WEBVTT - Is the Necronomicon real?

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to Stuff You Should Know?

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<v Speaker 1>From House Stuff Works dot Com. Hello, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. We just ticked off every

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<v Speaker 1>HP Lovecraft fan there is with that. That was so cheesy. Um,

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<v Speaker 1>this is stuff you should know. I'm Josh Clark. There's

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<v Speaker 1>Charles W. Bryant, and who else is in here? I

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<v Speaker 1>was gonna wait a minute, Okay, I was going to

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<v Speaker 1>lead up to that, Well, there's no one else in here, no,

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<v Speaker 1>no one. Um. Today we are doing a special podcast

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<v Speaker 1>on Yeah, um and uh. For those of you who

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<v Speaker 1>don't know what the necronomicon is, it is arguably the

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<v Speaker 1>most famous fictional text ever created in the history of

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<v Speaker 1>American literature. It is an evil book, one might say,

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<v Speaker 1>created by are probably my favorite author, HP Lovecraft. Yeah.

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<v Speaker 1>I didn't realize this. You told me this, I didn't.

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<v Speaker 1>I love Lovecraft. My favorite UM stories are Dreams in

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<v Speaker 1>the Witch House, where he basically equates um physics to Witchcraft,

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<v Speaker 1>like witches have a really an advanced grasp on physics.

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<v Speaker 1>It's awesome, it's so cool. Strange case of Charles Dexter

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<v Speaker 1>Award is probably the greatest one he's ever written. It's amazing.

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<v Speaker 1>Uh yeah, you gotta read that. And these are short stories. Well,

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<v Speaker 1>the next one's a novella at the Mountains of Madness.

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<v Speaker 1>Excellent story. And actually that one kind of factors into

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<v Speaker 1>what we're gonna be talking about today. Um, I don't

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<v Speaker 1>know if the Necronomicon makes an appearance, but what the

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<v Speaker 1>Necronomicon deals with is all over the place there. So Chuck,

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<v Speaker 1>let's despite my love of love Craft. Yes, it's painfully

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<v Speaker 1>obvious to both of us that we're mere full these

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<v Speaker 1>compared to some other people out there who are Lovecraft fans,

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<v Speaker 1>right the dogs. And we figured that we were going

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<v Speaker 1>to get nothing but angry emails for this one, and

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<v Speaker 1>they take it pretty seriously. I would imagine that they

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<v Speaker 1>don't want us to poop on their hero and their

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<v Speaker 1>icons now, and he's my hero too, but I just

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<v Speaker 1>I don't. I can do it justice, you know I can't.

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<v Speaker 1>So instead we decided to bring in who will call

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<v Speaker 1>the shield, who can who can take all of the

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<v Speaker 1>angry emails, and that is our friend, colleague and fellow podcaster,

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<v Speaker 1>Jonathan Strickland. Paramore. Yes, we have a special guest today.

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<v Speaker 1>Chuck wasn't lying. I was so, hey, strick how's it going?

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<v Speaker 1>Hey there, guys, um going pretty well. Thanks for having

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<v Speaker 1>me on. I I really enjoyed writing both Culhu and

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<v Speaker 1>the Necronomicon articles, so I'm there as very very cool.

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<v Speaker 1>You're you're kind of raised on these, weren't you. Doesn't

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<v Speaker 1>your dad write weird fiction? Yeah? Um, my father's names

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<v Speaker 1>Brad Strickland, So if you were to do a search

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<v Speaker 1>for that on Amazon, you would see that he's written

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<v Speaker 1>quite a few novels, several which fall into the horror

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<v Speaker 1>or weird fiction category. So yeah, I grew up around

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<v Speaker 1>the stuff. This was your life. It's pretty cool, and

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<v Speaker 1>you're you're dead, predicted Teddy Ruxman. That's true, but has

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<v Speaker 1>nothing to do with Lovecraft or Cathul or into the

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<v Speaker 1>necronomic right, No, it doesn't. My parents are t school teachers,

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<v Speaker 1>so not nearly excited it. As a mechanical engineer, I

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<v Speaker 1>didn't grow up with Cathulhu and strange beasts that would

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<v Speaker 1>drag him in saying just to look upon its face, right, yeah, yeahs,

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<v Speaker 1>which is something. It's a point that you make in

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<v Speaker 1>the in the articles you wrote, strict was that these

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<v Speaker 1>these creatures that the Necronomicon deals with, um, they'll drive

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<v Speaker 1>you crazy just by looking at them or by you know,

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<v Speaker 1>interacting with them. Usually terrible, terrible things happen. Right, And

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<v Speaker 1>at the center of the Necronomicon is cathulu cthulu or

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<v Speaker 1>there's a pronunciation um that Lovecraft wrote in a letter

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<v Speaker 1>to a fellow author. Right, and how how is that

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<v Speaker 1>one pronounced? You know, why are you hitting me with

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<v Speaker 1>that all all of a sudden. Okay, let's let's let's

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<v Speaker 1>be clear here. Lovecraft actually makes a point to say

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<v Speaker 1>that these otherworldly creatures have their own language which humans

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<v Speaker 1>are incapable of repeating. That makes it very mysterious and

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<v Speaker 1>creepy to me. Yeah, it's the same sort of nature

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<v Speaker 1>as as they. They have this appearance that we are

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<v Speaker 1>we cannot comprehend. If we were to look upon it

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<v Speaker 1>as you say, we would go crazy. So it actually

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<v Speaker 1>takes a lot of pressure off because you can name

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<v Speaker 1>things whatever you like. You can put as many consonants

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<v Speaker 1>and little apostrophes in there, and so you can call

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<v Speaker 1>it whatever you like. And when people say, how do

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<v Speaker 1>you pronounce it? You just respond you can't. But Coutulu

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<v Speaker 1>is one that I think most Lovecraft um scholars would

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<v Speaker 1>argue as the appropriate pronunciation. But the way I've always

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<v Speaker 1>said it, in the way that most of the fans

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<v Speaker 1>that I've talked to have always said it as Cathulu,

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<v Speaker 1>right was it wasn't there a rumor early on that

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<v Speaker 1>the clover filled movie was the monster was the Yeah,

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<v Speaker 1>that was very early on when that that preview first hit,

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<v Speaker 1>and there was not even a title for the movie yet.

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<v Speaker 1>In fact, there was no title internally for the movie.

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<v Speaker 1>People could only get little glimpses of what was going on,

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<v Speaker 1>and a lot of people said, Hey, maybe this is

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<v Speaker 1>the Cathulu movie we've all been waiting for. This is

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<v Speaker 1>actually the monster. I wonder I haven't made that yet.

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<v Speaker 1>I think, Well, there have been several movies that have

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<v Speaker 1>tried to tap into the Lovecraft universe, and only a

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<v Speaker 1>few have been really successful. I think part of the

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<v Speaker 1>problem is that how do you portray a monster that

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<v Speaker 1>is so horrible that you'd go crazy looking? That was

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<v Speaker 1>what I was thinking was, it's probably pretty intimidating for

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<v Speaker 1>a filmmaker to try and tackle this. Well, there there

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<v Speaker 1>are descriptions of Cthulhu. What's right? So he basically he

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<v Speaker 1>has wings. Um, he resembles just by looking at this. Yeah,

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<v Speaker 1>you think about this, do you think do you think

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<v Speaker 1>feminine when you hear this? Wings? Huge leathery wings, part octopus,

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<v Speaker 1>part dragon woman, part part man. Now I wouldn't say,

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<v Speaker 1>I just seem so with Lovecraft thing he would say

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<v Speaker 1>it is agenda that cannot be defined. Yeah, unnamable. Okay,

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<v Speaker 1>so we'll call him he. Okay, so we will call

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<v Speaker 1>Cthulu he Okay, So um, Cthulhu in the whole reason

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<v Speaker 1>we're talking about him is the he figures at the

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<v Speaker 1>center of the Cthulhu mythos that that Lovecraft created during

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<v Speaker 1>the course of his writing in Strickland. When was he

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<v Speaker 1>most prolific, It was it during the twenties. Yeah, we're

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<v Speaker 1>talking about just right around that era, late twenties. Um,

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<v Speaker 1>pretty much. What what's really interesting to me is that

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<v Speaker 1>Cthulhu became the central of this the center figure of

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<v Speaker 1>this mythos. But it's not the creature that Lovecraft wrote

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<v Speaker 1>about the most. Cathula really only factors into a couple

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<v Speaker 1>of stories, and in fact is described in some as

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<v Speaker 1>being a priest kind of figure for the Old Ones,

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<v Speaker 1>which is this race of creatures Lovecraft created. Yeah, but

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<v Speaker 1>he never said whether he was a priest that led

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<v Speaker 1>the worship of the Old Ones or whether he was

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<v Speaker 1>the priest to the Old Ones. That's that's correct. So

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<v Speaker 1>that's you know, I'm just gonna leave the rim. You

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<v Speaker 1>guys are nerd and out all. Well, the point I'm

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<v Speaker 1>trying to make here is that it's really the fans

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<v Speaker 1>of Lovecraft who kind of latched onto Cathulu and made

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<v Speaker 1>it the central figure of his mythology. Uh, if you

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<v Speaker 1>were to read all the stories, you would say why.

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<v Speaker 1>I mean, it is a very striking kind of image,

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<v Speaker 1>but why this over any other particular like why not?

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<v Speaker 1>A reason that I think it's mainly because when you

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<v Speaker 1>do read the descriptions, Uh, they are very compelling, and

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<v Speaker 1>I think that I think it's also probably one of

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<v Speaker 1>the ones that are that's easier to imagine than some

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<v Speaker 1>of the other A lot of the other ones end

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<v Speaker 1>up being shapeless. Well that's kind of hard to imagine

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<v Speaker 1>or mindless um being cosmic being who ruled at the

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<v Speaker 1>center of chaos, that's kind of difficult to um to

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<v Speaker 1>conceive of. I think so it's it's very hard to

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<v Speaker 1>make a plush toy of that, right. I think the

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<v Speaker 1>other reason that Cathulum has become such a prominent figure

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<v Speaker 1>in love crafty and lore is that he's still here

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<v Speaker 1>on Earth. He was, um, he was one of the

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<v Speaker 1>rulers of Earth along with the great old Ones, right,

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<v Speaker 1>that's correct. And then he had a city that was

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<v Speaker 1>called really a actually still is that sunk under the waters.

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<v Speaker 1>And what's interesting is that depending on which story you're reading,

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<v Speaker 1>you can kind of locate where really is. It's off

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<v Speaker 1>the coast of South America, and uh, there have been

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<v Speaker 1>some interesting, weird things that have gone on in in

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<v Speaker 1>that general area that people jokingly attribute to Cathulhu, uh, saying, hey,

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<v Speaker 1>you know it's Cathulu snoring, right, Like I know you

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<v Speaker 1>put a little sidebar that was pretty interesting that they

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<v Speaker 1>detected with underwater microphones what a very loud, low rip

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<v Speaker 1>eating sound somewhere out in the middle of the ocean

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<v Speaker 1>out there, right, and that they said, oh, well, that's

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<v Speaker 1>just a whale song. But then marine biologists came in

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<v Speaker 1>and say, oh, that's not a whale, and that's unless

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<v Speaker 1>that's the biggest whale in the history of the universe. Right,

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<v Speaker 1>it was such a loud and prolonged sound that it

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<v Speaker 1>would be it would have to be made by a

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<v Speaker 1>creature larger than anything that we currently know of, right, So, hey, Cathula,

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<v Speaker 1>it's got to be him. It's interesting if you listen

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<v Speaker 1>to the sound unaltered, it's just this really low rumble

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<v Speaker 1>and it goes on for ages. But if you speed

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<v Speaker 1>it up really fast, it goes really which is why

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<v Speaker 1>they call it the bloop. There you have it, which

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<v Speaker 1>is also why a lot of people thought the clover

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<v Speaker 1>Field Monster was Cathulu because apparently on the on the

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<v Speaker 1>official website, there was a bloop, was there? Yeah, they

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<v Speaker 1>tied it into a a fictional um slushy maker Japanese company,

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<v Speaker 1>and so that had something to do with it as well.

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<v Speaker 1>Once people started seeing the supplemental material, they started draw

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<v Speaker 1>their own conclusions, and of course they turned out to

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<v Speaker 1>be wrong. But it just shows how imaginative and passionate

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<v Speaker 1>the Lovecraft failure, and it shows how smart J. J.

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<v Speaker 1>Abrams is, the marketing genius, master marketer. So let's talk

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<v Speaker 1>a little bit more about the sure um. So the

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<v Speaker 1>text Strickland is often considered a book of spells. Most

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<v Speaker 1>of the people who get their hands on the Necronomicon

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<v Speaker 1>in lovecraft stories um end up using it to conjure

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<v Speaker 1>some of the Great Old Ones. Remember Cathulus, the priests

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<v Speaker 1>of the Great Old Ones. Um, and terrible, terrible things

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<v Speaker 1>happened this guy's open up. People tend to disappear in

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<v Speaker 1>in under terrible circumstances. And um the author. Let's talk

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<v Speaker 1>about the author of the Necronomicon. He himself, the mad

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<v Speaker 1>arab abdul al has read. That's correct, the mad arab

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<v Speaker 1>abdul l has read A fiend. Yes, the eighth century

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<v Speaker 1>Opium fiend from supposed to be supposedly a poet who

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<v Speaker 1>at some point gets this um. Well, I suppose he

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<v Speaker 1>gets some strange inspiration, possibly fueled by drugs, and writes

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<v Speaker 1>down this book called the Necronomicon, right, originally called al right,

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<v Speaker 1>and that that refers to a sound made by night

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<v Speaker 1>insects in the desert or demons howling, depending on who

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<v Speaker 1>you ask. Right, that's correct. And so we have this

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<v Speaker 1>this text that's supposed to be very rambling and crazy,

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<v Speaker 1>and uh. Interesting thing is that Lovecraft never wrote the

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<v Speaker 1>full Necronomicon. He actually wanted to create it, and and

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<v Speaker 1>dabbled on a shorter versions at one point, right, right,

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<v Speaker 1>he wrote a couple of passages from an abridged version,

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<v Speaker 1>and there are there are a few passages that are

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<v Speaker 1>that are fairly famous in lovecraft lore. But he wanted

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<v Speaker 1>to create this mythology where scholars in his world would

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<v Speaker 1>have certain books they would refer to whenever they needed

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<v Speaker 1>to study these creatures. Okay, and some of those books

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<v Speaker 1>actually were real, right, that's correct. Some of the books

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<v Speaker 1>were in fact real books that have a historical background.

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<v Speaker 1>Most of them were just figments of his imagination. He

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<v Speaker 1>created the Lovecrafts, I should say, a Lovecraft's imagination, not

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<v Speaker 1>the mad Arab. No, not the mad Arab. So yeah,

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<v Speaker 1>it's interesting. You're talking about an author Lovecraft who creates

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<v Speaker 1>this fictional author, the mad Arab, who in turn creates

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<v Speaker 1>a fictional book called the Necronomicon, parts of which Lovecraft

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<v Speaker 1>actually wrote outright, So that is the that is the

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<v Speaker 1>spoiler for those of you who weren't familiar with this

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<v Speaker 1>at all. Necronomicon completely fictional, mad Arab, completely fictional. And actually,

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<v Speaker 1>what's cool about um Strickland in the in the article

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<v Speaker 1>you make the point that the uh, the Necronomicon has

0:12:56.600 --> 0:12:59.960
<v Speaker 1>not only survived lovecraft death, it's thrived. You can find

0:13:00.640 --> 0:13:05.760
<v Speaker 1>um versions of it on Amazon. Um there's actual cults,

0:13:06.440 --> 0:13:09.719
<v Speaker 1>whether they realized that the Necronomic con or except that

0:13:09.760 --> 0:13:14.480
<v Speaker 1>the Necronomicon is fictitious, they still um this this philosophy

0:13:14.559 --> 0:13:17.760
<v Speaker 1>of the necronomic and still figures very much into their outlook.

0:13:18.000 --> 0:13:22.240
<v Speaker 1>Then there's other maybe I got the impression slightly nutt

0:13:22.240 --> 0:13:25.400
<v Speaker 1>of your cults that actually don't believe the Necronomicon. It

0:13:25.440 --> 0:13:31.440
<v Speaker 1>is fictional, right, but it's it's pervaded into reality. Correct. Yeah,

0:13:31.480 --> 0:13:34.440
<v Speaker 1>all of that is right. The uh it's it is

0:13:34.480 --> 0:13:38.679
<v Speaker 1>fascinating because since Lovecraft left such huge gaps with the Necronomicon,

0:13:38.800 --> 0:13:41.000
<v Speaker 1>you know, he only wrote little bits and pieces, it's

0:13:41.000 --> 0:13:43.720
<v Speaker 1>allowed other people to swoop in and fill in those

0:13:43.760 --> 0:13:46.880
<v Speaker 1>gaps and make money and make money. Yeah, I'll never forget.

0:13:46.960 --> 0:13:50.720
<v Speaker 1>I was in a bookstore. Um, I was in uh,

0:13:50.880 --> 0:13:53.320
<v Speaker 1>I think it was South Carolina. I was in a bookstore.

0:13:53.360 --> 0:13:55.560
<v Speaker 1>This is when I was a teenager, and I'm looking

0:13:55.559 --> 0:13:57.480
<v Speaker 1>through the books. I'm just trying to find something to read,

0:13:57.960 --> 0:14:00.480
<v Speaker 1>and I come across a copy of the Neck Anomicon,

0:14:00.600 --> 0:14:03.040
<v Speaker 1>and I had to stop and look again because I thought,

0:14:03.080 --> 0:14:07.800
<v Speaker 1>wait a minute, what why would I find a fictional

0:14:07.880 --> 0:14:10.760
<v Speaker 1>book in a bookstore? And so I took it down

0:14:10.800 --> 0:14:13.520
<v Speaker 1>and started reading it, and it was filled with lots

0:14:13.600 --> 0:14:19.600
<v Speaker 1>of of tortured kind of prose. No, it was terrible.

0:14:19.600 --> 0:14:21.240
<v Speaker 1>Did bite your hand when you try to grab it?

0:14:21.240 --> 0:14:25.120
<v Speaker 1>It did not? Reference will come back to that later. No, No,

0:14:25.200 --> 0:14:26.720
<v Speaker 1>it was. It was a terrible book. It was a

0:14:26.800 --> 0:14:30.000
<v Speaker 1>terrible attempt at trying to make a book sound really

0:14:30.080 --> 0:14:33.400
<v Speaker 1>dangerous and spooky. But it was transparent. I mean, it

0:14:33.440 --> 0:14:36.880
<v Speaker 1>was obvious that it was someone trying to be funny.

0:14:37.320 --> 0:14:39.760
<v Speaker 1>All Right, you guys, this reality parts boring. Let's go

0:14:39.800 --> 0:14:44.200
<v Speaker 1>back into the fictional world of Lovecraft in the Necronomicon. Okay,

0:14:44.480 --> 0:14:47.440
<v Speaker 1>where are we actually We're no, we're in no particular place.

0:14:47.440 --> 0:14:51.360
<v Speaker 1>We're just in this version of reality that Lovecraft created.

0:14:51.360 --> 0:14:55.240
<v Speaker 1>How about that? Oy? Alright, So within this world you

0:14:55.320 --> 0:14:59.360
<v Speaker 1>have various creatures, you have various books that all of

0:14:59.440 --> 0:15:01.680
<v Speaker 1>all of which are bad. I mean, that's just there

0:15:01.680 --> 0:15:03.760
<v Speaker 1>are people who think they can take advantage of them

0:15:03.800 --> 0:15:08.160
<v Speaker 1>and gain either power or knowledge or some combination thereof.

0:15:08.520 --> 0:15:10.760
<v Speaker 1>But it always turns out badly for them. In fact,

0:15:10.800 --> 0:15:13.840
<v Speaker 1>you kind of wonder why people keep bothering. Yeah, that's

0:15:13.880 --> 0:15:16.320
<v Speaker 1>really I mean, that's really what weird fiction is all about.

0:15:16.400 --> 0:15:18.840
<v Speaker 1>You're talking. When you use the word weird, you don't

0:15:18.880 --> 0:15:23.160
<v Speaker 1>just mean unusual, you mean incomprehensible to the human mind. Yeah.

0:15:23.440 --> 0:15:26.560
<v Speaker 1>I think Josh told me off Mike that. A lot

0:15:26.680 --> 0:15:29.400
<v Speaker 1>of other authors kind of have said that's a bit

0:15:29.400 --> 0:15:31.840
<v Speaker 1>of a cop out on lovecraft part because a lot

0:15:31.880 --> 0:15:33.760
<v Speaker 1>of times he doesn't have to end up being real

0:15:33.840 --> 0:15:37.040
<v Speaker 1>creative with his descriptions of things, and he can just say, well,

0:15:37.480 --> 0:15:39.920
<v Speaker 1>trust me, look upon it, and you shall go and

0:15:39.920 --> 0:15:45.080
<v Speaker 1>see or or unnamable. Yeah, and and I think it's brilliant.

0:15:45.120 --> 0:15:47.240
<v Speaker 1>But yeah, there's definitely an argument on either side. You

0:15:47.320 --> 0:15:50.160
<v Speaker 1>could argue that, well, the human imagination is so powerful

0:15:50.320 --> 0:15:52.520
<v Speaker 1>that if you leave it up to the individual reader,

0:15:52.680 --> 0:15:55.240
<v Speaker 1>it's that person is going to make his or her

0:15:55.320 --> 0:15:59.520
<v Speaker 1>own most horrifying creature. And there's nothing that you, as

0:15:59.560 --> 0:16:01.800
<v Speaker 1>the writer could describe because you don't know that person.

0:16:01.960 --> 0:16:04.600
<v Speaker 1>I don't know what would horrify that person exactly. But

0:16:04.680 --> 0:16:07.880
<v Speaker 1>by leaving it up to the to the reader's imagination, Uh,

0:16:07.920 --> 0:16:10.520
<v Speaker 1>suddenly you've made a much more effective monster, which is

0:16:10.560 --> 0:16:12.360
<v Speaker 1>kind of what they did with clover Field. Actually, they

0:16:12.600 --> 0:16:14.640
<v Speaker 1>did kind of tap into that because they didn't show

0:16:14.640 --> 0:16:16.320
<v Speaker 1>the monster very much at all, and I thought it

0:16:16.320 --> 0:16:18.280
<v Speaker 1>was effective. I like the movie. No, I I really

0:16:18.360 --> 0:16:20.320
<v Speaker 1>enjoyed that as well. I haven't seen it yet both

0:16:20.320 --> 0:16:23.720
<v Speaker 1>of you showed up. Oh sorry, spoiler alert, there's a monster.

0:16:25.240 --> 0:16:27.600
<v Speaker 1>Another thing I thought was cool was that Lovecraft at

0:16:27.600 --> 0:16:30.720
<v Speaker 1>one point said that there are um only a uh

0:16:31.040 --> 0:16:35.360
<v Speaker 1>several official copies of the Necronomicon located in I think

0:16:35.440 --> 0:16:39.320
<v Speaker 1>you listed five different libraries, and uh, two of them

0:16:39.400 --> 0:16:44.000
<v Speaker 1>don't even exist. So he he dabbled. Yes, he dabbled

0:16:44.040 --> 0:16:47.360
<v Speaker 1>so much between reality and fiction that I think it worked.

0:16:47.400 --> 0:16:49.440
<v Speaker 1>It ended up being like, you don't know what's real

0:16:49.480 --> 0:16:53.440
<v Speaker 1>and what isn't. Dude, we're back in Lovecraft's world. Okay, sorry,

0:16:54.520 --> 0:16:58.600
<v Speaker 1>so strickling. The Necronomicon was written by al has red Right,

0:16:59.040 --> 0:17:03.360
<v Speaker 1>and um he I believe he died fairly horribly. Either

0:17:03.400 --> 0:17:07.720
<v Speaker 1>he was swallowed up after conjuring somebody using the Necronomicon.

0:17:08.000 --> 0:17:11.440
<v Speaker 1>I think I remember another story where Lovecraft writes about

0:17:11.480 --> 0:17:13.840
<v Speaker 1>how he was beheaded but his head was still able

0:17:13.880 --> 0:17:17.240
<v Speaker 1>to speak. Um, there there's several different ways that he

0:17:17.320 --> 0:17:20.680
<v Speaker 1>supposedly died, but either way he died, but his book

0:17:20.760 --> 0:17:24.920
<v Speaker 1>survived and it stayed in Arabic, which actually I believe

0:17:24.960 --> 0:17:29.600
<v Speaker 1>none of the Arabic original copies in Arabic exist today.

0:17:29.640 --> 0:17:33.280
<v Speaker 1>But the UM in nine fifties, somebody else found it

0:17:33.320 --> 0:17:36.760
<v Speaker 1>and it was translated into Greek. Right, Yes, that's right.

0:17:36.800 --> 0:17:40.359
<v Speaker 1>There are actually several different translations UM that are mentioned

0:17:40.400 --> 0:17:44.480
<v Speaker 1>in Lovecraft's stories. Uh, there's Greek, there's there's Hebrew, there's

0:17:44.480 --> 0:17:47.560
<v Speaker 1>a few others. There's Latin. I think he said Alias

0:17:47.680 --> 0:17:50.880
<v Speaker 1>Wormings was a priest that translated into Latin, and then

0:17:50.920 --> 0:17:54.680
<v Speaker 1>it was banned by Pope Gregory nine. But in reality,

0:17:54.800 --> 0:17:56.960
<v Speaker 1>this is what I love the fiction. Again, you're not Catholic?

0:17:58.000 --> 0:18:01.480
<v Speaker 1>Was that not Pope Gregory nine? The nine? Okay, yeah,

0:18:01.640 --> 0:18:05.639
<v Speaker 1>but Gregory the Night? Uh? In reality that Elias Warmius

0:18:05.680 --> 0:18:08.200
<v Speaker 1>was actually a Dutch physician, so there was no tide

0:18:08.240 --> 0:18:12.920
<v Speaker 1>there whatsoever. Yeah, that was the mixture of reality and fantasy. Um. Now,

0:18:12.960 --> 0:18:16.280
<v Speaker 1>the the really cool stuff, as far as I'm concerned

0:18:16.320 --> 0:18:20.440
<v Speaker 1>here is that that he's he's built up a believable

0:18:20.560 --> 0:18:23.439
<v Speaker 1>enough base that if you were to just read the

0:18:23.520 --> 0:18:27.919
<v Speaker 1>story without without any other background information, you could totally

0:18:27.920 --> 0:18:31.040
<v Speaker 1>buy into this mythology. He's really made it very rich

0:18:31.160 --> 0:18:35.480
<v Speaker 1>and believable. He's he's he's anchored it in reality and um.

0:18:35.520 --> 0:18:38.840
<v Speaker 1>And there are lovecraft Ian scholars and fans who will

0:18:38.880 --> 0:18:41.720
<v Speaker 1>talk of this as if it were all real, as

0:18:41.720 --> 0:18:44.920
<v Speaker 1>if these Greek and and other translations of the Necronomicon

0:18:45.080 --> 0:18:48.879
<v Speaker 1>do in fact exist and are in fact in these libraries. Right. Well,

0:18:48.960 --> 0:18:50.720
<v Speaker 1>I know what earlier we were talking and I thought

0:18:50.720 --> 0:18:54.200
<v Speaker 1>it was odd that he would use people like Elias

0:18:54.280 --> 0:18:57.040
<v Speaker 1>warmis their name, which you know was a physician, and

0:18:57.040 --> 0:19:01.119
<v Speaker 1>then in six Dr John D was an Englishman and

0:19:01.160 --> 0:19:03.239
<v Speaker 1>a magician, when in fact he was really just an

0:19:03.240 --> 0:19:06.679
<v Speaker 1>adviser to Queen Elizabeth. And I thought, well, how strange

0:19:06.720 --> 0:19:09.040
<v Speaker 1>to use these real people like wouldn't he be found out?

0:19:09.040 --> 0:19:11.240
<v Speaker 1>But you said that, you know, this is the nine twenties,

0:19:11.280 --> 0:19:13.520
<v Speaker 1>and there weren't You couldn't go up on the internet

0:19:13.520 --> 0:19:15.360
<v Speaker 1>and look up who John D was, right, And now

0:19:15.440 --> 0:19:18.320
<v Speaker 1>you had people who those names would sound familiar, and

0:19:18.359 --> 0:19:21.040
<v Speaker 1>they think, hey, that does lead leads some credence to

0:19:21.119 --> 0:19:24.600
<v Speaker 1>this and I and I also compared it to Bram Stoker,

0:19:25.040 --> 0:19:29.359
<v Speaker 1>who did base Dracula off of the real person Vlad Tepish.

0:19:29.400 --> 0:19:32.199
<v Speaker 1>But if you were to look into Vlad tepish Is life,

0:19:32.320 --> 0:19:35.040
<v Speaker 1>you would see that it doesn't really parallel Dracula at all.

0:19:35.080 --> 0:19:37.120
<v Speaker 1>You could just see where the inspiration came from. But

0:19:37.320 --> 0:19:40.119
<v Speaker 1>because you have laud Dre Cool, you have this whole

0:19:40.160 --> 0:19:46.280
<v Speaker 1>persona there, it lends your story a stronger base in reality. Yeah,

0:19:46.640 --> 0:19:49.719
<v Speaker 1>like you guys said, the Lovecraft is a master at

0:19:49.760 --> 0:19:53.680
<v Speaker 1>mixing reality and fiction, like with the libraries where you

0:19:53.720 --> 0:19:57.479
<v Speaker 1>could supposedly find the Necronomicon, but also he would pepper

0:19:57.880 --> 0:19:59.840
<v Speaker 1>um some of the books like on the shelves ire

0:20:00.000 --> 0:20:03.159
<v Speaker 1>were in the strange case of Charles dexter Ward his

0:20:03.280 --> 0:20:07.160
<v Speaker 1>ancestor what was his ancestors name, I don't remember either, um,

0:20:07.240 --> 0:20:09.879
<v Speaker 1>but he there was there were tons of books of

0:20:10.280 --> 0:20:12.760
<v Speaker 1>magic and the occult, and some of them were real,

0:20:12.960 --> 0:20:16.320
<v Speaker 1>like the Rs Magna at Ultima uh, and they would

0:20:16.359 --> 0:20:20.520
<v Speaker 1>be sitting alongside the Necronomicon. So there were some that

0:20:20.560 --> 0:20:23.280
<v Speaker 1>were real and some that weren't. Um. And not only

0:20:23.320 --> 0:20:26.280
<v Speaker 1>did Lovecraft write about that, he would use books that

0:20:26.359 --> 0:20:30.200
<v Speaker 1>some of his contemporaries had made upright in his books,

0:20:30.640 --> 0:20:33.160
<v Speaker 1>and they would do just the same, right, they would

0:20:33.200 --> 0:20:35.879
<v Speaker 1>mention the Necronomicon in their books. Yeah, there was a

0:20:35.880 --> 0:20:39.280
<v Speaker 1>lot of cross pollination going on at this time, where

0:20:39.359 --> 0:20:44.160
<v Speaker 1>you would. Lovecraft loved having friends who were also authors.

0:20:44.440 --> 0:20:48.879
<v Speaker 1>He was prolific letter writer, and he encouraged his friends

0:20:48.920 --> 0:20:51.679
<v Speaker 1>to write stories set in his mythology, and then he

0:20:51.680 --> 0:20:54.639
<v Speaker 1>would write stories there's as well. So you started to

0:20:54.640 --> 0:20:58.880
<v Speaker 1>get this really rich background that didn't exist in other

0:20:58.920 --> 0:21:01.680
<v Speaker 1>authors works. Because I mean, in a way, it's almost

0:21:01.720 --> 0:21:04.520
<v Speaker 1>like writing fan fiction, except in this case, the people

0:21:04.560 --> 0:21:08.560
<v Speaker 1>who are writing fan fiction are really well known authors, right, right,

0:21:08.960 --> 0:21:12.720
<v Speaker 1>But that continues today. You still have people writing within

0:21:12.840 --> 0:21:16.439
<v Speaker 1>Lovecraft's mythology, and of course, you know, it's expanded beyond

0:21:16.560 --> 0:21:20.240
<v Speaker 1>just writing books. It's also in movies and television. Right.

0:21:20.400 --> 0:21:25.640
<v Speaker 1>There's some pretty pretty noteworthy cameos that the Necronomicon has made,

0:21:25.880 --> 0:21:29.840
<v Speaker 1>most notably in the Evil Dead series. Yes that was

0:21:29.920 --> 0:21:32.480
<v Speaker 1>it an Evil Dead or just Evil Dead too, No,

0:21:32.680 --> 0:21:34.760
<v Speaker 1>it's in It's an Evil Dead, Evil Dead to an

0:21:34.840 --> 0:21:38.240
<v Speaker 1>Army of Darkness. Army of Darkness actually was my favorite

0:21:38.600 --> 0:21:41.800
<v Speaker 1>scene with the Necronomicon because he has to approach it

0:21:41.800 --> 0:21:44.960
<v Speaker 1>on the hill and repeat the Klatu varata and then

0:21:45.440 --> 0:21:48.119
<v Speaker 1>which the last word isn't that from the day the

0:21:48.119 --> 0:21:50.639
<v Speaker 1>Earth still? Yeah, that's actually that was the one of

0:21:50.720 --> 0:21:53.080
<v Speaker 1>the things about Yes, Sam Raimi just loves to quote

0:21:53.160 --> 0:21:56.919
<v Speaker 1>from other movies and and and science fiction, horror everything.

0:21:56.960 --> 0:21:59.080
<v Speaker 1>I mean, he's he's one of those guys who just

0:21:59.119 --> 0:22:04.320
<v Speaker 1>has like that huge Labrintheian Library of of Trivia instead

0:22:04.560 --> 0:22:05.920
<v Speaker 1>and so yeah, he brought a lot of that out

0:22:05.960 --> 0:22:09.480
<v Speaker 1>into those movies. But the interesting thing about the Necronomicon

0:22:09.560 --> 0:22:11.760
<v Speaker 1>and those and those movies is that it doesn't really

0:22:12.600 --> 0:22:15.080
<v Speaker 1>resemble the one in Lovecraft stories. Right. It's the Book

0:22:15.119 --> 0:22:17.119
<v Speaker 1>of the Dead is what they call it, and evil

0:22:17.160 --> 0:22:20.119
<v Speaker 1>dead and it's a or at least an army of darkness.

0:22:20.119 --> 0:22:22.560
<v Speaker 1>It was like this, uh had an evil face. It

0:22:22.600 --> 0:22:24.639
<v Speaker 1>was like leather bound, but had a mouth and eyes,

0:22:25.160 --> 0:22:26.720
<v Speaker 1>and that's why it bit him when he tried to

0:22:26.720 --> 0:22:28.920
<v Speaker 1>pick it up, which is what I was referencing right right.

0:22:28.960 --> 0:22:32.760
<v Speaker 1>It's actually bound in flesh and written in blood. Yeah, yeah,

0:22:32.800 --> 0:22:35.480
<v Speaker 1>and it's uh, it's a little different from the Necronomicon

0:22:35.560 --> 0:22:38.400
<v Speaker 1>and Lovecraft stories. But the Necronomicon, you gotta admit, that's

0:22:38.400 --> 0:22:41.600
<v Speaker 1>an awesome name for an evil book. So it totally

0:22:42.240 --> 0:22:45.600
<v Speaker 1>made sense to to reference it, you know, and a

0:22:45.640 --> 0:22:48.040
<v Speaker 1>lot of people I think have sort of a passing

0:22:48.080 --> 0:22:53.000
<v Speaker 1>familiarity with Lovecraft stories stuff, so if you mentioned it,

0:22:53.080 --> 0:22:55.119
<v Speaker 1>they get the idea, oh, that's an evil book. They

0:22:55.160 --> 0:22:58.000
<v Speaker 1>don't need to have this wealth of information in their heads.

0:22:58.720 --> 0:23:02.080
<v Speaker 1>So my favorite reference, um, and you actually pointed out

0:23:02.080 --> 0:23:05.280
<v Speaker 1>in the article Strick is um the appearance of the

0:23:05.320 --> 0:23:09.360
<v Speaker 1>Necronomicon in the Simpsons. You guys see this one. It

0:23:09.440 --> 0:23:12.800
<v Speaker 1>was in the episode Brawl in the Family where there's

0:23:12.840 --> 0:23:16.840
<v Speaker 1>a meeting of the Republican Party and Mr Burns goes

0:23:17.160 --> 0:23:20.280
<v Speaker 1>and now Bob Dole will read from the Necronomicon. And

0:23:20.480 --> 0:23:22.520
<v Speaker 1>Bob Dole comes to the podium and he's wearing like

0:23:22.520 --> 0:23:24.840
<v Speaker 1>a black robe and he starts channing in Latin and

0:23:24.880 --> 0:23:28.200
<v Speaker 1>reading from the book. It's perfect. Yeah, My I think

0:23:28.200 --> 0:23:31.240
<v Speaker 1>my favorite is when it makes a very very brief

0:23:31.280 --> 0:23:34.040
<v Speaker 1>appearance in Friday of the Thirteenth, Part nine, Jason goes

0:23:34.080 --> 0:23:37.000
<v Speaker 1>to Hell. It's it's just it's one of those things

0:23:37.000 --> 0:23:39.520
<v Speaker 1>where the camera's just panning by and if you pay attention,

0:23:39.560 --> 0:23:44.200
<v Speaker 1>you see, hey, that's the Necronomicon from the Evil Dead movies. Yeah,

0:23:44.200 --> 0:23:46.159
<v Speaker 1>it's just it's just there in in the shot. I mean,

0:23:46.160 --> 0:23:48.119
<v Speaker 1>there's no reference to it. No one picks it up.

0:23:48.200 --> 0:23:50.760
<v Speaker 1>Where was it? Was it like Jason's house, Yeah, it's

0:23:50.880 --> 0:23:52.560
<v Speaker 1>it's towards the it's towards the end of the movie.

0:23:52.560 --> 0:23:55.040
<v Speaker 1>There's a few different references. I think you also, if

0:23:55.080 --> 0:23:58.360
<v Speaker 1>you look, you see a crate that's labeled Arctic Expedition,

0:23:59.040 --> 0:24:01.920
<v Speaker 1>So fans of horror movies, you'll know what that's from. Too,

0:24:01.960 --> 0:24:05.560
<v Speaker 1>so awesome. Jason goes to Hell? Was that was that?

0:24:05.560 --> 0:24:10.400
<v Speaker 1>That was also in Pumpkinhead two? Yep. Also in Aquitine

0:24:10.480 --> 0:24:14.200
<v Speaker 1>Hunger Force, which we love, and The Real Ghostbusters, The

0:24:14.240 --> 0:24:20.480
<v Speaker 1>Grim Adventures of Billion Mandy and metal Lock. You don't

0:24:20.520 --> 0:24:24.919
<v Speaker 1>know that that's that's the that's the cartoon on Adult

0:24:24.960 --> 0:24:30.080
<v Speaker 1>Swim that details the misadventures of a death metal band

0:24:30.119 --> 0:24:32.960
<v Speaker 1>called death Clock. You almost said adventures, very nice catch.

0:24:33.359 --> 0:24:37.160
<v Speaker 1>Misadventures much different. So this was actually in strict Thank

0:24:37.160 --> 0:24:40.000
<v Speaker 1>you so much for coming in, dude, you say this,

0:24:40.000 --> 0:24:42.000
<v Speaker 1>this is one of those every once in a while

0:24:42.040 --> 0:24:43.919
<v Speaker 1>we'll do a podcast where like this is just the

0:24:43.960 --> 0:24:47.119
<v Speaker 1>tip of the iceberg. Go read the article. You clearly

0:24:47.160 --> 0:24:49.320
<v Speaker 1>should go read these articles. If we piqued your interest

0:24:49.400 --> 0:24:53.200
<v Speaker 1>in all. First of all, go start reading Lovecraft. He's awesome. Um.

0:24:53.240 --> 0:24:55.760
<v Speaker 1>He was also an awesome person his real life. He

0:24:55.760 --> 0:24:58.520
<v Speaker 1>he had a woman that he lived with who was

0:24:58.560 --> 0:25:00.159
<v Speaker 1>old enough to be his mother, that he love up

0:25:00.240 --> 0:25:04.440
<v Speaker 1>very much. But people posit that they never consummated their relationship.

0:25:04.520 --> 0:25:07.359
<v Speaker 1>Is that correct? Yep. He was just an all around

0:25:07.440 --> 0:25:11.760
<v Speaker 1>weird guy, but really sweet and cute and um not

0:25:11.800 --> 0:25:14.800
<v Speaker 1>really well I think he does in that nine He

0:25:14.840 --> 0:25:19.320
<v Speaker 1>doesn't have like uh, yeah, you're right, um, but he

0:25:19.320 --> 0:25:23.040
<v Speaker 1>he was an interesting character, uh, an incredible writer and

0:25:23.200 --> 0:25:25.600
<v Speaker 1>uh Strickland wrote two really good articles on him. So

0:25:25.680 --> 0:25:28.240
<v Speaker 1>if you want to read more about it, you can

0:25:28.280 --> 0:25:31.280
<v Speaker 1>go to how stuff works dot com and typing cthulu

0:25:31.600 --> 0:25:34.560
<v Speaker 1>c t h U l U in the search bar.

0:25:34.920 --> 0:25:38.920
<v Speaker 1>You could also type in necronomicon, which would be spelled

0:25:39.240 --> 0:25:42.720
<v Speaker 1>n E c R O n O M I c

0:25:43.119 --> 0:25:48.479
<v Speaker 1>O and necronomicon you can find both of those articles.

0:25:48.520 --> 0:25:50.320
<v Speaker 1>And I think if you type you those words in

0:25:50.359 --> 0:25:52.720
<v Speaker 1>the Google in general, you're going to find a whole

0:25:52.760 --> 0:25:56.560
<v Speaker 1>world away to you. Just interesting stuff. Interesting way to

0:25:56.600 --> 0:25:59.560
<v Speaker 1>waste some time. You dare not speak it and look

0:25:59.600 --> 0:26:03.800
<v Speaker 1>at it or you shall go insane. And also we

0:26:03.840 --> 0:26:06.040
<v Speaker 1>can all look forward to the day the stars aligne

0:26:06.280 --> 0:26:09.639
<v Speaker 1>and the Stone City of Relay rises up out of

0:26:09.640 --> 0:26:12.560
<v Speaker 1>the ocean and takes possession of the Earth again, and

0:26:12.640 --> 0:26:16.280
<v Speaker 1>we are all screwed awesome, or as we would say

0:26:16.359 --> 0:26:20.640
<v Speaker 1>in love Crafts universe, Yeah yeah, kutula fatagan. No better

0:26:20.640 --> 0:26:23.080
<v Speaker 1>way to end then for that, no better way to

0:26:23.160 --> 0:26:25.200
<v Speaker 1>end the than that? All right, Well, since Strickling just

0:26:25.280 --> 0:26:29.240
<v Speaker 1>said something that we can't pronounce ourselves, that means it's

0:26:29.440 --> 0:26:35.280
<v Speaker 1>listener mail time. Alright, So Chuck, what do you have

0:26:35.359 --> 0:26:38.160
<v Speaker 1>for us today? You're just gonna call this the saddest

0:26:38.200 --> 0:26:41.960
<v Speaker 1>thing I've ever heard. This is from Vic in Lincolnshire, Illinois.

0:26:42.480 --> 0:26:44.400
<v Speaker 1>It's a little lengthy. If I'm gonna I'm gonna read

0:26:44.400 --> 0:26:48.800
<v Speaker 1>it fast. Vic is a listener who has borrowed his

0:26:48.920 --> 0:26:51.520
<v Speaker 1>daughter's iPod and definitely he said, I was kind of

0:26:51.520 --> 0:26:53.320
<v Speaker 1>taking it over. That is the saddest thing I've ever

0:26:54.760 --> 0:26:57.280
<v Speaker 1>uh And he he This came about as a suggestion

0:26:57.320 --> 0:27:01.120
<v Speaker 1>that we do something on wrongful death lassy bots or

0:27:01.680 --> 0:27:05.720
<v Speaker 1>just wrongful death period. I don't Back in nine seventy

0:27:05.840 --> 0:27:07.800
<v Speaker 1>my dad had a heart attack and was hospitalized in

0:27:07.840 --> 0:27:11.359
<v Speaker 1>the co ordinary care unit. They had trouble stabilizing his

0:27:11.440 --> 0:27:15.000
<v Speaker 1>heart rhythm and decided to implant a temporary demand pacemaker.

0:27:15.400 --> 0:27:17.480
<v Speaker 1>I guess in theory, when his heart needed and assist,

0:27:17.560 --> 0:27:20.200
<v Speaker 1>the pacemaker would kick in and get things back on track.

0:27:20.480 --> 0:27:22.440
<v Speaker 1>We went to visit him the next morning. We could

0:27:22.440 --> 0:27:24.840
<v Speaker 1>tell that everything was kind of crazy in the CCU,

0:27:24.960 --> 0:27:28.119
<v Speaker 1>people in a frenzy, all kinds of activity, and we

0:27:28.160 --> 0:27:31.080
<v Speaker 1>stood beside my father talking to him. I was sixteen

0:27:31.160 --> 0:27:34.639
<v Speaker 1>years old, and I was fascinated with the ocloscope on

0:27:34.640 --> 0:27:38.200
<v Speaker 1>the shelf above his head, routinely drawing a regular paced heartbeat,

0:27:38.560 --> 0:27:40.880
<v Speaker 1>now familiar from all the medical shows in the last

0:27:41.119 --> 0:27:46.720
<v Speaker 1>forty years. Okay, the nurse on duty saw us at

0:27:46.760 --> 0:27:48.560
<v Speaker 1>dad's bed and quickly came over to clean him up

0:27:48.560 --> 0:27:50.879
<v Speaker 1>for the visitors, comb his hair shave him. She was

0:27:50.960 --> 0:27:54.840
<v Speaker 1>running late and hurriedly plugged his electric shaver into the outlet,

0:27:55.119 --> 0:27:59.280
<v Speaker 1>the same outlet as the temporary pacemaker power supply. Almost immediately,

0:27:59.320 --> 0:28:01.960
<v Speaker 1>the heartbeat trade went wild on the monitor. I had

0:28:01.960 --> 0:28:04.119
<v Speaker 1>my eyes on it the whole time. It first confused

0:28:04.119 --> 0:28:07.320
<v Speaker 1>as to whether I was seeing electronic interference or actual

0:28:07.359 --> 0:28:10.159
<v Speaker 1>interference with the beating of my dad's heart. It quickly

0:28:10.200 --> 0:28:12.760
<v Speaker 1>became clear that it was a ladder. My dad yelled,

0:28:13.119 --> 0:28:16.120
<v Speaker 1>almost leaping out of bed and fell back dead. Oh

0:28:16.160 --> 0:28:18.840
<v Speaker 1>my god, right in front of his face. At sixteen

0:28:19.520 --> 0:28:21.960
<v Speaker 1>in the hospital because the nurse plugged this thing in.

0:28:22.600 --> 0:28:25.840
<v Speaker 1>Wow awful, no happy ending here. They tried in vain

0:28:25.920 --> 0:28:28.920
<v Speaker 1>to revive my father, aged fifty nine. A wrongful death

0:28:29.000 --> 0:28:31.240
<v Speaker 1>lawsuit ensued, but my mother became too sick to go

0:28:31.320 --> 0:28:34.520
<v Speaker 1>through with it. My understanding is that the pacemaker technology

0:28:34.560 --> 0:28:36.959
<v Speaker 1>is vastly improved over the years. I'm not sure if

0:28:36.960 --> 0:28:39.440
<v Speaker 1>there are other stories like mine. And here's a little

0:28:39.480 --> 0:28:43.040
<v Speaker 1>interesting side note. At the end uh in the CCU

0:28:43.160 --> 0:28:45.800
<v Speaker 1>at sixteen, I noticed four little shelves about seven feet

0:28:45.840 --> 0:28:47.880
<v Speaker 1>off the ground in the corners of the room. I

0:28:47.920 --> 0:28:49.840
<v Speaker 1>asked the resident past or what they were there for.

0:28:50.360 --> 0:28:52.520
<v Speaker 1>He informed me that someone was doing an experiment with

0:28:52.600 --> 0:28:55.520
<v Speaker 1>near death out of body experiences because of the high

0:28:55.680 --> 0:28:59.440
<v Speaker 1>quote traffic in that room. Apparently there were cards with

0:28:59.480 --> 0:29:01.560
<v Speaker 1>little shape on them, one on top of the on

0:29:01.600 --> 0:29:04.000
<v Speaker 1>top of the shelves. Have my dad been revived, they

0:29:04.000 --> 0:29:06.640
<v Speaker 1>would have asked him if he were called hovering above

0:29:06.680 --> 0:29:11.280
<v Speaker 1>his bed and did he look down and see those shapes? Weird?

0:29:11.440 --> 0:29:13.320
<v Speaker 1>So that is a side note, and Vic, it's a

0:29:13.360 --> 0:29:15.200
<v Speaker 1>hell of a side note. This is a long time ago,

0:29:15.440 --> 0:29:17.320
<v Speaker 1>and I wrote you back and said I was very

0:29:17.320 --> 0:29:19.160
<v Speaker 1>sorry to hear about this, but it was a great story.

0:29:19.160 --> 0:29:22.880
<v Speaker 1>And thanks for sharing. And we will definitely add wrongful

0:29:22.920 --> 0:29:27.600
<v Speaker 1>death lawsuits to the suggestion box for sure. And thanks

0:29:27.640 --> 0:29:30.840
<v Speaker 1>for sharing that interesting and awful story. If you have

0:29:30.880 --> 0:29:33.600
<v Speaker 1>any interesting or awful stories, or you just want to

0:29:33.640 --> 0:29:37.720
<v Speaker 1>say hi, or what up? Or what what does it mentioned? Unicorns?

0:29:37.760 --> 0:29:41.720
<v Speaker 1>Maybe sure you can put in an email and send

0:29:41.760 --> 0:29:49.880
<v Speaker 1>that to stuff podcast at how stuff works dot com

0:29:49.880 --> 0:29:52.320
<v Speaker 1>For more on this and thousands of other topics. Is

0:29:52.360 --> 0:29:55.840
<v Speaker 1>it how stuff works dot com. Want more how stuff works,

0:29:56.120 --> 0:29:58.280
<v Speaker 1>check out our blogs on the house stuff works dot

0:29:58.320 --> 0:30:03.400
<v Speaker 1>com home page. Yeah, brought to you by the reinvented

0:30:03.440 --> 0:30:06.080
<v Speaker 1>two thousand twelve camera. It's ready, are you