1 00:00:00,120 --> 00:00:02,120 Speaker 1: Hi, it's Phil Henry. And just steps away from me 2 00:00:02,160 --> 00:00:04,440 Speaker 1: are the busy, busy sidewalks of New York City, because 3 00:00:04,440 --> 00:00:06,960 Speaker 1: that's where we are for the next two months to 4 00:00:07,040 --> 00:00:10,320 Speaker 1: appear in Tom Alper's play The Pitch Off Broadway. If 5 00:00:10,320 --> 00:00:11,680 Speaker 1: you're in New York, we'd love for you to come 6 00:00:11,720 --> 00:00:13,080 Speaker 1: and see it, and we're going to give you chances 7 00:00:13,080 --> 00:00:15,120 Speaker 1: to come and see the play, as we'll be giving 8 00:00:15,160 --> 00:00:18,640 Speaker 1: away tickets and other wonderful neat things. I don't know, 9 00:00:18,920 --> 00:00:20,919 Speaker 1: you know, whatever we think of, Yeah, whatever we think of. 10 00:00:21,280 --> 00:00:22,880 Speaker 1: But in the meantime, love for you to listen to 11 00:00:22,920 --> 00:00:24,920 Speaker 1: our show today, and while you do, remember to get 12 00:00:24,960 --> 00:00:27,400 Speaker 1: a backstage pass to the world famous Phil Henry Show. 13 00:00:27,440 --> 00:00:29,680 Speaker 1: With a backstage pass, you get access to our archives. 14 00:00:30,080 --> 00:00:32,440 Speaker 1: We have thousands of hours, almost thirty years worth of 15 00:00:32,520 --> 00:00:35,879 Speaker 1: radio shows. We have our netcasts that we commenced back 16 00:00:35,880 --> 00:00:38,680 Speaker 1: in twenty twelve. These are daily netcasts. All of the 17 00:00:38,680 --> 00:00:41,600 Speaker 1: great guests and all of the great scenarios and scenes 18 00:00:41,640 --> 00:00:44,479 Speaker 1: and things and mental illness that you've come to know 19 00:00:44,560 --> 00:00:46,360 Speaker 1: and you've come to love and appreciate about the Phil 20 00:00:46,360 --> 00:00:46,800 Speaker 1: Henry Show. 21 00:00:46,800 --> 00:00:47,240 Speaker 2: It's all there. 22 00:00:47,360 --> 00:00:49,199 Speaker 1: So with the backstage pass, you not only enjoy the 23 00:00:49,200 --> 00:00:51,720 Speaker 1: show daily. You can take a trip back down memory 24 00:00:51,800 --> 00:00:53,600 Speaker 1: lane and listen to a lot of the weird ass stuff. 25 00:00:54,640 --> 00:00:55,400 Speaker 2: Yeah, that we did. 26 00:00:55,800 --> 00:00:59,560 Speaker 1: So get a backstage pass today at Philhenryshow dot com. 27 00:00:59,560 --> 00:01:02,520 Speaker 1: The world favorite Phil Hendry Show. Oh god, when I 28 00:01:02,520 --> 00:01:03,680 Speaker 1: think of some of this stuff. 29 00:01:04,440 --> 00:01:06,479 Speaker 2: Yeah, the greatest value online other than poorn. 30 00:01:12,319 --> 00:01:14,559 Speaker 1: Welcome, folks, the world famous Phil Hendry Show. And guess 31 00:01:14,560 --> 00:01:17,280 Speaker 1: who we are. We are in New York City. Yes, 32 00:01:17,360 --> 00:01:19,880 Speaker 1: we are a New York City here, and we will 33 00:01:19,880 --> 00:01:24,280 Speaker 1: be on stage in the pitch beginning next month. I 34 00:01:24,280 --> 00:01:26,640 Speaker 1: think October the ninth, Margaret, Yes. 35 00:01:26,520 --> 00:01:29,800 Speaker 2: I was talking with Tom and with Christine. It's October 36 00:01:29,880 --> 00:01:33,360 Speaker 2: the ninth. That will be. I think the showing. I 37 00:01:33,360 --> 00:01:36,120 Speaker 2: think the critics. I'm there, of course. 38 00:01:36,800 --> 00:01:39,600 Speaker 1: But well, Margaret, you're sort of doing the whole yay, hey, 39 00:01:40,680 --> 00:01:43,960 Speaker 1: just ease it back doing the what I think? 40 00:01:44,760 --> 00:01:47,720 Speaker 2: General? Please, well, she's she's yes. And then the critics. 41 00:01:48,200 --> 00:01:50,880 Speaker 1: We are communicating with a bunch of idiots, and I 42 00:01:50,920 --> 00:01:54,120 Speaker 1: say they would all due respect, folks. Everybody hold on Phil, 43 00:01:54,320 --> 00:01:56,680 Speaker 1: everybody hold on General. Let's know, way to look at 44 00:01:56,680 --> 00:01:59,760 Speaker 1: our audience, No, I think the audience, the people, by 45 00:01:59,800 --> 00:02:01,800 Speaker 1: the way, it's wonderful to be here in New York 46 00:02:01,800 --> 00:02:04,800 Speaker 1: City with film. We traveled Patsy and I, Margaret and 47 00:02:04,840 --> 00:02:07,440 Speaker 1: Frank did. But I think he is coming up on 48 00:02:07,960 --> 00:02:11,040 Speaker 1: the He said he was coming up on the what 49 00:02:11,120 --> 00:02:14,399 Speaker 1: was it the steamer or something? The steamer he said 50 00:02:14,440 --> 00:02:15,760 Speaker 1: he was he was going to a high ball and 51 00:02:15,880 --> 00:02:16,639 Speaker 1: he was kidding around. 52 00:02:16,680 --> 00:02:17,480 Speaker 2: I think he's in town. 53 00:02:17,880 --> 00:02:21,040 Speaker 1: He came into town before us, like last night. 54 00:02:21,760 --> 00:02:24,440 Speaker 2: So Bud's here too, That's what I'm saying, homeboy. 55 00:02:24,520 --> 00:02:27,400 Speaker 1: And why is everybody on such a well, you know, 56 00:02:27,440 --> 00:02:29,560 Speaker 1: we got conn last night with that Brad butt suck. 57 00:02:29,880 --> 00:02:30,600 Speaker 2: I can explain. 58 00:02:30,680 --> 00:02:32,200 Speaker 1: No, no, no, no, no no, I don't want to explain. 59 00:02:32,520 --> 00:02:34,119 Speaker 1: We are going to have him on. You just said 60 00:02:34,120 --> 00:02:37,400 Speaker 1: you don't wantny explosions. I don't want any explanations, Margaret, Okay, 61 00:02:37,720 --> 00:02:40,480 Speaker 1: we're gonna have Brad Buttsuck on. And it was a 62 00:02:40,520 --> 00:02:42,360 Speaker 1: little bit of a con job. No, it was not 63 00:02:42,480 --> 00:02:45,040 Speaker 1: a connon job. We were simply trying to cover up something. 64 00:02:45,639 --> 00:02:47,360 Speaker 1: You told me not to say anything. I don't want 65 00:02:47,400 --> 00:02:50,360 Speaker 1: you to say anything because last night Brad Buttsuck, who 66 00:02:50,520 --> 00:02:54,160 Speaker 1: is a theater veteran and a friend of Margaret's and 67 00:02:54,800 --> 00:02:58,360 Speaker 1: of general general excuse me, No, not me. That Jerryman 68 00:02:58,440 --> 00:03:00,600 Speaker 1: weared ass, and don't call him a weird ass. For 69 00:03:00,680 --> 00:03:03,400 Speaker 1: Christ's sake. He's a wonderful man. He is a legend 70 00:03:03,480 --> 00:03:06,320 Speaker 1: in the Philadelphia Theater. All right, Margaret, Well, I just 71 00:03:06,360 --> 00:03:13,400 Speaker 1: can't stand Margaret. We're not here to upset you, Brad buttsluck, 72 00:03:13,400 --> 00:03:15,440 Speaker 1: come on in, Brad. But before you sit down, Brett, 73 00:03:15,440 --> 00:03:18,760 Speaker 1: I just want to mention one thing. Well, you can 74 00:03:18,800 --> 00:03:21,120 Speaker 1: sit down, Brad, but I just I'm terribly straight. I 75 00:03:21,120 --> 00:03:24,639 Speaker 1: want to mention one thing. We are here in New York. 76 00:03:24,680 --> 00:03:27,120 Speaker 1: We're very happy to be here in New York. Buddy 77 00:03:27,200 --> 00:03:29,800 Speaker 1: is coming up or has been here for twenty four hours. 78 00:03:29,840 --> 00:03:30,480 Speaker 1: What did he do? 79 00:03:31,080 --> 00:03:32,040 Speaker 2: He flew into town. 80 00:03:32,360 --> 00:03:34,120 Speaker 1: You guys are talking about him coming in the high 81 00:03:34,160 --> 00:03:34,960 Speaker 1: Ball Express. 82 00:03:36,080 --> 00:03:37,320 Speaker 2: That's what he said as a gag. 83 00:03:39,160 --> 00:03:41,320 Speaker 1: Later on, we're going to have our creego who also 84 00:03:41,640 --> 00:03:43,760 Speaker 1: flew into New York with me. As a matter of fact, 85 00:03:43,760 --> 00:03:49,600 Speaker 1: it has some observations on commercial flying. But first, this 86 00:03:49,680 --> 00:03:54,280 Speaker 1: is exciting to be in New York. We was hanging 87 00:03:54,280 --> 00:03:56,760 Speaker 1: around the corner store there, Margaret, phil was hanging around 88 00:03:56,800 --> 00:03:58,480 Speaker 1: this this wonderful little corner store. Well, first of all, 89 00:03:58,480 --> 00:04:01,720 Speaker 1: there's two Mexican restaurants within walking distance of us here 90 00:04:02,160 --> 00:04:04,520 Speaker 1: in Midtown, which is is it's more than I can 91 00:04:04,560 --> 00:04:07,960 Speaker 1: say for for what is it it's border. We can 92 00:04:07,960 --> 00:04:10,360 Speaker 1: say that for the Banana River. Well, Mexican food is 93 00:04:10,360 --> 00:04:13,120 Speaker 1: not the biggest thing in Florida. Well it is here 94 00:04:13,160 --> 00:04:15,520 Speaker 1: in New York. And we found two excellent Mexican restaurants. 95 00:04:15,640 --> 00:04:18,919 Speaker 1: But also there's wonderful steakhouse across the streets. So a 96 00:04:18,920 --> 00:04:20,360 Speaker 1: lot of great places to eat here in New York. 97 00:04:20,600 --> 00:04:21,720 Speaker 1: As we found out, there were a lot of great 98 00:04:21,760 --> 00:04:23,720 Speaker 1: places to eat and Florida's As a matter of fact, 99 00:04:23,839 --> 00:04:26,880 Speaker 1: I hate to say this, and that's you'll be hearing 100 00:04:26,880 --> 00:04:28,719 Speaker 1: that there's lots of sirens here in New York. And 101 00:04:28,760 --> 00:04:30,920 Speaker 1: you know what it does the heart good. It's wonderful 102 00:04:30,960 --> 00:04:35,039 Speaker 1: to know that there are emergency crews people working around 103 00:04:35,080 --> 00:04:37,679 Speaker 1: the clock and not just thumb and their dixes. 104 00:04:38,200 --> 00:04:38,880 Speaker 2: Margaret, that's a. 105 00:04:38,800 --> 00:04:40,559 Speaker 1: Hell of a thing to say about the emergency cruise. 106 00:04:40,600 --> 00:04:42,760 Speaker 1: I'm not saying about all of them. I'm just saying 107 00:04:42,960 --> 00:04:45,479 Speaker 1: when you hear them out there, you know they're working. 108 00:04:46,000 --> 00:04:48,000 Speaker 1: But that is to intimate that the other guys are 109 00:04:48,000 --> 00:04:50,560 Speaker 1: thumbing their dicks as you said, all right, I take 110 00:04:50,600 --> 00:04:53,520 Speaker 1: it back. God, Well why are we saying that? 111 00:04:54,000 --> 00:04:55,279 Speaker 2: I don't know? I need to get a drink. Do 112 00:04:55,279 --> 00:04:58,919 Speaker 2: you mind? Go ahead? What's what's going on with you? 113 00:04:59,080 --> 00:05:00,000 Speaker 2: Just Frank and I had work? 114 00:05:00,080 --> 00:05:01,560 Speaker 1: It's okay? Uh? 115 00:05:01,600 --> 00:05:04,840 Speaker 2: What kind of words like? F you? Okay? 116 00:05:04,920 --> 00:05:08,680 Speaker 1: Con all right, Brad come in and brad butt suckers 117 00:05:08,680 --> 00:05:09,560 Speaker 1: with us? How are you? 118 00:05:09,600 --> 00:05:12,160 Speaker 2: Brad? Grew a little bit better? 119 00:05:15,279 --> 00:05:18,360 Speaker 1: We need to tell people the truth about you so 120 00:05:18,400 --> 00:05:22,159 Speaker 1: that no one is going around thinking somehow you know 121 00:05:22,440 --> 00:05:27,640 Speaker 1: we missed something. Well, I don't want many shabro you know, no, 122 00:05:27,920 --> 00:05:30,840 Speaker 1: I'll tell the story because I found out you can't 123 00:05:30,839 --> 00:05:31,279 Speaker 1: if you want. 124 00:05:32,720 --> 00:05:38,000 Speaker 3: Yeah, I took a couple of quick writes. Hey you 125 00:05:38,120 --> 00:05:41,799 Speaker 3: got into a bar fight. Yeah, and you were playing 126 00:05:41,839 --> 00:05:44,359 Speaker 3: cards here. We're paying what happened. We're paying black Shack 127 00:05:44,440 --> 00:05:47,960 Speaker 3: over here in Passion in California. 128 00:05:48,040 --> 00:05:54,160 Speaker 1: So you rock the new Luckness Monster in Pasadena? And 129 00:05:54,360 --> 00:05:57,000 Speaker 1: how'd you find your way to Florida? A vision and vision? 130 00:06:00,720 --> 00:06:02,880 Speaker 1: Frank and he's gonna cover compare. 131 00:06:03,279 --> 00:06:07,160 Speaker 3: He He's gonna realized Johnie Henry. He says, who you 132 00:06:07,200 --> 00:06:09,520 Speaker 3: were gonna go to Philadelphia to beat John Jerryman. Yes, 133 00:06:09,880 --> 00:06:11,240 Speaker 3: friendly to huge in proudect you. 134 00:06:12,560 --> 00:06:15,840 Speaker 1: So anyway, you're playing black jack, and what happened black jack? 135 00:06:15,960 --> 00:06:21,680 Speaker 3: This guy says to me, cue black jacks two black 136 00:06:22,200 --> 00:06:25,880 Speaker 3: ass jack space Christ And I said, your mamma, you know, 137 00:06:25,920 --> 00:06:26,800 Speaker 3: I said some of my manage. 138 00:06:26,839 --> 00:06:33,000 Speaker 2: Butler, it's not funny, mister Henry, Well you took it. 139 00:06:33,360 --> 00:06:35,039 Speaker 1: I mean it looked like you caved in your nose 140 00:06:35,640 --> 00:06:38,200 Speaker 1: and you got your mouth wired shut right, general Wright 141 00:06:38,279 --> 00:06:40,720 Speaker 1: shut Basically he hit me with cool right hands to 142 00:06:40,760 --> 00:06:43,239 Speaker 1: the left hand and he buckled. 143 00:06:43,600 --> 00:06:46,440 Speaker 2: He buckled my nose. Here, buckled your nose from about 144 00:06:46,440 --> 00:06:47,119 Speaker 2: the mid range. 145 00:06:47,839 --> 00:06:52,760 Speaker 1: Well, it's so funny. Nothing's funny. Yeah, you're gonna be me. Okay, 146 00:06:52,960 --> 00:06:55,240 Speaker 1: you should be me. Okay, Well you're gonna recover, right. 147 00:06:55,360 --> 00:06:57,560 Speaker 2: Is my recovery. But my manager white chef for the 148 00:06:57,600 --> 00:07:02,080 Speaker 2: next week, we say, he said, shoot, you said no, 149 00:07:02,240 --> 00:07:06,279 Speaker 2: it's a it's a it's a text. I'm getting go ahead. 150 00:07:06,360 --> 00:07:08,279 Speaker 2: So you were cheating at cards. 151 00:07:08,480 --> 00:07:08,920 Speaker 1: I was not. 152 00:07:09,400 --> 00:07:10,840 Speaker 2: The guy's fire were hearting cards. 153 00:07:11,360 --> 00:07:14,600 Speaker 3: And what happened was is I did and you too 154 00:07:15,280 --> 00:07:18,040 Speaker 3: jack a spade, you know you get his page and 155 00:07:18,200 --> 00:07:21,200 Speaker 3: he said you were allowed your cheat. He hit me 156 00:07:21,280 --> 00:07:23,440 Speaker 3: on Christ with your right handed when he tried with 157 00:07:23,520 --> 00:07:27,160 Speaker 3: his left handed bucket the nose, it's that teach chain 158 00:07:27,240 --> 00:07:29,840 Speaker 3: release and he really got to wire about Josh said. 159 00:07:31,040 --> 00:07:33,520 Speaker 2: That's why you talk like you do. Yeah, what did 160 00:07:33,560 --> 00:07:34,120 Speaker 2: you think it was? 161 00:07:34,560 --> 00:07:36,720 Speaker 1: I thought there was that was I'm listening to it 162 00:07:36,800 --> 00:07:39,320 Speaker 1: last night, and I'm thinking that you're disabled and somehow 163 00:07:39,360 --> 00:07:41,280 Speaker 1: you were born with a misshapen mouth or something. What 164 00:07:41,840 --> 00:07:48,440 Speaker 1: God damn well, what are we supposed to think? Brad Wright, 165 00:07:48,720 --> 00:07:52,320 Speaker 1: plus your last name is butt sucks handy react to family? 166 00:07:52,440 --> 00:07:56,040 Speaker 1: An't you got prod with? He's I don't understand how. 167 00:07:58,080 --> 00:08:00,520 Speaker 1: I don't understand the thing you say. Man, Thank you much, Brad. 168 00:08:00,560 --> 00:08:02,760 Speaker 1: You want to sit over there? Oh, I see because 169 00:08:02,760 --> 00:08:08,040 Speaker 1: of a guy who can't talk about my bus. Shut God, 170 00:08:09,600 --> 00:08:13,120 Speaker 1: Phil's laughing. I'm laughing too, pretty much. Please please sit 171 00:08:13,200 --> 00:08:17,200 Speaker 1: and keep your mouth shut. But shucks anyway, Thank you, Brad. 172 00:08:17,280 --> 00:08:22,960 Speaker 1: Butt suck folks from Collega, Pennsylvania, isn't it? Yeah? God, 173 00:08:23,040 --> 00:08:24,480 Speaker 1: you say it. Let's see you say it? 174 00:08:24,720 --> 00:08:27,680 Speaker 2: You get a mouse of a Chugg says no. 175 00:08:31,520 --> 00:08:34,040 Speaker 1: Okay, now Brad's flipping me off. He's backing out of 176 00:08:34,040 --> 00:08:35,719 Speaker 1: the room. He's still flipping me off, backing out of 177 00:08:35,720 --> 00:08:38,560 Speaker 1: the room. Still, where are you going? All right, you're 178 00:08:38,600 --> 00:08:41,640 Speaker 1: going to the kitchen there. Maybe he's still, he's just 179 00:08:41,760 --> 00:08:43,760 Speaker 1: he's got his finger up in the air. Okay, I 180 00:08:43,840 --> 00:08:47,600 Speaker 1: see it man. Now he's flipping off with both hands. 181 00:08:48,720 --> 00:08:50,400 Speaker 1: He's just standing there flipping me off. 182 00:08:50,800 --> 00:08:51,200 Speaker 2: Let's see. 183 00:08:51,720 --> 00:08:55,960 Speaker 1: All right, Brad, we see it. We're gonna have one 184 00:08:56,160 --> 00:08:59,839 Speaker 1: as well. Ah ark riego. I better find out what 185 00:08:59,880 --> 00:09:02,720 Speaker 1: the messages? What is what the chu choo sound? Ready 186 00:09:02,720 --> 00:09:05,360 Speaker 1: to have a culu cream town, because that tells me 187 00:09:05,440 --> 00:09:08,360 Speaker 1: that the messages are coming in. This is probably from 188 00:09:08,400 --> 00:09:12,400 Speaker 1: my good friend there, Jane. Oh check it out. She 189 00:09:12,440 --> 00:09:14,760 Speaker 1: said it was pretty unadventurous when she walked on the beach. 190 00:09:15,280 --> 00:09:17,400 Speaker 1: I'm going to put it on better beach clothes tomorrow 191 00:09:17,440 --> 00:09:19,559 Speaker 1: and do it right. Played laser tag with thunder a 192 00:09:19,600 --> 00:09:22,400 Speaker 1: minute ago. Saw this adorable little dude up in your 193 00:09:22,440 --> 00:09:25,480 Speaker 1: bathroom ceiling about as long as my little finger. No kidding, 194 00:09:25,520 --> 00:09:28,240 Speaker 1: we got a we got a you got a lizard 195 00:09:29,600 --> 00:09:32,000 Speaker 1: and tell your house your beach, and yeah I did. 196 00:09:32,600 --> 00:09:34,960 Speaker 1: I'm doing my nightly count standing exercise in your bedroom 197 00:09:35,000 --> 00:09:38,679 Speaker 1: like jack Lelane thunders looking at her like what the 198 00:09:38,760 --> 00:09:42,559 Speaker 1: hell all right, So that yeah, occasionally, man, look at that. 199 00:09:42,640 --> 00:09:45,040 Speaker 1: So there's a lizard. We got these little tiny lizards 200 00:09:48,160 --> 00:09:50,719 Speaker 1: that come into the house from outside. So you know 201 00:09:51,280 --> 00:09:54,720 Speaker 1: you were talking about thunder wanted to go outside one night, right, 202 00:09:55,280 --> 00:10:03,640 Speaker 1: thunder to thundering? You know what f you spell you? Okay, 203 00:10:03,679 --> 00:10:04,720 Speaker 1: he's flipping us off again. 204 00:10:04,840 --> 00:10:05,199 Speaker 2: That's right. 205 00:10:06,520 --> 00:10:09,199 Speaker 1: There goes there goes bread button suck flipping this and 206 00:10:09,240 --> 00:10:11,199 Speaker 1: now you're just gotta sit there. He's just sitting not 207 00:10:11,240 --> 00:10:13,840 Speaker 1: say anything. He's got both hands up, giving me two fingers. 208 00:10:15,920 --> 00:10:17,120 Speaker 2: So here's the way it was. 209 00:10:17,200 --> 00:10:19,679 Speaker 1: And you know general, when you move in, especially down 210 00:10:19,760 --> 00:10:22,400 Speaker 1: in the tropics there you get there's lots of lizards. 211 00:10:22,440 --> 00:10:23,959 Speaker 1: When I was in Fiji and I was there with 212 00:10:24,080 --> 00:10:28,480 Speaker 1: my wife Maria, and we came back from dinner one 213 00:10:28,600 --> 00:10:32,720 Speaker 1: night to the little hut that we were renting, and uh. 214 00:10:33,280 --> 00:10:34,319 Speaker 2: Yeah, I have comfort about it. 215 00:10:34,400 --> 00:10:36,319 Speaker 1: How you because why didn't. 216 00:10:36,120 --> 00:10:36,720 Speaker 2: You shut up? 217 00:10:37,480 --> 00:10:42,640 Speaker 1: Damn man? Well now your business okay. Oh, now he's 218 00:10:42,720 --> 00:10:43,760 Speaker 1: raised both fingers again. 219 00:10:44,040 --> 00:10:44,679 Speaker 2: So what are you gonna do. 220 00:10:44,679 --> 00:10:46,960 Speaker 1: Braddy's gonna sit there and flip fill off and then 221 00:10:46,960 --> 00:10:48,040 Speaker 1: when he talks to you, you won't. 222 00:10:49,280 --> 00:10:49,480 Speaker 2: Yeah. 223 00:10:50,840 --> 00:10:53,840 Speaker 1: Anyway, when we got back to the room. There were lizards, 224 00:10:54,360 --> 00:10:56,560 Speaker 1: probably about a half maybe a half a dozen lizards 225 00:10:57,000 --> 00:10:59,679 Speaker 1: on the walls. As soon as I turned the air 226 00:10:59,679 --> 00:11:00,880 Speaker 1: condition they split. 227 00:11:01,559 --> 00:11:02,120 Speaker 2: Oh that was weird. 228 00:11:02,160 --> 00:11:03,959 Speaker 1: They didn't like the cool air. They did not like 229 00:11:04,000 --> 00:11:05,840 Speaker 1: the cold air. No, and one would think it would 230 00:11:05,840 --> 00:11:11,040 Speaker 1: be completely the opposite, but that was that's your literatory. Hey, Brad, 231 00:11:11,040 --> 00:11:12,040 Speaker 1: I'm gonna throw you at it here. 232 00:11:12,120 --> 00:11:12,840 Speaker 2: Oh hey, god? 233 00:11:14,559 --> 00:11:17,280 Speaker 1: Uh did Margaret wrech? She go get a drink? Margaret? 234 00:11:17,320 --> 00:11:21,959 Speaker 2: How are you? I'm fine? Hi, Brad? Hey, mister Henry, 235 00:11:22,080 --> 00:11:25,600 Speaker 2: we mean me? What do you mean to him? Are 236 00:11:25,640 --> 00:11:26,120 Speaker 2: you drunk? 237 00:11:26,640 --> 00:11:26,679 Speaker 1: No? 238 00:11:26,880 --> 00:11:28,760 Speaker 2: I am not drunk. I'm feeling very good. 239 00:11:29,880 --> 00:11:34,240 Speaker 1: And Brad, thank you because mister Henry all yesterday was 240 00:11:34,320 --> 00:11:36,800 Speaker 1: acting like a dick and a half. You know. That's 241 00:11:37,720 --> 00:11:41,080 Speaker 1: behead with me. Well we found out the story about 242 00:11:41,120 --> 00:11:42,920 Speaker 1: this guy. What did he was at a bar fight? 243 00:11:43,160 --> 00:11:45,760 Speaker 2: Yeah? I thought I told, didn't I point that out? 244 00:11:46,000 --> 00:11:46,160 Speaker 1: Pray? 245 00:11:46,240 --> 00:11:46,880 Speaker 2: Here comes Frank? 246 00:11:48,679 --> 00:11:50,640 Speaker 1: Oh yeh, hey, Brad, how you doing? Hey? 247 00:11:50,720 --> 00:11:51,640 Speaker 2: Make you're ready? How are you going? 248 00:11:51,920 --> 00:11:55,640 Speaker 1: I couldn't be better better in custody, man, So I 249 00:11:55,800 --> 00:11:58,040 Speaker 1: understand if fail you met it? Yeah I met it. 250 00:11:59,000 --> 00:12:03,160 Speaker 1: Brad butt suck? Why'd you call it it anyway. Brad 251 00:12:03,240 --> 00:12:04,800 Speaker 1: tells me that he talks the way he does because 252 00:12:04,840 --> 00:12:07,079 Speaker 1: he was in a bar fight. Oh yeah, it got 253 00:12:07,120 --> 00:12:09,680 Speaker 1: into a fight. It was playing blackjack. Was a couple 254 00:12:09,720 --> 00:12:12,000 Speaker 1: of other goofy looking guys I met. Who are those 255 00:12:12,040 --> 00:12:14,640 Speaker 1: two guys you're playing blackjack with, Brad? Oh, a couple 256 00:12:14,640 --> 00:12:16,960 Speaker 1: of friends of mine club guys are two guys are 257 00:12:17,000 --> 00:12:20,960 Speaker 1: in the theater. And it really was unemployed after an 258 00:12:21,080 --> 00:12:25,520 Speaker 1: unemployed actor, and so it's beating them at blackjack. It 259 00:12:26,320 --> 00:12:30,880 Speaker 1: they accused it of pulling two black aces jack of spades, 260 00:12:31,480 --> 00:12:34,719 Speaker 1: and that's when Brad told one of them to take 261 00:12:34,800 --> 00:12:36,800 Speaker 1: it and pounded up as mother's you know what? 262 00:12:38,200 --> 00:12:40,640 Speaker 2: Oh boy, yeah, you know, well, you know what, you 263 00:12:40,679 --> 00:12:43,200 Speaker 2: guys take a shot. Oh that was the theumbest thing 264 00:12:43,280 --> 00:12:45,880 Speaker 2: I ever heard. Hi would do, Margaret. I can smell 265 00:12:45,920 --> 00:12:49,319 Speaker 2: it on you from over here. Smell what the vodka? 266 00:12:49,880 --> 00:12:53,800 Speaker 1: Oh god, Margaret? Yeah, Margaret, it sat down and down 267 00:12:53,840 --> 00:12:56,000 Speaker 1: two quick moscow mules that don't talk to me about 268 00:12:56,400 --> 00:13:00,280 Speaker 1: all right. So anyway, so anyway, it it took took 269 00:13:00,320 --> 00:13:02,320 Speaker 1: two right hands and a left hand off the nose. 270 00:13:02,360 --> 00:13:05,840 Speaker 1: You see it. Its nose is buckled in and its 271 00:13:05,960 --> 00:13:09,079 Speaker 1: chin got pushed in and it just essentially this big 272 00:13:09,160 --> 00:13:14,200 Speaker 1: guy beef Beef Wilson, I think Beef Wilson. I don't 273 00:13:14,200 --> 00:13:16,240 Speaker 1: know what its name was. That's a play center name 274 00:13:16,600 --> 00:13:17,240 Speaker 1: that I call it. 275 00:13:17,640 --> 00:13:20,280 Speaker 2: So you're calling it that, Frank, what are you call 276 00:13:20,360 --> 00:13:22,199 Speaker 2: people place certain names? It's called my name. 277 00:13:23,320 --> 00:13:27,960 Speaker 1: I don't know what its name is, Margaret, Okay, all right, God, anyway, 278 00:13:28,200 --> 00:13:32,719 Speaker 1: it buckled its nose. It took Brad's nose and just 279 00:13:32,880 --> 00:13:35,520 Speaker 1: turned it into that little but you see, it took 280 00:13:35,600 --> 00:13:37,439 Speaker 1: its chin and turned it into what's left of it. 281 00:13:38,160 --> 00:13:41,280 Speaker 1: And Brad, so, Brad's been in for reconstructor sites. It's 282 00:13:41,320 --> 00:13:43,400 Speaker 1: gonna be okay, Brad, you're gonna talk like a normal 283 00:13:43,480 --> 00:13:47,960 Speaker 1: human being, right, yes, eventually, Yeah, but it was very traumatic. 284 00:13:48,040 --> 00:13:50,480 Speaker 1: So that's it. Frank Gray and Margaret Gray are right. 285 00:13:50,720 --> 00:13:54,400 Speaker 1: So we're having on here. Oh you're bored with a story. No, 286 00:13:54,480 --> 00:13:56,520 Speaker 1: I'm not bored with the story, but you know, I 287 00:13:56,600 --> 00:13:59,199 Speaker 1: gotta move on. Okay, Well, no, you know, yeah, and 288 00:13:59,320 --> 00:14:01,000 Speaker 1: which you didn't tell me last night. I know I'm 289 00:14:01,000 --> 00:14:04,120 Speaker 1: hearing this guy on the radio talking like somebody you know, 290 00:14:04,400 --> 00:14:06,120 Speaker 1: shoved up, Yeah. 291 00:14:06,040 --> 00:14:08,120 Speaker 2: Talking like he took he took a telephone, pull on 292 00:14:08,160 --> 00:14:11,480 Speaker 2: the teeth. Oh gave me what? 293 00:14:13,480 --> 00:14:16,800 Speaker 1: Oh he's flipping us off now anyway, Hey, hey, hey, 294 00:14:16,840 --> 00:14:20,680 Speaker 1: Brad back at you. Huh hm, okay, stop at you guys. 295 00:14:21,880 --> 00:14:24,200 Speaker 1: So we're gonna have on art Riego next year, folks 296 00:14:24,280 --> 00:14:26,960 Speaker 1: from New York City, the world Famous Skill Henry Show. 297 00:14:27,840 --> 00:14:30,720 Speaker 3: Hi used your brad butt shock and mister Henry think 298 00:14:30,800 --> 00:14:32,960 Speaker 3: is pretty funny. And I took it, you know, I 299 00:14:33,080 --> 00:14:36,000 Speaker 3: took it. Took a couple of left hands, used the noses, 300 00:14:36,120 --> 00:14:39,280 Speaker 3: buckled my nose, and I was like, it's funny. All 301 00:14:39,480 --> 00:14:41,840 Speaker 3: I just identitied black jack doesn't mean The guy in 302 00:14:41,920 --> 00:14:45,240 Speaker 3: my face paled and he had a black black stage 303 00:14:45,320 --> 00:14:48,280 Speaker 3: passed to the world Famous Skill Henry Show. At Phil 304 00:14:48,360 --> 00:14:53,200 Speaker 3: Henry Show dot com the greatest value online. I poor, okay, 305 00:14:53,480 --> 00:14:55,680 Speaker 3: I know, said after laughing at me, You think I 306 00:14:55,720 --> 00:14:59,440 Speaker 3: saunded like a complete ass. Sounded like an ash, I said, Ash, 307 00:15:00,040 --> 00:15:02,760 Speaker 3: get a backstage past today at the world famous Phil 308 00:15:02,800 --> 00:15:06,920 Speaker 3: Henry Show. Right, Frank, backstage pass, you know you'll laugh 309 00:15:07,000 --> 00:15:09,800 Speaker 3: your ass off of non Phil. It's and the humor 310 00:15:09,880 --> 00:15:12,840 Speaker 3: that it practices is by God, It's transcendent. 311 00:15:12,960 --> 00:15:16,360 Speaker 1: That's what it is. It transcends all things what mortal 312 00:15:16,440 --> 00:15:20,520 Speaker 1: man know about. I'm Frank Gray. I'm an attorney, and 313 00:15:20,680 --> 00:15:23,280 Speaker 1: if anyone doesn't like the Phil Henry Show, I'll sue 314 00:15:23,400 --> 00:15:26,520 Speaker 1: you for every nickel what you've got. Let that be 315 00:15:26,640 --> 00:15:29,000 Speaker 1: a lessen I'm Margaret Gray and I've had a couple 316 00:15:29,040 --> 00:15:32,560 Speaker 1: of hops the world Famous Phil Henry Show, The Greatest Time. 317 00:15:32,600 --> 00:15:35,880 Speaker 2: You're lying out of Paul Tli. You've cut it a recard. 318 00:15:35,920 --> 00:15:36,280 Speaker 1: You know that. 319 00:15:38,840 --> 00:15:40,760 Speaker 2: I buckled your nose a little bit more, didn't. 320 00:15:40,520 --> 00:15:44,040 Speaker 1: I He hate me? And well, I'm back here to 321 00:15:44,160 --> 00:15:46,240 Speaker 1: the world Famous Phil Henry Show from New York City. 322 00:15:46,800 --> 00:15:49,720 Speaker 1: It's Phil Henry and we're going to bring on the 323 00:15:49,840 --> 00:15:51,120 Speaker 1: line right now. Out of the line we have in 324 00:15:51,200 --> 00:15:52,480 Speaker 1: live on our studio as a matter of factause he 325 00:15:52,520 --> 00:15:55,920 Speaker 1: flew in with me from Central Florida. You were at 326 00:15:57,160 --> 00:15:59,320 Speaker 1: I'm not supposed to say, right, I'd rather you not know, 327 00:16:00,280 --> 00:16:03,080 Speaker 1: but he was in the Central Florida area. Art Griego 328 00:16:03,320 --> 00:16:05,280 Speaker 1: was and you were at a conference, and yeah, I 329 00:16:05,360 --> 00:16:08,080 Speaker 1: was at a conference. It was a group of pilots. 330 00:16:08,120 --> 00:16:10,320 Speaker 1: As we're trying to figure things out. You know, we've 331 00:16:10,360 --> 00:16:11,880 Speaker 1: had a and I don't think this is a secret 332 00:16:11,960 --> 00:16:17,000 Speaker 1: pill that we've had a you know, a disagreement with 333 00:16:17,120 --> 00:16:22,080 Speaker 1: the civil aviation authorities as to how airplanes fly. Right, 334 00:16:22,480 --> 00:16:23,920 Speaker 1: are you still on that one, Briego? 335 00:16:23,920 --> 00:16:24,760 Speaker 2: You got to be kidding me. 336 00:16:24,960 --> 00:16:27,920 Speaker 1: General, I don't tell you how to be an asshole. 337 00:16:28,160 --> 00:16:30,640 Speaker 1: Don't tell me how to be a pilot. Oh so 338 00:16:30,720 --> 00:16:31,600 Speaker 1: it's like that, all. 339 00:16:31,560 --> 00:16:34,800 Speaker 2: Right, gentlemen, Come on one of you guys that are you? Myret? 340 00:16:34,800 --> 00:16:38,560 Speaker 2: You're in no shape. Oh that's the first time I've 341 00:16:38,560 --> 00:16:39,720 Speaker 2: ever seen her drunk, you know. 342 00:16:40,040 --> 00:16:42,840 Speaker 1: Myron, we sit out, Okay, before you called out, Frank, 343 00:16:44,080 --> 00:16:45,360 Speaker 1: she was having a couple of pops. 344 00:16:45,400 --> 00:16:46,760 Speaker 2: You know, is I more than a couple? 345 00:16:47,640 --> 00:16:50,120 Speaker 1: Come on, Margaret, well you know, look at what happens 346 00:16:50,120 --> 00:16:52,360 Speaker 1: when it gets nervous. Frank, could you just sit there 347 00:16:52,400 --> 00:16:55,400 Speaker 1: and keep her from all right? I gotta keep it. 348 00:16:55,520 --> 00:16:58,120 Speaker 1: I got to keep it from home. Yeah, def I 349 00:16:58,280 --> 00:17:01,480 Speaker 1: have me all right, hold on, all right, So here 350 00:17:01,560 --> 00:17:04,360 Speaker 1: we are, folks, now, ark Riego with us. So enough 351 00:17:04,400 --> 00:17:06,440 Speaker 1: about why you're here. What you were doing in central 352 00:17:06,440 --> 00:17:11,119 Speaker 1: Florida when we were landing the plane and when the 353 00:17:11,160 --> 00:17:13,840 Speaker 1: plane landed. Now, this is a flight we took from 354 00:17:13,960 --> 00:17:16,399 Speaker 1: Orlando to You want me to do it? No, No, 355 00:17:16,720 --> 00:17:20,440 Speaker 1: I'll lead into it then you all right. This was 356 00:17:20,480 --> 00:17:23,880 Speaker 1: a flight that we took from Orlando to JFK. When 357 00:17:23,960 --> 00:17:28,359 Speaker 1: the plane landed and after a touchdown and was beginning 358 00:17:28,440 --> 00:17:32,639 Speaker 1: to speed to its finish on the runway, applause broke 359 00:17:32,720 --> 00:17:37,640 Speaker 1: out in the main cabin just a little bit behind me. Well, 360 00:17:37,960 --> 00:17:39,800 Speaker 1: what are you sitting in first class or something? 361 00:17:40,760 --> 00:17:41,080 Speaker 2: Nothing? 362 00:17:42,160 --> 00:17:44,000 Speaker 1: In fact, there wasn't any first class on this plane. 363 00:17:44,359 --> 00:17:44,960 Speaker 1: First class? 364 00:17:45,240 --> 00:17:48,000 Speaker 2: Fell it sound like you said first class? First class? 365 00:17:48,119 --> 00:17:48,439 Speaker 1: All right? 366 00:17:49,680 --> 00:17:52,359 Speaker 2: He said, Hey, you're not going to tell you what 367 00:17:52,440 --> 00:17:52,560 Speaker 2: you do. 368 00:17:52,680 --> 00:17:55,480 Speaker 1: Brad, sit over there, okay, and just rest your job 369 00:17:55,520 --> 00:17:57,840 Speaker 1: because you've had two guys now beat your face in 370 00:18:02,240 --> 00:18:03,720 Speaker 1: God damn, look at that guy's face. 371 00:18:04,080 --> 00:18:06,200 Speaker 2: Oh you know something, man, I played me. 372 00:18:07,840 --> 00:18:10,639 Speaker 1: Yeah, I hear a couple of guys just powdered your 373 00:18:10,680 --> 00:18:11,679 Speaker 1: face because you're achieving. 374 00:18:11,960 --> 00:18:12,800 Speaker 2: Maybe maybe yeah. 375 00:18:14,160 --> 00:18:15,480 Speaker 1: Are they gonna be able to fix your nose? 376 00:18:15,600 --> 00:18:17,640 Speaker 2: Yeah, they're gonna be there. 377 00:18:17,800 --> 00:18:18,320 Speaker 1: He's fine. 378 00:18:19,000 --> 00:18:20,800 Speaker 2: Well, I'll tell you something, Brad. You that you a 379 00:18:20,920 --> 00:18:24,600 Speaker 2: pig of me. That's what lot do you guys mind? 380 00:18:27,000 --> 00:18:29,520 Speaker 1: So anyway, uh Art, grego with me. So Art. When 381 00:18:29,520 --> 00:18:33,320 Speaker 1: we were landing, the audience, by the audience, the people 382 00:18:33,480 --> 00:18:36,639 Speaker 1: in the main cabin broke into a plause and you 383 00:18:36,720 --> 00:18:40,040 Speaker 1: said something that was very very interesting. You said that 384 00:18:40,119 --> 00:18:43,359 Speaker 1: that was extremely insulting. Well, yeah, it's very insulting, and 385 00:18:43,480 --> 00:18:46,760 Speaker 1: you you, as a pilot, you would not want to 386 00:18:46,800 --> 00:18:48,480 Speaker 1: even talk to those people getting off the plane. 387 00:18:48,480 --> 00:18:49,399 Speaker 2: But what did you say? Exactly? 388 00:18:50,080 --> 00:18:53,080 Speaker 1: I said to Phil after the people started, uh, you know, 389 00:18:53,560 --> 00:18:56,960 Speaker 1: doing that when the plane landed, and I looked at 390 00:18:57,000 --> 00:18:58,760 Speaker 1: Phil and I said, can you imagine that you mentioned 391 00:18:58,760 --> 00:19:00,880 Speaker 1: being a pilot and hearing people go, yeah, good one, 392 00:19:00,960 --> 00:19:03,600 Speaker 1: if you finally landed one. I see, I didn't. I 393 00:19:04,160 --> 00:19:05,840 Speaker 1: didn't take from that sarcasm. 394 00:19:05,920 --> 00:19:06,200 Speaker 2: Why not? 395 00:19:07,720 --> 00:19:10,160 Speaker 1: I don't know why not? I just what else could 396 00:19:10,200 --> 00:19:13,919 Speaker 1: it be? If you're a professional pilot, you land a plane, 397 00:19:14,520 --> 00:19:16,480 Speaker 1: and as you know, you and I've had our disagreements. 398 00:19:16,480 --> 00:19:18,040 Speaker 1: And this is one of the reasons why I was 399 00:19:18,119 --> 00:19:21,120 Speaker 1: in Florida and I was talking to some very high 400 00:19:21,200 --> 00:19:23,520 Speaker 1: up people in aviation. All right, I might as well 401 00:19:23,520 --> 00:19:25,520 Speaker 1: see it. I was at Patrick's Space Force Base. Okay, 402 00:19:25,600 --> 00:19:27,359 Speaker 1: all right, no more, okay, all right, but I just 403 00:19:27,400 --> 00:19:31,320 Speaker 1: want to and we're still trying to figure out, Oh, 404 00:19:31,400 --> 00:19:31,879 Speaker 1: here we go. 405 00:19:32,359 --> 00:19:34,280 Speaker 2: Wait a minute, what. 406 00:19:34,320 --> 00:19:35,040 Speaker 1: Do you mean here we go? 407 00:19:35,440 --> 00:19:36,480 Speaker 2: Are you gonna tell me that. 408 00:19:36,520 --> 00:19:40,000 Speaker 1: We're still trying to figure out how planes fly. Look 409 00:19:40,040 --> 00:19:44,399 Speaker 1: you see now he's laughing. Now I think you Now 410 00:19:44,480 --> 00:19:47,560 Speaker 1: I've got this guy laughing and this guy's slobbering. Is 411 00:19:47,600 --> 00:19:48,400 Speaker 1: that called a laugh? 412 00:19:49,080 --> 00:19:49,600 Speaker 2: What do you mean? 413 00:19:50,119 --> 00:19:56,439 Speaker 1: Because all I see is like slobber I might as 414 00:19:56,480 --> 00:19:58,159 Speaker 1: well get up and go home. Now that's it out. 415 00:19:58,200 --> 00:20:00,119 Speaker 1: Come on, God, don't put your hand on me. I 416 00:20:00,680 --> 00:20:02,440 Speaker 1: just come on, sit down, will you? Yeah? 417 00:20:02,440 --> 00:20:04,960 Speaker 2: Have to sit down. I have to sit down. I 418 00:20:05,040 --> 00:20:08,159 Speaker 2: cannot all right, Margaret good? What did you? 419 00:20:08,520 --> 00:20:09,719 Speaker 1: Margaret? Do your blouse up? 420 00:20:09,760 --> 00:20:12,360 Speaker 2: Okay? Well, I just try to give him something sent. 421 00:20:12,600 --> 00:20:15,639 Speaker 1: Do up the blouse. See what happens? It gets drunk 422 00:20:15,880 --> 00:20:17,560 Speaker 1: and it starts showing everything. 423 00:20:20,320 --> 00:20:22,560 Speaker 2: Right after about shut up? 424 00:20:24,720 --> 00:20:27,320 Speaker 1: Anyway, boy, you're having yourself a good time, and I'm 425 00:20:27,440 --> 00:20:29,480 Speaker 1: I'm in hell. I'm in living hell here, all right, 426 00:20:29,520 --> 00:20:33,239 Speaker 1: all right, relax? Okay, So you're trying to figure out 427 00:20:33,280 --> 00:20:37,320 Speaker 1: how planes fly, that's right, yes, okay. When you land 428 00:20:37,359 --> 00:20:40,680 Speaker 1: an aircraft and the crowd in the plane or whatever 429 00:20:40,680 --> 00:20:43,000 Speaker 1: the hell they're calling, I mean, they're passengers, their passengers, 430 00:20:43,040 --> 00:20:45,480 Speaker 1: and they start to applaud. And that's not the first 431 00:20:45,480 --> 00:20:48,120 Speaker 1: time I've heard that. You're offended by that. Of course, 432 00:20:48,240 --> 00:20:52,320 Speaker 1: who wouldn't be offended by that. That's there they're saying, yeah, hey, 433 00:20:52,480 --> 00:20:53,800 Speaker 1: he landed one. Good for you. 434 00:20:54,119 --> 00:20:55,000 Speaker 2: Way to do it. Jack. 435 00:20:55,040 --> 00:20:57,240 Speaker 1: You didn't kill us, You didn't kill all of us. 436 00:20:58,760 --> 00:21:00,600 Speaker 1: So that's what you take from that. What else could 437 00:21:00,640 --> 00:21:03,040 Speaker 1: it be? And I've heard other pilots mention this too. 438 00:21:03,840 --> 00:21:05,600 Speaker 1: So this is the only reason why I wanted to 439 00:21:05,600 --> 00:21:08,160 Speaker 1: come on your program is to tell your listeners. 440 00:21:08,640 --> 00:21:09,200 Speaker 2: Don't do that. 441 00:21:09,440 --> 00:21:12,439 Speaker 1: Don't applaud the pilot when the don't applaud the pilot 442 00:21:13,280 --> 00:21:16,200 Speaker 1: when you know he lands the plane like it was 443 00:21:16,280 --> 00:21:18,760 Speaker 1: some kind of excuse my language, folks, like he was 444 00:21:18,840 --> 00:21:21,680 Speaker 1: some kind of a retard who finally went, hey, look 445 00:21:21,960 --> 00:21:26,200 Speaker 1: look at me me fly plane. Yeah, that's how it feels. 446 00:21:26,480 --> 00:21:29,040 Speaker 1: So in other words, when you hear an audience or audience, 447 00:21:29,119 --> 00:21:32,560 Speaker 1: when you hear the passengers applaud you're landing, you think 448 00:21:32,600 --> 00:21:35,159 Speaker 1: they're saying, good boy, there you go, right there, you 449 00:21:35,240 --> 00:21:39,000 Speaker 1: hit the nail on the head, An asked Margaret mart 450 00:21:39,119 --> 00:21:43,000 Speaker 1: shut up, tell me, sir, that's exactly what it sounds 451 00:21:43,080 --> 00:21:46,560 Speaker 1: like to me. Phil. They're saying, good boy, you learn 452 00:21:46,600 --> 00:21:49,520 Speaker 1: how to fly big plane, make it go down onder ground. 453 00:21:51,359 --> 00:21:54,240 Speaker 1: Well that's what we heard when the plane landed. Literally, folks, 454 00:21:54,320 --> 00:21:56,640 Speaker 1: people applauding. And I looked at Art and we were 455 00:21:56,680 --> 00:21:58,280 Speaker 1: not you know, there's a lady in the seat, because 456 00:21:58,280 --> 00:21:59,480 Speaker 1: we were three to a seat, because we were not 457 00:21:59,520 --> 00:22:01,960 Speaker 1: in the first clabs on the plane. We tried to 458 00:22:01,960 --> 00:22:03,520 Speaker 1: at first class. Oh we got was the first row? 459 00:22:03,760 --> 00:22:05,240 Speaker 1: We got the first row? It was I think was 460 00:22:05,280 --> 00:22:08,000 Speaker 1: the extra leg room, right, was that it? What did 461 00:22:08,119 --> 00:22:08,760 Speaker 1: that what we bought? 462 00:22:09,480 --> 00:22:09,800 Speaker 2: I don't know. 463 00:22:09,840 --> 00:22:10,720 Speaker 1: I met you on the plane. 464 00:22:10,880 --> 00:22:11,480 Speaker 2: Oh that's what weep. 465 00:22:11,560 --> 00:22:14,000 Speaker 1: Yeah, that's what I bought. And I guess the lady 466 00:22:14,040 --> 00:22:16,240 Speaker 1: did too. Yeah, well, there was a lady there, and anyway, 467 00:22:16,280 --> 00:22:17,960 Speaker 1: to make a long story short, the lady looked at 468 00:22:18,040 --> 00:22:20,760 Speaker 1: us and we, with all three of us, laughed at 469 00:22:20,800 --> 00:22:23,280 Speaker 1: the applause. Well, you know, you guys, I don't think 470 00:22:23,320 --> 00:22:26,560 Speaker 1: I laughed. I looked and I gave you a pained look. 471 00:22:27,119 --> 00:22:29,280 Speaker 1: You did look like you had pain. Yeah, but I 472 00:22:29,400 --> 00:22:32,639 Speaker 1: was already mid laugh. Yeah, you and that lady were howling. 473 00:22:33,240 --> 00:22:34,920 Speaker 1: And when Phil glanced over at me, I had a 474 00:22:34,960 --> 00:22:36,359 Speaker 1: look on my face like I had, you know, like 475 00:22:36,440 --> 00:22:39,719 Speaker 1: a gas pain like I was ah, because what had 476 00:22:39,800 --> 00:22:43,880 Speaker 1: happened was Phil made the comment to the lady like, gee, 477 00:22:44,600 --> 00:22:46,840 Speaker 1: maybe this they've they've flown with this guy before and 478 00:22:46,960 --> 00:22:49,520 Speaker 1: he wasn't able to set it down well or something, 479 00:22:49,560 --> 00:22:52,399 Speaker 1: you know, And both of them laughed, Yeah, that's exactly 480 00:22:52,480 --> 00:22:54,720 Speaker 1: what happened. And so that's when I looked at Phil 481 00:22:54,760 --> 00:22:56,040 Speaker 1: and the lady and I said, well, I can tell 482 00:22:56,040 --> 00:22:58,240 Speaker 1: you this is a lot more serious than the two 483 00:22:58,240 --> 00:23:00,600 Speaker 1: of you yucking it up here. And well, she was 484 00:23:00,600 --> 00:23:02,080 Speaker 1: a little bit offended because we were both having a 485 00:23:02,119 --> 00:23:04,280 Speaker 1: good time. We had just met her, but she was 486 00:23:04,280 --> 00:23:06,359 Speaker 1: a nice lady. But I said, you know, well, you 487 00:23:06,520 --> 00:23:10,760 Speaker 1: two are having a big ball at the expensive guys 488 00:23:10,840 --> 00:23:13,680 Speaker 1: like me, I'm a pilot and when people go, hey, 489 00:23:14,320 --> 00:23:17,359 Speaker 1: look at that Art, Griego finally put one down without 490 00:23:17,440 --> 00:23:21,200 Speaker 1: burning all of us alive. Oh, come on, Art, aren't 491 00:23:21,240 --> 00:23:25,120 Speaker 1: you anything yet? Margaret, you're in no shape. Please be quiet. Hey, 492 00:23:25,160 --> 00:23:27,239 Speaker 1: I'll talk to the I'll talk to it myself. Well, 493 00:23:27,240 --> 00:23:30,000 Speaker 1: then do it, Frank. How you doing, Brad? I'm doing 494 00:23:30,040 --> 00:23:30,440 Speaker 1: really good. 495 00:23:31,000 --> 00:23:33,600 Speaker 2: I hear what's going on, and I have a kind 496 00:23:33,600 --> 00:23:37,440 Speaker 2: of tabe. I don't want to hear them. Okay, what 497 00:23:37,520 --> 00:23:38,320 Speaker 2: are we talking about? 498 00:23:38,640 --> 00:23:40,199 Speaker 1: Well, I'm just saying, you know, Phil and I had 499 00:23:40,240 --> 00:23:43,119 Speaker 1: this disagreement so that when you applied a pilot for 500 00:23:43,240 --> 00:23:47,480 Speaker 1: landing the plane without you know, without crashing it, it burst, 501 00:23:47,880 --> 00:23:50,840 Speaker 1: bursting into flames and killing every Christian soul within miles. 502 00:23:51,560 --> 00:23:55,399 Speaker 1: She well, come on, hey, listen, art, You know, no 503 00:23:55,520 --> 00:23:57,520 Speaker 1: one's saying that they're simply I guess it could be 504 00:23:57,560 --> 00:23:59,479 Speaker 1: a lot of nervous flyers. What about that people are 505 00:23:59,480 --> 00:24:02,480 Speaker 1: really nervous. Well, they may be nervous, but they're making 506 00:24:02,560 --> 00:24:05,840 Speaker 1: me nervous. They may be nervous, but it makes me 507 00:24:05,920 --> 00:24:09,479 Speaker 1: even more nervous to know that these nervous flyers are 508 00:24:09,600 --> 00:24:13,600 Speaker 1: relieved that the jackass in the pilot's seat didn't cook 509 00:24:13,680 --> 00:24:17,399 Speaker 1: all of them. All right, well, so how do we 510 00:24:17,480 --> 00:24:18,119 Speaker 1: solve this problem? 511 00:24:18,200 --> 00:24:18,440 Speaker 2: Or do we? 512 00:24:18,520 --> 00:24:20,159 Speaker 1: I don't think there's any solution of the problem. The 513 00:24:20,640 --> 00:24:23,320 Speaker 1: solution of the problem is that we quickly ascertained how 514 00:24:23,359 --> 00:24:26,159 Speaker 1: do planes fly, so that we could communicate our knowledge 515 00:24:26,160 --> 00:24:28,280 Speaker 1: to the passengers and they feel more comfortable. 516 00:24:28,400 --> 00:24:28,600 Speaker 2: Yeah. 517 00:24:29,600 --> 00:24:31,639 Speaker 1: Well, oh, look at you blowing it off you. 518 00:24:34,720 --> 00:24:36,720 Speaker 2: What happened to you again? Okay, never mind? 519 00:24:38,200 --> 00:24:41,040 Speaker 1: Yeah, all right, all right, thank you very much. And 520 00:24:41,119 --> 00:24:43,240 Speaker 1: you were at a conference at Patrick's Space Force base 521 00:24:43,240 --> 00:24:43,560 Speaker 1: about this. 522 00:24:43,720 --> 00:24:44,280 Speaker 2: Yeah, that's right. 523 00:24:44,920 --> 00:24:47,800 Speaker 1: And when they said it's at Patrick Space Force Space, 524 00:24:48,200 --> 00:24:51,320 Speaker 1: I said, okay, we'll attend. Will you guys invite it? 525 00:24:52,040 --> 00:24:54,400 Speaker 1: I asked to be there in a couple of yeah, 526 00:24:54,680 --> 00:24:58,280 Speaker 1: sort of. So anyway, you guys went to this conference 527 00:24:58,440 --> 00:25:01,080 Speaker 1: and you learned how planes fly. What I put forth 528 00:25:01,160 --> 00:25:04,040 Speaker 1: the proposition that whatever we think we know about planes 529 00:25:04,040 --> 00:25:07,000 Speaker 1: flying were wrong, otherwise why would we crash them? 530 00:25:07,119 --> 00:25:11,520 Speaker 2: Yeah? Think about that. Think about that. That's a really 531 00:25:11,640 --> 00:25:12,919 Speaker 2: good point, Margaret. 532 00:25:13,560 --> 00:25:17,040 Speaker 1: Hey, as you're play back, cat, were you in a 533 00:25:17,080 --> 00:25:21,560 Speaker 1: plane crash you went face first to the windshield. Yeah, okay, 534 00:25:21,600 --> 00:25:23,240 Speaker 1: you already asked them that you already know the answer. 535 00:25:23,440 --> 00:25:27,320 Speaker 1: Thank you very much, Brad, thank you, Thank you, Art Griego. 536 00:25:27,480 --> 00:25:30,000 Speaker 1: And the next time we I'm on an aircraft that 537 00:25:30,160 --> 00:25:32,919 Speaker 1: lands safely, I'll make sure everybody around me doesn't applaud. 538 00:25:33,000 --> 00:25:35,760 Speaker 1: So it doesn't make you feel bad, Phil, think about it. 539 00:25:36,400 --> 00:25:39,040 Speaker 1: I've just landed the plane. I was in a cold 540 00:25:39,160 --> 00:25:42,919 Speaker 1: sweat the whole way. I'm thanking God over I'm just oh, 541 00:25:43,040 --> 00:25:46,040 Speaker 1: thank God, thank God. And meanwhile in up cabin, you here, yeah, 542 00:25:47,680 --> 00:25:49,080 Speaker 1: numb nuts did it again? Right? 543 00:25:49,240 --> 00:25:52,040 Speaker 2: Yeah? Oh, so you think that's it. 544 00:25:52,359 --> 00:25:54,600 Speaker 1: So you think that they're saying, hey, numb nuts landed 545 00:25:54,640 --> 00:25:57,920 Speaker 1: one for a change, instead of crashing it, setting fire 546 00:25:57,960 --> 00:26:00,639 Speaker 1: to it and burning everybody on the plane and all 547 00:26:00,680 --> 00:26:02,760 Speaker 1: of the people in the hangars and then the town 548 00:26:03,040 --> 00:26:05,720 Speaker 1: basically burning up the town. Yeah, well that didn't happen, 549 00:26:05,920 --> 00:26:08,840 Speaker 1: and they applauded, and yeah, they were grateful that it didn't. 550 00:26:08,920 --> 00:26:11,760 Speaker 1: They were grateful it didn't. All right, Thanks a lot, 551 00:26:11,800 --> 00:26:14,240 Speaker 1: everybody for joining us, General Shaw, thanks a lot, everybody. 552 00:26:14,800 --> 00:26:18,960 Speaker 1: Phil starts rehearsal tomorrow morning for the pitch Well Famous 553 00:26:18,960 --> 00:26:22,240 Speaker 1: Phil Henry Show. Executive produced by me Phil Henry Priciempre Incorporated. 554 00:26:22,600 --> 00:26:24,920 Speaker 1: All rights reserve here on podcast What We Are in 555 00:26:25,560 --> 00:26:30,040 Speaker 1: New York. Hi'm Mark Grego and please don't applaud just 556 00:26:30,080 --> 00:26:32,600 Speaker 1: because I land the plane. I hope you never mind. 557 00:26:39,359 --> 00:26:42,840 Speaker 4: This September CBS hits are streaming free on Pluto TV. 558 00:26:43,080 --> 00:26:45,680 Speaker 4: I'm coming in for this month only. You can watch 559 00:26:45,720 --> 00:26:48,879 Speaker 4: full seasons of the CBS shows you love, from the 560 00:26:48,920 --> 00:26:52,680 Speaker 4: courtroom drama of Madlock to the heroics of Fire Country, 561 00:26:53,119 --> 00:26:56,359 Speaker 4: Go Back to where It All began in NCIS origins, 562 00:26:56,720 --> 00:27:00,480 Speaker 4: or watch the hilarious Hauntings of Ghosts, all for free. 563 00:27:01,080 --> 00:27:04,720 Speaker 4: Full seasons of the CBS shows you love this month 564 00:27:04,800 --> 00:27:08,480 Speaker 4: only on Pluto TV, Stream now, pay Never,