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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and his Drink Chats motherfucking podcast. Mason,

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Speaker 1: He's a legendary Queen's rappers. He's agreed, is your boy

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Speaker 1: in O R? He's a Miami hippop pioneer. Up is

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Speaker 1: d J e f N. Together they drink it up

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Speaker 1: with some of the biggest players in the most professional

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Speaker 1: unprofessional podcast and yet number one sorts for drunk fast

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Speaker 1: Drink Mother is New year' z just time for Drinking Champs.

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Speaker 1: Trink Up, motherfuck mother? Would it good? Be Hopeully's want

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Speaker 1: to say, this is your boy in O R? What

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Speaker 1: up is d J e f N? And this drink

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Speaker 1: Chats motherfucker? Amaze up that when I'll tell you, when

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Speaker 1: I'll tell you. This guy, this, this person that's standing

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Speaker 1: next to me has one of the most unique, one

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Speaker 1: of the most brilliant, one of the most loyal stories

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Speaker 1: in the hip hop from five O four Boys to

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Speaker 1: you know the Hot Boys, to to to being a

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Speaker 1: no limit soldier to ride in the out selling millions

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Speaker 1: in records from them the guys being the first people

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Speaker 1: to drop an album every week, every month, on every

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Speaker 1: week I've never seen nothing like that, never seen nothing

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Speaker 1: like that prior to that, and I've never seen nothing

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Speaker 1: like that after that. These guys were one of one.

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Speaker 1: They are a one of one. We had the Big

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Speaker 1: Colonel on here. He didn't swear. He was the only

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Speaker 1: artist that we had here that did not swear. Master

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Speaker 1: me and the a was broke. He was trying get

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Speaker 1: him the sweat bad, he was trying to get him

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Speaker 1: the drink, and he did not swear at all. And

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Speaker 1: now we got the motherfucker. So the motherfucker shocking up.

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Speaker 1: So so let me let me ask you off top.

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Speaker 1: Did you watch versus Last Light? I did? I did? Did? Okay,

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Speaker 1: al right, First off, who did you think was gonna win? Um?

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Speaker 1: I kind of was on the fence. I thought it

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Speaker 1: was gonna be a tight one. I mean, I like

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Speaker 1: the dip set um, but I also think the locks

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Speaker 1: is underrated and stupid good too. So um, so you

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Speaker 1: said you went into the game with no no things. Okay,

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Speaker 1: I know, But then what happened when you watched it?

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Speaker 1: Keep watch? I mean it s thought it was like

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Speaker 1: it started off a little flimsy and it just kept

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Speaker 1: getting like you know, and I was so rude for

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Speaker 1: the dip set because I think that they dope. But

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Speaker 1: I think that presence was so crazy from everybody, but man,

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Speaker 1: when when kisses, he opened the thing up, He open up.

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Speaker 1: He opened that thing up. Man. So there's there's two

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Speaker 1: things that I learned real fast in life. One, I

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Speaker 1: don't like have a heart in the gym at all.

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Speaker 1: Every time I see heart in the gym, he's just

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Speaker 1: like this tough guy, like he's nothing like how don

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Speaker 1: heart never want to be in the gym, and a

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Speaker 1: guy just I just don't want to Just don't train up.

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Speaker 1: He know, none of them together. Don't like it, don't

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Speaker 1: like it, don't like it. And I don't want to

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Speaker 1: battle to kiss on stage. That's also learned that like

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Speaker 1: he his stage presidence, it's like the more that he

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Speaker 1: starts getting into it, like like did you see like

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Speaker 1: when they played the New York City and he just

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Speaker 1: had to New York record by said you ain't get

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Speaker 1: no girl records and he said, I got yo. They

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Speaker 1: DJ was they rehearsed they did? They? Yeah, well silk

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Speaker 1: to a person, Oh that's a I would do it.

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Speaker 1: Versus At first I was like nah, but I like

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Speaker 1: what they're doing, so they also appreciate each other in

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Speaker 1: the celebration. And then it's also um good camaraderie to

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Speaker 1: against each other too. So I get down to I

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Speaker 1: got the perfect Maty. I'm just messing. That's brought up.

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Speaker 1: It's been up, got the perfect math. Okay, that's what

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Speaker 1: you got, juvenile m Okay, we're starting to trouble right here.

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Speaker 1: We signed it up. Are shot because you know, I

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Speaker 1: watched it No Limit documentary obviously, and this was something.

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Speaker 1: There's something because I watched it this time knowing that

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Speaker 1: you was coming here. But I watched it before and

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Speaker 1: this is something that blew over my mind. I didn't

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Speaker 1: I didn't understand he said that. He said when cash

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Speaker 1: money came to sign to Priority, I believe it was

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Speaker 1: he said, they don't sign him there, don't sign him

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Speaker 1: because and most people say why he say, don't siund him.

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Speaker 1: That sounds like some hater ship. But then if you

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Speaker 1: hear what master Peace said after that, he said, don't

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Speaker 1: sign them you you might get them killed. Or I

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Speaker 1: might have saved their life because they said that Talio

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Speaker 1: and Magnolia, it was really added that much that if

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Speaker 1: they were designed to them that's that's what it alluded to.

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Speaker 1: I might be like, you know, putting a hunt on tenants,

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Speaker 1: but described to us for that because you guys from

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Speaker 1: the Callio, right, I didn't there from the Macmagnolia, right,

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Speaker 1: So it really wasn't a cash money uh no limit

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Speaker 1: be it was. It was described to us for people

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Speaker 1: who have never been to New Orleans. Um it's funny

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Speaker 1: because um, it is a serious thing. So if you

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Speaker 1: if you're in the Calio back then in Magnolia, was

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Speaker 1: like we was right by each other. Though it was

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Speaker 1: almost like that's than a mile to away, maybe two

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Speaker 1: miles away, three miles away, so but it was real

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Speaker 1: and we didn't understand it because, um it was so

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Speaker 1: the city was so small, right, so if like you

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Speaker 1: might be from there, but you walk in two or

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Speaker 1: three miles, you gotta go to school, you gotta do whatever.

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Speaker 1: So somebody hit your man and then you hit them.

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Speaker 1: But but you know what, the crazy started off as

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Speaker 1: fights and then somebody just up to the one the rest, right,

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Speaker 1: and then it's like boom, somebody got killed and then

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Speaker 1: that person you know, and it it just got it

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Speaker 1: got stupid big. Because yeah, it's like one year I

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Speaker 1: think it was murder capital of the world and that

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Speaker 1: was any any city. So it was just crazy. And

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Speaker 1: then so they took a real serious so we really

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Speaker 1: I had people, actually my my had family in the

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Speaker 1: Magnolia that I couldn't even go see. You couldn't see.

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Speaker 1: I couldn't go see and I and that was like

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Speaker 1: as when you're young, you're thinking, like mine, I can't go.

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Speaker 1: But it was that serious because if you know, if

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Speaker 1: you lost somebody, they lost somebody, it's serious for them.

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Speaker 1: And it kept going on for like and it took

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Speaker 1: I think it took that into us being the Callio side,

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Speaker 1: but really we was New Orleans, but it took us

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Speaker 1: being from the Calio and them being from the I

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Speaker 1: mean us been to Callia Magnoia. They said, okay, you

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Speaker 1: know limited this and then cash money is that. But

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Speaker 1: it wasn't like it wasn't that enough cash money was

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Speaker 1: doing anything. It was cool and everything was working. So

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Speaker 1: it was it was it was it was one hunting.

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Speaker 1: So also when I'm watching the documentary, it said it

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Speaker 1: says that, I mean, they didn't say this out right

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Speaker 1: it but it was like, yo, if if he would

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Speaker 1: have stuck with the music, It would have been a

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Speaker 1: lot harder for cash Money because you know, he was

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Speaker 1: doing so much things. He was doing the basketball thing,

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Speaker 1: he was doing all that. Do you think that's that's

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Speaker 1: that's true or um, I think it's I think it's

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Speaker 1: more like, Um, I think it happens, are supposed to happen.

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Speaker 1: I think I think Cashman everybody and cash Money is dope.

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Speaker 1: So I think they would eventually probably came up. But

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Speaker 1: at that time we just had it on lock. But

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Speaker 1: that you know, I was gonna be somebody come behind you.

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Speaker 1: So I think it would have probably happened. But I

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Speaker 1: think it happened a little faster, probably because we were

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Speaker 1: into movies, films, you know, stuff like that, so it

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Speaker 1: probably gave him a little a little more door open.

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Speaker 1: But it's handly enough to probably eventually make it for sure.

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Speaker 1: You know what I'm saying. You know, it's the illative

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Speaker 1: watching the documentary, Like I said, I we iterated to

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Speaker 1: watch it again. Well, they said that even the Fiends

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Speaker 1: was real fees everything was crack hands really don't yeah,

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Speaker 1: everything was real a thing you the money, everything was

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Speaker 1: your documentary. You know, it was crazy. Um, And I'm

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Speaker 1: gonna say this with with great ignorance. We didn't identify

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Speaker 1: who where it was because all we knew at the

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Speaker 1: time was East coast, West coast, So were just like

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Speaker 1: all right that we don't know what that's at, like

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Speaker 1: we just because we because And that was like the

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Speaker 1: first time definitivety like I know for the East Coast,

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Speaker 1: I know you you represent in Miami, Miami. I don't

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Speaker 1: know how you guys spelt it out there, like we

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Speaker 1: knew that New Orleans was a crazy fucking place, just

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Speaker 1: too bout about it, like the crackhead um, like we

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Speaker 1: had not heard of this ship. We had not like

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Speaker 1: we didn't even know music. Asked to poor art a

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Speaker 1: tech sis then do you understand what I'm saying? So,

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Speaker 1: so what wasn't when you guys came out. Was it

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Speaker 1: like trying to please the East coast trying to please

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Speaker 1: the West coast? It was just like, you know what,

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Speaker 1: let us just stick to our guns. Period. You know

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Speaker 1: what happened nor real talk. It was we was in

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Speaker 1: New Orleans, but we wasn't making New Orleans music. So

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Speaker 1: if you look back, it was more about bounced music.

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Speaker 1: It was p pop or whatever that was that was

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Speaker 1: New Orleans right, but we was in the streets and

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Speaker 1: in the trenches with it. So we wanted to make um,

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Speaker 1: you know, like the Tupac music, you know, like that

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Speaker 1: type of He was like, right, but they wasn't really

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Speaker 1: hearing it, and we had to kind of broaden our

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Speaker 1: think that's where the various stuff came in. That where

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Speaker 1: yeah Richmond as well. Right, Yeah, So that so US

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Speaker 1: US in New Orleans was more. Um, it was a

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Speaker 1: different kind of music that we was. We was a

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Speaker 1: part of it, but we was trying to figure out

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Speaker 1: how can we brand out? So we watched the East coast,

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Speaker 1: we watched the West coast. Think we took a trip

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Speaker 1: to the West coast and that kind of had a

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Speaker 1: little more influence on us. Look, so now Jack Thriller,

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Speaker 1: we're speaking to Jack Thriller and describe you. Then Jack

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Speaker 1: Twitter said, because Silk is like the Richie Richard what

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Speaker 1: what what does he mean by that? The artist Richard

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Speaker 1: or the cartoon. I think he's going for the cartol.

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Speaker 1: What does he mean by that? I don't know. I

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Speaker 1: mean j Champagne fill up a couple. But now Jack,

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Speaker 1: I've been on Jack for a long time and so, um,

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Speaker 1: what he does know is that you know, I work

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Speaker 1: hard and and I'm behind the scenes on a lot

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Speaker 1: of stuff too, So to do some movies, right, A

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Speaker 1: lot of stuff, like a lot of you know, the

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Speaker 1: tour stuff and all that. I put that on. We

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Speaker 1: have no limits, took Sottle soot got that you gotta

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Speaker 1: sit it up. Don't yet so you got no limit

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Speaker 1: to all you said, put the tour out the tours.

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Speaker 1: I've been doing pretty good. Yeah, it's been crazy, but

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Speaker 1: the pandemic stopped a lot of it. But now it's

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Speaker 1: back started back up, and um, I want to say

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Speaker 1: September October we everywhere were like the Hawks play every

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Speaker 1: and um Pelicans. So we're doing like you know, we're

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Speaker 1: doing pretty good with it. Um so just behind it.

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Speaker 1: So he knows me as really doing business and getting

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Speaker 1: it done. So I think that he means like but

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Speaker 1: a lot of people don't see a lot of me,

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Speaker 1: so they're like, oh, what's silk up to him? But

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Speaker 1: I really get I get busy, man, because because I

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Speaker 1: see a lot of rappers. See I guess what he's

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Speaker 1: saying this. You know a lot of rappers we get

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Speaker 1: a three, four or five years run. But the person

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Speaker 1: that gets it's a twenty year run. You either really rich,

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Speaker 1: but really really bro I'm good, I'll tell you that

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Speaker 1: that I'm saying. But you know, and I think that's

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Speaker 1: what it is. I was able to. Um, you know,

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Speaker 1: I don't really look at stuff that we did in

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Speaker 1: the past. I try to keep it consistent what I

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Speaker 1: could do to day. So I think that what I

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Speaker 1: do bring to the table I will always be somebody

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Speaker 1: who could redefine itself. I mean music wise, I mean

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Speaker 1: music can change, but business and doing we did it's

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Speaker 1: the same thing. And I don't even talk about like

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Speaker 1: what we did, how much money you made. I'm talking

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Speaker 1: about consistently be able to do it. Like you could

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Speaker 1: find a new hustle every day and make it work,

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Speaker 1: but you could use a plot the same principles and

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Speaker 1: working hard and being innovative. It's gonna always be the

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Speaker 1: recipe for sex success. And it seemed like y'all were

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Speaker 1: just using music to get to these other businesses at

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Speaker 1: one point. Yeah, I mean most people are the smart

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Speaker 1: ones doing that. Um, you take a Beyonce, you take

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Speaker 1: um a Drake or whatever. They got so many deals

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Speaker 1: off the table, off the court, I say, in basketball

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Speaker 1: um that I'm saying. So she nothing to do with

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Speaker 1: what I'm saying. So that's what I'm saying. But she

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Speaker 1: could use her brand and and look at Jake with

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Speaker 1: the aspad whatever you know, Rick, whatever, you can say,

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Speaker 1: everything to do with music, because that's the platform that

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Speaker 1: helps her. Yeah yeah, network, yeah, take and take that.

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Speaker 1: I think that's the success right there, Like because she's

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Speaker 1: such a dope all them such a dope musical artists. Um,

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Speaker 1: that's a fan base right there. So you'd like saying,

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Speaker 1: so even or he got his base, they're watching and

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Speaker 1: did he spend his base? You know what I'm saying.

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Speaker 1: And I think that's the restipe for a success. So

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Speaker 1: I don't think that. And me, I still make money

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Speaker 1: off of like my old music, but I'm also still

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Speaker 1: making money off of doing shows. That's gonna be no

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Speaker 1: matter what. I still can playing my fault and keeping

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Speaker 1: So that's that's because so I gotta ask this question.

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Speaker 1: I want you to be one who was the first

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Speaker 1: hot boys because it was confusing us being on the

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Speaker 1: East Coast. You got hot boys, y'all hot boys, and

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Speaker 1: now waiting there's a hot boys too. I feel like

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Speaker 1: there was more hot boys than just keep it. So

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Speaker 1: you know what it was, Um, I mean I give

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Speaker 1: it to them. I think I give it to him, yeah,

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Speaker 1: because I mean but but it was a had a

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Speaker 1: hot boy movie. Ye. But it was a cultural thing.

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Speaker 1: Um I think yeah, and you know everybody, I'm a

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Speaker 1: hot boy, this hotboy, rich, hotboy, round on hot boy

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Speaker 1: nor you Okay, what does that mean? Hot boy? That

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Speaker 1: means like the man in the city. You know what

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Speaker 1: I'm saying. Like if you say he's a hot boy

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Speaker 1: in New York, and that means that he's either snitching

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Speaker 1: all um, he's hot like the police is looking for him. Yeah,

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Speaker 1: that's why it was. It was a totally different sling

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Speaker 1: when they was like, it's a hot boy like and

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Speaker 1: then there was two of y'all. It was two different sets.

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Speaker 1: I would say, Uh, it's more of the pop. They're

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Speaker 1: looking for us. We're on fire, you know what I'm saying.

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Speaker 1: We got the city on you know, we're doing out,

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Speaker 1: we're hustling, we all here making stuff happen. That's what

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Speaker 1: it was. So that's for the whole city, you know

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Speaker 1: what I'm saying. That was the city. So, um, it

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Speaker 1: was just it was just that's what's that ever describancy

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Speaker 1: of cash money because y'all called each other hot boys,

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Speaker 1: um or not? Never was, but we haven't spoke about it.

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Speaker 1: But we respect them as the hot boys, So I don't. Um.

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Speaker 1: The movie was more about the city of Nuance being that,

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Speaker 1: like what's determent? And he scopes they used like let's

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Speaker 1: say four for honybody just anything he lit? I don't know, Okay,

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Speaker 1: So I say we make the movie called he Lit?

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Speaker 1: Who is it? Who runs it? Like who owns it?

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Speaker 1: So it was more of that, But it's all it

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Speaker 1: was all up. It's all respect though as far as

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Speaker 1: them as a group, so it was all what was

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Speaker 1: both of the crews. Obviously it was it was no

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Speaker 1: limit first right that nationally? Yeah, and then cash Mare

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Speaker 1: did that amplify the beat between the two hoods the

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Speaker 1: music being so big nationally. I don't even know. I

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Speaker 1: think like it was the same regardless. Um, it was

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Speaker 1: just bad overall, you know what I'm saying. It was tough. Um,

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Speaker 1: there was a lot of people. Um, but I would

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Speaker 1: saying if if it was, I didn't I didn't hear about.

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Speaker 1: It was just more street stuff, you know what I'm saying. Yeah,

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Speaker 1: that's crazy. So but holy Motor crockle motially getting any

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Speaker 1: you ready and then a come on, god damn it,

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Speaker 1: holy my got notes, man, I got notes. That's good.

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Speaker 1: Let's ok this. This was something that was the beat

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Speaker 1: by the Pound. Okay, what was choc and Kylicole? I

302
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Speaker 1: believe it, no chaos. I think it was klc odn

303
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Speaker 1: um moby uh. I think Craig being some other people

304
00:16:04,880 --> 00:16:06,440
Speaker 1: like it was. It was a bunchet. Now. So so

305
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Speaker 1: when you look at all the first albums, all of

306
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Speaker 1: you guys, it's all produced by the same producers. Then

307
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Speaker 1: you guys weak this heavy heavy heavy plateau uh and

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Speaker 1: then all of a sudden when you look at the documentary,

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Speaker 1: it was actually like I think p on the phone,

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Speaker 1: it was like, Okay, you don't want to work with us,

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Speaker 1: but that's it. And it was simply like that is

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Speaker 1: that walk with You're going to the studio every day

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Speaker 1: with the same producers, and then you you're going to

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Speaker 1: that same studio and then it produces is gone. But

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Speaker 1: I know you developed a relationship at least a sound

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Speaker 1: definitely developed the sound sound. Yeah, yeah, you know it

317
00:16:41,000 --> 00:16:44,320
Speaker 1: was and you know you adjust to it. Um but

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Speaker 1: you know when you have that's like dre and snoop

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Speaker 1: or whatever. You know what I'm saying, You have it, um,

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Speaker 1: and you know to go to walk, I'm gonna go

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Speaker 1: to where I'm gonna go hit you know, blah blah blah.

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Speaker 1: So it's kind of like one of those things where

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Speaker 1: you have to get over that and then how you

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Speaker 1: how you redeveloped the sound when you have a hot

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Speaker 1: sound And that was the most. That was the toughest thing.

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Speaker 1: And then you know the people so you kind of

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Speaker 1: cool with everybody. Um, but yeah, I think that's the most.

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Speaker 1: But was that a business lesson? Because um, because at

329
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Speaker 1: times I'm sure you you can't agree with everything, Pete,

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Speaker 1: do you know what I'm saying? And um, was that

331
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Speaker 1: Was there ever a time where he was like damn,

332
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Speaker 1: I wish he would have did this or did that?

333
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Speaker 1: Like was that one of them or No? For me

334
00:17:21,359 --> 00:17:23,320
Speaker 1: at the time, it wasn't that because I didn't know

335
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Speaker 1: about it. I'm just kind of artists, respecting in everybody's

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Speaker 1: face and kind of like doing my thing. You know,

337
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Speaker 1: I'm I'm doing what I'm doing. So end of the day,

338
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Speaker 1: you know, he is in control and so I just

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Speaker 1: I just kind of whatever he kind of went with,

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Speaker 1: That's what it was at that point. So what whatnot

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Speaker 1: that I personally knew at the time, So I couldn't

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Speaker 1: say if he did it right or wrong. He might

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Speaker 1: have had a justification for or not. Just I don't

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Speaker 1: know what he had for it. But yeah, that was

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Speaker 1: something I guess at the time it happened, you know

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Speaker 1: what I'm saying. Okay, something that we we've never had

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Speaker 1: a chance to speak about on on this show. It's

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Speaker 1: Soldier Slim. Soldier Slim is so much of a legend

349
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Speaker 1: I've re met, but you know, me hearing about him,

350
00:18:02,880 --> 00:18:05,639
Speaker 1: and I remember him him like for lack of up

351
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Speaker 1: at a term, like from when we first heard it,

352
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Speaker 1: like like I heard of y'all, like that was one

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Speaker 1: of the first him and c Murder really just like

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00:18:12,320 --> 00:18:15,080
Speaker 1: those dudes are really street, like that really really really street.

355
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Speaker 1: And so just sim obviously he lost his life to

356
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Speaker 1: the state streets. So un speak about Soldier Slim because

357
00:18:21,400 --> 00:18:24,600
Speaker 1: we never like spoke about him. Yeah, not Soldier was dope, man.

358
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Speaker 1: He was like before his time he was I mean

359
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Speaker 1: I was cool with him. I ain't had a chance

360
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Speaker 1: to really like no, you know, really deep into him.

361
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Speaker 1: But the streets loved them, um, his hood loved them,

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Speaker 1: and they he had this aura about them where it

363
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Speaker 1: was just he could just do it and you feel

364
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Speaker 1: him because you know he'd been there in the chances

365
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Speaker 1: with it. So it was dope man. So he was

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Speaker 1: against first rapper. Second, he definitely was a bit of

367
00:18:47,840 --> 00:18:50,560
Speaker 1: a gamester, but you know, not really you know, to

368
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Speaker 1: the point where it's just like doing like that. It

369
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Speaker 1: was like, yeah, you know, mess with me. You know,

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Speaker 1: its own. It's it's up there, so that's it. But

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Speaker 1: you gotta respect that though. So sure, now Murder, I

372
00:19:00,480 --> 00:19:04,040
Speaker 1: met See Murder, I met Comfort. I'll tell you a

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Speaker 1: second time I met See. I think this is right

374
00:19:06,720 --> 00:19:10,080
Speaker 1: after y'all sign snoop. This is after the incident happened

375
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Speaker 1: and whatever was that. And we had the Sauce Awards

376
00:19:14,040 --> 00:19:18,320
Speaker 1: and I've seen NASA day before and I was telling me,

377
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Speaker 1: you'll come on my bus and I go on the

378
00:19:20,840 --> 00:19:24,800
Speaker 1: bus and there with a TikTok sounds like the sound

379
00:19:24,840 --> 00:19:32,160
Speaker 1: about right, that's the last taking walking on nas bus.

380
00:19:32,840 --> 00:19:35,040
Speaker 1: And I'm sitting and they had a real relationship. I'm

381
00:19:35,040 --> 00:19:36,800
Speaker 1: sitting how they talked to each other. And I was like,

382
00:19:37,119 --> 00:19:39,000
Speaker 1: but that's something like you don't see no fitches with Nazis.

383
00:19:39,080 --> 00:19:41,920
Speaker 1: You don't see like that. Did you know about that

384
00:19:42,000 --> 00:19:44,000
Speaker 1: they have? I didn't know about it, but I know,

385
00:19:44,240 --> 00:19:46,840
Speaker 1: see what pop up? Man? He bet with everybody like, um,

386
00:19:46,960 --> 00:19:49,679
Speaker 1: I think many all got a super love relationship for him.

387
00:19:50,320 --> 00:19:54,000
Speaker 1: Um it's like random like like you mess with everything,

388
00:19:54,000 --> 00:19:55,760
Speaker 1: like every like glue to. Everybody got a you know,

389
00:19:55,760 --> 00:19:57,880
Speaker 1: they got a dreamine love for him. So I could

390
00:19:57,880 --> 00:19:59,879
Speaker 1: imagine that and then naz Is one hunting two so

391
00:20:00,240 --> 00:20:04,080
Speaker 1: I could. I could see them too, tr you know,

392
00:20:04,800 --> 00:20:09,720
Speaker 1: tru right. Um, it was a little describancy. Um, you

393
00:20:09,800 --> 00:20:12,400
Speaker 1: know obviously everyone knows that that was that would see

394
00:20:12,440 --> 00:20:18,840
Speaker 1: murders prove Yeah, uh to change Yeah comes out to

395
00:20:18,960 --> 00:20:23,160
Speaker 1: your basically to all you did they ever worked out out?

396
00:20:23,400 --> 00:20:27,639
Speaker 1: Or Um? They actually did. Man, they talked on the phone, Um,

397
00:20:27,880 --> 00:20:30,040
Speaker 1: squared it away, got you know, you know, kept it.

398
00:20:30,160 --> 00:20:32,119
Speaker 1: It's all cool. I think it was more of like

399
00:20:32,240 --> 00:20:34,679
Speaker 1: a misunderstand I think it was more like a respect

400
00:20:34,720 --> 00:20:38,960
Speaker 1: thing where it's like I think that the meanings are different,

401
00:20:39,400 --> 00:20:41,920
Speaker 1: but it is the same, you know. And I think

402
00:20:42,000 --> 00:20:45,240
Speaker 1: that he took that to offense. What but then once

403
00:20:45,320 --> 00:20:47,000
Speaker 1: they talked, I think they was cool. I think to

404
00:20:47,240 --> 00:20:49,920
Speaker 1: change saluted them um and say it wasn't you know,

405
00:20:50,000 --> 00:20:52,119
Speaker 1: the big deal and so um they both worked it

406
00:20:52,119 --> 00:20:53,480
Speaker 1: out and I think they're really cool. Now for sure,

407
00:20:53,840 --> 00:20:59,520
Speaker 1: make some most that. Yeah, that's the uist Papa Jesus

408
00:20:59,600 --> 00:21:01,880
Speaker 1: going that, I'm ready to do some shots. You're ready

409
00:21:01,920 --> 00:21:03,199
Speaker 1: to do some shots? All right? Cool? No, I got

410
00:21:03,240 --> 00:21:05,639
Speaker 1: the crazy shot? Alright, what is that? Listen? I'm not

411
00:21:06,680 --> 00:21:09,840
Speaker 1: at all. Yeah, I'm not. I don't even if I

412
00:21:09,920 --> 00:21:11,320
Speaker 1: got on my fingers. I went to I went to

413
00:21:12,040 --> 00:21:16,720
Speaker 1: what is moon shot? Holy? Okay, it's just crazy. So

414
00:21:17,040 --> 00:21:19,080
Speaker 1: before we get into this, before we get into that, right,

415
00:21:19,119 --> 00:21:21,760
Speaker 1: I said, the five of Four Boys, right, okay? Oh

416
00:21:21,840 --> 00:21:26,119
Speaker 1: you dated Monica to write no Controversial. No, no, no,

417
00:21:26,240 --> 00:21:28,400
Speaker 1: not that that's seen girl like, oh that's right, that's

418
00:21:29,440 --> 00:21:34,280
Speaker 1: yeah at all. She was talking to a lot of

419
00:21:34,600 --> 00:21:38,480
Speaker 1: At one point, I knew I came here. I knew.

420
00:21:38,480 --> 00:21:43,600
Speaker 1: I can't think I came for nor you was a

421
00:21:43,680 --> 00:21:46,800
Speaker 1: sex symbol at one point. At one point every check

422
00:21:46,840 --> 00:21:49,600
Speaker 1: in the game, he was running around with a point

423
00:21:49,720 --> 00:21:52,320
Speaker 1: or something like that. A little bit take a shot

424
00:21:53,760 --> 00:21:57,000
Speaker 1: some good ship, Um, you want some rocket um, you

425
00:21:57,080 --> 00:22:00,159
Speaker 1: want something. Oh yeah, you're some heavier ship. Are you

426
00:22:00,359 --> 00:22:04,280
Speaker 1: your showing? I might be like completely? So you take

427
00:22:04,320 --> 00:22:06,360
Speaker 1: a shot here, take you want to take it? Cool?

428
00:22:06,359 --> 00:22:10,000
Speaker 1: Give me one day, give me one give me another cup.

429
00:22:11,000 --> 00:22:14,879
Speaker 1: M up. Now that's that ship felt like it was crushed.

430
00:22:15,840 --> 00:22:18,520
Speaker 1: Oh no, it's good. I'm good. Come on, come on,

431
00:22:18,600 --> 00:22:20,359
Speaker 1: we're gonna motherfucker. I don't We don't know if you

432
00:22:20,440 --> 00:22:22,200
Speaker 1: know what our shows about, our shows about giving people

433
00:22:22,240 --> 00:22:24,400
Speaker 1: they flowers, but they're alive. You know what I'm saying,

434
00:22:24,560 --> 00:22:27,480
Speaker 1: Your motherfucker less. You beat me at every category, and

435
00:22:27,520 --> 00:22:31,560
Speaker 1: we're gonna talk about that. But we're still good. Were good.

436
00:22:32,160 --> 00:22:38,080
Speaker 1: We heard you beat me at every category that you know.

437
00:22:38,160 --> 00:22:44,960
Speaker 1: It's the best year of my life. Damn for you.

438
00:22:46,200 --> 00:22:52,360
Speaker 1: Let me show you me fun no, no me plug

439
00:22:52,480 --> 00:22:56,919
Speaker 1: corrupt Cort. But Dad's was with him and every award

440
00:22:57,040 --> 00:22:59,440
Speaker 1: we came up, you came up and it was like

441
00:22:59,720 --> 00:23:02,720
Speaker 1: still shot. Yeah. He was like, damn, I'm nigga, Like

442
00:23:02,760 --> 00:23:05,359
Speaker 1: I didn't win. That's because then you would never go

443
00:23:05,440 --> 00:23:11,800
Speaker 1: to awards. Don't more. I was brought up like every

444
00:23:11,840 --> 00:23:16,520
Speaker 1: other episode I argue with been, you know, like this

445
00:23:16,640 --> 00:23:19,200
Speaker 1: is like I had nothing to do. With anything, like

446
00:23:19,240 --> 00:23:21,320
Speaker 1: we're arguing about ice cream or some stuff ship and

447
00:23:21,359 --> 00:23:23,520
Speaker 1: I'm like, I'll never forgive you for the SI Awards.

448
00:23:23,560 --> 00:23:27,520
Speaker 1: He's like, what are you about? But we would joke

449
00:23:27,520 --> 00:23:29,000
Speaker 1: about before that. You're talking about you knocking down a

450
00:23:29,040 --> 00:23:33,280
Speaker 1: lot of such a thing back in the days because

451
00:23:33,320 --> 00:23:37,680
Speaker 1: what you gotta You're married now, I'm definitely, but we

452
00:23:37,720 --> 00:23:39,880
Speaker 1: had to pass. So you know, he was thinking about

453
00:23:39,960 --> 00:23:44,440
Speaker 1: a lot of things, right, would you put it like that? Yeah, sure,

454
00:23:44,480 --> 00:23:47,480
Speaker 1: but setting it up for him to want to answer, yeah,

455
00:23:47,560 --> 00:23:50,800
Speaker 1: that's good. That's a good up. Definitely before my serious

456
00:23:50,840 --> 00:23:54,440
Speaker 1: relationship now for sure. But now I'm no, I'm just

457
00:23:54,680 --> 00:23:56,080
Speaker 1: I would have a lot of I have friends and

458
00:23:56,080 --> 00:23:59,240
Speaker 1: stuff like that. Yeah, because like I'm not gonna he's good.

459
00:23:59,280 --> 00:24:01,399
Speaker 1: He's good. He's I'm not gonna lie. They had you

460
00:24:01,560 --> 00:24:04,320
Speaker 1: in like jay Z category type of style, like it

461
00:24:04,520 --> 00:24:06,920
Speaker 1: was like, no, I'm that serious, Like yeah, no, I'm

462
00:24:06,960 --> 00:24:11,160
Speaker 1: that serious like you. He's like, I'm telling you, I'm

463
00:24:11,200 --> 00:24:13,720
Speaker 1: telling you. Like at one point when we were all

464
00:24:13,800 --> 00:24:17,440
Speaker 1: on that cover, like there were people telling us not Silk,

465
00:24:17,800 --> 00:24:20,280
Speaker 1: You're not on Silk's level, and we were like really,

466
00:24:20,359 --> 00:24:22,960
Speaker 1: They're like, yo, he going to be compared to jay Z.

467
00:24:23,080 --> 00:24:25,520
Speaker 1: I swear to god, there was like this, the amount

468
00:24:25,560 --> 00:24:31,040
Speaker 1: of chicks he was knocking down. I'm just saying, it's

469
00:24:31,040 --> 00:24:34,600
Speaker 1: the room on the street, you know, you know what, man,

470
00:24:41,880 --> 00:24:43,720
Speaker 1: so no limit. Man, I ain't gonna lie. It must

471
00:24:43,760 --> 00:24:45,560
Speaker 1: have been a lot of coupies around. I mean, this

472
00:24:45,640 --> 00:24:47,959
Speaker 1: is back in the days, a lot of a lot

473
00:24:48,000 --> 00:24:54,399
Speaker 1: of groups. What what's your favorite groupie story? Oh? Then,

474
00:24:54,560 --> 00:24:56,720
Speaker 1: I mean I wasn't really into it like that because

475
00:24:56,760 --> 00:24:58,959
Speaker 1: I was like more, um, just trying to stay out

476
00:24:59,000 --> 00:25:01,440
Speaker 1: of it. Black. You would come to the hotel and

477
00:25:01,480 --> 00:25:03,320
Speaker 1: stuff and it would be just like a bunch of

478
00:25:03,400 --> 00:25:06,320
Speaker 1: women and then be they be at your door and

479
00:25:06,400 --> 00:25:08,960
Speaker 1: then maybe it's like so I didn't I was I

480
00:25:08,960 --> 00:25:10,920
Speaker 1: don't really like that too much myself personal, but that

481
00:25:11,119 --> 00:25:13,040
Speaker 1: was it was. It was just so what you do

482
00:25:13,119 --> 00:25:15,160
Speaker 1: and say it ain't my fault. I would definitely say

483
00:25:15,840 --> 00:25:19,240
Speaker 1: I get out of here. But I wasn't really like

484
00:25:19,520 --> 00:25:21,080
Speaker 1: but it was there. It was just you know, and

485
00:25:21,359 --> 00:25:22,720
Speaker 1: at that moment you don't really know what it is.

486
00:25:22,800 --> 00:25:25,159
Speaker 1: You just you want the motion. But you are successful.

487
00:25:25,720 --> 00:25:27,800
Speaker 1: So at that time, the same thing right now it

488
00:25:27,840 --> 00:25:29,240
Speaker 1: will be the same thing as now. It's just like

489
00:25:29,600 --> 00:25:31,960
Speaker 1: they're gonna come. So what was it? So, yeah, you

490
00:25:32,000 --> 00:25:34,359
Speaker 1: ain't give a fun? Not did I didn't. I was

491
00:25:34,400 --> 00:25:36,440
Speaker 1: just trying to get to the bag and have fun

492
00:25:36,520 --> 00:25:39,359
Speaker 1: and live life. That's about it. Just focused focused on.

493
00:25:39,680 --> 00:25:43,800
Speaker 1: How about Mystical? You ever seen Mysical? I know I didn't.

494
00:25:44,440 --> 00:25:48,000
Speaker 1: That's not like a t but Msical it was like

495
00:25:48,080 --> 00:25:49,680
Speaker 1: we was young. I mean ms school was just like

496
00:25:50,200 --> 00:25:52,680
Speaker 1: every other body. He was just like randomly you know,

497
00:25:52,800 --> 00:25:55,800
Speaker 1: he just have fun, you know, just living his life.

498
00:25:56,080 --> 00:25:57,640
Speaker 1: I was. I was not a private to that because

499
00:25:57,640 --> 00:25:59,480
Speaker 1: I'm doing my own thing. But now shout out to

500
00:25:59,480 --> 00:26:03,400
Speaker 1: Mysical with right, what's up? Man had the All Star team,

501
00:26:03,920 --> 00:26:06,200
Speaker 1: All Star team? Yeah, all Star team. Back to this

502
00:26:06,520 --> 00:26:12,399
Speaker 1: record when you maybe that was real ship. That was

503
00:26:12,480 --> 00:26:15,639
Speaker 1: real ship. Um, so you know we've been good, We've

504
00:26:15,640 --> 00:26:17,119
Speaker 1: been good. Listen, leten, let me tell you something. I'm

505
00:26:17,119 --> 00:26:20,720
Speaker 1: the definition of hate the game and never the always

506
00:26:20,800 --> 00:26:23,760
Speaker 1: like I always blame the sorce I did. But what

507
00:26:24,040 --> 00:26:26,240
Speaker 1: Ben'll tell you that he was like they were paying

508
00:26:26,280 --> 00:26:30,119
Speaker 1: two hundred and fifty. I was like, he did not

509
00:26:30,280 --> 00:26:34,640
Speaker 1: say I gave them the war. He never said he said,

510
00:26:34,680 --> 00:26:36,600
Speaker 1: he said, of course, my loyalty was kind of with

511
00:26:36,800 --> 00:26:38,760
Speaker 1: them like they was buying two hundred and fifty tho

512
00:26:39,320 --> 00:26:42,000
Speaker 1: ads at the time. And but he's never said I

513
00:26:42,119 --> 00:26:44,040
Speaker 1: gave them an award. I can't ever take that from you.

514
00:26:44,160 --> 00:26:46,840
Speaker 1: I can't. I'm an honest person. So let me get

515
00:26:46,840 --> 00:26:49,520
Speaker 1: a plan. Let me get a plank divorce. You got one, brother,

516
00:26:50,480 --> 00:26:54,119
Speaker 1: Let's go baby, Let's go. So and that album was

517
00:26:54,200 --> 00:26:56,400
Speaker 1: it charged to the game? Was neither charge the game?

518
00:26:56,440 --> 00:26:59,440
Speaker 1: I made man one of those? No, it was charged. Yeah,

519
00:27:00,520 --> 00:27:05,879
Speaker 1: I think tried the game mat Ja Z on it,

520
00:27:06,240 --> 00:27:09,720
Speaker 1: but that's not the one. May man man Because I

521
00:27:09,840 --> 00:27:11,720
Speaker 1: just heard a record with you. You said, don't compare

522
00:27:11,840 --> 00:27:14,280
Speaker 1: jay Z the Kodak. Oh that was another record. But

523
00:27:14,359 --> 00:27:16,160
Speaker 1: I did do a song with jay Z. We're Gonna

524
00:27:16,160 --> 00:27:20,920
Speaker 1: get you. That got that question? Okay, hold on, So

525
00:27:21,040 --> 00:27:23,800
Speaker 1: you said don't compare jay Z. What was the act?

526
00:27:23,920 --> 00:27:28,520
Speaker 1: So I'm um, I'm more. No hold on when I say, um,

527
00:27:31,080 --> 00:27:33,760
Speaker 1: don't compare jay Z to Kodak. But I think I

528
00:27:33,840 --> 00:27:35,920
Speaker 1: think I'm more. But I'm more because I'm more a coach.

529
00:27:36,160 --> 00:27:38,760
Speaker 1: Now I'm gonna cooreack than jay Z or jay Z

530
00:27:38,840 --> 00:27:41,160
Speaker 1: didn't Kodak. I think I flipped it so bad, both men.

531
00:27:41,280 --> 00:27:44,119
Speaker 1: So um, you can't compare to two, but I was

532
00:27:44,160 --> 00:27:48,760
Speaker 1: saying that, Um, but I'm more Kodak. I gotta get

533
00:27:48,760 --> 00:27:50,000
Speaker 1: that line. It's a good one. I gotta figure that.

534
00:27:50,400 --> 00:27:52,200
Speaker 1: You gotta figure that part out. You don't got the

535
00:27:52,240 --> 00:27:56,040
Speaker 1: record that has That was a bit just slipped on us.

536
00:27:56,080 --> 00:27:57,639
Speaker 1: We didn't, we didn't, We wasn't prepared. It was just

537
00:27:58,040 --> 00:28:00,560
Speaker 1: I'm on jay Z and Kodak. So it's on, it's on,

538
00:28:00,960 --> 00:28:04,680
Speaker 1: It's on all makes sense later album. Personally, it's a

539
00:28:04,720 --> 00:28:10,560
Speaker 1: pretty good line on me. So so that's recent because recent? So, um,

540
00:28:11,160 --> 00:28:13,359
Speaker 1: you are you? You like Koda? Because that as an artist?

541
00:28:13,840 --> 00:28:16,240
Speaker 1: I met him, I met him. He's out of his mind,

542
00:28:18,960 --> 00:28:21,840
Speaker 1: like met I've met Kodak. In the restaurant, he brought

543
00:28:21,880 --> 00:28:24,840
Speaker 1: his own chicken. Let's make some noise for heads. Anybody

544
00:28:25,000 --> 00:28:27,520
Speaker 1: own chicken? That the show We get a Prime one

545
00:28:27,600 --> 00:28:30,240
Speaker 1: twelve and he said, here's some of that hasty chicken. Boy.

546
00:28:30,480 --> 00:28:32,679
Speaker 1: I said this nick it overmind me of a rich sunny.

547
00:28:34,920 --> 00:28:37,800
Speaker 1: He bought his own chicken. Listen. Listen, by the way,

548
00:28:37,840 --> 00:28:41,280
Speaker 1: Prime one twelve is a pretty great restaurant. The crib.

549
00:28:41,720 --> 00:28:43,440
Speaker 1: I don't know, he just said, this is that hastry

550
00:28:43,520 --> 00:28:47,800
Speaker 1: chicken boy. I said, oh, I just cooked the way

551
00:28:47,840 --> 00:28:50,320
Speaker 1: he wanted it. No, he had in the white ship.

552
00:28:50,400 --> 00:28:52,640
Speaker 1: This is the look the all getting food kings come in.

553
00:28:53,080 --> 00:28:55,200
Speaker 1: He had his own ship. I looked. I said, this

554
00:28:55,320 --> 00:28:58,000
Speaker 1: is this is this is probed boys. Man, he said,

555
00:28:58,280 --> 00:29:01,520
Speaker 1: boys stay different. Man, he's definitely different. Yeah, he's a

556
00:29:01,600 --> 00:29:03,840
Speaker 1: different dude. Man. Would you like to work with new

557
00:29:03,920 --> 00:29:07,120
Speaker 1: artists like that? I do, Um, But I see it's

558
00:29:07,160 --> 00:29:10,040
Speaker 1: so many talented artists. I'm like, man, it's a lot

559
00:29:10,080 --> 00:29:11,720
Speaker 1: of good ones too, so it's kind of good to

560
00:29:11,840 --> 00:29:15,640
Speaker 1: keep seeing it redeveloped. Most people are like, oh, man,

561
00:29:15,720 --> 00:29:17,720
Speaker 1: want to s be stuck in the time where that's

562
00:29:17,760 --> 00:29:20,120
Speaker 1: the area that they like. But I'm like, you know,

563
00:29:20,760 --> 00:29:22,040
Speaker 1: artist talents. You can tell you I don't have his

564
00:29:22,120 --> 00:29:25,920
Speaker 1: country rock whatever. I feel it's talent, that's it. And

565
00:29:26,080 --> 00:29:28,360
Speaker 1: people like Kodak, you know, sometimes a little bit um

566
00:29:29,880 --> 00:29:32,800
Speaker 1: they do something they wig um, but still the talent

567
00:29:32,880 --> 00:29:36,120
Speaker 1: is there though. No, no, no, that's that's that's I

568
00:29:36,240 --> 00:29:44,280
Speaker 1: fun with him. Crazy is the mother so um? All right, Okay, yeah,

569
00:29:45,640 --> 00:29:47,920
Speaker 1: my block, the yell block, that's yep, that's the one

570
00:29:47,920 --> 00:29:51,000
Speaker 1: that's that's the rector with Jay z Okay, how did

571
00:29:51,080 --> 00:29:55,160
Speaker 1: this happen? So you know what um Jay I mean.

572
00:29:55,560 --> 00:30:00,240
Speaker 1: So it's funny that j is like, um successful back

573
00:30:00,320 --> 00:30:02,680
Speaker 1: you know, back then he had the work ethics of

574
00:30:03,840 --> 00:30:06,640
Speaker 1: I don't know, but I'm saying what I'm saying because

575
00:30:07,360 --> 00:30:11,400
Speaker 1: it's the people who have that kind of determination and drive.

576
00:30:12,440 --> 00:30:14,600
Speaker 1: It takes him a while. But like like even like

577
00:30:14,640 --> 00:30:18,160
Speaker 1: going jadakass you say, like Jadak has been dope, right,

578
00:30:18,320 --> 00:30:21,680
Speaker 1: but I think yesterday proves to everybody else that who

579
00:30:21,720 --> 00:30:24,360
Speaker 1: didn't know how dope he was. Right. So he's great actually,

580
00:30:24,560 --> 00:30:27,080
Speaker 1: but he's been great though, right. So so what j

581
00:30:27,560 --> 00:30:30,480
Speaker 1: is like even from the first time at Priority whatever

582
00:30:30,560 --> 00:30:31,880
Speaker 1: he was doing whatever he's trying to look for a

583
00:30:31,960 --> 00:30:35,120
Speaker 1: deal or whatever, I don't even that quick he was.

584
00:30:35,360 --> 00:30:39,160
Speaker 1: He was the quick. But what happened was, um, it's

585
00:30:39,160 --> 00:30:42,080
Speaker 1: a it's a funny story. It's like I wanted Jake.

586
00:30:42,200 --> 00:30:43,880
Speaker 1: Nobody really knew what JA at the time, but I

587
00:30:44,000 --> 00:30:45,840
Speaker 1: kind of wanted before and then it kind of worked out.

588
00:30:45,880 --> 00:30:48,600
Speaker 1: We got together and um, and so I'm like, y'all

589
00:30:48,640 --> 00:30:51,320
Speaker 1: need this song, and and by that time, by time

590
00:30:51,360 --> 00:30:53,200
Speaker 1: I actually got to it, JA was kind of popping

591
00:30:53,200 --> 00:30:56,480
Speaker 1: a little more and rest in piece of DMX too.

592
00:30:56,520 --> 00:30:59,680
Speaker 1: I think, um, it's supposed to be me, me, DMX

593
00:30:59,760 --> 00:31:02,120
Speaker 1: and j on the record, and you know, the DMX

594
00:31:02,200 --> 00:31:03,680
Speaker 1: was like, I got you. You know what I'm saying,

595
00:31:04,240 --> 00:31:06,760
Speaker 1: not to say I got you, right, And I think

596
00:31:06,920 --> 00:31:09,200
Speaker 1: what happened I had had watching us right there. Look

597
00:31:09,280 --> 00:31:12,400
Speaker 1: he's watching my guy. You know what I'm But so

598
00:31:12,560 --> 00:31:17,120
Speaker 1: what happened was, um, my album had remember the um

599
00:31:17,360 --> 00:31:18,800
Speaker 1: what's the it was a it was a tour that

600
00:31:18,920 --> 00:31:22,520
Speaker 1: jay z n DMX was on. Um, um no, it

601
00:31:22,680 --> 00:31:27,040
Speaker 1: was right, that's the one. So what happened was my

602
00:31:27,320 --> 00:31:29,800
Speaker 1: album ppposed to be turned in on a Thursday at

603
00:31:29,800 --> 00:31:37,760
Speaker 1: tenant eleven am, and um, I think, um, the conta

604
00:31:37,840 --> 00:31:42,160
Speaker 1: tour was over Wednesday night. Okay, so Wednesday night and

605
00:31:42,800 --> 00:31:45,360
Speaker 1: I needed, I say, I need to say. By Thursday

606
00:31:45,400 --> 00:31:49,440
Speaker 1: we were masking it right so here no, no, he's

607
00:31:49,480 --> 00:31:51,800
Speaker 1: he's he's in. He's at the concert. He's a concert.

608
00:31:52,080 --> 00:31:54,600
Speaker 1: And he was like, UM, I got you. But you

609
00:31:54,680 --> 00:32:00,280
Speaker 1: know it's funny because he um uh left the show.

610
00:32:00,400 --> 00:32:03,680
Speaker 1: I think immediately went back and and knocked it out

611
00:32:03,680 --> 00:32:05,040
Speaker 1: like a couple like three or four in the morning

612
00:32:05,440 --> 00:32:07,760
Speaker 1: and sent it. You know what I'm saying. And for

613
00:32:07,880 --> 00:32:10,000
Speaker 1: you to make the time and the time. I'm saying like,

614
00:32:10,440 --> 00:32:11,840
Speaker 1: and he could have just been you know, and I'm

615
00:32:12,080 --> 00:32:14,400
Speaker 1: I'm tied. I just dropped the show and slip the

616
00:32:14,440 --> 00:32:15,800
Speaker 1: d MX two. He even really want to do it,

617
00:32:15,920 --> 00:32:17,320
Speaker 1: but you know, he just probably was like, I'm gonna

618
00:32:17,320 --> 00:32:18,920
Speaker 1: get in the morning. I didn't have time to do it,

619
00:32:19,440 --> 00:32:21,360
Speaker 1: so I just had to go with boom with Jay

620
00:32:21,440 --> 00:32:23,280
Speaker 1: gay Man. He came through Man and I hit j

621
00:32:23,400 --> 00:32:26,360
Speaker 1: I'm like, yo, because Jake killed it. I'm like, yeah,

622
00:32:26,360 --> 00:32:28,360
Speaker 1: how am I told you? Jay life and even nothing.

623
00:32:28,360 --> 00:32:29,640
Speaker 1: I was about to get my hunted. He was like,

624
00:32:30,000 --> 00:32:31,640
Speaker 1: He's like, no, we're good on the house. So um

625
00:32:31,840 --> 00:32:33,600
Speaker 1: and it's good because he asked me to do something.

626
00:32:33,640 --> 00:32:35,080
Speaker 1: I did something for him. So it was it was dope.

627
00:32:35,120 --> 00:32:41,400
Speaker 1: It was dope situation. Jay solid man, Jay's all the

628
00:32:41,440 --> 00:32:43,200
Speaker 1: solid Just be clear. He just said I was gonna

629
00:32:43,200 --> 00:32:50,000
Speaker 1: give my honey. Let's just be clear. I was, Yeah,

630
00:32:51,400 --> 00:32:53,600
Speaker 1: that was one thing that was known. That's like the

631
00:32:53,680 --> 00:32:55,120
Speaker 1: difference and I don't I don't want to bring up

632
00:32:55,800 --> 00:32:58,440
Speaker 1: the other company, but one one company is kind of

633
00:32:58,480 --> 00:33:02,520
Speaker 1: known for not paying people. And then I mean, I'm sorry,

634
00:33:02,800 --> 00:33:07,120
Speaker 1: you don't hit the rumor it's just me, no problem,

635
00:33:07,560 --> 00:33:10,160
Speaker 1: I'll take it all right. But and then master p

636
00:33:10,560 --> 00:33:13,480
Speaker 1: and no Limit was known for the exact opposite, for

637
00:33:13,600 --> 00:33:16,320
Speaker 1: paying the artists for everyone like even if you look

638
00:33:16,360 --> 00:33:18,640
Speaker 1: at that said everyone gotta watch, everyone got a car,

639
00:33:18,720 --> 00:33:21,360
Speaker 1: everyone got a house in their name, not just a

640
00:33:21,440 --> 00:33:24,000
Speaker 1: house of watching in a car and someone else's name,

641
00:33:24,080 --> 00:33:27,080
Speaker 1: that they can always take it away, which we heard

642
00:33:27,120 --> 00:33:29,000
Speaker 1: that happened in death Row, which we heard that happened

643
00:33:29,000 --> 00:33:31,560
Speaker 1: in these other companies. What what what what made you

644
00:33:31,720 --> 00:33:35,680
Speaker 1: think that he wanted to do right by his artist?

645
00:33:35,800 --> 00:33:38,640
Speaker 1: What made how do you develop that? I think that

646
00:33:39,640 --> 00:33:43,200
Speaker 1: at the time, maybe not knowing, but just having the

647
00:33:43,600 --> 00:33:46,600
Speaker 1: resources to do it, um, seemed like the right thing

648
00:33:46,680 --> 00:33:49,080
Speaker 1: to do. And then I think, um, if you're making money,

649
00:33:49,160 --> 00:33:51,320
Speaker 1: you should be able to pay you know, you pay

650
00:33:51,360 --> 00:33:52,560
Speaker 1: the money, you know what I'm saying, because that's how

651
00:33:52,600 --> 00:33:55,720
Speaker 1: you make more money. You keep keep it going. You

652
00:33:55,760 --> 00:33:58,680
Speaker 1: don't want to, you know, not give somebody then they're

653
00:33:58,720 --> 00:33:59,920
Speaker 1: not gonna work for you know what I'm saying. So

654
00:34:00,000 --> 00:34:05,280
Speaker 1: I think that was that was for sure. That that's different, man,

655
00:34:05,360 --> 00:34:08,200
Speaker 1: that's that's real, real, real, real different. Um. You know,

656
00:34:08,320 --> 00:34:12,920
Speaker 1: even a sloop then you know, um, It bugged me

657
00:34:13,000 --> 00:34:16,719
Speaker 1: out to hear Sloop say after I think it's after

658
00:34:16,760 --> 00:34:18,960
Speaker 1: the Chronic and at the Doggie Style and at the

659
00:34:19,040 --> 00:34:21,600
Speaker 1: summit that he was he was broken. He asked for

660
00:34:21,680 --> 00:34:25,720
Speaker 1: thirty five hunter and then Massive Vega thirty five thousand,

661
00:34:26,320 --> 00:34:30,120
Speaker 1: Like if that don't prove loyalty to you, like you

662
00:34:30,239 --> 00:34:32,360
Speaker 1: immediately be become loyal to a person, like you know

663
00:34:32,360 --> 00:34:34,800
Speaker 1: what I'm saying, Like that was that was ill? Like

664
00:34:34,840 --> 00:34:39,160
Speaker 1: you never heard that, you never watched the documentary Okay, okay, okay, okay,

665
00:34:39,200 --> 00:34:42,520
Speaker 1: that's why. That's why I didn't watch it when p came. Yeah, yeah,

666
00:34:42,560 --> 00:34:46,480
Speaker 1: that's crazy, that's crazy. But yeah that so did you

667
00:34:46,600 --> 00:34:49,520
Speaker 1: realize Like I spoke to Fat Joe yesterday right in fact,

668
00:34:49,600 --> 00:34:51,320
Speaker 1: Joe said to me, he was like, yo, man, you

669
00:34:51,320 --> 00:34:53,080
Speaker 1: should have came out here. I said, man, I had

670
00:34:53,120 --> 00:34:55,960
Speaker 1: some good shot. I can't I can't leave, And he's like,

671
00:34:56,320 --> 00:34:57,719
Speaker 1: so He's like, yo, but this is one of the

672
00:34:57,880 --> 00:35:00,800
Speaker 1: moments where you in his to read and you know

673
00:35:01,040 --> 00:35:04,759
Speaker 1: that this is history that you're careering. I asked you that, like,

674
00:35:04,880 --> 00:35:06,719
Speaker 1: did you know when y'all was like on the top

675
00:35:06,760 --> 00:35:10,040
Speaker 1: of the world and doing these albums week after week

676
00:35:10,120 --> 00:35:11,800
Speaker 1: after week after week, even though you might have not

677
00:35:11,960 --> 00:35:15,319
Speaker 1: been on the employee side, but that was your brother

678
00:35:15,360 --> 00:35:16,759
Speaker 1: who was doing it. So you you got you gotta

679
00:35:16,760 --> 00:35:19,120
Speaker 1: get credited for that. Anyway, did y'all know y'all was

680
00:35:19,160 --> 00:35:20,600
Speaker 1: in the middle of history and what it was doing

681
00:35:20,680 --> 00:35:23,799
Speaker 1: for the South to on top of the um At

682
00:35:23,880 --> 00:35:28,040
Speaker 1: the time, we didn't really know. We was just hungary,

683
00:35:29,120 --> 00:35:33,520
Speaker 1: had a plan executed it. And when I think when

684
00:35:33,560 --> 00:35:36,040
Speaker 1: you do that and nobody else is doing that, because

685
00:35:36,080 --> 00:35:37,640
Speaker 1: we were out work everybody, we'll be like going to

686
00:35:37,719 --> 00:35:39,600
Speaker 1: sleep on the floor. We were the same closed ten

687
00:35:39,680 --> 00:35:43,000
Speaker 1: days in a row, and we was like, keep paying

688
00:35:43,080 --> 00:35:44,759
Speaker 1: us chicken, We're gonna come to the concert into it,

689
00:35:44,800 --> 00:35:45,920
Speaker 1: you know I'm saying like we was like, oh you

690
00:35:46,000 --> 00:35:48,040
Speaker 1: got filed out, was gonna So it was more like

691
00:35:48,120 --> 00:35:50,680
Speaker 1: the work ethic. And I think that every time that

692
00:35:50,760 --> 00:35:52,520
Speaker 1: we went somewhere like we would be like in a

693
00:35:52,800 --> 00:35:54,440
Speaker 1: in the hood, right, like we're coming your hood and

694
00:35:54,520 --> 00:35:57,440
Speaker 1: be like what y'all doing here? And people you know

695
00:35:57,560 --> 00:35:59,560
Speaker 1: in the hood, they're like, yo, you ain't come back here.

696
00:36:00,160 --> 00:36:02,120
Speaker 1: You can get it right. But we had we met

697
00:36:02,200 --> 00:36:03,960
Speaker 1: people that was like, Yo, we're gonna let you slide

698
00:36:04,040 --> 00:36:06,160
Speaker 1: this time. Because y'a all crazy, but we're gonna boty

699
00:36:06,160 --> 00:36:07,520
Speaker 1: the CD. You know this, this is the people in

700
00:36:07,520 --> 00:36:09,719
Speaker 1: the neighborhood. Who's who's who's talked that talking walk, that

701
00:36:09,760 --> 00:36:12,560
Speaker 1: walk so um So that same thing with us. We

702
00:36:12,680 --> 00:36:15,440
Speaker 1: was like in that moment, we didn't really know. We

703
00:36:15,640 --> 00:36:18,719
Speaker 1: was just doing it. So when we come to New

704
00:36:18,840 --> 00:36:21,279
Speaker 1: York and we passed out to see these you remember it.

705
00:36:21,600 --> 00:36:23,320
Speaker 1: We go to we d C, we go to Florida,

706
00:36:23,440 --> 00:36:28,040
Speaker 1: and so Bobby hitting that grassroot campaign. Every time we

707
00:36:28,120 --> 00:36:29,880
Speaker 1: look up, we have a new base that's like, oh,

708
00:36:29,880 --> 00:36:32,000
Speaker 1: I'm gonna get these guys. And we put the money

709
00:36:32,080 --> 00:36:34,440
Speaker 1: back into the projects. So it was constantly putting it back,

710
00:36:34,480 --> 00:36:37,040
Speaker 1: putting it back, and and then but you will also

711
00:36:37,120 --> 00:36:39,879
Speaker 1: see people like, oh I like y'all. Now I really

712
00:36:39,920 --> 00:36:41,960
Speaker 1: like y'all. And then that it was growing and it

713
00:36:42,160 --> 00:36:45,200
Speaker 1: was like no declining because when you're gonna pick pick

714
00:36:45,239 --> 00:36:47,200
Speaker 1: your first checkup, so you're in the hood, then you're

715
00:36:47,200 --> 00:36:48,879
Speaker 1: gonn pick your first check up for this amount of money,

716
00:36:49,840 --> 00:36:52,799
Speaker 1: and you did it on your own. You just say, oh,

717
00:36:53,239 --> 00:36:55,600
Speaker 1: I made this happen with this, So you take the

718
00:36:55,680 --> 00:36:57,920
Speaker 1: bulk of it again and put it back, and it

719
00:36:58,080 --> 00:37:00,439
Speaker 1: kept on you know, you know, money, money, make stuff.

720
00:37:00,480 --> 00:37:02,960
Speaker 1: I was telling Noora that I remember, I said, but

721
00:37:02,960 --> 00:37:04,399
Speaker 1: I think it was nine. How can I be down?

722
00:37:04,400 --> 00:37:05,880
Speaker 1: I remember you guys coming out here, and it was

723
00:37:05,960 --> 00:37:08,000
Speaker 1: like it felt like it was a thousand of people

724
00:37:08,080 --> 00:37:10,880
Speaker 1: wearing no limits, you know, like it was like it

725
00:37:11,000 --> 00:37:14,080
Speaker 1: was just an impression that nothing impression on me for sure?

726
00:37:14,120 --> 00:37:20,200
Speaker 1: You know, yeah that too? Yeah? So all right, then't

727
00:37:20,239 --> 00:37:24,000
Speaker 1: this happens or one time where it seems like everyone's

728
00:37:24,000 --> 00:37:28,560
Speaker 1: sleeping the lake? Right? I believe mystical left first. Um,

729
00:37:29,520 --> 00:37:32,759
Speaker 1: then this is your brother, so I imagine you don't

730
00:37:32,760 --> 00:37:34,440
Speaker 1: have no option to leave because you got to look

731
00:37:34,440 --> 00:37:39,200
Speaker 1: at him and Thanksgiving. I imagine, I imagine I can't.

732
00:37:39,440 --> 00:37:41,400
Speaker 1: I know, I wouldn't let my brother leave like you

733
00:37:41,440 --> 00:37:44,279
Speaker 1: ain't going nowhere, like let me make mistakes with everyone else,

734
00:37:44,320 --> 00:37:47,440
Speaker 1: but you staying. You know what I'm saying, because I

735
00:37:47,560 --> 00:37:49,279
Speaker 1: think it happened like two or three times, because it's

736
00:37:49,280 --> 00:37:52,320
Speaker 1: like a new load limit. But the first time it happened,

737
00:37:52,880 --> 00:37:56,080
Speaker 1: you had to be eighteen something like that. You see

738
00:37:56,200 --> 00:37:58,080
Speaker 1: all of your friends that you used to leave it.

739
00:37:59,160 --> 00:38:01,160
Speaker 1: What is going through your minor? You're saying, this is

740
00:38:01,239 --> 00:38:05,000
Speaker 1: business and you understanding that or you're saying, man like life,

741
00:38:05,080 --> 00:38:09,520
Speaker 1: life is hitting you hard, because that's a good question. Um.

742
00:38:09,880 --> 00:38:12,840
Speaker 1: At the time, I was just in it. Um. I

743
00:38:12,920 --> 00:38:16,719
Speaker 1: don't think I really appreciated like what was going on

744
00:38:16,800 --> 00:38:18,279
Speaker 1: around me. I was so locked in on what I

745
00:38:18,360 --> 00:38:22,279
Speaker 1: was doing. I know that, I'm sure you know, some

746
00:38:22,360 --> 00:38:24,800
Speaker 1: of the artists had a grievances. I'm sure you know.

747
00:38:24,840 --> 00:38:27,320
Speaker 1: I'm sure everybody felt a certain way or whatever. So

748
00:38:27,400 --> 00:38:28,960
Speaker 1: I was out of that loop of that. I just

749
00:38:29,120 --> 00:38:32,960
Speaker 1: kind of went with the punchers and then me, you

750
00:38:33,080 --> 00:38:36,480
Speaker 1: know at that time, kind of like the loyalty is

751
00:38:36,600 --> 00:38:39,799
Speaker 1: with the family, um. And I didn't hear what they

752
00:38:39,840 --> 00:38:41,360
Speaker 1: were saying. So I'm kind of like, yeah, whatever, I

753
00:38:41,360 --> 00:38:43,080
Speaker 1: ain't trying to hear none of that stuff you're talking about.

754
00:38:43,120 --> 00:38:45,759
Speaker 1: But I'm sure everybody had probably a reason that they

755
00:38:45,800 --> 00:38:49,120
Speaker 1: thought they probably was, you know, but I wasn't priviged

756
00:38:49,160 --> 00:38:50,719
Speaker 1: to it, so I was just looking at it like, oh,

757
00:38:51,360 --> 00:38:54,239
Speaker 1: us against y'all, you know, or whatever. But you know,

758
00:38:54,440 --> 00:38:56,560
Speaker 1: it wasn't really like that. It was just I don't

759
00:38:56,560 --> 00:38:58,279
Speaker 1: know what the business part of it. They probably was

760
00:38:58,320 --> 00:39:00,279
Speaker 1: just felt a certain way and with the don't know,

761
00:39:00,320 --> 00:39:01,960
Speaker 1: I don't know, I stayed out of it, like like

762
00:39:02,160 --> 00:39:06,120
Speaker 1: like one of the one of them the listen, dudes,

763
00:39:06,200 --> 00:39:09,320
Speaker 1: I know it's it's Jungle, right because Jungle is not

764
00:39:09,520 --> 00:39:12,680
Speaker 1: his brother. And when you see Jungle, when Jungle just

765
00:39:12,760 --> 00:39:14,560
Speaker 1: walks on the street, just people that just get that

766
00:39:14,760 --> 00:39:18,719
Speaker 1: Jungle just to get at his like like because that's

767
00:39:18,719 --> 00:39:20,600
Speaker 1: something you ever had to go through, like people trying

768
00:39:20,640 --> 00:39:22,120
Speaker 1: to get at you, to get at p or people

769
00:39:22,200 --> 00:39:26,160
Speaker 1: trying to tell you their their their stories. Like I'm

770
00:39:26,200 --> 00:39:28,000
Speaker 1: just giving. I'm just just saying like King and Able

771
00:39:28,080 --> 00:39:30,359
Speaker 1: or something like come coming to you and saying, silk Man,

772
00:39:30,480 --> 00:39:32,680
Speaker 1: you tell Peter let me go. He went do something

773
00:39:32,800 --> 00:39:37,200
Speaker 1: like that before. Um, I'm sure I did. I remember

774
00:39:37,280 --> 00:39:39,560
Speaker 1: many conversations where I'm talking to people and they have

775
00:39:40,120 --> 00:39:42,480
Speaker 1: agreevance as good or bad. Some of them have a

776
00:39:42,680 --> 00:39:44,120
Speaker 1: good sort of like I want to do this, and

777
00:39:44,200 --> 00:39:45,719
Speaker 1: some of them have I guess stories where they're like

778
00:39:45,800 --> 00:39:49,000
Speaker 1: I want to move and do this way. So um, yeah,

779
00:39:49,080 --> 00:39:51,960
Speaker 1: that's that happens a couple of times, um, a lot

780
00:39:52,040 --> 00:39:53,480
Speaker 1: of times. And I want I want to say something

781
00:39:53,480 --> 00:39:56,160
Speaker 1: you shout you out too, because I heard that that

782
00:39:56,280 --> 00:39:58,800
Speaker 1: you stay for your boy, So I appreciate it. And

783
00:39:58,880 --> 00:40:02,520
Speaker 1: I was like you can do anywhere in the world

784
00:40:02,560 --> 00:40:05,040
Speaker 1: and Jett and everything I said, I'm not doing this.

785
00:40:05,320 --> 00:40:09,440
Speaker 1: It's still it's two and point because let me just

786
00:40:09,520 --> 00:40:12,000
Speaker 1: say it, tell you something, like you know through all

787
00:40:12,080 --> 00:40:13,759
Speaker 1: this ship, you know it was all in a good game,

788
00:40:14,640 --> 00:40:16,080
Speaker 1: and you know me, you know you know because I

789
00:40:16,160 --> 00:40:18,480
Speaker 1: just think, not just you personally, I just think I'm

790
00:40:18,480 --> 00:40:20,880
Speaker 1: a better artist, right, like, not just you personally, but

791
00:40:21,040 --> 00:40:25,279
Speaker 1: overall to anybody. So when you think like that, I

792
00:40:25,320 --> 00:40:27,080
Speaker 1: didn't gonna have to go look at the numbers and

793
00:40:27,200 --> 00:40:29,560
Speaker 1: you look and you say, damn, this motherfucker did those

794
00:40:29,600 --> 00:40:32,759
Speaker 1: two million? I want to slow million that year, like

795
00:40:32,840 --> 00:40:35,200
Speaker 1: you gotta just give it up for real, Like I

796
00:40:35,280 --> 00:40:37,239
Speaker 1: did go platinum, but it was a slow platinum. I

797
00:40:37,680 --> 00:40:41,840
Speaker 1: pun was a fast platinum. Um. DMX was the fastest

798
00:40:41,920 --> 00:40:44,560
Speaker 1: platform I did. Have never seen nobody going fastest him

799
00:40:44,600 --> 00:40:46,359
Speaker 1: and then didn't and then did it again that Yeah,

800
00:40:46,520 --> 00:40:50,160
Speaker 1: but didn't you drop another album that yeah? Yeah? Man?

801
00:40:50,160 --> 00:40:51,799
Speaker 1: Now I think that when I was sold the person,

802
00:40:52,080 --> 00:40:56,319
Speaker 1: Yeah so you did with DMX did wow? A lot

803
00:40:56,360 --> 00:40:58,600
Speaker 1: of people don't know that because I remember, I think,

804
00:40:58,960 --> 00:41:07,279
Speaker 1: if I'm not wrong, Charted to the Game dropped in February. Uh, yeah,

805
00:41:07,400 --> 00:41:10,239
Speaker 1: and see what when you google that has and then

806
00:41:10,280 --> 00:41:12,440
Speaker 1: see what albums dropped. Because I believe you did the

807
00:41:12,480 --> 00:41:17,279
Speaker 1: same for sure. So why are you so humble? Man? Um,

808
00:41:17,480 --> 00:41:19,359
Speaker 1: I just feel make you take a shot and get

809
00:41:21,760 --> 00:41:29,319
Speaker 1: some ship. I'm don't get you popping some ship? Oh

810
00:41:29,400 --> 00:41:34,600
Speaker 1: my god? Fear And who was the same the album

811
00:41:34,600 --> 00:41:39,480
Speaker 1: that he dropped that same year might have been maybe, man,

812
00:41:39,520 --> 00:41:41,880
Speaker 1: that's the same year. It was very close, I know

813
00:41:41,960 --> 00:41:43,920
Speaker 1: that much, or might be the beginning to Night Now

814
00:41:43,960 --> 00:41:55,480
Speaker 1: I'm not sure. Let's say, yeah, you want seem a

815
00:41:55,560 --> 00:41:58,279
Speaker 1: hip hop man? Come on, man, I'm glad I think

816
00:41:58,320 --> 00:42:02,880
Speaker 1: that without Google too. I did that without Google Google.

817
00:42:03,040 --> 00:42:05,680
Speaker 1: So do you do you know the impact that you

818
00:42:05,760 --> 00:42:07,960
Speaker 1: made on the game? Do you know, like because I

819
00:42:08,040 --> 00:42:10,520
Speaker 1: could see you a humble guy one million percent? Tell

820
00:42:10,560 --> 00:42:13,600
Speaker 1: her I appreciate that. But like you know, buster buster bums.

821
00:42:13,600 --> 00:42:15,440
Speaker 1: You always tell me they're like you like your humbleness,

822
00:42:15,520 --> 00:42:20,200
Speaker 1: but that ship so from lack of I'm going to

823
00:42:20,239 --> 00:42:22,840
Speaker 1: say to you, I like your humbles that. Do you

824
00:42:23,000 --> 00:42:24,880
Speaker 1: know who you are in this game? Do you know

825
00:42:24,960 --> 00:42:27,560
Speaker 1: what you really really did? Like on your own? Without you? Brother?

826
00:42:27,640 --> 00:42:31,880
Speaker 1: I know? Good? No, you know it's funny bro? And

827
00:42:32,520 --> 00:42:34,359
Speaker 1: we I had this conversation like a couple of nights ago,

828
00:42:34,680 --> 00:42:37,839
Speaker 1: and you a ercent correct on it, and I'm black

829
00:42:37,840 --> 00:42:41,440
Speaker 1: you brought up because I am humble, I am quiet,

830
00:42:41,520 --> 00:42:44,080
Speaker 1: and we're just saying that we're actually doing some stuff

831
00:42:44,120 --> 00:42:46,239
Speaker 1: where I'm gonna bring people to my everyday life, right

832
00:42:46,239 --> 00:42:49,880
Speaker 1: because my reay life is crazy. But I really do

833
00:42:50,280 --> 00:42:52,600
Speaker 1: know now what I did. And I shout out to

834
00:42:52,680 --> 00:42:55,759
Speaker 1: all the artists, all the CEOs, all the people like, UM,

835
00:42:55,880 --> 00:43:00,719
Speaker 1: shout out to um my guy, um quality control. He

836
00:43:00,920 --> 00:43:02,960
Speaker 1: he really told me that. He's like Silk, you know

837
00:43:03,040 --> 00:43:05,440
Speaker 1: you you're one of my favorite rappers, right, So so

838
00:43:05,600 --> 00:43:08,359
Speaker 1: I mean, but some of the rappers, UM, I'm saying

839
00:43:08,440 --> 00:43:21,080
Speaker 1: as well, what happened James Bond, you looked like, oh

840
00:43:21,160 --> 00:43:30,520
Speaker 1: my god. Somebody said Jackie Coca, jack Coca. My god.

841
00:43:33,840 --> 00:43:35,879
Speaker 1: What you're saying is and that's correct, And I think

842
00:43:35,960 --> 00:43:38,719
Speaker 1: that's a that's a that's a flaw by you know,

843
00:43:38,840 --> 00:43:40,920
Speaker 1: that's not really good. It's good to be that way,

844
00:43:41,080 --> 00:43:44,840
Speaker 1: but but I ain't got it's good, humanly good. But honestly,

845
00:43:45,280 --> 00:43:47,799
Speaker 1: I really do know what I did because all people

846
00:43:47,840 --> 00:43:51,000
Speaker 1: tell me all the time, and I'm humble, but I'm

847
00:43:51,040 --> 00:43:53,239
Speaker 1: like you that I'm about to get out of there

848
00:43:53,280 --> 00:43:56,520
Speaker 1: because um, you know you you put the work in,

849
00:43:56,719 --> 00:43:58,160
Speaker 1: and what a lot of people will say is, oh,

850
00:43:58,200 --> 00:44:00,799
Speaker 1: you scused before your time too, you know. And then

851
00:44:00,840 --> 00:44:02,880
Speaker 1: the artists. I love the artists too because even a

852
00:44:02,920 --> 00:44:07,080
Speaker 1: newer generation, they they they kind of see what what

853
00:44:07,239 --> 00:44:09,560
Speaker 1: we saw. So what I never was rapping off beat

854
00:44:09,960 --> 00:44:11,600
Speaker 1: people just listening wrong, you know what I'm saying Like

855
00:44:12,560 --> 00:44:14,960
Speaker 1: that was a big, big, big One of them things

856
00:44:15,160 --> 00:44:17,120
Speaker 1: I always do is Twitter is like the most negative

857
00:44:17,120 --> 00:44:20,120
Speaker 1: place to go in the world. So whatever I interview

858
00:44:20,160 --> 00:44:23,360
Speaker 1: a artists, I always say, I'll go to Twitter and Twitter,

859
00:44:23,400 --> 00:44:25,279
Speaker 1: but like y'all got sil the shocker, I got something

860
00:44:25,320 --> 00:44:27,520
Speaker 1: sus and they always say the meanest thing in the world.

861
00:44:27,560 --> 00:44:29,520
Speaker 1: So I'll take some of them now used for an interview.

862
00:44:29,520 --> 00:44:30,759
Speaker 1: And one of the things I said is when I

863
00:44:30,800 --> 00:44:33,400
Speaker 1: said I got cil the shaker immediately said, well, obvious

864
00:44:33,400 --> 00:44:36,000
Speaker 1: he always ripping off beat and just as they were

865
00:44:36,040 --> 00:44:40,400
Speaker 1: hearing it wrong, No for sure, No, no, listen to

866
00:44:40,520 --> 00:44:42,200
Speaker 1: just think about it. If you back back and listen

867
00:44:42,239 --> 00:44:43,680
Speaker 1: to it. Now. Everybody, when we wrapped like I used

868
00:44:43,719 --> 00:44:45,680
Speaker 1: to wrap what I'm saying, they like and if people

869
00:44:45,760 --> 00:44:50,080
Speaker 1: say you you you blue face fall lyrically, but blue

870
00:44:50,080 --> 00:44:53,719
Speaker 1: faces don't don't don't know. Blue faces don't to me.

871
00:44:54,080 --> 00:44:55,719
Speaker 1: But what I'm saying is when I said that, it

872
00:44:55,880 --> 00:44:57,520
Speaker 1: was like, if it wasn't for silk, there would be

873
00:44:57,600 --> 00:44:59,879
Speaker 1: no no blue face. But I feel like they're saying

874
00:45:00,000 --> 00:45:02,440
Speaker 1: because the off beat thing, what do you think? That's

875
00:45:02,480 --> 00:45:05,359
Speaker 1: exactly what they're saying. And but you're saying, not off beat,

876
00:45:05,400 --> 00:45:09,080
Speaker 1: just a different pocket. Yeah, I'm you know, on the

877
00:45:09,160 --> 00:45:11,080
Speaker 1: way that the floor was, it was just a different pocket.

878
00:45:11,360 --> 00:45:13,480
Speaker 1: It was. It was so on point though, like right, um,

879
00:45:13,560 --> 00:45:15,000
Speaker 1: and I did it that way on purpose. But I

880
00:45:15,080 --> 00:45:18,319
Speaker 1: also did it that way because who wants the same thing, right,

881
00:45:18,440 --> 00:45:20,919
Speaker 1: So but if you listen to it now, it makes

882
00:45:20,960 --> 00:45:24,920
Speaker 1: sense and nobody wants to the same thing now, They're like,

883
00:45:25,040 --> 00:45:26,560
Speaker 1: so we should go You gotta go back and do

884
00:45:26,640 --> 00:45:28,799
Speaker 1: what you used to do before, because because not only

885
00:45:29,000 --> 00:45:33,440
Speaker 1: the off beatness but also my screen I yell, my up,

886
00:45:33,520 --> 00:45:36,120
Speaker 1: my down, all of it was designed and and if

887
00:45:36,160 --> 00:45:38,320
Speaker 1: you listen to it now you would understand. Because you

888
00:45:38,400 --> 00:45:40,920
Speaker 1: gotta be a person that says, listen, you don't like

889
00:45:41,960 --> 00:45:44,279
Speaker 1: Keith Sweat, You're not gonna like them. If you don't like.

890
00:45:44,920 --> 00:45:47,440
Speaker 1: Of course me too. But but if you don't like,

891
00:45:47,960 --> 00:45:53,200
Speaker 1: um took a shot for seat that Jack to take

892
00:45:53,200 --> 00:45:59,879
Speaker 1: a shot, anybody, did you put your gun and your

893
00:46:00,000 --> 00:46:04,799
Speaker 1: shot glass? No that we're him, Okay, that way it's

894
00:46:04,800 --> 00:46:06,759
Speaker 1: gonna be. Yeah, go on, good guy, you want a

895
00:46:06,800 --> 00:46:19,640
Speaker 1: shot to want Man, that's your shot. Jack. You gotta

896
00:46:19,719 --> 00:46:22,279
Speaker 1: make up. Look, you gotta make I gotta I don't

897
00:46:22,360 --> 00:46:27,080
Speaker 1: make up. I'm gonna I won't remake. You got to

898
00:46:28,960 --> 00:46:33,440
Speaker 1: fil shit. Come on, now, I ever got some of

899
00:46:33,520 --> 00:46:37,000
Speaker 1: that luke in first class as ye, please let the

900
00:46:37,040 --> 00:46:41,080
Speaker 1: bottom do gonna listening. Today we're gonna use you. Today,

901
00:46:41,960 --> 00:46:47,640
Speaker 1: we're gonna shot the shot. I ain't try none of

902
00:46:47,719 --> 00:46:49,520
Speaker 1: that ship and so I don't suggest you try to

903
00:46:50,040 --> 00:46:53,480
Speaker 1: finish your shot. Finish your shot. This is so, this

904
00:46:53,600 --> 00:46:56,640
Speaker 1: is a whole hole. It's all about you, Salo, Salo,

905
00:46:57,000 --> 00:47:02,560
Speaker 1: all about you. Yeah, appreciate my guy kids appreciate it. So, Jack,

906
00:47:03,040 --> 00:47:04,560
Speaker 1: we don't speak to you since a pizza push and

907
00:47:04,600 --> 00:47:08,080
Speaker 1: fired you. Yeah, we we had, we had we had

908
00:47:08,160 --> 00:47:12,759
Speaker 1: difficulties getting the new contract together. Okay, yeah, yeah, and

909
00:47:12,840 --> 00:47:14,880
Speaker 1: so you know I'm moved. I'm trying to get my

910
00:47:14,920 --> 00:47:18,000
Speaker 1: own pizza pussy ship going on. Yeah, I'm talking. It's

911
00:47:18,040 --> 00:47:20,279
Speaker 1: only said pizza pussy. No no, no, no, man, no,

912
00:47:20,520 --> 00:47:22,239
Speaker 1: I don't know the piece of pussy no more. You see,

913
00:47:22,239 --> 00:47:25,240
Speaker 1: I didn't change the flow of my own my Instagram stories.

914
00:47:25,840 --> 00:47:27,400
Speaker 1: You know it's no more ladies in there, no more.

915
00:47:27,800 --> 00:47:30,880
Speaker 1: You used to be one of my favorite subscribers. You

916
00:47:30,920 --> 00:47:33,080
Speaker 1: used to always be inside my my stories looking at

917
00:47:33,080 --> 00:47:36,239
Speaker 1: the ladies. You said your wife was don't deal me.

918
00:47:37,080 --> 00:47:39,279
Speaker 1: Were gonna go to you that scribe? We're gonna do,

919
00:47:39,480 --> 00:47:44,160
Speaker 1: We're gonna do it. He scrabing my only fans. Come on,

920
00:47:45,400 --> 00:47:49,759
Speaker 1: he's not the only one on the jack subscribed. I

921
00:47:49,880 --> 00:47:52,920
Speaker 1: want the Jack. Yeah, yeah, I'm switching my ship up.

922
00:47:53,800 --> 00:47:57,279
Speaker 1: I was married now yeah yeah, yeah, I'm w man

923
00:47:57,600 --> 00:48:02,760
Speaker 1: lately from s w V. Hey, y'all first had a birthday,

924
00:48:03,080 --> 00:48:08,800
Speaker 1: y'all say happy birthday, Happy birthday. She's a fan of

925
00:48:08,880 --> 00:48:11,279
Speaker 1: the show. She hasn't had a forty for the eighth

926
00:48:11,840 --> 00:48:13,759
Speaker 1: say she got to be older than me, God damn it,

927
00:48:13,840 --> 00:48:16,839
Speaker 1: I'm forty three. Yeah she good at five years? Got that? Yeah,

928
00:48:16,880 --> 00:48:18,759
Speaker 1: that's don't truk about man, don't don't, don't don't try

929
00:48:18,800 --> 00:48:22,120
Speaker 1: to God damn all, what a r don't try to

930
00:48:22,160 --> 00:48:25,440
Speaker 1: put on ain't nothing wrong with so let me ask

931
00:48:25,480 --> 00:48:28,319
Speaker 1: you Jackie and asked every night, man, I I try

932
00:48:28,320 --> 00:48:31,120
Speaker 1: to eat, ask as much as I can, Okay, in

933
00:48:31,160 --> 00:48:33,439
Speaker 1: the evenings, in the morning, in the afternoons, I don't

934
00:48:33,480 --> 00:48:41,000
Speaker 1: let do you eat as night? Do you eat your week?

935
00:48:41,360 --> 00:48:47,839
Speaker 1: About you? Silly? Your wife, your lover. If you don't

936
00:48:47,840 --> 00:48:51,440
Speaker 1: eat that, you gotta love everyone you eat well. I

937
00:48:51,480 --> 00:48:54,520
Speaker 1: mean you roum the router to the two. You just

938
00:48:54,640 --> 00:48:56,480
Speaker 1: wanted to push it and I wanted you just want

939
00:48:56,520 --> 00:48:58,280
Speaker 1: to take it from that's what you want to down.

940
00:48:58,480 --> 00:49:00,719
Speaker 1: They're had a song called Downtown you DC. You're very

941
00:49:00,760 --> 00:49:03,839
Speaker 1: disrespectful right now here and crazy? What's up on? Selk

942
00:49:03,920 --> 00:49:07,160
Speaker 1: the Shopper and Jack Thrillers here too as well. I said,

943
00:49:07,160 --> 00:49:10,000
Speaker 1: you're very disrespectful here interviewing Silk the Shocker and Jack

944
00:49:10,080 --> 00:49:14,839
Speaker 1: Thrillers here as well. All right, where it's funny, y'all.

945
00:49:15,120 --> 00:49:17,000
Speaker 1: What what you're doing? What you was calling me for?

946
00:49:17,040 --> 00:49:21,680
Speaker 1: I'm trying to figure it out, Okay, So pull up

947
00:49:21,719 --> 00:49:28,000
Speaker 1: on me, yea man, fucking me and just come through.

948
00:49:28,440 --> 00:49:31,040
Speaker 1: You got the job, nigger ship, Come on the job.

949
00:49:31,160 --> 00:49:32,680
Speaker 1: Just come through like we're here. We're here, We're here,

950
00:49:32,719 --> 00:49:37,480
Speaker 1: We're here, We're yeah, I'm better. Yeah, I'm playing on Yeah,

951
00:49:37,520 --> 00:49:42,800
Speaker 1: and I'm concerned. Really, brother, that's the moon Sean. I

952
00:49:42,840 --> 00:49:44,640
Speaker 1: mean that's what I said. I thought when Sean come white?

953
00:49:44,680 --> 00:49:49,160
Speaker 1: This is on John second? Can it's a prune or something?

954
00:49:50,920 --> 00:49:53,040
Speaker 1: Not an act that ain't a motherucking egg in this ship? Yeah?

955
00:49:53,080 --> 00:49:55,279
Speaker 1: So what's up with the jacket? Oh man? So little

956
00:49:55,320 --> 00:49:57,360
Speaker 1: check this out, man, this is to rate designs. You

957
00:49:57,360 --> 00:49:59,880
Speaker 1: remember last time I came here and I blew your minds.

958
00:50:00,000 --> 00:50:02,840
Speaker 1: That's not the same jacket trying the same jacket now?

959
00:50:03,280 --> 00:50:06,200
Speaker 1: Was white last time? This time we had to go black.

960
00:50:06,440 --> 00:50:08,640
Speaker 1: Michael Jackson bad. There was a new season a while

961
00:50:08,680 --> 00:50:10,080
Speaker 1: and now while I was back to giving him for that,

962
00:50:10,400 --> 00:50:15,600
Speaker 1: say season, Nick Kennon's back, Nick back bad. So we

963
00:50:15,800 --> 00:50:18,000
Speaker 1: well this was a very special season a while. Now

964
00:50:18,080 --> 00:50:19,879
Speaker 1: y'all know what happened to Nick and he got taken

965
00:50:19,920 --> 00:50:21,600
Speaker 1: off the air for a minute. He got the thing

966
00:50:21,719 --> 00:50:23,440
Speaker 1: right with the white folks and stuff and whatnot, and

967
00:50:23,760 --> 00:50:25,960
Speaker 1: Vodkom put him back on. He had hit me up

968
00:50:25,960 --> 00:50:27,279
Speaker 1: out of the blue, asked me that I want to

969
00:50:27,280 --> 00:50:29,080
Speaker 1: be a part of the new season. Man. We told

970
00:50:29,120 --> 00:50:32,080
Speaker 1: that Bitch Down this past June. It airs this week

971
00:50:32,680 --> 00:50:34,640
Speaker 1: and I'm back on for the Sound Team season in

972
00:50:34,719 --> 00:50:38,319
Speaker 1: New York into OCTOONA. Yeah, you know she is going

973
00:50:38,360 --> 00:50:42,200
Speaker 1: my way. I got a new job with Nick Cannon.

974
00:50:42,320 --> 00:50:45,640
Speaker 1: I run his podcast division, Incredible Podcasts and whatnot. I

975
00:50:45,760 --> 00:50:48,600
Speaker 1: got four different podcasts on there, one with myself, Tyrn

976
00:50:48,680 --> 00:50:50,759
Speaker 1: Turner and what Now y'all know him from Cane Get

977
00:50:50,840 --> 00:50:53,320
Speaker 1: Us to Society, and Edie wins Low is called Escape Go.

978
00:50:53,560 --> 00:50:57,200
Speaker 1: We got another podcast with me music Soul Child and

979
00:50:57,480 --> 00:51:02,160
Speaker 1: uh Eddie wins Low Witch, James mcquarie and um, I'm

980
00:51:02,160 --> 00:51:05,560
Speaker 1: sorry car painting, Car Paints Get it's a movie review again.

981
00:51:05,719 --> 00:51:09,000
Speaker 1: I got my girl uh lately hit the powder Room

982
00:51:09,239 --> 00:51:13,000
Speaker 1: with her Baby has Shade and h NICKI Nicole. It's

983
00:51:13,000 --> 00:51:15,120
Speaker 1: called the powder Room. It's the ladies of a certain

984
00:51:15,160 --> 00:51:17,719
Speaker 1: age talking about that cougar ship. You know what I'm saying,

985
00:51:18,160 --> 00:51:21,200
Speaker 1: you know, menopause, you know, and then what it's like,

986
00:51:21,680 --> 00:51:23,320
Speaker 1: you know, being at that point in your life and

987
00:51:23,440 --> 00:51:26,880
Speaker 1: enjoying yourself. Yeah yeah, and one more, one more podcast.

988
00:51:27,280 --> 00:51:30,600
Speaker 1: You know. It's it's my girl girl kids, my girl

989
00:51:30,719 --> 00:51:34,080
Speaker 1: kids step friends because her kids my age. You know

990
00:51:34,120 --> 00:51:35,400
Speaker 1: what I'm saying, so they can't call me dady. So

991
00:51:35,400 --> 00:51:37,959
Speaker 1: they're my step friends and whatnot. And that's where Kyle

992
00:51:38,600 --> 00:51:44,080
Speaker 1: Shine and market Lyons step freeings. Okay, they're my self friendings.

993
00:51:49,040 --> 00:51:52,839
Speaker 1: Let's check your listen. I'm still looking for a watch

994
00:51:53,000 --> 00:51:56,560
Speaker 1: right now. I'm still looking at you. No, I've just

995
00:51:56,640 --> 00:52:00,560
Speaker 1: been shopping. It's just you know, you for the fake

996
00:52:00,600 --> 00:52:04,080
Speaker 1: ship men rob me for the fake ship. Nickel said,

997
00:52:04,080 --> 00:52:06,240
Speaker 1: I took that. They don't understand it was just three fifty.

998
00:52:06,920 --> 00:52:08,880
Speaker 1: I only spend three fifth on the ship. You know

999
00:52:08,920 --> 00:52:10,480
Speaker 1: what I'm saying. So I got like tim om at

1000
00:52:10,520 --> 00:52:13,520
Speaker 1: the house. So keep you gonna keep prav you know

1001
00:52:13,640 --> 00:52:15,799
Speaker 1: that's what it is. I'm keeping my for the grant

1002
00:52:15,840 --> 00:52:20,759
Speaker 1: in my pocket. Nick's name. Yeah, I guess hanging with

1003
00:52:20,800 --> 00:52:27,279
Speaker 1: this guy. And I'm still new manager to man. You see,

1004
00:52:27,280 --> 00:52:32,799
Speaker 1: I got like, like, oh my god, man, so any

1005
00:52:32,840 --> 00:52:36,800
Speaker 1: book is for sil the shop? Did Silk put you

1006
00:52:36,840 --> 00:52:39,760
Speaker 1: in the movie? You? And um? Yes, more money Motion

1007
00:52:41,360 --> 00:52:45,359
Speaker 1: the Little do Ye Trace, Little Michael Blackson was Tracy

1008
00:52:45,440 --> 00:52:47,239
Speaker 1: was in it? Um, but Michael Blacks was in it.

1009
00:52:47,360 --> 00:52:50,400
Speaker 1: G thing was in it? Um? What are not on

1010
00:52:50,600 --> 00:52:53,480
Speaker 1: a j but what jay Len mind ja jail dog yeah,

1011
00:52:55,120 --> 00:52:57,600
Speaker 1: he don't put you on. Yeah, keep thousand and six,

1012
00:52:57,680 --> 00:53:00,920
Speaker 1: he puts you on thousand and six A man, let's

1013
00:53:00,960 --> 00:53:04,959
Speaker 1: wait and you wait the Middle Family with me for minute,

1014
00:53:04,960 --> 00:53:07,200
Speaker 1: man master. People put me in Hood Starts a comedy

1015
00:53:07,280 --> 00:53:10,560
Speaker 1: back in two thousand and six with my Michael Blackson

1016
00:53:10,680 --> 00:53:13,319
Speaker 1: and Kat Williams and what not. They've been showing love,

1017
00:53:13,920 --> 00:53:17,719
Speaker 1: being showing love, dream come true. Hey to give it

1018
00:53:17,800 --> 00:53:19,279
Speaker 1: up for Nora and give it up for the FN

1019
00:53:19,320 --> 00:53:24,239
Speaker 1: for having me full time. One of the biggest misconceptions

1020
00:53:24,239 --> 00:53:27,759
Speaker 1: about the dynamic of our relationship. People didn't Nora don't

1021
00:53:27,840 --> 00:53:31,120
Speaker 1: like me. But if he did, why would he bring

1022
00:53:31,200 --> 00:53:33,160
Speaker 1: me to the Show's love right here trying to let

1023
00:53:33,640 --> 00:53:35,560
Speaker 1: on the show, trying to call let me get on

1024
00:53:35,640 --> 00:53:39,880
Speaker 1: the show. You see how much you're like correct me

1025
00:53:39,960 --> 00:53:42,840
Speaker 1: from wrong. I didn't know me. Stop stop letting nothing secrets.

1026
00:53:42,840 --> 00:53:49,040
Speaker 1: You gotta relax. That's my send And nearly I got

1027
00:53:49,120 --> 00:53:54,680
Speaker 1: the hook up. When when because after I'm about about

1028
00:53:54,840 --> 00:53:59,400
Speaker 1: obviously brought about it this this hood class right, I'll

1029
00:53:59,440 --> 00:54:04,040
Speaker 1: read some were yeah, um about scarface with scar face

1030
00:54:04,120 --> 00:54:08,279
Speaker 1: did horrible? When it did, it did crazy on DVDs

1031
00:54:08,440 --> 00:54:11,640
Speaker 1: directed video The Pacino Scarface because a couple of about

1032
00:54:11,680 --> 00:54:16,160
Speaker 1: it about it was the quick essential of director to

1033
00:54:16,320 --> 00:54:19,640
Speaker 1: consume this is the first time we got a chance

1034
00:54:19,719 --> 00:54:22,440
Speaker 1: to see that a person didn't have to go to Paramount,

1035
00:54:22,440 --> 00:54:25,399
Speaker 1: didn't have to go to Universe, South, Sony all these

1036
00:54:25,440 --> 00:54:28,600
Speaker 1: big things. They could actually come and and do it.

1037
00:54:29,000 --> 00:54:32,160
Speaker 1: What is that something you were too young to to

1038
00:54:32,239 --> 00:54:37,480
Speaker 1: fathom to understand what was going on? Or m Um

1039
00:54:38,360 --> 00:54:41,040
Speaker 1: not not really, because I was there for the transition

1040
00:54:41,080 --> 00:54:44,560
Speaker 1: of going into um putting ourself on screen. So even

1041
00:54:44,600 --> 00:54:45,799
Speaker 1: some of the videos you go back to look at

1042
00:54:45,800 --> 00:54:48,080
Speaker 1: the videos, we was we was going crazy with the videos.

1043
00:54:48,120 --> 00:54:49,960
Speaker 1: We were spending like half a million of million dollars

1044
00:54:50,000 --> 00:54:52,080
Speaker 1: on the videos. It was it was crazy. I want

1045
00:54:52,120 --> 00:54:53,719
Speaker 1: to say, just be straight with me. We we spent

1046
00:54:53,800 --> 00:54:55,400
Speaker 1: like a bag on that. I think that's the one

1047
00:54:55,440 --> 00:54:58,600
Speaker 1: with Beyonce in them minute Destina Oling. So that was crazy.

1048
00:54:58,760 --> 00:55:05,520
Speaker 1: And then um, what you say and say what what video? What?

1049
00:55:06,360 --> 00:55:07,840
Speaker 1: Just just be straight with you know, just just be

1050
00:55:07,920 --> 00:55:10,960
Speaker 1: straight with me. Who was just be straight with me?

1051
00:55:11,960 --> 00:55:14,440
Speaker 1: That was on the in the video, and then it

1052
00:55:14,520 --> 00:55:16,839
Speaker 1: was in the video they it was on the song

1053
00:55:17,160 --> 00:55:25,160
Speaker 1: Yeah We're gonna make some noise, No I know, actually

1054
00:55:25,200 --> 00:55:26,360
Speaker 1: that that was the one of the first songs that

1055
00:55:26,480 --> 00:55:27,960
Speaker 1: I mean, she had her own little buzz, but that

1056
00:55:28,080 --> 00:55:33,360
Speaker 1: was a little little bean bro. You asked my neighbor

1057
00:55:33,360 --> 00:55:35,399
Speaker 1: in Texas. So it's like we all go, we're gonna

1058
00:55:35,400 --> 00:55:40,560
Speaker 1: do no Beyonce know we ain't. I'm not. That's not

1059
00:55:40,640 --> 00:55:43,000
Speaker 1: what I was thinking about when I came, just making

1060
00:55:43,040 --> 00:55:44,839
Speaker 1: sure making track that I got in the hook up

1061
00:55:44,840 --> 00:55:46,800
Speaker 1: and whatnot. The only thing it was competing with was

1062
00:55:46,880 --> 00:55:49,520
Speaker 1: the Arkelly tape at the time whatnot, because it wasn't

1063
00:55:49,560 --> 00:55:57,000
Speaker 1: everybody had both vhs is at the same time, same time. Wait,

1064
00:55:57,239 --> 00:55:58,880
Speaker 1: I got the hook up all about about it, but

1065
00:55:59,360 --> 00:56:03,000
Speaker 1: I got the hoodout about it. Text was out of

1066
00:56:03,040 --> 00:56:08,719
Speaker 1: the same thing, quality too, same same director. I was one.

1067
00:56:08,800 --> 00:56:11,719
Speaker 1: For me, I was fourteen, so it was regular point

1068
00:56:11,760 --> 00:56:14,839
Speaker 1: for me. Alright, cool, we're gonna do something quick time

1069
00:56:14,880 --> 00:56:18,480
Speaker 1: with slimes. Right down, quick time with slime. This is you.

1070
00:56:18,640 --> 00:56:22,160
Speaker 1: You youither ask one or the other or if you don't,

1071
00:56:22,200 --> 00:56:24,920
Speaker 1: you you you take a shot if you realize you're

1072
00:56:24,920 --> 00:56:27,799
Speaker 1: not really drinking like that, So he just takes two

1073
00:56:27,880 --> 00:56:34,560
Speaker 1: for you. Okay, you know, good god, i'must not double.

1074
00:56:36,000 --> 00:56:43,640
Speaker 1: You look just like, all right, what shot you before?

1075
00:56:43,719 --> 00:56:47,279
Speaker 1: He preferred to my own. I'm losing all. I'm trying

1076
00:56:47,320 --> 00:56:49,759
Speaker 1: to moon shine and you want to try that the

1077
00:56:49,760 --> 00:56:52,560
Speaker 1: pick Come here, leave, we need you. Brother with the pickle.

1078
00:56:52,760 --> 00:56:54,839
Speaker 1: He wants some moon shine. He let the moon shine

1079
00:56:54,920 --> 00:56:59,919
Speaker 1: the pickle. It's not a pickle, all right, you say both,

1080
00:57:00,120 --> 00:57:02,840
Speaker 1: Jack takes a shot, Aprico. If you say one or

1081
00:57:02,880 --> 00:57:07,200
Speaker 1: the other, then you know it's just moving on. It's neither.

1082
00:57:07,239 --> 00:57:11,000
Speaker 1: It's a shot too, if you all right, so you're ready,

1083
00:57:13,680 --> 00:57:15,560
Speaker 1: Oh it's big. I'm not about to say, yo, what

1084
00:57:15,640 --> 00:57:18,760
Speaker 1: are you doing to this moon shot? My bad? Nasa

1085
00:57:18,880 --> 00:57:22,280
Speaker 1: jay Z? Who snap, don't give him the whole thing? Bro?

1086
00:57:24,720 --> 00:57:28,040
Speaker 1: Yeah what the man? Treat me right? Bro can trip

1087
00:57:28,040 --> 00:57:32,200
Speaker 1: it on every brid bottle girl ship. We're saying you

1088
00:57:32,280 --> 00:57:35,080
Speaker 1: can take the ship from here, but not mean. Don't

1089
00:57:35,080 --> 00:57:41,400
Speaker 1: put your nose in it. Don't know the ship. Hold on,

1090
00:57:41,480 --> 00:57:48,080
Speaker 1: hold on, damn jay Z jay Z all right, cool,

1091
00:57:49,200 --> 00:57:54,760
Speaker 1: this is easy as well, Master pr bird Man, of course,

1092
00:57:57,000 --> 00:58:02,200
Speaker 1: Soldier Slim or Big always slaming the show. Okay, the

1093
00:58:02,400 --> 00:58:08,040
Speaker 1: Mexa tupop. You gotta take a shot, don't remember, go both.

1094
00:58:08,120 --> 00:58:10,480
Speaker 1: Don't worry about it. It's not your liver. Oh maybe

1095
00:58:10,520 --> 00:58:15,800
Speaker 1: it is you take a half shot. Yeah, yeah, you

1096
00:58:15,840 --> 00:58:17,959
Speaker 1: have a lit you sure you wanta take a little

1097
00:58:17,960 --> 00:58:23,840
Speaker 1: shot too? Good? Okay, my boy, Okay, cool kind of

1098
00:58:23,920 --> 00:58:29,000
Speaker 1: one that counts one. Take one though, right, take one

1099
00:58:29,320 --> 00:58:31,800
Speaker 1: and then you save fables. Yeah yeah, yeah, yeah yeah,

1100
00:58:31,800 --> 00:58:34,600
Speaker 1: that's like two shots. Yeah it's good. Yeah, I mean,

1101
00:58:34,640 --> 00:58:36,920
Speaker 1: I'm in it's a easy drink. I was gonna go

1102
00:58:37,040 --> 00:58:40,560
Speaker 1: drink in the nipe and okay, what is this? This is?

1103
00:58:40,880 --> 00:58:44,240
Speaker 1: This is easy? Too many? Uh, these guys, I gotta

1104
00:58:44,240 --> 00:58:46,800
Speaker 1: I gotta stalk through reading these things before I do that.

1105
00:58:47,000 --> 00:58:50,800
Speaker 1: See me at X against the Bull of course, family

1106
00:58:51,120 --> 00:58:57,200
Speaker 1: pop Daddy and dreu dr dre okay nineties or two

1107
00:58:57,240 --> 00:59:06,520
Speaker 1: thousand hip hop? Oh it's pob go nineties. Okay. The

1108
00:59:06,600 --> 00:59:17,320
Speaker 1: locks of me goes like me goes to um, who both,

1109
00:59:17,360 --> 00:59:26,680
Speaker 1: I'm gonna I'm gonna both. Okay, Jack, Chuck, y'alla take

1110
00:59:26,680 --> 00:59:30,160
Speaker 1: the shot too. We were gonna okay, if you don't mind,

1111
00:59:30,200 --> 00:59:34,240
Speaker 1: you don't mind. Okay, that's a job. Okay. India Major,

1112
00:59:36,400 --> 00:59:38,920
Speaker 1: I feel like y'all have been Indie the whole time. Yeah, Indie,

1113
00:59:38,960 --> 00:59:40,800
Speaker 1: but Major has something even do it the right way.

1114
00:59:40,880 --> 00:59:45,440
Speaker 1: Majors could be good too. But indie go indie Cardi

1115
00:59:45,480 --> 00:59:53,800
Speaker 1: b or Nicki Minaj. Let's go both, load up, Jack,

1116
00:59:57,520 --> 01:00:00,240
Speaker 1: he tried. He's not even taking simpsc mo, He's not

1117
01:00:00,320 --> 01:00:02,680
Speaker 1: even just let's come I feel it up? What's wrong

1118
01:00:02,720 --> 01:00:06,600
Speaker 1: with how's the motion thing? It's really delicious. It's about

1119
01:00:06,600 --> 01:00:11,040
Speaker 1: the party in my mouth? I want somebody. We didn't

1120
01:00:11,080 --> 01:00:12,640
Speaker 1: hear that? Did you just say? It's a party of

1121
01:00:12,680 --> 01:00:14,440
Speaker 1: your mouth? And if it wasn't invited? We got a

1122
01:00:14,480 --> 01:00:21,920
Speaker 1: girl friend. I don't know to think about it. If

1123
01:00:21,960 --> 01:00:24,600
Speaker 1: you see me like like like a Instagram picture, you

1124
01:00:24,640 --> 01:00:27,840
Speaker 1: need to see me. I'm not sure. Hey man, it

1125
01:00:28,000 --> 01:00:30,640
Speaker 1: is what it is. I'm not come on, it is

1126
01:00:30,680 --> 01:00:36,160
Speaker 1: what do you take the shot? I don't see him? Sorry, okay, yeah, okay,

1127
01:00:38,200 --> 01:00:47,160
Speaker 1: little kid up Boxy Brown, Um, let's go both. Let's

1128
01:00:47,160 --> 01:00:51,000
Speaker 1: go Jack, he said, he went both both? Oh ship

1129
01:00:51,080 --> 01:00:55,720
Speaker 1: forgot that. I don't know. M hm, take it down.

1130
01:00:56,360 --> 01:00:58,680
Speaker 1: There's a lot of shot. Yeah, don't do it with YOUMPAI,

1131
01:00:58,760 --> 01:01:02,440
Speaker 1: you're gonna do this jampaign. Pain is a drinker and

1132
01:01:02,560 --> 01:01:11,040
Speaker 1: shot as a shot. Everybody ready, you gotta get pictures.

1133
01:01:17,760 --> 01:01:19,440
Speaker 1: You do the like burg a little bit for you though.

1134
01:01:21,520 --> 01:01:23,720
Speaker 1: Jacket trying to bear and try to bear, trying to

1135
01:01:25,680 --> 01:01:30,800
Speaker 1: let you want to regular okay, um, I want you

1136
01:01:30,800 --> 01:01:32,280
Speaker 1: to be truthful on this now, let's go. Let's go

1137
01:01:32,400 --> 01:01:36,800
Speaker 1: five thousand dollar jacket right here. Okay, okay, rough riders

1138
01:01:36,960 --> 01:01:38,640
Speaker 1: or cash money. I want you to be truth from now,

1139
01:01:40,640 --> 01:01:47,600
Speaker 1: no political no political self damn are we going just

1140
01:01:47,720 --> 01:01:50,600
Speaker 1: cash money or we got the everybody under cash money? Yes,

1141
01:01:50,640 --> 01:01:52,920
Speaker 1: it's just the labels, the labels, whatever you want, however

1142
01:01:52,920 --> 01:01:57,720
Speaker 1: you want to see it. I'm gonna go both. Okay,

1143
01:01:57,880 --> 01:02:01,120
Speaker 1: let's go forth. Let's go forth for them, all right,

1144
01:02:02,320 --> 01:02:06,280
Speaker 1: Manny fresh or chaoc you got to take our shot, fashot, goddamn,

1145
01:02:06,280 --> 01:02:10,880
Speaker 1: I come out the fast, give up, give him this. Yeah,

1146
01:02:10,960 --> 01:02:12,960
Speaker 1: this is what I want to take the same ship

1147
01:02:14,360 --> 01:02:17,880
Speaker 1: you gotta take. You. You gotta try all the products.

1148
01:02:17,920 --> 01:02:20,160
Speaker 1: You're the product tasted. But but at least I'm just

1149
01:02:20,240 --> 01:02:23,640
Speaker 1: giving them the battle while the man. Let me use

1150
01:02:24,280 --> 01:02:28,080
Speaker 1: the niggas. You don't need me now ever, so you

1151
01:02:28,120 --> 01:02:33,160
Speaker 1: don't get you didn't do this with trink train the

1152
01:02:33,200 --> 01:02:39,800
Speaker 1: kids niggas. Man don't lie on them. Got real watches

1153
01:02:41,520 --> 01:02:43,640
Speaker 1: and you don't talk back to them niggas either. You

1154
01:02:43,800 --> 01:02:51,680
Speaker 1: can wains killed me. Have some bullship. You're grouping, brother,

1155
01:02:53,240 --> 01:02:56,720
Speaker 1: you're fucking grouping. Man. You take your shot? Taking shot?

1156
01:02:58,360 --> 01:03:00,960
Speaker 1: Do we take it? I don't know if that's hilarious?

1157
01:03:03,360 --> 01:03:10,840
Speaker 1: Okay it's manny fresh or KLC Manny dope, um klse klc.

1158
01:03:11,760 --> 01:03:15,040
Speaker 1: That was dope. Damn that. Yeah, I have a poof

1159
01:03:15,080 --> 01:03:20,960
Speaker 1: ree d ships. Little Romeo. It's too easy, man, shout out.

1160
01:03:24,720 --> 01:03:29,400
Speaker 1: Definitely miss the leaders, true fast ship right here? Man, Okay,

1161
01:03:31,800 --> 01:03:37,760
Speaker 1: respect all loyalty, uh both for show? That's about the shot.

1162
01:03:37,880 --> 01:03:39,400
Speaker 1: How do you answer that for him? Because I wanted

1163
01:03:39,400 --> 01:03:43,320
Speaker 1: to take the shots and it's true though it's true,

1164
01:03:43,320 --> 01:03:45,800
Speaker 1: it's true, It's definitely true. It's definitely true. You need

1165
01:03:45,840 --> 01:03:48,160
Speaker 1: both of them. I think if there's loyalty, there's respect,

1166
01:03:48,760 --> 01:03:51,240
Speaker 1: that's good. That's good, that's okay. If you can get

1167
01:03:51,960 --> 01:03:53,640
Speaker 1: get both of them, you take your shot. You took

1168
01:03:53,640 --> 01:03:59,480
Speaker 1: your shout already, bout boy, Hey, what do you wanted

1169
01:03:59,480 --> 01:04:02,960
Speaker 1: some of this? What's this? Can you see? You say

1170
01:04:03,000 --> 01:04:06,440
Speaker 1: you can see? Now? You want some of this? Mr

1171
01:04:06,560 --> 01:04:10,760
Speaker 1: Liza's left time. Now, I'm not sure you can see you.

1172
01:04:11,080 --> 01:04:13,680
Speaker 1: Let me take some of that. Just some real ship

1173
01:04:14,480 --> 01:04:18,600
Speaker 1: glass and everything. Man, what the fund man for drink

1174
01:04:18,680 --> 01:04:21,200
Speaker 1: this shot time right now past. But we don't get

1175
01:04:21,200 --> 01:04:22,800
Speaker 1: to that though. I'll give you some a spade past

1176
01:04:22,800 --> 01:04:29,560
Speaker 1: me if you don't mind. That's what I wanted. You're

1177
01:04:29,560 --> 01:04:32,440
Speaker 1: never giving me an you had on the order be

1178
01:04:32,600 --> 01:04:36,120
Speaker 1: last time. You better just order to take this. You

1179
01:04:37,520 --> 01:04:44,120
Speaker 1: your brain again. You can't take shots on? Hold on,

1180
01:04:44,200 --> 01:04:50,320
Speaker 1: hold on, but l a Miami. I'm starting like Miami

1181
01:04:50,360 --> 01:04:57,000
Speaker 1: a lot. Oh yeah, now you are. I could get

1182
01:04:57,040 --> 01:05:02,200
Speaker 1: this both, okay, alright, cool, both went both? Little No, No,

1183
01:05:02,480 --> 01:05:06,320
Speaker 1: you can't take you want to take a shot with Mr.

1184
01:05:08,360 --> 01:05:11,120
Speaker 1: Don't you dispect him and take a shot of you.

1185
01:05:11,120 --> 01:05:13,320
Speaker 1: Don't disprect me like that. Yeah, come on, you are

1186
01:05:13,320 --> 01:05:15,680
Speaker 1: a pinch hit up your pinch string. You know how

1187
01:05:15,720 --> 01:05:20,600
Speaker 1: they put in a picture baseball you represent there you go, salottle,

1188
01:05:20,640 --> 01:05:30,919
Speaker 1: motherfucker's stottle. Mother. You're all right again to me? Yeah?

1189
01:05:32,440 --> 01:05:38,680
Speaker 1: All right, Um, I'm I'm gonna change this up. Okay,

1190
01:05:39,080 --> 01:05:45,520
Speaker 1: let's go, let's go soaked the shock a juvenile, Oh ship,

1191
01:05:47,120 --> 01:05:53,440
Speaker 1: it was. It was really mystical, man. Okay, but let

1192
01:05:53,480 --> 01:05:56,040
Speaker 1: me ask you something. When I did say that earlier,

1193
01:05:56,440 --> 01:05:58,160
Speaker 1: I just wanted to prove that you do have a

1194
01:05:58,280 --> 01:06:01,120
Speaker 1: little bit of cockiness in you. Oh, he's who's gonna

1195
01:06:01,240 --> 01:06:04,600
Speaker 1: win with Super Shaka and juven Now in his verses

1196
01:06:04,720 --> 01:06:07,520
Speaker 1: like who would win? I need to hear you see it.

1197
01:06:08,560 --> 01:06:10,800
Speaker 1: I'm gonna win for show. I'm gonna win. I'm gonna

1198
01:06:11,520 --> 01:06:13,760
Speaker 1: shout out the fuss is that? No, Julia, I gotta

1199
01:06:13,760 --> 01:06:16,440
Speaker 1: get the loss of that. You gonna push that nick

1200
01:06:16,520 --> 01:06:23,840
Speaker 1: off stage? You gonna come? I would like to. I

1201
01:06:23,840 --> 01:06:25,920
Speaker 1: would like to something like that. Would we would go

1202
01:06:26,000 --> 01:06:27,880
Speaker 1: at each other, but then we would be route for respect.

1203
01:06:27,920 --> 01:06:29,800
Speaker 1: I want end of the day. Ye would think, are

1204
01:06:29,800 --> 01:06:33,240
Speaker 1: we going to fight out of you? Okay? I'm a

1205
01:06:33,240 --> 01:06:35,760
Speaker 1: black dog show? Okay, So I'm gonna keep going to

1206
01:06:35,840 --> 01:06:37,680
Speaker 1: be going to have your heads up msical or missy?

1207
01:06:38,800 --> 01:06:42,320
Speaker 1: Ms what missy? Yeah, that's an interesting thing and I'm

1208
01:06:42,480 --> 01:06:45,200
Speaker 1: respects like that. No, I think he's an animation like they.

1209
01:06:46,680 --> 01:06:50,480
Speaker 1: I'm gonna go mystical okay, who okay, I'm gonna both

1210
01:06:50,520 --> 01:06:53,080
Speaker 1: on those. That's I like. I like people little. If

1211
01:06:53,080 --> 01:06:56,800
Speaker 1: you're going on myssical sticks, let's go. You just see

1212
01:06:56,840 --> 01:06:58,760
Speaker 1: it does lets. I would miss shout to miss though,

1213
01:06:59,000 --> 01:07:02,960
Speaker 1: Kanye for real, I gotta go both for those both

1214
01:07:03,240 --> 01:07:07,440
Speaker 1: both shot. You gotta take a shot jack, my motor skills.

1215
01:07:09,520 --> 01:07:12,000
Speaker 1: You gotta take a shot jack losing control of my ship.

1216
01:07:14,000 --> 01:07:17,680
Speaker 1: Who it's to drink Champs for real? Here you go, jock.

1217
01:07:19,280 --> 01:07:21,560
Speaker 1: The more you drink, the more I can't see you

1218
01:07:21,680 --> 01:07:26,120
Speaker 1: see me? Are you? The more you drink like that

1219
01:07:26,360 --> 01:07:29,960
Speaker 1: like you should getting he told me, he said, last

1220
01:07:29,960 --> 01:07:33,320
Speaker 1: time I did drink Chaps, I was blind. I said, really,

1221
01:07:34,080 --> 01:07:36,320
Speaker 1: I've been last few years. I got my sight back

1222
01:07:36,520 --> 01:07:38,320
Speaker 1: on the twenty second of June Man, y'all get it

1223
01:07:38,360 --> 01:07:41,040
Speaker 1: to y'all, give it up, give it up. You don't

1224
01:07:41,040 --> 01:07:45,320
Speaker 1: know was blind? I wanted I was, And he had

1225
01:07:45,440 --> 01:07:47,160
Speaker 1: like I have to Mr. The Butler dude with him

1226
01:07:47,240 --> 01:07:49,240
Speaker 1: last time and now he got Mr. But no, that's

1227
01:07:49,240 --> 01:07:51,080
Speaker 1: what I mean. That's kind of okay. And say you

1228
01:07:51,160 --> 01:07:53,400
Speaker 1: got a job now, ain't got right there? Already got

1229
01:07:53,480 --> 01:07:59,000
Speaker 1: a job your Hey, you know what I'm saying? All right? Cool?

1230
01:07:59,640 --> 01:08:03,120
Speaker 1: And that's what fun yo wording my New York niggas boy,

1231
01:08:03,200 --> 01:08:05,000
Speaker 1: he was using New York for ten years. You're better

1232
01:08:05,080 --> 01:08:09,000
Speaker 1: not you see it right here? You see it right?

1233
01:08:09,040 --> 01:08:11,520
Speaker 1: Dirty South baby, Yeah, I'm playing clow to man Dirty

1234
01:08:11,560 --> 01:08:14,280
Speaker 1: South movie. You know what I'm saying. Miniseries heard that flick.

1235
01:08:15,160 --> 01:08:20,599
Speaker 1: We'll get to that. What talk about salt? Could Take

1236
01:08:20,600 --> 01:08:25,400
Speaker 1: a shot? Take a shot, take a shot, Swiss, Swiss,

1237
01:08:25,439 --> 01:08:32,559
Speaker 1: beach of Timberland. Oh man, Kai kay Swiss. M hmm,

1238
01:08:36,160 --> 01:08:38,200
Speaker 1: I gotta go both on it. Sorry, I'm sorry, I

1239
01:08:38,200 --> 01:08:41,080
Speaker 1: gotta take it. Take a shot. Let's go shot. Sorry, Jack,

1240
01:08:41,320 --> 01:08:47,320
Speaker 1: have a little yeah, pull yourself off, pull up me

1241
01:08:47,360 --> 01:08:49,160
Speaker 1: and nowhere. I got a song called pull up too.

1242
01:08:49,560 --> 01:08:51,320
Speaker 1: As we do it. We got a song your ass

1243
01:08:51,400 --> 01:08:54,120
Speaker 1: up right now? Where no getting back to studio. We're

1244
01:08:54,120 --> 01:09:01,280
Speaker 1: gonna get something. But I'm because I'm gonna get there

1245
01:09:01,320 --> 01:09:04,000
Speaker 1: because yeah, okay, cool, you know we're gonna set this guy.

1246
01:09:04,479 --> 01:09:10,840
Speaker 1: Let's say. Yeah, we're gonna come on, come on, sal

1247
01:09:10,840 --> 01:09:13,439
Speaker 1: a little, come on. Yeah. I got a project dropping

1248
01:09:13,439 --> 01:09:18,120
Speaker 1: into so reckless eyeballs coming out soon of beans like

1249
01:09:18,240 --> 01:09:30,880
Speaker 1: cool lind baby, Who'll get right back to am? I

1250
01:09:31,080 --> 01:09:36,160
Speaker 1: mat fan? That's disrespecting. Yeah, motherfucking Mexican. I don't know.

1251
01:09:36,760 --> 01:09:39,639
Speaker 1: Somebody asking you ain't like that you're on their flags.

1252
01:09:40,200 --> 01:09:43,320
Speaker 1: I'm mat fandles all right, cool, let me get back

1253
01:09:43,320 --> 01:09:47,320
Speaker 1: to Chris Sam Slane. Okay, I'm not gonna ask this

1254
01:09:49,439 --> 01:09:57,599
Speaker 1: podcast or radio. Oh um, now more podcast podcast. Okay,

1255
01:09:57,880 --> 01:10:04,880
Speaker 1: I like that answer. Okay, open asa spade Bella mm

1256
01:10:04,960 --> 01:10:11,599
Speaker 1: hmm shout to Bellaire, probably as spade yea. All right,

1257
01:10:12,200 --> 01:10:13,519
Speaker 1: I think we should make some noise to that. That's

1258
01:10:13,520 --> 01:10:17,680
Speaker 1: just cool. I'm not we both both, we love them both,

1259
01:10:17,720 --> 01:10:19,280
Speaker 1: we love them both, we love we love you. I'm

1260
01:10:19,280 --> 01:10:22,439
Speaker 1: gonna say both on a loan. We bell you know,

1261
01:10:22,520 --> 01:10:25,200
Speaker 1: we love it a spade, you know. Okay, So trick

1262
01:10:25,240 --> 01:10:30,719
Speaker 1: Daddy e Rick Cross, Rick Ross for show. Okay, scarface

1263
01:10:30,880 --> 01:10:38,800
Speaker 1: ice cube, it's tough one. Oh my god, choose some ship.

1264
01:10:39,960 --> 01:10:46,360
Speaker 1: Choose some ship. Let's go. Um damn shout that guy.

1265
01:10:46,400 --> 01:10:48,240
Speaker 1: Gotta go both. But you don't gotta drink nishek on this.

1266
01:10:48,320 --> 01:10:56,000
Speaker 1: I'm gonna pack you one pass a lot, one pass up.

1267
01:10:56,479 --> 01:10:58,080
Speaker 1: I'm gonna take it with you. Thought pull up the

1268
01:10:58,080 --> 01:11:01,400
Speaker 1: pass the asshole. Oh, I said you wanted to pass

1269
01:11:01,439 --> 01:11:04,040
Speaker 1: it to you. Pull up, pull yourself a shot and

1270
01:11:04,080 --> 01:11:08,200
Speaker 1: then pass me the bottom. Oh come on, come on, yeah,

1271
01:11:10,360 --> 01:11:16,800
Speaker 1: it's not maybe, sisters laugh right. Maybe I can fight him.

1272
01:11:16,840 --> 01:11:21,680
Speaker 1: I'm not. No, you can't see. Let me know, he

1273
01:11:21,840 --> 01:11:24,280
Speaker 1: got me out. You didn't see how you can fight.

1274
01:11:24,439 --> 01:11:26,680
Speaker 1: I'm doing what I want to do. I'm doing it

1275
01:11:26,680 --> 01:11:29,280
Speaker 1: because I want to do. Come on, Paul, I'm not

1276
01:11:29,520 --> 01:11:33,559
Speaker 1: because niggas think that you'll be puking me out from

1277
01:11:33,600 --> 01:11:37,439
Speaker 1: my lady man, your ladies in, your ladies in, you'd

1278
01:11:37,479 --> 01:11:42,200
Speaker 1: be watching this ship. She'll be loving. She's not a show, glad.

1279
01:11:42,560 --> 01:11:48,040
Speaker 1: I come on, Paul, Let's know I deserve it, don't

1280
01:11:48,080 --> 01:11:50,680
Speaker 1: I deserve it all everything I did for hip hop,

1281
01:11:51,400 --> 01:11:53,439
Speaker 1: everything I did for hip hop, and come on now,

1282
01:11:53,439 --> 01:11:58,280
Speaker 1: I deserved you like I'm a pizza nigga. Okay, little

1283
01:11:58,320 --> 01:12:04,920
Speaker 1: way in to drink you already, gotta take the shot first, Jack,

1284
01:12:05,080 --> 01:12:08,920
Speaker 1: I saw that there's nowhere around this one. Okay, take that.

1285
01:12:09,080 --> 01:12:11,880
Speaker 1: I'm sorry, or this boy looks just take that one first. Good,

1286
01:12:12,560 --> 01:12:15,360
Speaker 1: I'm sorry. I gotta go both on those. Let's a

1287
01:12:15,400 --> 01:12:18,719
Speaker 1: girl shot, alright, cool, let's bow up and then pass

1288
01:12:18,760 --> 01:12:25,439
Speaker 1: the bottom, pull up and then passed up. Gangs. I

1289
01:12:25,520 --> 01:12:29,479
Speaker 1: want to shout out organic foodcakes at organic food cakes,

1290
01:12:29,840 --> 01:12:32,760
Speaker 1: getting food can food. Jack Tuder was busting down one

1291
01:12:32,760 --> 01:12:34,519
Speaker 1: of these burgers. He said there was a party in

1292
01:12:34,600 --> 01:12:38,000
Speaker 1: his mouth. Againer girls, none of myth, A whole bunch

1293
01:12:38,000 --> 01:12:40,040
Speaker 1: of my girl. It was a whole bunch of leaves

1294
01:12:40,080 --> 01:12:48,680
Speaker 1: there and parties in your girls, girls in the brack. Yeah,

1295
01:12:49,439 --> 01:12:53,880
Speaker 1: all the girls good good. I don't know. I'm slight

1296
01:12:53,960 --> 01:12:55,960
Speaker 1: as on Drake, but I've been waiting it so dope.

1297
01:12:56,000 --> 01:13:01,599
Speaker 1: But let's go Drake. Okay, So I'm gonna the shop.

1298
01:13:01,800 --> 01:13:06,360
Speaker 1: He said, he pets still Drake. Yeah, he think he

1299
01:13:06,360 --> 01:13:11,200
Speaker 1: took no second. So why haven't you really worked with

1300
01:13:11,439 --> 01:13:14,040
Speaker 1: like a lot of cash money artists Because I wouldn't

1301
01:13:14,760 --> 01:13:19,559
Speaker 1: you because my man said, because I wouldn't let him. Man,

1302
01:13:20,120 --> 01:13:21,840
Speaker 1: you know, we gotta keep it. We gotta stay on

1303
01:13:21,920 --> 01:13:25,519
Speaker 1: brand Brome, don't we gotta. We gotta keep this no

1304
01:13:25,680 --> 01:13:28,679
Speaker 1: limit versus starts money ship going to this sucking day.

1305
01:13:29,760 --> 01:13:33,120
Speaker 1: I gotta answer for Tiger. We we we we gotta

1306
01:13:33,120 --> 01:13:37,439
Speaker 1: answer for all that ship. It's no limit all day

1307
01:13:37,520 --> 01:13:41,240
Speaker 1: until we die. Was kind of cash money a little bit. Yeah,

1308
01:13:41,280 --> 01:13:44,160
Speaker 1: that's true. I don't remember. I don't know he was

1309
01:13:44,720 --> 01:13:48,120
Speaker 1: when my rops next coming out. That's not don't I

1310
01:13:48,160 --> 01:13:49,880
Speaker 1: don't know about that. But now I would say, um,

1311
01:13:50,479 --> 01:13:52,840
Speaker 1: you know what it's got. We wanted to have app

1312
01:13:53,080 --> 01:13:55,120
Speaker 1: were close, we close. We was close to it a

1313
01:13:55,160 --> 01:13:57,000
Speaker 1: couple of times. I mean, like you know, I usual

1314
01:13:57,080 --> 01:14:00,200
Speaker 1: people know each other. I think it's just mutual respect. Um.

1315
01:14:00,680 --> 01:14:03,519
Speaker 1: You know, people think that we have a problem with him.

1316
01:14:03,680 --> 01:14:08,080
Speaker 1: Who would you work with? Gosh, um is the whole

1317
01:14:08,160 --> 01:14:12,880
Speaker 1: roster whatever whatever? Like Jack and I mean Wayne is.

1318
01:14:13,040 --> 01:14:15,639
Speaker 1: I just think Wayne is super dope. That'd be good. Um,

1319
01:14:18,040 --> 01:14:20,519
Speaker 1: Julie is good. I mean most of them good. Um.

1320
01:14:21,400 --> 01:14:23,560
Speaker 1: I would definitely say a Nicki Minaj or Drake or

1321
01:14:23,600 --> 01:14:26,679
Speaker 1: something for sure. I mean and I met DrAk Befour

1322
01:14:26,680 --> 01:14:28,439
Speaker 1: and it was we could have probably, but I kind

1323
01:14:28,439 --> 01:14:30,160
Speaker 1: of gave him just a mutual respect type of thing.

1324
01:14:30,200 --> 01:14:32,080
Speaker 1: It wasn't about music when I met him. So it's

1325
01:14:32,120 --> 01:14:34,840
Speaker 1: kind of like just Rake, Yeah, just kind of shot.

1326
01:14:34,960 --> 01:14:37,760
Speaker 1: Let let me just ask you just um, just like

1327
01:14:37,800 --> 01:14:40,040
Speaker 1: spitball them because I'm trying to gass this face between

1328
01:14:40,040 --> 01:14:43,439
Speaker 1: you and Julie. Right, So when Julie plays back at

1329
01:14:43,479 --> 01:14:48,760
Speaker 1: the ass up, what do you you? I wonta say

1330
01:14:48,760 --> 01:14:55,439
Speaker 1: you I got, wont that what you got? You know what?

1331
01:14:55,560 --> 01:14:57,840
Speaker 1: It's it's an underground one, but most people know, you know,

1332
01:14:58,000 --> 01:15:01,000
Speaker 1: let me hit it, let me hit it, let me

1333
01:15:01,160 --> 01:15:08,080
Speaker 1: hit it, Let me hit that every time when but

1334
01:15:08,200 --> 01:15:12,200
Speaker 1: he's playing okay girl, consentual with it. Let us hit it,

1335
01:15:13,240 --> 01:15:15,559
Speaker 1: let me hit it probably though. That's right though. Okay,

1336
01:15:15,600 --> 01:15:18,320
Speaker 1: you gotta you gotta hear. Okay, okay, okay, we know

1337
01:15:18,360 --> 01:15:21,479
Speaker 1: about let me hit it, Let me hit it, let

1338
01:15:21,520 --> 01:15:23,880
Speaker 1: me hit it. Ala it already. Come on, I got

1339
01:15:23,920 --> 01:15:28,000
Speaker 1: it already. Little you better stop playing with me. You're

1340
01:15:28,000 --> 01:15:30,880
Speaker 1: doing with a quick time. We don't so. I want

1341
01:15:30,920 --> 01:15:34,240
Speaker 1: to go back to y'all tour with Park right, Any

1342
01:15:34,320 --> 01:15:37,000
Speaker 1: any crazy stories, any stories of dealing with I think

1343
01:15:37,160 --> 01:15:39,280
Speaker 1: was that the first tour? You know he's on the

1344
01:15:39,360 --> 01:15:41,880
Speaker 1: other smaller tour. I think P and C was the

1345
01:15:42,000 --> 01:15:46,360
Speaker 1: main ones on that tour. Um. I think I may

1346
01:15:46,479 --> 01:15:49,920
Speaker 1: have because I've seen Pocket met him tell him a

1347
01:15:50,000 --> 01:15:52,000
Speaker 1: time to a story about the pop where he was

1348
01:15:52,040 --> 01:15:53,400
Speaker 1: like a nigg you want to take your ship to

1349
01:15:53,439 --> 01:15:56,120
Speaker 1: another level if you get your dicks up in the club.

1350
01:15:56,560 --> 01:16:00,240
Speaker 1: Come on, Jack, I ever remember that story? You know coming?

1351
01:16:01,120 --> 01:16:05,200
Speaker 1: You told me? I remember. That's good. I don't know

1352
01:16:05,280 --> 01:16:07,360
Speaker 1: that story at all. The show story? Do you remember?

1353
01:16:07,800 --> 01:16:12,240
Speaker 1: So he's old? You don't remember telling No, I have

1354
01:16:12,400 --> 01:16:13,920
Speaker 1: just one Pock story, but it was it was a

1355
01:16:13,920 --> 01:16:16,280
Speaker 1: funny story, but it was like I think it was.

1356
01:16:17,320 --> 01:16:18,720
Speaker 1: I think it was an E forty video or something

1357
01:16:18,800 --> 01:16:21,679
Speaker 1: like that, And I think um because at that time,

1358
01:16:21,800 --> 01:16:24,920
Speaker 1: I was like local Underground was really big in the

1359
01:16:24,960 --> 01:16:26,880
Speaker 1: Bay Area. Like I was like, I think my first

1360
01:16:26,920 --> 01:16:29,080
Speaker 1: song I did it just blew up out of nowhere.

1361
01:16:29,120 --> 01:16:31,280
Speaker 1: He was an underground wrap of a folk Underground Wrappers

1362
01:16:31,320 --> 01:16:42,000
Speaker 1: was underground round that part too, and that underdund he

1363
01:16:42,120 --> 01:16:44,840
Speaker 1: was underground, so we so what he did was I mean,

1364
01:16:44,880 --> 01:16:46,280
Speaker 1: I was young. I was heck a young then, but

1365
01:16:46,560 --> 01:16:48,560
Speaker 1: but the buzz had kind of got out of like

1366
01:16:48,760 --> 01:16:51,280
Speaker 1: this new rap or whatever, blah blah blah, and the

1367
01:16:51,439 --> 01:16:54,240
Speaker 1: forty was the first person like really on top of it,

1368
01:16:54,280 --> 01:16:55,519
Speaker 1: like it was a shock, you know what I'm saying.

1369
01:16:55,920 --> 01:16:58,720
Speaker 1: But Eforty and Tupac and everybody was good friends. So

1370
01:16:59,800 --> 01:17:07,479
Speaker 1: I they stole his ship like that, giving MS rose

1371
01:17:07,520 --> 01:17:12,760
Speaker 1: to see if MS rose. So so he was at

1372
01:17:12,760 --> 01:17:15,560
Speaker 1: the video and uh and Pop was actually there and

1373
01:17:15,600 --> 01:17:18,280
Speaker 1: I was looking like I was younger too. I was

1374
01:17:18,320 --> 01:17:20,160
Speaker 1: looking like I keep looking at me. I'm like, man,

1375
01:17:20,240 --> 01:17:22,760
Speaker 1: this is crazy, like but I'm not really knowing, like

1376
01:17:22,840 --> 01:17:25,479
Speaker 1: what level of park is this like this? When he

1377
01:17:25,880 --> 01:17:29,240
Speaker 1: he was, I think so, but I wasn't. I didn't

1378
01:17:29,280 --> 01:17:30,960
Speaker 1: know that type of thing. But I was like I

1379
01:17:31,000 --> 01:17:32,200
Speaker 1: was still young in the streets and stuff like you

1380
01:17:32,240 --> 01:17:34,320
Speaker 1: don't know who he was. Like, it wasn't like I

1381
01:17:34,400 --> 01:17:36,840
Speaker 1: knew of him, but I didn't know the impact he

1382
01:17:36,960 --> 01:17:39,680
Speaker 1: had at that time looking at you he was doing,

1383
01:17:40,040 --> 01:17:41,439
Speaker 1: he was just he was looking at me. But I

1384
01:17:41,600 --> 01:17:45,760
Speaker 1: was more looking like at that time, I was well,

1385
01:17:45,760 --> 01:17:47,439
Speaker 1: I'm not saying that, but I was more looking at

1386
01:17:47,560 --> 01:17:50,479
Speaker 1: like at that time, if anybody looking at me could

1387
01:17:50,479 --> 01:17:51,400
Speaker 1: get it, you know what I'm saying. Like I was

1388
01:17:51,479 --> 01:17:54,320
Speaker 1: fresh out whatever, fresh out of chair, fresh out whatever

1389
01:17:54,400 --> 01:17:56,200
Speaker 1: I was. I was fresh out whatever I was with

1390
01:17:56,320 --> 01:18:00,200
Speaker 1: whatever that time, White teeth and so what happened us?

1391
01:18:00,680 --> 01:18:02,680
Speaker 1: But they had I think they was just thought there

1392
01:18:02,720 --> 01:18:04,880
Speaker 1: was listening to us together. It was like until Pap

1393
01:18:05,080 --> 01:18:08,160
Speaker 1: was listening to it. And you know, like when my

1394
01:18:08,200 --> 01:18:10,000
Speaker 1: first time I had first met Drake, I was like

1395
01:18:10,920 --> 01:18:12,600
Speaker 1: it was it was first all her own. But I

1396
01:18:12,680 --> 01:18:14,080
Speaker 1: was good at knowing music. I'm like, Yo, this is

1397
01:18:14,240 --> 01:18:15,920
Speaker 1: gonna be good one day, right, I mean, he's probably

1398
01:18:16,000 --> 01:18:17,400
Speaker 1: just blowing up. But I didn't even know it. But

1399
01:18:17,479 --> 01:18:19,680
Speaker 1: I listened to music. I'm like whatever. The first um,

1400
01:18:20,120 --> 01:18:23,400
Speaker 1: the first album came out was that the mixtape man,

1401
01:18:23,479 --> 01:18:25,160
Speaker 1: you know, it was some about Drake was a mix

1402
01:18:25,160 --> 01:18:28,680
Speaker 1: tape um. So when I heard I was I was

1403
01:18:28,800 --> 01:18:30,840
Speaker 1: jamming his back and forth all everybody in the car

1404
01:18:31,000 --> 01:18:32,760
Speaker 1: just jamming his jamming. So when I met him, I

1405
01:18:32,880 --> 01:18:35,680
Speaker 1: was like, he made it there yet. But when I

1406
01:18:35,760 --> 01:18:38,400
Speaker 1: met him, he was to me, it was like he's

1407
01:18:38,439 --> 01:18:40,320
Speaker 1: gonna blow like same thing. I'm not saying, I know

1408
01:18:40,439 --> 01:18:42,560
Speaker 1: the talent, but a little baby. I was just like

1409
01:18:43,720 --> 01:18:45,519
Speaker 1: first record, second record. I was like, this dude gonna

1410
01:18:45,520 --> 01:18:47,320
Speaker 1: be good to keep the essence, you know, just keep

1411
01:18:47,360 --> 01:18:50,240
Speaker 1: his ethics up. And so I guess what pop was

1412
01:18:50,280 --> 01:18:52,240
Speaker 1: the same thing. It was like he was just jamming

1413
01:18:52,280 --> 01:18:54,800
Speaker 1: and listening, saying, okay, dude, got talented. And then I

1414
01:18:54,880 --> 01:18:57,320
Speaker 1: walked on the set of the video. But he's looking

1415
01:18:57,360 --> 01:19:00,920
Speaker 1: at me like you want to beat me. But you'd

1416
01:19:00,960 --> 01:19:04,120
Speaker 1: be like, that's so told my all my records, and

1417
01:19:04,160 --> 01:19:07,760
Speaker 1: I'm like, but is mutual, But you'd be like still

1418
01:19:07,840 --> 01:19:09,560
Speaker 1: you know. But at the same time, that's what he

1419
01:19:09,640 --> 01:19:11,400
Speaker 1: was just looking at me, kept looking down, looking up,

1420
01:19:11,439 --> 01:19:13,760
Speaker 1: and I'm like, yo, But then I'll find out later

1421
01:19:13,880 --> 01:19:17,240
Speaker 1: that he was just like I just listened to that too.

1422
01:19:17,400 --> 01:19:20,040
Speaker 1: That's probably not but it was horrible. But I was

1423
01:19:20,120 --> 01:19:22,320
Speaker 1: listening to your music and that's why he was looking

1424
01:19:22,320 --> 01:19:23,960
Speaker 1: at it. It was just it was just didn't I

1425
01:19:24,080 --> 01:19:26,639
Speaker 1: was just kind of not thinking about it at that time,

1426
01:19:26,800 --> 01:19:28,360
Speaker 1: like nobody should be looking at me. You know what

1427
01:19:28,360 --> 01:19:32,000
Speaker 1: I'm saying. That's why I feel but a respect part

1428
01:19:32,040 --> 01:19:35,080
Speaker 1: of it. It was really dope. Um, but it was

1429
01:19:35,120 --> 01:19:37,800
Speaker 1: more of a like a I didn't know how to

1430
01:19:37,920 --> 01:19:39,880
Speaker 1: look at that, but it was really him just you

1431
01:19:39,960 --> 01:19:42,639
Speaker 1: know kind of s I was young. I was definitely,

1432
01:19:42,800 --> 01:19:44,120
Speaker 1: but it was dope. It was like and then we

1433
01:19:44,400 --> 01:19:46,920
Speaker 1: met and it was super dope and I was just like, oh,

1434
01:19:47,000 --> 01:19:49,479
Speaker 1: that's crazy. You actually got to meet too part like

1435
01:19:49,600 --> 01:19:52,800
Speaker 1: he was handshake all we did. I did meet him

1436
01:19:53,200 --> 01:19:55,400
Speaker 1: later though, at a lot later. Yeah. Sure, yeah, for sure.

1437
01:19:55,479 --> 01:19:57,240
Speaker 1: I never got to beat too far. But I know what,

1438
01:19:57,320 --> 01:20:00,720
Speaker 1: It's funny though I met a man, I met some people, um,

1439
01:20:01,200 --> 01:20:04,360
Speaker 1: and it was it was kind of crazy where um,

1440
01:20:05,160 --> 01:20:07,600
Speaker 1: just looking back at it because even like Beyonce, like

1441
01:20:07,800 --> 01:20:10,439
Speaker 1: just watching that growth, we was like literally neighbors. They

1442
01:20:10,560 --> 01:20:13,240
Speaker 1: actually the song. They came by the house and recorded it. Um,

1443
01:20:13,360 --> 01:20:16,720
Speaker 1: you came to your help, not like that stopping. No, No,

1444
01:20:16,760 --> 01:20:19,200
Speaker 1: I an't mean like that. We recorded the song the

1445
01:20:19,240 --> 01:20:21,960
Speaker 1: first I'm just straighting at the house, the disrespect me

1446
01:20:22,000 --> 01:20:24,760
Speaker 1: at the house, no to just be striking me songka.

1447
01:20:25,479 --> 01:20:27,840
Speaker 1: Now we're all like everybody know each other. So it

1448
01:20:27,920 --> 01:20:30,519
Speaker 1: was good, hey man. But skipping over the Tupoc thing though,

1449
01:20:30,560 --> 01:20:32,040
Speaker 1: what you what you were just saying you wan't to

1450
01:20:32,040 --> 01:20:33,880
Speaker 1: skip over Tupac. No, no, no, no, I'm not not

1451
01:20:33,960 --> 01:20:36,640
Speaker 1: skipping over there. I was just skipping back to it.

1452
01:20:36,720 --> 01:20:39,639
Speaker 1: You're saying, yeah, coming back to the Tupoc to Tupop

1453
01:20:39,720 --> 01:20:43,400
Speaker 1: thing and whatnot. Um like, did you know that this

1454
01:20:43,560 --> 01:20:45,640
Speaker 1: guy was gonna be as big as I feel like?

1455
01:20:45,680 --> 01:20:48,360
Speaker 1: That's what you were saying. Like he felt like, I

1456
01:20:48,439 --> 01:20:51,840
Speaker 1: think yeah, So in the bed it's a little different. Um.

1457
01:20:52,040 --> 01:20:55,639
Speaker 1: They they kind of cater to their own. And then

1458
01:20:55,720 --> 01:20:58,599
Speaker 1: I felt like, um, and this is that's Tupac from

1459
01:20:58,640 --> 01:21:01,880
Speaker 1: the bed because he was originally yeah, going out when

1460
01:21:02,040 --> 01:21:05,439
Speaker 1: I was in Richmond. Richmond is in the bay, right, yeah,

1461
01:21:05,560 --> 01:21:08,080
Speaker 1: Richmond in the Bay here for sure. But it's just

1462
01:21:08,200 --> 01:21:12,160
Speaker 1: like once again when you see it, because even when

1463
01:21:12,200 --> 01:21:14,280
Speaker 1: you go back and look at did you underground? He

1464
01:21:14,360 --> 01:21:16,800
Speaker 1: stood out though, you know, he stood out like, oh man,

1465
01:21:17,080 --> 01:21:19,160
Speaker 1: this guy and the same thing to me with my

1466
01:21:19,240 --> 01:21:21,560
Speaker 1: first record, I stood out so much when you go

1467
01:21:21,680 --> 01:21:23,639
Speaker 1: back listen to it. I think it was I gotta

1468
01:21:23,680 --> 01:21:26,320
Speaker 1: see what the song was. But I was just raw

1469
01:21:26,479 --> 01:21:28,240
Speaker 1: and I and everybody knew it. And so we do

1470
01:21:28,360 --> 01:21:31,280
Speaker 1: fast forward and you tell yourself like, oh, it's consistent

1471
01:21:31,400 --> 01:21:35,320
Speaker 1: of probably being more before my time. And I never

1472
01:21:35,400 --> 01:21:38,559
Speaker 1: really wrote songs though, so I just kind of freestyle everything.

1473
01:21:38,760 --> 01:21:40,400
Speaker 1: I rarely wrote. If I wrote to him, I just

1474
01:21:40,479 --> 01:21:43,719
Speaker 1: wrote like one word, one world, like cat had sacked

1475
01:21:43,800 --> 01:21:45,599
Speaker 1: whatever like that and everything else I put in myself.

1476
01:21:46,400 --> 01:21:48,000
Speaker 1: Would that mean I got my two pop in my

1477
01:21:48,040 --> 01:21:50,599
Speaker 1: real two pop? Question? Now the way Tupop went over

1478
01:21:50,640 --> 01:21:53,880
Speaker 1: to the West coast and got the recognition that he deserved, right,

1479
01:21:54,240 --> 01:21:58,080
Speaker 1: and you use inside you know, Yo also nowhere from

1480
01:21:58,120 --> 01:22:01,160
Speaker 1: the n O E A fan. You know you were

1481
01:22:01,280 --> 01:22:03,439
Speaker 1: originally from him, right, I'm originally born in the lab

1482
01:22:03,479 --> 01:22:06,560
Speaker 1: but raising man, so you you go to this this

1483
01:22:06,720 --> 01:22:10,160
Speaker 1: foreign land, this foreign land, and you get more respect

1484
01:22:10,200 --> 01:22:15,160
Speaker 1: than you did saying we're talking about because Pot made

1485
01:22:15,200 --> 01:22:17,559
Speaker 1: his chops in the Bay Area right on the west

1486
01:22:18,600 --> 01:22:22,280
Speaker 1: He's really like coastal in reality. Question. But people that

1487
01:22:22,479 --> 01:22:26,200
Speaker 1: people from New York like you get they constantly say

1488
01:22:26,360 --> 01:22:28,560
Speaker 1: to Yo, he turned his back on New York and

1489
01:22:28,600 --> 01:22:31,760
Speaker 1: whatnot f tupocket that it's biggie all the way. But

1490
01:22:31,840 --> 01:22:33,240
Speaker 1: if you ain't, if you if you ain't getting it

1491
01:22:33,240 --> 01:22:36,320
Speaker 1: at home and you go abroad, what's wrong with that?

1492
01:22:36,600 --> 01:22:39,240
Speaker 1: And Northy you mean you had to come plendy conversations

1493
01:22:39,400 --> 01:22:42,519
Speaker 1: where you get booked. You inside of your early career

1494
01:22:42,920 --> 01:22:45,439
Speaker 1: in different spots. You even talking about the Puerto Rican

1495
01:22:45,600 --> 01:22:49,439
Speaker 1: era of all out of the Spanish area. Spanish the

1496
01:22:49,439 --> 01:22:54,360
Speaker 1: whole Spanish areas don't even know used to go to

1497
01:22:54,439 --> 01:22:58,439
Speaker 1: New Orleans so much because people just think that it's

1498
01:22:58,479 --> 01:23:00,560
Speaker 1: just creole and French and all that. Some of the

1499
01:23:00,600 --> 01:23:04,519
Speaker 1: motherfucker's Latinos and as they get booked so much. That's

1500
01:23:05,400 --> 01:23:07,960
Speaker 1: that's how I discovered, Like, that's how I discovered all

1501
01:23:08,080 --> 01:23:10,400
Speaker 1: of that music. Was what's going there? And first of

1502
01:23:10,520 --> 01:23:12,639
Speaker 1: they got great the greatest cuisine in the world, That's

1503
01:23:12,760 --> 01:23:16,759
Speaker 1: what I'm saying. And but what there's a ghetto everywhere

1504
01:23:16,760 --> 01:23:19,080
Speaker 1: in the world. And that ship is like when you

1505
01:23:19,360 --> 01:23:21,920
Speaker 1: enter that that ship is just just just the eli

1506
01:23:22,000 --> 01:23:24,439
Speaker 1: ship in the world. But is there anything wrong we're

1507
01:23:24,479 --> 01:23:27,519
Speaker 1: going to? Where it? Is it? When you you're you're

1508
01:23:27,720 --> 01:23:30,080
Speaker 1: celebrated like you do on drink Chat, you go when

1509
01:23:30,120 --> 01:23:33,160
Speaker 1: you celebrated. I think, Jack, I think you're confusing it

1510
01:23:33,240 --> 01:23:36,639
Speaker 1: because he gave his music career started on the West Coast.

1511
01:23:36,680 --> 01:23:40,640
Speaker 1: He started the only thing apply he was a young

1512
01:23:40,760 --> 01:23:44,680
Speaker 1: kid dancing for Digital Underground in the Bay. Time he

1513
01:23:44,760 --> 01:23:47,679
Speaker 1: went back to the coast, he was already like almost

1514
01:23:47,720 --> 01:23:50,240
Speaker 1: a grown man. I'm told about when he went back back,

1515
01:23:50,920 --> 01:23:52,840
Speaker 1: like you know what after after really was the East

1516
01:23:52,840 --> 01:23:54,439
Speaker 1: Coast that raised them, you know what I'm saying. But

1517
01:23:54,920 --> 01:23:59,360
Speaker 1: you know New York and bought them. But that ain't

1518
01:23:59,600 --> 01:24:02,000
Speaker 1: wrong on when you celebrated and don't go when you tolerateed.

1519
01:24:02,920 --> 01:24:04,720
Speaker 1: I just think he's from all those areas. Man, I

1520
01:24:04,800 --> 01:24:06,839
Speaker 1: think he just he did so much in so many places.

1521
01:24:07,080 --> 01:24:08,519
Speaker 1: I don't think he felt like he was from one

1522
01:24:08,560 --> 01:24:13,120
Speaker 1: place together. You know That's why I can't you can

1523
01:24:13,200 --> 01:24:15,120
Speaker 1: cold him at the end for it, because when he

1524
01:24:15,280 --> 01:24:17,880
Speaker 1: was just repping the West Coast in California, love and

1525
01:24:17,920 --> 01:24:22,519
Speaker 1: all that, they out of jail. Okay, help me help me.

1526
01:24:22,960 --> 01:24:26,480
Speaker 1: Million got him out. I mean, nobody's can get understand psychologically.

1527
01:24:27,240 --> 01:24:29,080
Speaker 1: I'm gonna help you understand. This is a record where

1528
01:24:29,120 --> 01:24:32,800
Speaker 1: Tupac has this ship. There ain't nothing like the old school. Yeah,

1529
01:24:33,040 --> 01:24:35,679
Speaker 1: what more can I say? I wouldn't be here today

1530
01:24:36,000 --> 01:24:39,880
Speaker 1: if the old school didn't pay the way on that record.

1531
01:24:40,240 --> 01:24:43,280
Speaker 1: The ship that Tupac said, you cannot make this record

1532
01:24:43,320 --> 01:24:46,200
Speaker 1: if you ain't from New York. You cannot make this record.

1533
01:24:46,240 --> 01:24:48,720
Speaker 1: If you're not from the East Coast, the Skelly, the

1534
01:24:48,840 --> 01:24:52,679
Speaker 1: Double Dutch, the ice Cream Man, the Whoop Tank Clan,

1535
01:24:52,920 --> 01:24:55,120
Speaker 1: the all the ship that he named, you could not

1536
01:24:55,360 --> 01:24:57,680
Speaker 1: make this record. I don't give a funk. You've been

1537
01:24:57,720 --> 01:25:00,439
Speaker 1: living living in New York for ten years. You can't

1538
01:25:00,520 --> 01:25:02,320
Speaker 1: make this record. I don't give a funk how long

1539
01:25:02,439 --> 01:25:05,000
Speaker 1: you lived there. That means Pop was born and raised,

1540
01:25:05,040 --> 01:25:08,000
Speaker 1: his roots was there. But what this would make. This

1541
01:25:08,040 --> 01:25:11,800
Speaker 1: would make him an ill motherfucker. You also can't make

1542
01:25:11,880 --> 01:25:18,880
Speaker 1: California love same like you have to be from California

1543
01:25:19,240 --> 01:25:21,840
Speaker 1: when you're talking about it wouldn't be l A without

1544
01:25:21,960 --> 01:25:25,040
Speaker 1: Mexic kids and all this crazy ship. You gotta really

1545
01:25:25,080 --> 01:25:27,240
Speaker 1: be from California to make both of those records. So

1546
01:25:28,000 --> 01:25:30,880
Speaker 1: I would agree to disagree, to agree to disagree on

1547
01:25:31,040 --> 01:25:34,840
Speaker 1: this level and say he was a chameleon. He was.

1548
01:25:35,760 --> 01:25:39,920
Speaker 1: Artists can marry me artists the artist is contradictory. That's

1549
01:25:40,000 --> 01:25:42,160
Speaker 1: just one part of it. A chameleon is somewhere he

1550
01:25:42,200 --> 01:25:46,080
Speaker 1: could just blend into. You understand, I'm saying he already

1551
01:25:46,120 --> 01:25:50,120
Speaker 1: had roots in these places. Man, I could go were

1552
01:25:50,120 --> 01:25:53,080
Speaker 1: born in l A, raised in Miami. I feel both places,

1553
01:25:53,160 --> 01:25:55,640
Speaker 1: you know, and I would go away with Nori and

1554
01:25:56,080 --> 01:25:59,640
Speaker 1: as well saying I think that it was good for

1555
01:25:59,720 --> 01:26:02,160
Speaker 1: every body that he was a chameleon. And I think

1556
01:26:02,200 --> 01:26:04,120
Speaker 1: and I think it was good, like you said, being

1557
01:26:04,160 --> 01:26:08,560
Speaker 1: able to be both right, because we just got to

1558
01:26:08,600 --> 01:26:11,920
Speaker 1: accept and appreciate what it is and say we're glad

1559
01:26:12,000 --> 01:26:13,920
Speaker 1: he was born in East Coast where he's on this

1560
01:26:14,000 --> 01:26:17,360
Speaker 1: coach for a while, because you gott think about us too.

1561
01:26:17,920 --> 01:26:19,960
Speaker 1: We got love for both of them. Both of us

1562
01:26:20,040 --> 01:26:22,920
Speaker 1: made us and and it's and both of them could

1563
01:26:22,960 --> 01:26:27,519
Speaker 1: appreciate us. And I think with pop Um he should

1564
01:26:27,520 --> 01:26:30,320
Speaker 1: be celebrated, appreciated like even if guess what even from

1565
01:26:30,320 --> 01:26:32,200
Speaker 1: the South, if you have a visit to South, he

1566
01:26:32,360 --> 01:26:34,160
Speaker 1: left the imprint on the South. You know what I'm saying.

1567
01:26:34,600 --> 01:26:39,640
Speaker 1: I guess he shot the police the South to be

1568
01:26:39,680 --> 01:26:46,400
Speaker 1: the South was friend that he did at all in

1569
01:26:46,520 --> 01:26:51,160
Speaker 1: twenty six years. In six years. So with that being said,

1570
01:26:51,600 --> 01:26:54,599
Speaker 1: if you don't attach biggie to toothpower because Spiky still

1571
01:26:54,680 --> 01:26:59,760
Speaker 1: have the same lot. You're going somewhere that you ain't

1572
01:26:59,800 --> 01:27:01,760
Speaker 1: gonna do really quick. I want to say, I think

1573
01:27:01,800 --> 01:27:04,800
Speaker 1: we underestimate the idea that we were all older now.

1574
01:27:05,600 --> 01:27:08,120
Speaker 1: But everything that Park went through, he was a young man.

1575
01:27:08,840 --> 01:27:11,200
Speaker 1: Like we're trying to put like an older mentality on

1576
01:27:11,320 --> 01:27:13,720
Speaker 1: this young kid that was doing all this stuff, like

1577
01:27:13,880 --> 01:27:16,559
Speaker 1: come on, young kids don't do that day. Young kids

1578
01:27:16,600 --> 01:27:19,080
Speaker 1: don't do this these days. And like a lot of

1579
01:27:19,320 --> 01:27:22,720
Speaker 1: mature ship, they don't feel an immature person because of

1580
01:27:22,800 --> 01:27:24,680
Speaker 1: his age. They don't do it twenty years ago. I

1581
01:27:24,720 --> 01:27:27,200
Speaker 1: want that level, I would say, And I'm glad we

1582
01:27:27,280 --> 01:27:30,400
Speaker 1: have a conversation because you just nailed it. Um you

1583
01:27:31,120 --> 01:27:32,719
Speaker 1: And I tell people because a lot of young people

1584
01:27:32,720 --> 01:27:34,200
Speaker 1: listen to me sometime a lot of old people listen

1585
01:27:34,200 --> 01:27:36,519
Speaker 1: to me. Sometimes you dont want to, but they listen

1586
01:27:36,560 --> 01:27:44,840
Speaker 1: to you. But what I'm saying is what I'm saying

1587
01:27:44,920 --> 01:27:47,679
Speaker 1: is nor is that I was like a multi mellion.

1588
01:27:47,720 --> 01:27:50,519
Speaker 1: They're like very young, right, so so you know so

1589
01:27:51,240 --> 01:27:53,680
Speaker 1: so you. But what I'm saying is it kind of

1590
01:27:54,439 --> 01:27:56,679
Speaker 1: how you matured that so you got these young dudes.

1591
01:27:56,720 --> 01:27:59,400
Speaker 1: I feel bad for him. Um, they're good people, right,

1592
01:27:59,400 --> 01:28:02,519
Speaker 1: they're good dude, But what I mean they've got people

1593
01:28:02,640 --> 01:28:05,120
Speaker 1: fifteen and getting juven out like like life, like they

1594
01:28:05,200 --> 01:28:07,640
Speaker 1: do something right, boom they out of here, and we

1595
01:28:07,840 --> 01:28:11,519
Speaker 1: know fifteen or was he was using food? We don't

1596
01:28:11,520 --> 01:28:14,680
Speaker 1: know nothing right, and so I feel bad and like

1597
01:28:14,800 --> 01:28:17,800
Speaker 1: he's saying a valid point to be pock was to

1598
01:28:17,960 --> 01:28:22,120
Speaker 1: be like very immature and take on very mature things

1599
01:28:22,160 --> 01:28:25,280
Speaker 1: that was happening around him like that, even that was

1600
01:28:25,400 --> 01:28:29,200
Speaker 1: unseen and hip hop at that point, how can you

1601
01:28:29,960 --> 01:28:33,120
Speaker 1: get us up? No? But no, but this is this

1602
01:28:33,240 --> 01:28:34,880
Speaker 1: is this is value. But this is value because I

1603
01:28:35,000 --> 01:28:37,960
Speaker 1: want to say this because the next they have a

1604
01:28:38,000 --> 01:28:41,680
Speaker 1: lot of pops out there and they rebels with the

1605
01:28:41,800 --> 01:28:44,720
Speaker 1: without the cause, right, So it can't be straights, it

1606
01:28:44,800 --> 01:28:47,519
Speaker 1: can't be this. It gotta be a valuable Pop was

1607
01:28:47,600 --> 01:28:51,639
Speaker 1: literally fighting for the values of He kind of figured

1608
01:28:51,680 --> 01:28:53,559
Speaker 1: something's gonna happen to him. He's fighting for the values

1609
01:28:53,720 --> 01:28:56,040
Speaker 1: of the next loriaga, you know what saying the next

1610
01:28:56,120 --> 01:29:00,479
Speaker 1: hilver next like, because you think nobody's given us them bills,

1611
01:29:00,479 --> 01:29:03,240
Speaker 1: nobody's helping us out of the streets. If you somebody

1612
01:29:03,280 --> 01:29:06,200
Speaker 1: from the streets, a right where if you got lucky,

1613
01:29:06,280 --> 01:29:08,120
Speaker 1: you you didn't get gunned down, you didn't get life

1614
01:29:08,200 --> 01:29:11,000
Speaker 1: in prison, like you know, like whatever. So what you're

1615
01:29:11,040 --> 01:29:16,040
Speaker 1: saying is more of how can we appreciate somebody having

1616
01:29:16,120 --> 01:29:19,960
Speaker 1: that much on the show them that's a one was around,

1617
01:29:20,320 --> 01:29:23,479
Speaker 1: he was already wealthy, trying to figure out jail. He

1618
01:29:23,520 --> 01:29:25,760
Speaker 1: got the great kids. All these cases like I don't know,

1619
01:29:25,840 --> 01:29:28,160
Speaker 1: true or false, but that's a lot for somebody who

1620
01:29:28,920 --> 01:29:31,120
Speaker 1: is that big of an influence to all of us.

1621
01:29:31,439 --> 01:29:34,560
Speaker 1: And I know because I was young and people was

1622
01:29:34,600 --> 01:29:36,880
Speaker 1: depending on me, but I didn't know any better. I'm

1623
01:29:36,920 --> 01:29:39,280
Speaker 1: just doing throwing money where I'm buying cars the same color,

1624
01:29:39,920 --> 01:29:42,400
Speaker 1: I'm just buying house like I'm just doing stuff but

1625
01:29:42,920 --> 01:29:47,519
Speaker 1: normally yeah, yeah, I bought to Ferrari is the same

1626
01:29:47,600 --> 01:29:50,800
Speaker 1: color making model right for just no reason, just like

1627
01:29:50,920 --> 01:29:59,120
Speaker 1: because I because ita but but I can't do it.

1628
01:30:00,439 --> 01:30:02,760
Speaker 1: But no, I'm saying you could do it if you know,

1629
01:30:02,960 --> 01:30:06,920
Speaker 1: if you like. Okay, here's the thing about me, this

1630
01:30:07,000 --> 01:30:08,400
Speaker 1: thing about me, how I was doing. So you say

1631
01:30:08,400 --> 01:30:09,960
Speaker 1: I'm humble. I think I got a good heart. I

1632
01:30:10,000 --> 01:30:16,160
Speaker 1: think I want to help people, all right, But but

1633
01:30:16,320 --> 01:30:18,760
Speaker 1: what I what I would do nor the catch and

1634
01:30:18,840 --> 01:30:21,519
Speaker 1: you I'm glad you brought this up once again. The

1635
01:30:22,000 --> 01:30:25,000
Speaker 1: amount of pressure on somebody who's at my age to

1636
01:30:25,040 --> 01:30:26,800
Speaker 1: try to figure it out. So when I wake up

1637
01:30:26,840 --> 01:30:28,920
Speaker 1: in the morning, I got five people at my door

1638
01:30:29,000 --> 01:30:30,680
Speaker 1: and I'm we're going to the mall they went to.

1639
01:30:30,760 --> 01:30:32,559
Speaker 1: We went to the mall ten days in a row

1640
01:30:32,720 --> 01:30:38,040
Speaker 1: north and guess where everybody got changed? Rolex Is bracelets

1641
01:30:38,120 --> 01:30:40,000
Speaker 1: right said they knew to come to my house. And

1642
01:30:40,080 --> 01:30:41,840
Speaker 1: when I go to the mall, I'm just getting everybody this,

1643
01:30:42,000 --> 01:30:43,519
Speaker 1: or you want to car X facts. I got Max,

1644
01:30:43,600 --> 01:30:46,280
Speaker 1: my friend X help whatever. It's like, I would leave

1645
01:30:46,320 --> 01:30:51,040
Speaker 1: cars at the um the airport for like seven months

1646
01:30:51,120 --> 01:30:53,519
Speaker 1: or whatever. But but what but what it's not about that.

1647
01:30:53,640 --> 01:30:58,120
Speaker 1: What it's about is my ability to to realize I

1648
01:30:58,240 --> 01:31:01,920
Speaker 1: have everything or I'm thinking I know everything and don't

1649
01:31:01,960 --> 01:31:04,960
Speaker 1: know nothing. But watch this. Your friendships are not your

1650
01:31:04,960 --> 01:31:07,280
Speaker 1: friendships because it's based on money. The girls could be

1651
01:31:07,600 --> 01:31:10,200
Speaker 1: your girls, but based on money. They of course, I'm

1652
01:31:10,240 --> 01:31:12,320
Speaker 1: a likable guy and my friends really want to hang

1653
01:31:12,360 --> 01:31:14,800
Speaker 1: out with me, But but they also do want to

1654
01:31:14,880 --> 01:31:17,320
Speaker 1: hang out and get an extra bag, right, And and

1655
01:31:17,400 --> 01:31:20,360
Speaker 1: what about pac being somebody who is the only person

1656
01:31:20,439 --> 01:31:24,360
Speaker 1: in his his circle, that's getting a bag, but having

1657
01:31:25,240 --> 01:31:28,800
Speaker 1: the the responsibility or of changing people lives and they're

1658
01:31:28,840 --> 01:31:33,320
Speaker 1: not technically um in the same um mind state is

1659
01:31:33,400 --> 01:31:36,600
Speaker 1: him because he's literally taking up taking a beating for

1660
01:31:36,680 --> 01:31:38,160
Speaker 1: all of us at that time, I remember clear as

1661
01:31:38,200 --> 01:31:41,439
Speaker 1: day and I'm like, damn, you're just taking these and

1662
01:31:41,560 --> 01:31:43,760
Speaker 1: but I learned from it though, and I know that

1663
01:31:44,000 --> 01:31:47,360
Speaker 1: that feeling because I'm telling you it was a NonStop thing.

1664
01:31:47,400 --> 01:31:49,040
Speaker 1: I don't care people know me, No, I don't care

1665
01:31:49,040 --> 01:31:52,439
Speaker 1: about materialistic, no money. I really care about doing it.

1666
01:31:52,520 --> 01:31:54,800
Speaker 1: But at the time I don't think people care. I

1667
01:31:54,920 --> 01:31:59,360
Speaker 1: think that it was they like me. But also I'm

1668
01:31:59,360 --> 01:32:01,320
Speaker 1: getting up to wake up to say we'll still get

1669
01:32:01,400 --> 01:32:04,160
Speaker 1: them hit them all. I'm getting something too. So how

1670
01:32:04,200 --> 01:32:07,519
Speaker 1: do you balance it two and Pop saying themselves, I'm Pop,

1671
01:32:08,200 --> 01:32:10,559
Speaker 1: I'm fighting for y'all, but y'all fighting, are y'all fighting?

1672
01:32:10,720 --> 01:32:13,120
Speaker 1: And for me as well? And I think the crazy

1673
01:32:13,200 --> 01:32:15,439
Speaker 1: part is it now in retrospect, we look at clips,

1674
01:32:15,520 --> 01:32:17,560
Speaker 1: you know, they put out clips up that show a

1675
01:32:17,640 --> 01:32:20,160
Speaker 1: hypocrisy and him to show like like he was. And

1676
01:32:20,280 --> 01:32:23,040
Speaker 1: that's what when he said artists so sorry, that's why

1677
01:32:23,080 --> 01:32:26,360
Speaker 1: he said artists I said, artists is contradicting all contract Yeah, yeah,

1678
01:32:26,360 --> 01:32:29,600
Speaker 1: but I think even more so, like the things, the

1679
01:32:29,720 --> 01:32:31,800
Speaker 1: great things he was doing was so great that to

1680
01:32:31,960 --> 01:32:35,200
Speaker 1: show these clips now him being his age, it's not fair,

1681
01:32:35,280 --> 01:32:36,560
Speaker 1: you know, because we're all looking at it in this

1682
01:32:36,680 --> 01:32:39,479
Speaker 1: different scope where he's not here today to see what

1683
01:32:39,560 --> 01:32:41,160
Speaker 1: he would have evolved in you know what I'm saying,

1684
01:32:41,880 --> 01:32:46,360
Speaker 1: and whatever you said right there, Like I've seen reputable people,

1685
01:32:46,400 --> 01:32:49,120
Speaker 1: people that are relevant say that you know, Pap was

1686
01:32:49,160 --> 01:32:51,720
Speaker 1: a fake gangster and that that this old dumb ship

1687
01:32:52,040 --> 01:32:55,400
Speaker 1: and there's things that pops were doing that regular gangsters

1688
01:32:55,439 --> 01:32:59,080
Speaker 1: would never fucking shot the police. But he shot the police.

1689
01:32:59,640 --> 01:33:02,760
Speaker 1: You know, there's a police in respect he but he

1690
01:33:02,880 --> 01:33:07,400
Speaker 1: stood up and he saw somebody, He saw somebody. How

1691
01:33:07,439 --> 01:33:10,920
Speaker 1: many of us would do that? Hey once again, and

1692
01:33:11,120 --> 01:33:13,040
Speaker 1: even even on the West coast east in the side

1693
01:33:13,080 --> 01:33:15,800
Speaker 1: some gangster ship. He didn't have to chick the boy

1694
01:33:16,200 --> 01:33:18,960
Speaker 1: when my taxif you don't have to do that, it's

1695
01:33:18,960 --> 01:33:21,760
Speaker 1: plenty their negs to kick the boy he did. That

1696
01:33:21,840 --> 01:33:25,080
Speaker 1: ship's texts to be acting like they in the fight

1697
01:33:25,160 --> 01:33:26,599
Speaker 1: that ain't in the fight. That when they got caught

1698
01:33:26,600 --> 01:33:29,519
Speaker 1: on camera running around the ship. This you know, faking

1699
01:33:29,560 --> 01:33:31,760
Speaker 1: the fault. He didn't do that. He was a big

1700
01:33:32,200 --> 01:33:35,720
Speaker 1: megastar at the time. How can you fake being Tupac

1701
01:33:36,360 --> 01:33:39,280
Speaker 1: in twenty six years and this motherfucker's ain't did none

1702
01:33:39,280 --> 01:33:41,720
Speaker 1: of that real ship and he was born into it.

1703
01:33:42,840 --> 01:33:46,160
Speaker 1: It wasn't about it wasn't about publicity. It wasn't about

1704
01:33:48,200 --> 01:33:51,200
Speaker 1: uh some media bliss and none of that ship. It

1705
01:33:51,360 --> 01:33:54,479
Speaker 1: was organic, it wasn't. He was so passionate. How the

1706
01:33:54,640 --> 01:34:00,560
Speaker 1: fund can you say Tupac is faith? How everything he

1707
01:34:00,760 --> 01:34:04,040
Speaker 1: did was from his heart and he was alone, like

1708
01:34:04,240 --> 01:34:06,639
Speaker 1: even in my old lady she tell me the story

1709
01:34:06,680 --> 01:34:09,840
Speaker 1: where she was in the building, then in inside quiet studio,

1710
01:34:10,080 --> 01:34:14,280
Speaker 1: then he got shot. It's w B was there. They

1711
01:34:14,360 --> 01:34:17,439
Speaker 1: were there, you know. And when he comes down and

1712
01:34:17,520 --> 01:34:20,160
Speaker 1: and you see his boys that was invited him there,

1713
01:34:20,800 --> 01:34:23,400
Speaker 1: invited him there and whatnot. But then you don't say

1714
01:34:23,479 --> 01:34:27,360
Speaker 1: nothing about you know, who's what it got something to

1715
01:34:27,439 --> 01:34:29,439
Speaker 1: do with what And then he goes on to somewhere

1716
01:34:29,439 --> 01:34:32,439
Speaker 1: else and whatnot. And then come on, New York know everything.

1717
01:34:33,040 --> 01:34:35,680
Speaker 1: And if you're really my friend, if you tell me,

1718
01:34:36,680 --> 01:34:39,920
Speaker 1: tell me New York leaguer, just tell me it's not true.

1719
01:34:40,200 --> 01:34:43,840
Speaker 1: Why Yig had nothing to do. I ain't say you

1720
01:34:43,880 --> 01:34:45,280
Speaker 1: got nothing to do, but tell me that's what you're saying.

1721
01:34:45,320 --> 01:34:47,519
Speaker 1: Tell you know what I'm saying. Tell me it's nothing

1722
01:34:47,560 --> 01:34:52,080
Speaker 1: to tell out this happens. But I wouldn't. I wouldn't.

1723
01:34:52,080 --> 01:34:54,599
Speaker 1: I wouldn't. I mean, I respect that opinion, but I wouldn't.

1724
01:34:55,160 --> 01:34:59,360
Speaker 1: I wouldn't debate any of that. I would just celebrated,

1725
01:34:59,439 --> 01:35:01,479
Speaker 1: well because I don't know it. I'm not. I'm not.

1726
01:35:01,600 --> 01:35:03,800
Speaker 1: I can't. I can't determine the stories like I don't

1727
01:35:03,840 --> 01:35:05,400
Speaker 1: want to hear what people say about it. I stay,

1728
01:35:05,920 --> 01:35:09,400
Speaker 1: I stay neutral in it. But I just respect the

1729
01:35:09,600 --> 01:35:11,960
Speaker 1: art form of a biggie or a pop. I wouldn't

1730
01:35:11,960 --> 01:35:15,200
Speaker 1: really want to divulge into anything like that. But I

1731
01:35:15,240 --> 01:35:18,160
Speaker 1: want to tell you that I don't think I've really

1732
01:35:18,240 --> 01:35:21,840
Speaker 1: met biggie, but I met big I never met Yeah,

1733
01:35:21,920 --> 01:35:26,720
Speaker 1: so so it's me and you're the honesty. No, I'm not,

1734
01:35:28,360 --> 01:35:31,320
Speaker 1: I'm just I know. I'm that's even better than I

1735
01:35:31,560 --> 01:35:34,280
Speaker 1: New York sucking your ship up right now, not at all.

1736
01:35:35,120 --> 01:35:37,400
Speaker 1: I ain't nobody game, none of that ship. I ain't

1737
01:35:37,439 --> 01:35:42,160
Speaker 1: no gang. I'm the mother. But if you come to

1738
01:35:42,240 --> 01:35:45,760
Speaker 1: Atlanta and something happens to you, and I'm your boy

1739
01:35:46,240 --> 01:35:48,600
Speaker 1: and whatnot? You you trusted I know somebody to know,

1740
01:35:48,720 --> 01:35:50,479
Speaker 1: somebody to know something. What happened right now? I know

1741
01:35:50,520 --> 01:35:52,200
Speaker 1: you're not a street niggers. I'm not trusting you at

1742
01:35:54,000 --> 01:35:59,559
Speaker 1: only good right now. That feels good. But yeah, why

1743
01:35:59,600 --> 01:36:02,639
Speaker 1: the hapt whatever today? I need to put my charge

1744
01:36:02,680 --> 01:36:05,360
Speaker 1: away and my gum and all that other ship. What

1745
01:36:05,400 --> 01:36:10,920
Speaker 1: I'm saying shows that i'm saying out of line. I

1746
01:36:10,960 --> 01:36:13,160
Speaker 1: don't just need to bring up the quid. I wouldn't

1747
01:36:13,760 --> 01:36:16,000
Speaker 1: you doing? But I get it. I get it. I

1748
01:36:16,120 --> 01:36:19,400
Speaker 1: see you looking what you're looking at. You got a

1749
01:36:19,439 --> 01:36:24,519
Speaker 1: lie we personally be doing and the sport is fun yo,

1750
01:36:25,840 --> 01:36:30,760
Speaker 1: it's not funny. We'll just turned up the gudiences out. Yeah,

1751
01:36:31,000 --> 01:36:33,559
Speaker 1: we don't want you good. We're very secure over here.

1752
01:36:33,720 --> 01:36:36,880
Speaker 1: Who are you talking to this? I'm talking to the camel.

1753
01:36:37,200 --> 01:36:40,240
Speaker 1: I'm talking to Journey. Funny, I'm talking to Journey. He's

1754
01:36:40,280 --> 01:36:47,240
Speaker 1: looking at the camera. We're looking at Sunny D's like, now, yeah,

1755
01:36:47,520 --> 01:36:52,800
Speaker 1: hit me, hit me, I got much we back out.

1756
01:36:53,240 --> 01:36:56,840
Speaker 1: You ain't got long we're going. I'm COMMI I don't

1757
01:36:56,840 --> 01:37:00,519
Speaker 1: want to shuff out with this bullshit. So rock baby,

1758
01:37:01,439 --> 01:37:03,439
Speaker 1: But you gotta worry about the fifty six seeing you're

1759
01:37:03,479 --> 01:37:07,200
Speaker 1: drinking that Rick Ross ship. Right, No, no, no, right

1760
01:37:10,760 --> 01:37:22,519
Speaker 1: this ship out, keep your winding like thirst to come on, man,

1761
01:37:24,800 --> 01:37:28,080
Speaker 1: I'm thirsty, thirsty. You know you want to go to

1762
01:37:28,160 --> 01:37:31,120
Speaker 1: Rick Ross's house too. You know, I don't know who

1763
01:37:31,800 --> 01:37:33,800
Speaker 1: I was there when it was holding for your house.

1764
01:37:33,920 --> 01:37:36,800
Speaker 1: I've never fault. I don't don't go anyway to it.

1765
01:37:36,960 --> 01:37:39,720
Speaker 1: It's a holy okay, A little bit more sweas it

1766
01:37:39,760 --> 01:37:42,599
Speaker 1: has been a big ross. When you know you want

1767
01:37:42,640 --> 01:37:44,320
Speaker 1: to the Ross house. I want to go out. It

1768
01:37:44,400 --> 01:37:49,320
Speaker 1: was having a good time, but her on that. So

1769
01:37:49,439 --> 01:37:52,280
Speaker 1: I don't keep working around like roster. It's a lot.

1770
01:37:52,320 --> 01:37:55,920
Speaker 1: There's lot different from holds him but everybody to me,

1771
01:37:56,000 --> 01:37:59,439
Speaker 1: to anybody, everybody mean. But it was kind like I

1772
01:37:59,520 --> 01:38:03,040
Speaker 1: had to man, I did. We're all blue, I have it,

1773
01:38:03,400 --> 01:38:11,280
Speaker 1: damn shot the shout out what you're talking about. But

1774
01:38:13,000 --> 01:38:15,920
Speaker 1: so let's get down to a serious note. Like I said,

1775
01:38:16,240 --> 01:38:19,280
Speaker 1: I did me uh c burder. He actually did invite

1776
01:38:19,320 --> 01:38:22,439
Speaker 1: me to the apartment, and I thought he was playing

1777
01:38:22,479 --> 01:38:25,360
Speaker 1: around like he was like yeah, I thought he's playing

1778
01:38:25,360 --> 01:38:28,000
Speaker 1: around until he actually cocked up and then they showed

1779
01:38:28,040 --> 01:38:29,400
Speaker 1: me the pot. This I was like, oh, ship, I

1780
01:38:29,479 --> 01:38:37,479
Speaker 1: was really gonna go there, like and you know, ah, no,

1781
01:38:37,680 --> 01:38:39,960
Speaker 1: going to the hood is nothing right in thehing. We

1782
01:38:40,000 --> 01:38:41,479
Speaker 1: can go to any practice we want to. But when

1783
01:38:41,479 --> 01:38:44,880
Speaker 1: you go to the with another famous dude that really

1784
01:38:45,000 --> 01:38:49,720
Speaker 1: is set up in the hood. Yeah, that's like was

1785
01:38:49,800 --> 01:38:53,160
Speaker 1: that a problem for for you and p because, um, like,

1786
01:38:53,560 --> 01:38:55,200
Speaker 1: I mean this one thing to be an attached to

1787
01:38:55,280 --> 01:38:58,360
Speaker 1: the hood and living in the hood is something totally

1788
01:38:58,680 --> 01:39:01,600
Speaker 1: good man. I think he has a man like he

1789
01:39:02,040 --> 01:39:07,320
Speaker 1: clearly has a MTV cre for sure, for sure had

1790
01:39:07,400 --> 01:39:12,639
Speaker 1: a whole nother crew. Was that like something you talked about?

1791
01:39:12,840 --> 01:39:15,320
Speaker 1: What the thing about it is? They in his in

1792
01:39:15,680 --> 01:39:17,720
Speaker 1: our hood whatever, they love him, love him love like

1793
01:39:17,800 --> 01:39:22,439
Speaker 1: nothing would happen so uncomfortable. He felt very comfortable, I think.

1794
01:39:22,520 --> 01:39:27,000
Speaker 1: But all the time he stayed there. Um, I don't

1795
01:39:27,000 --> 01:39:29,920
Speaker 1: know about the water bab, but I listen, I scored

1796
01:39:29,920 --> 01:39:31,840
Speaker 1: to the New Orleans and to hang out with him.

1797
01:39:32,120 --> 01:39:34,400
Speaker 1: He's always something let's go, let's go to my partner

1798
01:39:34,479 --> 01:39:36,720
Speaker 1: in the hood. I thought he was playing. I did

1799
01:39:36,800 --> 01:39:40,439
Speaker 1: not know what he was said. But but no, but

1800
01:39:40,560 --> 01:39:43,360
Speaker 1: so so what it is is that the whole hood

1801
01:39:43,520 --> 01:39:45,640
Speaker 1: loved him. He felt the love it was good to

1802
01:39:45,680 --> 01:39:47,080
Speaker 1: be a part of the love. You know, you feel

1803
01:39:47,120 --> 01:39:48,920
Speaker 1: that way some time, you know, you go where you like,

1804
01:39:49,080 --> 01:39:52,960
Speaker 1: like Norris says, celebrated, not tolerated, and so, um, that's

1805
01:39:53,000 --> 01:39:55,639
Speaker 1: why he felt the most comfortable. That the only problem

1806
01:39:55,800 --> 01:39:58,760
Speaker 1: is with the hood is that it's the hood, and

1807
01:39:59,200 --> 01:40:03,080
Speaker 1: eventually it turns on you. It turns on you. It

1808
01:40:03,120 --> 01:40:04,960
Speaker 1: could be one turn. That's always takes one turn. And

1809
01:40:05,040 --> 01:40:07,880
Speaker 1: I think that majority of people, but you still got

1810
01:40:08,479 --> 01:40:10,240
Speaker 1: up and coming dudes, you say, you know you're so

1811
01:40:10,600 --> 01:40:13,040
Speaker 1: I was. I was more worried about that, not worried

1812
01:40:13,040 --> 01:40:16,759
Speaker 1: about that he lived at just the turn of the circle.

1813
01:40:16,920 --> 01:40:20,439
Speaker 1: To me, like fifty people like you than forty nine,

1814
01:40:20,520 --> 01:40:23,080
Speaker 1: Like he's only one not like you. That's it, that's it,

1815
01:40:23,520 --> 01:40:25,040
Speaker 1: you know. So I felt like that was when I

1816
01:40:25,080 --> 01:40:28,720
Speaker 1: thought about him living there. I thought about the how

1817
01:40:28,800 --> 01:40:32,320
Speaker 1: the hood works where they never actually never got sorry.

1818
01:40:33,360 --> 01:40:35,400
Speaker 1: But he actually never got in trouble in there. He

1819
01:40:35,479 --> 01:40:38,320
Speaker 1: got in trouble when he left the hood. Pretty much. Yeah,

1820
01:40:38,560 --> 01:40:40,720
Speaker 1: you know, he was comfortable there. Um, and I think

1821
01:40:40,800 --> 01:40:44,760
Speaker 1: that they they would do anything for him, Um, but

1822
01:40:44,920 --> 01:40:47,000
Speaker 1: I think it's just I didn't take a charge for him,

1823
01:40:47,560 --> 01:40:50,360
Speaker 1: Like even in the documentary. Even in the documentary, they

1824
01:40:50,400 --> 01:40:53,160
Speaker 1: got girls ever saying what he's from us, he's what

1825
01:40:53,520 --> 01:40:55,519
Speaker 1: us like, and you're just looking and you're just seeing

1826
01:40:55,560 --> 01:40:57,680
Speaker 1: the people, and you could tell like, you know, I'm

1827
01:40:57,720 --> 01:41:00,320
Speaker 1: a hood dude, like I brought the offend with yeah

1828
01:41:00,560 --> 01:41:05,640
Speaker 1: to the hood, Like so what I'm trying to tell you,

1829
01:41:06,320 --> 01:41:09,040
Speaker 1: I'm a real personal from the hood. And then when

1830
01:41:09,040 --> 01:41:11,160
Speaker 1: I saw that, and I was like, damn, he might

1831
01:41:11,200 --> 01:41:13,080
Speaker 1: be even realer than me, Like you know what I'm saying,

1832
01:41:13,320 --> 01:41:14,920
Speaker 1: And that's good. That's good for me to say that

1833
01:41:15,080 --> 01:41:17,479
Speaker 1: because I'm like when I seen how the people were told,

1834
01:41:17,720 --> 01:41:20,360
Speaker 1: because it's one thing for show things for certain O

1835
01:41:20,520 --> 01:41:22,599
Speaker 1: G had told me this one time. I kept coming

1836
01:41:22,640 --> 01:41:25,479
Speaker 1: to the hood in the projects and parking on the avenue,

1837
01:41:26,040 --> 01:41:27,639
Speaker 1: and when I would park on the avenue, I don't

1838
01:41:27,640 --> 01:41:29,960
Speaker 1: know one would touch my car. But the O G

1839
01:41:30,080 --> 01:41:33,320
Speaker 1: said to me, Yo, man, park on the outskirts from

1840
01:41:33,360 --> 01:41:37,840
Speaker 1: now on. So I said, no, park on the outskirts.

1841
01:41:38,200 --> 01:41:40,640
Speaker 1: Don't park in front the hood, because what happens is

1842
01:41:40,760 --> 01:41:43,200
Speaker 1: everyone comes outside of the projects and they want to

1843
01:41:43,200 --> 01:41:45,519
Speaker 1: show off. For me, I'm the one that made it.

1844
01:41:45,640 --> 01:41:48,080
Speaker 1: That's not a sucker. That's still coming back out. But

1845
01:41:48,640 --> 01:41:50,439
Speaker 1: so as they're coming out as soon as I leave,

1846
01:41:50,439 --> 01:41:54,360
Speaker 1: they're getting in the shootouts because I'm bringing them all out.

1847
01:41:54,439 --> 01:41:56,320
Speaker 1: I'm bringing them all out. I'm not I'm not even

1848
01:41:56,400 --> 01:42:00,439
Speaker 1: knowing that because but just of people together, because everyone,

1849
01:42:00,479 --> 01:42:02,280
Speaker 1: because everyone from every side. I got love for me,

1850
01:42:02,320 --> 01:42:03,920
Speaker 1: even if he was shooting at me before I was

1851
01:42:03,960 --> 01:42:06,200
Speaker 1: shooting at them. Like now that they know, I'm gonna gip,

1852
01:42:06,400 --> 01:42:08,640
Speaker 1: everyone's coming out whatever. And I didn't know what I

1853
01:42:08,800 --> 01:42:11,800
Speaker 1: was doing. So every time I left, there would be

1854
01:42:11,920 --> 01:42:13,760
Speaker 1: some ship that happened. So I started to realize I

1855
01:42:13,840 --> 01:42:15,920
Speaker 1: had to humble myself. So I would come and bring

1856
01:42:16,000 --> 01:42:18,439
Speaker 1: my If I broke two cars on a pocket, you

1857
01:42:18,520 --> 01:42:21,599
Speaker 1: know by the mall, have a little motherfucker come see

1858
01:42:21,640 --> 01:42:24,600
Speaker 1: me with his bike, give him moiftys or something like that.

1859
01:42:24,800 --> 01:42:26,439
Speaker 1: And I'm driving, I'm walking through the hood with the

1860
01:42:26,479 --> 01:42:30,880
Speaker 1: bike on, and it leveled me out. But on C ship,

1861
01:42:31,200 --> 01:42:34,519
Speaker 1: C was like never left, like like like the closest

1862
01:42:34,560 --> 01:42:36,439
Speaker 1: thing I see to C murder is Jungle. I said.

1863
01:42:36,439 --> 01:42:41,920
Speaker 1: I mentioned him earlier. Jungle um from NA from QB Jungle. Damn.

1864
01:42:41,960 --> 01:42:45,360
Speaker 1: They had an apartment in QB two car type. No,

1865
01:42:45,640 --> 01:42:47,640
Speaker 1: he wasn't selling drugs. He no, I didn't say that

1866
01:42:48,160 --> 01:42:53,240
Speaker 1: no card means drugs to loving the hood to like

1867
01:42:53,360 --> 01:42:55,680
Speaker 1: he love it. He has no jungle, he said, he

1868
01:42:55,800 --> 01:42:57,880
Speaker 1: has loving the hood, but not like I see C

1869
01:42:58,080 --> 01:43:01,560
Speaker 1: murder like you know, oh, and you know what it

1870
01:43:01,800 --> 01:43:05,560
Speaker 1: was too. I thought that as much as it was

1871
01:43:05,680 --> 01:43:07,320
Speaker 1: kind of a bad idea for him to be in

1872
01:43:07,360 --> 01:43:11,920
Speaker 1: the hood, it was also a middle grounds because no

1873
01:43:12,000 --> 01:43:17,160
Speaker 1: one can never say P silk. They too holly like

1874
01:43:17,200 --> 01:43:21,200
Speaker 1: it anchored, they stilled it. What the main brother those

1875
01:43:21,240 --> 01:43:23,559
Speaker 1: are the three you know what. That's why when y'all

1876
01:43:23,600 --> 01:43:25,240
Speaker 1: bent shed out of their five or four boys, which

1877
01:43:25,280 --> 01:43:27,400
Speaker 1: I want to get back into for a little while later,

1878
01:43:28,160 --> 01:43:30,439
Speaker 1: but that was the three main brothers. I felt like

1879
01:43:30,600 --> 01:43:33,479
Speaker 1: P after everyone left him and he was like, I'm

1880
01:43:33,520 --> 01:43:36,720
Speaker 1: sticking with my brothers. You know what I'm saying that

1881
01:43:37,000 --> 01:43:41,680
Speaker 1: same mother and fathers right, so um so so what

1882
01:43:41,720 --> 01:43:43,919
Speaker 1: I'm saying that. I thought that was the middle ground always.

1883
01:43:44,520 --> 01:43:47,439
Speaker 1: I thought that was the way that the hood would

1884
01:43:47,479 --> 01:43:50,840
Speaker 1: never flip on y'all, because it's like C was there,

1885
01:43:50,920 --> 01:43:54,000
Speaker 1: like C C had us like they couldn't get that silk,

1886
01:43:54,040 --> 01:43:56,719
Speaker 1: They couldn't get that P. But you could literally see

1887
01:43:58,360 --> 01:44:01,439
Speaker 1: C murder go and pick up as mail. Yeah yeah, yeah,

1888
01:44:01,479 --> 01:44:10,880
Speaker 1: that's funny. That's real ship. Like, let me tell you something.

1889
01:44:10,960 --> 01:44:13,000
Speaker 1: This is how you know he's a real dude. Every

1890
01:44:13,040 --> 01:44:15,640
Speaker 1: time I see murder, all of us, you know, what's up?

1891
01:44:15,680 --> 01:44:18,559
Speaker 1: What's yea? It was never no no gas ship, never

1892
01:44:18,640 --> 01:44:20,840
Speaker 1: none of this ship that the people describe. Always a

1893
01:44:20,880 --> 01:44:23,679
Speaker 1: real respect. Last time you focused murder, I just talked

1894
01:44:23,680 --> 01:44:29,000
Speaker 1: to him maybe, um, like four or five days ago,

1895
01:44:29,040 --> 01:44:32,080
Speaker 1: three or four days ago. Yeah, yeah, he, um, he was.

1896
01:44:32,720 --> 01:44:34,519
Speaker 1: He's working on his case stuff, so he's kind of

1897
01:44:34,600 --> 01:44:36,720
Speaker 1: like been locked in. But yeah, you know, he has

1898
01:44:36,760 --> 01:44:39,320
Speaker 1: a number called a lot of time, so um, you know,

1899
01:44:39,360 --> 01:44:41,920
Speaker 1: the JP thing is always working. So yeah, but we're

1900
01:44:42,000 --> 01:44:46,519
Speaker 1: more for support, like I just like the problem might say,

1901
01:44:46,800 --> 01:44:50,840
Speaker 1: was more of um that he's innocent though, So I'm

1902
01:44:50,840 --> 01:44:54,560
Speaker 1: not saying he I'm not saying like, okay, yeah he

1903
01:44:54,840 --> 01:44:58,840
Speaker 1: you know, because he's not old. No, no, I'm talking

1904
01:44:58,920 --> 01:45:02,439
Speaker 1: about I'm talking about my old footage against him, meaning, um,

1905
01:45:02,840 --> 01:45:06,200
Speaker 1: there was other footage of some incident that happened a

1906
01:45:06,280 --> 01:45:10,360
Speaker 1: different clubs, and they're using that. It's just because because

1907
01:45:10,439 --> 01:45:13,360
Speaker 1: even the security guard said that he was under pressure

1908
01:45:13,400 --> 01:45:17,519
Speaker 1: when he said that murdered. Did it so? Yeah? So good?

1909
01:45:17,720 --> 01:45:21,719
Speaker 1: Well No, The crazy part is I know the facts. Listen,

1910
01:45:21,760 --> 01:45:25,000
Speaker 1: I know the facts. I got all the paperwork, um like.

1911
01:45:25,360 --> 01:45:28,840
Speaker 1: And the crazy part is that he's really innocent of

1912
01:45:28,920 --> 01:45:32,600
Speaker 1: the crime. Like I'm saying like, no, you got so

1913
01:45:32,720 --> 01:45:35,160
Speaker 1: he's really so imagine that. So as a brother, it's

1914
01:45:35,240 --> 01:45:40,120
Speaker 1: more like, um um, it's one of the worst things

1915
01:45:40,680 --> 01:45:43,160
Speaker 1: when because we're gonna wrap our brothers no matter what.

1916
01:45:43,280 --> 01:45:44,960
Speaker 1: Like if your brother did something, You're like, oh, he

1917
01:45:45,040 --> 01:45:46,920
Speaker 1: did it, but I'm going to him every month, I'm

1918
01:45:46,920 --> 01:45:49,240
Speaker 1: going to put money on his books. But it's probably

1919
01:45:49,280 --> 01:45:52,880
Speaker 1: the worst feeling when an innocent so because me I'll

1920
01:45:52,920 --> 01:45:54,760
Speaker 1: be like, yo, bro, you did the stuff. You gotta

1921
01:45:54,760 --> 01:45:57,639
Speaker 1: do the crime, do the time. But it's hard when

1922
01:45:57,960 --> 01:46:01,680
Speaker 1: um so, I never really us about anything, and so

1923
01:46:02,720 --> 01:46:05,000
Speaker 1: I'm always trying to have a good time, you know whatever.

1924
01:46:05,040 --> 01:46:08,760
Speaker 1: I feel good about pretty much anything. But then that

1925
01:46:09,040 --> 01:46:12,120
Speaker 1: part of it is one of the It always drop

1926
01:46:12,280 --> 01:46:14,080
Speaker 1: you down a couple of notches. You could be parting

1927
01:46:14,120 --> 01:46:16,599
Speaker 1: in Jamaica having fun and just like we're seeing jail

1928
01:46:16,640 --> 01:46:18,920
Speaker 1: you know because I and let me say, you're not

1929
01:46:19,000 --> 01:46:22,000
Speaker 1: going So the crazy part that's why I hope you

1930
01:46:22,120 --> 01:46:27,040
Speaker 1: come home soon. Um. The crazy part is, uh, if

1931
01:46:27,080 --> 01:46:29,720
Speaker 1: you visit your brother and you leave to go home,

1932
01:46:30,320 --> 01:46:32,479
Speaker 1: you know what I'm saying, And he's better than the jungle.

1933
01:46:32,560 --> 01:46:34,160
Speaker 1: So he's you know, he's at goal or whatever he's

1934
01:46:34,200 --> 01:46:40,680
Speaker 1: at leaving and somebody innocent like that is as it's

1935
01:46:40,720 --> 01:46:44,600
Speaker 1: really a mine thing. So I think that's almost like

1936
01:46:44,880 --> 01:46:46,400
Speaker 1: because I lost my mother brother too, but he got

1937
01:46:46,479 --> 01:46:49,639
Speaker 1: killed and you know, and that that was like a boom.

1938
01:46:50,040 --> 01:46:52,320
Speaker 1: I think I might share one tier. And I was like, Okay,

1939
01:46:52,360 --> 01:46:53,400
Speaker 1: I'm not in here, you know what I'm saying, But

1940
01:46:53,680 --> 01:46:56,360
Speaker 1: I got it. But that's when it's like a lingering thing.

1941
01:46:56,439 --> 01:46:59,400
Speaker 1: So I just want to see him, you know, out

1942
01:46:59,439 --> 01:47:02,080
Speaker 1: of you know, out of what is it in Louisiana?

1943
01:47:02,479 --> 01:47:04,840
Speaker 1: I think, uh they say something that you can't reverse

1944
01:47:04,920 --> 01:47:08,840
Speaker 1: the law once um you're convicted even like something like that,

1945
01:47:09,240 --> 01:47:11,920
Speaker 1: Um what not even that? I think it's like so

1946
01:47:12,200 --> 01:47:15,200
Speaker 1: when you think of Louisiana, um, you think of like

1947
01:47:15,560 --> 01:47:17,800
Speaker 1: so if you go to Angle the prison, they still

1948
01:47:17,840 --> 01:47:21,479
Speaker 1: on horses with shotguns. So it's it's it's it's it's

1949
01:47:21,560 --> 01:47:23,640
Speaker 1: the South right still they say it again, you go

1950
01:47:23,720 --> 01:47:26,840
Speaker 1: to sal and they're still on horses with really they

1951
01:47:27,120 --> 01:47:29,559
Speaker 1: their hat on there. They like, yeah, in that prison

1952
01:47:29,600 --> 01:47:31,160
Speaker 1: when he was at that that's the one. So it's

1953
01:47:31,200 --> 01:47:32,800
Speaker 1: like and they're still work in the field, like they're

1954
01:47:32,800 --> 01:47:36,040
Speaker 1: working the field, they building stuff. So with that prison

1955
01:47:36,120 --> 01:47:40,920
Speaker 1: more is um. It's um. It's really a workplace. So

1956
01:47:40,960 --> 01:47:43,400
Speaker 1: they're trying to keep the prison's pack um because they

1957
01:47:43,439 --> 01:47:44,800
Speaker 1: get the best work. Got me, I've seen some stuff.

1958
01:47:44,800 --> 01:47:48,960
Speaker 1: They probably made this table, you know whatever, and um.

1959
01:47:49,160 --> 01:47:51,240
Speaker 1: So that's a system for them. And it's a way.

1960
01:47:51,280 --> 01:47:53,640
Speaker 1: Because I was younger, I used to realize, like I

1961
01:47:53,720 --> 01:47:56,800
Speaker 1: had a guy, you know, he like little John whatever

1962
01:47:57,479 --> 01:48:00,360
Speaker 1: not the rap John looks on, but so so he

1963
01:48:00,640 --> 01:48:04,040
Speaker 1: he was like a good guy and you know he's like, yo,

1964
01:48:04,760 --> 01:48:07,280
Speaker 1: he shot and killed a shot of the cop or whatever, right,

1965
01:48:07,360 --> 01:48:09,679
Speaker 1: and I'm like, this guy would never do that. Thirty

1966
01:48:09,720 --> 01:48:11,840
Speaker 1: years he out of here and you know, public spend.

1967
01:48:11,880 --> 01:48:14,960
Speaker 1: He gone, but straight and gola. Right. So now he's

1968
01:48:14,960 --> 01:48:17,599
Speaker 1: a worker. They don't want the workers that's like four years,

1969
01:48:17,640 --> 01:48:19,599
Speaker 1: three years. Got to train them too hard. So it's

1970
01:48:19,600 --> 01:48:22,280
Speaker 1: a system for them. I get it, um. But but

1971
01:48:22,320 --> 01:48:24,640
Speaker 1: it was they was doing it way back then, and

1972
01:48:24,720 --> 01:48:27,600
Speaker 1: it was like but we was younger, so it was like,

1973
01:48:27,720 --> 01:48:30,680
Speaker 1: oh not not saying you Let's say somebody took him

1974
01:48:30,720 --> 01:48:32,960
Speaker 1: off the treety out of here, mom, you know crime whatever,

1975
01:48:33,040 --> 01:48:35,120
Speaker 1: thirty years go by, boom is through it again, do

1976
01:48:35,200 --> 01:48:38,080
Speaker 1: it again. And so to me, that's the system at

1977
01:48:38,120 --> 01:48:40,920
Speaker 1: they ends. I feel bad for any parent or anybody

1978
01:48:40,960 --> 01:48:42,640
Speaker 1: who because a lot of them that's not doing it.

1979
01:48:42,720 --> 01:48:45,200
Speaker 1: Course something guilty on super but a lot of them not.

1980
01:48:45,400 --> 01:48:47,360
Speaker 1: And so um that was that's the only thing about it.

1981
01:48:47,400 --> 01:48:50,000
Speaker 1: It's like if he was guilty, I'll be like, you

1982
01:48:50,040 --> 01:48:51,880
Speaker 1: gotta do the time. You know, we out of here.

1983
01:48:52,000 --> 01:48:54,200
Speaker 1: But it's not like you guys don't have the resources

1984
01:48:54,280 --> 01:48:58,680
Speaker 1: for which is crazy. You know, they they system it's

1985
01:48:58,720 --> 01:49:01,280
Speaker 1: too big. They won't break it because then that that's

1986
01:49:01,280 --> 01:49:03,120
Speaker 1: gonna break those systems. But I think he is gonna

1987
01:49:03,160 --> 01:49:04,639
Speaker 1: come home, and I think he is going to break

1988
01:49:04,680 --> 01:49:06,720
Speaker 1: the system because it's it's loosen enough and now a

1989
01:49:06,800 --> 01:49:09,960
Speaker 1: little bit um the people who who's at the top,

1990
01:49:10,080 --> 01:49:12,840
Speaker 1: who's like those real strong which you're like, you know

1991
01:49:12,920 --> 01:49:14,960
Speaker 1: there the ones like now you're getting some people in

1992
01:49:15,000 --> 01:49:18,120
Speaker 1: there that who's like but back then it's just like boy,

1993
01:49:18,160 --> 01:49:20,599
Speaker 1: you you know that's got some old school Jim Crow

1994
01:49:20,720 --> 01:49:24,479
Speaker 1: motherfucker's in there, and let's talk about how does he

1995
01:49:24,920 --> 01:49:27,639
Speaker 1: bought the projects? Though? Right? Yeah, it's it's so it's

1996
01:49:27,680 --> 01:49:30,040
Speaker 1: not a money thing at all. Um, I want people

1997
01:49:30,040 --> 01:49:32,320
Speaker 1: to be like, oh he could do this, Um, your

1998
01:49:32,360 --> 01:49:35,080
Speaker 1: wi the we own them, real people on them really hard,

1999
01:49:35,240 --> 01:49:37,960
Speaker 1: Like you're not helping your brother, like when you gave

2000
01:49:38,040 --> 01:49:40,160
Speaker 1: up on your brother and whatnot. Can you clear up

2001
01:49:40,360 --> 01:49:44,560
Speaker 1: from your mouth? I mean he kind of did. He

2002
01:49:44,600 --> 01:49:48,559
Speaker 1: said that it's a system that it's it's not come from.

2003
01:49:48,800 --> 01:49:51,439
Speaker 1: I mean, I listen, everybody, we could all say we

2004
01:49:51,520 --> 01:49:53,160
Speaker 1: could do we could be money on the quarterback, and

2005
01:49:53,200 --> 01:49:54,760
Speaker 1: we all have to do more. I could do more, right,

2006
01:49:54,920 --> 01:49:58,880
Speaker 1: I mean, but you really are gonna have to fight.

2007
01:49:59,240 --> 01:50:02,200
Speaker 1: Um Like even Kim, like she's trying to do it.

2008
01:50:03,520 --> 01:50:07,280
Speaker 1: She's trying to do it like they this is behind

2009
01:50:08,000 --> 01:50:12,960
Speaker 1: she's close because she's trying to that. Yeah yeah, yeah

2010
01:50:13,400 --> 01:50:15,240
Speaker 1: I heard that. But I just that's great to hear.

2011
01:50:15,800 --> 01:50:17,559
Speaker 1: I'm listening. I have to get out. I'm just want

2012
01:50:17,560 --> 01:50:20,160
Speaker 1: to get out. But I mean, um, you know, it's

2013
01:50:20,200 --> 01:50:22,479
Speaker 1: she's taking a different angle than we probably could take.

2014
01:50:22,600 --> 01:50:25,479
Speaker 1: She has like some stuff in her back pocket. But yeah,

2015
01:50:25,479 --> 01:50:27,759
Speaker 1: I wouldn't be hard on p in that situation because

2016
01:50:28,600 --> 01:50:30,479
Speaker 1: he's done a lot. Of course, all of us just

2017
01:50:30,680 --> 01:50:33,720
Speaker 1: can try to do more. But also you gotta think too,

2018
01:50:34,400 --> 01:50:36,320
Speaker 1: it's got to be done a correct way because you

2019
01:50:36,479 --> 01:50:39,439
Speaker 1: think about this, No, not even that part. We could

2020
01:50:39,479 --> 01:50:42,040
Speaker 1: come hard. But he's still in jail though, so you

2021
01:50:42,200 --> 01:50:45,160
Speaker 1: know that the systems work together. The police worked with

2022
01:50:45,240 --> 01:50:48,960
Speaker 1: the So I only I don't think he's worried about that.

2023
01:50:49,200 --> 01:50:52,439
Speaker 1: I just think that, um, we're just trying to find

2024
01:50:52,560 --> 01:50:56,559
Speaker 1: a happy medium. Um, we're going. We went hard on him,

2025
01:50:56,680 --> 01:50:58,720
Speaker 1: a hard heart heart, and we was right there. It

2026
01:50:58,840 --> 01:51:01,840
Speaker 1: was close, and then last minute they just they stuck

2027
01:51:01,920 --> 01:51:04,799
Speaker 1: to their guns. Where we can't let y'all winners because

2028
01:51:04,840 --> 01:51:07,280
Speaker 1: the system. We can't break the system because it's been

2029
01:51:07,360 --> 01:51:12,479
Speaker 1: this way. How long he's been in there right now years, yeah,

2030
01:51:12,560 --> 01:51:16,320
Speaker 1: something like that. So it's nuts, it's it's it's ridiculous.

2031
01:51:16,400 --> 01:51:18,800
Speaker 1: And then when you watch the documentary and you see

2032
01:51:19,320 --> 01:51:21,920
Speaker 1: Pee's emotions in the side of it and how he's

2033
01:51:22,000 --> 01:51:24,080
Speaker 1: I've been here the whole time. I've been here the

2034
01:51:24,120 --> 01:51:26,200
Speaker 1: whole time, y'all don't know what it's like to be

2035
01:51:26,280 --> 01:51:29,200
Speaker 1: inside of this position and being the head because, like

2036
01:51:29,280 --> 01:51:31,800
Speaker 1: you said, if He's the icon in the situation, so

2037
01:51:31,880 --> 01:51:34,720
Speaker 1: it seemed like he could just just waving one and

2038
01:51:34,840 --> 01:51:38,519
Speaker 1: it ship should be eradicated because of his status. Like

2039
01:51:40,160 --> 01:51:43,280
Speaker 1: tip lifted, lift take the pressure off of pe Nick

2040
01:51:43,439 --> 01:51:45,960
Speaker 1: right now. I just say, you know, I said, it's

2041
01:51:46,000 --> 01:51:49,880
Speaker 1: like say, I mean you can't. I mean, like like listen,

2042
01:51:50,840 --> 01:51:54,920
Speaker 1: I would say myself personally, I could say, just money

2043
01:51:54,960 --> 01:51:57,560
Speaker 1: on the quarterback? Could I do stuff differently? Can I

2044
01:51:57,640 --> 01:52:01,240
Speaker 1: do more? You can? But at the same time, that's

2045
01:52:01,240 --> 01:52:03,640
Speaker 1: not that's not his fight, like that, He's done a

2046
01:52:03,760 --> 01:52:06,640
Speaker 1: lot to really help him out. The system is just

2047
01:52:06,920 --> 01:52:09,679
Speaker 1: really it's a system that don't want to be broken

2048
01:52:09,760 --> 01:52:11,439
Speaker 1: right now because if they break, they're gonna have to

2049
01:52:11,439 --> 01:52:13,200
Speaker 1: break for all these other cases. That's what it is.

2050
01:52:13,320 --> 01:52:15,920
Speaker 1: That's what it is. They know, okay, it could probably break,

2051
01:52:16,160 --> 01:52:18,080
Speaker 1: it's gonna break, but they hold in tight because if

2052
01:52:18,120 --> 01:52:20,400
Speaker 1: this breaks, is going to crack the whole system. And

2053
01:52:20,560 --> 01:52:25,599
Speaker 1: but it's going to break. It always does. Um it's

2054
01:52:25,840 --> 01:52:27,640
Speaker 1: I think in case like hands is gonna do it.

2055
01:52:27,680 --> 01:52:29,800
Speaker 1: We just gotta rally a little bit more and be

2056
01:52:29,880 --> 01:52:33,000
Speaker 1: ready to because they softening up. They they the system

2057
01:52:33,080 --> 01:52:35,559
Speaker 1: has turned around because I think right now he's in jail.

2058
01:52:35,920 --> 01:52:37,519
Speaker 1: You know the ten two rule. So the ten two

2059
01:52:37,600 --> 01:52:40,320
Speaker 1: rule is it's got to be unanimous. Everywhere in the

2060
01:52:40,360 --> 01:52:45,920
Speaker 1: world it's unanimous except except for all meaning, um, the

2061
01:52:46,120 --> 01:52:49,160
Speaker 1: jury has to all twelve of them have to vote.

2062
01:52:49,280 --> 01:52:53,479
Speaker 1: But in New Orleans, it could be a ten Louisiana.

2063
01:52:53,520 --> 01:52:56,240
Speaker 1: It could be so it could be tender, and it

2064
01:52:56,280 --> 01:52:58,680
Speaker 1: could be two people that says no, and you and

2065
01:52:58,760 --> 01:53:00,840
Speaker 1: you're still You're still You're still going in there. So

2066
01:53:01,160 --> 01:53:04,479
Speaker 1: that's crazy, that's pretty murder. It starts right here, right now,

2067
01:53:04,600 --> 01:53:10,400
Speaker 1: New yamp let's go Brigstown. Yeah, yeah, it's corruption going on. Hey,

2068
01:53:10,479 --> 01:53:12,920
Speaker 1: and we won't stand for it no more. We won't

2069
01:53:13,160 --> 01:53:18,120
Speaker 1: free my nigger camera, look at the yeah, free see murder.

2070
01:53:19,040 --> 01:53:22,120
Speaker 1: I beat you. You want to take a bathroom break?

2071
01:53:22,160 --> 01:53:24,439
Speaker 1: Now is the time? Okay, Yeah, I'm good, I'm good.

2072
01:53:24,800 --> 01:53:27,200
Speaker 1: Keep going. I'm on the court the tank right now,

2073
01:53:28,280 --> 01:53:34,240
Speaker 1: clear nory glasses one, come on, come on, I'm gonna

2074
01:53:34,280 --> 01:53:39,240
Speaker 1: keep gonn ep on, don't I don't. Yeah, shout out

2075
01:53:39,280 --> 01:53:43,479
Speaker 1: the Organic Food Kings. It's incredible. We got the truck

2076
01:53:43,520 --> 01:53:46,479
Speaker 1: outside at Organic Food Kings. Make sure you check them out.

2077
01:53:47,360 --> 01:53:51,400
Speaker 1: I'm gonna beating them all the time, right now, so

2078
01:53:51,520 --> 01:53:53,720
Speaker 1: tell us what you're doing now? You producing movies? Yeah,

2079
01:53:53,840 --> 01:53:55,880
Speaker 1: I'm about having the movie stuff now. Okay, so what

2080
01:53:56,120 --> 01:53:59,280
Speaker 1: made you do to that? I did it before it

2081
01:53:59,360 --> 01:54:02,200
Speaker 1: like I didn't one with him. I'm doing um man,

2082
01:54:02,240 --> 01:54:04,600
Speaker 1: I had a part like it was like very to

2083
01:54:04,640 --> 01:54:06,880
Speaker 1: the post. But then mother, it was pretty good that. Yeah,

2084
01:54:06,920 --> 01:54:08,960
Speaker 1: I was pretty good, like hey, don't go in there.

2085
01:54:11,920 --> 01:54:16,280
Speaker 1: Yeah he got a little Yeah, he was like, great,

2086
01:54:16,520 --> 01:54:19,680
Speaker 1: you're gonna be the motherfucker movie and making that. He

2087
01:54:19,760 --> 01:54:21,559
Speaker 1: knows how to field you up and make you feel

2088
01:54:21,600 --> 01:54:24,800
Speaker 1: you know what I am in. So this this exclusively

2089
01:54:24,880 --> 01:54:27,800
Speaker 1: right now. I'm working on writing the uh like a

2090
01:54:27,880 --> 01:54:30,679
Speaker 1: no limit project. But I'm also writing so by time

2091
01:54:30,920 --> 01:54:34,080
Speaker 1: writing hot Boys too. So we're going right now. We're

2092
01:54:34,320 --> 01:54:36,360
Speaker 1: right now. So who I'm gonna be in it? I

2093
01:54:36,480 --> 01:54:38,400
Speaker 1: got some it's gonna be dope. It's it's gonna be

2094
01:54:38,600 --> 01:54:41,680
Speaker 1: kind of redirected with the new stuff that's happened. I'm

2095
01:54:41,680 --> 01:54:43,120
Speaker 1: gonna be in it. You're gonn definitely be in it

2096
01:54:43,200 --> 01:54:44,760
Speaker 1: for show, but I'm not gonna I'm gonna try to

2097
01:54:44,760 --> 01:54:48,440
Speaker 1: get Now I'm annoying, but I'm just gonna say you're

2098
01:54:48,440 --> 01:54:54,640
Speaker 1: doing I said, I'm listening. No, I'm gonna get you.

2099
01:54:54,640 --> 01:54:58,720
Speaker 1: I'm gonna get some. Will you know some fucking I

2100
01:54:58,720 --> 01:55:00,920
Speaker 1: don't know about the give me some. I don't know.

2101
01:55:01,080 --> 01:55:08,920
Speaker 1: I don't know that. Come let me somebody. We're still

2102
01:55:08,960 --> 01:55:12,280
Speaker 1: working on my body. I look good on cameras, you

2103
01:55:12,440 --> 01:55:17,080
Speaker 1: fucking kid. I can't get you a part in the movie.

2104
01:55:17,080 --> 01:55:19,960
Speaker 1: I can't. I can't guarantee you the roll. I can't

2105
01:55:20,000 --> 01:55:25,480
Speaker 1: guarantee you can't get me an your movie. You minute

2106
01:55:26,200 --> 01:55:27,520
Speaker 1: don't have to make sense right, you don't want to

2107
01:55:27,560 --> 01:55:30,280
Speaker 1: body just randomly ston like, don't want to be You

2108
01:55:30,360 --> 01:55:32,720
Speaker 1: don't gonna be a stuple. I'll be a supporting fucking bro.

2109
01:55:33,040 --> 01:55:37,480
Speaker 1: But we might have a supporting Celemsson is question? All right? Cameron?

2110
01:55:37,680 --> 01:55:39,680
Speaker 1: Pay them for? You know? Was he the start in

2111
01:55:39,760 --> 01:55:43,080
Speaker 1: the movie? No? Not really, but it became a start

2112
01:55:43,160 --> 01:55:45,560
Speaker 1: in the movie. Yo, pay them for? Nor was he

2113
01:55:45,680 --> 01:55:51,080
Speaker 1: the start in the movie? Remember the roll? Canna know

2114
01:55:51,200 --> 01:55:53,320
Speaker 1: what kind of can roll as big as Norties was

2115
01:55:53,680 --> 01:55:56,880
Speaker 1: in this ship's roll? They didn't pay them for. I

2116
01:55:57,040 --> 01:55:59,880
Speaker 1: want some ship like No, I got twelve seconds. I

2117
01:56:00,000 --> 01:56:03,720
Speaker 1: needed to seconds, so sucking something. I can almost guarantee

2118
01:56:03,720 --> 01:56:08,760
Speaker 1: you to our seconds. I just can't guarantee up, give

2119
01:56:08,800 --> 01:56:13,160
Speaker 1: me give me some money, like Nor negotiated to our

2120
01:56:13,160 --> 01:56:23,240
Speaker 1: second place shows a second second. So, so, what's what's

2121
01:56:23,280 --> 01:56:26,240
Speaker 1: your favorite era of No Limit? I usually ask people

2122
01:56:26,280 --> 01:56:28,280
Speaker 1: what's the favorite era of music? I just want to

2123
01:56:28,320 --> 01:56:30,960
Speaker 1: say your favorite area of no limits? Like yours person,

2124
01:56:31,040 --> 01:56:34,440
Speaker 1: I would say Snoop coming to No Limits. Yeah it

2125
01:56:34,560 --> 01:56:39,200
Speaker 1: was because we watched them, but I'm sure you probably

2126
01:56:39,240 --> 01:56:43,400
Speaker 1: know Snoop. So Snoop is like the ultimate loyal like

2127
01:56:44,640 --> 01:56:48,480
Speaker 1: cool really somebody who like it. It's always the same

2128
01:56:48,680 --> 01:56:51,640
Speaker 1: like if he Rocket Rockership, he doesn't, He's like whatever.

2129
01:56:51,720 --> 01:56:53,360
Speaker 1: But me and him he had to buyd because he

2130
01:56:53,480 --> 01:56:55,200
Speaker 1: was staying at my house. He would come over. He

2131
01:56:55,240 --> 01:56:56,960
Speaker 1: would like, we would chop it up. We would go

2132
01:56:57,040 --> 01:56:59,440
Speaker 1: to places and he was just consistently. We did a

2133
01:56:59,440 --> 01:57:02,680
Speaker 1: lot of music other but we just was more like, um,

2134
01:57:03,760 --> 01:57:08,120
Speaker 1: I've really really have seen people that um embraced it,

2135
01:57:08,760 --> 01:57:12,040
Speaker 1: UM bought into it and then would listen like he

2136
01:57:12,120 --> 01:57:14,960
Speaker 1: would like tell you stuff, but he would also listen

2137
01:57:15,440 --> 01:57:18,920
Speaker 1: and still remain humble. But also even to this day,

2138
01:57:19,000 --> 01:57:21,320
Speaker 1: it's like what's something new for you? Is like you

2139
01:57:21,360 --> 01:57:22,920
Speaker 1: know it's that and I was up and it's like

2140
01:57:23,000 --> 01:57:24,960
Speaker 1: that still thing and he never really changed up. I

2141
01:57:25,040 --> 01:57:27,400
Speaker 1: thought that was and he was a superstar too, and

2142
01:57:27,480 --> 01:57:29,680
Speaker 1: it was good that it was good because we was good,

2143
01:57:30,360 --> 01:57:33,640
Speaker 1: but to help him get back to where he wanted

2144
01:57:33,680 --> 01:57:35,600
Speaker 1: to be at because when we came to us, I

2145
01:57:35,600 --> 01:57:38,240
Speaker 1: wouldn't say he was still Snoop, but he was just

2146
01:57:38,800 --> 01:57:41,880
Speaker 1: questioning Snoop, you know, and and that and as an artist,

2147
01:57:42,640 --> 01:57:45,720
Speaker 1: you know we you you questioned how good? Like I

2148
01:57:45,880 --> 01:57:50,040
Speaker 1: never really questioned, like my talent. But if somebody saying,

2149
01:57:50,040 --> 01:57:51,520
Speaker 1: oh you all beat, you know what I'm saying, like

2150
01:57:51,520 --> 01:57:53,640
Speaker 1: I'm record people love going crazy not to come in.

2151
01:57:53,720 --> 01:57:56,520
Speaker 1: But so he he got it back. To watch him

2152
01:57:56,560 --> 01:57:59,040
Speaker 1: get it back. He was walking at first. He was

2153
01:57:59,080 --> 01:58:00,760
Speaker 1: like trying to figure it out and he was smiling,

2154
01:58:00,840 --> 01:58:05,400
Speaker 1: running around bad Ruge like drop topic. Yeah, he was chilling. Man.

2155
01:58:05,440 --> 01:58:07,280
Speaker 1: He got his house there, he was coming out with

2156
01:58:07,320 --> 01:58:09,440
Speaker 1: his slippers like I'm watching it. He don't know it,

2157
01:58:09,520 --> 01:58:12,160
Speaker 1: but I'm watching it, and I'm like wow. Because when

2158
01:58:12,200 --> 01:58:15,280
Speaker 1: he first got there, you could see the wasn't that

2159
01:58:15,360 --> 01:58:17,600
Speaker 1: confidence he was He was like, I don't know if

2160
01:58:17,600 --> 01:58:19,240
Speaker 1: I'm Snoop though, you know, like he knew it, but

2161
01:58:19,320 --> 01:58:21,800
Speaker 1: he was. But when Tommy got in that studio and

2162
01:58:21,920 --> 01:58:24,120
Speaker 1: making like I think he made after my you know

2163
01:58:24,120 --> 01:58:26,440
Speaker 1: what I'm saying. He was like he got it back.

2164
01:58:26,480 --> 01:58:28,040
Speaker 1: He was walking around then. I think that's when he

2165
01:58:28,120 --> 01:58:29,880
Speaker 1: was ready to say I got to go back home,

2166
01:58:30,040 --> 01:58:31,800
Speaker 1: you know what I'm saying, to the West Coast and

2167
01:58:31,960 --> 01:58:33,920
Speaker 1: and step into that my faith. And it was it

2168
01:58:34,000 --> 01:58:37,760
Speaker 1: was dope to to watch him kind of filled with

2169
01:58:37,840 --> 01:58:39,640
Speaker 1: his chest out like yeah, I'm going back and take

2170
01:58:39,720 --> 01:58:41,280
Speaker 1: over you know, the West Coast. That was. It was

2171
01:58:41,320 --> 01:58:44,760
Speaker 1: dope death road trying to jump on. I was, I was,

2172
01:58:45,120 --> 01:58:47,160
Speaker 1: I was there. Yeah, it was yeah, yeah, it was.

2173
01:58:48,800 --> 01:58:51,800
Speaker 1: Um so Snoop being a person he was, we had

2174
01:58:51,840 --> 01:58:54,600
Speaker 1: a whole bunch of people watching him and he was

2175
01:58:54,640 --> 01:58:58,160
Speaker 1: watching everybody right, And then Snoop was like he'd probably say,

2176
01:58:58,200 --> 01:58:59,480
Speaker 1: I'm just going to the bathroom by myself. You know,

2177
01:58:59,560 --> 01:59:01,800
Speaker 1: he's not really fearful like that, so he's more like

2178
01:59:02,160 --> 01:59:04,040
Speaker 1: so he went off with like one maybe one person

2179
01:59:04,160 --> 01:59:07,280
Speaker 1: or somebody like that, and I didn't see that what happened.

2180
01:59:07,840 --> 01:59:11,240
Speaker 1: Um I did see him walk off, but his typical Snoop,

2181
01:59:11,360 --> 01:59:12,640
Speaker 1: He's like I'm just I'm just gonna do what I

2182
01:59:12,720 --> 01:59:14,080
Speaker 1: want to do. Go and chop it up to my

2183
01:59:14,160 --> 01:59:16,800
Speaker 1: friends whatever. As soon as you did it. The one

2184
01:59:16,880 --> 01:59:18,840
Speaker 1: thing I heard, like about a couple of seconds later

2185
01:59:19,080 --> 01:59:22,160
Speaker 1: was all of us just running, like just running towards

2186
01:59:22,240 --> 01:59:24,320
Speaker 1: where we think that Snoop is at. And that was

2187
01:59:24,400 --> 01:59:25,960
Speaker 1: like it. And then it just kind of like this

2188
01:59:26,120 --> 01:59:30,160
Speaker 1: um big old melee. You know, we everybody everybody ready,

2189
01:59:30,240 --> 01:59:32,560
Speaker 1: you know what that blah blah blah um and that

2190
01:59:32,680 --> 01:59:34,840
Speaker 1: was hit. It was just didn't kind of settle down

2191
01:59:34,880 --> 01:59:38,920
Speaker 1: at that point, like we had p on here. He

2192
01:59:39,080 --> 01:59:41,880
Speaker 1: told us about his famous phone call, a masterpiece call

2193
01:59:42,920 --> 01:59:47,600
Speaker 1: a sill call on him, and she saying yo, man

2194
01:59:47,840 --> 01:59:52,800
Speaker 1: l a us and and Masterpiece saying, so when you're moving.

2195
01:59:53,680 --> 01:59:59,920
Speaker 1: I heard that story. I heard that. Um, we all

2196
02:00:00,040 --> 02:00:04,320
Speaker 1: heard the Room of Death row. When you hear this,

2197
02:00:04,480 --> 02:00:09,040
Speaker 1: that your brother saying, man, I ain't going nowhere. What

2198
02:00:09,440 --> 02:00:11,880
Speaker 1: is your thoughts running through your mind? Are you thinking

2199
02:00:11,960 --> 02:00:15,320
Speaker 1: industry ship or are you thinking like maybe this is

2200
02:00:15,360 --> 02:00:17,920
Speaker 1: the time let's relax. I mean, like, I'm not really

2201
02:00:17,960 --> 02:00:22,000
Speaker 1: familiar with the sugar part, but so I won't even comment. Well,

2202
02:00:22,040 --> 02:00:24,160
Speaker 1: I knew of them. I knew your own story. Yeah,

2203
02:00:24,160 --> 02:00:28,000
Speaker 1: I knew hanging another ice over, I heard it. But

2204
02:00:28,040 --> 02:00:31,040
Speaker 1: i'd be so my listening, I'll be so zone whatever.

2205
02:00:31,480 --> 02:00:33,360
Speaker 1: But I'm with, you know, I'm with all that. But

2206
02:00:33,480 --> 02:00:36,680
Speaker 1: at the same time I heard the stuff. Um, but

2207
02:00:37,160 --> 02:00:40,160
Speaker 1: but I also could believe the conversation happened. I wasn't

2208
02:00:40,200 --> 02:00:43,760
Speaker 1: there with the conversation happened. Now I wasn't. I was

2209
02:00:43,800 --> 02:00:45,920
Speaker 1: in the mix everything. I was actually calling Richie rich

2210
02:00:46,400 --> 02:00:49,040
Speaker 1: I know they Actually the funny thing about it is

2211
02:00:49,480 --> 02:00:52,680
Speaker 1: and this is this is all due to you know, blessed.

2212
02:00:52,720 --> 02:00:56,000
Speaker 1: On that part, I was probably the wildest one coming up.

2213
02:00:56,840 --> 02:00:57,920
Speaker 1: And I was with, I was with, I was in

2214
02:00:58,000 --> 02:01:00,640
Speaker 1: all this stuff. I was with We had like even

2215
02:01:00,680 --> 02:01:02,440
Speaker 1: if you wanted the video, I was in the barrier

2216
02:01:02,480 --> 02:01:04,280
Speaker 1: with the fight. I was like I made the lie up.

2217
02:01:04,320 --> 02:01:06,240
Speaker 1: I was like, yeah, do stuff to my footing and

2218
02:01:06,240 --> 02:01:08,440
Speaker 1: stup my foot the whole club we're fighting the club whatever.

2219
02:01:08,520 --> 02:01:11,360
Speaker 1: So you know, I was with all that dumb stuff. Um.

2220
02:01:12,240 --> 02:01:14,120
Speaker 1: So no, and I was. I was at every meeting

2221
02:01:15,760 --> 02:01:18,720
Speaker 1: us CA stuff. I know of it. Um. If I

2222
02:01:18,840 --> 02:01:21,000
Speaker 1: wasn't there, it's like I'm a phone call away. So

2223
02:01:21,960 --> 02:01:24,120
Speaker 1: I was so the crazy part I was with whatever

2224
02:01:24,480 --> 02:01:27,200
Speaker 1: we was with. Um, the room was like pe Court

2225
02:01:28,320 --> 02:01:32,160
Speaker 1: on pimp in the room. Yeah I wasn't. I wasn't

2226
02:01:32,200 --> 02:01:34,160
Speaker 1: were over that part. But you know that's just room

2227
02:01:34,240 --> 02:01:39,480
Speaker 1: and stuff like that. Pimp and nothing's people. Okay, I

2228
02:01:42,280 --> 02:01:44,400
Speaker 1: see that, but you know some of that stuff I

2229
02:01:44,520 --> 02:01:48,000
Speaker 1: just called me when it's all the way up, or

2230
02:01:48,320 --> 02:01:50,600
Speaker 1: you know, we gotta with it's the issue, stuff like that.

2231
02:01:50,760 --> 02:01:54,600
Speaker 1: So with the what did I say, Oh, with the

2232
02:01:54,760 --> 02:01:56,840
Speaker 1: with that part of it, I know that probably happened

2233
02:01:56,840 --> 02:01:59,760
Speaker 1: because I could see, but that's typically past the people.

2234
02:02:01,000 --> 02:02:03,400
Speaker 1: Probably happened. I heard of. It probably happened for sure.

2235
02:02:03,640 --> 02:02:05,680
Speaker 1: I see that a lot of niggers. How about how

2236
02:02:05,680 --> 02:02:08,640
Speaker 1: about how about the pastor Troy Ship? Because I listened

2237
02:02:08,680 --> 02:02:11,680
Speaker 1: to this record for them there two years and I

2238
02:02:11,840 --> 02:02:18,160
Speaker 1: had no idea that that was a disc record. Yeah

2239
02:02:19,960 --> 02:02:26,680
Speaker 1: you know playing I said, what's up, Big Big okay

2240
02:02:27,800 --> 02:02:33,800
Speaker 1: from Gets Drink Champion? Yeah, yeah, yeah, coming here. But

2241
02:02:34,640 --> 02:02:38,040
Speaker 1: I had, like I had watched this man come performed

2242
02:02:38,840 --> 02:02:41,520
Speaker 1: at two or three, four or four, six seven times.

2243
02:02:42,760 --> 02:02:46,480
Speaker 1: I had not known because because I think the intro

2244
02:02:46,640 --> 02:02:49,880
Speaker 1: of the record is actually the disk right or the

2245
02:02:50,000 --> 02:02:54,440
Speaker 1: video or whatever, I had not there. Uh yeah it's Peter, Yeah, yeah,

2246
02:02:54,600 --> 02:03:02,840
Speaker 1: there's rapping. Oh yeah, yeah, that's on the phones. Yeah,

2247
02:03:04,200 --> 02:03:06,640
Speaker 1: pass the Troyal and tell them since they think they

2248
02:03:06,680 --> 02:03:09,920
Speaker 1: sold you. We read it for war. I've never really

2249
02:03:09,960 --> 02:03:18,520
Speaker 1: heard that. Damn, he's so rich man. Yo, yeah, I

2250
02:03:18,640 --> 02:03:23,440
Speaker 1: never heard that to never. No, that's crazy, but I

2251
02:03:23,840 --> 02:03:26,560
Speaker 1: know I know that I heard the story. Um, Like

2252
02:03:26,600 --> 02:03:29,200
Speaker 1: I said, I'm just try I'll be man listening me.

2253
02:03:29,440 --> 02:03:33,320
Speaker 1: I'm like my, Um, I had to control my you

2254
02:03:33,360 --> 02:03:35,080
Speaker 1: know I have. I had a little temper back then,

2255
02:03:35,120 --> 02:03:37,920
Speaker 1: but so I tried not to um because because they

2256
02:03:37,920 --> 02:03:40,440
Speaker 1: don't have to tell me to calm down type of things,

2257
02:03:40,480 --> 02:03:42,800
Speaker 1: So I just try to. It's when it's up, It's

2258
02:03:42,840 --> 02:03:45,600
Speaker 1: like it's up. So shot me before I would have

2259
02:03:45,680 --> 02:03:56,760
Speaker 1: definitely in the statue. Yeah no, no, no, no, no, no, no,

2260
02:03:58,400 --> 02:04:03,000
Speaker 1: don't for me that dude. Oh my god, this is

2261
02:04:03,160 --> 02:04:07,120
Speaker 1: what's big mount Okay, yeah, no, I can't believe you.

2262
02:04:07,240 --> 02:04:09,720
Speaker 1: You know, you know I heard the story, but I

2263
02:04:09,920 --> 02:04:18,840
Speaker 1: never music white rich che Yeah yeah, tech game. You

2264
02:04:19,440 --> 02:04:23,880
Speaker 1: know your communionship communis. I talked to me before to

2265
02:04:24,040 --> 02:04:28,400
Speaker 1: dope people. Done people, you know what you doing? What

2266
02:04:30,480 --> 02:04:32,880
Speaker 1: what I've done is um And that's probably like why

2267
02:04:32,920 --> 02:04:36,280
Speaker 1: I want to show people, because um, I'm gonna seen this.

2268
02:04:36,320 --> 02:04:37,800
Speaker 1: So I have. I had this book. I had rolled too,

2269
02:04:37,800 --> 02:04:39,760
Speaker 1: but it's a music book. So I'm sitting to all

2270
02:04:39,840 --> 02:04:42,560
Speaker 1: y'all for sure. UM, I said, I didn't bring down

2271
02:04:42,640 --> 02:04:48,760
Speaker 1: hut damn about but but no, I'm in a tech world.

2272
02:04:48,800 --> 02:04:53,000
Speaker 1: But I also found it's a balance to um telling

2273
02:04:53,000 --> 02:04:54,440
Speaker 1: people you in the tech world and really be in

2274
02:04:54,480 --> 02:04:56,800
Speaker 1: the tech world. Right. So it's some stuff that I'm

2275
02:04:56,920 --> 02:05:00,960
Speaker 1: part of that UM you probably used, but I probably

2276
02:05:01,000 --> 02:05:03,520
Speaker 1: I'll never tell you that. UM, I think because sometimes

2277
02:05:03,760 --> 02:05:06,400
Speaker 1: some stuff is good. Like Twitter. Now that's I don't

2278
02:05:06,440 --> 02:05:08,000
Speaker 1: I don't want that, but I won't stop the water

2279
02:05:11,040 --> 02:05:19,400
Speaker 1: around brook that's this. I want something that's cool, that's

2280
02:05:19,440 --> 02:05:21,520
Speaker 1: dope like that. Um. And then how do you get

2281
02:05:21,560 --> 02:05:23,560
Speaker 1: into these things? I'm hearing people get it? Is it

2282
02:05:23,640 --> 02:05:26,400
Speaker 1: through hedge funds? Is it through white people? I got

2283
02:05:26,560 --> 02:05:30,520
Speaker 1: friends that are UM I got was wanting. The people

2284
02:05:30,520 --> 02:05:36,760
Speaker 1: don't understand how much. Okay, please, I got some bro. No,

2285
02:05:36,960 --> 02:05:39,280
Speaker 1: let me tell you. I gotta call my boy. I

2286
02:05:39,320 --> 02:05:42,520
Speaker 1: gotta come boy at some point. Okay, but missing boy

2287
02:05:43,280 --> 02:05:47,440
Speaker 1: something Okay, cool, I got something you my bro. You're

2288
02:05:47,440 --> 02:05:51,560
Speaker 1: gonna be like shock you when he tells you. But no,

2289
02:05:51,680 --> 02:05:54,120
Speaker 1: I actually and this is gonna make so much sense

2290
02:05:54,160 --> 02:05:58,840
Speaker 1: for you. But the book, okay, we got to okay,

2291
02:05:58,880 --> 02:06:02,760
Speaker 1: yeah yeah yeah, and he got to take yet that's it.

2292
02:06:02,920 --> 02:06:05,840
Speaker 1: It's it's a it's a um. It's just when the

2293
02:06:05,880 --> 02:06:08,480
Speaker 1: music doesn't so everything you didn't know about publishing, writing whatever,

2294
02:06:08,560 --> 02:06:10,000
Speaker 1: And it's what year did you put this up? Like

2295
02:06:10,040 --> 02:06:12,160
Speaker 1: two years a year and have ago so it's recently

2296
02:06:12,440 --> 02:06:16,600
Speaker 1: so it's just today. It's really good. Pay you a

2297
02:06:16,680 --> 02:06:21,960
Speaker 1: whole real hay a full so but no, I'm glad that. Please.

2298
02:06:21,960 --> 02:06:23,880
Speaker 1: I want to be in some text shown. You want

2299
02:06:23,920 --> 02:06:25,480
Speaker 1: to go to Silicone Valley, You're gonna love it. Bro,

2300
02:06:25,720 --> 02:06:29,520
Speaker 1: Oh my god, he was married. Let me tell you

2301
02:06:29,600 --> 02:06:33,680
Speaker 1: something and just get more pusson in the tempo that

2302
02:06:34,600 --> 02:06:37,360
Speaker 1: right now? Are you in the crypto space too? Not

2303
02:06:37,520 --> 02:06:42,760
Speaker 1: in a game? I'm not, um, but but I want

2304
02:06:42,800 --> 02:06:44,760
Speaker 1: I want to get into some stuff that I don't

2305
02:06:44,800 --> 02:06:47,800
Speaker 1: know about. I try not to um do it of stuff.

2306
02:06:48,200 --> 02:06:50,280
Speaker 1: I just got my first one done. I'm shout out

2307
02:06:50,280 --> 02:06:57,600
Speaker 1: to my boy Trav. Uh yeah you frenchie, frenchie Uh yeah,

2308
02:06:57,680 --> 02:07:01,080
Speaker 1: he's got something going on that he's involved in of us. Okay, cool,

2309
02:07:02,120 --> 02:07:03,960
Speaker 1: so you sold your first one on your boy yet

2310
02:07:04,280 --> 02:07:05,560
Speaker 1: we did it. We did it right now and we're

2311
02:07:05,600 --> 02:07:07,280
Speaker 1: about to Yeah, we're about to put it out together

2312
02:07:07,400 --> 02:07:13,400
Speaker 1: now one second. Um. But so that's some stuff. Um,

2313
02:07:13,800 --> 02:07:16,520
Speaker 1: that's some stuff that because some of the stuff you're doing,

2314
02:07:16,680 --> 02:07:19,080
Speaker 1: like you do, you could own for you to be like, oh,

2315
02:07:19,400 --> 02:07:21,160
Speaker 1: that's what I'm doing. Like I know, NAS do a

2316
02:07:21,200 --> 02:07:23,600
Speaker 1: lot of it, right, some stuff NAS do that you

2317
02:07:23,720 --> 02:07:26,320
Speaker 1: never know NAS do. It blows up right whatever. But

2318
02:07:26,400 --> 02:07:29,080
Speaker 1: I found out sometimes you keep some stuff separate because

2319
02:07:29,520 --> 02:07:32,200
Speaker 1: let's say if I got a clothing line, I have

2320
02:07:32,280 --> 02:07:35,440
Speaker 1: a clothing line that's that every artist you know comes

2321
02:07:35,480 --> 02:07:37,680
Speaker 1: into l A and buy that my shop right right slam.

2322
02:07:37,880 --> 02:07:39,640
Speaker 1: You don't never give me a ship because I don't

2323
02:07:39,640 --> 02:07:41,000
Speaker 1: want you to know I's owned it. But I own it.

2324
02:07:41,120 --> 02:07:43,880
Speaker 1: And I could pull up a Hunted Rappers that has

2325
02:07:43,960 --> 02:07:46,600
Speaker 1: the award. If I tell them that I own it'll

2326
02:07:46,680 --> 02:07:48,280
Speaker 1: change it. They'd be like, I didn't want to sho

2327
02:07:48,600 --> 02:07:52,720
Speaker 1: what I'm saying with you. I don't know why. But

2328
02:07:52,800 --> 02:07:54,360
Speaker 1: if you like, that's just that's actually what it is.

2329
02:07:59,560 --> 02:08:02,000
Speaker 1: It wouldn't be something personal with you. It's just identified

2330
02:08:02,040 --> 02:08:05,760
Speaker 1: with a little personal a person I don't know how

2331
02:08:05,800 --> 02:08:09,000
Speaker 1: to spell. It was just it was just got it,

2332
02:08:09,120 --> 02:08:12,040
Speaker 1: put it together. I don't. If you don't get it,

2333
02:08:12,240 --> 02:08:15,680
Speaker 1: I don't why why it just sell good on my

2334
02:08:16,720 --> 02:08:22,400
Speaker 1: host a gun hoster because I got joining here. Now

2335
02:08:23,600 --> 02:08:26,680
Speaker 1: one brand that they identified myself with. I've seen you

2336
02:08:26,760 --> 02:08:30,080
Speaker 1: got something, Put us on, Put us on. It's called

2337
02:08:30,120 --> 02:08:32,240
Speaker 1: chasing billions. So that's what I do. But that one is,

2338
02:08:32,600 --> 02:08:35,360
Speaker 1: you know people, I put it his mind, but it

2339
02:08:35,440 --> 02:08:38,720
Speaker 1: does well anyway. But the other one, every person from

2340
02:08:38,800 --> 02:08:41,680
Speaker 1: who tanks a little baby and to train his board

2341
02:08:41,800 --> 02:08:44,320
Speaker 1: and yeah. But but because it's it's a it's a

2342
02:08:44,840 --> 02:08:47,880
Speaker 1: it's a kind of thing where it's pieces, so they

2343
02:08:47,960 --> 02:08:52,080
Speaker 1: love it. They spend five hundred dollars one dollars on. Yeah, yeah,

2344
02:08:52,160 --> 02:08:56,640
Speaker 1: for real, you got got you and your phone. You

2345
02:08:56,680 --> 02:09:00,560
Speaker 1: gotta relax side you're arguing with him. The niggle was

2346
02:09:00,600 --> 02:09:02,720
Speaker 1: not dead for me. I thought like I thought, trying

2347
02:09:02,720 --> 02:09:04,760
Speaker 1: to show he had my back and I ain't needing

2348
02:09:04,800 --> 02:09:06,960
Speaker 1: no guns. This is this nigg is like the transporter.

2349
02:09:07,120 --> 02:09:09,960
Speaker 1: He got the guns. He got the guns. Let's see. Man,

2350
02:09:10,040 --> 02:09:11,480
Speaker 1: Now we don't do it, No no one to do it.

2351
02:09:11,600 --> 02:09:13,880
Speaker 1: Because we went to jail, both us went. Last time

2352
02:09:14,120 --> 02:09:16,560
Speaker 1: you guys went together, Hey man, Mr Lee I was

2353
02:09:18,400 --> 02:09:22,000
Speaker 1: the bottle boy here. He even had he got he

2354
02:09:22,040 --> 02:09:25,080
Speaker 1: got it out for your dollar. Should not calling me

2355
02:09:25,320 --> 02:09:30,680
Speaker 1: phone call you? He called me. No, that's it's it's

2356
02:09:30,720 --> 02:09:33,440
Speaker 1: documented and there no jokes, no jokes with the guy.

2357
02:09:33,840 --> 02:09:36,600
Speaker 1: So what he says, we need documented though recording. He

2358
02:09:36,680 --> 02:09:39,760
Speaker 1: talked about it before, so it don't mean it's documented,

2359
02:09:40,440 --> 02:09:45,320
Speaker 1: I guess, but it's one what happened here all So

2360
02:09:45,480 --> 02:09:52,160
Speaker 1: you remember when uh Tupac's body guard Frank Alexander lights kid. Yes,

2361
02:09:52,280 --> 02:09:56,040
Speaker 1: I was the last interview, yes, one of because he

2362
02:09:56,480 --> 02:09:59,040
Speaker 1: got murdered, right, he had got murdered two weeks after

2363
02:10:00,040 --> 02:10:04,640
Speaker 1: you on this on this is fifty yes and yo

2364
02:10:05,400 --> 02:10:09,600
Speaker 1: a finish A cool called me all these uh fucking um.

2365
02:10:10,120 --> 02:10:11,560
Speaker 1: It was a little boy that used to hang out

2366
02:10:11,560 --> 02:10:13,800
Speaker 1: with Tupac all the time. They bring along like I'm

2367
02:10:13,840 --> 02:10:18,000
Speaker 1: some god named Manuel Lewis ship with Michael Jackson, you

2368
02:10:18,080 --> 02:10:22,040
Speaker 1: know twin he was, he was young. But anyway he

2369
02:10:22,200 --> 02:10:25,360
Speaker 1: called me and he was like, this was when it

2370
02:10:25,520 --> 02:10:29,360
Speaker 1: was in talks. Oh uh, what's the movie? Trade out

2371
02:10:29,400 --> 02:10:33,120
Speaker 1: of company? What's coming? Before the other alteration? He goes

2372
02:10:33,240 --> 02:10:37,400
Speaker 1: to jail about the ship. He finds out how he's

2373
02:10:37,440 --> 02:10:41,760
Speaker 1: being depicted inside of the movie. Who Sure, So he

2374
02:10:41,920 --> 02:10:44,240
Speaker 1: hit me up and he wont He was like, hey,

2375
02:10:44,560 --> 02:10:47,600
Speaker 1: what's up? Um, just jack throw up? I said, yeah,

2376
02:10:47,680 --> 02:10:49,800
Speaker 1: what's up? Who it is? He said it sure? I

2377
02:10:49,880 --> 02:10:54,680
Speaker 1: said sugar? Who? He said, need only sugar? Get the

2378
02:10:54,760 --> 02:10:59,560
Speaker 1: funk out of what's up? He said, what, I'm trying

2379
02:10:59,600 --> 02:11:01,280
Speaker 1: to see you? I'm like, what trying to see me?

2380
02:11:01,400 --> 02:11:03,640
Speaker 1: He said? I can't see him? Yeah? I wait where

2381
02:11:03,720 --> 02:11:06,840
Speaker 1: you wait? Wait where you at? And he said, I'm

2382
02:11:06,840 --> 02:11:09,800
Speaker 1: in l A. Oh, I'm in New York. Ship, I'm

2383
02:11:09,840 --> 02:11:12,920
Speaker 1: not balled up in the corner. And when he was like, hey,

2384
02:11:12,960 --> 02:11:16,680
Speaker 1: I need to talk to fifty, I said about what?

2385
02:11:18,080 --> 02:11:19,440
Speaker 1: And he was like, hey, I want to talk to

2386
02:11:19,520 --> 02:11:20,920
Speaker 1: me about the death role movie. Don't want to do

2387
02:11:20,920 --> 02:11:23,520
Speaker 1: a death role movie and whatnot? And you know, I

2388
02:11:23,600 --> 02:11:25,880
Speaker 1: know he gets ship. You want to do a counter movie? Yeah?

2389
02:11:25,920 --> 02:11:28,720
Speaker 1: He wanted to do a counter movie. Yeah. And so

2390
02:11:30,160 --> 02:11:33,120
Speaker 1: I said, here, hey, I don't make it heavy for you,

2391
02:11:33,200 --> 02:11:35,720
Speaker 1: but I need something from you too. I need you

2392
02:11:35,800 --> 02:11:41,840
Speaker 1: can give me a Yeah. I mean I wanted some bullshit.

2393
02:11:42,320 --> 02:11:44,960
Speaker 1: I asked him for no money, nothing, because I didn't

2394
02:11:45,040 --> 02:11:48,560
Speaker 1: understand the business and what this called me. I asked

2395
02:11:48,640 --> 02:11:51,680
Speaker 1: him for a shout out for my show cycle show

2396
02:11:51,760 --> 02:11:54,520
Speaker 1: six thing about you kind of drop from him. He

2397
02:11:54,600 --> 02:11:56,560
Speaker 1: wouldn't do it until I got him on the phone

2398
02:11:56,800 --> 02:11:59,720
Speaker 1: with fifty. So I went to the office the next

2399
02:11:59,800 --> 02:12:03,360
Speaker 1: day because see fifty, and I said, Hey, fifty, guess

2400
02:12:03,440 --> 02:12:07,080
Speaker 1: who called me. They did not believe you. Didn't believe

2401
02:12:07,120 --> 02:12:12,240
Speaker 1: you know, he believed believe ever think that? He said,

2402
02:12:12,400 --> 02:12:16,040
Speaker 1: I said, shouldn't I want to have you? Said? They

2403
02:12:16,320 --> 02:12:21,600
Speaker 1: fuck no. They walked off from me, and I was like, oh, ship,

2404
02:12:21,760 --> 02:12:26,600
Speaker 1: I don't think fifty likes, shouldn't I? And so he'll

2405
02:12:26,640 --> 02:12:29,080
Speaker 1: be telling fifty secrets now that you work with Rick Cross,

2406
02:12:31,040 --> 02:12:36,480
Speaker 1: I don't. I was searchty, I was searching, don't we

2407
02:12:36,560 --> 02:12:41,360
Speaker 1: give it now? I don't know? No, don't that who

2408
02:12:41,440 --> 02:12:43,800
Speaker 1: we fun with? And you don't sunk with fun with?

2409
02:12:44,880 --> 02:12:49,040
Speaker 1: So he definitely not working with you right now. I

2410
02:12:49,160 --> 02:12:54,320
Speaker 1: think you might have put a gun on that. But anyway,

2411
02:12:55,120 --> 02:12:58,880
Speaker 1: so the story careers on one down. I'm confused. I

2412
02:12:58,960 --> 02:13:02,160
Speaker 1: don't know what to do. Back he called me back.

2413
02:13:02,600 --> 02:13:05,520
Speaker 1: Oh my god, I was like, hey, man, what's up?

2414
02:13:07,680 --> 02:13:12,440
Speaker 1: Like he ain't been And what happened was, yeah, black candy,

2415
02:13:12,600 --> 02:13:15,120
Speaker 1: let me get that crop. He's like, man, let's tell

2416
02:13:15,160 --> 02:13:17,320
Speaker 1: the nigger I need to holiday and you know what

2417
02:13:17,360 --> 02:13:20,920
Speaker 1: I'm saying, real soon, and like it's a stap, it's one.

2418
02:13:21,160 --> 02:13:23,000
Speaker 1: I need to do it right now. And I'm gonna

2419
02:13:23,000 --> 02:13:24,520
Speaker 1: do you drop whatever the funk you want to do.

2420
02:13:25,640 --> 02:13:29,920
Speaker 1: And I went back and I tried again, and I

2421
02:13:30,040 --> 02:13:35,560
Speaker 1: went to Renee this time, and Renee was like, hey, yeah,

2422
02:13:36,280 --> 02:13:40,680
Speaker 1: no go uh because there's a whole another story to

2423
02:13:40,760 --> 02:13:43,720
Speaker 1: go with this ship with your kids back in the day. Yeah,

2424
02:13:43,920 --> 02:13:47,240
Speaker 1: you know the story. Okay, cool somewhere someone all right, cool.

2425
02:13:48,720 --> 02:13:51,360
Speaker 1: So we've got a couple of minutes left. Yeah, so

2426
02:13:51,480 --> 02:13:57,160
Speaker 1: he let's get to the story. So, so kidnap some

2427
02:13:57,240 --> 02:14:00,480
Speaker 1: ship like that? Okay, that's what happened? What up? He

2428
02:14:00,640 --> 02:14:06,080
Speaker 1: kidding that book? Yes, you know part of them kidding them? Yeah, yeah,

2429
02:14:06,280 --> 02:14:12,360
Speaker 1: this is who come kame. He just didn't kid kidning happens.

2430
02:14:13,200 --> 02:14:17,400
Speaker 1: He said, it's way better than Moose kidding, not like

2431
02:14:17,480 --> 02:14:26,440
Speaker 1: with killer killer killers killer cams. So did the nigga.

2432
02:14:26,880 --> 02:14:30,640
Speaker 1: He tell him that I'm gonna do the ship and yes,

2433
02:14:31,000 --> 02:14:33,520
Speaker 1: and a blessing come out of the skies and ship

2434
02:14:33,600 --> 02:14:35,920
Speaker 1: because I don't know what to sell. Shooting neck then

2435
02:14:36,000 --> 02:14:38,240
Speaker 1: he go to jail and like, oh, ship, that's not

2436
02:14:38,360 --> 02:14:43,720
Speaker 1: a busting for me, for me, god me, because now

2437
02:14:43,760 --> 02:14:47,160
Speaker 1: I'm not that explanation for it. And then shoot, hi,

2438
02:14:47,840 --> 02:14:53,560
Speaker 1: blessing came about. Yeah, so I released me, he released me,

2439
02:14:53,720 --> 02:14:59,040
Speaker 1: about him, about me, and tell the point and so

2440
02:14:59,320 --> 02:15:01,960
Speaker 1: Dan Straighter coming and it's a great movie. It's a

2441
02:15:02,720 --> 02:15:05,960
Speaker 1: it's a great movie. And I say that to go

2442
02:15:06,120 --> 02:15:08,040
Speaker 1: right into the dirty South, you know what I'm saying,

2443
02:15:08,080 --> 02:15:11,200
Speaker 1: the story of good in mob playing Celo. Man Celo

2444
02:15:11,680 --> 02:15:13,880
Speaker 1: used to rob niggas all the time and blah blah blah.

2445
02:15:14,080 --> 02:15:16,000
Speaker 1: And when he got famous, you know what I'm saying,

2446
02:15:16,120 --> 02:15:17,840
Speaker 1: nigga should come up to him like, hey, you robbed

2447
02:15:17,880 --> 02:15:19,600
Speaker 1: me before, and now it's gonna be one of the

2448
02:15:20,200 --> 02:15:22,880
Speaker 1: greatest movies. Then you'll never see that was on some

2449
02:15:22,960 --> 02:15:27,760
Speaker 1: gangster ship music. All that comparison to a fucking straight

2450
02:15:27,800 --> 02:15:29,720
Speaker 1: out of comptent. That's why I was going with that.

2451
02:15:30,080 --> 02:15:32,720
Speaker 1: And I got a new show. It's called the pull Up.

2452
02:15:33,200 --> 02:15:37,080
Speaker 1: The pull Up because tax Stone had a show called

2453
02:15:37,120 --> 02:15:40,680
Speaker 1: to pull Up? Who tax Stone at a tax Stone

2454
02:15:41,000 --> 02:15:43,240
Speaker 1: that's not true had a show called to pull Up?

2455
02:15:43,560 --> 02:15:45,320
Speaker 1: So did Joe Buttons had a show called to pull

2456
02:15:45,400 --> 02:15:47,560
Speaker 1: Up Just want to be clear, they don't got it now?

2457
02:15:48,000 --> 02:15:50,160
Speaker 1: And Mr Lee. Mr Lee had a show called The

2458
02:15:50,800 --> 02:15:53,200
Speaker 1: Else that has a show called oh No, when't when?

2459
02:15:53,600 --> 02:16:01,120
Speaker 1: When listen you can differentiate yourself about say put up

2460
02:16:01,240 --> 02:16:03,560
Speaker 1: on me? Put up on me? All right, we'll put

2461
02:16:03,600 --> 02:16:05,360
Speaker 1: that on man on that, We'll put that out. I

2462
02:16:06,480 --> 02:16:09,640
Speaker 1: got a new show called pull up on Me on

2463
02:16:12,000 --> 02:16:15,000
Speaker 1: your young Maid, young bag, and I was not the

2464
02:16:15,080 --> 02:16:18,720
Speaker 1: nigger that got young that made pregnant easier. We was like,

2465
02:16:19,240 --> 02:16:21,960
Speaker 1: who was planning spend about it? One night with me,

2466
02:16:22,200 --> 02:16:26,360
Speaker 1: A couple other studs and ships out of control stunts

2467
02:16:26,760 --> 02:16:29,880
Speaker 1: and ship came on me and I was like, hey,

2468
02:16:30,040 --> 02:16:32,040
Speaker 1: what's up? She was like, hey, if you want to

2469
02:16:32,080 --> 02:16:34,600
Speaker 1: hit this, you gotta kiss kiss my strap on. I like,

2470
02:16:36,160 --> 02:16:37,959
Speaker 1: and you did it nothing. I was like, you ain't

2471
02:16:37,959 --> 02:16:40,200
Speaker 1: falling on with it? Did you? You know? What's your

2472
02:16:40,360 --> 02:16:45,120
Speaker 1: fun on? Niggas with it? Out do it? A new

2473
02:16:45,160 --> 02:16:49,200
Speaker 1: show was called to pull Up on Man, where my girl, Me,

2474
02:16:49,360 --> 02:16:52,640
Speaker 1: Me and chant the publicist the biggest public hold on

2475
02:16:52,760 --> 02:16:55,240
Speaker 1: time Out Atlanta Time Out. So you put your girl

2476
02:16:55,320 --> 02:16:58,880
Speaker 1: on the show. Putting your girl on the show, she

2477
02:16:58,920 --> 02:17:02,040
Speaker 1: don't pull up? And whatnot to about everybody needs on

2478
02:17:02,200 --> 02:17:05,600
Speaker 1: the show. Like listen, well, then you have like a

2479
02:17:05,800 --> 02:17:09,320
Speaker 1: bad mistake. We're just working with your bad mistake, working

2480
02:17:09,360 --> 02:17:12,360
Speaker 1: with your No, I don't, I don't know. I chanted

2481
02:17:12,360 --> 02:17:15,880
Speaker 1: with the girl stills. I championed my girl shows, but

2482
02:17:16,000 --> 02:17:19,360
Speaker 1: I'm not on the show. Yeah, I'm producing her show

2483
02:17:19,720 --> 02:17:21,880
Speaker 1: so she can do what she wants to do on

2484
02:17:22,040 --> 02:17:24,879
Speaker 1: her show. And I'm on, I don't. On the back end,

2485
02:17:26,440 --> 02:17:29,600
Speaker 1: I'm supporting. Come supporting, alright, come supporting. But I got

2486
02:17:29,720 --> 02:17:31,400
Speaker 1: to put pull up show. It's what Seante and me

2487
02:17:31,680 --> 02:17:34,800
Speaker 1: and they both publicists. We can get anybody in the

2488
02:17:34,959 --> 02:17:37,440
Speaker 1: world on that motherfucker's That's why I did it this way.

2489
02:17:37,720 --> 02:17:39,520
Speaker 1: We gotta stay so you can come from the interview,

2490
02:17:39,720 --> 02:17:43,720
Speaker 1: go right and perform on that ship. Nor ef. I

2491
02:17:43,760 --> 02:17:45,440
Speaker 1: need y'all on the show. You know, I'm saying, help

2492
02:17:45,440 --> 02:17:48,120
Speaker 1: me get us in the Atlanta and whatnot. And it's

2493
02:17:48,160 --> 02:17:51,320
Speaker 1: gonna change the game, you know all access Granted, you

2494
02:17:51,360 --> 02:17:54,039
Speaker 1: remember that show when we shoot music videos and they

2495
02:17:54,080 --> 02:17:55,960
Speaker 1: show to making nothing and all that we're doing it.

2496
02:17:56,000 --> 02:17:58,000
Speaker 1: We're bringing a sixting in a better back. It comes

2497
02:17:58,200 --> 02:18:01,080
Speaker 1: with a new name. It's called my Name in your Mouth,

2498
02:18:01,600 --> 02:18:06,520
Speaker 1: sightful so every week that's going on this sight for Yeah,

2499
02:18:06,680 --> 02:18:11,560
Speaker 1: it's as show Shore show is Atlanta the show room.

2500
02:18:11,720 --> 02:18:16,080
Speaker 1: Look keep up with Yeah, it's going down. Hey. I

2501
02:18:16,200 --> 02:18:21,280
Speaker 1: also came to Diamonds every Sunday, every Sunday hosting a

2502
02:18:21,520 --> 02:18:25,240
Speaker 1: Knis Canally. He can cut your own out, put in

2503
02:18:25,360 --> 02:18:31,080
Speaker 1: your mouth? Who used to put it in your in Atlanta?

2504
02:18:31,240 --> 02:18:34,440
Speaker 1: In Atlanta now Kick of Diamonds, King of Diamonds. It's

2505
02:18:34,480 --> 02:18:37,160
Speaker 1: a branch. I gotta live band with my own group,

2506
02:18:37,720 --> 02:18:40,280
Speaker 1: Reckless out Ball in four hours and Anabas is going

2507
02:18:40,320 --> 02:18:43,600
Speaker 1: out of the major way. It's moving and grooving and

2508
02:18:43,720 --> 02:18:47,160
Speaker 1: dancing into this music in this room. Come on now, yo,

2509
02:18:47,280 --> 02:18:50,920
Speaker 1: y'all give it up. Y'all get up and came up

2510
02:18:50,959 --> 02:18:56,080
Speaker 1: and came up clashing. Get what you mean you're gonna

2511
02:18:56,080 --> 02:19:02,440
Speaker 1: clapping me? So this is your publicist, many listen listen

2512
02:19:04,000 --> 02:19:06,840
Speaker 1: for my dog and I managed super Shop. If you

2513
02:19:06,959 --> 02:19:11,600
Speaker 1: need any bookings, any features off beat? We got that

2514
02:19:11,720 --> 02:19:19,040
Speaker 1: ship over here, come over here, Come on, Okay, okay,

2515
02:19:19,120 --> 02:19:24,120
Speaker 1: come on, we're spooming everybody. So what's next for silk Um?

2516
02:19:24,560 --> 02:19:26,959
Speaker 1: So we got a new project coming out called Vito.

2517
02:19:27,200 --> 02:19:29,680
Speaker 1: That's this album. So you know how I used to

2518
02:19:29,720 --> 02:19:33,000
Speaker 1: be like everybody's coming Vito. So we're doing that right now.

2519
02:19:33,640 --> 02:19:37,320
Speaker 1: We almost everybody just calling me that, but not with

2520
02:19:37,440 --> 02:19:39,760
Speaker 1: the actual Vito stands for something now y'all, y'all stay

2521
02:19:39,800 --> 02:19:41,400
Speaker 1: tuned that. And then we're going to movie. So we

2522
02:19:41,520 --> 02:19:46,200
Speaker 1: just did a sitcom. So I sold one sitcom and

2523
02:19:47,400 --> 02:19:50,560
Speaker 1: I was actually casting a sitcom that did like eight episodes.

2524
02:19:50,600 --> 02:19:52,200
Speaker 1: So that was cool. That was dope that you acted,

2525
02:19:52,400 --> 02:19:55,800
Speaker 1: was acting almost coming up. This is fun, coming out,

2526
02:19:56,120 --> 02:19:58,920
Speaker 1: coming out. I can do it for you too. So

2527
02:19:59,040 --> 02:20:00,800
Speaker 1: that's it. And I say, we you know, the tech

2528
02:20:00,879 --> 02:20:05,160
Speaker 1: world stuff is dope. Um, but movies, I'm about to

2529
02:20:05,160 --> 02:20:07,400
Speaker 1: get into the hunter percent that's gonna be dope. Producing

2530
02:20:07,720 --> 02:20:12,920
Speaker 1: or producing director. The last two i'm writing. But actually

2531
02:20:13,080 --> 02:20:15,440
Speaker 1: I wrote the first one right we were the first time. Yep.

2532
02:20:15,680 --> 02:20:19,039
Speaker 1: But yeah, I'm really good at the right one. Remember

2533
02:20:19,080 --> 02:20:22,000
Speaker 1: what people come to me and then this day and say, hey,

2534
02:20:22,600 --> 02:20:27,200
Speaker 1: come on in, you come on hand. Yeah I am

2535
02:20:34,040 --> 02:20:36,240
Speaker 1: that that. No, I'm I'm I'm so good at the

2536
02:20:37,000 --> 02:20:38,960
Speaker 1: I'm not being humbling the mode like take it from

2537
02:20:39,000 --> 02:20:41,840
Speaker 1: no Nory told me this, Um, we're no longer being humble.

2538
02:20:41,879 --> 02:20:44,040
Speaker 1: But no, I'm really super good at the writing the

2539
02:20:44,080 --> 02:20:46,800
Speaker 1: script like I'm not good at typing it when I'm

2540
02:20:47,080 --> 02:20:52,360
Speaker 1: I'm so good at the actual screen sexualizing it. But

2541
02:20:52,480 --> 02:20:54,560
Speaker 1: that's what I mean, even with the music stuff. That's

2542
02:20:54,640 --> 02:20:57,920
Speaker 1: kind of how I was. You know, I rarely wrote,

2543
02:20:58,000 --> 02:21:01,200
Speaker 1: but um just had everything in my head. I can't.

2544
02:21:01,200 --> 02:21:03,320
Speaker 1: You can't say that, um so, because when you say

2545
02:21:03,360 --> 02:21:05,400
Speaker 1: you really wrote, people want to take it like people

2546
02:21:05,440 --> 02:21:08,080
Speaker 1: wrote for you. So you gotta you wrote you free style.

2547
02:21:08,080 --> 02:21:10,760
Speaker 1: I first gotta say that because these fans would take

2548
02:21:10,760 --> 02:21:13,119
Speaker 1: that little part and be like, oh, Ship told you master,

2549
02:21:13,240 --> 02:21:15,119
Speaker 1: he wrote his old ship. You know what I'm saying,

2550
02:21:15,240 --> 02:21:21,080
Speaker 1: can wrote everything. You know what I'm saying. So and

2551
02:21:21,120 --> 02:21:23,360
Speaker 1: when you're saying movie stuff, because you guys were doing

2552
02:21:23,400 --> 02:21:26,240
Speaker 1: movies already, so yeah, you're diving into like the legit

2553
02:21:26,360 --> 02:21:30,120
Speaker 1: Hollywood side of it. Man, I got one. Um this

2554
02:21:30,280 --> 02:21:32,879
Speaker 1: this one's big, Like this is gonna be big because

2555
02:21:32,920 --> 02:21:34,400
Speaker 1: you know I would talk to talk to you all

2556
02:21:34,400 --> 02:21:38,480
Speaker 1: off the airbody, but it's it's um so yeah, So

2557
02:21:38,600 --> 02:21:40,640
Speaker 1: we we got some of them that we're just doing ourselves.

2558
02:21:40,680 --> 02:21:43,119
Speaker 1: But then I got lucky and did this one. I'm

2559
02:21:43,160 --> 02:21:46,120
Speaker 1: not paying for it at all, but um somebody they

2560
02:21:46,160 --> 02:21:48,039
Speaker 1: bought it from you, like a big, big company bought

2561
02:21:48,080 --> 02:21:49,600
Speaker 1: it from and it's it's a seven it's an eighty

2562
02:21:50,560 --> 02:21:53,640
Speaker 1: almost ninety million dollar movie. But yeah, but it's But

2563
02:21:54,959 --> 02:21:56,960
Speaker 1: but I could write them like that. I'm actually better

2564
02:21:57,000 --> 02:21:59,560
Speaker 1: at those, so I'm trying to. I could do the

2565
02:21:59,600 --> 02:22:01,480
Speaker 1: ones we all the time. That's that's easy for me.

2566
02:22:01,560 --> 02:22:04,160
Speaker 1: But I'm really good at the big concept um we

2567
02:22:04,200 --> 02:22:05,840
Speaker 1: talk about We talked about the Abody, but we're talking

2568
02:22:05,879 --> 02:22:09,039
Speaker 1: about Fast and Furious eleven right now. Pretty good, it's

2569
02:22:09,040 --> 02:22:11,760
Speaker 1: pretty good. Don't don't give it away here, it's really good.

2570
02:22:11,879 --> 02:22:15,320
Speaker 1: I like this. Yeah, yeah, it's really good. You'll be like, oh,

2571
02:22:15,480 --> 02:22:18,240
Speaker 1: you did that because you appreciate you guys appreciate the

2572
02:22:19,760 --> 02:22:22,480
Speaker 1: like coming from where we came from to do stuff

2573
02:22:22,560 --> 02:22:24,720
Speaker 1: like this and this, those things are easier for me

2574
02:22:24,800 --> 02:22:27,880
Speaker 1: to do, honestly, like to make like like I have

2575
02:22:28,040 --> 02:22:30,240
Speaker 1: one movie I'm sure at some point to get picked

2576
02:22:30,320 --> 02:22:33,080
Speaker 1: up it's like million dollars. But if you check it

2577
02:22:33,120 --> 02:22:35,480
Speaker 1: out kind of part three and you know, and you

2578
02:22:35,520 --> 02:22:36,960
Speaker 1: would be like, oh, why dobody pick it up? But

2579
02:22:36,959 --> 02:22:38,840
Speaker 1: I ain't. Haven't nootherbody read it yet, but two people

2580
02:22:39,440 --> 02:22:47,280
Speaker 1: and one person it's actually may do it? Ums talking

2581
02:22:47,280 --> 02:22:49,760
Speaker 1: about it when you say person and you're talking about

2582
02:22:49,840 --> 02:22:53,840
Speaker 1: like diving into the whole Hollywood ecosystem, because I'm saying,

2583
02:22:53,879 --> 02:22:56,160
Speaker 1: because you guys were making movies. So the outside of

2584
02:22:56,200 --> 02:22:59,240
Speaker 1: you guys are already successful doing indie movie like a bottom.

2585
02:22:59,280 --> 02:23:03,720
Speaker 1: So what's the now, um, like, are you tapped in

2586
02:23:03,840 --> 02:23:07,280
Speaker 1: now to this? But other people that's Hollywood equosy ism,

2587
02:23:07,320 --> 02:23:10,000
Speaker 1: that's millions and billions of dollars and people give up

2588
02:23:10,040 --> 02:23:12,600
Speaker 1: the movies. So so let me get you an example. Um,

2589
02:23:13,800 --> 02:23:16,920
Speaker 1: The actual crazy part is I didn't realize them to

2590
02:23:16,959 --> 02:23:19,480
Speaker 1: get you a little game. The bigger movies lore it's

2591
02:23:19,520 --> 02:23:22,200
Speaker 1: easy to get done than the smaller movies, like think

2592
02:23:22,240 --> 02:23:25,160
Speaker 1: about this because they see bigger profits. Okay, so if

2593
02:23:25,200 --> 02:23:27,879
Speaker 1: you so, if you're rich, you don't care about money.

2594
02:23:28,480 --> 02:23:30,240
Speaker 1: But if I try to go get two from some

2595
02:23:30,280 --> 02:23:32,000
Speaker 1: of my friends, they don't I mean not friends, but

2596
02:23:32,120 --> 02:23:34,240
Speaker 1: some people that I know that don't have it. It's

2597
02:23:34,240 --> 02:23:35,920
Speaker 1: gonna be like it doesn't matter. It's gonna be like

2598
02:23:36,040 --> 02:23:39,760
Speaker 1: taking water from this thing. They don't have it to give.

2599
02:23:39,879 --> 02:23:41,800
Speaker 1: They might want to do it, but they might say, oh,

2600
02:23:41,800 --> 02:23:43,840
Speaker 1: I'll keep you five. But but you have to think

2601
02:23:43,879 --> 02:23:47,119
Speaker 1: about somebody sitting on a honeymillion dollars. It's again, it's

2602
02:23:47,120 --> 02:23:48,600
Speaker 1: a it's a game that they're gonna make good money

2603
02:23:48,640 --> 02:23:50,600
Speaker 1: off if they don't make it, but if they make it,

2604
02:23:51,080 --> 02:23:53,520
Speaker 1: if they don't tax right off. If they do, it's

2605
02:23:53,520 --> 02:23:55,960
Speaker 1: a good it's a good investor. And here you're gonna

2606
02:23:56,000 --> 02:23:59,240
Speaker 1: have to worry about taking the money from the guy

2607
02:23:59,280 --> 02:24:01,560
Speaker 1: who only got to any thousand, hundred thousand, so he's

2608
02:24:01,560 --> 02:24:03,800
Speaker 1: gonna be on you, like okay whatever, as opposed of

2609
02:24:05,160 --> 02:24:08,520
Speaker 1: somebody they just sitting around. They got it. So it's

2610
02:24:08,560 --> 02:24:10,320
Speaker 1: so what I learned to do is balanced too. I

2611
02:24:10,440 --> 02:24:12,600
Speaker 1: love doing the movies that we've done, you know, I

2612
02:24:12,680 --> 02:24:16,240
Speaker 1: love those, um, But then I also kind of broadened

2613
02:24:16,240 --> 02:24:19,680
Speaker 1: the rising on it was like, oh, um, take those

2614
02:24:19,760 --> 02:24:24,280
Speaker 1: concepts like, um, I have a concept. If it's good,

2615
02:24:24,520 --> 02:24:26,640
Speaker 1: you know, actors are gonna want to do it. And

2616
02:24:26,720 --> 02:24:29,200
Speaker 1: I found out that's my that's kind of my niche,

2617
02:24:29,400 --> 02:24:32,320
Speaker 1: you know what I'm saying. Where I'm like, I think

2618
02:24:32,440 --> 02:24:35,600
Speaker 1: like that, Like when you're seeing some of the movies,

2619
02:24:35,640 --> 02:24:37,720
Speaker 1: it's crazy, Like they don't they're crazy. How do you

2620
02:24:37,800 --> 02:24:40,600
Speaker 1: get into that world of those people that invest in

2621
02:24:40,920 --> 02:24:45,119
Speaker 1: like that. I'm around some of them um, everybody knows

2622
02:24:45,320 --> 02:24:49,120
Speaker 1: that I make dollars and cents, right, so and I

2623
02:24:49,280 --> 02:24:51,520
Speaker 1: and I and so what I do really good? Honestly

2624
02:24:51,640 --> 02:24:55,960
Speaker 1: I do um, I do marketing good. So if you

2625
02:24:56,120 --> 02:25:00,959
Speaker 1: go no limit. We was always it's marketing instructure to everything.

2626
02:25:01,120 --> 02:25:03,520
Speaker 1: That's why I was telling you earlier where you always

2627
02:25:03,560 --> 02:25:06,600
Speaker 1: be okay because the person who could sell stuff, it's

2628
02:25:06,600 --> 02:25:08,600
Speaker 1: gonna win all the time. Like you can have this

2629
02:25:08,760 --> 02:25:11,160
Speaker 1: good beer, but is anybody gonna sell it. You can

2630
02:25:11,200 --> 02:25:13,120
Speaker 1: have a Kevin Hart movie, but nobody hears about it,

2631
02:25:13,160 --> 02:25:15,520
Speaker 1: it won't do good. So if you could put your post.

2632
02:25:15,600 --> 02:25:18,240
Speaker 1: That's why the movie that we did, it's got funny.

2633
02:25:19,720 --> 02:25:23,160
Speaker 1: So the movie we did, right, I sold it to Lionsgate, right,

2634
02:25:23,200 --> 02:25:25,840
Speaker 1: So I paid for it and I sold it to Lionsgate. Right.

2635
02:25:26,560 --> 02:25:29,080
Speaker 1: The Lionsgate was like, now they bought the movie because

2636
02:25:29,080 --> 02:25:33,000
Speaker 1: I said, I'm not telling you what they say in

2637
02:25:33,000 --> 02:25:35,920
Speaker 1: the same room I remember yesterday, Like we had to

2638
02:25:35,959 --> 02:25:39,160
Speaker 1: stay in the same fucking room. But what the funny

2639
02:25:39,200 --> 02:25:45,200
Speaker 1: part is, I take care I'll take care of y'all,

2640
02:25:45,520 --> 02:25:48,720
Speaker 1: take care of me. I'll take care of y'all. Is

2641
02:25:48,760 --> 02:25:52,200
Speaker 1: it d take care of it? Ain't it? Ain't dude?

2642
02:25:52,240 --> 02:25:54,200
Speaker 1: This can think about it. I took a chance on

2643
02:25:54,520 --> 02:25:57,080
Speaker 1: all y'all and nobody care about y'all in Hollywood. Tell

2644
02:25:57,120 --> 02:26:02,080
Speaker 1: the truth and Michael black they said, what is this

2645
02:26:02,160 --> 02:26:06,680
Speaker 1: guy in the movie? So they was like, they should

2646
02:26:06,720 --> 02:26:08,440
Speaker 1: be in a movie. We're not gonna buy this, right,

2647
02:26:08,440 --> 02:26:11,040
Speaker 1: But here's what crazy it is. I know that Michael

2648
02:26:11,080 --> 02:26:13,960
Speaker 1: Blackson is like was the starting to make I knew

2649
02:26:13,959 --> 02:26:16,879
Speaker 1: Blotle Duvall was super good. He's still he's still working

2650
02:26:16,920 --> 02:26:19,280
Speaker 1: on it. My boy's good. He's good. He's good people

2651
02:26:19,879 --> 02:26:28,880
Speaker 1: and he's let me manage him. But so so so

2652
02:26:29,040 --> 02:26:32,360
Speaker 1: what they but but even with these but even with

2653
02:26:32,400 --> 02:26:35,920
Speaker 1: the lives Gate stuff, they so they sit down on me.

2654
02:26:36,480 --> 02:26:38,800
Speaker 1: We had a meeting. You sold it out right, No,

2655
02:26:39,040 --> 02:26:41,200
Speaker 1: I still own it. But they sit down on me. Whatever.

2656
02:26:41,240 --> 02:26:42,800
Speaker 1: They didn't really want to buy the movie. Oh no,

2657
02:26:43,480 --> 02:26:45,240
Speaker 1: what's the deal. I got to get it back in

2658
02:26:45,320 --> 02:26:47,600
Speaker 1: five years or whatever. So what they did was they

2659
02:26:47,920 --> 02:26:50,880
Speaker 1: they I sit down with them. Now he shout to

2660
02:26:50,959 --> 02:26:54,640
Speaker 1: lions Gate for sure, but they don't really know. They

2661
02:26:54,720 --> 02:26:56,840
Speaker 1: have a lot of urban movies and they just thought

2662
02:26:56,879 --> 02:26:59,400
Speaker 1: at the fency like he got ten millions and they

2663
02:26:59,440 --> 02:27:01,720
Speaker 1: don't like shoutott to Lions game, but they didn't even

2664
02:27:01,720 --> 02:27:03,040
Speaker 1: know World Star was type the thing. You know what

2665
02:27:03,080 --> 02:27:05,280
Speaker 1: I'm saying, Like, but they're selling to you know, to

2666
02:27:05,400 --> 02:27:07,680
Speaker 1: our community, but not to say they dope in the

2667
02:27:07,840 --> 02:27:10,480
Speaker 1: in the business part. But how do you they're trying

2668
02:27:10,480 --> 02:27:13,360
Speaker 1: to say, like silk they sent me down. They're like silk, um,

2669
02:27:14,680 --> 02:27:18,000
Speaker 1: why these movies didn't do good? And I was supposed

2670
02:27:18,000 --> 02:27:20,480
Speaker 1: to be thirty minutes um nor shot for real, it

2671
02:27:20,560 --> 02:27:23,120
Speaker 1: turned out to seven hour meeting and they picked to

2672
02:27:23,560 --> 02:27:27,360
Speaker 1: think about no limits. Salted don you Tim and you

2673
02:27:27,400 --> 02:27:30,280
Speaker 1: took the Shadow was for two hundred dollars rooms, you know,

2674
02:27:30,360 --> 02:27:32,520
Speaker 1: ten million dollars food? How much the game for I'm

2675
02:27:32,520 --> 02:27:38,160
Speaker 1: not telling you how much it was. It was the

2676
02:27:38,200 --> 02:27:40,840
Speaker 1: same room exactly. That's a lie. I don't do that.

2677
02:27:41,360 --> 02:27:46,800
Speaker 1: I won't get you bron to that I had you

2678
02:27:46,840 --> 02:27:53,160
Speaker 1: wouldn't do well. Yeah not Normally when we've been by ourselves,

2679
02:27:53,520 --> 02:27:55,520
Speaker 1: we don't be in the same room. But when we

2680
02:27:55,640 --> 02:27:58,160
Speaker 1: were in we were let if they want to stay

2681
02:27:58,160 --> 02:28:00,440
Speaker 1: in the room, they say, because they wanted. They There

2682
02:28:00,560 --> 02:28:03,120
Speaker 1: was never nobody staying in the same room, Like, don't

2683
02:28:03,160 --> 02:28:14,000
Speaker 1: go to that, no more money, more family video. We

2684
02:28:14,360 --> 02:28:18,200
Speaker 1: didn't get no more money. I can't take it. I

2685
02:28:18,240 --> 02:28:24,520
Speaker 1: can't deal with no. But but but honestly, don't believe that, dude,

2686
02:28:24,680 --> 02:28:26,840
Speaker 1: I'm taking I took these guys the funniest head. But

2687
02:28:27,280 --> 02:28:32,200
Speaker 1: good job. You say. I might try to buy, not

2688
02:28:32,680 --> 02:28:35,720
Speaker 1: want you're just making my hand over. I might want to.

2689
02:28:40,160 --> 02:28:46,400
Speaker 1: He's not connecting to be on your side. But they

2690
02:28:46,560 --> 02:28:48,800
Speaker 1: so they so they took that. So they just bought

2691
02:28:48,879 --> 02:28:51,640
Speaker 1: the money my family part because they kind of wanted

2692
02:28:51,720 --> 02:28:54,440
Speaker 1: me in a circle whatever. And so now that it's

2693
02:28:54,440 --> 02:28:55,840
Speaker 1: just like one of those things where I just was

2694
02:28:56,280 --> 02:28:58,520
Speaker 1: kind of introduced to it, but I also wanted the

2695
02:28:58,600 --> 02:29:01,240
Speaker 1: system and the system it's designed for us, but we

2696
02:29:01,360 --> 02:29:03,720
Speaker 1: go away from it. Um, we got to balance it

2697
02:29:03,800 --> 02:29:05,760
Speaker 1: all so you could do those movies and then you

2698
02:29:05,879 --> 02:29:08,800
Speaker 1: could really like we could make some big movies for

2699
02:29:09,680 --> 02:29:13,200
Speaker 1: the culture. But why why we can't um make Fast

2700
02:29:13,280 --> 02:29:15,880
Speaker 1: and Furious. We can own that, like we could literally,

2701
02:29:16,160 --> 02:29:18,240
Speaker 1: but we can't do it if we're trying to low

2702
02:29:18,360 --> 02:29:22,800
Speaker 1: ball the production part and they don't look and I

2703
02:29:22,800 --> 02:29:24,840
Speaker 1: don't know about that part, but they but they known

2704
02:29:25,000 --> 02:29:28,480
Speaker 1: to do that because I know some Hollywood actors that

2705
02:29:28,520 --> 02:29:30,920
Speaker 1: I'd be like, Yo, you know, you guys could do

2706
02:29:31,120 --> 02:29:34,520
Speaker 1: these projects. So they're starting in the movies, but the

2707
02:29:34,680 --> 02:29:37,880
Speaker 1: system is giving them what they want to. But I'm like, like,

2708
02:29:37,959 --> 02:29:40,440
Speaker 1: I know, what's your girl name is? Who played Cookie? Whatever?

2709
02:29:42,600 --> 02:29:45,440
Speaker 1: She She was like like, no, I'm sorry, I'm not bad.

2710
02:29:45,440 --> 02:29:47,800
Speaker 1: I'm sorry, my mom blank um, that's all this traffic.

2711
02:29:47,879 --> 02:29:49,880
Speaker 1: But I can't. You know, I flew from always do.

2712
02:29:51,520 --> 02:29:55,280
Speaker 1: If it wasn't understood that, you know, I wouldn't. I wouldn't.

2713
02:29:55,280 --> 02:30:01,360
Speaker 1: I would ship. You know you're gonna let them get

2714
02:30:01,360 --> 02:30:03,320
Speaker 1: away with that. Let me get away with that. I

2715
02:30:03,360 --> 02:30:08,520
Speaker 1: ain't even you did Beyonce and Jay you gotta do

2716
02:30:08,640 --> 02:30:12,400
Speaker 1: to roch like that. That's what. Okay, my bad, But

2717
02:30:12,440 --> 02:30:14,200
Speaker 1: I understand what he said when he said Cookie. That's

2718
02:30:14,200 --> 02:30:16,840
Speaker 1: what I'm saying I did because she doesn't hell of

2719
02:30:16,879 --> 02:30:21,320
Speaker 1: a job. It's Cookie. Let's just be clear. Twilight. Yeah,

2720
02:30:21,680 --> 02:30:29,160
Speaker 1: come on, And that's I'm the comic. You know I

2721
02:30:29,320 --> 02:30:35,400
Speaker 1: was blanked for so I'm the jester. I got I

2722
02:30:35,440 --> 02:30:36,959
Speaker 1: got it. I got it. I know I was blank

2723
02:30:37,120 --> 02:30:39,560
Speaker 1: and I was. What I was telling saying was she's

2724
02:30:39,600 --> 02:30:43,720
Speaker 1: doing all these big roles and she's underpaid. I was saying,

2725
02:30:43,879 --> 02:30:45,560
Speaker 1: how much you're gonna pay her now? I'm gonna pay

2726
02:30:45,640 --> 02:30:51,800
Speaker 1: whatever she wants. She's gonna pay everybody walk I mean,

2727
02:30:52,080 --> 02:30:54,040
Speaker 1: I mean what we can't read it. I'm saying, what

2728
02:30:54,080 --> 02:31:01,280
Speaker 1: the reason reasonable manager forget about trying to I don't,

2729
02:31:01,440 --> 02:31:04,840
Speaker 1: I don't glogy and so in the same time, cut

2730
02:31:04,879 --> 02:31:06,720
Speaker 1: me a break on thorology. Okay, cool, that's what you

2731
02:31:07,600 --> 02:31:14,880
Speaker 1: were in business. Don't do it, don't. It's kind of

2732
02:31:14,920 --> 02:31:16,400
Speaker 1: gonna stick. But then it might not stick, you know

2733
02:31:16,400 --> 02:31:18,200
Speaker 1: what I'm saying, Corey might not stick. But but now

2734
02:31:18,280 --> 02:31:20,640
Speaker 1: that's it. So it's just us kind of having a

2735
02:31:20,760 --> 02:31:23,640
Speaker 1: chance because we were powerful enough to do it. Um

2736
02:31:24,120 --> 02:31:28,720
Speaker 1: we just got like the top got of the fair

2737
02:31:28,840 --> 02:31:31,040
Speaker 1: by a bunch of people that believe in it, right

2738
02:31:31,120 --> 02:31:34,440
Speaker 1: so um so, But they know that we're not. So

2739
02:31:34,480 --> 02:31:37,720
Speaker 1: we're the only people that's gonna underbudget ourselves in the films, right,

2740
02:31:37,760 --> 02:31:39,920
Speaker 1: we're not Tyler Perry on the studio and he's doing

2741
02:31:40,120 --> 02:31:42,200
Speaker 1: He's what I'm saying, you've been doing this place stuff.

2742
02:31:42,320 --> 02:31:44,720
Speaker 1: I heard about it. I got a small little Tyler

2743
02:31:44,760 --> 02:31:47,800
Speaker 1: Peri studio in Atlanta. It's like tim minutes away from

2744
02:31:47,840 --> 02:31:49,880
Speaker 1: the airport. You've been there before. They said that she

2745
02:31:50,000 --> 02:31:55,320
Speaker 1: was there. Uh, you have a spot. It's not so,

2746
02:31:55,440 --> 02:32:00,240
Speaker 1: Tyler Peris. You can't shoot video all that. Y'all have

2747
02:32:00,320 --> 02:32:03,760
Speaker 1: done things in there already. It's my man show bis

2748
02:32:03,959 --> 02:32:06,480
Speaker 1: the showroom at l You know what I'm saying. Following

2749
02:32:06,520 --> 02:32:09,800
Speaker 1: there right now? You know what I'm talking about. All

2750
02:32:09,959 --> 02:32:13,039
Speaker 1: of the promo for every wrapper that comes through. Okay,

2751
02:32:13,520 --> 02:32:17,880
Speaker 1: I'm okay, I guess there. Yeah, you ain't your baby,

2752
02:32:18,400 --> 02:32:23,280
Speaker 1: You ain't baby, and down with y'all. Down with it too, okay? Right?

2753
02:32:25,200 --> 02:32:30,760
Speaker 1: Were Jack shot platter? No doubt. I don't get the

2754
02:32:30,760 --> 02:32:35,240
Speaker 1: sharp No, No, was that fried? No? No, it's it's

2755
02:32:35,280 --> 02:32:38,360
Speaker 1: all shark, bro, It's all real, and it's it's like

2756
02:32:38,520 --> 02:32:42,120
Speaker 1: five different crap legs, five different shrimps. You get you

2757
02:32:42,240 --> 02:32:44,840
Speaker 1: get a tuna? Are we doing this on the show?

2758
02:32:47,520 --> 02:32:50,400
Speaker 1: Right by the fucking airport? Right? You get there. I

2759
02:32:50,440 --> 02:32:53,760
Speaker 1: don't know if you like to seafood, but this one

2760
02:32:53,840 --> 02:32:56,200
Speaker 1: not got me and my old lady together because she

2761
02:32:56,320 --> 02:32:59,119
Speaker 1: liked the shark platitude and you like to eat ass.

2762
02:33:02,040 --> 02:33:06,640
Speaker 1: You got a sold out of a so anything else

2763
02:33:06,680 --> 02:33:09,040
Speaker 1: if you can say for making about it from I

2764
02:33:09,200 --> 02:33:11,520
Speaker 1: think I got to got the book. I mean you

2765
02:33:11,600 --> 02:33:15,440
Speaker 1: got the book. Tell him what the book paid? Music?

2766
02:33:15,920 --> 02:33:17,560
Speaker 1: You got another book you're gonna do right, Yeah, I

2767
02:33:17,600 --> 02:33:20,760
Speaker 1: got one stupid though. We like that right now, tell

2768
02:33:20,840 --> 02:33:22,480
Speaker 1: us not whenever you tell your boss, I'm gonna do it.

2769
02:33:22,840 --> 02:33:25,760
Speaker 1: Whenever I say no, we say yeah. And then Jack

2770
02:33:25,800 --> 02:33:28,440
Speaker 1: a little dot, Jack a little dot everything that you

2771
02:33:28,600 --> 02:33:30,720
Speaker 1: need to know that's new. If you like the world,

2772
02:33:30,760 --> 02:33:33,840
Speaker 1: start out here, pop dot com. If you like dot

2773
02:33:33,879 --> 02:33:37,520
Speaker 1: com stuff, you gotta love Jack Thriller dot com, all

2774
02:33:37,680 --> 02:33:40,240
Speaker 1: the independent artists and everything. Bring me your bag. I'm

2775
02:33:40,240 --> 02:33:41,840
Speaker 1: gonna show you how to get rich with this and

2776
02:33:41,879 --> 02:33:47,320
Speaker 1: bobble and when I got some great package. Yeah, whatever, yeah, whatever, Yeah.

2777
02:33:47,440 --> 02:33:49,400
Speaker 1: If you want to take over, give me all your

2778
02:33:49,560 --> 02:33:52,640
Speaker 1: fucking money, and I guarantee I'm gonna make that ship

2779
02:33:53,680 --> 02:33:58,040
Speaker 1: here you're making. Let's sell. Say one last thing. Listen,

2780
02:33:58,200 --> 02:34:00,400
Speaker 1: I want to say, sloop, y'all man to show is

2781
02:34:00,400 --> 02:34:04,320
Speaker 1: a dope show. Good y'all having me, and definitely appreciate

2782
02:34:04,400 --> 02:34:07,560
Speaker 1: y'all sticking back. I got it for y'all. I do

2783
02:34:07,959 --> 02:34:13,280
Speaker 1: these plays. They not whatever. So I tell him my

2784
02:34:13,400 --> 02:34:16,440
Speaker 1: meat though, and the side just tell him about me.

2785
02:34:16,600 --> 02:34:19,360
Speaker 1: Don't don't don't. Don't you tell yourself the jack Philip said,

2786
02:34:19,400 --> 02:34:24,480
Speaker 1: you was here yesterday I swear yesterday he was like, yo, yeah,

2787
02:34:24,520 --> 02:34:26,360
Speaker 1: I saw him. I was like, really he said, He

2788
02:34:26,440 --> 02:34:33,520
Speaker 1: was like, you guys together the good He said, you

2789
02:34:33,600 --> 02:34:35,680
Speaker 1: guys said this hotel here in this hotel. So I

2790
02:34:35,760 --> 02:34:37,800
Speaker 1: was like, all right, we good. So I'm saying that

2791
02:34:38,040 --> 02:34:40,480
Speaker 1: and then Jack like, oh, I boy, I had thought

2792
02:34:40,640 --> 02:34:44,119
Speaker 1: he was. I thought made whatever you need to happen happen.

2793
02:34:44,120 --> 02:34:46,879
Speaker 1: I appreciate in order for you to be here right now.

2794
02:34:46,959 --> 02:34:59,440
Speaker 1: That's why I deserved. Well, come on, that's negotiate Jackets.

2795
02:35:01,360 --> 02:35:04,200
Speaker 1: Shout you for three months. But you gotta say yes

2796
02:35:04,200 --> 02:35:09,440
Speaker 1: to everything everything, say yes to every fucking for the

2797
02:35:09,520 --> 02:35:11,800
Speaker 1: next three months. I got skits with us with all

2798
02:35:11,959 --> 02:35:18,840
Speaker 1: kind of n I appreciate you, but yeah, but I

2799
02:35:18,920 --> 02:35:21,680
Speaker 1: would say this. I would say this Bard because you know,

2800
02:35:22,280 --> 02:35:24,960
Speaker 1: I really do these and I really um do it.

2801
02:35:25,480 --> 02:35:27,160
Speaker 1: Anytime you want to speak you till you want to

2802
02:35:27,160 --> 02:35:34,760
Speaker 1: promote anything. This is your house. You know I'm saying.

2803
02:35:34,760 --> 02:35:38,879
Speaker 1: I'm saying that to say um because I respect the show,

2804
02:35:39,000 --> 02:35:42,000
Speaker 1: respect you for show book y'all for sure, um what

2805
02:35:42,120 --> 02:35:44,560
Speaker 1: y'all do for everybody else to um. He knows that

2806
02:35:44,680 --> 02:35:47,720
Speaker 1: I have a tendency to be like I ain't coming right,

2807
02:35:47,760 --> 02:35:50,280
Speaker 1: so so and I and it was a thought, but

2808
02:35:50,360 --> 02:35:52,320
Speaker 1: that's like, once I realized what it was about, I

2809
02:35:52,400 --> 02:35:54,640
Speaker 1: was like, I'm making that some way chick form. But

2810
02:35:54,720 --> 02:35:58,360
Speaker 1: I'm also like I said, once again, salute you for

2811
02:35:58,760 --> 02:36:01,480
Speaker 1: saying what you're saying about staying back. And he told

2812
02:36:01,480 --> 02:36:03,200
Speaker 1: me that, and I was like, oh, that's super good.

2813
02:36:03,360 --> 02:36:07,080
Speaker 1: And because you're you're really you're really a big staple

2814
02:36:07,160 --> 02:36:09,120
Speaker 1: in this game. You know what I'm saying. And it's like,

2815
02:36:09,200 --> 02:36:11,279
Speaker 1: even when I was like playing with BENI su recently,

2816
02:36:11,400 --> 02:36:13,480
Speaker 1: like a lot of times some of us don't really

2817
02:36:13,600 --> 02:36:15,920
Speaker 1: just because we all humble and we are just like,

2818
02:36:16,000 --> 02:36:18,680
Speaker 1: you know, whatever, whatever we did in life. But sometimes

2819
02:36:18,959 --> 02:36:21,480
Speaker 1: it's just like my good friends Ron says me, always

2820
02:36:21,520 --> 02:36:24,480
Speaker 1: be like I like that you humble, but fun that like,

2821
02:36:24,640 --> 02:36:28,080
Speaker 1: and he's like, because he's like, yo, why like if

2822
02:36:28,160 --> 02:36:30,400
Speaker 1: you are that dude, you know what I'm saying when

2823
02:36:30,400 --> 02:36:31,800
Speaker 1: you're walking in the room, you might as well just

2824
02:36:32,000 --> 02:36:33,720
Speaker 1: capture that. You might as will just be it. And

2825
02:36:33,840 --> 02:36:35,520
Speaker 1: just in case you don't know, that's what our show

2826
02:36:35,600 --> 02:36:39,040
Speaker 1: is about. Everyone's saying giving flowers. We started that slogan.

2827
02:36:39,080 --> 02:36:41,000
Speaker 1: We didn't make up the slogan, but we saw that

2828
02:36:41,080 --> 02:36:43,480
Speaker 1: slogan because so many people after you got ten years

2829
02:36:43,520 --> 02:36:45,240
Speaker 1: of more, they want to say that you washed up

2830
02:36:45,400 --> 02:36:48,360
Speaker 1: or whatever. That's not what it should be. If rock

2831
02:36:48,440 --> 02:36:50,360
Speaker 1: and roll there's no word for washed up, and jazz

2832
02:36:50,400 --> 02:36:53,680
Speaker 1: is no word for roshed up. And all this our society,

2833
02:36:53,760 --> 02:36:57,960
Speaker 1: our community are our government, for lack of a better term, us,

2834
02:36:58,200 --> 02:37:00,760
Speaker 1: we gotta give each other roads. We gotta keep digging

2835
02:37:00,800 --> 02:37:02,920
Speaker 1: each other up. I gotta keep telling you how dope

2836
02:37:02,959 --> 02:37:05,400
Speaker 1: it was. And even I don't all I might have

2837
02:37:05,440 --> 02:37:08,760
Speaker 1: took a personal maybe you probably didn't deserve it. Like

2838
02:37:09,000 --> 02:37:10,600
Speaker 1: that's real talk, you know what I'm saying. Like when

2839
02:37:10,600 --> 02:37:13,360
Speaker 1: I was looking back at the album sells and I say, okay, damn,

2840
02:37:13,400 --> 02:37:15,440
Speaker 1: I can see where that that's coming from. But you know,

2841
02:37:15,480 --> 02:37:17,440
Speaker 1: I'm young back there, I'm eighteen years old. I wonder

2842
02:37:17,520 --> 02:37:20,200
Speaker 1: when everything, but that's a beautiful thing. That's a beautiful thing.

2843
02:37:20,600 --> 02:37:23,560
Speaker 1: And like I said, like um, for us, for us,

2844
02:37:23,640 --> 02:37:26,480
Speaker 1: it's always to praise each other, like because who else

2845
02:37:26,520 --> 02:37:28,520
Speaker 1: is gonna do it? If if I'm gonna say to you, yo,

2846
02:37:28,640 --> 02:37:30,400
Speaker 1: silk man, I don't know what type of year you had.

2847
02:37:30,680 --> 02:37:33,400
Speaker 1: That's how I knew what type of when the albums

2848
02:37:33,520 --> 02:37:36,920
Speaker 1: was without googling, because I knew when the ship was dropping.

2849
02:37:37,000 --> 02:37:39,560
Speaker 1: I was like, WHOA, and like and I'm playing in

2850
02:37:39,640 --> 02:37:41,720
Speaker 1: the game. So why wouldn't I say that to your face?

2851
02:37:41,720 --> 02:37:43,360
Speaker 1: Why wouldn't I tell you how great you are? Why

2852
02:37:43,400 --> 02:37:45,160
Speaker 1: wouldn't I say, you know what I'm saying, how much

2853
02:37:45,160 --> 02:37:48,199
Speaker 1: you meant to the culture, to the society, to the community,

2854
02:37:48,640 --> 02:37:52,640
Speaker 1: and not only just you, but your overall, your overall label,

2855
02:37:52,879 --> 02:37:55,880
Speaker 1: the ship that y'all did in this entirety, it's just

2856
02:37:56,200 --> 02:37:58,280
Speaker 1: means so much. So we gotta hear your roses. We

2857
02:37:58,320 --> 02:38:05,960
Speaker 1: gotta show you love you all the let's take. But

2858
02:38:06,080 --> 02:38:08,600
Speaker 1: do I get my roses forgetting the nick? No? No, no,

2859
02:38:12,320 --> 02:38:16,960
Speaker 1: what happened? Thanks for joining us for another episode of

2860
02:38:17,040 --> 02:38:19,520
Speaker 1: Drink Champs hosted by Yours truly, d J e f

2861
02:38:19,720 --> 02:38:21,840
Speaker 1: N and n O R E. Please make sure to

2862
02:38:21,879 --> 02:38:24,400
Speaker 1: follow us on all our socials. Let's add Drink Champs

2863
02:38:24,400 --> 02:38:28,480
Speaker 1: across all platforms. At the real Noriegan, I g at

2864
02:38:28,560 --> 02:38:31,640
Speaker 1: Noriega on Twitter, mine is at Who's Crazy on I

2865
02:38:31,840 --> 02:38:34,760
Speaker 1: g at d J E f N on Twitter, and

2866
02:38:34,840 --> 02:38:37,240
Speaker 1: most importantly, stay up to date with the latest releases,

2867
02:38:37,640 --> 02:38:40,840
Speaker 1: news and merch by going to Drink champs dot com.

2868
02:38:45,320 --> 02:38:48,359
Speaker 1: For more podcasts from my heart Radio, visit the iHeart

2869
02:38:48,440 --> 02:38:51,920
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

2870
02:38:51,959 --> 02:38:52,640
Speaker 1: favorite shows.