WEBVTT - Conversations About The Entertainment Industry 

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<v Speaker 1>Watch up and welcome back to another episode and No

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<v Speaker 1>Sillers podcast with your host. Now fun that with your

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<v Speaker 1>low glasses malone, you could come to a person and say, hey, man,

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<v Speaker 1>hey Pete, drive me down to the gas station. Right.

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<v Speaker 1>I can give you twenty dollars a day, right, or

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<v Speaker 1>I can give you half of my lottery winnings. When

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<v Speaker 1>I win. Nine out of ten people would take the

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<v Speaker 1>twenty dollars a day, and that one guy would be

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<v Speaker 1>a moron. I sort of god. So look, um, this morning,

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<v Speaker 1>I was on YouTube, you know, obviously skimming through YouTube,

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<v Speaker 1>um looking just you know, looking for content boxing ship

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<v Speaker 1>you know the normal should I follow? And one person

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<v Speaker 1>I follow is Lad? Right? Lad TV? I know Lad

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<v Speaker 1>for a while. I know vlast probably since two thousand four. Yeah,

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<v Speaker 1>he's created like a real dope um, like a styling

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<v Speaker 1>of interview that's like super popular. But he's done it.

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<v Speaker 1>He did this. Um. Sean prais a really dope interviewer

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<v Speaker 1>that Lad uses did an interview with A. J. Johnson

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<v Speaker 1>and A J. Johnson is the female that plays Sherraine

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<v Speaker 1>and House Party. You know that was Jody's mom and

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<v Speaker 1>baby boy. She was his sister. Act two you know

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<v Speaker 1>one of us. She's been around like she's dope, super flag.

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<v Speaker 1>I didn't know she was sucking Evander Holyfield though. That

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<v Speaker 1>was crazy and Evander Holyfield was just getting those pregnant

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<v Speaker 1>left and right on her and Nigga's cold bloody jack.

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<v Speaker 1>But um, it was something she talked about specifically, and

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<v Speaker 1>they were talking about what she got paid for House

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<v Speaker 1>Party mm hmm. And I think the film paid roughly

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<v Speaker 1>four thousand dollars a week, and I think they said

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<v Speaker 1>they shot for four weeks somewhere around there, loose like

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<v Speaker 1>I don't quite now. Quick question, just for context, they

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<v Speaker 1>were multiple House Party movies made, right, but the very

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<v Speaker 1>first this is the first one. Yes, the sisper joke.

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<v Speaker 1>Reggie Huntland. Reggie Hunland was like a super genius. He

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<v Speaker 1>was like, he's super bright, super bright dude. Just for

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<v Speaker 1>financial context, yeah, yeah, he wrote this film for He

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<v Speaker 1>wrote it for I think he always wrote it for

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<v Speaker 1>Kid in Play, if I understand correctly. But the theater,

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<v Speaker 1>the film company tried to get him to have uh,

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<v Speaker 1>Jeff and Wills, you know, Jeff and Prince Jeff and

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<v Speaker 1>Wire to do it, but he ended up getting it

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<v Speaker 1>done with Kid in Play would end up being the

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<v Speaker 1>greatest thing, because that is like a super brilliant, beautiful

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<v Speaker 1>staying on my childhood. You know what I'm saying, Like

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<v Speaker 1>that film Kidn't Play is just amazing. I mean, it's

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<v Speaker 1>low key. I don't know if it's the debut of Martin,

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<v Speaker 1>but it's the earliest time I saw Morton Lawrence the film. Um,

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<v Speaker 1>TC Campbell, it was the earliest I saw her in

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<v Speaker 1>the film. Um what he was able to do with

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<v Speaker 1>four force was unbelievable. Um, John Pops, I'm saying, John Witherspoon,

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<v Speaker 1>he was super fired. Robert Harris was amazing and ended

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<v Speaker 1>up being this cultural classic. So A. J. Johnson was

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<v Speaker 1>talking about it and she was explaining that she got

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<v Speaker 1>paid four thousand dollars for the film or Sean Priz

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<v Speaker 1>said that what she was what she meant was, Um,

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<v Speaker 1>she was paid roughly four thousand dollars a week, and

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<v Speaker 1>after paying taxas agents and all kind of stuff. She

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<v Speaker 1>was kind of young and new to the business or

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<v Speaker 1>no corporation, she ended up walking away with around four

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<v Speaker 1>thousand dollars. Yeah, And I noticed, like you know, Sean

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<v Speaker 1>kind of reacted like you know, he was just in disbelief.

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<v Speaker 1>Are you a J. Johnson at this point a new actor?

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<v Speaker 1>You know, They're on this low budget urban film that

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<v Speaker 1>turned that turn because it was independent, wasn't it. Yeah

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<v Speaker 1>yeah for a while, and then coming from yeah, somebody

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<v Speaker 1>else got it, somebody else, somebody, somebody picked it up,

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<v Speaker 1>somebody popular. I forgot which company, but it built that company.

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<v Speaker 1>But again, it's one of those things where this is

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<v Speaker 1>like a low budget idea for new you know, up starts. Yeah. Um,

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<v Speaker 1>And I just noticed how we look at business in Hollywood. Right,

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<v Speaker 1>We're like, okay, what is the filmmaking? And I think

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<v Speaker 1>House Party made, House Party made million bucks new line cinema, right,

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<v Speaker 1>which became like this urban giant. Um. It's kind of

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<v Speaker 1>something I've really been thinking about is making my own

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<v Speaker 1>kind of new line cinema, which is crazy, but waiting

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<v Speaker 1>to get into that. So if you do a stand

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<v Speaker 1>up comedy special to it, there you go, there you

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<v Speaker 1>go together. So they made seven million, they have the

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<v Speaker 1>budget at two point five million, right, I'm sure whatever. Right,

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<v Speaker 1>So they were shooting on film, But I just thought

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<v Speaker 1>that was funny that they felt that she got like

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<v Speaker 1>robbed in the film, And I'm like, somebody's paying you

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<v Speaker 1>four thousand dollars a week. Where is that a robbery?

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<v Speaker 1>And I think it's because in two thousand twenty two,

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<v Speaker 1>when I was younger, you know, growing up in the

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<v Speaker 1>nineties and the two thousand's the sucker thing. We used

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<v Speaker 1>to call it a sucker move was to count another

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<v Speaker 1>niggas pockets, to count somebody else's pockets, And I think

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<v Speaker 1>that that's the cool thing in two thousand twenty two,

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<v Speaker 1>is counting another nigga's pockets. So they're like, oh, this

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<v Speaker 1>film made this versus picking up this brand new active

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<v Speaker 1>paying the four thousand dollars a week. Which job in

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<v Speaker 1>eighty nine is you're gonna get that? Pay you four

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<v Speaker 1>thousand dollar a week? You fucking exactly. I don't even

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<v Speaker 1>think maybe a doctor made four thousand dollars a week

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<v Speaker 1>in nine nine. That's I mean that's two k year.

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<v Speaker 1>What the funk make four thousand dollars a year? I

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<v Speaker 1>mean a week now, and that's chunk of money. Now, Yeah,

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<v Speaker 1>that shi It was just bothering me where I was like,

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<v Speaker 1>that's just a new thing, and Hollywood is being affected

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<v Speaker 1>by because this sucker thing. That was a sucker move

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<v Speaker 1>when I grew up counting other niggas pockets. It's actually

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<v Speaker 1>a cool thing. Now. Yeah, we can say Bernie Sanders

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<v Speaker 1>and um, what do you call that? What was that?

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<v Speaker 1>People who sat in the trees. Yeah, they were protesting

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<v Speaker 1>in the trees. They were mad about definitely, No, you

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<v Speaker 1>know exactly what it was. It was occupied occupy people,

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<v Speaker 1>occupy Wall Street. You never heard of that, man, you're

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<v Speaker 1>really black. I'm like they they were occupying buildings in

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<v Speaker 1>downtown l A. When you lived in downtown l A.

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<v Speaker 1>Occupied the building, I'm not the buildings, the trees outside

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<v Speaker 1>of the buildings. They were just sitting in the trees. Yeah, protesting,

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<v Speaker 1>like they we we're not here. We were in there

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<v Speaker 1>bitching about how they went to college and majored and

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<v Speaker 1>tipshittery and didn't get a six figure job. Right straight out, Yeah,

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<v Speaker 1>I wouldn't have gave a funk. No mean I didn't.

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<v Speaker 1>I would have just looked in the tree and be like,

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<v Speaker 1>what stupid motherfuck up in the tree. But again, you know,

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<v Speaker 1>America is the place of protests, so I would imagine

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<v Speaker 1>wife to get the most inventive. It's just and the

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<v Speaker 1>whole thing. I mean, I could pick industries where there

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<v Speaker 1>are examples of this type of relationship when you're involved

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<v Speaker 1>in the creation of i P, where the numbers get

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<v Speaker 1>way funnier than that. I mean, like you know, you

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<v Speaker 1>could have if if you because if you were to

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<v Speaker 1>isolate every single thing, then sure you could. You could

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<v Speaker 1>pick one study that paid one doctor a couple hundred grand,

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<v Speaker 1>and that i P he he was paid by a

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<v Speaker 1>university or he's on a salary, and and and the

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<v Speaker 1>i P he created out of that study wasn't the

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<v Speaker 1>university wasn't able to sell fiser for five dred million

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<v Speaker 1>dollars or whatever the hell, and he got a hundred grand.

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<v Speaker 1>So it sounds like a tragedy, but you don't realize

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<v Speaker 1>that there's to get the one that hits. There's a

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<v Speaker 1>ton that failed. And also you signed the contractor we're

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<v Speaker 1>happier to pick and ship because you could have gone

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<v Speaker 1>and opened your own damn lab and try to do

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<v Speaker 1>it yourself that way and gotten the big paycheck. I mean,

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<v Speaker 1>it's like it's saying with the NFL to NBA, you

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<v Speaker 1>know you're your rookie contract, you're aiming for your second contract,

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<v Speaker 1>and usually people make they play better than the contract

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<v Speaker 1>that they get, you know, when they get their big contracts,

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<v Speaker 1>no silings, no sailings, g l my boy Peter. So

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<v Speaker 1>you're saying it's an entertainment industry problem. For the most part,

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<v Speaker 1>this is universal. You don't matter. You know. What's funny

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<v Speaker 1>point because somebody was asking me my opinion on McDonald's

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<v Speaker 1>and I was like, yeah, you know, they're from a

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<v Speaker 1>raged minimum wage up and I was talking to one

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<v Speaker 1>of my boys and he's like, yeah, if they're making

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<v Speaker 1>all the burgers, they deserve to be paid the lions share.

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<v Speaker 1>And I'm like, yeah, but that just sounds crazy, like

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<v Speaker 1>they don't occur any of the costs or any of

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<v Speaker 1>the risk. I'm gonna tell you a story. So when

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<v Speaker 1>I was coming up, before I was wrapping, right, I

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<v Speaker 1>used to sell. So when I first was in high school,

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<v Speaker 1>I was selling crack. Mhm um. I was selling crack.

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<v Speaker 1>And it was a great opportunity, right, because it started

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<v Speaker 1>with an opportunity, excuse me, exceptional, Right, It was a

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<v Speaker 1>great opportunity because I was going to high school and

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<v Speaker 1>at this time my mom was in jail. So I'm

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<v Speaker 1>standing with my dad and watch and my homie, my

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<v Speaker 1>older homie, said, hey, man, if you sit in here

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<v Speaker 1>for thirty minutes, you know what I'm saying, like thirty

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<v Speaker 1>minutes to an hour, I'll pay you a hundred dollars.

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<v Speaker 1>And I'm like a hundred dollars, like, yeah, you can

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<v Speaker 1>do your homework. Just watch what's going on. So nothing

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<v Speaker 1>unsavory happens, like cool. So I sit in there and

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<v Speaker 1>I make a hundred dollars in an hour, finished my homework,

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<v Speaker 1>and I got a hundred dollars question. Were you you've

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<v Speaker 1>been courted on at that point? Are you just a

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<v Speaker 1>kid passing by? Kid passing by? But I knew everybody

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<v Speaker 1>I wasn't courted on yet. So this is sixteen, fifteen sixteen.

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<v Speaker 1>They re fifteen because I got caught it on a

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<v Speaker 1>sixteen or right the day before sixteen. So yeah, it's fifteen.

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<v Speaker 1>So I'm going to square every day with a hundred dollars. Now,

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<v Speaker 1>I didn't have to chop up the rocks. I didn't

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<v Speaker 1>really understand what was going on. I just knew you

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<v Speaker 1>take one for five, and if you had twenty dollars,

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<v Speaker 1>you take one for five, two for ten, three for fifteen,

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<v Speaker 1>five twenty. So I just had to make sure when

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<v Speaker 1>they took him off the trade. They took their proper proportion.

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<v Speaker 1>That's not the most important part of the story. The

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<v Speaker 1>important part of the story is I finally moved to

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<v Speaker 1>sharn PCP right cyclod So show him now standing on

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<v Speaker 1>the corner. You know, you sell an ounce or two,

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<v Speaker 1>you could easily make five hundred bucks profit. Yeah, but

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<v Speaker 1>you're standing outside, so you run the risk of going

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<v Speaker 1>to jail real easy because the police is coming back

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<v Speaker 1>and forth. They're watching at the corner. So when the

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<v Speaker 1>opportunity came for me to work for my older homie, Worn,

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<v Speaker 1>he was only gonna pay me five hundred dollars a week. Now,

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<v Speaker 1>mind you, the spot is selling you know, three to

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<v Speaker 1>five four ounces a day, I mean in sticks and

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<v Speaker 1>in depths and in pores and ounces. You probably was

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<v Speaker 1>gonna sell another eight ounces, So you're going through roughly

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<v Speaker 1>anywhere from a ten to a sixteen ounces every day.

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<v Speaker 1>So I might be giving my big homie every bit

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<v Speaker 1>of ounces under twelve. Uh, I don't know, maybe three

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<v Speaker 1>thousand dollars a day. Right, He paid me five hundreds,

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<v Speaker 1>so by the end of the week, I might be

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<v Speaker 1>giving me fifteen thousand. He gave me five hundred. Now

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<v Speaker 1>whatever I made on top of the ounce right, sticking

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<v Speaker 1>it out, dipping the sticks and cigarettes in it, which

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<v Speaker 1>was an extra. You know, I was good, so thirty

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<v Speaker 1>to sixty bucks, So that's why I really made my money,

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<v Speaker 1>So that five hundred turned to two thousand bucks a week.

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<v Speaker 1>But I remember people talking Ship, my hommies, that was

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<v Speaker 1>my age, talking shit about it, like are you working

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<v Speaker 1>for this man? This man ain't paying you, blah blah blah.

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<v Speaker 1>You know, he's not doing this, he's not doing that,

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<v Speaker 1>he's playing you this that in the third But I'm thinking,

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<v Speaker 1>like it's safe, Like I'm not going to jelling this mother.

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<v Speaker 1>They're gonna have to rate it. And these door locks

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<v Speaker 1>are amazing. So it's not just like that in corporate America.

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<v Speaker 1>It's just like that on the streets. I mean, it

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<v Speaker 1>had perks, you know what I'm saying that perks like

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<v Speaker 1>he would take me to the market place and buy

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<v Speaker 1>me new Dickies, New Chucks, Like, you know, every week

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<v Speaker 1>I had new Dickies, New Chucks, new t shirts. Because

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<v Speaker 1>I'm making a great money. You know, he's still selling ship,

0:13:56.640 --> 0:13:59.319
<v Speaker 1>so he probably the spot, probably bringing in every bit

0:13:59.360 --> 0:14:03.880
<v Speaker 1>of a hundred too wants every month. You know it's

0:14:03.960 --> 0:14:07.280
<v Speaker 1>it's good money, so but I never felt like he

0:14:07.320 --> 0:14:10.000
<v Speaker 1>was cheating me. I actually made a song about it,

0:14:10.040 --> 0:14:13.280
<v Speaker 1>and I explained to people like I passed me paying dudes,

0:14:13.880 --> 0:14:17.280
<v Speaker 1>so can't nobody talk ship to me now? But I'm

0:14:17.320 --> 0:14:20.600
<v Speaker 1>starting to realize the average human being right that comes

0:14:20.640 --> 0:14:23.640
<v Speaker 1>from the same background, feels like they should be entitled

0:14:23.640 --> 0:14:26.240
<v Speaker 1>to more. Even though I didn't have to pay none

0:14:26.240 --> 0:14:30.200
<v Speaker 1>of the rent, even though I didn't pay no bills,

0:14:31.120 --> 0:14:33.680
<v Speaker 1>even I didn't have to promote or market the actual

0:14:33.760 --> 0:14:36.840
<v Speaker 1>trap the spot, even though I never had to go

0:14:36.920 --> 0:14:40.000
<v Speaker 1>find the best shirm to sell out the spot. I

0:14:40.040 --> 0:14:42.880
<v Speaker 1>didn't have to do anything but show up for twelve

0:14:42.880 --> 0:14:46.360
<v Speaker 1>hours a day and dip sticks and pour and pour

0:14:46.440 --> 0:14:48.480
<v Speaker 1>out of Then that saw all I had to do

0:14:48.840 --> 0:14:51.760
<v Speaker 1>and not false a sleep. That's it, and I was

0:14:51.800 --> 0:14:54.920
<v Speaker 1>gonna make money at that point. It's hard to catch

0:14:55.080 --> 0:14:59.920
<v Speaker 1>selling it. You couldn't get me on tape. So when

0:15:00.040 --> 0:15:04.040
<v Speaker 1>not listen to people that you know talk about complaining

0:15:04.040 --> 0:15:06.440
<v Speaker 1>about making you know, if something she because she didn't

0:15:06.440 --> 0:15:09.200
<v Speaker 1>complain shout out to queen, but other people was complaining

0:15:09.320 --> 0:15:11.840
<v Speaker 1>talking ship and I'm like, you don't know what goes

0:15:11.880 --> 0:15:16.080
<v Speaker 1>into something successful. You don't understand how many many hours,

0:15:16.240 --> 0:15:19.600
<v Speaker 1>millions of dollars, thousands of dollars, like the way you

0:15:19.640 --> 0:15:23.680
<v Speaker 1>know Pluck built that spot at that time. You know

0:15:23.680 --> 0:15:28.080
<v Speaker 1>what I'm saying, weren't really made an enterprise that I

0:15:28.160 --> 0:15:30.440
<v Speaker 1>was able to show up and just capitalize. All I

0:15:30.480 --> 0:15:32.680
<v Speaker 1>had to do is be trustworthy, not try to cheat him,

0:15:32.800 --> 0:15:35.960
<v Speaker 1>and stay away. And I was gonna make money. Yeah,

0:15:36.280 --> 0:15:38.840
<v Speaker 1>And I just never saw as him taking advantage of me.

0:15:38.880 --> 0:15:40.840
<v Speaker 1>I don't to this day. I don't see it like that,

0:15:42.080 --> 0:15:45.440
<v Speaker 1>even when we talk about being a rapper or entertainment business. Right,

0:15:45.480 --> 0:15:48.520
<v Speaker 1>Like I listened to different artists like Meek mill is

0:15:48.560 --> 0:15:52.160
<v Speaker 1>one of the latest ones, and Meek is like, you know,

0:15:52.240 --> 0:15:55.080
<v Speaker 1>this label is beating me. You know they're they're I'm

0:15:55.120 --> 0:15:58.080
<v Speaker 1>doing this and they're only paying me this and I

0:15:58.200 --> 0:16:02.440
<v Speaker 1>just watch it happen. But if you really understand the breakdown,

0:16:02.600 --> 0:16:05.000
<v Speaker 1>did they shoot him with a with a harpoon with

0:16:05.120 --> 0:16:07.720
<v Speaker 1>a contract attached to it? How did he get into

0:16:07.720 --> 0:16:11.880
<v Speaker 1>that contract before before before we even get into it,

0:16:11.920 --> 0:16:14.840
<v Speaker 1>like it's a bad contract that he signed, that's not Oh,

0:16:14.920 --> 0:16:17.040
<v Speaker 1>he did sign the contract. Did he see it first

0:16:17.120 --> 0:16:19.760
<v Speaker 1>or did he side next site I'm seeing. But before

0:16:19.800 --> 0:16:23.720
<v Speaker 1>we get into that, it's not a bad contract he signed, right,

0:16:23.760 --> 0:16:30.080
<v Speaker 1>it's not a bad contract he signed. It's like, Okay,

0:16:30.120 --> 0:16:33.320
<v Speaker 1>So let's say Meek mill advance on an album is

0:16:33.360 --> 0:16:36.160
<v Speaker 1>a million dollars, which is probably closer to million because

0:16:36.200 --> 0:16:38.880
<v Speaker 1>Meek makes great records, so they're gonna pay him. Let's

0:16:38.920 --> 0:16:43.920
<v Speaker 1>say they're give him two million dollars, miss closer. That's fair, right,

0:16:44.000 --> 0:16:48.360
<v Speaker 1>So you already starting a million or two million dollars

0:16:48.360 --> 0:16:51.800
<v Speaker 1>just to start you make your record, trying to shoot

0:16:51.800 --> 0:16:53.680
<v Speaker 1>the videos. You're not paying for your videos. They're paying

0:16:53.720 --> 0:16:55.800
<v Speaker 1>for your videos. You're not paying for your press run.

0:16:55.800 --> 0:16:59.320
<v Speaker 1>They paying for your press run. The reality is a

0:16:59.400 --> 0:17:04.040
<v Speaker 1>record company is a bank, right, Film companies, all this

0:17:04.160 --> 0:17:07.199
<v Speaker 1>are banks that's loaning you money. They just happened to

0:17:07.440 --> 0:17:11.359
<v Speaker 1>staff who they think the best people is to help

0:17:11.400 --> 0:17:15.160
<v Speaker 1>you do what you're trying to do. So they don't

0:17:15.160 --> 0:17:17.679
<v Speaker 1>just give you here's three million dollars and you go

0:17:18.000 --> 0:17:20.040
<v Speaker 1>find whatever you need to find because they know you

0:17:20.080 --> 0:17:23.280
<v Speaker 1>don't have the relationships. Like, the entertainment business as a

0:17:23.280 --> 0:17:26.679
<v Speaker 1>whole is not really driven by money. It's really driven

0:17:26.680 --> 0:17:29.600
<v Speaker 1>by relationships. It's more of a barter system, like I

0:17:29.680 --> 0:17:32.840
<v Speaker 1>remember being on cash money and then moving my single

0:17:32.920 --> 0:17:36.040
<v Speaker 1>certified to within the top sixty on the Billboard two

0:17:36.400 --> 0:17:39.720
<v Speaker 1>on the big chart, just because somebody was promising the

0:17:39.800 --> 0:17:49.880
<v Speaker 1>radio station the next little Wayne record. First, it's not

0:17:50.040 --> 0:17:52.560
<v Speaker 1>money like every you can have. I watch a lot

0:17:52.600 --> 0:17:55.720
<v Speaker 1>of wealthy not wealthy, forgive me. I watch a lot

0:17:55.760 --> 0:18:00.119
<v Speaker 1>of rich people lose their ass off, I think, and

0:18:00.680 --> 0:18:02.600
<v Speaker 1>they just needed money and you could buy this. You

0:18:02.680 --> 0:18:06.960
<v Speaker 1>can't buy this. I mean people are doing business with

0:18:07.640 --> 0:18:11.320
<v Speaker 1>people for years. I mean millions and millions of dollars.

0:18:11.960 --> 0:18:14.840
<v Speaker 1>So it's a it's a rough out being independent what

0:18:14.880 --> 0:18:19.679
<v Speaker 1>I'm saying. So it's crazy, but shout out to A. J. Johnson.

0:18:19.760 --> 0:18:25.240
<v Speaker 1>She didn't really have any complaints. She understood it created relationships. Obviously,

0:18:25.280 --> 0:18:29.320
<v Speaker 1>it started her career. She made she made off of

0:18:29.359 --> 0:18:33.000
<v Speaker 1>that movie, right, so she she actually talked about another

0:18:33.080 --> 0:18:37.040
<v Speaker 1>situation where, um it was a part of the movie

0:18:37.080 --> 0:18:39.359
<v Speaker 1>where play went to her house because they was trying

0:18:39.359 --> 0:18:42.200
<v Speaker 1>to get kid out of jail and he said, Hey,

0:18:42.200 --> 0:18:44.159
<v Speaker 1>if you come down, I'm gonna take you to Burger King.

0:18:44.720 --> 0:18:47.440
<v Speaker 1>She's like, okay, and Burger King used that in the

0:18:47.560 --> 0:18:51.200
<v Speaker 1>Damn as a commercial you know what I'm saying. So

0:18:53.080 --> 0:18:57.520
<v Speaker 1>it's just frustrating to watch people in the entertainment business

0:18:57.760 --> 0:19:00.639
<v Speaker 1>act like they're being robbed, you know what I'm saying.

0:19:01.119 --> 0:19:07.080
<v Speaker 1>It's so so like the nuances are plentiful, nigga, like

0:19:07.800 --> 0:19:10.480
<v Speaker 1>oxygen molecules and the sea or something, because it's just

0:19:10.640 --> 0:19:13.680
<v Speaker 1>a lot. It's a lot that's going on, so so

0:19:13.800 --> 0:19:17.080
<v Speaker 1>easy for when you win. It looked like that me

0:19:17.119 --> 0:19:19.920
<v Speaker 1>and he used to have this expression. It's all good

0:19:19.920 --> 0:19:24.120
<v Speaker 1>to somebody say yes, feel me when you're on fifteen

0:19:24.160 --> 0:19:27.160
<v Speaker 1>million to that fifteen million hit and then you accountable,

0:19:27.800 --> 0:19:31.440
<v Speaker 1>I'm saying. So, just watching all these people complaining about

0:19:31.440 --> 0:19:34.600
<v Speaker 1>the entertainment business, it's crazy to me, like a real

0:19:34.760 --> 0:19:38.639
<v Speaker 1>independent artist, man, it's fucking whack. Like right now, I

0:19:38.800 --> 0:19:41.800
<v Speaker 1>just dropped I released Kanye should have never married that bit, right,

0:19:42.359 --> 0:19:46.680
<v Speaker 1>m hm? Just getting love in the streaming apps, bro,

0:19:46.920 --> 0:19:51.399
<v Speaker 1>it's tough, right. One particular streaming app is worried about

0:19:51.440 --> 0:19:54.360
<v Speaker 1>their relationship with Kanye, so they're worried that he may

0:19:54.440 --> 0:19:56.920
<v Speaker 1>not like the song, so they can't they can't really

0:19:56.960 --> 0:20:00.280
<v Speaker 1>support it, like I've been eating the homie at you too,

0:20:01.320 --> 0:20:04.800
<v Speaker 1>Like fact like probably you know once every four days

0:20:05.320 --> 0:20:09.000
<v Speaker 1>no response. Feel me, you want to lose your mind

0:20:09.000 --> 0:20:10.879
<v Speaker 1>because you're not used to people this in you and

0:20:10.960 --> 0:20:13.160
<v Speaker 1>fucking you're like, oh funk you like, I don't gotta.

0:20:13.480 --> 0:20:15.399
<v Speaker 1>It makes me want to pop up on the nigga

0:20:15.480 --> 0:20:19.600
<v Speaker 1>like how you like and and again just to get support.

0:20:19.720 --> 0:20:24.480
<v Speaker 1>You feel me when you earned it. So again the

0:20:24.600 --> 0:20:28.480
<v Speaker 1>independent ship niggas are saying the independent trust me, they're

0:20:28.520 --> 0:20:32.600
<v Speaker 1>not me. It's all the relationship based business, so you

0:20:32.680 --> 0:20:36.239
<v Speaker 1>can't really wind. So watching Nigga's rhine, I would tell

0:20:36.320 --> 0:20:38.080
<v Speaker 1>him play any ball, let's see what it looked like.

0:20:41.680 --> 0:20:46.160
<v Speaker 1>Not the truth. It's people really really really don't understand

0:20:46.320 --> 0:20:48.200
<v Speaker 1>a lot of stuff when it comes to how that

0:20:48.400 --> 0:20:53.840
<v Speaker 1>situation works in general. Just like, yeah, you don't know

0:20:53.880 --> 0:20:55.600
<v Speaker 1>what anything is worth telling you know what it's worth,

0:20:55.640 --> 0:20:59.639
<v Speaker 1>and you only know the general public only knows the

0:20:59.720 --> 0:21:02.040
<v Speaker 1>case is that fit that because all the times that

0:21:02.920 --> 0:21:05.880
<v Speaker 1>the person with the that the bank put the money

0:21:05.920 --> 0:21:09.360
<v Speaker 1>into the failed operation or the failed venture, you don't

0:21:09.359 --> 0:21:12.360
<v Speaker 1>know about it because it failed, so you don't even

0:21:12.400 --> 0:21:17.199
<v Speaker 1>see that ratio, you know. And it's like like the

0:21:17.280 --> 0:21:20.880
<v Speaker 1>doctor we had on the podcast a while ago, he

0:21:20.960 --> 0:21:28.760
<v Speaker 1>has a pretty innovative concept um that he wants to

0:21:28.800 --> 0:21:33.159
<v Speaker 1>create and develop. He can't do that. He has to

0:21:33.240 --> 0:21:36.800
<v Speaker 1>wait till he is done working at the research center

0:21:36.840 --> 0:21:39.640
<v Speaker 1>that he works at because they would own the rights

0:21:39.720 --> 0:21:45.359
<v Speaker 1>to it. So he has to go leave there passed

0:21:45.440 --> 0:21:48.760
<v Speaker 1>by a huge like his his salary that he could fetch.

0:21:48.760 --> 0:21:50.879
<v Speaker 1>It's like a half a million dollars a year easy

0:21:51.560 --> 0:21:55.919
<v Speaker 1>as a research scientist. I mean, he's really very good.

0:21:56.520 --> 0:21:58.440
<v Speaker 1>He has to walk past all that money. You could

0:21:58.480 --> 0:22:00.760
<v Speaker 1>go open up his own lab on his own dime

0:22:00.800 --> 0:22:04.479
<v Speaker 1>to create that that innovation to be able to take

0:22:04.520 --> 0:22:09.840
<v Speaker 1>it to market. Yeah, people don't appreciate what that means

0:22:09.840 --> 0:22:12.040
<v Speaker 1>and how easy the other money is. Because every other

0:22:12.200 --> 0:22:14.320
<v Speaker 1>person in the industry that gets paid five fifty a

0:22:14.400 --> 0:22:18.280
<v Speaker 1>year to be a children's hospital, l A or wherever

0:22:18.280 --> 0:22:20.399
<v Speaker 1>the hell else doing this or that research, most of

0:22:20.400 --> 0:22:23.320
<v Speaker 1>that they're just doing dumbass research that goes in the

0:22:23.400 --> 0:22:25.920
<v Speaker 1>fucking drawer, goes onto a hard drive and nobody cares,

0:22:27.240 --> 0:22:30.080
<v Speaker 1>you know, And that's not terribly just similar to the

0:22:30.680 --> 0:22:34.280
<v Speaker 1>I mean, look, how many pilots get shot for Netflix

0:22:34.359 --> 0:22:36.359
<v Speaker 1>or for NBC or whatever. They just never make it

0:22:36.359 --> 0:22:43.680
<v Speaker 1>onto the air, you know. Yeah, christ I went to

0:22:43.720 --> 0:22:45.920
<v Speaker 1>Atlanta on my own dime to go do a role

0:22:45.960 --> 0:22:48.560
<v Speaker 1>in a pilot that Malcolm got paid to put together.

0:22:49.760 --> 0:22:51.359
<v Speaker 1>I just did it for fun and to work to

0:22:51.440 --> 0:22:54.639
<v Speaker 1>kick it with whatever funk came with it came of it.

0:22:54.680 --> 0:22:56.840
<v Speaker 1>I did that ship on my dime. I just paid

0:22:56.880 --> 0:23:02.200
<v Speaker 1>to go do it. Yeah, people don't want to believe.

0:23:02.359 --> 0:23:08.760
<v Speaker 1>But fame is a payoff. Now is it a preferable payoff?

0:23:09.200 --> 0:23:11.840
<v Speaker 1>That's a whole another question. It depends on mentally, where

0:23:11.880 --> 0:23:14.280
<v Speaker 1>you at in your life, in what space you funk with.

0:23:15.000 --> 0:23:17.359
<v Speaker 1>But fame is a payoff and it's something that you

0:23:17.400 --> 0:23:22.720
<v Speaker 1>can always hustle. For me, it was like I wanted

0:23:22.760 --> 0:23:25.800
<v Speaker 1>to own my ship, and I knew if I wanted

0:23:25.840 --> 0:23:27.399
<v Speaker 1>to own it, then I was gonna have to market

0:23:27.400 --> 0:23:29.640
<v Speaker 1>it because there ain't nobody else gonna market some ship

0:23:29.760 --> 0:23:33.320
<v Speaker 1>you own. H For me, it costs too much money,

0:23:33.320 --> 0:23:37.600
<v Speaker 1>It takes too much effort, so it just gets worse

0:23:37.640 --> 0:23:40.399
<v Speaker 1>and worse. What was the story with Friday? We was

0:23:40.440 --> 0:23:43.280
<v Speaker 1>talking about Friday a week ago. I talked about that

0:23:43.320 --> 0:23:45.399
<v Speaker 1>with Malcolm for a long time, and there's a lot

0:23:45.440 --> 0:23:49.359
<v Speaker 1>of the same stuff. So Michael Blackson, he got paid.

0:23:50.440 --> 0:23:52.800
<v Speaker 1>It was it was Which is the first role I've

0:23:52.800 --> 0:23:54.439
<v Speaker 1>ever seen him in and it was the role to

0:23:54.480 --> 0:23:58.240
<v Speaker 1>me that was a hit like that. You know, uh,

0:23:58.320 --> 0:24:00.040
<v Speaker 1>I'm gonna be Jasnie, you know what I mean? That

0:24:00.200 --> 0:24:02.720
<v Speaker 1>to me, that's his like stick like in holly Wood

0:24:02.800 --> 0:24:05.680
<v Speaker 1>to this day. Yeah, you know what what I'm saying. So

0:24:06.160 --> 0:24:07.800
<v Speaker 1>what what he said? He get paid. He got paid

0:24:07.800 --> 0:24:09.960
<v Speaker 1>a thousand dollars for one day. He had to own

0:24:10.040 --> 0:24:16.359
<v Speaker 1>work for one day. It sounds about right, um, And

0:24:16.440 --> 0:24:18.399
<v Speaker 1>people just have so much to say and it was

0:24:18.440 --> 0:24:21.359
<v Speaker 1>hidden not killed, like yeah, you know you just a

0:24:21.480 --> 0:24:25.439
<v Speaker 1>thousand dollars a day, but again if you counting the

0:24:25.560 --> 0:24:29.280
<v Speaker 1>studios pockets, but you have no idea what it takes

0:24:29.320 --> 0:24:32.920
<v Speaker 1>to make this ship work again, Like I said that,

0:24:32.920 --> 0:24:36.480
<v Speaker 1>that's the sucker business in it what I'm saying. And

0:24:36.480 --> 0:24:40.600
<v Speaker 1>and I've listened to Chris Tucker talk about you know,

0:24:40.800 --> 0:24:43.840
<v Speaker 1>I've never heard him complain, but I've heard people complain

0:24:43.960 --> 0:24:46.960
<v Speaker 1>for him. Oh you know, he only got paid blah

0:24:46.960 --> 0:24:49.280
<v Speaker 1>blah this much money to be in his film. And

0:24:49.320 --> 0:24:52.720
<v Speaker 1>I'm like, man, that film changed his life. That's the thing.

0:24:52.920 --> 0:24:56.800
<v Speaker 1>You don't get paid for the movie that you're in.

0:24:57.160 --> 0:24:59.679
<v Speaker 1>You get it's like you do movie and you do

0:25:00.800 --> 0:25:04.320
<v Speaker 1>the Bob Smith story on January one, two thousand and ten,

0:25:05.720 --> 0:25:09.399
<v Speaker 1>and you get paid X dollars. That's not when you

0:25:09.440 --> 0:25:12.000
<v Speaker 1>get paid for that movie. That's when you're getting paid

0:25:12.040 --> 0:25:15.119
<v Speaker 1>for your previous work. So if Bob Smith's story down

0:25:15.200 --> 0:25:18.960
<v Speaker 1>January first, two thousand ten explodes, then the Samuel Adams

0:25:19.040 --> 0:25:22.520
<v Speaker 1>story on January first, two thousand twelve, that's when you

0:25:22.600 --> 0:25:25.760
<v Speaker 1>get that money from the movie. The John Smith story.

0:25:25.800 --> 0:25:30.040
<v Speaker 1>You know what I'm saying. It's delayed one. So Friday

0:25:30.080 --> 0:25:32.840
<v Speaker 1>didn't pay Chris Tucker a bunch of money, but Friday

0:25:33.280 --> 0:25:36.520
<v Speaker 1>paid Chris Tucker every goddamn last dime that he got

0:25:36.560 --> 0:25:40.040
<v Speaker 1>for Rush Hour. Fuck rush Hour. We turn around and

0:25:40.080 --> 0:25:43.040
<v Speaker 1>did or whatever? What's the other movie? He turned around?

0:25:43.040 --> 0:25:45.200
<v Speaker 1>The did right behind me where he started any by myself?

0:25:45.600 --> 0:25:47.800
<v Speaker 1>He was he was, uh, he had a car washing,

0:25:47.840 --> 0:25:51.159
<v Speaker 1>he was a hustler. It's a good movie too. I

0:25:51.200 --> 0:25:56.280
<v Speaker 1>don't remember. Yeah, but you're right in so he said.

0:25:56.680 --> 0:25:59.000
<v Speaker 1>So Michael Blackston was funny that Michael Blacks's name is

0:25:59.040 --> 0:26:00.639
<v Speaker 1>and Michael Blackston I don't of why the funk I

0:26:00.720 --> 0:26:03.760
<v Speaker 1>thought cous's name was actually Michael Blackson versus a play

0:26:03.800 --> 0:26:07.600
<v Speaker 1>on the name. Michael Jackson's name is Jafari. So okay,

0:26:07.680 --> 0:26:10.880
<v Speaker 1>it's the film industry's pay scale. I got paced eight

0:26:10.920 --> 0:26:14.399
<v Speaker 1>hundred dollars a day when I did Next Friday, plus overtime,

0:26:14.720 --> 0:26:17.840
<v Speaker 1>I made twelve hundred dollars for my one days of work.

0:26:18.520 --> 0:26:21.080
<v Speaker 1>For my one day of work, I can't get jiggy

0:26:21.160 --> 0:26:23.840
<v Speaker 1>with this ship. Thanks to Next Friday, I became the

0:26:23.880 --> 0:26:29.200
<v Speaker 1>biggest African comic. And I love Michael Blackson making sure

0:26:29.400 --> 0:26:33.920
<v Speaker 1>like he got paid twelve hundred dollars for one fucking day. Yeah,

0:26:35.240 --> 0:26:38.119
<v Speaker 1>and ice Que was put in a position because to

0:26:38.280 --> 0:26:43.719
<v Speaker 1>defend like what he did for changing this man's life,

0:26:43.840 --> 0:26:47.320
<v Speaker 1>giving him an opportunity to where it changed his life.

0:26:47.920 --> 0:26:51.480
<v Speaker 1>And I doubt on that day, if Michael Blackson didn't

0:26:51.520 --> 0:26:54.080
<v Speaker 1>go to do that and wouldn't put his name on

0:26:54.119 --> 0:26:56.800
<v Speaker 1>the market it pick a comedy club in America that

0:26:56.880 --> 0:26:58.840
<v Speaker 1>he was gonna fetch twel hundred dollars for his stand

0:26:58.880 --> 0:27:02.120
<v Speaker 1>up show at that time, that like that was more

0:27:02.160 --> 0:27:03.600
<v Speaker 1>money than he was gonna get on a single day

0:27:03.640 --> 0:27:05.879
<v Speaker 1>doing stand up communy at that time. I'd be very

0:27:07.160 --> 0:27:11.400
<v Speaker 1>sure saying that that was a lot of years ago. Yeah,

0:27:12.359 --> 0:27:18.520
<v Speaker 1>I just I don't again every day I'm surprised at

0:27:18.520 --> 0:27:22.520
<v Speaker 1>the sucker ship going on. Man, it's getting worse and worse,

0:27:22.560 --> 0:27:25.760
<v Speaker 1>and niggas feel like it's cool to bring this sucker

0:27:25.840 --> 0:27:29.560
<v Speaker 1>ship to the public. And the public is so ignorant,

0:27:30.200 --> 0:27:32.160
<v Speaker 1>I mean, and not ignorant in the way Black people

0:27:32.280 --> 0:27:34.320
<v Speaker 1>use it, like as an insult, but like in the

0:27:34.359 --> 0:27:38.480
<v Speaker 1>dictionary definition, yeah, uninformed or educated on what it what

0:27:38.680 --> 0:27:44.080
<v Speaker 1>goes into successful content and ideas, And so they play

0:27:44.119 --> 0:27:49.280
<v Speaker 1>off that ignorance to rally the average person up to

0:27:49.400 --> 0:27:51.440
<v Speaker 1>be like, oh, well, you know, blah blah blah blah,

0:27:52.480 --> 0:27:56.959
<v Speaker 1>you want to know, Like like I mentioned joking like

0:27:57.440 --> 0:28:02.160
<v Speaker 1>about if you open up like like a new line

0:28:02.200 --> 0:28:04.919
<v Speaker 1>cinema type of label, that I'd give you a comedy special.

0:28:06.600 --> 0:28:08.600
<v Speaker 1>One of the things that I the only thing I

0:28:08.680 --> 0:28:11.960
<v Speaker 1>want to do in comedy is rent out of place,

0:28:13.359 --> 0:28:15.800
<v Speaker 1>tell Malcolm's filthy, will come film this ship. I'll put

0:28:15.800 --> 0:28:18.560
<v Speaker 1>the people in the building and I'll film my own

0:28:18.600 --> 0:28:20.880
<v Speaker 1>special and I will own it. To quote Catt Williams,

0:28:20.880 --> 0:28:24.080
<v Speaker 1>Lockstock and Barrel if you haven't seen Catt Williams kind

0:28:24.080 --> 0:28:26.000
<v Speaker 1>of break down a little bit of industry stuff on

0:28:26.000 --> 0:28:27.920
<v Speaker 1>that interview we did with that Wanda lady in Atlanta.

0:28:28.200 --> 0:28:30.280
<v Speaker 1>It's one of the greatest fifteen minutes of your life

0:28:30.320 --> 0:28:31.919
<v Speaker 1>you have a chance to watch. He's I mean, but

0:28:32.000 --> 0:28:33.399
<v Speaker 1>you know how I think about Cat, You know, I

0:28:33.440 --> 0:28:37.159
<v Speaker 1>think that is absolutely a genius. Just he's fantastic, just fantastic.

0:28:39.120 --> 0:28:41.840
<v Speaker 1>But but based on the principle that I just defined earlier,

0:28:43.000 --> 0:28:46.960
<v Speaker 1>I would literally film the special and give it to

0:28:47.120 --> 0:28:51.240
<v Speaker 1>Netflix for free and say, put it on put it

0:28:51.240 --> 0:28:54.040
<v Speaker 1>on Netflix. You can have it for free because you

0:28:54.120 --> 0:28:58.120
<v Speaker 1>understand what's the value in it? Yeah, market me whatever.

0:28:58.160 --> 0:29:00.720
<v Speaker 1>And then the next thing that I do, that's where

0:29:00.720 --> 0:29:02.760
<v Speaker 1>I get my money for the first thing that I did.

0:29:04.040 --> 0:29:12.520
<v Speaker 1>So we actually had we we actually have uh resident guests, visitor,

0:29:12.640 --> 0:29:19.080
<v Speaker 1>next door, neighbor, manager, extraordinary. Big Steele Still came into

0:29:19.560 --> 0:29:22.840
<v Speaker 1>I wanted to ask Still something right because Still actually

0:29:22.880 --> 0:29:26.960
<v Speaker 1>played in the film. I still was in Malibu's Most Wanted. Yeah,

0:29:27.480 --> 0:29:31.040
<v Speaker 1>so he actually knows a lot about pay scales and

0:29:31.200 --> 0:29:34.880
<v Speaker 1>value in different things. Still, when you did so, this

0:29:34.920 --> 0:29:38.440
<v Speaker 1>particular scene still is in Malibu's Most Wanted. It's a

0:29:38.520 --> 0:29:43.920
<v Speaker 1>rap battle between you know, Jamie whatever cause's name is

0:29:43.960 --> 0:29:51.520
<v Speaker 1>he Uh yeah, Jamie Kennedy is at urban nightclub trying

0:29:51.600 --> 0:29:53.520
<v Speaker 1>to earn his face in hip hop. So he's going

0:29:53.560 --> 0:29:57.720
<v Speaker 1>to battle some of the resident mc so young dred

0:29:57.760 --> 0:29:59.600
<v Speaker 1>and I'm a young dre from Kitchens in the scene,

0:30:00.160 --> 0:30:04.640
<v Speaker 1>O g hommy high see feel Me platinum success. Uh,

0:30:04.680 --> 0:30:06.840
<v Speaker 1>he's in the scene right and still is in the

0:30:06.880 --> 0:30:08.960
<v Speaker 1>scene and fell he fails. Shout out to Felly fail.

0:30:09.040 --> 0:30:12.240
<v Speaker 1>Probably on the six He's in the scene and still

0:30:12.360 --> 0:30:16.640
<v Speaker 1>is there and all still has to do is he's

0:30:16.680 --> 0:30:20.240
<v Speaker 1>the guy that you know he's supposed to battle. Jamie

0:30:20.280 --> 0:30:23.320
<v Speaker 1>Kennedy's character still walks up and it's like, yeah, I'm

0:30:23.360 --> 0:30:25.520
<v Speaker 1>not even gonna battle this pump and hit him upside

0:30:25.560 --> 0:30:28.600
<v Speaker 1>the head with the mic. Still, what were you paid

0:30:28.640 --> 0:30:32.840
<v Speaker 1>for that? Man? You know that film? Man, I probably

0:30:32.840 --> 0:30:38.160
<v Speaker 1>made it about dollars. Okay, what the fuck? Don't get

0:30:38.720 --> 0:30:43.160
<v Speaker 1>that's not first off, I'm not talking about residents ship

0:30:43.280 --> 0:30:46.880
<v Speaker 1>or nothing. What was your actual paycheck for? How many

0:30:46.960 --> 0:30:50.440
<v Speaker 1>days was it? What the way sil works? I was

0:30:50.480 --> 0:30:52.960
<v Speaker 1>there for four days and I got paid, which was

0:30:53.120 --> 0:30:57.000
<v Speaker 1>still raised at that time, like twelve dollars a day.

0:30:57.800 --> 0:31:01.200
<v Speaker 1>Four days to do that one scene. Well, we was there.

0:31:01.320 --> 0:31:02.840
<v Speaker 1>It was a lot of stuff that they didn't show

0:31:02.840 --> 0:31:05.480
<v Speaker 1>in the movie. I was actually at a UM. There

0:31:05.480 --> 0:31:09.240
<v Speaker 1>were different scenes that were eventually edited. I guess that

0:31:09.360 --> 0:31:11.440
<v Speaker 1>eventually got edited out of the edited out of the film.

0:31:11.520 --> 0:31:14.280
<v Speaker 1>And it's a funny story about that because I was

0:31:14.320 --> 0:31:16.880
<v Speaker 1>actually supposed to finish our close and to battle him.

0:31:16.960 --> 0:31:21.200
<v Speaker 1>But you know, in films sometimes they don't understand our world.

0:31:21.280 --> 0:31:24.080
<v Speaker 1>So they had me write this brand new rev. They

0:31:24.160 --> 0:31:26.360
<v Speaker 1>wanted me to have it memorized, like in five minutes.

0:31:26.360 --> 0:31:28.040
<v Speaker 1>So I was like, I'm not gonna remember that stuff.

0:31:28.040 --> 0:31:31.160
<v Speaker 1>Everybody else had pre written stuff, right. They wanted me

0:31:31.200 --> 0:31:33.800
<v Speaker 1>to write something real specificate folk same p and I

0:31:33.840 --> 0:31:35.840
<v Speaker 1>was like, I don't remember this stuff. I couldn't remember

0:31:35.840 --> 0:31:40.640
<v Speaker 1>past the first like six bars. Wow, you got played

0:31:43.080 --> 0:31:47.920
<v Speaker 1>for what equated to roughly at best two minutes of

0:31:48.040 --> 0:31:52.000
<v Speaker 1>camera time. Yeah, you know what the thing is, That's

0:31:52.000 --> 0:31:55.880
<v Speaker 1>what I said. Everything no business they entertainment compares to

0:31:55.960 --> 0:31:59.840
<v Speaker 1>the movies. Nothing, not music, not nothing else on that

0:32:00.080 --> 0:32:07.760
<v Speaker 1>sleep being as rewarding job successful. Okay, look, we're gonna

0:32:07.840 --> 0:32:09.880
<v Speaker 1>let you get back to your mike, and when you

0:32:09.880 --> 0:32:11.720
<v Speaker 1>get to the mic, we're gonna do it so we

0:32:11.720 --> 0:32:14.840
<v Speaker 1>can make sure we get all this game so we

0:32:15.160 --> 0:32:18.280
<v Speaker 1>still come back RB. I'm saying we will get the

0:32:18.320 --> 0:32:21.240
<v Speaker 1>better quality because you know, we got a lot of

0:32:21.320 --> 0:32:24.440
<v Speaker 1>game when he comes to this ship. Yeah, it's just

0:32:24.560 --> 0:32:30.320
<v Speaker 1>weird again, man, everybody, it's just pocket watching. That's the

0:32:30.320 --> 0:32:34.120
<v Speaker 1>new thing, pocket watching. And I'm happy that you mentioned

0:32:35.560 --> 0:32:41.640
<v Speaker 1>like Friday because the first Friday, and I don't know

0:32:41.680 --> 0:32:45.480
<v Speaker 1>all the ins and outs, so I'm guessing based off

0:32:45.480 --> 0:32:48.520
<v Speaker 1>of what you can see from afar, But that was

0:32:48.560 --> 0:32:52.360
<v Speaker 1>Ice Cubes thing, Like he owned that. That was his

0:32:52.440 --> 0:32:57.880
<v Speaker 1>independent venture, I believe, right something. Yeah, it had to

0:32:57.880 --> 0:33:01.400
<v Speaker 1>because it's him in DJ poof for sure. Yeah, So

0:33:03.360 --> 0:33:09.920
<v Speaker 1>had Friday flopped, he wouldn't have made shit. He probably

0:33:09.960 --> 0:33:13.640
<v Speaker 1>could have shopped that around and got paid some money,

0:33:14.480 --> 0:33:17.120
<v Speaker 1>you know, a decent paycheck because he was really popular

0:33:17.160 --> 0:33:19.680
<v Speaker 1>at the time and Warner Brothers could have put that

0:33:19.680 --> 0:33:23.880
<v Speaker 1>out and owned it and whatever. Yeah, but he took

0:33:23.880 --> 0:33:27.760
<v Speaker 1>a shot and it worked. There's plenty of movies on

0:33:27.800 --> 0:33:30.360
<v Speaker 1>the independent side where you take a shot and it

0:33:30.360 --> 0:33:40.680
<v Speaker 1>doesn't work. Yeah. I think, like, like, I got not

0:33:40.800 --> 0:33:46.000
<v Speaker 1>to you know, rag, And I gotta to continue to

0:33:46.080 --> 0:33:47.959
<v Speaker 1>quote Malcolm because he had a conversation about it. He's

0:33:47.960 --> 0:33:51.160
<v Speaker 1>a guy that's releasing music right now and TV show

0:33:51.200 --> 0:33:57.640
<v Speaker 1>content totally different, you know, totally, But he was like

0:33:57.720 --> 0:34:00.480
<v Speaker 1>he would have. He said, he understands that he has

0:34:00.520 --> 0:34:02.480
<v Speaker 1>no beef with the ice cube over the way it

0:34:02.520 --> 0:34:04.480
<v Speaker 1>went down or anything else, or anybody has a reason

0:34:04.480 --> 0:34:07.640
<v Speaker 1>to complain. He said, he personally thinks that it would

0:34:07.640 --> 0:34:12.040
<v Speaker 1>have been for that type of thing, a nice addendum

0:34:12.080 --> 0:34:16.600
<v Speaker 1>to the contract to give people some sort of limited residual,

0:34:16.840 --> 0:34:21.160
<v Speaker 1>if not equity, then then rolling income for an independent

0:34:21.440 --> 0:34:23.160
<v Speaker 1>if it does go well, to have a clause in

0:34:23.200 --> 0:34:25.160
<v Speaker 1>there and and in the event that blows up, clause

0:34:25.280 --> 0:34:29.080
<v Speaker 1>or something like that, it wasn't there, you know. Oh well,

0:34:29.239 --> 0:34:32.040
<v Speaker 1>but but again and shout out to Malcolm. So when

0:34:32.040 --> 0:34:36.239
<v Speaker 1>he said Malcolm, he's referring to Malcolm May's Michael Lui,

0:34:37.120 --> 0:34:41.680
<v Speaker 1>a young legend from Los Angeles, South Central, from the Jungles,

0:34:41.920 --> 0:34:46.880
<v Speaker 1>a little bit from Watts. Really amazing actor, really amazing talent,

0:34:47.480 --> 0:34:50.240
<v Speaker 1>and he shot a film, so he actually is aware

0:34:50.760 --> 0:34:53.799
<v Speaker 1>of how it works. So not only has he done

0:34:53.840 --> 0:34:57.080
<v Speaker 1>independent stuff, but he shot his own film, so he

0:34:57.120 --> 0:35:00.680
<v Speaker 1>really knows. And I agree, like and pitched Zone films

0:35:00.680 --> 0:35:04.200
<v Speaker 1>to studios yeah yeah, and got shut down yeah, and

0:35:04.239 --> 0:35:09.200
<v Speaker 1>then go through and stuff didn't. So but again it's like, um,

0:35:10.200 --> 0:35:12.480
<v Speaker 1>talk about a guy who's fifty years old, a thirty

0:35:12.560 --> 0:35:17.239
<v Speaker 1>year old body man. That motherfucker might be seventy. Yeah,

0:35:17.320 --> 0:35:21.000
<v Speaker 1>that motherfucker man, he didn't live. It keeps business man.

0:35:21.160 --> 0:35:26.319
<v Speaker 1>He keeps complaining about blood pressure and ship like that man.

0:35:27.640 --> 0:35:33.360
<v Speaker 1>So um yeah, it's it's always that same complaint, And

0:35:33.400 --> 0:35:38.719
<v Speaker 1>I don't know. It's so unmasculin to me. It's so

0:35:38.880 --> 0:35:44.080
<v Speaker 1>unmasculine to agree to something right, to agree and then

0:35:44.920 --> 0:35:48.600
<v Speaker 1>once the success or whatever happens, to feel like you're

0:35:48.760 --> 0:35:52.279
<v Speaker 1>entitled to more without making that a part of the agreement.

0:35:52.719 --> 0:35:57.160
<v Speaker 1>Like okay, a woman, they whole life. It's built on accountability.

0:35:57.280 --> 0:35:59.840
<v Speaker 1>I've had girls borrow money and feel like they shouldn't

0:35:59.840 --> 0:36:02.600
<v Speaker 1>have to pay it back because we slept together, but

0:36:02.719 --> 0:36:06.800
<v Speaker 1>literally saying can I borrow the money? Not like women.

0:36:09.840 --> 0:36:16.359
<v Speaker 1>They have a different understanding of the word borrow. Yeah,

0:36:17.880 --> 0:36:20.160
<v Speaker 1>that's why there's not too many women directors in Hollywood

0:36:21.880 --> 0:36:28.440
<v Speaker 1>or running banks. Fuck you up. As soon as they

0:36:28.520 --> 0:36:33.360
<v Speaker 1>catch you my I phone, they're gonna whoop your ads.

0:36:34.080 --> 0:36:40.120
<v Speaker 1>Women gonna come together and whoop your ass um yeah whatever, Yeah,

0:36:40.239 --> 0:36:45.200
<v Speaker 1>but it blows me away, and it's so unmasculine, feel me.

0:36:45.239 --> 0:36:48.600
<v Speaker 1>It's so like that's why I lose respect for rappers

0:36:48.640 --> 0:36:59.359
<v Speaker 1>who do that. Imagine if if you said a Pete, well,

0:36:59.360 --> 0:37:02.960
<v Speaker 1>you give me twenty bucks to drive me down to

0:37:03.000 --> 0:37:06.280
<v Speaker 1>the liquor store to buy a lottery ticket. For twenty bucks,

0:37:06.320 --> 0:37:08.160
<v Speaker 1>I'll do that ship a hundred times a day. That's

0:37:08.160 --> 0:37:12.279
<v Speaker 1>a great deal for me until it wins. Now I'm

0:37:12.320 --> 0:37:15.440
<v Speaker 1>bitching and complaining, Oh my god, you're gonna win twenty minutes.

0:37:15.680 --> 0:37:17.520
<v Speaker 1>All you did was give me twenty bucks to drive

0:37:17.600 --> 0:37:22.799
<v Speaker 1>you down half a block, and twenty dollars every day.

0:37:22.840 --> 0:37:25.200
<v Speaker 1>So I was laughing in your face with my twenty bucks.

0:37:25.320 --> 0:37:27.120
<v Speaker 1>You gave me twenty bucks and drive you on my

0:37:27.200 --> 0:37:31.040
<v Speaker 1>own a quarter I had had three hundred million dollar

0:37:31.120 --> 0:37:34.959
<v Speaker 1>lottery hit. You'll be like, hold up, I'm entitled two more.

0:37:35.480 --> 0:37:38.000
<v Speaker 1>Yeah about these twenty dollars that you was charging me?

0:37:38.200 --> 0:37:42.440
<v Speaker 1>And the cold port is you could make two deals, right.

0:37:42.520 --> 0:37:45.440
<v Speaker 1>You could come to a person and say, hey, man, hey, Pete,

0:37:45.960 --> 0:37:49.279
<v Speaker 1>drive me down to the gas station. Right. I can

0:37:49.280 --> 0:37:53.719
<v Speaker 1>give you twenty dollars a day, right, or I can

0:37:53.719 --> 0:37:56.839
<v Speaker 1>give you half of my lottery winnings when I win.

0:37:58.200 --> 0:38:01.880
<v Speaker 1>Nine out of ten people would take the twenty dollars

0:38:01.920 --> 0:38:04.480
<v Speaker 1>a day, and that one guy would be a moron

0:38:09.440 --> 0:38:13.680
<v Speaker 1>sort of god. And that's when people do feels like

0:38:13.760 --> 0:38:16.960
<v Speaker 1>I say, it's funny because right, you don't really have

0:38:17.200 --> 0:38:19.880
<v Speaker 1>a ton of the like I would imagine Michael Blackson

0:38:20.200 --> 0:38:23.400
<v Speaker 1>and Next Friday or Cat Williams and Friday at the

0:38:23.480 --> 0:38:25.120
<v Speaker 1>mix didn't have a ton of power to say, hey,

0:38:25.160 --> 0:38:27.080
<v Speaker 1>I don't want to get paid, just give me a

0:38:27.160 --> 0:38:29.799
<v Speaker 1>one point over ride. If he's blah blah blah successful,

0:38:29.920 --> 0:38:32.319
<v Speaker 1>it's like, no, this is most of the time. These

0:38:32.320 --> 0:38:35.600
<v Speaker 1>are dreams. You know, you wanted to be in a

0:38:35.680 --> 0:38:38.840
<v Speaker 1>film and somebody gave you that opportunity. Yeah, you know

0:38:38.880 --> 0:38:41.200
<v Speaker 1>who calls shots like that? I think Tom Cruise did

0:38:41.200 --> 0:38:44.080
<v Speaker 1>that in Mission Impossible. He didn't do it in that

0:38:44.160 --> 0:38:46.719
<v Speaker 1>stupid high school football movie in Pennsylvania. He did in

0:38:46.760 --> 0:38:48.760
<v Speaker 1>the early eighties. He did that ship with Mission Impossible.

0:38:48.760 --> 0:38:53.799
<v Speaker 1>Afterty been in about a hundred movies. You don't just say, oh,

0:38:52.400 --> 0:39:01.200
<v Speaker 1>I want five percent, like oh man, it get worse

0:39:01.280 --> 0:39:04.080
<v Speaker 1>and worse. But I just don't have respect. But I

0:39:04.120 --> 0:39:08.080
<v Speaker 1>am grateful for Michael Blackson for defending Ice Cube and

0:39:09.000 --> 0:39:12.480
<v Speaker 1>making sure he was mindful of his position. I'm proud

0:39:12.480 --> 0:39:15.360
<v Speaker 1>of A J. Johnson. You know these people are legends

0:39:15.560 --> 0:39:18.880
<v Speaker 1>and people I grew up watching be successful and I

0:39:18.920 --> 0:39:21.239
<v Speaker 1>am so proud when they said, yeah, we made that deal,

0:39:21.280 --> 0:39:25.279
<v Speaker 1>but that changed my life. And how stupid does it

0:39:25.400 --> 0:39:28.600
<v Speaker 1>make the third party person? Look who's on Twitter bitching

0:39:28.640 --> 0:39:31.240
<v Speaker 1>about how they got screwed and they're not even bitching

0:39:31.239 --> 0:39:34.800
<v Speaker 1>about how they got screwed. That makes you look even dumber.

0:39:35.120 --> 0:39:37.880
<v Speaker 1>It's like, dude, the person you're advocating on behalf of

0:39:37.920 --> 0:39:42.520
<v Speaker 1>things that it worked out pretty well for them, because

0:39:42.560 --> 0:39:46.319
<v Speaker 1>the reality is, for a lot of those roles, you

0:39:46.320 --> 0:39:50.560
<v Speaker 1>could be anybody like I usually say like, well, how

0:39:50.560 --> 0:39:52.440
<v Speaker 1>come to see you? Like we were talking, how come

0:39:52.480 --> 0:39:54.760
<v Speaker 1>to CEO is paying so much more than got flip burgers?

0:39:55.520 --> 0:39:58.240
<v Speaker 1>Because if you took the CEO down, he could probably

0:39:58.600 --> 0:40:01.000
<v Speaker 1>flip a burger it you took the person flicking the

0:40:01.000 --> 0:40:03.480
<v Speaker 1>burger up to the CEOs off us and said, Okay,

0:40:03.560 --> 0:40:07.080
<v Speaker 1>here's the complexity of this operation. Go run it competitively,

0:40:08.120 --> 0:40:10.560
<v Speaker 1>and you gotta make back an additional seven eight percent

0:40:10.640 --> 0:40:16.560
<v Speaker 1>a year. They're gonna suck it up. Yeah. Again, It's

0:40:16.600 --> 0:40:18.680
<v Speaker 1>one of those things, like Hollywood, you get blessed with.

0:40:20.840 --> 0:40:24.520
<v Speaker 1>I've watched so many rappers complain about the deal funk.

0:40:24.600 --> 0:40:27.239
<v Speaker 1>The fact they signed it right, funk the fact they

0:40:27.280 --> 0:40:30.640
<v Speaker 1>signed it. But like deals that are not bad. Like

0:40:30.680 --> 0:40:32.760
<v Speaker 1>I was looking at a deal they were talking about

0:40:32.760 --> 0:40:37.280
<v Speaker 1>with Summer Walker and I'm like, bro, like the money

0:40:37.280 --> 0:40:39.720
<v Speaker 1>they had to spending Summer Walker to make it work.

0:40:39.960 --> 0:40:44.279
<v Speaker 1>The producer you know was dating her, was part of

0:40:44.280 --> 0:40:47.240
<v Speaker 1>her deal? That that she lost a bet that involved

0:40:47.280 --> 0:40:49.759
<v Speaker 1>that weird bald haircutt thing she has that I saw

0:40:49.800 --> 0:40:52.520
<v Speaker 1>on Instagram today. That wasn't part of the deal. That

0:40:52.640 --> 0:40:56.480
<v Speaker 1>was just her idea. She's season, She's something else. Man,

0:40:56.520 --> 0:41:01.959
<v Speaker 1>She's not gonna get another deal doing like that. Yeah. Um,

0:41:02.000 --> 0:41:04.080
<v Speaker 1>you know who produced her ship London on the track

0:41:04.680 --> 0:41:08.560
<v Speaker 1>London is a fucking multi platinum stud when it comes

0:41:08.600 --> 0:41:14.000
<v Speaker 1>to making music, right, and he does her whole record

0:41:14.040 --> 0:41:18.239
<v Speaker 1>and just gives her this unbelievable opportunity. They she was

0:41:18.280 --> 0:41:26.160
<v Speaker 1>cleaning houses. They gave her eighty thousand dollars. You have

0:41:26.200 --> 0:41:29.480
<v Speaker 1>a follower. She had one of the most powerful producers

0:41:29.520 --> 0:41:32.719
<v Speaker 1>in the music business. Mine is just Atlanta in the

0:41:32.800 --> 0:41:39.239
<v Speaker 1>whole music business. And when I think about it, it's

0:41:39.280 --> 0:41:42.960
<v Speaker 1>just crazy to watch people act like her deal was bad.

0:41:43.560 --> 0:41:46.719
<v Speaker 1>Her deal right with the company called Love Renaissance and

0:41:46.760 --> 0:41:50.959
<v Speaker 1>Love Renaissance is a super fled company, super really great deal.

0:41:51.560 --> 0:41:54.280
<v Speaker 1>They they do great things, right, But it says Walker

0:41:54.400 --> 0:42:01.040
<v Speaker 1>signed an agreement with Love Renaissance lvr N. Walker signed

0:42:01.080 --> 0:42:06.880
<v Speaker 1>the agreement on agreement, so they agreed it with Love

0:42:06.960 --> 0:42:10.960
<v Speaker 1>Renaissance as well as in the Sculp records. As reported

0:42:10.960 --> 0:42:15.440
<v Speaker 1>by Rolling Stone, the November two thousand seventeen documents states

0:42:15.520 --> 0:42:18.520
<v Speaker 1>that the CPR singer had to give up rights to

0:42:18.560 --> 0:42:24.439
<v Speaker 1>her master recording and was given a standard royalty rate

0:42:25.800 --> 0:42:29.120
<v Speaker 1>and they're saying it's lower than industry standard. She got

0:42:29.239 --> 0:42:35.640
<v Speaker 1>fifteen percent for nothing like in her situation, She's gonna

0:42:35.640 --> 0:42:38.040
<v Speaker 1>be fine because she got a pin so she writes

0:42:38.080 --> 0:42:40.440
<v Speaker 1>some of this stuff right, so she's gonna make her

0:42:40.480 --> 0:42:44.040
<v Speaker 1>money on publish. She also received an advance of eighty

0:42:44.080 --> 0:42:48.319
<v Speaker 1>five thousand, which was the down from the price of

0:42:48.360 --> 0:42:53.160
<v Speaker 1>one fifteen in a previous draft. She had no sales history,

0:42:53.239 --> 0:42:59.279
<v Speaker 1>she had no reason she wasn't the most successful artist. Nothing. Yeah,

0:42:59.440 --> 0:43:02.000
<v Speaker 1>and it's need that people are talking shit about this.

0:43:02.000 --> 0:43:08.040
<v Speaker 1>This laddy was cleaning houses, singing in the shower, clean shower,

0:43:09.200 --> 0:43:15.000
<v Speaker 1>for sure. It's nothing else that's ship crazy. And now

0:43:15.040 --> 0:43:20.440
<v Speaker 1>she's a multie, she's a she's a platinum success. Feel

0:43:20.480 --> 0:43:25.120
<v Speaker 1>me for short access to millions of dollars an opportunity

0:43:24.920 --> 0:43:27.560
<v Speaker 1>and people talking shit about the deal like it's bad,

0:43:27.600 --> 0:43:35.520
<v Speaker 1>and I'm like, that's why I am a tyrant, because man,

0:43:35.560 --> 0:43:37.839
<v Speaker 1>it's crazy. I don't even want to get into it.

0:43:38.400 --> 0:43:42.880
<v Speaker 1>One of these days, probably really soon, we're gonna break

0:43:42.880 --> 0:43:46.400
<v Speaker 1>down Tupac's contract when he got out of jail that

0:43:46.480 --> 0:43:50.840
<v Speaker 1>he wrote himself, right, and we'll make a whole pot

0:43:50.920 --> 0:43:53.239
<v Speaker 1>on it just talking about it. We'll find the right

0:43:53.280 --> 0:43:56.279
<v Speaker 1>person to be a guest and really break down how

0:43:56.440 --> 0:44:00.279
<v Speaker 1>great and how smart he was to put together that deal.

0:44:02.560 --> 0:44:07.440
<v Speaker 1>Question and you have some familiarity with with cash money,

0:44:07.480 --> 0:44:10.560
<v Speaker 1>obviously they seem to get batterer. It seems like three

0:44:10.560 --> 0:44:12.760
<v Speaker 1>out of the four hot boys were just getting taken

0:44:12.800 --> 0:44:15.480
<v Speaker 1>to the cleaners. If you listen to the internet, you know,

0:44:15.719 --> 0:44:19.360
<v Speaker 1>And it seemed I hear a lot about how like

0:44:19.520 --> 0:44:22.560
<v Speaker 1>both Pete and Baby weren't really like the New Orleans

0:44:22.640 --> 0:44:24.680
<v Speaker 1>guys weren't really paying their artists or whatever the fuck,

0:44:25.560 --> 0:44:28.000
<v Speaker 1>which you know, I mean, that's that's what they say,

0:44:28.360 --> 0:44:34.920
<v Speaker 1>not my being, but what is kind of the reality

0:44:35.000 --> 0:44:40.680
<v Speaker 1>on that to some degree, so my situation with Burnman,

0:44:40.840 --> 0:44:44.600
<v Speaker 1>he's overpaid me. Yeah, he's done right by me and

0:44:44.600 --> 0:44:48.320
<v Speaker 1>did the best he can. Um you know the situation

0:44:48.320 --> 0:44:50.759
<v Speaker 1>about like did b G get completely hung out to

0:44:53.160 --> 0:44:55.600
<v Speaker 1>I don't know if you had heard heard the story. Again,

0:44:57.480 --> 0:45:01.280
<v Speaker 1>Burnman has to manage these situations. It is completely unique.

0:45:02.480 --> 0:45:14.480
<v Speaker 1>Glasses Malone is a sober mathematic a mathematical, brilliant crip. Right,

0:45:14.600 --> 0:45:19.960
<v Speaker 1>So I'm always paying attention. I'm always focused bird Man. Sometimes.

0:45:20.600 --> 0:45:23.520
<v Speaker 1>You know, again, something that looks like just a really

0:45:23.560 --> 0:45:29.279
<v Speaker 1>talented artist could also become a different kind of you

0:45:29.320 --> 0:45:33.960
<v Speaker 1>know problem, like some people like b G. You know

0:45:34.000 --> 0:45:38.680
<v Speaker 1>what I'm saying. What's on Heroin? Yes, a turk got

0:45:38.719 --> 0:45:40.360
<v Speaker 1>locked up for don't you get like some sort of

0:45:40.400 --> 0:45:46.080
<v Speaker 1>shootout or something over a Heroin? How Birdman has his

0:45:46.200 --> 0:45:49.680
<v Speaker 1>relationships with every artist, I think it just depends on

0:45:49.719 --> 0:45:52.440
<v Speaker 1>the artist. So I don't know the depth of what's

0:45:52.480 --> 0:45:54.480
<v Speaker 1>going on. Like it's easy for me to sit on

0:45:54.480 --> 0:45:56.440
<v Speaker 1>the sideline and say, yeah, well this person did it

0:45:56.560 --> 0:45:58.839
<v Speaker 1>right or this person did it wrong. No, but I'll

0:45:58.840 --> 0:46:01.800
<v Speaker 1>tell you one thing, every last one of those relationships

0:46:02.480 --> 0:46:07.200
<v Speaker 1>are complex. None of them were easy I know for sure.

0:46:07.360 --> 0:46:11.880
<v Speaker 1>Juvie's deal was Juvie had a really good job, and

0:46:12.000 --> 0:46:14.400
<v Speaker 1>Juvie was something in the city of New Orleans, and

0:46:14.480 --> 0:46:17.240
<v Speaker 1>bird Man wanted to mess with him, and he told

0:46:17.280 --> 0:46:20.560
<v Speaker 1>bern Man, I'm not quite sure, but I think it

0:46:20.640 --> 0:46:23.920
<v Speaker 1>was a thousand dollars a week. He said, Man, you

0:46:23.920 --> 0:46:25.680
<v Speaker 1>want to mess when you gotta give me a thousand

0:46:25.719 --> 0:46:28.480
<v Speaker 1>dollars a week for me? And I could be down,

0:46:28.960 --> 0:46:32.719
<v Speaker 1>and bird Man made it happen. So again we could

0:46:32.760 --> 0:46:36.120
<v Speaker 1>look at years later and and talk about their relationship.

0:46:36.320 --> 0:46:38.200
<v Speaker 1>But that was before Hunt came out, and that was

0:46:38.239 --> 0:46:44.640
<v Speaker 1>before this is you know, this is Soldier House Party one. Yeah,

0:46:44.800 --> 0:46:49.760
<v Speaker 1>so again it's easy. You know when when when Juvie

0:46:49.800 --> 0:46:52.160
<v Speaker 1>was getting that thousand dollars a week or whatever that

0:46:52.280 --> 0:46:54.279
<v Speaker 1>number was to be, you know, to the t. I

0:46:54.280 --> 0:46:57.400
<v Speaker 1>don't quite remember, but I think it was that. Yeah,

0:46:57.719 --> 0:47:02.440
<v Speaker 1>that's all good. Let's said. One of the craziest conversations

0:47:02.440 --> 0:47:05.600
<v Speaker 1>I hear is about T d E. And I've heard

0:47:05.640 --> 0:47:08.920
<v Speaker 1>all kinds of y'all Top this or this that bro

0:47:09.239 --> 0:47:14.719
<v Speaker 1>I watched Top for years do his best figure out

0:47:14.719 --> 0:47:20.520
<v Speaker 1>ways to get Jay Rock Kendrick Q is so is

0:47:20.600 --> 0:47:24.800
<v Speaker 1>so many different opportunities, you know, getting Wayne features, helping

0:47:24.840 --> 0:47:28.160
<v Speaker 1>the work, making the videos, getting them in different places,

0:47:28.160 --> 0:47:32.600
<v Speaker 1>flying in New York. Whatever it took to make that successful,

0:47:33.440 --> 0:47:36.600
<v Speaker 1>you know, making sure that eight even as Louisiana Chicken

0:47:36.880 --> 0:47:40.800
<v Speaker 1>feel me. Whatever it took, paying the electrical bill, marketing

0:47:40.800 --> 0:47:45.480
<v Speaker 1>these guys forever, like for years, for years, we're talking

0:47:45.520 --> 0:47:50.560
<v Speaker 1>about Kendrick. Ship doesn't truly hit until two thousand and ten, eleven.

0:47:52.200 --> 0:47:54.640
<v Speaker 1>You know what I'm saying. Jay Rock was he he

0:47:55.640 --> 0:47:59.239
<v Speaker 1>never gave up on Rock ever, you know. I mean,

0:47:59.280 --> 0:48:02.160
<v Speaker 1>I'm sure they had had whatever issues that two men

0:48:02.200 --> 0:48:05.759
<v Speaker 1>could have, But man, it took him all the way

0:48:05.880 --> 0:48:10.239
<v Speaker 1>roughly so from two thousand when I first met him

0:48:10.280 --> 0:48:12.399
<v Speaker 1>doing a thing, in two thousand five, when I first

0:48:12.440 --> 0:48:16.680
<v Speaker 1>started doing my thing. It took from two thousand five

0:48:17.719 --> 0:48:20.879
<v Speaker 1>all the way till I'm gonna tell you hold on.

0:48:23.200 --> 0:48:25.560
<v Speaker 1>It took from two thousand five all the way to

0:48:25.600 --> 0:48:28.759
<v Speaker 1>two thousand and eighteen. But he stood by Jay Rock,

0:48:29.120 --> 0:48:33.680
<v Speaker 1>and they finally got him his motherfucking platinum song King's

0:48:33.800 --> 0:48:37.480
<v Speaker 1>Dead came out in two thousand eighteen. That's how long

0:48:38.040 --> 0:48:41.600
<v Speaker 1>he worked and marketed Jay Rock and his brand and

0:48:41.719 --> 0:48:46.080
<v Speaker 1>his product until two for thirteen years for him to

0:48:46.120 --> 0:48:57.279
<v Speaker 1>get a two thousand eight eight All right, right, when

0:48:57.640 --> 0:49:01.200
<v Speaker 1>is a goal or platinum song? He worked with him

0:49:01.239 --> 0:49:07.200
<v Speaker 1>for thirteen years. I remember schoolboy walking in the studio, right,

0:49:07.880 --> 0:49:11.600
<v Speaker 1>I remember when he first came. And it's crazy that

0:49:11.680 --> 0:49:16.120
<v Speaker 1>somebody could possibly ever say anything not flattering about top

0:49:16.880 --> 0:49:19.560
<v Speaker 1>about you know, the guy that runs TV. Dude, how

0:49:19.640 --> 0:49:22.720
<v Speaker 1>do you not how do you not tell that story

0:49:23.320 --> 0:49:25.600
<v Speaker 1>as one of the greatest things a brother could do

0:49:25.840 --> 0:49:30.320
<v Speaker 1>for for for young black people? Like, what other story

0:49:30.360 --> 0:49:34.680
<v Speaker 1>is there? Yeah? Sometimes we look at the death row scenario, right,

0:49:34.719 --> 0:49:36.960
<v Speaker 1>and we oh, niggas got so much funked up ship

0:49:37.080 --> 0:49:39.920
<v Speaker 1>to say about Pops, about Shill Night. They got a

0:49:39.960 --> 0:49:44.600
<v Speaker 1>lot of ship to say before that, before that dog

0:49:44.920 --> 0:49:48.120
<v Speaker 1>Doctor Dre, he was in a situation where he was

0:49:48.200 --> 0:49:50.680
<v Speaker 1>mad with Easy and feeling like they were not paying

0:49:50.760 --> 0:49:56.160
<v Speaker 1>him his fair share. She'll gets him out of the contract,

0:49:57.040 --> 0:50:00.719
<v Speaker 1>then puts him on with a situation right with the

0:50:00.880 --> 0:50:04.600
<v Speaker 1>guy who ends up changing Dr Dre's life, Jimmy IRV.

0:50:05.360 --> 0:50:08.759
<v Speaker 1>That doesn't happen without Shildon Night. Now, that's not to

0:50:08.840 --> 0:50:10.960
<v Speaker 1>take away from Drake Talon. Dre was always going to

0:50:11.040 --> 0:50:13.400
<v Speaker 1>be a success. Hell Dre was a success ten years

0:50:13.640 --> 0:50:16.600
<v Speaker 1>before Sugar was in the business. He was making platting

0:50:16.640 --> 0:50:19.719
<v Speaker 1>records for a long time. So that's not what Drey

0:50:19.800 --> 0:50:23.839
<v Speaker 1>bearing success, But Drey and Jimmy creates billion dollar dr

0:50:23.920 --> 0:50:29.960
<v Speaker 1>Dre having the vision to know what Snoop was supposed

0:50:30.000 --> 0:50:31.960
<v Speaker 1>to look like and what it was supposed to be.

0:50:32.760 --> 0:50:36.360
<v Speaker 1>Right now, we're watching Snoop come back full circle to

0:50:36.480 --> 0:50:40.200
<v Speaker 1>the most important brand of his career. He's bringing a

0:50:40.280 --> 0:50:44.279
<v Speaker 1>project out on February thirteen called back on Death Row

0:50:44.560 --> 0:50:49.160
<v Speaker 1>because he knows that is the version that the whole

0:50:49.680 --> 0:50:53.400
<v Speaker 1>globe fell in love with. Is he doing that because

0:50:53.440 --> 0:50:56.279
<v Speaker 1>he has the ability to use that name or some capacity,

0:50:56.360 --> 0:50:59.440
<v Speaker 1>because sure it's some business and they don't have nothing

0:50:59.480 --> 0:51:02.840
<v Speaker 1>to do with should somebody who owned the ship, I

0:51:02.880 --> 0:51:05.719
<v Speaker 1>would imagine has gotten contact with him and somehow he's

0:51:05.719 --> 0:51:09.440
<v Speaker 1>involved whatever it is. But the point is to be

0:51:09.520 --> 0:51:12.920
<v Speaker 1>able to circle back to your most powerful self and

0:51:13.080 --> 0:51:16.120
<v Speaker 1>in the brand that you affiliated with, that you created

0:51:16.160 --> 0:51:21.279
<v Speaker 1>and gave you know, value two as well as empowered you.

0:51:22.360 --> 0:51:25.120
<v Speaker 1>He didn't say, hey, back on Blah blah blah. He

0:51:25.200 --> 0:51:32.000
<v Speaker 1>said back on death Row, Yeah, that's feel me back

0:51:32.040 --> 0:51:34.399
<v Speaker 1>on what he been with Pe. He didn't secle back

0:51:34.400 --> 0:51:35.920
<v Speaker 1>and do a deal. Pp, we need to come back

0:51:35.960 --> 0:51:38.840
<v Speaker 1>with this new no limit Snoop Dog top dog. You

0:51:38.880 --> 0:51:42.560
<v Speaker 1>know again, it's not saying he's not, but some of

0:51:42.560 --> 0:51:45.719
<v Speaker 1>these people, man, And it's crazy because I did have

0:51:45.760 --> 0:51:47.920
<v Speaker 1>a conversation with Sugar while ago, and he was just

0:51:47.960 --> 0:51:52.360
<v Speaker 1>telling me, like, I'm like, people act like should robbed everybody.

0:51:52.360 --> 0:51:56.160
<v Speaker 1>I'm like, dog, like, nobody's looking at Snoop is going

0:51:56.200 --> 0:52:01.239
<v Speaker 1>to go to prison. Snoop needs mealians upon millions of

0:52:01.280 --> 0:52:05.160
<v Speaker 1>dollars to beat this case. I ain't gonna even tell

0:52:05.200 --> 0:52:08.680
<v Speaker 1>you the unsavory ship and bribes and ship that that

0:52:08.800 --> 0:52:11.280
<v Speaker 1>Pops told me happened. That should have told me happened

0:52:11.400 --> 0:52:16.680
<v Speaker 1>for him to keep Snoop out. You know what I'm saying,

0:52:16.719 --> 0:52:21.040
<v Speaker 1>Like them guys don't get no credit. What I'm saying

0:52:21.080 --> 0:52:23.200
<v Speaker 1>all they take his ship, like all he robbed every

0:52:23.400 --> 0:52:26.319
<v Speaker 1>It's funny because their favorite thing is like, oh, you know,

0:52:26.360 --> 0:52:29.719
<v Speaker 1>nobody owned their cars? Who the funk was owning cars?

0:52:29.719 --> 0:52:33.520
<v Speaker 1>And which corporation you lease all cars and corporations? Imagine

0:52:34.160 --> 0:52:37.080
<v Speaker 1>you know what I'm saying. You want a company car,

0:52:37.600 --> 0:52:41.520
<v Speaker 1>You want a company car. You don't want your car

0:52:41.640 --> 0:52:44.759
<v Speaker 1>stuck on the side of the road. Fuck it ain't

0:52:44.800 --> 0:52:46.520
<v Speaker 1>was like, oh, you know, the car wasn't in my name?

0:52:46.920 --> 0:52:50.160
<v Speaker 1>I think, did I have the key? Could I turn

0:52:50.200 --> 0:52:52.920
<v Speaker 1>the ignition? Did I have to pay a monthly stiping

0:52:52.960 --> 0:52:56.759
<v Speaker 1>on death pa at lease on it? Desperate bas We're

0:52:56.760 --> 0:52:59.000
<v Speaker 1>looking through the window at seeing trying to get down

0:52:59.000 --> 0:53:03.080
<v Speaker 1>sunset and just listening to them. People complain about that,

0:53:03.120 --> 0:53:05.640
<v Speaker 1>Oh the cars wasn't in their name. The houses you

0:53:05.640 --> 0:53:09.879
<v Speaker 1>mean they got the station where red free they could

0:53:09.880 --> 0:53:12.799
<v Speaker 1>just stat they didn't have to pay money that came

0:53:12.800 --> 0:53:16.840
<v Speaker 1>to him, So they had so that cars without in

0:53:16.880 --> 0:53:18.920
<v Speaker 1>their name, so they could they had least is that

0:53:18.960 --> 0:53:21.000
<v Speaker 1>they were not accountable for a liable for us or

0:53:21.000 --> 0:53:23.920
<v Speaker 1>whatever happens. Fine, they had houses they didn't have to

0:53:23.920 --> 0:53:31.839
<v Speaker 1>pay for. They were nice, right, And what are we saying? Oh?

0:53:31.840 --> 0:53:34.040
<v Speaker 1>Thank god? It sounds like they're living in living in

0:53:34.040 --> 0:53:37.120
<v Speaker 1>the women's world with no consequences. You just driving cars

0:53:37.120 --> 0:53:40.279
<v Speaker 1>over the houses, burner cars down, no oil, burner house,

0:53:40.360 --> 0:53:42.120
<v Speaker 1>dally to stove on, who give us a ship? Not

0:53:42.280 --> 0:53:45.520
<v Speaker 1>my name? Oh it's not mine man? And it's crazy

0:53:45.560 --> 0:53:48.200
<v Speaker 1>when you really get into pox deal. That's why I

0:53:48.280 --> 0:53:50.880
<v Speaker 1>can't wait. We're gonna take some time. We're gonna getting

0:53:50.880 --> 0:53:53.359
<v Speaker 1>pox deal. That's that's that's gonna be a special pie.

0:53:53.440 --> 0:53:56.239
<v Speaker 1>We're gonna do. Man. His deal was so you could

0:53:56.239 --> 0:53:59.560
<v Speaker 1>tell he was so focused. His deal was incredible. I

0:53:59.560 --> 0:54:02.200
<v Speaker 1>would love to see one of his film deals, you

0:54:02.200 --> 0:54:05.520
<v Speaker 1>know what I'm saying, Like, like, where would he be

0:54:05.600 --> 0:54:10.440
<v Speaker 1>at in film now? Yeah, somebody told me he'd be

0:54:10.480 --> 0:54:12.400
<v Speaker 1>Will Smith, and I'm like, no, Will is moms more

0:54:12.440 --> 0:54:18.000
<v Speaker 1>of a diverse personality. He's obviously you're on talking different

0:54:18.040 --> 0:54:21.400
<v Speaker 1>sides of the camera. But I think in reality, his

0:54:21.760 --> 0:54:25.560
<v Speaker 1>music career would have exhausted itself and he would have

0:54:25.600 --> 0:54:28.160
<v Speaker 1>transitioned into being a fifty cent type of person who

0:54:28.200 --> 0:54:33.400
<v Speaker 1>just had a whole keeping ton of cinematic doing is

0:54:33.520 --> 0:54:38.560
<v Speaker 1>just great. So yeah, culturally special, It's hard to be

0:54:39.320 --> 0:54:42.799
<v Speaker 1>in the music in that type of a vein of

0:54:43.560 --> 0:54:46.719
<v Speaker 1>genre relevant for a long, long, long long time. It's

0:54:46.719 --> 0:54:49.000
<v Speaker 1>a lot easier to be relevant for a long long

0:54:49.040 --> 0:54:55.640
<v Speaker 1>time on a on a silver screen. Good looking out

0:54:55.680 --> 0:54:58.560
<v Speaker 1>for tuning into the No Sillers podcast. Please do us

0:54:58.560 --> 0:55:01.800
<v Speaker 1>a favorite subscribe rate. I'm in to share. This episode

0:55:01.880 --> 0:55:03.719
<v Speaker 1>was recorded right here on the West coast of the

0:55:03.840 --> 0:55:07.040
<v Speaker 1>USA and produced by my homeboy A King for the

0:55:07.080 --> 0:55:11.800
<v Speaker 1>Black Effect Podcast Network and I Heart Radio. Yeah. Yeah,