1 00:00:00,640 --> 00:00:03,440 Speaker 1: From Hollywood to you, thank you for listening to us. 2 00:00:03,560 --> 00:00:07,800 Speaker 2: Ryan Air Air on Air with a Ryan Seacrest. 3 00:00:09,840 --> 00:00:14,080 Speaker 1: Well, it is a Ryan's Roses program, and we have 4 00:00:14,120 --> 00:00:16,840 Speaker 1: that coming up. We'll get into it also. I mean, 5 00:00:17,079 --> 00:00:20,119 Speaker 1: you know Sisney putting on your music director hat, you 6 00:00:20,160 --> 00:00:22,319 Speaker 1: probably know the backstory. But Timberland, Nelly for Toado and 7 00:00:22,400 --> 00:00:26,720 Speaker 1: Justin Timberlake they've gotten back together to release this new 8 00:00:26,960 --> 00:00:29,800 Speaker 1: single that people are loving. I don't know. 9 00:00:29,840 --> 00:00:31,520 Speaker 2: I mean, there's kind of a surprise to me to 10 00:00:31,560 --> 00:00:34,960 Speaker 2: see them almost age twenty years, like sixteen seventeen years 11 00:00:34,960 --> 00:00:38,680 Speaker 2: since they've done a track together. So to me, it 12 00:00:38,720 --> 00:00:40,519 Speaker 2: was like when I first listened to this song a 13 00:00:40,520 --> 00:00:43,120 Speaker 2: few weeks ago, it was as if no time, no 14 00:00:43,200 --> 00:00:43,920 Speaker 2: time has passed. 15 00:00:44,000 --> 00:00:47,400 Speaker 1: Yeah, it's also kind of nostalgic, too, right to take 16 00:00:47,440 --> 00:00:50,720 Speaker 1: you back. So Tim Nelly and Justin Timberlake we will. 17 00:00:50,920 --> 00:00:53,080 Speaker 1: I think Timberland and Nellie for Toado are gonna come 18 00:00:53,080 --> 00:00:55,560 Speaker 1: on just quickly and tell us about how it happened, 19 00:00:55,880 --> 00:00:58,560 Speaker 1: how they ended up together. It's never a strategy. It's 20 00:00:58,600 --> 00:01:00,560 Speaker 1: usually like I ran into you, we say each other 21 00:01:00,920 --> 00:01:06,000 Speaker 1: at you know, Casavega, and decided that we should get together. 22 00:01:06,040 --> 00:01:07,679 Speaker 1: And facetimes, some audio and then all of a sudden 23 00:01:07,680 --> 00:01:08,320 Speaker 1: it's on the radio. 24 00:01:08,600 --> 00:01:09,119 Speaker 2: I love that. 25 00:01:09,800 --> 00:01:11,880 Speaker 1: So that's on the way your morning hack this morning 26 00:01:12,360 --> 00:01:17,160 Speaker 1: before seven o'clock. Three TV shows parents and teenagers can 27 00:01:17,319 --> 00:01:21,800 Speaker 1: enjoy together, three of them can enjoy together and bondover. 28 00:01:21,880 --> 00:01:24,800 Speaker 1: We'll tell you what those are at six fifty five. Also, 29 00:01:24,880 --> 00:01:28,240 Speaker 1: Willie Geist from over at NBC Sunday Today is one 30 00:01:28,240 --> 00:01:30,360 Speaker 1: of the shows he does. He is coming over to 31 00:01:30,360 --> 00:01:32,280 Speaker 1: play match game in just a little bit. I spent 32 00:01:32,360 --> 00:01:35,039 Speaker 1: some time with him this week for his Sunday program, 33 00:01:35,480 --> 00:01:37,960 Speaker 1: so we'll bring in a real broadcaster for that a 34 00:01:38,000 --> 00:01:41,400 Speaker 1: little bit later. And not scary farm tickets. We got 35 00:01:41,440 --> 00:01:44,200 Speaker 1: those for you every single hour, Claudie this morning Sunday 36 00:01:44,240 --> 00:01:48,400 Speaker 1: later even cooler with highs around is seventy mid seventies inland, 37 00:01:48,440 --> 00:01:49,320 Speaker 1: way below average. 38 00:01:49,440 --> 00:01:52,840 Speaker 2: It's been so nice this week. Just enjoy because it's 39 00:01:52,880 --> 00:01:54,240 Speaker 2: gonna heat up next week. 40 00:01:54,680 --> 00:01:56,280 Speaker 1: Dare I call it cozy right? As soon as you 41 00:01:56,320 --> 00:01:59,760 Speaker 1: get comfortable with your cozy's, we are going to be 42 00:01:59,840 --> 00:02:02,480 Speaker 1: in to, like you said, another heat wave right for 43 00:02:02,640 --> 00:02:06,840 Speaker 1: this Ryan's Roses at seven forty. She thinks her husband 44 00:02:07,080 --> 00:02:12,040 Speaker 1: is being unfaithful and the reason involves mint colored heels. 45 00:02:12,120 --> 00:02:16,400 Speaker 1: What are like green mint? Is that light green? Like 46 00:02:16,440 --> 00:02:17,120 Speaker 1: a light green? 47 00:02:18,040 --> 00:02:18,280 Speaker 3: Yeah? 48 00:02:18,480 --> 00:02:19,280 Speaker 1: Mint colored heel. 49 00:02:19,720 --> 00:02:21,880 Speaker 2: I would picture that as like a spearmint green. 50 00:02:21,960 --> 00:02:22,720 Speaker 4: Yeah. 51 00:02:23,480 --> 00:02:24,919 Speaker 1: You give any heels like that? Anybody? 52 00:02:25,000 --> 00:02:26,640 Speaker 2: No, but I've got some hot pink ones. 53 00:02:27,040 --> 00:02:30,360 Speaker 1: You do? Do you never seen those in here? 54 00:02:30,720 --> 00:02:33,280 Speaker 2: Why would I wear those? Two work at five in 55 00:02:33,320 --> 00:02:33,760 Speaker 2: the morning? 56 00:02:34,400 --> 00:02:37,079 Speaker 1: I don't know. Do you date part your shoes? Yes? 57 00:02:37,720 --> 00:02:40,960 Speaker 2: For here, Yes, we're like sneakers and bite shorts. 58 00:02:41,000 --> 00:02:42,880 Speaker 1: Right now. Are you taller than Michael in those heels? 59 00:02:43,200 --> 00:02:45,960 Speaker 2: Absolutely not. No, he's a foot taller than me. 60 00:02:46,840 --> 00:02:50,840 Speaker 1: Well, an any heels around me put you definitely into 61 00:02:50,840 --> 00:02:51,440 Speaker 1: my forehead. 62 00:02:52,639 --> 00:02:54,440 Speaker 2: No, I would still not be as tall as you 63 00:02:54,480 --> 00:02:55,520 Speaker 2: with nian heels. 64 00:02:55,760 --> 00:03:01,280 Speaker 1: Really yeah, I'm five foot well, how tall as the heels? 65 00:03:00,520 --> 00:03:03,560 Speaker 2: What's heel I could probably wear and not kill myself. 66 00:03:03,600 --> 00:03:05,880 Speaker 2: It's probably like four and a half inches, and that's 67 00:03:05,919 --> 00:03:08,639 Speaker 2: like already pushing it. That would only make me four 68 00:03:08,720 --> 00:03:10,320 Speaker 2: five to four some change. 69 00:03:10,440 --> 00:03:12,800 Speaker 1: Well, the person I see in heels the most definitely 70 00:03:12,880 --> 00:03:14,640 Speaker 1: overshoots my forehead when she's in heels. 71 00:03:14,720 --> 00:03:16,680 Speaker 3: It's okay, it's not about the sides of the boat. 72 00:03:16,680 --> 00:03:18,440 Speaker 3: It's the most in the emotion of the ocean. 73 00:03:18,800 --> 00:03:23,880 Speaker 1: Well that didn't come out right, yeah at all. Maybe 74 00:03:23,880 --> 00:03:25,919 Speaker 1: you want to practice these things before you preach them. 75 00:03:26,360 --> 00:03:28,440 Speaker 4: Motion of the ocean. It's hard to say. 76 00:03:28,639 --> 00:03:31,200 Speaker 1: Motion, not hard to say if it's one of your saying, 77 00:03:31,440 --> 00:03:36,560 Speaker 1: but it's clearly it's not one of your saying. And 78 00:03:36,600 --> 00:03:40,520 Speaker 1: she can't even get spit it out all right. One 79 00:03:40,520 --> 00:03:42,480 Speaker 1: on that note, Now they're all warmed up, let's do 80 00:03:42,520 --> 00:03:45,320 Speaker 1: this trending report. Ryan Rose is seven forty this morning. 81 00:03:45,320 --> 00:03:48,360 Speaker 3: What do you have so Kelsey Vallerini and Chase Stokes. 82 00:03:48,400 --> 00:03:52,080 Speaker 3: I feel like they're quickly becoming the new couple in Hollywood. 83 00:03:52,560 --> 00:03:55,080 Speaker 3: Kelsey is a country singer. Chase we all know him. 84 00:03:55,120 --> 00:03:58,920 Speaker 3: He's an actor from Outer Banks and they're just the 85 00:03:58,960 --> 00:04:01,640 Speaker 3: cutest thing ever. He went through that very public divorce 86 00:04:01,720 --> 00:04:04,040 Speaker 3: and so seeing her so happy and just in love 87 00:04:04,160 --> 00:04:05,760 Speaker 3: it just makes me really happy. 88 00:04:06,240 --> 00:04:07,440 Speaker 4: But she's been really open. 89 00:04:07,240 --> 00:04:10,200 Speaker 3: About how she and Chase met and it was her 90 00:04:10,320 --> 00:04:12,680 Speaker 3: sliding into his DMS. And I feel like we always 91 00:04:12,680 --> 00:04:15,320 Speaker 3: have callers calling us being like I want to shoot 92 00:04:15,320 --> 00:04:17,320 Speaker 3: my shot, I don't know how to do it. And 93 00:04:17,360 --> 00:04:20,520 Speaker 3: this is such a good proof of less is more. 94 00:04:20,680 --> 00:04:23,799 Speaker 3: She literally just reached out and said hi Chase Stokes 95 00:04:24,200 --> 00:04:27,240 Speaker 3: on DM and he said, hey, there, how you doing? 96 00:04:27,400 --> 00:04:29,720 Speaker 3: And she said, I'm Kelsey, Nice to meet you. 97 00:04:30,240 --> 00:04:31,120 Speaker 1: But it just was like. 98 00:04:31,160 --> 00:04:34,560 Speaker 3: Such a reminder of sometimes you don't have to think 99 00:04:34,600 --> 00:04:37,520 Speaker 3: so much about it. You can just literally just say hi, 100 00:04:37,600 --> 00:04:39,599 Speaker 3: and it's almost just like getting it out there, starting 101 00:04:39,600 --> 00:04:43,239 Speaker 3: the conversation, not putting so much like thought and energy 102 00:04:43,279 --> 00:04:43,680 Speaker 3: into it. 103 00:04:44,320 --> 00:04:47,400 Speaker 1: And you also have You've sent me some a visual 104 00:04:47,400 --> 00:04:50,560 Speaker 1: eight of you and Robbie's first conversation. Yeah, do do reading. 105 00:04:50,680 --> 00:04:52,920 Speaker 3: The first thing he said to me was Tanya, how 106 00:04:53,000 --> 00:04:54,719 Speaker 3: are you any plans for weekend? 107 00:04:55,360 --> 00:04:55,560 Speaker 5: Oh? 108 00:04:55,640 --> 00:04:59,080 Speaker 1: Interesting? Not any plans for the weekend? Any plans for weekend? 109 00:04:59,160 --> 00:05:00,480 Speaker 1: It seemed like it was in a rush. 110 00:05:01,240 --> 00:05:03,479 Speaker 3: Yeah, yeah, exactly, you know, but it's like it doesn't 111 00:05:03,520 --> 00:05:05,680 Speaker 3: have to be this thought about perfect thing. 112 00:05:05,920 --> 00:05:08,400 Speaker 1: No, but if I sent okay, so this is very interesting. 113 00:05:08,400 --> 00:05:10,160 Speaker 1: Do you remember what Michael texted you or said to 114 00:05:10,200 --> 00:05:10,960 Speaker 1: you for the first time? 115 00:05:11,080 --> 00:05:12,159 Speaker 2: Said him first? 116 00:05:12,520 --> 00:05:13,080 Speaker 1: What'd you say? 117 00:05:13,320 --> 00:05:16,239 Speaker 2: I said, it was really nice meeting you last night, 118 00:05:16,560 --> 00:05:18,320 Speaker 2: and we should hang out again or something like that. 119 00:05:18,720 --> 00:05:21,440 Speaker 1: Yeah, that's I hang out. I think I probably said 120 00:05:21,480 --> 00:05:24,279 Speaker 1: that too, like are you are you free to hang out? 121 00:05:24,320 --> 00:05:27,640 Speaker 1: In an hour, or are you free to hang out tomorrow? Whatever? 122 00:05:27,720 --> 00:05:29,320 Speaker 1: Like it was casual, simple, it was easy, not a 123 00:05:29,360 --> 00:05:31,760 Speaker 1: lot of pressure. But let's go to Robbie because I'm 124 00:05:31,800 --> 00:05:33,320 Speaker 1: I want to focus on this because this ended up 125 00:05:33,320 --> 00:05:37,279 Speaker 1: to an engagement and soon a wedding. But Robbie says, Tanya, 126 00:05:37,320 --> 00:05:39,960 Speaker 1: how are you great? Any plans for weekend? 127 00:05:40,600 --> 00:05:41,960 Speaker 2: Hmmm? I don't love it. 128 00:05:43,120 --> 00:05:45,240 Speaker 1: I'm not quite sure how this ended up with an engagement. 129 00:05:46,000 --> 00:05:49,240 Speaker 3: I mean, if you were to tell me, I think 130 00:05:49,240 --> 00:05:51,280 Speaker 3: clearly he was in a rush, and so it is 131 00:05:51,320 --> 00:05:52,160 Speaker 3: a pro little effort. 132 00:05:52,400 --> 00:05:54,120 Speaker 4: Was my point of like, don't overthink it. 133 00:05:54,200 --> 00:05:56,559 Speaker 2: How many of these was he sending to? How many women? 134 00:05:56,600 --> 00:05:58,240 Speaker 4: Who knows? Probably hundreds? 135 00:05:58,360 --> 00:06:00,479 Speaker 1: No, we can find out. We now have him on 136 00:06:00,520 --> 00:06:02,840 Speaker 1: our team. Now we can actually go to the source 137 00:06:02,880 --> 00:06:04,400 Speaker 1: and ask him how many templates were this? 138 00:06:04,520 --> 00:06:06,680 Speaker 2: Well, this is what I responded with. I said, Hi, 139 00:06:06,920 --> 00:06:09,200 Speaker 2: I'm great, how are you? I'm heading down to San 140 00:06:09,240 --> 00:06:10,400 Speaker 2: Diego in the morning. 141 00:06:10,480 --> 00:06:13,440 Speaker 1: Because she responded for you when he sent that, Hi, 142 00:06:13,480 --> 00:06:15,440 Speaker 1: I'm great, how are you? I'm heading down to San 143 00:06:15,480 --> 00:06:18,479 Speaker 1: Diego in the morning to see family, meaning I'm not available? 144 00:06:19,040 --> 00:06:20,440 Speaker 1: Was that true? Yes? 145 00:06:20,560 --> 00:06:20,760 Speaker 6: It was? 146 00:06:20,960 --> 00:06:22,560 Speaker 1: I like, how you put to see family, so you're 147 00:06:22,560 --> 00:06:23,480 Speaker 1: a normal person with. 148 00:06:24,120 --> 00:06:24,760 Speaker 4: Yeah, we thought this. 149 00:06:24,839 --> 00:06:26,120 Speaker 2: They were like, oh, this is really good because it 150 00:06:26,120 --> 00:06:26,880 Speaker 2: makes you unavailable. 151 00:06:26,920 --> 00:06:29,720 Speaker 1: But your know what about you? Clearly he's asking you 152 00:06:29,760 --> 00:06:30,240 Speaker 1: to be his. 153 00:06:30,240 --> 00:06:32,680 Speaker 4: Weekend exactly, but I was not available. 154 00:06:32,680 --> 00:06:34,000 Speaker 1: What did he respond to? What about you? 155 00:06:34,760 --> 00:06:36,000 Speaker 4: I don't know. I mean I do have the whole 156 00:06:36,000 --> 00:06:36,800 Speaker 4: conversation saved. 157 00:06:38,279 --> 00:06:41,880 Speaker 1: Surprised by that, Robbie, Welcome to your entire next few 158 00:06:41,920 --> 00:06:42,799 Speaker 1: years being saved. 159 00:06:42,880 --> 00:06:44,640 Speaker 4: No, no, are you kidding me? Do you know how 160 00:06:44,680 --> 00:06:45,760 Speaker 4: exciting this is going to be? 161 00:06:45,800 --> 00:06:49,279 Speaker 2: Like Monday to do some reenactments, you know, like every 162 00:06:49,440 --> 00:06:51,400 Speaker 2: every now and then we can just do some reenactments 163 00:06:51,440 --> 00:06:52,360 Speaker 2: leading up to your wedding. 164 00:06:52,480 --> 00:06:54,080 Speaker 3: I think it's going to be so nice to have 165 00:06:54,200 --> 00:06:55,880 Speaker 3: all these memories like saved. 166 00:06:56,160 --> 00:06:58,279 Speaker 1: Okay, well sometimes I'm just going to say I cannot 167 00:06:58,320 --> 00:06:59,880 Speaker 1: believe it worked out, but it did. And here we 168 00:06:59,920 --> 00:07:03,920 Speaker 1: are are between siciny returning your text. Anyway, All right, 169 00:07:04,000 --> 00:07:07,039 Speaker 1: let's get your morning act then a quote how's your 170 00:07:07,120 --> 00:07:09,360 Speaker 1: day gonna go? All starts kind of early, right, getting 171 00:07:09,400 --> 00:07:12,880 Speaker 1: in the right frame of mind. All starts with putting 172 00:07:12,880 --> 00:07:15,880 Speaker 1: on the right lens to look through to take on 173 00:07:15,920 --> 00:07:19,400 Speaker 1: your Thursday cloudy this morning Sunday later, cooler highs around 174 00:07:19,400 --> 00:07:23,760 Speaker 1: seventy mid seventies Inland below average here. So connecting with 175 00:07:23,800 --> 00:07:26,120 Speaker 1: teenagers for parents can be challenging. If you're a teen, 176 00:07:26,120 --> 00:07:27,640 Speaker 1: you don't want to watch stuff with your parents. But 177 00:07:27,680 --> 00:07:29,320 Speaker 1: one thing you can do together is bond over a 178 00:07:29,400 --> 00:07:31,960 Speaker 1: TV show that you both like. How difficult is that 179 00:07:32,040 --> 00:07:34,920 Speaker 1: to find? You may say, it is difficult to find. 180 00:07:36,800 --> 00:07:40,480 Speaker 1: So here are the three that most commonly teenagers and 181 00:07:40,520 --> 00:07:43,880 Speaker 1: parents actually have bonded over and love to watch together. Okay, 182 00:07:44,280 --> 00:07:46,400 Speaker 1: I remember when the original Sex in the City was 183 00:07:46,400 --> 00:07:48,920 Speaker 1: on him My parents would stay over and I wanted 184 00:07:48,920 --> 00:07:50,360 Speaker 1: to watch it, and all of a sudden, we're watching 185 00:07:50,400 --> 00:07:51,560 Speaker 1: it together. It was not great. 186 00:07:51,600 --> 00:07:53,040 Speaker 2: You cannot watch that with your parents. 187 00:07:54,120 --> 00:07:56,480 Speaker 1: Well, they were staying with me. It was my show. 188 00:07:56,960 --> 00:07:59,160 Speaker 1: I keep it still, ye, but they sat down with 189 00:07:59,200 --> 00:08:00,280 Speaker 1: me during my show. 190 00:08:00,280 --> 00:08:03,160 Speaker 2: So you're not a teenager watching that with siblings too. 191 00:08:03,200 --> 00:08:05,000 Speaker 2: I remember my brother and I we wi watch that 192 00:08:05,000 --> 00:08:06,559 Speaker 2: back in the day. I was like, this feels weird. 193 00:08:06,960 --> 00:08:10,480 Speaker 1: I know. There's also a scene in that Adam Sandler 194 00:08:10,520 --> 00:08:13,120 Speaker 1: movie or He's a jeweler. That's a real weird too. 195 00:08:13,120 --> 00:08:15,680 Speaker 1: Of my mom there about when they're texting each other. Anyway, 196 00:08:16,080 --> 00:08:17,480 Speaker 1: I was not a team, but I was still a 197 00:08:17,520 --> 00:08:18,440 Speaker 1: young adult. 198 00:08:18,360 --> 00:08:20,040 Speaker 4: Watching watching TV with your parents. 199 00:08:20,240 --> 00:08:23,320 Speaker 1: Like they were in my home. They came and sat 200 00:08:23,400 --> 00:08:25,840 Speaker 1: down during my hour of watching Sex in the City. 201 00:08:25,920 --> 00:08:29,600 Speaker 1: Not my problem, go in your room? No, it was 202 00:08:29,640 --> 00:08:35,600 Speaker 1: my house. Well then they their room, all right. So anyway, 203 00:08:35,880 --> 00:08:37,560 Speaker 1: here are the Three Gilmore Girls. 204 00:08:38,040 --> 00:08:40,200 Speaker 2: Oh forgot about Gilmore Girls. 205 00:08:41,120 --> 00:08:45,280 Speaker 1: Gen Z mom's parents love it friends? Yeah, a classic 206 00:08:45,520 --> 00:08:48,080 Speaker 1: teenagers parents love it other. One on the list the 207 00:08:48,160 --> 00:08:49,320 Speaker 1: Summer I Turned Pretty? 208 00:08:49,400 --> 00:08:50,280 Speaker 2: I need to start that. 209 00:08:51,760 --> 00:08:52,120 Speaker 7: What is it? 210 00:08:52,760 --> 00:08:53,440 Speaker 1: What's it about? 211 00:08:53,640 --> 00:08:57,640 Speaker 3: That's the one Team Conrad, Team Jeremiah, remember Belly growing. 212 00:08:57,440 --> 00:08:59,240 Speaker 1: Up making bad choices, well. 213 00:08:59,120 --> 00:08:59,880 Speaker 4: Not bad choices. 214 00:09:00,240 --> 00:09:02,480 Speaker 3: It's like growing up and like looking forward to summer 215 00:09:02,520 --> 00:09:04,360 Speaker 3: and that summer love and summer fleeings. 216 00:09:04,840 --> 00:09:06,719 Speaker 1: Literally I looked up on Amazon Prime and it says 217 00:09:06,760 --> 00:09:10,120 Speaker 1: it's about growing up and making bad choices. Is that 218 00:09:10,200 --> 00:09:11,199 Speaker 1: the same show you're watching? 219 00:09:11,360 --> 00:09:14,080 Speaker 4: I mean, I guess if you consider love a bad choice? 220 00:09:14,600 --> 00:09:14,840 Speaker 6: I do. 221 00:09:15,440 --> 00:09:17,800 Speaker 2: Well, don't we all make bad choices when we're young 222 00:09:17,840 --> 00:09:18,320 Speaker 2: about love? 223 00:09:18,480 --> 00:09:21,199 Speaker 1: Exactly? I mean I do at that age. Anyway, that's 224 00:09:21,440 --> 00:09:23,319 Speaker 1: those are the Three Gilmore Girls Friends the Summer I 225 00:09:23,360 --> 00:09:26,360 Speaker 1: Turn Pretty? You're ready for quos, Let's go. Today's quote, 226 00:09:26,960 --> 00:09:32,400 Speaker 1: happiness is an inside job. Don't assign anyone else that 227 00:09:32,600 --> 00:09:38,160 Speaker 1: much power over your life is a signature quote for 228 00:09:38,200 --> 00:09:42,160 Speaker 1: this show. That's right, happiness is an inside gig. Get 229 00:09:42,200 --> 00:09:45,319 Speaker 1: on it. Just FM headlines with siciny Well. 230 00:09:45,360 --> 00:09:48,720 Speaker 2: Hollywood riders and studios will enter a second day of 231 00:09:48,800 --> 00:09:54,640 Speaker 2: negotiations amid encouraging reports that the month's long strike, which 232 00:09:54,760 --> 00:09:57,800 Speaker 2: has of course shut down the entertainment industry, could be 233 00:09:57,840 --> 00:10:01,400 Speaker 2: coming to an end. Yesterday's meetings went so well that 234 00:10:01,520 --> 00:10:05,600 Speaker 2: some believe a deal could be finalized as soon as today. 235 00:10:06,640 --> 00:10:09,600 Speaker 2: At least two lanes of the southbound four or five 236 00:10:09,600 --> 00:10:12,800 Speaker 2: freeway were shut down in Sherman Oaks earlier this morning 237 00:10:13,280 --> 00:10:15,760 Speaker 2: after a deadly crash. The crash happened just before five 238 00:10:15,800 --> 00:10:18,880 Speaker 2: am at Mohund Drive when a vehicle traveling up the 239 00:10:18,920 --> 00:10:21,760 Speaker 2: hills somehow apparently swerved and collided into the back of 240 00:10:21,800 --> 00:10:24,800 Speaker 2: a semi truck that was parked on the shoulder. Crews 241 00:10:24,880 --> 00:10:27,440 Speaker 2: on the scene were trying to clear the wreck. Drivers 242 00:10:27,480 --> 00:10:31,320 Speaker 2: are advised to expect delays in that area. Americans will 243 00:10:31,360 --> 00:10:34,320 Speaker 2: soon be able to get free at home. COVID nineteen 244 00:10:34,400 --> 00:10:38,360 Speaker 2: tests in the mail again. Yesterday, the US Department of 245 00:10:38,400 --> 00:10:42,640 Speaker 2: Health and Human Services announced that they're relaunching the program, 246 00:10:42,880 --> 00:10:46,200 Speaker 2: so starting next Monday, September twenty fifth, people can order 247 00:10:46,240 --> 00:10:49,840 Speaker 2: free tests from COVID test dot gov. Of course, four 248 00:10:50,080 --> 00:10:52,160 Speaker 2: tests is the limit per household. 249 00:10:53,080 --> 00:10:58,120 Speaker 1: On air with a Ryan Seacrest, thank you for listening 250 00:10:58,200 --> 00:11:01,240 Speaker 1: to us. Ryan Seacrest here check in with Chimerlin and 251 00:11:01,240 --> 00:11:03,959 Speaker 1: Nellie Fortado about them getting together with Justin Timberlake later 252 00:11:04,000 --> 00:11:08,640 Speaker 1: this morning. Also got free money if you've not sent 253 00:11:08,720 --> 00:11:10,800 Speaker 1: me a billion, he'd taken care of do it today, 254 00:11:10,840 --> 00:11:15,520 Speaker 1: do it now? Kissuffin dot com keyword bills. So Tanya 255 00:11:15,960 --> 00:11:19,120 Speaker 1: is engaged and Systney has moved into a new home. 256 00:11:19,440 --> 00:11:24,840 Speaker 1: Now these are very exciting milestones. Congratulations to both of you. 257 00:11:25,000 --> 00:11:26,600 Speaker 1: These are seminal moments in your. 258 00:11:26,480 --> 00:11:31,280 Speaker 2: Life, huge moments. Yes, yeah, I packed up our entire 259 00:11:31,400 --> 00:11:34,240 Speaker 2: home that we have lived in for seven years that 260 00:11:34,320 --> 00:11:38,040 Speaker 2: I you know, had all of our kids in. Well, 261 00:11:38,120 --> 00:11:41,120 Speaker 2: made our children and brought them home from the hospital in. 262 00:11:41,720 --> 00:11:43,240 Speaker 1: This is where you made your kids. That home is 263 00:11:43,240 --> 00:11:43,920 Speaker 1: where you made your kids. 264 00:11:43,960 --> 00:11:45,200 Speaker 2: Yeah, yeah, yeah, we made them there. 265 00:11:45,320 --> 00:11:47,680 Speaker 1: Actually, I know how you've told us a story about 266 00:11:47,720 --> 00:11:49,280 Speaker 1: one of the days where you made right, right. 267 00:11:49,200 --> 00:11:51,160 Speaker 2: Right, the Thanksgiving baby. That's the baby. 268 00:11:52,640 --> 00:11:54,319 Speaker 1: I mean. But that's weird that I know. It was 269 00:11:54,400 --> 00:11:57,960 Speaker 1: daytime and you guys went into that room, and it's 270 00:11:57,960 --> 00:11:59,199 Speaker 1: weird that I know that, and I carry that with 271 00:11:59,320 --> 00:12:01,400 Speaker 1: me because I forget weird actually even know what we 272 00:12:01,440 --> 00:12:04,000 Speaker 1: did yesterday, but I remember that. Well. 273 00:12:04,000 --> 00:12:05,800 Speaker 2: It was during COVID, so were all we were all 274 00:12:05,840 --> 00:12:06,880 Speaker 2: alone times. 275 00:12:06,920 --> 00:12:11,840 Speaker 1: Do you know where they made Savella? I think in 276 00:12:11,880 --> 00:12:14,920 Speaker 1: the studio room. No, no, no, no, no, no, it 277 00:12:15,000 --> 00:12:16,640 Speaker 1: was it was in the extra gets room. Wasn't it 278 00:12:16,720 --> 00:12:17,760 Speaker 1: next your guy's broth? 279 00:12:17,760 --> 00:12:18,040 Speaker 2: Wrong? 280 00:12:18,160 --> 00:12:18,319 Speaker 8: Oh? 281 00:12:18,320 --> 00:12:18,880 Speaker 1: Where was it it? 282 00:12:19,600 --> 00:12:20,200 Speaker 4: Living room? 283 00:12:20,720 --> 00:12:23,680 Speaker 1: Wasn't it daytime? It was daytime, daytime. I remember the 284 00:12:23,720 --> 00:12:24,600 Speaker 1: sunshining so bright. 285 00:12:24,760 --> 00:12:26,720 Speaker 4: I was thinking your parents' house for some reason. 286 00:12:26,880 --> 00:12:29,040 Speaker 2: No, it was during COVID and we were at home. 287 00:12:29,520 --> 00:12:31,000 Speaker 2: It was twenty twenty, all right. 288 00:12:31,040 --> 00:12:34,160 Speaker 1: So well, anyway, they're at a new house and I 289 00:12:34,160 --> 00:12:37,080 Speaker 1: don't know what they're making there, but they're making it nice, yes, 290 00:12:37,120 --> 00:12:40,520 Speaker 1: and so what. But the Bold owners they left some stuff. Fine, 291 00:12:40,640 --> 00:12:42,960 Speaker 1: I think that's very common. You just get lazy and 292 00:12:43,000 --> 00:12:46,200 Speaker 1: you don't it's not we're packing up and transporting it, 293 00:12:46,240 --> 00:12:46,800 Speaker 1: so you leave. 294 00:12:46,640 --> 00:12:49,600 Speaker 2: It and they were there for twenty something nears, so 295 00:12:49,679 --> 00:12:51,560 Speaker 2: it was their home for quite some time as well. 296 00:12:51,640 --> 00:12:54,600 Speaker 2: But Michael was cleaning up the back shed and he 297 00:12:54,720 --> 00:12:58,640 Speaker 2: found bins of Christmas decor cause figure. 298 00:12:58,440 --> 00:13:03,920 Speaker 1: Going to say, bodies, no Christmas decorations like inflatables, like 299 00:13:04,000 --> 00:13:06,280 Speaker 1: big inflatable santas and like things that you put on 300 00:13:06,320 --> 00:13:07,760 Speaker 1: the lawn. Oh fun. 301 00:13:09,320 --> 00:13:14,120 Speaker 2: I don't know. I'm not thinking that it's right to 302 00:13:14,360 --> 00:13:15,480 Speaker 2: use them, like they're not. 303 00:13:15,520 --> 00:13:18,720 Speaker 1: Theers, but who case they left them behind. They probably 304 00:13:18,760 --> 00:13:21,280 Speaker 1: it's probably a nice little holiday gift for you. 305 00:13:21,080 --> 00:13:22,880 Speaker 4: Right, you think of it as an early Christmas gift. 306 00:13:22,880 --> 00:13:24,400 Speaker 2: Don't you think they should have mentioned it. 307 00:13:24,480 --> 00:13:24,800 Speaker 1: I don't know. 308 00:13:24,880 --> 00:13:26,720 Speaker 2: I just find it so odd. And then the neighbors, 309 00:13:27,600 --> 00:13:29,720 Speaker 2: Now the neighbors are going to know that they're not ours. 310 00:13:30,240 --> 00:13:32,120 Speaker 1: They're going to the house is decorated just like those 311 00:13:32,160 --> 00:13:33,320 Speaker 1: old owners I know. 312 00:13:33,800 --> 00:13:36,800 Speaker 2: But then last night he found another box and he's like, 313 00:13:36,840 --> 00:13:38,360 Speaker 2: you're not gonna believe what I found in the back 314 00:13:38,400 --> 00:13:39,199 Speaker 2: of the shed, And I was like. 315 00:13:39,160 --> 00:13:39,800 Speaker 1: What bodies? 316 00:13:40,080 --> 00:13:43,920 Speaker 2: No, no bodies? He's he found like an old like 317 00:13:44,760 --> 00:13:47,800 Speaker 2: holiday train set or whatever, like the ones that you 318 00:13:47,840 --> 00:13:51,400 Speaker 2: put like inside the home, like like real Christmas decor. 319 00:13:51,640 --> 00:13:53,199 Speaker 1: Oh, that's amazing. 320 00:13:53,360 --> 00:13:55,480 Speaker 2: Again, he's very excited about it, and I am not. 321 00:13:56,200 --> 00:13:58,800 Speaker 1: Train guys get very excited about trains, toy trains. Does 322 00:13:58,840 --> 00:14:00,559 Speaker 1: he have to put it together? Is he similar? 323 00:14:00,640 --> 00:14:02,680 Speaker 2: Honestly, I don't want anything to do with it. I 324 00:14:02,720 --> 00:14:05,280 Speaker 2: just feel like these are other family's memories, not all. 325 00:14:05,559 --> 00:14:08,480 Speaker 1: That's what it is. It's not your family's memories. It's 326 00:14:08,520 --> 00:14:11,440 Speaker 1: theirs that I understand, Okay where. 327 00:14:11,320 --> 00:14:12,000 Speaker 2: I'm coming from. 328 00:14:12,040 --> 00:14:14,400 Speaker 1: However, I do think like, ooh, new free toys and 329 00:14:14,440 --> 00:14:16,120 Speaker 1: things for decorations, kind of fun. 330 00:14:16,280 --> 00:14:17,120 Speaker 4: Yeah. 331 00:14:17,160 --> 00:14:20,000 Speaker 1: I mean, when I moved into one of the places 332 00:14:20,040 --> 00:14:23,400 Speaker 1: I bought, I remember the old owners left a coffee maker. 333 00:14:23,720 --> 00:14:26,840 Speaker 1: Now a coffee maker, you would think to yourself, huh, 334 00:14:26,880 --> 00:14:30,680 Speaker 1: that's probably not something I want to use. Wrong. I 335 00:14:31,120 --> 00:14:33,360 Speaker 1: fell in love with this coffee maker. I used this 336 00:14:33,400 --> 00:14:36,040 Speaker 1: coffee maker before I came here many days, and I 337 00:14:36,080 --> 00:14:38,360 Speaker 1: still have it today. And I still have this coffee 338 00:14:38,360 --> 00:14:42,320 Speaker 1: maker today. And I kept that coffee maker as a 339 00:14:42,400 --> 00:14:46,440 Speaker 1: memory of the previous owner that had the house. Yeah, 340 00:14:46,480 --> 00:14:48,520 Speaker 1: and I love the coffee from it. So I'm just saying, 341 00:14:48,640 --> 00:14:50,640 Speaker 1: it's not the end of the world if you use 342 00:14:50,720 --> 00:14:54,000 Speaker 1: that stuff. But I do get the significance of family 343 00:14:54,080 --> 00:14:57,560 Speaker 1: memory and connection to your own traditions and your own 344 00:14:57,800 --> 00:15:02,240 Speaker 1: Like my mom has this soul your nutcracker for Christmas, right, 345 00:15:02,280 --> 00:15:04,280 Speaker 1: Like we put that up every year, So I wouldn't 346 00:15:04,280 --> 00:15:05,280 Speaker 1: want someone else using. 347 00:15:05,120 --> 00:15:08,560 Speaker 2: That, right, So I almost think, like, do you know 348 00:15:08,640 --> 00:15:11,360 Speaker 2: you realize you left your old you know, just. 349 00:15:11,280 --> 00:15:12,800 Speaker 1: Throw it out if you're not going to use it, 350 00:15:13,480 --> 00:15:17,360 Speaker 1: give it away, donate it, donate it. But yeah, I mean, 351 00:15:17,520 --> 00:15:19,920 Speaker 1: but I really was concerned there's gonna be something scary 352 00:15:20,040 --> 00:15:21,000 Speaker 1: out of a movie that they. 353 00:15:21,320 --> 00:15:23,200 Speaker 2: I mean, we're still you know, still looking. 354 00:15:23,600 --> 00:15:26,840 Speaker 1: Don't go down under the house to the cellar I do. 355 00:15:27,000 --> 00:15:27,800 Speaker 2: We don't have a seller. 356 00:15:28,640 --> 00:15:31,000 Speaker 1: Okay, we got to move here. We're gonna play match game. 357 00:15:31,840 --> 00:15:33,640 Speaker 1: We are going to bring in a deeper voice than mine. 358 00:15:33,640 --> 00:15:36,440 Speaker 1: Willie Geist from Sunday Today with Willy guyst Moming Joe, 359 00:15:36,600 --> 00:15:40,120 Speaker 1: MSNBC Today, Meet the Press. More shows, more shows than 360 00:15:40,160 --> 00:15:40,960 Speaker 1: one person should have. 361 00:15:41,040 --> 00:15:42,720 Speaker 9: I think we've made up half of those. That's okay, 362 00:15:42,840 --> 00:15:44,720 Speaker 9: it sounds good on the introduction. 363 00:15:44,320 --> 00:15:47,320 Speaker 1: But you've you have serious jobs, like you have you 364 00:15:47,320 --> 00:15:50,000 Speaker 1: you actually have to we don't. We will talk about 365 00:15:50,040 --> 00:15:53,400 Speaker 1: things that well people don't have to know. So when 366 00:15:53,440 --> 00:15:56,920 Speaker 1: you have interviewed interesting people on your Sunday show. Uh, 367 00:15:57,440 --> 00:15:58,840 Speaker 1: they may stand out like somebody that you were so 368 00:15:58,840 --> 00:16:00,800 Speaker 1: excited to talk to you because we we get kind 369 00:16:00,840 --> 00:16:02,560 Speaker 1: of giddy about certain people to come through it. We do, 370 00:16:02,680 --> 00:16:02,920 Speaker 1: we do. 371 00:16:03,040 --> 00:16:05,200 Speaker 9: I think on some level you kind of get used 372 00:16:05,240 --> 00:16:08,600 Speaker 9: to the experience of sitting down with someone famous once 373 00:16:08,640 --> 00:16:10,400 Speaker 9: in a while, as you do too. But then there 374 00:16:10,400 --> 00:16:12,520 Speaker 9: are moments. For me, the first one I can remember. 375 00:16:12,520 --> 00:16:14,480 Speaker 9: We're still scrappy trying to get our show off the 376 00:16:14,480 --> 00:16:18,520 Speaker 9: ground on the weekend on Sunday, and Bill Murray agreed 377 00:16:18,560 --> 00:16:20,800 Speaker 9: to do our Sunday sit down, which is our long 378 00:16:21,560 --> 00:16:23,440 Speaker 9: ten minute profile, which is you this week? 379 00:16:23,680 --> 00:16:26,840 Speaker 1: Oh Yeahiny and Tanya look out, you can watch, you 380 00:16:26,880 --> 00:16:29,320 Speaker 1: can hear me, you can hear me talk about stuff. 381 00:16:29,360 --> 00:16:34,520 Speaker 9: You were excellent, But thanks, I want nodding. He knows 382 00:16:34,560 --> 00:16:38,080 Speaker 9: what he's doing. But so Bill Murray, for people don't realize, 383 00:16:38,120 --> 00:16:40,400 Speaker 9: has a one eight hundred number. He has no publicist, 384 00:16:40,440 --> 00:16:43,200 Speaker 9: no manager, no nothing. Really, it's like from the eighties. 385 00:16:43,240 --> 00:16:45,240 Speaker 9: You call this one eight hundred number, you leave a 386 00:16:45,280 --> 00:16:47,800 Speaker 9: message and if he wants to call you back, you will. 387 00:16:47,960 --> 00:16:48,800 Speaker 9: Usually he doesn't. 388 00:16:49,080 --> 00:16:54,560 Speaker 1: For interviews, and for interviews, Wow, Brittany, that sounds great. 389 00:16:55,160 --> 00:16:57,800 Speaker 9: Yeah, usually doesn't call you back. He didn't call us back, 390 00:16:57,880 --> 00:17:00,240 Speaker 9: did not. Then he showed up on the Today Show 391 00:17:00,320 --> 00:17:02,600 Speaker 9: to do a live interview with Savannah and in the 392 00:17:02,640 --> 00:17:04,840 Speaker 9: green room he said, Hey, by the way, I want 393 00:17:04,840 --> 00:17:06,919 Speaker 9: to do that Willie Guys show, and they went, okay, 394 00:17:06,960 --> 00:17:09,280 Speaker 9: can we just do it right after this? And I'm like, well, no, 395 00:17:10,080 --> 00:17:14,320 Speaker 9: the grew location. He goes, all right, I'm here tomorrow. 396 00:17:14,440 --> 00:17:16,760 Speaker 9: Have him come to the hotel at ten o'clock tomorrow morning. 397 00:17:16,760 --> 00:17:18,720 Speaker 9: There's a bar on the roof of the hotel. Let's 398 00:17:18,720 --> 00:17:22,000 Speaker 9: do it there, Okay, scramble the jets. Next morning, I 399 00:17:22,040 --> 00:17:24,000 Speaker 9: go up to the roof of his hotel ten o'clock 400 00:17:24,040 --> 00:17:27,560 Speaker 9: in the morning, elevator doors open. Bill Murray steps off 401 00:17:27,600 --> 00:17:30,960 Speaker 9: wearing like a fleece zip up, green corduroy pants, old 402 00:17:30,960 --> 00:17:34,720 Speaker 9: new balanced shoes, sits in the chair and literally ask 403 00:17:34,800 --> 00:17:38,280 Speaker 9: anything you want. Stories of the parties at SNL in 404 00:17:38,320 --> 00:17:42,560 Speaker 9: the seventies, you know, Caddy Shack, Ghostbusters, all that stuff, 405 00:17:42,600 --> 00:17:44,159 Speaker 9: and he was there for it. So that was a 406 00:17:44,680 --> 00:17:46,520 Speaker 9: It was a big moment for me because I love 407 00:17:46,560 --> 00:17:47,800 Speaker 9: the guy and look up to him, but also for 408 00:17:47,880 --> 00:17:50,680 Speaker 9: our show, because he sort of stands put it on. 409 00:17:52,640 --> 00:17:54,359 Speaker 9: Other publicists look at that and said, oh ye have 410 00:17:54,400 --> 00:17:57,720 Speaker 9: Bill Murray on the show. David Letterman's available, Jerry Seinfeld 411 00:17:57,720 --> 00:17:59,119 Speaker 9: would like to do it, and so that was that 412 00:17:59,200 --> 00:18:00,240 Speaker 9: was a huge moment for us. 413 00:18:00,280 --> 00:18:01,840 Speaker 1: It'll be a slow week for you Sunday with me 414 00:18:01,880 --> 00:18:03,840 Speaker 1: on it, but thank you very much. Come on, all right, 415 00:18:03,960 --> 00:18:06,000 Speaker 1: can we play match game? Let's do something fun with 416 00:18:07,280 --> 00:18:09,080 Speaker 1: so we bring back all these old games play on 417 00:18:09,119 --> 00:18:12,000 Speaker 1: the air. This is match game, right all right, So 418 00:18:12,280 --> 00:18:14,600 Speaker 1: here is how it's gonna work. We'll give you a phrase, 419 00:18:15,080 --> 00:18:17,640 Speaker 1: you know, with the blank in it. Our panel here 420 00:18:17,880 --> 00:18:20,800 Speaker 1: sicany Tanya, who's going to be on it? It's tough 421 00:18:20,920 --> 00:18:23,639 Speaker 1: guy joint too. Ye all right, everybody is going to 422 00:18:23,680 --> 00:18:25,119 Speaker 1: be on the panel and we'll see if we can 423 00:18:25,119 --> 00:18:28,000 Speaker 1: get a match. Okay, so good think about this, don't 424 00:18:28,000 --> 00:18:31,200 Speaker 1: say that look good blank? Good blank? All right? What's 425 00:18:31,200 --> 00:18:33,679 Speaker 1: the panel gonna come up? With? Panel? Right down? Your answers? 426 00:18:34,119 --> 00:18:36,720 Speaker 1: Good blank? Willie geist right now playing the match game 427 00:18:36,760 --> 00:18:39,440 Speaker 1: on the air, good blank? With right, we go back 428 00:18:39,760 --> 00:18:41,520 Speaker 1: right into the catalog. Okay, Willy, what do you say? 429 00:18:41,560 --> 00:18:41,800 Speaker 1: Good what? 430 00:18:42,000 --> 00:18:42,480 Speaker 9: Goodbye? 431 00:18:42,640 --> 00:18:48,440 Speaker 1: Goodbye? Looking for goodbye bye? Okay, now you can tell 432 00:18:48,440 --> 00:18:51,160 Speaker 1: by Tanya's face that she must have said goodbye because 433 00:18:51,200 --> 00:18:53,040 Speaker 1: she's so excited about it, and that gives it away. 434 00:18:53,320 --> 00:18:54,480 Speaker 1: All right, sisany good? 435 00:18:54,800 --> 00:18:56,840 Speaker 2: I said, good job, good. 436 00:18:56,680 --> 00:18:58,879 Speaker 1: Job, Thank you, Tanya? 437 00:18:58,920 --> 00:18:59,920 Speaker 4: Good good more? 438 00:19:02,000 --> 00:19:06,200 Speaker 1: Yeah, Well, good morning. Okay, let's see Ruby. 439 00:19:06,000 --> 00:19:07,320 Speaker 2: I said, good morning as well. 440 00:19:08,920 --> 00:19:12,480 Speaker 1: Well, nobody got that. Let's play. Come on, here we 441 00:19:12,520 --> 00:19:15,199 Speaker 1: go one more Mark Willie. Guys playing match game. This 442 00:19:15,320 --> 00:19:17,040 Speaker 1: is what you live for, Willie, thank you very much 443 00:19:17,040 --> 00:19:21,000 Speaker 1: for to do this. Okay, here we go, Okay, new 444 00:19:21,840 --> 00:19:24,120 Speaker 1: New Blank? Will he think about that panel? Right down? 445 00:19:24,119 --> 00:19:27,280 Speaker 1: Your answers? New Blank? What's it going to be? New 446 00:19:29,880 --> 00:19:33,879 Speaker 1: all right? He's got it? Is it Balance? Because of 447 00:19:34,520 --> 00:19:36,439 Speaker 1: his shoes? New Balance? 448 00:19:36,560 --> 00:19:37,960 Speaker 9: Is not you ready for it? 449 00:19:38,520 --> 00:19:38,960 Speaker 6: New York? 450 00:19:41,240 --> 00:19:43,719 Speaker 1: Well then clearly, Siciny, you give it away. You don't have. 451 00:19:44,080 --> 00:19:44,399 Speaker 1: What do you have? 452 00:19:45,720 --> 00:19:46,800 Speaker 2: We're on the same page. 453 00:19:47,600 --> 00:19:50,639 Speaker 1: Balance just told the story of the shoes. 454 00:19:50,680 --> 00:19:52,119 Speaker 9: You guys have better answers than I. 455 00:19:52,359 --> 00:19:55,600 Speaker 1: Oh man. We were just thinking about the groundbreaking interview 456 00:19:55,600 --> 00:19:56,600 Speaker 1: and the new Balanced shoes. 457 00:19:56,840 --> 00:19:59,920 Speaker 4: Tanya, mine's really bad New Life. 458 00:20:00,200 --> 00:20:04,600 Speaker 1: New Live. Wow, you talked. Later we make a note 459 00:20:04,640 --> 00:20:09,119 Speaker 1: for therapy therapy segment. Tanya's on the couch of Ruby. 460 00:20:09,320 --> 00:20:10,240 Speaker 4: I said New York. 461 00:20:13,600 --> 00:20:17,720 Speaker 1: My gosh, congratulations. We have nothing to give you but 462 00:20:17,800 --> 00:20:18,400 Speaker 1: a farewell. 463 00:20:18,400 --> 00:20:20,119 Speaker 9: Hey, you're good at host some game shows. 464 00:20:21,359 --> 00:20:25,480 Speaker 1: I'm practicing going through it now to see you. Thank 465 00:20:25,480 --> 00:20:28,960 Speaker 1: you so much for everybody. Thanks. Tune in Sunday Today 466 00:20:28,960 --> 00:20:32,800 Speaker 1: with Willie GUIs for something really special one or two 467 00:20:32,840 --> 00:20:37,200 Speaker 1: point seven Kiss FM Ryan's roses. It's right now, time 468 00:20:37,359 --> 00:20:40,520 Speaker 1: for it, dear Ryan and Siciny. My husband sent me 469 00:20:40,520 --> 00:20:42,720 Speaker 1: a picture of the view from a Chicago hotel room, 470 00:20:42,800 --> 00:20:45,600 Speaker 1: but it was a live photo. Now, a live photo 471 00:20:45,680 --> 00:20:47,400 Speaker 1: that means if you hold it, you can see the 472 00:20:47,440 --> 00:20:48,920 Speaker 1: first few beats before. 473 00:20:48,840 --> 00:20:51,239 Speaker 2: Yeah, sometimes yeah, three seconds or so, and you can 474 00:20:51,320 --> 00:20:53,240 Speaker 2: even hear what's in the going on in the background. 475 00:20:53,800 --> 00:20:54,240 Speaker 2: What happened? 476 00:20:54,840 --> 00:20:58,520 Speaker 1: What she says, He lowered his camera right after taking 477 00:20:58,520 --> 00:21:02,040 Speaker 1: the picture, and I saw what looked like women's feet 478 00:21:02,160 --> 00:21:02,840 Speaker 1: high heels. 479 00:21:03,080 --> 00:21:05,399 Speaker 4: Oh yeah, I've seen this before. 480 00:21:06,600 --> 00:21:07,280 Speaker 1: What have you seen? 481 00:21:07,440 --> 00:21:10,320 Speaker 3: Well, like a in a live photo, you see what 482 00:21:10,359 --> 00:21:11,960 Speaker 3: they send and then if you click the live you 483 00:21:12,000 --> 00:21:14,320 Speaker 3: see like the phone just you put it down, just 484 00:21:14,359 --> 00:21:14,800 Speaker 3: like the floor. 485 00:21:15,440 --> 00:21:18,879 Speaker 1: So a live photo has what like one and a 486 00:21:18,880 --> 00:21:21,720 Speaker 1: half seconds before and one half seconds after. 487 00:21:21,840 --> 00:21:24,280 Speaker 2: This agerous yeah, said. 488 00:21:24,119 --> 00:21:26,879 Speaker 1: Well that's why we're here with this. So, Laurie, what 489 00:21:26,960 --> 00:21:29,439 Speaker 1: did you see the camera lowers and describe exactly what 490 00:21:29,480 --> 00:21:29,880 Speaker 1: you saw. 491 00:21:31,600 --> 00:21:34,959 Speaker 8: It was a live photo, right, So I see the 492 00:21:35,000 --> 00:21:38,679 Speaker 8: camera slim down and then I saw and it was 493 00:21:38,720 --> 00:21:40,719 Speaker 8: for the brief at second, and it wasn't in focus, 494 00:21:40,800 --> 00:21:47,280 Speaker 8: but it looked like mint colored high heels mint. 495 00:21:48,640 --> 00:21:51,880 Speaker 1: Okay, I'm just writing this down. Mint colored high heels 496 00:21:52,119 --> 00:21:53,920 Speaker 1: were the high heels on feet or. 497 00:21:53,880 --> 00:21:55,720 Speaker 6: Notes on feet? 498 00:21:56,200 --> 00:21:56,440 Speaker 8: Yeah? 499 00:21:56,480 --> 00:21:58,120 Speaker 1: And did you see any toenails? 500 00:22:00,119 --> 00:22:02,560 Speaker 8: No, there was like a close to I mean it looked. 501 00:22:02,359 --> 00:22:08,960 Speaker 2: Like right that maybe like a little blurry, unfocused. Well, 502 00:22:09,040 --> 00:22:10,600 Speaker 2: was there any audio? Any audio? 503 00:22:12,160 --> 00:22:15,080 Speaker 8: No, there was no audio. 504 00:22:15,280 --> 00:22:17,439 Speaker 1: I mean, you have a husband. He should not be 505 00:22:17,520 --> 00:22:19,400 Speaker 1: with anybody who has mint peels. 506 00:22:20,600 --> 00:22:21,800 Speaker 8: Not in his hotel room. 507 00:22:23,400 --> 00:22:25,320 Speaker 2: Where was it? You said he was on a business trip. 508 00:22:26,200 --> 00:22:28,040 Speaker 8: Yeah, he travels a lot for work. 509 00:22:28,240 --> 00:22:30,080 Speaker 1: Do you have a theory about this? Have you confronted him? 510 00:22:30,960 --> 00:22:31,400 Speaker 10: I did. 511 00:22:31,520 --> 00:22:35,760 Speaker 8: I showed it to him and he he agreed, it 512 00:22:35,840 --> 00:22:38,600 Speaker 8: looks like shoes. It looks like a woman's feet, and 513 00:22:38,720 --> 00:22:41,720 Speaker 8: but he says that no, no, it was some kind 514 00:22:41,720 --> 00:22:45,320 Speaker 8: of weird optical illusion. It was like the bottom of 515 00:22:45,320 --> 00:22:51,480 Speaker 8: the lamp. I kind of bought it. He was very 516 00:22:52,520 --> 00:22:55,879 Speaker 8: assured about it. It's no, it's that's just some weird 517 00:22:56,720 --> 00:23:00,560 Speaker 8: pick up the light or all right, the lamp. 518 00:23:01,000 --> 00:23:03,360 Speaker 2: So I'm curious to find out what hotel they were, 519 00:23:03,520 --> 00:23:05,399 Speaker 2: what he was at, because then maybe we can go 520 00:23:05,440 --> 00:23:07,240 Speaker 2: and look at the pictures and see what colored lamps 521 00:23:07,240 --> 00:23:09,080 Speaker 2: they have. Because if it's like a very like let's 522 00:23:09,080 --> 00:23:10,520 Speaker 2: say it was like hard rock hotel and they had 523 00:23:10,560 --> 00:23:14,159 Speaker 2: like funky lamps, then maybe they do have mint colored lamps. 524 00:23:14,320 --> 00:23:17,199 Speaker 1: And he's because, okay, because here's the thing. So he 525 00:23:17,280 --> 00:23:20,159 Speaker 1: took a photo. It's a live photo. She got the 526 00:23:20,160 --> 00:23:22,919 Speaker 1: photo and he's in the Chicago hotel room, and she 527 00:23:23,080 --> 00:23:25,720 Speaker 1: thinks she saw mint colored heels, but he's like, no, 528 00:23:25,800 --> 00:23:26,720 Speaker 1: that was part of the lamp. 529 00:23:26,960 --> 00:23:27,160 Speaker 2: Right. 530 00:23:27,440 --> 00:23:29,159 Speaker 1: She started to buy it, and now she doesn't buy it, 531 00:23:29,160 --> 00:23:31,000 Speaker 1: and you're saying, well, maybe it is true. I don't 532 00:23:31,000 --> 00:23:34,240 Speaker 1: believe it. I mean, if she thought it was mint 533 00:23:34,280 --> 00:23:36,480 Speaker 1: colored shoes, it is probably mint colored shoes. So, Laurie, 534 00:23:37,200 --> 00:23:39,160 Speaker 1: we are going to call your husband here and find 535 00:23:39,160 --> 00:23:41,359 Speaker 1: out whose shoes were in his hotel room. Wh I 536 00:23:41,440 --> 00:23:45,120 Speaker 1: was on this trip in Chicago, right, So I need 537 00:23:45,160 --> 00:23:45,480 Speaker 1: you to know. 538 00:23:45,560 --> 00:23:46,840 Speaker 6: Who it is, Oh you do? 539 00:23:46,960 --> 00:23:47,439 Speaker 1: Who is it. 540 00:23:48,240 --> 00:23:51,960 Speaker 8: Okay. So we went to the company awards dinner last 541 00:23:51,960 --> 00:23:55,040 Speaker 8: week and there was a woman and she had mint 542 00:23:55,040 --> 00:24:00,159 Speaker 8: colored heels on. Her name's Jordan. She's totally his type. 543 00:24:00,640 --> 00:24:03,960 Speaker 2: Name is type he. 544 00:24:04,400 --> 00:24:04,960 Speaker 6: It's a joke. 545 00:24:05,119 --> 00:24:07,639 Speaker 8: We always he always all of the other girlfriends before me. 546 00:24:07,760 --> 00:24:11,760 Speaker 8: I'm I'm a brunette. I'm Paul. He's always dated short, 547 00:24:11,880 --> 00:24:16,120 Speaker 8: kirby blonde women before, like all of his others girlfriends. 548 00:24:16,440 --> 00:24:18,480 Speaker 8: And that's what this coworker looks like. 549 00:24:19,840 --> 00:24:23,520 Speaker 1: Okay, let's see. I just wrote down the name Jordan. 550 00:24:23,600 --> 00:24:26,320 Speaker 1: Let's see who's top of mind. You were Jordan, and 551 00:24:26,680 --> 00:24:28,960 Speaker 1: if these were shoes? Will I need you to say Ryan, 552 00:24:29,000 --> 00:24:31,320 Speaker 1: you my permission to call? And then his name on 553 00:24:31,400 --> 00:24:31,920 Speaker 1: Kiss FM. 554 00:24:31,960 --> 00:24:35,560 Speaker 8: Go ahead, Ryan, you have my permission to call. 555 00:24:37,680 --> 00:24:39,640 Speaker 1: We're gonna do that now, be very quiet. Let's see 556 00:24:39,680 --> 00:24:48,080 Speaker 1: we can find out. Okay, good luck, Okay. 557 00:24:56,880 --> 00:24:59,240 Speaker 2: Hello, Hi, can I speak to Mike please? 558 00:25:01,240 --> 00:25:02,680 Speaker 6: This is this is him. 559 00:25:02,880 --> 00:25:05,320 Speaker 2: Hi, Mike. My name is Fiona. I'm calling from Magical Flowers. 560 00:25:05,359 --> 00:25:06,240 Speaker 2: How are you doing this morning? 561 00:25:07,840 --> 00:25:10,439 Speaker 6: Magical Flowers? I'm good. How are you? 562 00:25:10,680 --> 00:25:12,600 Speaker 2: I'm good? Thank you for asking. We're actually new in 563 00:25:12,600 --> 00:25:15,200 Speaker 2: the area right on Catilla here in Anaheim, and since 564 00:25:15,200 --> 00:25:17,560 Speaker 2: you're a resident in the area, we're offering a promotion 565 00:25:18,160 --> 00:25:20,720 Speaker 2: for you today to three dozen red roses that you 566 00:25:20,720 --> 00:25:23,000 Speaker 2: can send to anybody that you'd like. Is that something 567 00:25:23,040 --> 00:25:23,720 Speaker 2: you'd be interested in? 568 00:25:24,359 --> 00:25:26,680 Speaker 6: This is like a telemarketing thing, isn't it. I don't 569 00:25:26,760 --> 00:25:29,480 Speaker 6: I'm not interested in anything like that. 570 00:25:29,480 --> 00:25:31,520 Speaker 2: They're absolutely free. I don't need cash from you. I 571 00:25:31,520 --> 00:25:33,240 Speaker 2: don't need credit card info. I don't need like that. 572 00:25:33,280 --> 00:25:35,600 Speaker 2: We're just promoting our business. It's a promotion that we 573 00:25:35,640 --> 00:25:37,359 Speaker 2: do once a month. We are local in the area. 574 00:25:37,800 --> 00:25:39,840 Speaker 2: They're absolutely free. 575 00:25:40,040 --> 00:25:43,720 Speaker 6: We just wait, what is it again? It's it's it's 576 00:25:43,720 --> 00:25:44,920 Speaker 6: a promotion of flowers. 577 00:25:45,280 --> 00:25:48,840 Speaker 2: It's a flower shop, Magical flowers. Okay, we're new to 578 00:25:48,880 --> 00:25:52,760 Speaker 2: the area. If you would like to send flowers to anybody, 579 00:25:52,880 --> 00:25:54,240 Speaker 2: they would. We would just need the name of the 580 00:25:54,280 --> 00:25:56,439 Speaker 2: person and the note and they can receive them by 581 00:25:56,520 --> 00:25:57,280 Speaker 2: lunchtime today. 582 00:25:58,920 --> 00:25:59,400 Speaker 1: Okay. 583 00:26:00,520 --> 00:26:01,919 Speaker 6: I guess I'm just trying to figure out, like, if 584 00:26:01,920 --> 00:26:05,160 Speaker 6: you're going to use my wife's name and her address 585 00:26:05,280 --> 00:26:08,280 Speaker 6: to scam me, you know, I just want to make 586 00:26:08,320 --> 00:26:10,000 Speaker 6: sure that it's not a scam or anything. 587 00:26:10,960 --> 00:26:14,960 Speaker 2: Do you want to send the flowers to your wife? 588 00:26:15,080 --> 00:26:15,560 Speaker 10: Yeah? 589 00:26:15,680 --> 00:26:18,480 Speaker 6: Yeah, yeah, if this isn't a scam, Yeah, I want 590 00:26:18,480 --> 00:26:20,000 Speaker 6: to send it to my wife, Laurie. 591 00:26:21,680 --> 00:26:23,760 Speaker 2: Okay, and what would you like to put on the card? 592 00:26:25,760 --> 00:26:34,480 Speaker 6: Uh, let's let's put after all these years, you're still 593 00:26:34,520 --> 00:26:37,480 Speaker 6: able to take my breath away. Love Mike. 594 00:26:38,600 --> 00:26:39,560 Speaker 2: That's very sweet. 595 00:26:40,640 --> 00:26:42,879 Speaker 1: Mike. Your voice is being broadcast on the radio. My 596 00:26:42,960 --> 00:26:46,240 Speaker 1: name is Ryan, and I have Assistanty and Tanya and Laurie, 597 00:26:46,280 --> 00:26:47,879 Speaker 1: your wife on the line. If you just stay on 598 00:26:47,920 --> 00:26:52,480 Speaker 1: for one minute, We've a couple of questions for you. Your wife. Yes, 599 00:26:52,520 --> 00:26:55,600 Speaker 1: your wife asked us to call you because she's concerned 600 00:26:55,640 --> 00:26:57,400 Speaker 1: that you're having an affair. Do you have a response 601 00:26:57,440 --> 00:26:57,919 Speaker 1: to that to her? 602 00:26:58,040 --> 00:27:05,320 Speaker 6: She's here, Oh, hi, Laurie. Yeah, No, we've talked about this. Uh. 603 00:27:06,160 --> 00:27:08,520 Speaker 6: She thought that someone was in my room, like in 604 00:27:08,520 --> 00:27:09,840 Speaker 6: my room, but they're definitely not. 605 00:27:10,880 --> 00:27:14,760 Speaker 1: But she saw mint colored heels. 606 00:27:16,320 --> 00:27:17,760 Speaker 8: It was Jordan, wasn't it. 607 00:27:17,800 --> 00:27:21,720 Speaker 2: Why was Jordan in your room? What? 608 00:27:22,800 --> 00:27:24,800 Speaker 6: No, we've talked about this. 609 00:27:25,119 --> 00:27:27,960 Speaker 2: She knows that Jordan was in your room. 610 00:27:28,640 --> 00:27:31,560 Speaker 8: I saw her at the dinner, same shoes. She was 611 00:27:31,600 --> 00:27:32,840 Speaker 8: wearing the mint green shoes. 612 00:27:33,520 --> 00:27:36,119 Speaker 6: It was okay, I really think that you thought it 613 00:27:36,200 --> 00:27:39,119 Speaker 6: was the bottom of the table. That you saw you. 614 00:27:40,680 --> 00:27:42,160 Speaker 2: You told her it was the lamp before. 615 00:27:41,960 --> 00:27:44,600 Speaker 1: The hotel, and gets this was the lable. 616 00:27:44,640 --> 00:27:45,840 Speaker 2: Yeah, now you're saying it's a table. 617 00:27:47,840 --> 00:27:50,399 Speaker 6: Okay, I can I can just call the hotel and 618 00:27:50,440 --> 00:27:52,240 Speaker 6: get a photo of the room if that's helpful, Like, 619 00:27:52,560 --> 00:27:54,200 Speaker 6: that's definitely what we're doing here. 620 00:27:54,400 --> 00:27:56,480 Speaker 1: No, that's definitely awful because she is going to look 621 00:27:56,520 --> 00:27:58,800 Speaker 1: at that and compare the two. But it isn't not 622 00:27:58,920 --> 00:28:01,639 Speaker 1: coincidence Mike that this woman, Jordan, whom your wife already 623 00:28:01,680 --> 00:28:04,560 Speaker 1: a suspect of, has mint colored heels on and then 624 00:28:04,600 --> 00:28:06,760 Speaker 1: when you drop your phone while taking the live photo, 625 00:28:06,840 --> 00:28:09,960 Speaker 1: she thinks she sees those shoes in your room. A 626 00:28:10,080 --> 00:28:10,960 Speaker 1: bit of a coincidence. 627 00:28:10,960 --> 00:28:17,800 Speaker 6: Okay, okay, all right, this is ridiculous. Okay, Yes, I 628 00:28:17,840 --> 00:28:22,160 Speaker 6: saw Jordan at dinner. Yes it was her shoes. Okay, 629 00:28:22,880 --> 00:28:25,080 Speaker 6: weird that we're doing this on radio. But she stopped 630 00:28:25,080 --> 00:28:27,560 Speaker 6: by my room to drop off folders for we've got 631 00:28:27,560 --> 00:28:30,840 Speaker 6: a presentation. We had a presentation, So it was just 632 00:28:30,840 --> 00:28:33,119 Speaker 6: like she was dropping off folders for work. That's it. 633 00:28:34,560 --> 00:28:37,280 Speaker 1: Okay, Well, hold on for a second. Why did you 634 00:28:37,320 --> 00:28:39,400 Speaker 1: lie about it then? If she's just dropping off papers 635 00:28:39,440 --> 00:28:41,000 Speaker 1: for work, why did you say it was the table, 636 00:28:41,000 --> 00:28:43,800 Speaker 1: it was the lamp, it wasn't her shoes. Clearly you're 637 00:28:43,880 --> 00:28:46,920 Speaker 1: hiding something. What are you presenting up there with Jordan. 638 00:28:47,160 --> 00:28:50,760 Speaker 6: Yeah, look, my wife and I we've been through this before. 639 00:28:51,320 --> 00:28:52,720 Speaker 1: And what do you mean before? 640 00:28:54,080 --> 00:28:59,720 Speaker 6: Okay, nothing ever happened. Nothing's ever happened. Nothing is up 641 00:28:59,720 --> 00:29:02,280 Speaker 6: in with any of the female coworkers that I've had 642 00:29:02,320 --> 00:29:05,840 Speaker 6: in the past either. But there was an incident back 643 00:29:06,240 --> 00:29:09,400 Speaker 6: in the day where there was a woman who was 644 00:29:09,640 --> 00:29:13,880 Speaker 6: also coming in for a work thing and she thought 645 00:29:14,080 --> 00:29:17,400 Speaker 6: that that was inappropriate. I agreed. I said, okay, we're 646 00:29:17,400 --> 00:29:19,440 Speaker 6: not going to do that anymore. And this was one 647 00:29:19,480 --> 00:29:22,160 Speaker 6: of those situations where it's just like I agreed, but 648 00:29:22,240 --> 00:29:26,600 Speaker 6: I there was like there was a crossing of that boundary, 649 00:29:27,360 --> 00:29:31,160 Speaker 6: like because she was dropping off something for work, there 650 00:29:31,240 --> 00:29:32,400 Speaker 6: was nothing else there. 651 00:29:33,520 --> 00:29:36,120 Speaker 1: Mike, I gotta tell you, bro, I've not known you 652 00:29:36,200 --> 00:29:38,600 Speaker 1: that long. It's been four minutes and forty five seconds. 653 00:29:38,640 --> 00:29:40,920 Speaker 1: I have been timing it. I don't believe you. I 654 00:29:40,920 --> 00:29:42,720 Speaker 1: don't know what your and your wife went through before 655 00:29:43,240 --> 00:29:45,520 Speaker 1: you told her that it was a table. Then all 656 00:29:45,520 --> 00:29:47,760 Speaker 1: of a sudden, it is this woman's shoes. You got 657 00:29:47,800 --> 00:29:49,640 Speaker 1: a problem, not telling the truth to your wife. You're 658 00:29:49,680 --> 00:29:52,160 Speaker 1: hiding something, laur You got to find out what he's hiding. 659 00:29:52,200 --> 00:29:53,840 Speaker 1: This is all we can do. I gotta let you 660 00:29:53,840 --> 00:29:57,320 Speaker 1: guys go. But Mike, you're clearly not being truthful with 661 00:29:57,440 --> 00:30:01,040 Speaker 1: your wife. And why what do you hiding from her? 662 00:30:01,240 --> 00:30:03,600 Speaker 1: With Jordan Llurid, good luck. I hope you get all 663 00:30:03,600 --> 00:30:04,560 Speaker 1: the answers. 664 00:30:05,800 --> 00:30:10,080 Speaker 6: What what there's there's, there's nothing, there's nothing going on 665 00:30:10,160 --> 00:30:11,840 Speaker 6: in it's and it's there is. 666 00:30:11,920 --> 00:30:15,520 Speaker 1: You're lying, there is, you're not telling the bro. You 667 00:30:15,720 --> 00:30:17,400 Speaker 1: just told us two different stories. 668 00:30:17,800 --> 00:30:21,200 Speaker 6: In order to save our relationship. I decided to withhold 669 00:30:21,240 --> 00:30:25,160 Speaker 6: some information in order to keep things good. 670 00:30:25,240 --> 00:30:26,360 Speaker 2: And now they're bad. 671 00:30:27,160 --> 00:30:31,760 Speaker 1: Well, it didn't go so well that you're only on 672 00:30:31,800 --> 00:30:34,560 Speaker 1: the radio because you lied about the shoes. I didn't 673 00:30:34,600 --> 00:30:37,280 Speaker 1: know about you until today. I gotta let you go. 674 00:30:37,440 --> 00:30:39,320 Speaker 1: I gotta let you like, I gotta let you go 675 00:30:39,840 --> 00:30:42,840 Speaker 1: and let her talk to Jordan, and that's what she 676 00:30:42,920 --> 00:30:47,200 Speaker 1: needs to do. So Mike sends a picture from a 677 00:30:47,320 --> 00:30:51,320 Speaker 1: Chicago hotel room to his wife. Well, it's a live photo. 678 00:30:51,840 --> 00:30:55,760 Speaker 1: Turns out when he puts the camera down, you see 679 00:30:56,040 --> 00:30:59,960 Speaker 1: mint green high heels in the shot in the live photo. 680 00:31:00,240 --> 00:31:01,600 Speaker 2: Right, he was trying to send her a picture of 681 00:31:01,640 --> 00:31:03,440 Speaker 2: the view, the beautiful view. 682 00:31:03,920 --> 00:31:06,800 Speaker 1: So well, then his wife says, what were those He goes, oh, no, no, 683 00:31:07,360 --> 00:31:12,040 Speaker 1: those weren't mint green high heel shoes. Those that was 684 00:31:12,360 --> 00:31:15,080 Speaker 1: the bottom of the lamp. Then he gets on the 685 00:31:15,080 --> 00:31:16,440 Speaker 1: phone and says, I mean it was the bottom of 686 00:31:16,480 --> 00:31:18,520 Speaker 1: the table. Then he gets on the phone with us 687 00:31:18,520 --> 00:31:22,280 Speaker 1: and says, okay, honey, you're right, it was Jordan's shoes. 688 00:31:22,880 --> 00:31:26,120 Speaker 1: Jordan was in my room because we're working on a presentation. 689 00:31:27,000 --> 00:31:28,960 Speaker 1: So why is she in the room. Why she wearing 690 00:31:29,080 --> 00:31:36,240 Speaker 1: mint colored heels at work? Well, mint colored heels. 691 00:31:35,920 --> 00:31:37,800 Speaker 2: Seems to be her go to heel if she saw 692 00:31:37,800 --> 00:31:39,520 Speaker 2: her at another event with the same shoes. 693 00:31:39,920 --> 00:31:42,160 Speaker 1: But I don't know mint, I don't know much about 694 00:31:42,400 --> 00:31:48,160 Speaker 1: sherbet heels right color, I mean mint colored heels up 695 00:31:48,160 --> 00:31:50,600 Speaker 1: in his room and didn't did you put on flats? 696 00:31:50,680 --> 00:31:55,360 Speaker 2: She gan to drop off papers, so essentially she shouldn't 697 00:31:55,360 --> 00:31:56,400 Speaker 2: have been hanging out. 698 00:31:57,160 --> 00:31:59,560 Speaker 1: Are you sending a message in mint colored heels with 699 00:31:59,600 --> 00:32:01,240 Speaker 1: the paper drop in the room? 700 00:32:01,480 --> 00:32:04,120 Speaker 4: Yeah? Like why not flippers or flippers? 701 00:32:04,240 --> 00:32:04,280 Speaker 5: No? 702 00:32:05,280 --> 00:32:08,160 Speaker 3: Like like the shoes that you were Yes, exactly like 703 00:32:08,160 --> 00:32:09,120 Speaker 3: the shoes we were around like. 704 00:32:09,920 --> 00:32:12,040 Speaker 1: Flats, and you don't want to send the wrong message 705 00:32:12,040 --> 00:32:14,800 Speaker 1: if you're going into this guy's room, correct, right, especially 706 00:32:14,800 --> 00:32:18,000 Speaker 1: he's married. So I'm just saying, like, maybe all legit, 707 00:32:18,080 --> 00:32:20,320 Speaker 1: but I don't know. He lied about it. He lied 708 00:32:20,320 --> 00:32:21,360 Speaker 1: to hurry, lied to us. 709 00:32:21,840 --> 00:32:24,160 Speaker 4: So you have to work on presentations in the same 710 00:32:24,240 --> 00:32:25,040 Speaker 4: room together. 711 00:32:24,880 --> 00:32:27,560 Speaker 2: Yeah, you go to a conference room or like a lobby. 712 00:32:27,680 --> 00:32:30,360 Speaker 1: Then it was a room. Wasn't a room with an office. 713 00:32:30,400 --> 00:32:32,080 Speaker 4: Yeah, we're gonna sit on a bed and work on it. 714 00:32:32,240 --> 00:32:34,280 Speaker 2: So I think they were hanging out there for a 715 00:32:34,480 --> 00:32:37,760 Speaker 2: very long time because if she's going to drop off papers, 716 00:32:37,960 --> 00:32:39,640 Speaker 2: then what is he saying? Oh, can you hang on one second, 717 00:32:39,680 --> 00:32:40,680 Speaker 2: let me just take a quick picture. 718 00:32:41,160 --> 00:32:43,320 Speaker 1: I'll tell you why, because it was too long between 719 00:32:43,360 --> 00:32:45,440 Speaker 1: when he corresponded with his wife flat, So he did 720 00:32:45,440 --> 00:32:50,000 Speaker 1: a guilt picture exactly like guilt. Hey, here's the view, honey. 721 00:32:50,240 --> 00:32:51,560 Speaker 1: Let me just Jordan, let me just get this to 722 00:32:51,600 --> 00:32:54,840 Speaker 1: my wife real real fast. And then of course you 723 00:32:54,880 --> 00:32:59,080 Speaker 1: see the mint colored heels. So Carla and Downey, well, 724 00:32:59,280 --> 00:33:01,080 Speaker 1: first of all, what's your reaction to all of that? 725 00:33:01,120 --> 00:33:02,400 Speaker 1: With Ryan's roads is just now? 726 00:33:04,000 --> 00:33:04,360 Speaker 10: All right? 727 00:33:04,440 --> 00:33:07,680 Speaker 11: So I think, honestly, like, especially since this kind of 728 00:33:07,680 --> 00:33:10,720 Speaker 11: happened before, Like if his wife said no women in 729 00:33:10,760 --> 00:33:13,040 Speaker 11: the hotel room, like that means no women in your 730 00:33:13,040 --> 00:33:14,400 Speaker 11: hotel room, Like no matter. 731 00:33:14,520 --> 00:33:19,560 Speaker 2: Exactly, you stop her, I think is very fair, right, And. 732 00:33:19,560 --> 00:33:22,520 Speaker 11: Like if honestly, if she was just handing him some folders, 733 00:33:22,560 --> 00:33:24,640 Speaker 11: like why couldn't she just do that from the door 734 00:33:24,800 --> 00:33:26,640 Speaker 11: or in the hall or like meet him down at 735 00:33:26,640 --> 00:33:33,320 Speaker 11: the lobby at the front desk, right, And so I 736 00:33:33,360 --> 00:33:35,640 Speaker 11: just think, like, you know, if this was the first 737 00:33:35,640 --> 00:33:37,840 Speaker 11: time that this had happened, I would say, like maybe 738 00:33:37,880 --> 00:33:39,800 Speaker 11: he just didn't know how to handle the situation and 739 00:33:39,920 --> 00:33:42,160 Speaker 11: just like hear him out. But especially because it's the 740 00:33:42,360 --> 00:33:44,920 Speaker 11: second time that this has happened, I. 741 00:33:44,880 --> 00:33:48,200 Speaker 1: Feel like, so so she wants Laurie, his wife, wants 742 00:33:48,240 --> 00:33:50,160 Speaker 1: to talk to this woman. He needs to. But it 743 00:33:50,200 --> 00:33:52,280 Speaker 1: sounds to us if we piece this together with our 744 00:33:52,360 --> 00:33:55,640 Speaker 1: hunch that the Jordan, the other woman knows he has 745 00:33:55,680 --> 00:33:57,720 Speaker 1: a wife. So is she going to play along? How 746 00:33:57,720 --> 00:33:58,400 Speaker 1: does this saga? 747 00:33:58,480 --> 00:34:01,040 Speaker 2: N Yeah, I don't know that it's to be much helpish. 748 00:34:01,040 --> 00:34:03,680 Speaker 1: She talks to Jordan, that's what she wanted to do. 749 00:34:03,840 --> 00:34:04,080 Speaker 2: I know. 750 00:34:04,240 --> 00:34:07,280 Speaker 1: I'm just telling you he's lying. He's done this before. 751 00:34:07,600 --> 00:34:10,919 Speaker 1: Is he cheating. If he's not, he's playing with fire there. 752 00:34:11,200 --> 00:34:12,560 Speaker 1: Yeah right, I. 753 00:34:12,440 --> 00:34:17,360 Speaker 2: Don't like it. Although I am looking up mint colored heels. 754 00:34:17,640 --> 00:34:21,919 Speaker 3: They're actually kind of I've never seen a mint colored heel. 755 00:34:22,040 --> 00:34:25,480 Speaker 2: There's tons you haven't. Nine West has some. J Loo's 756 00:34:25,480 --> 00:34:26,120 Speaker 2: brand has some. 757 00:34:26,680 --> 00:34:27,960 Speaker 4: Julie Campbell. 758 00:34:30,000 --> 00:34:32,200 Speaker 2: Not bad, I mean really cute. 759 00:34:32,800 --> 00:34:35,239 Speaker 1: But would you wear them up to his room for presentation? 760 00:34:35,520 --> 00:34:35,680 Speaker 11: No? 761 00:34:37,000 --> 00:34:39,399 Speaker 1: Trying to say, all right, Carla, thank you very much 762 00:34:39,400 --> 00:34:41,640 Speaker 1: for listening to us Ryan's roses. We do it every 763 00:34:41,719 --> 00:34:46,839 Speaker 1: single Monday and Thursday here on Kiss FM. And look 764 00:34:46,880 --> 00:34:54,360 Speaker 1: here Nellie Fritado and Timberland with us right now. You 765 00:34:54,760 --> 00:34:57,920 Speaker 1: got the band back together. Tim, tell us how you 766 00:34:58,080 --> 00:35:01,520 Speaker 1: Nellie Justin all decided to do this for us and 767 00:35:01,600 --> 00:35:03,200 Speaker 1: make the world a better place. 768 00:35:04,000 --> 00:35:06,759 Speaker 7: It's really like you know you talking. I was. I 769 00:35:06,960 --> 00:35:09,120 Speaker 7: was on a beat club one on one session with 770 00:35:09,239 --> 00:35:12,799 Speaker 7: one of my duces and played this song, and you know, 771 00:35:13,120 --> 00:35:14,759 Speaker 7: I liked the song that I was talking about, the 772 00:35:14,760 --> 00:35:18,319 Speaker 7: hook that was infectuous. But I said to Justin and 773 00:35:18,520 --> 00:35:20,960 Speaker 7: Justin like, yeah, we could do something to it. It's crazy. 774 00:35:21,000 --> 00:35:24,560 Speaker 7: But then I said, I told Nelly about there, and 775 00:35:24,640 --> 00:35:26,879 Speaker 7: she was like, I told her about a trio doing 776 00:35:26,920 --> 00:35:30,719 Speaker 7: a song, but with a trio. She like, justin question mark, Oh, 777 00:35:30,840 --> 00:35:33,319 Speaker 7: I said yeah, she said where and where? And I 778 00:35:33,360 --> 00:35:37,080 Speaker 7: told her where. I told her where, She told me 779 00:35:37,320 --> 00:35:38,160 Speaker 7: when it was. 780 00:35:38,120 --> 00:35:43,799 Speaker 1: Going to happen, and yeah, what did you wait? Nelly? 781 00:35:43,840 --> 00:35:46,520 Speaker 1: What did you say? Because I mean, it's obviously everybody 782 00:35:46,640 --> 00:35:49,279 Speaker 1: is super psyched that you guys are working together again, 783 00:35:49,440 --> 00:35:52,359 Speaker 1: keep going up? Is the smash already? But Nelly like, 784 00:35:52,400 --> 00:35:54,640 Speaker 1: what was your your visceral reaction all this? 785 00:35:55,760 --> 00:35:58,160 Speaker 5: Honestly, it was yes, yes, yes, yes. So it was 786 00:35:58,200 --> 00:36:01,920 Speaker 5: like ding ding ding, let's go energetically. I think we're 787 00:36:01,920 --> 00:36:06,360 Speaker 5: all in the same place. We're feeling good personally, professionally, 788 00:36:06,560 --> 00:36:11,680 Speaker 5: we're kind of back back at it, feeling creative. And 789 00:36:12,480 --> 00:36:15,200 Speaker 5: Tim and I talked about a couple weeks before he 790 00:36:15,239 --> 00:36:16,960 Speaker 5: had the track idea, and it was just like this 791 00:36:17,080 --> 00:36:20,480 Speaker 5: really healing, amazing conversation. It was two hours long FaceTime. 792 00:36:21,000 --> 00:36:23,640 Speaker 5: I called him just kind of wanting some tidbits on 793 00:36:23,640 --> 00:36:25,839 Speaker 5: the anniversary of Loose for socials, but it turned into 794 00:36:25,840 --> 00:36:29,440 Speaker 5: this really personal discussion and I love that and I 795 00:36:29,440 --> 00:36:32,840 Speaker 5: felt after that, like, wow, I feel like we're And 796 00:36:32,920 --> 00:36:35,960 Speaker 5: the next step was Tim said, let's make music and 797 00:36:36,040 --> 00:36:37,880 Speaker 5: I literally was about to jump on a plane to 798 00:36:37,960 --> 00:36:41,840 Speaker 5: like Ibisa, and I was like, no, I'm stopping in Miami. 799 00:36:41,920 --> 00:36:43,839 Speaker 5: This is important. You know, certain things you just know 800 00:36:43,880 --> 00:36:46,719 Speaker 5: you need to do, you know, and if you don't 801 00:36:46,800 --> 00:36:49,880 Speaker 5: question it, oh yeah you go. So we got together 802 00:36:49,920 --> 00:36:51,640 Speaker 5: and it was like no time had passed. It was 803 00:36:51,719 --> 00:36:56,040 Speaker 5: like I'm not even exaggerating, Like chemistry was the same 804 00:36:56,200 --> 00:36:58,360 Speaker 5: in the studio, like the creative connection that Tim and 805 00:36:58,400 --> 00:37:00,160 Speaker 5: I share, and I couldn't believe it. For me, it's 806 00:37:00,160 --> 00:37:02,080 Speaker 5: like a mini miracle that the three of us could 807 00:37:02,080 --> 00:37:04,439 Speaker 5: get together after all these years and have it still 808 00:37:04,440 --> 00:37:07,120 Speaker 5: feel like a cookout, have it still feel like family 809 00:37:07,480 --> 00:37:10,640 Speaker 5: and the community aspect is very real for us. 810 00:37:11,080 --> 00:37:13,480 Speaker 1: Well, we're super psyched, nell for Tato and Timberlin here 811 00:37:13,520 --> 00:37:16,279 Speaker 1: with us their new song with Justin Timberlake. Keep going up, 812 00:37:16,320 --> 00:37:18,920 Speaker 1: it's out. It's popular great to see you both. I 813 00:37:18,920 --> 00:37:20,839 Speaker 1: hope to see in person real soon. Thanks for coming 814 00:37:20,880 --> 00:37:23,920 Speaker 1: on you too, Oh my god. 815 00:37:25,400 --> 00:37:27,560 Speaker 4: All right, and thanks big. 816 00:37:27,480 --> 00:37:36,960 Speaker 1: Hugs, show see you later, Bye bye, Chamberlain. Nellie Fortado there, 817 00:37:36,960 --> 00:37:38,759 Speaker 1: I think we're saying God buye in Portuguese. I think 818 00:37:38,800 --> 00:37:43,120 Speaker 1: that's what's happening. I'm pretty sure I think that's thank you. Yes, 819 00:37:43,200 --> 00:37:45,320 Speaker 1: thank you. That's right. I think it's thank you. I 820 00:37:45,400 --> 00:37:49,040 Speaker 1: knew I listen, it was close. Yeah, it's not my first, 821 00:37:49,040 --> 00:37:50,080 Speaker 1: second or third language. 822 00:37:50,200 --> 00:37:52,400 Speaker 2: Come on, we spent a month in Brazil. 823 00:37:52,840 --> 00:37:55,319 Speaker 1: I know, but that was years ago and I've had 824 00:37:55,360 --> 00:37:57,799 Speaker 1: you guys in my ears for the last several. 825 00:37:59,000 --> 00:38:01,040 Speaker 2: On air with Ryan Seacrets. 826 00:38:03,239 --> 00:38:05,080 Speaker 1: I want to go back to these not scary farm 827 00:38:05,080 --> 00:38:08,640 Speaker 1: tickets I'm giving away, so you know what I like 828 00:38:08,680 --> 00:38:10,160 Speaker 1: to do. Sometimes we'll get away the tickets and see 829 00:38:10,160 --> 00:38:12,720 Speaker 1: what kind of foods are serving at the parks and tubs. 830 00:38:12,800 --> 00:38:15,040 Speaker 1: You seen this? You like a little mac and cheese 831 00:38:15,040 --> 00:38:16,799 Speaker 1: pepperoni pizza. 832 00:38:17,040 --> 00:38:19,560 Speaker 2: Wait, it's mac and cheese pizza. 833 00:38:19,800 --> 00:38:23,240 Speaker 1: Yeah, that's what I'm trying. It's macaroni and cheese pepperoni pizza. 834 00:38:24,280 --> 00:38:26,920 Speaker 1: You go a Grizzly Creek Lodge, because I've never seen 835 00:38:26,920 --> 00:38:27,320 Speaker 1: that before. 836 00:38:27,360 --> 00:38:28,319 Speaker 4: No, I've never seen that. 837 00:38:28,360 --> 00:38:30,800 Speaker 2: I was wondering why you were so excited about pizza 838 00:38:30,840 --> 00:38:33,080 Speaker 2: because I thought it was just regular pizza until you 839 00:38:33,280 --> 00:38:34,879 Speaker 2: said it's macaroni cheese. 840 00:38:35,080 --> 00:38:36,919 Speaker 1: Hold on, the Genie just came and asked for a wish. 841 00:38:36,960 --> 00:38:38,520 Speaker 1: I'd like to work in the tasting kitchen. There. 842 00:38:39,920 --> 00:38:43,040 Speaker 2: Okay, wish granted the genie. 843 00:38:43,160 --> 00:38:45,920 Speaker 1: The genie just came to Genie just came, what's your wish? 844 00:38:47,440 --> 00:38:50,080 Speaker 1: Oh my gosh, Okay, Sisney, you go what she thinks. 845 00:38:50,239 --> 00:38:51,680 Speaker 1: The genie just came, what's your wish? 846 00:38:51,880 --> 00:38:55,200 Speaker 2: My wish is to be able to fly and be 847 00:38:55,280 --> 00:38:56,279 Speaker 2: invisible at the same time. 848 00:38:57,160 --> 00:38:59,080 Speaker 1: Okay, Mark really. 849 00:39:00,719 --> 00:39:02,880 Speaker 4: Wishes like that. I thought we were wishing like. 850 00:39:02,880 --> 00:39:05,600 Speaker 1: I just wish for macaroni and cheese pizza tasting kitchen. 851 00:39:05,640 --> 00:39:07,480 Speaker 1: So the genie is here. The genie is actually about 852 00:39:07,520 --> 00:39:10,799 Speaker 1: to leave. Do you have a wish? I wish for 853 00:39:11,360 --> 00:39:11,920 Speaker 1: world peace. 854 00:39:12,640 --> 00:39:19,480 Speaker 2: That's why I thought, okay, marriage, it was so fun serious? 855 00:39:19,640 --> 00:39:20,840 Speaker 4: What is wrong with my answer? 856 00:39:21,120 --> 00:39:23,160 Speaker 1: That is trying not to be serious? 857 00:39:24,080 --> 00:39:27,080 Speaker 3: I don't want a macaroni pizza. Have you read salad 858 00:39:27,120 --> 00:39:28,520 Speaker 3: on a pizza? That's good? 859 00:39:29,200 --> 00:39:29,520 Speaker 4: Again? 860 00:39:29,960 --> 00:39:32,000 Speaker 2: None, it's not the game. 861 00:39:33,960 --> 00:39:36,080 Speaker 1: I mean the game is what is it not? 862 00:39:36,480 --> 00:39:36,959 Speaker 2: It's good? 863 00:39:37,200 --> 00:39:38,160 Speaker 1: Actually does sounds great? 864 00:39:38,239 --> 00:39:38,560 Speaker 10: Yeah? 865 00:39:39,800 --> 00:39:43,160 Speaker 1: All right? Anyway, Tom, thank you for calling. How can 866 00:39:43,160 --> 00:39:45,040 Speaker 1: we help you? 867 00:39:45,160 --> 00:39:45,399 Speaker 10: Hey? 868 00:39:45,480 --> 00:39:45,760 Speaker 5: Ryan? 869 00:39:46,800 --> 00:39:52,480 Speaker 10: I will first off, congratulations and getting engaged. This is 870 00:39:52,560 --> 00:39:56,840 Speaker 10: actually what I'm calling you guys about. Ever got engaged too? Yay? 871 00:39:57,280 --> 00:40:02,480 Speaker 1: Congratulations the genie here to wish you a very happy marriage. 872 00:40:03,680 --> 00:40:08,440 Speaker 10: Thank you, thank you. Yeah. But so I proposed to 873 00:40:08,440 --> 00:40:12,200 Speaker 10: my girlfriend pretty recently and she wanted to get me 874 00:40:12,320 --> 00:40:15,520 Speaker 10: a ring, like a male engagement ring. And the issue 875 00:40:15,520 --> 00:40:18,680 Speaker 10: we're having is, you know, as we're looking around trying 876 00:40:18,719 --> 00:40:21,760 Speaker 10: to shop for something that we both like, we're noticing 877 00:40:21,800 --> 00:40:24,000 Speaker 10: that a lot of them are just really really ugly, 878 00:40:24,760 --> 00:40:31,279 Speaker 10: Like they're all super like just the male Like yeah, 879 00:40:31,360 --> 00:40:35,680 Speaker 10: like wedding bands and engagement rings, they're all like this 880 00:40:35,800 --> 00:40:37,919 Speaker 10: is made out of media rite and this is made 881 00:40:37,960 --> 00:40:40,319 Speaker 10: out of petrified wood, and like, I just want a 882 00:40:40,400 --> 00:40:44,839 Speaker 10: simple band that's you know, nice, but not you know, playing. Okay, Well, 883 00:40:44,880 --> 00:40:46,960 Speaker 10: I guess I'm just kind of looking at maybe if 884 00:40:46,960 --> 00:40:49,520 Speaker 10: you guys have places to look or you know, something 885 00:40:49,600 --> 00:40:49,959 Speaker 10: like that. 886 00:40:50,360 --> 00:40:54,480 Speaker 1: Well, let me google the engagem ing stores as sponsored 887 00:40:54,520 --> 00:40:57,959 Speaker 1: this show. I am not familiar with this territory at all, 888 00:40:58,000 --> 00:41:00,160 Speaker 1: but you're looking for a store where you can find 889 00:41:00,160 --> 00:41:02,759 Speaker 1: a beautiful engagement ring for men. 890 00:41:02,880 --> 00:41:05,560 Speaker 10: I mean, I guess, yeah, but for wedding. 891 00:41:05,280 --> 00:41:08,279 Speaker 1: Band what's so? Hold on, let me understand this. Then, 892 00:41:08,320 --> 00:41:09,480 Speaker 1: don't get engagement rings. 893 00:41:09,560 --> 00:41:13,960 Speaker 2: They usually don't, right, like during the fiance era, they 894 00:41:13,960 --> 00:41:16,560 Speaker 2: don't wear an engage they get a wedding band. Yeah, 895 00:41:16,600 --> 00:41:21,680 Speaker 2: but you know additional Yeah, when you think about your 896 00:41:21,680 --> 00:41:26,520 Speaker 2: perfect engagement ring or your wedding band or whatever, what comes. 897 00:41:26,680 --> 00:41:28,600 Speaker 2: What's the first thing that comes to mind? What's like 898 00:41:28,760 --> 00:41:29,960 Speaker 2: the visual that you see? 899 00:41:31,200 --> 00:41:34,759 Speaker 10: I guess something just kind of like classic, you know, 900 00:41:35,080 --> 00:41:38,919 Speaker 10: just something like you know, fun but not like obnoxious. 901 00:41:39,000 --> 00:41:40,600 Speaker 10: Like I don't want a ring that looks like a 902 00:41:40,640 --> 00:41:44,040 Speaker 10: super Bowl ring. I don't want like a signet thing 903 00:41:44,200 --> 00:41:46,880 Speaker 10: or anything. But I also don't want like, you know, 904 00:41:46,920 --> 00:41:49,799 Speaker 10: I don't want something too you're too feminine looking, like 905 00:41:49,840 --> 00:41:52,000 Speaker 10: I don't want a simple thin band with a with 906 00:41:52,000 --> 00:41:55,400 Speaker 10: a stone on it, you know. I don't know. Maybe 907 00:41:55,400 --> 00:41:56,360 Speaker 10: I'm being too picky. 908 00:41:56,960 --> 00:42:00,359 Speaker 1: No, I really make up my mind. I'm just google here, 909 00:42:00,400 --> 00:42:05,120 Speaker 1: so Jared the gallery of Jewelers opens in a little 910 00:42:05,120 --> 00:42:08,879 Speaker 1: bit the jewelry store Peter Norman. Have you googled this, bro? 911 00:42:08,960 --> 00:42:11,120 Speaker 1: There's a lot of places to find wedding man. 912 00:42:11,320 --> 00:42:13,600 Speaker 2: Try a bunch of different styles on because I. 913 00:42:13,560 --> 00:42:15,560 Speaker 1: Think there's plenty of options. I'm looking online, which is 914 00:42:15,560 --> 00:42:17,080 Speaker 1: going to be my Google search with someone's going to 915 00:42:17,120 --> 00:42:19,799 Speaker 1: pick up and be like, oh my gosh, really, oh my, 916 00:42:20,360 --> 00:42:21,600 Speaker 1: this is how the world works. 917 00:42:21,719 --> 00:42:24,400 Speaker 4: That's so true all these. 918 00:42:26,239 --> 00:42:29,400 Speaker 1: Because whatever whoever will pick it up and be like, Okay, 919 00:42:29,680 --> 00:42:31,359 Speaker 1: I had to use his phone at work today and 920 00:42:31,400 --> 00:42:34,960 Speaker 1: he's googling places in LA for engagement rings and he 921 00:42:35,080 --> 00:42:39,160 Speaker 1: landed on icing on the ring in Brilliant Earth, Like what, yeah, 922 00:42:39,520 --> 00:42:42,560 Speaker 1: that's that's how the world works, Tom, hold on for 923 00:42:42,560 --> 00:42:44,719 Speaker 1: a second. We will have the phone room give you 924 00:42:44,760 --> 00:42:46,880 Speaker 1: a list of some good places where you can get 925 00:42:46,920 --> 00:42:48,759 Speaker 1: your wedding band, engagement ring, whatever you want to do. 926 00:42:48,880 --> 00:42:51,760 Speaker 3: But I just googled and Bogue just wrote an article 927 00:42:51,920 --> 00:42:55,200 Speaker 3: that engagement rings for men are trending in twenty twenty. 928 00:42:54,920 --> 00:42:56,399 Speaker 2: Three, because why not? 929 00:42:56,680 --> 00:42:57,200 Speaker 1: Why not? 930 00:42:57,640 --> 00:42:59,640 Speaker 4: I need to get with Robbie. 931 00:42:59,400 --> 00:43:05,959 Speaker 1: Because waving yes claim that stud Yeah right, you want 932 00:43:06,080 --> 00:43:08,320 Speaker 1: people to now put your name on that band? 933 00:43:08,719 --> 00:43:11,720 Speaker 4: Yeah he's not heymore No. 934 00:43:11,680 --> 00:43:13,160 Speaker 1: He was never at first sale. 935 00:43:13,560 --> 00:43:16,360 Speaker 2: And it's really interesting until you start trying them on beginning. 936 00:43:16,400 --> 00:43:19,360 Speaker 1: I mean, modern woman, you know he's not selling himself. 937 00:43:19,200 --> 00:43:21,279 Speaker 2: Right right right when you go into the stores to 938 00:43:21,360 --> 00:43:23,520 Speaker 2: try on the band, because I remember picking out our bands. 939 00:43:23,800 --> 00:43:25,960 Speaker 2: Michael was like, I want something kind of playing, like 940 00:43:26,000 --> 00:43:28,480 Speaker 2: not too over the top, blah blah blah. Whatever this 941 00:43:28,560 --> 00:43:31,319 Speaker 2: guy comes out with, like a prince nine princess cut 942 00:43:31,400 --> 00:43:34,600 Speaker 2: diamonds on his band and like he went opposite direction 943 00:43:34,760 --> 00:43:35,160 Speaker 2: of what he. 944 00:43:35,200 --> 00:43:37,120 Speaker 1: Thought he was going to get. Well that's not for Tom. 945 00:43:37,719 --> 00:43:38,800 Speaker 2: You never know Tom. 946 00:43:39,440 --> 00:43:43,440 Speaker 1: But why not, right, why not put the engagement band 947 00:43:43,520 --> 00:43:43,880 Speaker 1: ring on? 948 00:43:44,360 --> 00:43:46,279 Speaker 4: Guys sending him this article right now? 949 00:43:46,440 --> 00:43:50,200 Speaker 1: I mean when you came in like waving your engagement 950 00:43:50,320 --> 00:43:53,440 Speaker 1: stone finger face thing in our in our faces like 951 00:43:53,760 --> 00:43:56,399 Speaker 1: it was a whole it was a whole new air 952 00:43:56,480 --> 00:43:58,600 Speaker 1: about you. Why shouldn't Robbie have that. 953 00:43:58,640 --> 00:44:01,000 Speaker 4: Exactly all right? 954 00:44:01,080 --> 00:44:06,439 Speaker 1: Tubs you on one? Yeah, yeah, I get a couple 955 00:44:06,480 --> 00:44:07,279 Speaker 1: of just hold on. 956 00:44:07,239 --> 00:44:09,279 Speaker 4: To them, right. 957 00:44:09,320 --> 00:44:12,960 Speaker 1: I mean, you think about California, Los Angeles. Trends start here. 958 00:44:13,000 --> 00:44:15,880 Speaker 1: A lot of times, could be in entertainment, could be 959 00:44:15,920 --> 00:44:18,920 Speaker 1: in music, could be in fashion. Also, if you look 960 00:44:18,920 --> 00:44:21,759 Speaker 1: at the amount of farming that takes place in the 961 00:44:21,800 --> 00:44:25,720 Speaker 1: state of California, it's massive, right, So there's a story 962 00:44:25,760 --> 00:44:27,839 Speaker 1: people are talking about it. It's happening here in something 963 00:44:27,880 --> 00:44:32,040 Speaker 1: California's called robot farming. Sisdney. What is it. 964 00:44:32,040 --> 00:44:35,520 Speaker 2: It's a startup named Plenty actually, and it's okay right 965 00:44:35,560 --> 00:44:41,080 Speaker 2: here in Compton. And apparently this robot farming is a 966 00:44:41,120 --> 00:44:43,520 Speaker 2: new way to grow your leafy greens. So think, let 967 00:44:43,640 --> 00:44:47,799 Speaker 2: us finage all that type of stuff. And apparently it's 968 00:44:48,080 --> 00:44:51,919 Speaker 2: some of the freshest and most flavorful lettuce out there. 969 00:44:52,520 --> 00:44:57,799 Speaker 2: But remember this has grown without sun, without soil or 970 00:44:57,840 --> 00:44:59,919 Speaker 2: even human hands ever touched. 971 00:45:00,680 --> 00:45:01,279 Speaker 1: How does it grow. 972 00:45:01,760 --> 00:45:05,880 Speaker 2: It's grown with robots. No, it's highly automated. It's the 973 00:45:05,960 --> 00:45:07,560 Speaker 2: highly automated process. 974 00:45:07,320 --> 00:45:09,760 Speaker 1: That robots are the light, robots are the water. Robots 975 00:45:09,840 --> 00:45:11,680 Speaker 1: are the grower that kind of thing. 976 00:45:11,800 --> 00:45:14,160 Speaker 2: So it starts with seeds. So it does start with 977 00:45:14,200 --> 00:45:17,680 Speaker 2: a seed, but it's then being robotically planted and then 978 00:45:17,800 --> 00:45:21,240 Speaker 2: moved into a giant, let's say, like eight story nursery 979 00:45:21,360 --> 00:45:25,279 Speaker 2: room that then Germany from the Germans from there, and 980 00:45:25,320 --> 00:45:28,520 Speaker 2: then the rooms are all lit by these gnarly LEDs 981 00:45:28,880 --> 00:45:32,120 Speaker 2: and then from there they pass each growing stage and 982 00:45:32,120 --> 00:45:34,480 Speaker 2: then once they pass that stage, they go to another robot, 983 00:45:34,560 --> 00:45:36,200 Speaker 2: and then when they pass that stage, they go to 984 00:45:36,239 --> 00:45:39,600 Speaker 2: another robot. So they're never it's never touched by like pesticides, 985 00:45:39,680 --> 00:45:42,200 Speaker 2: human hands things like that. So that's like definitely one 986 00:45:42,239 --> 00:45:45,600 Speaker 2: of the pros that it's efficiency, the efficiency on it, 987 00:45:45,600 --> 00:45:49,960 Speaker 2: it's lower cost and it's technically higher quality of lettuce. 988 00:45:50,040 --> 00:45:51,520 Speaker 1: But is it good for you? 989 00:45:51,560 --> 00:45:51,920 Speaker 2: Well? 990 00:45:52,200 --> 00:45:54,800 Speaker 1: And is this stuff, these lights, these robots that whatever 991 00:45:54,840 --> 00:45:57,840 Speaker 1: they're doing, the disco lights that grow it in five years, 992 00:45:57,880 --> 00:45:59,480 Speaker 1: is that going to cause a pump inside of me? 993 00:46:00,239 --> 00:46:02,120 Speaker 1: I mean, that's the thing if we just started it 994 00:46:02,160 --> 00:46:04,640 Speaker 1: and we don't know what happens in five years. I mean, 995 00:46:04,680 --> 00:46:06,719 Speaker 1: look at this phone. I put this phone between my 996 00:46:06,800 --> 00:46:08,440 Speaker 1: legs driving into work for so many years. All of 997 00:46:08,480 --> 00:46:09,920 Speaker 1: a sudden, some guys like, you want to do that 998 00:46:09,960 --> 00:46:10,560 Speaker 1: for your future? 999 00:46:10,640 --> 00:46:11,040 Speaker 2: Uh huh? 1000 00:46:11,040 --> 00:46:13,080 Speaker 3: And you tell me you put in your pocket for 1001 00:46:13,200 --> 00:46:14,400 Speaker 3: god knows your pocket? 1002 00:46:14,400 --> 00:46:15,759 Speaker 1: What damage is that doing? 1003 00:46:15,880 --> 00:46:17,319 Speaker 2: Right than twenty years of that? 1004 00:46:17,920 --> 00:46:19,560 Speaker 1: I mean, I go to the doctor and when I 1005 00:46:19,600 --> 00:46:21,560 Speaker 1: go into a room to get an extra everybody runs 1006 00:46:21,560 --> 00:46:24,360 Speaker 1: for cover, right, they go into other rooms, put a 1007 00:46:24,360 --> 00:46:28,719 Speaker 1: big thing on my shoulders, Like, is that gonna be 1008 00:46:28,760 --> 00:46:30,719 Speaker 1: what happens with that? The news we're gonna hear about 1009 00:46:30,760 --> 00:46:34,439 Speaker 1: this stuff? I mean, and a lot of things start here. 1010 00:46:34,880 --> 00:46:38,279 Speaker 1: I'm looking back. Lawn sprinklers began in southern California? Is 1011 00:46:38,280 --> 00:46:40,360 Speaker 1: this the is this going to be the new lawn sprinkler? 1012 00:46:41,160 --> 00:46:41,359 Speaker 11: Theme? 1013 00:46:41,520 --> 00:46:43,440 Speaker 1: Parks began here? R Like, we have a lot of 1014 00:46:43,480 --> 00:46:44,240 Speaker 1: things that do. 1015 00:46:44,680 --> 00:46:46,759 Speaker 2: Actually, these are the same category. 1016 00:46:47,560 --> 00:46:49,160 Speaker 1: Well, the Hulu hoops started here. I mean, these are 1017 00:46:49,200 --> 00:46:53,320 Speaker 1: things to start here, So the Internet started here probably. 1018 00:46:53,120 --> 00:46:54,480 Speaker 2: Yeah, that makes sense. 1019 00:46:54,520 --> 00:46:55,200 Speaker 1: I think it might have. 1020 00:46:55,320 --> 00:46:58,480 Speaker 2: I don't know, So you're not intrigued. I'm not, say 1021 00:46:58,520 --> 00:46:58,919 Speaker 2: the least. 1022 00:46:59,160 --> 00:47:01,160 Speaker 1: I don't. I think as many pros that this might 1023 00:47:01,239 --> 00:47:05,400 Speaker 1: have equally cons. I'm most concerned about what happens inside 1024 00:47:05,400 --> 00:47:07,440 Speaker 1: of me in five years after these pink lights have 1025 00:47:07,480 --> 00:47:07,960 Speaker 1: grown my mind. 1026 00:47:08,080 --> 00:47:11,800 Speaker 4: Yeah, I want sunlight. I want human hands in nature, 1027 00:47:12,040 --> 00:47:12,800 Speaker 4: and yeah. 1028 00:47:12,640 --> 00:47:15,400 Speaker 2: You want human hands. I'm okay with the non human hands. 1029 00:47:15,440 --> 00:47:17,560 Speaker 2: I don't need like people's hands that like who knows. 1030 00:47:17,520 --> 00:47:18,000 Speaker 7: Where they were? 1031 00:47:18,120 --> 00:47:20,840 Speaker 1: Hey, how about farmers? They need their work. 1032 00:47:21,040 --> 00:47:22,359 Speaker 4: Yeah, I got to take a job. 1033 00:47:22,480 --> 00:47:24,560 Speaker 2: That is one of the cons of this. You're definitely 1034 00:47:24,600 --> 00:47:27,400 Speaker 2: gonna have a loss of jobs and just lots of 1035 00:47:27,400 --> 00:47:28,360 Speaker 2: traditional skills. 1036 00:47:28,440 --> 00:47:30,600 Speaker 1: Those hamburgers that came out and that was all about them, 1037 00:47:30,640 --> 00:47:32,799 Speaker 1: those things that are not possible, And then they came 1038 00:47:32,800 --> 00:47:35,160 Speaker 1: out and then they told me, well what's in it? 1039 00:47:35,200 --> 00:47:36,840 Speaker 1: And I'm like, I can't pronounce some of that stuff. 1040 00:47:36,880 --> 00:47:38,120 Speaker 4: Oh, the impossible burgers. 1041 00:47:38,120 --> 00:47:40,000 Speaker 1: Well, it's like I don't know what it is. Which 1042 00:47:40,040 --> 00:47:41,080 Speaker 1: brand so fatty for you? 1043 00:47:41,160 --> 00:47:41,440 Speaker 2: Right? 1044 00:47:41,719 --> 00:47:43,719 Speaker 1: Well, yeah, it just was like, oh my gosh, it's 1045 00:47:43,719 --> 00:47:46,080 Speaker 1: not meat, but it tastes great and it's all vegan. 1046 00:47:46,400 --> 00:47:47,239 Speaker 1: But then what is it? 1047 00:47:47,360 --> 00:47:47,800 Speaker 4: Yeah? 1048 00:47:47,840 --> 00:47:50,000 Speaker 1: And then so I don't I don't know what it is, 1049 00:47:50,080 --> 00:47:53,080 Speaker 1: which is why I don't know if I should eat it. 1050 00:47:53,120 --> 00:47:55,160 Speaker 4: You know, chemicals, I don't know. 1051 00:47:55,200 --> 00:47:59,000 Speaker 2: I mean, these this robot phenomenon is definitely taking over. 1052 00:47:59,040 --> 00:48:00,960 Speaker 2: I was down the street the other day and there's 1053 00:48:01,000 --> 00:48:02,800 Speaker 2: a robot delivering something. There's just going on. 1054 00:48:03,280 --> 00:48:05,239 Speaker 1: Those robots are so cute and now where when they cross 1055 00:48:05,280 --> 00:48:06,400 Speaker 1: the street. 1056 00:48:06,920 --> 00:48:10,400 Speaker 4: But I get so much robots. 1057 00:48:10,000 --> 00:48:12,719 Speaker 1: Like I have. My heart connects with the robot things. 1058 00:48:12,760 --> 00:48:14,360 Speaker 1: Oh my gosh, you're so sweet. Don't cross. 1059 00:48:14,560 --> 00:48:16,920 Speaker 3: I teared up watching one not be able to get 1060 00:48:16,960 --> 00:48:17,799 Speaker 3: up the sidewalks. 1061 00:48:17,880 --> 00:48:20,239 Speaker 1: I know, because they'll remind you of those little creatures. 1062 00:48:20,280 --> 00:48:23,160 Speaker 1: To help them, I don't know, I go, I go 1063 00:48:23,280 --> 00:48:27,440 Speaker 1: slow and make sure they get yeah. 1064 00:48:27,520 --> 00:48:30,480 Speaker 2: On arest. 1065 00:48:31,160 --> 00:48:34,520 Speaker 1: So one more thing before we go. What's the percentage 1066 00:48:34,520 --> 00:48:37,520 Speaker 1: of leftovers you reheat and eat as opposed to those 1067 00:48:37,560 --> 00:48:39,480 Speaker 1: you forget in the fridge and eventually throw out. That's 1068 00:48:39,520 --> 00:48:40,839 Speaker 1: a lot to ask, you know what. I don't even 1069 00:48:40,840 --> 00:48:43,319 Speaker 1: want to know. It's too much for you to calculate. 1070 00:48:43,440 --> 00:48:45,400 Speaker 1: At this stage of the show, I don't even know 1071 00:48:45,440 --> 00:48:47,479 Speaker 1: if I could answer, and I knew the question was coming. 1072 00:48:47,600 --> 00:48:51,080 Speaker 2: Fifteen for me, probably probably. 1073 00:48:50,760 --> 00:48:54,480 Speaker 1: Oh you have an answer, fifty wow. All right, Well 1074 00:48:54,520 --> 00:48:57,000 Speaker 1: tomorrow we're back paying your bills. Make sure you're here 1075 00:48:57,040 --> 00:49:00,880 Speaker 1: for that and all the talent hustler point of that question. No, 1076 00:49:01,000 --> 00:49:03,239 Speaker 1: it's just well, these things that are in my head 1077 00:49:03,280 --> 00:49:06,760 Speaker 1: before we go, we'll not's very farm tickets, wait. 1078 00:49:06,640 --> 00:49:08,600 Speaker 2: At home with the intention to eat it, and then I. 1079 00:49:08,600 --> 00:49:11,839 Speaker 1: Just forget sisin He's guy to eleven o'clock. Hey, thank 1080 00:49:11,880 --> 00:49:14,120 Speaker 1: you for being here this Thursday. Let's do it again tomorrow. 1081 00:49:14,480 --> 00:49:17,319 Speaker 1: Thanks for listening to On Air with Ryan Seacrest. Make 1082 00:49:17,320 --> 00:49:19,560 Speaker 1: sure to subscribe and we'll talk to you again tomorrow