WEBVTT - Hook Suspension and the Complexity of Pain

0:00:03.080 --> 0:00:05.920
<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

0:00:05.920 --> 0:00:15.720
<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

0:00:15.880 --> 0:00:19.000
<v Speaker 1>My name is Robert Lamb and I'm Christian Sager. Robert,

0:00:19.520 --> 0:00:23.280
<v Speaker 1>what is the worst pain you have ever felt? Oh,

0:00:23.600 --> 0:00:26.479
<v Speaker 1>this is a good question. Um, well, this is a

0:00:26.480 --> 0:00:28.520
<v Speaker 1>tough one, you know, because I'm pretty lucky in that

0:00:28.640 --> 0:00:32.520
<v Speaker 1>I haven't had any major injuries thus far, any major,

0:00:32.760 --> 0:00:38.680
<v Speaker 1>major lye painful life experiences. Um. I guess the the

0:00:38.680 --> 0:00:40.800
<v Speaker 1>one moment that comes to mind the most just when

0:00:40.840 --> 0:00:44.240
<v Speaker 1>I had an ingrown toenail. Okay, this is years and

0:00:44.320 --> 0:00:47.199
<v Speaker 1>years ago, and I tried to address it myself with

0:00:47.320 --> 0:00:49.639
<v Speaker 1>some sort of which I do not advise anyone to do,

0:00:50.840 --> 0:00:54.600
<v Speaker 1>with some sort of bathroom surgery and imagining you with

0:00:54.720 --> 0:00:58.800
<v Speaker 1>like a bowie knife in the bathroom, basically like tweezers

0:00:58.840 --> 0:01:02.200
<v Speaker 1>and whatnot. And I should not have been doing this,

0:01:02.240 --> 0:01:05.680
<v Speaker 1>but there was a moment there where I almost blacked out.

0:01:06.040 --> 0:01:08.640
<v Speaker 1>Oh wow, And you know, this is just a tonnail.

0:01:08.640 --> 0:01:11.039
<v Speaker 1>But I guess everything is just so um you know

0:01:11.240 --> 0:01:15.240
<v Speaker 1>tight in their yeah, the the nerve endings at all,

0:01:15.319 --> 0:01:18.720
<v Speaker 1>but that that stands out as a moment of rather

0:01:18.760 --> 0:01:21.200
<v Speaker 1>intense pain. But it was just such a fleeting moment too.

0:01:21.240 --> 0:01:23.640
<v Speaker 1>There was no it was immediately back out of it.

0:01:23.640 --> 0:01:25.680
<v Speaker 1>It's like, you know, flying and then dipping down into

0:01:25.720 --> 0:01:27.600
<v Speaker 1>a canyon and then saying, oh, that's a little bit

0:01:27.600 --> 0:01:29.920
<v Speaker 1>too much and then coming back out. See the fact

0:01:29.920 --> 0:01:32.480
<v Speaker 1>that it's your toneail is interesting to me because today's

0:01:32.520 --> 0:01:35.160
<v Speaker 1>topic is connected to something I think about a lot

0:01:35.240 --> 0:01:38.560
<v Speaker 1>when I watched action movies, which is like, inevitably somebody's

0:01:38.600 --> 0:01:40.920
<v Speaker 1>getting tortured, and in the back of my head, I'm

0:01:40.959 --> 0:01:44.120
<v Speaker 1>kind of like, how would I do in these scenarios?

0:01:44.280 --> 0:01:47.280
<v Speaker 1>And I think I could probably deal with a fingernail

0:01:47.319 --> 0:01:50.560
<v Speaker 1>getting ripped out, But I don't know. When you say that,

0:01:50.640 --> 0:01:53.280
<v Speaker 1>it makes me think like they're so tied in to

0:01:53.400 --> 0:01:56.520
<v Speaker 1>your nervous system that that's just something I don't have

0:01:56.600 --> 0:01:59.840
<v Speaker 1>any qualification of understanding for. You know, well, it's those

0:02:00.000 --> 0:02:04.160
<v Speaker 1>all pains we can certainly understand a little a little better.

0:02:04.200 --> 0:02:06.600
<v Speaker 1>You know, when we're watching a movie, if we have

0:02:06.640 --> 0:02:09.519
<v Speaker 1>a character that gets their arm blown off, most of

0:02:09.600 --> 0:02:11.600
<v Speaker 1>us have no frame of reference for that sort of thing.

0:02:12.360 --> 0:02:16.400
<v Speaker 1>But if the character breaks a finger, or their fingernail rips,

0:02:16.480 --> 0:02:20.119
<v Speaker 1>or there's a there's a moment in raising Arizona where

0:02:20.280 --> 0:02:22.920
<v Speaker 1>it is a fight between John Goodman's character Nicholas Cage's

0:02:23.000 --> 0:02:25.840
<v Speaker 1>character and one goes to do a double axe handle

0:02:25.880 --> 0:02:28.400
<v Speaker 1>on the other and they scraped their knuckles across the

0:02:28.919 --> 0:02:32.840
<v Speaker 1>ceiling of the the popcorn ceiling of the trailer, and like,

0:02:32.960 --> 0:02:35.720
<v Speaker 1>that's a moment where we can feel it because yeah,

0:02:35.720 --> 0:02:38.079
<v Speaker 1>because we can relate, we can maybe have not helped

0:02:38.120 --> 0:02:41.080
<v Speaker 1>that exact sensation, but we we have a better idea

0:02:41.080 --> 0:02:43.960
<v Speaker 1>of what that consists. Off. Yeah, I'm like you in

0:02:44.000 --> 0:02:47.280
<v Speaker 1>that I am lucky knock on wood that I have

0:02:47.480 --> 0:02:50.440
<v Speaker 1>not had any you know, I've never broken any bones

0:02:50.800 --> 0:02:55.320
<v Speaker 1>to my knowledge. I've had major surgery once and I

0:02:55.400 --> 0:02:59.040
<v Speaker 1>was pretty well under with anesthetic. But the worst I

0:02:59.080 --> 0:03:01.560
<v Speaker 1>can think of, like when when somebody first asks me this,

0:03:02.200 --> 0:03:05.639
<v Speaker 1>I always think of um sometimes. So I have two

0:03:05.680 --> 0:03:08.640
<v Speaker 1>different types of contact solution. One is just like your

0:03:08.720 --> 0:03:11.680
<v Speaker 1>daily cleaning solution is one. One is the overnight storage

0:03:12.160 --> 0:03:15.560
<v Speaker 1>and it's got some kind of acidic thing in it

0:03:16.000 --> 0:03:18.400
<v Speaker 1>that you're not supposed to put directly in your eye,

0:03:18.680 --> 0:03:22.520
<v Speaker 1>and I maybe once a year make the mistake of

0:03:22.560 --> 0:03:27.160
<v Speaker 1>accidentally putting it in my eye and it burns so bad,

0:03:27.360 --> 0:03:31.680
<v Speaker 1>it really hurts but every time I do it, I

0:03:31.760 --> 0:03:34.519
<v Speaker 1>start thinking like God, this is this is super painful,

0:03:35.120 --> 0:03:38.720
<v Speaker 1>but it starts leaning into a point of not pleasure,

0:03:38.760 --> 0:03:43.360
<v Speaker 1>but just sort of meditative transcendence of like everything just

0:03:43.520 --> 0:03:46.760
<v Speaker 1>evens out and the pain is still there, but I

0:03:47.080 --> 0:03:50.400
<v Speaker 1>but I'm just kind of it's flatline isn't the right word,

0:03:50.840 --> 0:03:53.080
<v Speaker 1>but you know what I mean, Like it's just everything else,

0:03:53.120 --> 0:03:56.320
<v Speaker 1>all other senses sort of level out all of a

0:03:56.400 --> 0:03:59.960
<v Speaker 1>sudden and there's no longer like any kind of overstimulation

0:04:00.080 --> 0:04:03.200
<v Speaker 1>and it's just the pain. And there's something kind of

0:04:03.280 --> 0:04:05.520
<v Speaker 1>nice about that. Well, this reminds me a lot of

0:04:05.640 --> 0:04:09.520
<v Speaker 1>doing yoga and what I sometimes think about like young

0:04:09.720 --> 0:04:11.960
<v Speaker 1>really and literally fit people who are doing yoga. I

0:04:12.040 --> 0:04:14.360
<v Speaker 1>kind of want to say, look, if you if you

0:04:14.360 --> 0:04:17.680
<v Speaker 1>don't have injuries, if you don't have soreness, then you

0:04:17.720 --> 0:04:19.920
<v Speaker 1>can't get how much can you possibly be getting out

0:04:19.960 --> 0:04:23.839
<v Speaker 1>of this? Because for me, like sometimes it's working with

0:04:23.960 --> 0:04:26.000
<v Speaker 1>a part of your body that's sore where you get

0:04:26.000 --> 0:04:29.680
<v Speaker 1>into these um these sensations that are difficult to categorize.

0:04:30.120 --> 0:04:33.440
<v Speaker 1>Like a few years back, I had to some risk

0:04:33.480 --> 0:04:35.560
<v Speaker 1>injury minor risk injury, but it made it difficult to

0:04:35.760 --> 0:04:38.040
<v Speaker 1>put a lot of direct pressure down, but there were

0:04:38.080 --> 0:04:40.760
<v Speaker 1>some poses where I'm like where I'm bending my risk

0:04:40.800 --> 0:04:43.039
<v Speaker 1>in the other way and putting like subtle pressure there,

0:04:43.520 --> 0:04:47.400
<v Speaker 1>and the resulting sensation was it was difficult to categorize

0:04:47.440 --> 0:04:50.760
<v Speaker 1>because it certainly it wasn't really pleasurable, but it wasn't

0:04:50.800 --> 0:04:54.920
<v Speaker 1>pain either. It was it was a very soothing, you know,

0:04:55.080 --> 0:04:57.400
<v Speaker 1>sense of relief that I felt, and I and it

0:04:57.600 --> 0:04:59.799
<v Speaker 1>and it was in somewhere in that gray area betwixt

0:04:59.800 --> 0:05:03.440
<v Speaker 1>the I knew this woman once who was she was

0:05:03.480 --> 0:05:05.200
<v Speaker 1>in my yoga class, but she was also some day

0:05:05.240 --> 0:05:08.440
<v Speaker 1>I knew outside of yoga who was nine months pregnant,

0:05:08.520 --> 0:05:11.599
<v Speaker 1>and she was like really good at yoga, and she

0:05:11.839 --> 0:05:15.800
<v Speaker 1>got into scorpion pose like a week before she gave

0:05:15.839 --> 0:05:18.960
<v Speaker 1>birth to her daughter, and I was just like a

0:05:19.200 --> 0:05:23.279
<v Speaker 1>completely stunned, like like not only like what must that

0:05:23.400 --> 0:05:26.360
<v Speaker 1>feel like, because you know, you're you're carrying this extra weight,

0:05:26.400 --> 0:05:29.680
<v Speaker 1>it's a completely different body dimension, but also just like

0:05:29.960 --> 0:05:32.560
<v Speaker 1>the discipline that she must have in her yoga practice

0:05:32.600 --> 0:05:34.440
<v Speaker 1>to be able to pull that off. Oh man, Yeah,

0:05:34.440 --> 0:05:37.440
<v Speaker 1>scorpion is a tough one. Super I can't do scorpion,

0:05:37.480 --> 0:05:41.080
<v Speaker 1>And yeah, I've never been par oh and by the way,

0:05:41.120 --> 0:05:43.400
<v Speaker 1>I don't mightn't mean to imply that young fit people

0:05:43.520 --> 0:05:45.760
<v Speaker 1>can't get something out of yoga. Everybody can get something

0:05:45.760 --> 0:05:47.839
<v Speaker 1>out of yoga. But I'm just saying if you have

0:05:48.160 --> 0:05:51.000
<v Speaker 1>if you have an injury or a soreness, depending on

0:05:51.080 --> 0:05:55.160
<v Speaker 1>the degree of the injury, UH, yoga can open up

0:05:55.640 --> 0:05:59.320
<v Speaker 1>sort of new pathwayte of understanding what do Yeah, well,

0:05:59.400 --> 0:06:01.760
<v Speaker 1>here's a if you're young and fit and you're not

0:06:01.800 --> 0:06:05.520
<v Speaker 1>getting anything out of yoga, maybe you should consider body suspension.

0:06:05.600 --> 0:06:10.440
<v Speaker 1>Y Yeah, move on up to the next level. That's

0:06:10.440 --> 0:06:12.479
<v Speaker 1>what our topic is today. This is why we're talking

0:06:12.480 --> 0:06:15.680
<v Speaker 1>about pain and pleasure at the top is that we've

0:06:15.720 --> 0:06:19.000
<v Speaker 1>actually had I think multiple listeners right into us because

0:06:19.000 --> 0:06:21.280
<v Speaker 1>we've just sort of brought it up casually in the past,

0:06:21.839 --> 0:06:25.120
<v Speaker 1>the idea of body suspension, and we've had people send

0:06:25.160 --> 0:06:28.800
<v Speaker 1>us photos and write to us about their experiences with it,

0:06:28.800 --> 0:06:31.200
<v Speaker 1>and we decided, you know what, let's take a deep

0:06:31.240 --> 0:06:34.120
<v Speaker 1>look at like how this works. There's there is a

0:06:34.279 --> 0:06:36.880
<v Speaker 1>lot of science behind it, a lot of math. Yeah,

0:06:37.040 --> 0:06:40.200
<v Speaker 1>there's certainly physics and UH and in medicine that are

0:06:40.240 --> 0:06:43.880
<v Speaker 1>involved in approaching it. And then in terms of understanding

0:06:43.880 --> 0:06:46.720
<v Speaker 1>what's happening with pain and interpreting the sensations that are

0:06:46.720 --> 0:06:48.839
<v Speaker 1>going on. There's of course a lot of research into

0:06:48.839 --> 0:06:52.000
<v Speaker 1>just the human experience totally. Yeah. Now, a number of

0:06:52.000 --> 0:06:54.320
<v Speaker 1>you may remember from our Listener mail episode we heard

0:06:54.320 --> 0:06:56.279
<v Speaker 1>from a listener by the name of Ainsley and she

0:06:56.360 --> 0:06:58.520
<v Speaker 1>wrote in and she shared her own experience with the

0:06:58.680 --> 0:07:01.960
<v Speaker 1>with hook suspension, and she says, quote, I fell in love.

0:07:02.000 --> 0:07:04.600
<v Speaker 1>I was allowed to feel and bleed and openly respect

0:07:04.680 --> 0:07:06.880
<v Speaker 1>the process of each It was a whole new world

0:07:06.960 --> 0:07:10.680
<v Speaker 1>for me. Suspension became my life. And when I read

0:07:10.680 --> 0:07:13.480
<v Speaker 1>those words, it made me think back to a book

0:07:13.480 --> 0:07:16.040
<v Speaker 1>that I read a while back titled The Body and

0:07:16.120 --> 0:07:19.920
<v Speaker 1>Pain by E. Laine Scary, and it's a This is

0:07:19.960 --> 0:07:24.679
<v Speaker 1>a one of these deep, deep considerations of the idea

0:07:24.680 --> 0:07:27.840
<v Speaker 1>of pain, not only in terms of just physical experience,

0:07:27.880 --> 0:07:33.440
<v Speaker 1>but what it means philosophically and politically socially. Um. It

0:07:33.560 --> 0:07:36.160
<v Speaker 1>is a it is a deep read, but but one

0:07:36.200 --> 0:07:37.640
<v Speaker 1>of the things that she talks about in it, so

0:07:37.680 --> 0:07:40.160
<v Speaker 1>I pret pretty much. Her main statement in the book

0:07:40.840 --> 0:07:45.160
<v Speaker 1>is that an individual's physical pain has no voice, but

0:07:45.200 --> 0:07:47.800
<v Speaker 1>when it finds a voice, it begins to tell a story,

0:07:48.040 --> 0:07:51.800
<v Speaker 1>a story of of of the vast distances between your

0:07:51.840 --> 0:07:55.360
<v Speaker 1>experience of pain and my own. Uh. She even describes

0:07:55.400 --> 0:07:58.360
<v Speaker 1>this distance as being interstellar, like, that's the that's the

0:07:58.880 --> 0:08:03.240
<v Speaker 1>space between my understanding of pain and another person's experience

0:08:03.280 --> 0:08:06.239
<v Speaker 1>of pain. This is a really good example of how

0:08:08.080 --> 0:08:10.760
<v Speaker 1>lonely humanity can be in a way, and that like

0:08:10.840 --> 0:08:14.440
<v Speaker 1>there's no way for us to possibly understand what another

0:08:14.560 --> 0:08:18.560
<v Speaker 1>person's level of pain is. Yeah, the either the limits

0:08:18.640 --> 0:08:22.200
<v Speaker 1>or at least the challenges of of human empathy, right. Uh.

0:08:22.240 --> 0:08:25.640
<v Speaker 1>And then on top of that, we have the complications

0:08:25.680 --> 0:08:28.400
<v Speaker 1>that are inherent in that distance, our an ability to

0:08:28.400 --> 0:08:31.119
<v Speaker 1>to understand each other's pains, and in the very nature

0:08:31.160 --> 0:08:33.439
<v Speaker 1>of human creation. So she ties all of that up.

0:08:34.080 --> 0:08:36.880
<v Speaker 1>And of course authors and artists often cite pain is

0:08:36.920 --> 0:08:40.160
<v Speaker 1>a necessary part of creation, some more than others. But

0:08:40.440 --> 0:08:41.760
<v Speaker 1>you know, it makes it makes you think, you know,

0:08:41.800 --> 0:08:44.720
<v Speaker 1>if we're if we're pretty much okay with that idea

0:08:44.920 --> 0:08:48.320
<v Speaker 1>that that that out of pain, out of personal suffering,

0:08:49.200 --> 0:08:52.400
<v Speaker 1>we can create these these great things. And how how

0:08:52.559 --> 0:08:56.520
<v Speaker 1>weird is it really for someone to engage in some

0:08:56.800 --> 0:09:01.440
<v Speaker 1>careful manipulation of pain sensation. Yeah, I've I've got to say,

0:09:01.480 --> 0:09:04.839
<v Speaker 1>like this is something like I'm constantly coming to terms

0:09:04.920 --> 0:09:06.800
<v Speaker 1>within the real life. Is that like things that I

0:09:06.840 --> 0:09:11.080
<v Speaker 1>think of as being like not normal but not being abnormal,

0:09:11.280 --> 0:09:15.559
<v Speaker 1>like body suspension. I'm constantly surprised when other people around

0:09:15.559 --> 0:09:18.280
<v Speaker 1>me are like, whoa, that's so weird, or what is

0:09:18.320 --> 0:09:20.320
<v Speaker 1>wrong with you? Or that kind of thing. Not that

0:09:20.360 --> 0:09:22.959
<v Speaker 1>I've done body suspension, and I'm not particularly into body

0:09:22.960 --> 0:09:26.800
<v Speaker 1>modification in any way, but I understand it, like I

0:09:26.800 --> 0:09:30.439
<v Speaker 1>I can identify with what people seem to be getting

0:09:30.440 --> 0:09:33.360
<v Speaker 1>out of this experience. It's I think, in a similar way,

0:09:33.360 --> 0:09:35.680
<v Speaker 1>I'm glad you brought up yoga, like it's similar to

0:09:35.760 --> 0:09:38.480
<v Speaker 1>what I've gotten out of yoga before. But it's also like, um,

0:09:38.559 --> 0:09:41.360
<v Speaker 1>you and I have talked about sensory deprivation tanks on

0:09:41.400 --> 0:09:45.040
<v Speaker 1>the show before. I can imagine that they're similar experiences.

0:09:45.120 --> 0:09:48.560
<v Speaker 1>It's just that the pain part isn't there. Yeah, and

0:09:48.559 --> 0:09:51.760
<v Speaker 1>and it's certainly not for everyone, to say the least,

0:09:51.800 --> 0:09:55.400
<v Speaker 1>there's very much in an outsider enterprise. But but of

0:09:55.400 --> 0:09:58.240
<v Speaker 1>course here's the thing. It's it's still something that emerges

0:09:58.280 --> 0:10:01.360
<v Speaker 1>from the human experience and merges in and at least

0:10:01.360 --> 0:10:06.400
<v Speaker 1>a few different human cultures. So it's worth exploring. Like

0:10:06.440 --> 0:10:08.520
<v Speaker 1>we can't just it's it's easy to look at it,

0:10:08.679 --> 0:10:11.160
<v Speaker 1>and especially if you look at say a media representation

0:10:11.240 --> 0:10:14.000
<v Speaker 1>of it, be it you know, dateline denied or whatever,

0:10:14.280 --> 0:10:17.000
<v Speaker 1>or or the cell. The cell is the go to

0:10:17.240 --> 0:10:19.800
<v Speaker 1>I mean the minute, Uh, anybody brings this up, I

0:10:19.840 --> 0:10:22.480
<v Speaker 1>always think of Vincent din Afrio in The Cell. And

0:10:22.559 --> 0:10:25.439
<v Speaker 1>it's really, especially after doing the research, I think it's

0:10:25.440 --> 0:10:29.439
<v Speaker 1>like a kind of horrible negative depiction of this process.

0:10:29.880 --> 0:10:34.160
<v Speaker 1>And probably I would imagine people in this suspension community

0:10:34.280 --> 0:10:37.440
<v Speaker 1>probably don't feel great about how they're portrayed in that movie. Yeah,

0:10:37.440 --> 0:10:39.800
<v Speaker 1>because he's a he's a serial killer character in it,

0:10:39.920 --> 0:10:41.640
<v Speaker 1>and he's you know, he's using it to sort of

0:10:41.720 --> 0:10:44.440
<v Speaker 1>hurt himself while hurting others, and he only does it

0:10:44.840 --> 0:10:47.720
<v Speaker 1>to himself by himself. Yeah, Whereas in as we're going

0:10:47.760 --> 0:10:50.560
<v Speaker 1>to discuss, actual hook suspensions tend to be more of

0:10:50.600 --> 0:10:54.480
<v Speaker 1>a like a seemingly communal experience where they're the people

0:10:54.520 --> 0:10:58.360
<v Speaker 1>facilitating the suspension and those observing it. And you see

0:10:58.400 --> 0:11:01.400
<v Speaker 1>that not only in sort of the the modern primitive

0:11:01.600 --> 0:11:05.760
<v Speaker 1>industrial uh you know, subculture of hook suspension, but even

0:11:05.800 --> 0:11:08.880
<v Speaker 1>some of the traditional users of hook suspension that will

0:11:08.880 --> 0:11:13.000
<v Speaker 1>discuss as well from from Native American and uh In

0:11:13.000 --> 0:11:16.400
<v Speaker 1>Indian traditions. Yeah. Absolutely, I mean this goes back a

0:11:16.440 --> 0:11:19.959
<v Speaker 1>long ways, like five thousand years. But still it's difficult

0:11:20.000 --> 0:11:21.760
<v Speaker 1>for I think most people to get past the idea

0:11:21.840 --> 0:11:25.959
<v Speaker 1>that this is somebody that is intentionally suffering, intentionally doing

0:11:26.000 --> 0:11:30.280
<v Speaker 1>harm to their body and it and we just we

0:11:30.280 --> 0:11:32.320
<v Speaker 1>we tend to just say, oh well then just must

0:11:32.320 --> 0:11:34.439
<v Speaker 1>be a complete whackadoodle and you just put up this wall.

0:11:35.000 --> 0:11:38.120
<v Speaker 1>I'm not getting like, I'm just like walls up, shields up.

0:11:38.360 --> 0:11:40.959
<v Speaker 1>I'm not going to attempt to interact with that or

0:11:41.000 --> 0:11:44.000
<v Speaker 1>empathize with that in any other form. Well, you know,

0:11:44.160 --> 0:11:47.160
<v Speaker 1>like I guess because of like the people that I've

0:11:47.200 --> 0:11:52.040
<v Speaker 1>spent time with that things like other body modification practices

0:11:52.080 --> 0:11:58.160
<v Speaker 1>like tattooing, piercing, even scarification or or gauging like seem

0:11:58.240 --> 0:12:01.560
<v Speaker 1>like totally normal things that like people in my everyday

0:12:01.600 --> 0:12:05.160
<v Speaker 1>life have gone through. So it's like, what is the

0:12:05.280 --> 0:12:08.720
<v Speaker 1>line that is drawn where you go like, well, tattooing

0:12:08.840 --> 0:12:12.439
<v Speaker 1>is totally normal and that's okay, but putting hooks through

0:12:12.480 --> 0:12:16.080
<v Speaker 1>yourself and suspending is not. You know, I don't know,

0:12:16.160 --> 0:12:19.240
<v Speaker 1>like I see that there's different levels again, like there's

0:12:19.280 --> 0:12:23.959
<v Speaker 1>variations and pain thresholds too. But like, I get it.

0:12:24.480 --> 0:12:26.640
<v Speaker 1>You know, I'm not in any rush to go hook

0:12:26.720 --> 0:12:29.200
<v Speaker 1>myself up and do it. Um. But I but I

0:12:29.200 --> 0:12:31.480
<v Speaker 1>feel like I understand. Why don't we actually give the

0:12:31.520 --> 0:12:35.000
<v Speaker 1>audience like a very basic definition of what we mean

0:12:35.040 --> 0:12:37.839
<v Speaker 1>when we say body suspension. So this is a form

0:12:37.920 --> 0:12:42.080
<v Speaker 1>of body modification that involves hanging the human body by

0:12:42.160 --> 0:12:45.960
<v Speaker 1>hooks that are attached to ropes. So I think a

0:12:46.000 --> 0:12:48.640
<v Speaker 1>lot of us have various ideas of what it means

0:12:48.760 --> 0:12:51.640
<v Speaker 1>that we're going to go through it into deeper detail. Um.

0:12:51.720 --> 0:12:54.360
<v Speaker 1>The other form of body modification that I that I

0:12:54.400 --> 0:12:57.400
<v Speaker 1>am unfamiliar with that we've talked about here at How

0:12:57.440 --> 0:12:59.520
<v Speaker 1>Stuff Works before. I don't think we've done a show

0:12:59.600 --> 0:13:03.720
<v Speaker 1>on it is subdermal implantation. Uh. And that's something I'm

0:13:03.760 --> 0:13:06.080
<v Speaker 1>also really interested in. We have a pretty good article

0:13:06.200 --> 0:13:10.880
<v Speaker 1>with some excellent infographics on subdermal implantation on the site. Yeah,

0:13:10.880 --> 0:13:12.800
<v Speaker 1>I may have done something. I think I've touched on

0:13:12.800 --> 0:13:15.480
<v Speaker 1>it a little bit on the blogs before. Some forms

0:13:15.520 --> 0:13:19.960
<v Speaker 1>of subdermal implants um, notably I think the bagel head things,

0:13:20.480 --> 0:13:24.440
<v Speaker 1>which ultimately was not a very big thing at all. Right, Yeah,

0:13:24.480 --> 0:13:26.400
<v Speaker 1>what if it's sailing and the forehead and then sort

0:13:26.440 --> 0:13:28.480
<v Speaker 1>of make an intention that was kind of like a bagel,

0:13:28.720 --> 0:13:31.240
<v Speaker 1>but it was this was hard. It was hardly a trend.

0:13:31.280 --> 0:13:34.560
<v Speaker 1>But it's kind of an interesting study in what happens

0:13:34.559 --> 0:13:36.960
<v Speaker 1>when a few people do something that is kind of

0:13:37.000 --> 0:13:39.640
<v Speaker 1>weird or rather weird, and then it gets blown out

0:13:39.640 --> 0:13:42.200
<v Speaker 1>of proportion by the media. Right, It's not like the

0:13:42.240 --> 0:13:46.520
<v Speaker 1>people who give themselves like horns. Yeah, but it's also

0:13:46.559 --> 0:13:48.920
<v Speaker 1>worth noting again that you know, what's normal within one

0:13:48.920 --> 0:13:55.360
<v Speaker 1>community is not normal in another, and even major supporters

0:13:55.480 --> 0:14:01.040
<v Speaker 1>of suspension, such as suspension artist Alan Faulkner, he points out, quote,

0:14:01.080 --> 0:14:03.959
<v Speaker 1>hanging from hooks is hardly seen as a normal activity.

0:14:04.600 --> 0:14:07.520
<v Speaker 1>That's from an artical eroded safe piercing dot org. So

0:14:08.160 --> 0:14:11.040
<v Speaker 1>you know, it's it's like any like really niche thing

0:14:11.160 --> 0:14:14.079
<v Speaker 1>one maybe into you know, you admit that it's not

0:14:14.320 --> 0:14:16.599
<v Speaker 1>the mainstream thing, and you really you don't want it

0:14:16.640 --> 0:14:19.400
<v Speaker 1>to be the mainstream thing. I haven't seen anybody that

0:14:19.480 --> 0:14:22.360
<v Speaker 1>engages in in hook suspension that's saying, hey, we really

0:14:22.400 --> 0:14:25.440
<v Speaker 1>need to get this everybody. You know, we shouldn't be

0:14:25.440 --> 0:14:28.560
<v Speaker 1>doing this in public schools. Yeah, nobody's making that argument.

0:14:28.680 --> 0:14:31.240
<v Speaker 1>Everyone is seems to be rather cool with the fact

0:14:31.280 --> 0:14:35.200
<v Speaker 1>that this is a very specialist interest. But at one time,

0:14:35.520 --> 0:14:38.640
<v Speaker 1>for some cultures, it was I don't know, I don't

0:14:38.640 --> 0:14:40.800
<v Speaker 1>want to say normal, but it was a part of

0:14:40.880 --> 0:14:44.120
<v Speaker 1>their ritualistic behavior. So let's take a look at the

0:14:44.200 --> 0:14:45.920
<v Speaker 1>history of it for a minute. And we're going to

0:14:46.040 --> 0:14:49.920
<v Speaker 1>start in North America. Actually, uh, I don't think we

0:14:49.960 --> 0:14:52.640
<v Speaker 1>have records of how far back this practice goes in

0:14:52.680 --> 0:14:58.320
<v Speaker 1>North America. But this is the O keepaw hooks suspension ceremony, right,

0:14:58.600 --> 0:15:01.680
<v Speaker 1>and it's it's a much larger ceremony than just the

0:15:01.720 --> 0:15:04.200
<v Speaker 1>hook suspension. Yeah. And and before we get into that,

0:15:04.240 --> 0:15:06.600
<v Speaker 1>I do want to also point out that pain, of course,

0:15:06.720 --> 0:15:10.840
<v Speaker 1>is a very normal, everyday aspect of human lives. And

0:15:10.880 --> 0:15:15.160
<v Speaker 1>so you see uh, rituals of pain and just about

0:15:15.200 --> 0:15:19.600
<v Speaker 1>every culture, and then that includes Christian culture, Islamic culture,

0:15:20.280 --> 0:15:22.880
<v Speaker 1>Hindu culture, pretty much anywhere you go, there's gonna be

0:15:22.920 --> 0:15:25.880
<v Speaker 1>some sort of right of passage, some sort of of

0:15:26.520 --> 0:15:31.200
<v Speaker 1>of self inflicting um ritual that pops up as at

0:15:31.240 --> 0:15:33.360
<v Speaker 1>some point or another. Yeah, maybe we should do an

0:15:33.400 --> 0:15:36.160
<v Speaker 1>episode on self flagellation at something. Yeah, that's it's a

0:15:36.200 --> 0:15:40.240
<v Speaker 1>fascinating topic onto itself. But here in in North America, Yeah,

0:15:40.240 --> 0:15:43.840
<v Speaker 1>we had the the Okipa hook suspension ceremony, and this

0:15:44.000 --> 0:15:47.600
<v Speaker 1>was practiced by the North what's now North Dakotan uh

0:15:47.840 --> 0:15:51.000
<v Speaker 1>Mandan tribe. So it was a ride of passage and

0:15:51.040 --> 0:15:54.960
<v Speaker 1>the ceremony saw hook suspended warriors twist and swing until

0:15:55.000 --> 0:15:58.360
<v Speaker 1>the inner ed a transcendent state. And for you, film

0:15:58.360 --> 0:16:02.920
<v Speaker 1>buffs out there. Uh. The nineteen seventy film starring Richard Harris,

0:16:02.960 --> 0:16:05.760
<v Speaker 1>A man called Horse, depicted the right in a rather

0:16:05.880 --> 0:16:08.920
<v Speaker 1>memorable scene. I remember seeing the scene, or at least

0:16:08.960 --> 0:16:12.480
<v Speaker 1>a trailer for it on like KBS or something back

0:16:12.480 --> 0:16:15.200
<v Speaker 1>in the day, and it really confused me. I had

0:16:15.200 --> 0:16:17.160
<v Speaker 1>no idea what was going on. I thought, Oh, they're

0:16:17.200 --> 0:16:19.640
<v Speaker 1>torturing that guy. That's horrible what they're doing to him.

0:16:20.040 --> 0:16:22.200
<v Speaker 1>But I had no idea. I've never seen this movie,

0:16:22.280 --> 0:16:25.760
<v Speaker 1>but I am picturing older Richard Harris. I'm picturing like

0:16:25.840 --> 0:16:29.440
<v Speaker 1>Dumbledore Richard Harris instead of you know, I imagine in

0:16:29.480 --> 0:16:31.960
<v Speaker 1>the seventies he was probably what like a man in

0:16:32.040 --> 0:16:33.840
<v Speaker 1>his forties or something like that. He was I'm not

0:16:33.880 --> 0:16:35.640
<v Speaker 1>sure what his age was, but he was definitely like

0:16:35.840 --> 0:16:41.640
<v Speaker 1>leathery but still handsome Richard Harris. Yeah, well, this particular ceremony,

0:16:41.800 --> 0:16:45.040
<v Speaker 1>as I said, it's a four day ceremony, and suspension

0:16:45.120 --> 0:16:47.040
<v Speaker 1>is just one part of it. They also have a

0:16:47.080 --> 0:16:50.720
<v Speaker 1>long vigil, there's dancing, and then trials of endurance, of

0:16:50.800 --> 0:16:53.440
<v Speaker 1>which the suspension is part of it. So what they

0:16:53.440 --> 0:16:55.920
<v Speaker 1>would do is they suspend young warriors from the roof

0:16:56.040 --> 0:16:59.240
<v Speaker 1>of the tribe's lodge by ropes that were attached to

0:16:59.320 --> 0:17:03.200
<v Speaker 1>skewers in their chest, back or shoulders. And sometimes they

0:17:03.200 --> 0:17:05.680
<v Speaker 1>would add weights as well that were attached to their

0:17:05.760 --> 0:17:08.560
<v Speaker 1>legs to increase the pain. Now here's the thing in

0:17:08.600 --> 0:17:11.120
<v Speaker 1>this culture, if you cried out in pain, you were

0:17:11.119 --> 0:17:15.560
<v Speaker 1>considered cowardly. So the ceremony itself didn't end until they

0:17:15.600 --> 0:17:18.440
<v Speaker 1>were lowered, and then they had their left pinky finger

0:17:18.520 --> 0:17:21.000
<v Speaker 1>removed with a hatchet, and then there was a run

0:17:21.119 --> 0:17:24.320
<v Speaker 1>around the village with the skewers and weights all still

0:17:24.320 --> 0:17:28.040
<v Speaker 1>in place. Uh. This was first documented by white men

0:17:28.280 --> 0:17:31.320
<v Speaker 1>in eighteen thirty five by a guy named George Catlin,

0:17:31.400 --> 0:17:34.520
<v Speaker 1>and he was a painter apparently, I think he was

0:17:34.600 --> 0:17:37.199
<v Speaker 1>just like visiting this community. He witnessed it and then

0:17:37.240 --> 0:17:41.200
<v Speaker 1>brought it back. The last ceremony of this nature. Well,

0:17:41.400 --> 0:17:43.679
<v Speaker 1>the public I think that took place was in eighteen

0:17:43.800 --> 0:17:47.560
<v Speaker 1>eighty nine. And and in public again is as an

0:17:48.000 --> 0:17:50.000
<v Speaker 1>or at least semi public. Is the is an important

0:17:50.000 --> 0:17:53.639
<v Speaker 1>thing to drive home because again these are communal experiences. Right,

0:17:53.840 --> 0:17:56.399
<v Speaker 1>It's not just somebody hanging alone in a tent. Uh.

0:17:56.480 --> 0:17:58.880
<v Speaker 1>They're being suspended as part of this right. And as

0:17:58.920 --> 0:18:02.400
<v Speaker 1>we'll find out later, the modern suspension practice has its

0:18:02.520 --> 0:18:06.240
<v Speaker 1>roots in the Okipa ceremony. Now, if we travel all

0:18:06.240 --> 0:18:09.960
<v Speaker 1>the way around the world, we get to Hinduism and

0:18:10.000 --> 0:18:14.200
<v Speaker 1>at least two additional suspension rights. Uh, probably more, I think,

0:18:14.240 --> 0:18:17.040
<v Speaker 1>as we'll discussed. But just to drive the nail into

0:18:17.080 --> 0:18:20.760
<v Speaker 1>a couple of them. Here, there's no Yeah, there's a

0:18:21.119 --> 0:18:24.840
<v Speaker 1>there's Shahrak Puja. This is a Hindu folk festival in

0:18:25.240 --> 0:18:28.840
<v Speaker 1>southern Bangladesh. And here the faithful believe that the festival

0:18:28.840 --> 0:18:33.040
<v Speaker 1>will satisfy Lord Shiva and generate prosperity through the elimination

0:18:33.080 --> 0:18:36.080
<v Speaker 1>of the previous year's sorrows and sufferings. You know. So

0:18:36.119 --> 0:18:40.080
<v Speaker 1>there's a catharsis here. So sometimes a human Shahrak as

0:18:40.080 --> 0:18:42.359
<v Speaker 1>they're called, takes part in the festivities, tied with a

0:18:42.400 --> 0:18:45.400
<v Speaker 1>hook on his back and then moved around a bar

0:18:45.680 --> 0:18:48.640
<v Speaker 1>with a long rope. And then we have Sri Lanka's

0:18:48.720 --> 0:18:53.040
<v Speaker 1>vel Hinduism festival named for the divine javelin val of

0:18:53.080 --> 0:18:57.639
<v Speaker 1>the war god Morrigan, also known as uh Kardi Kaya,

0:18:58.200 --> 0:19:02.639
<v Speaker 1>and this entails public suspension as well as with so

0:19:02.680 --> 0:19:07.959
<v Speaker 1>many religious rites of pain, including those in Christianity and flatullation, etcetera. Uh,

0:19:08.119 --> 0:19:11.920
<v Speaker 1>these traditions seem rooted in religious penance and the expression

0:19:11.960 --> 0:19:15.160
<v Speaker 1>of devotion. Yeah. So, as I said earlier, this practice

0:19:15.359 --> 0:19:17.520
<v Speaker 1>has been going on for five thousand years. So if

0:19:17.520 --> 0:19:20.240
<v Speaker 1>you look at body suspension today and you go oh weird,

0:19:21.080 --> 0:19:23.800
<v Speaker 1>you know, you think about the larger human experience. This

0:19:23.840 --> 0:19:26.320
<v Speaker 1>has been going on for a long time, large far

0:19:26.400 --> 0:19:29.880
<v Speaker 1>longer than many of us can imagine. Back to UH,

0:19:29.920 --> 0:19:33.280
<v Speaker 1>there's also the Hindu festival of Tai Posam that still

0:19:33.320 --> 0:19:36.359
<v Speaker 1>happens in Southeast Asia. And one of our listeners actually

0:19:36.359 --> 0:19:39.440
<v Speaker 1>wrote into us about this a year and a half ago,

0:19:39.520 --> 0:19:41.800
<v Speaker 1>maybe for a Listener Male episode. We talked about it

0:19:41.800 --> 0:19:45.359
<v Speaker 1>and he sent us pictures of it. Um he was living.

0:19:45.400 --> 0:19:48.120
<v Speaker 1>I think he was an expatriate in Singapore, as many

0:19:48.320 --> 0:19:51.160
<v Speaker 1>of our listeners know. I went to high school in Singapore,

0:19:51.640 --> 0:19:54.920
<v Speaker 1>and UH was totally unaware of this ceremony, so when

0:19:54.920 --> 0:19:57.840
<v Speaker 1>he sent us the pictures, it was really interesting. And UH,

0:19:57.920 --> 0:20:01.480
<v Speaker 1>one of our colleagues, Ramsey and coincidentally went to the

0:20:01.480 --> 0:20:04.000
<v Speaker 1>same high school in Singapore, and I was talking to

0:20:04.080 --> 0:20:06.240
<v Speaker 1>him about this, and he went several times with his

0:20:06.320 --> 0:20:09.720
<v Speaker 1>family to the Tai Pusan festival, so he was able

0:20:09.800 --> 0:20:12.800
<v Speaker 1>to tell me a little bit more about this. I

0:20:12.840 --> 0:20:15.600
<v Speaker 1>guess the basic idea here is similar to some of

0:20:15.640 --> 0:20:18.400
<v Speaker 1>the ones that you just mentioned. Uh. It's a practice

0:20:18.400 --> 0:20:23.040
<v Speaker 1>called vel cavati where worshippers undergo what's sort of referred

0:20:23.040 --> 0:20:25.880
<v Speaker 1>to as a debt bondage to Murragon, that same war

0:20:25.960 --> 0:20:29.400
<v Speaker 1>god and val is the again the divine javelin that's

0:20:29.480 --> 0:20:32.880
<v Speaker 1>used as a weapon against against the against evil. Yeah,

0:20:32.920 --> 0:20:36.520
<v Speaker 1>so these skewers are representative of the spear or javelin

0:20:36.880 --> 0:20:41.200
<v Speaker 1>that Povarty gave Murragon to kill the demon Sura pad

0:20:41.280 --> 0:20:44.720
<v Speaker 1>Um Uh. And so what happens is actually during this festival,

0:20:44.760 --> 0:20:48.159
<v Speaker 1>the worshippers are sometimes suspended in the air with the

0:20:48.320 --> 0:20:53.240
<v Speaker 1>levels of pains correlating to their actual devotion, you know, Um,

0:20:53.280 --> 0:20:55.840
<v Speaker 1>and it's not My understanding is it's not like what

0:20:55.880 --> 0:20:58.080
<v Speaker 1>we think of his body suspension and that it's vertical.

0:20:58.200 --> 0:21:01.080
<v Speaker 1>I think they're that. I think from the pictures we

0:21:01.080 --> 0:21:04.160
<v Speaker 1>were shown, starts off on the ground and they're lifted

0:21:04.440 --> 0:21:08.679
<v Speaker 1>up by people horizontal to them. Yeah, I believe that

0:21:08.680 --> 0:21:10.560
<v Speaker 1>sounds right. Yeah, those of you out there who have

0:21:10.680 --> 0:21:13.560
<v Speaker 1>maybe partaken in this and seen it, let us know

0:21:13.840 --> 0:21:16.840
<v Speaker 1>in looking at any of these religious or semi religious

0:21:16.880 --> 0:21:20.679
<v Speaker 1>modes of of hook suspension. It's it. It reminds me

0:21:20.720 --> 0:21:24.200
<v Speaker 1>again of Scary's writings which she talks about pain becoming

0:21:24.200 --> 0:21:27.960
<v Speaker 1>a sort of proof, an argument that the quote act

0:21:28.080 --> 0:21:31.919
<v Speaker 1>of wounding is explicitly presented as a sign the human

0:21:32.000 --> 0:21:36.840
<v Speaker 1>body is in each the site for the analogical verification

0:21:37.000 --> 0:21:40.800
<v Speaker 1>of the existence and authority of God. And of course,

0:21:40.840 --> 0:21:44.480
<v Speaker 1>a modern suspension is often a secular affair, rooted in

0:21:44.680 --> 0:21:49.160
<v Speaker 1>traditions of personal exploration and performance art. But you still

0:21:49.200 --> 0:21:52.720
<v Speaker 1>see some aspects of this, this idea that that the

0:21:52.960 --> 0:21:55.160
<v Speaker 1>pain is there as a as a proof of something.

0:21:55.240 --> 0:21:57.800
<v Speaker 1>You know, why don't we take a quick break and

0:21:57.800 --> 0:22:00.280
<v Speaker 1>when we get back, we're going to get into the

0:22:00.359 --> 0:22:14.800
<v Speaker 1>modern suspension practices and how it's done. Thank, okay, we're back,

0:22:15.200 --> 0:22:19.639
<v Speaker 1>So One of the big sources that we use for

0:22:19.640 --> 0:22:22.800
<v Speaker 1>this episode was a fantastic article written for The Atlantic

0:22:22.920 --> 0:22:26.960
<v Speaker 1>called the Therapeutic Experience of being Suspended by your Skin.

0:22:27.400 --> 0:22:30.000
<v Speaker 1>And this is by a guy named Wyatt Marshall. Yeah,

0:22:30.000 --> 0:22:32.159
<v Speaker 1>this is a great article. Will include a link to

0:22:32.280 --> 0:22:34.600
<v Speaker 1>it on the landing page for this episode. It's stuff

0:22:34.600 --> 0:22:37.160
<v Speaker 1>to blow your mind dot com. Um. He goes through

0:22:37.200 --> 0:22:39.040
<v Speaker 1>a lot of what we're gonna be talking about here,

0:22:39.359 --> 0:22:42.800
<v Speaker 1>and he points out that the modern suspension movement traces

0:22:42.880 --> 0:22:46.159
<v Speaker 1>back to the nineteen sixties when a man by the

0:22:46.280 --> 0:22:53.040
<v Speaker 1>name of Fakir Mussafar who's born Roland Loomis, reintroduced and

0:22:53.119 --> 0:22:57.600
<v Speaker 1>adapted various forms of suspension and coined the term modern primitives,

0:22:58.080 --> 0:23:01.120
<v Speaker 1>and in his wake suspension enthusis is such as Mussafar,

0:23:01.280 --> 0:23:06.359
<v Speaker 1>protege Alan Faulkner, who already quoted, and performance artist Steelark,

0:23:06.520 --> 0:23:09.560
<v Speaker 1>who've talked about on the show before. They've continued and

0:23:09.600 --> 0:23:12.080
<v Speaker 1>others have continued to advance the culture and the public

0:23:12.160 --> 0:23:15.960
<v Speaker 1>understanding of this these of these sort of rights. Yeah,

0:23:16.040 --> 0:23:20.120
<v Speaker 1>so this isn't necessarily religious today, but people do see

0:23:20.160 --> 0:23:23.240
<v Speaker 1>it as a spiritual experience or as a way to

0:23:23.280 --> 0:23:27.520
<v Speaker 1>test themselves. Now. Fakir Mussafar was born on an Indian

0:23:27.520 --> 0:23:31.760
<v Speaker 1>reservation in South Dakota, and then he developed forms of

0:23:31.840 --> 0:23:37.080
<v Speaker 1>modern suspension based on kapa. He performed one of these

0:23:37.200 --> 0:23:39.960
<v Speaker 1>in nineteen sixty three. So so for instance, you know,

0:23:40.000 --> 0:23:42.040
<v Speaker 1>we read earlier that the last time this was was

0:23:42.119 --> 0:23:46.000
<v Speaker 1>performed was in the like late nineteenth century. I don't

0:23:46.040 --> 0:23:48.520
<v Speaker 1>think he did the full four day ceremony. I think

0:23:48.520 --> 0:23:51.320
<v Speaker 1>he just died the suspension part and he saw it

0:23:51.400 --> 0:23:55.480
<v Speaker 1>as being about self expression or spiritual exploration. And you know,

0:23:55.560 --> 0:23:58.240
<v Speaker 1>as you mentioned that, Alan Faulkner goes on and sort

0:23:58.240 --> 0:24:00.399
<v Speaker 1>of brings it out to the world at law Arge.

0:24:00.800 --> 0:24:04.880
<v Speaker 1>So Faulkner actually I read up on him. He's a

0:24:05.000 --> 0:24:08.760
<v Speaker 1>laser technician from Dallas, uh and he has a tattoo

0:24:08.840 --> 0:24:11.960
<v Speaker 1>removal shop. And so he met Musa far when he

0:24:12.000 --> 0:24:14.600
<v Speaker 1>dropped out of school and moved to California and he

0:24:14.680 --> 0:24:17.720
<v Speaker 1>tried to do his first suspension with a fishing line

0:24:18.119 --> 0:24:21.040
<v Speaker 1>and it ripped. So I think, like you know, they

0:24:21.160 --> 0:24:25.440
<v Speaker 1>eventually take on the practices the knowledge of the Ukapa ceremony,

0:24:25.520 --> 0:24:28.679
<v Speaker 1>which involves math and physics in one way or another,

0:24:28.760 --> 0:24:32.040
<v Speaker 1>figuring out you know what weight will bear on a

0:24:32.080 --> 0:24:34.760
<v Speaker 1>particular pulley or rope things like that. Yeah, and then

0:24:34.760 --> 0:24:36.480
<v Speaker 1>of course you have where to connect them on the body.

0:24:37.600 --> 0:24:40.840
<v Speaker 1>How you're their additional concerns to come into into play

0:24:40.880 --> 0:24:43.000
<v Speaker 1>as well. Yeah, I mean, if this isn't obvious, I

0:24:43.040 --> 0:24:45.120
<v Speaker 1>think we should put a disclaimer out there, like, don't

0:24:45.160 --> 0:24:47.239
<v Speaker 1>just go do this to yourself, Like you want to

0:24:47.600 --> 0:24:50.359
<v Speaker 1>sit down with experts for a lot of reasons that

0:24:50.400 --> 0:24:52.840
<v Speaker 1>we'll talk about, but you don't want to just put

0:24:52.880 --> 0:24:56.480
<v Speaker 1>fishing line in your skin and hang yourself up from something. Uh.

0:24:56.520 --> 0:25:00.399
<v Speaker 1>I'm also a little confused about Musafar's origins story. I

0:25:00.440 --> 0:25:03.240
<v Speaker 1>could not, for the life of me, find more about him.

0:25:03.280 --> 0:25:06.239
<v Speaker 1>It sounds like he was not Native American, but he

0:25:06.320 --> 0:25:09.480
<v Speaker 1>was born on this reservation and learned about the practice

0:25:09.520 --> 0:25:12.720
<v Speaker 1>and then appropriated it. So I'm kind of curious how

0:25:12.760 --> 0:25:19.040
<v Speaker 1>these local tribes feel about modern body suspension culture. Yeah. Yeah,

0:25:19.040 --> 0:25:20.800
<v Speaker 1>I'd love to hear more about that. He of course,

0:25:20.880 --> 0:25:24.159
<v Speaker 1>is it's still alive as of this recording. Yeah, And

0:25:24.200 --> 0:25:26.600
<v Speaker 1>there's all kinds of people that do suspension too. That's

0:25:26.600 --> 0:25:28.399
<v Speaker 1>another thing I think we should put out there to

0:25:28.440 --> 0:25:30.560
<v Speaker 1>sort of dispel the idea that this is just like

0:25:31.000 --> 0:25:38.600
<v Speaker 1>circus performers or something right like lawyers, wrestlers, doctors, acrobats

0:25:38.640 --> 0:25:41.880
<v Speaker 1>and even politicians have done this. Now, I mentioned Steve

0:25:41.920 --> 0:25:46.800
<v Speaker 1>Lark already, the Australian performance artists, and he's usualized suspension

0:25:47.119 --> 0:25:49.960
<v Speaker 1>at several different points and and continues to do so

0:25:50.359 --> 0:25:53.159
<v Speaker 1>in his exploration of sort of the trans humanist body

0:25:53.240 --> 0:25:58.000
<v Speaker 1>and the ide of our body beyond our body via technology. Uh.

0:25:58.119 --> 0:26:01.879
<v Speaker 1>And some pret actitioners also take hook suspension in a

0:26:01.920 --> 0:26:06.000
<v Speaker 1>more industrial or even erotic direction. And I think all

0:26:06.000 --> 0:26:08.239
<v Speaker 1>this is quite understandable as well. After all, pain and

0:26:08.280 --> 0:26:11.800
<v Speaker 1>pleasure are more closely linked than we typically realize in

0:26:11.920 --> 0:26:15.240
<v Speaker 1>modern hook suspension, you know, to think industrially, it's a

0:26:15.359 --> 0:26:18.000
<v Speaker 1>union not of human and God, but of human and

0:26:18.400 --> 0:26:23.000
<v Speaker 1>medical slash industrial paraphernalia. Yeah, and all of this is

0:26:23.000 --> 0:26:25.720
<v Speaker 1>connected to previous episodes that Robert and I have done

0:26:25.760 --> 0:26:30.040
<v Speaker 1>about cyborgism, and we did an episode about body modification

0:26:30.119 --> 0:26:32.560
<v Speaker 1>engineering as well, and steel Ark came up in there.

0:26:33.359 --> 0:26:36.800
<v Speaker 1>I actually read an article for this episode that was

0:26:36.840 --> 0:26:40.120
<v Speaker 1>all about steel Arcs just sort of general project, and

0:26:40.160 --> 0:26:43.240
<v Speaker 1>showed that he really uses the suspension thing as a

0:26:43.280 --> 0:26:46.320
<v Speaker 1>way to highlight his other experiments like for instance, when

0:26:46.359 --> 0:26:48.760
<v Speaker 1>he put the ear on his armed ear, like the

0:26:48.840 --> 0:26:51.560
<v Speaker 1>suspension was a way to get people to like sit

0:26:51.640 --> 0:26:53.760
<v Speaker 1>and look at that ear for a long period of

0:26:53.800 --> 0:26:56.119
<v Speaker 1>time rather than just like you know, sit around and

0:26:56.160 --> 0:26:58.000
<v Speaker 1>do a photo shoot or something like that. And of

0:26:58.000 --> 0:27:00.640
<v Speaker 1>course he's done some other interesting perform and start bits

0:27:00.680 --> 0:27:04.720
<v Speaker 1>with like a mechanical arms, mechanical and want to say,

0:27:04.760 --> 0:27:09.680
<v Speaker 1>spider legs, uh, fascinating body of work. So there are

0:27:09.720 --> 0:27:13.040
<v Speaker 1>different types of suspension positions too. That's one thing you

0:27:13.040 --> 0:27:15.080
<v Speaker 1>should know if you're if you're thinking about this or

0:27:15.080 --> 0:27:17.680
<v Speaker 1>you're interested in it. Hooks when they're inserted into the

0:27:17.800 --> 0:27:21.040
<v Speaker 1>upper back, this is known as suicide suspension because it

0:27:21.080 --> 0:27:24.000
<v Speaker 1>looks like you you've hanged yourself. There's also a pose

0:27:24.080 --> 0:27:26.840
<v Speaker 1>called the Superman suspension, which is what it sounds like.

0:27:26.880 --> 0:27:28.679
<v Speaker 1>It it looks like you're hanging in the air as

0:27:28.720 --> 0:27:32.760
<v Speaker 1>if you're flying Superman style. Um. Now, Dallas, Texas has

0:27:32.760 --> 0:27:37.920
<v Speaker 1>an annual body suspension convention called Suscon that was founded

0:27:37.920 --> 0:27:40.439
<v Speaker 1>in two thousand and one, and this is because Alan

0:27:40.560 --> 0:27:44.400
<v Speaker 1>Faulkner is from Dallas. There's apparently also one that's in Oslo.

0:27:44.720 --> 0:27:49.400
<v Speaker 1>I was also running across pictures from one in Medadine, Columbia. Okay, okay,

0:27:49.880 --> 0:27:52.720
<v Speaker 1>uh And now Faulkner himself, and as we'll get into

0:27:52.760 --> 0:27:55.400
<v Speaker 1>when we're sort of going through this, describes even a

0:27:55.440 --> 0:27:58.840
<v Speaker 1>small suspension practice requires a crew of like two to

0:27:58.920 --> 0:28:02.560
<v Speaker 1>six people. So en don't buy the whole, you know,

0:28:02.560 --> 0:28:04.879
<v Speaker 1>if you've seen the cell, don't buy that like one person.

0:28:05.200 --> 0:28:08.119
<v Speaker 1>I guess they could, but that's not usually how this

0:28:08.240 --> 0:28:11.359
<v Speaker 1>is done. Like there, in fact, like doing it with

0:28:11.480 --> 0:28:14.040
<v Speaker 1>a community of people seems to be part of the

0:28:14.080 --> 0:28:16.840
<v Speaker 1>transcended experience. Yeah, I mean, in a sense, it has

0:28:16.880 --> 0:28:20.720
<v Speaker 1>to be witnessed to take place. So let's get into

0:28:20.720 --> 0:28:23.679
<v Speaker 1>the safety a little bit. Is it safe? Now? Now

0:28:23.680 --> 0:28:27.440
<v Speaker 1>I realize safe and safety? And it might seem weird

0:28:27.480 --> 0:28:29.919
<v Speaker 1>to talk about this in light of putting hooks in

0:28:29.920 --> 0:28:33.800
<v Speaker 1>your back and hanging from from the ceiling. Uh. And

0:28:34.080 --> 0:28:37.639
<v Speaker 1>you know we're talking about something that's intrinsically endorphin releasing.

0:28:38.520 --> 0:28:42.640
<v Speaker 1>But safety is a prime concern for modern enthusiasts. After all,

0:28:42.680 --> 0:28:45.080
<v Speaker 1>It's it's one thing to to pierce the skin and

0:28:45.160 --> 0:28:48.800
<v Speaker 1>hanging from specially prepared to hooks quite another to suffer

0:28:48.840 --> 0:28:52.040
<v Speaker 1>tearing or a fall. Yeah. So the basic idea here

0:28:52.280 --> 0:28:54.320
<v Speaker 1>at least as it was portrayed by one of the

0:28:54.680 --> 0:28:57.480
<v Speaker 1>I guess experts in this in that Atlantic article was

0:28:57.520 --> 0:29:00.920
<v Speaker 1>that there's two aspects for planning. There's there's medical aspect

0:29:00.920 --> 0:29:03.680
<v Speaker 1>and there's a rigging aspect. Now, the medical aspect has

0:29:03.720 --> 0:29:06.400
<v Speaker 1>to do with the insertion of the hooks, cleaning them,

0:29:07.040 --> 0:29:09.400
<v Speaker 1>the blood that comes out, cleaning up that blood, and

0:29:09.440 --> 0:29:13.360
<v Speaker 1>then of course maintaining the skin. Rigging, Uh, they use

0:29:13.440 --> 0:29:17.920
<v Speaker 1>methods that are borrowed from construction, rock climbing and stage rigs.

0:29:18.440 --> 0:29:21.760
<v Speaker 1>For example, you need to know what a ceiling is

0:29:21.800 --> 0:29:24.560
<v Speaker 1>made of before you rig something up, and what's above

0:29:24.640 --> 0:29:27.240
<v Speaker 1>that ceiling because you need to know how much stress

0:29:27.400 --> 0:29:31.200
<v Speaker 1>is already being placed upon that single fracture point. And

0:29:31.240 --> 0:29:35.200
<v Speaker 1>also to easily hoist a human body, you have to

0:29:35.360 --> 0:29:38.000
<v Speaker 1>make use of the mechanical advantage that you get through

0:29:38.040 --> 0:29:40.680
<v Speaker 1>pulley systems. Right. So there's a certain amount of engineering

0:29:40.720 --> 0:29:43.720
<v Speaker 1>that's required here. Uh. And like we said earlier, math

0:29:43.800 --> 0:29:47.240
<v Speaker 1>and physics. Although the guy in that Atlantic article was like, yeah,

0:29:47.240 --> 0:29:49.640
<v Speaker 1>I basically do all the math in my head. That

0:29:49.800 --> 0:29:54.240
<v Speaker 1>scared me a little. Now in that article by Whyatt Marshall, Uh,

0:29:54.480 --> 0:29:57.160
<v Speaker 1>he talks to a pair of physicians, and they testify

0:29:57.280 --> 0:30:01.600
<v Speaker 1>to an important basic fact of human anatomy here, and

0:30:01.640 --> 0:30:03.720
<v Speaker 1>one that I think comes up when when any of

0:30:03.800 --> 0:30:07.040
<v Speaker 1>us look at hook suspension, especially in light of say

0:30:07.200 --> 0:30:11.120
<v Speaker 1>the hell Raiser movies, where the Silent Hill movies, uh,

0:30:11.160 --> 0:30:12.840
<v Speaker 1>you know, both of which I can think of moments

0:30:12.840 --> 0:30:16.480
<v Speaker 1>where an individual skin skin is cleanly ripped off and

0:30:16.680 --> 0:30:20.600
<v Speaker 1>like the blinking of an eye, and in a reality

0:30:20.840 --> 0:30:24.320
<v Speaker 1>outside of the Hell Raiser in Silent Hill universe is,

0:30:24.800 --> 0:30:29.480
<v Speaker 1>unless they're shared universe, maybe they are some Hollywood executive

0:30:29.520 --> 0:30:32.840
<v Speaker 1>just heard that it is like running to the bank. Well,

0:30:33.960 --> 0:30:37.800
<v Speaker 1>in reality, our hides are incredibly durable. Uh. If skin

0:30:37.880 --> 0:30:42.080
<v Speaker 1>tearing begins to occur, it's a gradual process and quote

0:30:42.120 --> 0:30:45.920
<v Speaker 1>almost never the sort of dramatic freefall that someone watching

0:30:45.920 --> 0:30:50.120
<v Speaker 1>a suspension for the first time might imagine. So it's infection,

0:30:50.280 --> 0:30:54.320
<v Speaker 1>not accidental flaying that poses the greatest health risk. And

0:30:54.360 --> 0:30:57.040
<v Speaker 1>that's where the importance of sterilized hooks, needles, and gods

0:30:57.080 --> 0:30:59.080
<v Speaker 1>comes into play. And of course, to your point on

0:30:59.200 --> 0:31:01.560
<v Speaker 1>rigging though, that, if course, is another huge area of

0:31:01.560 --> 0:31:06.000
<v Speaker 1>concern and and and generally so much care is put

0:31:06.120 --> 0:31:08.240
<v Speaker 1>into that that it's not going to be an issue.

0:31:08.280 --> 0:31:11.320
<v Speaker 1>But obviously if you're thirty ft fifty feet off of

0:31:11.400 --> 0:31:15.040
<v Speaker 1>the ground, off of a concrete floor, the potential for

0:31:15.080 --> 0:31:17.960
<v Speaker 1>injury there is great if care it's not taken in

0:31:18.160 --> 0:31:21.040
<v Speaker 1>the rigging which you did read about an example of that.

0:31:21.280 --> 0:31:24.400
<v Speaker 1>But for the most part, people don't just rip and

0:31:24.520 --> 0:31:27.520
<v Speaker 1>free fall in these things. Uh. It may look like

0:31:27.600 --> 0:31:29.760
<v Speaker 1>it's about to rip, but like Robert said, skin is

0:31:29.800 --> 0:31:32.880
<v Speaker 1>pretty strong. Think of leather, you know, and and all

0:31:32.920 --> 0:31:36.000
<v Speaker 1>the products that we use leather in and the amount

0:31:36.000 --> 0:31:39.000
<v Speaker 1>of tension that it can sustain. So there's an aspect

0:31:39.080 --> 0:31:41.640
<v Speaker 1>of physics to where you place the hooks and how

0:31:41.720 --> 0:31:45.200
<v Speaker 1>big the actual hooks are to this whole practice, as

0:31:45.280 --> 0:31:48.560
<v Speaker 1>much as there is with rigging. Now tearing is actually

0:31:48.600 --> 0:31:51.520
<v Speaker 1>more likely on your knees and on your chest, but

0:31:51.760 --> 0:31:54.880
<v Speaker 1>usually there's more than enough time to begin lowering a

0:31:54.960 --> 0:31:58.640
<v Speaker 1>person if tearing starts to happen, like the crew of

0:31:58.720 --> 0:32:02.080
<v Speaker 1>people will start seeing it before it just rips, and

0:32:02.200 --> 0:32:05.080
<v Speaker 1>they will say, hey, you know, it looks like you're

0:32:05.080 --> 0:32:06.680
<v Speaker 1>starting to rip a little bit here. Do you want

0:32:06.720 --> 0:32:09.600
<v Speaker 1>me to lower you or do you want to keep going? Uh.

0:32:09.680 --> 0:32:15.959
<v Speaker 1>Now falls are usually do actually to improper insertion of hooks.

0:32:16.000 --> 0:32:18.600
<v Speaker 1>And any high degree of motion that happens when you're

0:32:18.680 --> 0:32:21.520
<v Speaker 1>up there. So it's not necessarily about the skin as

0:32:21.560 --> 0:32:24.720
<v Speaker 1>much as it is about again the science the physics

0:32:24.720 --> 0:32:27.920
<v Speaker 1>of where things are placed and how you're moving. Many

0:32:27.960 --> 0:32:30.520
<v Speaker 1>of the people who offer this service to they seem

0:32:30.560 --> 0:32:33.520
<v Speaker 1>to be trained in medical emergencies and first aid care.

0:32:33.840 --> 0:32:35.360
<v Speaker 1>A lot of the people that were interviewed for that

0:32:35.400 --> 0:32:39.600
<v Speaker 1>Atlantic piece where like nurses or paramedics. Uh, and they

0:32:39.640 --> 0:32:42.160
<v Speaker 1>will consult your doctor if you have a medical condition

0:32:42.160 --> 0:32:45.280
<v Speaker 1>that you're concerned about before doing this. Like Robert said,

0:32:45.880 --> 0:32:49.040
<v Speaker 1>infection is a huge risk as well, but also nerve

0:32:49.120 --> 0:32:52.120
<v Speaker 1>and tendon damage tend to be things that can happen

0:32:52.120 --> 0:32:55.280
<v Speaker 1>if you have improper hook placement. So again, hook placement

0:32:55.400 --> 0:32:57.280
<v Speaker 1>is huge on this. It's not like you just take

0:32:57.320 --> 0:33:00.600
<v Speaker 1>a hook and just put it anywhere you please, you know. Yeah.

0:33:00.600 --> 0:33:03.600
<v Speaker 1>I also read that while scarring, you know, inevitable is

0:33:03.640 --> 0:33:07.000
<v Speaker 1>going to occur to some um some level, it's not

0:33:07.160 --> 0:33:09.479
<v Speaker 1>quite as bad as one might expect expect, you know,

0:33:09.600 --> 0:33:11.440
<v Speaker 1>but yeah, they were talking about um one of the

0:33:11.480 --> 0:33:13.760
<v Speaker 1>guys had a tattoo and there was like a little

0:33:13.760 --> 0:33:15.760
<v Speaker 1>bit of white flesh where where he had been scarred.

0:33:15.800 --> 0:33:18.000
<v Speaker 1>From doing it previously, But the writer said I wouldn't

0:33:18.000 --> 0:33:20.400
<v Speaker 1>have noticed otherwise if he hadn't pointed it out to me.

0:33:21.000 --> 0:33:23.200
<v Speaker 1>There's also something and I could not find a lot

0:33:23.240 --> 0:33:27.520
<v Speaker 1>more about this, called suspension shock syndrome. And this apparently

0:33:27.600 --> 0:33:30.360
<v Speaker 1>happens if you hang vertically for too long. So I

0:33:30.360 --> 0:33:35.360
<v Speaker 1>guess that's if you're in the suicide suspension pose. Um,

0:33:35.480 --> 0:33:37.959
<v Speaker 1>there's there's something related to that that I guess put

0:33:38.040 --> 0:33:41.480
<v Speaker 1>your body into shock. Okay, like blood flow? I think probably. Yeah.

0:33:41.880 --> 0:33:43.960
<v Speaker 1>Now there's a there's another article out there. There's pretty

0:33:43.960 --> 0:33:47.880
<v Speaker 1>good two Guardian article titled body suspension Why would anyone

0:33:47.960 --> 0:33:50.960
<v Speaker 1>hang from hooks for fun? Uh? The article is better

0:33:50.960 --> 0:33:53.840
<v Speaker 1>than the headline on that one, but it provides an

0:33:53.840 --> 0:33:56.920
<v Speaker 1>even handed discussion of the health issues involved in health

0:33:56.920 --> 0:34:01.320
<v Speaker 1>concerns and in the article Emergency Medical Technicians, Scott Dubor

0:34:01.840 --> 0:34:04.840
<v Speaker 1>points out that hook suspension is not something that you

0:34:04.920 --> 0:34:08.520
<v Speaker 1>have a lot of medical journal articles about, you know,

0:34:08.560 --> 0:34:11.520
<v Speaker 1>it hasn't received that much serious attention in these circles.

0:34:12.120 --> 0:34:16.520
<v Speaker 1>Uh So, so we don't have like perfect data on

0:34:16.520 --> 0:34:18.520
<v Speaker 1>on how to handle all of this. But he says

0:34:18.560 --> 0:34:22.920
<v Speaker 1>that again, experienced practitioners taken individual's health history, you know,

0:34:23.080 --> 0:34:28.439
<v Speaker 1>very seriously when considering a suspension event, I can see

0:34:28.440 --> 0:34:30.960
<v Speaker 1>why it's not right, Like, especially in the world of

0:34:31.000 --> 0:34:34.760
<v Speaker 1>publisher perish, if you're sending out articles to peer reviewed journals,

0:34:34.800 --> 0:34:37.920
<v Speaker 1>they might frown at something that's about body suspension. On

0:34:37.960 --> 0:34:42.200
<v Speaker 1>the other hand, this seems like it has really big

0:34:42.200 --> 0:34:45.160
<v Speaker 1>potential for just the broader human knowledge about like what

0:34:45.280 --> 0:34:48.719
<v Speaker 1>our bodies can take and what they can't, and just

0:34:48.960 --> 0:34:53.319
<v Speaker 1>general like physics of lifting things. Plus I totally read

0:34:53.320 --> 0:34:56.560
<v Speaker 1>that journal article. If we had been able to access

0:34:56.600 --> 0:34:58.920
<v Speaker 1>something like this for this episode, I would have been thrilled.

0:34:59.239 --> 0:35:02.680
<v Speaker 1>So if anybody out there is researching the physics or

0:35:02.760 --> 0:35:06.719
<v Speaker 1>the the health issues related to hook suspension, let us know.

0:35:06.800 --> 0:35:09.560
<v Speaker 1>We'd love to take a peek of that research. Alright.

0:35:09.600 --> 0:35:12.040
<v Speaker 1>So that leaves us with the next and final question,

0:35:12.239 --> 0:35:15.319
<v Speaker 1>what does an individual feel in a hook suspension? What's

0:35:15.320 --> 0:35:18.600
<v Speaker 1>going on with pain and pleasure? Yeah, I'm so back

0:35:18.640 --> 0:35:21.279
<v Speaker 1>to our previous examples, which many listeners are probably going,

0:35:21.400 --> 0:35:24.120
<v Speaker 1>you guys don't know pain. Pain. You don't know the

0:35:24.120 --> 0:35:28.000
<v Speaker 1>meaning of the word, you know, like uh, me putting

0:35:28.160 --> 0:35:30.440
<v Speaker 1>the wrong sailine in my eye and Robert taking out

0:35:30.480 --> 0:35:33.279
<v Speaker 1>an and grown tonail is probably nothing compared to this, right,

0:35:33.360 --> 0:35:36.120
<v Speaker 1>But at the same time, there's a purpose to this

0:35:36.480 --> 0:35:40.440
<v Speaker 1>that in you know, involves sort of again transcending becoming

0:35:40.480 --> 0:35:42.879
<v Speaker 1>something else. All Right, we're gonna take a quick break

0:35:42.880 --> 0:35:44.799
<v Speaker 1>and when we come back, we will jump right into

0:35:44.840 --> 0:35:51.800
<v Speaker 1>this area. All right, we're back, you know. I I

0:35:52.160 --> 0:35:54.040
<v Speaker 1>what you just said prior to our break made me

0:35:54.080 --> 0:35:55.719
<v Speaker 1>think of hell Razor again because you kind of did

0:35:55.719 --> 0:35:58.400
<v Speaker 1>a pinhead voice there that was my not not a

0:35:58.480 --> 0:36:01.680
<v Speaker 1>very good piure, But it does remind me that in

0:36:01.719 --> 0:36:04.640
<v Speaker 1>the especially in the first hell Raiser movie and definitely

0:36:04.719 --> 0:36:08.640
<v Speaker 1>in Clive Barker's original The hell Bound Heart, it's less

0:36:08.680 --> 0:36:13.480
<v Speaker 1>about pain and more that these uh, the Centobytes are

0:36:13.520 --> 0:36:17.640
<v Speaker 1>are you know since uh Cincinnats, I guess, and they

0:36:17.680 --> 0:36:21.880
<v Speaker 1>have been just exploring the limits of human sensation in

0:36:21.960 --> 0:36:24.680
<v Speaker 1>ways that go beyond pleasure or pain. And I always

0:36:24.719 --> 0:36:27.440
<v Speaker 1>found that that the better read it becomes more about

0:36:27.560 --> 0:36:31.440
<v Speaker 1>pain and just sort of torturous demons as monsters that

0:36:31.520 --> 0:36:34.719
<v Speaker 1>are one. But early on it's like, like the the Centobytes,

0:36:35.040 --> 0:36:37.480
<v Speaker 1>you can't really say they're evil because they're not. It's

0:36:37.480 --> 0:36:39.520
<v Speaker 1>not like they want to hurt somebody. It's just that

0:36:39.560 --> 0:36:44.400
<v Speaker 1>they're understanding of mortal sensation is so far beyond anything

0:36:44.440 --> 0:36:48.440
<v Speaker 1>that a human could could understand. This is a brief aside,

0:36:48.440 --> 0:36:50.080
<v Speaker 1>but I think a lot of people forget that about

0:36:50.080 --> 0:36:53.200
<v Speaker 1>the original Hell Raiser, that Pinhead and the Centobytes aren't

0:36:53.200 --> 0:36:56.360
<v Speaker 1>really like the villains per se, and that they're the

0:36:56.480 --> 0:36:59.120
<v Speaker 1>villain is like it was his name, Uncle Frank, the

0:36:59.160 --> 0:37:02.080
<v Speaker 1>guy who who's like skinless and growing up in the attic.

0:37:02.200 --> 0:37:06.000
<v Speaker 1>Like you know that that's a movie that actually has

0:37:06.000 --> 0:37:10.840
<v Speaker 1>some really interesting themes because of Barker, uh, specifically about pain,

0:37:11.120 --> 0:37:14.040
<v Speaker 1>pleasure and just like the human experience, which I think

0:37:14.120 --> 0:37:15.960
<v Speaker 1>is what makes it such a classic. Yeah. I mean,

0:37:16.000 --> 0:37:20.600
<v Speaker 1>the cinembytes are essentially just a very inhuman bureaucratic organization.

0:37:20.880 --> 0:37:23.040
<v Speaker 1>It gets wound up in a in a in a

0:37:23.120 --> 0:37:25.880
<v Speaker 1>family dispute. Yeah, it gets bad when they start like

0:37:26.200 --> 0:37:29.200
<v Speaker 1>putting CD players inside their faces and stuff like that. Yeah,

0:37:29.200 --> 0:37:32.200
<v Speaker 1>But by the third Hell Raiser it's gone an entirely

0:37:32.200 --> 0:37:35.720
<v Speaker 1>different direction. All right. But but back to the real

0:37:35.800 --> 0:37:39.320
<v Speaker 1>world of hook suspension. So it is h it is

0:37:39.360 --> 0:37:42.200
<v Speaker 1>again a consensual exercise. If we haven't been clear on that,

0:37:42.320 --> 0:37:44.360
<v Speaker 1>Let me just drive at home no matter what you

0:37:44.360 --> 0:37:48.280
<v Speaker 1>saw in the cell. Uh, it's, it's it's It's definitely

0:37:48.320 --> 0:37:50.759
<v Speaker 1>a choice that one makes, and it's far from an

0:37:50.800 --> 0:37:54.760
<v Speaker 1>impulsive activity. So matters of health and physics are carefully calculate,

0:37:54.880 --> 0:37:57.960
<v Speaker 1>calculated for the purely physical aspects of the event. But

0:37:58.000 --> 0:38:00.440
<v Speaker 1>then on top of that, the participant is gonna be

0:38:00.480 --> 0:38:03.279
<v Speaker 1>weighing in on the inner complexities of the experience. So

0:38:03.320 --> 0:38:09.240
<v Speaker 1>anticipation priming, uh, it all accentuates the already complex interplay

0:38:09.280 --> 0:38:12.080
<v Speaker 1>of nerve response in psychology, It's like anything, you're building

0:38:12.120 --> 0:38:15.600
<v Speaker 1>up your anticipation for it. You have certain expectations that

0:38:15.680 --> 0:38:17.760
<v Speaker 1>are going to be met or aren't going to be met,

0:38:17.960 --> 0:38:20.680
<v Speaker 1>and also expectations and understandings of what's going to take

0:38:20.719 --> 0:38:23.399
<v Speaker 1>place that they're going to color your experience and then

0:38:23.400 --> 0:38:25.839
<v Speaker 1>how you reflect on that experience. Yeah, and you can

0:38:25.920 --> 0:38:31.080
<v Speaker 1>see how that played into ceremonial practices, right. There was

0:38:31.200 --> 0:38:35.080
<v Speaker 1>build up before the ceremony. There's the act of it itself,

0:38:35.120 --> 0:38:37.400
<v Speaker 1>there's the communal aspect, and then there's sort of like

0:38:37.440 --> 0:38:40.839
<v Speaker 1>the calm down of your you're lowered in your you're

0:38:40.880 --> 0:38:43.080
<v Speaker 1>still around your community, right, like you're around like a

0:38:43.120 --> 0:38:47.160
<v Speaker 1>supportive group of people. Um, and then the actual like

0:38:47.680 --> 0:38:51.279
<v Speaker 1>hanging part, the feeling of shock that's involved in that.

0:38:51.480 --> 0:38:55.799
<v Speaker 1>We got all kinds of chemicals involved there, right, there's endorphins, serotonin, etcetera.

0:38:55.920 --> 0:38:58.400
<v Speaker 1>And those are obviously producing a sort of high like

0:38:58.520 --> 0:39:01.360
<v Speaker 1>we talked about. But again, I think the key to

0:39:01.440 --> 0:39:04.320
<v Speaker 1>this seems to be about being part of a group.

0:39:05.600 --> 0:39:08.279
<v Speaker 1>I don't know. I'd love to hear from people out

0:39:08.280 --> 0:39:10.719
<v Speaker 1>there who have different experiences, but it seems to me like,

0:39:11.920 --> 0:39:14.000
<v Speaker 1>I guess you could just like rig yourself up in

0:39:14.000 --> 0:39:16.200
<v Speaker 1>a closet or something like that. Have to be a

0:39:16.200 --> 0:39:20.480
<v Speaker 1>big closet, but uh, and you would get something out

0:39:20.480 --> 0:39:22.040
<v Speaker 1>of it, but I don't think it would be the

0:39:22.120 --> 0:39:24.600
<v Speaker 1>same as what you're getting when you're like you're working

0:39:24.640 --> 0:39:27.239
<v Speaker 1>together with people, they're thinking about your well being and

0:39:27.320 --> 0:39:31.520
<v Speaker 1>it's it's all about you sort of clearing your mind. Yeah,

0:39:31.560 --> 0:39:34.000
<v Speaker 1>And on the communal aspect here, it's also to keep

0:39:34.000 --> 0:39:37.200
<v Speaker 1>in mind that this applies to not only the individual

0:39:37.440 --> 0:39:40.200
<v Speaker 1>that's suspended, but those who are facilitating it in those

0:39:40.239 --> 0:39:44.520
<v Speaker 1>who are observing it. This ties in with a Neil

0:39:45.320 --> 0:39:49.960
<v Speaker 1>Durkheim's collective effervescence theory, and this is the idea that

0:39:50.000 --> 0:39:54.720
<v Speaker 1>a communal ritual generates a kind of shared electricity. Uh.

0:39:55.160 --> 0:39:57.880
<v Speaker 1>It makes me think of like, I mean, this is

0:39:57.920 --> 0:40:00.400
<v Speaker 1>why I like going to yoga class more than I

0:40:00.440 --> 0:40:02.799
<v Speaker 1>like doing yoga home. I do yoga at home, and

0:40:02.840 --> 0:40:04.840
<v Speaker 1>I it feels good and I'm able to kind of

0:40:04.880 --> 0:40:06.640
<v Speaker 1>like work the kinks out. But when I go to class,

0:40:06.640 --> 0:40:09.200
<v Speaker 1>it's a communal thing. I'm out, I'm in public. I'm

0:40:09.200 --> 0:40:12.160
<v Speaker 1>not a particularly like social person to begin with, so

0:40:12.200 --> 0:40:14.440
<v Speaker 1>this is a good experience to get me out and

0:40:14.480 --> 0:40:17.440
<v Speaker 1>like engaging with other people. I went to a really

0:40:17.480 --> 0:40:23.200
<v Speaker 1>crowded yoga class at a local um Asheram recently and uh,

0:40:23.239 --> 0:40:24.640
<v Speaker 1>and at first I was like, oh, I'm I got

0:40:24.680 --> 0:40:26.640
<v Speaker 1>a way over my head and this way too crowded.

0:40:26.680 --> 0:40:29.719
<v Speaker 1>I'm just packed in like sardines with everyone. But then

0:40:29.800 --> 0:40:32.080
<v Speaker 1>it was a a good yoga class, and then be

0:40:32.400 --> 0:40:35.400
<v Speaker 1>there was something about being there was so many people

0:40:36.000 --> 0:40:39.040
<v Speaker 1>that we it was a very communal experience. I felt

0:40:39.080 --> 0:40:40.960
<v Speaker 1>like I was in that movie Society where I'll just

0:40:41.040 --> 0:40:43.160
<v Speaker 1>kind of like moving together. Yeah, I've had that to

0:40:43.400 --> 0:40:48.239
<v Speaker 1>My local UM studio does classes on holidays like on

0:40:48.280 --> 0:40:52.480
<v Speaker 1>Thanksgiving and New Year's Day, and there jam packed when

0:40:52.480 --> 0:40:54.680
<v Speaker 1>they do them on those holidays. So you're like, I

0:40:54.719 --> 0:40:57.560
<v Speaker 1>think you've you've got enough room for maybe like forty

0:40:57.640 --> 0:40:59.880
<v Speaker 1>or fifty people in this room, and you're just literally

0:41:00.200 --> 0:41:03.160
<v Speaker 1>need a knee, like you know, full on doing like

0:41:03.239 --> 0:41:05.640
<v Speaker 1>some pretty difficult poses. Although there's not a lot of

0:41:05.640 --> 0:41:08.040
<v Speaker 1>inversions in a class like right. And of course this

0:41:08.120 --> 0:41:11.760
<v Speaker 1>kind of scenario applies to any kind of communal, secular,

0:41:11.880 --> 0:41:14.320
<v Speaker 1>or religious event that's taken place in a certain amount

0:41:14.320 --> 0:41:16.880
<v Speaker 1>of ritual to it. But as part of the human

0:41:16.880 --> 0:41:20.160
<v Speaker 1>experience just in general, you know, I mean, like I

0:41:20.239 --> 0:41:23.560
<v Speaker 1>would imagine that, like there is the same sort of

0:41:23.600 --> 0:41:26.560
<v Speaker 1>just general good feeling that comes out of going to

0:41:26.640 --> 0:41:29.719
<v Speaker 1>church on Sunday morning that you and I get out

0:41:29.760 --> 0:41:32.000
<v Speaker 1>of going to a yoga class or somebody else gets

0:41:32.000 --> 0:41:34.520
<v Speaker 1>out of body suspension. Yeah, and but you have this

0:41:34.600 --> 0:41:38.640
<v Speaker 1>added level of physical exertion that is involved here. And

0:41:38.880 --> 0:41:41.560
<v Speaker 1>and this can actually play into one's connection to a group.

0:41:41.840 --> 0:41:46.200
<v Speaker 1>Having having completed a suspension, one may feel more connected

0:41:46.280 --> 0:41:49.320
<v Speaker 1>with the group for having experienced a painful ride of passage.

0:41:49.480 --> 0:41:51.640
<v Speaker 1>This is a process that was actually explored in in

0:41:51.640 --> 0:41:57.560
<v Speaker 1>a nineteen nine United States Army psychology study, not really suspension,

0:41:57.560 --> 0:42:00.240
<v Speaker 1>but just as far as pain and how it a

0:42:00.320 --> 0:42:02.800
<v Speaker 1>relates to your experience as being part of a group.

0:42:03.360 --> 0:42:09.239
<v Speaker 1>Psychologist Elliott Aronsen of Stanford and Judson Mills. They used

0:42:09.280 --> 0:42:13.680
<v Speaker 1>electric shocks and found that individuals who received severe electric

0:42:13.719 --> 0:42:17.560
<v Speaker 1>shocks before entering a group value their membership more than

0:42:17.600 --> 0:42:21.160
<v Speaker 1>those who received mild shocks. It's almost kind of a

0:42:21.160 --> 0:42:25.560
<v Speaker 1>hazing scenario. But this is another like part of like

0:42:25.680 --> 0:42:28.160
<v Speaker 1>it reminds me of like the classic Milgram study too.

0:42:28.400 --> 0:42:31.600
<v Speaker 1>It's like that period of time what Milgram was earlier

0:42:31.600 --> 0:42:35.160
<v Speaker 1>than I believe, but you know that idea that like

0:42:35.280 --> 0:42:38.799
<v Speaker 1>you could get away was something then, you know. All right,

0:42:38.840 --> 0:42:41.160
<v Speaker 1>So let's come back to just pain itself for a

0:42:41.160 --> 0:42:43.440
<v Speaker 1>little bit. I know that we've talked about the communal

0:42:43.480 --> 0:42:47.800
<v Speaker 1>aspects here obviously, as as we've discussed. Pain itself is

0:42:47.840 --> 0:42:50.919
<v Speaker 1>kind of hard to tag down, you know. Um, it's

0:42:50.920 --> 0:42:54.440
<v Speaker 1>a it's a very distressing feeling that involves regions of

0:42:54.440 --> 0:42:57.320
<v Speaker 1>the brain that are also associated associated with the enjoyment

0:42:57.320 --> 0:42:59.959
<v Speaker 1>of food, drugs, and sex. So you have some shared

0:43:00.040 --> 0:43:03.399
<v Speaker 1>pathways there for sure. And uh, and then what else

0:43:03.480 --> 0:43:05.920
<v Speaker 1>is going on? Well, let's look at a few a

0:43:05.960 --> 0:43:09.680
<v Speaker 1>few tidbits here. So a two thousand six University of

0:43:09.680 --> 0:43:13.000
<v Speaker 1>Michigan study revealed that the brain's dopamine system is highly

0:43:13.040 --> 0:43:16.640
<v Speaker 1>active while someone experiences pain, and that this response varies

0:43:16.680 --> 0:43:19.640
<v Speaker 1>between individuals in a way that relates directly to how

0:43:19.680 --> 0:43:23.680
<v Speaker 1>the pain makes them feel. And when spiritual or secular

0:43:23.760 --> 0:43:26.799
<v Speaker 1>ritual is involved, the ritual in and of itself can

0:43:26.800 --> 0:43:30.800
<v Speaker 1>arouse the participant and trigger hormones that stimulate the reward

0:43:30.880 --> 0:43:36.480
<v Speaker 1>systems of the brain. And this, according to anthropologists Dmitries Zagalates,

0:43:37.000 --> 0:43:40.959
<v Speaker 1>can cause sensations such as pain or fear to transform

0:43:41.080 --> 0:43:45.640
<v Speaker 1>into pleasurable experiences through a dopamine spike uh so, an

0:43:45.680 --> 0:43:48.600
<v Speaker 1>increase in the New York peptides that we call endorphins.

0:43:49.040 --> 0:43:52.840
<v Speaker 1>Uh This binds to the brains opiate receptors, producing the

0:43:52.880 --> 0:43:56.800
<v Speaker 1>same soothing euphoria that is felt to a certain extent

0:43:56.840 --> 0:43:59.600
<v Speaker 1>by marathon runners during a runner's high. So this is

0:43:59.719 --> 0:44:04.160
<v Speaker 1>base sickly the same thing. Well, I'm I'm really generalizing here,

0:44:04.400 --> 0:44:06.560
<v Speaker 1>but the same effect that we get when we take

0:44:06.640 --> 0:44:10.160
<v Speaker 1>various kinds of drugs, whether they're legal or illegal. Right Like,

0:44:10.239 --> 0:44:15.000
<v Speaker 1>they're influencing the amount of certain chemicals and proteins in

0:44:15.040 --> 0:44:17.919
<v Speaker 1>our system that makes us feel a certain way. There's

0:44:17.920 --> 0:44:20.799
<v Speaker 1>something about this. That seems better to me than just

0:44:20.840 --> 0:44:24.560
<v Speaker 1>like popping a pill in that like, again, you're engaging

0:44:24.680 --> 0:44:29.520
<v Speaker 1>in the human activity of community. Yeah, well, and I

0:44:29.560 --> 0:44:31.719
<v Speaker 1>definitely agree that. One of the things to keep in

0:44:31.719 --> 0:44:34.320
<v Speaker 1>mind here is that someone who's engaging in hook suspension

0:44:34.400 --> 0:44:38.719
<v Speaker 1>does not have an alien biology or an alien psychology.

0:44:39.200 --> 0:44:41.800
<v Speaker 1>It's like they have the same their their body and

0:44:41.800 --> 0:44:44.719
<v Speaker 1>their experience is the same mix of chemicals, that the

0:44:44.800 --> 0:44:49.120
<v Speaker 1>same biomachinery. They're just interacting with it in a way

0:44:49.160 --> 0:44:52.520
<v Speaker 1>that you were not. But they're not producing feelings that

0:44:52.560 --> 0:44:57.399
<v Speaker 1>are necessarily like like that different than something you've experienced, right, Yeah, which,

0:44:57.520 --> 0:44:59.399
<v Speaker 1>god man, the more we talk about this, the more

0:44:59.440 --> 0:45:01.840
<v Speaker 1>the cel but comes ridiculous. I mean that movie was

0:45:01.880 --> 0:45:04.400
<v Speaker 1>silly already, but like when you think about it, that

0:45:04.480 --> 0:45:07.800
<v Speaker 1>like the premise where it's like, oh, somebody who's into

0:45:07.840 --> 0:45:11.000
<v Speaker 1>this body suspension practice, of course they would be a

0:45:11.040 --> 0:45:15.360
<v Speaker 1>serial killer, you know, like it's just it's poor writing, Hollywood.

0:45:15.400 --> 0:45:18.120
<v Speaker 1>Come on, now, remember we talked about priming earlier. What's

0:45:18.120 --> 0:45:20.440
<v Speaker 1>going on in your mind is you're preparing to to

0:45:20.480 --> 0:45:23.440
<v Speaker 1>go into this what people were telling you, what you're expecting. Well,

0:45:23.440 --> 0:45:26.920
<v Speaker 1>many descriptions of first time hook suspensions. They speak to

0:45:26.960 --> 0:45:30.799
<v Speaker 1>this anticipation of extreme sensation, and according to a two

0:45:30.880 --> 0:45:34.080
<v Speaker 1>thousand thirteen study from the University of Oslo, pain that

0:45:34.239 --> 0:45:37.760
<v Speaker 1>hits less severely than expected may give us a rush

0:45:37.760 --> 0:45:41.680
<v Speaker 1>of release or even something like pleasure on top of

0:45:41.719 --> 0:45:43.920
<v Speaker 1>the endorphins. You know, what this made me think of

0:45:44.480 --> 0:45:47.560
<v Speaker 1>is just and I think almost everybody can identify with this,

0:45:48.160 --> 0:45:50.200
<v Speaker 1>going to the doctor and getting a shot or getting

0:45:50.200 --> 0:45:53.480
<v Speaker 1>your blood drawn. Like for me, like I go and

0:45:53.480 --> 0:45:55.879
<v Speaker 1>I just go, okay, Like I anticipate that the pain

0:45:55.960 --> 0:45:58.000
<v Speaker 1>is going to come. I prepare my mind for it.

0:45:58.360 --> 0:46:02.239
<v Speaker 1>The needle is inserted, my blood is being drawn, and uh,

0:46:02.480 --> 0:46:05.959
<v Speaker 1>you know, after like two or three seconds, I'm don't

0:46:06.040 --> 0:46:08.319
<v Speaker 1>don't feel it anymore other than the blood draining out

0:46:08.360 --> 0:46:11.920
<v Speaker 1>of my body. You know. Uh. That's I think, like

0:46:12.400 --> 0:46:17.240
<v Speaker 1>a relatable thing that most people can think of, similar

0:46:17.280 --> 0:46:21.319
<v Speaker 1>to body suspension, just on a like micro level. Indeed. Yeah,

0:46:21.400 --> 0:46:23.600
<v Speaker 1>and you know, on top of that too, we we

0:46:23.760 --> 0:46:27.000
<v Speaker 1>talked about transcendence and sort of altered states with individuals

0:46:27.040 --> 0:46:30.279
<v Speaker 1>that are undergoing a hook suspension, and there's a there's

0:46:30.280 --> 0:46:32.319
<v Speaker 1>an interesting study that lines up with that as well.

0:46:32.680 --> 0:46:36.200
<v Speaker 1>A two thousand fourteen study from Northern Illinois University, and

0:46:36.520 --> 0:46:40.360
<v Speaker 1>they linked various like B D S, M, S and

0:46:40.560 --> 0:46:44.880
<v Speaker 1>M type activities to altered states of mind in keeping

0:46:45.040 --> 0:46:49.239
<v Speaker 1>with those achieved through yoga or meditation. So basically what

0:46:49.320 --> 0:46:52.080
<v Speaker 1>happened here was the researchers administered to cognitive test to

0:46:52.239 --> 0:46:55.440
<v Speaker 1>S and M participants following a A A switching scene,

0:46:55.840 --> 0:46:59.360
<v Speaker 1>and based on the findings, they suspect that pain altered

0:46:59.360 --> 0:47:03.320
<v Speaker 1>blood flow in the brain, particularly to the dorso lateral

0:47:03.360 --> 0:47:06.680
<v Speaker 1>prefrontal cortex, which plays into our ability to distinguish self

0:47:06.800 --> 0:47:09.359
<v Speaker 1>from other. Yeah, so this is where you get into

0:47:09.360 --> 0:47:11.919
<v Speaker 1>things that are like a little bit more dangerous like cutting. Yeah.

0:47:12.000 --> 0:47:14.719
<v Speaker 1>But but also it's where we can easily see some

0:47:14.840 --> 0:47:17.160
<v Speaker 1>of the science behind the idea that someone could suspend

0:47:17.200 --> 0:47:21.440
<v Speaker 1>from hooks totally have have this physical pain experience and

0:47:21.719 --> 0:47:25.560
<v Speaker 1>lose some sense of themselves, to have this this experience

0:47:25.640 --> 0:47:29.080
<v Speaker 1>of of lifting, of flying above their worries and concerns

0:47:29.080 --> 0:47:32.360
<v Speaker 1>and their anxieties and their baggage and and finding this

0:47:32.480 --> 0:47:35.240
<v Speaker 1>place of release. And in fact, I found a quote

0:47:35.239 --> 0:47:38.880
<v Speaker 1>from Alan Faulkner, who's talked about here, and he said, quote,

0:47:38.880 --> 0:47:42.040
<v Speaker 1>if life had a dial to adjust the volume, suspension

0:47:42.120 --> 0:47:45.600
<v Speaker 1>has a way of accessing this invisible knob and turning

0:47:45.600 --> 0:47:49.360
<v Speaker 1>it down again, like totally in line with my experience

0:47:49.400 --> 0:47:54.000
<v Speaker 1>of both yoga and uh uh, sensory deprivation takes like

0:47:54.080 --> 0:47:57.360
<v Speaker 1>it's just it takes for for me, like I I

0:47:57.480 --> 0:48:01.520
<v Speaker 1>have a a particularly sensitive of nervous system, right, Like

0:48:01.560 --> 0:48:04.399
<v Speaker 1>I take in a lot of sensory information, I think

0:48:04.440 --> 0:48:06.959
<v Speaker 1>more than most people. But again it's hard to tell

0:48:07.600 --> 0:48:09.560
<v Speaker 1>when I do yoga or when I'm laying in the

0:48:09.600 --> 0:48:12.799
<v Speaker 1>float tank or whatever. Again, that's a perfect metaphor just

0:48:12.920 --> 0:48:18.080
<v Speaker 1>turning the volume down just it calms everything down. It's nice. Yeah,

0:48:18.160 --> 0:48:20.640
<v Speaker 1>So that's yeah, that's basically what's happen going on with

0:48:20.640 --> 0:48:25.319
<v Speaker 1>hook suspension here. So obviously we again we're not saying

0:48:25.360 --> 0:48:28.560
<v Speaker 1>go try this. We are not. We're certainly saying not

0:48:28.880 --> 0:48:31.160
<v Speaker 1>trying to tell you to go try it yourself on

0:48:31.239 --> 0:48:34.040
<v Speaker 1>your own. But hopefully what we've done here is we've

0:48:34.040 --> 0:48:36.320
<v Speaker 1>been able to take something that is that is often

0:48:36.360 --> 0:48:39.839
<v Speaker 1>seen is just this outsider weirdo thing and putting it

0:48:40.200 --> 0:48:44.160
<v Speaker 1>framing it in a way that lines up with with

0:48:44.160 --> 0:48:47.080
<v Speaker 1>with more relatable modes of human experience. Yeah, so I

0:48:47.080 --> 0:48:50.040
<v Speaker 1>would love to hear from you the audience, if you

0:48:50.160 --> 0:48:52.480
<v Speaker 1>have experienced with this. Obviously we've heard from a couple

0:48:52.520 --> 0:48:55.000
<v Speaker 1>of you already, but uh, please tell us what we

0:48:55.080 --> 0:48:57.120
<v Speaker 1>got right and maybe what we got wrong about this.

0:48:58.080 --> 0:49:00.239
<v Speaker 1>Also let us know about your own experience it is

0:49:00.280 --> 0:49:02.560
<v Speaker 1>with it, or maybe you've witnessed one of these ceremonies

0:49:02.560 --> 0:49:05.840
<v Speaker 1>that we talked about. Uh, it's It's a fascinating line

0:49:05.840 --> 0:49:09.040
<v Speaker 1>of inquiry and I'm curious to see where it goes next,

0:49:09.160 --> 0:49:13.040
<v Speaker 1>especially like we were mentioning, if academics actually get involved

0:49:13.040 --> 0:49:16.560
<v Speaker 1>and start doing research studies on it. Indeed, and you know,

0:49:16.600 --> 0:49:18.640
<v Speaker 1>I think get involved in ways that are not just

0:49:18.719 --> 0:49:24.160
<v Speaker 1>simply becoming cinabytes that we had it was it Dr Kleinard.

0:49:24.200 --> 0:49:26.719
<v Speaker 1>I believe in the second movie he's the oh yeah, yeah,

0:49:26.800 --> 0:49:30.000
<v Speaker 1>British doctor who ends up getting turned into this crazy

0:49:30.000 --> 0:49:32.279
<v Speaker 1>cinebyte with a big worm attached to This is true. Yeah,

0:49:32.320 --> 0:49:34.880
<v Speaker 1>I thought for a minute you're going to reference the

0:49:34.920 --> 0:49:37.799
<v Speaker 1>monster science episode that you did on centobytes. Oh yes, yes,

0:49:37.840 --> 0:49:39.799
<v Speaker 1>we did do one on sinovites. It actually touches on

0:49:39.840 --> 0:49:42.960
<v Speaker 1>some of the some of the pain related details that

0:49:42.960 --> 0:49:45.120
<v Speaker 1>that we covered here. So this is a link to that.

0:49:46.160 --> 0:49:49.600
<v Speaker 1>This is a good segue to our website stuff to

0:49:49.600 --> 0:49:52.280
<v Speaker 1>Blow your Mind dot com, where all of our videos

0:49:52.320 --> 0:49:54.120
<v Speaker 1>are at, along with all of our podcasts. So if

0:49:54.120 --> 0:49:56.120
<v Speaker 1>you've never seen Monster Science before you want to see

0:49:56.120 --> 0:49:58.839
<v Speaker 1>this particular one, you're in for a treat. Go look

0:49:58.840 --> 0:50:00.560
<v Speaker 1>at it on stuff to Blow your Mind and dot com.

0:50:00.600 --> 0:50:03.239
<v Speaker 1>There's also a blog post galore. In fact, Robert just

0:50:03.440 --> 0:50:06.279
<v Speaker 1>posted a pretty lengthy I wouldn't even call it a

0:50:06.280 --> 0:50:08.560
<v Speaker 1>blog post. You did a full on article about this

0:50:08.640 --> 0:50:11.640
<v Speaker 1>topic on our site. Uh. We've also got links up

0:50:11.640 --> 0:50:16.480
<v Speaker 1>to our social media accounts Facebook, Twitter, Tumbler, and Instagram. Yeah,

0:50:16.520 --> 0:50:18.279
<v Speaker 1>and I think there's a YouTube button on there too,

0:50:18.320 --> 0:50:22.240
<v Speaker 1>because we're doing this Facebook series these days called Trailer Talk,

0:50:22.360 --> 0:50:26.600
<v Speaker 1>where we we we spin off from these podcast episodes

0:50:26.800 --> 0:50:29.120
<v Speaker 1>we look at some movie trailers talk about sometimes be

0:50:29.280 --> 0:50:31.720
<v Speaker 1>a lot of times it's be movies or other horror

0:50:31.760 --> 0:50:34.520
<v Speaker 1>sci fi genre films and how they tie into the

0:50:34.520 --> 0:50:37.520
<v Speaker 1>topics of the week. And I'm not sure there's I

0:50:37.560 --> 0:50:39.400
<v Speaker 1>think there's a strong chance we'll have something tied in

0:50:39.560 --> 0:50:41.880
<v Speaker 1>with these episodes. We'll see how it comes together. I

0:50:41.920 --> 0:50:44.120
<v Speaker 1>think so a lot of movie just came up in

0:50:44.200 --> 0:50:47.200
<v Speaker 1>this episode. So yeah, I mean so I would expect

0:50:47.200 --> 0:50:50.240
<v Speaker 1>this let's see if this episode publishes the week after

0:50:50.360 --> 0:50:53.200
<v Speaker 1>recording it, then a couple of days later. They're usually

0:50:53.239 --> 0:50:56.120
<v Speaker 1>on Fridays when we do these Facebook lives, and they

0:50:56.200 --> 0:50:58.680
<v Speaker 1>then are both on our Facebook page for watching and

0:50:58.800 --> 0:51:01.719
<v Speaker 1>on YouTube. Yeah, you can find archives on YouTube for sure.

0:51:02.200 --> 0:51:03.520
<v Speaker 1>And if you want to get in touch with us

0:51:03.560 --> 0:51:05.720
<v Speaker 1>the old fashioned way, we'll just send us an email

0:51:05.800 --> 0:51:19.080
<v Speaker 1>at blow the Mind at how stuff works dot com

0:51:19.080 --> 0:51:21.520
<v Speaker 1>for more on this and thousands of other topics. Is

0:51:21.520 --> 0:51:45.600
<v Speaker 1>that how stuff works dot com