WEBVTT - From the Vault: Dune Biology

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<v Speaker 1>Hey, you welcome to Stuff to blow your mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick. And it's Saturday.

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<v Speaker 1>The Vault is open and it is going to be

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<v Speaker 1>part two of a two part Vault series. Now. Last Saturday,

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<v Speaker 1>we ran part one of our Science of Dune episodes

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<v Speaker 1>from we ran the Science of Dune Technology. Today it's

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<v Speaker 1>going to be another foray into the planet Iraq as

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<v Speaker 1>part two, the Science of Dune Biology, which originally aired

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<v Speaker 1>on October one. Yeah, there's a lot of sand where

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<v Speaker 1>I'm talking this episode, as we sort of pieced together

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<v Speaker 1>the science that that Frank Herbert used to create the

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<v Speaker 1>idea of the sand worm, as well as scientific interpretations

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<v Speaker 1>by a couple of different commentators in the decades to follow. Now,

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<v Speaker 1>wait a minute, Robert, we're going to be getting another

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<v Speaker 1>Dune film, right, Yes, it's true. Bye bye Dnevillneuve. Yes,

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<v Speaker 1>the director of, of course, the most recent blay Runner film,

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<v Speaker 1>Blade Run, which I really enjoyed and it certainly is

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<v Speaker 1>just full of visual flare like watching that and especially

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<v Speaker 1>enjoy I especially enjoyed the slow pace of the film,

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<v Speaker 1>like like Blade Runner is what three four hours long,

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<v Speaker 1>it's about seven hours long, but it feels like it's

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<v Speaker 1>just an hour and a half. It feels far shorter

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<v Speaker 1>than any superhero movie I have ever seen. How long

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<v Speaker 1>was Batman v. Superman Dawn of Justice? Is that about

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<v Speaker 1>six and a half hours? I don't know. I only

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<v Speaker 1>saw that over other people's shoulders on an airplane. I

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<v Speaker 1>watched it on a flight and could not finish it

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<v Speaker 1>on the flight. Like it. I started it at takeoff

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<v Speaker 1>and we landed and the movie wasn't over. Yeah, superhero

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<v Speaker 1>movies are not necessarily my thing these days, unless unless

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<v Speaker 1>it has Wesley Snipes in it, and he's he's running vampires.

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<v Speaker 1>So yeah, I am all in on another cinematic vision

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<v Speaker 1>of Dune. I mean every element, all the old ones

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<v Speaker 1>we talked about here, the sand warm terms. If we

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<v Speaker 1>get to face dancers, I really want to see a

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<v Speaker 1>nice cinematic vision of the face dancers as well. I

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<v Speaker 1>think I might have said this in the original episode,

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<v Speaker 1>so apologies if I repeat later in our rerun what

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<v Speaker 1>I'm about to say now, But I think there should

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<v Speaker 1>be an HBO series adaptation of the Done universe. Oh

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<v Speaker 1>you think what HBO did with Game of Thrones. They

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<v Speaker 1>should do with Done. Yeah, there's plenty of material. They're

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<v Speaker 1>even just the first book. You could do a full blown,

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<v Speaker 1>drawn out, you know, cinematic treatment of the thing. Like

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<v Speaker 1>I'm currently watching the Netflix adaptation of Richard K. Morgan's

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<v Speaker 1>Altered Carbon, which is a not that lengthy of a novel.

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<v Speaker 1>It has a lot of ins and outs, and they've

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<v Speaker 1>done a really great job of of giving it the

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<v Speaker 1>multi episode treatment. Whereas I like watching their treatment of it,

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<v Speaker 1>I can't imagine crushing it all down into even a

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<v Speaker 1>lengthy film, so Done is perfect for that that sort

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<v Speaker 1>of treatment. But I guess we're getting another movie. Hopefully

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<v Speaker 1>it'll be four to five hours long. That's that's that's

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<v Speaker 1>what I'm looking for. Hud percent agree, And I hope

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<v Speaker 1>it has a little intermission break in it. It just

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<v Speaker 1>runs for thirty seconds or so, but not a werewolf

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<v Speaker 1>break because there are no there are no werewolves. That's

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<v Speaker 1>a callback, folks, all right, with without further ado, let's

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<v Speaker 1>enter the vault. Welcome to Stuff to Blow your mind

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<v Speaker 1>from how Stuff Works dot Com. Disembarkation disembarkation notice to

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<v Speaker 1>all passengers arriving on Station Aracus, the June Planetary Tourism

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<v Speaker 1>Consortium funded by the great generosity of the most noble

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<v Speaker 1>House Hardconed would like to welcome you to planet Aracus.

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<v Speaker 1>Aracus is a dry place. Please remember to conserve water

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<v Speaker 1>whenever possible. It is recommended that you do not venture

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<v Speaker 1>outside without a properly fitted steel suit to recycle your sweat,

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<v Speaker 1>urine and fecal moisture. When traveling beyond the shield ball,

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<v Speaker 1>remember always to watchful worms. Signed by keeping in mind

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<v Speaker 1>the three ages, hissing, heaving, and high energy discharge. A

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<v Speaker 1>hissing sound in the sand, heaving up of displaced sediment,

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<v Speaker 1>and high energy study discharge from the dunes may all

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<v Speaker 1>indicate that the sand worm is near and the event

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<v Speaker 1>of worm sign do not activate shields and proceed immediately

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<v Speaker 1>to the nearest cave building or evacuation or in a

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<v Speaker 1>thought or local vendors and kiosks gone throughout station. Iraqets

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<v Speaker 1>are the best place to purchase steel suits, frim hits,

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<v Speaker 1>and individually packaged worm thumbers and duty free prices. Please

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<v Speaker 1>remember also the spice must blow. Anyone suspected of sabotaging, inhibiting,

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<v Speaker 1>or interfering with spice production may be subject to penalties

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<v Speaker 1>up to and including gladiatorial remuneration on gating prime or

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<v Speaker 1>personal evaporation. Please enjoy your stay among the dunes. Hey,

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<v Speaker 1>welcome to Stuff to Blow your Mind. My name is

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<v Speaker 1>Robert Lamb and I'm Joe McCormick. And this is episode

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<v Speaker 1>two in our exploration of the science of doone, the

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<v Speaker 1>science of Frank Herbert's sci fi classic Dune, which is

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<v Speaker 1>celebrating its fifty the anniversary this year. Yeah, so if

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<v Speaker 1>you missed the first part, you should go back and

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<v Speaker 1>listen to that first part one where we talk about

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<v Speaker 1>the technology of doing and we we talked about some

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<v Speaker 1>important sort of introductory materials to the universe of doone.

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<v Speaker 1>If you're not familiar with it, we highly recommend that

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<v Speaker 1>you check out that part first before you listen to

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<v Speaker 1>this one. But if you just want to get thrown

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<v Speaker 1>right into the middle, here we are. Yeah. Last time

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<v Speaker 1>we talked about but Larry and Johad, we talked about

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<v Speaker 1>still suits, We talked about orna thoptors, and a little

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<v Speaker 1>bit about the Holtzman effect whatever that is. But yeah,

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<v Speaker 1>this time we're going to talk more about the the

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<v Speaker 1>living science of done, about the biology an ecology of

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<v Speaker 1>the planet Iracus, and one of the coolest things about

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<v Speaker 1>the Dune universe has got to be the sandworms. Yes,

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<v Speaker 1>I imagine that is one of, if not the key

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<v Speaker 1>aspects of the franchise that come to people's minds when

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<v Speaker 1>they think of do Yeah. I So, I just finished

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<v Speaker 1>reading this book a few weeks ago, and I loved it.

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<v Speaker 1>I absolutely adored this book. As I said in the

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<v Speaker 1>last podcast, it frequently struck me as just amazingly fresh

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<v Speaker 1>for a fifty year old book. It's full of ideas

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<v Speaker 1>that you don't encounter elsewhere. It just felt very original

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<v Speaker 1>and unique and different. But the moment where the book

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<v Speaker 1>really kicked into gear for me was the first sandworm attack.

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<v Speaker 1>And this is when they're going out to observe spice harvests. Correct. Yeah,

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<v Speaker 1>So I want to kind of put you the listener

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<v Speaker 1>into the moment of the sandworm attack. So imagine you're

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<v Speaker 1>one of a group of twenty six spice sminers working

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<v Speaker 1>on a patch of spice in the deep desert. So

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<v Speaker 1>you're out there among the dunes. The heat is high,

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<v Speaker 1>the sun's bearing down on you. You've got your protective

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<v Speaker 1>still suit on, You're working the harvester machine trying desperately

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<v Speaker 1>to get this spice going, and you've you've been at

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<v Speaker 1>it for several minutes, and overhead there's this enormous cargo aircraft.

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<v Speaker 1>I suppose it would be some type of ornithopter with

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<v Speaker 1>flapping wings, which, as we discussed in the last last episode,

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<v Speaker 1>doesn't make a lot of aerodynamic sense, but okay, uh,

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<v Speaker 1>And it's called a carryall. It hovers nearby, waiting to

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<v Speaker 1>lift you off at a moment's notice, and preferably at

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<v Speaker 1>the last possible minute, to maximize the profits, because you've

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<v Speaker 1>got to get as much spice as you can. The

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<v Speaker 1>spice is important. The spice must flow, the universe needs it.

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<v Speaker 1>But a worm will come. The worm always comes it.

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<v Speaker 1>Here's the harvester. It knows where you are and the

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<v Speaker 1>moment you start working, it's on its way now. With

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<v Speaker 1>for precautions, you'll lift off at just the right moment,

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<v Speaker 1>you'll get the maximum spice and you'll avoid the worm.

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<v Speaker 1>But if you're not able to lift off in time,

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<v Speaker 1>you may notice a hissing sound in the sand sliding.

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<v Speaker 1>You know, it's sand sliding against sand. In the background,

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<v Speaker 1>you might see a static discharge in the air and

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<v Speaker 1>Eventually you're gonna notice an upheaval of sand as the

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<v Speaker 1>worm rises to the shallows of the desert. And then

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<v Speaker 1>finally you see, and it's probably the last thing you see,

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<v Speaker 1>a great gaping circular mouth, maybe up to eighty meters wide,

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<v Speaker 1>emerging from the dunes, spreading open, closing over you, and

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<v Speaker 1>swallowing you and your friends and your mining vehicle all

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<v Speaker 1>in one bite. It's quite a site. And as far

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<v Speaker 1>as sound goes, we do want to give a quick

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<v Speaker 1>thanks to Chris Knife double O seven. Uh. He's on

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<v Speaker 1>band camp as Cheesy Nervosa. Will include a link to

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<v Speaker 1>his account on the landing bait for this episode. But

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<v Speaker 1>he does a lot of cool and it tracks where

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<v Speaker 1>he gets the the ambience from from various sci fi properties.

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<v Speaker 1>And so this was the track that we used to

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<v Speaker 1>was Dune Sandworm Ride. Yeah, so I love the sandworms.

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<v Speaker 1>I love the sandworms scenes in the book. When we

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<v Speaker 1>first encounter sandworms in the book, it's there merely as

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<v Speaker 1>a threat. You know, this this huge, terrifying beast that

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<v Speaker 1>lives in the desert. It's you know, it's a gigantic

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<v Speaker 1>snake eel worm type creature that it's sort of like

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<v Speaker 1>the monsters and tremors. You know, it lays under Yeah,

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<v Speaker 1>it lives under the ground. It can hear where you are.

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<v Speaker 1>You know, it might be hundreds of meters long. They're

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<v Speaker 1>so huge you can't fight them off. There's no way

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<v Speaker 1>to avoid them except to run. Yeah, and I've I've

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<v Speaker 1>seen it describe that that the Frank Herbert sandworms are

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<v Speaker 1>are kind of like dragons, and but but not merely

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<v Speaker 1>in just the threat aspect. Not just a monstrous dragon,

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<v Speaker 1>but a celestial dragon, because there ultimately the gateway to wisdom. Yeah,

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<v Speaker 1>that's true, because I do want to spoil too much.

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<v Speaker 1>But then later on in the book, we learned that

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<v Speaker 1>the desert dwellers of the planet Iraq is the Fremen,

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<v Speaker 1>have a more complex relationship with the sand worms. It's

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<v Speaker 1>not just you know, here's this huge, threatening creature that

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<v Speaker 1>we have to avoid. They have a sort of a

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<v Speaker 1>bit of a back and forth. I don't want to

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<v Speaker 1>say too much more, but it's really interesting, and so

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<v Speaker 1>I thought we should talk about the sand worm. What

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<v Speaker 1>is this organism as it's imagined in the Dune universe,

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<v Speaker 1>and how has this changed the way we think about

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<v Speaker 1>aliens and science fiction? And what what analogies can we

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<v Speaker 1>make to real world life forms? Yeah, and for starters,

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<v Speaker 1>let's just go ahead and roll through what we know

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<v Speaker 1>from from Frank Herbert's books. And again it's one of

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<v Speaker 1>those cases where Herbert, there's a lot of information at

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<v Speaker 1>you about how sand worms work, but then when you

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<v Speaker 1>add it all up right, you realize you don't know

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<v Speaker 1>key things. Um, here's what we know. The sand worm

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<v Speaker 1>or shy hallud I believe that is the fremin term

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<v Speaker 1>a creature. Again, you utterly unique to iraq Us, totally

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<v Speaker 1>tied to a complex life cycle on the desert planet.

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<v Speaker 1>Links exceed four hundred meters width of a hundred meters

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<v Speaker 1>at the thickest point, perhaps as long as the thousand meters.

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<v Speaker 1>In the deep isolated parts of the desert mouth, diameter

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<v Speaker 1>is probably about eighty meters, so when it's open and

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<v Speaker 1>lined with a thousand or more cargo silica crystal teeth um.

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<v Speaker 1>A typical worm consists of one to four hundred segments,

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<v Speaker 1>and each segment possessed its own nervous system. Something to

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<v Speaker 1>keep in mind for later. Now, what Herbert didn't tell us.

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<v Speaker 1>He didn't tell us whether sand Mouran's lay eggs. They

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<v Speaker 1>He didn't tell us if they're male and female, how

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<v Speaker 1>reproduction occurs at all. He didn't tell us if it's

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<v Speaker 1>a definitively if it's a vertebrate or an invertebrate. He

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<v Speaker 1>didn't explain the physics of how it moves, and he

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<v Speaker 1>didn't tell us what it eats. I would be surprised

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<v Speaker 1>if it's vertebrate, simply because I think of vertebrate as

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<v Speaker 1>a category belonging to Earth life. I mean, I think

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<v Speaker 1>it might have some kind of internal, you know, rigid structure.

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<v Speaker 1>But it's weird to think about those, you know, those

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<v Speaker 1>peculiarities of evolution that seems so ubiquitous on Earth. We

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<v Speaker 1>just assume their natural categories. But I mean, who knows

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<v Speaker 1>if a alien life form is likely to have a backbone, right,

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<v Speaker 1>And I think that ultimately, the like the segmented nature

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<v Speaker 1>and the independence of the segments tends to imply something

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<v Speaker 1>that is inherently invertebrate. But but again, he doesn't draw

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<v Speaker 1>a distinct line in the sand. Well, then to learn

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<v Speaker 1>more about the sand worm, I think we're gonna have

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<v Speaker 1>to turn back to our old friends that we mentioned

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<v Speaker 1>in the last episode. A couple of books that we

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<v Speaker 1>used as resources. So one of these is going to

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<v Speaker 1>be The Science of Dune, edited by Kevin R. Grazier,

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<v Speaker 1>and then the other one is the Dune Encyclopedia right right.

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<v Speaker 1>That one's compiled by Dr Willis E. McNelly, and that

0:12:48.920 --> 0:12:51.240
<v Speaker 1>came out in eighty five. It's out of print, but

0:12:51.320 --> 0:12:55.319
<v Speaker 1>you can still find used copies in various places. Uh

0:12:55.559 --> 0:12:58.120
<v Speaker 1>I got mine online for like, you know, fifteen or

0:12:58.160 --> 0:13:00.000
<v Speaker 1>twenty bucks, so it's it's still out there and it's

0:13:00.120 --> 0:13:03.360
<v Speaker 1>not like an out of your reach collector's item. In

0:13:03.400 --> 0:13:06.800
<v Speaker 1>particular that the explanations for sandworms from these two books.

0:13:06.960 --> 0:13:11.040
<v Speaker 1>From Doune Encyclopedia, we have an explanation by marine a shifflet,

0:13:11.360 --> 0:13:15.400
<v Speaker 1>and in the Science of Doune we have a sybil

0:13:15.640 --> 0:13:19.960
<v Speaker 1>hetchel pH D's explanation from her piece the Biology of

0:13:20.000 --> 0:13:24.520
<v Speaker 1>the sand Worm. Now I'm actually gonna start with the

0:13:24.720 --> 0:13:30.920
<v Speaker 1>Doune Encyclopedia explanation from Marine shifflet. Um shifflet goes ahead

0:13:30.960 --> 0:13:36.240
<v Speaker 1>and defines both male and female sandworms, the ladder somewhat

0:13:36.280 --> 0:13:41.160
<v Speaker 1>smaller than the males, with the secondary segment um of

0:13:41.320 --> 0:13:45.480
<v Speaker 1>each worm containing its reproductive system, and she posits that

0:13:45.559 --> 0:13:48.240
<v Speaker 1>at age one thousand, because these are long living creatures,

0:13:48.280 --> 0:13:52.040
<v Speaker 1>the female develops an egg sact in her reproductive system,

0:13:52.320 --> 0:13:56.440
<v Speaker 1>constructs a deep, massive nest, and then a tracts a

0:13:56.520 --> 0:13:59.880
<v Speaker 1>male with rhythmic thumping. Now this is key because in

0:14:00.040 --> 0:14:04.480
<v Speaker 1>the in doone we see people attracting or distracting a

0:14:04.559 --> 0:14:07.679
<v Speaker 1>worm by using a mechanical thumper. Right, yeah, that's one

0:14:07.679 --> 0:14:09.559
<v Speaker 1>of the technologies we could have talked about in the

0:14:09.640 --> 0:14:11.480
<v Speaker 1>last episode, but I guess we just didn't have time.

0:14:12.080 --> 0:14:14.800
<v Speaker 1>The thumper is a sort of you might think of

0:14:14.800 --> 0:14:18.600
<v Speaker 1>it as a defensive decoy mechanism out in the desert

0:14:18.640 --> 0:14:21.040
<v Speaker 1>where if you want to draw off a sandworm, or

0:14:21.120 --> 0:14:24.680
<v Speaker 1>perhaps even attract a sandworm, you put this thing down

0:14:24.680 --> 0:14:27.320
<v Speaker 1>in the ground and it starts beating on the sand

0:14:27.520 --> 0:14:31.480
<v Speaker 1>to say come on over, Yeah, with a rhythmic pattern,

0:14:31.600 --> 0:14:34.120
<v Speaker 1>because if you you know, there's like this thing, if

0:14:34.120 --> 0:14:36.600
<v Speaker 1>you you got to walk without rhythm, yeah, you know,

0:14:36.640 --> 0:14:39.040
<v Speaker 1>unless you want to attract the worm. So yeah, one

0:14:39.040 --> 0:14:40.640
<v Speaker 1>of the things that's frequently mentioned in the book is

0:14:40.640 --> 0:14:42.240
<v Speaker 1>that if you want to walk across the sand and

0:14:42.280 --> 0:14:45.320
<v Speaker 1>not attract the worm, you have to walk without rhythm.

0:14:45.360 --> 0:14:48.080
<v Speaker 1>You have to walk without any kind of uh cadence

0:14:48.200 --> 0:14:50.200
<v Speaker 1>to your walk. And I love how they bring up

0:14:50.240 --> 0:14:52.320
<v Speaker 1>the fact that this is so much harder to do

0:14:52.400 --> 0:14:56.400
<v Speaker 1>than it sounds like, like the characters are just exhausted

0:14:56.560 --> 0:15:00.480
<v Speaker 1>from trying to walk without maintaining a rhythm of their gait. Right.

0:15:00.760 --> 0:15:03.720
<v Speaker 1>And so she ties this into the into the life

0:15:03.720 --> 0:15:06.840
<v Speaker 1>cycle the worm by saying that it's that kind of

0:15:07.640 --> 0:15:12.560
<v Speaker 1>rhythmic um thumping that not only indicates something unnatural on

0:15:12.600 --> 0:15:16.120
<v Speaker 1>the desert surface, but perhaps the mating cry, the mating

0:15:16.160 --> 0:15:19.880
<v Speaker 1>call of the female worm. So she says that then

0:15:20.120 --> 0:15:23.760
<v Speaker 1>the male would arrive, consumes the smaller female, just straight

0:15:23.840 --> 0:15:27.680
<v Speaker 1>up eats the female and then goes into a dormant state.

0:15:27.720 --> 0:15:31.160
<v Speaker 1>And it's during the state that the heavy duty spice

0:15:31.280 --> 0:15:35.360
<v Speaker 1>fiber egg sac remains intact and it's fertilized by the

0:15:35.400 --> 0:15:38.640
<v Speaker 1>male's reproductive system. And then when he wakes up, he's

0:15:38.640 --> 0:15:43.080
<v Speaker 1>gonna spit that fertilized egg sac out. What yeah, I mean,

0:15:43.120 --> 0:15:47.440
<v Speaker 1>I've heard of reproductive cannibalism, but what yeah, this is

0:15:47.560 --> 0:15:51.040
<v Speaker 1>it's an interesting uh uh. And again this is you know,

0:15:51.080 --> 0:15:55.560
<v Speaker 1>her taking Herbert's world and extrapolating on it and trying

0:15:55.560 --> 0:15:57.800
<v Speaker 1>to come with a scientific explanation for how it might work.

0:15:58.280 --> 0:16:00.960
<v Speaker 1>It's not. This is not cannon by any means, but

0:16:01.880 --> 0:16:05.920
<v Speaker 1>it is interesting because we don't see sexual cannibalism occur

0:16:06.000 --> 0:16:08.240
<v Speaker 1>in nature that I can think of where the male

0:16:08.280 --> 0:16:11.000
<v Speaker 1>eats the female, because generally the female is the species

0:16:11.560 --> 0:16:13.920
<v Speaker 1>and she may or may not eat the male after

0:16:13.960 --> 0:16:16.640
<v Speaker 1>he's served his purpose. But here we have the male

0:16:16.680 --> 0:16:21.040
<v Speaker 1>consuming the female. Yeah, okay, I mean that just makes

0:16:21.040 --> 0:16:24.120
<v Speaker 1>me wonder if this almost would start to play with

0:16:24.160 --> 0:16:26.840
<v Speaker 1>the definitions of what counts as male and what counts

0:16:26.840 --> 0:16:29.480
<v Speaker 1>as female in a species. Yeah, I would. I feel

0:16:29.480 --> 0:16:32.360
<v Speaker 1>like I would feel more comfortable with this example if

0:16:32.480 --> 0:16:35.880
<v Speaker 1>the genders were reversed and the primary primarily the sandworms

0:16:35.880 --> 0:16:39.720
<v Speaker 1>are are female. But but you know, either way, the

0:16:39.880 --> 0:16:43.480
<v Speaker 1>the best example that comes to mind of something close

0:16:43.520 --> 0:16:48.440
<v Speaker 1>to this in the natural world would be um anglerfish,

0:16:48.480 --> 0:16:51.000
<v Speaker 1>where you have, oh those great things, so you've probably

0:16:51.000 --> 0:16:53.240
<v Speaker 1>seen pictures of this from the deep ocean. They look

0:16:53.320 --> 0:16:56.560
<v Speaker 1>like movie monsters. Uh, they've got the crazy faces and

0:16:56.600 --> 0:16:59.680
<v Speaker 1>that they've got a little a little lit up fishing pole, right,

0:17:00.120 --> 0:17:02.200
<v Speaker 1>And those are the females. The females are the ones

0:17:02.280 --> 0:17:06.040
<v Speaker 1>we see pictures of the males. Um are essentially a tiny,

0:17:06.119 --> 0:17:10.800
<v Speaker 1>heat seeking sexual missile equipped with gigantic nostrils. Uh. All

0:17:10.840 --> 0:17:12.560
<v Speaker 1>they do is they swim out in search of a

0:17:12.600 --> 0:17:15.840
<v Speaker 1>female and if he's lucky, and most are not, they

0:17:15.880 --> 0:17:18.760
<v Speaker 1>find one and they bite onto her abdomen and hang on. Again.

0:17:18.800 --> 0:17:21.680
<v Speaker 1>These are the angler fish, real world organisms, nothing from

0:17:21.680 --> 0:17:25.440
<v Speaker 1>sci fi. And then there I'm looking. I just sorry,

0:17:25.440 --> 0:17:28.399
<v Speaker 1>I looked. I just googled pictures of the male angler

0:17:28.440 --> 0:17:31.280
<v Speaker 1>fish attaching to the female angler fish. And it's pathetic.

0:17:31.560 --> 0:17:35.480
<v Speaker 1>It's could go with that interpretation because what happens is

0:17:35.520 --> 0:17:37.480
<v Speaker 1>not only does he bite on and hold on, but

0:17:37.560 --> 0:17:40.879
<v Speaker 1>their flesh grows together, their blood vessels connect, and the

0:17:40.920 --> 0:17:44.040
<v Speaker 1>male becomes a mere part of the female's body, sustained

0:17:44.080 --> 0:17:47.600
<v Speaker 1>by her systems. His eyes, fins, and some internal organs

0:17:47.600 --> 0:17:50.080
<v Speaker 1>all atrophy h and just leave him as just this

0:17:50.160 --> 0:17:53.400
<v Speaker 1>fat flap of skin, this just mindless thing on the female.

0:17:53.480 --> 0:17:55.800
<v Speaker 1>And this way, the male and his reproductive systems are

0:17:55.840 --> 0:17:58.800
<v Speaker 1>always there when she needs them, which is a necessary

0:17:58.840 --> 0:18:01.960
<v Speaker 1>adaptation in the a dark, lonely world of the deep ocean.

0:18:02.160 --> 0:18:05.080
<v Speaker 1>That's fascinating. I've never read about this before. I was

0:18:05.119 --> 0:18:07.120
<v Speaker 1>really I ran across in the past year or two

0:18:07.520 --> 0:18:10.240
<v Speaker 1>and was pretty amazed by it. But that's certainly it's

0:18:10.240 --> 0:18:12.560
<v Speaker 1>the case where the male and female fuse into one.

0:18:12.680 --> 0:18:15.639
<v Speaker 1>And I guess you could interpret this consumption of the

0:18:15.880 --> 0:18:19.160
<v Speaker 1>of the female sand worm is more of emerging than

0:18:19.200 --> 0:18:22.320
<v Speaker 1>a consumption, since there's not, according to her model anyway,

0:18:22.359 --> 0:18:24.560
<v Speaker 1>there's not really any nourishment to be gained from the

0:18:24.880 --> 0:18:28.960
<v Speaker 1>worm eating the other worm. So this is where we

0:18:29.000 --> 0:18:32.639
<v Speaker 1>start getting into a more complex life cycle. So bear

0:18:32.680 --> 0:18:35.520
<v Speaker 1>with me, everyone, Um, when the male sum so, the

0:18:35.560 --> 0:18:37.959
<v Speaker 1>male sandword comes to vomits up that egg case, and

0:18:38.000 --> 0:18:40.880
<v Speaker 1>he takes off the egg case. Eventually hatch catches into

0:18:40.920 --> 0:18:45.080
<v Speaker 1>a legion of sand trout sand trout sand trout. Yes,

0:18:45.119 --> 0:18:47.120
<v Speaker 1>and now these these this is where we're getting back

0:18:47.160 --> 0:18:51.320
<v Speaker 1>into um, into the actual canon of of of Frank

0:18:51.320 --> 0:18:54.320
<v Speaker 1>Herbert's sandworm biology, because these are very much a part

0:18:54.320 --> 0:18:58.439
<v Speaker 1>of the series. Yeah, there are sequences in Dune where character, well,

0:18:58.480 --> 0:19:00.639
<v Speaker 1>at least one character I can think of, the planetary

0:19:00.680 --> 0:19:04.080
<v Speaker 1>scientist kinds Uh. There may be other characters, but not

0:19:04.160 --> 0:19:07.480
<v Speaker 1>that I recall. At least Kinds thinks about down under

0:19:07.520 --> 0:19:12.359
<v Speaker 1>the the dunes of sand there are these massive patches

0:19:12.640 --> 0:19:15.560
<v Speaker 1>of life. Then there's moisture down there too, which is

0:19:15.560 --> 0:19:17.680
<v Speaker 1>sort of hidden from the surface, which is I guess

0:19:17.760 --> 0:19:21.280
<v Speaker 1>being trapped or used by these unicellular life forms. And

0:19:21.480 --> 0:19:26.159
<v Speaker 1>in this case we're talking twenty by six centimeter unicellular organisms.

0:19:26.240 --> 0:19:31.639
<v Speaker 1>But that's a big cell. You know, Alien world, different laws, right, um.

0:19:31.680 --> 0:19:34.880
<v Speaker 1>But but yeah, their water scavengers. So the idea here

0:19:34.960 --> 0:19:37.359
<v Speaker 1>is that they're traveling out, they're collecting water, they're bringing

0:19:37.400 --> 0:19:41.280
<v Speaker 1>them back, according to um to this model, anyway, to

0:19:41.640 --> 0:19:44.560
<v Speaker 1>the nest site and there sequestering the water. And here

0:19:44.560 --> 0:19:49.040
<v Speaker 1>the water mixes with excretions from the pre spice mass. Uh.

0:19:49.080 --> 0:19:51.199
<v Speaker 1>And here the c t U c O two builds

0:19:51.280 --> 0:19:54.600
<v Speaker 1>up as a byproduct, and this eventually results in a

0:19:54.680 --> 0:19:57.239
<v Speaker 1>spice blow explosion. And this is very much a part

0:19:57.280 --> 0:20:00.480
<v Speaker 1>of the books, where eventually the pressure builds up and

0:20:00.480 --> 0:20:05.120
<v Speaker 1>it blasts that precious spice melange that's produced uh somehow

0:20:05.160 --> 0:20:09.800
<v Speaker 1>by this sand trout nesting water sequestering action blows it

0:20:09.880 --> 0:20:11.640
<v Speaker 1>up to the surface where people can say, hey, there's

0:20:11.680 --> 0:20:15.160
<v Speaker 1>some spice there, let's go get it, all right, all right,

0:20:15.240 --> 0:20:16.800
<v Speaker 1>So but it's not only people that want to come

0:20:16.800 --> 0:20:18.760
<v Speaker 1>and get the spice that also attracts the sand worms,

0:20:18.840 --> 0:20:21.600
<v Speaker 1>which we'll get into. Um. And at this point, according

0:20:21.640 --> 0:20:25.560
<v Speaker 1>to Schifflet, the sand worms enter a pre metamorphic stage

0:20:25.640 --> 0:20:29.840
<v Speaker 1>during which surviving sand trout joined bodies, and as metamorphosis

0:20:29.840 --> 0:20:32.960
<v Speaker 1>sets in properly, each sand trout also known as a

0:20:33.000 --> 0:20:36.639
<v Speaker 1>little maker among the fremen, becomes a segment of a

0:20:36.720 --> 0:20:40.720
<v Speaker 1>conjoined body that becomes a small sandworm. So again we

0:20:40.760 --> 0:20:43.560
<v Speaker 1>see conjoined bodies coming into play. Uh. And this is

0:20:43.840 --> 0:20:48.199
<v Speaker 1>this is certainly part of of Herbert's original model for

0:20:48.240 --> 0:20:50.720
<v Speaker 1>the sand worm. So this is fascinating because the sand

0:20:50.760 --> 0:20:54.600
<v Speaker 1>worm and that sense it's is sort of a composite organism. Yes,

0:20:54.720 --> 0:20:57.480
<v Speaker 1>very much so. Um and this this play I don't

0:20:57.520 --> 0:20:59.240
<v Speaker 1>want to give any spoilers, but this also plays out

0:20:59.240 --> 0:21:03.200
<v Speaker 1>and rather unique and mind blowing ways in the sequels. Okay,

0:21:03.280 --> 0:21:06.399
<v Speaker 1>so how long does it take for little sand trout

0:21:06.480 --> 0:21:10.080
<v Speaker 1>joining together to become the gigantic shihlud like we see

0:21:10.200 --> 0:21:12.320
<v Speaker 1>in the book? You know, before they're they're a big

0:21:12.359 --> 0:21:15.320
<v Speaker 1>sandworm out in the desert over over a thousand years,

0:21:15.800 --> 0:21:18.280
<v Speaker 1>because it's going to take that long, corner and Chifflet

0:21:18.320 --> 0:21:21.760
<v Speaker 1>here to segment for the segments to take on. Uh,

0:21:21.800 --> 0:21:25.200
<v Speaker 1>you know, the different properties such as the tooth head,

0:21:25.359 --> 0:21:28.640
<v Speaker 1>the reproductive system. If you're going by her model and

0:21:28.880 --> 0:21:31.520
<v Speaker 1>h during this time of environmental conditions are not met,

0:21:31.600 --> 0:21:35.960
<v Speaker 1>then the underdifferentiated segments can revert to sand trout. So

0:21:36.000 --> 0:21:38.440
<v Speaker 1>it's kind of like those jellyfish that can that can

0:21:38.480 --> 0:21:42.840
<v Speaker 1>reverse age, right, they can revert to the earlier life

0:21:42.880 --> 0:21:45.439
<v Speaker 1>form stage if things aren't going well. Yeah, I like

0:21:45.520 --> 0:21:48.679
<v Speaker 1>that detail. If she throws in and finally the a

0:21:48.800 --> 0:21:52.480
<v Speaker 1>sexual juvenile warm develops and it's twenty to thirty long,

0:21:52.800 --> 0:21:56.080
<v Speaker 1>and this is the form that fremen eventually capture and

0:21:56.200 --> 0:22:00.199
<v Speaker 1>drown to produce spice essence. More about spice in this

0:22:00.240 --> 0:22:04.000
<v Speaker 1>episode later that's coming up. Uh, most juveniles, according to Shifflet,

0:22:04.000 --> 0:22:07.919
<v Speaker 1>would become females, but it's possible that it's possible that

0:22:07.960 --> 0:22:11.000
<v Speaker 1>the environmental absence of a male is what results in

0:22:11.080 --> 0:22:14.320
<v Speaker 1>male development. In the book itself, we're told that each

0:22:14.359 --> 0:22:17.840
<v Speaker 1>male has a three four hundred kilometer territory that it

0:22:17.880 --> 0:22:22.640
<v Speaker 1>defends against other worms, and she has a really interesting

0:22:22.680 --> 0:22:27.280
<v Speaker 1>bit about how that combat would work. Yeah, how do

0:22:27.359 --> 0:22:30.159
<v Speaker 1>the worms fight each other if they're just they're huge

0:22:30.200 --> 0:22:33.960
<v Speaker 1>worms with big circular mouths. Well, she draws on a

0:22:34.160 --> 0:22:37.159
<v Speaker 1>on a on a detail that will discuss in a minute.

0:22:37.480 --> 0:22:39.480
<v Speaker 1>Um or I guess, let's go ahead and hit it.

0:22:40.000 --> 0:22:42.719
<v Speaker 1>How does someone ride a sandworm? Ah, yes, well this

0:22:42.800 --> 0:22:44.399
<v Speaker 1>is something we learned about later in the book and

0:22:44.440 --> 0:22:47.560
<v Speaker 1>it's very interesting. So the sandworm, like the sandworms like

0:22:47.640 --> 0:22:50.240
<v Speaker 1>we mentioned, have these segments on their bodies. They have

0:22:50.280 --> 0:22:54.320
<v Speaker 1>sort of scales that protects their soft, fleshy inner tissues

0:22:54.440 --> 0:22:57.679
<v Speaker 1>from the you know, the harsh exterior realities of Aracus

0:22:57.720 --> 0:23:01.600
<v Speaker 1>and all the sand. So a coman who is who

0:23:01.720 --> 0:23:04.920
<v Speaker 1>is hopped up on spice and ready to ride, will

0:23:05.000 --> 0:23:07.800
<v Speaker 1>go out into the desert with some hooks and attract

0:23:07.800 --> 0:23:11.280
<v Speaker 1>a sandworm using a thumper, and if the sand worm

0:23:11.359 --> 0:23:14.560
<v Speaker 1>comes by at the right time, the fremen rider can

0:23:14.600 --> 0:23:18.560
<v Speaker 1>get the hooks under one of the sandworms outer plates

0:23:18.640 --> 0:23:23.120
<v Speaker 1>or these scales segments, whatever you wants, yeah, and then

0:23:23.359 --> 0:23:25.919
<v Speaker 1>pull it back. And what that does is exposed the

0:23:26.000 --> 0:23:30.480
<v Speaker 1>sandworms inner tissues to the external elements. Obviously, the sandworm

0:23:30.600 --> 0:23:34.080
<v Speaker 1>does not like this and says, oh no, and it

0:23:34.240 --> 0:23:37.760
<v Speaker 1>rolls over to protect the exposed part of its body

0:23:37.800 --> 0:23:41.320
<v Speaker 1>from the sand, and in doing so can lift the

0:23:41.440 --> 0:23:45.040
<v Speaker 1>rider up onto its back. And then once you're going

0:23:45.080 --> 0:23:48.560
<v Speaker 1>like that, the sandworm refuses, It doesn't re submerge into

0:23:48.600 --> 0:23:51.800
<v Speaker 1>the ground while it's got a part of its body

0:23:51.840 --> 0:23:54.320
<v Speaker 1>exposed like that, because it doesn't want sand to get

0:23:54.359 --> 0:23:57.479
<v Speaker 1>in there and hurt it. So you can essentially ride

0:23:57.640 --> 0:24:00.520
<v Speaker 1>this sandworm around as long as you want until it's

0:24:00.560 --> 0:24:03.639
<v Speaker 1>just exhausted and collapses, as long as you've got the

0:24:03.680 --> 0:24:07.159
<v Speaker 1>hooks pulling back the plate. Right, did I describe that

0:24:07.200 --> 0:24:09.760
<v Speaker 1>about right? Yeah? Yeah, yeah, that's that's perfect. And and

0:24:09.800 --> 0:24:12.600
<v Speaker 1>so in shifflet, trying to understand like what its teeth

0:24:12.600 --> 0:24:16.480
<v Speaker 1>are for, she draws on this detail and says, well, uh,

0:24:16.600 --> 0:24:19.679
<v Speaker 1>what happens when two males are are getting into combat

0:24:19.720 --> 0:24:23.640
<v Speaker 1>over territory. They're using those teeth to pull back each

0:24:23.680 --> 0:24:28.560
<v Speaker 1>other's segments, essentially wrestling that way. And uh, because again

0:24:28.640 --> 0:24:31.080
<v Speaker 1>sand gets in there, it's gonna irritate the flesh. And

0:24:31.119 --> 0:24:34.119
<v Speaker 1>she posits that in extreme cases this could result in

0:24:34.119 --> 0:24:36.719
<v Speaker 1>a viral infection that could kill a worm, but generally

0:24:36.760 --> 0:24:40.199
<v Speaker 1>the bluser breaks away. So uh, yeah, just grappling with

0:24:40.240 --> 0:24:42.720
<v Speaker 1>each other, exposing each other as inner flesh by pulling

0:24:42.720 --> 0:24:45.760
<v Speaker 1>back with the teeth and eventually forcing one of them

0:24:45.800 --> 0:24:47.920
<v Speaker 1>to give up and break. Yeah, And a lot. It's

0:24:48.000 --> 0:24:50.800
<v Speaker 1>like in nature on Earth, a lot of territorial disputes

0:24:50.840 --> 0:24:54.480
<v Speaker 1>between you know, angry males of species. They don't always

0:24:54.520 --> 0:24:56.960
<v Speaker 1>end in death. They just one of them is like, okay,

0:24:56.960 --> 0:24:58.679
<v Speaker 1>I give up. Yeah, if you can have it, you

0:24:58.720 --> 0:25:03.280
<v Speaker 1>can eat all the female in this region that you want. Um. Finally,

0:25:03.320 --> 0:25:06.280
<v Speaker 1>a word on diet from Shifflet. Her theory here is

0:25:06.320 --> 0:25:09.400
<v Speaker 1>that the sandworm is a true autotroph as an organism

0:25:09.480 --> 0:25:12.880
<v Speaker 1>that's able to to form a nutritional organic substances from

0:25:13.040 --> 0:25:17.240
<v Speaker 1>simple inorganic substances such as carbon dioxide. In this case,

0:25:17.680 --> 0:25:20.880
<v Speaker 1>the sandworm is producing all of its nutritional needs from

0:25:20.920 --> 0:25:24.280
<v Speaker 1>inorganic compounds on the planet's surface. The energy for this,

0:25:24.440 --> 0:25:28.320
<v Speaker 1>she says that it it drives the synthetic reactions to

0:25:28.400 --> 0:25:32.119
<v Speaker 1>completion just by by traveling across the sand, which causes

0:25:32.119 --> 0:25:35.760
<v Speaker 1>an electrostatic charge differential, which we do see in the

0:25:35.760 --> 0:25:37.439
<v Speaker 1>books with a whole You know, you see that you

0:25:37.480 --> 0:25:40.000
<v Speaker 1>already mentioned the static charts that tells you that a

0:25:40.040 --> 0:25:44.719
<v Speaker 1>worm is approaching and uh. Incidentally, she also uses this

0:25:44.800 --> 0:25:47.639
<v Speaker 1>as an as an explanation for why water would be

0:25:47.680 --> 0:25:49.760
<v Speaker 1>fatal to a sandworm, and that it would cause the

0:25:49.800 --> 0:25:54.119
<v Speaker 1>electrons to discharge abnormally. Yeah. Now, obviously it can't be

0:25:54.200 --> 0:25:57.919
<v Speaker 1>that any massive water is fatal to a sandworm because

0:25:57.960 --> 0:26:01.000
<v Speaker 1>there there is some tiny amount of water on a racus.

0:26:01.080 --> 0:26:03.160
<v Speaker 1>But it sounds like a large amount of water will

0:26:03.240 --> 0:26:05.800
<v Speaker 1>kill the sandworm, right, and it gets into that whole

0:26:05.840 --> 0:26:07.919
<v Speaker 1>segmented thing because it's it's mentioned in the book that

0:26:08.040 --> 0:26:11.479
<v Speaker 1>to really kill a sandworm, like to straight up kill it,

0:26:11.480 --> 0:26:13.680
<v Speaker 1>it's so big. And since each shot, since it doesn't

0:26:13.680 --> 0:26:16.119
<v Speaker 1>have a central nervous system, since each segment has its

0:26:16.160 --> 0:26:18.879
<v Speaker 1>own nervous system, you would have to just nuke the

0:26:18.920 --> 0:26:21.560
<v Speaker 1>whole thing with one of your your handy house atomics

0:26:21.560 --> 0:26:32.800
<v Speaker 1>that you're not allowed to use anyway. Wow. Yeah, so

0:26:33.040 --> 0:26:36.160
<v Speaker 1>uh yeah, it's a it's kind of a complex life cycle.

0:26:36.560 --> 0:26:39.560
<v Speaker 1>Uh and uh it's it's summed up in this brief

0:26:39.560 --> 0:26:42.080
<v Speaker 1>bit from the appendix to dune. Now they had a

0:26:42.080 --> 0:26:46.480
<v Speaker 1>circular relationship little maker. Again, that's our our sound trout

0:26:46.840 --> 0:26:50.240
<v Speaker 1>to pries spy spice mass little Maker to Shah Haloud

0:26:50.320 --> 0:26:53.280
<v Speaker 1>Shah Haloo to scatter the spice upon which fed microscopic

0:26:53.280 --> 0:26:57.280
<v Speaker 1>creatures called sand plankton, which we'll get into the sand

0:26:57.280 --> 0:27:01.600
<v Speaker 1>plankton food for Shah haloud, growing, growing, becoming little makers.

0:27:03.240 --> 0:27:07.400
<v Speaker 1>Now that of course is a little complicated, and we'll

0:27:07.400 --> 0:27:09.680
<v Speaker 1>get into that, because here it seems like how can

0:27:09.840 --> 0:27:12.360
<v Speaker 1>one be. It sounds like one part of its own

0:27:12.440 --> 0:27:15.560
<v Speaker 1>life cycle is also part of it is also it's

0:27:15.600 --> 0:27:19.919
<v Speaker 1>part of its diet. That's bizarre, alright. And this brings

0:27:20.000 --> 0:27:24.760
<v Speaker 1>us to biologist Sibyl Hetchel, PhD s um. Science of

0:27:24.840 --> 0:27:29.359
<v Speaker 1>Dune Explanation, which, uh is also really interesting and I

0:27:29.400 --> 0:27:34.040
<v Speaker 1>think gives us our best comparison to real world biology. Okay,

0:27:34.119 --> 0:27:38.199
<v Speaker 1>so first of all, she she she zooms in on

0:27:38.240 --> 0:27:41.959
<v Speaker 1>the whole idea that sand trout produce oxygen deep underground,

0:27:42.000 --> 0:27:44.720
<v Speaker 1>as mentioned by Kinds in the novel. But they need

0:27:44.760 --> 0:27:47.480
<v Speaker 1>an energy source to produce oxygen, and since photo since

0:27:47.520 --> 0:27:50.080
<v Speaker 1>theist is out of the question because their underground, right,

0:27:50.160 --> 0:27:53.920
<v Speaker 1>the best candidate is of course deep hydrothermal vents. That's

0:27:53.920 --> 0:27:57.959
<v Speaker 1>how we see it working on Earth, right. Okay, so

0:27:58.000 --> 0:28:01.400
<v Speaker 1>one could interpret the sand trout is the producer of milange,

0:28:01.680 --> 0:28:04.560
<v Speaker 1>and that's certainly Herbert doesn't really say exactly like it's

0:28:04.600 --> 0:28:07.719
<v Speaker 1>just sandworms are key to the production of spice malhunch,

0:28:07.840 --> 0:28:11.240
<v Speaker 1>but I don't know exactly how it goes happening, but

0:28:11.320 --> 0:28:13.560
<v Speaker 1>of course we don't want them to go extinct. Right.

0:28:14.160 --> 0:28:18.919
<v Speaker 1>So Hetchel deposits that just as sand trout scavenge and

0:28:19.000 --> 0:28:23.959
<v Speaker 1>herd water, they may also tend a milange producing fungus.

0:28:24.359 --> 0:28:27.240
<v Speaker 1>So in this case then it's not actually any part

0:28:27.440 --> 0:28:31.800
<v Speaker 1>of the of the sandworms life cycle that produces the spice,

0:28:31.840 --> 0:28:35.840
<v Speaker 1>but they are harvesters of spice, right. She's theorizing that

0:28:35.920 --> 0:28:41.040
<v Speaker 1>they would sequester stashes of water around these hydrothermal areas,

0:28:41.240 --> 0:28:44.040
<v Speaker 1>and this would cause the spice fungus to grow. Uh.

0:28:44.760 --> 0:28:47.520
<v Speaker 1>And in our world, plants, bacteria, and fungi produced the

0:28:47.520 --> 0:28:51.800
<v Speaker 1>majority of exotic compounds, such as psychedelic compounds, so this

0:28:51.800 --> 0:28:55.640
<v Speaker 1>would make extra sense, right, the secondary compact pounds that

0:28:55.720 --> 0:28:59.640
<v Speaker 1>synthesized for protection by a particular fungus. And of course

0:28:59.640 --> 0:29:02.840
<v Speaker 1>they're are examples of animals on earth that actually do

0:29:03.280 --> 0:29:06.800
<v Speaker 1>practice farming, I mean animals other than humans. Right. The

0:29:06.840 --> 0:29:08.920
<v Speaker 1>example here would be, of course, the leaf cutter ants,

0:29:08.920 --> 0:29:11.560
<v Speaker 1>and that's the comparison that that civil Hetchel makes in

0:29:11.640 --> 0:29:14.600
<v Speaker 1>this uh. In this piece, the leaf cutter ants are

0:29:14.600 --> 0:29:17.520
<v Speaker 1>of course a number of species that are found in

0:29:17.560 --> 0:29:20.080
<v Speaker 1>the America's and they cut tree leaves. They drag them

0:29:20.080 --> 0:29:22.800
<v Speaker 1>to an underground growth chamber and they keep it moist

0:29:22.840 --> 0:29:27.440
<v Speaker 1>to gold, cultivate fungi on the leaves um and then

0:29:27.480 --> 0:29:29.840
<v Speaker 1>they so they so basically it breaks down like this.

0:29:29.960 --> 0:29:32.920
<v Speaker 1>They bring leaf cuttings back to the colony along well

0:29:32.960 --> 0:29:35.920
<v Speaker 1>worn forest roads and paths. We've probably all seen video

0:29:36.000 --> 0:29:39.360
<v Speaker 1>or images of this, you know, very very visual. Um.

0:29:39.400 --> 0:29:41.400
<v Speaker 1>They filter out the bad cuttings, they hand the good

0:29:41.400 --> 0:29:43.880
<v Speaker 1>ones off to their farmer ants. Then they munch the

0:29:43.920 --> 0:29:46.560
<v Speaker 1>leaf cuttings down into a fine mulch. Then they grow

0:29:46.600 --> 0:29:49.360
<v Speaker 1>the delicious fung guy on that mulch, lay some eggs

0:29:49.360 --> 0:29:52.280
<v Speaker 1>in it, and enjoy. They drag the depleted leaf cuttings

0:29:52.320 --> 0:29:54.719
<v Speaker 1>to the dump chamber, along with all the dead ants

0:29:54.840 --> 0:29:58.840
<v Speaker 1>and dead fungus. So the crazy part about this, and

0:29:59.080 --> 0:30:02.040
<v Speaker 1>ultimately kind of sigh five uh sounding thing about the

0:30:02.200 --> 0:30:04.600
<v Speaker 1>leaf cutter ants is that they gave up hunting and

0:30:04.640 --> 0:30:08.560
<v Speaker 1>gathering fifty million years ago and they became farmers. And

0:30:08.760 --> 0:30:12.360
<v Speaker 1>they they discovered the technology of agriculture before we did.

0:30:12.400 --> 0:30:14.720
<v Speaker 1>They did, and well not only before we did, before

0:30:14.760 --> 0:30:18.920
<v Speaker 1>we existed, right, They not only did they find this substance,

0:30:18.960 --> 0:30:23.120
<v Speaker 1>but they essentially domesticated it, and it's grown extinct in

0:30:23.160 --> 0:30:25.840
<v Speaker 1>the wild, like it's no longer something that they can

0:30:25.880 --> 0:30:28.760
<v Speaker 1>go out and get. So the analogy here would be

0:30:28.840 --> 0:30:32.840
<v Speaker 1>imagine if leaf cutter ants, uh could grow to become

0:30:32.960 --> 0:30:35.680
<v Speaker 1>giant leaf cutter ants that can eat a city. But

0:30:35.800 --> 0:30:38.880
<v Speaker 1>also if the fungus that the little leaf cutter ants

0:30:38.960 --> 0:30:43.080
<v Speaker 1>grew in their colonies created a drug that lets you

0:30:43.120 --> 0:30:46.440
<v Speaker 1>see the future. Yeah, yeah, imagine all those leaf cutter

0:30:46.480 --> 0:30:49.280
<v Speaker 1>ants voltron ing up into a larger organism over the

0:30:49.320 --> 0:30:53.280
<v Speaker 1>course of a thousand years. Um, And I do also

0:30:53.280 --> 0:30:54.880
<v Speaker 1>want to know that it's it's also kind of like

0:30:54.880 --> 0:30:58.680
<v Speaker 1>a caveman movie in that when a winged male prepares

0:30:58.720 --> 0:31:01.320
<v Speaker 1>to leave a leaf on her cut her aunt colony

0:31:01.360 --> 0:31:03.160
<v Speaker 1>to found a new colony, they have to take a

0:31:03.200 --> 0:31:06.000
<v Speaker 1>sample of that precious fungi with them because again, it

0:31:06.040 --> 0:31:09.120
<v Speaker 1>doesn't exist in the wild anymore. It was continually fascinated

0:31:09.160 --> 0:31:12.200
<v Speaker 1>by that. Um, we're completely at the mercy of the

0:31:12.200 --> 0:31:14.800
<v Speaker 1>ants if we want this fungus exactly, and of course

0:31:14.840 --> 0:31:17.280
<v Speaker 1>we don't want it, but they require it completely. It's

0:31:17.360 --> 0:31:22.040
<v Speaker 1>key to their their their life. But back to the sandworms. Okay,

0:31:22.080 --> 0:31:25.960
<v Speaker 1>so we don't know exactly what sand plankton and sand

0:31:26.240 --> 0:31:29.040
<v Speaker 1>trout are supposed to eat. But maybe they eat spice,

0:31:29.840 --> 0:31:32.440
<v Speaker 1>uh and it and it, but you know it, but

0:31:32.520 --> 0:31:35.240
<v Speaker 1>it wouldn't make sense. Hetchel argues for the creature to

0:31:35.280 --> 0:31:38.560
<v Speaker 1>both create and consume spice, so the fungus again makes

0:31:38.600 --> 0:31:41.320
<v Speaker 1>more sense from from that analogy as well from that

0:31:41.360 --> 0:31:44.000
<v Speaker 1>comparison as well. So she well, I mean I wonder

0:31:44.080 --> 0:31:46.760
<v Speaker 1>you could look at depending on what you mean by create,

0:31:47.400 --> 0:31:49.760
<v Speaker 1>you could look at an example like honey in a

0:31:49.880 --> 0:31:52.600
<v Speaker 1>bee colony. You know, the bees don't create the honey,

0:31:52.640 --> 0:31:55.720
<v Speaker 1>but they sort of they process the honey. Yes, And

0:31:55.760 --> 0:31:57.680
<v Speaker 1>I think that would be an apt analogy here for

0:31:57.720 --> 0:32:00.280
<v Speaker 1>the milange as well, that the mash is kind of

0:32:00.880 --> 0:32:05.160
<v Speaker 1>is a created element. UM. So she argues that sand

0:32:05.200 --> 0:32:09.960
<v Speaker 1>trout communities um are essentially like a combination of leaf cutting,

0:32:09.960 --> 0:32:13.640
<v Speaker 1>ant nest and hydrothermal vent community and in this case,

0:32:13.640 --> 0:32:17.280
<v Speaker 1>sandplankton and sand trout would subsist on living spice, fungi,

0:32:17.400 --> 0:32:20.160
<v Speaker 1>and bacterial mats that grow around the events. She also

0:32:20.200 --> 0:32:22.840
<v Speaker 1>presents the notion that sand trout or essentially a sexual

0:32:23.280 --> 0:32:26.280
<v Speaker 1>and they might subsist as clone communities for quite some

0:32:26.400 --> 0:32:28.920
<v Speaker 1>time at least until the build up of carbon dioxide

0:32:28.960 --> 0:32:33.080
<v Speaker 1>from their farming efforts triggers sexual reproduction and also triggers

0:32:33.120 --> 0:32:35.800
<v Speaker 1>that spice blow the results from the build up, and

0:32:35.800 --> 0:32:39.040
<v Speaker 1>then that that would scatter the newly produced sand plankton.

0:32:39.240 --> 0:32:41.520
<v Speaker 1>So then the sand worm comes in. It wants to

0:32:41.520 --> 0:32:44.440
<v Speaker 1>eat up that spice, and in doing so it disperses

0:32:44.480 --> 0:32:47.480
<v Speaker 1>the offspring across vast distances, because of course sandworms have

0:32:47.520 --> 0:32:52.120
<v Speaker 1>those large spread out territories. That makes sense with some

0:32:52.200 --> 0:32:54.800
<v Speaker 1>earth earth life too. Or you can think about seeds

0:32:54.840 --> 0:32:57.800
<v Speaker 1>that spread by growing in fruits that predators want to

0:32:57.840 --> 0:33:00.000
<v Speaker 1>come and eat, or maybe not predators, you'd call them.

0:33:00.040 --> 0:33:02.600
<v Speaker 1>I guess they're predators of the plant. They come and

0:33:02.640 --> 0:33:04.640
<v Speaker 1>want to eat the fruit, and then they take the

0:33:04.680 --> 0:33:09.600
<v Speaker 1>seeds with them wherever they go afterwards. So now she

0:33:09.640 --> 0:33:11.560
<v Speaker 1>also goes on in this piece if she has some

0:33:11.560 --> 0:33:15.080
<v Speaker 1>some thoughts on size constraints of enormous organisms. If you

0:33:15.080 --> 0:33:16.800
<v Speaker 1>want to read about that, do check out the book

0:33:16.840 --> 0:33:19.239
<v Speaker 1>to check out her peace. But we're not gonna go

0:33:19.240 --> 0:33:22.000
<v Speaker 1>into him in this podcast. So one of the things

0:33:22.080 --> 0:33:25.120
<v Speaker 1>I've already mentioned that I really loved about doing is

0:33:25.200 --> 0:33:29.680
<v Speaker 1>that it's the most ecologically conscious novel i've ever read

0:33:29.760 --> 0:33:34.640
<v Speaker 1>It's It's a novel that really has interesting thoughts about

0:33:34.680 --> 0:33:39.160
<v Speaker 1>ecosystems and about resources in ecosystems, like how resources get

0:33:39.240 --> 0:33:43.440
<v Speaker 1>used and conserve, specifically water and spice, and then also

0:33:43.480 --> 0:33:48.920
<v Speaker 1>about how organisms feed into one another and create ecosystems.

0:33:48.920 --> 0:33:51.200
<v Speaker 1>There's actually a section in the book where the planetary

0:33:51.280 --> 0:33:55.800
<v Speaker 1>scientist and ecologist Kinds has visions of his father, who

0:33:55.840 --> 0:33:58.640
<v Speaker 1>was also an ecologist and lived among the fremen on

0:33:59.360 --> 0:34:02.360
<v Speaker 1>the dune plan in it, and the vision of his

0:34:02.480 --> 0:34:05.560
<v Speaker 1>father says a couple of interesting things. He says, the

0:34:05.640 --> 0:34:08.480
<v Speaker 1>more life there is within a system, the more niches

0:34:08.560 --> 0:34:12.719
<v Speaker 1>there are for life. Life improves the capacity of the

0:34:12.880 --> 0:34:18.040
<v Speaker 1>environment to sustain life. Life makes needed nutrients more readily available.

0:34:18.280 --> 0:34:21.520
<v Speaker 1>It binds more energy into the system through the tremendous

0:34:21.600 --> 0:34:25.719
<v Speaker 1>chemical interplay from organism to organism. And I think that

0:34:25.800 --> 0:34:30.000
<v Speaker 1>makes a lot of sense, because whenever you imagine a

0:34:30.000 --> 0:34:34.240
<v Speaker 1>a rich, thriving ecosystem on Earth, it's one that already

0:34:34.239 --> 0:34:36.520
<v Speaker 1>has a lot of life forms succeeding in It is

0:34:36.560 --> 0:34:40.680
<v Speaker 1>kind of counterintuitive from a resource competition or evolutionary perspective,

0:34:41.400 --> 0:34:45.080
<v Speaker 1>places that have a lot of competitions seem like they

0:34:45.080 --> 0:34:48.799
<v Speaker 1>they should be harder to survive in. But life creates

0:34:49.160 --> 0:34:52.719
<v Speaker 1>ways for other life to thrive. And this is sort

0:34:52.760 --> 0:34:55.880
<v Speaker 1>of part of the problem with aracous as it's imagined,

0:34:55.960 --> 0:34:58.960
<v Speaker 1>unless you you imagine it terraformed and seated with other

0:34:59.000 --> 0:35:01.239
<v Speaker 1>life forms, as some aracters in the novel do kind

0:35:01.239 --> 0:35:04.400
<v Speaker 1>of imagine. I think primarily they talked about, let's plants,

0:35:04.440 --> 0:35:08.680
<v Speaker 1>some grasses and you know, and settle the dunes. It

0:35:08.760 --> 0:35:13.000
<v Speaker 1>doesn't seem to have enough biodiversity to be very hospitable

0:35:13.040 --> 0:35:17.000
<v Speaker 1>to life forms. And uh, in addition to the sandworms,

0:35:17.080 --> 0:35:21.160
<v Speaker 1>like what life forms are described as inhabiting Aracus, Herbert

0:35:21.200 --> 0:35:25.279
<v Speaker 1>mentions some scavenging birds and a few other carrion eaters

0:35:25.280 --> 0:35:29.960
<v Speaker 1>and some kind of scrubby plants. But I got the sense,

0:35:30.000 --> 0:35:31.600
<v Speaker 1>I don't know what you thought about this. I get

0:35:31.600 --> 0:35:34.719
<v Speaker 1>the sense that a lot of these animals that are

0:35:35.000 --> 0:35:39.719
<v Speaker 1>described as inhabiting Aracus are imports from human settlement. I

0:35:39.719 --> 0:35:41.520
<v Speaker 1>don't know what you thought. That's that's the sense I

0:35:41.520 --> 0:35:44.280
<v Speaker 1>got as well. They, like the scavenging birds, have certainly

0:35:44.360 --> 0:35:49.759
<v Speaker 1>evolved over over time to to thrive on Aracus. Like

0:35:49.800 --> 0:35:51.880
<v Speaker 1>they're there's you know, they're far more conscious. They can

0:35:51.920 --> 0:35:55.560
<v Speaker 1>basically hear water, you know, miles away, but that they're

0:35:55.640 --> 0:36:00.080
<v Speaker 1>essentially a terrestrial product. Yeah, while the sandworm is it

0:36:00.239 --> 0:36:04.000
<v Speaker 1>is entirely alien. So I don't know, maybe somewhere in

0:36:04.040 --> 0:36:06.440
<v Speaker 1>the if it's in the sequels, or if I missed it.

0:36:06.480 --> 0:36:09.360
<v Speaker 1>In the book, Herbert does talk about other life forms

0:36:09.440 --> 0:36:12.320
<v Speaker 1>native to Aracus, but I can't think of any examples

0:36:12.320 --> 0:36:14.560
<v Speaker 1>where I remember him talking about that. And and I

0:36:14.600 --> 0:36:18.520
<v Speaker 1>wanted to ask the question, if we imagine that the sandworm,

0:36:18.560 --> 0:36:21.040
<v Speaker 1>at the various stages of his life cycle, were the

0:36:21.239 --> 0:36:25.760
<v Speaker 1>one and only organism native to a planet, is something

0:36:25.840 --> 0:36:28.320
<v Speaker 1>like that possible in reality? Can you have a one

0:36:28.719 --> 0:36:32.600
<v Speaker 1>organism ecosystem? Yeah, even if it's a really complex organism

0:36:32.719 --> 0:36:35.879
<v Speaker 1>like this one. I was trying to find examples of this.

0:36:36.239 --> 0:36:40.080
<v Speaker 1>I found one. Actually I think you found it first.

0:36:40.120 --> 0:36:43.480
<v Speaker 1>But in two thousand and eight there were reports that

0:36:43.560 --> 0:36:47.960
<v Speaker 1>the first known single organism ecosystem had been discovered, and

0:36:48.000 --> 0:36:51.880
<v Speaker 1>this was miles under the earth in the moment, I

0:36:52.320 --> 0:36:56.520
<v Speaker 1>apologize if I'm pronouncing this wrong, Momponing gold mine in

0:36:56.600 --> 0:36:59.920
<v Speaker 1>South Africa, and it was a bacteria called de Sulfuru

0:37:00.080 --> 0:37:04.719
<v Speaker 1>dis audax viator. It was a rod shaped bacterium, and

0:37:04.920 --> 0:37:08.360
<v Speaker 1>it makes its living in a very remarkable way. It

0:37:08.440 --> 0:37:13.200
<v Speaker 1>doesn't need sunlight and it doesn't need any prey organisms,

0:37:13.239 --> 0:37:16.080
<v Speaker 1>so it lives down there by itself, and instead it

0:37:16.120 --> 0:37:20.640
<v Speaker 1>puts together the organic molecules it needs by access only

0:37:20.680 --> 0:37:25.680
<v Speaker 1>to water, carbon, and nitrogen in the ground using energy

0:37:25.800 --> 0:37:29.120
<v Speaker 1>from According to this Lawrence Berkeley Lab source I read

0:37:29.160 --> 0:37:33.760
<v Speaker 1>on this, hydrogen and sulfate produced by the radioactive decay

0:37:34.040 --> 0:37:39.919
<v Speaker 1>of uranium. So this is a it's surviving on chemicals

0:37:39.960 --> 0:37:43.560
<v Speaker 1>created by radiation in the ground, almost two miles under

0:37:43.600 --> 0:37:46.799
<v Speaker 1>the ground. This is essentially about as close to an

0:37:46.800 --> 0:37:49.919
<v Speaker 1>alien microbe as I've ever heard of on Earth. Yeah,

0:37:49.920 --> 0:37:55.319
<v Speaker 1>it's pretty it's pretty far removed from our traditional ecosystem model. Yeah,

0:37:55.360 --> 0:37:58.640
<v Speaker 1>and so I just thought that was fascinating. But another

0:37:58.680 --> 0:38:01.600
<v Speaker 1>way of thinking about it is, if you imagine way

0:38:01.640 --> 0:38:05.760
<v Speaker 1>way back in time two I don't know, situations of

0:38:05.960 --> 0:38:10.200
<v Speaker 1>a biogenesis on Earth, you probably at least have to

0:38:10.239 --> 0:38:13.120
<v Speaker 1>imagine that there are some periods in the history of

0:38:13.160 --> 0:38:17.200
<v Speaker 1>life where there was only one organism, um and then

0:38:17.280 --> 0:38:20.160
<v Speaker 1>and then of course we got a branching ecosystem. So

0:38:20.200 --> 0:38:23.000
<v Speaker 1>that again makes me wonder if you could naturally have

0:38:23.120 --> 0:38:26.680
<v Speaker 1>a planet where there's really only one type of organism there.

0:38:27.280 --> 0:38:30.440
<v Speaker 1>It seems like the natural course of biological evolution is

0:38:30.480 --> 0:38:36.040
<v Speaker 1>to diversify. But another way of thinking about this that

0:38:36.040 --> 0:38:39.719
<v Speaker 1>that occurred to me is that what if it is

0:38:39.760 --> 0:38:43.240
<v Speaker 1>the case that the sand worm and its various stages

0:38:43.280 --> 0:38:46.800
<v Speaker 1>of life is the only major organism alive on Iracus

0:38:46.840 --> 0:38:50.680
<v Speaker 1>And it wasn't always that way, And so it could

0:38:50.719 --> 0:38:54.120
<v Speaker 1>have been a planet rich with life that has essentially

0:38:54.160 --> 0:38:59.200
<v Speaker 1>been conquered by a single invasive species, Like there's one

0:38:59.400 --> 0:39:04.880
<v Speaker 1>organism that destroys all eco diversity on the planet. I

0:39:04.880 --> 0:39:06.759
<v Speaker 1>could say, Okay, I could see that being the case too, Yeah,

0:39:06.760 --> 0:39:09.560
<v Speaker 1>where you end up with just a sandworm only ecosystem

0:39:09.600 --> 0:39:12.600
<v Speaker 1>because it's that dominant of species in this environment. Yeah,

0:39:12.680 --> 0:39:15.520
<v Speaker 1>I mean, one wonders how sustainable a system like that

0:39:15.520 --> 0:39:18.400
<v Speaker 1>would be. Uh. And then of course, if you want

0:39:18.440 --> 0:39:21.000
<v Speaker 1>to think about other parallels to the sandworm in reality,

0:39:21.040 --> 0:39:24.719
<v Speaker 1>you've of course got the Mongolian death worm. Ah. Now

0:39:25.160 --> 0:39:28.760
<v Speaker 1>the Mongolian death worm is not real though, right? Maybe

0:39:28.800 --> 0:39:31.640
<v Speaker 1>not to you. Well, I didn't know. I maybe I've

0:39:31.680 --> 0:39:34.120
<v Speaker 1>missed a new study where the occasionally you see an

0:39:34.120 --> 0:39:37.560
<v Speaker 1>expedition to to to find it. No, as far as

0:39:37.600 --> 0:39:40.440
<v Speaker 1>I'm aware, no one has ever discovered the Mongolian deathcorm.

0:39:40.480 --> 0:39:43.000
<v Speaker 1>But if you're not familiar, you should. I bet you've

0:39:43.000 --> 0:39:45.160
<v Speaker 1>written a blog post about that. I don't know if

0:39:45.160 --> 0:39:48.840
<v Speaker 1>I've ever really covered mongolian death worm. Um. I have

0:39:49.000 --> 0:39:52.120
<v Speaker 1>run across you have something called a sandworm that lives

0:39:52.200 --> 0:39:56.200
<v Speaker 1>in beach sand. But of course that's an entirely different scenario. Yeah,

0:39:56.320 --> 0:40:02.080
<v Speaker 1>that's unfortunate, okay, Robert, Yeah, imagine yourself at a party

0:40:03.000 --> 0:40:06.799
<v Speaker 1>with some hip young people who start passing around the

0:40:06.800 --> 0:40:11.680
<v Speaker 1>hottest new designer drug. It is the spice Melange. And

0:40:12.200 --> 0:40:15.719
<v Speaker 1>Herbert never is exactly clear what the spice in the

0:40:15.760 --> 0:40:17.880
<v Speaker 1>book looks like, but I'm going to try to imagine

0:40:17.880 --> 0:40:19.799
<v Speaker 1>it here based on a scene from the movie and

0:40:20.280 --> 0:40:23.080
<v Speaker 1>a description quote I read from a from a sequel.

0:40:24.120 --> 0:40:29.759
<v Speaker 1>It's it's a little glass box. And then inside the

0:40:29.760 --> 0:40:33.040
<v Speaker 1>box there is some orange mass. It almost looks like

0:40:33.080 --> 0:40:36.600
<v Speaker 1>a like an evacuated insect shell, you know how, like

0:40:36.680 --> 0:40:39.880
<v Speaker 1>when the cicadas leave their shells behind after they mold

0:40:40.640 --> 0:40:43.840
<v Speaker 1>some stuff like that. It's kind of brownish orange. And

0:40:43.840 --> 0:40:46.359
<v Speaker 1>then you press down a little piston to crush some

0:40:46.440 --> 0:40:49.920
<v Speaker 1>of this stuff. In the glass and an orange liquid

0:40:50.000 --> 0:40:54.120
<v Speaker 1>strains out and it smells like cinnamon and you can

0:40:54.200 --> 0:40:56.040
<v Speaker 1>drink it right up, or you can add it to

0:40:56.160 --> 0:40:59.480
<v Speaker 1>food or beverages or have it transformed into a gas

0:40:59.520 --> 0:41:02.719
<v Speaker 1>if you're old navigator in the tank, but it's going

0:41:02.760 --> 0:41:05.440
<v Speaker 1>to be doing some weird stuff to you. Yeah. And

0:41:05.440 --> 0:41:09.440
<v Speaker 1>if you're in araqan U Dennizen, if you if Iraqus

0:41:09.480 --> 0:41:11.160
<v Speaker 1>is your home and you're not privy to a lot

0:41:11.160 --> 0:41:15.080
<v Speaker 1>of outsider food coming in from other worlds, uh, it's

0:41:15.080 --> 0:41:18.000
<v Speaker 1>just gonna find its way into your diet. It's just

0:41:18.040 --> 0:41:23.319
<v Speaker 1>an ambient part of of water and food on the world. Yeah.

0:41:23.360 --> 0:41:26.120
<v Speaker 1>And if you're not careful and you keep taking too

0:41:26.239 --> 0:41:29.200
<v Speaker 1>much spice, you may begin to see the future and

0:41:29.239 --> 0:41:32.160
<v Speaker 1>become fatally addicted. Yeah, and your eyes will turn blue

0:41:32.360 --> 0:41:35.520
<v Speaker 1>despite the fatal addiction. There's something kind of appealing about

0:41:35.600 --> 0:41:37.840
<v Speaker 1>the way they describe some of the spice consumption in

0:41:37.880 --> 0:41:40.400
<v Speaker 1>the novel. Yeah. They mentioned having, you know, having a

0:41:40.400 --> 0:41:43.560
<v Speaker 1>cup of spice coffee some I think there's some spice

0:41:43.560 --> 0:41:46.520
<v Speaker 1>cakes that are mentioned here and there. Yeah. Yeah, Yeah,

0:41:46.719 --> 0:41:48.200
<v Speaker 1>you're like, yeah, I would kind of like that a

0:41:48.960 --> 0:41:52.480
<v Speaker 1>nice you know, a nice consciousness expanding cup of coffee

0:41:52.480 --> 0:41:54.920
<v Speaker 1>as opposed to this, you know these red Bull and

0:41:54.960 --> 0:41:59.719
<v Speaker 1>Samuda cocktails that I keep going. So characteristics of the

0:41:59.719 --> 0:42:01.920
<v Speaker 1>spy us in the book, which very according to the

0:42:02.440 --> 0:42:05.880
<v Speaker 1>person taking it and the intake level, would be some

0:42:05.960 --> 0:42:08.319
<v Speaker 1>of the following. First, I should say that it's core

0:42:08.480 --> 0:42:11.640
<v Speaker 1>the spice is described, I think is an awareness drug

0:42:12.000 --> 0:42:15.680
<v Speaker 1>and that it changes perception and consciousness. Uh. Now, the

0:42:15.760 --> 0:42:20.520
<v Speaker 1>first major feature described is that it's the geriatric spice.

0:42:20.560 --> 0:42:24.080
<v Speaker 1>It's when taken in small quantities over long periods of time,

0:42:24.560 --> 0:42:27.719
<v Speaker 1>it extends your lifespan. And that's something we probably should

0:42:27.719 --> 0:42:31.399
<v Speaker 1>have mentioned more earlier on. Like, that's another reason that

0:42:31.680 --> 0:42:34.560
<v Speaker 1>Iraq is the center of the universe, because not only

0:42:34.600 --> 0:42:39.240
<v Speaker 1>does the spice enable interstellar travel, uh, it also allows

0:42:39.360 --> 0:42:42.160
<v Speaker 1>the wealthy people to extend their lives. Right, once you're

0:42:42.160 --> 0:42:44.680
<v Speaker 1>a feudal lord and you've conquered all your enemies and

0:42:44.680 --> 0:42:48.040
<v Speaker 1>you've secured a place in the in the power structures

0:42:48.040 --> 0:42:50.560
<v Speaker 1>of the universe, what's the next thing you need? You've

0:42:50.560 --> 0:42:53.680
<v Speaker 1>got to live forever, right, So it does that. And

0:42:53.719 --> 0:42:56.880
<v Speaker 1>then another effect of it is that it stains your eyes.

0:42:57.480 --> 0:43:00.760
<v Speaker 1>Taking spice will will cause blue ten ting of the eyes,

0:43:00.800 --> 0:43:04.640
<v Speaker 1>not just the irises, but the whole eye. It's a

0:43:04.680 --> 0:43:09.080
<v Speaker 1>mind expander. It grants heightened awareness. In some cases it

0:43:09.120 --> 0:43:14.040
<v Speaker 1>allows prescience or limited omniscience. I don't know if limited

0:43:14.040 --> 0:43:18.240
<v Speaker 1>omniscience is a phrase that makes any sense. It allows

0:43:18.280 --> 0:43:21.720
<v Speaker 1>you to have some knowledge beyond your physical time and place,

0:43:22.239 --> 0:43:24.960
<v Speaker 1>and the ability to see some aspects of the future

0:43:25.080 --> 0:43:28.120
<v Speaker 1>or aspects of the present removed by distance, or to

0:43:28.280 --> 0:43:32.960
<v Speaker 1>share communal awareness, sort of collaborating across aspects of mind

0:43:33.120 --> 0:43:37.719
<v Speaker 1>with others. And they often make geographic comparisons in the book.

0:43:37.800 --> 0:43:39.759
<v Speaker 1>So it's like looking into the future is kind of

0:43:39.840 --> 0:43:42.800
<v Speaker 1>like looking across the landscape. And depending on your circumstances,

0:43:43.120 --> 0:43:45.440
<v Speaker 1>you might be kind of standing in all like a

0:43:45.480 --> 0:43:48.200
<v Speaker 1>shallow basin and you can't actually see that far. Other

0:43:48.239 --> 0:43:51.439
<v Speaker 1>times it's flat. Other times maybe you're on a hill,

0:43:51.520 --> 0:43:53.960
<v Speaker 1>and it depends on your prescient availabilities. How far can

0:43:53.960 --> 0:43:56.480
<v Speaker 1>you see? Yeah, And then of course the negative that

0:43:56.600 --> 0:44:00.160
<v Speaker 1>the downside I alluded to earlier is the addiction. When

0:44:00.160 --> 0:44:02.800
<v Speaker 1>you take it in large quantities, you will get addicted

0:44:02.840 --> 0:44:06.000
<v Speaker 1>to it, and if you stop taking it, you will die. Well,

0:44:06.200 --> 0:44:16.440
<v Speaker 1>that'll happen, unfortunately. So the idea of a drug that

0:44:16.520 --> 0:44:20.760
<v Speaker 1>expands consciousness is certainly something you find in many cultures writing,

0:44:20.880 --> 0:44:23.600
<v Speaker 1>including our own. You know, lots of people believe things

0:44:23.640 --> 0:44:28.800
<v Speaker 1>like hallucinogens like LSD, marijuana, psilocybin, mushrooms, uh, and the

0:44:29.120 --> 0:44:33.640
<v Speaker 1>ayahuasca brew which I think the chemical uh, the active

0:44:33.719 --> 0:44:36.520
<v Speaker 1>chemical and that is D m T right. Yeah, and

0:44:36.600 --> 0:44:40.520
<v Speaker 1>so under various circumstances, people have suggested all these drugs

0:44:40.680 --> 0:44:45.600
<v Speaker 1>not only provide euphoria and sometimes sensory hallucinations, but they

0:44:45.640 --> 0:44:50.799
<v Speaker 1>actually provide access to information or knowledge about reality that

0:44:51.000 --> 0:44:54.799
<v Speaker 1>is not otherwise available to people. One of the most

0:44:54.840 --> 0:44:58.400
<v Speaker 1>common claims you hear is the sort of transcendence journey

0:44:58.440 --> 0:45:01.600
<v Speaker 1>you might call it, where the hallu synogen gives the

0:45:01.760 --> 0:45:05.160
<v Speaker 1>user a mental vantage point from which he or she

0:45:05.280 --> 0:45:09.440
<v Speaker 1>claims to see a deeper reality or to now understand

0:45:09.480 --> 0:45:12.239
<v Speaker 1>that our day to day experiences are not all there is.

0:45:12.719 --> 0:45:15.400
<v Speaker 1>I'm sure you've encountered this before. Oh yeah, And of

0:45:15.440 --> 0:45:18.080
<v Speaker 1>course it's and that's key to most religions too, that

0:45:18.160 --> 0:45:22.560
<v Speaker 1>you have at the heart there's a deeper understanding of reality, um,

0:45:22.600 --> 0:45:25.720
<v Speaker 1>that you have to uncover. Yeah, And I think that's interesting.

0:45:25.719 --> 0:45:31.640
<v Speaker 1>I think the hallucinogen comparison to spices. Perhaps quite on point,

0:45:31.680 --> 0:45:34.360
<v Speaker 1>because in a two thousand five book called my clum

0:45:34.440 --> 0:45:38.520
<v Speaker 1>Running by the American mycologist paulse statements, that's a person

0:45:38.560 --> 0:45:43.560
<v Speaker 1>who studies fungus. Uh. The author claims that Frank Herbert. Well,

0:45:43.600 --> 0:45:47.040
<v Speaker 1>I should just read this quote. It says Uh. He

0:45:47.120 --> 0:45:50.920
<v Speaker 1>says that Frank Herbert was apparently an enthusiastic mushroom collector

0:45:51.000 --> 0:45:54.480
<v Speaker 1>himself who came up with this great system for for

0:45:54.600 --> 0:45:58.280
<v Speaker 1>growing chantrell mushrooms in a way that people hadn't realized

0:45:58.320 --> 0:46:01.239
<v Speaker 1>how to do before, by creating this spore slurry in

0:46:01.280 --> 0:46:06.040
<v Speaker 1>a bucket. But anyway, he says of Frank Herbert. Frank

0:46:06.120 --> 0:46:08.000
<v Speaker 1>went on to tell me that much of the premise

0:46:08.040 --> 0:46:12.640
<v Speaker 1>of Dune, the magic spice spores that allowed the bending

0:46:12.680 --> 0:46:18.440
<v Speaker 1>of space tripping, the giant worms, maggots digesting mushrooms, the

0:46:18.520 --> 0:46:22.520
<v Speaker 1>eyes of the fremen, the cerulean blue of psilocybin mushrooms,

0:46:23.080 --> 0:46:26.520
<v Speaker 1>the mysticism of the female spiritual warriors, the Binny Jess,

0:46:26.719 --> 0:46:30.080
<v Speaker 1>It's influenced by tales of Maria Sabina and the sacred

0:46:30.120 --> 0:46:33.719
<v Speaker 1>mushroom cults of Mexico, came from his perception of the

0:46:33.760 --> 0:46:37.840
<v Speaker 1>fungal life cycle and his imagination was stimulated through his

0:46:37.920 --> 0:46:43.279
<v Speaker 1>experiences with the use of magic mushrooms. All right, well,

0:46:43.280 --> 0:46:46.000
<v Speaker 1>then that that certainly matches up with with what we

0:46:46.080 --> 0:46:47.880
<v Speaker 1>see in the book. And again bearing in mind that

0:46:47.960 --> 0:46:50.640
<v Speaker 1>this is you know, rising out of NINETI and mid

0:46:50.719 --> 0:46:53.879
<v Speaker 1>sixties and and uh and a lot of the counterculture

0:46:53.920 --> 0:46:57.040
<v Speaker 1>movements that were taking place there, and the and the

0:46:57.280 --> 0:47:00.719
<v Speaker 1>roll of drugs and lucinogens in that subculture. Yeah, yeah,

0:47:00.760 --> 0:47:03.160
<v Speaker 1>certainly though one thing about that that was weird. I

0:47:03.400 --> 0:47:07.040
<v Speaker 1>googled the psilocybin mushrooms and they didn't look blue to me.

0:47:07.360 --> 0:47:12.000
<v Speaker 1>I don't know. Yeah, maybe there's sometimes I have not Yeah,

0:47:12.040 --> 0:47:16.560
<v Speaker 1>they look like mushrooms to me. I've never noticed anyway.

0:47:16.600 --> 0:47:19.640
<v Speaker 1>To go back to the science of Dune, the writer

0:47:19.800 --> 0:47:23.600
<v Speaker 1>Carol Hart, PhD has a great essay about the spice,

0:47:23.640 --> 0:47:26.279
<v Speaker 1>melange and the science of Dune, and she makes some

0:47:26.360 --> 0:47:30.680
<v Speaker 1>really interesting points comparing the spice to hallucinogens like the

0:47:30.719 --> 0:47:36.920
<v Speaker 1>ones I mentioned above, LSD, psilocybin mushrooms, ayahuasca. And there

0:47:36.960 --> 0:47:39.960
<v Speaker 1>are the following changes that you can notice that are similar.

0:47:40.040 --> 0:47:42.720
<v Speaker 1>One would be changes to the eyes. The spice, it seems,

0:47:42.760 --> 0:47:45.439
<v Speaker 1>causes a more permanent kind of change with the blue tent,

0:47:46.160 --> 0:47:50.040
<v Speaker 1>but hallucinogens like LSD and ayahuasca typically cause an extreme

0:47:50.120 --> 0:47:55.560
<v Speaker 1>dilation to the pupils. She also notices suspension of time right,

0:47:56.239 --> 0:48:00.000
<v Speaker 1>ecstatic us, an ecstatic and sometimes frightening sense of communion

0:48:00.120 --> 0:48:04.279
<v Speaker 1>with others, out of body sensations, loss of self and

0:48:04.360 --> 0:48:10.440
<v Speaker 1>merger into a oneness, euphoria, death, rebirth, experience, vision slash,

0:48:10.480 --> 0:48:15.359
<v Speaker 1>hallucinations and opprescience and life changing realizations. And I think

0:48:15.400 --> 0:48:18.919
<v Speaker 1>this is one of the most interesting things because, like

0:48:18.920 --> 0:48:21.640
<v Speaker 1>like I said earlier, a lot of times people take

0:48:21.680 --> 0:48:24.719
<v Speaker 1>hallucinogens not just with the idea that I'm going to

0:48:24.800 --> 0:48:27.680
<v Speaker 1>see something interesting, but they take it with the idea

0:48:27.760 --> 0:48:31.080
<v Speaker 1>that they're learning something about the true nature of reality.

0:48:31.120 --> 0:48:34.760
<v Speaker 1>They're getting access to facts and useful information. She says,

0:48:34.800 --> 0:48:39.840
<v Speaker 1>for example, for the Amazonian Shamans, ayahuasca allowed the soul

0:48:39.960 --> 0:48:43.160
<v Speaker 1>to leave the body, to search out the explanation for

0:48:43.200 --> 0:48:47.359
<v Speaker 1>illness in the individual or problems threatening the community, and

0:48:47.400 --> 0:48:51.560
<v Speaker 1>to decide the course of action. Yeah, I I remember reading, uh,

0:48:52.280 --> 0:48:56.879
<v Speaker 1>some words from Buddhist Alan Watts, who is also part

0:48:56.920 --> 0:49:00.279
<v Speaker 1>of you know the certainly a name. During the decent

0:49:00.320 --> 0:49:04.000
<v Speaker 1>seventies and he was commenting on on the views of

0:49:04.080 --> 0:49:07.960
<v Speaker 1>psychedelic drugs in the counterculture, and he compared them to

0:49:08.080 --> 0:49:11.400
<v Speaker 1>the use of a telescope or microscope that it's something

0:49:11.400 --> 0:49:13.160
<v Speaker 1>that you, you know, you put your eye to the

0:49:13.160 --> 0:49:16.680
<v Speaker 1>telescope of the microscope to learn something about reality, but

0:49:16.680 --> 0:49:18.960
<v Speaker 1>then you also have to re engage with reality. You

0:49:18.960 --> 0:49:21.480
<v Speaker 1>have to put the telescope or the microscope down in

0:49:21.600 --> 0:49:25.279
<v Speaker 1>order to to take those lessons and apply them to life. Yeah,

0:49:25.400 --> 0:49:28.279
<v Speaker 1>another really interesting parallel with Dune, I think is that

0:49:28.680 --> 0:49:31.640
<v Speaker 1>the effect of the drug, whether you're talking about real

0:49:31.719 --> 0:49:35.759
<v Speaker 1>hallucinogens or the spice in Dune, is not just a

0:49:35.800 --> 0:49:38.319
<v Speaker 1>product of the drug. It's not just here are the

0:49:38.360 --> 0:49:40.560
<v Speaker 1>molecules in the drug and what they'll do to you,

0:49:40.960 --> 0:49:44.760
<v Speaker 1>but there are there are product sort of combinatorial product

0:49:44.840 --> 0:49:49.480
<v Speaker 1>of the drug acting on body and the preparation that

0:49:49.560 --> 0:49:54.520
<v Speaker 1>the user has experienced. So it's about preparation, it's about departure. States.

0:49:54.560 --> 0:49:58.080
<v Speaker 1>Some people will take acid, take LST and just mess

0:49:58.120 --> 0:50:01.000
<v Speaker 1>around and have some weird experiences and don't learn a

0:50:01.040 --> 0:50:03.920
<v Speaker 1>whole lot from it. Some people might have bad trips,

0:50:04.000 --> 0:50:06.440
<v Speaker 1>some people might have what they would consider to be

0:50:06.560 --> 0:50:10.000
<v Speaker 1>transcendent experiences. And I think there are a lot of

0:50:10.000 --> 0:50:13.759
<v Speaker 1>people who throughout the years have been advocates of controlled

0:50:13.800 --> 0:50:19.000
<v Speaker 1>hallucinogen use, who lament the fact that it's taken for kicks. Yeah.

0:50:19.120 --> 0:50:21.240
<v Speaker 1>I mean, we look at some of the current research

0:50:21.280 --> 0:50:24.920
<v Speaker 1>and we're finally seeing a lot more research into psychedelics

0:50:25.040 --> 0:50:27.560
<v Speaker 1>uh these days. For a while, it was such a

0:50:27.600 --> 0:50:32.280
<v Speaker 1>taboo area, you know, really kind of poisoned by uh

0:50:32.760 --> 0:50:35.719
<v Speaker 1>the more you know, extreme aspects of the counterculture in

0:50:35.719 --> 0:50:38.840
<v Speaker 1>the way that it it gained coverage in the media,

0:50:39.320 --> 0:50:42.279
<v Speaker 1>we're finally seeing it being an area that can get

0:50:42.280 --> 0:50:45.040
<v Speaker 1>funded and and and be studied. Uh. And there have

0:50:45.080 --> 0:50:48.440
<v Speaker 1>been some some really fascinating looks into how the right

0:50:48.520 --> 0:50:53.080
<v Speaker 1>levels of hallucinogens combined with appropriate priming, uh, you know,

0:50:53.160 --> 0:50:56.239
<v Speaker 1>preparation for the experience, uh and as well as sort

0:50:56.239 --> 0:50:59.680
<v Speaker 1>of after uh exploration of what they felt it can

0:50:59.719 --> 0:51:02.520
<v Speaker 1>be you to to help eternally ill patients as they

0:51:02.800 --> 0:51:06.799
<v Speaker 1>prepared to die. It can be used in in various therapies,

0:51:06.960 --> 0:51:10.800
<v Speaker 1>even addiction therapies. UH. So so yeah, that the priming,

0:51:10.840 --> 0:51:14.120
<v Speaker 1>the purpose, really the ritual of it is essential. I mean,

0:51:14.200 --> 0:51:16.359
<v Speaker 1>I imagine a number of our listeners can think of

0:51:16.840 --> 0:51:19.839
<v Speaker 1>you know, some individual they've come across before that at

0:51:19.920 --> 0:51:22.560
<v Speaker 1>least on the surface, looks like they are gaining nothing

0:51:22.760 --> 0:51:26.399
<v Speaker 1>of value from their experimentation with psychedelics. And and then

0:51:26.480 --> 0:51:29.240
<v Speaker 1>on the other hand, you know, there are cases where,

0:51:29.320 --> 0:51:32.920
<v Speaker 1>you know, this particular thinker claims to have had some

0:51:32.960 --> 0:51:38.640
<v Speaker 1>sort of profound insight um intellectually or creatively while trying

0:51:38.680 --> 0:51:42.200
<v Speaker 1>one of these substances. Yeah, So, as Albert Hoffman, the

0:51:42.239 --> 0:51:46.000
<v Speaker 1>discoverer of LSD, once wrote, he said, special internal and

0:51:46.080 --> 0:51:51.239
<v Speaker 1>external advanced preparations are required. With them, an LSD experiment

0:51:51.280 --> 0:51:54.680
<v Speaker 1>can become a meaningful experience. So I think he was

0:51:54.719 --> 0:51:56.520
<v Speaker 1>one of those people you're talking, you know who, who

0:51:56.560 --> 0:52:01.719
<v Speaker 1>recommended the preparations that go into making yourself ready for

0:52:01.760 --> 0:52:05.719
<v Speaker 1>the mental journey of expanded consciousness. If you don't put

0:52:05.719 --> 0:52:08.959
<v Speaker 1>the preparation time in, it doesn't work. And we see

0:52:08.960 --> 0:52:12.839
<v Speaker 1>this in the novel Dune because people consuming lots of

0:52:12.840 --> 0:52:15.719
<v Speaker 1>spice react to it in very different ways. You get

0:52:15.719 --> 0:52:19.040
<v Speaker 1>the sense that when paul A Tradees starts taking lots

0:52:19.040 --> 0:52:22.160
<v Speaker 1>of spice and then has his moment of expanded consciousness,

0:52:22.200 --> 0:52:25.080
<v Speaker 1>begins to see the future, begins to have you know,

0:52:25.200 --> 0:52:30.279
<v Speaker 1>heightened awareness and pressions and limited omniscience. It's all because

0:52:30.400 --> 0:52:32.919
<v Speaker 1>of the things that have gone into making Paul who

0:52:33.000 --> 0:52:34.920
<v Speaker 1>he is. It's not just like he got a really

0:52:34.920 --> 0:52:38.240
<v Speaker 1>strong hit of it, you know. So it's the fact

0:52:38.320 --> 0:52:41.840
<v Speaker 1>that he's been trained in the Benny Jesser at ways

0:52:41.840 --> 0:52:43.360
<v Speaker 1>that we talked about in the last episode in The

0:52:43.360 --> 0:52:46.799
<v Speaker 1>mint at Ways. All this that went into making him

0:52:46.920 --> 0:52:50.560
<v Speaker 1>who he is also made the expanded consciousness what it was.

0:52:51.000 --> 0:52:53.719
<v Speaker 1>You can see that in contrast to another character in

0:52:53.760 --> 0:52:56.520
<v Speaker 1>the novel The Twisted Mint at do you call him

0:52:56.560 --> 0:52:59.799
<v Speaker 1>Pider or Peter? Um always read At as Peter, but

0:53:00.320 --> 0:53:03.000
<v Speaker 1>Piper might be more accurate. They call him Pider. In

0:53:03.080 --> 0:53:05.759
<v Speaker 1>the David Lynch movie, I'll call him Peter. Peter Davrees

0:53:05.880 --> 0:53:08.400
<v Speaker 1>the The Bad Men Tad who works for the evil

0:53:08.440 --> 0:53:12.120
<v Speaker 1>harconans uh he They say he takes huge amounts of

0:53:12.120 --> 0:53:15.000
<v Speaker 1>spice too. He's just gobbles it like candy. He can't

0:53:15.040 --> 0:53:17.440
<v Speaker 1>get enough of it. But he does not seem to

0:53:17.520 --> 0:53:20.759
<v Speaker 1>have this same type of expanded awareness that Paul has

0:53:20.840 --> 0:53:23.480
<v Speaker 1>from extended spice use. And it seems to be that

0:53:24.239 --> 0:53:27.080
<v Speaker 1>it's it's because of different types of preparation going into

0:53:27.080 --> 0:53:29.960
<v Speaker 1>the experience. Yeah, I mean The other example, of course,

0:53:30.000 --> 0:53:34.800
<v Speaker 1>of the Guild navigators who have been engineered in bread

0:53:35.280 --> 0:53:40.040
<v Speaker 1>to to pilot these spaceships uh while using the spice.

0:53:40.080 --> 0:53:42.560
<v Speaker 1>So they consume the spice in order to safely navigate

0:53:42.600 --> 0:53:46.600
<v Speaker 1>folded space and as a celestial mechanic. John C. Smith

0:53:46.680 --> 0:53:49.000
<v Speaker 1>points out in the Science of doone UH, there's a

0:53:49.080 --> 0:53:52.040
<v Speaker 1>quantum physics tie in here. So eight years before the

0:53:52.080 --> 0:53:55.360
<v Speaker 1>publication of doone, physicist Hugh Ever the Third proposed a

0:53:55.760 --> 0:53:59.840
<v Speaker 1>radical interpretation of quantum mechanics that everything that can happen

0:54:00.360 --> 0:54:03.840
<v Speaker 1>does happen, and each possible action spawns a new universe.

0:54:03.880 --> 0:54:06.319
<v Speaker 1>This is what's known as the many worlds theory. Every

0:54:06.360 --> 0:54:09.960
<v Speaker 1>time there's an indeterminate quantum event, the world the universe

0:54:10.040 --> 0:54:13.279
<v Speaker 1>branches off into separate realities. It's the very thing that

0:54:13.760 --> 0:54:18.120
<v Speaker 1>the Borges referenced with the Library of Battle, that this

0:54:18.360 --> 0:54:22.120
<v Speaker 1>library would contain not only all books, but all possible books.

0:54:22.200 --> 0:54:25.400
<v Speaker 1>So taking the spies here would have allowed the navigator

0:54:25.680 --> 0:54:28.880
<v Speaker 1>to at least see the immediate path of the ship

0:54:29.080 --> 0:54:33.040
<v Speaker 1>in many different multiverses uh, and then safely, you know,

0:54:33.160 --> 0:54:37.680
<v Speaker 1>choose the safest path um. And interestingly enough, there is

0:54:38.040 --> 0:54:42.120
<v Speaker 1>kind of a real world tie in here because according

0:54:42.160 --> 0:54:45.400
<v Speaker 1>to a nineteen seventy three studied compiled by the RAND

0:54:45.440 --> 0:54:51.080
<v Speaker 1>Corporation for the US Defense Advanced Research Projects Agency or DARPA, UM,

0:54:51.160 --> 0:54:56.240
<v Speaker 1>there was a Soviet plan to launch psychics into orbit.

0:54:56.680 --> 0:54:59.000
<v Speaker 1>Quote how how much should we how much face should

0:54:59.000 --> 0:55:01.759
<v Speaker 1>we put in this report? I mean maybe a grain

0:55:01.760 --> 0:55:05.920
<v Speaker 1>of salt, I'll read the quote here. Regarding precognition, we

0:55:06.120 --> 0:55:11.000
<v Speaker 1>found only one unverified report by a Soviet investigator that

0:55:11.080 --> 0:55:14.440
<v Speaker 1>a program was being planned to train astronauts to quote

0:55:14.440 --> 0:55:18.240
<v Speaker 1>foresee and to avoid accidents in space. It was clear

0:55:18.280 --> 0:55:22.000
<v Speaker 1>from the context that he was referring to pre cognitive process.

0:55:22.600 --> 0:55:27.200
<v Speaker 1>So I don't know, uh, if they did look into it,

0:55:27.200 --> 0:55:30.160
<v Speaker 1>obviously didn't work out. But this was a time of when,

0:55:30.600 --> 0:55:32.359
<v Speaker 1>you know, the stakes were high in the Cold War.

0:55:32.480 --> 0:55:35.360
<v Speaker 1>So if there was a possibility that there was something

0:55:35.400 --> 0:55:39.600
<v Speaker 1>to some sort of paranormal uh situation, you checked it out, yea?

0:55:39.719 --> 0:55:43.280
<v Speaker 1>Why not train a bunker full of psychics? Yeah? The same.

0:55:43.920 --> 0:55:48.440
<v Speaker 1>The same Rand Corporation report also mentioned UM that there

0:55:48.480 --> 0:55:52.759
<v Speaker 1>was a test into psychic communication by sacrificing a litter

0:55:52.800 --> 0:55:55.200
<v Speaker 1>of baby rabbits on board of on board of Soviet

0:55:55.239 --> 0:55:58.720
<v Speaker 1>submarine and the idea here was that the mother rabbit,

0:55:58.800 --> 0:56:02.000
<v Speaker 1>located on the surface receive psychic signals from the dying young.

0:56:02.160 --> 0:56:09.040
<v Speaker 1>So again, uh, this is all unverified, but but it

0:56:09.160 --> 0:56:12.000
<v Speaker 1>seems possible based on some of the other reports we've

0:56:12.000 --> 0:56:14.880
<v Speaker 1>heard about both the US and Soviet investigations into the

0:56:14.920 --> 0:56:17.719
<v Speaker 1>potential use of paranormal effects. You know, one of the

0:56:17.760 --> 0:56:20.400
<v Speaker 1>things that's interesting to me about the role of spice

0:56:20.440 --> 0:56:24.600
<v Speaker 1>in the Dune universe is that it posits a world

0:56:24.760 --> 0:56:29.080
<v Speaker 1>in which the entire universe is completely dependent on a

0:56:29.160 --> 0:56:34.319
<v Speaker 1>resource that essentially produces effects similar to things that are

0:56:34.440 --> 0:56:39.000
<v Speaker 1>taboo in our culture that not only do we, you know,

0:56:39.080 --> 0:56:41.560
<v Speaker 1>not depend on as a society, but we try to

0:56:41.680 --> 0:56:46.520
<v Speaker 1>stamp out and say that's not okay. Yeah, Like, essentially

0:56:47.000 --> 0:56:49.080
<v Speaker 1>everyone in the book seems to be taking some sort

0:56:49.120 --> 0:56:53.920
<v Speaker 1>of um performance enhancing substance. If it's not milange, then

0:56:53.960 --> 0:56:57.520
<v Speaker 1>it's the uh you know, then they're taking samudo, or

0:56:57.520 --> 0:56:59.560
<v Speaker 1>they're taking the I can't remember the name of it,

0:56:59.600 --> 0:57:01.680
<v Speaker 1>but that line that the mentent drink, which I believe

0:57:01.719 --> 0:57:04.400
<v Speaker 1>is supposed to be derived from the same source as samuda,

0:57:04.840 --> 0:57:07.840
<v Speaker 1>the purple stand lips. Yeah, so everybody's just cranked to

0:57:07.880 --> 0:57:10.319
<v Speaker 1>the gills on something because you can't depend on the

0:57:10.360 --> 0:57:12.320
<v Speaker 1>thinking machine, You've got to depend on the human mind.

0:57:12.640 --> 0:57:15.000
<v Speaker 1>So maybe you could say that if we had to

0:57:15.040 --> 0:57:18.400
<v Speaker 1>get rid of our computers, there would be I don't

0:57:18.400 --> 0:57:25.320
<v Speaker 1>know less opposition to recreational drug use. Maybe. So all right,

0:57:25.360 --> 0:57:27.240
<v Speaker 1>you know, we're running out of time here, and I

0:57:27.240 --> 0:57:28.880
<v Speaker 1>don't know, we might even have to cut this part,

0:57:29.000 --> 0:57:33.600
<v Speaker 1>but I do want to mention the beneath a lack

0:57:33.680 --> 0:57:37.720
<v Speaker 1>Sue face dancers before we close out. These are characters

0:57:37.760 --> 0:57:39.960
<v Speaker 1>that you did not encounter in the book because they

0:57:39.960 --> 0:57:42.720
<v Speaker 1>don't show up until book two and then play an

0:57:42.720 --> 0:57:47.280
<v Speaker 1>increasingly important role moving on. But as we mentioned, uh,

0:57:47.360 --> 0:57:49.520
<v Speaker 1>I think in the first episode that many if the

0:57:49.640 --> 0:57:52.640
<v Speaker 1>lack su this is a group, this is like a

0:57:52.720 --> 0:57:55.920
<v Speaker 1>faction in the Doune universe that are really involved in

0:57:56.360 --> 0:58:00.880
<v Speaker 1>trans human post human um machinations. They're changing the human

0:58:00.960 --> 0:58:06.520
<v Speaker 1>form uh engineering new people uh to to survive in

0:58:06.520 --> 0:58:11.440
<v Speaker 1>this post singularity, you know, Postbutalian jihad world, and so

0:58:11.520 --> 0:58:14.680
<v Speaker 1>they're doing things like like essentially engaging in cloning the

0:58:14.720 --> 0:58:17.400
<v Speaker 1>producer of these ghoula's that play an important role in

0:58:17.400 --> 0:58:20.320
<v Speaker 1>the later books, where dead individuals brought back as a

0:58:20.320 --> 0:58:23.400
<v Speaker 1>clone h. I like the sound of that. Yeah, they're

0:58:23.440 --> 0:58:27.320
<v Speaker 1>the they're the faction that creates the twisted uh mentats

0:58:27.440 --> 0:58:30.560
<v Speaker 1>we've already discussed. And then they also have these face

0:58:30.640 --> 0:58:33.680
<v Speaker 1>dancers who are known and feared as spies and assassins

0:58:34.280 --> 0:58:37.720
<v Speaker 1>UM and their essentially their shape shifters. They can change

0:58:37.880 --> 0:58:42.800
<v Speaker 1>their their face, their appearance, um, their their voice everything

0:58:43.120 --> 0:58:47.840
<v Speaker 1>to resemble another person UM and and so they you know,

0:58:48.000 --> 0:58:51.080
<v Speaker 1>give some unparalleled acting ability. They serve as entertainers throughout

0:58:51.080 --> 0:58:55.120
<v Speaker 1>the galaxy and UM and they're also key at the

0:58:55.240 --> 0:58:59.920
<v Speaker 1>Laxu diplomats and conspirators as and as well as just

0:59:00.120 --> 0:59:06.400
<v Speaker 1>core members of their society. So uh. There, there's actually

0:59:06.440 --> 0:59:10.120
<v Speaker 1>a couple of cool articles about how this might work, essentially,

0:59:10.240 --> 0:59:13.840
<v Speaker 1>how a shape shifting humanoid might work as an organism. Uh.

0:59:13.880 --> 0:59:16.120
<v Speaker 1>The first uh and the primary one I want to

0:59:16.160 --> 0:59:20.520
<v Speaker 1>mention comes to us from the Dune Encyclopedia, and this

0:59:20.600 --> 0:59:23.680
<v Speaker 1>is from contributor Walter E. Myers, and he very much

0:59:23.880 --> 0:59:28.040
<v Speaker 1>in envisions face dancer biology a shape shifting biology as

0:59:28.040 --> 0:59:32.800
<v Speaker 1>a complex creation of training, breeding, embryotic manipulation, genetic team

0:59:32.840 --> 0:59:37.160
<v Speaker 1>current tinkering, and surgical augmentation. So basically throwing all of

0:59:37.160 --> 0:59:40.240
<v Speaker 1>these various everything. We got everything we got at creating

0:59:40.480 --> 0:59:43.880
<v Speaker 1>this shape shifting creature. So I'm not gonna go through

0:59:43.920 --> 0:59:46.800
<v Speaker 1>the entire entry because it's a he has a lot

0:59:46.800 --> 0:59:48.440
<v Speaker 1>of details that he throws out, But here are the

0:59:48.520 --> 0:59:52.120
<v Speaker 1>high points. This is what you need. Key alterations include

0:59:52.480 --> 0:59:57.560
<v Speaker 1>selected breeding for appropriate physicality and muscle control, because you're

0:59:57.600 --> 1:00:00.120
<v Speaker 1>gonna need muscle control to shift the face around out

1:00:00.200 --> 1:00:05.120
<v Speaker 1>and shift everything about. Embryotic stimulation of overdeveloped back muscles

1:00:05.160 --> 1:00:10.680
<v Speaker 1>and hyper elastic spine for height control. The embryonic manipulation

1:00:10.680 --> 1:00:14.480
<v Speaker 1>of the bodies of psylamic sacks, altering their position and

1:00:14.520 --> 1:00:18.240
<v Speaker 1>allowing them to serve in the voluntary inflation of artificial

1:00:18.360 --> 1:00:23.000
<v Speaker 1>tubes that are implanted after puberty, thus allowing conscious body

1:00:23.040 --> 1:00:27.640
<v Speaker 1>size alteration, so essentially bladders in the body that allow

1:00:27.680 --> 1:00:31.720
<v Speaker 1>you to just fill up as needed. Childhood augmentation of

1:00:31.760 --> 1:00:36.160
<v Speaker 1>facial structure replacing certain facial bones with elastic cartilage, coupled

1:00:36.200 --> 1:00:40.040
<v Speaker 1>with extensive training to allow total manipulation of facial features.

1:00:40.880 --> 1:00:45.440
<v Speaker 1>Cellular embryonic manipulation to allow conscious control of scalp temperature

1:00:46.040 --> 1:00:49.200
<v Speaker 1>and temperature, because this would be used to allow the

1:00:49.280 --> 1:00:53.720
<v Speaker 1>color manipulation of artificial liquid crystal hair follicles that are

1:00:53.800 --> 1:00:58.800
<v Speaker 1>later planted like individually, genetic manipulation to enable the conscious

1:00:58.840 --> 1:01:03.520
<v Speaker 1>formonal control of eye pigment, fetal manipulation, and surgical augmentation

1:01:03.560 --> 1:01:07.440
<v Speaker 1>to produce male genitals that are attractable within a vaginal

1:01:07.520 --> 1:01:12.000
<v Speaker 1>cavity for visual gender swapping. So they wouldn't actually be

1:01:12.040 --> 1:01:14.720
<v Speaker 1>able to change sex, but they could sort of retract

1:01:14.800 --> 1:01:17.440
<v Speaker 1>the genitals into a cavity as if they were the

1:01:17.560 --> 1:01:21.680
<v Speaker 1>landing gear of an airplane. Training and surgery to enhance

1:01:21.760 --> 1:01:26.480
<v Speaker 1>deferential muscle and autonomic nerve control. Uh So, in other words,

1:01:26.720 --> 1:01:29.360
<v Speaker 1>a face dancer by this definition would be an extremely

1:01:29.400 --> 1:01:34.680
<v Speaker 1>complex product uh and no mere human subspecies. But this

1:01:34.760 --> 1:01:37.320
<v Speaker 1>is just one take. We also have a take from

1:01:37.400 --> 1:01:41.520
<v Speaker 1>Sandy Field in her essay Evolution by Any Means on Dune,

1:01:41.520 --> 1:01:43.560
<v Speaker 1>and this is from the Science of Dune, and she

1:01:43.640 --> 1:01:46.240
<v Speaker 1>goes into a lot of a lot of these sort

1:01:46.240 --> 1:01:49.240
<v Speaker 1>of highly evolved human models that we discuss here, but

1:01:49.360 --> 1:01:52.400
<v Speaker 1>she posits that the face dancers mimic their targets through

1:01:52.520 --> 1:01:56.400
<v Speaker 1>conscious migration of body cells. So in order to swiftly

1:01:56.480 --> 1:01:59.000
<v Speaker 1>change form, a face dancer would need to reck reorganize

1:01:59.000 --> 1:02:02.920
<v Speaker 1>its skin cells, uh, muscle, liature, and skeletal elements, a

1:02:02.920 --> 1:02:07.640
<v Speaker 1>feat they might accomplish through the the dissolution and recombination

1:02:07.760 --> 1:02:12.560
<v Speaker 1>of the cell to sell bonds that hold the tissue together. Now,

1:02:12.560 --> 1:02:15.720
<v Speaker 1>how might the the lax who have accomplished this. Here's

1:02:15.760 --> 1:02:18.800
<v Speaker 1>what she had to say. Quote the concerted action of

1:02:18.840 --> 1:02:22.800
<v Speaker 1>newly created hormones selected genetically by the the laxu over

1:02:22.840 --> 1:02:26.280
<v Speaker 1>many generations could act to allow different cell types to

1:02:26.400 --> 1:02:31.320
<v Speaker 1>move when prompted by neurological signals. Face dancing then could

1:02:31.320 --> 1:02:34.920
<v Speaker 1>be a genetically derived ability to generate specific hormones at

1:02:34.920 --> 1:02:38.680
<v Speaker 1>will which allow for the concerted movement of skin, muscle, bone,

1:02:38.720 --> 1:02:41.520
<v Speaker 1>and other cells to new locations to create the appearance

1:02:41.560 --> 1:02:45.840
<v Speaker 1>of another person. So there you go. I mean, I

1:02:46.040 --> 1:02:48.920
<v Speaker 1>appreciate that as a as a great attempt to explanation.

1:02:49.000 --> 1:02:52.800
<v Speaker 1>I somehow don't feel like a creature like that could

1:02:52.840 --> 1:02:55.760
<v Speaker 1>exist in reality. I mean, certainly you can imagine some

1:02:55.880 --> 1:03:00.440
<v Speaker 1>types of uh, you know, chameleon type elements like changing

1:03:00.480 --> 1:03:03.560
<v Speaker 1>pigmentation and when we see octopuses and stuff that have

1:03:03.680 --> 1:03:08.160
<v Speaker 1>a remarkable ability to change their external appearance at wed will.

1:03:08.200 --> 1:03:12.560
<v Speaker 1>But the moving of bones and things like that, that

1:03:12.720 --> 1:03:17.280
<v Speaker 1>sounds impossible to me. Yeah, I I do love the

1:03:16.680 --> 1:03:19.439
<v Speaker 1>the the rigor in both of these examples, because one

1:03:19.480 --> 1:03:23.880
<v Speaker 1>takes a very um, you know, genetic, cellular hormonal approach,

1:03:24.240 --> 1:03:26.800
<v Speaker 1>and the other is a very more of a varied

1:03:26.800 --> 1:03:30.560
<v Speaker 1>approach but also all into just post human cybernetic tinkering.

1:03:31.160 --> 1:03:33.400
<v Speaker 1>And I guess in reality you could create a model

1:03:33.440 --> 1:03:35.400
<v Speaker 1>that is a combination of the two, maybe draw in

1:03:35.480 --> 1:03:38.120
<v Speaker 1>some bio mimicry by looking to the world of of

1:03:38.200 --> 1:03:41.440
<v Speaker 1>the of the octopus or the cuttlefish and saying, well,

1:03:41.440 --> 1:03:43.680
<v Speaker 1>how could you create those same sort of flesh effects

1:03:43.960 --> 1:03:46.840
<v Speaker 1>in a humanoid creature. Well, here's something I would say.

1:03:46.840 --> 1:03:50.400
<v Speaker 1>I don't know to what extent they have shape shifting

1:03:50.560 --> 1:03:54.320
<v Speaker 1>precision in the books, but I would I would buy

1:03:54.320 --> 1:03:58.680
<v Speaker 1>this creature more if it could make basic changes to

1:03:58.800 --> 1:04:02.720
<v Speaker 1>its body. But but sort of target a particular individual

1:04:02.840 --> 1:04:06.520
<v Speaker 1>like I, you know, can look now exactly like Robert

1:04:06.560 --> 1:04:09.000
<v Speaker 1>Lamb as opposed to just I can look different than

1:04:09.040 --> 1:04:12.200
<v Speaker 1>I normally look. Yeah, yeah, it would. And I think

1:04:12.200 --> 1:04:14.000
<v Speaker 1>in the books it's laid out that it depends on

1:04:14.000 --> 1:04:16.720
<v Speaker 1>how long they study a target. So if they study,

1:04:16.880 --> 1:04:18.479
<v Speaker 1>you know, they just sort of glance at you would

1:04:18.480 --> 1:04:21.960
<v Speaker 1>be like a very rough version, but they would ideally

1:04:22.000 --> 1:04:25.200
<v Speaker 1>want to uh study you in earnest for a few

1:04:25.240 --> 1:04:29.160
<v Speaker 1>days before replacing you. Yeah, all right, so there you go.

1:04:29.280 --> 1:04:32.720
<v Speaker 1>We're out of time. Uh that's the biology of done.

1:04:33.080 --> 1:04:35.320
<v Speaker 1>But before we go, Robert, I gotta ask you about

1:04:35.520 --> 1:04:39.480
<v Speaker 1>David Lynch movie. I've been burning to talk about this. No,

1:04:39.640 --> 1:04:41.440
<v Speaker 1>I mean, I read the book and then I watched

1:04:41.440 --> 1:04:44.400
<v Speaker 1>the movie, and there's so much to like about the movie, actually,

1:04:44.440 --> 1:04:47.680
<v Speaker 1>because it's got great sets and costumes. Some parts of

1:04:47.720 --> 1:04:51.240
<v Speaker 1>it are truly weird, uh in ways that are really

1:04:51.280 --> 1:04:56.280
<v Speaker 1>fun and exciting, and other aspects of it are just incomprehensible.

1:04:56.320 --> 1:04:59.880
<v Speaker 1>I watched it with my wife Rachel, and I constantly

1:05:00.000 --> 1:05:03.720
<v Speaker 1>had to explain things because the movie does not make

1:05:03.800 --> 1:05:07.000
<v Speaker 1>sense on its own. Yeah, it's It's been a long

1:05:07.080 --> 1:05:09.760
<v Speaker 1>time since I've seen the movie, though I did last night.

1:05:09.800 --> 1:05:13.720
<v Speaker 1>I rewatched the intro material that was on the TV

1:05:13.880 --> 1:05:16.880
<v Speaker 1>airing of it, where they have the the still illustrations

1:05:16.920 --> 1:05:20.720
<v Speaker 1>and some narration to set up the world. Uh. Yeah,

1:05:20.760 --> 1:05:23.680
<v Speaker 1>I agree. There's there's so much that doesn't work in

1:05:23.720 --> 1:05:26.400
<v Speaker 1>the films and ultimately led to it being a kind

1:05:26.440 --> 1:05:28.640
<v Speaker 1>of a train wreck. But then there's so many elements

1:05:28.640 --> 1:05:30.680
<v Speaker 1>that are they're well done. Like some of the casting

1:05:30.760 --> 1:05:34.080
<v Speaker 1>is just weird. Some of the casting it's just spot on.

1:05:34.640 --> 1:05:38.800
<v Speaker 1>The costumes are amazing, some of the visual takes on

1:05:38.840 --> 1:05:41.800
<v Speaker 1>the world are just perfect. But it just doesn't all

1:05:41.800 --> 1:05:45.560
<v Speaker 1>come together. Yeah, you know, I think Doone could be

1:05:45.600 --> 1:05:49.640
<v Speaker 1>a really great animated movie. Yeah, Like imagine if Miyazaki

1:05:49.920 --> 1:05:52.480
<v Speaker 1>had had taken it on, you know, because you have

1:05:52.520 --> 1:05:56.160
<v Speaker 1>the ecological elements that he's you know, it's so president

1:05:56.160 --> 1:05:58.200
<v Speaker 1>in his work. Oh man, that's a thing that I

1:05:58.200 --> 1:06:00.360
<v Speaker 1>think was really lacking, and at least the version of

1:06:00.360 --> 1:06:02.600
<v Speaker 1>doing that I saw. Now I heard that there there's

1:06:02.680 --> 1:06:05.320
<v Speaker 1>shorter there's a shorter version and a longer version. I'm

1:06:05.320 --> 1:06:08.560
<v Speaker 1>not sure which one I saw. Uh. If there's a

1:06:08.600 --> 1:06:12.000
<v Speaker 1>shorter version, I cannot imagine it because the version I

1:06:12.040 --> 1:06:17.200
<v Speaker 1>saw left out so much explanation it's crazy. But but yeah,

1:06:17.280 --> 1:06:19.080
<v Speaker 1>the one thing that really seemed left out of the

1:06:19.120 --> 1:06:22.680
<v Speaker 1>movie is the ecological themes of the book. All the

1:06:22.720 --> 1:06:27.720
<v Speaker 1>concerns about water, about about how to survive in the environment.

1:06:27.880 --> 1:06:29.840
<v Speaker 1>I mean, this is a this is a key part

1:06:29.840 --> 1:06:32.320
<v Speaker 1>of the book, and it's you know, maybe one out

1:06:32.360 --> 1:06:36.600
<v Speaker 1>of every three pages is primarily about water, and this

1:06:36.720 --> 1:06:40.080
<v Speaker 1>is just not the case in the movie. Yeah, indeed,

1:06:40.120 --> 1:06:42.840
<v Speaker 1>and that's you know, ultimately a you know, a large

1:06:42.880 --> 1:06:45.760
<v Speaker 1>thing to be missing from the finished product. On the

1:06:45.800 --> 1:06:47.920
<v Speaker 1>other hand, the movie does have I don't know if

1:06:47.920 --> 1:06:51.160
<v Speaker 1>you remember this from the movie, but the the strategically

1:06:51.200 --> 1:06:55.600
<v Speaker 1>inserted pug. Oh yes, how how c Trades has a pug. Yeah,

1:06:55.600 --> 1:06:57.520
<v Speaker 1>and if you mentioned this, I saw he The pug

1:06:57.600 --> 1:07:02.640
<v Speaker 1>shows up in the still illustrations for the TV version intro.

1:07:03.240 --> 1:07:06.280
<v Speaker 1>So it's got Jurgen proc now standing there with his

1:07:06.280 --> 1:07:09.520
<v Speaker 1>his beard in his uniform holding a pug. There's also

1:07:09.560 --> 1:07:12.800
<v Speaker 1>a scene of Patrick Stewart as Gurney Halleck fighting a

1:07:12.840 --> 1:07:17.280
<v Speaker 1>battle and he's got the pug in his arms. Yeah.

1:07:17.400 --> 1:07:20.160
<v Speaker 1>I do not remember. I've in my reread of the book,

1:07:20.160 --> 1:07:22.680
<v Speaker 1>I've not come across the pug. Pretty sure. They added

1:07:22.760 --> 1:07:25.080
<v Speaker 1>that their pug at Tradees is not in the book.

1:07:25.360 --> 1:07:28.320
<v Speaker 1>They added the pug, they adding the added the weirding module,

1:07:28.640 --> 1:07:31.240
<v Speaker 1>um and a few other things. They added him then

1:07:31.320 --> 1:07:34.240
<v Speaker 1>left out some some key things as well. So yeah,

1:07:34.440 --> 1:07:36.120
<v Speaker 1>there you go. Well, hey, I know that a lot

1:07:36.160 --> 1:07:38.360
<v Speaker 1>of you out there have comments you would like to

1:07:38.400 --> 1:07:41.600
<v Speaker 1>add on the Dune Universe, on the Dune movies, on

1:07:41.680 --> 1:07:45.280
<v Speaker 1>some of this uh uh, some of the possible science

1:07:45.320 --> 1:07:47.920
<v Speaker 1>behind the biology behind the technology that discussed in the

1:07:48.000 --> 1:07:50.320
<v Speaker 1>other episodes, and we would of course loved to hear

1:07:50.360 --> 1:07:52.560
<v Speaker 1>from you. As always, check out our homepage Stuff to

1:07:52.560 --> 1:07:54.920
<v Speaker 1>Blow your Mind dot com. Uh, and you also want

1:07:54.920 --> 1:07:56.560
<v Speaker 1>to check out the landing page for this episode that

1:07:56.560 --> 1:07:58.880
<v Speaker 1>will include links out to these books that we've mentioned

1:07:58.920 --> 1:08:01.560
<v Speaker 1>too related our coals, as well as where you can

1:08:01.600 --> 1:08:04.360
<v Speaker 1>find some of the music that we featured and uh

1:08:04.400 --> 1:08:06.680
<v Speaker 1>and indeed, as we close out here, we're gonna be

1:08:06.760 --> 1:08:10.760
<v Speaker 1>listening to the track Aracus by musician Raleigh Porter off

1:08:10.800 --> 1:08:14.760
<v Speaker 1>his two thousand eleven album Aftertime, released by Subtext Recordings. Uh.

1:08:14.800 --> 1:08:16.320
<v Speaker 1>There'll be a link to that on the landing page

1:08:16.360 --> 1:08:17.960
<v Speaker 1>for this episode. But you can also learn more about

1:08:18.000 --> 1:08:21.320
<v Speaker 1>human his work at Raleigh Porter dot com. And if

1:08:21.320 --> 1:08:23.360
<v Speaker 1>you want to get in touch with us about your

1:08:23.600 --> 1:08:26.880
<v Speaker 1>favorite aspect of the Dune novels or the Dune movies,

1:08:27.000 --> 1:08:29.519
<v Speaker 1>or your least favorite aspect, or just tell us what

1:08:29.600 --> 1:08:31.959
<v Speaker 1>you think about Dune or give us feedback on the episode,

1:08:31.960 --> 1:08:34.320
<v Speaker 1>you can email us at blow the Mind at how

1:08:34.400 --> 1:08:46.240
<v Speaker 1>stuff works dot com for more on this and thousands

1:08:46.240 --> 1:08:52.240
<v Speaker 1>of other topics. Does it, How stuff works dot com