker 1>and you know, it turned in it was the WB

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<v Speaker 1>and then it became the CW. What two thousand and

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<v Speaker 1>five or six. Yeah, and we were there at the

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<v Speaker 1>launch of the CW and it was a big deal

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<v Speaker 1>and it was everything was green and there was a

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<v Speaker 1>frog and there was you know, we did a whole

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<v Speaker 1>photo campaign and it was fun. It was just fun

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<v Speaker 1>launching a new network. And I'm still friends with a

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<v Speaker 1>bunch of the people that used to work over there.

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<v Speaker 2>So it's funny. Some people are still there. You and

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<v Speaker 2>I were talking about that. Some of the people that

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<v Speaker 2>were there with Gilmore Girls are still there.

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<v Speaker 1>Yeah, and you know, Next Stars taking a position here

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<v Speaker 1>with the CW, and it's a big relaunch and they've

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<v Speaker 1>got a sports division and they do football, and they

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<v Speaker 1>do golf, and they do they do nightly news and

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<v Speaker 1>they're really a major network now.

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<v Speaker 2>And yeah, that's true.

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<v Speaker 1>It's quite something to see the growth from two thousand

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<v Speaker 1>and sixty today. Very very proud of these folks. They're

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<v Speaker 1>doing a great job over there. So anyway, yeah, so

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<v Speaker 1>Wednesday night, ye October fourth, c W, eight o'clock, seventh Central,

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<v Speaker 1>Sullivan's Crossing.

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<v Speaker 2>Check it out and everyone should watch because we will

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<v Speaker 2>be doing some special podcast episodes.

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<v Speaker 1>So yes, we will, and I'm excited. We're going to

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<v Speaker 1>drop them into the feed and we're going to be

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<v Speaker 1>talking to the stars. Yep. And can I announce who

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<v Speaker 1>the first guest is?

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<v Speaker 2>Yeah, actually, sure, yes you can.

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<v Speaker 1>It's going to be the actual star of the show,

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<v Speaker 1>Morgan Cohen. And I think you're all going to love her.

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<v Speaker 1>We all do up here, and we're going to get

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<v Speaker 1>to know her a little bit and just look out

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<v Speaker 1>for that podcast episode. So anyway, aweso, let's get started here.

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<v Speaker 1>What did everybody think of the episode?

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<v Speaker 2>Well, should we have Suzanne to our big synopsizing?

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<v Speaker 1>Well, that's right, we got a synopsisizations from Susanne French.

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<v Speaker 1>You're on care right.

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<v Speaker 4>This is a season six, episode two, fight Face. It

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<v Speaker 4>aired on September twentieth, two thousand and five. Feeling a

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<v Speaker 4>little lonely, Lorelai adopts a dog. Luke agrees to repair

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<v Speaker 4>Lorelei's house rather than buy the Twiguam house. This so

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<v Speaker 4>soon turns into trouble as TJ does some unwanted construction

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<v Speaker 4>on the house. Rory starts her community service assignment. Feeling

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<v Speaker 4>neglected and unhappy with how things are going. Rory visits

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<v Speaker 4>Luke at his diner and Luke lets it slip that

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<v Speaker 4>he and Laurlai are engaged.

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<v Speaker 2>What do you think of this episode?

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<v Speaker 1>I loved it. I really enjoyed it. It was very

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<v Speaker 1>very light and fun and delightful and breezy, and it

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<v Speaker 1>was a Dan Paladino written and directed episode. And you know,

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<v Speaker 1>I really, I really am digging on the Dan Palladino

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<v Speaker 1>writing style and the directing style. Not that I don't

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<v Speaker 1>love everybody else, but there's there's something a little different

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<v Speaker 1>about his episodes, and there's it's just kind of amazes

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<v Speaker 1>me every time I see it. Dan.

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<v Speaker 2>I could be an idiot saying this, but it seems

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<v Speaker 2>like he really likes to write for you and Lauren,

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<v Speaker 2>you know, Luke and Laura Lai, to have there. There

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<v Speaker 2>was a lot of that in this episode, and I thought,

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<v Speaker 2>I loved it.

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<v Speaker 1>It's some of the best. You know, what I really

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<v Speaker 1>saw in this episode was I really saw the relationship

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<v Speaker 1>between those two and it was just kind of a

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<v Speaker 1>delightful little journey there to see how they interact and

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<v Speaker 1>see how they are together. It's the best. I was

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<v Speaker 1>so comfortable in their presence and with their dialogue. And

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<v Speaker 1>another thing I noticed is it's it's really a wonderful thing.

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<v Speaker 1>And to have a scene partner like Lauren who you

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<v Speaker 1>can trust because we're doing all that fast dialogue back

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<v Speaker 1>and forth. And I always trusted that she was going

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<v Speaker 1>to be there timing wise, because it's all timing as

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<v Speaker 1>you see, right, And you know, I know she could

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<v Speaker 1>trust me too to keep the ball in the air,

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<v Speaker 1>because if there's a little too much of a pause

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<v Speaker 1>here and there, then there goes right out of the scene.

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<v Speaker 1>And it's like it's like pumping up a tire or

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<v Speaker 1>a balloon or something. It's the same.

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<v Speaker 2>Principle, even when you're standing on a roof, when you're.

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<v Speaker 1>Standing exactly, the timing was always there. She always delivered,

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<v Speaker 1>and she's just so great, so great at that so

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<v Speaker 1>and it really made those scenes. It was all timing

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<v Speaker 1>and and and pace and all that stuff. Difficult stuff

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<v Speaker 1>to do, but when you have a scene partner like that,

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<v Speaker 1>it's fun. You know, it's really fun.

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<v Speaker 2>I'm sure we'll get to it. But two things, even

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<v Speaker 2>when you were arguing, it was great right and for

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<v Speaker 2>me because you still saw the love there totally. And

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<v Speaker 2>just even like the moment where Luke says we're good,

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<v Speaker 2>we're good, and you're like, oh, yeah, they are good,

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<v Speaker 2>Like they can have that and be good five seconds

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<v Speaker 2>later and I know what, we'll talk about it when

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<v Speaker 2>we get to it. But the fact that Luke realized

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<v Speaker 2>I'm not buying the Twickham house. She wants to stay

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<v Speaker 2>in this house was for me the moment of the episode.

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<v Speaker 1>Really being in tune with her to that degree. What

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<v Speaker 1>does she want? Let me deliver what she wants? And

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<v Speaker 1>I love that roof scene too. I thought that roof

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<v Speaker 1>scene really defined their relationship to the point where they're

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<v Speaker 1>so comfortable with each other he can kind of, you know,

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<v Speaker 1>do a yellie thing like a lunatic on a roof,

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<v Speaker 1>but there's still love there. Yeah, and she understands what

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<v Speaker 1>it is and dissipated that that she was going to

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<v Speaker 1>ask her are we still good? No, we're good. She

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<v Speaker 1>didn't have to ask a.

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<v Speaker 2>Question, and he was upset. It's like, you were upset

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<v Speaker 2>because Rory really threw you off. And we'll debate it.

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<v Speaker 2>I get why he told her. I mean the whole thing, Well,

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<v Speaker 2>we'll go through it, because that was sort of a

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<v Speaker 2>moment when you're like, oh, no, you told her, but

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<v Speaker 2>you kind of had to tell her and how could

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<v Speaker 2>you not tell her? And oh no, like.

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<v Speaker 1>Just oh boy, yeah, great stuff, really great stuff. Thank you, Dan,

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<v Speaker 1>appreciate it.

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<v Speaker 2>So we start with the Twickham House and Suki and

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<v Speaker 2>Laura liar in front of the Tickham House, and I

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<v Speaker 2>actually thought that scene was really funny because Suki knows

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<v Speaker 2>Laura life so well that she's like it's sticking right,

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<v Speaker 2>like the engagement and then they had It was just

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<v Speaker 2>a good scene.

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<v Speaker 4>It was good to see Suki and I don't think

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<v Speaker 4>she had was in the episode before. I felt like

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<v Speaker 4>I hadn't seen her for a while.

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<v Speaker 2>I totally agree. I totally agree, And I like how

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<v Speaker 2>she calls her out like are you gonna bolt? I'm

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<v Speaker 2>not gonna bolt, and then they sort of have their

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<v Speaker 2>flirty moment. It was a little dirty. It just got bigger,

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<v Speaker 2>that's what she said, you know, like they definitely throw

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<v Speaker 2>those sort of I don't know double entendre a little bit.

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<v Speaker 1>I didn't understand what they were talking about. Y'all have

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<v Speaker 1>to fill me in later.

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<v Speaker 4>It was good best friend time, like we did.

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<v Speaker 2>Yeah, I mean one of them is is good greed.

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<v Speaker 2>It was just that was great. Then I think, do

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<v Speaker 2>we go to the community service. We see we go

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<v Speaker 2>to the community service right away, and the like leader

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<v Speaker 2>of the community service is kind of like that guy,

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<v Speaker 2>that guy that you see and everything. I have to

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<v Speaker 2>look up what his name was while you guys talk,

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<v Speaker 2>because that guy's in everything.

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<v Speaker 1>Oh he was great.

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<v Speaker 2>Yeah, and he's in it great.

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<v Speaker 1>He you know, that was one of the best pieces

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<v Speaker 1>of casting I've seen on the show. I mean, he

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<v Speaker 1>really made me believe that she was in that situation.

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<v Speaker 1>That's exactly the type of guy that's going to be

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<v Speaker 1>employed at that level doing that in the Department of Corrections,

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<v Speaker 1>you know, you know what I mean. He was perfect,

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<v Speaker 1>and the casting for those extras was perfect. All these

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<v Speaker 1>shady looking people and then Rory.

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<v Speaker 4>He really hit like every stereotype as they you know,

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<v Speaker 4>kind of panned across the room.

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<v Speaker 1>Ye what was his name? What was Oh? John Capellos?

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<v Speaker 5>He was he.

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<v Speaker 2>Is in so many He's so good.

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<v Speaker 1>He was so good.

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<v Speaker 2>Oh man, I know I'm jumping ahead, but when she

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<v Speaker 2>says anyone need to smoke like, I was just like,

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<v Speaker 2>oh my god, I'd love to.

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<v Speaker 1>I'd love to interview him, you know, if you get

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<v Speaker 1>him on.

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<v Speaker 2>Yeah, I'm sure we can.

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<v Speaker 1>Yeah, that'd be cool. He really hit it out of

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<v Speaker 1>the park, saying there's no there's no such thing as

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<v Speaker 1>small scenes, just small actors. This guy's a big actor.

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<v Speaker 1>You know. He really made it his own, really great.

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<v Speaker 2>I agree. I think that's important for it to be believable,

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<v Speaker 2>and I actually sort of do even though she had

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<v Speaker 2>like fake dirt on her face. I do believe that

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<v Speaker 2>she did have a lot of fake dirt on her face.

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<v Speaker 4>First of all, I.

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<v Speaker 2>Know we're not there yet, but when she when the

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<v Speaker 2>person's mad, when she goes for the trash and the

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<v Speaker 2>person goes for the trash at the same time, and

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<v Speaker 2>then she takes the trashaw like the community service stuff

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<v Speaker 2>is actually kind of funny and laying better than I

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<v Speaker 2>even thought it would. Oh my god, you know what

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<v Speaker 2>I just realized as I'm looking him up. He's in

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<v Speaker 2>the breakfast club.

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<v Speaker 1>Oh yeah, that.

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<v Speaker 2>Guy's in the He's totally that.

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<v Speaker 1>Guy, like he's like, he's like a badass in the

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<v Speaker 1>breakfast club. He was was heither janitor or something?

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<v Speaker 2>I think, so I have to look it up, but yes,

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<v Speaker 2>now it's totally coming back.

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<v Speaker 1>It's like they could they couldn't put one over on him,

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<v Speaker 1>and he just like, oh, he schooled he schooled the judge. Yeah.

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<v Speaker 2>Anyway, Okay, so we go into the diner and that

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<v Speaker 2>was sort of interesting, Like at first I couldn't figure

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<v Speaker 2>out what you two were talking about, but you're talking

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<v Speaker 2>about Star Wars obviously last and that was that was funny.

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<v Speaker 2>That was a funny bit. And then you know, she

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<v Speaker 2>throws in George Lucas own San Francisco, and then you

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<v Speaker 2>go into Bewitched, which I actually also thought because I

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<v Speaker 2>they did sort of screw up Bewitched with that movie.

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<v Speaker 1>Do you know why George Lucas got so rich?

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<v Speaker 2>Don't tell me, hold on them. Let's think merchandise.

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<v Speaker 1>Yes, because the studios at the time, what was it,

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<v Speaker 1>the seventies, Yeah, mid seventies, late seventies were not hep

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<v Speaker 1>to uh what merchandising could bring in, and George knew

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<v Speaker 1>that this was going to be a real windfall merchandising wise,

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<v Speaker 1>and so they cut him in. I don't know, I

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<v Speaker 1>think he got all of it. Whoa, I think he

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<v Speaker 1>got one hundred percent of the merchandising. I might be wrong.

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<v Speaker 1>Maybe the studios got a little bit, but he got

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<v Speaker 1>the lion's share of the merchandising in that and that's.

0:12:30.760 --> 0:12:33.120
<v Speaker 4>Imperfectly Yeah, smart move.

0:12:33.679 --> 0:12:35.160
<v Speaker 1>Yeah yeah, billions.

0:12:36.480 --> 0:12:39.040
<v Speaker 4>Did you notice in that diner scene that they had

0:12:39.040 --> 0:12:44.599
<v Speaker 4>the windows covered, No, so you could like the blinds,

0:12:44.679 --> 0:12:48.640
<v Speaker 4>the blinds were partially closed, but you couldn't see through

0:12:48.679 --> 0:12:51.319
<v Speaker 4>them like they had the windows covered.

0:12:51.080 --> 0:12:54.080
<v Speaker 1>In that first in that first the Star Wars.

0:12:54.400 --> 0:12:58.559
<v Speaker 4>Yeah, the first diners, he's talking to TJ. I don't know.

0:12:59.120 --> 0:13:01.360
<v Speaker 4>I wasn't sure why that was if I thought maybe

0:13:01.400 --> 0:13:04.520
<v Speaker 4>the scene was shot possibly at night, and so they

0:13:04.520 --> 0:13:07.120
<v Speaker 4>had to cover the windows so they could blast them

0:13:07.160 --> 0:13:09.160
<v Speaker 4>with light and make it look like daylight outside.

0:13:09.320 --> 0:13:13.080
<v Speaker 1>Yeah, that's they do do that sometimes. I do not recall.

0:13:12.760 --> 0:13:15.600
<v Speaker 1>All I know is that there we are as soon

0:13:15.640 --> 0:13:20.360
<v Speaker 1>as we see Michael day Lewis, we're laughing. The posture,

0:13:21.040 --> 0:13:24.600
<v Speaker 1>the attitude, and it's just like the guy. He's a

0:13:24.640 --> 0:13:29.880
<v Speaker 1>great physical comedian, yes, great physical comedic actor. He just

0:13:30.120 --> 0:13:31.080
<v Speaker 1>owns that character.

0:13:31.480 --> 0:13:33.600
<v Speaker 2>We see more of the diner, and there was some

0:13:33.720 --> 0:13:37.240
<v Speaker 2>interesting shots of the diner in this episode where you

0:13:37.280 --> 0:13:39.680
<v Speaker 2>see more because obviously we see where the shelves went

0:13:40.040 --> 0:13:42.920
<v Speaker 2>and that wasn't something that I've ever like. I didn't

0:13:42.960 --> 0:13:45.200
<v Speaker 2>really know that it went around like that. There's sort

0:13:45.240 --> 0:13:49.800
<v Speaker 2>of that little alcove there, and then later there's another

0:13:49.880 --> 0:13:52.920
<v Speaker 2>scene where we see the two tables shot just differently.

0:13:53.200 --> 0:13:55.480
<v Speaker 2>We just saw more of the diner in this episode.

0:13:57.160 --> 0:13:59.760
<v Speaker 4>I love it when TJ said he was going to

0:13:59.800 --> 0:14:02.000
<v Speaker 4>give Luke one of the shelves is a wedding gift,

0:14:02.040 --> 0:14:04.000
<v Speaker 4>but then he raised the price on the other two shelves,

0:14:04.000 --> 0:14:05.240
<v Speaker 4>so it came out the same.

0:14:09.200 --> 0:14:12.600
<v Speaker 2>Oh man, it's a good scene. It's a good it's

0:14:12.640 --> 0:14:15.640
<v Speaker 2>all good. Their banter's good right from the start. And

0:14:15.679 --> 0:14:18.520
<v Speaker 2>then does she say bye doll? Did I mishear that

0:14:18.679 --> 0:14:22.480
<v Speaker 2>or does she say bye doll? I'm oh, I think

0:14:22.560 --> 0:14:24.720
<v Speaker 2>so cute. It was cute.

0:14:25.520 --> 0:14:29.040
<v Speaker 1>It's just everything between those two, Luke and Laural ives

0:14:29.080 --> 0:14:33.000
<v Speaker 1>just a delight to watch. It really solidified and and

0:14:33.240 --> 0:14:38.800
<v Speaker 1>and showed how easy their relationship is and how comfortable

0:14:38.800 --> 0:14:43.040
<v Speaker 1>they are. Yeah, they've found, they've found, they've both found

0:14:43.080 --> 0:14:43.960
<v Speaker 1>their north stars.

0:14:44.240 --> 0:14:47.080
<v Speaker 2>Should we stop going to movies? She said? Should we

0:14:47.080 --> 0:14:49.360
<v Speaker 2>stop going? She said, should should we stop going to movies?

0:14:49.720 --> 0:14:53.040
<v Speaker 2>Because they just argue and banter about the movies. It's

0:14:53.080 --> 0:14:55.640
<v Speaker 2>just they have a great relationship.

0:14:55.960 --> 0:14:57.000
<v Speaker 1>Yeah.

0:14:57.040 --> 0:14:58.680
<v Speaker 2>I love in this scene when.

0:14:58.560 --> 0:15:02.320
<v Speaker 1>They're both highly critical people Yeah, they like to go

0:15:02.360 --> 0:15:04.800
<v Speaker 1>to things, you know how it's kind of fun to

0:15:04.840 --> 0:15:06.600
<v Speaker 1>go with go to the movies and then pick them

0:15:06.600 --> 0:15:08.840
<v Speaker 1>apart at totally totally.

0:15:09.720 --> 0:15:11.240
<v Speaker 4>I also love how you just kind of what we're

0:15:11.240 --> 0:15:12.680
<v Speaker 4>doing do a podcast about it.

0:15:13.560 --> 0:15:19.840
<v Speaker 2>Exactly, good one, Susan, exactly. Is this the scene where

0:15:19.840 --> 0:15:24.560
<v Speaker 2>he says I think he says like both our ladies

0:15:24.720 --> 0:15:27.760
<v Speaker 2>were squiring them or something like he's kind of doing that.

0:15:28.000 --> 0:15:31.880
<v Speaker 2>Oh my god, and Luke's like, that's my sister, Like stop.

0:15:32.680 --> 0:15:37.080
<v Speaker 2>It was just a good bit. It was just all good. Yeah,

0:15:37.120 --> 0:15:39.040
<v Speaker 2>and then he gives that random couple's card.

0:15:40.440 --> 0:15:45.200
<v Speaker 1>Oh god, that was funny. He's just so you don't

0:15:45.240 --> 0:15:47.320
<v Speaker 1>want to seem to end, you know, It's like you

0:15:47.320 --> 0:15:49.480
<v Speaker 1>know it's going to end, and you just sort of

0:15:49.520 --> 0:15:52.760
<v Speaker 1>feel it's gonna end any minute. But it's like, no,

0:15:52.880 --> 0:15:54.760
<v Speaker 1>I hope there's I hope Luke comes back and there's

0:15:54.760 --> 0:15:57.320
<v Speaker 1>more engagement, but you can go. I just want to

0:15:57.320 --> 0:15:59.520
<v Speaker 1>see I just want to see Dailuise on screen more,

0:15:59.760 --> 0:15:59.920
<v Speaker 1>you know.

0:16:01.200 --> 0:16:03.280
<v Speaker 2>Yeah, I mean I I love him, and I actually

0:16:03.400 --> 0:16:06.000
<v Speaker 2>liked seeing Liz back again. We haven't seen them in

0:16:06.040 --> 0:16:08.560
<v Speaker 2>a bit, so I was happy about it.

0:16:09.960 --> 0:16:11.320
<v Speaker 4>Then we go to the hilarious.

0:16:11.760 --> 0:16:15.880
<v Speaker 2>Then we go to the scene in the center of

0:16:15.920 --> 0:16:20.640
<v Speaker 2>town town square, and we see the animals and we

0:16:20.720 --> 0:16:27.240
<v Speaker 2>meet paul Anka for the first time. I never I mean,

0:16:27.480 --> 0:16:30.320
<v Speaker 2>I had forgotten that sort of her history with animals.

0:16:30.320 --> 0:16:32.520
<v Speaker 2>That was a funny bit that like I'd slipped my mind.

0:16:33.280 --> 0:16:36.200
<v Speaker 1>It was, it was, and it was good to see

0:16:36.240 --> 0:16:39.920
<v Speaker 1>Liz Torres come in there and deliver yeah, some great stuff,

0:16:39.960 --> 0:16:42.800
<v Speaker 1>you know, and uh yeah, that was that was a

0:16:42.920 --> 0:16:45.640
<v Speaker 1>nice setup for what came later, you know, because it

0:16:45.760 --> 0:16:48.400
<v Speaker 1>because we mentioned there was a Luke and Laurel. I

0:16:48.520 --> 0:16:50.760
<v Speaker 1>seen in there when he's meeting the dog for the

0:16:50.760 --> 0:16:52.680
<v Speaker 1>first time where it pays off in there.

0:16:52.960 --> 0:16:55.200
<v Speaker 2>And that was even better because it's like very subtle

0:16:55.200 --> 0:16:57.520
<v Speaker 2>at that point when he's like should should you?

0:16:58.720 --> 0:17:03.120
<v Speaker 1>She just jumped off. Was so funny.

0:17:02.840 --> 0:17:05.520
<v Speaker 2>Speaking of the timing, like that's where you guys are

0:17:05.560 --> 0:17:08.480
<v Speaker 2>just like home runs, because that's not easy and it

0:17:08.920 --> 0:17:13.639
<v Speaker 2>only works because you're so subtle about it, and she's

0:17:13.720 --> 0:17:21.639
<v Speaker 2>so it was a hamster was defective. There's like a

0:17:21.840 --> 0:17:25.480
<v Speaker 2>pig in town, the rabbits, it's just the turtle, the

0:17:25.480 --> 0:17:28.640
<v Speaker 2>whole It was just really good. And then we see

0:17:28.760 --> 0:17:32.360
<v Speaker 2>now this was the first time I have noticed Loralai

0:17:32.480 --> 0:17:37.080
<v Speaker 2>really wearing her ring, her engagement ring. I don't know

0:17:37.119 --> 0:17:39.040
<v Speaker 2>if I missed it sort of at the end of

0:17:39.040 --> 0:17:41.919
<v Speaker 2>the other episode, but I definitely was noticing it, and

0:17:41.920 --> 0:17:48.040
<v Speaker 2>then we bump into Liz and they're talking about being engaged.

0:17:49.680 --> 0:17:53.280
<v Speaker 4>Yeah, because the last episode ended with Luke coming in

0:17:53.320 --> 0:17:56.080
<v Speaker 4>and saying, you know, time's here, let's go, like, so

0:17:56.119 --> 0:17:58.919
<v Speaker 4>she hadn't didn't even have the ring yet, yeah, at

0:17:58.960 --> 0:18:00.480
<v Speaker 4>the end of the last episode, So that was the

0:18:00.480 --> 0:18:03.080
<v Speaker 4>first time we saw her wearing it.

0:18:03.080 --> 0:18:06.080
<v Speaker 2>It's great. Now, Okay, this is something that I've been

0:18:06.119 --> 0:18:09.720
<v Speaker 2>excited to talk about. Should she change her name?

0:18:12.680 --> 0:18:17.520
<v Speaker 1>Well she if she proposed to him, oh god, then

0:18:17.600 --> 0:18:18.320
<v Speaker 1>probably not.

0:18:19.320 --> 0:18:24.800
<v Speaker 2>You know, can you see her being Laura I can Danes?

0:18:25.800 --> 0:18:26.840
<v Speaker 1>I can? I can?

0:18:26.920 --> 0:18:31.679
<v Speaker 2>I can see her hyphenating oh, Gilmore Dan because she

0:18:31.720 --> 0:18:34.240
<v Speaker 2>already has kind of, you know, her professional career going,

0:18:34.280 --> 0:18:36.960
<v Speaker 2>and people know her as Laura Gilmore who.

0:18:36.800 --> 0:18:40.280
<v Speaker 4>Owns the Inn, and I see her as a hyphenator.

0:18:41.000 --> 0:18:42.720
<v Speaker 1>That's a good that's a good flow of a name,

0:18:42.800 --> 0:18:44.040
<v Speaker 1>Laura Gilmore Danes.

0:18:44.160 --> 0:18:45.400
<v Speaker 2>It's not. Yeah, it's pretty good.

0:18:45.760 --> 0:18:46.520
<v Speaker 1>That's kind of cool.

0:18:47.480 --> 0:18:50.560
<v Speaker 2>But I had never thought about that before until you know,

0:18:51.000 --> 0:18:52.960
<v Speaker 2>because we have this, we're able to talk about it.

0:18:53.000 --> 0:18:55.680
<v Speaker 2>I was like, oh my god, she wouldn't be Laura

0:18:55.680 --> 0:18:58.560
<v Speaker 2>like Gilmore and I love that. Liss is like we're

0:18:58.680 --> 0:19:05.680
<v Speaker 2>sister in law's like, you know, it's just everything's perfect

0:19:05.680 --> 0:19:08.760
<v Speaker 2>in this episode so far. It's moving fast, there's new things.

0:19:08.800 --> 0:19:11.640
<v Speaker 2>She takes the dog and you're like it was almost

0:19:11.640 --> 0:19:15.240
<v Speaker 2>so like quick and subtle that you're just like, did

0:19:15.240 --> 0:19:16.159
<v Speaker 2>she just get a dog?

0:19:17.760 --> 0:19:18.240
<v Speaker 4>Oh my god?

0:19:18.240 --> 0:19:20.240
<v Speaker 1>Why does Luke hate dogs?

0:19:20.720 --> 0:19:22.639
<v Speaker 2>I don't know. He doesn't seem to type.

0:19:24.320 --> 0:19:28.440
<v Speaker 4>He gave a pretty good list. They smell. They know

0:19:28.560 --> 0:19:30.919
<v Speaker 4>he gave a whole list about why he hates dogs.

0:19:31.880 --> 0:19:35.479
<v Speaker 1>But that doesn't that seems a bit out of character

0:19:35.480 --> 0:19:35.760
<v Speaker 1>for me.

0:19:35.840 --> 0:19:37.720
<v Speaker 2>I agree. He seems like he would have a dog

0:19:37.760 --> 0:19:38.680
<v Speaker 2>in that truck to take.

0:19:38.640 --> 0:19:48.440
<v Speaker 1>Fishing absolutely, you know, especially God, Yeah, yeah, I love dogs. Yeah.

0:19:48.440 --> 0:19:51.000
<v Speaker 2>It seems like, yeah, then you'd think that they would

0:19:51.040 --> 0:19:52.639
<v Speaker 2>have had Luke be a dog guy. I don't know

0:19:52.640 --> 0:19:55.199
<v Speaker 2>why they're not, because it doesn't really change anything. If

0:19:55.240 --> 0:19:56.520
<v Speaker 2>he was a dog guy. I guess you'd have to

0:19:56.520 --> 0:19:56.840
<v Speaker 2>be more.

0:19:57.520 --> 0:20:01.560
<v Speaker 1>Like, yeah, it was anyway.

0:20:02.760 --> 0:20:08.360
<v Speaker 2>So we go to the Gilmours and the breakfast spread

0:20:09.040 --> 0:20:12.439
<v Speaker 2>was so amazing that I literally was like, can I

0:20:12.840 --> 0:20:13.359
<v Speaker 2>live there?

0:20:14.240 --> 0:20:15.119
<v Speaker 1>Right? Yeah?

0:20:15.200 --> 0:20:17.800
<v Speaker 4>I loved when Emily when they were leaving and Emily says,

0:20:18.000 --> 0:20:22.800
<v Speaker 4>finish the rest of this, and Barye's like, I'll try.

0:20:21.480 --> 0:20:24.320
<v Speaker 1>Amy, you would have You would last about five minutes

0:20:24.520 --> 0:20:25.640
<v Speaker 1>with Emily.

0:20:26.760 --> 0:20:27.680
<v Speaker 2>Would not go well.

0:20:28.200 --> 0:20:30.600
<v Speaker 1>It would not go well. You would get in her

0:20:30.640 --> 0:20:33.080
<v Speaker 1>face and you would storm out. Give me a break.

0:20:33.440 --> 0:20:36.600
<v Speaker 2>Come on, I would enjoy I would enjoy the food.

0:20:36.680 --> 0:20:42.960
<v Speaker 2>But yeah, she's yeah, but she's very you get in

0:20:43.040 --> 0:20:48.120
<v Speaker 2>this episode why she drives Lorlai crazy because she's subtle

0:20:48.359 --> 0:20:52.600
<v Speaker 2>with her controllingness, if that's a word. It's so passive

0:20:52.600 --> 0:20:56.600
<v Speaker 2>aggressive and it's like, oh yuck.

0:20:57.320 --> 0:21:00.159
<v Speaker 1>Yeah, she was particularly rough with Rory was and.

0:21:00.240 --> 0:21:04.240
<v Speaker 2>She in a passive aggressive way, like suddenly Rory's joining

0:21:04.240 --> 0:21:06.520
<v Speaker 2>the da R Like what in the heck?

0:21:07.200 --> 0:21:12.159
<v Speaker 1>H Well, now she's got her under her roof, so

0:21:12.720 --> 0:21:15.080
<v Speaker 1>you know, it's easy pickings. Now she doesn't even have

0:21:15.160 --> 0:21:18.359
<v Speaker 1>to go through Lorela anymore. Yeah, she can just you know,

0:21:18.440 --> 0:21:22.360
<v Speaker 1>she can just be her her horrible self. I mean,

0:21:22.359 --> 0:21:24.800
<v Speaker 1>she walks into the room with that. They want to

0:21:24.800 --> 0:21:27.160
<v Speaker 1>talk to her, and she's like sit, sit, like she's

0:21:27.200 --> 0:21:31.160
<v Speaker 1>a you know, like she's a domesticated house pet or something.

0:21:32.080 --> 0:21:35.840
<v Speaker 1>A couple of questions your granddaughter like that, you know, when.

0:21:35.640 --> 0:21:37.880
<v Speaker 2>You steal a yacht, why do they impound your car,

0:21:40.720 --> 0:21:43.080
<v Speaker 2>because like, it's if her car was in the parking lot,

0:21:43.160 --> 0:21:43.480
<v Speaker 2>it's not.

0:21:43.480 --> 0:21:45.960
<v Speaker 1>Like they used the car and the commission of the crime.

0:21:46.160 --> 0:21:48.600
<v Speaker 2>Like that didn't really make sense to me, because I'm like,

0:21:48.640 --> 0:21:49.159
<v Speaker 2>but yes.

0:21:49.119 --> 0:21:52.040
<v Speaker 1>I just explained it. She they used, she used her car,

0:21:52.080 --> 0:21:55.760
<v Speaker 1>and the commission of that crime. Did she Yeah, she

0:21:56.000 --> 0:21:59.680
<v Speaker 1>drove to the dock, right, How did she get that?

0:22:00.119 --> 0:22:02.520
<v Speaker 2>Not a lawyer nor police officer.

0:22:03.080 --> 0:22:05.920
<v Speaker 4>No, it's probably like some private parking lot for the

0:22:06.040 --> 0:22:09.040
<v Speaker 4>harbor or something. And when she was in jail.

0:22:08.880 --> 0:22:12.359
<v Speaker 2>They came and told her car. That all makes sense,

0:22:12.480 --> 0:22:14.800
<v Speaker 2>but they also have money, like they could have gotten

0:22:14.800 --> 0:22:22.439
<v Speaker 2>her car back. The thing. I kind of liked in

0:22:22.440 --> 0:22:23.679
<v Speaker 2>that scene. And I don't know, I want to hear

0:22:23.720 --> 0:22:26.880
<v Speaker 2>what you guys say. She talks about the car being

0:22:26.880 --> 0:22:31.800
<v Speaker 2>and impounded, and they sort of say it's forgotten. It's forgotten,

0:22:32.160 --> 0:22:37.120
<v Speaker 2>like the yacht, the whole thing, it's forgotten. I don't

0:22:37.119 --> 0:22:39.800
<v Speaker 2>know if that's good parenting and quotes are bad, but

0:22:39.880 --> 0:22:43.080
<v Speaker 2>I sort of thought, Okay, I'm gonna give them some

0:22:43.119 --> 0:22:45.080
<v Speaker 2>points for that. They're not beating her.

0:22:45.000 --> 0:22:45.560
<v Speaker 1>Up over it.

0:22:46.040 --> 0:22:50.200
<v Speaker 4>I felt a little bit differently about that. I felt

0:22:50.240 --> 0:22:52.800
<v Speaker 4>it was because Emily literally said, She's like, oh, it

0:22:52.840 --> 0:22:56.160
<v Speaker 4>didn't happen, Like you're not gonna have to face any

0:22:56.200 --> 0:22:59.440
<v Speaker 4>consequences for what you did, Like we're just basically they

0:22:59.760 --> 0:23:03.240
<v Speaker 4>kind of replace Lorelai as their daughter and now the

0:23:03.280 --> 0:23:04.800
<v Speaker 4>three of them are going to move on with their

0:23:04.840 --> 0:23:10.040
<v Speaker 4>lives together. I did notice that because they were completely

0:23:10.080 --> 0:23:14.280
<v Speaker 4>dismissive of the whole thing, like she hadn't just done this.

0:23:15.640 --> 0:23:21.440
<v Speaker 4>And Emily makes a comment about the orientation and she says, oh,

0:23:21.520 --> 0:23:24.400
<v Speaker 4>you're bearing this angelically like like.

0:23:24.480 --> 0:23:25.439
<v Speaker 2>Rory's the victim.

0:23:26.320 --> 0:23:28.440
<v Speaker 4>I just I thought that was a weird take.

0:23:29.440 --> 0:23:31.600
<v Speaker 1>So what more can they do? I mean, she's already

0:23:31.600 --> 0:23:33.800
<v Speaker 1>getting three hundred hours and she's got to do it

0:23:33.840 --> 0:23:37.680
<v Speaker 1>in six months. That's almost a full time job. I

0:23:37.720 --> 0:23:41.120
<v Speaker 1>mean she's putting in, you know, a lot of hours

0:23:41.200 --> 0:23:46.320
<v Speaker 1>per day to get that down to zero. So it's like,

0:23:47.000 --> 0:23:50.760
<v Speaker 1>I don't, Yeah, this state has stepped in and meet

0:23:50.800 --> 0:23:52.359
<v Speaker 1>it out there justice and you know.

0:23:52.920 --> 0:23:55.280
<v Speaker 4>Yeah, I mean I can see that too. I don't

0:23:55.320 --> 0:23:57.800
<v Speaker 4>think they should necessarily keep punishing her over and over

0:23:57.880 --> 0:24:01.520
<v Speaker 4>again for it. But I just thought it was interesting

0:24:01.560 --> 0:24:04.760
<v Speaker 4>how they really kind of had the attitude that, you know,

0:24:04.800 --> 0:24:06.720
<v Speaker 4>none of this was Rory's fault and she was the

0:24:06.800 --> 0:24:07.680
<v Speaker 4>victim in the hole.

0:24:07.760 --> 0:24:10.479
<v Speaker 2>So yeah, I think both takes are kind of interesting

0:24:10.480 --> 0:24:12.959
<v Speaker 2>because I sort of liked how sweet they were and

0:24:12.960 --> 0:24:16.760
<v Speaker 2>that they weren't beating her up over it. But then

0:24:16.800 --> 0:24:19.960
<v Speaker 2>I also get your point where you're like, she committed

0:24:19.960 --> 0:24:24.760
<v Speaker 2>a total felony, Like what what are we doing? So

0:24:24.840 --> 0:24:27.119
<v Speaker 2>we go back to we see her in the chair

0:24:27.440 --> 0:24:30.199
<v Speaker 2>with the TV on, and then she's got the bathing

0:24:30.280 --> 0:24:33.399
<v Speaker 2>suit on, and all of a sudden, I'm like, oh

0:24:33.480 --> 0:24:35.040
<v Speaker 2>my god, she's totally bored.

0:24:35.280 --> 0:24:38.359
<v Speaker 4>It was so symbolic, right, like she's sitting in this

0:24:38.440 --> 0:24:42.080
<v Speaker 4>empty room. There's nothing in the room, there's nothing in

0:24:42.119 --> 0:24:45.040
<v Speaker 4>her life, Like she doesn't have her mom, she doesn't

0:24:45.040 --> 0:24:49.000
<v Speaker 4>have school, Like she's just literally sitting in an empty

0:24:49.080 --> 0:24:51.680
<v Speaker 4>room symbolically as well as physically.

0:24:52.280 --> 0:24:54.840
<v Speaker 1>Yeah, but she does have the graduate, she does have

0:24:54.920 --> 0:24:57.639
<v Speaker 1>Mike Nichols and Tustin Haman and that great scene.

0:24:59.280 --> 0:25:01.800
<v Speaker 2>I'm so I'm so happy you're saying that, because I

0:25:01.880 --> 0:25:05.800
<v Speaker 2>was like, is this Jacques Cousteau like she was watching.

0:25:06.000 --> 0:25:09.080
<v Speaker 1>That was exactly the scene where he took some time

0:25:09.119 --> 0:25:14.840
<v Speaker 1>off from his getting his PhD. He or no a

0:25:14.960 --> 0:25:18.040
<v Speaker 1>fast great remember, and then he's he's on the He

0:25:18.119 --> 0:25:22.680
<v Speaker 1>hadn't started the I don't think he'd started the affair yet. No, no,

0:25:22.760 --> 0:25:27.959
<v Speaker 1>he had started the affair. Uh oh no, that was

0:25:29.320 --> 0:25:33.800
<v Speaker 1>his birthday present. Okay. And Anne Bancroft and her husband

0:25:33.800 --> 0:25:36.840
<v Speaker 1>came over that that great actor who was in Jaws. Gosh,

0:25:36.920 --> 0:25:37.919
<v Speaker 1>his name escapes me.

0:25:38.200 --> 0:25:42.520
<v Speaker 2>Schneider. No, no, the main guy in Jaws.

0:25:44.119 --> 0:25:46.760
<v Speaker 1>No, no, no, I'm talking about the graduate, right, but he

0:25:46.800 --> 0:25:53.960
<v Speaker 1>was in Jaws. Uh, Anne Bancroft's husband in the Graduate. Yes,

0:25:54.160 --> 0:25:56.879
<v Speaker 1>he was in Jaws as the town mayor.

0:25:56.960 --> 0:26:01.439
<v Speaker 2>Oh not Roy Schneider, okay, hold Robert Shaw now the mayor,

0:26:01.640 --> 0:26:03.800
<v Speaker 2>the mayor, Murray Hamilton.

0:26:03.760 --> 0:26:09.359
<v Speaker 1>Murray Hamilton, that's him. Fantastic actor. Wow, he was in

0:26:09.400 --> 0:26:12.159
<v Speaker 1>the Graduate. So anyway, so that's the scene in the

0:26:12.200 --> 0:26:15.679
<v Speaker 1>Graduate where he put on his They were all waiting

0:26:15.720 --> 0:26:20.000
<v Speaker 1>for him to put on his his deep diving equipment

0:26:20.400 --> 0:26:23.200
<v Speaker 1>and test it out in the pot. And he felt

0:26:23.200 --> 0:26:27.280
<v Speaker 1>like he he he just felt like, what is my

0:26:27.320 --> 0:26:29.879
<v Speaker 1>life turning into? And then he starts up the affair

0:26:30.400 --> 0:26:36.199
<v Speaker 1>with the bankroft friend's wife. I'm that's the but I'm

0:26:36.520 --> 0:26:38.359
<v Speaker 1>let me get to the scene. So the scene is

0:26:38.440 --> 0:26:40.960
<v Speaker 1>he's laying on the raft after and his father comes

0:26:41.000 --> 0:26:46.439
<v Speaker 1>by and says, Benjamin, Benjamin, have you thought about graduate school?

0:26:46.600 --> 0:26:49.160
<v Speaker 1>Have you thought about this? And he goes, no, I'm

0:26:49.200 --> 0:26:52.160
<v Speaker 1>just sort of taking some time off, and and his

0:26:52.200 --> 0:26:54.960
<v Speaker 1>father says, well, you would think a person who's put

0:26:55.000 --> 0:26:58.120
<v Speaker 1>in some good hard work and has earned some accolades

0:26:58.760 --> 0:27:02.080
<v Speaker 1>would want to get off his but he says, there's

0:27:02.160 --> 0:27:05.720
<v Speaker 1>no problem with a young man taking a couple of

0:27:05.720 --> 0:27:08.240
<v Speaker 1>weeks off. It's great, you've earned it, but now it's

0:27:08.240 --> 0:27:11.280
<v Speaker 1>time to get off your ass. And so that's what

0:27:11.560 --> 0:27:13.000
<v Speaker 1>the reference was.

0:27:13.040 --> 0:27:16.960
<v Speaker 2>But that's so it's so major, and like I'm bummed

0:27:17.000 --> 0:27:21.760
<v Speaker 2>I didn't get it because it's so parallel. So it

0:27:21.840 --> 0:27:24.840
<v Speaker 2>was really actually genius. I just didn't get it because

0:27:24.880 --> 0:27:26.720
<v Speaker 2>I was like, is a joque custa? Like I didn't

0:27:26.760 --> 0:27:29.919
<v Speaker 2>understand what was happening. But it's the parallel to Rory.

0:27:30.880 --> 0:27:33.159
<v Speaker 4>Yeah, So she's literally watching.

0:27:33.640 --> 0:27:34.440
<v Speaker 2>Her own thing.

0:27:35.240 --> 0:27:36.760
<v Speaker 1>She's watching her I think it.

0:27:36.800 --> 0:27:39.600
<v Speaker 2>Just popped into my head. If she's got three hundred

0:27:39.640 --> 0:27:42.880
<v Speaker 2>hours of community service in six months, she actually couldn't

0:27:42.920 --> 0:27:43.920
<v Speaker 2>go to school.

0:27:44.440 --> 0:27:48.280
<v Speaker 1>Right, right, yeah, yeah.

0:27:48.720 --> 0:27:50.920
<v Speaker 2>I mean I guess if she was still in school,

0:27:50.920 --> 0:27:57.440
<v Speaker 2>maybe they give you a longer time. I don't know.

0:27:57.800 --> 0:28:00.720
<v Speaker 1>I guess it is odd that they gave her three

0:28:00.760 --> 0:28:03.840
<v Speaker 1>hundred hours if they If did the judge know that

0:28:03.920 --> 0:28:05.120
<v Speaker 1>she was in school.

0:28:05.119 --> 0:28:07.080
<v Speaker 4>You would think the judge didn't know that said you're

0:28:07.119 --> 0:28:11.520
<v Speaker 4>a student at Yale, and Rory said yes, so she knew.

0:28:11.600 --> 0:28:17.520
<v Speaker 1>Although technically back again, giving a student, any student anywhere

0:28:17.920 --> 0:28:20.520
<v Speaker 1>trying to get by, you know, trying to do their studies,

0:28:20.520 --> 0:28:22.720
<v Speaker 1>giving them three hundred hours of community service, it's just

0:28:22.880 --> 0:28:25.440
<v Speaker 1>it's just like overkill. It's like you're ruined that kid's

0:28:25.440 --> 0:28:28.120
<v Speaker 1>school year. They're gonna they're gonna fail. Right, they don't

0:28:28.160 --> 0:28:31.280
<v Speaker 1>have that much free time. How's she supposed to study exactly?

0:28:31.359 --> 0:28:33.520
<v Speaker 2>So anyway, I mean, I think that's kind of an

0:28:33.520 --> 0:28:40.280
<v Speaker 2>interesting thing. Interesting and that she's bored and she's, you know,

0:28:40.480 --> 0:28:43.800
<v Speaker 2>happy to polish silver. I don't understand why she's not

0:28:44.760 --> 0:28:47.239
<v Speaker 2>realizing I need to go back to you. What am

0:28:47.280 --> 0:28:47.720
<v Speaker 2>I doing?

0:28:48.200 --> 0:28:48.280
<v Speaker 5>So?

0:28:48.880 --> 0:28:53.320
<v Speaker 4>A fun fact on the silver polishing scene, where Rory

0:28:53.520 --> 0:29:00.560
<v Speaker 4>is speaking beginner Spanish with the Maid people, fans, some

0:29:00.600 --> 0:29:04.440
<v Speaker 4>fans probably already know this, but Spanish was actually Alexis's

0:29:04.600 --> 0:29:08.840
<v Speaker 4>first language. Yes, she didn't learn English until she went

0:29:08.880 --> 0:29:13.120
<v Speaker 4>to school, so I forgot that.

0:29:13.320 --> 0:29:14.400
<v Speaker 2>So yes she should have.

0:29:15.120 --> 0:29:17.480
<v Speaker 4>She didn't speak Spanish when she did that scene. I

0:29:17.520 --> 0:29:19.200
<v Speaker 4>always thought that was kind of a fun.

0:29:19.200 --> 0:29:21.840
<v Speaker 2>That's a great note. That's a great note. So I

0:29:21.880 --> 0:29:24.080
<v Speaker 2>want to talk about the scene now after this where

0:29:25.320 --> 0:29:30.120
<v Speaker 2>Luke meets paul Anka. So Segott, tell us about your

0:29:30.120 --> 0:29:33.600
<v Speaker 2>thoughts with that full scene where you come in and

0:29:33.640 --> 0:29:35.960
<v Speaker 2>you're meeting paul Anka for the first time.

0:29:36.880 --> 0:29:40.000
<v Speaker 1>Well, it's always it's always takes a lot longer when

0:29:40.080 --> 0:29:43.960
<v Speaker 1>you're working with an animal or a baby, even at

0:29:44.040 --> 0:29:49.680
<v Speaker 1>Rubber Baby. But you know, it's nice to see a

0:29:49.680 --> 0:29:52.760
<v Speaker 1>dog on set. I'm a dog person, so I really

0:29:52.840 --> 0:29:55.760
<v Speaker 1>enjoy when when dogs are on set, and this was

0:29:55.800 --> 0:29:58.840
<v Speaker 1>a I remember this being a particular well behaved dog

0:29:58.880 --> 0:30:02.160
<v Speaker 1>and well trained, and they all are because you know,

0:30:02.240 --> 0:30:07.280
<v Speaker 1>the Warner Brothers only brings in the best animals. And

0:30:07.480 --> 0:30:11.959
<v Speaker 1>uh yeah, that was a very lovely, loving dog who

0:30:12.080 --> 0:30:15.360
<v Speaker 1>was very professional and didn't freak out and picked up

0:30:15.400 --> 0:30:17.240
<v Speaker 1>did all that it was supposed to do, and the

0:30:17.280 --> 0:30:21.320
<v Speaker 1>trainer the trainer was really great and you know, we

0:30:21.320 --> 0:30:24.600
<v Speaker 1>we we didn't like seeing that dog go. We wanted to.

0:30:26.320 --> 0:30:29.600
<v Speaker 1>It's rare that any actors want more animals on the

0:30:29.640 --> 0:30:32.200
<v Speaker 1>set because it just takes to so much time wrangling

0:30:32.240 --> 0:30:34.920
<v Speaker 1>them and handling that right. You know, they call they

0:30:34.960 --> 0:30:37.600
<v Speaker 1>cause a lot of delays because well, you know they're animals,

0:30:37.640 --> 0:30:43.000
<v Speaker 1>and you know people cause delays too, so uh but

0:30:43.160 --> 0:30:46.240
<v Speaker 1>it was Yeah, that was a particularly enjoyable experience. I

0:30:46.560 --> 0:30:49.880
<v Speaker 1>remember just really loving that scene and loving the work

0:30:49.920 --> 0:30:50.480
<v Speaker 1>we were doing.

0:30:50.520 --> 0:30:53.520
<v Speaker 2>And there's a lot of movement. There's a lot of

0:30:53.520 --> 0:30:55.560
<v Speaker 2>movement in that scene. You're in the house, you're out

0:30:55.560 --> 0:30:57.040
<v Speaker 2>of the house on the one door, you come around

0:30:57.040 --> 0:30:59.080
<v Speaker 2>to the porch, you're back in the house. It was

0:30:59.120 --> 0:31:01.960
<v Speaker 2>a it's a good scene. And then there's major stuff

0:31:02.480 --> 0:31:05.880
<v Speaker 2>because we really start to get the vibe that Loralai

0:31:06.000 --> 0:31:08.880
<v Speaker 2>does not want to sell her house.

0:31:11.080 --> 0:31:12.920
<v Speaker 1>You mean the movement from the living room to the

0:31:12.960 --> 0:31:14.360
<v Speaker 1>kitchen and then outside.

0:31:14.800 --> 0:31:15.040
<v Speaker 2>Yep.

0:31:15.200 --> 0:31:20.560
<v Speaker 1>Yeah, it's all shot separately, right, no, or with a

0:31:20.600 --> 0:31:23.920
<v Speaker 1>steady cam. They follow us into the You got Steve

0:31:24.840 --> 0:31:27.360
<v Speaker 1>with a steady cam strapped to him. That those things

0:31:27.360 --> 0:31:30.400
<v Speaker 1>are like eighty pounds ninety pounds hundred pounds. They're really heavy.

0:31:30.520 --> 0:31:33.200
<v Speaker 1>And Steve was always great. I guess he followed us

0:31:33.200 --> 0:31:35.120
<v Speaker 1>into that scene. If it was a continuous scene, we

0:31:35.240 --> 0:31:37.920
<v Speaker 1>just didn't just cut to it, and that's how you

0:31:37.960 --> 0:31:40.000
<v Speaker 1>get that master shot. But with the steady cam, you

0:31:40.000 --> 0:31:41.960
<v Speaker 1>can come in and get close ups, and you can

0:31:42.000 --> 0:31:43.760
<v Speaker 1>get two shots, you can get all kinds of things,

0:31:44.880 --> 0:31:47.040
<v Speaker 1>and sometimes they like to do that, I think, especially

0:31:47.040 --> 0:31:49.360
<v Speaker 1>to keep a scene flowing like that. And I'll go

0:31:49.400 --> 0:31:51.560
<v Speaker 1>back and watch it, but I think I think they did.

0:31:51.840 --> 0:31:54.880
<v Speaker 1>I do remember Steve with his steady cam, Steve we

0:31:54.960 --> 0:31:59.120
<v Speaker 1>called him, who even directed a really wonderful episode as well.

0:31:59.440 --> 0:32:02.320
<v Speaker 1>He earned his stripes man, you know, because that guy, yeah,

0:32:02.440 --> 0:32:04.920
<v Speaker 1>putting in a lot of work, a lot of legwork

0:32:04.960 --> 0:32:05.280
<v Speaker 1>doing that.

0:32:06.920 --> 0:32:09.000
<v Speaker 2>So we go from that scene and then I think

0:32:09.040 --> 0:32:12.600
<v Speaker 2>we get to the scene where Rory's in a pretty

0:32:12.680 --> 0:32:15.400
<v Speaker 2>dress drinking club soda, and we learned that they're going

0:32:15.440 --> 0:32:21.320
<v Speaker 2>to help her find a job, and it was just oh, no, Suzanne,

0:32:21.320 --> 0:32:22.920
<v Speaker 2>were you like here we go?

0:32:24.240 --> 0:32:29.360
<v Speaker 4>I thought Alexis did a great job in that scene.

0:32:29.960 --> 0:32:32.000
<v Speaker 4>The face acting. I know Scott says there is no

0:32:32.040 --> 0:32:35.240
<v Speaker 4>such thing as face acting, but when they were telling

0:32:35.280 --> 0:32:37.239
<v Speaker 4>her that they're going to find her a job. She's like,

0:32:37.640 --> 0:32:41.520
<v Speaker 4>oh really, Like she's you could see the wheels turning

0:32:41.560 --> 0:32:45.200
<v Speaker 4>inside her head. I thought that was a great scene

0:32:45.200 --> 0:32:46.800
<v Speaker 4>because she's like, oh, my gosh, how am I going

0:32:46.880 --> 0:32:47.280
<v Speaker 4>to do this?

0:32:47.480 --> 0:32:51.960
<v Speaker 2>And I think she isn't standing up for herself because

0:32:52.000 --> 0:32:55.000
<v Speaker 2>she knows she's screwed up so bad and they've taken

0:32:55.040 --> 0:32:57.800
<v Speaker 2>her in and they're paying for everything that she feels

0:32:57.840 --> 0:33:01.560
<v Speaker 2>like she has to do what they say, right, you know,

0:33:01.640 --> 0:33:05.920
<v Speaker 2>I get that same vibe in the DAR thing, right,

0:33:06.000 --> 0:33:06.680
<v Speaker 2>and she she.

0:33:06.760 --> 0:33:09.920
<v Speaker 4>Knows that she needs to keep them on her side

0:33:10.920 --> 0:33:16.000
<v Speaker 4>because otherwise she'll have nothing. So I agree that she

0:33:16.080 --> 0:33:17.680
<v Speaker 4>kind of felt like, I don't have any choice. I'm

0:33:17.720 --> 0:33:18.440
<v Speaker 4>going to have to do this.

0:33:18.600 --> 0:33:21.320
<v Speaker 2>You see her face in that scene, and you see

0:33:21.360 --> 0:33:23.560
<v Speaker 2>her face with the ladies of the luncheon, which is

0:33:24.240 --> 0:33:27.960
<v Speaker 2>of a scene, but she feels like she's just going

0:33:28.000 --> 0:33:30.080
<v Speaker 2>along with it because she has no choice.

0:33:32.360 --> 0:33:32.520
<v Speaker 5>Yeah.

0:33:32.640 --> 0:33:37.120
<v Speaker 4>I agreed with that. And when the one at that

0:33:37.560 --> 0:33:39.240
<v Speaker 4>where they're sitting out on the patio and the one

0:33:39.280 --> 0:33:43.080
<v Speaker 4>woman asks when she joined the DAR, and she has

0:33:43.080 --> 0:33:44.840
<v Speaker 4>this look on her face like, Oh, that hadn't even

0:33:44.880 --> 0:33:47.600
<v Speaker 4>occurred to me to join the dar But then she's like, Okay, well,

0:33:47.640 --> 0:33:49.440
<v Speaker 4>I guess I'm joining right.

0:33:49.520 --> 0:33:52.640
<v Speaker 2>She's just literally going to do whatever. Emily says. Although

0:33:52.680 --> 0:33:53.840
<v Speaker 2>those ladies.

0:33:54.240 --> 0:34:04.239
<v Speaker 5>Talking about which forefather was the hottest, I thought that

0:34:04.360 --> 0:34:07.360
<v Speaker 5>was pretty funny because I personally I don't know what

0:34:07.400 --> 0:34:09.359
<v Speaker 5>any of them look like, so I that would not

0:34:09.400 --> 0:34:11.000
<v Speaker 5>even be something that I would think.

0:34:10.880 --> 0:34:11.720
<v Speaker 4>To form an opinion.

0:34:11.880 --> 0:34:16.360
<v Speaker 2>Not typically super attracted to George Washington or Ben Franklin,

0:34:16.680 --> 0:34:20.759
<v Speaker 2>just saying, oh my god, John Adams, I have no

0:34:20.800 --> 0:34:27.520
<v Speaker 2>idea what he looks like. Is that his name? Yes? Yes, Scott,

0:34:27.560 --> 0:34:30.640
<v Speaker 2>do you have a forefather that you thought was the hottest?

0:34:31.239 --> 0:34:35.799
<v Speaker 1>I'm sorry, I just I don't think those terms regarding

0:34:38.600 --> 0:34:44.560
<v Speaker 1>forefathers crazy. But I've never sort of.

0:34:46.880 --> 0:34:48.360
<v Speaker 2>Thing I love about it, isn't.

0:34:48.120 --> 0:34:50.640
<v Speaker 1>It in that that way? That's a that's an odd

0:34:50.760 --> 0:34:53.520
<v Speaker 1>conversation for me to be engaged in.

0:34:53.640 --> 0:34:57.879
<v Speaker 2>So I was like, who's ever had that conversation?

0:34:58.200 --> 0:35:01.600
<v Speaker 4>It's so good, it's so da R.

0:35:02.760 --> 0:35:05.399
<v Speaker 1>Yeah. I mean the Fellows were sitting around, Hey, hey, John,

0:35:05.480 --> 0:35:07.960
<v Speaker 1>glad you showed up. Listen, we're talking about the founding follows,

0:35:08.000 --> 0:35:10.160
<v Speaker 1>which one you know, get your motor runner? Can you

0:35:10.200 --> 0:35:15.280
<v Speaker 1>imagine Scott's like, once you think of the hottest.

0:35:13.560 --> 0:35:16.400
<v Speaker 2>If you're the reverse. Scott's like, you know, Martha Washington,

0:35:16.920 --> 0:35:18.000
<v Speaker 2>she really did it for me.

0:35:21.640 --> 0:35:27.160
<v Speaker 1>That's why it's That's why it's any funny face.

0:35:28.080 --> 0:35:31.400
<v Speaker 2>The only bone to pick I have with that scene

0:35:31.480 --> 0:35:34.319
<v Speaker 2>is and Scott, you may be able to correct me.

0:35:35.640 --> 0:35:38.279
<v Speaker 2>You can tell when they're outside, and you can tell

0:35:38.280 --> 0:35:41.440
<v Speaker 2>when they're inside pretending they're outside.

0:35:41.600 --> 0:35:41.719
<v Speaker 1>Right.

0:35:42.280 --> 0:35:46.719
<v Speaker 2>It's like the juxtaposition between the DA R Luncheon where

0:35:46.719 --> 0:35:49.440
<v Speaker 2>you're like, you're acting like you're outside, but you're definitely inside,

0:35:49.680 --> 0:35:51.879
<v Speaker 2>and then the jeep pulling up and you're like, oh,

0:35:52.000 --> 0:35:52.880
<v Speaker 2>she's outside.

0:35:53.560 --> 0:35:59.279
<v Speaker 1>Mm hmmm. Actually the jeep pulling up is inside.

0:35:59.480 --> 0:36:01.000
<v Speaker 2>No, don't say that to me.

0:36:01.480 --> 0:36:04.800
<v Speaker 1>To the to the Gilmore House. Yeah, it's inside. Stop,

0:36:05.760 --> 0:36:07.040
<v Speaker 1>that's not outside.

0:36:07.080 --> 0:36:09.959
<v Speaker 4>What but at her house it's it was outside because

0:36:10.000 --> 0:36:11.200
<v Speaker 4>you could see the shadow.

0:36:11.560 --> 0:36:14.239
<v Speaker 1>Oh okay, okay, it is outside Gilmore House.

0:36:14.960 --> 0:36:16.760
<v Speaker 2>Okay, okay, Gilmore.

0:36:16.400 --> 0:36:17.680
<v Speaker 1>House is on a sound stage.

0:36:18.200 --> 0:36:20.239
<v Speaker 2>Oh my god, you panicked me there that when the

0:36:20.320 --> 0:36:22.720
<v Speaker 2>jeep pulls up to Laurelize House that it was inside.

0:36:22.760 --> 0:36:24.000
<v Speaker 2>I was like, well, then.

0:36:24.000 --> 0:36:25.720
<v Speaker 1>That's definitely outside.

0:36:25.920 --> 0:36:28.279
<v Speaker 2>So then we get to the scene my favorite scene

0:36:28.280 --> 0:36:33.680
<v Speaker 2>in this episode is you're all on the roof. Oh no,

0:36:33.760 --> 0:36:37.439
<v Speaker 2>not yet. This is where George, this is where we learn.

0:36:37.680 --> 0:36:39.359
<v Speaker 2>This is one of my favorite things. This is where

0:36:39.400 --> 0:36:45.880
<v Speaker 2>we learn that you, Luke slash Scott, figured out her

0:36:45.960 --> 0:36:47.839
<v Speaker 2>vibe that she doesn't want to sell the house. So

0:36:47.880 --> 0:36:50.400
<v Speaker 2>you're taking the measurements and figuring out how you're going

0:36:50.480 --> 0:36:54.359
<v Speaker 2>to remodel this house to make it work. Oh, it's

0:36:54.360 --> 0:36:55.120
<v Speaker 2>the sweetest.

0:36:55.680 --> 0:36:59.960
<v Speaker 1>It's a great example of a relationship where you know everybody.

0:37:00.120 --> 0:37:02.600
<v Speaker 1>He's in tune with everybody, you know. It's like they

0:37:02.800 --> 0:37:05.080
<v Speaker 1>just kind of vibe each other. They feel each other.

0:37:05.400 --> 0:37:08.360
<v Speaker 1>Definitely feels her and what she needs and what she wants.

0:37:08.400 --> 0:37:13.000
<v Speaker 1>And I think he's right a good amount of the time.

0:37:13.880 --> 0:37:16.960
<v Speaker 1>I'm sure there's examples where he's been dead wrong and

0:37:17.040 --> 0:37:19.080
<v Speaker 1>he's been off the mark, and he's just a human

0:37:19.120 --> 0:37:22.480
<v Speaker 1>being like everybody else. But yeah, in this, in this regard,

0:37:22.520 --> 0:37:25.480
<v Speaker 1>he's really tuned into what she wants, which really makes

0:37:25.520 --> 0:37:28.920
<v Speaker 1>it appealing, you know, for me to watch, and I

0:37:28.920 --> 0:37:31.920
<v Speaker 1>think everybody else great character, great character.

0:37:32.040 --> 0:37:34.760
<v Speaker 4>I love that scene. It was great between Luke and Lorelei.

0:37:36.000 --> 0:37:38.560
<v Speaker 4>And then you had the comic relief with TJ not

0:37:38.760 --> 0:37:43.719
<v Speaker 4>knowing how to work the screwdriver and paul Anka locks

0:37:43.800 --> 0:37:46.360
<v Speaker 4>himself in the car somehow. Like I just loved everything

0:37:46.400 --> 0:37:48.600
<v Speaker 4>about that scene. I thought it was good. And then

0:37:48.640 --> 0:37:52.440
<v Speaker 4>the frisbee. She caught the frisbee. How many takes did

0:37:52.480 --> 0:37:52.919
<v Speaker 4>that take?

0:37:53.640 --> 0:37:57.400
<v Speaker 2>Oh my god, that was amazing. That was amazing. I

0:37:57.440 --> 0:38:01.640
<v Speaker 2>can't decide if we're blurring the two scene with the roof.

0:38:01.719 --> 0:38:04.759
<v Speaker 2>Oh maybe because this is but that's fine, everybody gets it.

0:38:04.800 --> 0:38:08.279
<v Speaker 2>There's two major scenes. This is just the preliminary one

0:38:08.280 --> 0:38:11.600
<v Speaker 2>where she learns they're not TJ hasn't made the hole yet.

0:38:11.719 --> 0:38:12.680
<v Speaker 4>Oh, you're right, you're right.

0:38:12.760 --> 0:38:16.240
<v Speaker 2>But that's fine. That's fine. But the frisbee, Oh my god,

0:38:16.800 --> 0:38:20.080
<v Speaker 2>the frisbee was epic, and she gets credit for the catch.

0:38:20.160 --> 0:38:22.120
<v Speaker 2>But good throw, dude, good throw.

0:38:22.920 --> 0:38:25.359
<v Speaker 1>Huh he you know I still got it or had

0:38:25.400 --> 0:38:26.080
<v Speaker 1>it back then.

0:38:26.640 --> 0:38:29.640
<v Speaker 2>You know, I just wrote in this particular scene, the

0:38:29.680 --> 0:38:33.200
<v Speaker 2>first house one, I just wrote, cute, really cute Luke,

0:38:33.440 --> 0:38:39.560
<v Speaker 2>Like he just is a great boyfriend, fiance husband, knowing

0:38:39.600 --> 0:38:42.600
<v Speaker 2>what she wants and not making a big old stink

0:38:42.640 --> 0:38:44.839
<v Speaker 2>out of it, just going I'm good with Like he.

0:38:44.920 --> 0:38:47.440
<v Speaker 4>Just scheduled the guys to come over and start talking,

0:38:47.440 --> 0:38:49.920
<v Speaker 4>like he didn't even ask her.

0:38:49.960 --> 0:38:51.440
<v Speaker 2>He's like, I'm just going to take care of this.

0:38:51.400 --> 0:38:53.719
<v Speaker 4>And he gets the architect over there, and yeah, he

0:38:53.800 --> 0:38:55.959
<v Speaker 4>just starts moving forward because he knows that's what she's

0:38:56.000 --> 0:38:56.880
<v Speaker 4>gonna want.

0:38:57.440 --> 0:39:01.040
<v Speaker 1>Yeah, and he's fully comfortable within the relationship now that yeah,

0:39:01.400 --> 0:39:05.279
<v Speaker 1>fully be himself. Not that he was hiding any part

0:39:05.280 --> 0:39:12.360
<v Speaker 1>of himself before, but now he's demonstrably Yeah, Loop dings right.

0:39:12.200 --> 0:39:14.719
<v Speaker 2>Then to jump to the other roof scene, because we

0:39:14.760 --> 0:39:16.279
<v Speaker 2>might as well talk about it here since we're talking

0:39:16.280 --> 0:39:19.399
<v Speaker 2>about it. I love the scene. I love their sort

0:39:19.440 --> 0:39:21.799
<v Speaker 2>of fight that they work out. The only flag I

0:39:21.840 --> 0:39:24.640
<v Speaker 2>have is like, come on, TJ's that big of an

0:39:24.640 --> 0:39:28.080
<v Speaker 2>idiot that he's going to make a ginormous ole in

0:39:28.160 --> 0:39:28.760
<v Speaker 2>the house.

0:39:29.239 --> 0:39:34.120
<v Speaker 1>Like, yeah, I don't know. I didn't really, It didn't

0:39:34.160 --> 0:39:37.880
<v Speaker 1>really track a register for me then, But now that

0:39:37.920 --> 0:39:42.720
<v Speaker 1>you say it, hmmm, that's a what kind yeah, exactly

0:39:42.800 --> 0:39:44.560
<v Speaker 1>what kind of a person would make create a hole

0:39:44.560 --> 0:39:47.040
<v Speaker 1>in somebody's master bedroom and then leave it like that

0:39:47.400 --> 0:39:49.960
<v Speaker 1>plastic putting plastic over or something. It just left a

0:39:50.000 --> 0:39:50.560
<v Speaker 1>giant hole.

0:39:50.840 --> 0:39:54.080
<v Speaker 2>Well, and maybe if you had a misfire with a hammer,

0:39:54.239 --> 0:39:57.600
<v Speaker 2>right like you got someone I mean, I guess the

0:39:57.719 --> 0:40:00.239
<v Speaker 2>idea is he was trying to start the project to

0:40:00.440 --> 0:40:05.520
<v Speaker 2>like expand the bedroom. But it's just like what But anyway,

0:40:05.600 --> 0:40:08.320
<v Speaker 2>I mean I can susp what's it called suspend belief?

0:40:09.040 --> 0:40:13.359
<v Speaker 4>Yeah, suspend disbelief, Yes, suspend disbelieve. But now we see

0:40:13.360 --> 0:40:15.720
<v Speaker 4>why he keeps failing the contractor exam.

0:40:15.920 --> 0:40:26.080
<v Speaker 2>Right, it's terrible. So anyway, we jumped over a scene

0:40:26.120 --> 0:40:28.680
<v Speaker 2>that I love so much, which is Rory and Emily

0:40:28.800 --> 0:40:32.200
<v Speaker 2>in the Jaguar and she's giving her her rules for

0:40:32.840 --> 0:40:44.200
<v Speaker 2>community service. Two you guys, lunchbox. Lunchbox, she says, turned out,

0:40:44.719 --> 0:40:47.080
<v Speaker 2>turned out, she's I don't know what that is. And

0:40:47.120 --> 0:40:50.440
<v Speaker 2>the shift and the whole I just was like, I

0:40:50.480 --> 0:40:55.200
<v Speaker 2>am dying. This is so funny. Here's your cigarettes to barter.

0:40:59.080 --> 0:41:01.160
<v Speaker 4>I can just see Emily walking into a liquor store

0:41:01.200 --> 0:41:04.240
<v Speaker 4>to buy cigarettes, the whole.

0:41:04.480 --> 0:41:06.279
<v Speaker 2>Thing, and then she's like, I don't know that it's

0:41:06.320 --> 0:41:12.000
<v Speaker 2>helping us here in the jag which I also just like, yeah,

0:41:12.520 --> 0:41:21.160
<v Speaker 2>oh my god, that's so good. Anyway, Okay, so we

0:41:21.200 --> 0:41:23.719
<v Speaker 2>should talk about the scene where Rory comes into the

0:41:23.719 --> 0:41:25.640
<v Speaker 2>diner and Scott I really want to just sort of

0:41:25.680 --> 0:41:29.440
<v Speaker 2>hear you because I don't know what Luke was supposed

0:41:29.480 --> 0:41:29.759
<v Speaker 2>to do.

0:41:33.040 --> 0:41:37.319
<v Speaker 1>You know, he's you know, he's in that strange kind

0:41:37.320 --> 0:41:41.680
<v Speaker 1>of in between place where you know, he's not her

0:41:41.760 --> 0:41:48.480
<v Speaker 1>stepfather yet, right, he's not. He's just been there her

0:41:48.520 --> 0:41:51.440
<v Speaker 1>whole life. He's just been there for her. So it's like,

0:41:53.640 --> 0:41:57.319
<v Speaker 1>you know, they have a closeness, but there's also a

0:41:57.400 --> 0:42:01.600
<v Speaker 1>bit I think he's so I think he's always been

0:42:01.600 --> 0:42:06.480
<v Speaker 1>so respectful of the closeness between mother and daughter that

0:42:06.560 --> 0:42:10.719
<v Speaker 1>he doesn't intervene without it being appropriate or asking permission

0:42:10.880 --> 0:42:13.239
<v Speaker 1>or you know, getting the go ahead from Laurele I.

0:42:14.080 --> 0:42:17.480
<v Speaker 1>So now that he's in a situation where clearly, you know,

0:42:17.600 --> 0:42:23.640
<v Speaker 1>she's in need of a little comfort, you know, a

0:42:23.640 --> 0:42:29.520
<v Speaker 1>shoulder to lean on or something. Yeah, because it's well,

0:42:29.560 --> 0:42:31.960
<v Speaker 1>you know, she didn't where else to go, yeah, right,

0:42:32.040 --> 0:42:35.560
<v Speaker 1>I mean he was the only one that has never

0:42:36.120 --> 0:42:39.799
<v Speaker 1>he's always been had her back and he's never been

0:42:39.880 --> 0:42:44.759
<v Speaker 1>judgmental of her. And yeah, I mean where else could

0:42:44.800 --> 0:42:45.040
<v Speaker 1>she go?

0:42:45.880 --> 0:42:47.960
<v Speaker 4>Yeah, Like she couldn't. She knew she couldn't go to

0:42:48.000 --> 0:42:50.520
<v Speaker 4>talk to laurel I. So Luke's was kind of that

0:42:50.680 --> 0:42:57.160
<v Speaker 4>buffer zone where she could be loral I adjacent and yeah,

0:42:57.680 --> 0:43:00.000
<v Speaker 4>kind of scope out the situation without having to actually

0:43:00.920 --> 0:43:01.680
<v Speaker 4>talk to Laurai.

0:43:02.840 --> 0:43:05.120
<v Speaker 2>What do you guys think she was going to say

0:43:05.160 --> 0:43:06.080
<v Speaker 2>to him?

0:43:06.880 --> 0:43:06.920
<v Speaker 1>Like?

0:43:07.080 --> 0:43:07.720
<v Speaker 2>What? What?

0:43:07.719 --> 0:43:08.000
<v Speaker 1>What?

0:43:08.000 --> 0:43:09.400
<v Speaker 2>What did she want to talk about?

0:43:09.440 --> 0:43:12.040
<v Speaker 1>Like is she going to say to I don't think

0:43:12.080 --> 0:43:14.319
<v Speaker 1>she knew what she was going to say. I think

0:43:14.400 --> 0:43:17.720
<v Speaker 1>she was just seeking some comfort and a familiar place

0:43:17.840 --> 0:43:19.680
<v Speaker 1>that was going to put her mind at ease or

0:43:19.719 --> 0:43:22.920
<v Speaker 1>a different She wanted to come back to Star's Hall.

0:43:22.960 --> 0:43:25.320
<v Speaker 1>I think this is a way. It's like the waiting

0:43:25.400 --> 0:43:28.160
<v Speaker 1>room for getting back into her mom's house and her

0:43:28.239 --> 0:43:31.120
<v Speaker 1>house and she grew up in, and maybe she was

0:43:31.160 --> 0:43:33.640
<v Speaker 1>hoping that her mother would be there. I don't know,

0:43:33.760 --> 0:43:39.560
<v Speaker 1>but interesting, comforting, warm place that's in Star's Hollow because

0:43:39.600 --> 0:43:42.560
<v Speaker 1>she had to get out of that poolhouse. I think she.

0:43:42.719 --> 0:43:46.520
<v Speaker 4>Wanted to know if Laura I was feeling as lost

0:43:46.560 --> 0:43:50.239
<v Speaker 4>as she was feeling, and so she was trying to

0:43:50.320 --> 0:43:53.920
<v Speaker 4>kind of figure that out without having to, you know,

0:43:54.200 --> 0:43:58.200
<v Speaker 4>just call Lorelai. And that's I think that's probably she

0:43:58.280 --> 0:44:00.080
<v Speaker 4>was just kind of putting her feelers out there to

0:44:00.080 --> 0:44:02.319
<v Speaker 4>to see what the what the environment was because she

0:44:02.520 --> 0:44:06.040
<v Speaker 4>was kind of feeling awkward and weird in this new

0:44:06.080 --> 0:44:08.080
<v Speaker 4>place in her life, and she was just trying to

0:44:08.120 --> 0:44:09.960
<v Speaker 4>see where Laurel I was with all of it.

0:44:10.760 --> 0:44:14.840
<v Speaker 1>Yeah, growing pains right, just lonely. She just needed a

0:44:15.800 --> 0:44:18.480
<v Speaker 1>she needed some stars hollow, She needed a dose of

0:44:18.520 --> 0:44:21.960
<v Speaker 1>stars hollow and yeah, she just needed to relax and

0:44:22.080 --> 0:44:23.719
<v Speaker 1>be able to breathe a little bit. Do you think

0:44:23.760 --> 0:44:25.840
<v Speaker 1>he will not feel so out of place because I

0:44:25.840 --> 0:44:29.160
<v Speaker 1>think she now feels really out of place. Yeah.

0:44:29.560 --> 0:44:30.200
<v Speaker 5>Yeah.

0:44:30.440 --> 0:44:32.640
<v Speaker 2>Do you think there's anything Luke? Do you think there's

0:44:32.640 --> 0:44:36.880
<v Speaker 2>anything Luke could have done? Like, could he have said, Rory,

0:44:37.000 --> 0:44:39.719
<v Speaker 2>you need to get it together. This isn't you. You

0:44:39.760 --> 0:44:41.719
<v Speaker 2>should go. Should he have been more firm with her

0:44:41.760 --> 0:44:44.759
<v Speaker 2>and said, you need to go back to Yale, you

0:44:44.800 --> 0:44:46.839
<v Speaker 2>need to finish your community service, you need to make

0:44:46.920 --> 0:44:49.439
<v Speaker 2>up with your mom. Like, I don't know, I don't

0:44:49.480 --> 0:44:51.919
<v Speaker 2>know him, He's that's not him.

0:44:52.400 --> 0:44:56.000
<v Speaker 4>Yeah, I don't see him saying that directly to Rory.

0:44:56.360 --> 0:44:59.279
<v Speaker 4>I could because he always has let Laurel I drive

0:44:59.320 --> 0:45:04.000
<v Speaker 4>that bus, so I he may have been thinking it.

0:45:04.080 --> 0:45:06.360
<v Speaker 4>I think she caught him off guard when she should.

0:45:06.360 --> 0:45:08.160
<v Speaker 4>It was late at night, he was closing the diner,

0:45:08.239 --> 0:45:10.040
<v Speaker 4>and I think she just kind of caught him off guard,

0:45:10.040 --> 0:45:11.759
<v Speaker 4>and he was like, uh, I don't know what to

0:45:11.800 --> 0:45:16.400
<v Speaker 4>do with her, and yeah, yeah, but I don't know

0:45:16.400 --> 0:45:19.360
<v Speaker 4>that he would say that directly to her because he

0:45:19.640 --> 0:45:23.000
<v Speaker 4>always was kind of behind, you know, lined up behind Laurlai.

0:45:24.719 --> 0:45:25.040
<v Speaker 1>Yeah.

0:45:25.920 --> 0:45:30.239
<v Speaker 2>Yeah, yeah, It's not him to do it. Do you

0:45:30.800 --> 0:45:33.720
<v Speaker 2>how do you think Lorelai should have reacted with Luke

0:45:34.840 --> 0:45:37.680
<v Speaker 2>when she finds out he did tell her they're engaged,

0:45:37.760 --> 0:45:39.839
<v Speaker 2>And I get why he did. It just sort of

0:45:40.120 --> 0:45:40.640
<v Speaker 2>came out.

0:45:41.520 --> 0:45:41.839
<v Speaker 1>M hm.

0:45:44.000 --> 0:45:47.359
<v Speaker 4>I felt bad for Luke because he was right when

0:45:47.360 --> 0:45:50.359
<v Speaker 4>he said that he was caught in the middle. And

0:45:50.560 --> 0:45:53.920
<v Speaker 4>you know, laurel I in her mind it's just between

0:45:53.960 --> 0:45:55.879
<v Speaker 4>her and Rory, and she was kind of forgetting that

0:45:56.200 --> 0:45:59.680
<v Speaker 4>Luke has a stake in this too, because that affects

0:45:59.719 --> 0:46:04.320
<v Speaker 4>him as well, and so I think she needed to

0:46:04.760 --> 0:46:08.040
<v Speaker 4>take that into account. So I was glad that he

0:46:08.320 --> 0:46:10.279
<v Speaker 4>said that and pointed that out to her because then

0:46:10.320 --> 0:46:12.839
<v Speaker 4>she realized, oh, wait, you're right, this does affect you,

0:46:12.920 --> 0:46:15.760
<v Speaker 4>So then she could see his side a little bit more.

0:46:16.000 --> 0:46:19.040
<v Speaker 2>So, Scott, like, if you were.

0:46:19.000 --> 0:46:24.279
<v Speaker 1>Luke, I am Luke, not were I am?

0:46:25.239 --> 0:46:29.600
<v Speaker 2>Do you think he handled it right on the roof

0:46:29.719 --> 0:46:33.400
<v Speaker 2>sort of their little I call it a tiff? He

0:46:33.440 --> 0:46:35.960
<v Speaker 2>had handled it differently kind of telling her how he

0:46:36.000 --> 0:46:38.239
<v Speaker 2>told Rory about the engagement.

0:46:40.120 --> 0:46:45.439
<v Speaker 1>No, otherwise you wouldn't have had that great scene.

0:46:47.360 --> 0:46:49.279
<v Speaker 2>And this is where we have the frisbee.

0:46:49.360 --> 0:46:54.000
<v Speaker 1>Are you it's not it's not Seventh Heaven? Okay?

0:46:56.320 --> 0:46:56.680
<v Speaker 2>Are you?

0:46:57.920 --> 0:46:59.319
<v Speaker 1>It was on brand.

0:46:59.520 --> 0:47:04.080
<v Speaker 2>Known as a frisbee, an excellent frisbee player in frisbee circles.

0:47:04.560 --> 0:47:08.720
<v Speaker 1>My frisbee abilities are known throughout the universe. Yes, that's

0:47:08.800 --> 0:47:11.560
<v Speaker 1>why they wrote that in It's well known.

0:47:11.920 --> 0:47:13.719
<v Speaker 2>I wish you could remember how many times you had

0:47:13.760 --> 0:47:16.960
<v Speaker 2>to shoot that for her to catch it. Uh.

0:47:17.600 --> 0:47:19.440
<v Speaker 1>I think it was the first take, and then we

0:47:19.560 --> 0:47:23.000
<v Speaker 1>just went home rather standing ovation and off I went

0:47:23.040 --> 0:47:26.839
<v Speaker 1>into my frisbee glory yet again, So.

0:47:27.360 --> 0:47:30.359
<v Speaker 4>Were you really standing on the roof or was that

0:47:30.480 --> 0:47:31.880
<v Speaker 4>just to create a camera angle?

0:47:33.040 --> 0:47:36.600
<v Speaker 1>No? No, no, yeah, how do you recreate that?

0:47:36.600 --> 0:47:37.799
<v Speaker 2>That seems dangerous?

0:47:38.480 --> 0:47:40.680
<v Speaker 1>No, it's not that high.

0:47:41.000 --> 0:47:42.080
<v Speaker 2>It seems dangerous.

0:47:42.480 --> 0:47:45.279
<v Speaker 1>Well, yeah, they you know, they have stunt people on there,

0:47:45.320 --> 0:47:49.080
<v Speaker 1>and they have safety people and and they check out

0:47:49.160 --> 0:47:52.480
<v Speaker 1>the roof or any loose shingles, and you know, I

0:47:53.560 --> 0:47:56.400
<v Speaker 1>don't know that there was a an air bag below

0:47:56.480 --> 0:47:58.080
<v Speaker 1>us if somebody had fallen off.

0:47:58.200 --> 0:47:59.160
<v Speaker 2>Oh my gosh.

0:47:59.239 --> 0:48:01.440
<v Speaker 1>Yeah, I don't know that they went to that extent.

0:48:01.200 --> 0:48:04.239
<v Speaker 2>But or what if you were harnessed somehow maybe No,

0:48:04.480 --> 0:48:08.960
<v Speaker 2>I don't know who. They look dangerous and Stars Hollow.

0:48:08.719 --> 0:48:11.960
<v Speaker 1>Wo. We do the risky stuff, man, That's why we

0:48:11.960 --> 0:48:13.120
<v Speaker 1>get the big bucks.

0:48:14.320 --> 0:48:17.600
<v Speaker 2>So then we then have the scene that actually, I

0:48:18.960 --> 0:48:22.560
<v Speaker 2>it was pretty intense. So Laura lies driving by and

0:48:22.600 --> 0:48:24.839
<v Speaker 2>she sees Rory picking up the trash, which for any

0:48:24.880 --> 0:48:28.480
<v Speaker 2>mother that would be rough, right, that's rough, and she

0:48:28.719 --> 0:48:33.120
<v Speaker 2>you turns it, pulls over and they kind of go

0:48:33.320 --> 0:48:33.640
<v Speaker 2>at it.

0:48:36.680 --> 0:48:44.759
<v Speaker 1>Were it both? Yeah, it's it's listen. They have they're

0:48:44.760 --> 0:48:47.359
<v Speaker 1>best friends and their mother and daughter, and now we're

0:48:47.400 --> 0:48:52.440
<v Speaker 1>seeing where that isn't working out well for either one

0:48:52.480 --> 0:48:54.560
<v Speaker 1>of them. But I think mothers and daughters and fathers

0:48:54.560 --> 0:48:58.440
<v Speaker 1>and sons that you know, have conflict. It's not uncommon, right,

0:48:58.480 --> 0:49:02.000
<v Speaker 1>And they're both you know that is Rory is uh

0:49:02.239 --> 0:49:07.280
<v Speaker 1>you know, grew up with that. She's got the same

0:49:07.719 --> 0:49:11.480
<v Speaker 1>sort of strength, right, She's her own Rory has been

0:49:11.560 --> 0:49:14.759
<v Speaker 1>always been her own person. She was taught to be

0:49:14.880 --> 0:49:18.440
<v Speaker 1>that way. She had that that glowing example of Laurel I,

0:49:18.600 --> 0:49:21.000
<v Speaker 1>you know, sticking her flag in the ground and Stars

0:49:21.000 --> 0:49:25.160
<v Speaker 1>Hollow and being independent and strong. Yeah, and so of

0:49:25.200 --> 0:49:28.240
<v Speaker 1>course you know she's going to be independent and strong,

0:49:28.280 --> 0:49:31.520
<v Speaker 1>which is what Laurel I wants wants for her daughter

0:49:31.600 --> 0:49:35.360
<v Speaker 1>to make her way through the world. So it was

0:49:35.400 --> 0:49:37.520
<v Speaker 1>one of my favorite scenes between those two because it

0:49:37.840 --> 0:49:41.279
<v Speaker 1>again showed an aspect of the relationship that is completely

0:49:42.280 --> 0:49:47.240
<v Speaker 1>uh right on I mean on brand. As I've said before,

0:49:47.280 --> 0:49:50.280
<v Speaker 1>that that's what you're going to get, these two strong

0:49:50.440 --> 0:49:54.200
<v Speaker 1>women standing up to one another, and it's a necessary

0:49:54.800 --> 0:50:00.520
<v Speaker 1>step in a relationship, in any relationship is standing your ground.

0:50:01.480 --> 0:50:05.600
<v Speaker 1>So it just is a little more fraught with you know,

0:50:05.719 --> 0:50:08.840
<v Speaker 1>feelings when it's a mother and a daughter. Yeah, especially

0:50:08.840 --> 0:50:11.000
<v Speaker 1>for the audience to watch, because we've all been there

0:50:11.000 --> 0:50:11.720
<v Speaker 1>with our parents.

0:50:13.480 --> 0:50:16.840
<v Speaker 2>So you make great points. Yeah, I mean you're right, Like,

0:50:16.960 --> 0:50:20.239
<v Speaker 2>even though it's sort of like awkward and sort of

0:50:20.320 --> 0:50:23.520
<v Speaker 2>ouch to watch, right, you're right. She's not going to

0:50:23.600 --> 0:50:26.160
<v Speaker 2>pull over the car and be like, oh no, you're

0:50:26.160 --> 0:50:29.880
<v Speaker 2>picking up trash, and she's not gonna say I miss you, mommy,

0:50:30.080 --> 0:50:31.520
<v Speaker 2>you know, like, yeah, I mean.

0:50:31.719 --> 0:50:35.040
<v Speaker 1>It shows how far the mighty have fallen and how

0:50:35.480 --> 0:50:39.960
<v Speaker 1>Rory is not fulfilling her potential and how quickly life

0:50:40.000 --> 0:50:43.520
<v Speaker 1>can change for you. Just the nature of life, and

0:50:43.560 --> 0:50:47.680
<v Speaker 1>it also is also emblematic of a right of passage

0:50:47.719 --> 0:50:51.000
<v Speaker 1>for mother and daughter. It's a necessary, necessary situation.

0:50:51.480 --> 0:50:55.919
<v Speaker 2>And do you think Rory, though she says, I can't

0:50:55.920 --> 0:50:59.160
<v Speaker 2>believe you got engaged and didn't tell me, I think

0:50:59.280 --> 0:51:03.640
<v Speaker 2>she's a little bit upset in the sense that Laurels thriving,

0:51:04.280 --> 0:51:07.680
<v Speaker 2>or at least it's perceived she's thriving. She's got you know,

0:51:07.840 --> 0:51:12.279
<v Speaker 2>she's she's happy, she's engaged. You know, her life is

0:51:12.320 --> 0:51:14.960
<v Speaker 2>going well. And Rory's is in the pooper right, like

0:51:15.200 --> 0:51:17.200
<v Speaker 2>she's just picking up trash on the side of the road.

0:51:17.280 --> 0:51:20.759
<v Speaker 2>She's bored now she's in the daar like. Maybe it's

0:51:20.960 --> 0:51:24.800
<v Speaker 2>partially she's like jealous in a sense that Laurela is

0:51:24.880 --> 0:51:26.640
<v Speaker 2>able to move on without her.

0:51:27.400 --> 0:51:30.759
<v Speaker 4>Yeah, that's what I got from that whole thing too,

0:51:30.920 --> 0:51:35.239
<v Speaker 4>is you know, she's a little bitter that Larela is

0:51:35.280 --> 0:51:39.480
<v Speaker 4>not as unhappy as she is, which, of course we

0:51:39.560 --> 0:51:44.040
<v Speaker 4>know underneath that Larela I is right sad about the riff,

0:51:44.200 --> 0:51:47.560
<v Speaker 4>but at least too from Rory's point of view, she

0:51:47.600 --> 0:51:51.320
<v Speaker 4>sees Laurel I moving on and so that would be distressing.

0:51:52.120 --> 0:51:56.360
<v Speaker 1>Yeah, I think I think in a micro sense, Laurel.

0:51:56.400 --> 0:51:59.120
<v Speaker 1>I feels like, hey, kid, you didn't listen to me

0:51:59.200 --> 0:52:01.640
<v Speaker 1>about this huntsper thing. It's not the world you want

0:52:01.640 --> 0:52:04.279
<v Speaker 1>to be in. I warned you. I told you so,

0:52:04.480 --> 0:52:08.920
<v Speaker 1>now look at you. In the macro sense, it's her

0:52:09.160 --> 0:52:12.800
<v Speaker 1>Laurla having to come with terms with allowing her daughter

0:52:12.840 --> 0:52:15.680
<v Speaker 1>to make her own mistakes and then deal with the consequences.

0:52:15.800 --> 0:52:19.920
<v Speaker 1>So doesn't negate the fact that everybody's going to have

0:52:20.000 --> 0:52:22.399
<v Speaker 1>very strong feelings about it. Yeah, it's going to cause

0:52:22.480 --> 0:52:26.279
<v Speaker 1>some tension in the relationship, but that's that's life. They're

0:52:26.320 --> 0:52:31.160
<v Speaker 1>just living there. Everybody's living their lives, you know. So yeah,

0:52:31.160 --> 0:52:36.799
<v Speaker 1>it's it's a really really sort of uh dead on

0:52:37.120 --> 0:52:41.080
<v Speaker 1>portrayal that Dan wrote, you know, very very good writing,

0:52:41.440 --> 0:52:43.399
<v Speaker 1>very very good psychology.

0:52:44.440 --> 0:52:46.600
<v Speaker 2>So what do you think of the whole episode?

0:52:49.560 --> 0:52:52.759
<v Speaker 1>I just loved it. I just it's one of my

0:52:52.880 --> 0:52:58.480
<v Speaker 1>favorites because it was just so easy, breezy and I

0:52:58.719 --> 0:53:01.080
<v Speaker 1>just filled with the right kind of drama. There were

0:53:01.080 --> 0:53:04.080
<v Speaker 1>different levels of drama there was. It was all relationship

0:53:04.200 --> 0:53:11.320
<v Speaker 1>be drama, mother daughter, Luke, Laurele drama, sister drama. Yeah,

0:53:11.880 --> 0:53:14.800
<v Speaker 1>you know that all that stuff was was was there.

0:53:17.400 --> 0:53:19.600
<v Speaker 1>I don't know it just felt very full for me.

0:53:19.960 --> 0:53:20.920
<v Speaker 2>It was that.

0:53:21.680 --> 0:53:28.480
<v Speaker 1>Yeah, it felt yeah totally. There was no interesting that,

0:53:28.520 --> 0:53:33.040
<v Speaker 1>there was no tailor, no Kirk right right, it was

0:53:33.120 --> 0:53:37.040
<v Speaker 1>just it was just they sort of focused on these

0:53:37.160 --> 0:53:40.480
<v Speaker 1>powerful relationships. It was it was a Luke, Laurel I, Rory,

0:53:41.080 --> 0:53:43.040
<v Speaker 1>Emily Richard, Emily Richard.

0:53:43.320 --> 0:53:45.120
<v Speaker 2>Yeah, you're right, no Logan.

0:53:45.440 --> 0:53:49.200
<v Speaker 1>Not a slugfest, no Logan. You know, it was just

0:53:49.280 --> 0:53:49.680
<v Speaker 1>sort of.

0:53:50.080 --> 0:53:54.080
<v Speaker 2>You're right, Yeah, it almost every scene is really about

0:53:54.120 --> 0:53:56.800
<v Speaker 2>those five people. Every scene. In fact, I don't know

0:53:56.800 --> 0:54:00.400
<v Speaker 2>why I'm saying almost it's really an episode that focus

0:54:00.480 --> 0:54:04.919
<v Speaker 2>is on the core five. Yeah, and I think that's

0:54:04.960 --> 0:54:06.840
<v Speaker 2>one reason I like it. Those are the five I

0:54:06.920 --> 0:54:08.920
<v Speaker 2>care about the most. I mean, I'm not saying I

0:54:08.920 --> 0:54:11.880
<v Speaker 2>don't love the others, but like obviously I love Logan,

0:54:11.960 --> 0:54:15.080
<v Speaker 2>but those five are what makes the show, especially now

0:54:15.080 --> 0:54:16.120
<v Speaker 2>that we're in season six.

0:54:17.000 --> 0:54:22.520
<v Speaker 1>Mm. Yeah, it was it was, it felt it felt really.

0:54:22.880 --> 0:54:27.000
<v Speaker 2>It's hard for me to have a favorite one. I

0:54:27.040 --> 0:54:29.480
<v Speaker 2>love this whole thing. I would say maybe the scene

0:54:29.520 --> 0:54:32.800
<v Speaker 2>where they're in the jag. Every single line there is great,

0:54:33.280 --> 0:54:36.080
<v Speaker 2>every single line TJ. I mean I don't really I

0:54:36.120 --> 0:54:41.840
<v Speaker 2>can't have one because I thought this script was really

0:54:42.080 --> 0:54:43.440
<v Speaker 2>really really good.

0:54:44.239 --> 0:54:44.839
<v Speaker 1>Yeah.

0:54:44.920 --> 0:54:46.920
<v Speaker 2>I love them all, but this one for me, just

0:54:46.960 --> 0:54:50.640
<v Speaker 2>the whole thing, every zinger, every line, every everything.

0:54:52.120 --> 0:54:56.400
<v Speaker 4>So yeah, yeah, I think my favorite line was that

0:54:56.440 --> 0:54:57.520
<v Speaker 4>Hamster was defective.

0:55:07.080 --> 0:55:10.719
<v Speaker 1>What about Amy? What do you think I'm gonna I'm gonna,

0:55:12.000 --> 0:55:15.759
<v Speaker 1>I'm gonna ride on Susanne Susanne's coattails. I laughed out

0:55:15.760 --> 0:55:18.840
<v Speaker 1>loud on that line. I thought it was the best.

0:55:19.480 --> 0:55:22.719
<v Speaker 1>The best laugh in that whole episode was Laurel I

0:55:22.840 --> 0:55:23.719
<v Speaker 1>jumping on that one.

0:55:23.920 --> 0:55:25.280
<v Speaker 4>Yeah, the timing was perfect.

0:55:25.640 --> 0:55:27.560
<v Speaker 2>How about when Luke finds out about the hole and

0:55:27.600 --> 0:55:31.799
<v Speaker 2>he's all him kill t J, like not even sentences

0:55:31.880 --> 0:55:34.480
<v Speaker 2>like it was so that whole.

0:55:34.360 --> 0:55:37.600
<v Speaker 4>Bit about garrotting him and taking him to a ballgame like.

0:55:37.600 --> 0:55:41.359
<v Speaker 2>That was really and I forgot I do. I also

0:55:41.440 --> 0:55:43.719
<v Speaker 2>love when you Rory comes into the diner and you're

0:55:43.760 --> 0:55:47.120
<v Speaker 2>so awkward and you're like, you know, yeah, he wanted

0:55:47.160 --> 0:55:50.000
<v Speaker 2>to spiff it up. Spiff j.

0:55:54.560 --> 0:55:58.040
<v Speaker 1>Yeah, one one of my favorite episodes. Yeah, i'd say

0:55:58.280 --> 0:56:01.600
<v Speaker 1>top top five or which.

0:56:01.400 --> 0:56:04.479
<v Speaker 2>Is allegedly a bit of a miracle for season six

0:56:04.560 --> 0:56:07.560
<v Speaker 2>because people do not love season six, right.

0:56:08.080 --> 0:56:12.440
<v Speaker 1>Another word I would use for is very compact. You know,

0:56:12.800 --> 0:56:15.040
<v Speaker 1>it was air tight episode.

0:56:15.280 --> 0:56:16.719
<v Speaker 2>I'm giving it ten frisbees.

0:56:17.640 --> 0:56:21.360
<v Speaker 1>I am too, I'm giving it ten massive holes in

0:56:21.400 --> 0:56:22.360
<v Speaker 1>the master bedroom.

0:56:23.400 --> 0:56:27.360
<v Speaker 4>Yeah, this was a great episode. I'll just to be different.

0:56:27.360 --> 0:56:30.719
<v Speaker 4>I'll give it a nine point nine nine point nine

0:56:32.360 --> 0:56:33.440
<v Speaker 4>t J shops.

0:56:35.280 --> 0:56:37.160
<v Speaker 2>When you said how dare you? It made me want

0:56:37.200 --> 0:56:40.360
<v Speaker 2>to do and flashlight thingies. It was very Darth.

0:56:40.239 --> 0:56:52.279
<v Speaker 1>Bagerh Suzanne, you know exactly what to say. Talk about

0:56:52.280 --> 0:56:56.719
<v Speaker 1>stealing spotlight love it. Next episode, Season six, episode three,

0:56:56.800 --> 0:57:04.000
<v Speaker 1>The Ungraduate. So we're continuing our homage to Mike Nichols

0:57:04.280 --> 0:57:07.160
<v Speaker 1>wonderfully the graduate. Good good, good. Can't wait to see

0:57:07.160 --> 0:57:12.520
<v Speaker 1>it anyway. Uh, that's it. Thanks to say thank you, Amy, Uh.

0:57:12.280 --> 0:57:15.880
<v Speaker 2>Good performance, Scott good. Good performance in this episode.

0:57:16.120 --> 0:57:17.920
<v Speaker 1>Thank you really good, Thank you really good. Yeah. I

0:57:18.480 --> 0:57:20.960
<v Speaker 1>thought it was good. Yeah. I wasn't uncomfortable with any

0:57:20.960 --> 0:57:21.200
<v Speaker 1>of it.

0:57:21.240 --> 0:57:22.800
<v Speaker 2>And you had to do a lot, like you had

0:57:22.800 --> 0:57:26.360
<v Speaker 2>to be sweet and cute, you had to be romantic,

0:57:26.400 --> 0:57:27.760
<v Speaker 2>you had to deal with the dog. You have the

0:57:27.800 --> 0:57:31.680
<v Speaker 2>awkward scene with Alexis, you have the fight with Laura,

0:57:32.080 --> 0:57:34.280
<v Speaker 2>like you do it a lot, and it was good.

0:57:34.880 --> 0:57:37.520
<v Speaker 1>Yeah. I got to show a little bit of range

0:57:37.520 --> 0:57:40.960
<v Speaker 1>in this. Yeah, you know, and so thank you Dan

0:57:41.760 --> 0:57:44.640
<v Speaker 1>uh and uh that's going to do with best fans

0:57:44.640 --> 0:57:48.560
<v Speaker 1>on the planet. Keep those cards and letters coming, uh

0:57:48.600 --> 0:57:51.120
<v Speaker 1>and the emails and the d ms and all that

0:57:51.160 --> 0:57:55.840
<v Speaker 1>wonderful stuff, and we will see you next time. Remember

0:57:55.880 --> 0:58:02.280
<v Speaker 1>I'm gonna be at MotorCity Comic Con November ten, eleven,

0:58:02.600 --> 0:58:03.280
<v Speaker 1>and twelve.

0:58:03.320 --> 0:58:04.919
<v Speaker 2>That's pretty rad, that's rare.

0:58:05.280 --> 0:58:07.880
<v Speaker 1>I'm also going to be a Columbus Galaxy Con Columbus,

0:58:07.880 --> 0:58:14.280
<v Speaker 1>Ohio on December two and three, So come on out

0:58:14.720 --> 0:58:21.439
<v Speaker 1>and let's party. That's going to do it all the best,

0:58:21.480 --> 0:58:54.560
<v Speaker 1>and remember we I am all in. Stay safe everyone, everybody,

0:58:54.560 --> 0:58:57.880
<v Speaker 1>and also again follow us on Instagram at I Am

0:58:58.000 --> 0:59:02.920
<v Speaker 1>all In podcast and email us at Gilmour at iHeartRadio

0:59:03.240 --> 0:59:13.600
<v Speaker 1>dot com.