1 00:00:00,120 --> 00:00:07,720 Speaker 1: Celebrity book Club. Who's that knocking at the door. It's 2 00:00:07,760 --> 00:00:10,640 Speaker 1: all your friends, your filthy horse. Your husband's gone and 3 00:00:10,680 --> 00:00:13,399 Speaker 1: you've got books and a bottle of wine to kill it. 4 00:00:14,400 --> 00:00:21,880 Speaker 1: It's books, it's gossip. I'm shook. It's Memoir's Martini. Clebrity 5 00:00:21,880 --> 00:00:26,440 Speaker 1: book Club. Come read it while it's hot. Celebrity book Club, 6 00:00:26,920 --> 00:00:31,920 Speaker 1: Tell your secrets. We won't talk celebrity books. No. Boys 7 00:00:31,960 --> 00:00:36,560 Speaker 1: are alloud. Celebrity book Club, say it loud and cloud. 8 00:00:37,080 --> 00:00:41,800 Speaker 1: Celebrity book Club. Buzz man. I brought the queer foe. Hey, 9 00:00:41,960 --> 00:00:47,840 Speaker 1: that's friend. What's up? You look literally amazing and young 10 00:00:47,960 --> 00:00:51,440 Speaker 1: and fresh. Thank you. Yeah, don't it look so relaxed? Yeah, 11 00:00:51,520 --> 00:00:54,720 Speaker 1: you look really relaxed and cool. Those are some really 12 00:00:55,280 --> 00:00:59,800 Speaker 1: baggy ascargoes you're wearing today. Hell yes, I'm just sort 13 00:00:59,840 --> 00:01:06,200 Speaker 1: of like evoking hip hop silhouettes, early two thousands, hip 14 00:01:06,240 --> 00:01:08,360 Speaker 1: hop silhouettes. Um. I love that time. It was really fun. 15 00:01:08,480 --> 00:01:11,760 Speaker 1: Um No, obviously, I'm super exhausted from our crazy weekend 16 00:01:11,800 --> 00:01:13,640 Speaker 1: in Las Vegas. We'll be talking about on the v 17 00:01:15,680 --> 00:01:17,759 Speaker 1: um and you can hear all about the late night 18 00:01:17,880 --> 00:01:21,039 Speaker 1: magic show that I went to. Um that I know 19 00:01:21,160 --> 00:01:27,319 Speaker 1: your childless and let's just say this. It was naughty 20 00:01:27,560 --> 00:01:30,480 Speaker 1: and you'll be hearing about. Yes, Martha Stewart's restaurant. Yes, 21 00:01:30,520 --> 00:01:33,920 Speaker 1: our show in Vegas. Yes, the Gay Rodeo. These are 22 00:01:33,920 --> 00:01:35,680 Speaker 1: all things we're going to be covering. The VIP lounge 23 00:01:35,720 --> 00:01:38,080 Speaker 1: just to do that housekeeping. Yeah, it's just a quick 24 00:01:38,080 --> 00:01:40,200 Speaker 1: little bit housekeep. We also on housekeeping. Please by take 25 00:01:40,240 --> 00:01:44,360 Speaker 1: us to our shows in Chicago and London on October eighteenth. Yeah, bitch, 26 00:01:44,520 --> 00:01:46,640 Speaker 1: if you're British, If you're British, if you're like an 27 00:01:46,640 --> 00:01:50,520 Speaker 1: expat living in London and Manchester, leads right, if you're 28 00:01:50,520 --> 00:01:53,080 Speaker 1: on leads Hop down on the on the metro train, Dollie, 29 00:01:53,160 --> 00:01:57,120 Speaker 1: it's not that far um. Your cargoes make me think 30 00:01:57,200 --> 00:02:00,240 Speaker 1: of one of the best episodes of television ever, the 31 00:02:00,280 --> 00:02:04,640 Speaker 1: show about Ali Hillfinger and her friend Rich Girls, and 32 00:02:04,880 --> 00:02:11,600 Speaker 1: when her friend what was her name, Jamie Lyndlisher, everyone's 33 00:02:11,600 --> 00:02:14,320 Speaker 1: always Jamie Lynn, Jamie and sopranos, and it's like metal 34 00:02:14,440 --> 00:02:17,840 Speaker 1: you know, No, there's an original Jamie Lynn and it's 35 00:02:17,880 --> 00:02:21,600 Speaker 1: the bigger one from Rich Girls. And she talked about 36 00:02:21,600 --> 00:02:24,080 Speaker 1: how what was it true time, about the origin of 37 00:02:24,120 --> 00:02:26,720 Speaker 1: cargos and how it was there made for poor people 38 00:02:26,760 --> 00:02:29,320 Speaker 1: to carry things because they don't have bags, right, because 39 00:02:29,320 --> 00:02:31,200 Speaker 1: they like work in the field. And she was just like, 40 00:02:31,240 --> 00:02:33,960 Speaker 1: why would I wear cargos, Like I don't work outside 41 00:02:34,080 --> 00:02:36,359 Speaker 1: or something. I don't need to carry things in my 42 00:02:39,600 --> 00:02:43,720 Speaker 1: I'm not poor, creepy, sketchy. You know who is poor 43 00:02:44,200 --> 00:02:47,600 Speaker 1: or was really poor and a really tough childhood. Right? 44 00:02:48,600 --> 00:02:51,200 Speaker 1: You know him, you love him. He is one of 45 00:02:51,240 --> 00:02:54,320 Speaker 1: the best selling artists of all time. He is also 46 00:02:54,440 --> 00:02:58,040 Speaker 1: one of the illis lyricists some people say, one of 47 00:02:58,040 --> 00:03:00,480 Speaker 1: the best rappers, if not the best rapper of all time. 48 00:03:00,760 --> 00:03:03,760 Speaker 1: Of course controversial. Of course, we're talking about none other 49 00:03:03,960 --> 00:03:08,440 Speaker 1: than Marshall Mathers Shady or as you may know him. 50 00:03:08,680 --> 00:03:13,120 Speaker 1: And we read his New York Times best selling book 51 00:03:13,360 --> 00:03:16,040 Speaker 1: The Way I Am. So this came out in like 52 00:03:16,160 --> 00:03:20,920 Speaker 1: twenty eight Yeah, and I was stomping to the studio 53 00:03:21,040 --> 00:03:22,760 Speaker 1: listening to The Way I Am, which is really his 54 00:03:23,520 --> 00:03:26,639 Speaker 1: angry I'm Famous track. Yeah, there's a couple of those. 55 00:03:26,800 --> 00:03:28,639 Speaker 1: I mean, he has a lot of those. I mean, 56 00:03:28,760 --> 00:03:34,400 Speaker 1: I feel like every musician taylor reputation, everyone needs a 57 00:03:34,400 --> 00:03:39,000 Speaker 1: full album or multiple to be like I'm famous and 58 00:03:39,240 --> 00:03:43,160 Speaker 1: I'm mad at people and I can't go outside and 59 00:03:43,320 --> 00:03:46,000 Speaker 1: everybody wants something from me. I mean, that's what Billie 60 00:03:46,000 --> 00:03:47,800 Speaker 1: Eilish his whole second album is about. That's what all 61 00:03:47,840 --> 00:03:50,560 Speaker 1: of taylorshal albums about, like Britney Spear's Piece of Me. 62 00:03:50,640 --> 00:03:54,480 Speaker 1: You know, it's a common theme celebrities, celebrities. So yeah, 63 00:03:54,480 --> 00:03:57,840 Speaker 1: this book is written, and it was written, and it 64 00:03:57,920 --> 00:03:59,800 Speaker 1: was written by him. No, I mean it's uply his voice. 65 00:03:59,800 --> 00:04:01,680 Speaker 1: I say so. It's somewhere between a book and a 66 00:04:01,680 --> 00:04:04,480 Speaker 1: coffee table book, a lot of photos. Well did you 67 00:04:04,520 --> 00:04:06,560 Speaker 1: read the part about halfway through when he was just like, 68 00:04:06,600 --> 00:04:09,240 Speaker 1: I hate to read. Was when they sent him the 69 00:04:09,240 --> 00:04:11,080 Speaker 1: script for eight Mile. He was just like, well, first 70 00:04:11,080 --> 00:04:13,320 Speaker 1: of all, like I'm not read reading because I hate 71 00:04:13,360 --> 00:04:15,280 Speaker 1: to read it. But then he was like could because 72 00:04:15,320 --> 00:04:16,960 Speaker 1: he was like I do if something doesn't have pictures 73 00:04:16,960 --> 00:04:19,359 Speaker 1: in it, I'm not iran reading it. Not reading that shot, 74 00:04:19,800 --> 00:04:22,200 Speaker 1: he was like, but finally I got around to reading 75 00:04:22,240 --> 00:04:24,159 Speaker 1: the first few pages and I was like, wait a minute, 76 00:04:24,200 --> 00:04:26,400 Speaker 1: that laps. But also, do you want to be in 77 00:04:26,400 --> 00:04:31,680 Speaker 1: this movie? It's just like about his life. I mean 78 00:04:31,720 --> 00:04:35,040 Speaker 1: that is how I need to make a movie. Just 79 00:04:35,040 --> 00:04:36,839 Speaker 1: someone sends you a script about your own life. And 80 00:04:36,880 --> 00:04:39,279 Speaker 1: you finally and you're like, you know, was dope. This 81 00:04:39,360 --> 00:04:45,760 Speaker 1: trick is madilarious. This is hysterically Yeah, it's like. So 82 00:04:45,800 --> 00:04:49,400 Speaker 1: he sits down with Proof, his best friend who did 83 00:04:49,440 --> 00:04:53,479 Speaker 1: pass this book is really an OWD to Proof. I know, 84 00:04:53,520 --> 00:04:55,920 Speaker 1: it's so vulnerable and so like the very the book 85 00:04:55,920 --> 00:05:00,880 Speaker 1: starts out with this big like you know, just dedication 86 00:05:00,960 --> 00:05:04,240 Speaker 1: in memoriam to this his rapper friend, part of his crew, 87 00:05:04,320 --> 00:05:06,600 Speaker 1: the person he really credits with like getting him out 88 00:05:06,600 --> 00:05:08,279 Speaker 1: there in the scene and encouraging him to go to 89 00:05:08,320 --> 00:05:11,600 Speaker 1: those first rap battles battles man and I mean, you 90 00:05:11,640 --> 00:05:13,719 Speaker 1: know we are in Detroit at the same time. Oh, 91 00:05:13,760 --> 00:05:16,440 Speaker 1: I know, you know Detroit was wild. I mean you 92 00:05:16,440 --> 00:05:18,320 Speaker 1: think it's a ward zone now, damn you should have 93 00:05:18,320 --> 00:05:21,640 Speaker 1: been there in ninety two. Eminem is. Yes, he's a rapper, 94 00:05:21,720 --> 00:05:27,560 Speaker 1: but he's also like the original like Jackass. He's such 95 00:05:27,600 --> 00:05:31,280 Speaker 1: a because he's such a prank stank prank sank Well. 96 00:05:31,279 --> 00:05:33,000 Speaker 1: I was about to say, my favorite photo in this 97 00:05:33,080 --> 00:05:37,719 Speaker 1: book is him as a crank anker's character. Oh yeah, 98 00:05:37,920 --> 00:05:40,360 Speaker 1: that's something I might frank well. When I saw that, 99 00:05:40,480 --> 00:05:42,120 Speaker 1: Like when I saw Crankers, I knew I had to 100 00:05:42,120 --> 00:05:44,240 Speaker 1: do it because me and Uncle Ronnie would always be 101 00:05:44,520 --> 00:05:48,719 Speaker 1: prank prank calling people, like calling them and were like, 102 00:05:48,839 --> 00:05:50,440 Speaker 1: we call people, tell them they were their doctor and 103 00:05:50,440 --> 00:05:53,960 Speaker 1: they had her pies, which is literally me in high 104 00:05:53,960 --> 00:05:56,040 Speaker 1: school doing the thing for me girls where you call 105 00:05:56,080 --> 00:05:59,400 Speaker 1: a girl and so your plant parenthood and so you know, 106 00:06:00,320 --> 00:06:03,640 Speaker 1: you called a girl's mother. I called her girl's mom 107 00:06:03,720 --> 00:06:06,760 Speaker 1: all right, like time in the morning and were like, hello, 108 00:06:07,320 --> 00:06:12,560 Speaker 1: this is Cindy from Planned Parenthood. Dadam uh Jenna? Yeah, 109 00:06:12,640 --> 00:06:14,120 Speaker 1: can you have Jenna give us a call? Her test 110 00:06:14,120 --> 00:06:16,320 Speaker 1: results are in? That was well. I kept it really short, 111 00:06:16,560 --> 00:06:18,839 Speaker 1: just like did you say the test results are in 112 00:06:19,320 --> 00:06:21,520 Speaker 1: or did you say the pregnancy tests? No? I said 113 00:06:21,560 --> 00:06:23,479 Speaker 1: her test results are in. You know, keep it happy. 114 00:06:24,000 --> 00:06:25,680 Speaker 1: I mean a guy, and I was literally just copying 115 00:06:25,680 --> 00:06:28,000 Speaker 1: the seating mean girls like it wasn't really that original. 116 00:06:28,040 --> 00:06:29,359 Speaker 1: I'm not going to say that. I was like a 117 00:06:29,480 --> 00:06:34,040 Speaker 1: genius prankster. Thank you for giving that to Tina Fe. No, no, 118 00:06:34,120 --> 00:06:35,480 Speaker 1: I mean honestly, and this is how a lot of 119 00:06:35,520 --> 00:06:39,360 Speaker 1: commedians get their start, like they just other comedian. I 120 00:06:39,400 --> 00:06:42,520 Speaker 1: was doing a Tina Fe bit anyway. Yes, I was 121 00:06:43,400 --> 00:06:48,440 Speaker 1: ultimately suspended from school for two days for that prank. 122 00:06:48,640 --> 00:06:52,159 Speaker 1: We went to a fucking bitchass private school. Anyway. The 123 00:06:52,279 --> 00:06:56,200 Speaker 1: point is, the point is Eminem had a rough you 124 00:06:56,200 --> 00:06:58,400 Speaker 1: want a rough childhood? Well, I guess separately. Point from 125 00:06:58,400 --> 00:07:00,000 Speaker 1: that also though, is like, because you're telling me the 126 00:07:00,040 --> 00:07:01,919 Speaker 1: I am like his anger, and he gets into his 127 00:07:01,960 --> 00:07:04,120 Speaker 1: anger issues in this book. But like, I feel like 128 00:07:04,120 --> 00:07:08,440 Speaker 1: there's two Eminem like songs. There's like the really angry 129 00:07:08,480 --> 00:07:10,920 Speaker 1: songs the Way I Am, all the ones where he's 130 00:07:10,960 --> 00:07:13,520 Speaker 1: like I'm cutting up Cam and I'm gonna raip her 131 00:07:13,560 --> 00:07:17,760 Speaker 1: dead body barts and you're like and everything is always 132 00:07:17,800 --> 00:07:21,560 Speaker 1: just like raping my dead grandmother's cousin and then digging 133 00:07:21,560 --> 00:07:24,240 Speaker 1: her up and raping her again. Or it's like his 134 00:07:24,880 --> 00:07:28,560 Speaker 1: really hilarious songs that are just like my mom is 135 00:07:28,600 --> 00:07:31,520 Speaker 1: on your face, yeah, like like like I think, like 136 00:07:31,840 --> 00:07:34,560 Speaker 1: my name is and like and without me, Like his 137 00:07:34,600 --> 00:07:39,240 Speaker 1: biggest hits are just like so comical and like yeah 138 00:07:39,280 --> 00:07:41,480 Speaker 1: all the skits, which is like a common thing and 139 00:07:41,600 --> 00:07:43,480 Speaker 1: like every rap Bob I feel like has some the skits, 140 00:07:43,480 --> 00:07:45,720 Speaker 1: but like he's really being like so cookie and all 141 00:07:45,720 --> 00:07:47,240 Speaker 1: those songs they feel like I have so many like 142 00:07:47,640 --> 00:07:50,440 Speaker 1: pop culture references in them. It's just like like Pama 143 00:07:50,440 --> 00:07:52,640 Speaker 1: Tommy just bursting the door first and before they were 144 00:07:52,640 --> 00:07:53,720 Speaker 1: all on the floor. You know, it's like, well the 145 00:07:53,720 --> 00:07:56,720 Speaker 1: whole Christina thing. Yeah, Christina better switching me terious so 146 00:07:56,800 --> 00:07:59,040 Speaker 1: I can sit next to Carsondali and Fred Durst like 147 00:07:59,200 --> 00:08:02,200 Speaker 1: and then of course, and my name is video. He 148 00:08:02,240 --> 00:08:06,880 Speaker 1: has legendary Okathy Griffin, Yeah no, because he you know 149 00:08:06,920 --> 00:08:09,520 Speaker 1: he and like that you gotta watch you gotta check 150 00:08:09,560 --> 00:08:12,400 Speaker 1: out her defeat her two thousand DVD allegedly where she 151 00:08:12,440 --> 00:08:15,920 Speaker 1: talks about shooting that video. Oh yeah, and she was 152 00:08:15,920 --> 00:08:18,080 Speaker 1: like he was very polite. Yeah. I feel like he 153 00:08:18,240 --> 00:08:21,240 Speaker 1: was just being so like polite boy. And she's yeah, 154 00:08:21,360 --> 00:08:23,760 Speaker 1: like okay, so I'm sitting there, I'm pulling up a chair. 155 00:08:23,920 --> 00:08:28,640 Speaker 1: Yeah no. But he has his like high school jackass 156 00:08:28,720 --> 00:08:31,120 Speaker 1: prankster like him and his friend would just like go 157 00:08:31,200 --> 00:08:34,120 Speaker 1: run shooting paintballs and like being so silly. And then 158 00:08:34,720 --> 00:08:36,880 Speaker 1: he has the side of him that's like classic, like 159 00:08:37,040 --> 00:08:40,400 Speaker 1: so like just angry white boy. And but he calls 160 00:08:40,440 --> 00:08:42,560 Speaker 1: himself out. I would say throughout this book it is 161 00:08:42,640 --> 00:08:45,160 Speaker 1: very self aware and I am so angry and like 162 00:08:45,160 --> 00:08:46,840 Speaker 1: I know I need to calm down, and like I'm 163 00:08:46,840 --> 00:08:49,160 Speaker 1: a dad now and like, but some things like still 164 00:08:49,200 --> 00:08:52,120 Speaker 1: make me pop off. Yeah, I mean I wouldn't say that. 165 00:08:52,160 --> 00:08:54,480 Speaker 1: He's like I definitely, he's still just like a pretty 166 00:08:54,520 --> 00:08:56,720 Speaker 1: angry person. He's not like laughing at anything. And he 167 00:08:56,800 --> 00:08:58,680 Speaker 1: was just like, yeah, I probably shouldn't have gotten so 168 00:08:58,760 --> 00:09:01,560 Speaker 1: mad at Triumph, and I'll like sorry, I hadn't heard 169 00:09:01,559 --> 00:09:04,280 Speaker 1: of him. We have to talk about the MTV Awards. 170 00:09:04,320 --> 00:09:06,960 Speaker 1: Let's just skip to that for a second. So the 171 00:09:07,000 --> 00:09:09,760 Speaker 1: infamous time where he wins the award and like basically 172 00:09:09,800 --> 00:09:12,480 Speaker 1: Triumph the insult dog gets like in his face. Well, 173 00:09:12,480 --> 00:09:15,000 Speaker 1: because he had this beef with like both Moby and 174 00:09:16,200 --> 00:09:18,240 Speaker 1: at that time, and like Moby had called him after 175 00:09:18,280 --> 00:09:22,320 Speaker 1: being home because like Moby is so annoying Mobe, like 176 00:09:22,400 --> 00:09:24,559 Speaker 1: Moby wasn't even like involved. It was basically like he 177 00:09:25,120 --> 00:09:28,600 Speaker 1: talked about Christina because he was being so Olympis Kit 178 00:09:28,840 --> 00:09:32,480 Speaker 1: Eminem era of just like fucking fuck pop music. I'm 179 00:09:32,600 --> 00:09:35,200 Speaker 1: not a pop musician. Yeah, I mean, well Eminem was 180 00:09:35,280 --> 00:09:37,840 Speaker 1: also like being so embarrassing and just like he was 181 00:09:37,840 --> 00:09:41,840 Speaker 1: also being so adbusters, so adbusters and just being like 182 00:09:42,160 --> 00:09:46,000 Speaker 1: I'm not in sync. I'm not Christina Aguilera, Okay, I'm 183 00:09:46,040 --> 00:09:49,480 Speaker 1: not trying to be popular that whole era. Your songs 184 00:09:49,480 --> 00:09:51,400 Speaker 1: have hooks in them, and it's just like you're on 185 00:09:51,600 --> 00:09:54,840 Speaker 1: MTV as much and like on the same and also 186 00:09:54,880 --> 00:09:56,880 Speaker 1: like Christine Aguilera is also an artist and it's like 187 00:09:56,880 --> 00:09:58,880 Speaker 1: coming up with concerts for videos just like you are, 188 00:09:58,920 --> 00:10:03,040 Speaker 1: so walk it back literally and also was being like 189 00:10:03,320 --> 00:10:07,160 Speaker 1: so sex positive in a way that no one else 190 00:10:07,280 --> 00:10:09,320 Speaker 1: was at that time and was like not being and 191 00:10:09,400 --> 00:10:12,319 Speaker 1: I'm an end saying Brittany Virgin. Yeah, she was just like, yes, 192 00:10:12,360 --> 00:10:17,000 Speaker 1: I do have sex easy target frominem absolutely, so he 193 00:10:17,080 --> 00:10:20,199 Speaker 1: didn't even have a word for that, say thank you, 194 00:10:22,120 --> 00:10:25,080 Speaker 1: subscribe Moby's vegan ass, of course, I feel like he's 195 00:10:25,120 --> 00:10:28,280 Speaker 1: trying to be so like male savior and being like, actually, 196 00:10:28,320 --> 00:10:30,920 Speaker 1: don't talk about Christinos. I mean he's like the original, 197 00:10:30,960 --> 00:10:32,960 Speaker 1: like most annoyance strike I ever. I've just been like 198 00:10:32,960 --> 00:10:36,200 Speaker 1: I invented veganism, and oh he's so annoying. You know, 199 00:10:36,280 --> 00:10:39,600 Speaker 1: he got beat up by a hard core crew in 200 00:10:39,679 --> 00:10:44,520 Speaker 1: Boston called FSU. Well, personally, I don't think violence is 201 00:10:44,520 --> 00:10:47,400 Speaker 1: ever the answer. And so let me just say to Moby, 202 00:10:47,640 --> 00:10:50,120 Speaker 1: I'm sorry, I'm half of my city that that happened 203 00:10:50,120 --> 00:10:52,800 Speaker 1: to you, and it was on Lansdown Street. Fuck yeah, 204 00:10:52,840 --> 00:10:56,880 Speaker 1: I mean Lansdown Man and he was teaching or something, 205 00:10:57,040 --> 00:10:58,480 Speaker 1: and obviously, like I will say that's like I do 206 00:10:58,520 --> 00:11:01,840 Speaker 1: love Mobi's music. Oh as an electronic I mean it's 207 00:11:01,840 --> 00:11:06,480 Speaker 1: also so global as an electronic A fan, I'd say, 208 00:11:06,559 --> 00:11:11,800 Speaker 1: if you desert Island, there's a Christina CD, a Moby CD, 209 00:11:12,440 --> 00:11:16,640 Speaker 1: and the Marshall Mathers LP. Well, I'm probably putting on 210 00:11:16,679 --> 00:11:19,000 Speaker 1: the movie ced I'm on a desert island. You're just 211 00:11:19,000 --> 00:11:22,880 Speaker 1: like walking around being like, oh, welcome to the SASSA. Yeah, 212 00:11:22,920 --> 00:11:26,439 Speaker 1: like I want to hear like those lush strings and Marshall. 213 00:11:26,679 --> 00:11:29,120 Speaker 1: I feel like that's kind of getting Sandy. Well, yeah, 214 00:11:29,120 --> 00:11:31,000 Speaker 1: it's getting to any thing about Marshall. I was just 215 00:11:31,000 --> 00:11:32,760 Speaker 1: blasting on the way here and like, yeah, I felt 216 00:11:32,760 --> 00:11:35,360 Speaker 1: like a badass the same I was like, Lily, why 217 00:11:35,400 --> 00:11:38,600 Speaker 1: aren't you listening to his full albums? More? Yeah, my 218 00:11:38,679 --> 00:11:43,360 Speaker 1: man's got flow. Okay, So anyway, so there MTV words 219 00:11:43,360 --> 00:11:45,719 Speaker 1: and then tryanphins A comic dog is like doing this 220 00:11:45,840 --> 00:11:49,280 Speaker 1: bit with mobe Um where he's been like yeah, like 221 00:11:49,360 --> 00:11:52,480 Speaker 1: I have fuck women and like Mobi does not get 222 00:11:52,520 --> 00:11:55,880 Speaker 1: any win then because he's girls and mouth and he's, 223 00:11:55,960 --> 00:11:58,280 Speaker 1: you know, sort of doing that classic bit um. If 224 00:11:58,320 --> 00:12:01,319 Speaker 1: you don't know a pizza puppet that's on the cone, 225 00:12:01,320 --> 00:12:06,080 Speaker 1: I know Brian show that smokes a cigar. It's he's 226 00:12:06,120 --> 00:12:08,920 Speaker 1: a dog, but he's but he talks, but he talks 227 00:12:08,920 --> 00:12:12,360 Speaker 1: and he insults. So then the dog like tries to 228 00:12:12,360 --> 00:12:17,520 Speaker 1: come up to Eminem and literally with his like full entourage, 229 00:12:17,520 --> 00:12:19,000 Speaker 1: and he's just like, get that out of my face, man, 230 00:12:19,080 --> 00:12:20,880 Speaker 1: get that out of my face. And then they have 231 00:12:20,960 --> 00:12:22,719 Speaker 1: to just like cut away and be like and now 232 00:12:22,800 --> 00:12:26,480 Speaker 1: christ anaguilar present word and he's just he goes up 233 00:12:26,520 --> 00:12:31,760 Speaker 1: and the word yeah. And then he goes backstage and 234 00:12:31,880 --> 00:12:34,240 Speaker 1: there's just a cooler of drinks and he goes, yeah. 235 00:12:34,320 --> 00:12:36,840 Speaker 1: And first I asked anyone if they wanted a water. 236 00:12:37,320 --> 00:12:39,880 Speaker 1: No one wanted the water. So I picked the entire 237 00:12:40,000 --> 00:12:42,440 Speaker 1: cooler up and I threw it against the wall. And 238 00:12:42,480 --> 00:12:45,280 Speaker 1: then he's like, yeah, no, I was like really angry, 239 00:12:45,320 --> 00:12:47,640 Speaker 1: and like I still don't know why that puppet made 240 00:12:47,640 --> 00:12:50,520 Speaker 1: me so mad, but like also that's just such an 241 00:12:50,559 --> 00:12:55,000 Speaker 1: amazing sense. He goes, but with everything, Moby Christina the puppet, 242 00:12:55,440 --> 00:12:57,440 Speaker 1: it was all too much. It was too much. And 243 00:12:57,440 --> 00:12:59,360 Speaker 1: then he keeps say to gain he was like a puppet, 244 00:13:00,160 --> 00:13:05,200 Speaker 1: a puppet, and it's like, yeah, you're still like a 245 00:13:05,200 --> 00:13:08,800 Speaker 1: little bit. Also him thinking the puppet's real. I think 246 00:13:08,880 --> 00:13:15,160 Speaker 1: so because he used like those fucking puppet people. So 247 00:13:15,240 --> 00:13:17,240 Speaker 1: that's where he does like I'm not sure how self 248 00:13:17,240 --> 00:13:19,640 Speaker 1: aware he is, but I do like that. He asked 249 00:13:19,640 --> 00:13:22,680 Speaker 1: if anyone wanted a water before he kind of made 250 00:13:22,679 --> 00:13:26,800 Speaker 1: the water undrinkable by dumping the cooler out. He's like, no, 251 00:13:27,040 --> 00:13:30,720 Speaker 1: I actually like m which it's personality. He's like, yeah, 252 00:13:30,760 --> 00:13:33,200 Speaker 1: I'm gonna be like polite and if I went was thirsty, 253 00:13:33,240 --> 00:13:38,439 Speaker 1: they will get water. But puppets, yeah, don't fuck with me. Yeah, 254 00:13:38,040 --> 00:13:43,120 Speaker 1: he's like a considerate bad as us. There's also the 255 00:13:43,160 --> 00:13:45,960 Speaker 1: time where on the set of eight Mile, like the 256 00:13:46,040 --> 00:13:48,920 Speaker 1: director really wants him to like pet this horse and 257 00:13:48,960 --> 00:13:54,959 Speaker 1: they shoot this hole like, bitch, I'm not petting this down. 258 00:13:55,000 --> 00:13:58,080 Speaker 1: I'm too gay. There was some weird shit an eight 259 00:13:58,160 --> 00:14:00,600 Speaker 1: Mile too. I thought tooth and nail and want to 260 00:14:00,640 --> 00:14:02,360 Speaker 1: get this scene with the horse out of the fucking 261 00:14:02,440 --> 00:14:05,720 Speaker 1: movie because it made no sense whatsoever. Jimmy gets in 262 00:14:05,720 --> 00:14:07,160 Speaker 1: a fight with his mother and takes a little sister 263 00:14:07,200 --> 00:14:08,959 Speaker 1: next to where the babysitter, and then he sits down 264 00:14:08,960 --> 00:14:11,280 Speaker 1: and starts crying, just thinking about his life. But then 265 00:14:11,320 --> 00:14:14,480 Speaker 1: he turnes around and get this, he sees a horse, 266 00:14:15,040 --> 00:14:17,040 Speaker 1: as in one of those horses the cops ride through 267 00:14:17,080 --> 00:14:20,280 Speaker 1: the city and shit, like just to describe what a 268 00:14:20,320 --> 00:14:22,920 Speaker 1: horse is. He sees this horse in a junkyard. He 269 00:14:22,920 --> 00:14:25,400 Speaker 1: doesn't know why it's there. He walks up and starts 270 00:14:25,440 --> 00:14:28,360 Speaker 1: petting it. Now, there's something about horses in the way 271 00:14:28,400 --> 00:14:31,080 Speaker 1: they throw their heads up. They jerked their heads around 272 00:14:31,080 --> 00:14:33,880 Speaker 1: out of fucking nowhere. Kurtis kept telling me to grab 273 00:14:33,920 --> 00:14:35,960 Speaker 1: the reins and pett it, but the horse was doing 274 00:14:36,000 --> 00:14:39,320 Speaker 1: this crazy head jerky movement, and I thought, any minute, 275 00:14:39,320 --> 00:14:42,040 Speaker 1: this motherfucker is gonna lift his head up and bust 276 00:14:42,160 --> 00:14:46,040 Speaker 1: my fucking jaw. Horses in me, we don't get on 277 00:14:46,120 --> 00:14:49,040 Speaker 1: too well. I wouldn't fuck with a horse. If a 278 00:14:49,120 --> 00:14:53,600 Speaker 1: horse dissed me, I wouldn't say anything back. Where He's like, 279 00:14:53,960 --> 00:14:57,600 Speaker 1: if you're a puppet, I will diss you back, But 280 00:14:57,640 --> 00:15:00,360 Speaker 1: if you're a horse, no, that's where all fall back, like, oh, 281 00:15:00,520 --> 00:15:04,280 Speaker 1: you're a badass, and like ultimately he thinks puppets and 282 00:15:04,520 --> 00:15:08,920 Speaker 1: horses are people, which is actually like very egalitarian and 283 00:15:08,960 --> 00:15:11,480 Speaker 1: like beautiful of him, and he treats everyone with yes, 284 00:15:11,960 --> 00:15:17,640 Speaker 1: aunt respects animals humans. At the same time, if you know, 285 00:15:18,080 --> 00:15:20,840 Speaker 1: I'm shooting a movie about my life that someone else 286 00:15:20,840 --> 00:15:24,840 Speaker 1: wrote with tons of driggering scenes of my crazy childhood, 287 00:15:24,880 --> 00:15:27,680 Speaker 1: You're insane childhood growing up on the wrong side of 288 00:15:27,720 --> 00:15:31,240 Speaker 1: the tracks in Cambridge, Massachusetts, and you know, the director 289 00:15:31,320 --> 00:15:34,520 Speaker 1: Ben Stiller says to me, Lily, you have to go 290 00:15:34,640 --> 00:15:37,840 Speaker 1: pet those horse and it's just like they're big animals. Yeah. There, 291 00:15:37,960 --> 00:15:41,200 Speaker 1: I might be also afraid to just I want the 292 00:15:41,280 --> 00:15:46,720 Speaker 1: idea of this horse like wandering in like porter swear 293 00:15:48,640 --> 00:15:52,080 Speaker 1: raw massa laugh clap, You're like getting off the tea 294 00:15:52,120 --> 00:15:55,960 Speaker 1: and you're like, oh my god, what is this beautiful steed? 295 00:15:57,000 --> 00:16:02,040 Speaker 1: Perhaps you can provide me solace my difficult, difficult life, 296 00:16:02,520 --> 00:16:04,800 Speaker 1: none of the kids of my private middle school like 297 00:16:05,440 --> 00:16:12,720 Speaker 1: your alternate teen. I was looking for some slim, shady 298 00:16:13,000 --> 00:16:17,520 Speaker 1: merch today on eBay dot com. Sure, yeah, just to 299 00:16:17,600 --> 00:16:19,480 Speaker 1: kind of see what not to buy, just to see 300 00:16:19,520 --> 00:16:21,200 Speaker 1: what it's going for. At some point, you're going to 301 00:16:21,240 --> 00:16:22,880 Speaker 1: need to admit to our listeners that you own stock 302 00:16:22,920 --> 00:16:28,560 Speaker 1: and eBay. How much you promote that I'm like, oh 303 00:16:28,560 --> 00:16:33,120 Speaker 1: oh no, just dividends of nine point two percent yea 304 00:16:33,720 --> 00:16:40,000 Speaker 1: every try year trimester. Um, so his dolls are going 305 00:16:40,080 --> 00:16:42,800 Speaker 1: for like one hundred to two hundred dollars. Obviously you 306 00:16:42,880 --> 00:16:45,400 Speaker 1: went right to the dolls. Yeah, when the doll I 307 00:16:45,520 --> 00:16:49,280 Speaker 1: looked at Pats actually first for just like very because 308 00:16:49,320 --> 00:16:52,280 Speaker 1: I feel like a baby blue was so Eminem's color. Yes, 309 00:16:52,320 --> 00:16:56,000 Speaker 1: absolutely absolutely, And I remember in college I really wanted 310 00:16:56,040 --> 00:16:59,800 Speaker 1: my style for a while to be not so Eminem, 311 00:16:59,840 --> 00:17:03,160 Speaker 1: to a little bit eminem. And I went to like Lenscrafters. 312 00:17:03,160 --> 00:17:05,120 Speaker 1: I was due for a new pair of glasses, and 313 00:17:05,160 --> 00:17:06,840 Speaker 1: I was like, I want my glasses to be like 314 00:17:06,880 --> 00:17:13,440 Speaker 1: Eminem going to court that style kind of frameless little rectangles, 315 00:17:14,000 --> 00:17:16,359 Speaker 1: and they told me my prescription was too thick to 316 00:17:16,359 --> 00:17:20,920 Speaker 1: get frameless. Yeah. Ultimately they got to wedge those puppies 317 00:17:20,960 --> 00:17:25,040 Speaker 1: in somehow, so I got these wire frame ones and 318 00:17:25,080 --> 00:17:28,520 Speaker 1: they just ended up like more Santa than Slim. I mean, 319 00:17:28,560 --> 00:17:30,399 Speaker 1: I think part of his look is that it's like 320 00:17:30,480 --> 00:17:34,480 Speaker 1: when you have the short, short peroxide hair. Yeah, like 321 00:17:34,720 --> 00:17:37,919 Speaker 1: then the frameless is being more like trailer trash and 322 00:17:38,280 --> 00:17:41,320 Speaker 1: hot in this way. But then I feel like it 323 00:17:41,359 --> 00:17:43,399 Speaker 1: wasn't working with my pompadour, but then I was like 324 00:17:43,480 --> 00:17:46,879 Speaker 1: also doing like big baby blue T shirt but pompadour 325 00:17:47,000 --> 00:17:51,280 Speaker 1: but Santa glasses. Yeah that look is really chaotic and 326 00:17:51,400 --> 00:17:55,200 Speaker 1: probably like acid wash jeans and like huge sneakers, and yeah, 327 00:17:55,240 --> 00:17:59,199 Speaker 1: I do love eminem style on. I do think that 328 00:17:59,240 --> 00:18:02,760 Speaker 1: he's an icon. His style is pretty dope. Okay, So 329 00:18:02,800 --> 00:18:04,240 Speaker 1: one thing I learned in this book, which was so 330 00:18:04,280 --> 00:18:07,919 Speaker 1: cool was the whole Peroxide story. Oh yeah, So the 331 00:18:07,960 --> 00:18:11,400 Speaker 1: reason he has his signature look of the dive blonde hair, 332 00:18:11,520 --> 00:18:14,119 Speaker 1: which is like when he had through his whole period 333 00:18:14,200 --> 00:18:20,280 Speaker 1: of like superstardom, was he was high on ecstasy. Yeah, man, 334 00:18:20,720 --> 00:18:25,399 Speaker 1: fuck yeah, he was ripping Ballzuta and he was like, yeah, 335 00:18:25,480 --> 00:18:29,560 Speaker 1: I'm just gonna like go into this like store peroxide 336 00:18:29,840 --> 00:18:35,880 Speaker 1: seven eleven, picked up some cheap over the counter bottle blonde. 337 00:18:36,640 --> 00:18:39,880 Speaker 1: But you know it goes to show you signature looks. Yeah, 338 00:18:39,920 --> 00:18:42,439 Speaker 1: it could be everything, and sometimes they don't have to 339 00:18:42,480 --> 00:18:47,160 Speaker 1: be planned by the suits. Thank you by Christina Aguilera's managers. 340 00:18:47,400 --> 00:18:51,520 Speaker 1: I wonder if Pink was like similarly Cavalier with when 341 00:18:51,560 --> 00:18:53,879 Speaker 1: she first eyed her hair pink and then had to 342 00:18:53,920 --> 00:18:55,840 Speaker 1: just like have her name be Pink for the rest 343 00:18:55,840 --> 00:18:59,040 Speaker 1: of her career. His relationship with Kim, let's get into it, 344 00:18:59,680 --> 00:19:03,320 Speaker 1: the life and now ex wife. Um, he kind of 345 00:19:03,400 --> 00:19:05,239 Speaker 1: is like not mentioning the imagine, just being like at 346 00:19:05,280 --> 00:19:07,159 Speaker 1: that time, like Kim and I were already living like 347 00:19:07,160 --> 00:19:09,040 Speaker 1: in the trailer and then we moved into her parents 348 00:19:09,119 --> 00:19:12,040 Speaker 1: addict and like Haley was already born. Yeah, it was 349 00:19:12,119 --> 00:19:14,280 Speaker 1: like the book, you know, it doesn't go in classic 350 00:19:14,320 --> 00:19:16,800 Speaker 1: memoir way, kind of struts out the Proof and then 351 00:19:16,800 --> 00:19:20,640 Speaker 1: talks about the battles classic toxic masculinity though, where it's 352 00:19:20,640 --> 00:19:23,399 Speaker 1: just like there's no romance at all. It's like, really, 353 00:19:23,680 --> 00:19:25,879 Speaker 1: it's just it's very homerotic books just about him and 354 00:19:25,880 --> 00:19:28,720 Speaker 1: it's okay, that's why he loves Proof so much. Is 355 00:19:28,760 --> 00:19:31,760 Speaker 1: this his best friend who got murdered and it's just like, 356 00:19:32,400 --> 00:19:35,640 Speaker 1: I mean, that relationship seems so romantic. He spends kind 357 00:19:35,680 --> 00:19:39,840 Speaker 1: of a whole book saying he's not homophobic. Yeah, he 358 00:19:39,920 --> 00:19:42,120 Speaker 1: spends a lot of time in there. And then you're like, wait, 359 00:19:42,160 --> 00:19:44,480 Speaker 1: so how did you and Kim meet who we've heard 360 00:19:44,520 --> 00:19:47,880 Speaker 1: about in every song? Right, I mean, I'm sure Kim 361 00:19:47,960 --> 00:19:52,360 Speaker 1: was like, don't fucking talk shit about me in your 362 00:19:52,440 --> 00:19:54,640 Speaker 1: book or I'm gonna slice your neck and I'm gonna 363 00:19:54,680 --> 00:19:59,200 Speaker 1: rape your body. Boy. I imagine Kim is a toughie. 364 00:20:00,040 --> 00:20:02,520 Speaker 1: I mean I kind of think she's like around town 365 00:20:02,680 --> 00:20:04,200 Speaker 1: and that's how they met. I don't think they like 366 00:20:04,280 --> 00:20:08,520 Speaker 1: met any harmony. I guess I was like, what's kind 367 00:20:08,520 --> 00:20:11,880 Speaker 1: of the like story that's I guess that's in a miles, 368 00:20:11,880 --> 00:20:14,280 Speaker 1: just a mile. Like they were at the gas station. 369 00:20:14,440 --> 00:20:17,320 Speaker 1: He bought her a forty and they like sat on 370 00:20:17,359 --> 00:20:19,320 Speaker 1: his porch while he was rapping with his boys, and 371 00:20:19,359 --> 00:20:21,520 Speaker 1: she was just like, I'm going inside and he was like, Okay, 372 00:20:21,520 --> 00:20:23,520 Speaker 1: I'm going to like cool freestyle for their hour and 373 00:20:23,560 --> 00:20:25,240 Speaker 1: a half with like my best friend was Dick, I 374 00:20:25,280 --> 00:20:28,199 Speaker 1: want to suck and like drink more forties and then 375 00:20:28,240 --> 00:20:31,119 Speaker 1: I mean he talks a lot about his children and 376 00:20:31,400 --> 00:20:34,400 Speaker 1: it really reminded me of Matthew McConaughey in that way 377 00:20:34,400 --> 00:20:37,040 Speaker 1: where he's like I felt even more like a man 378 00:20:37,200 --> 00:20:40,359 Speaker 1: when I had my kid, and she's like I felt 379 00:20:40,359 --> 00:20:43,479 Speaker 1: so strong holding Haley in my arms, and like my 380 00:20:43,680 --> 00:20:46,680 Speaker 1: arms were so strong from like mopping because he was 381 00:20:46,760 --> 00:20:49,640 Speaker 1: mopping and flipping burgers because so like early in his career. Yeah, 382 00:20:49,640 --> 00:20:51,440 Speaker 1: because he like has the kids, so like, way before 383 00:20:51,440 --> 00:20:54,400 Speaker 1: he's famous, he's like seventeen, I think he's still in school. 384 00:20:54,440 --> 00:20:55,720 Speaker 1: And he was like, and I wasn't with my mom 385 00:20:55,720 --> 00:20:58,280 Speaker 1: and like it was so cool of he's still being 386 00:20:58,320 --> 00:21:00,159 Speaker 1: just so teen. He's like, it was so dope of 387 00:21:00,240 --> 00:21:03,800 Speaker 1: Kim's mom to like let us stay in her attic. Yeah, 388 00:21:03,840 --> 00:21:06,439 Speaker 1: and you're like, that is dope of a kid. I mean, 389 00:21:06,480 --> 00:21:09,159 Speaker 1: the gratitude is really beautiful. Okay to the gay stuff. 390 00:21:09,160 --> 00:21:12,399 Speaker 1: May I read this part about him with him his 391 00:21:12,520 --> 00:21:15,879 Speaker 1: views and relationship with Elton John. Believe it or not, 392 00:21:16,000 --> 00:21:18,000 Speaker 1: it was my idea to perform with Elton. I was 393 00:21:18,040 --> 00:21:21,080 Speaker 1: thinking what would really shop people and ultimately bring them together. 394 00:21:21,440 --> 00:21:24,640 Speaker 1: Elton and me, we're friends. He got married to another man, 395 00:21:24,960 --> 00:21:29,840 Speaker 1: he's gay, and we're friends. And who cares at Arbor 396 00:21:29,920 --> 00:21:32,000 Speaker 1: herself With the Grammys, he went off about the people 397 00:21:32,000 --> 00:21:33,959 Speaker 1: who were against me. I think it's hard for some 398 00:21:33,960 --> 00:21:36,360 Speaker 1: people to understand that for me, the word fagett has 399 00:21:36,400 --> 00:21:38,800 Speaker 1: nothing to do with sexual preference. I meant something more 400 00:21:38,840 --> 00:21:41,040 Speaker 1: like assholes or dick kids. When people got all up 401 00:21:41,040 --> 00:21:42,920 Speaker 1: in ours about it, I start to use it more 402 00:21:43,040 --> 00:21:45,439 Speaker 1: just to piss them off even worse. But I'm not 403 00:21:45,520 --> 00:21:47,760 Speaker 1: in a position to really comment on the step because 404 00:21:47,760 --> 00:21:50,280 Speaker 1: I'm not gay, And ultimately, what you choose to be 405 00:21:50,280 --> 00:21:51,879 Speaker 1: in a relationship with and what you do in your 406 00:21:51,880 --> 00:21:57,960 Speaker 1: madam is your business. That's like, okay, yeah, no, I 407 00:21:58,000 --> 00:22:00,320 Speaker 1: started just to work faget more because like I pissed off. 408 00:22:00,320 --> 00:22:02,119 Speaker 1: That's what I do. I'm I'm angry and I like 409 00:22:02,200 --> 00:22:04,760 Speaker 1: to rattle people, but also I'm not gay, and like, actually, 410 00:22:04,760 --> 00:22:08,920 Speaker 1: do you I support love? Is love? Elton pronouns, Yeah, 411 00:22:09,359 --> 00:22:11,800 Speaker 1: it gets like so press released by the end and 412 00:22:11,840 --> 00:22:13,720 Speaker 1: you're like, I guess the publicist was just like and 413 00:22:14,119 --> 00:22:17,600 Speaker 1: you need to say like, And ultimately I am not 414 00:22:17,680 --> 00:22:20,200 Speaker 1: in a position to comment, and that's because I'm totally 415 00:22:20,280 --> 00:22:22,720 Speaker 1: not gay at all, even though what being gay technically 416 00:22:22,840 --> 00:22:25,359 Speaker 1: is is when you are married to a man and 417 00:22:25,480 --> 00:22:27,800 Speaker 1: you have sex in your bedroom with another man. That's 418 00:22:27,800 --> 00:22:32,040 Speaker 1: what I've heard by rumors being gay. But I would 419 00:22:32,040 --> 00:22:36,439 Speaker 1: obviously never protict because that is not my life. Okay. 420 00:22:36,440 --> 00:22:38,879 Speaker 1: But I was watching Elton John on the Graham Norton 421 00:22:38,880 --> 00:22:43,320 Speaker 1: Show getting Ready for Our London Show, Getting Ready for 422 00:22:43,440 --> 00:22:45,960 Speaker 1: London Show in the Eminem book, and he said that 423 00:22:46,040 --> 00:22:51,000 Speaker 1: Eminem sent him and his husband Cock rings for their wedding. 424 00:22:51,480 --> 00:22:53,760 Speaker 1: Wait that is Isn't that so dope? So I'm like, 425 00:22:53,840 --> 00:22:57,640 Speaker 1: you earn homophobic, But also that's just so celebrity to 426 00:22:57,640 --> 00:23:02,520 Speaker 1: send like a kind of yes. I just like, that's 427 00:23:02,560 --> 00:23:04,960 Speaker 1: so Like. The most celebrity story to me is when 428 00:23:05,000 --> 00:23:07,840 Speaker 1: Natalie Portman was like talked about how on the set 429 00:23:07,840 --> 00:23:11,720 Speaker 1: of Closer, Julia Roberts sent her a necklace that said cunt. 430 00:23:12,240 --> 00:23:15,880 Speaker 1: Oh my god, I forgot about that. It's just like 431 00:23:16,119 --> 00:23:20,440 Speaker 1: celebrities are so sending gifts to their assistants. Yeah. So 432 00:23:21,280 --> 00:23:25,360 Speaker 1: John was being like, we're friends, okay, like we talk 433 00:23:25,480 --> 00:23:28,880 Speaker 1: all the time. He sent me cockerings Like he's ridiculous. 434 00:23:29,320 --> 00:23:34,399 Speaker 1: He's a total prankster. But I do feel like am 435 00:23:34,400 --> 00:23:37,639 Speaker 1: and proof. I don't think they've I think they've it's 436 00:23:37,680 --> 00:23:42,600 Speaker 1: just like maybe a jerked off scenario after like throwing paintballs. 437 00:23:42,960 --> 00:23:45,720 Speaker 1: I feel like they excuse we have not explored each 438 00:23:45,760 --> 00:23:48,439 Speaker 1: other's but days. But I do think that there is 439 00:23:48,520 --> 00:23:51,600 Speaker 1: just an intense hameraudicism that's never been acted on. Or 440 00:23:51,600 --> 00:23:53,879 Speaker 1: do you think it's just they're not drinking off in 441 00:23:53,880 --> 00:23:56,000 Speaker 1: the same room, It's just they're watching porn together and 442 00:23:56,080 --> 00:23:59,879 Speaker 1: like smoking pluts yes, I think they're definitely watching porn 443 00:24:00,080 --> 00:24:03,680 Speaker 1: and like, because I mean, you know, this was ninety six. 444 00:24:03,720 --> 00:24:06,400 Speaker 1: They're throwing on tapes, right, throw on tapes and maybe 445 00:24:06,520 --> 00:24:09,159 Speaker 1: like damn, yeah, look at this slot, like look at 446 00:24:09,160 --> 00:24:12,520 Speaker 1: how she sucks, dick. I love this bitch, like I yeah, 447 00:24:12,560 --> 00:24:16,240 Speaker 1: like nice, Yeah, she got some nice nails at her 448 00:24:16,359 --> 00:24:18,640 Speaker 1: nice I love her nails. And he was like, yeah, dude, 449 00:24:18,920 --> 00:24:21,360 Speaker 1: that's for days. Let's go throw paintballs and buy more 450 00:24:21,440 --> 00:24:24,560 Speaker 1: bleached blond yeah. Yeah, And they're just like knocking back 451 00:24:24,600 --> 00:24:29,760 Speaker 1: forties on their big leather chairs in their carpetise. Yeah, 452 00:24:31,480 --> 00:24:34,640 Speaker 1: watching some dope ass porn. But yeah, I don't think 453 00:24:34,640 --> 00:24:37,280 Speaker 1: he has gone there. And then there's that part later 454 00:24:37,320 --> 00:24:39,760 Speaker 1: on when he's talking about how he likes his two personalities. 455 00:24:40,160 --> 00:24:42,240 Speaker 1: Oh you think one of them is like one of them? Well, 456 00:24:42,240 --> 00:24:44,560 Speaker 1: first of all, he has that gay alter ego Ken 457 00:24:45,240 --> 00:24:52,480 Speaker 1: Cat ken cadif. I feel like it's very Knaves, and 458 00:24:52,520 --> 00:24:54,679 Speaker 1: he like appears on something there this whole skit with 459 00:24:54,760 --> 00:24:57,680 Speaker 1: him on I forget the song, but it's like there's 460 00:24:57,680 --> 00:24:59,080 Speaker 1: like a two minutes go to the beginning that's his 461 00:24:59,160 --> 00:25:02,440 Speaker 1: gay character. Just me, yeah, honey, I mean a commam 462 00:25:02,560 --> 00:25:05,760 Speaker 1: and suck it. I'm out in your ass, not in 463 00:25:05,800 --> 00:25:08,879 Speaker 1: your hands, baby. Well that era, I feel like it 464 00:25:09,000 --> 00:25:12,160 Speaker 1: is like that also SNL era of like people loved 465 00:25:12,280 --> 00:25:14,800 Speaker 1: doing like gay guy characters. Yes, yes, yes, yes, yes. 466 00:25:14,840 --> 00:25:17,480 Speaker 1: Do you remember we heard that gossip from a gay 467 00:25:17,520 --> 00:25:21,800 Speaker 1: guy that Harrison Ford's go to joke was just to 468 00:25:21,920 --> 00:25:24,960 Speaker 1: like do a really like nineties gay guy impression? Yes, 469 00:25:25,119 --> 00:25:29,639 Speaker 1: I do remember that. That's funny and that is funny. 470 00:25:30,280 --> 00:25:35,680 Speaker 1: And Callisto's like, oh Harrison again with his gay guy impression. 471 00:25:36,920 --> 00:25:42,359 Speaker 1: He's eighty being like pasta crystal a bit. Oh he 472 00:25:42,440 --> 00:25:48,280 Speaker 1: sounds so chill. Are you referring to? I know this 473 00:25:48,440 --> 00:25:51,240 Speaker 1: other part where he's like there's two sides, like people 474 00:25:51,280 --> 00:25:53,760 Speaker 1: don't know the real me, Like there's angry me, there's 475 00:25:53,840 --> 00:25:57,359 Speaker 1: dad me, and then there's like the homophobic trickster. Yess 476 00:25:57,400 --> 00:25:59,920 Speaker 1: that's me. And he's kind of like down on him 477 00:26:00,080 --> 00:26:04,840 Speaker 1: self for people. He's saying like, yeah, because there's Marshall 478 00:26:04,880 --> 00:26:07,119 Speaker 1: who's like a nerd and like Eminem who's really serious 479 00:26:07,119 --> 00:26:09,400 Speaker 1: and like sober, and then there's like slim Shady who's 480 00:26:09,400 --> 00:26:13,080 Speaker 1: like homophobic and like drunk the prankster. Yeah. Also, okay, 481 00:26:13,080 --> 00:26:15,600 Speaker 1: so since this book is more coffee table. There's a 482 00:26:15,600 --> 00:26:20,280 Speaker 1: photo of the most serious nineties lesbian protesting outside of 483 00:26:20,400 --> 00:26:23,639 Speaker 1: like the Music Video Awards. Who's being so like huge jeans, 484 00:26:23,760 --> 00:26:28,360 Speaker 1: like this big glad tea and like the Elton John 485 00:26:28,400 --> 00:26:33,760 Speaker 1: glasses and her her big lanyard. We must stop the 486 00:26:33,880 --> 00:26:37,880 Speaker 1: Marshall Mathers LP her festival badge. This is not okay. 487 00:26:38,480 --> 00:26:44,080 Speaker 1: There is no place for bigotry in the rap industry. Okay, 488 00:26:44,080 --> 00:26:47,920 Speaker 1: wait this there's this other sign that's like it's a 489 00:26:47,960 --> 00:26:51,040 Speaker 1: photo of like Eminem or let's drive of Eminem and 490 00:26:51,080 --> 00:26:54,200 Speaker 1: it's like the bad words coming out of his mouth 491 00:26:54,640 --> 00:26:56,320 Speaker 1: and it's a stop the hate, and the words are 492 00:26:56,760 --> 00:27:01,480 Speaker 1: les homosex and fag. It was great because there's that 493 00:27:01,520 --> 00:27:04,280 Speaker 1: one song where he says he's like every girl that data. 494 00:27:04,280 --> 00:27:07,400 Speaker 1: It turned out to be a less right. But there 495 00:27:07,400 --> 00:27:11,399 Speaker 1: were so many songs in the late nineties and early 496 00:27:11,400 --> 00:27:14,719 Speaker 1: two thousands that I think we're actually mostly SKA songs, 497 00:27:15,119 --> 00:27:18,280 Speaker 1: but some rap songs too that were all about like 498 00:27:18,520 --> 00:27:21,320 Speaker 1: guys dating girls who turned out to be lesbians. It 499 00:27:21,359 --> 00:27:26,360 Speaker 1: was a big fear she's got a girlfriend now? Well, 500 00:27:26,359 --> 00:27:28,520 Speaker 1: because I feel like lesbianism was like kind of new 501 00:27:28,680 --> 00:27:30,520 Speaker 1: in the right, it was like hot. So it was 502 00:27:30,560 --> 00:27:34,120 Speaker 1: like a hot new threat. I mean remember Ross on Friends? 503 00:27:34,640 --> 00:27:38,520 Speaker 1: You know? Do I remember Ross? You know? And my 504 00:27:38,640 --> 00:27:41,800 Speaker 1: best friends, and like Ross is sort of like one 505 00:27:41,840 --> 00:27:47,040 Speaker 1: of the like er like angry nerd cocks of the nineties, 506 00:27:47,040 --> 00:27:49,280 Speaker 1: and he was this like cock row model and it's like, 507 00:27:49,520 --> 00:27:52,840 Speaker 1: you know, the biggest like blow to his masculinity was 508 00:27:52,840 --> 00:27:55,720 Speaker 1: his first wine becoming lesbian and like Carolyn and Susan, 509 00:27:55,920 --> 00:27:59,399 Speaker 1: you know, so implanted in the public imagination and the 510 00:27:59,440 --> 00:28:02,840 Speaker 1: imagination of the American male, and Susan was being so 511 00:28:02,960 --> 00:28:06,000 Speaker 1: like I roll men and then like this super skirt. 512 00:28:06,240 --> 00:28:09,800 Speaker 1: Yeah no, they were I mean yeah, they were always 513 00:28:09,880 --> 00:28:13,080 Speaker 1: like high time of also like hot chicks leaving you 514 00:28:13,119 --> 00:28:23,040 Speaker 1: for like other hot chess to dude. 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So find your sherfa at zoc doc dot 541 00:29:54,720 --> 00:29:57,240 Speaker 1: com go to zoc doc dot com slash book club 542 00:29:57,240 --> 00:30:00,880 Speaker 1: and doabload the zok doc app for free. Then find 543 00:30:01,280 --> 00:30:06,040 Speaker 1: end book a top rated doctor today sleigh. Many are 544 00:30:06,040 --> 00:30:10,680 Speaker 1: available within twenty four hours. That's z o c d 545 00:30:11,000 --> 00:30:16,160 Speaker 1: oc dot com, slash book Club, zoo dot dot com 546 00:30:16,360 --> 00:30:30,120 Speaker 1: slash book Club, Ditch the Talk. Two other gay things 547 00:30:30,320 --> 00:30:34,320 Speaker 1: so well. One his one of his adopted children is 548 00:30:34,360 --> 00:30:39,479 Speaker 1: now Stevie and goes by Hishida. This is recently, this 549 00:30:39,560 --> 00:30:43,520 Speaker 1: is this year. Wait, so there's Haley that he mentions 550 00:30:43,520 --> 00:30:45,240 Speaker 1: he has two other kids and he was like, yeah, 551 00:30:45,280 --> 00:30:48,480 Speaker 1: so Haley is his like daughter with Kim And now 552 00:30:48,800 --> 00:30:52,360 Speaker 1: you know she has the podcast now and she's she's 553 00:30:52,440 --> 00:30:55,000 Speaker 1: literally trying to be like the most bland. Called call 554 00:30:55,040 --> 00:30:56,840 Speaker 1: her dad because I looked her up in Instagram and 555 00:30:56,880 --> 00:30:59,560 Speaker 1: she's so cheesy. She has a podcast that's called a 556 00:30:59,600 --> 00:31:04,560 Speaker 1: little Bit Shady and it's her being like, Okay, what's 557 00:31:04,560 --> 00:31:06,360 Speaker 1: the weirdest thing You've ever got on a date? And 558 00:31:07,440 --> 00:31:09,720 Speaker 1: it's just like that. It's like the most like the 559 00:31:10,280 --> 00:31:12,360 Speaker 1: it's just so like she looks like she's in like 560 00:31:12,440 --> 00:31:15,520 Speaker 1: Christen Cavalary is like garage, like it's just like everything. 561 00:31:15,520 --> 00:31:19,560 Speaker 1: It's like like like candles, but there's like not that 562 00:31:19,680 --> 00:31:22,280 Speaker 1: much decoration. There's like one hat in the back that 563 00:31:22,320 --> 00:31:25,360 Speaker 1: says vibes and then like and she's wearing a hat 564 00:31:25,400 --> 00:31:28,400 Speaker 1: that just says shady, like in the uncommon James pot 565 00:31:28,600 --> 00:31:31,720 Speaker 1: but like new right new, I'm very very new uncommon, 566 00:31:31,720 --> 00:31:34,800 Speaker 1: and she's like wearing like six pounds of makeup and 567 00:31:34,840 --> 00:31:38,280 Speaker 1: it's just being like, wow, this week, guys, your stories 568 00:31:38,280 --> 00:31:43,160 Speaker 1: were a little shady. It's so funny to just be 569 00:31:43,440 --> 00:31:47,840 Speaker 1: Haley and like Term's daughter and then you just come 570 00:31:47,840 --> 00:31:52,960 Speaker 1: out with like a semi like not saucy pot about dating. 571 00:31:55,160 --> 00:32:03,080 Speaker 1: So like Hannah or like Elena, and she's like Kim's daughter. 572 00:32:03,280 --> 00:32:06,880 Speaker 1: She had was like a now dead tattoo artist. And 573 00:32:06,920 --> 00:32:10,200 Speaker 1: then there's Stevie, who was like a Lana or something, 574 00:32:10,560 --> 00:32:15,360 Speaker 1: and she's just like and she's Kim's sister's daughter, who 575 00:32:15,400 --> 00:32:18,880 Speaker 1: like couldn't they like and Eminem adopted about it because 576 00:32:18,880 --> 00:32:21,080 Speaker 1: he's like yeah, like and like they all call me daddy, 577 00:32:21,200 --> 00:32:23,320 Speaker 1: and like one of them's the niece and one of 578 00:32:23,320 --> 00:32:25,880 Speaker 1: them's the their daughter, and it's very like he's the 579 00:32:25,880 --> 00:32:28,520 Speaker 1: only successful one the family and so he's taking everybody in. Yeah, 580 00:32:28,520 --> 00:32:31,720 Speaker 1: and his big big house, and I feel like Kim 581 00:32:31,840 --> 00:32:33,600 Speaker 1: was like in jail and he was like having them 582 00:32:33,600 --> 00:32:35,720 Speaker 1: all on set an eight mile and actually making a 583 00:32:35,800 --> 00:32:38,320 Speaker 1: really good dad. Why was Kim and jail not surprised? 584 00:32:38,360 --> 00:32:41,920 Speaker 1: I remember her going to jail. I don't know exactly why. 585 00:32:41,920 --> 00:32:45,320 Speaker 1: I feel like it was like assault or wire fraud, right, 586 00:32:45,400 --> 00:32:48,120 Speaker 1: and you know it not our business and not our business. 587 00:32:48,160 --> 00:32:50,560 Speaker 1: And on this pod, you're not gonna learn because this 588 00:32:50,600 --> 00:32:54,680 Speaker 1: isn't a celebrity gossip pod. This is a literary very criticism. Yeah, 589 00:32:54,680 --> 00:32:58,080 Speaker 1: we're not here. We're here type about commas and we're 590 00:32:58,160 --> 00:33:00,480 Speaker 1: not here to type about why Kim one to jail. 591 00:33:00,720 --> 00:33:03,240 Speaker 1: But anyway, Stevie is now Stevie and not like Canada 592 00:33:03,400 --> 00:33:08,280 Speaker 1: or whatever, and is just like being so like fairy anime, 593 00:33:08,600 --> 00:33:12,480 Speaker 1: non vine like blond hairor okay anime, but like doing 594 00:33:12,520 --> 00:33:16,360 Speaker 1: a talk talk with there's like flowers and filters and 595 00:33:16,400 --> 00:33:21,480 Speaker 1: then they he She called out Eminem for like not 596 00:33:22,000 --> 00:33:26,320 Speaker 1: telling them that they were adopted until like later, and 597 00:33:26,360 --> 00:33:29,680 Speaker 1: then deleted the Post's interesting. Okay, so I feel like 598 00:33:29,720 --> 00:33:33,440 Speaker 1: they are going through some things, um as they I 599 00:33:33,560 --> 00:33:38,520 Speaker 1: want to do exactly um anyway, and Eminem said he 600 00:33:38,680 --> 00:33:43,200 Speaker 1: is totally supportive of them. That's awesome that he supports 601 00:33:43,240 --> 00:33:47,280 Speaker 1: his daughter because whatever they does in their bedroom is 602 00:33:47,280 --> 00:33:49,760 Speaker 1: their business. Literally, they're not doing that much in their 603 00:33:49,760 --> 00:33:54,040 Speaker 1: bedroom making a t TikTok about how they were adopted 604 00:33:54,720 --> 00:33:57,880 Speaker 1: and the dial earlier. Okay. Two other gate things. One 605 00:33:57,880 --> 00:34:00,600 Speaker 1: when he mentions that he u is always in his 606 00:34:01,680 --> 00:34:05,360 Speaker 1: front yard with naked with a chainsaw, and he was like, 607 00:34:05,400 --> 00:34:07,360 Speaker 1: I'm just like anybody else, Like I'm trimming my head 608 00:34:07,400 --> 00:34:09,440 Speaker 1: just with a chainsaw naked in the middle of the morning, 609 00:34:09,520 --> 00:34:11,520 Speaker 1: Like that's me. But then he also was like, yeah, 610 00:34:11,560 --> 00:34:14,080 Speaker 1: I won't be shirtless in front of my daughters because 611 00:34:14,200 --> 00:34:16,840 Speaker 1: like I have a tattoo that'sas rot into pieces. That 612 00:34:17,200 --> 00:34:19,239 Speaker 1: was insane, and he was like like, Alana is like 613 00:34:19,280 --> 00:34:22,520 Speaker 1: not old enough to know that me to like read 614 00:34:22,640 --> 00:34:27,439 Speaker 1: my insane tattoos, okay. And the other thing was this 615 00:34:27,600 --> 00:34:31,479 Speaker 1: was insane. This was actually a reveal that my Name 616 00:34:31,600 --> 00:34:34,080 Speaker 1: is his first big hit, that like reason he's famous. 617 00:34:34,239 --> 00:34:38,880 Speaker 1: The sample was from a song by a gay South 618 00:34:38,920 --> 00:34:44,400 Speaker 1: African activist that was insane, and then the gay activists 619 00:34:44,440 --> 00:34:46,680 Speaker 1: wanted him to change this one line and the line 620 00:34:46,760 --> 00:34:49,600 Speaker 1: was just like my middle school like my gym teacher 621 00:34:49,680 --> 00:34:52,839 Speaker 1: like wanted to rape me, like but like too bad. 622 00:34:52,840 --> 00:34:55,680 Speaker 1: He was a guy. And then the gay activist who 623 00:34:55,680 --> 00:34:57,719 Speaker 1: like wrote the original song that it samples wanted to 624 00:34:57,800 --> 00:35:00,239 Speaker 1: change the line to my middle school teacher, like to 625 00:35:00,320 --> 00:35:03,000 Speaker 1: fuck me too bad. I'm now thirty five, which is 626 00:35:03,040 --> 00:35:06,680 Speaker 1: like kind of funnier, right, But then like Eminem was like, man, 627 00:35:06,719 --> 00:35:08,600 Speaker 1: I was so mad about that, but like I wanted 628 00:35:08,600 --> 00:35:12,359 Speaker 1: to do my line about rape, but I couldn't. So 629 00:35:12,440 --> 00:35:15,040 Speaker 1: he's dry And I went back in the studio and 630 00:35:15,080 --> 00:35:16,920 Speaker 1: he was like I tried to come up with like 631 00:35:16,960 --> 00:35:20,839 Speaker 1: a different beat, but like ultimately I couldn't, yeah, because 632 00:35:20,840 --> 00:35:22,719 Speaker 1: I like he'd already kind of made the song and 633 00:35:22,800 --> 00:35:31,480 Speaker 1: like it'd already and that beat beata. You know, he 634 00:35:31,640 --> 00:35:35,400 Speaker 1: couldn't come up with anything better that a South Africans 635 00:35:35,560 --> 00:35:38,520 Speaker 1: and you know that beat, it's almost a little like Transylvania. 636 00:35:38,640 --> 00:35:40,560 Speaker 1: It's like that harpster chord that's like a little bit 637 00:35:40,640 --> 00:35:43,400 Speaker 1: minor and kind of like funky in this way. I 638 00:35:43,440 --> 00:35:46,840 Speaker 1: love us both being like different types of music. College 639 00:35:48,040 --> 00:35:51,239 Speaker 1: you're talking about Transylvanian minor chords and I'm kind of 640 00:35:51,320 --> 00:35:53,480 Speaker 1: dropping Scott tracks that you don't know, and I don't 641 00:35:53,520 --> 00:35:57,320 Speaker 1: really like know what you mean by a minor. Yeah, 642 00:35:57,360 --> 00:35:59,040 Speaker 1: it means when it's a little dac a little I mean, 643 00:35:59,080 --> 00:36:01,719 Speaker 1: I know, I kid, I know what a mind that 644 00:36:01,760 --> 00:36:04,239 Speaker 1: hardsipcord has that kind of tinny sound that it like 645 00:36:04,400 --> 00:36:06,640 Speaker 1: does evoke something like a little bit like Park and 646 00:36:06,719 --> 00:36:11,520 Speaker 1: ponted Um, And I think like that gives that song 647 00:36:11,960 --> 00:36:17,719 Speaker 1: that's like playfulness that I escape from a mental institution 648 00:36:17,840 --> 00:36:19,840 Speaker 1: and that's and that was so like and he was 649 00:36:19,960 --> 00:36:22,120 Speaker 1: I feel like he's so like straight jacket and like 650 00:36:22,280 --> 00:36:24,320 Speaker 1: that era is like a little bit like the video. 651 00:36:24,440 --> 00:36:27,120 Speaker 1: He like it was so pop punk and that era 652 00:36:27,200 --> 00:36:30,640 Speaker 1: to breaking out of a straight jacket and like running 653 00:36:30,719 --> 00:36:33,680 Speaker 1: nude and then like ass But that gives him And 654 00:36:33,719 --> 00:36:35,640 Speaker 1: I think that's also like you know when you talk 655 00:36:35,680 --> 00:36:38,160 Speaker 1: about him being a bridge between the black community and 656 00:36:38,160 --> 00:36:40,080 Speaker 1: the white community, which I think is like a huge 657 00:36:40,800 --> 00:36:42,759 Speaker 1: like goal of his that he like talks about in 658 00:36:42,760 --> 00:36:44,520 Speaker 1: the book. And he was just like the last sentence 659 00:36:44,640 --> 00:36:48,239 Speaker 1: is it doesn't didn't matter that I was white. I 660 00:36:48,360 --> 00:36:50,759 Speaker 1: just like hope people like like my music and that 661 00:36:50,880 --> 00:36:53,040 Speaker 1: I was a bridge. And he like feels like he 662 00:36:53,120 --> 00:36:56,239 Speaker 1: got a lot of white people into rap music. And 663 00:36:56,480 --> 00:36:59,600 Speaker 1: he also like you know, got a lot of black 664 00:36:59,640 --> 00:37:04,600 Speaker 1: people to respect white rappers. Rap forced me to deal 665 00:37:04,600 --> 00:37:06,840 Speaker 1: with people socially. It forced me to get off my 666 00:37:07,000 --> 00:37:09,399 Speaker 1: ass and shout shit at people. It felt good. Hip 667 00:37:09,440 --> 00:37:10,960 Speaker 1: hop was a community where I could fit in and 668 00:37:10,960 --> 00:37:13,239 Speaker 1: it really didn't matter that I was white. Hip Hop 669 00:37:13,239 --> 00:37:15,520 Speaker 1: made me feel like I was on a team. I 670 00:37:15,560 --> 00:37:17,919 Speaker 1: think more he's trying to tell people because I feel 671 00:37:17,960 --> 00:37:21,440 Speaker 1: like so many early kids at leistas, we're like really 672 00:37:21,440 --> 00:37:26,399 Speaker 1: trying to make him like an appropriator, and I think 673 00:37:26,440 --> 00:37:30,839 Speaker 1: he's just trying to say, like, I love everyone. Yeah, 674 00:37:30,880 --> 00:37:33,480 Speaker 1: I was doing the music I liked, right, And obviously 675 00:37:33,600 --> 00:37:37,600 Speaker 1: you know there's difference between Eminem and like Limp Biscuit, 676 00:37:38,239 --> 00:37:41,720 Speaker 1: who were being I feel like Eminem was much more 677 00:37:41,800 --> 00:37:45,960 Speaker 1: like part of the Detroit like rap community rather than 678 00:37:46,040 --> 00:37:49,520 Speaker 1: kind of like the suburban rap rock that like came 679 00:37:49,640 --> 00:37:51,799 Speaker 1: out of that that I would say probably was a 680 00:37:51,840 --> 00:37:56,760 Speaker 1: little more like just angry suburban white guy stuff, right. 681 00:37:57,040 --> 00:37:58,800 Speaker 1: I feel like the whole thing with Eminem is that 682 00:37:58,920 --> 00:38:01,960 Speaker 1: more like he is from a poor community in Detroit 683 00:38:02,040 --> 00:38:03,680 Speaker 1: and like did have a lot of black friends and 684 00:38:03,840 --> 00:38:06,320 Speaker 1: was like, yes, we're rapping, and that's why it was 685 00:38:06,360 --> 00:38:08,560 Speaker 1: hard for him to be accepted because he was really 686 00:38:08,640 --> 00:38:12,520 Speaker 1: trying to be accepted, like specifically by the hip hop community, 687 00:38:12,560 --> 00:38:16,000 Speaker 1: by black rappers, I'm saying, and it wasn't Eminem has 688 00:38:16,200 --> 00:38:19,040 Speaker 1: more like cred than I feel like some of the 689 00:38:19,080 --> 00:38:22,000 Speaker 1: others of that era. Well, he definitely I don't think that, 690 00:38:22,000 --> 00:38:23,760 Speaker 1: But I don't think that Biscuit is a good comparison. 691 00:38:23,760 --> 00:38:26,120 Speaker 1: I think is like Vanilla Ice, for example, which he 692 00:38:26,160 --> 00:38:28,680 Speaker 1: talks about, and he's like, Vanilla Ice made it so 693 00:38:28,800 --> 00:38:32,520 Speaker 1: hard for white rappers to be accepted. He's like after 694 00:38:32,600 --> 00:38:35,000 Speaker 1: Vanilla Ice, like no white rappers can get any respect 695 00:38:35,080 --> 00:38:37,319 Speaker 1: because like Vanilla Ice is such a tool, and like 696 00:38:37,400 --> 00:38:40,439 Speaker 1: Vanilla Ice really like was a joke and was like 697 00:38:40,800 --> 00:38:42,719 Speaker 1: not coming That's what I'm saying. I feel like fred 698 00:38:42,800 --> 00:38:45,440 Speaker 1: Durss was coming from more of a Vanilla Ice standpoint 699 00:38:45,440 --> 00:38:48,080 Speaker 1: of like being more of like a joke to the 700 00:38:48,160 --> 00:38:50,640 Speaker 1: rap community, and I think he was like trying to 701 00:38:50,640 --> 00:38:53,160 Speaker 1: be a little more like hip hop. Yeah, I wouldn't 702 00:38:53,200 --> 00:38:55,040 Speaker 1: say that. I don't think that Limp Biscuit is trying 703 00:38:55,040 --> 00:38:57,040 Speaker 1: to do what Vanilla Ice was doing. I'm saying, I 704 00:38:57,040 --> 00:38:59,960 Speaker 1: can get to criticism more of like people who are 705 00:39:00,120 --> 00:39:03,040 Speaker 1: fans of rap and we're just like rap rock like sucks, 706 00:39:03,120 --> 00:39:05,440 Speaker 1: and like Eminem was being an actual rappers. What I'm 707 00:39:05,440 --> 00:39:08,200 Speaker 1: trying to say, right, well, that's I mean, that's the whole, 708 00:39:08,440 --> 00:39:10,600 Speaker 1: the whole different story, which is more like genre delusion 709 00:39:10,960 --> 00:39:13,360 Speaker 1: and like deluding, like deluding a genres so that it 710 00:39:13,560 --> 00:39:15,640 Speaker 1: doesn't feel like what it's supposed to. Because in that sense, 711 00:39:15,680 --> 00:39:17,560 Speaker 1: I meanem also is very like faithful I think, to 712 00:39:17,640 --> 00:39:20,399 Speaker 1: hip hop's roots, because like his music is very much 713 00:39:20,480 --> 00:39:24,160 Speaker 1: just like exactly. At that same time, I think people 714 00:39:24,239 --> 00:39:28,480 Speaker 1: were trying to also put Eminem with the Corns and 715 00:39:28,600 --> 00:39:31,520 Speaker 1: the Fred Jerson like that whole crew, because that music 716 00:39:31,560 --> 00:39:33,680 Speaker 1: came up at the same time. Well, so this comes 717 00:39:33,680 --> 00:39:35,799 Speaker 1: back to another I think this other topic though of 718 00:39:35,800 --> 00:39:37,920 Speaker 1: this like bridging the black and the white community and 719 00:39:38,040 --> 00:39:41,960 Speaker 1: also being a voice for like underclass resentment, which I 720 00:39:42,000 --> 00:39:45,400 Speaker 1: think that like Eminem definitely is, and like Corn in 721 00:39:45,440 --> 00:39:47,800 Speaker 1: the Biscuit I think also became a little bit associated 722 00:39:47,840 --> 00:39:50,520 Speaker 1: with that because of like being punk and being anti 723 00:39:50,600 --> 00:39:52,640 Speaker 1: establishment and being kind of skater and being like a 724 00:39:52,640 --> 00:39:56,520 Speaker 1: little bit in that world. And like Eminem was even 725 00:39:56,560 --> 00:39:59,719 Speaker 1: more like I am yeah, he was like poor, I'm 726 00:39:59,760 --> 00:40:04,560 Speaker 1: like had like you know, was going from trailer to trailer. Yeah, 727 00:40:04,600 --> 00:40:07,279 Speaker 1: and then like the Corns and limb Biscuit were just 728 00:40:07,360 --> 00:40:10,719 Speaker 1: like yeah, like I'm from the suburbs and like, yeah, 729 00:40:10,719 --> 00:40:14,279 Speaker 1: I can suck. And I think their work is less 730 00:40:14,280 --> 00:40:17,400 Speaker 1: sort of class power, less powerful and less class conscious 731 00:40:17,520 --> 00:40:20,360 Speaker 1: and so a little more I'm a freak, you know. Yeah. 732 00:40:20,640 --> 00:40:22,200 Speaker 1: But all this is to say it, I think the 733 00:40:22,200 --> 00:40:26,880 Speaker 1: eminem was like partly successful because I think his sound 734 00:40:27,040 --> 00:40:29,920 Speaker 1: in addition to his like a like being so like 735 00:40:29,920 --> 00:40:33,560 Speaker 1: faithful to like hip hop, hip hop roots, hip hop roots, 736 00:40:33,560 --> 00:40:35,520 Speaker 1: and like the hip hop sound and just like you know, 737 00:40:35,760 --> 00:40:38,400 Speaker 1: us sang the hip hop sound over and over it 738 00:40:39,719 --> 00:40:41,879 Speaker 1: in this episode. Oh well, actually have a really funny 739 00:40:41,960 --> 00:40:44,680 Speaker 1: question to ask you after this. Okay, his sound was 740 00:40:44,880 --> 00:40:47,840 Speaker 1: his individual, but then also had a lot of both 741 00:40:48,920 --> 00:40:52,160 Speaker 1: material and then like references that like drew in white 742 00:40:52,160 --> 00:40:54,279 Speaker 1: people to the hip hop world. But here's my question 743 00:40:54,280 --> 00:40:57,399 Speaker 1: for really, what do you make of the current state 744 00:40:57,400 --> 00:41:10,759 Speaker 1: of hip hop? I have been waiting for you to 745 00:41:10,840 --> 00:41:15,560 Speaker 1: ask me that first, actually since we started the pod. 746 00:41:15,760 --> 00:41:20,080 Speaker 1: It's so crazy. Um. And you know, as a former 747 00:41:20,160 --> 00:41:24,120 Speaker 1: hip hop critic, um, I think you've written was it 748 00:41:24,160 --> 00:41:27,040 Speaker 1: three or four books on the history hippo Yeah, books 749 00:41:27,040 --> 00:41:29,200 Speaker 1: on the history of hip hop. And then I've also 750 00:41:29,280 --> 00:41:33,120 Speaker 1: been a talking ahead on some PBS documentaries about and 751 00:41:34,120 --> 00:41:36,880 Speaker 1: if I recall, yeah and you followed me goos around 752 00:41:36,920 --> 00:41:39,799 Speaker 1: on twour for three and a half years. And as 753 00:41:39,840 --> 00:41:42,840 Speaker 1: you know, I was also with a Lady breakdancing crew 754 00:41:43,040 --> 00:41:47,600 Speaker 1: from two thousand and seven to oh nine. Um yeah 755 00:41:47,640 --> 00:41:52,319 Speaker 1: the break ats know, you guys absolutely destroyed at regionals 756 00:41:53,480 --> 00:41:56,440 Speaker 1: and I think we were a bridge also for many 757 00:41:56,640 --> 00:42:01,560 Speaker 1: community bridges many communities, you know. And I think when 758 00:42:01,600 --> 00:42:05,080 Speaker 1: I talked about that fred Durst part, it's because I 759 00:42:05,120 --> 00:42:07,640 Speaker 1: also you know, I was a fred Durst groupie. I 760 00:42:07,680 --> 00:42:12,600 Speaker 1: was worn to Westmorland, so us just one thing is that? 761 00:42:13,080 --> 00:42:15,000 Speaker 1: And why I brought up the fred Dresh things because 762 00:42:15,360 --> 00:42:19,200 Speaker 1: Eminem's first festival was Warped Tour, which was internally that 763 00:42:19,239 --> 00:42:21,080 Speaker 1: he you know, because it's like he was getting put 764 00:42:21,160 --> 00:42:26,440 Speaker 1: more in that kookie pop punk era which had this 765 00:42:26,560 --> 00:42:29,759 Speaker 1: anti establishment kind of energy to it. I guess my 766 00:42:29,880 --> 00:42:31,840 Speaker 1: question for you is, like, do you think because I 767 00:42:31,880 --> 00:42:33,799 Speaker 1: do feel like Eminem kind of, I mean, I will 768 00:42:33,800 --> 00:42:37,160 Speaker 1: say this, I am like lstened to rap now that 769 00:42:37,280 --> 00:42:39,920 Speaker 1: I was as a team. Well, I think it's interesting 770 00:42:39,960 --> 00:42:43,239 Speaker 1: because now hip hop is so pop inflected and it's 771 00:42:43,280 --> 00:42:45,880 Speaker 1: so ubiquitous, and it's much more like every song on 772 00:42:45,920 --> 00:42:48,640 Speaker 1: the radio is basically hip hop now. But there's also 773 00:42:48,719 --> 00:42:52,320 Speaker 1: a lot less like the rap itself, I think is 774 00:42:52,920 --> 00:42:57,520 Speaker 1: less of the feature of all that music. And yeah, 775 00:42:57,600 --> 00:42:59,600 Speaker 1: it's a little more of like the pop rap. And 776 00:42:59,640 --> 00:43:02,600 Speaker 1: I'm sure there's many people I'm leaving out so I know, 777 00:43:02,640 --> 00:43:04,919 Speaker 1: all more like four people on it where it's like 778 00:43:05,200 --> 00:43:09,560 Speaker 1: dojakat and I mean, I do love Sweetie. Um, who's 779 00:43:09,560 --> 00:43:12,160 Speaker 1: your favorite rapper right now? I mean, my favorite accor 780 00:43:12,239 --> 00:43:16,840 Speaker 1: is NII And I think just a genius and I 781 00:43:16,840 --> 00:43:19,880 Speaker 1: think she's brilliant and like I think that like and 782 00:43:19,880 --> 00:43:21,640 Speaker 1: and a lot of ways similar to Eminem. I think 783 00:43:21,719 --> 00:43:25,080 Speaker 1: like she has like she's very silly. She's doing a 784 00:43:25,120 --> 00:43:27,880 Speaker 1: million different like characters and accents. I like, I do 785 00:43:27,960 --> 00:43:29,560 Speaker 1: like when in the book when he'll talk about like 786 00:43:29,560 --> 00:43:31,759 Speaker 1: the specific way he rhymes, He's like when I was 787 00:43:31,880 --> 00:43:34,799 Speaker 1: rhyming birthday with first Place, like that was like, oh, 788 00:43:35,239 --> 00:43:38,439 Speaker 1: I wasn't really rhyming. It was a compound syllable rhyme 789 00:43:38,480 --> 00:43:41,040 Speaker 1: that like that Proof was also doing. He was like, WHOA, Like, 790 00:43:41,080 --> 00:43:43,160 Speaker 1: you're genius for doing this and like I think like 791 00:43:43,360 --> 00:43:45,480 Speaker 1: Nikki does these rhymes that are different like that, that 792 00:43:45,520 --> 00:43:48,040 Speaker 1: are like so funky and silly, and she has like 793 00:43:48,080 --> 00:43:50,200 Speaker 1: incredibly clear addiction and RUPs really fast in this way 794 00:43:50,200 --> 00:43:52,160 Speaker 1: that's very impressive in the way that eminem does. So 795 00:43:52,600 --> 00:43:54,799 Speaker 1: I um, I like her a lot. But yeah, I 796 00:43:54,800 --> 00:43:56,359 Speaker 1: think most of the rap that you're in the radio 797 00:43:56,480 --> 00:44:00,759 Speaker 1: these days is not as it's just not that kind 798 00:44:00,800 --> 00:44:04,480 Speaker 1: of my paves of that total nineties, early two thousands. 799 00:44:04,760 --> 00:44:07,360 Speaker 1: It's not as technically impressive, and it's not and it 800 00:44:07,440 --> 00:44:10,680 Speaker 1: doesn't showcase the technicality of the rapid I literally started, 801 00:44:10,719 --> 00:44:15,880 Speaker 1: I have chills hearing I'm like foaming you talking about 802 00:44:15,880 --> 00:44:18,560 Speaker 1: the state of hip hop right now. It's hot. I know, 803 00:44:18,600 --> 00:44:23,439 Speaker 1: it's extreme. It's so sexy, you know what I mean. 804 00:44:23,719 --> 00:44:27,680 Speaker 1: I'm like, before I've never felt a sexual tension between us, 805 00:44:27,719 --> 00:44:31,480 Speaker 1: but now that you're talking about kind of lyricism and 806 00:44:31,640 --> 00:44:34,440 Speaker 1: just and the state just of hip hop, state of 807 00:44:34,960 --> 00:44:41,960 Speaker 1: hip ho hop. This week on the vip Lounge, we're 808 00:44:42,000 --> 00:44:48,720 Speaker 1: talking about our crazy trip to Vegas, Rodeos, Blackjack, Martha Stewart, Cats, Doves, 809 00:44:48,800 --> 00:44:51,760 Speaker 1: and more. If you're not a member of our Patreon, well, 810 00:44:52,360 --> 00:44:55,319 Speaker 1: I think now honestly, is the time to subscribe. It's 811 00:44:55,360 --> 00:44:59,600 Speaker 1: five dollars a month. That's one sixteenth of a Vegas 812 00:44:59,600 --> 00:45:02,640 Speaker 1: buffet price. It's a steel anyway, you slice good at 813 00:45:02,640 --> 00:45:07,440 Speaker 1: patreon dot com st and subscribe. It's all you girls. 814 00:45:07,560 --> 00:45:11,640 Speaker 1: I arrive, I go into the Paris Casino, which is 815 00:45:11,800 --> 00:45:15,319 Speaker 1: one of it's magical in there. It really is. You 816 00:45:15,360 --> 00:45:18,399 Speaker 1: feel like you're in the streets. Patty seen a sign 817 00:45:18,520 --> 00:45:34,359 Speaker 1: and say late toilettes and the reception and lavender pump Perry, Well, 818 00:45:34,360 --> 00:45:37,560 Speaker 1: the real segments, please stand up? What does she eat? 819 00:45:37,640 --> 00:45:45,040 Speaker 1: What does she wear? Moms spaghetti? Um, so mom spaghetti. 820 00:45:45,120 --> 00:45:47,960 Speaker 1: We have not been, but it is a restaurant and detroite. 821 00:45:48,000 --> 00:45:51,560 Speaker 1: Where is it in Chicago? Notes? In Detroit where he's from, right, Um? 822 00:45:51,560 --> 00:45:56,759 Speaker 1: And it's like fast casual pasta nice and I think 823 00:45:56,800 --> 00:46:01,680 Speaker 1: it's made to look like a boat, okay, cool, like 824 00:46:01,719 --> 00:46:05,319 Speaker 1: a badass. Yeah, and I think it's very like a 825 00:46:05,360 --> 00:46:09,200 Speaker 1: cup of pasta. Anyway, what does Eminem actually eat? I mean, 826 00:46:09,239 --> 00:46:12,080 Speaker 1: as we know, he was adjected to pills for a 827 00:46:12,080 --> 00:46:16,640 Speaker 1: long time and now he's sober, and he was looking 828 00:46:16,719 --> 00:46:21,400 Speaker 1: much slimmer at the super Bowl. He was looking shady 829 00:46:21,440 --> 00:46:23,719 Speaker 1: and much more kind of just like brunette and serious 830 00:46:23,840 --> 00:46:27,480 Speaker 1: and slimmer. I feel funny still to this day when 831 00:46:27,560 --> 00:46:29,840 Speaker 1: he's a brunette, he just like looks like such a lesbian. 832 00:46:29,960 --> 00:46:32,239 Speaker 1: Do you know what I mean? He is. It's very 833 00:46:32,400 --> 00:46:36,919 Speaker 1: like just serious booch on vacation. Yeah, this way, it's 834 00:46:36,960 --> 00:46:45,279 Speaker 1: like very public school teacher. Yeah, who was overwhelmed. Get 835 00:46:45,320 --> 00:46:47,920 Speaker 1: goes back to me. It's like if you are peroxide 836 00:46:48,160 --> 00:46:51,600 Speaker 1: and like in a huge, slim, shady sweatpants, the glasses 837 00:46:51,600 --> 00:46:54,360 Speaker 1: would have worked. But with my current Oh look that 838 00:46:54,480 --> 00:46:57,760 Speaker 1: didn't work. I mean, what is he eating? I honestly 839 00:46:57,800 --> 00:47:00,839 Speaker 1: am just like I feel like he's a little like 840 00:47:01,080 --> 00:47:06,800 Speaker 1: food is fuel and like salmon with like a really 841 00:47:06,920 --> 00:47:11,359 Speaker 1: buttered rice, I'm not seeing. I think that he is 842 00:47:11,680 --> 00:47:15,080 Speaker 1: just like so many big trays. And it's just what 843 00:47:15,080 --> 00:47:17,399 Speaker 1: I'm saying. It's like I'm thinking this because I walked 844 00:47:17,400 --> 00:47:21,040 Speaker 1: by this bar by my house and they were selling 845 00:47:21,480 --> 00:47:24,560 Speaker 1: you're not ready for this the menu salmon for forty 846 00:47:24,719 --> 00:47:28,000 Speaker 1: This is like a corner bar. I was like a 847 00:47:28,239 --> 00:47:31,719 Speaker 1: bar with like a pop up chef, and I was like, 848 00:47:31,800 --> 00:47:34,440 Speaker 1: what the fuck are you doing with this forty dollars salmon? 849 00:47:34,840 --> 00:47:37,239 Speaker 1: And it was like two sides. I feel like it's 850 00:47:37,280 --> 00:47:40,040 Speaker 1: a little soul food but not so soul food in 851 00:47:40,080 --> 00:47:42,359 Speaker 1: this big tray of salmon with like, oh, you think 852 00:47:42,400 --> 00:47:44,839 Speaker 1: it's like salmon smothered in an old bay and yeah, 853 00:47:45,000 --> 00:47:48,239 Speaker 1: and there's like mac and cheese, cheese and collars. I 854 00:47:48,280 --> 00:47:50,040 Speaker 1: think there's big trays, but I think it's a little 855 00:47:50,040 --> 00:47:53,320 Speaker 1: bit more game day and it's just like chili wing 856 00:47:53,719 --> 00:47:57,719 Speaker 1: snatchos and it's like and they're like the housekeeper is 857 00:47:57,760 --> 00:48:00,880 Speaker 1: less like oh, like Clarita, like what did you make today? 858 00:48:01,000 --> 00:48:07,200 Speaker 1: And she's just like, I mean chili. Yeah. And then 859 00:48:07,280 --> 00:48:10,279 Speaker 1: sometimes there's salmon and he's like this propertly is dope. 860 00:48:10,680 --> 00:48:14,360 Speaker 1: All right, occasional salmon, We'll have occasional seven and occasional chili. 861 00:48:14,560 --> 00:48:17,640 Speaker 1: What does he where? I mean, obviously he has this 862 00:48:17,840 --> 00:48:20,200 Speaker 1: iconic hip hop style from the early two thousands. I 863 00:48:20,200 --> 00:48:23,680 Speaker 1: feel like right now he's I mean and very expensive 864 00:48:23,680 --> 00:48:25,600 Speaker 1: sweatpants and like yeah, I think a rough for a 865 00:48:25,760 --> 00:48:30,880 Speaker 1: vintage rough riders like and then like the smallest beanie. Yeah, 866 00:48:30,920 --> 00:48:33,000 Speaker 1: I do want heer like what his because he's had 867 00:48:33,040 --> 00:48:35,319 Speaker 1: like I don't know, like four albums ground the past 868 00:48:35,360 --> 00:48:37,840 Speaker 1: like ten years. It like no one has heard of whatever, 869 00:48:37,880 --> 00:48:40,640 Speaker 1: but like I mean or Slash, they're all just like 870 00:48:40,680 --> 00:48:42,520 Speaker 1: still the best line album of the year. But like, 871 00:48:42,600 --> 00:48:45,080 Speaker 1: I don't know why I know of like his moderate 872 00:48:45,120 --> 00:48:48,040 Speaker 1: I think it's just a little more heatherd like at Home, 873 00:48:48,320 --> 00:48:51,399 Speaker 1: Heathered at Home. But then maybe, like I feel he's 874 00:48:51,440 --> 00:48:53,200 Speaker 1: a maybe like I want to say, like he's three 875 00:48:53,200 --> 00:48:56,960 Speaker 1: piece suit. It is like too bad. I feel like 876 00:48:57,040 --> 00:48:59,239 Speaker 1: Kiss Style early two thousands one of those people that 877 00:48:59,560 --> 00:49:01,399 Speaker 1: like was so amazing, and he was in so many 878 00:49:01,440 --> 00:49:03,840 Speaker 1: cool puffers and he talks about like to make money, 879 00:49:03,880 --> 00:49:07,360 Speaker 1: how he was like painting people another gay thing. So 880 00:49:07,400 --> 00:49:11,200 Speaker 1: are he paintaming jeans and puffers? Yeah, that was wild 881 00:49:11,280 --> 00:49:15,279 Speaker 1: to me that he was making custom like he would 882 00:49:15,280 --> 00:49:17,640 Speaker 1: like paint easy on the back of someone's denim jacket 883 00:49:17,640 --> 00:49:19,399 Speaker 1: for them, and he was stealing all this puffy paint 884 00:49:19,400 --> 00:49:21,680 Speaker 1: and then like making beautiful designs. So it also he's 885 00:49:21,760 --> 00:49:25,520 Speaker 1: drawing throughout the book is amazing artists, very dev and art. 886 00:49:25,680 --> 00:49:29,000 Speaker 1: I was about to say he's so tumbler and where 887 00:49:29,040 --> 00:49:32,480 Speaker 1: it's like, oh, so it turns out he's trans Yeah, Stevie, 888 00:49:32,600 --> 00:49:37,560 Speaker 1: and I no wonder he approkes how does he live? 889 00:49:37,640 --> 00:49:41,680 Speaker 1: I think it's still just like big as comfortable leather couch. Yeah. 890 00:49:41,760 --> 00:49:44,560 Speaker 1: I just picture like the hugest, emptiest house where it's 891 00:49:44,600 --> 00:49:49,160 Speaker 1: just like so Office was lamely me. It was like 892 00:49:49,360 --> 00:49:52,160 Speaker 1: dolls and DVDs, dolls and DVDs. I love the part 893 00:49:52,200 --> 00:49:55,080 Speaker 1: who was just like, man, I'm always watching DVDs. People 894 00:49:55,080 --> 00:49:58,000 Speaker 1: are always joshing me for watching the same DVDs over 895 00:49:58,040 --> 00:50:00,279 Speaker 1: and over again. I don't care. I mem where as 896 00:50:00,320 --> 00:50:05,719 Speaker 1: the director's commentary and my fave DVDs obsessed. I love 897 00:50:05,760 --> 00:50:09,960 Speaker 1: when people but he's like big mahogany desk. Oh yeah. 898 00:50:10,040 --> 00:50:12,799 Speaker 1: I love when people talk about their love of like 899 00:50:13,800 --> 00:50:15,839 Speaker 1: a piece of culture, but as kind of the way 900 00:50:15,840 --> 00:50:17,360 Speaker 1: they in hell, because like now people will be like, 901 00:50:17,640 --> 00:50:20,640 Speaker 1: you know, one of my interests is Netflix. Yeah, you're 902 00:50:20,680 --> 00:50:24,719 Speaker 1: like I love Spotify. You're like music, movie music. You 903 00:50:24,840 --> 00:50:29,000 Speaker 1: just simply like the surface that's a mahogany desk. I 904 00:50:29,040 --> 00:50:32,960 Speaker 1: think the Office has still pretty passed, like tons of reds, 905 00:50:33,280 --> 00:50:36,080 Speaker 1: tons of rooms for all of his adopted children. I 906 00:50:36,120 --> 00:50:38,120 Speaker 1: guess what's interesting to me is I feel like he 907 00:50:38,200 --> 00:50:41,279 Speaker 1: has not like updated the house to current times, and 908 00:50:41,280 --> 00:50:43,080 Speaker 1: it's still being very two thousand and five and like 909 00:50:43,160 --> 00:50:46,480 Speaker 1: cupholder massive. So many leather sofas, and like with I 910 00:50:46,760 --> 00:50:49,479 Speaker 1: tried out this leather sofa once when I was waiting 911 00:50:49,480 --> 00:50:51,520 Speaker 1: for my car to be fixed, and it had like 912 00:50:52,040 --> 00:50:54,839 Speaker 1: little lights and USB chargers in them. And I think 913 00:50:54,840 --> 00:50:56,799 Speaker 1: he like just got a new one of those maybe 914 00:50:57,160 --> 00:50:59,719 Speaker 1: or or or I'm totally wrong, and he has run 915 00:50:59,719 --> 00:51:01,920 Speaker 1: out it and now it's just like has like brand 916 00:51:02,000 --> 00:51:04,200 Speaker 1: new like marble floors, and then like cedar floors and 917 00:51:04,239 --> 00:51:07,040 Speaker 1: a different floor, and there is like an infrared sauna 918 00:51:07,120 --> 00:51:13,440 Speaker 1: and like a gym. He doesn't use cedar floors. I 919 00:51:13,480 --> 00:51:16,279 Speaker 1: wonder about kind of his assets in that way where 920 00:51:16,280 --> 00:51:19,120 Speaker 1: it's because he he is so fucking rich, because he 921 00:51:19,120 --> 00:51:21,360 Speaker 1: he was like the last person to get rich off 922 00:51:21,400 --> 00:51:23,359 Speaker 1: the music industry. It even talks about in this book. 923 00:51:23,360 --> 00:51:25,560 Speaker 1: He's like no one's behind albums anymore, you know what's insane. 924 00:51:25,560 --> 00:51:27,400 Speaker 1: And so I was looking at the list top selling 925 00:51:27,480 --> 00:51:30,520 Speaker 1: artists of the two thousands, the two thousands decade You're 926 00:51:30,560 --> 00:51:34,000 Speaker 1: on Billboard dot com, was on Wikipedia. Guess the number 927 00:51:34,040 --> 00:51:37,520 Speaker 1: one is mathers Aminem Wow, I mean it makes sense, 928 00:51:37,680 --> 00:51:41,240 Speaker 1: But all the other ones, it's like Drake Rihanna, Taylor Swift, 929 00:51:41,360 --> 00:51:43,600 Speaker 1: like people who are I think are but that's because 930 00:51:43,600 --> 00:51:47,640 Speaker 1: he was the last era, and so they all like 931 00:51:48,040 --> 00:51:50,600 Speaker 1: became popular just by having the gazillion hit songs like 932 00:51:50,640 --> 00:51:53,080 Speaker 1: throughout the entire decade, and like you know, he was 933 00:51:53,120 --> 00:51:55,200 Speaker 1: only like super popular until like two thousand and two, two 934 00:51:55,040 --> 00:51:58,040 Speaker 1: two thousand and four, but because he was so popular 935 00:51:58,080 --> 00:52:00,000 Speaker 1: in those three years, because you could sell so many 936 00:52:00,040 --> 00:52:03,040 Speaker 1: sucking albums, so many CDs. I mean, do you just 937 00:52:03,080 --> 00:52:06,319 Speaker 1: remember everyone had that, like he said, thinking there's like 938 00:52:06,400 --> 00:52:08,279 Speaker 1: first week sales of its greatest hits album, We're like 939 00:52:08,320 --> 00:52:10,360 Speaker 1: five hundred thousand. You would never do five hundred thousand 940 00:52:10,480 --> 00:52:12,640 Speaker 1: or anything now, and that was like a shitty album 941 00:52:12,640 --> 00:52:15,840 Speaker 1: for him. So I think it's framed so many gold records. 942 00:52:15,840 --> 00:52:17,560 Speaker 1: And then like also I do think it is huge 943 00:52:17,560 --> 00:52:20,279 Speaker 1: photos of his children and like frame photos of like 944 00:52:20,400 --> 00:52:23,120 Speaker 1: his art. Actually think it's like a little thus a 945 00:52:23,120 --> 00:52:25,600 Speaker 1: little more crowded and okay, oh do you think Yeah, 946 00:52:25,600 --> 00:52:28,120 Speaker 1: I think he has like custom paintings of his children. Yeah. 947 00:52:28,200 --> 00:52:32,040 Speaker 1: I think it's like big gilded frame custom painting of 948 00:52:32,080 --> 00:52:36,080 Speaker 1: Stevie Hailey and Alana. Yeah, high better low bed. I 949 00:52:36,120 --> 00:52:39,000 Speaker 1: think it's medium. I can't imagine him like going that 950 00:52:39,080 --> 00:52:40,960 Speaker 1: low because he'd be like that's gay, and that's for 951 00:52:41,320 --> 00:52:44,279 Speaker 1: two men to do something in their own bedroom alone. Yeah, 952 00:52:44,360 --> 00:52:48,239 Speaker 1: but HI almost also seems too fem in this way. Yeah, 953 00:52:48,320 --> 00:52:51,640 Speaker 1: because the key is single. Yeah, and he's not being 954 00:52:51,680 --> 00:52:53,880 Speaker 1: so like I don't think he's marriage bad with so 955 00:52:53,920 --> 00:52:56,879 Speaker 1: many like throw pillows, but I do feel like it's 956 00:52:56,880 --> 00:52:59,120 Speaker 1: a four poster. I feel like you don't think it's 957 00:52:59,120 --> 00:53:02,080 Speaker 1: like a black like black headboard or is it so 958 00:53:02,160 --> 00:53:05,359 Speaker 1: cheesy and white leather? Okay, maybe I take that all back. 959 00:53:05,400 --> 00:53:07,440 Speaker 1: It's a white leather headboard. It's got a really deep 960 00:53:07,600 --> 00:53:11,120 Speaker 1: base in between the mattress and the knot and the floor. 961 00:53:11,360 --> 00:53:13,759 Speaker 1: But it is medium height and there's tons of like 962 00:53:13,880 --> 00:53:17,040 Speaker 1: room on the side for like, yes, it's like chargers 963 00:53:17,040 --> 00:53:19,280 Speaker 1: and iPads. And do you think he's still playing tail? 964 00:53:20,200 --> 00:53:22,200 Speaker 1: I kind of feel like he hasn't had sex in 965 00:53:22,320 --> 00:53:25,960 Speaker 1: two years. I agree, since the Super Bowl. Yeah, and 966 00:53:26,120 --> 00:53:29,319 Speaker 1: fifty was like, dude, and he could have to get 967 00:53:29,360 --> 00:53:31,120 Speaker 1: some tail. You have to get some tail, and fifties 968 00:53:31,160 --> 00:53:33,480 Speaker 1: just like yo, M like, do you want to call 969 00:53:33,560 --> 00:53:35,839 Speaker 1: this chick? Call this chick like she can come over 970 00:53:35,960 --> 00:53:41,720 Speaker 1: and like whoever, He's like, I can't come anymore. Yeah, Okay, 971 00:53:41,760 --> 00:53:46,279 Speaker 1: who are you in the book. I mean, there are 972 00:53:46,320 --> 00:53:49,839 Speaker 1: parts of me that I'm obviously not as like angry 973 00:53:49,880 --> 00:53:52,640 Speaker 1: as m but you are so like selling T shirt 974 00:53:52,719 --> 00:53:55,640 Speaker 1: I'm selling t shirts. Also his handwriting, so half of 975 00:53:55,640 --> 00:53:59,480 Speaker 1: this book is like his lyric pages all these all 976 00:53:59,520 --> 00:54:02,720 Speaker 1: of his pages are so mean and like my weird 977 00:54:02,800 --> 00:54:06,879 Speaker 1: half written creepy comedy notebooks that are such crazy scrawls. Yeah, 978 00:54:06,880 --> 00:54:08,920 Speaker 1: it's very there's it's very like there's a method to 979 00:54:08,960 --> 00:54:10,759 Speaker 1: the madness. But honey, all I see his madness like 980 00:54:10,800 --> 00:54:13,319 Speaker 1: it's very it's very crazy. You do scrawl in a 981 00:54:13,320 --> 00:54:15,879 Speaker 1: crazy way. Um, so I would say that's the part 982 00:54:15,920 --> 00:54:19,880 Speaker 1: I related with you. Marshall Mathers. So I'm Marshall Mathers, 983 00:54:19,920 --> 00:54:22,640 Speaker 1: but just kind of the skit part about him. Are 984 00:54:22,800 --> 00:54:29,400 Speaker 1: you what is Gail Drego Ken Gadif my Alton John's 985 00:54:29,480 --> 00:54:34,279 Speaker 1: husband being like, no, it's hilarious. The cock rings are hilarious. Yeah, 986 00:54:34,320 --> 00:54:38,680 Speaker 1: we love the cockerings. They're really fun. I'm trying to 987 00:54:40,160 --> 00:54:42,480 Speaker 1: I'm triumph the insult comics. I was about to say 988 00:54:42,480 --> 00:54:45,239 Speaker 1: your triumph, I think you are. I feel like this 989 00:54:45,360 --> 00:54:50,120 Speaker 1: crazy puppet just saying ridiculous things. Mean little popet. Anyway, 990 00:54:50,160 --> 00:54:52,319 Speaker 1: I actually really like this book. I thought it was 991 00:54:52,760 --> 00:54:56,759 Speaker 1: eye opening. It was beautifully laid out. I would have 992 00:54:56,840 --> 00:54:59,319 Speaker 1: to say, this is something it's I'm going to keep 993 00:54:59,320 --> 00:55:02,080 Speaker 1: on my coffee table. I think this is I'm going 994 00:55:02,160 --> 00:55:08,279 Speaker 1: to give it a four point two puffy painted puffers 995 00:55:09,000 --> 00:55:12,880 Speaker 1: that Eminem made out of five because truly, through the 996 00:55:12,880 --> 00:55:15,480 Speaker 1: graphic design, the photos are amazing. I give it four 997 00:55:15,480 --> 00:55:18,279 Speaker 1: out to five bullets and a glock um And I 998 00:55:18,320 --> 00:55:21,319 Speaker 1: think I would love guests in my home to just 999 00:55:21,440 --> 00:55:24,400 Speaker 1: come in and be able to flip through these amazing photos. 1000 00:55:24,400 --> 00:55:27,239 Speaker 1: And there's you know, huge quotes you can just kind 1001 00:55:27,239 --> 00:55:30,440 Speaker 1: of grab onto something and it's just it is, I think, 1002 00:55:30,480 --> 00:55:32,920 Speaker 1: a record of a time of the early two thousands 1003 00:55:32,960 --> 00:55:36,239 Speaker 1: and what was really happening during that time. Yeah, and 1004 00:55:36,360 --> 00:55:39,640 Speaker 1: there's a ton of like gorgeous backstage photos and like 1005 00:55:40,120 --> 00:55:44,440 Speaker 1: you know, concert passes and lyrics you know, crumpled up 1006 00:55:44,440 --> 00:55:48,040 Speaker 1: his paper and yeah, you really remember. Wow, it was 1007 00:55:48,080 --> 00:55:51,720 Speaker 1: a it was a different era. Was it was fun? 1008 00:55:52,880 --> 00:55:57,920 Speaker 1: It was fun. We were buying CDs, watching music videos. 1009 00:55:58,880 --> 00:56:03,240 Speaker 1: But now what do we do? Scroll? Scroll, scroll, Well, 1010 00:56:03,680 --> 00:56:08,440 Speaker 1: club kids, it's been another wild journey through a celebrity's book. Um, 1011 00:56:08,640 --> 00:56:12,560 Speaker 1: go buy a CD, go to go buy a Best 1012 00:56:12,600 --> 00:56:17,200 Speaker 1: Buy and buy a twenty four ninety nine Selena Gomez disc. 1013 00:56:17,719 --> 00:56:28,560 Speaker 1: Listen to it on your JVC. Support Please Fast. Celebrity 1014 00:56:28,560 --> 00:56:31,320 Speaker 1: Book Club is presented by Prolonged Projects. The show is 1015 00:56:31,360 --> 00:56:35,080 Speaker 1: produced by Benjamin Fish, with editorial support from Leonne Falk, 1016 00:56:35,160 --> 00:56:38,040 Speaker 1: Andrew Parsons, are Ely and A Rebelo and Maden Captain. 1017 00:56:38,280 --> 00:56:42,400 Speaker 1: Our production managers. Perceive Verlin original theme song by Stephen 1018 00:56:42,600 --> 00:56:46,239 Speaker 1: Phillips Horst artwork by Teddy Blanks at chips n Y. 1019 00:56:46,560 --> 00:56:50,680 Speaker 1: Follow us on Twitter and Instagram at CBC The Pot, 1020 00:56:50,800 --> 00:56:54,640 Speaker 1: subscribe on your favorite podcast app, leave us a review, 1021 00:56:54,680 --> 00:56:58,560 Speaker 1: and don't forget to tell your friends well about us, 1022 00:56:58,719 --> 00:57:01,279 Speaker 1: and don't forget to Go to patreon dot com for 1023 00:57:01,360 --> 00:57:16,520 Speaker 1: access to the vip lout Our Schloos Bonus podcast. Yo yo, yo, 1024 00:57:17,200 --> 00:57:20,160 Speaker 1: yo yo. I get on the mic and I spent 1025 00:57:20,240 --> 00:57:22,800 Speaker 1: it like a jike. That's right. I'm a lesbian, but 1026 00:57:22,880 --> 00:57:25,760 Speaker 1: I don't eat pussy and I do like dick because 1027 00:57:25,800 --> 00:57:28,960 Speaker 1: I do be doing dick stuff all night with my 1028 00:57:29,000 --> 00:57:34,000 Speaker 1: mom and my dad and my mother dad boom boom 1029 00:57:34,520 --> 00:57:39,440 Speaker 1: ah ah ah ah. What up. My name is Lily, 1030 00:57:39,560 --> 00:57:42,840 Speaker 1: and I do get silly. I knock rhymes in Boston 1031 00:57:43,200 --> 00:57:47,760 Speaker 1: like ben Affleck. We eat Boston baste and clowns. We 1032 00:57:47,960 --> 00:57:52,880 Speaker 1: love but hate fucking ham. Your house is one. I 1033 00:57:52,960 --> 00:57:57,200 Speaker 1: don't eat dick. St a Faggett ban show. Suck this clip. 1034 00:57:57,360 --> 00:58:07,880 Speaker 1: Oh shit, oh shit, oh ships Like a little bitch. 1035 00:58:08,080 --> 00:58:13,640 Speaker 1: He wants his mac and cheese because he's rich. Put 1036 00:58:13,680 --> 00:58:16,080 Speaker 1: some funk graw on it. Then I'm gonna eat a dick. 1037 00:58:16,560 --> 00:58:22,640 Speaker 1: I'm a little faggot bitch. Give me a ship. Okay, okay, 1038 00:58:22,640 --> 00:58:24,080 Speaker 1: fuck you really