1 00:00:01,800 --> 00:00:04,479 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,519 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,480 --> 00:00:14,520 Speaker 1: Welcome to and that's what you really miss paid Kevin. 4 00:00:14,680 --> 00:00:16,120 Speaker 1: Do you know what time it is? 5 00:00:17,400 --> 00:00:24,279 Speaker 2: Happy anniversary, Jenna, Happy podcast anniversary, Kevin. 6 00:00:24,360 --> 00:00:27,640 Speaker 1: This is one year, and happy anniversary to you all 7 00:00:27,760 --> 00:00:30,080 Speaker 1: who have joined us and have been listening for one 8 00:00:30,120 --> 00:00:32,920 Speaker 1: whole year. WHOA wow? 9 00:00:33,320 --> 00:00:36,400 Speaker 2: One year? How has that happened? It's gone by very quickly, 10 00:00:36,880 --> 00:00:39,760 Speaker 2: too fast. I mean we're already on season three. I 11 00:00:39,760 --> 00:00:44,960 Speaker 2: don't understand how. I don't get in through time is 12 00:00:44,960 --> 00:00:45,680 Speaker 2: a construct. 13 00:00:46,240 --> 00:00:51,360 Speaker 1: It is. Well, Happy anniversary to you all. We really 14 00:00:51,360 --> 00:00:54,040 Speaker 1: appreciate you all listening and being with us for this 15 00:00:54,080 --> 00:00:58,360 Speaker 1: whole year as we learn, evolve and remember. 16 00:01:00,280 --> 00:01:02,680 Speaker 2: I mean really, you know, from here on out, it's 17 00:01:02,720 --> 00:01:09,720 Speaker 2: really remembering I got. I feel like, in a way 18 00:01:10,400 --> 00:01:16,160 Speaker 2: we're just starting because season one and season two we 19 00:01:17,160 --> 00:01:20,760 Speaker 2: have have watched so many times, we remember those things 20 00:01:20,800 --> 00:01:24,120 Speaker 2: really really well. Where I feel like, starting now in 21 00:01:24,160 --> 00:01:27,080 Speaker 2: season three and after this first year of the podcast, 22 00:01:27,280 --> 00:01:32,039 Speaker 2: I'm so excited, even more excited to genuinely to watch 23 00:01:32,080 --> 00:01:38,680 Speaker 2: these episodes because I have sort of general memories and 24 00:01:38,720 --> 00:01:42,600 Speaker 2: now watching these first two episodes so far, I'm almost 25 00:01:42,600 --> 00:01:45,000 Speaker 2: watching them for the first time, and then all of 26 00:01:45,040 --> 00:01:49,200 Speaker 2: these new memories are flooding back to me and it's 27 00:01:50,280 --> 00:01:52,680 Speaker 2: it's very exciting. Yeah, I love it. 28 00:01:53,720 --> 00:01:57,840 Speaker 1: And in some ways, like watching the episodes, I do 29 00:01:57,960 --> 00:02:00,720 Speaker 1: remember more than I think I remember. I need the 30 00:02:00,800 --> 00:02:04,400 Speaker 1: memory job. Yeah, and they are more recent in some ways, 31 00:02:04,600 --> 00:02:07,800 Speaker 1: so this is this is very exciting. Like even next 32 00:02:07,840 --> 00:02:09,880 Speaker 1: week's episode eas and half, I was like, oh my god, 33 00:02:09,960 --> 00:02:10,919 Speaker 1: it's already here. 34 00:02:11,440 --> 00:02:14,040 Speaker 2: Do you think what happened was? Because season one and 35 00:02:14,040 --> 00:02:16,280 Speaker 2: season two we keep saying that we remember more and 36 00:02:16,320 --> 00:02:20,000 Speaker 2: it was further away in time from now that at 37 00:02:20,040 --> 00:02:22,840 Speaker 2: some point your brain is just like, this is more 38 00:02:22,840 --> 00:02:25,440 Speaker 2: of the same. Your days of like shooting are sort 39 00:02:25,480 --> 00:02:28,079 Speaker 2: of the same. So we're just going to like compartmentalize 40 00:02:28,480 --> 00:02:31,200 Speaker 2: and cure all of this stuff over here so you 41 00:02:31,240 --> 00:02:35,560 Speaker 2: can just make it through the day. Because I am 42 00:02:35,639 --> 00:02:38,480 Speaker 2: like watching this, I'm like, oh yeah, and I have 43 00:02:38,639 --> 00:02:41,240 Speaker 2: all of these memories of like, for example, for this 44 00:02:41,320 --> 00:02:45,000 Speaker 2: episode of sitting at that table right Dott and Jaima 45 00:02:45,560 --> 00:02:47,960 Speaker 2: for the auditions, and it all came flooding back. 46 00:02:48,320 --> 00:02:51,560 Speaker 1: There's just too many memories, I think. Yeah, there are 47 00:02:51,680 --> 00:02:54,440 Speaker 1: so many damn memories from every day, because every day 48 00:02:54,520 --> 00:02:59,640 Speaker 1: was so was similar but different that like sometimes it 49 00:02:59,639 --> 00:03:04,760 Speaker 1: felt exactly the same and sometimes it was like so distinctive, and. 50 00:03:04,760 --> 00:03:12,000 Speaker 2: Every day was so long. There's no way human can 51 00:03:12,080 --> 00:03:13,240 Speaker 2: remember all of these things. 52 00:03:13,520 --> 00:03:15,200 Speaker 1: No, it was really really long. I don't even know 53 00:03:15,200 --> 00:03:16,760 Speaker 1: how we need it through those days, to be honest, 54 00:03:16,800 --> 00:03:18,640 Speaker 1: because I can barely make it through the day. 55 00:03:19,880 --> 00:03:23,359 Speaker 2: I do feel really lucky, though, because I don't think 56 00:03:23,400 --> 00:03:26,600 Speaker 2: many people, you know, have something like this to be 57 00:03:26,639 --> 00:03:30,760 Speaker 2: able to look back on to jog all those memories right. 58 00:03:31,160 --> 00:03:34,679 Speaker 1: Right right, this is this is encapsulated in time for 59 00:03:34,800 --> 00:03:40,600 Speaker 1: the rest of our lives forever, right exactly. Yeah, my 60 00:03:41,840 --> 00:03:42,640 Speaker 1: pudgy face. 61 00:03:45,800 --> 00:03:48,480 Speaker 2: I look at my spelt face and my was like, oh. 62 00:03:48,360 --> 00:03:52,720 Speaker 1: My god, we hate a lot of chilli that day. Wait. 63 00:03:52,840 --> 00:03:55,720 Speaker 1: So okay, exciting thing that I like to talk that 64 00:03:55,880 --> 00:03:58,119 Speaker 1: I don't think we've ever talked about is we've talked 65 00:03:58,120 --> 00:04:01,880 Speaker 1: about how crap are like crap craft service, which whatever. 66 00:04:03,640 --> 00:04:05,520 Speaker 1: But there was always second. 67 00:04:05,440 --> 00:04:08,480 Speaker 2: Snack, second meal or second. 68 00:04:08,240 --> 00:04:10,960 Speaker 1: Meal, which was like a breakfast. It was a brush. 69 00:04:11,080 --> 00:04:13,360 Speaker 1: It was between when they put out breakfast and when 70 00:04:13,480 --> 00:04:14,680 Speaker 1: lunch when we break frost. 71 00:04:14,480 --> 00:04:17,800 Speaker 2: Okay, yes, yeah, yeah, yeah, yeah, So it was like 72 00:04:17,839 --> 00:04:19,159 Speaker 2: a second meal snack. 73 00:04:19,160 --> 00:04:20,600 Speaker 1: I don't even remember what we called it. 74 00:04:20,600 --> 00:04:22,000 Speaker 2: It was a snack, yeah. 75 00:04:22,320 --> 00:04:25,880 Speaker 1: And so they would put stuff out in craft on 76 00:04:26,120 --> 00:04:28,280 Speaker 1: you know and crafty on the tables. But sometimes it 77 00:04:28,320 --> 00:04:32,800 Speaker 1: would be like the chili cart. They have chili and 78 00:04:32,800 --> 00:04:36,080 Speaker 1: then they dumping cups for us, and then there would 79 00:04:36,120 --> 00:04:40,000 Speaker 1: be like toppins and you could talk with cheese and 80 00:04:40,120 --> 00:04:45,440 Speaker 1: satur cream and hot sauce. And I loved chili days. 81 00:04:45,839 --> 00:04:46,960 Speaker 1: I loved chili days. 82 00:04:47,080 --> 00:04:48,560 Speaker 2: Completely forgot about that. 83 00:04:49,880 --> 00:04:50,960 Speaker 1: I really looked forward to. 84 00:04:51,560 --> 00:04:53,480 Speaker 2: Sometimes they had grilled cheese and tomato soup. 85 00:04:53,640 --> 00:04:57,400 Speaker 1: Oh so good. Yeah, And some days it was like 86 00:04:57,400 --> 00:05:01,480 Speaker 1: a total surprise. So I really that was fun. That 87 00:05:01,560 --> 00:05:02,320 Speaker 1: was really really fun. 88 00:05:02,440 --> 00:05:04,440 Speaker 2: And then sometimes it'd come around You're like, I can 89 00:05:04,480 --> 00:05:06,640 Speaker 2: hear the cart coming, and it was it was just 90 00:05:06,720 --> 00:05:11,160 Speaker 2: vegetables with some ranch, some ranch. But Jenna would be 91 00:05:11,200 --> 00:05:12,240 Speaker 2: like and be digging. 92 00:05:12,240 --> 00:05:16,840 Speaker 1: I'm like, what is this where snacks get me through? 93 00:05:17,160 --> 00:05:17,920 Speaker 2: You're a snacker? 94 00:05:18,279 --> 00:05:20,840 Speaker 1: Yeah? I am a snacker, not so much anymore, but 95 00:05:20,960 --> 00:05:23,760 Speaker 1: I was on set. You just can't help yoursel What 96 00:05:23,760 --> 00:05:24,480 Speaker 1: else do you want to do? 97 00:05:24,800 --> 00:05:24,920 Speaker 2: No? 98 00:05:25,000 --> 00:05:27,640 Speaker 1: I eat all the time on set. There are no 99 00:05:27,760 --> 00:05:32,359 Speaker 1: rules on set, Okay, This is season three. This is 100 00:05:32,440 --> 00:05:36,880 Speaker 1: episode two, and this is called I Am Unicorn. It 101 00:05:37,000 --> 00:05:40,560 Speaker 1: aired on September twenty seventh, two thy eleven. 102 00:05:40,880 --> 00:05:43,320 Speaker 2: The number one song was Still Moves a Jagger. Number 103 00:05:43,320 --> 00:05:45,640 Speaker 2: one movie was Still Lion King in three D, which 104 00:05:45,680 --> 00:05:50,080 Speaker 2: is wild. Some news, some Glee news outside of the 105 00:05:50,080 --> 00:05:52,559 Speaker 2: episode airing. It was pretty quiet on the Glee news. 106 00:05:52,680 --> 00:05:57,560 Speaker 2: But September twenty seventh was Grenetatra's birthday. Oh my good, 107 00:05:59,560 --> 00:06:03,720 Speaker 2: happy related day, related birthday to GP. 108 00:06:09,880 --> 00:06:14,279 Speaker 1: After two and a half years he was cheating while 109 00:06:14,360 --> 00:06:16,120 Speaker 1: you were pregnant. Were pregnant? 110 00:06:16,200 --> 00:06:17,479 Speaker 2: Yeah, about thirteen women. 111 00:06:17,800 --> 00:06:19,600 Speaker 1: More like if I would have stayed married to Max, 112 00:06:19,600 --> 00:06:21,800 Speaker 1: I think he would have achieved forever. It was. It 113 00:06:21,839 --> 00:06:25,560 Speaker 1: was just toxic relationship. Michael Coffin returns to wind Down 114 00:06:25,600 --> 00:06:30,920 Speaker 1: with Janet Kramer. Wind Down with Janet Kramer and Michael Coffin. 115 00:06:31,360 --> 00:06:36,760 Speaker 1: You don't want to miss this three parts reunions on 116 00:06:36,920 --> 00:06:44,440 Speaker 1: iHeartRadio or wherever you get your podcasts. Okay, First of all, 117 00:06:44,520 --> 00:06:48,719 Speaker 1: this episode was directed by the one and only Brad 118 00:06:48,760 --> 00:06:55,640 Speaker 1: Felt Trunk B Foul. But there were not that many songs. 119 00:06:57,080 --> 00:06:59,560 Speaker 2: There weren't that many songs, but the songs that were 120 00:06:59,600 --> 00:07:00,760 Speaker 2: in it were long. 121 00:07:01,920 --> 00:07:03,719 Speaker 1: Right, that's a good point. 122 00:07:03,880 --> 00:07:09,160 Speaker 2: You got almost full songs, right, yeah, which never happens. 123 00:07:09,160 --> 00:07:10,520 Speaker 2: We didn't get those TV edits. 124 00:07:11,680 --> 00:07:13,600 Speaker 1: They had time, We had time. 125 00:07:15,240 --> 00:07:17,600 Speaker 2: And you know, I'm a sucker for an audition, so 126 00:07:17,680 --> 00:07:24,760 Speaker 2: I loved watching the full songs back to back. Okay, 127 00:07:24,760 --> 00:07:27,280 Speaker 2: So the songs that we did get for the West 128 00:07:27,280 --> 00:07:32,520 Speaker 2: Side Story auditions were somewhere from West Side Story, I'm 129 00:07:32,560 --> 00:07:36,800 Speaker 2: the Greatest Star from Funny Girl, and something's coming from 130 00:07:36,880 --> 00:07:37,600 Speaker 2: West Side Story. 131 00:07:38,320 --> 00:07:41,280 Speaker 1: No group numbers, nope, but. 132 00:07:43,400 --> 00:07:48,520 Speaker 2: Sort of unrelated. We now know the Troubletones are coming. 133 00:07:49,280 --> 00:07:53,240 Speaker 2: Oh so exciting. So that music is coming that see 134 00:07:53,240 --> 00:07:54,080 Speaker 2: it has been planted. 135 00:07:54,640 --> 00:08:00,840 Speaker 1: I can't wait. And we get we get a Dina 136 00:08:00,840 --> 00:08:04,240 Speaker 1: menzel back. I almost said, Adele dozine. 137 00:08:04,440 --> 00:08:05,360 Speaker 2: Do you think she hates that? 138 00:08:06,360 --> 00:08:08,920 Speaker 1: I don't know. I feel like Adeena is like, you 139 00:08:09,000 --> 00:08:11,520 Speaker 1: know what, like speak my name. 140 00:08:12,440 --> 00:08:17,160 Speaker 2: Yeah, it's so easygoing. She's like sure, yeah. 141 00:08:16,760 --> 00:08:21,880 Speaker 1: Yeah, but that forever haunt in some ways. Yeah. So 142 00:08:21,920 --> 00:08:24,640 Speaker 1: we got we got the amazing Adena back and she's 143 00:08:24,720 --> 00:08:30,640 Speaker 1: going to lead us to our favorite, the treble Tones. 144 00:08:32,080 --> 00:08:36,760 Speaker 2: Which was I didn't remember how the troubles Troubletones started. 145 00:08:37,200 --> 00:08:39,560 Speaker 1: Me neither, So I just knew that they existed. 146 00:08:40,040 --> 00:08:42,800 Speaker 2: Yeah, in my head, it's like they just appear right. 147 00:08:42,960 --> 00:08:46,400 Speaker 1: Right as like another competition but within the school. 148 00:08:47,920 --> 00:08:52,000 Speaker 2: Something else about Shelby Corkoran. So her last episode was 149 00:08:52,040 --> 00:08:57,320 Speaker 2: season one finale. Yeah, and Rachel asked Shelby to come 150 00:08:57,800 --> 00:09:02,200 Speaker 2: teach at McKinley and she declines, well, well, well, well, 151 00:09:02,600 --> 00:09:04,280 Speaker 2: well look how the turns table. 152 00:09:04,840 --> 00:09:09,480 Speaker 1: We also have a surprise. Blaine is also a junior 153 00:09:09,600 --> 00:09:14,839 Speaker 1: like Tina and Artie who knows wow, which it was 154 00:09:14,920 --> 00:09:16,800 Speaker 1: established that he was a senior and silly love song, 155 00:09:16,880 --> 00:09:17,680 Speaker 1: so they took it back. 156 00:09:20,080 --> 00:09:24,800 Speaker 2: He was a senior at Dalton, but a junior at McKinley. 157 00:09:25,600 --> 00:09:35,480 Speaker 1: They take it back, Lord, and we've got well. And also, 158 00:09:35,520 --> 00:09:42,199 Speaker 1: while talking to Bert, Kurt mentions Kate Hudson Metta, who 159 00:09:42,240 --> 00:09:46,680 Speaker 1: appears later as Cassandra July as Rachel sans theater teacher 160 00:09:46,720 --> 00:09:47,439 Speaker 1: at YadA. 161 00:09:47,840 --> 00:09:51,160 Speaker 2: During every season, we're always just sort of forecasting who's 162 00:09:51,200 --> 00:09:54,320 Speaker 2: coming on with Like first season we talked about John Stamos. 163 00:09:54,920 --> 00:09:57,440 Speaker 1: Yes, Ryan's just manifesting in his own way. 164 00:09:58,080 --> 00:10:02,319 Speaker 2: Yeah. Also a little fun fact, the clown pig picture 165 00:10:02,360 --> 00:10:06,840 Speaker 2: that put gives Beth brad Fauchek and Diana drew it 166 00:10:07,080 --> 00:10:10,920 Speaker 2: and Brad teated it back in twenty eleven. That's funny, 167 00:10:11,360 --> 00:10:12,880 Speaker 2: seems accurate, it seems right. 168 00:10:13,000 --> 00:10:15,160 Speaker 1: Yeah, totally totally. 169 00:10:15,240 --> 00:10:17,840 Speaker 2: So there's a lot happening in this episode, per usual, 170 00:10:19,800 --> 00:10:25,280 Speaker 2: a lot of different storylines. Shelby Corkoran returns to McKinley, 171 00:10:26,280 --> 00:10:29,960 Speaker 2: Will initiates a booty camp for some of the Glee 172 00:10:29,960 --> 00:10:34,120 Speaker 2: Club members. West Side story auditions start, and Sue continues 173 00:10:34,120 --> 00:10:37,679 Speaker 2: working on her congressional campaign, and with Shelby back in town, 174 00:10:38,200 --> 00:10:40,280 Speaker 2: Quinn faces her life choices. 175 00:10:42,400 --> 00:10:44,760 Speaker 1: There's a lot that happens, and not a lot that 176 00:10:44,800 --> 00:10:51,760 Speaker 1: happens with Tina. Tina's not in this episode. I was 177 00:10:51,880 --> 00:10:53,600 Speaker 1: actually I was like, am. 178 00:10:53,480 --> 00:10:56,000 Speaker 2: I in this You were throwing some looks? 179 00:10:57,000 --> 00:10:59,679 Speaker 1: I was, I always throw some looks because I usually 180 00:10:59,720 --> 00:11:06,720 Speaker 1: did have a time today. So there's also when when 181 00:11:06,760 --> 00:11:09,240 Speaker 1: Brittany in the beginning, which is one of the best 182 00:11:09,520 --> 00:11:11,640 Speaker 1: lines of the episode, I think, and when she talks 183 00:11:11,640 --> 00:11:15,319 Speaker 1: about will I am being president and the choir the 184 00:11:16,000 --> 00:11:17,360 Speaker 1: classroom laughs. 185 00:11:17,840 --> 00:11:19,680 Speaker 2: I hear your laugh, me too. 186 00:11:20,600 --> 00:11:24,280 Speaker 1: They pulled a laugh track from the episode later and 187 00:11:24,320 --> 00:11:31,240 Speaker 1: they pulled it up audio to play during that classroom scene. 188 00:11:30,120 --> 00:11:32,400 Speaker 2: Because I heard my laugh I'm like, I'm not in 189 00:11:32,440 --> 00:11:33,920 Speaker 2: that classroom. Why is my Yeah? 190 00:11:34,559 --> 00:11:37,800 Speaker 1: Yeah, fun fun fact. I was like, that's definitely Kevin's 191 00:11:37,840 --> 00:11:41,360 Speaker 1: like real laugh. Yeah, And they pulled it up from 192 00:11:41,400 --> 00:11:43,880 Speaker 1: either another episode or some kind of choir room scene 193 00:11:43,880 --> 00:11:47,200 Speaker 1: where we're all laughing, but you do laugh really loud 194 00:11:47,480 --> 00:11:50,319 Speaker 1: a couple of times in this episode. I do, And 195 00:11:50,360 --> 00:11:52,760 Speaker 1: so I think maybe they pulled it from later on. 196 00:11:53,200 --> 00:11:56,000 Speaker 2: Good Catch Jennet, because I also clocked up. I was like, no, 197 00:11:56,559 --> 00:11:58,839 Speaker 2: it's probably not me. I'm just narcissistic. 198 00:11:59,000 --> 00:12:04,840 Speaker 1: It was absolutely yeah, thought So it's the catle the 199 00:12:04,880 --> 00:12:06,640 Speaker 1: loudest castle. Your feel here. 200 00:12:07,559 --> 00:12:08,960 Speaker 2: It's so bad. I hate it. 201 00:12:09,040 --> 00:12:11,080 Speaker 1: No, I love that laugh because you know, when we 202 00:12:11,120 --> 00:12:14,040 Speaker 1: get you to laugh like that, we really made you laugh. 203 00:12:14,800 --> 00:12:17,280 Speaker 2: Yeah, I did it. 204 00:12:17,360 --> 00:12:19,680 Speaker 1: I did it. It's the wind. 205 00:12:20,520 --> 00:12:23,439 Speaker 2: It does happen. It does happen. Later in the episode 206 00:12:23,760 --> 00:12:28,480 Speaker 2: when I'm with Dot and Jama. Yes, it's real. 207 00:12:29,040 --> 00:12:30,840 Speaker 1: Anyway, I just wanted to pop that in there. 208 00:12:31,760 --> 00:12:35,240 Speaker 2: So, Yeah, big things happening. Shoe wants to focus on 209 00:12:35,360 --> 00:12:37,640 Speaker 2: nationals this year. He's very serious. He's talking about how 210 00:12:37,720 --> 00:12:41,160 Speaker 2: vocal Adrenaline doesn't have a coach and so they're weak, 211 00:12:41,440 --> 00:12:46,880 Speaker 2: they're vulnerable. And because of that, he is committing himself 212 00:12:47,280 --> 00:12:50,080 Speaker 2: strictly to the glee club, so he cannot direct the 213 00:12:50,080 --> 00:12:53,760 Speaker 2: school musical, and so he sets up his booty camp. 214 00:12:53,800 --> 00:12:57,480 Speaker 2: It's going to be after school. That's not optional for 215 00:12:58,000 --> 00:13:01,160 Speaker 2: some of the glee club members. Again mm hmm, I 216 00:13:01,200 --> 00:13:07,200 Speaker 2: guess that reinforces likely clubs during school hours. But because 217 00:13:07,240 --> 00:13:11,160 Speaker 2: you can't direct the musical, and Rachel has a lot 218 00:13:11,200 --> 00:13:14,559 Speaker 2: of funny lines here, Will brings in Emma and Coach 219 00:13:14,679 --> 00:13:18,800 Speaker 2: Bees to help with the musical and then enlists Arety 220 00:13:19,840 --> 00:13:23,520 Speaker 2: to help, who was at first, you know, resistant and 221 00:13:23,600 --> 00:13:28,000 Speaker 2: then accepts. And I personally was very excited for that 222 00:13:28,080 --> 00:13:31,120 Speaker 2: storyline because I got to work with Dot and Jama 223 00:13:31,360 --> 00:13:32,680 Speaker 2: for a week straight every day. 224 00:13:33,080 --> 00:13:35,840 Speaker 1: Is this your first Is this your directorial debut in 225 00:13:35,880 --> 00:13:37,559 Speaker 1: the show, as already. 226 00:13:39,120 --> 00:13:43,439 Speaker 2: Already directed Run Joey Run, and he directed Vogue. Is 227 00:13:44,000 --> 00:13:48,080 Speaker 2: this is his theater directing debut, the stage directing debut? 228 00:13:48,240 --> 00:13:51,959 Speaker 1: Yes, yes, yes, Okay, I want to talk about that 229 00:13:52,080 --> 00:13:55,560 Speaker 1: whole thing with Dot and Jama, which you didn't really 230 00:13:55,600 --> 00:13:57,000 Speaker 1: spend a lot of time with them. None of us 231 00:13:57,080 --> 00:14:01,120 Speaker 1: did spend a ton of time with them before. Maybe more, 232 00:14:02,880 --> 00:14:07,320 Speaker 1: but yeah, okay, just hold on to those thoughts. 233 00:14:07,600 --> 00:14:09,440 Speaker 2: Okay, we'll come back to that. 234 00:14:09,880 --> 00:14:15,960 Speaker 1: So you know, the extension of this is that the 235 00:14:16,040 --> 00:14:23,640 Speaker 1: auditions within the glee club. Kurt wants to audition for Tony, 236 00:14:24,880 --> 00:14:30,720 Speaker 1: and obviously Rachel is auditioning for Maria, and it's pretty 237 00:14:30,840 --> 00:14:36,600 Speaker 1: pretty much in the bad and Blaine, who is now 238 00:14:36,680 --> 00:14:40,720 Speaker 1: part of New Directions and at McKinley High, who is 239 00:14:40,760 --> 00:14:47,400 Speaker 1: the right fit for is not going to audition because 240 00:14:47,440 --> 00:14:50,520 Speaker 1: he realizes how important it is to Kurt as a 241 00:14:50,560 --> 00:14:53,960 Speaker 1: smart boyfriend move, a really nice move. We also like 242 00:14:54,880 --> 00:14:57,240 Speaker 1: that we you know, we we need to start to 243 00:14:57,280 --> 00:14:59,760 Speaker 1: love Blayne as a McKinley member, so this is actually 244 00:14:59,840 --> 00:15:06,720 Speaker 1: like a really smart right yeah as well? And and 245 00:15:06,760 --> 00:15:09,680 Speaker 1: then who else is auditioning or we'll Rachel obviously auditions 246 00:15:09,760 --> 00:15:10,320 Speaker 1: won't get to that. 247 00:15:11,600 --> 00:15:15,560 Speaker 2: Kurt auditions twice, right kind of. 248 00:15:16,280 --> 00:15:21,440 Speaker 1: Yeah, kind now, and then Blaine obviously sings Something's Coming, 249 00:15:21,480 --> 00:15:24,680 Speaker 1: which you know we'll get to as well. You got 250 00:15:24,680 --> 00:15:29,360 Speaker 1: to watch all these auditions as well. I did, what 251 00:15:30,600 --> 00:15:31,920 Speaker 1: tell me about all of this? 252 00:15:37,680 --> 00:15:41,360 Speaker 2: It was very weird being on the other side, even 253 00:15:41,400 --> 00:15:44,560 Speaker 2: though it's just, you know, I'm the same character and 254 00:15:44,600 --> 00:15:47,120 Speaker 2: the same show. I really felt like I was on 255 00:15:47,240 --> 00:15:49,800 Speaker 2: the other side of the table, like I got to 256 00:15:49,840 --> 00:15:53,320 Speaker 2: be Matt Morrison for a little bit. Yeah, We're like, 257 00:15:53,480 --> 00:15:56,640 Speaker 2: you don't have to learn these numbers. There's no rehearsal 258 00:15:56,680 --> 00:15:59,240 Speaker 2: for you. All you gotta do is just sit there 259 00:15:59,280 --> 00:16:04,200 Speaker 2: and enjoy. And what a joy it was. I mean 260 00:16:04,440 --> 00:16:08,640 Speaker 2: watching Chris climb that scaffolding and do all his thing, 261 00:16:08,720 --> 00:16:12,320 Speaker 2: his sword twirling, all of that, all the things like 262 00:16:12,400 --> 00:16:15,280 Speaker 2: we know that he does and is capable of doing. 263 00:16:15,400 --> 00:16:19,680 Speaker 2: Getting to watch that was so good. I have to say. 264 00:16:20,160 --> 00:16:28,440 Speaker 2: The best thing to watch was was Chris and Leah 265 00:16:28,720 --> 00:16:33,840 Speaker 2: doing that Roy and Romeo and Juliet. Oh Lea didn't 266 00:16:34,080 --> 00:16:37,240 Speaker 2: Leah did not mess up those words once. And I 267 00:16:37,880 --> 00:16:39,680 Speaker 2: watching it and I was like, oh, she didn't mess 268 00:16:39,760 --> 00:16:40,200 Speaker 2: up once. 269 00:16:41,560 --> 00:16:44,600 Speaker 1: Of course she did not, And do you expect anything 270 00:16:44,680 --> 00:16:45,320 Speaker 1: less from her? 271 00:16:45,440 --> 00:16:49,000 Speaker 2: It was so impressive because that would do my brain 272 00:16:49,040 --> 00:16:50,960 Speaker 2: in and it was. 273 00:16:52,760 --> 00:16:53,120 Speaker 1: Get it. 274 00:16:54,000 --> 00:16:57,320 Speaker 2: Yeah, I that's that's one of those memories that was 275 00:16:57,360 --> 00:17:02,120 Speaker 2: completely I you know, had forgotten about and dying laughing 276 00:17:03,240 --> 00:17:07,240 Speaker 2: it would. They were so funny, like Chris dropping his 277 00:17:07,320 --> 00:17:10,080 Speaker 2: voice download like this, and I didn't really have much 278 00:17:10,119 --> 00:17:13,560 Speaker 2: makeup on, had a little facial hair and unto unto 279 00:17:13,600 --> 00:17:17,639 Speaker 2: the and we can whatever it was, and Jaima and 280 00:17:17,640 --> 00:17:20,160 Speaker 2: Dot and I were genuinely losing our minds. 281 00:17:20,440 --> 00:17:22,560 Speaker 1: It's very funny. I mean, the costume is a long. 282 00:17:22,600 --> 00:17:28,280 Speaker 2: Were very funny and also just great, Like I didn't 283 00:17:28,280 --> 00:17:32,320 Speaker 2: get to watch I would have enjoyed. I would have 284 00:17:32,400 --> 00:17:35,920 Speaker 2: liked to watch a Dina and Leah do that full 285 00:17:36,000 --> 00:17:38,639 Speaker 2: number because you only see us right at the end, 286 00:17:38,720 --> 00:17:41,359 Speaker 2: so we only really we're there for the very end 287 00:17:41,440 --> 00:17:41,600 Speaker 2: of that. 288 00:17:42,080 --> 00:17:47,480 Speaker 1: Oh yeah, they were singing, sang it. So let's go 289 00:17:47,520 --> 00:17:49,200 Speaker 1: out to curk for a second. Because Chris gave the 290 00:17:49,280 --> 00:17:53,080 Speaker 1: number of his life and I didn't know he could 291 00:17:53,080 --> 00:17:57,040 Speaker 1: climb like that. I forgot. But also so those those 292 00:17:57,080 --> 00:18:01,120 Speaker 1: size swords, he would do that backstay backstage, Oh my god, 293 00:18:01,119 --> 00:18:06,119 Speaker 1: where are we in his trailer? Like offset like everywhere. 294 00:18:06,359 --> 00:18:08,600 Speaker 1: He used to do them all the time. So that 295 00:18:08,720 --> 00:18:11,080 Speaker 1: was something that was a crisp thing that they incorporated 296 00:18:11,160 --> 00:18:12,479 Speaker 1: and it totally worked. 297 00:18:12,760 --> 00:18:14,440 Speaker 2: Yeah, it was really. 298 00:18:14,119 --> 00:18:21,119 Speaker 1: Cool and very very not like Tony like, but I 299 00:18:21,440 --> 00:18:24,280 Speaker 1: can't see where they were going with it. Gave it 300 00:18:24,320 --> 00:18:28,080 Speaker 1: a masculine touch, but he's very good at that. 301 00:18:28,760 --> 00:18:30,359 Speaker 2: He's very good at that. I mean, it was just 302 00:18:30,400 --> 00:18:33,400 Speaker 2: you're seeing everybody sort of do like what they're really 303 00:18:33,440 --> 00:18:39,679 Speaker 2: good at. Darren's obviously like a musical theater beast and 304 00:18:39,760 --> 00:18:43,560 Speaker 2: so and you have that that full banded orchestra up 305 00:18:43,600 --> 00:18:46,200 Speaker 2: there doing all these numbers. So it just looked beautiful. 306 00:18:47,320 --> 00:18:49,440 Speaker 2: I it was. I had the time of my life 307 00:18:49,800 --> 00:18:53,840 Speaker 2: because Jama and Dodd just gots of like ref oh 308 00:18:53,920 --> 00:19:02,000 Speaker 2: we were acting a full Jenna, Jama like Jaima and 309 00:19:02,119 --> 00:19:05,879 Speaker 2: Dot could just be so like brutal to like the 310 00:19:05,920 --> 00:19:11,000 Speaker 2: comedy is very dry and like harsh and hilarious, and 311 00:19:11,040 --> 00:19:13,160 Speaker 2: so I think I also think there was a line 312 00:19:13,240 --> 00:19:16,360 Speaker 2: at the start of one of those scenes and I giggle, 313 00:19:16,520 --> 00:19:20,200 Speaker 2: and I think Jama was ad libbing at the start, 314 00:19:20,240 --> 00:19:21,880 Speaker 2: and like all these things made it in I think 315 00:19:21,880 --> 00:19:24,600 Speaker 2: because Brad was directing, so he would just like, let 316 00:19:24,720 --> 00:19:27,840 Speaker 2: us do it. He knows everybody's capable of, right, right, 317 00:19:27,920 --> 00:19:30,000 Speaker 2: So yeah, coming in and out of some of those scenes, 318 00:19:30,680 --> 00:19:34,560 Speaker 2: there are total ad libs and oh my god, f 319 00:19:34,800 --> 00:19:37,760 Speaker 2: I remember at the end of each day distinctly, remember 320 00:19:37,960 --> 00:19:41,520 Speaker 2: my cheeks hurting from smiling so much. 321 00:19:42,359 --> 00:19:45,560 Speaker 1: Did you were you guys? Was that like one or 322 00:19:45,720 --> 00:19:47,679 Speaker 1: two days or was that like the whole episode that 323 00:19:47,720 --> 00:19:49,080 Speaker 1: you guys were together shooting. 324 00:19:52,160 --> 00:19:55,200 Speaker 2: It was a lot because it was several days. I 325 00:19:55,200 --> 00:19:56,680 Speaker 2: think it was probably three or four days. 326 00:19:57,160 --> 00:20:01,280 Speaker 1: Musical numbers, write in theory, make take like good day, right, 327 00:20:01,359 --> 00:20:02,719 Speaker 1: so you have to be there for all of them. 328 00:20:03,040 --> 00:20:04,720 Speaker 2: Yeah, And then we had some of the office. We 329 00:20:04,800 --> 00:20:07,560 Speaker 2: had that scene in the office, were debating, which was 330 00:20:07,600 --> 00:20:10,240 Speaker 2: also hilarious. Were just so you were. 331 00:20:10,119 --> 00:20:12,040 Speaker 1: Like in the judges room, like you got to do 332 00:20:12,119 --> 00:20:14,639 Speaker 1: like your thing with like like that. 333 00:20:14,280 --> 00:20:16,200 Speaker 2: Which was so fun. I was watching myself too, like 334 00:20:16,240 --> 00:20:20,800 Speaker 2: I'm acting differently, Like I'm so much more casual. The 335 00:20:20,880 --> 00:20:25,800 Speaker 2: speed is different because they're like, yeah, comedic jam is 336 00:20:25,800 --> 00:20:26,840 Speaker 2: a comedic genius. 337 00:20:27,040 --> 00:20:27,359 Speaker 1: Yeah. 338 00:20:27,480 --> 00:20:29,960 Speaker 2: Yeah, And I don't think people realize it, Like her 339 00:20:30,000 --> 00:20:34,320 Speaker 2: timing is out of this world, and so getting to like, 340 00:20:34,840 --> 00:20:36,760 Speaker 2: you know, when you're in the glee club, that's a 341 00:20:36,760 --> 00:20:39,240 Speaker 2: different timing. When you're a teacher, I think that's a 342 00:20:39,280 --> 00:20:43,800 Speaker 2: different timing. Everybody has these different rhythms and so I 343 00:20:43,840 --> 00:20:46,720 Speaker 2: felt like I was just sort of trying to adapt 344 00:20:46,760 --> 00:20:49,080 Speaker 2: and keep up with them, and it was at the 345 00:20:49,119 --> 00:20:51,640 Speaker 2: time of my life. I didn't want it to end. 346 00:20:51,800 --> 00:20:56,360 Speaker 2: I we also because the show, Yeah, and because you're 347 00:20:56,440 --> 00:20:58,200 Speaker 2: up there on the stage, I mean up there in 348 00:20:58,240 --> 00:21:01,040 Speaker 2: the seats in the auditorium. You don't need to leave 349 00:21:01,160 --> 00:21:04,680 Speaker 2: between set up changes and all that. So we would 350 00:21:04,680 --> 00:21:07,480 Speaker 2: just stay there because you're like, why are we going 351 00:21:07,560 --> 00:21:10,199 Speaker 2: to go down these steps to go sit somewhere else, Like, 352 00:21:10,280 --> 00:21:11,520 Speaker 2: we'll just stay out here. 353 00:21:12,000 --> 00:21:14,200 Speaker 1: Well, you get up to go sit right, Yeah. 354 00:21:13,960 --> 00:21:16,840 Speaker 2: And so we just stayed there all day and hung 355 00:21:16,840 --> 00:21:17,520 Speaker 2: out with each other. 356 00:21:17,960 --> 00:21:18,560 Speaker 1: That's cool. 357 00:21:18,640 --> 00:21:20,479 Speaker 2: It was great and jealous and jealous. 358 00:21:20,560 --> 00:21:22,040 Speaker 1: Yeah, you had a little bit of time with that, 359 00:21:22,080 --> 00:21:24,479 Speaker 1: but I didn't get like kind of like peanut gallery 360 00:21:24,520 --> 00:21:26,920 Speaker 1: type time, you know, on the show at least. 361 00:21:27,000 --> 00:21:29,800 Speaker 2: Yeah. You know what's also nice about them, It wasn't 362 00:21:29,840 --> 00:21:31,320 Speaker 2: like we were sitting up there talking shit either. 363 00:21:33,359 --> 00:21:37,000 Speaker 1: They're really nice people. Yeah, because other than you, they're 364 00:21:37,040 --> 00:21:38,240 Speaker 1: both really nice. Yeah. 365 00:21:38,400 --> 00:21:40,000 Speaker 2: I was the odd man. If we were all there, 366 00:21:40,000 --> 00:21:42,119 Speaker 2: we'd be talking so much shit, oh, so much snack. 367 00:21:44,040 --> 00:21:49,200 Speaker 2: They're just like funny and nice, right, They're not like us. 368 00:21:49,720 --> 00:21:52,000 Speaker 2: What do you remember from this episode? 369 00:21:52,240 --> 00:21:57,520 Speaker 1: Okay, Well I wasn't in most of it. I I 370 00:21:57,520 --> 00:21:58,880 Speaker 1: think I was in one seat. 371 00:22:00,600 --> 00:22:03,600 Speaker 2: One scene were you physically were you actually only in 372 00:22:03,800 --> 00:22:07,400 Speaker 2: one scene? I think so that choir room scene, because 373 00:22:07,400 --> 00:22:08,560 Speaker 2: you're also not in the boot camp. 374 00:22:08,680 --> 00:22:12,600 Speaker 1: The only reason that I remember one off scenes like 375 00:22:12,680 --> 00:22:14,520 Speaker 1: that is because of what I was wearing. 376 00:22:15,880 --> 00:22:17,760 Speaker 2: Fair you need something to bring you to the place. 377 00:22:18,480 --> 00:22:21,280 Speaker 1: Yes, it takes me back to like the moment in time. 378 00:22:21,440 --> 00:22:23,359 Speaker 1: Sometimes it takes me back to the season because of 379 00:22:23,440 --> 00:22:29,000 Speaker 1: like Tina's you know, draftic changes in her wardrobe. But yeah, 380 00:22:29,040 --> 00:22:31,720 Speaker 1: I didn't. I didn't do a lot, And I don't 381 00:22:31,800 --> 00:22:36,000 Speaker 1: remember ever seeing any of these like watching and shooting 382 00:22:36,200 --> 00:22:38,159 Speaker 1: you guys shoot any of these either. So like I 383 00:22:38,240 --> 00:22:42,280 Speaker 1: was off somewhere doing something. I'm sure it was Glee related. 384 00:22:42,520 --> 00:22:46,080 Speaker 1: I'm sure there was rehearsal for the next episode because 385 00:22:47,040 --> 00:22:50,879 Speaker 1: well maybe not, but because Harry and I have, like 386 00:22:51,119 --> 00:22:54,359 Speaker 1: Harry is a big storyline next episode, and I know 387 00:22:54,440 --> 00:22:56,679 Speaker 1: he had some stuff that I had to, like, he 388 00:22:56,720 --> 00:22:58,720 Speaker 1: had a lot of dancing stuff and him and Zach 389 00:22:58,800 --> 00:23:00,680 Speaker 1: worked out that I had to like kind of come 390 00:23:00,720 --> 00:23:03,520 Speaker 1: in and sit in on. Yeah, so there's that, But 391 00:23:03,720 --> 00:23:07,600 Speaker 1: that was it. I really don't have a ton of memories. 392 00:23:08,520 --> 00:23:10,160 Speaker 2: Yeah, you're just like, let me catch that. 393 00:23:10,119 --> 00:23:14,480 Speaker 1: Check literally, like, but let's put teen in so that 394 00:23:14,520 --> 00:23:18,280 Speaker 1: we make sure that we pay her so she earns 395 00:23:18,280 --> 00:23:22,040 Speaker 1: her keep for at least one episode, one scene. 396 00:23:22,560 --> 00:23:25,879 Speaker 2: Talking about your wardrobe. Something we haven't talked about is 397 00:23:27,840 --> 00:23:30,040 Speaker 2: how the fittings would happen throughout the season. 398 00:23:30,520 --> 00:23:34,119 Speaker 1: Right, So Lou or Jen or any of Lou's amazing 399 00:23:34,640 --> 00:23:38,160 Speaker 1: or any of our amazing wardrobe people, they would shop. 400 00:23:38,359 --> 00:23:43,000 Speaker 1: They would shop at the top of the season for 401 00:23:43,080 --> 00:23:47,399 Speaker 1: a lot of looks. Now, those looks only lasted a 402 00:23:47,440 --> 00:23:52,440 Speaker 1: few episodes because sometimes episodes would have nine days in them, 403 00:23:52,520 --> 00:23:55,480 Speaker 1: and you can't wear the same outfit in the nine days. 404 00:23:55,840 --> 00:23:58,159 Speaker 1: Some episodes would be two days and you don't really 405 00:23:58,200 --> 00:24:04,439 Speaker 1: have to have two very rare, and so oftentimes you 406 00:24:04,480 --> 00:24:10,320 Speaker 1: would have fittings every I don't know, two months, maybe 407 00:24:10,400 --> 00:24:14,200 Speaker 1: less in my memory where they would shop a ton 408 00:24:14,359 --> 00:24:17,840 Speaker 1: for your character because we had, you know, signature looks, 409 00:24:18,440 --> 00:24:24,639 Speaker 1: and you'd go through fifty two hundred outfits probably maybe 410 00:24:24,760 --> 00:24:25,720 Speaker 1: a little bit last. 411 00:24:25,720 --> 00:24:27,520 Speaker 2: And you knock it out quickly. You would just sort 412 00:24:27,560 --> 00:24:29,720 Speaker 2: of stand there and just change thing after thing, And 413 00:24:29,960 --> 00:24:31,240 Speaker 2: I mean in the shop. 414 00:24:31,240 --> 00:24:33,359 Speaker 1: Say we love it, tailor it or we hate it, 415 00:24:33,480 --> 00:24:34,360 Speaker 1: send it back, and. 416 00:24:34,359 --> 00:24:36,720 Speaker 2: The shopping trip at the beginning of the season. Every 417 00:24:36,720 --> 00:24:41,720 Speaker 2: single character has minor tweaks every single season just to 418 00:24:41,760 --> 00:24:44,960 Speaker 2: have some sort of like refresh to their character. You 419 00:24:45,040 --> 00:24:48,199 Speaker 2: had the biggest changes, like the most noticeable changes, and 420 00:24:48,280 --> 00:24:50,680 Speaker 2: so once those things were established at the top, then 421 00:24:50,720 --> 00:24:54,119 Speaker 2: they could I see and then sometimes you wouldn't. I 422 00:24:54,119 --> 00:24:56,560 Speaker 2: didn't even have to because mine sort of, for example, 423 00:24:56,680 --> 00:24:57,120 Speaker 2: was just. 424 00:24:57,040 --> 00:25:00,680 Speaker 1: Like etening fit for you. You're like, just get it. 425 00:25:01,000 --> 00:25:04,199 Speaker 2: They started buying youth larges for my button ups and 426 00:25:04,240 --> 00:25:07,480 Speaker 2: then they didn't have to tailor those stop. So then 427 00:25:07,520 --> 00:25:09,720 Speaker 2: like you know, once those things are established at the top, 428 00:25:10,400 --> 00:25:12,679 Speaker 2: then you can sort of when you have those fittings 429 00:25:12,760 --> 00:25:16,240 Speaker 2: every you know, six weeks or so, they can sort 430 00:25:16,240 --> 00:25:18,360 Speaker 2: of streamline it and be like, this will work. We're 431 00:25:18,359 --> 00:25:20,000 Speaker 2: just gonna throw this in even if we didn't try 432 00:25:20,040 --> 00:25:20,560 Speaker 2: it on yet. 433 00:25:21,359 --> 00:25:24,199 Speaker 1: Interesting, Yes, there were some episodes where there was no 434 00:25:24,320 --> 00:25:28,040 Speaker 1: time for fittings like that. Yeah, and so you'd see 435 00:25:28,080 --> 00:25:31,240 Speaker 1: address you had never seen before. And sometimes these amazing 436 00:25:31,240 --> 00:25:34,520 Speaker 1: seamishes that they had would come in your trailer before 437 00:25:34,640 --> 00:25:37,119 Speaker 1: while you're getting hair makeup, he'd try try it on, 438 00:25:37,240 --> 00:25:39,159 Speaker 1: make sure it fits. If it doesn't it needed some 439 00:25:39,240 --> 00:25:41,840 Speaker 1: kind of tailoring, they would take it and fix it 440 00:25:42,160 --> 00:25:44,479 Speaker 1: while you were rehearsing. While you were doing all of that, 441 00:25:44,520 --> 00:25:47,800 Speaker 1: and he'd be ready for shooting. So sometimes a lot 442 00:25:47,880 --> 00:25:49,800 Speaker 1: of times it was like that because we were kind 443 00:25:49,800 --> 00:25:53,840 Speaker 1: of in the grind. But for girls it was a 444 00:25:53,840 --> 00:25:55,879 Speaker 1: little bit different. There was a lot of you know, 445 00:25:55,960 --> 00:25:58,320 Speaker 1: things on the hangar don't always look good and they 446 00:25:58,359 --> 00:26:01,560 Speaker 1: think it'll work and it doesn't. But generally, like that's 447 00:26:01,560 --> 00:26:05,119 Speaker 1: what wardrobe is for a whole department to decide, Okay, 448 00:26:05,160 --> 00:26:07,280 Speaker 1: this look will be for this scene, this look will 449 00:26:07,320 --> 00:26:10,639 Speaker 1: be for the scene, and then I, I as an actor, 450 00:26:10,640 --> 00:26:12,960 Speaker 1: would text lou or one of their you know, one 451 00:26:13,000 --> 00:26:16,200 Speaker 1: of the team and say, make sure that I'm wearing 452 00:26:16,240 --> 00:26:18,240 Speaker 1: a longer skirt in this scene because I have to 453 00:26:18,240 --> 00:26:21,119 Speaker 1: be lifted up or something like that, because that's not 454 00:26:21,880 --> 00:26:24,360 Speaker 1: really their job, like they don't know in rehearsal what's 455 00:26:24,400 --> 00:26:28,040 Speaker 1: happening or you know so much. I try to, yeah, 456 00:26:28,040 --> 00:26:29,679 Speaker 1: and I try to help them with that because like 457 00:26:29,720 --> 00:26:32,720 Speaker 1: otherwise I'm like, we're holding up the whole choir room 458 00:26:32,840 --> 00:26:36,800 Speaker 1: scene for Jenna's shorts or something like that. But anyway, Yeah, 459 00:26:36,840 --> 00:26:38,080 Speaker 1: I don't think we ever talked about. 460 00:26:37,880 --> 00:26:40,960 Speaker 2: Like episodes like this where you don't necessarily have a lot. 461 00:26:41,280 --> 00:26:43,240 Speaker 2: It would be one of those opportunities to squeeze in 462 00:26:43,320 --> 00:26:48,159 Speaker 2: like a gigantic fitting totally thatst you a couple of months. 463 00:26:48,400 --> 00:26:51,800 Speaker 1: Yeah, exactly. Okay. So the another thing that's going on 464 00:26:51,800 --> 00:26:54,280 Speaker 1: in this episode, which I love how this episode started 465 00:26:54,320 --> 00:26:57,119 Speaker 1: was that Britney helps Kurt with his president campaign. 466 00:26:58,200 --> 00:27:01,919 Speaker 2: She thinks he's seene sweet speech, isn't it? 467 00:27:01,920 --> 00:27:04,320 Speaker 1: It really is? It really really is. 468 00:27:04,400 --> 00:27:06,280 Speaker 2: When a pony gets it does a good deed. He 469 00:27:06,359 --> 00:27:08,639 Speaker 2: gets a horn and becomes a unicorn, and he poops 470 00:27:08,640 --> 00:27:10,720 Speaker 2: out cotton candy untill he forgets these magical ones. Then 471 00:27:10,800 --> 00:27:11,760 Speaker 2: the horn falls. 472 00:27:11,480 --> 00:27:14,760 Speaker 1: Off, and I love that horns. They becomes you. 473 00:27:16,720 --> 00:27:20,560 Speaker 2: I was thinking about. Kurt says like, that's a scary story. 474 00:27:21,000 --> 00:27:23,639 Speaker 2: Then like, oh, you know, little did we know at 475 00:27:23,640 --> 00:27:27,439 Speaker 2: the time Chris was about to become a gigantic author 476 00:27:27,520 --> 00:27:29,639 Speaker 2: himself of stories. 477 00:27:30,320 --> 00:27:36,760 Speaker 1: And basically Brittany being Brittany, you know, they they can't 478 00:27:36,800 --> 00:27:40,240 Speaker 1: really agree on exactly what his campaign's going to look 479 00:27:40,320 --> 00:27:43,040 Speaker 1: like and his posters are going to look like. And 480 00:27:43,520 --> 00:27:45,240 Speaker 1: Brittany is really leaning into. 481 00:27:45,119 --> 00:27:48,640 Speaker 2: The gay gay gay gay gay gay. 482 00:27:48,840 --> 00:27:53,320 Speaker 1: Of it all, and Kurt thinks we should lean away, 483 00:27:53,440 --> 00:27:55,800 Speaker 1: we should not lean into that. Brittany decides to hang 484 00:27:55,840 --> 00:27:58,480 Speaker 1: the unicorn crosters anyway, which I really love those. 485 00:27:59,240 --> 00:28:06,200 Speaker 2: Unicorn Hoosters and the Bulging Pink fun Sack and which 486 00:28:06,240 --> 00:28:13,639 Speaker 2: had rainbow flags. There was DVD of Burlesque, yes, So 487 00:28:13,720 --> 00:28:18,600 Speaker 2: that's another point people have talked about. An exists in 488 00:28:18,640 --> 00:28:19,679 Speaker 2: the Glee the World. 489 00:28:21,720 --> 00:28:26,359 Speaker 1: I love it. I love it. In Santana's line also 490 00:28:26,440 --> 00:28:29,879 Speaker 1: when when Kurt's like, I wanted something toned down, she said, 491 00:28:29,880 --> 00:28:32,120 Speaker 1: this is toned down in the original Bleaching Corn which 492 00:28:32,760 --> 00:28:33,919 Speaker 1: Unicorn was riding. 493 00:28:33,680 --> 00:28:39,360 Speaker 2: You like, I shouted, I shouted, Oh my god. 494 00:28:39,400 --> 00:28:41,200 Speaker 1: It was too good, too good. She had to have 495 00:28:41,240 --> 00:28:43,920 Speaker 1: one really good one in every episode. So there it is. 496 00:28:44,080 --> 00:28:48,080 Speaker 1: There it is, And and Curt and Bird have this 497 00:28:48,120 --> 00:28:51,400 Speaker 1: really really nice scene, which always time for Bert. We 498 00:28:51,480 --> 00:28:52,360 Speaker 1: always want Burt. 499 00:28:53,680 --> 00:28:57,680 Speaker 2: And it was also nice to see that conversation was 500 00:28:57,840 --> 00:29:03,120 Speaker 2: great on so many levels to see Kurt address himself 501 00:29:03,200 --> 00:29:05,040 Speaker 2: in that way, like they're not making roles for me. 502 00:29:05,080 --> 00:29:06,360 Speaker 2: It's not like I can go play this and go 503 00:29:06,440 --> 00:29:11,280 Speaker 2: play that. It was just a really realistic conversation. But 504 00:29:11,320 --> 00:29:12,920 Speaker 2: those conversations always aren't. 505 00:29:12,640 --> 00:29:16,160 Speaker 1: They Yeah, they are, We say that all the time. 506 00:29:16,680 --> 00:29:18,880 Speaker 2: Yeah, but it's just always surprising, so surprising when you 507 00:29:18,920 --> 00:29:21,960 Speaker 2: have scenes like the Unicorn and shit happening right and 508 00:29:22,040 --> 00:29:22,840 Speaker 2: then and. 509 00:29:22,800 --> 00:29:26,200 Speaker 1: Then there's our drama. Yeah, you got our or one 510 00:29:26,200 --> 00:29:28,400 Speaker 1: hour drama in this with curtain. 511 00:29:28,720 --> 00:29:32,520 Speaker 2: It's so nice to watch scenes when you know they're 512 00:29:32,560 --> 00:29:35,479 Speaker 2: just going to say the right things, even though it's 513 00:29:35,520 --> 00:29:39,040 Speaker 2: going to be messy, right right, but like it's going 514 00:29:39,120 --> 00:29:42,960 Speaker 2: to be truthful totally a show about high school and 515 00:29:43,040 --> 00:29:48,040 Speaker 2: there's games being played, and there's manipulation happening with some 516 00:29:48,080 --> 00:29:50,600 Speaker 2: of the teachers, and like those two characters are the 517 00:29:50,640 --> 00:29:53,280 Speaker 2: only two characters that only speak truthful to one another 518 00:29:53,320 --> 00:29:55,920 Speaker 2: in the entirety of the series. Like they're just one 519 00:29:55,960 --> 00:30:00,320 Speaker 2: hundred percent honest and it's not disrespectful and it's not mean. 520 00:30:01,000 --> 00:30:06,960 Speaker 1: It's Carol too, but oh god, yes, the four of 521 00:30:07,440 --> 00:30:08,000 Speaker 1: her family. 522 00:30:08,480 --> 00:30:10,480 Speaker 2: And you know, I did notice this episode two. I 523 00:30:10,520 --> 00:30:13,280 Speaker 2: was like, oh, ROMI was right because for us she 524 00:30:13,400 --> 00:30:15,720 Speaker 2: was in so much more than she actually is. 525 00:30:15,960 --> 00:30:19,320 Speaker 1: Yes, yes, yes, Like where is she She's locked in 526 00:30:19,320 --> 00:30:30,720 Speaker 1: the basement. And and to wrap up that storyline, Brittany 527 00:30:30,880 --> 00:30:35,840 Speaker 1: is now gonna run for president because of Santana. 528 00:30:37,040 --> 00:30:37,640 Speaker 2: So cute. 529 00:30:38,520 --> 00:30:42,600 Speaker 1: They are really cute, but sat Ana's also like stirring 530 00:30:42,680 --> 00:30:43,000 Speaker 1: it up. 531 00:30:44,040 --> 00:30:49,440 Speaker 2: Oh absolutely, Also did we clock that Brittany says that 532 00:30:49,560 --> 00:30:50,720 Speaker 2: she might be a Binicorn. 533 00:30:55,000 --> 00:30:58,400 Speaker 1: This there's just so much room for some really, really 534 00:30:58,440 --> 00:31:02,560 Speaker 1: good lines in this episode because it's a unise I 535 00:31:02,600 --> 00:31:03,600 Speaker 1: love you anything. 536 00:31:04,200 --> 00:31:06,560 Speaker 2: She just you know, dropped the mic with see you 537 00:31:06,600 --> 00:31:07,160 Speaker 2: at the debate. 538 00:31:18,040 --> 00:31:23,560 Speaker 1: There's this whole thing about the baby. The baby comes 539 00:31:23,600 --> 00:31:29,440 Speaker 1: back because Shelby co Friend's here. I thought we were done. 540 00:31:29,920 --> 00:31:31,480 Speaker 2: We have so many thoughts. 541 00:31:31,360 --> 00:31:34,560 Speaker 1: With the baby. I thought we were done with the baby. Kevin, 542 00:31:35,400 --> 00:31:39,920 Speaker 1: no offense to the baby. I love babies. Obviously, this 543 00:31:40,120 --> 00:31:43,080 Speaker 1: storyline feels like it came back from the dead. 544 00:31:44,640 --> 00:31:46,440 Speaker 2: And not only did it come back from the dead, 545 00:31:47,000 --> 00:31:52,800 Speaker 2: they have the same conversation three different scenes. It's the 546 00:31:52,840 --> 00:31:53,520 Speaker 2: same scene. 547 00:31:53,720 --> 00:31:55,200 Speaker 1: They're like, we have to give it any more. 548 00:31:56,800 --> 00:31:59,560 Speaker 2: Yeah, and it's like I want more, Quinn, I want 549 00:31:59,600 --> 00:32:00,160 Speaker 2: more show. 550 00:32:00,680 --> 00:32:04,360 Speaker 1: Like maybe not about that the same right. 551 00:32:04,160 --> 00:32:06,520 Speaker 2: In the same episode. Right, I was like, yes, we 552 00:32:06,640 --> 00:32:07,080 Speaker 2: get it. 553 00:32:07,280 --> 00:32:11,320 Speaker 1: Quinn needs to shape up in order to get the baby. 554 00:32:11,560 --> 00:32:13,640 Speaker 2: She dyed her hair pink. She's terrible. 555 00:32:14,880 --> 00:32:17,600 Speaker 1: You need to get your shit together. And then Puck's like, 556 00:32:17,720 --> 00:32:19,160 Speaker 1: I want to be a part of it, but then 557 00:32:19,200 --> 00:32:21,080 Speaker 1: I need Quinn to be a part of it, so 558 00:32:21,640 --> 00:32:24,040 Speaker 1: let me tell her to shape up. And then Sue's like, 559 00:32:24,360 --> 00:32:31,000 Speaker 1: shape up, and Sue's enlisting Quinn because that's what Sue does. 560 00:32:31,680 --> 00:32:34,960 Speaker 1: She needs a liaison, she needs somebody in a mole 561 00:32:35,120 --> 00:32:38,360 Speaker 1: in the glee club that's gonna shape. 562 00:32:38,040 --> 00:32:45,719 Speaker 2: Shift that ad they were, I'm sorry, they're filming that 563 00:32:45,720 --> 00:32:49,560 Speaker 2: ad for Sue's campaign, right to show how you know, 564 00:32:49,640 --> 00:32:53,440 Speaker 2: the arts have ruined this girl. Yeah, and when Quinn 565 00:32:53,520 --> 00:32:58,400 Speaker 2: goes into tell off mister Shue, the way mister Shoe 566 00:32:58,520 --> 00:33:02,160 Speaker 2: yells at her, it's so terrifying. 567 00:33:02,360 --> 00:33:03,840 Speaker 1: It's not good. 568 00:33:04,760 --> 00:33:05,400 Speaker 2: You can't do that. 569 00:33:05,680 --> 00:33:06,400 Speaker 1: You can't do that. 570 00:33:07,440 --> 00:33:11,560 Speaker 2: You were you were at school in your office talking 571 00:33:11,600 --> 00:33:12,440 Speaker 2: to a student. 572 00:33:12,560 --> 00:33:14,040 Speaker 1: You shouldn't speak to your child like that. 573 00:33:15,280 --> 00:33:19,200 Speaker 2: No, And it was really really wild. 574 00:33:19,400 --> 00:33:23,480 Speaker 1: Yeah, so what this feels wrong? I did feel wrong, 575 00:33:24,240 --> 00:33:25,440 Speaker 1: like what is happening? 576 00:33:26,680 --> 00:33:29,280 Speaker 2: It was weird. And then she does get her act 577 00:33:29,320 --> 00:33:32,000 Speaker 2: together right, well, seemingly she shows up and it's really sweet. 578 00:33:32,000 --> 00:33:35,400 Speaker 2: She shows up to dance rehearsal. She's wearing heels and addressed. 579 00:33:37,200 --> 00:33:40,160 Speaker 1: I missed that old I missed that punk, punk rock 580 00:33:40,440 --> 00:33:43,440 Speaker 1: quin because I really like that ye for her. 581 00:33:43,480 --> 00:33:48,400 Speaker 2: Too, Yeah, and I get it. Last episode there was 582 00:33:48,480 --> 00:33:51,720 Speaker 2: not hardly any Quinn, so we needed a lot more 583 00:33:51,720 --> 00:33:58,000 Speaker 2: of her, but her now whole campaign to get custody 584 00:33:58,080 --> 00:34:07,600 Speaker 2: back of Beth Woo Boy wild soap opera. Yeah, drama. 585 00:34:08,040 --> 00:34:11,240 Speaker 1: Also the whole thing of Rachel being there with Shelby 586 00:34:11,280 --> 00:34:13,080 Speaker 1: and Will being like, this is gonna be hard for 587 00:34:13,080 --> 00:34:16,560 Speaker 1: you to be back when for Rachel, for Puff, for Quinn, 588 00:34:17,520 --> 00:34:20,279 Speaker 1: you think the adult thing could do, it would be like, well, 589 00:34:20,360 --> 00:34:22,720 Speaker 1: let me just step away then because about the kids. 590 00:34:22,800 --> 00:34:26,480 Speaker 1: But here we are. And also Rachel's like mom, like 591 00:34:26,760 --> 00:34:30,879 Speaker 1: just like her birth mother, just like glazing over it. 592 00:34:30,960 --> 00:34:33,359 Speaker 1: But it felt a little. 593 00:34:35,480 --> 00:34:39,800 Speaker 2: Light the other there was another thing with Shelby coming 594 00:34:39,880 --> 00:34:45,440 Speaker 2: and saying that she's Sugar's dad, right, starting this new 595 00:34:45,480 --> 00:34:49,360 Speaker 2: glee club so that Sugar can be in, and Will's 596 00:34:49,400 --> 00:34:51,239 Speaker 2: totally fine with it because he's like, the more arts, 597 00:34:51,280 --> 00:34:58,520 Speaker 2: the better. You're talking about. The best show choir teacher 598 00:34:58,640 --> 00:35:02,320 Speaker 2: in the entire country has just shown up to your school. 599 00:35:03,719 --> 00:35:12,120 Speaker 2: Two start another show choir. You're not worried. You're not 600 00:35:12,120 --> 00:35:15,600 Speaker 2: worried about that. You should that should be the biggest 601 00:35:15,640 --> 00:35:24,839 Speaker 2: worry you have the Vocal Journal and coach club. Yes, well, 602 00:35:25,120 --> 00:35:31,160 Speaker 2: well we just glossed over that. I I was I 603 00:35:31,200 --> 00:35:33,239 Speaker 2: was waiting for the response and he's like, oh, the more. 604 00:35:33,360 --> 00:35:36,880 Speaker 2: It's the better. No, shut it down. 605 00:35:38,600 --> 00:35:41,000 Speaker 1: Don't shut it down, because we never would get no. 606 00:35:41,000 --> 00:35:42,719 Speaker 2: Yah, don't shut it down, we need it shut the 607 00:35:42,719 --> 00:35:43,560 Speaker 2: new direction sound. 608 00:35:44,560 --> 00:35:48,440 Speaker 1: Well, we'll see west Side story come come to play 609 00:35:48,480 --> 00:35:51,080 Speaker 1: in the next Throughout the season, I don't actually know 610 00:35:51,120 --> 00:35:52,839 Speaker 1: how quickly it happens because I don't know. 611 00:35:53,880 --> 00:35:56,359 Speaker 2: I was also shocked that not all the auditions were 612 00:35:56,360 --> 00:35:57,080 Speaker 2: done this episode. 613 00:35:57,160 --> 00:36:00,160 Speaker 1: I know, I know, but this I have in a 614 00:36:00,239 --> 00:36:02,759 Speaker 1: side story that's really fun. 615 00:36:03,200 --> 00:36:05,560 Speaker 2: But see I have I wasn't in it, so I 616 00:36:05,560 --> 00:36:07,439 Speaker 2: don't have the right. 617 00:36:07,880 --> 00:36:10,240 Speaker 1: See I have more memories of like when we actually 618 00:36:10,280 --> 00:36:11,160 Speaker 1: put the show up. 619 00:36:12,880 --> 00:36:14,000 Speaker 2: Yeah, no idea. 620 00:36:14,760 --> 00:36:17,080 Speaker 1: Well, and that's the I am unicorn. I mean, that's 621 00:36:17,120 --> 00:36:19,319 Speaker 1: really the gist of the episode. 622 00:36:20,520 --> 00:36:24,759 Speaker 2: It was what a funny episode it was. 623 00:36:24,800 --> 00:36:27,719 Speaker 1: It was funny and light and I enjoyed it. There 624 00:36:27,719 --> 00:36:30,040 Speaker 1: were some things that I could have done about, but. 625 00:36:30,560 --> 00:36:33,960 Speaker 2: Overall, the Shelby thing is a little JANKI. 626 00:36:34,480 --> 00:36:38,680 Speaker 1: Yes, yes, yes, So what's my story happens? Soon? 627 00:36:38,880 --> 00:36:45,680 Speaker 2: When does it happens? Okay, that's so soon we're just 628 00:36:45,800 --> 00:36:47,359 Speaker 2: casting and then just putting it up. 629 00:36:48,320 --> 00:36:51,399 Speaker 1: Well, I guess that's how works. Only do you want 630 00:36:51,400 --> 00:36:59,319 Speaker 1: to do some tarty tastes. Uh yeah, cringe moments, you know, 631 00:36:59,440 --> 00:37:02,759 Speaker 1: I have to say, And maybe because you were in it, 632 00:37:02,760 --> 00:37:05,280 Speaker 1: it didn't feel this way, but I felt like laughing 633 00:37:05,320 --> 00:37:08,120 Speaker 1: at Kurt was actually hurtful. It wasn't like he was 634 00:37:08,160 --> 00:37:10,160 Speaker 1: in on the joke because he wasn't really laughing. 635 00:37:11,239 --> 00:37:12,279 Speaker 2: No, it was really mean. 636 00:37:12,400 --> 00:37:13,399 Speaker 1: Okay, that's what I thought. 637 00:37:13,440 --> 00:37:19,880 Speaker 2: It was absolutely meaning. Yeah, I agree that felt watching 638 00:37:19,920 --> 00:37:21,920 Speaker 2: it felt very uncomfortable. I guess that's what it was 639 00:37:21,920 --> 00:37:22,759 Speaker 2: supposed to feel, like. 640 00:37:22,920 --> 00:37:25,680 Speaker 1: Got it? Okay, so we were supposed to feel that. 641 00:37:25,640 --> 00:37:29,000 Speaker 2: Okay, yeah, because like that's just I mean, that's mean, 642 00:37:29,120 --> 00:37:30,960 Speaker 2: and like you're making fun of his like I don't 643 00:37:30,960 --> 00:37:34,960 Speaker 2: know femininity or that he just operates differently as a male, 644 00:37:35,040 --> 00:37:36,880 Speaker 2: and that's fine, yeah. 645 00:37:36,800 --> 00:37:42,000 Speaker 1: Okay, just making Yeah do you is that where you're 646 00:37:42,040 --> 00:37:42,439 Speaker 1: going with? 647 00:37:43,440 --> 00:37:44,360 Speaker 2: Yeah, I'm going with that. 648 00:37:45,440 --> 00:37:45,920 Speaker 1: That's what to do. 649 00:37:47,960 --> 00:37:52,040 Speaker 2: I mean Finn dancing in Booty Camp when he finally 650 00:37:52,400 --> 00:37:54,319 Speaker 2: really him doing like that double spin. 651 00:37:54,719 --> 00:37:57,200 Speaker 1: I saw the double and I was very impressed, and 652 00:37:57,239 --> 00:37:59,239 Speaker 1: you see Amber space in the back when she her 653 00:37:59,280 --> 00:38:01,640 Speaker 1: reaction was actual genuine. 654 00:38:01,360 --> 00:38:06,640 Speaker 2: Because I don't know if you no, that was the 655 00:38:06,640 --> 00:38:09,600 Speaker 2: one and only time that boy ever did a double 656 00:38:09,680 --> 00:38:10,840 Speaker 2: spent very. 657 00:38:10,640 --> 00:38:13,480 Speaker 1: Good, very good. Yes, I was. I was so tickled 658 00:38:13,520 --> 00:38:13,879 Speaker 1: by that. 659 00:38:15,120 --> 00:38:17,719 Speaker 2: It was very enjoyable. Also, those slow most shots of 660 00:38:17,760 --> 00:38:20,280 Speaker 2: the dancing were insane funny. 661 00:38:20,920 --> 00:38:24,960 Speaker 1: I like like. 662 00:38:23,920 --> 00:38:25,520 Speaker 2: Like, why were they dancing to piano? 663 00:38:27,480 --> 00:38:30,920 Speaker 1: They don't perform to piano in ballet class. 664 00:38:30,440 --> 00:38:33,640 Speaker 2: Piano, yes, but it's not ballet class. We do like 665 00:38:33,719 --> 00:38:34,720 Speaker 2: top forty songs. 666 00:38:34,880 --> 00:38:37,240 Speaker 1: It's because they couldn't get licensing Kevin, so they decided 667 00:38:37,239 --> 00:38:37,720 Speaker 1: to have Brad. 668 00:38:38,040 --> 00:38:38,799 Speaker 2: Yeah, I know that. 669 00:38:39,200 --> 00:38:44,400 Speaker 1: I'm just what is your favorite song in this episode? 670 00:38:45,960 --> 00:38:53,120 Speaker 2: Ooh ooh, I think I'm gonna have to go with somewhere. 671 00:38:54,400 --> 00:38:54,960 Speaker 1: Wow. 672 00:38:56,320 --> 00:38:57,920 Speaker 2: Yeah, it was just very good. 673 00:38:58,760 --> 00:39:03,600 Speaker 1: Okay, okay, so I'm giving you the other two. For performance, 674 00:39:03,800 --> 00:39:07,040 Speaker 1: I would give you I'm Great to start, and for 675 00:39:08,880 --> 00:39:12,319 Speaker 1: overall song, I would say Someone's coming. 676 00:39:13,600 --> 00:39:15,160 Speaker 2: Wow, you were in a fight. 677 00:39:17,120 --> 00:39:20,000 Speaker 1: Let's go. The best performance by a prop. 678 00:39:20,360 --> 00:39:26,120 Speaker 2: Sie Worts obviously well runner up all the the Kurt 679 00:39:26,160 --> 00:39:31,839 Speaker 2: for president. Yeah, yes, but the prop department was really 680 00:39:31,840 --> 00:39:32,920 Speaker 2: on it this episode. 681 00:39:33,560 --> 00:39:37,640 Speaker 1: Okay, there's a few best lines. I think, oh Man, 682 00:39:38,120 --> 00:39:41,520 Speaker 1: Brittany's when she's talking to her about the pony and 683 00:39:41,560 --> 00:39:44,080 Speaker 1: the unicorn and how it gets the horn is really funny. 684 00:39:44,640 --> 00:39:47,160 Speaker 1: Which we said earlier in the episode. There's another one 685 00:39:47,160 --> 00:39:50,120 Speaker 1: that I really like that when she always talking to 686 00:39:50,160 --> 00:39:52,640 Speaker 1: Quinn about her like rebel face and she's like, I 687 00:39:52,680 --> 00:39:55,840 Speaker 1: went with the Regis philp and tattoo in the snett O'Connor. 688 00:39:57,160 --> 00:39:57,680 Speaker 2: Mm hmmm. 689 00:39:58,400 --> 00:39:59,439 Speaker 1: I thought that was very good. 690 00:40:00,160 --> 00:40:06,640 Speaker 2: Was very funny this episode. I we've actually talked about 691 00:40:06,800 --> 00:40:14,120 Speaker 2: my favorite lines. I loved when the class was asked 692 00:40:14,120 --> 00:40:21,800 Speaker 2: what's the capital of Ohio and Brittany says, oh. 693 00:40:20,000 --> 00:40:20,080 Speaker 1: I. 694 00:40:21,560 --> 00:40:23,880 Speaker 2: Can't get over it. I feel like it's a perfectly 695 00:40:23,880 --> 00:40:28,520 Speaker 2: written joke. And then Santana talking about the tone down 696 00:40:28,600 --> 00:40:37,480 Speaker 2: versions that the original version, you know, that's so good. 697 00:40:38,480 --> 00:40:43,120 Speaker 1: The best performance m VP, I would say, there are 698 00:40:43,120 --> 00:40:48,800 Speaker 1: a lot of really great performances. Yeah, I'm going with Chris. 699 00:40:49,640 --> 00:40:51,480 Speaker 2: I'm also going with Chris. 700 00:40:52,040 --> 00:40:55,759 Speaker 1: Okay, yeah, yeah, that felt that feels right. You have 701 00:40:55,800 --> 00:40:57,040 Speaker 1: a lot to do in that episode. 702 00:40:58,120 --> 00:41:02,680 Speaker 2: He sure did. It was wild. They were like, let's 703 00:41:02,880 --> 00:41:07,759 Speaker 2: just give him everything. Oh no, Jenna, I was thinking 704 00:41:07,800 --> 00:41:12,120 Speaker 2: about next episode for a second, fix you fix you? 705 00:41:14,320 --> 00:41:20,319 Speaker 2: Oh no, yes, yes, yes, okay? So should we found 706 00:41:20,360 --> 00:41:24,600 Speaker 2: on TikTok this week? Kelsey Kelsey Hannah with two ages 707 00:41:24,640 --> 00:41:27,120 Speaker 2: at the end on TikTok post this video talking about 708 00:41:27,120 --> 00:41:30,200 Speaker 2: the number of songs I would not know if it 709 00:41:30,239 --> 00:41:30,960 Speaker 2: wasn't for Glee. 710 00:41:31,040 --> 00:41:35,160 Speaker 1: See, Glee did introduce music to the younger generation, older 711 00:41:35,239 --> 00:41:37,120 Speaker 1: music to the younger generations. 712 00:41:36,600 --> 00:41:39,520 Speaker 2: Class and then when it comes on, it comes on 713 00:41:39,600 --> 00:41:41,959 Speaker 2: in public and you're like, oh, yeah, I know this song. 714 00:41:43,360 --> 00:41:45,560 Speaker 1: You're like, why did you know this song? Yeah? 715 00:41:45,880 --> 00:41:49,799 Speaker 2: Like, oh, I know the Glee version. Are you ever 716 00:41:49,920 --> 00:41:52,319 Speaker 2: anywhere in public? And they'll play a song like I 717 00:41:52,320 --> 00:41:53,240 Speaker 2: wish this was the Glee. 718 00:41:53,200 --> 00:41:55,920 Speaker 1: Version for sure? All there? 719 00:41:56,000 --> 00:41:59,040 Speaker 2: Oh oh, I thought you were gonna say. 720 00:41:58,920 --> 00:42:01,320 Speaker 1: No, oh no, definitely. I lovely versions. 721 00:42:02,200 --> 00:42:04,200 Speaker 2: Okay, great. Happened to me the other day. I don't 722 00:42:04,239 --> 00:42:06,200 Speaker 2: know what song it was, but I was like, if 723 00:42:06,239 --> 00:42:08,239 Speaker 2: only there's this amber singing this. 724 00:42:08,200 --> 00:42:11,880 Speaker 1: Part, yeah yeah, or like you'll sing the background vocals 725 00:42:11,920 --> 00:42:12,840 Speaker 1: even though they're not there. 726 00:42:13,120 --> 00:42:17,040 Speaker 2: Oh my god. That is the biggest thing. I walk 727 00:42:17,160 --> 00:42:21,520 Speaker 2: through my life singing Glee backgrounds and we didn't even 728 00:42:21,560 --> 00:42:23,160 Speaker 2: do me the backgrounds. 729 00:42:22,840 --> 00:42:24,680 Speaker 1: But they feel like they should be there, but. 730 00:42:24,680 --> 00:42:28,200 Speaker 2: Because we had to learn them anyway. Yes, it happens 731 00:42:28,280 --> 00:42:31,000 Speaker 2: every week, multiple times a week. I will just be 732 00:42:31,040 --> 00:42:33,200 Speaker 2: if you see me walking on the street and there's 733 00:42:33,280 --> 00:42:36,759 Speaker 2: music playing and I'm mouthing something I'm doing the backgrounds 734 00:42:36,880 --> 00:42:44,240 Speaker 2: it time, Yeah, because god, those some of those background 735 00:42:44,320 --> 00:42:50,680 Speaker 2: arrangements were incredible. I mean, can you listen to Valerie, Like, 736 00:42:50,760 --> 00:42:54,719 Speaker 2: if you listen to Valerie, how are those backgrounds not 737 00:42:54,760 --> 00:42:55,120 Speaker 2: in there? 738 00:42:56,040 --> 00:43:04,359 Speaker 1: I know they they are there, They're there in my heart. 739 00:43:05,560 --> 00:43:07,839 Speaker 2: What's crazy is like you take a perfect I mean, 740 00:43:07,920 --> 00:43:11,919 Speaker 2: Valerie by amyoy House and Mark Ronson is a perfect cover, right, 741 00:43:12,640 --> 00:43:17,640 Speaker 2: perfect version of that song, and then somehow it's even 742 00:43:19,080 --> 00:43:24,799 Speaker 2: our version is also really good in a different way, 743 00:43:25,520 --> 00:43:30,600 Speaker 2: and it's just, Yeah, sometimes I can't believe it's backgrounds. 744 00:43:31,880 --> 00:43:38,080 Speaker 1: Valerie is so good. It comes up on my playlist 745 00:43:38,120 --> 00:43:40,800 Speaker 1: a lot, like this morning playlist I play in our kitchen, 746 00:43:41,239 --> 00:43:44,239 Speaker 1: and I'm always like, that's what I'm like, I wish 747 00:43:44,239 --> 00:43:46,680 Speaker 1: that was the version every time. 748 00:43:48,160 --> 00:43:52,520 Speaker 2: I will say that. Another great point in that TikTok 749 00:43:52,719 --> 00:43:56,719 Speaker 2: from Kelsey is there. She was saying at the end 750 00:43:56,760 --> 00:43:59,200 Speaker 2: of it, like if the song keeps going to the 751 00:43:59,239 --> 00:44:02,520 Speaker 2: second verse, and she's like, I don't know that verse because. 752 00:44:02,640 --> 00:44:03,320 Speaker 1: Don't do it. 753 00:44:04,080 --> 00:44:07,440 Speaker 2: She knows the TV edits and that also happens with me. 754 00:44:08,960 --> 00:44:13,440 Speaker 1: That's funny. I like listening to the full of these 755 00:44:13,520 --> 00:44:16,080 Speaker 1: songs because the second verse is like always a surprise. 756 00:44:16,120 --> 00:44:17,560 Speaker 1: I'm like, oh my god, Kepen singing this? 757 00:44:18,160 --> 00:44:25,000 Speaker 2: Yeah, I agree. Next episode is Asian f Ah, there's 758 00:44:25,040 --> 00:44:27,120 Speaker 2: a lot of great music in it. 759 00:44:28,800 --> 00:44:31,640 Speaker 1: I forget. I only remember like the Harry stuff and 760 00:44:31,719 --> 00:44:34,800 Speaker 1: Harry storyline. So I'm I'm excited to see what else 761 00:44:34,920 --> 00:44:35,560 Speaker 1: is going. 762 00:44:35,360 --> 00:44:38,319 Speaker 2: On in this same I don't I don't remember, and 763 00:44:38,400 --> 00:44:40,480 Speaker 2: I and I don't mean to say that as like 764 00:44:40,520 --> 00:44:43,360 Speaker 2: a I'm silly and I forgot, Like I'm excited to work. 765 00:44:43,680 --> 00:44:46,280 Speaker 1: Totally because there's a lot of good music and I'm like, Okay, 766 00:44:46,360 --> 00:44:49,040 Speaker 1: stuff is Stuff's in here and it's Alfonso. 767 00:44:50,360 --> 00:44:54,360 Speaker 2: Yeah, well all right, we did. 768 00:44:54,160 --> 00:45:01,000 Speaker 1: It, very exciting. Well, thanks for listening things. Happy anniversary 769 00:45:01,000 --> 00:45:03,040 Speaker 1: to everybody who's been listening to us for a whole 770 00:45:03,160 --> 00:45:07,279 Speaker 1: year now. We're so grateful. Literally, we'll be doing this 771 00:45:07,320 --> 00:45:09,719 Speaker 1: to dead air if you guys weren't here, So thank you, 772 00:45:10,200 --> 00:45:10,520 Speaker 1: and you. 773 00:45:10,520 --> 00:45:12,840 Speaker 2: Keep coming back. Let me tell you, we get numbers 774 00:45:12,840 --> 00:45:17,600 Speaker 2: and things, and you've been so consistent and supportive and 775 00:45:17,640 --> 00:45:20,759 Speaker 2: we really really really appreciate it. And also all the 776 00:45:20,800 --> 00:45:24,719 Speaker 2: love and interaction on social media has been great. We 777 00:45:25,400 --> 00:45:30,440 Speaker 2: love seeing it, love seeing the enthusiasm. See you next week, 778 00:45:31,239 --> 00:45:33,960 Speaker 2: and that's what you really miss Thanks for listening, and 779 00:45:34,080 --> 00:45:36,719 Speaker 2: follow us on Instagram at and That's what you really 780 00:45:36,760 --> 00:45:38,880 Speaker 2: miss pod. Make sure to write us a review and 781 00:45:39,000 --> 00:45:40,959 Speaker 2: leave us five stars. See you next time.