WEBVTT - #13 - Gashi

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<v Speaker 1>That's right, ladies and gentlemen, another edition of the Bootleg

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<v Speaker 1>Camp Podcast, Episode number thirteen. That's right, man, Lucky number thirteen.

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<v Speaker 1>I'm actually in Rocky Point, Mexico right now on my

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<v Speaker 1>vac but you know, the show must go on. Salute

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<v Speaker 1>to everybody who's been supporting the podcast so far. Dope

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<v Speaker 1>episode for everybody. Today, Man, I'm gonna do probably another

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<v Speaker 1>podcast like Wednesday or Thursday this week just to kind

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<v Speaker 1>of touch on a lot of other stuff going on,

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<v Speaker 1>a lot of hip hop stuff, just a lot of

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<v Speaker 1>stuff going on in the world, so be able to

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<v Speaker 1>look out for that. Probably do it with my boy

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<v Speaker 1>duve Phx. But this week we got Gashy on the show,

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<v Speaker 1>who is one of my favorite people in music. I

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<v Speaker 1>met him a few years ago and his energy is

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<v Speaker 1>just insane, and you know, he's one of those artists

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<v Speaker 1>that you might not have heard of, but if you

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<v Speaker 1>haven't heard of him, legit probably one of the best

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<v Speaker 1>conversations I've ever had with an artist, definitely one of

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<v Speaker 1>my favorite. Probably my favorite actually, either this one or

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<v Speaker 1>the Conway interview, my favorite interview that I've done since

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<v Speaker 1>we've launched the Bootleg cap podcast. So everyone check it out.

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<v Speaker 1>Also make sure you support our sponsors man salute Salute

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<v Speaker 1>to odd Socks. The podcast is presented by odd Socks,

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<v Speaker 1>the people who support us, so they want to keep

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<v Speaker 1>that odd socksofficial dot com that's odd Socks. Use the

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<v Speaker 1>keyword bootleg keV get twenty percent off. Also shout out

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<v Speaker 1>to our other sponsor, Vapin. Yeah for all my smokers, tokers,

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<v Speaker 1>the straight West Coasters Man. Vapin gott it lit in Phoenix, Arizona.

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<v Speaker 1>All right, any of your dispensaries you pull up on

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<v Speaker 1>any of your smoke shops makes you support Vapin. That's

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<v Speaker 1>v pe N. Go to vapinclear dot com wherever you're

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<v Speaker 1>at and order something. And also check out that herbal

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<v Speaker 1>Wellness center over there. On Indian School on the West

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<v Speaker 1>side of town. All right, listen, Man Gashy live on

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<v Speaker 1>the podcast Salute to Him. Talked about a lot, just

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<v Speaker 1>so much to unwrap here in this podcast, but I

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<v Speaker 1>promise you if you just press play, just let it fly,

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<v Speaker 1>you'll enjoy this conversation and then you're gonna want to

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<v Speaker 1>go and listen to his music if you haven't already.

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<v Speaker 1>Do's an incredible artist. So shout out to Gashi real

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<v Speaker 1>quick too. Getting a bootleg keV podcast merch worked on

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<v Speaker 1>as we speak, so hopefully in the next couple of

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<v Speaker 1>weeks they'll be some merch available for a purchase. All right,

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<v Speaker 1>let's get into this interview Man Gashy, episode number thirteen.

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<v Speaker 1>It's the Blue Leg Cab podcast, Yo, Man Blutleg Cab

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<v Speaker 1>Podcast with special guests, whose new project nineteen eighty four

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<v Speaker 1>is officially out everywhere. So Homie Gashy, Yo, what's up?

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<v Speaker 1>Thank you for having me. Let's talk about the eighties, bro.

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<v Speaker 1>I just want to start off because I've been listening

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<v Speaker 1>to your project and it is truly nostalgic. Yes, in

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<v Speaker 1>every capacity. I saw you riding around in the old

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<v Speaker 1>school bends. Yeah, and the DeLorean, the DeLorean, I got

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<v Speaker 1>the bands, I got the Royce, the Rose Royce. Nineteen

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<v Speaker 1>eighty four. What year were you born in? I was

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<v Speaker 1>born in I'm a nineties baby, okay, yeah, because I

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<v Speaker 1>was born in eighty seven, so I don't even remember

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<v Speaker 1>the eighties. Yeah, so what why the eighties? Basically, I'm

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<v Speaker 1>in love. I love movies, you know, I love movies,

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<v Speaker 1>and I have my favorite movies, you know. And one

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<v Speaker 1>thing that I found myself, so so I stopped doing

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<v Speaker 1>drugs for a while, okay, and I'm proud of myself.

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<v Speaker 1>I don't for a while. Does that mean you're like

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<v Speaker 1>doing them again now? No, it means for a long time.

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<v Speaker 1>I haven't done them, okay, and congratulations, thank you so much.

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<v Speaker 1>And I feel like I found what I found my

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<v Speaker 1>drug and it was John Hughes movies. Oh wow, pretty

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<v Speaker 1>in Pink. Yeah, I think so just like those eighties

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<v Speaker 1>movies for the Breakfast, the Breakfast, Club, Fire, all the

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<v Speaker 1>just just like all those movies, even Home Alone, you know,

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<v Speaker 1>like all those movies, you know, and they make me

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<v Speaker 1>feel like when I was an immigrant in a different

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<v Speaker 1>country because I'm not from America, so when I was

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<v Speaker 1>in a different country. I would watch The Ta as

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<v Speaker 1>a kid and be like, Yeah, I wish I lived

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<v Speaker 1>in a house. I wish I had all these family

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<v Speaker 1>members running around. I wish I had like a kitchen,

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<v Speaker 1>a refrigerator in the microwave, and my own room and

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<v Speaker 1>stuff like that. And that was like my dream to

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<v Speaker 1>have that, Like that was always my dream. And I

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<v Speaker 1>watch sorry about that. I watch and listen. I watch

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<v Speaker 1>and listen to eighties music to feel like a kid,

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<v Speaker 1>and that's my drug. So I eat a lot of food.

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<v Speaker 1>I have a lot of random sex. Okay, so random sex,

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<v Speaker 1>food and eighties movies with eighties music. And that's what

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<v Speaker 1>got me to nineteen eighty four. And I did nineteen

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<v Speaker 1>eighty four twenty fifteen, I just never put it out,

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<v Speaker 1>So this is a five year old album. Now. It's

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<v Speaker 1>funny because the eighties have such a like distinct sound,

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<v Speaker 1>and I would almost argue that, like the popular consensus

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<v Speaker 1>might be that eighties music might maybe is aged worse

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<v Speaker 1>than most other decades of music. H wouldn't you say, like,

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<v Speaker 1>I don't know, but but it's just I think it's

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<v Speaker 1>dope because obviously it was a very brave and you

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<v Speaker 1>like like you did a whole album. Yeah. You know

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<v Speaker 1>what I'm saying, Like, you really committed, bro, Yeah, I

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<v Speaker 1>mean you know, twenty twenty is the new nineteen eighty four,

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<v Speaker 1>and I'm glad I put it out now. I remember

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<v Speaker 1>you telling me the story about how you heard Rosenberg

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<v Speaker 1>play your song. Yeah, Like it's almost like at the

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<v Speaker 1>tipping point of whether or not you're gonna keep going

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<v Speaker 1>one hundred percent. I was gonna drop out. You're gonna

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<v Speaker 1>you were taking the trash out or something, right, and

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<v Speaker 1>I was gonna drop out. I was gonna, no, well

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<v Speaker 1>not drop out. I was gonna quit music and go

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<v Speaker 1>back to college. Then you heard it on real late. Yeah,

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<v Speaker 1>So my mom had a My mom had the thing.

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<v Speaker 1>My mom had a night shift and I was driving

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<v Speaker 1>her a Sunday night shift twelve o'clock and while driving her,

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<v Speaker 1>the song came on on the radio. It was like

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<v Speaker 1>a sign and it was just like your mom was

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<v Speaker 1>in the car. Yeah, she was in the car with me. Oh,

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<v Speaker 1>that's gotta be crazy. Yeah. And then the feeling of

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<v Speaker 1>it was so amazing that I was like, yeah, I

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<v Speaker 1>loved the feeling so much. I was like, this is like,

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<v Speaker 1>you know, the younger me is so nuts, like I

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<v Speaker 1>was crazy, Like I was so crazy. I understand, like

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<v Speaker 1>the way I was thinking then, I laugh, I really laughed, Like, yo,

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<v Speaker 1>I feel the same way. Sometimes you just think back

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<v Speaker 1>to just the shit that you were, like that you

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<v Speaker 1>the way you would act, or the thoughts that used

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<v Speaker 1>to go through your head when you were like nineteen twenty,

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<v Speaker 1>Like damn, well, who the fuck was I back then? Man? Exactly?

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<v Speaker 1>So embarrassing, you know, it is so fucking crazy. I

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<v Speaker 1>literally thought that I was going to be like the

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<v Speaker 1>biggest fucking rapper in the world at one point. I mean, shit, man,

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<v Speaker 1>keep chipping away, dog, No, I'm done. No, I mean artist, Well,

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<v Speaker 1>I am going to be the biggest artist. Yeah, that's

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<v Speaker 1>a different story. But I thought I was gonna become

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<v Speaker 1>a rapper. Yo. Man, you guys gotta you gotta get

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<v Speaker 1>RCA in line over there. I thought they dropped the

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<v Speaker 1>ball on that my Year record something crazy, bro. Yeah,

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<v Speaker 1>I thought that ship was a fucking slam dunk. I

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<v Speaker 1>was like, oh my god, this is the one that's

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<v Speaker 1>going to push him over. Yeah, Like, how does Urcay

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<v Speaker 1>fuck this? What up? I think it's like a perfect

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<v Speaker 1>example of there's certain times when like labels just don't

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<v Speaker 1>know how to work certain artists. Yeah, and I feel

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<v Speaker 1>like they don't know how to work you, and it's

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<v Speaker 1>like it's I'm kind of glad they didn't. That's fair

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<v Speaker 1>because then you would have been in that box. Yeah,

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<v Speaker 1>you would have been into my year box. Fuck that ship.

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<v Speaker 1>Like it's been two years since my year. That's crazy, right, Yeah,

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<v Speaker 1>it has been been almost two years. Yea, yeah, it's

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<v Speaker 1>been two years is my year. But I get booked

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<v Speaker 1>one hundred and fifty one hundred to one hundred and

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<v Speaker 1>fifty thousand dollars for one night, one one New Year

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<v Speaker 1>night to perform that song Solomon helps you with that out. Yeah,

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<v Speaker 1>that's my that's my brother. I've known fifteen years. That's

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<v Speaker 1>my guy. So we get paid like the biggest bags

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<v Speaker 1>on New Years to perform that song. So I have

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<v Speaker 1>a song even though I'm like like a singer now artist,

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<v Speaker 1>now pop artist, I still get booked to perform that

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<v Speaker 1>one record. So I'm like, I'm like Mariah Carey on

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<v Speaker 1>Christmas on New Year's because Mariah Carey, what was the

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<v Speaker 1>name of that one chick that had the graduation record?

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<v Speaker 1>What was that? What graduation? That song? It's like that's

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<v Speaker 1>like the graduation song, and that's like her only record.

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<v Speaker 1>But it's like, you know, but you still play it

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<v Speaker 1>there forever. It's like a song that will be there

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<v Speaker 1>forever that my years exactly. So my year started a

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<v Speaker 1>year after it came out. Started the baseball champion start,

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<v Speaker 1>the baseball season, ended the baseball season at the championship started,

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<v Speaker 1>the basketball season, ended the basketball season's championship. So no

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<v Speaker 1>matter what you say, it's gonna be my year, It's

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<v Speaker 1>gonna be my year forever. So I will forever have

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<v Speaker 1>that song put money in my pockets and my family pocket.

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<v Speaker 1>It's beautiful, man. Yeah. But going back to what I

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<v Speaker 1>was saying, I was, you know, I I fell in

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<v Speaker 1>love with feeling like a kid again. And I made

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<v Speaker 1>this album twenty fifteen, and I made it for myself.

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<v Speaker 1>I didn't want to share it with the world. It

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<v Speaker 1>was kind of like my Xenax was like me, just

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<v Speaker 1>every time I would go through my problems, I would

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<v Speaker 1>play the record. I'd be in my house, I turn

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<v Speaker 1>on an eighties movie. I'd make like a new tell

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<v Speaker 1>a sandwich and feel like a kid with no problems,

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<v Speaker 1>and that would get me through life. COVID happened, everyone

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<v Speaker 1>hit rock bottom. I felt it was right to put

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<v Speaker 1>this out, and it's been the greatest responses I've ever

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<v Speaker 1>had in my entire career for any project, any song

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<v Speaker 1>that I've ever released. And I've released a lot of

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<v Speaker 1>songs that've gotten me a lot of me for a

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<v Speaker 1>couple of years. Yes, they've gotten me a lot of love,

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<v Speaker 1>you know. But I've went platinum, you know, on records,

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<v Speaker 1>I've went triple platinum or records I've I've done so

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<v Speaker 1>much and I'm still treated like an underground artist, which

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<v Speaker 1>I love. And the door because I don't want to

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<v Speaker 1>be the number one artist. Then everybody forgets about and

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<v Speaker 1>no one cares about because you know, the number one

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<v Speaker 1>artists are not cool and the artists that are number

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<v Speaker 1>one are not played at the parties I attend. So

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<v Speaker 1>and that's something that I learned from a guy named

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<v Speaker 1>Black Coffee. Black Coffee, Yeah, shout the black Coffee. He

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<v Speaker 1>taught me that, and I had to store that in

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<v Speaker 1>my head, you know. And nineteen eighty four was not

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<v Speaker 1>made for mainstream. I mean, listen, I feel like when

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<v Speaker 1>I heard it, I was like, this is a this

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<v Speaker 1>is like one of those projects. That's like, it's not

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<v Speaker 1>like you said, it didn't feel like it was made

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<v Speaker 1>for radio. It just felt like, hey, it's a concept echo.

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<v Speaker 1>I remember when I was a kid, Prince Paul put

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<v Speaker 1>out an album that was it was like a movie

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<v Speaker 1>on I think it was called like The Prince of

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<v Speaker 1>Thieves or some shit, but it was like fifty songs

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<v Speaker 1>and it was like a movie. It was like, Yo,

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<v Speaker 1>this is like dope, it's just a creative Like it's

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<v Speaker 1>just first of all, your creator first. You're an artist first,

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<v Speaker 1>and I think that's true artistry. You're not making it

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<v Speaker 1>for you know, the accolades as much as it's like, yo,

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<v Speaker 1>why not do a concept album in twenty twenty, because

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<v Speaker 1>nobody does that shit no more. Yeah, the idea of

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<v Speaker 1>a concept album is like gone away with Spotify and

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<v Speaker 1>playlists and all that shit. Yeah, I mean, kids are

0:12:56.160 --> 0:12:58.960
<v Speaker 1>making music for playlists and I'm not. And I feel

0:12:58.960 --> 0:13:04.800
<v Speaker 1>like I feel like, you know, some of the greatest

0:13:04.840 --> 0:13:08.280
<v Speaker 1>people have hit me up after this album. I mean,

0:13:08.320 --> 0:13:11.600
<v Speaker 1>you have sting on a song I know. And now

0:13:11.760 --> 0:13:14.439
<v Speaker 1>I'm not even gonna lie to you. I'm not the

0:13:14.440 --> 0:13:18.040
<v Speaker 1>biggest eighties music guy. Obviously, the Police legendary. Sting legendary.

0:13:18.880 --> 0:13:21.719
<v Speaker 1>I mean as a kid, my only Sting memory was

0:13:21.760 --> 0:13:24.000
<v Speaker 1>when he came out and performed Missing You with a

0:13:24.320 --> 0:13:27.640
<v Speaker 1>Puff Daddy at the VMA's. But like dog, Sting is

0:13:27.640 --> 0:13:30.640
<v Speaker 1>one of them guys, He's one of the Jedis. Yeah,

0:13:30.679 --> 0:13:33.800
<v Speaker 1>and he feels that way about me. Now, So how

0:13:33.840 --> 0:13:38.080
<v Speaker 1>did that relationship feature happen? Because no one's getting sting

0:13:38.120 --> 0:13:42.680
<v Speaker 1>on projects. I know. My manager played the song for

0:13:43.280 --> 0:13:46.600
<v Speaker 1>his manager, and his manager played my album for him,

0:13:47.840 --> 0:13:52.600
<v Speaker 1>and he picked Mama as the biggest song of twenty

0:13:52.640 --> 0:13:54.240
<v Speaker 1>twenty and he's like, I would love to be a

0:13:54.240 --> 0:13:56.320
<v Speaker 1>part of that. So he wrote his verse, cutit, send

0:13:56.320 --> 0:14:02.560
<v Speaker 1>it back to me, and that wrote me, and I

0:14:02.640 --> 0:14:04.880
<v Speaker 1>just think like he did his research. You know, he

0:14:04.920 --> 0:14:07.560
<v Speaker 1>saw that The New York Times like called me like

0:14:07.720 --> 0:14:10.120
<v Speaker 1>the trap Phil Collins, because I do like sing like

0:14:10.200 --> 0:14:13.120
<v Speaker 1>Phil Collins kind of sometimes on trap beats. But like

0:14:14.720 --> 0:14:18.880
<v Speaker 1>he respected everything my grind. He heard my story and

0:14:19.600 --> 0:14:21.640
<v Speaker 1>cut it send it back. I love it. And we

0:14:22.000 --> 0:14:24.840
<v Speaker 1>just kept in touch. And I haven't had a chance

0:14:24.880 --> 0:14:29.480
<v Speaker 1>to meet him because of COVID, yeah, because he's in London.

0:14:29.520 --> 0:14:34.240
<v Speaker 1>But this has been the best response I've ever had

0:14:34.400 --> 0:14:38.560
<v Speaker 1>with any song or any music, nothing but blue checks

0:14:38.560 --> 0:14:41.840
<v Speaker 1>and my dms of like legendary artists writing me saying

0:14:41.840 --> 0:14:44.120
<v Speaker 1>how much they love and appreciate the album and how

0:14:44.200 --> 0:14:46.520
<v Speaker 1>much they love my song Lies and they love my

0:14:46.600 --> 0:14:50.160
<v Speaker 1>song Mama so much. And you know, Kanye West probably

0:14:50.640 --> 0:14:53.120
<v Speaker 1>you know people heard Kanye West loves Don't Kill Me

0:14:53.480 --> 0:14:57.000
<v Speaker 1>and Mama and stuff like that, and like from like

0:14:57.120 --> 0:15:00.760
<v Speaker 1>people that I've like, similar people. We have mutual friends

0:15:00.760 --> 0:15:03.920
<v Speaker 1>and stuff, and like like just like legendary people listen

0:15:04.120 --> 0:15:07.240
<v Speaker 1>listening to my project and in writing me, and it

0:15:07.360 --> 0:15:10.480
<v Speaker 1>just feels like such a blessing because I released it

0:15:10.520 --> 0:15:14.440
<v Speaker 1>for me in case I did die, because twenty twenty

0:15:14.520 --> 0:15:17.160
<v Speaker 1>is like killing everyone you never know. So in case

0:15:17.200 --> 0:15:19.680
<v Speaker 1>I did leave Earth, I just wanted to put out

0:15:19.680 --> 0:15:23.360
<v Speaker 1>a project without someone putting it out for me and

0:15:23.400 --> 0:15:29.920
<v Speaker 1>adding a bunch of features. That's fair. Yeah. So you

0:15:29.960 --> 0:15:32.400
<v Speaker 1>so you said that you essentially had kind of replaced

0:15:34.000 --> 0:15:36.680
<v Speaker 1>I'm assuming was it. Did you? Would you consider yourself

0:15:36.720 --> 0:15:41.920
<v Speaker 1>someone who had a drug problem? No, No, I had

0:15:41.960 --> 0:15:47.120
<v Speaker 1>a mental problem. Okay, I think mentally I'm fucked. I

0:15:47.240 --> 0:15:51.800
<v Speaker 1>was fucked. Mentally I wanted to Mentally, I was off

0:15:52.080 --> 0:15:57.120
<v Speaker 1>and I was so sad. I was depressed, and I

0:15:57.200 --> 0:16:00.440
<v Speaker 1>was kind of I was like a bit soon title

0:16:00.520 --> 0:16:05.200
<v Speaker 1>you know how long ago was this twenty thirteen? Okay,

0:16:05.720 --> 0:16:09.120
<v Speaker 1>I was just so down. It was just like like

0:16:09.240 --> 0:16:11.160
<v Speaker 1>just the thought of it is scary. You know. I

0:16:11.160 --> 0:16:13.120
<v Speaker 1>didn't want to leave my room, like no one could

0:16:13.160 --> 0:16:15.040
<v Speaker 1>get me out of my bed. Like I was just

0:16:15.080 --> 0:16:22.040
<v Speaker 1>so fucked up. I was done. And you know, like

0:16:22.080 --> 0:16:23.920
<v Speaker 1>if it wasn't for my mother, I don't think i'd

0:16:23.920 --> 0:16:26.160
<v Speaker 1>be here because you know, my mom prays for me

0:16:26.200 --> 0:16:29.080
<v Speaker 1>and stuff like that. Like it always sounds a bit stupid,

0:16:29.120 --> 0:16:32.280
<v Speaker 1>but like prayers really work. Like you know, people that

0:16:32.440 --> 0:16:35.600
<v Speaker 1>are like people that are connected to the universe. It

0:16:35.640 --> 0:16:38.120
<v Speaker 1>don't really matter about like what religion you are depends

0:16:38.120 --> 0:16:40.720
<v Speaker 1>on like how connected you are to the universe. And

0:16:40.760 --> 0:16:42.800
<v Speaker 1>I think my mom's found a way to get like

0:16:42.840 --> 0:16:44.680
<v Speaker 1>when her mother died, she found a way to get

0:16:44.720 --> 0:16:47.160
<v Speaker 1>connected with the universe to like keep her stable in

0:16:47.360 --> 0:16:49.680
<v Speaker 1>like she's tapped in. She's tapped in. Yeah, so she

0:16:49.880 --> 0:16:53.480
<v Speaker 1>prays for me and stuff, and I think it works.

0:16:53.480 --> 0:16:56.280
<v Speaker 1>And I'm I'm a bit worried because I don't think

0:16:56.320 --> 0:16:58.160
<v Speaker 1>I'm going to be as strong when I don't have

0:16:58.280 --> 0:17:00.200
<v Speaker 1>my mom by my side in a few years. I

0:17:00.200 --> 0:17:02.440
<v Speaker 1>think they were all worried about that when that day comes,

0:17:02.480 --> 0:17:04.119
<v Speaker 1>right when we was our parents, like I still got

0:17:04.119 --> 0:17:08.000
<v Speaker 1>both of my parents, but like, shit, just the thought of, like,

0:17:08.040 --> 0:17:10.639
<v Speaker 1>my grandma just died this year because of COVID. She

0:17:10.720 --> 0:17:14.480
<v Speaker 1>was a crazy She was in a nursing home, and

0:17:14.520 --> 0:17:17.040
<v Speaker 1>that was one of them ones where it was like, man,

0:17:17.520 --> 0:17:21.080
<v Speaker 1>you know, she was like ninety two. So it was like, okay,

0:17:21.760 --> 0:17:24.919
<v Speaker 1>you know, kind of prepping myself for a while. But

0:17:24.960 --> 0:17:27.359
<v Speaker 1>my parents I can't even imagine not talk about it.

0:17:27.560 --> 0:17:30.439
<v Speaker 1>Yeah it's crazy, man, Yeah, it's you know what I

0:17:30.440 --> 0:17:34.200
<v Speaker 1>always appreciated about you. Yeahsh she was your energy, man,

0:17:34.359 --> 0:17:38.800
<v Speaker 1>Like not only like before I met you and interviewed you,

0:17:39.480 --> 0:17:42.840
<v Speaker 1>I felt like your energy was very like in everything

0:17:42.880 --> 0:17:45.280
<v Speaker 1>you do, whether it's your social media or your music,

0:17:45.320 --> 0:17:48.600
<v Speaker 1>it's very prevalent that like your energy is fire. And

0:17:48.640 --> 0:17:52.680
<v Speaker 1>I remember when I first met you and we interviewed

0:17:52.720 --> 0:17:57.280
<v Speaker 1>you in like twenty seventeen, I think, yeah, I just

0:17:57.359 --> 0:18:00.159
<v Speaker 1>remember saying like, man, this dude is like I just

0:18:00.160 --> 0:18:01.600
<v Speaker 1>want to see you win, you know what I'm saying,

0:18:02.119 --> 0:18:06.480
<v Speaker 1>And you know, it seemed like a really authentic guy.

0:18:07.000 --> 0:18:10.000
<v Speaker 1>Now since then I remember that. I think that might

0:18:10.000 --> 0:18:12.680
<v Speaker 1>have been when you first first did the rock Nation

0:18:12.800 --> 0:18:20.320
<v Speaker 1>situation and you had some some Spotify success. Yeah, shout

0:18:20.320 --> 0:18:23.680
<v Speaker 1>out Tuma really helped me. Out. Shout out to Tuma man,

0:18:23.680 --> 0:18:25.840
<v Speaker 1>he's at YouTube music now. To him ever since he

0:18:25.920 --> 0:18:29.159
<v Speaker 1>left Rap Caviars really not relevant. Yeah, we we had

0:18:29.160 --> 0:18:32.320
<v Speaker 1>that rap the Rapcafar conversation off the mic. But yeah,

0:18:32.359 --> 0:18:35.880
<v Speaker 1>but I'm curious, like since I first met you to now,

0:18:35.920 --> 0:18:40.120
<v Speaker 1>obviously you've had a lot of success commercially, You've been

0:18:40.160 --> 0:18:47.800
<v Speaker 1>through different situations. Has has I always noticed like it's

0:18:47.840 --> 0:18:50.040
<v Speaker 1>almost hard to get through this industry with a certain

0:18:50.080 --> 0:18:53.040
<v Speaker 1>amount of success without it kind of like tainting you

0:18:53.080 --> 0:18:55.320
<v Speaker 1>a little bit? Do you did you? Do you feel

0:18:55.359 --> 0:18:57.520
<v Speaker 1>like you went through that at all? Or has like,

0:18:57.520 --> 0:19:01.200
<v Speaker 1>like has has running through the industry outlet the last

0:19:01.240 --> 0:19:04.560
<v Speaker 1>few years like affected you in a negative or positive way?

0:19:04.600 --> 0:19:09.800
<v Speaker 1>Because I feel like it definitely can. I mean I

0:19:09.840 --> 0:19:18.080
<v Speaker 1>think I think I'm I'm I'm over it. I'm not

0:19:18.240 --> 0:19:22.280
<v Speaker 1>I'm over I'm over it. I think that's why I

0:19:22.280 --> 0:19:25.040
<v Speaker 1>made the nineteen eighty four album because the magic was gone.

0:19:27.280 --> 0:19:31.880
<v Speaker 1>I'm it's all a lie, it's all fake, It's not real,

0:19:32.320 --> 0:19:37.840
<v Speaker 1>meaning everything everything's not real. Your favorite artist right now,

0:19:37.880 --> 0:19:39.639
<v Speaker 1>the biggest pop star in the world, has one hundred

0:19:39.720 --> 0:19:46.240
<v Speaker 1>million followers and fake and all the I wish, like

0:19:46.280 --> 0:19:49.399
<v Speaker 1>I wish the normal human brain, Like I wish that

0:19:49.680 --> 0:19:52.720
<v Speaker 1>normal human being would wake up and just see how

0:19:52.760 --> 0:19:56.680
<v Speaker 1>stupid this is. Like the likes are fake, the comments

0:19:56.720 --> 0:20:01.280
<v Speaker 1>are fake. Everything's fake. Like everything's fake. So they look

0:20:01.359 --> 0:20:03.960
<v Speaker 1>at me and they say things like, damn, Gushi he

0:20:04.040 --> 0:20:06.920
<v Speaker 1>only has twenty three million, only he has twenty three

0:20:06.960 --> 0:20:09.920
<v Speaker 1>million views on YouTube where he only has two hundred

0:20:09.920 --> 0:20:14.400
<v Speaker 1>thousand in the first week. Damn, Like those are real people,

0:20:14.880 --> 0:20:18.600
<v Speaker 1>Like those are legit, real people, you understand, Like, you

0:20:18.600 --> 0:20:21.679
<v Speaker 1>know these people buying five hundred million streams on Spotify,

0:20:21.840 --> 0:20:25.320
<v Speaker 1>Frank Sinatra is not even getting that. After a Joker

0:20:25.400 --> 0:20:28.440
<v Speaker 1>movie comes out and the theme song is that song,

0:20:29.200 --> 0:20:31.399
<v Speaker 1>usually the songs go up, but those numbers are not

0:20:31.400 --> 0:20:34.159
<v Speaker 1>even flying. You understand. What I'm trying to explain to you.

0:20:34.200 --> 0:20:36.040
<v Speaker 1>I'm trying to explain to you is like there's a

0:20:36.040 --> 0:20:39.440
<v Speaker 1>curtain that can be pulled back with this music shit, man,

0:20:39.600 --> 0:20:41.560
<v Speaker 1>And I've started to see it a lot. Man. Yeah,

0:20:41.640 --> 0:20:46.400
<v Speaker 1>it's just so bad. I live in a scary time.

0:20:46.760 --> 0:20:48.840
<v Speaker 1>That's all I'm saying. I live in a scary time.

0:20:49.480 --> 0:20:54.240
<v Speaker 1>Movies are not the same, music's not the same. Everything's

0:20:54.240 --> 0:20:58.400
<v Speaker 1>so micro waved. The kids are brainwashed. They have enough.

0:20:58.440 --> 0:21:02.320
<v Speaker 1>They don't know they like things because cool to like it. Such.

0:21:03.600 --> 0:21:07.640
<v Speaker 1>It's such a terrible time for music, movies, and everything,

0:21:07.720 --> 0:21:10.440
<v Speaker 1>and probably the most judgmental time too. We've ever been

0:21:10.520 --> 0:21:13.320
<v Speaker 1>like yeah, like you can't even make a mistake anymore. No,

0:21:13.359 --> 0:21:15.439
<v Speaker 1>you get canceled. You know. It's like they want like

0:21:15.440 --> 0:21:18.600
<v Speaker 1>like people are just waiting for you to fucking see

0:21:18.640 --> 0:21:21.240
<v Speaker 1>something they don't. I'm kind of waiting for me to

0:21:21.280 --> 0:21:23.639
<v Speaker 1>get canceled because just to get it over with, just

0:21:23.640 --> 0:21:25.560
<v Speaker 1>to get it over with, you know what I'm saying.

0:21:25.600 --> 0:21:28.520
<v Speaker 1>It's like having COVID, you know, know that's some real ship, bro,

0:21:28.680 --> 0:21:31.480
<v Speaker 1>Like just get it out the way, because you know what,

0:21:31.760 --> 0:21:34.440
<v Speaker 1>like you and I are, like we grew up. Like

0:21:35.200 --> 0:21:37.720
<v Speaker 1>I'll be listening to some old eminem shit sometimes and

0:21:37.720 --> 0:21:41.840
<v Speaker 1>I'm like, fuck man, how is it? Like how are

0:21:41.840 --> 0:21:43.760
<v Speaker 1>they not picketing in front of his house in Detroit

0:21:43.880 --> 0:21:45.840
<v Speaker 1>right now? That's what I'm saying. I don't want to

0:21:45.840 --> 0:21:47.159
<v Speaker 1>bring that up. I don't want to bring that up

0:21:47.200 --> 0:21:50.520
<v Speaker 1>because I just but it's it's fucking crazy. It is crazy.

0:21:50.520 --> 0:21:51.920
<v Speaker 1>I'm not going to bring that up because I don't

0:21:51.920 --> 0:21:54.399
<v Speaker 1>want to give any of these trusting ideas, you know

0:21:54.440 --> 0:21:56.760
<v Speaker 1>what I'm saying. Yeah, I don't want to bring that

0:21:56.840 --> 0:21:59.840
<v Speaker 1>up because, like, honestly, Marshall mather Zone p changed my life.

0:22:00.600 --> 0:22:02.920
<v Speaker 1>He has a whole entire song about murdering his mother,

0:22:05.359 --> 0:22:09.080
<v Speaker 1>bro murdering his girlfriend Kim is one of my favorite

0:22:09.320 --> 0:22:13.600
<v Speaker 1>and raping his mom for the record, yeah, kim Is.

0:22:15.600 --> 0:22:17.680
<v Speaker 1>You know when he kills he murders his girlfriend and

0:22:17.880 --> 0:22:20.639
<v Speaker 1>on the album, it's one of the most insane things

0:22:20.680 --> 0:22:22.520
<v Speaker 1>I've ever heard of in my life. And I wish

0:22:22.560 --> 0:22:24.920
<v Speaker 1>I had I wish I had a video. That's one

0:22:24.920 --> 0:22:28.480
<v Speaker 1>thing that I wish, like, this should be a video

0:22:28.520 --> 0:22:30.440
<v Speaker 1>on that song. Yes, they never did a video for that.

0:22:30.640 --> 0:22:32.240
<v Speaker 1>I wish they did. It would have been so amazing.

0:22:32.280 --> 0:22:34.159
<v Speaker 1>We just got the album cover that had her in

0:22:34.200 --> 0:22:38.760
<v Speaker 1>the trunk. Yeah, and that was on the sado Yeah yeah, yeah, yeah.

0:22:38.800 --> 0:22:43.160
<v Speaker 1>The second one was him and sitting down. But yeah, man,

0:22:43.840 --> 0:22:47.120
<v Speaker 1>you get canceled. I don't give a fuck about anything

0:22:47.200 --> 0:22:50.120
<v Speaker 1>going on right now. I don't give a fuck about

0:22:50.359 --> 0:22:52.880
<v Speaker 1>who your favorite rapper is. I don't care, like none

0:22:52.920 --> 0:22:56.280
<v Speaker 1>of this stuff matters to me anymore. I think it's

0:22:57.119 --> 0:23:00.000
<v Speaker 1>irrelevant where I'm at. I'm really in nineteen eighty four

0:23:00.080 --> 0:23:02.480
<v Speaker 1>right now. When I made this project, I kind of

0:23:02.520 --> 0:23:04.840
<v Speaker 1>wanted to be in that era. I wanted to try

0:23:04.960 --> 0:23:08.960
<v Speaker 1>time travel to nineteen eighty four, and I'm stuck there,

0:23:09.000 --> 0:23:11.480
<v Speaker 1>and I enjoy it here. I enjoy it where I am.

0:23:11.880 --> 0:23:15.840
<v Speaker 1>You know, I bought a house from my mom and dad.

0:23:16.240 --> 0:23:18.199
<v Speaker 1>I bought a house for me that I don't live in.

0:23:18.720 --> 0:23:21.200
<v Speaker 1>I still live in my old apartment. People still wait

0:23:21.240 --> 0:23:23.840
<v Speaker 1>for me in my old apartment, ask for pictures. I

0:23:23.960 --> 0:23:25.800
<v Speaker 1>take a picture, and I walk to the store, come

0:23:25.840 --> 0:23:29.199
<v Speaker 1>back like as if nothing is happening. I drive my

0:23:29.359 --> 0:23:33.399
<v Speaker 1>cars and I don't want to change anything in my life.

0:23:33.640 --> 0:23:37.440
<v Speaker 1>The music comes out, I don't. I don't want a

0:23:37.520 --> 0:23:41.959
<v Speaker 1>house full of my friends doing drugs, doing tiktoks. I

0:23:41.960 --> 0:23:45.240
<v Speaker 1>was about to say, that's just the Hollywood gauntlet right now. Yeah,

0:23:45.280 --> 0:23:47.720
<v Speaker 1>fucking house full of a bunch of TikTokers on coke.

0:23:48.040 --> 0:23:52.920
<v Speaker 1>Yeah exactly, it's literally the fucking holy shit. Yeah, and

0:23:53.040 --> 0:23:54.720
<v Speaker 1>that's not me, you know what I'm saying. That's not

0:23:54.800 --> 0:23:58.120
<v Speaker 1>just random aspiring artists moving to LA and then buckering

0:23:58.200 --> 0:24:01.800
<v Speaker 1>down in a room, Yeah, with eleven other guys who

0:24:01.840 --> 0:24:05.879
<v Speaker 1>have fu Yeah, it's like it's like the worst, Like

0:24:05.960 --> 0:24:08.000
<v Speaker 1>I'm not that's that's it's so crazy. You say that

0:24:08.040 --> 0:24:10.520
<v Speaker 1>because people who don't, who aren't in first of all,

0:24:10.520 --> 0:24:13.200
<v Speaker 1>who don't live here, and who aren't in our industry,

0:24:13.640 --> 0:24:17.639
<v Speaker 1>that is literally so much of what's going on in

0:24:17.800 --> 0:24:21.120
<v Speaker 1>LA right now. Yeah, it's crazy. I mean, good for them,

0:24:21.160 --> 0:24:22.800
<v Speaker 1>you know what I mean, Like I'm not mad at them,

0:24:22.800 --> 0:24:24.520
<v Speaker 1>but it's just not my world. They don't give a

0:24:24.560 --> 0:24:27.439
<v Speaker 1>fuck like I rather just be home watching movies like

0:24:27.520 --> 0:24:29.400
<v Speaker 1>you know what I mean, Like when was the last

0:24:29.400 --> 0:24:31.760
<v Speaker 1>time you saw a movie like Belly? When you're never

0:24:31.800 --> 0:24:34.200
<v Speaker 1>gonna see it again, You're not, You're just not you

0:24:34.240 --> 0:24:36.000
<v Speaker 1>know what I'm saying. Now they're redoing Fresh Prince of

0:24:36.000 --> 0:24:38.680
<v Speaker 1>Bella Are. They're gonna ruin it. They ruined Lion King,

0:24:38.760 --> 0:24:42.439
<v Speaker 1>they ruined Full House, They're gonna ruin everything. Everything that

0:24:42.480 --> 0:24:44.399
<v Speaker 1>we've ever loved. We live long enough to see it

0:24:44.440 --> 0:24:47.199
<v Speaker 1>get ruined. Every single artist that we've ever loved. We

0:24:47.280 --> 0:24:49.320
<v Speaker 1>live long enough to watch them go on Instagram and

0:24:49.400 --> 0:24:52.639
<v Speaker 1>completely throw everything down the drain. It's such bullshit. I

0:24:52.680 --> 0:24:54.640
<v Speaker 1>just want to get popping. I want to delete everything

0:24:54.640 --> 0:24:57.159
<v Speaker 1>and go away, like I'm not where I want to

0:24:57.200 --> 0:24:59.320
<v Speaker 1>be at because I still want to release the music

0:24:59.359 --> 0:25:01.320
<v Speaker 1>and I need so media for my label so I

0:25:01.320 --> 0:25:03.360
<v Speaker 1>could do it. But the best part is when I'm

0:25:03.400 --> 0:25:07.840
<v Speaker 1>completely done, and I'm officially done, just release the music

0:25:07.960 --> 0:25:10.000
<v Speaker 1>and get the fuck out the way and go hide.

0:25:10.560 --> 0:25:12.080
<v Speaker 1>That's all I want to do, you know what I mean.

0:25:12.119 --> 0:25:15.800
<v Speaker 1>And I'm not angry. I'm not unhappy. I'm so fucking happy.

0:25:16.080 --> 0:25:18.800
<v Speaker 1>I have a dog and ship. I feed my nephews,

0:25:18.840 --> 0:25:21.280
<v Speaker 1>I feed. I have a Golden Doodle and he's the

0:25:21.280 --> 0:25:23.840
<v Speaker 1>fucking man. He's like I have better conversations with him

0:25:23.880 --> 0:25:26.719
<v Speaker 1>than I do humans. And yeah, I have a pump. Well,

0:25:26.840 --> 0:25:29.560
<v Speaker 1>my wife has a Pomeranian. It's by default my Pomeranian,

0:25:29.600 --> 0:25:32.119
<v Speaker 1>and I named him after the Big Lebowski. Okay, his

0:25:32.200 --> 0:25:36.359
<v Speaker 1>name's Jeffrey Lebowski. Sick sick. My dog's pressed. Then I

0:25:36.400 --> 0:25:43.520
<v Speaker 1>named them after Blank check Fire Blank Jack Jack. Yeah. Yeah,

0:25:43.800 --> 0:25:46.439
<v Speaker 1>I love that ship Yoga. I missed it. I just

0:25:46.440 --> 0:25:49.680
<v Speaker 1>missed those not like early nineties kids movies like a

0:25:49.760 --> 0:25:52.159
<v Speaker 1>Little Giants and Ship, like why don't they make some

0:25:52.200 --> 0:25:54.840
<v Speaker 1>ship like that, And they don't. They don't. They don't

0:25:55.000 --> 0:25:57.560
<v Speaker 1>like so ice boxes and ship, you know, but like

0:25:57.640 --> 0:25:59.840
<v Speaker 1>they don't. They just don't. They don't. They're not creative,

0:25:59.840 --> 0:26:01.679
<v Speaker 1>and that it goes back to what I'm trying to

0:26:01.680 --> 0:26:04.479
<v Speaker 1>explain to you. Nineteen eighty four, it's about a kid

0:26:04.560 --> 0:26:07.400
<v Speaker 1>who goes to his friend Danny's house and Danny's showing

0:26:07.440 --> 0:26:09.000
<v Speaker 1>him his new crib, and it goes to I found

0:26:09.000 --> 0:26:10.679
<v Speaker 1>this time machine. I don't know if it works. But

0:26:10.720 --> 0:26:12.640
<v Speaker 1>the guy that they say died, I don't think he died.

0:26:12.680 --> 0:26:15.040
<v Speaker 1>I think I know where he went, puts me in

0:26:15.080 --> 0:26:17.199
<v Speaker 1>the time machine, sends me to nineteen eighty four, and

0:26:17.200 --> 0:26:20.000
<v Speaker 1>then the album starts, and like, when did you feel

0:26:20.040 --> 0:26:21.800
<v Speaker 1>like that last time? You felt like that was probably

0:26:21.840 --> 0:26:24.359
<v Speaker 1>Universal studios, Like You've never felt that way, you know

0:26:24.400 --> 0:26:28.919
<v Speaker 1>what I'm saying. So it's a nice mental vacation for

0:26:29.000 --> 0:26:32.000
<v Speaker 1>people to jump into during these times exactly they play

0:26:32.040 --> 0:26:34.280
<v Speaker 1>and just zone to get the fuck out, get in

0:26:34.359 --> 0:26:35.720
<v Speaker 1>your car and feel like you're at a time said

0:26:35.760 --> 0:26:39.600
<v Speaker 1>something earlier about people buying Spotify streams, Yeah, I know

0:26:39.680 --> 0:26:44.160
<v Speaker 1>that that. How much of a thing is that? It's

0:26:44.240 --> 0:26:49.080
<v Speaker 1>like ninety five percent of people that are like popping

0:26:49.960 --> 0:26:53.679
<v Speaker 1>are buying Spotify streams, and then they get their music

0:26:53.720 --> 0:26:57.760
<v Speaker 1>to be playlisted, and these motherfuckers would get like one

0:26:57.800 --> 0:27:01.800
<v Speaker 1>hundred to two hundred million plays a month, And you're like,

0:27:01.800 --> 0:27:04.480
<v Speaker 1>how the fuck are they doing that? Like why aren't

0:27:04.600 --> 0:27:08.520
<v Speaker 1>their bigger songs from like three years ago fast as this?

0:27:08.880 --> 0:27:11.080
<v Speaker 1>The song is not even that good. It's like they're

0:27:11.119 --> 0:27:13.320
<v Speaker 1>trying to make it look like they're getting bigger and better,

0:27:13.400 --> 0:27:15.560
<v Speaker 1>but it's really backwards. Well that's what I wanted to

0:27:15.560 --> 0:27:17.919
<v Speaker 1>ask you, because you as an artist, you've been on

0:27:18.000 --> 0:27:20.920
<v Speaker 1>both sides of it, right, because like Tuma, like really

0:27:21.359 --> 0:27:24.000
<v Speaker 1>a lot of your early singles, you know, twenty sixteen,

0:27:24.080 --> 0:27:30.879
<v Speaker 1>twenty seventeen, like benefited a lot from real Like like

0:27:30.880 --> 0:27:35.119
<v Speaker 1>I said, when Rap Caviar was really like changing careers. Yes, yes,

0:27:36.480 --> 0:27:38.239
<v Speaker 1>you know he took a chance on you because at

0:27:38.240 --> 0:27:41.359
<v Speaker 1>the time you weren't that wasn't popping. And now that

0:27:41.440 --> 0:27:43.959
<v Speaker 1>doesn't happen if you're not popping, or you don't have

0:27:44.000 --> 0:27:45.960
<v Speaker 1>some sort of social like you're not making it on

0:27:46.040 --> 0:27:50.480
<v Speaker 1>Rap Caviar. But I'm curious, like, what would you say

0:27:50.520 --> 0:27:55.280
<v Speaker 1>to like an artist who like because it almost Unfortunately, Now,

0:27:55.400 --> 0:27:58.280
<v Speaker 1>if you're going to get signed, I don't even know

0:27:58.280 --> 0:27:59.879
<v Speaker 1>if you should get signed. But if you're gonna get

0:28:00.359 --> 0:28:02.960
<v Speaker 1>major label, you got to do most of the work

0:28:03.040 --> 0:28:07.320
<v Speaker 1>before they they come into the picture. I mean right

0:28:07.440 --> 0:28:09.000
<v Speaker 1>like it's like they want you to make sure that

0:28:09.040 --> 0:28:11.720
<v Speaker 1>you got all this, this, this, this and this going before. Honestly,

0:28:11.760 --> 0:28:15.880
<v Speaker 1>I love my RCAA label. I love them as humans.

0:28:17.160 --> 0:28:20.040
<v Speaker 1>I love Peter Edge. I love them so much. I

0:28:20.119 --> 0:28:23.000
<v Speaker 1>really do. Truly. I could look at that man's eyes

0:28:23.200 --> 0:28:25.480
<v Speaker 1>and know that he believes in me. It's not bullshit.

0:28:25.600 --> 0:28:29.840
<v Speaker 1>You know. I love Mark Pitts. I love everyone at

0:28:29.840 --> 0:28:32.040
<v Speaker 1>the RCA building because I know they believe in me.

0:28:32.440 --> 0:28:36.840
<v Speaker 1>You understand it's not bullshit. But you know a lot

0:28:36.840 --> 0:28:40.520
<v Speaker 1>of people don't have that. I mean, I'm shooting. I'm

0:28:40.520 --> 0:28:42.760
<v Speaker 1>shooting videos for a lot of money. You know. They

0:28:42.840 --> 0:28:44.840
<v Speaker 1>give me money, they send me money. It's how I

0:28:44.920 --> 0:28:48.600
<v Speaker 1>need money. RCAA takes care of me, so not a

0:28:48.640 --> 0:28:50.680
<v Speaker 1>lot of artists do that. They sign and then they

0:28:50.680 --> 0:28:52.920
<v Speaker 1>have to do it themselves. So you just basically signed

0:28:53.000 --> 0:28:55.120
<v Speaker 1>to watch to have somebody watch you pop off so

0:28:55.120 --> 0:28:57.400
<v Speaker 1>they could take your money. It's the most backwards thing

0:28:57.400 --> 0:28:59.720
<v Speaker 1>I've ever seen that what I was trying to get to. Yeah. Yeah,

0:28:59.800 --> 0:29:05.760
<v Speaker 1>So it really depends on your situation, you know. You

0:29:05.800 --> 0:29:08.080
<v Speaker 1>know my situation is different. It took me ten years

0:29:08.080 --> 0:29:12.760
<v Speaker 1>to be where I'm at, seven years to get my

0:29:12.880 --> 0:29:16.200
<v Speaker 1>deal hopped on a plane, it turned up at a

0:29:16.240 --> 0:29:20.440
<v Speaker 1>studio at office. No one plays their own music for

0:29:20.520 --> 0:29:23.840
<v Speaker 1>people like you, by the way, thank you man. I mean,

0:29:23.880 --> 0:29:26.000
<v Speaker 1>I love my music. There's an art to that though,

0:29:26.120 --> 0:29:29.120
<v Speaker 1>Like yo, no matter like, when you play your shit,

0:29:30.480 --> 0:29:32.640
<v Speaker 1>you're getting everybody on your level, bro, because you'd be

0:29:32.640 --> 0:29:35.680
<v Speaker 1>fucking It's that energy I would about earlier. I just love.

0:29:35.960 --> 0:29:39.280
<v Speaker 1>I love. Everyone should be as confident and into their

0:29:39.320 --> 0:29:42.440
<v Speaker 1>own shit as you honestly though, if you're not, you know,

0:29:42.520 --> 0:29:45.000
<v Speaker 1>I look at my You have kids, so you should

0:29:45.120 --> 0:29:47.120
<v Speaker 1>know what it's like. Like, you know, I look at

0:29:47.160 --> 0:29:50.400
<v Speaker 1>my music as like my child, you know, like like

0:29:50.480 --> 0:29:52.680
<v Speaker 1>when I show it off, I'm proud of it. Yeah,

0:29:53.120 --> 0:29:56.000
<v Speaker 1>and you don't show your child unless you're not proud

0:29:56.040 --> 0:29:58.320
<v Speaker 1>of your child. But like you don't show your child

0:29:58.360 --> 0:30:00.400
<v Speaker 1>and be like, yeah, this is my child, that's throw

0:30:00.440 --> 0:30:03.200
<v Speaker 1>them out the window, you know what I mean, Like, Nah,

0:30:03.240 --> 0:30:05.640
<v Speaker 1>this is my child, and I'm gonna rep for for

0:30:05.800 --> 0:30:07.480
<v Speaker 1>my child, and I'm gonna dance with my child and

0:30:07.520 --> 0:30:10.560
<v Speaker 1>I'm gonna show you why my child is important. So

0:30:12.240 --> 0:30:14.200
<v Speaker 1>that's I mean, no, that's I think that's the attitude

0:30:14.200 --> 0:30:20.560
<v Speaker 1>most people should have. So with this project being like

0:30:20.600 --> 0:30:23.120
<v Speaker 1>a passion project, I know you, I know you're working

0:30:23.160 --> 0:30:26.960
<v Speaker 1>a lot, like how much? And I'm assuming you didn't

0:30:26.960 --> 0:30:29.120
<v Speaker 1>plan on putting this project out at the beginning of

0:30:29.120 --> 0:30:30.800
<v Speaker 1>this pandemic or was this always kind of in the

0:30:30.800 --> 0:30:32.440
<v Speaker 1>cards for you? Like, I mean, I don't know. I

0:30:32.480 --> 0:30:34.400
<v Speaker 1>wanted to put it out, but I didn't think the

0:30:34.480 --> 0:30:36.720
<v Speaker 1>pandemic thing was going to happen. I wanted to put

0:30:36.760 --> 0:30:39.239
<v Speaker 1>it out, like was this the plan to be your

0:30:39.280 --> 0:30:42.280
<v Speaker 1>next album or or or or was there other music? No,

0:30:42.440 --> 0:30:44.160
<v Speaker 1>there's another album. Okay, so there's That's what I was

0:30:44.160 --> 0:30:49.000
<v Speaker 1>gonna ask, are there's another album that you know? RCA

0:30:49.120 --> 0:30:53.960
<v Speaker 1>didn't fund the nineteen eighty four album. I funded it.

0:30:55.360 --> 0:31:04.280
<v Speaker 1>RCA didn't. RCA didn't give me the push, almost like

0:31:04.320 --> 0:31:06.120
<v Speaker 1>they treated it like it was like a mixtape or something.

0:31:06.120 --> 0:31:08.920
<v Speaker 1>I guess, yeah, like rc I still love our something.

0:31:09.000 --> 0:31:11.600
<v Speaker 1>If something pops off on this, we'll get yeah, which

0:31:11.680 --> 0:31:14.120
<v Speaker 1>is clearly your passion project. Then let's see what it does.

0:31:14.200 --> 0:31:18.000
<v Speaker 1>And r c A they believe in me. And one

0:31:18.040 --> 0:31:21.320
<v Speaker 1>thing that RCA does, which is great, which labels don't do,

0:31:21.440 --> 0:31:23.520
<v Speaker 1>is they allow artists to beat themselves and do what

0:31:23.560 --> 0:31:25.240
<v Speaker 1>the one, what the fuck they want to do, you know.

0:31:25.520 --> 0:31:29.440
<v Speaker 1>And RCA allowed me to do what I wanted with

0:31:29.520 --> 0:31:35.320
<v Speaker 1>this album, and I didn't get the big label push

0:31:35.560 --> 0:31:40.000
<v Speaker 1>on nineteen eighty four. It's more like my Ship, but

0:31:40.680 --> 0:31:44.280
<v Speaker 1>surprisingly I put it out and it's killing. It's killing,

0:31:44.360 --> 0:31:49.880
<v Speaker 1>and it's like the people losing their minds. Man, people,

0:31:50.200 --> 0:31:53.480
<v Speaker 1>you feel like it's a cleansing of of of everyone's

0:31:54.720 --> 0:31:58.440
<v Speaker 1>palette sonically. I'm thinking about that off the camera, just

0:31:58.480 --> 0:32:02.640
<v Speaker 1>like with with what's going on in the world. Clubs

0:32:02.640 --> 0:32:06.000
<v Speaker 1>aren't going on. Yeah, there's like people are looking for

0:32:07.240 --> 0:32:10.920
<v Speaker 1>like music to sit with exactly, Like, dude, Like, if

0:32:10.920 --> 0:32:13.920
<v Speaker 1>I were to die, this Ship would be like my

0:32:14.920 --> 0:32:18.040
<v Speaker 1>big one, you understand, Like if I'm gone, like in

0:32:18.120 --> 0:32:21.720
<v Speaker 1>no exaggeration, if something happens to me, this album is

0:32:21.760 --> 0:32:26.479
<v Speaker 1>going to be legendary, classic, timeless, iconic, you know what

0:32:26.480 --> 0:32:28.520
<v Speaker 1>I'm saying. And if you're not, if you don't feel

0:32:28.600 --> 0:32:30.560
<v Speaker 1>like that about your project, you shouldn't put it out

0:32:31.320 --> 0:32:33.880
<v Speaker 1>that's fair. And this is not me bragging about me.

0:32:34.120 --> 0:32:36.280
<v Speaker 1>This is me to having This is me with Rolling

0:32:36.360 --> 0:32:42.160
<v Speaker 1>Stone magazine interviews Forbes doing some of the greatest, biggest

0:32:42.160 --> 0:32:45.040
<v Speaker 1>interviews with some of the most relevant interviewers of all

0:32:45.080 --> 0:32:49.840
<v Speaker 1>time to have have interviewed icons telling me this is

0:32:49.880 --> 0:32:54.480
<v Speaker 1>an iconic album. So it's the way I feel about it.

0:32:54.480 --> 0:32:57.200
<v Speaker 1>It's through the people telling me, not me telling myself.

0:32:57.240 --> 0:32:59.120
<v Speaker 1>You know what I'm saying. I can't toot my own horn.

0:32:59.200 --> 0:33:01.840
<v Speaker 1>That only could get me as far as getting me somewhere.

0:33:01.840 --> 0:33:05.840
<v Speaker 1>But when the people that have the right credentials tell you, yo,

0:33:05.960 --> 0:33:09.000
<v Speaker 1>this is this is an incredible project, then it kind

0:33:09.000 --> 0:33:12.120
<v Speaker 1>of makes you. You know, this is Okay. I was

0:33:12.120 --> 0:33:14.760
<v Speaker 1>saying Stairs album, which is my first one, is my

0:33:15.000 --> 0:33:19.200
<v Speaker 1>late registration okay, college dropout. I was gonna say, that's

0:33:19.240 --> 0:33:21.600
<v Speaker 1>Kanye's second album, but okay, no, but no, because I

0:33:21.640 --> 0:33:24.239
<v Speaker 1>have four play Okay, yeah, yeah, true, true, true. So

0:33:24.280 --> 0:33:26.280
<v Speaker 1>that's you had a lot of singles. That's yeah, that's

0:33:26.320 --> 0:33:30.960
<v Speaker 1>my college dropout. Four play and my late registration stares

0:33:31.920 --> 0:33:36.400
<v Speaker 1>and let's just skip a few Kanye albums and Goshi

0:33:36.560 --> 0:33:39.360
<v Speaker 1>is my graduation. This is your at awaits, this is

0:33:39.360 --> 0:33:44.840
<v Speaker 1>my ways changing changing music, to change music exactly. This

0:33:44.880 --> 0:33:47.240
<v Speaker 1>is my this is, I would say it Awaits and

0:33:47.320 --> 0:33:49.920
<v Speaker 1>Yeas This are two like albums Kanye put out that

0:33:50.040 --> 0:33:53.960
<v Speaker 1>just sonically changed, like the direction of like hip hop

0:33:54.080 --> 0:33:58.160
<v Speaker 1>or music. Yeah, My My My Darks was fancy as well. Yeah,

0:33:58.200 --> 0:33:59.800
<v Speaker 1>of course, of course, I just mean in terms of

0:33:59.840 --> 0:34:02.480
<v Speaker 1>like like sound sound. Yes, yes, you know what I mean.

0:34:02.600 --> 0:34:07.280
<v Speaker 1>I agree, I agree. And my next one, my next

0:34:07.280 --> 0:34:11.319
<v Speaker 1>album is going to be my My My My My

0:34:11.920 --> 0:34:15.200
<v Speaker 1>Dark tis to fancy Mine my version Fire, and then

0:34:15.239 --> 0:34:21.480
<v Speaker 1>after that is going to be my Ysis and then

0:34:21.520 --> 0:34:22.880
<v Speaker 1>you don't know where I'm going to go with it,

0:34:22.920 --> 0:34:24.719
<v Speaker 1>But I just the thing is, the key is to

0:34:24.719 --> 0:34:29.279
<v Speaker 1>never make the same song twice, never make the same

0:34:29.360 --> 0:34:31.800
<v Speaker 1>sounding album. I always wanted to make my Ship sound

0:34:33.160 --> 0:34:35.960
<v Speaker 1>like I want to make when I'm in the World

0:34:36.239 --> 0:34:38.880
<v Speaker 1>in the theme I'm in the theme my next project.

0:34:38.880 --> 0:34:41.640
<v Speaker 1>I wanted to feel like nineties dance music, you know,

0:34:42.680 --> 0:34:45.279
<v Speaker 1>like I wanted to feel like a gay club, like

0:34:45.320 --> 0:34:47.080
<v Speaker 1>that's how I want my music to feel like. I

0:34:47.080 --> 0:34:49.680
<v Speaker 1>wanted to feel like shout out to all my gay

0:34:49.719 --> 0:34:52.200
<v Speaker 1>fans too, like they shout out, you know, shout out

0:34:52.239 --> 0:34:54.200
<v Speaker 1>to all my gay fans. Like like they have some

0:34:54.280 --> 0:34:57.680
<v Speaker 1>of the most incredible taste ever ever and they put

0:34:57.719 --> 0:34:59.439
<v Speaker 1>me on all the time, like listen to this, listen

0:34:59.480 --> 0:35:03.520
<v Speaker 1>to that, and I kind of like, like I appreciate

0:35:04.000 --> 0:35:07.760
<v Speaker 1>how like how much love I get, not from everyone,

0:35:07.840 --> 0:35:10.520
<v Speaker 1>but so sonically you want to go and like I'm

0:35:10.560 --> 0:35:12.600
<v Speaker 1>just when I think of like what you just said,

0:35:12.640 --> 0:35:14.640
<v Speaker 1>I don't know why Knight at the Roxbury just popped

0:35:14.640 --> 0:35:18.320
<v Speaker 1>in my cand Yeah yeah, yeah, that's that's true. Now

0:35:18.400 --> 0:35:21.239
<v Speaker 1>that's Roxbury, like those kind of vibes. Yeah, like you

0:35:21.280 --> 0:35:25.400
<v Speaker 1>know what I'm saying, like like a bro, like, that's

0:35:25.560 --> 0:35:30.640
<v Speaker 1>that's the fucking that's the fucking pool, the uh the

0:35:30.640 --> 0:35:33.560
<v Speaker 1>Will Ferrell or what's the other guy's name, the tiny

0:35:33.600 --> 0:35:37.200
<v Speaker 1>guy something can I don't know he's locked up? Oh

0:35:37.360 --> 0:35:40.759
<v Speaker 1>is he? I think? So? Yeah yeah that'd because but man,

0:35:41.000 --> 0:35:46.120
<v Speaker 1>like bro, like we're not here forever. Man, you know,

0:35:46.880 --> 0:35:50.320
<v Speaker 1>like do what you love? Bro. Like people, I swear,

0:35:51.200 --> 0:35:54.080
<v Speaker 1>if you see how fast people move on after somebody

0:35:54.120 --> 0:35:56.959
<v Speaker 1>dies in twenty twenty, you think twice before thinking about

0:35:56.960 --> 0:36:00.359
<v Speaker 1>what someone else is gonna say about you. That's fair man.

0:36:00.719 --> 0:36:03.200
<v Speaker 1>Another thing I think that's important for people who don't

0:36:03.239 --> 0:36:08.160
<v Speaker 1>necessarily uh have the that aren't aware of your come up,

0:36:09.160 --> 0:36:12.840
<v Speaker 1>Like we spoke about this a few years ago, but

0:36:12.920 --> 0:36:17.440
<v Speaker 1>I think it's like just really inspiring. How your music

0:36:17.520 --> 0:36:22.759
<v Speaker 1>career kind of almost stopped right you were you had

0:36:22.800 --> 0:36:25.640
<v Speaker 1>a scholarship to play football. Yeah, play football as a scholarship.

0:36:25.680 --> 0:36:29.320
<v Speaker 1>I dropped out, and then I was going to register

0:36:29.400 --> 0:36:31.919
<v Speaker 1>for school again, and then Peter Roseberg played my song

0:36:32.000 --> 0:36:35.719
<v Speaker 1>on a radio really striving, real nice talk. I pulled over,

0:36:36.239 --> 0:36:39.080
<v Speaker 1>told my mom not going back to school, kept going.

0:36:39.200 --> 0:36:41.680
<v Speaker 1>Got my deal, I got shelved. I had to find

0:36:41.719 --> 0:36:43.680
<v Speaker 1>a way added my deal. I got my deal. My

0:36:43.719 --> 0:36:47.440
<v Speaker 1>documentary was your original deal with Jason flam Lava Records.

0:36:48.239 --> 0:36:50.399
<v Speaker 1>If you want, there's a documentary out right now that

0:36:50.520 --> 0:36:52.640
<v Speaker 1>just put it out. It's called Now you Know check

0:36:52.680 --> 0:36:55.000
<v Speaker 1>it out. It's a documentary I put together. And now

0:36:55.080 --> 0:36:57.880
<v Speaker 1>Netflix has called and they're interested of doing the whole movie.

0:36:57.920 --> 0:37:01.319
<v Speaker 1>So that'd be crazy. Yeah, So you don't know, I

0:37:01.400 --> 0:37:04.320
<v Speaker 1>might go into the movie business. You don't. That's my dream,

0:37:04.400 --> 0:37:06.439
<v Speaker 1>like doing movies and stuff like that. I mean, shit,

0:37:06.480 --> 0:37:10.840
<v Speaker 1>I feel like shit, now's the time, bro. Yeah. You

0:37:10.960 --> 0:37:14.920
<v Speaker 1>I've also heard you allude to being around before you

0:37:14.960 --> 0:37:18.080
<v Speaker 1>were Gashy. Obviously, you're always gashy but before you were

0:37:18.200 --> 0:37:22.080
<v Speaker 1>known as gashy on on a big lit level, being

0:37:22.120 --> 0:37:26.160
<v Speaker 1>around a lot of the biggest artists in the world,

0:37:26.239 --> 0:37:29.000
<v Speaker 1>but before they were the biggest artists in the world. Yeah, yeah, yeah,

0:37:29.360 --> 0:37:33.400
<v Speaker 1>always and maybe either a giving them some sauce, helping

0:37:33.400 --> 0:37:38.120
<v Speaker 1>them on records. Yeah, and always I've always have. So

0:37:38.160 --> 0:37:41.520
<v Speaker 1>you've like, like, did you, like, was there ever a

0:37:41.520 --> 0:37:43.560
<v Speaker 1>point in time where you were just writing for people

0:37:43.840 --> 0:37:46.800
<v Speaker 1>or you were Yeah, I mean I was writing for people.

0:37:47.040 --> 0:37:51.799
<v Speaker 1>I was. I was. Let's just say, because I don't

0:37:51.880 --> 0:37:53.920
<v Speaker 1>like saying too much good, especially about my past, I

0:37:53.920 --> 0:37:57.520
<v Speaker 1>feel like I I feel like I feel like, if

0:37:57.560 --> 0:38:01.520
<v Speaker 1>you're watching this interview, I want you to completely kill me,

0:38:02.840 --> 0:38:06.440
<v Speaker 1>or kill the person that you knew of you of me,

0:38:07.560 --> 0:38:11.480
<v Speaker 1>kill them completely because that old me is like officially expired.

0:38:11.880 --> 0:38:19.560
<v Speaker 1>I'm officially somewhere else. But like, but like I like,

0:38:19.600 --> 0:38:22.799
<v Speaker 1>I wrote I wrote music for people, Yes, I did.

0:38:23.120 --> 0:38:27.680
<v Speaker 1>I I've helped. I've helped so many people out and

0:38:27.719 --> 0:38:31.040
<v Speaker 1>I've seen them become millionaires, blow up and forget me.

0:38:32.640 --> 0:38:35.040
<v Speaker 1>And I've seen it so many times that I feel

0:38:35.080 --> 0:38:37.920
<v Speaker 1>I feel nothing towards it. And when they see me,

0:38:38.000 --> 0:38:39.799
<v Speaker 1>they can't look at me in my eyes. They look

0:38:39.880 --> 0:38:43.480
<v Speaker 1>down so damn. I mean, it is what it is.

0:38:43.640 --> 0:38:45.960
<v Speaker 1>I mean, it's not I feel bad for them. I

0:38:45.960 --> 0:38:48.000
<v Speaker 1>don't feel bad for myself anymore. I feel bad for

0:38:48.040 --> 0:38:53.480
<v Speaker 1>them because they've completely lost themselves. I feel bad for them,

0:38:53.520 --> 0:38:56.839
<v Speaker 1>you know, they've completely killed themselves. You know what I'm saying.

0:38:57.160 --> 0:39:00.719
<v Speaker 1>And I'm you're you're, You're still you. I'm still me.

0:39:00.880 --> 0:39:02.840
<v Speaker 1>And I could look into a mirror and know that

0:39:02.840 --> 0:39:04.640
<v Speaker 1>that's me. I don't have to put on an act

0:39:04.640 --> 0:39:06.600
<v Speaker 1>that I'm not worried. I could sleep at night without

0:39:07.239 --> 0:39:09.560
<v Speaker 1>taking no drugs. I'm fine, Like you know what I'm saying.

0:39:09.600 --> 0:39:14.399
<v Speaker 1>So I feel bad for them, you know, And I'm

0:39:14.440 --> 0:39:18.040
<v Speaker 1>sure every time I see them, they they they wish

0:39:18.120 --> 0:39:22.439
<v Speaker 1>that it never happened. That's fair. I mean you also

0:39:22.440 --> 0:39:26.359
<v Speaker 1>too have like I feel like, you know, there's very

0:39:26.360 --> 0:39:31.160
<v Speaker 1>few in the in the music industry. There's a lot

0:39:31.200 --> 0:39:33.600
<v Speaker 1>of acquaintances, right, There's a lot of people that we

0:39:33.680 --> 0:39:35.960
<v Speaker 1>come in contact with. They're like, yeah, I'm cool with them, like,

0:39:36.160 --> 0:39:39.240
<v Speaker 1>you know, yeah, let's get up, let's work never happens,

0:39:39.600 --> 0:39:43.239
<v Speaker 1>let's do lunch. Right, But there's like very few friends

0:39:43.960 --> 0:39:46.680
<v Speaker 1>like and I feel like DJ Snake is one of

0:39:46.680 --> 0:39:50.880
<v Speaker 1>those guys for you. Yes, my brother man, and I

0:39:50.920 --> 0:39:54.479
<v Speaker 1>know you guys creatively have had a sick history. Yeah,

0:39:54.520 --> 0:39:58.560
<v Speaker 1>he's my guy. He's my guy, Snake, Snake's my guy. Man.

0:40:00.239 --> 0:40:02.160
<v Speaker 1>Who else on that like? Who else is on that list?

0:40:02.200 --> 0:40:04.080
<v Speaker 1>For you? The reason why people don't understand the reason

0:40:04.120 --> 0:40:06.080
<v Speaker 1>why I'm so close with Snake has nothing to do

0:40:06.160 --> 0:40:09.080
<v Speaker 1>with just the music. I think I had to warrant

0:40:09.080 --> 0:40:11.440
<v Speaker 1>for my rest and I had gotten into trouble in

0:40:11.480 --> 0:40:15.400
<v Speaker 1>New York, and I don't want to get too deep

0:40:15.800 --> 0:40:19.400
<v Speaker 1>into it because you know, thankfully the case got dropped

0:40:19.440 --> 0:40:21.640
<v Speaker 1>and I don't want to bring you back up. It

0:40:21.680 --> 0:40:25.640
<v Speaker 1>was a nightmare. And yeah, I handled my business, you know,

0:40:25.760 --> 0:40:29.839
<v Speaker 1>as a as a brother, you know, I handled my business.

0:40:30.239 --> 0:40:34.520
<v Speaker 1>Someone attacked my sister and I handled my business and

0:40:34.600 --> 0:40:38.759
<v Speaker 1>do what you're supposed to do exactly. And I think

0:40:38.800 --> 0:40:40.839
<v Speaker 1>I handled my business and took it a little too far,

0:40:41.000 --> 0:40:45.720
<v Speaker 1>so I had to escape the country and go to Iceland.

0:40:46.000 --> 0:40:54.720
<v Speaker 1>So what year was this? This was two thousand and fifteen. Shit, Yeah,

0:40:54.760 --> 0:40:57.120
<v Speaker 1>So I basically handled my business and I needed to

0:40:57.120 --> 0:40:59.960
<v Speaker 1>bail money and DJ Snake put the money up. When

0:41:00.120 --> 0:41:01.759
<v Speaker 1>all my friends then and pick up the phone and

0:41:01.840 --> 0:41:04.080
<v Speaker 1>want to give me money. So I'm loyal to that

0:41:04.200 --> 0:41:07.600
<v Speaker 1>man even if he pulls some weird shit, I'm still

0:41:07.800 --> 0:41:09.759
<v Speaker 1>loyal to him based on what he did. He held

0:41:09.840 --> 0:41:11.600
<v Speaker 1>you down. Yeah, he helped me down at that point

0:41:11.600 --> 0:41:14.439
<v Speaker 1>where I needed him. So you know, that man could

0:41:14.560 --> 0:41:16.520
<v Speaker 1>that man could shoot me, and I still want to

0:41:16.560 --> 0:41:20.560
<v Speaker 1>be mad at him. So so I mean there's very

0:41:20.719 --> 0:41:25.160
<v Speaker 1>very rare friendships that have man. Yeah, Iceland, what I mean,

0:41:25.239 --> 0:41:30.799
<v Speaker 1>I feel like Iceland is a country that is not icy.

0:41:32.719 --> 0:41:34.439
<v Speaker 1>Oh it is called what what was it like? Like

0:41:34.440 --> 0:41:37.560
<v Speaker 1>like because you're you're you, I feel like you originally

0:41:37.600 --> 0:41:39.719
<v Speaker 1>like a lot of your core fan base was overseas.

0:41:40.040 --> 0:41:43.480
<v Speaker 1>Still right, He's just a huge following overseas. Like nineteen

0:41:43.520 --> 0:41:47.920
<v Speaker 1>eighty four had just changed everything. Nineteen eighty four had

0:41:47.960 --> 0:41:51.719
<v Speaker 1>just changed everything. Now I'm having fans in America. Well

0:41:51.760 --> 0:41:53.759
<v Speaker 1>you have fans in America, of course, but like it's

0:41:53.800 --> 0:41:56.239
<v Speaker 1>getting what you're saying, it's getting to that point where

0:41:56.239 --> 0:42:00.360
<v Speaker 1>it's like I can't go to Starbucks. Yeah that's in

0:42:00.400 --> 0:42:04.200
<v Speaker 1>America anymore. So it's like it's becoming where it's like

0:42:04.560 --> 0:42:08.080
<v Speaker 1>becoming super successful on both areas, which is weird because

0:42:08.120 --> 0:42:10.719
<v Speaker 1>I loved feeling like a celebrity in Europe and then

0:42:10.760 --> 0:42:13.000
<v Speaker 1>coming back. It's just trying to be able to just relax,

0:42:13.080 --> 0:42:18.680
<v Speaker 1>turn it off, you know, snake. I love Chris Brown.

0:42:19.080 --> 0:42:23.160
<v Speaker 1>Chris Brown is Chris Brown to me, is the most

0:42:23.200 --> 0:42:29.719
<v Speaker 1>talented super artists. We all right, check this out. A

0:42:29.760 --> 0:42:31.680
<v Speaker 1>lot of people are gonna not understand what everything you're

0:42:31.680 --> 0:42:33.560
<v Speaker 1>about to say. I think I say all the time

0:42:33.560 --> 0:42:37.040
<v Speaker 1>about him. Go ahead, Okay, so people gonna get upset,

0:42:37.239 --> 0:42:40.239
<v Speaker 1>but suck, suck my dick. I don't care. The thing

0:42:40.360 --> 0:42:43.160
<v Speaker 1>is we judge the man based on his past of

0:42:43.200 --> 0:42:45.839
<v Speaker 1>what he's done, and fuck you, like, okay, we all

0:42:45.840 --> 0:42:51.280
<v Speaker 1>make mistakes, right, I don't think as a human being.

0:42:53.080 --> 0:42:57.360
<v Speaker 1>See like, we have legends like the Beatles and stuff

0:42:57.400 --> 0:42:59.799
<v Speaker 1>like that. You know, we have Michael Jackson, we have

0:42:59.840 --> 0:43:02.719
<v Speaker 1>the We have legendary artists, and I love that we

0:43:02.800 --> 0:43:07.960
<v Speaker 1>do have that on Earth. It's amazing. But nobody can

0:43:08.120 --> 0:43:11.640
<v Speaker 1>last with Chris Brown and on the dance floor or

0:43:12.200 --> 0:43:19.640
<v Speaker 1>keep up with him musically, or Chris Brown will dunk

0:43:19.680 --> 0:43:22.239
<v Speaker 1>on your favorite artists and put his balls on their

0:43:22.280 --> 0:43:25.000
<v Speaker 1>fucking head. Chris Brown will outdance them. Chris Brown will

0:43:25.000 --> 0:43:27.680
<v Speaker 1>out sing them. Chris Brown will outdo them anyway. Chris

0:43:27.760 --> 0:43:30.600
<v Speaker 1>Brown will fuck your favorite artist bitch in front of them,

0:43:30.600 --> 0:43:33.080
<v Speaker 1>and they won't do nothing to Chris Brown is one

0:43:33.080 --> 0:43:36.680
<v Speaker 1>of the greatest fucking things that's ever happened in history

0:43:36.760 --> 0:43:39.640
<v Speaker 1>of the world on Earth. This man, I've seen Chris

0:43:39.680 --> 0:43:42.680
<v Speaker 1>Brown flow in the air, like float in the air.

0:43:44.280 --> 0:43:47.600
<v Speaker 1>I'm being serious. I've seen Chris Brown float in the

0:43:47.680 --> 0:43:50.800
<v Speaker 1>fucking air with Timberland's on in a bubble jacket, stay

0:43:50.840 --> 0:43:54.120
<v Speaker 1>in the air for six seconds. I've seen Chris Brown

0:43:54.160 --> 0:43:56.240
<v Speaker 1>do things that a human is not supposed to be doing.

0:43:56.640 --> 0:43:59.960
<v Speaker 1>Chris Brown is the most talented person. He's an alien

0:44:00.200 --> 0:44:06.200
<v Speaker 1>and something's crazy, the fact that he's just too good

0:44:06.200 --> 0:44:09.319
<v Speaker 1>for Earth and just give him his flowers. Now he's

0:44:09.320 --> 0:44:12.239
<v Speaker 1>made mistakes, Move the fuck on, you know what I mean,

0:44:12.280 --> 0:44:14.759
<v Speaker 1>Move the fuck on, Like he's made mistakes and we

0:44:14.840 --> 0:44:16.680
<v Speaker 1>get it, but like stop judging him off of that,

0:44:16.880 --> 0:44:22.320
<v Speaker 1>Like let's talk about what he's bro so many hits,

0:44:22.360 --> 0:44:24.960
<v Speaker 1>so much shit that this man does is so special

0:44:25.120 --> 0:44:28.120
<v Speaker 1>and I apologize for getting crazy, but like, dude, like

0:44:29.480 --> 0:44:32.880
<v Speaker 1>he is so talented and it's like people try to

0:44:33.160 --> 0:44:35.560
<v Speaker 1>downplay it as if it's not there. It's like, yo, bro,

0:44:35.640 --> 0:44:37.880
<v Speaker 1>the sky is fucking blue and you can tell me

0:44:37.920 --> 0:44:39.719
<v Speaker 1>it's any color you want, but but it's blue. But

0:44:39.800 --> 0:44:42.000
<v Speaker 1>it's fucking blue. You know what I'm saying. You got

0:44:42.040 --> 0:44:44.880
<v Speaker 1>all these fucking you know, the industry is full of

0:44:44.880 --> 0:44:49.160
<v Speaker 1>shit shine, and that's that industry equals shit shine. What's

0:44:49.200 --> 0:44:51.920
<v Speaker 1>shit shine? It's all these artists are shit and they

0:44:51.960 --> 0:44:54.359
<v Speaker 1>shine it and they make you believe it's good. Chris

0:44:54.360 --> 0:44:57.200
<v Speaker 1>Brown is not shit shine. Chris Brown is what happens

0:44:57.239 --> 0:45:01.319
<v Speaker 1>when you give money to an actual talent artist. I

0:45:01.480 --> 0:45:05.480
<v Speaker 1>always say this about Chris Brown. He's probably the most

0:45:05.520 --> 0:45:09.840
<v Speaker 1>talented human being that has ever that we've ever seen, because,

0:45:10.120 --> 0:45:12.840
<v Speaker 1>like you said, not only is he the best dancer,

0:45:13.680 --> 0:45:16.719
<v Speaker 1>he could he could paint a mural on the side

0:45:16.760 --> 0:45:19.239
<v Speaker 1>of his house. Bro. You know what I'm saying, Like

0:45:19.960 --> 0:45:22.919
<v Speaker 1>his the level of artistry and talent, Like you could

0:45:22.920 --> 0:45:28.120
<v Speaker 1>say whatever you want about him, but talent wise, there's

0:45:28.200 --> 0:45:31.560
<v Speaker 1>nobody we've ever seen that's on his level. No, And

0:45:31.680 --> 0:45:33.879
<v Speaker 1>so I've been seeing like, and no disrespect to Drake

0:45:33.880 --> 0:45:35.799
<v Speaker 1>because Drake is obviously a Jedi, but like I've been

0:45:35.840 --> 0:45:37.799
<v Speaker 1>seeing like a tweet going around that a think fat

0:45:37.840 --> 0:45:39.799
<v Speaker 1>joke called Drake like r Michael Jackson. I'm like, no,

0:45:39.840 --> 0:45:43.920
<v Speaker 1>it's Chris Brown. Like Chris Brown. And unfortunately, like you said,

0:45:44.520 --> 0:45:47.360
<v Speaker 1>there's like a tainted or a still around Chris Brown

0:45:47.400 --> 0:45:51.200
<v Speaker 1>when those conversations happen. But it's crazy when he is

0:45:51.360 --> 0:45:55.280
<v Speaker 1>literally the most talented human being that's probably ever made music.

0:45:56.520 --> 0:46:00.480
<v Speaker 1>He can do everything better than everybody. Everybody and he

0:46:00.520 --> 0:46:06.440
<v Speaker 1>can paint, he could play basketball. I've seen that. So

0:46:06.760 --> 0:46:09.480
<v Speaker 1>I've been working with Chris Brown on this Breezy album

0:46:09.520 --> 0:46:12.520
<v Speaker 1>coming out, and he's incredible. And I've never seen an

0:46:12.600 --> 0:46:18.120
<v Speaker 1>artist go in the booth without writing anything. I thought

0:46:18.120 --> 0:46:19.400
<v Speaker 1>I was the only one who did that. And the

0:46:19.400 --> 0:46:21.040
<v Speaker 1>only reason why I started doing that was because I

0:46:21.120 --> 0:46:22.719
<v Speaker 1>used to work with Nipsey and he taught me that.

0:46:24.000 --> 0:46:25.440
<v Speaker 1>I had a session with Nipsey and I saw he

0:46:25.480 --> 0:46:27.080
<v Speaker 1>didn't write, and then I started doing that way I

0:46:27.120 --> 0:46:31.759
<v Speaker 1>would say something cut and then punch in, and the

0:46:31.800 --> 0:46:35.680
<v Speaker 1>way Chris Brown records, like you know what I'm saying, Like,

0:46:35.680 --> 0:46:37.640
<v Speaker 1>I'm not gonna get too deep into topic, but he's

0:46:37.680 --> 0:46:42.600
<v Speaker 1>just so talented that it's a shame the world. It's

0:46:42.640 --> 0:46:45.600
<v Speaker 1>a shame how the world tries to like downplay it

0:46:45.680 --> 0:46:49.839
<v Speaker 1>as if like right like after this interview, there's gonna

0:46:49.840 --> 0:46:51.640
<v Speaker 1>be people on the comments or people gonna be in

0:46:51.719 --> 0:46:54.520
<v Speaker 1>my tweets on my Instagram bitching goat me, and it's

0:46:54.600 --> 0:46:56.640
<v Speaker 1>just gonna be full of fucking people that are like

0:46:57.320 --> 0:46:59.200
<v Speaker 1>got nothing going on in their life and they're coming

0:46:59.239 --> 0:47:00.640
<v Speaker 1>at me because of what I said. You know what

0:47:00.640 --> 0:47:03.920
<v Speaker 1>I'm saying. It's much of those idiots. But like, like

0:47:04.080 --> 0:47:07.839
<v Speaker 1>I just I just want I want to give Chris

0:47:07.880 --> 0:47:10.839
<v Speaker 1>Brown as flowers well he can still smell them, and

0:47:11.480 --> 0:47:13.320
<v Speaker 1>I just want to continue to do that. And I

0:47:13.680 --> 0:47:16.200
<v Speaker 1>want to also say, like, as somebody, I've been critical

0:47:16.200 --> 0:47:18.759
<v Speaker 1>of Chris Brown's personal decisions throughout the years, and I'm

0:47:18.760 --> 0:47:22.200
<v Speaker 1>not even necessarily like like I'm a grown ass man,

0:47:22.239 --> 0:47:24.600
<v Speaker 1>so I'm not like riding around bumping Chris Brown a

0:47:24.600 --> 0:47:26.399
<v Speaker 1>lot of times. Like I'm not like the biggest fan

0:47:26.480 --> 0:47:29.360
<v Speaker 1>of like Chris Brown, but you got to acknowledge he

0:47:29.520 --> 0:47:33.400
<v Speaker 1>is an alien, bro, Yeah, exactly, Like exactly can you

0:47:33.480 --> 0:47:36.440
<v Speaker 1>not watch this and you know there was this versus

0:47:36.440 --> 0:47:40.200
<v Speaker 1>battleship and I'm like, at you know, I was thinking,

0:47:40.320 --> 0:47:44.440
<v Speaker 1>like Chris Brown versus Usher, but like Breezy has a

0:47:44.440 --> 0:47:47.759
<v Speaker 1>bag that like he could get into that, like he

0:47:47.800 --> 0:47:51.719
<v Speaker 1>can do sixty records like yo, man, what I'm saying,

0:47:51.840 --> 0:47:56.080
<v Speaker 1>yeah he could, like yo, the features, the like just

0:47:56.120 --> 0:47:58.279
<v Speaker 1>the rapping shit, like the versus thing, right, you're talking

0:47:58.320 --> 0:48:02.440
<v Speaker 1>about that? Yeah, Like I don't think anybody could beat

0:48:02.480 --> 0:48:05.319
<v Speaker 1>Chris Brown. In the verses. It goes back to what

0:48:05.360 --> 0:48:08.759
<v Speaker 1>I was saying, maybe Drake, but I know, no, no,

0:48:09.719 --> 0:48:12.799
<v Speaker 1>but I'm saying that like that might be the the

0:48:12.840 --> 0:48:15.840
<v Speaker 1>only like no way, but I think I'm glad that

0:48:15.880 --> 0:48:18.479
<v Speaker 1>he turned that ship down. I'm telling you there's no way,

0:48:19.040 --> 0:48:23.320
<v Speaker 1>There's no way, No Drake, no nothing, nobody, nobody could

0:48:23.400 --> 0:48:31.040
<v Speaker 1>out beat Chris Brown. Nobody from Deuces to No No No.

0:48:31.200 --> 0:48:33.880
<v Speaker 1>But I'm just telling you he's incredible. He just floated

0:48:33.880 --> 0:48:37.120
<v Speaker 1>out a Young Thug collab album song with no rollout

0:48:37.120 --> 0:48:39.080
<v Speaker 1>and Go Crazy. You know, just in number one on rates,

0:48:39.640 --> 0:48:41.920
<v Speaker 1>Say You Love Me is one of the most incredible

0:48:41.920 --> 0:48:45.200
<v Speaker 1>songs on that project. Go Crazy is incredible. He continues

0:48:45.239 --> 0:48:48.640
<v Speaker 1>to make hits, He continuous effortlessly, is so light work

0:48:48.680 --> 0:48:51.239
<v Speaker 1>for him. I just I just you know, we're gonna

0:48:51.280 --> 0:48:54.040
<v Speaker 1>move on. But Chris. I love Chris and I think

0:48:54.400 --> 0:48:57.200
<v Speaker 1>I think he's incredible and he's one of my friends

0:48:57.239 --> 0:49:00.000
<v Speaker 1>and and I'm so thankful to say he's called me.

0:49:00.040 --> 0:49:01.960
<v Speaker 1>He checked up on me during the pandemic, make sure

0:49:01.960 --> 0:49:05.680
<v Speaker 1>my family's good. Always checks up on me, like such

0:49:05.719 --> 0:49:09.160
<v Speaker 1>a such a big hearted person, you understand. And he's incredible.

0:49:09.200 --> 0:49:14.240
<v Speaker 1>Another person that's really dope is Squirlex, nice guy. Sonny's

0:49:14.239 --> 0:49:19.920
<v Speaker 1>a sweetheart man. But you know Adele, Adele is incredible, incredible,

0:49:19.920 --> 0:49:23.719
<v Speaker 1>big heart, big hearted person. How crazy is it that

0:49:23.840 --> 0:49:27.239
<v Speaker 1>like Adele, who's again one of those people who might

0:49:27.280 --> 0:49:29.319
<v Speaker 1>have like maybe the best voice we've ever heard, like

0:49:29.400 --> 0:49:32.960
<v Speaker 1>maybe like top five. Yeah, it's like like the last icon,

0:49:33.200 --> 0:49:36.040
<v Speaker 1>like Jesus Christ, Like you know, that's like another one

0:49:36.080 --> 0:49:38.759
<v Speaker 1>we were talking about, like when someone so talented, like

0:49:38.800 --> 0:49:40.360
<v Speaker 1>that's the right person who got the deal and got

0:49:40.400 --> 0:49:42.440
<v Speaker 1>the money, Like holy shit, Yeah, she's one of the

0:49:42.480 --> 0:49:44.400
<v Speaker 1>greatest singers of all time. Yeah, but these are these

0:49:44.400 --> 0:49:49.719
<v Speaker 1>are the people that are like incredible, incredible, incredible people, incredible.

0:49:51.120 --> 0:49:55.120
<v Speaker 1>You and Adele have a solid relationship. She's she's she's

0:49:55.160 --> 0:49:57.120
<v Speaker 1>the person that I met them friends with. She's awesome.

0:50:00.480 --> 0:50:06.480
<v Speaker 1>I like Sam Smith. Sam Smith is cool. Well, so

0:50:06.520 --> 0:50:12.680
<v Speaker 1>I'm friends with I'm friends with I know, I know

0:50:12.760 --> 0:50:16.319
<v Speaker 1>French always you know Fresh Montana French. What about the

0:50:16.600 --> 0:50:19.759
<v Speaker 1>other big Albanian in music? You and Action got any

0:50:19.760 --> 0:50:22.520
<v Speaker 1>sort of So me and Action Bronson made a song together.

0:50:22.560 --> 0:50:25.160
<v Speaker 1>He's supposed to be on the Gashy album. He's supposed

0:50:25.160 --> 0:50:32.759
<v Speaker 1>to be on My Interlude mm hmm, and yeah, I

0:50:32.760 --> 0:50:34.799
<v Speaker 1>I never put it on the album. And you guys

0:50:34.840 --> 0:50:39.160
<v Speaker 1>are both like such great dudes. I love him. He's incredible.

0:50:39.440 --> 0:50:41.560
<v Speaker 1>Shout out to him. He's losing weight, getting his health

0:50:41.560 --> 0:50:45.040
<v Speaker 1>together and he's so he's a special soul man. I

0:50:45.120 --> 0:50:46.680
<v Speaker 1>so he was supposed to be on the album. Yeah.

0:50:46.680 --> 0:50:51.800
<v Speaker 1>I got together with Action Bronson as as as Loft

0:50:51.960 --> 0:50:55.319
<v Speaker 1>and in Queens and I was watching his paintings because

0:50:55.360 --> 0:50:59.120
<v Speaker 1>I paint as well and he paints. So he was

0:50:59.120 --> 0:51:01.239
<v Speaker 1>just smoking weed there and he was like we were

0:51:01.280 --> 0:51:03.160
<v Speaker 1>like we knew each other. First time I met him,

0:51:03.160 --> 0:51:05.200
<v Speaker 1>it was me, him and R Kelly and we were

0:51:05.239 --> 0:51:08.439
<v Speaker 1>just hanging out in Manhattan. Yeah, it was just Yo,

0:51:08.560 --> 0:51:13.200
<v Speaker 1>that sounds like an amazing just one day recreate that

0:51:13.520 --> 0:51:15.560
<v Speaker 1>into Yeah, it was just so weird. There was like

0:51:15.600 --> 0:51:18.000
<v Speaker 1>something that Noisey was doing and we were there and

0:51:18.040 --> 0:51:20.279
<v Speaker 1>then we didn't really get a chance to talk but

0:51:20.360 --> 0:51:22.400
<v Speaker 1>he always showed me love and always gave me like

0:51:22.520 --> 0:51:25.920
<v Speaker 1>a heads up and always talked to me. And the

0:51:26.000 --> 0:51:27.960
<v Speaker 1>second time we met, I met it. We met up

0:51:27.960 --> 0:51:29.719
<v Speaker 1>on the street. He knew about me, he knew I

0:51:29.760 --> 0:51:33.040
<v Speaker 1>was our beaning coming up. And he's very competitive action bronze.

0:51:33.680 --> 0:51:36.520
<v Speaker 1>He don't like keeping people around him. His circles super tight.

0:51:36.600 --> 0:51:38.360
<v Speaker 1>So he sees his other alband guy. He's like, I

0:51:38.400 --> 0:51:40.800
<v Speaker 1>don't know how I feel about this. Boom boom boom.

0:51:41.200 --> 0:51:43.680
<v Speaker 1>So I'm popping off my years going off. I'm all

0:51:43.719 --> 0:51:45.680
<v Speaker 1>over for Times Square. So he invites me. He's like, okay,

0:51:45.719 --> 0:51:47.600
<v Speaker 1>he's boom man. Let me just bring him and see

0:51:47.600 --> 0:51:51.080
<v Speaker 1>what's up. So I go to his apartment, smoking weed,

0:51:51.160 --> 0:51:53.520
<v Speaker 1>having a conversation with me. His leg is broken or

0:51:53.560 --> 0:51:58.000
<v Speaker 1>something and he's just going through it. And you know

0:52:00.160 --> 0:52:03.799
<v Speaker 1>him the eighties album, not the album that was coming out,

0:52:03.800 --> 0:52:06.640
<v Speaker 1>but I played him and they just loved it. He's like,

0:52:06.840 --> 0:52:08.600
<v Speaker 1>you're not a rapper and I was like I'm not,

0:52:08.880 --> 0:52:11.560
<v Speaker 1>and he's like, ship, I thought you were a rapper

0:52:11.920 --> 0:52:14.759
<v Speaker 1>and then he opened up and like you're just the sweetheart.

0:52:14.840 --> 0:52:17.080
<v Speaker 1>He's like he's the best. He's the fucking best. I

0:52:17.120 --> 0:52:19.640
<v Speaker 1>love him and he cut this verse for me and

0:52:19.719 --> 0:52:21.399
<v Speaker 1>I never got we never got a chance to make

0:52:21.400 --> 0:52:24.120
<v Speaker 1>the album because it was so late. But I still

0:52:24.200 --> 0:52:28.520
<v Speaker 1>have it and it's just it's it's just it's so funny.

0:52:28.520 --> 0:52:31.239
<v Speaker 1>It's like it's gonna play it. It's exclusive. No one's

0:52:31.239 --> 0:52:42.880
<v Speaker 1>ever heard this sounds hard, bro, Yeah, this is all

0:52:42.920 --> 0:52:45.440
<v Speaker 1>it is the interlude of the outro to my first

0:52:45.840 --> 0:52:52.799
<v Speaker 1>Just the outro to my first Gashy album sounds like

0:52:52.800 --> 0:52:58.920
<v Speaker 1>a sample. It's not. Definitely must make sure you get

0:52:58.920 --> 0:53:02.440
<v Speaker 1>that Gashy album because uh, a lot of people slept

0:53:02.440 --> 0:53:05.960
<v Speaker 1>on the outro. This song was incredible. Shout out to

0:53:06.040 --> 0:53:18.920
<v Speaker 1>Logan Hide it's smooth. Hey say hey, now what brass

0:53:19.160 --> 0:53:22.680
<v Speaker 1>the floor like Michael Chasing at the Super Bowl, rab

0:53:22.760 --> 0:53:26.280
<v Speaker 1>My crass on the believe the saying Bosh, I need

0:53:26.280 --> 0:53:29.640
<v Speaker 1>like fifteen hands for all these damn watches, but no

0:53:29.760 --> 0:53:33.640
<v Speaker 1>time for noise. Bitch, I'm not playing. I'm not saying

0:53:34.280 --> 0:53:36.960
<v Speaker 1>who I did time when I would not say you

0:53:37.040 --> 0:53:39.280
<v Speaker 1>will live a find it on the yacht. We ain't

0:53:39.400 --> 0:53:43.560
<v Speaker 1>no me either. Convenge a Sweeter with their hair cut,

0:53:43.880 --> 0:53:46.640
<v Speaker 1>double headed eagle on their hand, the lood the heat up.

0:53:46.680 --> 0:53:49.279
<v Speaker 1>Hey I do this for my freedom up until I

0:53:49.400 --> 0:53:53.080
<v Speaker 1>meet a Leah go be acting crazy throwing bosses at

0:53:53.120 --> 0:53:56.280
<v Speaker 1>a movie because says that has been show. I'm smoking

0:53:56.400 --> 0:53:59.040
<v Speaker 1>till my thumb stop paring it. That's the you know,

0:53:59.160 --> 0:54:03.480
<v Speaker 1>I'm stronger in the sty of brothers put together. Run

0:54:03.600 --> 0:54:07.440
<v Speaker 1>to that's my old dish, like some skin off the snake,

0:54:07.880 --> 0:54:10.479
<v Speaker 1>and I can see the moon in the date time.

0:54:10.960 --> 0:54:17.160
<v Speaker 1>I'm like, just like myself, a Sion would a Creaki. Listen, man,

0:54:18.080 --> 0:54:20.759
<v Speaker 1>you gotta figure out something to put that verse on, bro,

0:54:21.160 --> 0:54:23.680
<v Speaker 1>because that's that's one of them action verses. He didn't

0:54:23.719 --> 0:54:26.000
<v Speaker 1>just give you a throwaway, bro. I think he realized

0:54:26.040 --> 0:54:28.000
<v Speaker 1>that was a moment. Yeah, it was a moment man,

0:54:28.040 --> 0:54:30.480
<v Speaker 1>cause he came through. He did strong as both the

0:54:30.520 --> 0:54:34.000
<v Speaker 1>Steiner brothers. Man, come on, bro, he's as I rise

0:54:34.120 --> 0:54:36.399
<v Speaker 1>like Michael Jackson at the That's the way to start

0:54:36.440 --> 0:54:38.640
<v Speaker 1>a verse, Yeah, he said, he said, hand on the

0:54:38.719 --> 0:54:40.440
<v Speaker 1>heat of what the two headed Eagle, which is our

0:54:40.480 --> 0:54:43.799
<v Speaker 1>band thing. You know what I'm saying. That's crazy. Are

0:54:43.840 --> 0:54:45.760
<v Speaker 1>you gonna? Are you gonna? I mean, you gotta repurpose

0:54:45.800 --> 0:54:47.759
<v Speaker 1>that verse, man, You never know. I got I gotta

0:54:47.760 --> 0:54:50.040
<v Speaker 1>look up action man. I gotta that ship is fire.

0:54:50.600 --> 0:54:53.959
<v Speaker 1>It is. And you know what, man, I I love him, dude,

0:54:54.000 --> 0:54:56.239
<v Speaker 1>I love him, I respect him, and and I'm so

0:54:56.360 --> 0:54:59.520
<v Speaker 1>proud of him. And he's losing weight now again. Yeah man,

0:54:59.520 --> 0:55:02.360
<v Speaker 1>he's getting shit together and congratulations on his son. And

0:55:02.360 --> 0:55:04.040
<v Speaker 1>he's all, you know, for the record, like he's always

0:55:04.080 --> 0:55:05.840
<v Speaker 1>like had his ship together. It's not like but you know,

0:55:05.880 --> 0:55:07.520
<v Speaker 1>I just think that, you know, we all have our vices,

0:55:07.560 --> 0:55:09.719
<v Speaker 1>and food for me is my vice mine too, but

0:55:09.800 --> 0:55:11.600
<v Speaker 1>he always had this shit together. But like, just to

0:55:11.640 --> 0:55:13.680
<v Speaker 1>see him trying to be like healthier to live for

0:55:14.360 --> 0:55:17.000
<v Speaker 1>his son, it's a beautiful to beautiful things then. And

0:55:17.520 --> 0:55:19.560
<v Speaker 1>I'm just proud of him, you know, I love him.

0:55:19.600 --> 0:55:21.360
<v Speaker 1>I love to see my people do well. And and

0:55:22.280 --> 0:55:24.520
<v Speaker 1>I'm winning. I'm not. I'm not. This not a conversation

0:55:24.640 --> 0:55:27.239
<v Speaker 1>of me as a loser. A lot of people say

0:55:27.320 --> 0:55:30.120
<v Speaker 1>nice things about people when they're losing. I'm actually a

0:55:30.160 --> 0:55:32.640
<v Speaker 1>fucking winner right now. This is me talking as a

0:55:32.680 --> 0:55:35.759
<v Speaker 1>winner talk and and and yeah, I would love to

0:55:35.760 --> 0:55:38.200
<v Speaker 1>see you guys officially do something. I mean, you guys

0:55:38.280 --> 0:55:41.640
<v Speaker 1>have done something. Yeah, But I just think Action is

0:55:41.640 --> 0:55:44.719
<v Speaker 1>one of my favorite rappers and yeah that's dope, yo.

0:55:44.760 --> 0:55:46.560
<v Speaker 1>Look man, quick break from the podcast to tell you

0:55:46.600 --> 0:55:49.160
<v Speaker 1>about odd Socks. All right, they're our official sponsor. They

0:55:49.160 --> 0:55:51.360
<v Speaker 1>support what we do here at the boutleg cap podcast.

0:55:51.760 --> 0:55:55.040
<v Speaker 1>All right, they got the Nickelodeon joints. They got these,

0:55:55.200 --> 0:55:59.200
<v Speaker 1>uh yo. Shout out to Ghostbusters. I might keep those anyway.

0:55:59.480 --> 0:56:01.879
<v Speaker 1>What you got to do is hit that odd socksofficial

0:56:01.920 --> 0:56:03.799
<v Speaker 1>dot com. If you want to support what I do

0:56:03.840 --> 0:56:07.080
<v Speaker 1>the Bootleg cav podcast, then support our partners odd Socks.

0:56:07.080 --> 0:56:09.879
<v Speaker 1>Go buy some socks. Man. Holidays are coming up. Odd

0:56:09.920 --> 0:56:14.480
<v Speaker 1>socksofficial dot com keyword bootleg keV. You're getting twenty percent

0:56:14.520 --> 0:56:16.720
<v Speaker 1>off of the most comfortable socks in the world. Shout

0:56:16.719 --> 0:56:20.759
<v Speaker 1>out to odd Socks. You spoke about how you meeting

0:56:20.880 --> 0:56:24.120
<v Speaker 1>Nipsey changed your life. Yeah, kind of obviously. You know

0:56:24.239 --> 0:56:26.319
<v Speaker 1>Nipsey is one of the greats Rest in peace, man,

0:56:26.360 --> 0:56:30.200
<v Speaker 1>He's a close friend of mine. Still can't believe, man,

0:56:30.480 --> 0:56:32.440
<v Speaker 1>it's about to be two years next year in March.

0:56:33.800 --> 0:56:36.960
<v Speaker 1>What what was your interaction with Nipsey and how did

0:56:36.960 --> 0:56:39.960
<v Speaker 1>that affect you? Because the energy, you don't think that's crazy,

0:56:40.000 --> 0:56:42.319
<v Speaker 1>The fact that like I'm the I'm becoming one of

0:56:42.320 --> 0:56:45.840
<v Speaker 1>the pop artists, like one of the big pop artists,

0:56:45.880 --> 0:56:49.480
<v Speaker 1>like I'm becoming like I'm becoming like Phil Collins, like

0:56:49.640 --> 0:56:51.920
<v Speaker 1>the New York Times of Phil Collins, the whole other

0:56:51.960 --> 0:56:54.720
<v Speaker 1>type of pop we're talking too. Yes, yeah, like like

0:56:54.840 --> 0:57:03.799
<v Speaker 1>timelessless iconic pop, right, and I'm becoming that and uh

0:57:05.480 --> 0:57:08.960
<v Speaker 1>so say okay, so say this, right, say Gashy becomes

0:57:09.000 --> 0:57:12.000
<v Speaker 1>the new like George Michael, Phil Collins, sting of this

0:57:12.040 --> 0:57:15.840
<v Speaker 1>generation where I'm like timeless and everyone's like coming to

0:57:15.920 --> 0:57:18.840
<v Speaker 1>my shows a sold out. I'm like, I'm like, I'm

0:57:18.920 --> 0:57:25.920
<v Speaker 1>doing the Brooks Out like twice, like Sola Garden twice,

0:57:26.520 --> 0:57:29.640
<v Speaker 1>becoming legendary. Kids are losing their mind. I'm becoming like

0:57:30.320 --> 0:57:34.560
<v Speaker 1>fucking insane, right to say, there's videos of me and

0:57:34.640 --> 0:57:39.160
<v Speaker 1>Nipsey in the studio after that. How insane is that story?

0:57:39.160 --> 0:57:40.480
<v Speaker 1>You know? I think it's a it's a you know,

0:57:40.560 --> 0:57:43.560
<v Speaker 1>your come up man, It's it's insane coming up as

0:57:43.600 --> 0:57:47.040
<v Speaker 1>a rapper out of New York. It's insane. It's crazy.

0:57:47.120 --> 0:57:49.240
<v Speaker 1>You know. I met this guy through a shout out

0:57:49.280 --> 0:57:51.960
<v Speaker 1>to my friend Austin Rosen. He made it possible. He

0:57:51.960 --> 0:57:56.960
<v Speaker 1>brought Nipsey to the studio and Austin Austin managers post Alone,

0:57:57.080 --> 0:57:59.800
<v Speaker 1>Like he's like he's the reason for Postmone being as

0:57:59.800 --> 0:58:04.280
<v Speaker 1>big as he is. Austin Rosen brought Nipsey to his studio,

0:58:04.360 --> 0:58:07.320
<v Speaker 1>brought me in, played the record. Nipsey loved it, told

0:58:07.360 --> 0:58:10.000
<v Speaker 1>me I was dope enough to really make it happen.

0:58:10.040 --> 0:58:12.280
<v Speaker 1>And after I met Nipsey Nipsey, I felt it was

0:58:12.400 --> 0:58:14.160
<v Speaker 1>real and I could drop out and make it happen.

0:58:14.200 --> 0:58:17.520
<v Speaker 1>He made me feel that way. So you met. So

0:58:17.640 --> 0:58:19.440
<v Speaker 1>Nipsey was coming in to lay a verse for you

0:58:19.560 --> 0:58:21.840
<v Speaker 1>or just to work. And so Nipsey came into the

0:58:21.880 --> 0:58:28.680
<v Speaker 1>studio with this guy named Johnny and yeah and yeah.

0:58:28.760 --> 0:58:31.280
<v Speaker 1>Austin was like, I want to get Nipsey on this record.

0:58:31.320 --> 0:58:32.520
<v Speaker 1>I want to play him the record. So we played

0:58:32.560 --> 0:58:33.760
<v Speaker 1>in the record. He's like, Yo, this ship is tight,

0:58:33.880 --> 0:58:35.840
<v Speaker 1>this was your record, this is my record. Yeah, and

0:58:35.880 --> 0:58:38.560
<v Speaker 1>then we got Nipsey was like this is fire. Just

0:58:38.640 --> 0:58:40.560
<v Speaker 1>jumped in the booth, cut it real quick. And then

0:58:40.720 --> 0:58:42.320
<v Speaker 1>he's telling me you know, I mean like I was

0:58:42.320 --> 0:58:43.919
<v Speaker 1>telling them like I really want to do this shit,

0:58:43.920 --> 0:58:46.040
<v Speaker 1>and he was like, oh, yes, this ship fire, bro,

0:58:46.160 --> 0:58:50.040
<v Speaker 1>like you can do it, and like like Nipsey was

0:58:50.040 --> 0:58:53.600
<v Speaker 1>my favorite upcoming rapper so I was telling Austin about him.

0:58:53.640 --> 0:58:54.960
<v Speaker 1>I was like, I get him on a verse, like

0:58:54.960 --> 0:58:57.000
<v Speaker 1>it's nothing, because he was just coming up so you

0:58:57.040 --> 0:59:00.240
<v Speaker 1>could get Nipsey on the verse, you know, And because

0:59:00.280 --> 0:59:02.680
<v Speaker 1>I looked at I was looking at Nipsy like our

0:59:02.760 --> 0:59:06.000
<v Speaker 1>generation Snoop. Yeah, you know what I think when he

0:59:06.040 --> 0:59:08.160
<v Speaker 1>first came out, that was kind of like they look

0:59:08.280 --> 0:59:12.040
<v Speaker 1>very similar. They look similar. They're both very similar, not similar,

0:59:12.080 --> 0:59:13.720
<v Speaker 1>but they had very each of them had a very

0:59:13.760 --> 0:59:17.000
<v Speaker 1>distinct tone. Yeah, and they look like, you know, they

0:59:17.000 --> 0:59:19.280
<v Speaker 1>look like he's a crip and right he was just

0:59:19.360 --> 0:59:23.840
<v Speaker 1>so hard, like skinny with the plaids and the genes

0:59:23.840 --> 0:59:26.960
<v Speaker 1>at the converse, like it was just so snoop. And

0:59:27.000 --> 0:59:29.800
<v Speaker 1>I was like, Yo, this guy's gonna be our Snoop,

0:59:29.840 --> 0:59:32.920
<v Speaker 1>our icon. And I was like he's gonna be the

0:59:33.000 --> 0:59:36.240
<v Speaker 1>biggest And everybody around me's like, what the hell are

0:59:36.280 --> 0:59:39.120
<v Speaker 1>you talking about? Dog? I was like, yo, can I

0:59:39.160 --> 0:59:41.680
<v Speaker 1>get him on a verse? Like I can make that call.

0:59:41.720 --> 0:59:44.520
<v Speaker 1>That's nothing, you know what I mean? Everyone around is

0:59:44.520 --> 0:59:47.120
<v Speaker 1>like it's not a big deal. But I think I think,

0:59:47.200 --> 0:59:49.520
<v Speaker 1>you know what, like not to toot my own horn, man,

0:59:49.600 --> 0:59:53.640
<v Speaker 1>but I think I have the vision to see somebody

0:59:53.680 --> 0:59:56.320
<v Speaker 1>in twenty years, to see somebody in ten years, to

0:59:56.400 --> 0:59:58.600
<v Speaker 1>see somebody. I could look at somebody and know if

0:59:58.600 --> 1:00:02.040
<v Speaker 1>they're gonna be somebody or not. Music business, Yeah, man,

1:00:02.200 --> 1:00:04.440
<v Speaker 1>Nipsey was one of those guys. The first time I

1:00:04.440 --> 1:00:06.040
<v Speaker 1>met him was in O nine. He came in freestyle

1:00:06.080 --> 1:00:08.040
<v Speaker 1>on my show in Boise, Idaho, when I was doing

1:00:08.120 --> 1:00:10.640
<v Speaker 1>radio and Boise Wow. That was my first full time job,

1:00:10.800 --> 1:00:15.360
<v Speaker 1>crazy and killed it. Yeah. He had a mixtape out

1:00:15.360 --> 1:00:17.120
<v Speaker 1>called Bulletin Got No Names. Oh I love that. I

1:00:17.240 --> 1:00:19.760
<v Speaker 1>love still still play it. Yeah, Part one and two

1:00:19.880 --> 1:00:22.120
<v Speaker 1>right two is my ship Roll the Windows Upside? Oh

1:00:22.200 --> 1:00:24.440
<v Speaker 1>my god. But yeah, rest in peace to Nipsey. You

1:00:24.480 --> 1:00:31.640
<v Speaker 1>mentioned being around Austin early. I feel like generic fans

1:00:32.000 --> 1:00:36.000
<v Speaker 1>of music might compare you in Posty together. Yeah, just

1:00:36.040 --> 1:00:38.560
<v Speaker 1>because you guys have a lot of tattoos, because we're

1:00:38.560 --> 1:00:44.720
<v Speaker 1>both at white boys. Fair enough. What like were you

1:00:44.760 --> 1:00:48.320
<v Speaker 1>around post early on? Yeah? I mean I was friends

1:00:48.320 --> 1:00:53.960
<v Speaker 1>with post I was friends with Austin. I was friends

1:00:53.960 --> 1:00:56.040
<v Speaker 1>with them. We'd ride around in my mom's car and

1:00:56.160 --> 1:00:59.400
<v Speaker 1>like play music, and we had like very similar taste,

1:00:59.480 --> 1:01:03.000
<v Speaker 1>Like we liked the same shit and early on, like

1:01:03.280 --> 1:01:07.600
<v Speaker 1>you said that you could see uh kind of people

1:01:08.040 --> 1:01:10.040
<v Speaker 1>ahead of their time. Did you did you see Posts

1:01:10.120 --> 1:01:12.520
<v Speaker 1>like and be like, you know, hey, this guy could

1:01:12.520 --> 1:01:19.160
<v Speaker 1>be one of the biggest artists in the world. I

1:01:19.200 --> 1:01:21.760
<v Speaker 1>didn't see that Post. I knew that. I knew he

1:01:21.800 --> 1:01:24.760
<v Speaker 1>was a special soul, Like he's a good dude, he's

1:01:24.800 --> 1:01:29.200
<v Speaker 1>a great guy, and he was just a special energy

1:01:29.240 --> 1:01:31.840
<v Speaker 1>and like we'd laugh, you know, he's this kid. Was

1:01:31.880 --> 1:01:35.280
<v Speaker 1>this prior to him moving to La He moved to

1:01:35.360 --> 1:01:37.680
<v Speaker 1>LA already at the time, but like, you know, we

1:01:37.880 --> 1:01:39.840
<v Speaker 1>just drive around my mom's car and listen to the

1:01:39.840 --> 1:01:42.400
<v Speaker 1>iPod and he'd played me his stuff and we play

1:01:42.440 --> 1:01:45.400
<v Speaker 1>He was in my video, his my first video. You know,

1:01:45.480 --> 1:01:47.960
<v Speaker 1>it was just weird, Like you know, yeah, I think

1:01:48.040 --> 1:01:50.800
<v Speaker 1>me and Post he kind of faded off when people

1:01:50.840 --> 1:01:55.000
<v Speaker 1>started comparing us and it became weird. So like I

1:01:55.000 --> 1:01:58.080
<v Speaker 1>feel like that's somebody who you know when you talk

1:01:58.120 --> 1:01:59.720
<v Speaker 1>about like y'all was around a lot of the biggest

1:01:59.760 --> 1:02:02.440
<v Speaker 1>artists early on. Like do you feel like you might

1:02:02.440 --> 1:02:04.760
<v Speaker 1>have maybe had some sort of influence on Posts early on?

1:02:05.920 --> 1:02:08.520
<v Speaker 1>I don't know, I you know, I don't know did

1:02:08.560 --> 1:02:11.960
<v Speaker 1>that first already him? You probably know Charlie Handsome Ryan, Yeah,

1:02:11.960 --> 1:02:14.000
<v Speaker 1>I love Charlie Han. Yeah. So Ryan, like like Ryan's

1:02:14.000 --> 1:02:16.919
<v Speaker 1>from Phoenix, where I'm from. Yeah, and he had reached

1:02:16.960 --> 1:02:18.800
<v Speaker 1>out to me, like when I was doing radio on

1:02:18.840 --> 1:02:22.240
<v Speaker 1>Tampa in twenty fourteen, twenty fourteen, and it was like

1:02:22.320 --> 1:02:26.080
<v Speaker 1>dude White iverson I'm at the time. Ryan was telling

1:02:26.160 --> 1:02:28.520
<v Speaker 1>me he was managing post Yeah, I mean everybody was.

1:02:28.760 --> 1:02:34.600
<v Speaker 1>Everybody was managing posting some dre you know whatever. But yeah, yeah, yeah,

1:02:34.600 --> 1:02:37.920
<v Speaker 1>It's just it's interesting because I do feel like you guys,

1:02:39.720 --> 1:02:42.440
<v Speaker 1>like you like what you just said about his energy

1:02:42.560 --> 1:02:44.840
<v Speaker 1>and what I said about your energy earlier. Yeah, we

1:02:44.880 --> 1:02:47.280
<v Speaker 1>have We're very similar, you know, we're very similar. We

1:02:47.280 --> 1:02:52.480
<v Speaker 1>smile a lot, and we have similar music taste and

1:02:52.600 --> 1:02:56.600
<v Speaker 1>what we like singing and hitting such the same similar melodies.

1:02:56.640 --> 1:03:00.960
<v Speaker 1>And you know, it's another reason why like I'm happy

1:03:01.000 --> 1:03:04.320
<v Speaker 1>at this eighties album is because like you can't compare

1:03:04.800 --> 1:03:07.680
<v Speaker 1>me to anybody, to anybody when I sing the way

1:03:07.680 --> 1:03:10.160
<v Speaker 1>I do with the eighties stuff. And you know, you know,

1:03:10.240 --> 1:03:13.760
<v Speaker 1>Poster is around, and you know a lot of artists,

1:03:13.840 --> 1:03:16.240
<v Speaker 1>you know, like even with Khalid Man, you know, like

1:03:16.320 --> 1:03:18.640
<v Speaker 1>Khalid I was driving around Khalide played me his first

1:03:18.680 --> 1:03:22.080
<v Speaker 1>album before he became anybody you know. Wow. Yeah, I

1:03:22.120 --> 1:03:24.080
<v Speaker 1>feel like Khalid is another one of the early Spotify

1:03:24.160 --> 1:03:27.760
<v Speaker 1>success stories exactly like I was. Just I was blessed

1:03:27.840 --> 1:03:30.880
<v Speaker 1>enough to be around all these artists and learn from

1:03:30.880 --> 1:03:32.520
<v Speaker 1>them as well as much as they learn from me.

1:03:32.600 --> 1:03:38.720
<v Speaker 1>I learned from them, and I'm so happy that my

1:03:38.840 --> 1:03:43.120
<v Speaker 1>career is going the way it is. I've I think

1:03:43.200 --> 1:03:45.720
<v Speaker 1>nineteen eighty four might be the time. I think nineteen

1:03:45.760 --> 1:03:48.360
<v Speaker 1>eighty I think this interview is the last interview I

1:03:48.400 --> 1:03:51.840
<v Speaker 1>do before I get ruined. Well, do try not to

1:03:51.840 --> 1:03:54.360
<v Speaker 1>get ruined. When you say get ruined, what do you mean,

1:03:54.440 --> 1:03:57.080
<v Speaker 1>actually specify? Like I might blow up and just become

1:03:57.160 --> 1:04:02.040
<v Speaker 1>generic and become Walmart. If it happens the right way,

1:04:02.240 --> 1:04:05.720
<v Speaker 1>I might become Target. Do you want? I mean, that's

1:04:05.760 --> 1:04:07.560
<v Speaker 1>not what I want. I have no choice. I have

1:04:07.600 --> 1:04:10.360
<v Speaker 1>no option. That's true. It's almost like once you blow up,

1:04:10.360 --> 1:04:14.720
<v Speaker 1>it's like I feel like I just I felt this

1:04:14.760 --> 1:04:17.680
<v Speaker 1>way about the baby, right, so the baby. I've been

1:04:17.680 --> 1:04:19.320
<v Speaker 1>a fan of the baby for a long time before

1:04:19.320 --> 1:04:22.080
<v Speaker 1>anybody who the fuck he was. We interviewed him twenty seventeen.

1:04:22.160 --> 1:04:24.000
<v Speaker 1>This is when he was doing his diaper shit at

1:04:24.120 --> 1:04:27.240
<v Speaker 1>south By Southwest I fucked with his music because he

1:04:27.320 --> 1:04:29.880
<v Speaker 1>was talking about moving packs and selling weed and like

1:04:29.960 --> 1:04:31.560
<v Speaker 1>I come from that world, so I was like I

1:04:31.640 --> 1:04:36.680
<v Speaker 1>related to his shit. Yeah, And like now I'm not

1:04:36.720 --> 1:04:39.320
<v Speaker 1>excited to hear new music from the baby anymore because

1:04:39.600 --> 1:04:43.600
<v Speaker 1>he's so big that I kind of just like I'm like, Okay, well,

1:04:43.600 --> 1:04:46.040
<v Speaker 1>like what I loved him for, he's not really doing anymore,

1:04:46.760 --> 1:04:49.040
<v Speaker 1>Like I'll hear the shit I need to hear. Yeah,

1:04:49.320 --> 1:04:52.040
<v Speaker 1>but it's just like he's like target now, yes, you

1:04:52.040 --> 1:04:53.800
<v Speaker 1>know what I'm saying. Yeah, yeah, yeah, I know what

1:04:53.840 --> 1:04:56.120
<v Speaker 1>it's like. And it's not and it's not like he's

1:04:56.160 --> 1:04:58.200
<v Speaker 1>not making dope shit still, it's just like, you know,

1:04:58.280 --> 1:05:01.800
<v Speaker 1>it's like what you just said, It's like it's not

1:05:01.880 --> 1:05:03.680
<v Speaker 1>up to you. It's not you know, and if you

1:05:03.840 --> 1:05:06.880
<v Speaker 1>with any amount of certain commercial success, like that just

1:05:06.920 --> 1:05:10.360
<v Speaker 1>kind of happens. That happens. Yeah, Like my boys little

1:05:10.520 --> 1:05:15.720
<v Speaker 1>sister is like like she was the biggest Billie Eilish

1:05:15.760 --> 1:05:19.040
<v Speaker 1>fan and now she's fucking Walmart and now I'm like, yo,

1:05:19.160 --> 1:05:22.400
<v Speaker 1>Billy dropped a new song. I'm not really into Billy anymore.

1:05:23.080 --> 1:05:25.640
<v Speaker 1>We mentally do that. Kanye I think was the last

1:05:25.680 --> 1:05:28.120
<v Speaker 1>artist for me that like, just because like what we

1:05:28.120 --> 1:05:29.800
<v Speaker 1>talked about earlier with him, where would be like, I

1:05:29.840 --> 1:05:31.439
<v Speaker 1>just want I can't wait to see what he's doing.

1:05:32.120 --> 1:05:33.960
<v Speaker 1>Even I feel like Travis to a certain extent, but

1:05:34.000 --> 1:05:38.280
<v Speaker 1>like Kanye, I've lost that with him recently because I

1:05:38.320 --> 1:05:40.520
<v Speaker 1>really was not a fan of the Jesus King shit.

1:05:40.600 --> 1:05:43.840
<v Speaker 1>And yeah, I'm like I said, man like, but Kanye

1:05:44.240 --> 1:05:47.640
<v Speaker 1>like became Walmart, but didn't like it was the Walmart

1:05:47.680 --> 1:05:50.600
<v Speaker 1>I wanted to go to exactly exactly exactly, like can

1:05:50.800 --> 1:05:53.240
<v Speaker 1>go buy some fucking cargo shorts and a video? I

1:05:53.320 --> 1:05:57.800
<v Speaker 1>just I don't remember the last time I felt the

1:05:57.840 --> 1:06:00.120
<v Speaker 1>way I felt when I turned the TV on and

1:06:00.200 --> 1:06:04.400
<v Speaker 1>I saw Kanye West wear on leather performing black Skinhead.

1:06:04.960 --> 1:06:08.840
<v Speaker 1>That hasn't happened for me in a very long time.

1:06:09.720 --> 1:06:11.880
<v Speaker 1>And that's all I'm gonna say. I'm gonna leave it

1:06:11.920 --> 1:06:16.080
<v Speaker 1>at that. No one's impressive. I love Travis Scott good day.

1:06:16.120 --> 1:06:19.520
<v Speaker 1>He does what he does and that's amazing. But I

1:06:19.560 --> 1:06:21.520
<v Speaker 1>can't wait to see if he changes his sound. You

1:06:21.560 --> 1:06:26.200
<v Speaker 1>understand what I'm saying. I'm just not looking like the

1:06:26.280 --> 1:06:29.520
<v Speaker 1>last time where you were like fuck, when was the

1:06:29.600 --> 1:06:32.479
<v Speaker 1>last time you said shut the fuck up? Don't talk

1:06:32.520 --> 1:06:35.960
<v Speaker 1>to me. My headphones are on. I am gonna be

1:06:36.040 --> 1:06:40.000
<v Speaker 1>focused right now. When was that that has never happened?

1:06:40.320 --> 1:06:42.400
<v Speaker 1>You listen to it like, oh here we go generic

1:06:42.440 --> 1:06:44.600
<v Speaker 1>shit again. Now. I think when we're talking about the

1:06:44.640 --> 1:06:47.560
<v Speaker 1>upper echelon of artist I don't disagree with you. I

1:06:47.600 --> 1:06:50.880
<v Speaker 1>think that, you know, there's artists that I'm like that with,

1:06:50.920 --> 1:06:54.560
<v Speaker 1>but they're like some boom bab like yo, fucking west

1:06:54.600 --> 1:06:56.560
<v Speaker 1>Side guns, pray for Paris is out Let me the

1:06:56.560 --> 1:06:58.640
<v Speaker 1>fuck alone, you know what I mean. But you love that.

1:06:58.680 --> 1:07:00.680
<v Speaker 1>It's good. That's good that you still find something that

1:07:00.720 --> 1:07:03.560
<v Speaker 1>you love. You know, you like that. I mean, you

1:07:03.600 --> 1:07:08.280
<v Speaker 1>know you have to. I feel like I feel like

1:07:09.200 --> 1:07:11.480
<v Speaker 1>I'm doing that for my fans right now, and that's

1:07:11.480 --> 1:07:14.000
<v Speaker 1>what makes me happy. My fans are like, shut up,

1:07:14.560 --> 1:07:17.840
<v Speaker 1>he's dropping something and I'm gonna listen to it because

1:07:18.320 --> 1:07:21.200
<v Speaker 1>I know it's going to be a different sound, and

1:07:21.320 --> 1:07:22.720
<v Speaker 1>that's what I got to continue to do it. The

1:07:22.720 --> 1:07:25.040
<v Speaker 1>minute I stop doing yeah, the minute I stop doing that,

1:07:25.640 --> 1:07:27.800
<v Speaker 1>it's over for me. Dog. Hey, look, I also think

1:07:27.800 --> 1:07:29.160
<v Speaker 1>that there's a good chance that we look back at

1:07:29.200 --> 1:07:32.600
<v Speaker 1>this interview in a year and that your project, let's say,

1:07:32.760 --> 1:07:36.120
<v Speaker 1>you know, like you said, influential. People are loving it,

1:07:36.160 --> 1:07:38.560
<v Speaker 1>so we might look back in a year and like

1:07:40.000 --> 1:07:42.400
<v Speaker 1>the eighty sound is going to be all over a

1:07:42.440 --> 1:07:46.320
<v Speaker 1>bunch of people. Shit, you know what I'm saying, Like, now,

1:07:46.440 --> 1:07:48.640
<v Speaker 1>will you get the credit for it? Probably not, I

1:07:48.720 --> 1:07:51.840
<v Speaker 1>never do, but you know, I mean, we'll see. But

1:07:51.920 --> 1:07:55.480
<v Speaker 1>I can definitely see, like even just the sonics of

1:07:55.560 --> 1:07:57.439
<v Speaker 1>like the production and shit, you know what I'm saying,

1:07:57.480 --> 1:08:00.200
<v Speaker 1>Like I could see like people tapping in with at

1:08:00.200 --> 1:08:05.120
<v Speaker 1>now because they're like, oh, oh, exactly, this can work exactly.

1:08:05.160 --> 1:08:09.200
<v Speaker 1>I mean, you know what one thing I admired about

1:08:09.560 --> 1:08:13.560
<v Speaker 1>reading in all the magazines after I dropped the album

1:08:13.880 --> 1:08:21.759
<v Speaker 1>was authentic, real original. The words that I was looking

1:08:21.800 --> 1:08:28.799
<v Speaker 1>for was these artists released sounding similar, sounding, eighty sounding,

1:08:28.840 --> 1:08:34.680
<v Speaker 1>but not authentic copycats. And you read what I'm what

1:08:34.760 --> 1:08:37.880
<v Speaker 1>they write about. My shit, it's authentic, real original. And

1:08:37.920 --> 1:08:40.080
<v Speaker 1>that's the things that I was looking for. And that's

1:08:40.479 --> 1:08:42.960
<v Speaker 1>I hit it on the head. Where I was did

1:08:42.960 --> 1:08:45.439
<v Speaker 1>it was not sound looking at copycat, and I made

1:08:45.439 --> 1:08:49.400
<v Speaker 1>a sound that people loved and was original. I brought that.

1:08:49.880 --> 1:08:53.720
<v Speaker 1>I brought a sound that was modern eighty sound. You

1:08:53.760 --> 1:08:55.960
<v Speaker 1>and I are movie buffs. You said something earlier, how

1:08:56.000 --> 1:08:58.960
<v Speaker 1>the movies aren't the same anymore, And they're not. But

1:08:59.000 --> 1:09:00.680
<v Speaker 1>what's the last movie? You say all that, like you

1:09:00.800 --> 1:09:05.080
<v Speaker 1>really really fucked with where you were, like, yeah, this

1:09:05.120 --> 1:09:09.479
<v Speaker 1>is a this is a special one right here for me,

1:09:09.520 --> 1:09:11.439
<v Speaker 1>it was uncut gems. Now, I also happen to be

1:09:12.040 --> 1:09:14.679
<v Speaker 1>I'm a degenerate sports gambler, So I related to that movie.

1:09:14.840 --> 1:09:21.800
<v Speaker 1>I hate something crazy. It was a very stressful anxiety anxiety.

1:09:21.840 --> 1:09:24.000
<v Speaker 1>If you watch that movie and you've lived that, you're

1:09:24.080 --> 1:09:28.160
<v Speaker 1>like the only the best part about that movie was

1:09:28.240 --> 1:09:33.360
<v Speaker 1>having It's got a cool KG. He was a great

1:09:33.360 --> 1:09:35.600
<v Speaker 1>actor in it. But the best part it was my

1:09:35.680 --> 1:09:39.080
<v Speaker 1>boy Greg. You know, Yeah, he's a great he's an

1:09:39.120 --> 1:09:42.000
<v Speaker 1>amazing jeweler. It's incredible. He's one of my great friends.

1:09:42.000 --> 1:09:44.519
<v Speaker 1>And he believed in me. I love him and uh,

1:09:44.560 --> 1:09:49.519
<v Speaker 1>but yeah, that was that movie. I'll tell you the

1:09:49.520 --> 1:09:52.840
<v Speaker 1>story after we stopped this interview. Oh about that movie? Yeah,

1:09:52.880 --> 1:09:55.080
<v Speaker 1>I'll tell you specific movie. Yeah, I'll tell you a

1:09:55.080 --> 1:09:58.360
<v Speaker 1>crazy story. What are you a sports gambler? No? No,

1:09:58.400 --> 1:10:00.519
<v Speaker 1>but I'll tell you a crazy story. Like, no, but

1:10:00.560 --> 1:10:02.120
<v Speaker 1>what was that? What was the last movie for you?

1:10:02.120 --> 1:10:05.040
<v Speaker 1>You saw that? Like you like that, You're not okay,

1:10:05.080 --> 1:10:08.960
<v Speaker 1>this is this is this is fire like not fire

1:10:09.120 --> 1:10:12.320
<v Speaker 1>like you know at the because it's on Netflix, but

1:10:12.360 --> 1:10:13.640
<v Speaker 1>like just some ship that you're like, oh, this is

1:10:13.680 --> 1:10:20.200
<v Speaker 1>some shit I'm watching twenty years Oh wow, if any

1:10:22.200 --> 1:10:25.719
<v Speaker 1>I don't know. Man, like the movies recently, I don't know, dude,

1:10:25.800 --> 1:10:32.639
<v Speaker 1>Like it's like difficult, like I watch only old movies.

1:10:32.720 --> 1:10:34.720
<v Speaker 1>I don't really. I watched the New Ones, but I

1:10:34.720 --> 1:10:38.120
<v Speaker 1>don't care. Bad Boys three was kind of trash. It's horrible.

1:10:39.040 --> 1:10:48.960
<v Speaker 1>She was terrible. Man, all this ship is garbage. All right.

1:10:49.000 --> 1:10:51.519
<v Speaker 1>People hated it. I'm saying. Let me just say this.

1:10:53.080 --> 1:11:02.240
<v Speaker 1>People hated the Queen movie. Okay, Bohemian raapsy, Yes, they

1:11:02.280 --> 1:11:04.720
<v Speaker 1>hated it. Everyone hated it. I actually liked it. I

1:11:04.960 --> 1:11:08.559
<v Speaker 1>liked it, and dude killed it. The actor killed it, yeah,

1:11:09.000 --> 1:11:13.040
<v Speaker 1>at the Museum. I don't know his name. Yeah, that

1:11:13.160 --> 1:11:15.640
<v Speaker 1>was a good movie. Is the Elton John movie? Not

1:11:15.720 --> 1:11:18.760
<v Speaker 1>so much? Your shout out to Elton John? Actually he's

1:11:18.800 --> 1:11:21.160
<v Speaker 1>a he's a legend. I was. You know, that's one

1:11:21.160 --> 1:11:24.840
<v Speaker 1>of my biggest inspirations. When I shoot videos, they try

1:11:24.880 --> 1:11:27.720
<v Speaker 1>to look like him. Okay, what do you think of

1:11:27.760 --> 1:11:30.800
<v Speaker 1>that movie? It was good, it was I just think

1:11:30.880 --> 1:11:32.680
<v Speaker 1>they should have gave a heads up saying it was

1:11:32.680 --> 1:11:36.160
<v Speaker 1>a musical. True, we ain't get no heads up. You

1:11:36.240 --> 1:11:37.880
<v Speaker 1>just like saw the trailer and you like diving here,

1:11:39.000 --> 1:11:41.800
<v Speaker 1>you go in there and it's like, oh shit, it's

1:11:41.800 --> 1:11:43.800
<v Speaker 1>a musical. But I love that and John and I

1:11:44.760 --> 1:11:46.880
<v Speaker 1>love him very much. And if he didn't exist, I

1:11:46.880 --> 1:11:49.320
<v Speaker 1>don't think i'd be here honestly, because he's influenced me

1:11:49.360 --> 1:11:52.559
<v Speaker 1>so much. What about are you? Like, like, are you

1:11:52.600 --> 1:11:54.880
<v Speaker 1>a big TV guy? Like do you binge watch series

1:11:54.920 --> 1:11:57.320
<v Speaker 1>and ship? Like? Man, I'm right now watching Fresh Prince

1:11:57.400 --> 1:12:02.000
<v Speaker 1>Bell there runs and I love you know, my favorite

1:12:02.000 --> 1:12:04.880
<v Speaker 1>cartoon is Hey Arnold. Hey Arnold was fire. Yeah, I

1:12:04.920 --> 1:12:07.320
<v Speaker 1>got the tattoo on my leg. But yeah, I love

1:12:07.360 --> 1:12:10.280
<v Speaker 1>Hey Arnold so much, you know, and Doug two of

1:12:10.320 --> 1:12:12.840
<v Speaker 1>the most slept on. Yeah that was cool. I never

1:12:12.840 --> 1:12:14.639
<v Speaker 1>really got into it like that, but like, hey Arnold

1:12:14.720 --> 1:12:16.960
<v Speaker 1>is my ship, Like, Hey Arnold is my ship. Rocket

1:12:17.040 --> 1:12:20.320
<v Speaker 1>Power is my ship. But like I just rewatched The

1:12:20.320 --> 1:12:22.719
<v Speaker 1>Wire with my wife. Oh the Wire. I was friends

1:12:22.720 --> 1:12:27.120
<v Speaker 1>with the guy Panama back then. He always believed in me.

1:12:28.600 --> 1:12:31.799
<v Speaker 1>I have the weirdest connections in the world. I'm friends

1:12:31.800 --> 1:12:34.680
<v Speaker 1>with the weirdest people I really am. I'm friends with,

1:12:34.960 --> 1:12:38.400
<v Speaker 1>I'm friends I'm connected with. I've been through the crazies.

1:12:38.600 --> 1:12:42.439
<v Speaker 1>My life is insane. My life is insane. I'm friends

1:12:42.439 --> 1:12:44.439
<v Speaker 1>with the most that you would never think I'm friends

1:12:44.439 --> 1:12:46.840
<v Speaker 1>with these people. Yo, man, I mean, I didn't know

1:12:46.840 --> 1:12:48.960
<v Speaker 1>you were on the run in Iceland. That's fucking crazy.

1:12:49.120 --> 1:12:53.240
<v Speaker 1>I know, Iceland, but yeah, but an interesting place to

1:12:53.320 --> 1:12:56.120
<v Speaker 1>choose to go to, I know. But life. Life is

1:12:56.160 --> 1:12:59.759
<v Speaker 1>crazy right now, you know. And I still can't believe

1:12:59.760 --> 1:13:04.479
<v Speaker 1>where we're in. This situation we're in, you know. But

1:13:04.920 --> 1:13:07.240
<v Speaker 1>no one can run away right now, and that's what's scary.

1:13:07.720 --> 1:13:11.599
<v Speaker 1>We're trapped in the world right now. And twenty twenty

1:13:11.680 --> 1:13:15.200
<v Speaker 1>is the new nineteen eighty four. And if you ever

1:13:15.240 --> 1:13:19.679
<v Speaker 1>read George, if you ever yeah, if you ever read

1:13:19.720 --> 1:13:23.280
<v Speaker 1>the Orwell book, it's kind of crazy the fact that

1:13:23.520 --> 1:13:26.360
<v Speaker 1>I dropped the nineteen eighty four album after I recorded

1:13:26.360 --> 1:13:30.080
<v Speaker 1>it in twenty fifteen now because these other dark times

1:13:30.280 --> 1:13:32.599
<v Speaker 1>we're living in, and I think I prayed that we're

1:13:32.640 --> 1:13:36.519
<v Speaker 1>still alive after the elections. Election is going to be interesting. Man,

1:13:36.920 --> 1:13:40.720
<v Speaker 1>It's going to be like you said, it could be

1:13:40.760 --> 1:13:43.520
<v Speaker 1>the It feels like it could be like the climax

1:13:43.560 --> 1:13:46.040
<v Speaker 1>to the end of the world, yeah, or the end

1:13:46.040 --> 1:13:48.200
<v Speaker 1>of the world as we know it. Yes, So I'm

1:13:48.240 --> 1:13:51.559
<v Speaker 1>just happy that I released a project. I saw my

1:13:51.760 --> 1:13:54.920
<v Speaker 1>billboard on Sunset across the street from the chateau, which

1:13:54.960 --> 1:13:57.720
<v Speaker 1>is all that. Yeah. Yeah, because my third album is

1:13:57.760 --> 1:14:00.840
<v Speaker 1>going to be recorded in the chateau. Ok. Yeah, so

1:14:00.920 --> 1:14:03.400
<v Speaker 1>this is exclusive stuff that I'm telling you. Actually, I've

1:14:03.439 --> 1:14:07.519
<v Speaker 1>never told anyone. Third album was recorded on in the

1:14:07.640 --> 1:14:13.280
<v Speaker 1>chateau because of John Belushi. That's where he passed. Yeah,

1:14:13.280 --> 1:14:16.559
<v Speaker 1>and he's a big, big influence and big inspiration because

1:14:16.600 --> 1:14:20.519
<v Speaker 1>he was the first Albanian male in Hollywood. Wow, I

1:14:20.520 --> 1:14:22.000
<v Speaker 1>didn't know that. I didn't even know he was. He

1:14:22.080 --> 1:14:24.559
<v Speaker 1>was Albanian. Ye have him tattered on me as well?

1:14:25.080 --> 1:14:27.639
<v Speaker 1>And you know, have you met his brother? Yes, I'm

1:14:27.680 --> 1:14:31.439
<v Speaker 1>actually from Jim. Yeah, Jim. Jim had a run too,

1:14:31.479 --> 1:14:33.720
<v Speaker 1>man that you know. I've had lunch with him in

1:14:33.760 --> 1:14:36.280
<v Speaker 1>friends with his kids and stuff, like we talked on Instagram.

1:14:36.439 --> 1:14:39.519
<v Speaker 1>So you and the Belushi's got some some uh some

1:14:39.520 --> 1:14:42.599
<v Speaker 1>some genuine relationship. Yeah, I've met them, met his brother

1:14:42.840 --> 1:14:44.559
<v Speaker 1>a couple of times. But as far as like John,

1:14:44.680 --> 1:14:47.280
<v Speaker 1>like John Store, John just probably a lot of inspiration

1:14:47.320 --> 1:14:50.000
<v Speaker 1>as a kid, being like, yo, somebody from where I'm from, Yeah,

1:14:50.160 --> 1:14:52.280
<v Speaker 1>has made it into Hollywood. It's never happened. I mean,

1:14:52.320 --> 1:14:56.000
<v Speaker 1>look at the Albanian artists and Dua Lipa. You know,

1:14:56.439 --> 1:14:59.200
<v Speaker 1>I didn't even know Alpa was Albanian. But then again,

1:15:00.000 --> 1:15:02.639
<v Speaker 1>it doesn't matter. Look what you're saying, I don't listen

1:15:02.680 --> 1:15:05.080
<v Speaker 1>to do but hold on though, Look what you're saying.

1:15:06.040 --> 1:15:08.640
<v Speaker 1>Did you know rider or it was? I did not

1:15:09.080 --> 1:15:14.720
<v Speaker 1>exactly what you're saying, did you. Yeah, we'll ended there.

1:15:15.080 --> 1:15:16.640
<v Speaker 1>So there's like I just think it's dope that you

1:15:16.680 --> 1:15:18.120
<v Speaker 1>wrap that shit like you know what I'm saying. I

1:15:18.120 --> 1:15:20.400
<v Speaker 1>think it's important. Make sure make sure that you send

1:15:20.479 --> 1:15:24.120
<v Speaker 1>me that clip exactly what just happened right now. Send

1:15:24.120 --> 1:15:25.360
<v Speaker 1>it to me because I want to post that on

1:15:25.360 --> 1:15:28.040
<v Speaker 1>my social media because see, my country right now is

1:15:28.080 --> 1:15:31.479
<v Speaker 1>not on the map on Apple. Apple's not putting my

1:15:31.520 --> 1:15:34.800
<v Speaker 1>country on a map Kosovo, And you got all these

1:15:35.600 --> 1:15:40.360
<v Speaker 1>girl artists right now saying complaining that they should put

1:15:40.360 --> 1:15:42.680
<v Speaker 1>it on the map. How are you expecting anyone to

1:15:42.680 --> 1:15:44.439
<v Speaker 1>put anything on a map if you never put it

1:15:44.479 --> 1:15:46.840
<v Speaker 1>on a map, if you don't talk about it, if

1:15:46.880 --> 1:15:49.040
<v Speaker 1>you hide where you're from and you're hiding because you

1:15:49.080 --> 1:15:51.320
<v Speaker 1>want to be cool. I've been wrapping where I'm from

1:15:51.320 --> 1:15:54.960
<v Speaker 1>since I came in his business. Nothing's changed. I have

1:15:55.080 --> 1:15:57.280
<v Speaker 1>that shits tattered. I have Kosovo on my belly, I

1:15:57.320 --> 1:15:58.800
<v Speaker 1>have it on my hand. You have to see it.

1:15:58.840 --> 1:16:03.040
<v Speaker 1>I can't hide it. You understand, they don't rep it

1:16:03.120 --> 1:16:05.320
<v Speaker 1>and now they don't have us on a map. And

1:16:05.360 --> 1:16:07.840
<v Speaker 1>it's because you never repped it. And I'm not saying

1:16:07.920 --> 1:16:09.880
<v Speaker 1>dual leap because du A Leapa has been repping it

1:16:09.960 --> 1:16:13.040
<v Speaker 1>and she's slowly. She's from London as well, but like

1:16:13.080 --> 1:16:14.760
<v Speaker 1>a lot of the other girls, they don't rep a shit.

1:16:15.280 --> 1:16:18.759
<v Speaker 1>So I'm a I'm a little so as a kid obviously,

1:16:18.800 --> 1:16:22.600
<v Speaker 1>I remember just on the news the Kosovo conflict that

1:16:22.680 --> 1:16:27.760
<v Speaker 1>was when Clinton was president. Yeah, I'm not educated, so

1:16:27.840 --> 1:16:32.320
<v Speaker 1>you could educate me. Albania Kosovo is close, like like

1:16:32.360 --> 1:16:36.920
<v Speaker 1>kind of is. We're basically brother and sister. You know

1:16:36.920 --> 1:16:39.280
<v Speaker 1>what I'm saying the same thing. I'm just trying to

1:16:39.320 --> 1:16:41.960
<v Speaker 1>you know, it's the same thing basically, but Coastvo it's

1:16:42.000 --> 1:16:45.280
<v Speaker 1>his own country, but Serbian Kosovo have gotten into it

1:16:46.120 --> 1:16:49.960
<v Speaker 1>because of Lange and we got out independence finally. But

1:16:50.240 --> 1:16:52.840
<v Speaker 1>they still are not acknowledging us as a country on

1:16:53.280 --> 1:16:55.280
<v Speaker 1>the Google maps and putting us they're putting us as

1:16:55.320 --> 1:16:58.760
<v Speaker 1>a number. Wow. You understand that's a problem because we

1:16:59.000 --> 1:17:01.920
<v Speaker 1>did get out in dependence. We are a country. A

1:17:02.000 --> 1:17:04.479
<v Speaker 1>coast vote is our country. The other thing that pisses

1:17:04.479 --> 1:17:07.240
<v Speaker 1>me off is the fact that, you know, we shared

1:17:07.439 --> 1:17:10.560
<v Speaker 1>the flag with Albania, we shared the same flag, and

1:17:10.600 --> 1:17:13.160
<v Speaker 1>then now we have our blue flag, which is like

1:17:13.240 --> 1:17:15.719
<v Speaker 1>a blue and yellow flag. And I don't really respect

1:17:15.720 --> 1:17:19.719
<v Speaker 1>that because I because my people died for that flag,

1:17:20.320 --> 1:17:22.360
<v Speaker 1>and now you've given us independence but a new flag.

1:17:22.400 --> 1:17:24.439
<v Speaker 1>It's like, it's not It's like, you know what I mean,

1:17:24.479 --> 1:17:27.640
<v Speaker 1>It's like put a band aid over a cut, you

1:17:27.680 --> 1:17:29.680
<v Speaker 1>know what I'm saying. But you know, I want us

1:17:29.720 --> 1:17:31.640
<v Speaker 1>to be respected as a country, and I want us

1:17:31.680 --> 1:17:34.040
<v Speaker 1>to be put on a map. Nothing hurts me more

1:17:34.080 --> 1:17:36.639
<v Speaker 1>in my heart. It's like every time I land in Coastovo,

1:17:36.720 --> 1:17:38.559
<v Speaker 1>I feel like I'm getting stabbed in the throat. Every

1:17:38.560 --> 1:17:44.040
<v Speaker 1>time my iPhone says welcome to Serbia. Wow, because I

1:17:44.040 --> 1:17:46.760
<v Speaker 1>have families that died. They died, you know what I'm saying.

1:17:47.120 --> 1:17:49.200
<v Speaker 1>Sorry about that. It's all good, man, I mean, I

1:17:49.200 --> 1:17:51.960
<v Speaker 1>do feel like I have families that died for this

1:17:52.080 --> 1:17:56.439
<v Speaker 1>country to be acknowledged. I have families, family members, and

1:17:56.439 --> 1:18:00.719
<v Speaker 1>my people died, my people have been raped, my people

1:18:00.760 --> 1:18:04.519
<v Speaker 1>have been started, and they've been through a lot for

1:18:04.720 --> 1:18:07.559
<v Speaker 1>this country. And now you're not putting us on a map.

1:18:07.600 --> 1:18:09.360
<v Speaker 1>What type of bullshit is that? You know what I mean,

1:18:09.400 --> 1:18:11.400
<v Speaker 1>We've been through it all and we deserve to be

1:18:11.479 --> 1:18:14.599
<v Speaker 1>respected and acknowledged as a country. I think it's important

1:18:14.640 --> 1:18:16.760
<v Speaker 1>to educate people on that, because, you know, we just

1:18:16.800 --> 1:18:20.360
<v Speaker 1>had somebody, my boy Armine from Armenia, was kind of

1:18:20.439 --> 1:18:22.920
<v Speaker 1>educated me on you know how a lot of people

1:18:22.960 --> 1:18:26.200
<v Speaker 1>don't acknowledge the Armenian genocide and a lot of people

1:18:26.280 --> 1:18:28.000
<v Speaker 1>just don't know, you know. And I think that with

1:18:28.080 --> 1:18:29.960
<v Speaker 1>the Kosovo thing, like for me, I just kind of have,

1:18:30.080 --> 1:18:33.280
<v Speaker 1>like I guess, a generic remembrance of being a kid

1:18:33.360 --> 1:18:35.960
<v Speaker 1>and seeing the news seeing that there was a conflict there,

1:18:36.000 --> 1:18:39.559
<v Speaker 1>but I don't necessarily know. I don't really know what

1:18:39.640 --> 1:18:42.920
<v Speaker 1>happened outside of their you know, just seeing Clinton, I think,

1:18:43.160 --> 1:18:49.080
<v Speaker 1>what did US aid Kosovo? Yeah? Yeah, yeah, man, we're

1:18:49.120 --> 1:18:52.640
<v Speaker 1>gonna talk about that when the cameras we just you know,

1:18:52.640 --> 1:18:54.000
<v Speaker 1>at the end of the day, like no, no, no no,

1:18:54.280 --> 1:18:57.360
<v Speaker 1>I get now what you said. I just don't want

1:18:57.360 --> 1:18:58.600
<v Speaker 1>to get too deep into it because we'll be in

1:18:58.600 --> 1:19:00.599
<v Speaker 1>a rabbit hole fever. Like what I'm saying to you is,

1:19:01.120 --> 1:19:04.439
<v Speaker 1>you know, every day I fight for my music, but

1:19:04.520 --> 1:19:07.600
<v Speaker 1>at the same time, I don't want to forget my

1:19:07.720 --> 1:19:10.559
<v Speaker 1>roots and where I'm from. You know, even though my

1:19:10.720 --> 1:19:14.160
<v Speaker 1>people at times could be super toxic on me because

1:19:14.200 --> 1:19:17.440
<v Speaker 1>that one day I don't rep or say I'm from Kosovo,

1:19:17.680 --> 1:19:20.000
<v Speaker 1>they just come down on me so much. Any mistake

1:19:20.040 --> 1:19:22.599
<v Speaker 1>I make, they come down on me. And it's because

1:19:22.680 --> 1:19:26.519
<v Speaker 1>you know, sometimes your people are hard on you else

1:19:26.640 --> 1:19:31.400
<v Speaker 1>everyone else. You know what I'm saying. So but I've

1:19:31.439 --> 1:19:34.680
<v Speaker 1>been repping and your proof of that saying yo, I

1:19:34.680 --> 1:19:36.760
<v Speaker 1>always knew you were all banning because I've been saying

1:19:36.760 --> 1:19:43.160
<v Speaker 1>it since the beginning of my career, you know. And yeah,

1:19:43.280 --> 1:19:45.519
<v Speaker 1>I'm changing. I'm changing that. And I just think, you

1:19:45.560 --> 1:19:48.559
<v Speaker 1>know what, man, I love my country because they keep

1:19:48.560 --> 1:19:52.040
<v Speaker 1>me alive. You know, once America is over with Gashi

1:19:52.120 --> 1:19:54.679
<v Speaker 1>and they move on to the next act, my country

1:19:54.720 --> 1:19:56.320
<v Speaker 1>is going to keep me alive forever. And that's what

1:19:56.439 --> 1:19:59.240
<v Speaker 1>keeps Drake popping because Canada loves him and That's what

1:19:59.400 --> 1:20:02.800
<v Speaker 1>keeps Yanna popping because she her country loves her. That's

1:20:02.840 --> 1:20:05.560
<v Speaker 1>what keeps Kendrick popping because La loves him. You know

1:20:05.600 --> 1:20:07.559
<v Speaker 1>what I'm saying. Once you have your hometown, you can

1:20:07.640 --> 1:20:09.599
<v Speaker 1>get the whole world and you will always be relevant.

1:20:09.600 --> 1:20:12.240
<v Speaker 1>You always make money because people know you have roots

1:20:12.240 --> 1:20:14.439
<v Speaker 1>to someplace. When you come and you don't have love

1:20:14.520 --> 1:20:16.200
<v Speaker 1>in your own country, and you think you get popping

1:20:16.240 --> 1:20:18.800
<v Speaker 1>in a different city, you'll get popping five minutes and

1:20:18.840 --> 1:20:21.759
<v Speaker 1>be out and you're done. You're done. I love my people.

1:20:22.080 --> 1:20:24.040
<v Speaker 1>I read for my people. You know what I'm saying

1:20:24.080 --> 1:20:29.840
<v Speaker 1>these pop artists. This is why I love Jimbnushi, and

1:20:29.840 --> 1:20:31.880
<v Speaker 1>this is why my third album is so about him.

1:20:32.160 --> 1:20:34.880
<v Speaker 1>It's about me going fully Hollywood. It's about me going

1:20:34.960 --> 1:20:39.880
<v Speaker 1>fully pop because he's the only male Albanian to ever

1:20:39.960 --> 1:20:42.920
<v Speaker 1>be allowed in Hollywood. You know how difficult it is

1:20:42.960 --> 1:20:45.479
<v Speaker 1>to be accepted in Hollywood. You don't understand, especially in

1:20:45.520 --> 1:20:48.839
<v Speaker 1>the eighties. Exactly, Yeah, right, I'm about to be accepted

1:20:48.880 --> 1:20:51.720
<v Speaker 1>in Hollywood for the first time with his nineteen eighty

1:20:51.720 --> 1:20:55.559
<v Speaker 1>four album and then my third one. I'm fully gonna

1:20:55.600 --> 1:21:01.519
<v Speaker 1>be Hollywood, fully be celebrity, right, you know, what I'm saying.

1:21:01.880 --> 1:21:05.400
<v Speaker 1>So you said, like the Target Walmart reference exactly. This

1:21:05.479 --> 1:21:09.240
<v Speaker 1>might be the last thing. So it's a big deal

1:21:09.280 --> 1:21:12.799
<v Speaker 1>when you have eight girls right now on the Billboard

1:21:12.880 --> 1:21:18.400
<v Speaker 1>charts that are Albanian that are killing it and I'm

1:21:18.439 --> 1:21:23.799
<v Speaker 1>the only male Albanian to ever do it in America. Ever,

1:21:24.120 --> 1:21:28.840
<v Speaker 1>they will ever. You don't know when next time you'll

1:21:28.880 --> 1:21:33.840
<v Speaker 1>see me. I'm a total different beast. You will never,

1:21:34.240 --> 1:21:38.280
<v Speaker 1>you will never. This might be the last time you

1:21:38.400 --> 1:21:41.320
<v Speaker 1>ever see anything like this in your entire life. That's

1:21:41.320 --> 1:21:45.040
<v Speaker 1>how crazy it is for my country. Super super super

1:21:45.240 --> 1:21:53.599
<v Speaker 1>super solid, super super duper solid people. You can't even

1:21:53.600 --> 1:22:01.320
<v Speaker 1>wear a pink shirt around someone super aggressive, manly man.

1:22:01.800 --> 1:22:04.439
<v Speaker 1>To see me do pop music and dance the way

1:22:04.479 --> 1:22:07.640
<v Speaker 1>I do, To be acknowledging El and John and be

1:22:07.800 --> 1:22:10.599
<v Speaker 1>saying dressing up with my pants the way they are

1:22:10.640 --> 1:22:15.240
<v Speaker 1>and doing it's like such a culture shock. What is

1:22:15.280 --> 1:22:18.519
<v Speaker 1>this kid doing? Y is he talking to the kids

1:22:18.560 --> 1:22:22.120
<v Speaker 1>for my country? Like it's all right to accept everyone

1:22:22.320 --> 1:22:24.280
<v Speaker 1>for who they are, to write to do this, it's

1:22:24.280 --> 1:22:27.200
<v Speaker 1>a right to not being a gangster throwing up gangs

1:22:27.200 --> 1:22:29.679
<v Speaker 1>signed shooting people. I'm on New York Times, not because

1:22:29.680 --> 1:22:33.280
<v Speaker 1>I caught bodies because of my music. It's a total

1:22:33.600 --> 1:22:37.439
<v Speaker 1>different thing that my country's never seen before. The kids

1:22:37.439 --> 1:22:39.679
<v Speaker 1>are looking at me like, what the hell. I don't

1:22:39.720 --> 1:22:43.680
<v Speaker 1>have to kill someone to be famous, Like I'm totally

1:22:43.800 --> 1:22:46.320
<v Speaker 1>going in a different direction. And a lot of people

1:22:46.400 --> 1:22:49.479
<v Speaker 1>are trying to close doors on me that are in

1:22:49.520 --> 1:22:52.559
<v Speaker 1>the Hollywood, but they can't because I'm fully in now.

1:22:53.760 --> 1:22:58.040
<v Speaker 1>I'm officially in now. You can't stop it anymore. And

1:22:58.120 --> 1:23:00.639
<v Speaker 1>I earned my way in. I wrote every single song

1:23:00.760 --> 1:23:03.800
<v Speaker 1>with my bare hands. You can't stop it. I made it.

1:23:05.000 --> 1:23:06.759
<v Speaker 1>This is why it's a big deal for my country.

1:23:06.800 --> 1:23:08.599
<v Speaker 1>This is why it's a big deal for a male

1:23:08.920 --> 1:23:11.080
<v Speaker 1>like me to be in there. Because I'm teaching all

1:23:11.120 --> 1:23:14.880
<v Speaker 1>the kids rather they're gay, rather they're they're into like

1:23:15.439 --> 1:23:18.400
<v Speaker 1>pop music. Rather they're actually into the color pink and

1:23:18.479 --> 1:23:22.400
<v Speaker 1>are probably straight that maybe they're into the things that

1:23:22.439 --> 1:23:25.320
<v Speaker 1>they're not supposed to be into. I'm trying to teach

1:23:25.360 --> 1:23:29.200
<v Speaker 1>them that they're it's okay. It's okay to like, it's

1:23:29.240 --> 1:23:31.840
<v Speaker 1>okay to yourself to be yourself. It's okay to like

1:23:31.880 --> 1:23:34.439
<v Speaker 1>the things you like. It's okay. And that is what

1:23:34.520 --> 1:23:37.120
<v Speaker 1>I'm doing. And I think it's the biggest moment for

1:23:37.200 --> 1:23:40.280
<v Speaker 1>my country. Well, I guess we ended on that, man,

1:23:41.280 --> 1:23:44.240
<v Speaker 1>nineteen eighty four. Nineteen eighty four, go get it, Go

1:23:44.320 --> 1:23:48.080
<v Speaker 1>get it and buy some merch. Yeah, by merch at

1:23:48.120 --> 1:23:51.000
<v Speaker 1>Goshi world dot com support man, you know what I mean.

1:23:51.080 --> 1:23:57.560
<v Speaker 1>And I always donate, rather it's Global Citizen or a

1:23:57.720 --> 1:24:02.639
<v Speaker 1>different foundation, I'm always I'm always donating again, and that

1:24:02.640 --> 1:24:06.160
<v Speaker 1>that third album is already I'm assuming it's already in

1:24:06.240 --> 1:24:09.840
<v Speaker 1>the works. Yeah, already. Yeah. So are you gonna please

1:24:09.880 --> 1:24:14.400
<v Speaker 1>watch my documentary called Now you know it's on YouTube watch? Yes? Yes,

1:24:14.840 --> 1:24:17.200
<v Speaker 1>And bootlet keV thank you so much. You've always showed

1:24:17.240 --> 1:24:21.519
<v Speaker 1>me love. I appreciate you, man, And uh, it just

1:24:21.560 --> 1:24:24.000
<v Speaker 1>feels good. Feels good to be here, feels good to

1:24:24.040 --> 1:24:26.160
<v Speaker 1>be alive. It feels good. Yeah. This is why I

1:24:26.160 --> 1:24:28.800
<v Speaker 1>didn't want to do zoom man, because this is the

1:24:28.840 --> 1:24:31.400
<v Speaker 1>conversation we got to have. We couldn't have this conversation.

1:24:31.439 --> 1:24:33.800
<v Speaker 1>I mean, I got I got COVID tests. We have proof.

1:24:33.880 --> 1:24:35.920
<v Speaker 1>I got COVID test. I believe you. I'm just saying like,

1:24:36.000 --> 1:24:37.479
<v Speaker 1>this is why I was, like, dude, I know that

1:24:38.400 --> 1:24:41.720
<v Speaker 1>me and him have legendary there's a legendary conversation to

1:24:41.720 --> 1:24:46.759
<v Speaker 1>be had. We can't do that over like thove, gentleman,

1:24:46.840 --> 1:24:49.600
<v Speaker 1>he is negative. Negative. Did the COVID test before I

1:24:49.640 --> 1:24:51.200
<v Speaker 1>got here. I was very I didn't want to. I

1:24:51.240 --> 1:24:53.400
<v Speaker 1>know you have a family that I didn't want to

1:24:53.400 --> 1:24:55.760
<v Speaker 1>bring that to your family. I want to do trying

1:24:55.800 --> 1:24:59.560
<v Speaker 1>to take care everybody. But yeah, negative on COVID. I've

1:24:59.720 --> 1:25:02.559
<v Speaker 1>been having a lot of fun since my album came.

1:25:02.640 --> 1:25:05.320
<v Speaker 1>I don't want to bring that here, but albums out,

1:25:05.360 --> 1:25:07.840
<v Speaker 1>documentaries out, a lot of things is on the works,

1:25:08.120 --> 1:25:10.960
<v Speaker 1>and I'm just so thankful to even be here, to

1:25:11.120 --> 1:25:14.960
<v Speaker 1>even have you interview me or and I I thank

1:25:14.960 --> 1:25:16.760
<v Speaker 1>you for coming, man, because I feel like, you know,

1:25:17.479 --> 1:25:19.760
<v Speaker 1>you're like I said, man, your energy is incredible, your

1:25:19.800 --> 1:25:22.800
<v Speaker 1>story is incredible. And as much I'm glad you did

1:25:22.800 --> 1:25:25.840
<v Speaker 1>the documentary because I feel like that's something that people

1:25:25.920 --> 1:25:27.800
<v Speaker 1>need to see and it's you know, I think that

1:25:27.880 --> 1:25:30.439
<v Speaker 1>you have a very inspirational story and anytime you know,

1:25:30.439 --> 1:25:32.800
<v Speaker 1>I can help help give you a platform to tell

1:25:32.840 --> 1:25:34.040
<v Speaker 1>it or you know, be a part of it. You

1:25:34.080 --> 1:25:35.960
<v Speaker 1>want right now, right now, you know what I'm saying.

1:25:36.080 --> 1:25:40.479
<v Speaker 1>Right now, what's up? This is goashy and uh shout

1:25:40.479 --> 1:25:42.519
<v Speaker 1>out to Bootleg keV, thank you so much for having

1:25:42.560 --> 1:25:46.040
<v Speaker 1>me and uh, I'll see you in the future. Shout

1:25:46.040 --> 1:25:48.400
<v Speaker 1>out Joey franchise too. Shout out Jolly Franchise. I love

1:25:48.400 --> 1:25:49.280
<v Speaker 1>you guy,