WEBVTT - Ophira Eisenberg on the Healing Power of Comedy: Laughter as Therapy and Personal Growth

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<v Speaker 1>Comedy Saved Me. Welcome to Comedy Save Me.

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<v Speaker 2>I am Lynn Hoffman, And before we get started swelling,

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<v Speaker 2>you know, I host another show called Music Save Me,

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<v Speaker 2>which is very similar to Comedy Save Me, sort of

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<v Speaker 2>like a franchise, which is a lot of fun.

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<v Speaker 1>I talk to musicians about the healing.

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<v Speaker 2>Power of music, much like I talked to great comedians

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<v Speaker 2>about the healing power of comedy. Now today's guest has

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<v Speaker 2>made a career out of finding the funny in life's

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<v Speaker 2>most uncomfortable truths, and she does it brilliantly. She is

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<v Speaker 2>a stand up comedian, a writer, an actor, a podcast

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<v Speaker 2>host whose credits include NPR, HBO, Comedy Central, The Moth, CBS,

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<v Speaker 2>and iHeart. And when she's not that busy, she headlines

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<v Speaker 2>theaters and comedy venues around the world and tours regularly

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<v Speaker 2>with The Moth mainstage. She's one of the sharpest, most

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<v Speaker 2>compelling voices in comedy today, and now she has a

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<v Speaker 2>brand new comedy special because she just wants to canti

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<v Speaker 2>iuld do herself. I used to be nicer, which I

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<v Speaker 2>think I need on my T shirt right now. We

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<v Speaker 2>gotta make T shirts. And the best part is produced

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<v Speaker 2>by the legendary Lewis Black, who I've had on this

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<v Speaker 2>podcast before.

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<v Speaker 1>I can't even wait to get into this with you.

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<v Speaker 3>Oh yeah, thank you, Oh my goodness, thank you so much.

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<v Speaker 2>It's my pleasure. Oh, Fira Eisenberg, I should say her name.

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<v Speaker 2>She is here and we're gonna find out when we

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<v Speaker 2>come back why she used to be nicer. Coming up

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<v Speaker 2>next on Comedy Save Me, You're gonna want to miss

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<v Speaker 2>not gonna want to miss it? Did I just say

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<v Speaker 2>you're gonna want to miss this?

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<v Speaker 3>Do to me?

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<v Speaker 1>I can believe on making you laugh? Comedy Saved Me.

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<v Speaker 1>Oh Fira, welcome to Comedy Safe.

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<v Speaker 3>Oh thanks. I think when someone goes like like you

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<v Speaker 3>just made that hell, I mean it's hilarious. We should

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<v Speaker 3>always be saying this, you're gonna want to miss this? Uh,

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<v Speaker 3>there is no limited time on this love it when

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<v Speaker 3>hurry up, hurry up. There's a there's a very standard

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<v Speaker 3>thing that a lot of comics you'll hear say at

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<v Speaker 3>the Animal show, where they go, you know, you've been great,

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<v Speaker 3>I have to go, Thank you so much. And I

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<v Speaker 3>know a comic that always says I've been great, you

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<v Speaker 3>have to go. I just any reversal of that stuff

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<v Speaker 3>I love.

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<v Speaker 2>Or it's like, enough about me, let's talk about me exactly,

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<v Speaker 2>exactly exactly. Oh, my God ofire the title of your

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<v Speaker 2>new special. I absolutely love I Used to be Nicer.

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<v Speaker 2>It feels like it carries a whole life philosophy in

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<v Speaker 2>four little words. When did you stop being nicer? And

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<v Speaker 2>was comedy a part of what gave you permission to

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<v Speaker 2>do that? I said, definitely, I mean definitely.

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<v Speaker 3>I think it's a better place to do it than

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<v Speaker 3>in the real world, because in the real world there

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<v Speaker 3>might be repercussions. But I just feel, you know, it's

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<v Speaker 3>a little bit of everything. It's a little bit of

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<v Speaker 3>you know, just expertise. As life, life, sex, life situations

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<v Speaker 3>pile up on you. You know, you're a little good way.

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<v Speaker 3>You put more boundaries on things. You're a little bit

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<v Speaker 3>a little bit more into, you know, limitations, and you

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<v Speaker 3>let people know if you are not up. I'm not

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<v Speaker 3>a pushover as much anymore. But and then as a woman,

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<v Speaker 3>I'm a people pleaser. So it's slowly working out of that.

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<v Speaker 3>But also, you know, I grew up in Canada, so

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<v Speaker 3>for years and years and years and years, even to

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<v Speaker 3>this day, I'll talk to someone I barely know, and

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<v Speaker 3>then maybe somehow it comes up. I go, I, you know,

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<v Speaker 3>grew up in Canada, and they go, oh, you're Canadian,

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<v Speaker 3>that's why you're so nice.

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<v Speaker 1>Oh interesting, uh huh.

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<v Speaker 3>And I always like to say, well, you know what,

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<v Speaker 3>I've lived in New York for twenty years, I'm a

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<v Speaker 3>parent to a small child, and I am a woman

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<v Speaker 3>working in comedy. Let me tell you something. You should

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<v Speaker 3>have met me ten years ago because I used to

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<v Speaker 3>be nicer. That's the person you want to talk to

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<v Speaker 3>now now. Yeah, I mean, but everyone still goes, oh,

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<v Speaker 3>my goodness, affair, you're still really nice. So I guess

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<v Speaker 3>you can't shaken.

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<v Speaker 1>Yeah, yeah, you are underneath it all.

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<v Speaker 2>And definitely that was a great way to describe it,

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<v Speaker 2>because yeah, it's it's it gets harder and harder, but

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<v Speaker 2>being a people pleaser is definitely something got it started

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<v Speaker 2>in I think women in general.

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<v Speaker 3>Yes, and you know what, and I the wellness community,

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<v Speaker 3>which part of it I love, of course, who's in

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<v Speaker 3>love doing things that are nice to yourself, But part

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<v Speaker 3>of it I really hate, and it's all at women,

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<v Speaker 3>like people who put positive affirmations. I mean, I get it.

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<v Speaker 3>We should all be positive but I just feel like

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<v Speaker 3>it's everyone's telling us like, hey, ladies, you know, basically

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<v Speaker 3>like manifest your success. Come on, no one, no one's

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<v Speaker 3>gonna give you anything. Don't worry if you didn't get

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<v Speaker 3>that promotion, it's not it's not our fault, it's your fault.

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<v Speaker 3>So I also am just like, oh, I'm not nice

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<v Speaker 3>about that stuff. I'm not nice of positivity. I'm not

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<v Speaker 3>nice about any of it.

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<v Speaker 2>But no, and this definitely describes a little bit of

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<v Speaker 2>wh you worked so beautifully with Lewis Black.

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<v Speaker 1>We'll get into that. Oh yeah, because I can hear

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<v Speaker 1>the similarities already.

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<v Speaker 3>We have.

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<v Speaker 2>We asked every guest who comes on comedy save me

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<v Speaker 2>how comedy saved them, and I'll post the question.

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<v Speaker 1>Was there a specific moment in.

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<v Speaker 2>Your life Ofirah when you realize that humor wasn't just entertainment,

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<v Speaker 2>it was literally survival?

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<v Speaker 3>Oh? Absolutely, I mean so, this is a little anecdote

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<v Speaker 3>that I love. I was part of a women's networking

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<v Speaker 3>event where I was actually performing. I was performing at it,

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<v Speaker 3>but the way it was set up, they wanted all

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<v Speaker 3>of us to have dinner together, so I was having

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<v Speaker 3>I was at a table with a bunch of women

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<v Speaker 3>from different professions. I did not know, but it was

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<v Speaker 3>weird because I was the one person that was part

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<v Speaker 3>of the show. But We're all going around saying what

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<v Speaker 3>we do, and I'm like, oh, I'm a stand up

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<v Speaker 3>I'm actually performing later, And of course a very standard

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<v Speaker 3>question is immediately posed to me, where someone says, oh,

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<v Speaker 3>why did you get into stand up comedy? And I've

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<v Speaker 3>always wished lynn that I had a fun, snappy, little

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<v Speaker 3>SoundBite answer like, oh, my uncle was hilarious and I

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<v Speaker 3>idolized him, or you know, I used to I was

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<v Speaker 3>the class clown, and so it just carried over. But

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<v Speaker 3>none of those things ring true to me. So I

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<v Speaker 3>just sat there and I don't know if it was

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<v Speaker 3>the day or I was tired or whatever, but I

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<v Speaker 3>just took a deep breath and I said, why did

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<v Speaker 3>I start comedy? Childhood trauma?

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<v Speaker 1>Wow?

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<v Speaker 3>And everyone had a quick laugh. And then the woman

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<v Speaker 3>beside me said, it's kind of why I became a lawyer,

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<v Speaker 3>and the next woman said, I feel like that's why

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<v Speaker 3>I became a doula, and the next woman said, I

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<v Speaker 3>think that's why I got into medicine. And everyone was

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<v Speaker 3>linked to the fact that they pursued with passion where

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<v Speaker 3>they are, you know, just because of something. You know

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<v Speaker 3>in a good way that they took a traumatic situation

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<v Speaker 3>that they had to deal with and they have turned

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<v Speaker 3>it into their pas So I mean, I feel like

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<v Speaker 3>we're all saving our lives with whatever our passion is.

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<v Speaker 3>But comedy is such a clear line because that is

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<v Speaker 3>about reframing it and owning it. And you know, I

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<v Speaker 3>was in a terrible car accident when I was a kid.

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<v Speaker 3>I suffered. I suffered, and you know, it's twelve years now,

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<v Speaker 3>so I am on the other side of it, hopefully

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<v Speaker 3>forever breast cancer. But I have talked about this stuff

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<v Speaker 3>as the years have gone by. I have worked it

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<v Speaker 3>into storytelling, solo show, a lot of funny stuff, a

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<v Speaker 3>lot of poignant stuff, but a lot of funny stuff

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<v Speaker 3>because that is my way of owning it. And also,

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<v Speaker 3>you just find that once you tell your audience I

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<v Speaker 3>was vulnerable.

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<v Speaker 1>Things have happened.

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<v Speaker 3>I got through it. I figured this out. I figured

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<v Speaker 3>it gives them permission to not feel so bad about

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<v Speaker 3>themselves from whatever they've gone through. And that's that's when

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<v Speaker 3>I feel like we all join. Like when I can

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<v Speaker 3>and I'm telling you this because I'm okay. It almost

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<v Speaker 3>gives other people permission to go, oh maybe I'm okay.

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<v Speaker 2>Yeah, permission to laugh not only check your issues and

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<v Speaker 2>trauma from your you know, but permission to laugh at

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<v Speaker 2>themselves absolutely their situation.

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<v Speaker 3>Wow. Yeah, it's just that step back, you know, it's

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<v Speaker 3>just that step back because of course, when you tell

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<v Speaker 3>a story about yourself, or you do any art with

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<v Speaker 3>something that is personal from your memoir, you're not telling

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<v Speaker 3>the whole story. You're telling a portion of it. And

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<v Speaker 3>to do that means that you're creating a lens, a

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<v Speaker 3>lens a specific and that is starting to craft it.

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<v Speaker 3>So that takes you a step back. And then all

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<v Speaker 3>of a sudden, you know, you're crafting your story. And

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<v Speaker 3>I think we kind of throw that around in a

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<v Speaker 3>therapy way, like the be the owner of your story,

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<v Speaker 3>be the one that you are writing your story. But

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<v Speaker 3>have you ever done it? Have you ever actually written

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<v Speaker 3>your story? It's different than the actual story. Is now

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<v Speaker 3>your story, just in the same way that if a

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<v Speaker 3>friend of were to write a story about you, it

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<v Speaker 3>would be like their story of you. So it's it's

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<v Speaker 3>it's that's when I think it's artistry it's not therapy,

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<v Speaker 3>it's not live, it's not live processing it is actually art.

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<v Speaker 2>Sure is you've built a career out of some really

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<v Speaker 2>raw personal material, And you mentioned scars, relationships, like the

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<v Speaker 2>messiness of real life kind of what you were just discussing.

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<v Speaker 2>Where's the line for you between processing something very private

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<v Speaker 2>and personal and then deciding that it belongs on stage

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<v Speaker 2>because I'm sure there are certain things that you will

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<v Speaker 2>not bring forward or maybe you'll.

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<v Speaker 3>Bring yeah, you know, I mean, you're right. So one

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<v Speaker 3>just a major touch point is I just like the

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<v Speaker 3>only person that I should be taking down on stage

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<v Speaker 3>is myself, Like I don't want to make fun or

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<v Speaker 3>punch down on anyone else. I think there's probably a

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<v Speaker 3>few exceptions where someone might deserve it, but that's not

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<v Speaker 3>really what I'm doing. And then sometimes the rawness if

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<v Speaker 3>I'm if things are still very painful, that means more

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<v Speaker 3>time has to happen, because hindsight is real and you

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<v Speaker 3>have to get to the point where you own it.

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<v Speaker 3>And I have been on stages where you are watched

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<v Speaker 3>or at shows where you're watching someone kind of process

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<v Speaker 3>stuff in real time, and like that thing that I

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<v Speaker 3>said where I feel like you have to stand there

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<v Speaker 3>and be tell people I'm okay. The fact that I'm

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<v Speaker 3>here it means I'm I'm somewhere on the other side

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<v Speaker 3>of this is so important. So because you want your

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<v Speaker 3>audience to relax, you don't want them the whole time

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<v Speaker 3>to be anxious, like is this person okay, that's not

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<v Speaker 3>the hack I'm doing. That is not the end. She

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<v Speaker 3>can dive off, she can freak out. So but sometimes

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<v Speaker 3>I just it's once you know, if you're on stage,

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<v Speaker 3>you've decided where the ending is. So in some ways,

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<v Speaker 3>let's say a story about a bad breakup or a

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<v Speaker 3>divorce like that could be something you're dealing with for

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<v Speaker 3>a long time, depending on who you are. That's because

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<v Speaker 3>something that maybe some people are twenty years past this

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<v Speaker 3>and they're still working through it. But again, to put

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<v Speaker 3>it on in the act is like you have to

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<v Speaker 3>decide where the end is. So you put a finish

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<v Speaker 3>line and you go, this is where this ends. And

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<v Speaker 3>that's when I think it's fit for stage.

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<v Speaker 2>Yeah, and you just said the hindsight, and it's so

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<v Speaker 2>weird that that keeps coming up. Yeah, in my life, like,

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<v Speaker 2>hindsight is twenty twenty. Hindsight is twenty twenty all of

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<v Speaker 2>a sudden, Oh my god, hindsight is twenty twenty. Hello,

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<v Speaker 2>It's like that's where you grow and learn from and

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<v Speaker 2>you can actually turn that into comedy and then help

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<v Speaker 2>other people figure out their hindsight and what the patterns

0:11:47.120 --> 0:11:50.720
<v Speaker 2>are because I'm convinced everything's a pattern. Now everything's a pattern. Yeah,

0:11:50.720 --> 0:11:54.040
<v Speaker 2>and you have to control the bat. But that's just

0:11:54.320 --> 0:11:58.439
<v Speaker 2>the magical part of comedy is that that you're able

0:11:58.480 --> 0:11:59.080
<v Speaker 2>to do that.

0:11:59.280 --> 0:12:01.640
<v Speaker 3>Yeah, you just people come up to you afterwards and

0:12:01.720 --> 0:12:05.000
<v Speaker 3>say interesting things to you, like, oh, maybe I have

0:12:05.040 --> 0:12:08.160
<v Speaker 3>a story, you know, where I talk about some you know,

0:12:08.240 --> 0:12:10.800
<v Speaker 3>medical stuff I've been through, like as I mentioned, like

0:12:10.840 --> 0:12:14.319
<v Speaker 3>a lot of illness and stuff. And at one point,

0:12:14.360 --> 0:12:16.559
<v Speaker 3>I think I just had a very quick line about

0:12:16.559 --> 0:12:19.560
<v Speaker 3>how everyone was telling me how strong I was, and

0:12:19.600 --> 0:12:21.240
<v Speaker 3>I made jokes about that, but there was just a

0:12:21.240 --> 0:12:23.920
<v Speaker 3>little line of and I felt like I was doing nothing,

0:12:24.559 --> 0:12:27.240
<v Speaker 3>Like I didn't understand what I was doing to be

0:12:27.440 --> 0:12:30.160
<v Speaker 3>so strong. I felt like I was doing nothing. And

0:12:30.280 --> 0:12:32.520
<v Speaker 3>you would not believe the amount of people of all

0:12:32.559 --> 0:12:34.800
<v Speaker 3>the things I said in that entire act came up

0:12:34.800 --> 0:12:37.600
<v Speaker 3>to me afterwards and said, I've always you know, I

0:12:37.640 --> 0:12:41.040
<v Speaker 3>have thought about that too. How people keep telling me

0:12:41.080 --> 0:12:43.320
<v Speaker 3>how strong I am and I'm like, I'm not doing

0:12:43.320 --> 0:12:45.800
<v Speaker 3>anything like I you know, and you just find different

0:12:45.840 --> 0:12:49.880
<v Speaker 3>things resonate with people. And if you can allow yourself

0:12:49.960 --> 0:12:53.440
<v Speaker 3>to maybe say the stuff in a craftful way that

0:12:53.600 --> 0:12:56.559
<v Speaker 3>is not where you're the hero, where you were at

0:12:56.600 --> 0:13:00.640
<v Speaker 3>your best, where you triumphed, but the truth of what

0:13:00.840 --> 0:13:04.040
<v Speaker 3>happened and how you figured it out. That's when I

0:13:04.080 --> 0:13:07.040
<v Speaker 3>feel like people, that's what I love when I see

0:13:07.040 --> 0:13:08.960
<v Speaker 3>other people do that, and I feel like that's when

0:13:09.360 --> 0:13:12.439
<v Speaker 3>you just feel everyone lean in and they're excited because

0:13:12.480 --> 0:13:15.280
<v Speaker 3>they are like, yes, this is what I think about.

0:13:15.520 --> 0:13:17.480
<v Speaker 2>Do you see the look in their face when you're

0:13:17.559 --> 0:13:20.360
<v Speaker 2>performing to an audience when that moment happens, Can you see?

0:13:20.400 --> 0:13:23.679
<v Speaker 3>Or maybe maybe one sometimes? Yeah, sometimes one on one

0:13:23.760 --> 0:13:26.040
<v Speaker 3>is definitely easier. But sometimes when I'm in the middle

0:13:26.080 --> 0:13:29.120
<v Speaker 3>of it, like I can't take in all that stimulus.

0:13:29.679 --> 0:13:31.800
<v Speaker 1>Okay, I didn't even think of that.

0:13:32.000 --> 0:13:36.320
<v Speaker 3>Yeah, because it's a it's a lot, yes it is.

0:13:36.440 --> 0:13:38.720
<v Speaker 2>But when they all laugh, like I said, it's you know,

0:13:38.760 --> 0:13:40.280
<v Speaker 2>immediately I had you chuckling.

0:13:40.400 --> 0:13:42.000
<v Speaker 1>I wasn't even trying to be funny.

0:13:42.080 --> 0:13:44.360
<v Speaker 3>I'm just you know, just just hack.

0:13:45.080 --> 0:13:50.280
<v Speaker 2>But yeah, but you know, to make people laugh, especially comedians,

0:13:50.320 --> 0:13:52.719
<v Speaker 2>but in general, I mean it has to be one

0:13:52.760 --> 0:13:57.200
<v Speaker 2>of the most fulfilling feelings in the world or just

0:13:57.400 --> 0:14:01.320
<v Speaker 2>healing for you too. Yeah, on the one giving the

0:14:01.360 --> 0:14:04.320
<v Speaker 2>healing stuff is receiving, you know, And there's some things,

0:14:04.440 --> 0:14:08.200
<v Speaker 2>especially with my new special, I have a bonus to it,

0:14:08.240 --> 0:14:11.200
<v Speaker 2>which is a story that I do tell about, you know,

0:14:11.400 --> 0:14:15.480
<v Speaker 2>the kind of post year of after my breast cancer.

0:14:15.760 --> 0:14:20.440
<v Speaker 3>And it has a pretty edgy punchline to it, and

0:14:20.760 --> 0:14:24.320
<v Speaker 3>I was I didn't do the story for a long

0:14:24.400 --> 0:14:27.560
<v Speaker 3>time because I was pretty concerned that when I I

0:14:28.280 --> 0:14:30.680
<v Speaker 3>wanted to tell this story so bad Lynn, you have

0:14:30.880 --> 0:14:33.800
<v Speaker 3>no idea, but I was so worried that when I

0:14:33.920 --> 0:14:37.800
<v Speaker 3>got to that punchline that the audience would not be

0:14:37.920 --> 0:14:43.200
<v Speaker 3>happy with me. Ooh, and so I was pretty hesitant

0:14:43.520 --> 0:14:46.680
<v Speaker 3>to get it out there. And I finally I did

0:14:46.720 --> 0:14:50.280
<v Speaker 3>some one on ones with people, some comedians and some

0:14:50.320 --> 0:14:53.040
<v Speaker 3>people that I know from the moth world to basically

0:14:53.360 --> 0:14:56.200
<v Speaker 3>temperature test it. Yeah, test it, and they were like, no,

0:14:56.320 --> 0:14:58.680
<v Speaker 3>it's okay, because you set this up and you set

0:14:58.680 --> 0:15:01.000
<v Speaker 3>this up, and you set this up, and then I

0:15:01.200 --> 0:15:03.000
<v Speaker 3>you know, then I had to do it on stage,

0:15:03.080 --> 0:15:10.760
<v Speaker 3>and when that got a big, huge pop, it felt fantastic.

0:15:11.520 --> 0:15:13.520
<v Speaker 3>It really felt very gratifying.

0:15:14.200 --> 0:15:15.240
<v Speaker 1>And what special is this?

0:15:15.440 --> 0:15:17.360
<v Speaker 3>Just so when people this is, yeah, so this is

0:15:17.400 --> 0:15:19.680
<v Speaker 3>I used to be nicer. If you know, you can

0:15:19.760 --> 0:15:22.720
<v Speaker 3>watch the special actually right now, you can actually also

0:15:22.760 --> 0:15:24.520
<v Speaker 3>get it as an audio album. I think a lot

0:15:24.520 --> 0:15:26.720
<v Speaker 3>of people like having audio albums. They like throwing stuff

0:15:26.720 --> 0:15:29.160
<v Speaker 3>in their ears and doing their chores or going on

0:15:29.240 --> 0:15:32.400
<v Speaker 3>jogs or listening to in your car so driving. Yeah,

0:15:32.440 --> 0:15:35.080
<v Speaker 3>so that's available on all you know, Apple Music and

0:15:35.120 --> 0:15:37.920
<v Speaker 3>YouTube Music and Amazon, all those places, and there's a

0:15:37.960 --> 0:15:42.200
<v Speaker 3>bonus story. There's a bonus story. Uh. And that that

0:15:42.240 --> 0:15:42.640
<v Speaker 3>one that.

0:15:42.720 --> 0:15:45.920
<v Speaker 1>We were just kind of touching.

0:15:43.920 --> 0:15:46.680
<v Speaker 3>That I don't want to give it away because it's

0:15:46.680 --> 0:15:47.280
<v Speaker 3>a good team.

0:15:48.320 --> 0:15:48.840
<v Speaker 1>I like that.

0:15:49.240 --> 0:15:52.160
<v Speaker 2>No, No, I love that I do. And the reason

0:15:52.160 --> 0:15:54.040
<v Speaker 2>why I asked which special because you get so many?

0:15:54.080 --> 0:15:56.640
<v Speaker 3>Oh yeah, no, I do have a few. But even

0:15:56.720 --> 0:15:59.040
<v Speaker 3>even when talking about parenting, I think when you know,

0:15:59.240 --> 0:16:01.760
<v Speaker 3>of course they're is more comedy to be had when

0:16:01.800 --> 0:16:05.040
<v Speaker 3>you criticize it, right, Because if I said I just

0:16:05.160 --> 0:16:08.920
<v Speaker 3>love everything, Oh it's so easy and I'm wonderful at it,

0:16:09.200 --> 0:16:13.600
<v Speaker 3>nobody cares nobody cares. But if I go, I don't

0:16:13.640 --> 0:16:15.160
<v Speaker 3>like this, and this is why I don't like it,

0:16:15.200 --> 0:16:18.960
<v Speaker 3>And you know what, this is not reaching my expectations.

0:16:18.960 --> 0:16:21.440
<v Speaker 3>And this is how my kid was kind of crappy.

0:16:21.640 --> 0:16:26.920
<v Speaker 3>You know. That's where people are feel relaxed and happy

0:16:26.960 --> 0:16:29.040
<v Speaker 3>to laugh because they're just like, oh, it's not just me.

0:16:29.400 --> 0:16:32.320
<v Speaker 3>Oh my goodness, I'm going through stuff too. Oh the

0:16:32.360 --> 0:16:35.480
<v Speaker 3>guilt is gone, you know. Yeah, And that's not easy.

0:16:35.560 --> 0:16:36.920
<v Speaker 3>That's not easy at all.

0:16:37.200 --> 0:16:40.120
<v Speaker 2>And speaking of that Lewis Black produced, I used to

0:16:40.160 --> 0:16:43.360
<v Speaker 2>be nicer. Yeah, I need to know what that collaboration

0:16:43.520 --> 0:16:45.800
<v Speaker 2>was like, Like what does a legend like Lewis Black

0:16:45.880 --> 0:16:48.760
<v Speaker 2>bring to the creative process of putting together a.

0:16:48.720 --> 0:16:50.920
<v Speaker 1>Special and how did you get anything done with him?

0:16:51.040 --> 0:16:53.560
<v Speaker 3>Oh? I mean, like, let's let's se his I mean

0:16:54.040 --> 0:16:59.960
<v Speaker 3>he kind of most of his collaboration was really just

0:17:00.200 --> 0:17:05.040
<v Speaker 3>support because he he knows what this is like. And

0:17:05.160 --> 0:17:09.280
<v Speaker 3>so he and I met years ago as actually on

0:17:09.320 --> 0:17:11.960
<v Speaker 3>that NPR show I used to host. I interviewed him

0:17:12.440 --> 0:17:15.600
<v Speaker 3>for that live on stage, and he at the time

0:17:15.640 --> 0:17:19.080
<v Speaker 3>had mentioned that he would be interested in maybe producing

0:17:19.119 --> 0:17:21.280
<v Speaker 3>my comedy album because he was like, you're smart, you know.

0:17:21.320 --> 0:17:22.840
<v Speaker 3>There was just some things that we live in the

0:17:22.880 --> 0:17:26.680
<v Speaker 3>same world as and at the time I just really

0:17:26.680 --> 0:17:29.080
<v Speaker 3>didn't know how to move forward with that. But then

0:17:29.280 --> 0:17:33.400
<v Speaker 3>years later it came back around and I was talking

0:17:33.400 --> 0:17:37.240
<v Speaker 3>to him about a totally different project and he said,

0:17:37.320 --> 0:17:39.840
<v Speaker 3>you want to still do that comedy special and I

0:17:39.920 --> 0:17:43.240
<v Speaker 3>was like yeah, So then it became a lot. I mean,

0:17:43.240 --> 0:17:45.280
<v Speaker 3>we just spent a lot of time with his team

0:17:45.320 --> 0:17:48.840
<v Speaker 3>talking about the technical aspects and he was just very

0:17:48.840 --> 0:17:53.119
<v Speaker 3>supportive about how to get the best performance and just

0:17:53.400 --> 0:17:56.560
<v Speaker 3>and the reality mabe. We all just I love talking

0:17:56.560 --> 0:17:59.040
<v Speaker 3>to fellow performers because we all know what we're dealing

0:17:59.119 --> 0:18:01.720
<v Speaker 3>with and we all know what it's like to you know,

0:18:01.840 --> 0:18:04.359
<v Speaker 3>things don't always go as planned, and the kind of

0:18:04.440 --> 0:18:09.960
<v Speaker 3>verbiage we like hearing each other say, because these things

0:18:10.200 --> 0:18:13.240
<v Speaker 3>doing these specials super fun, but it's live on stage,

0:18:13.680 --> 0:18:21.600
<v Speaker 3>so anything can happen. Happen, and it does ruin it

0:18:21.920 --> 0:18:25.040
<v Speaker 3>potentially or change it or it's not you know, you're

0:18:25.080 --> 0:18:28.040
<v Speaker 3>not doing this very finite product. Of course you're going

0:18:28.080 --> 0:18:31.040
<v Speaker 3>to edit it. So yeah, yeah, yeah, Wow.

0:18:32.160 --> 0:18:35.280
<v Speaker 2>He's one of my time favorites years ago as well,

0:18:35.320 --> 0:18:39.760
<v Speaker 2>and just always like no matter what, just the sweetest, most.

0:18:39.640 --> 0:18:42.520
<v Speaker 3>So nice, and so I think it's so funny that

0:18:42.600 --> 0:18:45.600
<v Speaker 3>I don't think anyone thinks he's prickly, but of course

0:18:45.800 --> 0:18:50.520
<v Speaker 3>he's so angry exactly exactly, but as a person, just

0:18:50.760 --> 0:18:55.760
<v Speaker 3>one of the sweetest and talk about someone who I think, well, anyways,

0:18:55.760 --> 0:18:58.840
<v Speaker 3>he is. He is an artist. He has he's written plays.

0:18:58.880 --> 0:19:01.840
<v Speaker 3>He you know, has such a huge playwriting background, and

0:19:01.880 --> 0:19:07.760
<v Speaker 3>so he comes at it from this very like holistically

0:19:07.840 --> 0:19:12.480
<v Speaker 3>artistic creative place, which I you know, to me, that

0:19:12.720 --> 0:19:13.439
<v Speaker 3>was the best.

0:19:14.440 --> 0:19:15.600
<v Speaker 1>Sounds so dreamy.

0:19:15.800 --> 0:19:20.200
<v Speaker 2>You've done stand up, let's see solo theatrical shows. Did

0:19:20.240 --> 0:19:23.440
<v Speaker 2>I say that vmoir podcasting, which you're still doing.

0:19:23.840 --> 0:19:27.040
<v Speaker 1>These are all very different muscles.

0:19:27.160 --> 0:19:28.919
<v Speaker 2>Yes, yeah, that's how I look at it.

0:19:28.960 --> 0:19:31.800
<v Speaker 3>That's so funny you say that because people go, oh, like,

0:19:31.800 --> 0:19:33.960
<v Speaker 3>what's the difference between this this, and I go, it's like,

0:19:34.440 --> 0:19:37.960
<v Speaker 3>it's still your arm, but today it's BICEP, and tomorrow

0:19:38.000 --> 0:19:40.760
<v Speaker 3>it's triceep and the other day for arm, you know,

0:19:40.840 --> 0:19:42.640
<v Speaker 3>but you it's still your arm.

0:19:43.480 --> 0:19:46.040
<v Speaker 1>Yeah, And that's a really cool way we're putting it in.

0:19:46.119 --> 0:19:49.119
<v Speaker 2>Also, you do have to rest muscles after you work them,

0:19:49.240 --> 0:19:51.119
<v Speaker 2>so you need to have a few different ones to

0:19:51.160 --> 0:19:53.480
<v Speaker 2>call on when when one needs to rest.

0:19:53.600 --> 0:19:56.280
<v Speaker 3>Yes, and I've never been good with sticking to one thing,

0:19:56.359 --> 0:19:57.160
<v Speaker 3>I'll tell you that much.

0:19:57.600 --> 0:19:58.840
<v Speaker 1>Never me. Neither did.

0:19:58.840 --> 0:20:00.560
<v Speaker 2>People used to tell you when you we're a kid,

0:20:01.600 --> 0:20:03.479
<v Speaker 2>you know, pick one thing and be really good at it.

0:20:03.600 --> 0:20:05.240
<v Speaker 1>Always drive me nuts me.

0:20:05.320 --> 0:20:09.440
<v Speaker 3>Too, because I didn't. I thought it was too much pressure.

0:20:10.000 --> 0:20:13.960
<v Speaker 3>And I was also like, I don't like one thing.

0:20:14.200 --> 0:20:17.119
<v Speaker 3>I like all these other things. I mean, I wished

0:20:17.359 --> 0:20:19.879
<v Speaker 3>for years and years and years I wish. I was like,

0:20:19.920 --> 0:20:22.160
<v Speaker 3>why can't I just do one thing? My life would

0:20:22.200 --> 0:20:24.160
<v Speaker 3>be so much easier if I did one thing. Maybe

0:20:24.240 --> 0:20:26.800
<v Speaker 3>I'm wrongdoing all these things, because maybe if I focused

0:20:26.800 --> 0:20:29.280
<v Speaker 3>all the energy on one thing. You know, all this

0:20:29.480 --> 0:20:32.280
<v Speaker 3>you know, this is this is how we torture ourselves.

0:20:32.760 --> 0:20:35.560
<v Speaker 2>Yes, it is, it is. And then that's hindsight again,

0:20:35.560 --> 0:20:38.919
<v Speaker 2>like why did I torture myself? It's just fine doing

0:20:39.000 --> 0:20:42.000
<v Speaker 2>twenty million things? You know, if you if there's we

0:20:42.040 --> 0:20:44.520
<v Speaker 2>only get one shot at you know, go around in life.

0:20:44.600 --> 0:20:49.199
<v Speaker 2>So why not try a lot of things? You know

0:20:49.240 --> 0:20:50.639
<v Speaker 2>you may not be good at all of them, but

0:20:50.680 --> 0:20:52.320
<v Speaker 2>in your case, sadly you are.

0:20:53.280 --> 0:20:55.959
<v Speaker 3>But my question about I'm medium good at all of them?

0:20:56.040 --> 0:20:57.840
<v Speaker 1>Yes, all right, well, I'll take that.

0:20:58.000 --> 0:20:58.240
<v Speaker 4>Yep.

0:20:58.480 --> 0:21:01.640
<v Speaker 2>I still think you're really which one's still of all

0:21:01.640 --> 0:21:03.680
<v Speaker 2>the muscles that you have to work out, which one

0:21:03.920 --> 0:21:06.639
<v Speaker 2>feels most like home and which one still kind of

0:21:06.640 --> 0:21:07.119
<v Speaker 2>scares you?

0:21:07.200 --> 0:21:09.960
<v Speaker 3>Is there? Oh my god, they will still scare me.

0:21:10.080 --> 0:21:13.080
<v Speaker 3>They all still scare me. However, I will say, you know,

0:21:13.200 --> 0:21:16.080
<v Speaker 3>in this world, in this podcasting world that we live in,

0:21:16.520 --> 0:21:20.080
<v Speaker 3>talking to people and interviewing people has definitely gotten I

0:21:20.119 --> 0:21:22.359
<v Speaker 3>think for me, easier and easier and easier because you

0:21:22.480 --> 0:21:26.400
<v Speaker 3>kind of it gets easier to not feel scared about

0:21:26.440 --> 0:21:29.320
<v Speaker 3>that or not freak out that you are wasting someone's time,

0:21:29.400 --> 0:21:31.280
<v Speaker 3>Like I really walked in with a lot of those

0:21:31.800 --> 0:21:36.199
<v Speaker 3>potential fears, and over time and I think actually just

0:21:36.240 --> 0:21:38.800
<v Speaker 3>all of us are now so used to talking in

0:21:38.880 --> 0:21:41.280
<v Speaker 3>these formats it's easier. I don't know if you feel

0:21:41.320 --> 0:21:41.680
<v Speaker 3>that way.

0:21:42.240 --> 0:21:44.480
<v Speaker 1>Oh yeah, I mean I've seen thing.

0:21:44.520 --> 0:21:46.560
<v Speaker 2>I mean I used to host a show where I

0:21:46.600 --> 0:21:50.879
<v Speaker 2>interviewed people and I would be petrified, you know, like

0:21:50.960 --> 0:21:53.479
<v Speaker 2>to sit down with them because there's like camera people

0:21:53.600 --> 0:21:56.080
<v Speaker 2>and make up artists and sound people and then all

0:21:56.080 --> 0:21:57.600
<v Speaker 2>the people in the back room that are watching and

0:21:57.600 --> 0:22:00.560
<v Speaker 2>listening making fun of me that I can't hear, and

0:22:00.800 --> 0:22:02.640
<v Speaker 2>I don't want to waste someone's time like I'm doing

0:22:02.640 --> 0:22:02.879
<v Speaker 2>with you.

0:22:03.160 --> 0:22:05.680
<v Speaker 3>No, no, you're not, You're I don't want to talk

0:22:05.720 --> 0:22:06.280
<v Speaker 3>about things.

0:22:06.320 --> 0:22:08.640
<v Speaker 1>But yeah, you totally get that and stand up.

0:22:08.840 --> 0:22:11.080
<v Speaker 3>You know, it's stand up as a funny way of

0:22:11.400 --> 0:22:14.600
<v Speaker 3>playing with you because every time you go, oh yeah,

0:22:15.160 --> 0:22:17.879
<v Speaker 3>I feel real solid, I feel really good. Oh, it

0:22:17.920 --> 0:22:22.800
<v Speaker 3>will throw a new bizarre audience that is, you know whatever,

0:22:22.880 --> 0:22:25.639
<v Speaker 3>A drunk person like it all. It's so humbling. It

0:22:25.760 --> 0:22:29.280
<v Speaker 3>is one of the most humbling art forms because there's

0:22:29.320 --> 0:22:31.760
<v Speaker 3>always a new thing, always a new reason for you

0:22:31.840 --> 0:22:33.080
<v Speaker 3>to go like, are you kidding?

0:22:34.800 --> 0:22:36.679
<v Speaker 2>Is there one moment like that that stands out for

0:22:36.720 --> 0:22:39.200
<v Speaker 2>you that you can remember that you can talk about.

0:22:39.720 --> 0:22:42.359
<v Speaker 3>Where I was, I felt very modest, all of a sudden,

0:22:42.480 --> 0:22:43.040
<v Speaker 3>very humbled.

0:22:43.160 --> 0:22:46.120
<v Speaker 2>Well someone came at you. Yeah, yeah, yeah, I mean yeah.

0:22:46.359 --> 0:22:49.720
<v Speaker 3>I'm pretty Most of the New York clubs are are

0:22:49.840 --> 0:22:54.200
<v Speaker 3>very good at controlling the audience. I'll tell you one

0:22:54.240 --> 0:22:56.240
<v Speaker 3>where I was the hero because it's kind of fun

0:22:56.240 --> 0:22:59.199
<v Speaker 3>and that doesn't usually happen. What usually happens is so

0:22:59.240 --> 0:23:01.600
<v Speaker 3>what's the problem, And I will just tell you it's

0:23:01.640 --> 0:23:05.800
<v Speaker 3>mostly alcohol, Like it's alcohol, it's not no one ever

0:23:05.880 --> 0:23:10.119
<v Speaker 3>comes in, I think with this sort of you know whatever,

0:23:10.160 --> 0:23:11.920
<v Speaker 3>and now I'm gonna mess with this woman.

0:23:12.119 --> 0:23:14.280
<v Speaker 1>Get her. Yeah yeah.

0:23:14.280 --> 0:23:16.600
<v Speaker 3>And there's some stand up comics who have acts that

0:23:16.640 --> 0:23:19.959
<v Speaker 3>are much more they instigate people. I will say that

0:23:20.040 --> 0:23:22.159
<v Speaker 3>some people have the kind they like that, they like

0:23:22.240 --> 0:23:24.360
<v Speaker 3>kind of getting a rise out of people, So there's potential,

0:23:24.560 --> 0:23:27.120
<v Speaker 3>but I don't have that act. However, these women were

0:23:27.119 --> 0:23:29.640
<v Speaker 3>not drunk. But there was a group of young women,

0:23:29.680 --> 0:23:31.800
<v Speaker 3>which made even more mad because I'm like, I'm the

0:23:31.840 --> 0:23:34.280
<v Speaker 3>woman on stage. There's four other guys on this lineup

0:23:34.560 --> 0:23:37.080
<v Speaker 3>like you this is the like, come on, be on

0:23:37.200 --> 0:23:39.840
<v Speaker 3>my side. But they were chatting. They were chatting the

0:23:39.840 --> 0:23:41.920
<v Speaker 3>whole show, chatting the whole show, whole show, hole show,

0:23:42.560 --> 0:23:46.280
<v Speaker 3>and disruptive right in the front, chatting, chatting, and they

0:23:46.280 --> 0:23:47.919
<v Speaker 3>were told to shut up, blah blah. They did not.

0:23:48.080 --> 0:23:51.159
<v Speaker 3>I got on and they're right there chatting. It's like

0:23:51.280 --> 0:23:53.400
<v Speaker 3>I can hear them while I'm trying to do my jokes,

0:23:53.440 --> 0:23:55.960
<v Speaker 3>and I finally just went okay and I and I

0:23:56.119 --> 0:23:58.880
<v Speaker 3>just was like, guys, guys, you're talking and they did

0:23:58.920 --> 0:24:01.840
<v Speaker 3>not care. And I said to one of them, well,

0:24:01.840 --> 0:24:04.600
<v Speaker 3>what do you do? What do you do and she

0:24:04.760 --> 0:24:07.000
<v Speaker 3>was like I think she said she works at insurance,

0:24:07.040 --> 0:24:08.960
<v Speaker 3>and I was like, do you like that job? She's like,

0:24:09.240 --> 0:24:10.880
<v Speaker 3>it's okay, I go to make a lot of money.

0:24:10.920 --> 0:24:14.520
<v Speaker 3>She goes it's okay. I go, well, what's your passion?

0:24:15.680 --> 0:24:18.800
<v Speaker 3>Like what did you want to do? And she said

0:24:19.160 --> 0:24:21.040
<v Speaker 3>I don't really know. And I was like, oh, well,

0:24:21.080 --> 0:24:23.240
<v Speaker 3>I hope you figure that out, because this is my

0:24:23.480 --> 0:24:28.560
<v Speaker 3>passion and right now you're ruining it. And the audience

0:24:28.640 --> 0:24:30.680
<v Speaker 3>had had had to put up with these women all

0:24:30.760 --> 0:24:34.679
<v Speaker 3>night too, so they applauded. They they applauded at that moment,

0:24:35.160 --> 0:24:38.840
<v Speaker 3>and those women got up and stormed out.

0:24:39.359 --> 0:24:42.240
<v Speaker 1>They did, yeah, well, thank you. That was beautiful.

0:24:42.920 --> 0:24:44.480
<v Speaker 3>And I felt bad all of a sudden, of course,

0:24:44.480 --> 0:24:48.159
<v Speaker 3>and then I immediately go to Mofia Eisenberg woman, you know,

0:24:48.160 --> 0:24:50.240
<v Speaker 3>blah blah shame. I'm like, oh no, I hope the

0:24:50.280 --> 0:24:52.200
<v Speaker 3>club isn't mad at me that I you know, blah

0:24:52.240 --> 0:24:55.520
<v Speaker 3>blah blah. But no, they didn't give them their money

0:24:55.560 --> 0:24:57.640
<v Speaker 3>back on the way. I'm sure they got their money back,

0:24:57.680 --> 0:24:59.639
<v Speaker 3>but I was just like, don't come to a show.

0:25:00.040 --> 0:25:01.840
<v Speaker 3>You do. Don't come to a show.

0:25:02.040 --> 0:25:04.560
<v Speaker 2>Wow, that is like beyond hero. You should get a

0:25:04.680 --> 0:25:06.639
<v Speaker 2>cape with your letter on it.

0:25:06.880 --> 0:25:08.280
<v Speaker 1>I mean that's a huge Yeah.

0:25:08.320 --> 0:25:10.119
<v Speaker 3>That was one time where I was just like, Okay,

0:25:10.119 --> 0:25:11.280
<v Speaker 3>that worked out, I.

0:25:11.200 --> 0:25:13.800
<v Speaker 2>Mean more or it was beautiful because you did that

0:25:13.880 --> 0:25:15.920
<v Speaker 2>on the fly, live in front of an audience, and

0:25:15.960 --> 0:25:17.840
<v Speaker 2>the most people could never even do that, even if

0:25:17.880 --> 0:25:18.360
<v Speaker 2>it was like.

0:25:18.320 --> 0:25:20.679
<v Speaker 1>A you know, alone on the street.

0:25:20.440 --> 0:25:23.159
<v Speaker 2>And someone was heckling you, you couldn't do that.

0:25:23.480 --> 0:25:25.360
<v Speaker 3>It worked out. I mean, it worked out. And sometimes

0:25:25.359 --> 0:25:28.280
<v Speaker 3>you try to shut people down in some artful way

0:25:28.840 --> 0:25:31.639
<v Speaker 3>and uh, and it doesn't work out that way, so

0:25:32.440 --> 0:25:34.640
<v Speaker 3>you know, or yeah, they just get more and more

0:25:34.680 --> 0:25:38.280
<v Speaker 3>belligerent or what have you. Yeah, I mean they're gonna

0:25:38.280 --> 0:25:41.600
<v Speaker 3>steal that. There's a lot of times where I do

0:25:41.680 --> 0:25:43.919
<v Speaker 3>think that there is still a little bit of a

0:25:44.320 --> 0:25:47.040
<v Speaker 3>stereotype that we're all pushing up against. When there's a

0:25:47.080 --> 0:25:49.480
<v Speaker 3>woman on stage with a microphone whose voice is being

0:25:49.520 --> 0:25:53.680
<v Speaker 3>amplified louder than everybody else's, there's a lot of men

0:25:53.760 --> 0:25:56.560
<v Speaker 3>that are like, nope, I must now say something.

0:25:57.320 --> 0:25:57.560
<v Speaker 4>Yeah.

0:25:57.760 --> 0:26:01.600
<v Speaker 2>You can see in their eyes right, like tell me

0:26:01.640 --> 0:26:04.680
<v Speaker 2>I'm wrong. You can see the minute it happens when

0:26:04.720 --> 0:26:07.560
<v Speaker 2>you start talking, and their eyes are like yeah, oh yeah,

0:26:07.600 --> 0:26:09.320
<v Speaker 2>you know, like you can. They don't even have to

0:26:09.320 --> 0:26:11.440
<v Speaker 2>say anything. You know, you're annoying the hell out of them.

0:26:11.520 --> 0:26:14.040
<v Speaker 3>Yeah, and they're like, well, I will have to talk

0:26:14.160 --> 0:26:16.320
<v Speaker 3>because I'm not going to listen to a female voice

0:26:16.320 --> 0:26:20.040
<v Speaker 3>as long my voice is the one that should be highlighted. Yeah.

0:26:20.160 --> 0:26:21.359
<v Speaker 1>I can't believe that still goes on.

0:26:21.480 --> 0:26:23.080
<v Speaker 2>I still think when I was a kid that that

0:26:23.240 --> 0:26:25.520
<v Speaker 2>was you know, all that's from the past, you know,

0:26:25.800 --> 0:26:26.320
<v Speaker 2>and I and.

0:26:26.280 --> 0:26:28.680
<v Speaker 3>I and I call it out to them. I literally go, oh,

0:26:28.720 --> 0:26:30.520
<v Speaker 3>I get it. It's really hard having a woman on

0:26:30.560 --> 0:26:33.879
<v Speaker 3>a microphone with a louder voice signors. I totally understand.

0:26:36.040 --> 0:26:38.680
<v Speaker 4>We'll be right back with more of the Comedy Save

0:26:38.800 --> 0:26:47.520
<v Speaker 4>Me Podcast. Welcome back to the Comedy Save Me Podcast.

0:26:48.600 --> 0:26:52.720
<v Speaker 2>Oh Fiarra, you hosted Ask Me Another on APR for

0:26:52.840 --> 0:26:53.480
<v Speaker 2>nine years.

0:26:53.560 --> 0:26:53.800
<v Speaker 3>Yeah.

0:26:53.880 --> 0:26:56.120
<v Speaker 2>First of all, that's a remarkable run for any show,

0:26:56.160 --> 0:26:59.119
<v Speaker 2>whether it's a yeah, it doesn't matter what kind of show,

0:26:59.200 --> 0:27:01.800
<v Speaker 2>I mean, just lasting. What did that experience teach you

0:27:02.760 --> 0:27:05.280
<v Speaker 2>about connecting with an audience that you couldn't have learned

0:27:05.320 --> 0:27:06.320
<v Speaker 2>doing stand up alone.

0:27:06.320 --> 0:27:08.520
<v Speaker 3>Oh yeah, so that was almost like a ring master

0:27:08.760 --> 0:27:13.760
<v Speaker 3>job truly, because you're hosting a live show, but you're

0:27:13.800 --> 0:27:17.040
<v Speaker 3>also kind of producing what happens on stage, because there's

0:27:17.400 --> 0:27:19.640
<v Speaker 3>they were live contestants that were coming up on stage

0:27:19.880 --> 0:27:23.840
<v Speaker 3>to play these clever, pretty difficult trivia games. Then there

0:27:23.920 --> 0:27:26.320
<v Speaker 3>was a musician on stage with me, so there's just

0:27:26.359 --> 0:27:28.720
<v Speaker 3>some banter there, and then there's just it's you know,

0:27:28.800 --> 0:27:32.440
<v Speaker 3>this show is basically going to go to the audio world,

0:27:32.480 --> 0:27:35.440
<v Speaker 3>so there's a lot of setting up just the station ideas,

0:27:35.640 --> 0:27:38.720
<v Speaker 3>the ins and outs that are going to break all

0:27:38.760 --> 0:27:41.520
<v Speaker 3>of that stuff, and then in between that hearing the

0:27:41.560 --> 0:27:44.240
<v Speaker 3>crowd and responding to the crowd so we all feel

0:27:44.240 --> 0:27:46.720
<v Speaker 3>like we're actually in a shared experience. So it was

0:27:46.800 --> 0:27:49.800
<v Speaker 3>a lot And because it is going on MPR, it

0:27:49.880 --> 0:27:54.280
<v Speaker 3>has to be clean and the kind of clean that

0:27:54.400 --> 0:27:58.239
<v Speaker 3>you would be okay listening to in your car with

0:27:58.280 --> 0:28:02.479
<v Speaker 3>your children. And I don't know if anyone's come up

0:28:02.480 --> 0:28:04.560
<v Speaker 3>with a better phrase for this, but I called it

0:28:04.600 --> 0:28:09.720
<v Speaker 3>doing positive comedy, Like you can't really take people down.

0:28:09.760 --> 0:28:12.800
<v Speaker 3>I couldn't, like, you can't tear apart your contestants because

0:28:12.800 --> 0:28:15.920
<v Speaker 3>they are so vulnerable and they're on stage feeling completely

0:28:15.960 --> 0:28:19.840
<v Speaker 3>exposed and worried about failing, and you're not going to

0:28:19.920 --> 0:28:22.920
<v Speaker 3>take down your fellow people on stage those are your shipmates,

0:28:23.160 --> 0:28:25.199
<v Speaker 3>and you don't want to yell at the audience, so

0:28:25.280 --> 0:28:26.639
<v Speaker 3>you have to figure out this way to be like

0:28:26.880 --> 0:28:33.600
<v Speaker 3>positive about everything. And that was that. I mean, I

0:28:33.640 --> 0:28:39.000
<v Speaker 3>feel like that skill was extremely useful, and it took

0:28:39.440 --> 0:28:42.040
<v Speaker 3>kind of years to learn how to do that in

0:28:42.080 --> 0:28:45.720
<v Speaker 3>any way that was effective and consistent. And then also

0:28:46.000 --> 0:28:48.480
<v Speaker 3>I really think that's I learned how to interview. That's

0:28:48.480 --> 0:28:51.280
<v Speaker 3>how I learned how to interview, because one I learned

0:28:51.280 --> 0:28:53.560
<v Speaker 3>how to interview from the MPR standards. There's a news

0:28:53.640 --> 0:28:56.640
<v Speaker 3>organization that helped me in the beginning just put together,

0:28:56.960 --> 0:28:59.320
<v Speaker 3>you know, kind of what a good interview sounds like

0:28:59.400 --> 0:29:02.200
<v Speaker 3>with a celebrity. But then you know, not long after,

0:29:02.240 --> 0:29:03.880
<v Speaker 3>they was like, all right, now you do it, and

0:29:03.920 --> 0:29:07.920
<v Speaker 3>I'm interviewing celebrities, but I'm interviewing real people, So you know,

0:29:08.000 --> 0:29:10.760
<v Speaker 3>it was it was. I would come home from those

0:29:10.760 --> 0:29:16.400
<v Speaker 3>shows exhausted, like just no more thoughts, thoughts.

0:29:17.520 --> 0:29:20.640
<v Speaker 2>I bet like three things. Number One, you were a conductor,

0:29:21.400 --> 0:29:24.400
<v Speaker 2>and the plates your plate spinning because you're like over here, okay,

0:29:24.400 --> 0:29:29.200
<v Speaker 2>get this one start. That's amazing, though, because there's no

0:29:29.400 --> 0:29:31.560
<v Speaker 2>way that you could have prepared for that except to

0:29:31.680 --> 0:29:33.080
<v Speaker 2>just dive in and do it.

0:29:33.320 --> 0:29:37.160
<v Speaker 3>Yes, So that's that was one about really listening. And

0:29:37.200 --> 0:29:39.320
<v Speaker 3>you know what, that's a valuable skill. And I say

0:29:39.320 --> 0:29:41.560
<v Speaker 3>to a lot of new stand up comics that you know,

0:29:41.600 --> 0:29:45.440
<v Speaker 3>they they want everyone wants to get better immediately, of course,

0:29:46.040 --> 0:29:48.840
<v Speaker 3>and I have said to people, but of course they

0:29:48.840 --> 0:29:52.120
<v Speaker 3>don't totally understand. It takes so long for you to

0:29:52.160 --> 0:29:56.840
<v Speaker 3>be able to listen to the audience like actually hear them,

0:29:57.040 --> 0:29:59.400
<v Speaker 3>not just sort of be in your own world where

0:29:59.440 --> 0:30:01.560
<v Speaker 3>you're we're thinking about what am I saying next and

0:30:01.560 --> 0:30:06.680
<v Speaker 3>how did that go? You're actually listening to the whole room,

0:30:07.000 --> 0:30:10.680
<v Speaker 3>and then it's it's a and it's I think it's

0:30:10.680 --> 0:30:12.560
<v Speaker 3>one of those skills that you have to work on

0:30:13.280 --> 0:30:17.640
<v Speaker 3>every time every day, like again working out or or running,

0:30:17.920 --> 0:30:19.680
<v Speaker 3>Like you just got to work at it every day

0:30:19.880 --> 0:30:23.240
<v Speaker 3>because it it's hard, it's it takes a lot of

0:30:23.280 --> 0:30:26.440
<v Speaker 3>confidence to hear it does if it doesn't go well,

0:30:26.480 --> 0:30:28.880
<v Speaker 3>if it does go well, how things hit and make

0:30:29.080 --> 0:30:30.760
<v Speaker 3>accurate predictions from that.

0:30:31.320 --> 0:30:34.520
<v Speaker 2>Yes, that's why I always thank God for the makeup

0:30:34.560 --> 0:30:37.400
<v Speaker 2>and hair people and lighting people, because.

0:30:37.160 --> 0:30:39.200
<v Speaker 1>That's where it gave you. You got to get out on.

0:30:39.160 --> 0:30:41.280
<v Speaker 2>The floor first of all, and that takes the that's

0:30:41.320 --> 0:30:43.520
<v Speaker 2>the biggest guts because everyone's looking at you. So when

0:30:43.520 --> 0:30:46.120
<v Speaker 2>you know that someone's taking care of that, that's off

0:30:46.200 --> 0:30:46.600
<v Speaker 2>the plate.

0:30:47.880 --> 0:30:51.080
<v Speaker 3>When you I mean, like, I look at my wardrobe

0:30:51.240 --> 0:30:53.480
<v Speaker 3>always in such a different way. I mean the show

0:30:53.520 --> 0:30:56.400
<v Speaker 3>closed versus the non show clothes, and I you because

0:30:56.560 --> 0:30:58.680
<v Speaker 3>you want this feel, and I know some clothes that

0:30:58.720 --> 0:31:00.600
<v Speaker 3>I have from I put it on and I just go,

0:31:01.080 --> 0:31:03.120
<v Speaker 3>this is the feel. And you walk on stage and

0:31:03.160 --> 0:31:06.120
<v Speaker 3>you just feel like a million bucks because you're like, yeah,

0:31:06.160 --> 0:31:08.200
<v Speaker 3>this is who I am. And let me tell you,

0:31:08.280 --> 0:31:13.680
<v Speaker 3>the audience smells it. They know we give them so

0:31:14.280 --> 0:31:16.520
<v Speaker 3>such a hard time. We're always like that audience was

0:31:16.560 --> 0:31:18.600
<v Speaker 3>stupid or they were drunk. But let me tell you,

0:31:18.640 --> 0:31:20.880
<v Speaker 3>they have a sixth sense. And when you walk on

0:31:21.000 --> 0:31:24.400
<v Speaker 3>there with a particular kind of vibe, they pick it

0:31:24.520 --> 0:31:25.800
<v Speaker 3>up immediately.

0:31:26.720 --> 0:31:27.360
<v Speaker 1>Yeah they do.

0:31:27.480 --> 0:31:30.480
<v Speaker 2>They're very They know when they're being someone said a

0:31:30.480 --> 0:31:32.840
<v Speaker 2>long time ago to me, people know when they're being

0:31:32.840 --> 0:31:37.800
<v Speaker 2>advertised to. And I always feeling really do the really though,

0:31:37.840 --> 0:31:39.800
<v Speaker 2>because I don't know, that's a whole other topic we

0:31:39.840 --> 0:31:40.400
<v Speaker 2>can get into.

0:31:40.600 --> 0:31:43.720
<v Speaker 3>Uh huh uh huh. Interesting I want.

0:31:43.560 --> 0:31:45.840
<v Speaker 2>To talk to you about because I could probably go

0:31:45.920 --> 0:31:47.600
<v Speaker 2>in a million directions with you.

0:31:47.760 --> 0:31:49.200
<v Speaker 1>I just love talking with you.

0:31:49.320 --> 0:31:53.040
<v Speaker 2>Parenting is a joke on iHeart is a Webby finalist

0:31:53.160 --> 0:31:54.280
<v Speaker 2>for Best Host.

0:31:54.480 --> 0:31:57.080
<v Speaker 1>Well that's congratulations, thank you, very thank you very much,

0:31:57.200 --> 0:31:58.640
<v Speaker 1>thank you another muscle.

0:32:00.080 --> 0:32:02.800
<v Speaker 2>What made you want to go deep on parenting as

0:32:02.840 --> 0:32:06.080
<v Speaker 2>a comedy subject? Yeah, what felt sort of untapped that

0:32:06.200 --> 0:32:07.200
<v Speaker 2>no one's touched yet.

0:32:07.280 --> 0:32:09.440
<v Speaker 3>I mean, it was just it was literally creating the

0:32:09.480 --> 0:32:12.680
<v Speaker 3>product that I couldn't find for myself. So I found

0:32:12.800 --> 0:32:17.720
<v Speaker 3>becoming a parent a pretty you know, lonely, a lonely

0:32:17.920 --> 0:32:20.360
<v Speaker 3>place to be. I didn't, and I did it older.

0:32:20.680 --> 0:32:23.200
<v Speaker 3>So there was that, And then I was I work

0:32:23.400 --> 0:32:27.120
<v Speaker 3>in stand up, which is not particularly family friendly, like

0:32:27.200 --> 0:32:29.360
<v Speaker 3>just from an hour's point of view or from a

0:32:29.360 --> 0:32:33.400
<v Speaker 3>lifestyle point of view, and a many now I feel

0:32:33.400 --> 0:32:35.280
<v Speaker 3>like more and more people have kids, But I felt

0:32:35.320 --> 0:32:38.400
<v Speaker 3>like when I started, it was kind of a little

0:32:38.440 --> 0:32:41.760
<v Speaker 3>bit of an unspoken rule that you weren't going to

0:32:41.800 --> 0:32:44.200
<v Speaker 3>have a family if you really wanted to take this seriously.

0:32:45.000 --> 0:32:48.000
<v Speaker 3>I mean the guys did, but that was just that terrible,

0:32:48.320 --> 0:32:51.479
<v Speaker 3>you know, kind of ongoing stereotype about like they had

0:32:51.480 --> 0:32:53.520
<v Speaker 3>a wife at home while they were on the road,

0:32:53.640 --> 0:32:54.080
<v Speaker 3>kind of thing.

0:32:54.640 --> 0:32:56.800
<v Speaker 1>Yeah, and then kids in every city.

0:32:56.880 --> 0:33:01.160
<v Speaker 3>I write exactly one for every port, and so when

0:33:01.240 --> 0:33:03.720
<v Speaker 3>I find so, then you know. And then the cruel

0:33:03.760 --> 0:33:06.040
<v Speaker 3>reality caught up with me that I was leaving at

0:33:06.120 --> 0:33:09.480
<v Speaker 3>night and there was no wind down for me. That's

0:33:09.520 --> 0:33:12.000
<v Speaker 3>when I had to wind up. And I was like,

0:33:12.080 --> 0:33:16.760
<v Speaker 3>there's gotta be other people with unusual jobs unusual hours.

0:33:17.040 --> 0:33:19.680
<v Speaker 3>Who are parents? Like, come on, now, we all have

0:33:19.880 --> 0:33:23.320
<v Speaker 3>unusual jobs and unusual hours. And I just felt like

0:33:23.360 --> 0:33:27.320
<v Speaker 3>I was surrounded by this unbelievable nine to five maybe

0:33:27.680 --> 0:33:30.640
<v Speaker 3>stay at home parent world, and I was like, where

0:33:30.640 --> 0:33:34.040
<v Speaker 3>are my people? And then the humor. I felt like

0:33:34.080 --> 0:33:36.400
<v Speaker 3>at the time, a lot of the parenting humor that

0:33:36.480 --> 0:33:40.840
<v Speaker 3>was specifically coming at moms was a little like what

0:33:40.880 --> 0:33:45.200
<v Speaker 3>I call wine in the sippy cup humor, which is great,

0:33:45.280 --> 0:33:48.760
<v Speaker 3>I see the marriagrefold. It was just like it was

0:33:48.800 --> 0:33:51.920
<v Speaker 3>like a little like we're drunk on shir Toay and

0:33:52.000 --> 0:33:55.880
<v Speaker 3>we're moms because of there's laundry and there's and it

0:33:56.040 --> 0:33:58.600
<v Speaker 3>just I didn't relate to it. And I was like,

0:33:58.680 --> 0:34:02.360
<v Speaker 3>where's the others stuff, where's the stuff that doesn't feel

0:34:02.400 --> 0:34:04.640
<v Speaker 3>so basic to me? I'm just going to say it.

0:34:04.800 --> 0:34:07.280
<v Speaker 3>I felt it was basic and I didn't. I was

0:34:07.320 --> 0:34:09.239
<v Speaker 3>not a shardon a mom. And if you are a

0:34:09.280 --> 0:34:12.279
<v Speaker 3>shared name mom, power to you. I love you. Just

0:34:12.400 --> 0:34:14.480
<v Speaker 3>was me. Yeah, I found the.

0:34:14.480 --> 0:34:17.200
<v Speaker 2>Whole that the thing that was not being talked, done

0:34:17.280 --> 0:34:18.160
<v Speaker 2>or showcased.

0:34:18.400 --> 0:34:20.440
<v Speaker 1>Yes, So it was that whole situation.

0:34:20.640 --> 0:34:22.160
<v Speaker 3>I was like, I want to talk to other stand

0:34:22.239 --> 0:34:25.759
<v Speaker 3>ups or people working creative fields that have kids that

0:34:26.080 --> 0:34:29.240
<v Speaker 3>you know, creative fields require so much time and effort

0:34:29.400 --> 0:34:33.360
<v Speaker 3>and focus, and so does parenting. So I was like,

0:34:33.400 --> 0:34:35.080
<v Speaker 3>I want to talk about people that are trying to

0:34:35.280 --> 0:34:37.760
<v Speaker 3>shove these things together to the best of their ability.

0:34:38.560 --> 0:34:41.240
<v Speaker 2>I think that's amazing. And speaking of keeping yourself busy

0:34:41.239 --> 0:34:43.759
<v Speaker 2>and parenting and all that, hosting a weekly podcast is

0:34:43.760 --> 0:34:44.640
<v Speaker 2>a serious coming on.

0:34:44.680 --> 0:34:46.880
<v Speaker 3>It's a grind, my friend. I don't mind doing it,

0:34:46.920 --> 0:34:47.960
<v Speaker 3>but it is a grind.

0:34:48.760 --> 0:34:49.279
<v Speaker 1>It's a lot.

0:34:49.320 --> 0:34:52.600
<v Speaker 2>How do you keep it feeling fresh and and of

0:34:52.640 --> 0:34:54.480
<v Speaker 2>course most importantly honest.

0:34:54.520 --> 0:34:59.200
<v Speaker 3>It's hard. It's so I literally have to work at

0:34:59.200 --> 0:35:03.640
<v Speaker 3>that all the time because it can feel a little daunting. Luckily,

0:35:03.920 --> 0:35:06.359
<v Speaker 3>you know, it's it's guest driven, much like what you're doing.

0:35:06.400 --> 0:35:08.720
<v Speaker 3>So I bring on different people and we talk and

0:35:09.000 --> 0:35:13.120
<v Speaker 3>that energizes me, right because everyone has cool and different

0:35:13.200 --> 0:35:16.759
<v Speaker 3>takes on stuff, and I do like, I do love that.

0:35:17.000 --> 0:35:20.040
<v Speaker 3>I do love talking to people. So then you know,

0:35:20.120 --> 0:35:22.800
<v Speaker 3>when they tell a story it reminds you of something.

0:35:23.000 --> 0:35:24.600
<v Speaker 3>You're like, oh, I haven't thought about that for a

0:35:24.640 --> 0:35:28.120
<v Speaker 3>long time. I should totally talk about that, but no,

0:35:28.440 --> 0:35:29.560
<v Speaker 3>it is let me practice.

0:35:29.960 --> 0:35:32.160
<v Speaker 2>How many times do you find when you're when you're

0:35:32.680 --> 0:35:38.000
<v Speaker 2>talking with people on your podcast that you you have, oh, my,

0:35:38.520 --> 0:35:42.480
<v Speaker 2>same thing, same thing, but you don't want to go

0:35:42.560 --> 0:35:44.840
<v Speaker 2>down too far down the road, but you just really

0:35:44.920 --> 0:35:47.359
<v Speaker 2>are driving so much like how do you stay back

0:35:47.400 --> 0:35:47.600
<v Speaker 2>on that?

0:35:47.840 --> 0:35:52.040
<v Speaker 3>It's the worst. It's the worst because honestly, I just

0:35:52.080 --> 0:35:55.960
<v Speaker 3>taped an episode earlier today with someone who is a

0:35:56.000 --> 0:35:59.240
<v Speaker 3>comedian but they're also a scientist and they are working

0:35:59.239 --> 0:36:01.840
<v Speaker 3>in robotics and AI, and I just I have a

0:36:01.960 --> 0:36:06.200
<v Speaker 3>thousand million questions about that. Yeah, you know, you can

0:36:06.280 --> 0:36:09.000
<v Speaker 3>only do so much. And I think that that's probably

0:36:09.040 --> 0:36:11.640
<v Speaker 3>what makes it good. You know, that's probably what makes

0:36:11.640 --> 0:36:15.240
<v Speaker 3>it good if you're just like, again, here's the finish line,

0:36:15.280 --> 0:36:18.640
<v Speaker 3>is there more? Yes? Because you know what, I do

0:36:18.719 --> 0:36:21.799
<v Speaker 3>not like going to listen personally. I don't like going

0:36:21.840 --> 0:36:24.560
<v Speaker 3>to listen to a podcast and see that it is

0:36:25.080 --> 0:36:27.840
<v Speaker 3>an hour forty five. I'm like, who has this time?

0:36:28.080 --> 0:36:28.799
<v Speaker 3>Who has this time?

0:36:28.840 --> 0:36:31.319
<v Speaker 1>No one? All right? Speaking of which, another question.

0:36:32.000 --> 0:36:36.399
<v Speaker 2>Leaving a Mark just finished the European to see did

0:36:36.440 --> 0:36:40.080
<v Speaker 2>comedy translate when you were out in Europe doing the

0:36:40.200 --> 0:36:42.840
<v Speaker 2>Leading a Mark tour? So were there moments that landed

0:36:42.880 --> 0:36:45.280
<v Speaker 2>differently than you expected with an international audience?

0:36:45.360 --> 0:36:47.759
<v Speaker 3>So totally So one part of there's a part in

0:36:47.800 --> 0:36:50.480
<v Speaker 3>that show that I love doing, which is an It

0:36:50.560 --> 0:36:52.880
<v Speaker 3>is audience interaction. So I set up a bunch of

0:36:52.920 --> 0:36:54.960
<v Speaker 3>my stories and some of them are funny, and we're

0:36:55.040 --> 0:36:56.919
<v Speaker 3>veering towards like some of the stuff that's a little

0:36:56.920 --> 0:36:59.880
<v Speaker 3>bit more heavy. But right before I do that, I go,

0:37:00.080 --> 0:37:02.480
<v Speaker 3>all right, now you know a little bit about my stuff.

0:37:02.640 --> 0:37:04.360
<v Speaker 3>I want to hear about your scars. I do a

0:37:04.400 --> 0:37:07.480
<v Speaker 3>scar competition with the audience where I ask people to

0:37:07.560 --> 0:37:09.440
<v Speaker 3>throw their hand in the air, tell me where their

0:37:09.440 --> 0:37:13.239
<v Speaker 3>scar is, how it happened, a couple senses, and there

0:37:13.239 --> 0:37:17.200
<v Speaker 3>are prizes and wow, of course it's cool. Yeah, it's

0:37:17.360 --> 0:37:21.800
<v Speaker 3>really fun. And I've had people say the most unbelievable

0:37:21.880 --> 0:37:29.000
<v Speaker 3>things like bone chilling, hilarious, everything in between, and really

0:37:29.120 --> 0:37:32.200
<v Speaker 3>just it's a celebration too, of like we have all

0:37:32.239 --> 0:37:37.960
<v Speaker 3>been through so much and we're still just going It's wild.

0:37:38.280 --> 0:37:42.640
<v Speaker 3>So American audiences, are you kidding? Sometimes I'm like, all right,

0:37:42.680 --> 0:37:45.239
<v Speaker 3>this show will last nine hours if I don't cut

0:37:45.280 --> 0:37:47.160
<v Speaker 3>this down. Because there's a million hands in the air.

0:37:47.200 --> 0:37:49.480
<v Speaker 3>Everyone wants to tell their story. Sometimes I have to

0:37:49.520 --> 0:37:51.399
<v Speaker 3>wrap people up for them. I'm like, all right, get

0:37:51.440 --> 0:37:55.200
<v Speaker 3>to the ending. But I was with the European audiences.

0:37:55.239 --> 0:37:59.280
<v Speaker 3>The audience interaction of like that. It can feel different

0:37:59.320 --> 0:38:03.399
<v Speaker 3>in some places, especially like Holland for example, where they

0:38:03.560 --> 0:38:07.239
<v Speaker 3>kind of like they're not used to that they and

0:38:07.280 --> 0:38:09.680
<v Speaker 3>they think it's a little little more serious much or

0:38:09.840 --> 0:38:11.960
<v Speaker 3>just like a little bit like I'm not part of this.

0:38:12.160 --> 0:38:16.080
<v Speaker 3>You do this really? Yeah, And even the idea of

0:38:16.600 --> 0:38:21.480
<v Speaker 3>you talking with such vulnerable memoir is a little newer

0:38:21.520 --> 0:38:24.120
<v Speaker 3>to them. From the cultural's perspective, it could even feel

0:38:24.200 --> 0:38:26.480
<v Speaker 3>like why are you airing your dirty laundry? This is

0:38:26.920 --> 0:38:28.080
<v Speaker 3>why would you talk about this?

0:38:28.960 --> 0:38:29.640
<v Speaker 1>Wow?

0:38:29.800 --> 0:38:34.160
<v Speaker 3>So I ended up quickly. I would come out before

0:38:34.239 --> 0:38:37.160
<v Speaker 3>the show and I would give them a little peptoc

0:38:37.320 --> 0:38:39.440
<v Speaker 3>and I'd be like, hey, everybody, here's what the show is.

0:38:39.840 --> 0:38:43.959
<v Speaker 3>This is funny, but it's also sad and it's storytelling,

0:38:44.000 --> 0:38:45.640
<v Speaker 3>so there's a narrative arc and I'm going to run

0:38:45.640 --> 0:38:47.879
<v Speaker 3>you through my story and it's about scars, but you're

0:38:47.920 --> 0:38:49.440
<v Speaker 3>a huge part of it, and there's gonna be an

0:38:49.440 --> 0:38:52.160
<v Speaker 3>audience interaction and you are going to participate. I'm going

0:38:52.200 --> 0:38:54.560
<v Speaker 3>to ask you about your scars, So start thinking about

0:38:54.560 --> 0:38:56.919
<v Speaker 3>that right now, because I need It's a huge part

0:38:56.920 --> 0:38:58.960
<v Speaker 3>of the show. And I made fun about Americans. I

0:38:59.000 --> 0:39:01.359
<v Speaker 3>were also self upset, and we talk about and how

0:39:01.440 --> 0:39:03.680
<v Speaker 3>much they are better. But I need them and if

0:39:03.719 --> 0:39:08.040
<v Speaker 3>they don't participate, I will make them. And then I

0:39:08.200 --> 0:39:10.200
<v Speaker 3>was like, and now let's do the show, and then

0:39:10.280 --> 0:39:15.040
<v Speaker 3>I would do the show. They're all like, huh, but

0:39:15.080 --> 0:39:17.759
<v Speaker 3>it was, it was, it was so it was, it

0:39:18.239 --> 0:39:20.680
<v Speaker 3>bore fruit. I was so glad that I did it.

0:39:21.560 --> 0:39:23.319
<v Speaker 1>So you have to do a pre I did a

0:39:23.360 --> 0:39:26.960
<v Speaker 1>preamble to the show. Yes, wow, because it's crazy.

0:39:27.000 --> 0:39:29.759
<v Speaker 3>I learned quickly. It was like everyone wants instructions. They

0:39:29.840 --> 0:39:31.279
<v Speaker 3>just want to know what to do, and they don't

0:39:31.320 --> 0:39:32.600
<v Speaker 3>know what to do. They want to know it's okay

0:39:32.640 --> 0:39:35.440
<v Speaker 3>to laugh, Yeah, they want to look laugh. They want

0:39:35.440 --> 0:39:37.919
<v Speaker 3>to know it's real. Like they're like, why is the

0:39:37.960 --> 0:39:40.880
<v Speaker 3>fourth wall disappearing, bring it back.

0:39:41.719 --> 0:39:44.520
<v Speaker 2>Yeah, like you said, especially in other countries that where

0:39:44.560 --> 0:39:47.319
<v Speaker 2>it's not so normal to talk about personal things.

0:39:47.520 --> 0:39:49.840
<v Speaker 3>Yeah, not, it's not as yeah, not as common.

0:39:50.480 --> 0:39:54.200
<v Speaker 2>Very you know, stoic, stoa, just stoic, and a lot

0:39:54.239 --> 0:39:54.920
<v Speaker 2>of the.

0:39:54.880 --> 0:39:59.880
<v Speaker 3>Entertainment, even if it has some memore, it will be

0:40:00.200 --> 0:40:03.080
<v Speaker 3>more absurdist. Like it's just there's just a lot of

0:40:03.160 --> 0:40:06.480
<v Speaker 3>different a whole different world of comedy going out out there,

0:40:06.600 --> 0:40:09.160
<v Speaker 3>which is great. So yeah, I had to I had

0:40:09.160 --> 0:40:10.680
<v Speaker 3>to tell them what I expected.

0:40:11.600 --> 0:40:13.560
<v Speaker 2>I think that's amazing. I mean, even though you just

0:40:13.600 --> 0:40:16.719
<v Speaker 2>had the hutzba. Yeah, sorry, I haven't used that word

0:40:16.719 --> 0:40:17.080
<v Speaker 2>in a while.

0:40:17.120 --> 0:40:18.360
<v Speaker 1>I had to get it. But to be able to

0:40:18.400 --> 0:40:21.600
<v Speaker 1>do that, that takes a lot of you know, it.

0:40:21.560 --> 0:40:24.800
<v Speaker 3>Felt pretty wild coming out, just very stark, and people

0:40:24.920 --> 0:40:27.960
<v Speaker 3>just stared at me with that stare of what is

0:40:28.040 --> 0:40:32.280
<v Speaker 3>going on, which was unnerving, but it just it worked.

0:40:32.640 --> 0:40:35.560
<v Speaker 3>And people who were Americans, there were some expats and

0:40:35.800 --> 0:40:37.799
<v Speaker 3>I don't think we'll use that word anymore, so forgive me,

0:40:37.840 --> 0:40:40.359
<v Speaker 3>but would there'd be other Americans Canadians that would come

0:40:40.400 --> 0:40:43.560
<v Speaker 3>to the show because obviously English speaking, and they would

0:40:43.560 --> 0:40:45.719
<v Speaker 3>say to me afterwards pointly that was such a good

0:40:45.800 --> 0:40:47.919
<v Speaker 3>idea that you did that, And I was like, oh

0:40:47.960 --> 0:40:50.600
<v Speaker 3>my god, Okay, yeah, I'm doing it because here it

0:40:50.640 --> 0:40:53.840
<v Speaker 3>would feel cheesy. I would be like kind of embarrassed, honestly.

0:40:54.440 --> 0:40:57.680
<v Speaker 2>But you want to know what's embarrassing when you said

0:40:57.680 --> 0:40:59.640
<v Speaker 2>ex pats, Like, for the longest time, I thought they

0:40:59.680 --> 0:41:03.320
<v Speaker 2>were Patriots plays because I'm from Boston, and I'm like, oh.

0:41:03.239 --> 0:41:04.760
<v Speaker 1>So there's a lot of Patriots.

0:41:04.800 --> 0:41:08.360
<v Speaker 3>That's not that. They really just move everywhere, don't They

0:41:08.920 --> 0:41:10.120
<v Speaker 3>had no idea?

0:41:10.719 --> 0:41:12.480
<v Speaker 1>Oh my gosh, ohfiir.

0:41:12.600 --> 0:41:14.359
<v Speaker 2>I have just a few more questions for you, because

0:41:14.360 --> 0:41:17.440
<v Speaker 2>of course I really don't want to be that epitome

0:41:17.480 --> 0:41:19.200
<v Speaker 2>of what you which is.

0:41:19.120 --> 0:41:19.839
<v Speaker 1>An hour and a half.

0:41:20.480 --> 0:41:21.120
<v Speaker 3>Nobody wants that.

0:41:21.239 --> 0:41:22.760
<v Speaker 1>But this is really cool.

0:41:22.800 --> 0:41:26.000
<v Speaker 2>Your memoir has been optioned for television, and correct me

0:41:26.040 --> 0:41:27.640
<v Speaker 2>if I'm wrong. The memoir came out in what like

0:41:27.680 --> 0:41:30.719
<v Speaker 2>twenty thirteen, that's right. So this is something like a

0:41:30.719 --> 0:41:33.440
<v Speaker 2>full circle situation. What's that journey been like? And does

0:41:33.480 --> 0:41:35.200
<v Speaker 2>the idea it's crazy.

0:41:34.920 --> 0:41:38.840
<v Speaker 1>Your own life being series like on TV? Is that funny? Surreal?

0:41:39.040 --> 0:41:40.000
<v Speaker 1>Is it terrifying?

0:41:40.719 --> 0:41:42.759
<v Speaker 3>I mean, I think it's a long shot, as I've

0:41:42.800 --> 0:41:44.960
<v Speaker 3>been told with every television project. So I don't put

0:41:45.040 --> 0:41:48.480
<v Speaker 3>much stock in it, but I love, I love thinking

0:41:48.520 --> 0:41:52.720
<v Speaker 3>about it, and you know, there's a process and who knows,

0:41:53.040 --> 0:41:57.440
<v Speaker 3>and actually it's been optioned, like the option has been reapped.

0:41:57.440 --> 0:41:59.320
<v Speaker 3>So it was optioned and that's for a limited amount

0:41:59.360 --> 0:42:02.080
<v Speaker 3>of time, and then they decide. Sometimes they're just dropped,

0:42:02.239 --> 0:42:04.959
<v Speaker 3>and sometimes they're re up it because for whatever reason

0:42:05.000 --> 0:42:05.640
<v Speaker 3>they didn't get.

0:42:05.480 --> 0:42:05.960
<v Speaker 1>Around to it.

0:42:06.000 --> 0:42:10.239
<v Speaker 3>What you know, So I will never I'm too far

0:42:10.280 --> 0:42:12.960
<v Speaker 3>into this business to ever like put a put a

0:42:13.080 --> 0:42:16.520
<v Speaker 3>dollar on that bet. But yeah, I love the idea

0:42:16.520 --> 0:42:19.400
<v Speaker 3>of it, and I also know you have to you know,

0:42:19.600 --> 0:42:23.560
<v Speaker 3>you have to just give up all preconceived notions because

0:42:23.600 --> 0:42:26.440
<v Speaker 3>depending on what it is, it could look very different

0:42:27.000 --> 0:42:31.839
<v Speaker 3>than the product I started with, uh you know, and

0:42:31.920 --> 0:42:35.279
<v Speaker 3>maybe or maybe it would look a lot the same same.

0:42:35.400 --> 0:42:38.600
<v Speaker 3>I mean, I would be I would be. I love

0:42:38.680 --> 0:42:41.920
<v Speaker 3>the idea just from an efficiency point of view, that

0:42:43.160 --> 0:42:47.080
<v Speaker 3>one product could serve many like that you could do

0:42:47.160 --> 0:42:49.359
<v Speaker 3>a book that could also be a show that could

0:42:49.360 --> 0:42:50.400
<v Speaker 3>all Yeah, that would be great.

0:42:51.080 --> 0:42:54.800
<v Speaker 2>Why not, I mean it's sort of like your library. Yes,

0:42:55.160 --> 0:42:58.320
<v Speaker 2>that would be that's and if it's it's evergreen because

0:42:58.320 --> 0:43:00.560
<v Speaker 2>the same happens to us over and over.

0:43:00.680 --> 0:43:02.399
<v Speaker 3>You know, it's so funny because it is a book

0:43:02.400 --> 0:43:06.480
<v Speaker 3>about dating and relationships, and when I was doing it,

0:43:06.520 --> 0:43:09.560
<v Speaker 3>I was not heavily just because of the timing. I

0:43:09.600 --> 0:43:13.120
<v Speaker 3>was not heavily evolved in the online world of dating,

0:43:13.280 --> 0:43:17.080
<v Speaker 3>because it just I made it just felt like a

0:43:17.080 --> 0:43:18.840
<v Speaker 3>little There was some of it, but just felt like

0:43:18.880 --> 0:43:22.200
<v Speaker 3>it was a different time. And the fact that it

0:43:22.239 --> 0:43:25.560
<v Speaker 3>doesn't matter because it's not so much about how you

0:43:25.640 --> 0:43:27.040
<v Speaker 3>met them, it's what happened after.

0:43:29.320 --> 0:43:30.080
<v Speaker 1>What do you mean.

0:43:32.560 --> 0:43:35.719
<v Speaker 2>For someone out there right now who I don't want

0:43:35.719 --> 0:43:38.439
<v Speaker 2>to say it is like going through something hard hard.

0:43:38.520 --> 0:43:41.000
<v Speaker 2>It means different things for different people. But you know,

0:43:41.239 --> 0:43:43.759
<v Speaker 2>based on the things that we touched on, you know,

0:43:43.800 --> 0:43:46.160
<v Speaker 2>there's all kinds of things that could be going wrong

0:43:46.239 --> 0:43:48.319
<v Speaker 2>in someone's life, and most of the time there is

0:43:48.360 --> 0:43:51.279
<v Speaker 2>stuff going on with everybody. We tend to forget that

0:43:51.280 --> 0:43:54.920
<v Speaker 2>because we don't talk enough about all the similarities. I agree,

0:43:55.600 --> 0:43:57.680
<v Speaker 2>Where can they find the funny in it? What advice

0:43:57.719 --> 0:44:01.680
<v Speaker 2>would you tell them? Okay, can they find well? I

0:44:01.719 --> 0:44:03.600
<v Speaker 2>think you know, you've got to give it time. Don't

0:44:03.600 --> 0:44:05.480
<v Speaker 2>expect to feel the funny right away. And anyone that

0:44:05.480 --> 0:44:07.200
<v Speaker 2>tells you you should you tell.

0:44:07.040 --> 0:44:10.360
<v Speaker 3>Them to go screw themselves. Okay, anyone that's like, well,

0:44:10.440 --> 0:44:12.359
<v Speaker 3>you know, why don't you see the bright side? If

0:44:12.360 --> 0:44:14.920
<v Speaker 3>anyone ever says to you, well, it could have been worse,

0:44:15.000 --> 0:44:18.720
<v Speaker 3>you were allowed to punch that person in the face.

0:44:19.040 --> 0:44:23.239
<v Speaker 3>If anyone says to you it all happens for a

0:44:23.320 --> 0:44:26.920
<v Speaker 3>reason and that doesn't resonate with you again, you are

0:44:26.960 --> 0:44:29.320
<v Speaker 3>allowed to swear at them. I'm just saying you're allowed.

0:44:29.719 --> 0:44:32.799
<v Speaker 3>But I'll tell you what I like. And this is

0:44:33.000 --> 0:44:35.120
<v Speaker 3>just real because with all of these like kind of

0:44:35.200 --> 0:44:37.239
<v Speaker 3>things people say, and I know why they say them

0:44:37.320 --> 0:44:39.480
<v Speaker 3>is because we don't have words. Most people just don't

0:44:39.560 --> 0:44:42.959
<v Speaker 3>know what to say, so they go with the general platitudes.

0:44:43.640 --> 0:44:46.719
<v Speaker 3>But what I like to think is that when you're

0:44:46.760 --> 0:44:52.200
<v Speaker 3>going through a tough time and you don't know how

0:44:52.239 --> 0:44:54.680
<v Speaker 3>to see it in a way that makes sense in

0:44:54.719 --> 0:44:57.000
<v Speaker 3>your life, or see in a way that you know

0:44:57.120 --> 0:45:01.040
<v Speaker 3>has any sort of levity, please remember that there is

0:45:01.120 --> 0:45:06.080
<v Speaker 3>a little sign at the Vancouver Airport in between arrivals

0:45:06.440 --> 0:45:08.920
<v Speaker 3>and the place where you get the bags that is

0:45:08.960 --> 0:45:12.799
<v Speaker 3>not supposed to mean anything other than directions, but you

0:45:12.840 --> 0:45:15.360
<v Speaker 3>can take it a different way and it just reads

0:45:16.040 --> 0:45:21.200
<v Speaker 3>please keep moving forward. That's all you have to do

0:45:22.520 --> 0:45:23.680
<v Speaker 3>and then the funny will come.

0:45:24.880 --> 0:45:30.279
<v Speaker 2>Wow, that really is pretty magical and so true and

0:45:30.560 --> 0:45:32.560
<v Speaker 2>let's not make it. And one of the other things

0:45:32.560 --> 0:45:34.040
<v Speaker 2>that you said that you could punch someone in the

0:45:34.120 --> 0:45:36.879
<v Speaker 2>face for it, like if that becomes so common that

0:45:36.880 --> 0:45:40.120
<v Speaker 2>that you're even like, eh, don't tell anyone that anymore.

0:45:40.360 --> 0:45:41.640
<v Speaker 1>You gotta come up with something else.

0:45:41.719 --> 0:45:44.080
<v Speaker 3>Yeah, And you know, I really I love I don't.

0:45:44.080 --> 0:45:46.839
<v Speaker 3>I have no problem with the therapy, but sometimes just look,

0:45:47.080 --> 0:45:49.880
<v Speaker 3>just look on one step forward, just one step forward,

0:45:49.920 --> 0:45:53.920
<v Speaker 3>because that's what you start going, Oh, this is hilarious

0:45:54.200 --> 0:45:57.200
<v Speaker 3>that I have to keep moving forward? Are you kidding?

0:45:57.280 --> 0:45:57.560
<v Speaker 2>Maybe?

0:45:58.120 --> 0:46:00.399
<v Speaker 3>And then you mean I I can't look I can

0:46:01.000 --> 0:46:03.759
<v Speaker 3>and that just dwell and the ship.

0:46:04.040 --> 0:46:09.000
<v Speaker 2>Yeah yeah, wow, very very powerful advice. Her name is

0:46:09.080 --> 0:46:11.640
<v Speaker 2>Opia Eisenberg, if I haven't mentioned it, because we've been

0:46:11.640 --> 0:46:14.120
<v Speaker 2>on this podcast for about forty five minutes now, and

0:46:14.160 --> 0:46:15.880
<v Speaker 2>I want to see your name a lot because I.

0:46:15.880 --> 0:46:17.080
<v Speaker 1>Would love people to go see you.

0:46:17.360 --> 0:46:21.080
<v Speaker 2>Her podcast is called Parenting is a Joke on iHeart

0:46:21.080 --> 0:46:23.960
<v Speaker 2>in the Family, which I love and everywhere you get

0:46:24.000 --> 0:46:27.520
<v Speaker 2>your podcasts, and her comedy special is I Used to

0:46:27.560 --> 0:46:32.040
<v Speaker 2>Be Nicer. It's such an can we go, I know,

0:46:32.360 --> 0:46:33.920
<v Speaker 2>can is there merch with.

0:46:34.480 --> 0:46:35.359
<v Speaker 1>I have to sell a tech.

0:46:35.560 --> 0:46:36.960
<v Speaker 3>I am going to make it. Okay, sure you know

0:46:37.040 --> 0:46:38.680
<v Speaker 3>you said it, your second person to say it. I'm like,

0:46:38.719 --> 0:46:39.560
<v Speaker 3>you know what, I'm doing it.

0:46:39.960 --> 0:46:41.960
<v Speaker 1>So thank you, thank you, and no problem.

0:46:42.000 --> 0:46:43.880
<v Speaker 3>Just ten percent okay all I want? You got it?

0:46:43.880 --> 0:46:45.479
<v Speaker 1>I split it with the person who told you before.

0:46:45.560 --> 0:46:45.799
<v Speaker 3>Five.

0:46:47.520 --> 0:46:50.080
<v Speaker 2>Oh, Pier Eisenberg, thanks for coming on Comedy Save Me

0:46:50.120 --> 0:46:52.600
<v Speaker 2>and sharing your stage words of wisdom and all of

0:46:52.600 --> 0:46:56.560
<v Speaker 2>your stories and and just for making us laugh and

0:46:56.920 --> 0:46:57.640
<v Speaker 2>telling the truth.

0:46:57.880 --> 0:46:59.960
<v Speaker 1>Thank you. Oh my goodness, you're so awesome.

0:47:00.120 --> 0:47:02.000
<v Speaker 3>You are a joy to talk to that I'm coming

0:47:02.000 --> 0:47:03.919
<v Speaker 3>to you next time I'm in a tough spot because

0:47:03.960 --> 0:47:04.560
<v Speaker 3>you're the best.

0:47:06.160 --> 0:47:06.960
<v Speaker 1>I'm buzz night.

0:47:07.120 --> 0:47:11.160
<v Speaker 3>And thanks for listening to Comedy Save Me with Lynn Hoffman,

0:47:11.640 --> 0:47:13.480
<v Speaker 3>and do check out our other.

0:47:13.400 --> 0:47:16.880
<v Speaker 4>Podcast, Lynn Hoffman's Music Save Me Podcast.

0:47:17.440 --> 0:47:22.000
<v Speaker 3>Also Sarah Harrelson and Taking a Walk Nashville and Don't

0:47:22.000 --> 0:47:26.280
<v Speaker 3>Forget also about Taking a Walk hosted by Yours Truly.

0:47:27.320 --> 0:47:31.480
<v Speaker 3>All shows are available on Apple Podcasts, Spotify and are

0:47:31.520 --> 0:47:33.680
<v Speaker 3>part of the iHeart podcast network