WEBVTT - #496 - Ben Williams on Writing Megan Moroney's First Hit + The 2nd Verse Curse + Having a Panic Attack During a Race & Training for an Iron man

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<v Speaker 1>I was like a communications political science major, but I

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<v Speaker 1>sat down. I was just messing around. College kid played

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<v Speaker 1>three chords in like a whole song, just like blew

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<v Speaker 1>out with a twist and everything. I was like, what

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<v Speaker 1>is that? Why can't I do that? And like all

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<v Speaker 1>I want to do is do that again.

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<v Speaker 2>Ben Williams Tennessee Orange Jam, I'm Not Pretty jam, Megan

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<v Speaker 2>Maroney Songs, Lucky Jam. He's got a bunch, Riley Green

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<v Speaker 2>turning Dirt. I mean he's got a bunch. We talk

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<v Speaker 2>about a lot of them here. Ben Williams just received

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<v Speaker 2>the ass Caap Award for I'm Not Pretty, which basically

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<v Speaker 2>means he made a whole lot of money on that song. Yeah,

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<v Speaker 2>whenever I read those awards, that's what it means. His

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<v Speaker 2>name is Ben Williams. He has been in Nashville for

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<v Speaker 2>just a bit now. He writes for Tape Room Music

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<v Speaker 2>and Warner Chapel and he's kind of crushed it. But

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<v Speaker 2>he's always been crushing it in a way, working hard though,

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<v Speaker 2>Like he ran cross country and college. I got a

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<v Speaker 2>whole story about how he got here because of that.

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<v Speaker 2>He was a d one track athlete. I'm always so

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<v Speaker 2>jealous of guys that can do sports and music at

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<v Speaker 2>a high level. He got his first publishing deal shortly

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<v Speaker 2>after graduation. We talked about that coming up. I really

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<v Speaker 2>liked this guy. He was working as a realtor before

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<v Speaker 2>making it a songwriter. We get to that, you feel

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<v Speaker 2>like you tried to bury that a little bit. We

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<v Speaker 2>found it. Yeah, we found it. He was surprised we

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<v Speaker 2>found it. Yeah, because we found the description of his work,

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<v Speaker 2>like his bio, a little headshot. It's awesome, So let's

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<v Speaker 2>get to it. He was both Megan Maroney and Averyanna's

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<v Speaker 2>first Nashville co write, and it's Ben Williams. Again. I

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<v Speaker 2>always remember how somebody made me feel more than all

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<v Speaker 2>the things that we said, because I do a lot

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<v Speaker 2>of these, And after hanging out with Ben and Mike

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<v Speaker 2>and I were just kind of going over some stuff,

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<v Speaker 2>I was like, oh yeah, yeah, yeah, I remember when

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<v Speaker 2>he said that, But mostly I was like, man, I

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<v Speaker 2>remember liking the guy a whole lot. So hope you

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<v Speaker 2>enjoy the stories here. He is episode four ninety five

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<v Speaker 2>of The Bobbycast. It is Ben Williams. So I want

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<v Speaker 2>to rewind a couple steps as you drink your prime?

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<v Speaker 2>Is that Jake Paul or Ron Paul Senator Ron Paul's

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<v Speaker 2>drink ru Paul.

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<v Speaker 1>Man.

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<v Speaker 2>There's a lot of stuff to unpack just from the

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<v Speaker 2>first few minutes of me sitting down. First of all, Read,

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<v Speaker 2>who is like my guy who travels with me, shoots edits,

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<v Speaker 2>He's like my creative director. He was talking about how

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<v Speaker 2>insane someone has to be to run in this weather,

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<v Speaker 2>and I agree. First of all, I hate running much less.

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<v Speaker 2>It's today's cold, and you may be if you're listening

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<v Speaker 2>to us in Boston or Maine or Washington State, like,

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<v Speaker 2>we get it. We don't know cold like you do,

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<v Speaker 2>right Montana. Where'd you grow up?

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<v Speaker 1>By the way, California?

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<v Speaker 2>Yea, what party CANDU for California.

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<v Speaker 1>Outside of San Francisco.

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<v Speaker 2>I got the cold and peace, semi cold, Michael at

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<v Speaker 2>times cold at times cold. Yeah, so save the you

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<v Speaker 2>don't know cold, okay, cold relative not you. I'm talking.

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<v Speaker 2>I'm talking like the people listening right now. Yeah, it's

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<v Speaker 2>cold here for us right now, it's cold. It's sucks.

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<v Speaker 2>And so Read was like, you got to be crazy.

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<v Speaker 2>But he saw that. We think he saw you running literally,

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<v Speaker 2>which is hilarious. So why do you run outside when

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<v Speaker 2>it's this cold. Well, because I know you got a

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<v Speaker 2>fancy watch on and you can afford a gym membership,

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<v Speaker 2>And I'm saying, so, what's what's to do?

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<v Speaker 1>I love running, Like I ran track and cross for Belmont.

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<v Speaker 1>I'm still a big runner.

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<v Speaker 2>But you were a college runner.

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<v Speaker 1>Yeah, I know, I don't look like.

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<v Speaker 2>It's so legit as anything. If you're an athlete, that's

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<v Speaker 2>so legit. I had no idea, that's okay, keep going.

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<v Speaker 1>Well this morning. It's funny because I was gonna go

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<v Speaker 1>run on the treadmill, but I have an old car

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<v Speaker 1>and the power steering was leaking this morning, and I

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<v Speaker 1>called the mechanic guy. He's like, I have room in

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<v Speaker 1>the shop if you bring it over this morning. And

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<v Speaker 1>my fiance was already gone, and so I was like,

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<v Speaker 1>I don't really feel like ubering back. I could get

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<v Speaker 1>my run in. So I dropped the car off in

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<v Speaker 1>East Nashville and ran home.

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<v Speaker 2>So he saw, yeah, your run was dropping your car

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<v Speaker 2>off running out. Yeah, by the way, Belmont D one,

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<v Speaker 2>you're a runner at a D one school.

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<v Speaker 1>I was man like I was, and I still am

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<v Speaker 1>a runner. I'm trying to get I broke my foot

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<v Speaker 1>really bad, like five months ago, and I'm just starting

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<v Speaker 1>to run again.

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<v Speaker 2>So like, how'd you break your foot?

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<v Speaker 1>I fell off. I fell off an electric scooter leaving

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<v Speaker 1>the bar in twelve soeuths. No, it was my own

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<v Speaker 1>electric scooter too, which makes it worse.

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<v Speaker 2>Oh dang to see. So hold on, there's just such

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<v Speaker 2>an dichotomy of elements here. One you're like my old

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<v Speaker 2>car that's leaking fluid, and again you have a very

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<v Speaker 2>nice watch on, and again you own your own electric scooter.

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<v Speaker 2>So why don't you have a nicer car with the

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<v Speaker 2>success that you It just doesn't all miss cars. Okay,

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<v Speaker 2>fair enough, fair enough, Okay, we're gonna get there. No, No,

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<v Speaker 2>we're gonna get there. Uh so hard having I'm just

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<v Speaker 2>I'm allowing me to be curious about something that maybe

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<v Speaker 2>you don't get asked about a lot. But you ran

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<v Speaker 2>in high school, I'm assuming at a high level.

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<v Speaker 1>Yeah, I ran in high school.

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<v Speaker 2>What'd you run?

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<v Speaker 1>I ran the eight hundred and the mile in high school?

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<v Speaker 1>But I played football, so I didn't get to run

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<v Speaker 1>cross country until I got to college, which was really hard.

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<v Speaker 2>So for those that and I wouldn't say I'm a

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<v Speaker 2>big track guy, but we had to run track in

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<v Speaker 2>high school football. Our coach made us. It was kind

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<v Speaker 2>of like, if you play for me, I'm also the

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<v Speaker 2>track coach, you gotta go run track. So four eight

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<v Speaker 2>hundred is two laps and a mile is four laps. Yeah,

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<v Speaker 2>and it both sucked.

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<v Speaker 1>Yeah, they both suck. Yeah, they both running kind of

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<v Speaker 1>sucks unless you love it.

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<v Speaker 2>Running sucks. It does. Running. To me, I've had trouble

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<v Speaker 2>the most I've ever ran a ten miles at one time.

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<v Speaker 1>That's pretty good.

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<v Speaker 2>Yeah, it's really good. I'm gonna I want to pat

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<v Speaker 2>myself on the back. It's awesome for me because I

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<v Speaker 2>struggle with running because it's it's much. It's physical, absolutely,

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<v Speaker 2>but it's it's very mental.

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<v Speaker 1>It's super mental.

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<v Speaker 2>You gotta go somewhere else.

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<v Speaker 1>I like one of the reasons that I'm even like, well,

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<v Speaker 1>I'm getting back into shape anyways right now. But like

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<v Speaker 1>I have, like I always, I'm such a goal person

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<v Speaker 1>and my like fitness goal like for now is to

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<v Speaker 1>do to do an iron Man, Like I really want

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<v Speaker 1>to do an iron Man, and one of my buddies

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<v Speaker 1>and I are planning to do on April of twenty

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<v Speaker 1>twenty six. And one thing when you were just talking

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<v Speaker 1>about like how hard it is mentally is I was like, Okay,

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<v Speaker 1>an iron Man's cool, but like I'll just listen to

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<v Speaker 1>podcasts all the time, where I'll listen to music. I

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<v Speaker 1>didn't know that in an iron Man you can't have headphones.

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<v Speaker 1>You can't have phones. It's like you versus the road

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<v Speaker 1>for twelve thirteen hours. It sucks. Oh my, I'm like, h.

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<v Speaker 2>On a micro machine level, I've done a couple Olympic

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<v Speaker 2>traf lines WHOA, which I don't have the balls that

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<v Speaker 2>you have to I'm just not the athlete that you

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<v Speaker 2>naturally are. But I've done two Olympic traf lines and

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<v Speaker 2>to me, that was that. Yeah. They're like, no, you

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<v Speaker 2>can't listen to anything. Yeah, And I'm like, wait, I'm

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<v Speaker 2>not trying to win, like I'm like competing for a scholarship.

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<v Speaker 2>I want to listen to crab Yeah, And they were

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<v Speaker 2>like you could like and They're like, you'd have a

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<v Speaker 2>star next to your name. And at first I was like,

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<v Speaker 2>what do I have a crap if there's a star

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<v Speaker 2>next to my name? But then it started to weigh

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<v Speaker 2>on me. I was like I don't want to start

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<v Speaker 2>next thing convinced me that I didn't want that star

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<v Speaker 2>next to my name. So but yeah, it was. That's

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<v Speaker 2>very difficult. The swimming part. You don't listen and this

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<v Speaker 2>stuff anyway because when you swim and the again, I'm

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<v Speaker 2>not comparing what I did to what you're training.

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<v Speaker 1>You can't take that away. That's really good.

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<v Speaker 2>Because it was a mile swim. Mine was.

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<v Speaker 1>It was a mile very far for anybody who doesn't.

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<v Speaker 2>Know, Oh dude, it sucked. It's the only panic attack

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<v Speaker 2>I've ever really had because I had only trained because

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<v Speaker 2>I was such a novice at any of the endurance

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<v Speaker 2>type sports that I trained in pools with a black

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<v Speaker 2>line at the bottle.

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<v Speaker 1>That's what I'm gonna do too.

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<v Speaker 2>Never got into open water, so my didn't think about it.

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<v Speaker 2>I was like, if I could swim a mile, I

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<v Speaker 2>swim mile. Got into open water and you're in with

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<v Speaker 2>a bunch of dudes that are your age, dudes that

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<v Speaker 2>know what they're doing, and I'm swimming. There's no black

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<v Speaker 2>line to look at and swim and keep me straight,

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<v Speaker 2>so I can't. I don't know I'm going I'm off track.

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<v Speaker 2>They have to bring a little canoe to put you

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<v Speaker 2>back on. Today, yeah, people are swimming over the top

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<v Speaker 2>of me and it's in the water. Like I had

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<v Speaker 2>a panic attack to like, oh my god, I thought

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<v Speaker 2>I was gonna have to quit. I don't quit anything.

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<v Speaker 2>I thought I was gonna have to quit one of

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<v Speaker 2>the most product because I didn't. I just refocused. But

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<v Speaker 2>then once I got out of the water, and you

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<v Speaker 2>have to put your because you're in a wetsuit, you

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<v Speaker 2>have to change out of the wet suit and you

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<v Speaker 2>go and the by cycling is now, yes, there's nothing

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<v Speaker 2>to listen to. It sucks. No. So when you're gonna

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<v Speaker 2>do that, it's like, how far was your cycle? Like

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<v Speaker 2>twenty twenty six miles? That's still a good It's not

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<v Speaker 2>one hundred like yours.

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<v Speaker 1>Yeah, that's gonna be insane.

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<v Speaker 2>Like you're if you may help me with the stats

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<v Speaker 2>and what you're training for, but your miles like two

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<v Speaker 2>and a half.

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<v Speaker 1>The swim is two point four, cycle is one and

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<v Speaker 1>twelve and then and then marathon, which is.

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<v Speaker 2>Why I don't even compare the two. But that's that's

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<v Speaker 2>a that's a cool goal. The hard the hardest thing

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<v Speaker 2>is doing again, are you training four?

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<v Speaker 1>Now? I'm just starting because I have like a year

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<v Speaker 1>and a half to do that too.

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<v Speaker 2>I got five months.

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<v Speaker 1>It's so fast.

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<v Speaker 2>The hardest part was doing the training days where you

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<v Speaker 2>had to do two it once, meaning you had to

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<v Speaker 2>cycle and swim, because it's like, I'm I supposed to

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<v Speaker 2>do that, right, It's not. There's like a course at

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<v Speaker 2>the house where you do. So you go to the wine,

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<v Speaker 2>you swim, and you try to find a place to

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<v Speaker 2>ride it by I was.

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<v Speaker 1>Telling read too like I'm I'm not a morning person,

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<v Speaker 1>so like I'm gonna have to like become a morning person.

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<v Speaker 2>I'm not a morning person either. I hate morning.

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<v Speaker 1>So hey, if you ever get back into cycling, we

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<v Speaker 1>have a I.

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<v Speaker 2>Don't even want to hear the answer. No, I will

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<v Speaker 2>never get I was never rid of cycling.

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<v Speaker 1>No, no, no, no, no.

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<v Speaker 2>It's not that I'll never not get back in. I

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<v Speaker 2>will never get it. I hate no. The answer is no,

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<v Speaker 2>that's one whatever. I'll never get in running again because

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<v Speaker 2>I just never wanted to begin with too. But there's

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<v Speaker 2>something about the mental commitment that mental gymnastics I would

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<v Speaker 2>have to do at times to get through a seven,

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<v Speaker 2>eight ten mile run where I would just have to

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<v Speaker 2>wrote about it in my second book, I would just

0:09:43.240 --> 0:09:45.560
<v Speaker 2>have to run tree to tree because if I started

0:09:45.559 --> 0:09:48.480
<v Speaker 2>going out three more miles, I would start to break down. Yeah,

0:09:48.520 --> 0:09:51.360
<v Speaker 2>so as a runner back to what you did, Yeah,

0:09:51.400 --> 0:09:53.280
<v Speaker 2>so you were a football player, first.

0:09:53.200 --> 0:09:55.199
<v Speaker 1>Football player in high school, and I thought that was

0:09:55.240 --> 0:09:57.400
<v Speaker 1>what I was gonna do, like, and I thought that

0:09:57.520 --> 0:09:59.240
<v Speaker 1>was going to help me get to college. And then

0:09:59.240 --> 0:10:01.720
<v Speaker 1>I broke my coll bone really bad senior year and

0:10:01.800 --> 0:10:04.200
<v Speaker 1>running I was way better at running. I just thought

0:10:04.200 --> 0:10:05.920
<v Speaker 1>I was cool because I was like on the football team.

0:10:05.920 --> 0:10:07.760
<v Speaker 1>I wanted to play football. But then I broke my

0:10:07.800 --> 0:10:10.440
<v Speaker 1>collarbone and that went out the window senior year and

0:10:10.480 --> 0:10:13.520
<v Speaker 1>then I originally went to Santa Clara University in California

0:10:13.559 --> 0:10:16.480
<v Speaker 1>before Belmont, and that's where I ran. I ran a

0:10:16.520 --> 0:10:18.400
<v Speaker 1>Belmont too, but that's where I went for my first

0:10:18.440 --> 0:10:21.120
<v Speaker 1>year and ran track and cross country there. But that

0:10:21.240 --> 0:10:23.079
<v Speaker 1>was the first place I ever ran cross country. The

0:10:23.120 --> 0:10:25.800
<v Speaker 1>first time I ever went in across country meet was

0:10:25.960 --> 0:10:28.800
<v Speaker 1>literally a Division one cross country meet at Stanford, and

0:10:28.840 --> 0:10:32.720
<v Speaker 1>I was three miles in because in college it's eight k,

0:10:32.840 --> 0:10:34.800
<v Speaker 1>so it's five miles versus high school it's five k.

0:10:35.360 --> 0:10:37.920
<v Speaker 2>And so then again because I don't I'm not familiar, so.

0:10:37.920 --> 0:10:41.640
<v Speaker 1>In high school across country, the distance is five.

0:10:41.559 --> 0:10:43.440
<v Speaker 2>K okay, so like a five K. I've run five

0:10:43.520 --> 0:10:45.840
<v Speaker 2>k's before or whatever it is.

0:10:46.520 --> 0:10:48.800
<v Speaker 1>And in college it's an eight k, so it's a

0:10:48.840 --> 0:10:51.560
<v Speaker 1>five mile race. So my first race at Stanford, I

0:10:51.640 --> 0:10:53.920
<v Speaker 1>dropped out like two miles in. I was like, this

0:10:54.040 --> 0:10:56.040
<v Speaker 1>is insane. And at that time we're running like four

0:10:56.160 --> 0:10:59.520
<v Speaker 1>fifty five pace for five miles. And my second race

0:10:59.840 --> 0:11:02.400
<v Speaker 1>was like, I'm not dropping out. I'm gonna finish this race.

0:11:02.640 --> 0:11:04.520
<v Speaker 1>And I got a half mile away and I passed out.

0:11:05.080 --> 0:11:06.920
<v Speaker 2>No way, God dropped you.

0:11:07.080 --> 0:11:08.760
<v Speaker 1>I ran until I passed out because I was like,

0:11:08.800 --> 0:11:10.640
<v Speaker 1>I'm not gonna not All my teammates were like you

0:11:10.679 --> 0:11:13.440
<v Speaker 1>suck like whatever. I was like, I'm gonna finish this race,

0:11:13.600 --> 0:11:15.319
<v Speaker 1>and so I was like I might as well try.

0:11:16.240 --> 0:11:17.920
<v Speaker 2>Okay, let's talk about the first one. When you when

0:11:17.960 --> 0:11:21.679
<v Speaker 2>you when you say you dropped out, you chose I

0:11:21.679 --> 0:11:23.680
<v Speaker 2>don't think I'm gonna make it. I'm just gonna pull up. Yeah,

0:11:23.720 --> 0:11:25.560
<v Speaker 2>you grab like a hamstring, because I would even if

0:11:25.559 --> 0:11:25.959
<v Speaker 2>I would know.

0:11:26.160 --> 0:11:28.640
<v Speaker 1>And what's funny too, is like my parents were there

0:11:29.080 --> 0:11:30.760
<v Speaker 1>because it was my first cross country race and they

0:11:30.840 --> 0:11:34.720
<v Speaker 1>lived nearby and they were wearing all this Santa Clara stuff,

0:11:34.720 --> 0:11:36.680
<v Speaker 1>and I pulled out like I didn't know where they were,

0:11:37.000 --> 0:11:38.960
<v Speaker 1>and I literally stopped like right next to them, and

0:11:39.000 --> 0:11:40.880
<v Speaker 1>I could see them like looking for me, and I

0:11:40.920 --> 0:11:43.000
<v Speaker 1>was right next to them, and I was like, hey, guys,

0:11:43.280 --> 0:11:45.480
<v Speaker 1>like what are you doing. I was like, this is

0:11:45.559 --> 0:11:46.120
<v Speaker 1>really hard.

0:11:46.360 --> 0:11:47.920
<v Speaker 2>I don't know if I'm ready for this yet. I'm

0:11:47.960 --> 0:11:50.480
<v Speaker 2>so curious about you pulling out of the race because

0:11:50.920 --> 0:11:54.559
<v Speaker 2>obviously looking at yours and again this is fast forward,

0:11:54.640 --> 0:12:00.000
<v Speaker 2>looking at your success rate as a creator, which means

0:12:00.040 --> 0:12:01.920
<v Speaker 2>there's a lot of failure to have a success in

0:12:01.920 --> 0:12:04.760
<v Speaker 2>this world, a lot of failure, which means you don't quit.

0:12:04.800 --> 0:12:05.480
<v Speaker 2>Why'd you quit?

0:12:06.600 --> 0:12:10.439
<v Speaker 1>It was? It was really it's kind of the when

0:12:10.520 --> 0:12:13.320
<v Speaker 1>you were having a panic attack in the water. I

0:12:13.480 --> 0:12:17.319
<v Speaker 1>was in such a new environment that i'd never been in,

0:12:17.880 --> 0:12:20.520
<v Speaker 1>at such a high level that I had never been in,

0:12:20.760 --> 0:12:23.719
<v Speaker 1>surrounded by the best runners in the nation, and we

0:12:23.720 --> 0:12:26.320
<v Speaker 1>were going so fast, and I had just started to

0:12:26.400 --> 0:12:29.000
<v Speaker 1>feel what I had come to learn is a normal

0:12:29.000 --> 0:12:31.800
<v Speaker 1>feeling and across country race of oh, I can't, Oh,

0:12:31.840 --> 0:12:35.440
<v Speaker 1>I can't do this, this really hurts, which is what

0:12:35.559 --> 0:12:37.880
<v Speaker 1>I learned. The next three miles of across country race.

0:12:37.960 --> 0:12:38.440
<v Speaker 1>That's normal.

0:12:38.920 --> 0:12:40.840
<v Speaker 2>It's emotional and physical at the same time. Yeah, that's

0:12:40.880 --> 0:12:43.200
<v Speaker 2>what happened to me. Yeah, when you said that, that

0:12:43.240 --> 0:12:44.120
<v Speaker 2>makes a lot more sense.

0:12:44.160 --> 0:12:44.360
<v Speaker 1>Yeah.

0:12:44.400 --> 0:12:46.120
<v Speaker 2>And you passed out though the second time.

0:12:46.440 --> 0:12:48.840
<v Speaker 1>Oh, that was so funny. You'll actually think this is funny.

0:12:49.320 --> 0:12:51.280
<v Speaker 1>I was four and a half miles in and it

0:12:51.360 --> 0:12:53.720
<v Speaker 1>was our it was our home meet at Santa Clara

0:12:53.840 --> 0:12:56.680
<v Speaker 1>called the Bronco Invite, so all the other teams were

0:12:56.679 --> 0:12:59.199
<v Speaker 1>there too, which made it even better. But I was

0:12:59.280 --> 0:13:01.480
<v Speaker 1>four and a half miles and I could just I

0:13:01.520 --> 0:13:04.040
<v Speaker 1>was so close, and I could just feel like my

0:13:04.120 --> 0:13:05.760
<v Speaker 1>head starting to go back in my body, and I

0:13:05.800 --> 0:13:07.199
<v Speaker 1>was like, I'm fine, I'm fine, I'm gonna do this,

0:13:07.400 --> 0:13:09.040
<v Speaker 1>and then all of a sudden, it was just gone,

0:13:09.760 --> 0:13:11.360
<v Speaker 1>and I like woke up. I remember I woke up

0:13:11.400 --> 0:13:12.720
<v Speaker 1>and there were people right there and they're like, what

0:13:12.800 --> 0:13:15.280
<v Speaker 1>school do you go to? And I was red shirting

0:13:15.280 --> 0:13:17.240
<v Speaker 1>at the time, so I was wearing my high school uniform.

0:13:17.800 --> 0:13:20.640
<v Speaker 1>My high school was Burlin Game, and they're like, what

0:13:20.760 --> 0:13:22.320
<v Speaker 1>high school do you go to? And I went burger

0:13:22.400 --> 0:13:25.120
<v Speaker 1>King and they're like, get this guy out of here.

0:13:25.400 --> 0:13:28.720
<v Speaker 2>Clear, I get this guy out of here. So you

0:13:28.760 --> 0:13:32.000
<v Speaker 2>could still run red shirting. The would allow you to run.

0:13:32.040 --> 0:13:34.319
<v Speaker 2>You just couldn't run officially with the school exactly.

0:13:34.360 --> 0:13:36.120
<v Speaker 1>So you buy another year pretty much.

0:13:36.200 --> 0:13:38.679
<v Speaker 2>Yeah, I didn't know they would because you can't. Well,

0:13:38.679 --> 0:13:40.600
<v Speaker 2>in football, you can play four weeks in college and

0:13:40.600 --> 0:13:42.280
<v Speaker 2>then still red shirt, but you played more than that.

0:13:42.559 --> 0:13:44.840
<v Speaker 2>You can't. But it's not like you can play all

0:13:44.880 --> 0:13:45.360
<v Speaker 2>the games.

0:13:45.520 --> 0:13:50.280
<v Speaker 1>Yeah, you just enter unattached. Yeah, so I could technically,

0:13:50.360 --> 0:13:51.080
<v Speaker 1>I think.

0:13:51.080 --> 0:13:52.640
<v Speaker 2>Could you have run every race red shirted just to

0:13:52.640 --> 0:13:53.240
<v Speaker 2>see what you do?

0:13:53.520 --> 0:13:56.360
<v Speaker 1>Yeah, my freshman year because they were like, this kid's

0:13:56.440 --> 0:13:59.040
<v Speaker 1>never run cross country before? How is well? Redshirt?

0:14:00.000 --> 0:14:01.040
<v Speaker 2>Why'd you come to bellmin Then?

0:14:01.480 --> 0:14:04.760
<v Speaker 1>So I was at Santa Clara and that was when

0:14:04.800 --> 0:14:06.960
<v Speaker 1>I first started writing songs. I didn't grow up musical

0:14:07.000 --> 0:14:09.000
<v Speaker 1>at all. Like my brother plays a guitar, My parents

0:14:09.040 --> 0:14:10.280
<v Speaker 1>aren't musical nothing.

0:14:10.280 --> 0:14:12.640
<v Speaker 2>I wondered if part of the reason was because of music.

0:14:12.720 --> 0:14:16.040
<v Speaker 1>One hundred because of music. And I grew up on country.

0:14:16.040 --> 0:14:19.000
<v Speaker 1>My mom's from Pegram and so like that was my

0:14:19.000 --> 0:14:21.320
<v Speaker 1>whole life. I was all I'd listened to is country music.

0:14:21.440 --> 0:14:22.560
<v Speaker 1>Still that's still all I listened to.

0:14:22.720 --> 0:14:23.520
<v Speaker 2>But you didn't play it.

0:14:23.560 --> 0:14:25.520
<v Speaker 1>I didn't play it. I had a keyboard in my

0:14:25.560 --> 0:14:27.360
<v Speaker 1>dorm room that my brother taught me like a few

0:14:27.440 --> 0:14:30.000
<v Speaker 1>chords on at Santa Clara, and so I was sitting there.

0:14:30.040 --> 0:14:32.000
<v Speaker 1>It was like it was December. I remember, like it

0:14:32.040 --> 0:14:35.080
<v Speaker 1>was right before winter break freshman year, and I sat

0:14:35.120 --> 0:14:38.480
<v Speaker 1>down and like played like CG. E. Minor whatever, the

0:14:38.480 --> 0:14:41.480
<v Speaker 1>simplest thing I knew. And I was like a communications

0:14:41.520 --> 0:14:45.200
<v Speaker 1>political science major, so like music wasn't even a thought.

0:14:45.360 --> 0:14:47.440
<v Speaker 1>But I sat down, I was just messing around college kid,

0:14:47.720 --> 0:14:50.680
<v Speaker 1>played three chords and like a whole song just like

0:14:50.960 --> 0:14:54.440
<v Speaker 1>flew out with a twist and everything, and it was terrible.

0:14:54.640 --> 0:14:57.160
<v Speaker 1>All of our first songs are terrible. But I was like,

0:14:57.360 --> 0:14:59.520
<v Speaker 1>what is that? Why can I do that? And like

0:14:59.760 --> 0:15:01.320
<v Speaker 1>all all I want to do is do that again?

0:15:02.000 --> 0:15:04.480
<v Speaker 1>And so like literally every day like till today, like

0:15:04.560 --> 0:15:08.960
<v Speaker 1>since then, I just was writing. And at the end

0:15:09.000 --> 0:15:12.040
<v Speaker 1>of that year, so I was on quarters, so I

0:15:12.040 --> 0:15:14.800
<v Speaker 1>guess I finished. Like June. I was just like I

0:15:14.840 --> 0:15:17.120
<v Speaker 1>got it. I don't know what. I didn't even know obviously,

0:15:17.160 --> 0:15:19.040
<v Speaker 1>I didn't know that songwriting was a job. I didn't

0:15:19.080 --> 0:15:20.440
<v Speaker 1>know anything. I was just like I have to be

0:15:20.440 --> 0:15:23.120
<v Speaker 1>in Nashville, and Nashville is like home to me too.

0:15:23.160 --> 0:15:25.400
<v Speaker 1>So I was like this, that just feels right. And

0:15:25.440 --> 0:15:27.560
<v Speaker 1>so I told my parents and they're like, hmmm, I

0:15:27.600 --> 0:15:30.400
<v Speaker 1>don't know about that. And I was like, okay, well whatever,

0:15:30.440 --> 0:15:32.120
<v Speaker 1>I'm going to figure it out kind of on my

0:15:32.160 --> 0:15:35.560
<v Speaker 1>own for a second. And so I went to I

0:15:35.600 --> 0:15:38.000
<v Speaker 1>didn't even really know Belmont was a school. I just

0:15:38.080 --> 0:15:39.920
<v Speaker 1>knew Vandy was a school in Nashville. So I like

0:15:39.960 --> 0:15:43.280
<v Speaker 1>went online and I looked up like track team Vanderbilt

0:15:43.440 --> 0:15:45.040
<v Speaker 1>cause I was like, however I was gonna get here

0:15:45.160 --> 0:15:47.800
<v Speaker 1>was going to be through running. And so I found

0:15:47.800 --> 0:15:50.320
<v Speaker 1>out that Vanderbilt doesn't have a men's track team. They

0:15:50.360 --> 0:15:52.920
<v Speaker 1>only have a club cross country team, and I wasn't

0:15:52.960 --> 0:15:54.880
<v Speaker 1>very good at cross country, so they weren't gonna want me.

0:15:55.120 --> 0:15:56.880
<v Speaker 1>So then I was like other colleges in Nashville, and

0:15:56.920 --> 0:15:58.920
<v Speaker 1>I found Belmont and I was like, whoa, this is

0:15:58.960 --> 0:16:01.080
<v Speaker 1>a music school, has all the stuff. Anyways, like this

0:16:01.120 --> 0:16:02.800
<v Speaker 1>seems really cool, and I called the track I literally

0:16:02.840 --> 0:16:06.280
<v Speaker 1>called the track coach and he was like uh. He

0:16:06.320 --> 0:16:07.760
<v Speaker 1>was like, yeah, I got a locker with your name

0:16:07.800 --> 0:16:09.040
<v Speaker 1>on if you want to come here, let me go

0:16:09.080 --> 0:16:11.360
<v Speaker 1>talk to admissions. And I was like right now, and

0:16:11.400 --> 0:16:12.760
<v Speaker 1>he's like, yeah, I'll go talk to him right now

0:16:12.760 --> 0:16:15.200
<v Speaker 1>if you want. He literally went and talked to admissions.

0:16:15.240 --> 0:16:17.240
<v Speaker 1>I had like a three point one or something. He's like, yeah,

0:16:17.240 --> 0:16:19.080
<v Speaker 1>you're good to come if you want, Like, just let

0:16:19.160 --> 0:16:21.880
<v Speaker 1>me know. So that same day I dropped out of

0:16:21.880 --> 0:16:24.480
<v Speaker 1>Santa Clara and like accepted admittance here. And then two

0:16:24.520 --> 0:16:26.080
<v Speaker 1>months later I was at Belmont.

0:16:26.360 --> 0:16:30.040
<v Speaker 2>When you're playing a few chords on a keyboard and

0:16:30.080 --> 0:16:31.560
<v Speaker 2>you say just kind of came out of you, and

0:16:31.720 --> 0:16:34.800
<v Speaker 2>not comparing how good the song was or how bad

0:16:34.800 --> 0:16:36.560
<v Speaker 2>the song was, because in three years you're gonna look

0:16:36.600 --> 0:16:37.800
<v Speaker 2>back the songs you've written now and be like, oh,

0:16:37.800 --> 0:16:40.360
<v Speaker 2>that song kind of sucked. Yeah for sure, So we

0:16:40.400 --> 0:16:42.680
<v Speaker 2>won't make those comparisons. But it is kind of weird

0:16:42.720 --> 0:16:46.640
<v Speaker 2>that you felt something come out of you that you

0:16:46.640 --> 0:16:47.800
<v Speaker 2>didn't know was there.

0:16:48.080 --> 0:16:50.960
<v Speaker 1>Yeah, and then I immediately recognized it and I was like,

0:16:51.400 --> 0:16:53.160
<v Speaker 1>that was a thing that was that was the thing

0:16:53.200 --> 0:16:55.240
<v Speaker 1>in your thing? Yeah, And I was like I just

0:16:55.400 --> 0:16:57.920
<v Speaker 1>I was I was fine at running, Like I wasn't

0:16:57.920 --> 0:16:59.200
<v Speaker 1>the good guy on the team. I didn't have the

0:16:59.240 --> 0:17:01.840
<v Speaker 1>scholarship or like anything, but like when that happened, I

0:17:01.880 --> 0:17:04.399
<v Speaker 1>was like, oh, oh, I don't know what this is,

0:17:04.440 --> 0:17:07.560
<v Speaker 1>but maybe I could be good at this. And then

0:17:07.600 --> 0:17:09.840
<v Speaker 1>I was I, thank god, I recognize that. Why do

0:17:09.840 --> 0:17:11.520
<v Speaker 1>you think that is? I don't know.

0:17:11.560 --> 0:17:12.440
<v Speaker 2>What do you think happened?

0:17:12.960 --> 0:17:15.400
<v Speaker 1>I really don't know. I think it was a lot

0:17:15.440 --> 0:17:17.879
<v Speaker 1>of being a freshman in college and looking for identity.

0:17:18.320 --> 0:17:20.480
<v Speaker 1>I think a lot of it too, was like I

0:17:20.520 --> 0:17:22.520
<v Speaker 1>wanted to be I feel like I wanted to be

0:17:22.720 --> 0:17:25.560
<v Speaker 1>cool so bad too, as like as a freshman in

0:17:25.600 --> 0:17:27.800
<v Speaker 1>college and on the cross country team and all your

0:17:27.840 --> 0:17:30.119
<v Speaker 1>best friends are on the baseball team, and like maybe

0:17:30.160 --> 0:17:34.359
<v Speaker 1>that was my own identifying factor. But I really was

0:17:34.440 --> 0:17:37.679
<v Speaker 1>just obsessed with it. Like I was just obsessed with

0:17:38.000 --> 0:17:41.320
<v Speaker 1>the fact that I could have some idea and some twist,

0:17:41.400 --> 0:17:43.320
<v Speaker 1>Like I remember at that time, do you remember seth

0:17:43.400 --> 0:17:46.479
<v Speaker 1>Innis's song Woke Up in Nashville? Like I was so

0:17:46.800 --> 0:17:51.439
<v Speaker 1>obsessed with that song because I felt that struggle of

0:17:51.560 --> 0:17:54.879
<v Speaker 1>like chasing a dream and missing a girl or missing

0:17:54.880 --> 0:17:55.440
<v Speaker 1>your family.

0:17:55.600 --> 0:17:56.640
<v Speaker 2>That's before you came here.

0:17:56.680 --> 0:17:58.359
<v Speaker 1>That was before I came here, right, And then I

0:17:58.400 --> 0:18:01.360
<v Speaker 1>remember like woke Up in Nashville. Then once I realized,

0:18:01.440 --> 0:18:03.600
<v Speaker 1>oh oh, there's all these twists and turns in country music,

0:18:03.720 --> 0:18:06.439
<v Speaker 1>like oh, he woke up, like he realized in Nashville.

0:18:06.440 --> 0:18:08.680
<v Speaker 1>He didn't just physically wake up in Nashville. And then

0:18:08.720 --> 0:18:10.720
<v Speaker 1>every day I just became more and more and more

0:18:10.760 --> 0:18:13.040
<v Speaker 1>obsessed with Wow, I want to be I want to

0:18:13.080 --> 0:18:13.800
<v Speaker 1>be able to do that.

0:18:14.720 --> 0:18:17.240
<v Speaker 2>Anybody in your family musical at all uncle's aunts. And

0:18:17.280 --> 0:18:19.920
<v Speaker 2>I guess I asked that because even if it wasn't

0:18:19.960 --> 0:18:23.120
<v Speaker 2>in your house. And I don't think that you can

0:18:23.160 --> 0:18:25.520
<v Speaker 2>just become a good guitar player genetically, and I'm not

0:18:25.560 --> 0:18:29.760
<v Speaker 2>saying that about you, but but there are traits nurture

0:18:29.840 --> 0:18:33.920
<v Speaker 2>or nature that happened. I just wonder, did anybody.

0:18:34.000 --> 0:18:37.200
<v Speaker 1>My grandma like played off key organ in the Pilgrim

0:18:37.280 --> 0:18:40.200
<v Speaker 1>United Methodist Church, So maybe it was that. My brother

0:18:40.280 --> 0:18:42.760
<v Speaker 1>always like fingerstyle guitar playing when I was growing up too.

0:18:42.880 --> 0:18:46.160
<v Speaker 2>He's younger, he played now like, Oh yeah he here,

0:18:46.760 --> 0:18:47.439
<v Speaker 2>he's in Dallas.

0:18:47.520 --> 0:18:48.120
<v Speaker 1>Finance guy.

0:18:48.760 --> 0:18:49.600
<v Speaker 2>Anybody's really good.

0:18:49.760 --> 0:18:51.520
<v Speaker 1>He's really good. Yeah.

0:18:51.560 --> 0:18:53.040
<v Speaker 2>I would also recommend stand financial.

0:18:53.040 --> 0:18:53.840
<v Speaker 1>And he's a really good brother.

0:18:54.960 --> 0:18:56.760
<v Speaker 2>You made the right decision. It's awesome.

0:18:56.840 --> 0:18:58.600
<v Speaker 1>Yeah, I was just faceime me. He just moved into

0:18:58.640 --> 0:19:00.000
<v Speaker 1>this awesome new apartment. He says.

0:19:00.840 --> 0:19:11.920
<v Speaker 3>Let's take a quick pause for a message from our sponsor. Wow,

0:19:12.280 --> 0:19:14.520
<v Speaker 3>and we're back on the Bobby Cast.

0:19:15.200 --> 0:19:16.119
<v Speaker 2>You ever get envious of.

0:19:16.720 --> 0:19:22.720
<v Speaker 1>That more structured life, No, not at all. I think

0:19:22.760 --> 0:19:28.120
<v Speaker 1>maybe the like security of it maybe, but like we

0:19:28.119 --> 0:19:30.240
<v Speaker 1>were just at home. My mom moved to Georgia and

0:19:30.240 --> 0:19:32.120
<v Speaker 1>we were just there for Thanksgiving, and like I would

0:19:32.160 --> 0:19:34.760
<v Speaker 1>wake up at ten and go to the driving range

0:19:34.800 --> 0:19:37.040
<v Speaker 1>and like you know, hit some balls or whatever on

0:19:37.119 --> 0:19:39.439
<v Speaker 1>a workday, and he'd be, you know, working on an

0:19:39.480 --> 0:19:42.800
<v Speaker 1>Excel sheet, And like, I was not envious at all,

0:19:43.040 --> 0:19:44.600
<v Speaker 1>but I'm very supportive. That's awesome for you.

0:19:44.640 --> 0:19:46.360
<v Speaker 2>Yeah, and I feel that way too, about eighty eight

0:19:46.359 --> 0:19:50.919
<v Speaker 2>percent of the time. Like, I love that I've been

0:19:50.960 --> 0:19:54.240
<v Speaker 2>able to craft this path. At times it feels like

0:19:54.280 --> 0:19:58.240
<v Speaker 2>a machete with metal trees. Yeah, you know, at times

0:19:58.760 --> 0:20:02.639
<v Speaker 2>other things have come bitty year and I would not

0:20:02.840 --> 0:20:05.199
<v Speaker 2>change it, but I definitely would not recommend it to

0:20:05.200 --> 0:20:08.159
<v Speaker 2>anybody ever, for sure, because there is no security.

0:20:08.480 --> 0:20:12.159
<v Speaker 1>There's no security. And like I'm sure, like I know

0:20:12.200 --> 0:20:13.840
<v Speaker 1>a bunch of your story too. We'll get into that.

0:20:14.600 --> 0:20:16.000
<v Speaker 2>No, we won't. We'll get into what I want to say,

0:20:16.040 --> 0:20:17.960
<v Speaker 2>we get into Okay, you never.

0:20:17.680 --> 0:20:21.760
<v Speaker 1>I really want to tell you about this this podcast effect, but.

0:20:23.280 --> 0:20:25.760
<v Speaker 2>We're just security this world.

0:20:26.080 --> 0:20:30.760
<v Speaker 1>I think that. I think that it's very hard at

0:20:30.800 --> 0:20:35.480
<v Speaker 1>the beginning because like for me, the convincing of people

0:20:35.520 --> 0:20:39.000
<v Speaker 1>who didn't even know this world existed, and that's sort

0:20:39.040 --> 0:20:41.560
<v Speaker 1>of like, how does that work? Why are you doing that?

0:20:41.560 --> 0:20:44.040
<v Speaker 1>That doesn't make sense? Do you want to be poor forever? Like,

0:20:45.359 --> 0:20:48.439
<v Speaker 1>don't do that? That sucks? And if you're not willing

0:20:48.480 --> 0:20:50.919
<v Speaker 1>to be like, hey, guys, just I don't know how

0:20:50.960 --> 0:20:53.600
<v Speaker 1>long this is going to take, but just like let

0:20:53.600 --> 0:20:56.640
<v Speaker 1>me do this. I think that's that's the struggle. Really,

0:20:56.680 --> 0:20:59.000
<v Speaker 1>it's not. I don't It was never the personal struggle

0:20:59.040 --> 0:21:02.520
<v Speaker 1>for me. It was all the outside doubt and even

0:21:02.560 --> 0:21:05.399
<v Speaker 1>if you know, like my parents are very supportive, thankfully,

0:21:05.440 --> 0:21:07.359
<v Speaker 1>I've had a lot of support in my life, but

0:21:07.520 --> 0:21:11.080
<v Speaker 1>like everybody's still doubtful until it works, and I think,

0:21:11.160 --> 0:21:13.320
<v Speaker 1>and then you keep doubting that, and then doubt is

0:21:13.320 --> 0:21:17.520
<v Speaker 1>contagious and constant. Yeah, And I just try to outweigh

0:21:17.520 --> 0:21:19.000
<v Speaker 1>that out because it out never even goes for it.

0:21:19.040 --> 0:21:21.399
<v Speaker 1>And at this point I've had a relatively good amount

0:21:21.440 --> 0:21:24.520
<v Speaker 1>of success. Yeah that you see, same with you.

0:21:24.520 --> 0:21:26.399
<v Speaker 2>I could read every song you've freaking written that I think,

0:21:27.000 --> 0:21:29.840
<v Speaker 2>but you'd be like, well, let me show these two

0:21:29.960 --> 0:21:33.920
<v Speaker 2>hundred that nobody we didn't even demo, you know much.

0:21:34.080 --> 0:21:36.679
<v Speaker 2>So you know we're we're aiming for like a one

0:21:36.680 --> 0:21:39.600
<v Speaker 2>to fifty batting average here, and that's wildly successful.

0:21:39.680 --> 0:21:41.080
<v Speaker 1>Wildly Yeah.

0:21:41.119 --> 0:21:43.600
<v Speaker 2>The security part is I would never recommend it to anybody,

0:21:43.600 --> 0:21:49.760
<v Speaker 2>but I love it for me, I guess because and

0:21:49.840 --> 0:21:51.960
<v Speaker 2>I think the key for me, and the key for

0:21:52.480 --> 0:21:57.120
<v Speaker 2>anybody in this world is to remain, is to continue

0:21:57.160 --> 0:21:58.560
<v Speaker 2>to remain to be highly irrational.

0:21:59.040 --> 0:22:00.959
<v Speaker 1>Yeah, that you have to be.

0:22:01.359 --> 0:22:03.159
<v Speaker 2>You have to be so irrational about what you can do.

0:22:03.600 --> 0:22:05.760
<v Speaker 2>It doesn't mean you can't do it. Being really, I

0:22:05.760 --> 0:22:07.439
<v Speaker 2>think I can do anything in the world, and I

0:22:07.480 --> 0:22:09.040
<v Speaker 2>have to think I have to be so irrational about

0:22:09.080 --> 0:22:10.879
<v Speaker 2>it for sure even have a shot at doing anything

0:22:10.920 --> 0:22:11.560
<v Speaker 2>on a big level.

0:22:11.640 --> 0:22:16.320
<v Speaker 1>Yeah. Yeah, I think that too, Like the twelve percent, right,

0:22:16.480 --> 0:22:18.520
<v Speaker 1>Like that's not the eighty eight percent, like even with me,

0:22:18.680 --> 0:22:22.160
<v Speaker 1>like like I just sold the only songs that were

0:22:22.160 --> 0:22:24.560
<v Speaker 1>really like paying for my life, right and so your

0:22:24.600 --> 0:22:27.000
<v Speaker 1>catalog Yeah yeah yeah, and so like right now, like

0:22:27.000 --> 0:22:28.280
<v Speaker 1>I don't have a draw, I don't have a salary,

0:22:28.359 --> 0:22:31.479
<v Speaker 1>I don't have anything, like I have things and whatever,

0:22:31.680 --> 0:22:34.639
<v Speaker 1>Like I'm fine, but like when I go when I

0:22:34.680 --> 0:22:37.240
<v Speaker 1>look at my asscap statement anymore, like it's not what

0:22:37.359 --> 0:22:41.720
<v Speaker 1>it was because I sold sure, and so things like that. Though,

0:22:41.960 --> 0:22:44.200
<v Speaker 1>like that twelve percent you're talking about that keeps you

0:22:44.280 --> 0:22:45.879
<v Speaker 1>up at night or whatever you'll feel in the morning.

0:22:46.520 --> 0:22:48.760
<v Speaker 1>I actually think that's the reason why we are able

0:22:48.800 --> 0:22:51.200
<v Speaker 1>to do what we do, because that twelve percent makes

0:22:51.280 --> 0:22:53.280
<v Speaker 1>us want to work even harder. It makes me want

0:22:53.320 --> 0:22:55.400
<v Speaker 1>to do you know, a nine am and eleven am

0:22:55.480 --> 0:22:58.520
<v Speaker 1>and a three pm tomorrow. Because it's very irrational what's.

0:22:58.400 --> 0:23:01.760
<v Speaker 2>Next, because people look from ten thousand feet up and

0:23:01.800 --> 0:23:06.200
<v Speaker 2>be like, bro, you're doing good. Why are you working

0:23:06.200 --> 0:23:08.680
<v Speaker 2>yourself so hard? Why are you putting this pressure on yourself?

0:23:08.720 --> 0:23:09.080
<v Speaker 1>Why?

0:23:09.760 --> 0:23:14.080
<v Speaker 2>But it's like two layers of being a rational one

0:23:14.119 --> 0:23:15.240
<v Speaker 2>for you to feel like you still have to go

0:23:15.280 --> 0:23:16.760
<v Speaker 2>so hard, but that's also what got you here. And

0:23:16.800 --> 0:23:18.399
<v Speaker 2>that never just leaves, that never just checks it, that

0:23:18.480 --> 0:23:20.719
<v Speaker 2>never just checks out of the hotel. Sure, that's what

0:23:20.720 --> 0:23:23.080
<v Speaker 2>I talk to friends about. Actually, I'll have friends and

0:23:24.160 --> 0:23:27.960
<v Speaker 2>with athletes, and I consider athletes and artists high performing

0:23:28.080 --> 0:23:31.120
<v Speaker 2>this kind of the same mentality, and that if you're

0:23:31.200 --> 0:23:33.199
<v Speaker 2>driven and you win a super Bowl or you're great.

0:23:33.440 --> 0:23:35.520
<v Speaker 2>It's not like you go, well, I won my Super Bowl,

0:23:35.560 --> 0:23:40.840
<v Speaker 2>I'm good now, because what's inside of you is what

0:23:41.119 --> 0:23:42.720
<v Speaker 2>got you to that point to be great, and it

0:23:42.720 --> 0:23:44.359
<v Speaker 2>doesn't just check out like you leave in a hotel.

0:23:44.880 --> 0:23:48.480
<v Speaker 2>It's still the same thing with how you do your career.

0:23:48.800 --> 0:23:51.439
<v Speaker 2>You can have fifty You could be Ashley Gorley, who

0:23:51.520 --> 0:23:55.119
<v Speaker 2>I know, and he's very he's good. Yeah, but again

0:23:56.720 --> 0:24:00.000
<v Speaker 2>if you ask him, he's probably like, can I stay relevant?

0:24:00.680 --> 0:24:03.359
<v Speaker 2>Can I do? And so that that ought. So that's

0:24:03.400 --> 0:24:05.440
<v Speaker 2>an irrational part of it. And then also just believing

0:24:05.440 --> 0:24:07.359
<v Speaker 2>that you're good enough to keep going on a high level.

0:24:07.440 --> 0:24:09.040
<v Speaker 2>That's so irrational. We should not be we should not

0:24:09.080 --> 0:24:10.560
<v Speaker 2>think that. But if we don't think that, we can't

0:24:10.560 --> 0:24:12.120
<v Speaker 2>do this right right right.

0:24:12.280 --> 0:24:15.399
<v Speaker 1>No, And even Ashley like he's my new deal. I

0:24:15.440 --> 0:24:19.600
<v Speaker 1>just signed with him. And it's unbelievable to watch, truly

0:24:19.640 --> 0:24:21.199
<v Speaker 1>the goat the greatest of all time. I don't think

0:24:21.240 --> 0:24:24.120
<v Speaker 1>anybody will ever taught him, like to watch the pace

0:24:24.160 --> 0:24:27.280
<v Speaker 1>he goes and just the amount of love too, like

0:24:27.359 --> 0:24:28.960
<v Speaker 1>on top of how much he does for himself that

0:24:29.000 --> 0:24:31.240
<v Speaker 1>he shows for our team and just you know, he

0:24:31.320 --> 0:24:33.640
<v Speaker 1>had to go to something immediately after the party too,

0:24:33.680 --> 0:24:36.560
<v Speaker 1>and his wife is there, his kids are there. It's unbelievable.

0:24:36.760 --> 0:24:39.680
<v Speaker 2>But never to check out that you know, you don't

0:24:39.760 --> 0:24:44.000
<v Speaker 2>check out, and it's awesome and awful and more awesome

0:24:44.040 --> 0:24:44.480
<v Speaker 2>than awful.

0:24:44.720 --> 0:24:47.040
<v Speaker 1>I think we all kind of want to at some point.

0:24:47.280 --> 0:24:48.800
<v Speaker 2>I think it feels good to think we could.

0:24:49.200 --> 0:24:51.560
<v Speaker 1>Yeah, for sure, I would love.

0:24:51.440 --> 0:24:56.600
<v Speaker 2>To be able to not be so neurotic and anxious.

0:24:57.040 --> 0:25:00.359
<v Speaker 2>I don't sleep well, and it's not it's just because

0:25:00.400 --> 0:25:04.840
<v Speaker 2>I am concerned about being places on time, getting everything done,

0:25:05.320 --> 0:25:09.040
<v Speaker 2>not letting anybody down. Can I still be creative when

0:25:09.200 --> 0:25:11.480
<v Speaker 2>my schedule is packed? So? But then I'm doing that.

0:25:11.480 --> 0:25:14.120
<v Speaker 2>That's energy even just thinking about that, I'd being anxius about.

0:25:14.119 --> 0:25:16.840
<v Speaker 2>That's energy that I wish I didn't waste being anxious,

0:25:16.840 --> 0:25:19.320
<v Speaker 2>but I do, and I am. And like, there's a

0:25:19.359 --> 0:25:22.040
<v Speaker 2>screw loose. But for me it's been the right screw

0:25:22.640 --> 0:25:24.800
<v Speaker 2>same thing for you, there's really cool. There's a bit

0:25:24.840 --> 0:25:26.480
<v Speaker 2>of a screw loose there has to be for even

0:25:26.640 --> 0:25:30.280
<v Speaker 2>move here. Yeah, Like that's not who does that? No,

0:25:32.040 --> 0:25:33.840
<v Speaker 2>it's crazy to think you can move here and make it.

0:25:33.880 --> 0:25:36.360
<v Speaker 1>For sure, for sure, it's weird to even hear you

0:25:36.440 --> 0:25:38.720
<v Speaker 1>right there to say say that as if I have

0:25:38.800 --> 0:25:40.800
<v Speaker 1>because it doesn't feel like that, like it feels like

0:25:40.880 --> 0:25:43.320
<v Speaker 1>that's that's still to do, that's on the to do list.

0:25:43.480 --> 0:25:44.679
<v Speaker 2>You know, a song is you know, a song is

0:25:44.720 --> 0:25:47.760
<v Speaker 2>so good that I didn't know that you had written

0:25:47.800 --> 0:25:50.399
<v Speaker 2>it until I was just looking up stuff about you.

0:25:50.440 --> 0:25:51.840
<v Speaker 2>But my wife and I sink because my wife is

0:25:51.880 --> 0:25:53.280
<v Speaker 2>a fan of it a long time. Agoes hair salon.

0:25:53.560 --> 0:25:55.159
<v Speaker 2>Oh my dude, it's it's my favorite. It's one of

0:25:55.160 --> 0:26:00.239
<v Speaker 2>my favorite songs. It's such a female song. Yeah, but

0:26:00.320 --> 0:26:02.480
<v Speaker 2>that's like the that is the freaking jam.

0:26:02.520 --> 0:26:05.200
<v Speaker 1>Oh thank you. So that was so that was one

0:26:05.240 --> 0:26:08.720
<v Speaker 1>of the first songs we wrote when when Meghan moved

0:26:08.720 --> 0:26:09.200
<v Speaker 1>to town.

0:26:09.040 --> 0:26:11.040
<v Speaker 2>By the way, Meg and Roney everybody, I mean to

0:26:11.080 --> 0:26:16.320
<v Speaker 2>speak and broken like a code language. Meghan Roney hair slon.

0:26:16.680 --> 0:26:19.160
<v Speaker 2>This was early early Megan Roney on TikTok. My wife

0:26:19.200 --> 0:26:22.320
<v Speaker 2>was like, this girl is so good. Yeah, and I

0:26:22.359 --> 0:26:24.119
<v Speaker 2>was like, yeah, whatever, find and I would be secretly,

0:26:24.160 --> 0:26:26.680
<v Speaker 2>I'll be secret listening to it right right. Yeah, that song,

0:26:26.840 --> 0:26:28.160
<v Speaker 2>it's such a great song.

0:26:28.240 --> 0:26:28.920
<v Speaker 1>So thank you.

0:26:28.960 --> 0:26:29.560
<v Speaker 2>Tell me about that.

0:26:29.960 --> 0:26:34.400
<v Speaker 1>So with Meg and she's the best we So when

0:26:34.440 --> 0:26:36.240
<v Speaker 1>I had first sign my publishing deal at Major Bob.

0:26:36.280 --> 0:26:39.680
<v Speaker 1>I interned there for two years, which is like why

0:26:39.960 --> 0:26:41.720
<v Speaker 1>interned there? I filed all the papers in the back.

0:26:41.760 --> 0:26:43.040
<v Speaker 1>I listened to this podcast every day.

0:26:43.080 --> 0:26:44.159
<v Speaker 2>Oh thanks, I appreciate that.

0:26:44.680 --> 0:26:47.360
<v Speaker 1>But so I was Meg's first Nashville co write ever

0:26:47.400 --> 0:26:49.120
<v Speaker 1>and it was on Zoom before she ever moved here.

0:26:49.440 --> 0:26:51.320
<v Speaker 1>So we wrote a bunch of songs on Zoom together

0:26:51.359 --> 0:26:54.280
<v Speaker 1>when she lived in Georgia before she moved here. And

0:26:55.000 --> 0:26:58.119
<v Speaker 1>I think hair Salon I really think was the first

0:26:58.240 --> 0:27:01.080
<v Speaker 1>rite that we ever wrote. Maybe it wasn't, but it

0:27:01.119 --> 0:27:03.240
<v Speaker 1>was like top five when she moved here. When we

0:27:03.280 --> 0:27:06.240
<v Speaker 1>sat down like in Nashville with Michael Carpenter and Mackenzie Carpenter,

0:27:06.240 --> 0:27:07.800
<v Speaker 1>who we've done a lot of stuff together. We call

0:27:07.840 --> 0:27:11.240
<v Speaker 1>ourselves Jimmy James. And when we wrote hair Salon specifically,

0:27:12.080 --> 0:27:15.520
<v Speaker 1>I was like, I don't know what this is, but

0:27:15.640 --> 0:27:18.760
<v Speaker 1>whatever this sound is, whatever this feel is with Megan

0:27:19.040 --> 0:27:22.439
<v Speaker 1>is the thing, and whatever that feeling with this song is,

0:27:22.440 --> 0:27:25.720
<v Speaker 1>we need to keep until we are gray, Like this

0:27:25.880 --> 0:27:28.320
<v Speaker 1>is the vibe, this is the feeling, this is the

0:27:28.400 --> 0:27:31.320
<v Speaker 1>song that I'm so glad he said that, because I

0:27:31.400 --> 0:27:33.120
<v Speaker 1>truly like people will be like what's your favorite song

0:27:33.119 --> 0:27:34.800
<v Speaker 1>you've ever written. I think it's Harsalon.

0:27:35.920 --> 0:27:39.080
<v Speaker 2>My wife is eleven, almost twelve years younger than I am,

0:27:39.119 --> 0:27:44.600
<v Speaker 2>so she definitely keeps me on the Sabrina Carpenter all

0:27:44.680 --> 0:27:47.400
<v Speaker 2>the new pop stuff, but even some of like the

0:27:47.400 --> 0:27:49.720
<v Speaker 2>the because I listened to a fair amount of music,

0:27:49.760 --> 0:27:52.120
<v Speaker 2>but then I don't sure. I mean, I'm creating content

0:27:52.160 --> 0:27:53.680
<v Speaker 2>all day. I don't know. It's not what it used

0:27:53.680 --> 0:27:57.040
<v Speaker 2>to be. But she was like, oh, this is like

0:27:57.040 --> 0:27:58.639
<v Speaker 2>one of the greatest songs And it wasn't even so

0:27:58.800 --> 0:28:02.280
<v Speaker 2>much at the time about Megan Maroney because there wasn't

0:28:02.280 --> 0:28:04.040
<v Speaker 2>a big body of work of hers out right.

0:28:04.119 --> 0:28:05.960
<v Speaker 1>No, it was like this second song, yeah, and.

0:28:05.920 --> 0:28:07.280
<v Speaker 2>She was like, this song is so good. And I

0:28:07.280 --> 0:28:09.240
<v Speaker 2>remember listening to it, and first of all, I don't

0:28:09.280 --> 0:28:12.320
<v Speaker 2>acknowledge my wife finds something great at first. It never

0:28:12.440 --> 0:28:14.240
<v Speaker 2>never I don't want ever, because anything I find is

0:28:14.359 --> 0:28:16.040
<v Speaker 2>it's never good. But she can like find TV shows

0:28:16.040 --> 0:28:17.639
<v Speaker 2>and music like she's great at it. So I was

0:28:17.640 --> 0:28:20.119
<v Speaker 2>just like, yeahs fine, it's fine. But I remember thinking

0:28:22.400 --> 0:28:25.560
<v Speaker 2>that is so new and refreshing and classic at the

0:28:25.600 --> 0:28:33.119
<v Speaker 2>same time, and it wasn't. It didn't sound it was

0:28:33.119 --> 0:28:35.560
<v Speaker 2>so specific yeah. Right. It was in that era too,

0:28:35.560 --> 0:28:38.000
<v Speaker 2>when specificity started to be written into songs.

0:28:38.240 --> 0:28:38.880
<v Speaker 1>Yeah.

0:28:38.920 --> 0:28:41.320
<v Speaker 2>And it also was like so small town like where

0:28:41.320 --> 0:28:43.240
<v Speaker 2>I was from. It just hit me in like an

0:28:43.240 --> 0:28:46.360
<v Speaker 2>odd way that again it's such a female song, right.

0:28:46.240 --> 0:28:49.080
<v Speaker 1>Yeah, but it's fine. My parents were like, how did

0:28:49.080 --> 0:28:52.320
<v Speaker 1>you How did you write that? And I was like, ah,

0:28:52.360 --> 0:28:54.840
<v Speaker 1>I don't mom, We're very close. I was just thinking

0:28:54.880 --> 0:28:57.240
<v Speaker 1>about you. And they were talking about the line.

0:28:57.080 --> 0:28:58.640
<v Speaker 2>Though it's a gem what's the line? What's favorit line

0:28:58.640 --> 0:28:59.200
<v Speaker 2>where you get.

0:29:00.800 --> 0:29:02.800
<v Speaker 1>Who cares? Who's selling weed to the preacher's son in

0:29:02.840 --> 0:29:05.120
<v Speaker 1>the second verse? I remember like the second we wrote that.

0:29:05.400 --> 0:29:07.520
<v Speaker 1>I think a great Megan song and like a great

0:29:07.800 --> 0:29:10.360
<v Speaker 1>country song which is watched. She has so many great songs.

0:29:10.520 --> 0:29:13.080
<v Speaker 1>It make you laugh, it'll make you like cry, it'll

0:29:13.120 --> 0:29:15.440
<v Speaker 1>make you feel all the love all at the same time,

0:29:15.840 --> 0:29:17.960
<v Speaker 1>and like that song makes me laugh and then I'm like, damn,

0:29:17.960 --> 0:29:21.760
<v Speaker 1>but it's really about this this girl who's heartbroken because

0:29:22.080 --> 0:29:24.680
<v Speaker 1>her ex boyfriend just got engaged. But then you laugh

0:29:24.720 --> 0:29:26.000
<v Speaker 1>about a weed line like.

0:29:26.000 --> 0:29:27.640
<v Speaker 2>And then it's like and it also reminds me of

0:29:27.640 --> 0:29:29.840
<v Speaker 2>where I grew up. Yeah, because it's very even if

0:29:29.880 --> 0:29:32.479
<v Speaker 2>you're not talking about a hair salon. It's there are

0:29:32.480 --> 0:29:35.440
<v Speaker 2>eight other places in your small town, right where that

0:29:35.560 --> 0:29:38.400
<v Speaker 2>dynamic is happening between just the random people, the cast

0:29:38.440 --> 0:29:39.400
<v Speaker 2>of characters that lives.

0:29:39.280 --> 0:29:41.480
<v Speaker 1>In a small to anyway, that Bernadette is a real person,

0:29:41.560 --> 0:29:44.480
<v Speaker 1>by the way, too, And that's Megan's dad's hairstylas. And

0:29:44.520 --> 0:29:47.120
<v Speaker 1>when that song came out, before Meg was big or anything,

0:29:47.200 --> 0:29:49.680
<v Speaker 1>she sent us a video and she's like, miss Meghan

0:29:49.720 --> 0:29:52.719
<v Speaker 1>Maroney wrote this song about me, and she walked through

0:29:52.760 --> 0:29:55.360
<v Speaker 1>the salon and with the song in the background. It

0:29:55.400 --> 0:29:55.920
<v Speaker 1>was really cool.

0:29:56.000 --> 0:30:00.840
<v Speaker 2>That's fine. I think she Megan's just a great, great songwriter, unreal,

0:30:01.480 --> 0:30:04.360
<v Speaker 2>and this town is a land of giants and singers

0:30:04.400 --> 0:30:07.080
<v Speaker 2>and songwriters, and it's not even that because there are

0:30:07.080 --> 0:30:09.920
<v Speaker 2>a lot of great songwriters. But again, she's great with

0:30:10.080 --> 0:30:12.800
<v Speaker 2>something to say from a perspective to say it from.

0:30:13.080 --> 0:30:15.280
<v Speaker 2>And you're definitely a part of that journey with her.

0:30:15.640 --> 0:30:18.080
<v Speaker 2>But I've said many times because she's front facing, right,

0:30:18.120 --> 0:30:20.160
<v Speaker 2>she's the artist for sure, so she gets the shine.

0:30:20.160 --> 0:30:22.360
<v Speaker 2>I was like, she is what I feel is like

0:30:22.400 --> 0:30:25.120
<v Speaker 2>the new generation of the great songwriter one hundred. When

0:30:25.160 --> 0:30:27.200
<v Speaker 2>you start writing with her, like, yeah, what is it

0:30:27.240 --> 0:30:27.680
<v Speaker 2>about her?

0:30:27.760 --> 0:30:29.240
<v Speaker 1>What her ideas?

0:30:30.440 --> 0:30:31.560
<v Speaker 2>I always have.

0:30:32.280 --> 0:30:34.479
<v Speaker 1>This is the truth, Like I have a section of

0:30:34.480 --> 0:30:37.240
<v Speaker 1>my notes like ourmegan ideas. But the truth is is

0:30:37.280 --> 0:30:38.800
<v Speaker 1>when we sit down and write, and now it's a

0:30:38.800 --> 0:30:40.600
<v Speaker 1>lot less than before. We used to write all the time.

0:30:40.640 --> 0:30:42.600
<v Speaker 1>Now she's very busy on the road and when we write,

0:30:43.160 --> 0:30:45.520
<v Speaker 1>you know, it's specifically for an album or whatever, which

0:30:45.600 --> 0:30:50.800
<v Speaker 1>is awesome. She has all the ideas and even like

0:30:50.840 --> 0:30:52.920
<v Speaker 1>if we get stuck on something, I'll just be like, hey,

0:30:52.920 --> 0:30:55.640
<v Speaker 1>read me your ideas, and she'll like all of Tennessee Orange,

0:30:55.680 --> 0:30:57.560
<v Speaker 1>I'm not pretty, all those songs, those are her ideas

0:30:57.600 --> 0:31:00.280
<v Speaker 1>and those are her concepts. So she really think, she

0:31:00.400 --> 0:31:04.360
<v Speaker 1>really will think of a concept that everybody's going to

0:31:04.440 --> 0:31:07.960
<v Speaker 1>relate to in a completely different way. And then we

0:31:08.040 --> 0:31:09.600
<v Speaker 1>just got to bring it together, you know how.

0:31:10.280 --> 0:31:12.560
<v Speaker 2>I know that you're legit and I don't. Again, we

0:31:12.560 --> 0:31:15.720
<v Speaker 2>haven't met before. Yeah this, if we had it, it

0:31:15.760 --> 0:31:18.880
<v Speaker 2>had been in superpassing because I only we spend time together. No, Okay,

0:31:19.400 --> 0:31:22.360
<v Speaker 2>this is why I think I respect you already. Is

0:31:22.400 --> 0:31:26.600
<v Speaker 2>that anybody most folks would have said what you said

0:31:26.680 --> 0:31:28.480
<v Speaker 2>kind of about somebody else that they were involved in

0:31:28.480 --> 0:31:30.719
<v Speaker 2>writing with they would have said, yeah, she's great, she

0:31:30.760 --> 0:31:34.040
<v Speaker 2>has great. You were pushing all the credit to her,

0:31:34.080 --> 0:31:36.960
<v Speaker 2>which means you are so secure, You're so secure in

0:31:37.640 --> 0:31:40.080
<v Speaker 2>what you bring and who you are, that you're absolutely

0:31:40.120 --> 0:31:42.080
<v Speaker 2>fine with taking a spotlight and going yeah, I mean

0:31:42.120 --> 0:31:44.480
<v Speaker 2>I was involved in that, but look boom spotlight on her.

0:31:44.520 --> 0:31:48.520
<v Speaker 2>Oh for sure, Like, even you doing that shows me

0:31:48.640 --> 0:31:51.120
<v Speaker 2>the kind of collaborator and person you are to work with.

0:31:51.160 --> 0:31:53.440
<v Speaker 2>So that's a compliment, Oh think, because I again appreciate it.

0:31:53.480 --> 0:31:55.880
<v Speaker 2>I never knew who I mean, I'd read about you,

0:31:56.000 --> 0:31:57.560
<v Speaker 2>I knew I knew your songs, and I was walking

0:31:57.600 --> 0:31:58.800
<v Speaker 2>down until I got down here. I don't know if

0:31:58.800 --> 0:32:01.360
<v Speaker 2>you're gonna be cool or not. He's still not totally convinced.

0:32:01.680 --> 0:32:05.680
<v Speaker 2>I mean maybe sometimes run when it's like ten degrees outside,

0:32:06.040 --> 0:32:09.280
<v Speaker 2>I'm not. And then the song just became because hair sline, Like,

0:32:09.400 --> 0:32:12.280
<v Speaker 2>wasn't that was a radio song? No, not at all,

0:32:12.320 --> 0:32:17.280
<v Speaker 2>But then Tennessee orange monster, Yeah I'm not pretty monster.

0:32:17.800 --> 0:32:22.960
<v Speaker 2>Now it's like you write songs that would make other

0:32:23.040 --> 0:32:25.080
<v Speaker 2>people want to write with you, Like you've written such

0:32:25.160 --> 0:32:28.360
<v Speaker 2>big songs that if you just say, oh, yeah, he

0:32:28.400 --> 0:32:32.120
<v Speaker 2>was a writer on this, that alone makes you desirable

0:32:32.160 --> 0:32:35.240
<v Speaker 2>to write with. And that's a change. How did you

0:32:35.360 --> 0:32:37.560
<v Speaker 2>deal with now being the person that everybody wanted to

0:32:37.560 --> 0:32:38.000
<v Speaker 2>work with?

0:32:38.560 --> 0:32:43.920
<v Speaker 1>That's wow. I like him emotional about that, because like

0:32:44.720 --> 0:32:48.200
<v Speaker 1>all I ever wanted to be is that person. And

0:32:48.280 --> 0:32:49.920
<v Speaker 1>I think I talked about like you know, listening to

0:32:49.960 --> 0:32:54.720
<v Speaker 1>this podcast, I am such a huge, huge, huge fan

0:32:54.840 --> 0:32:58.440
<v Speaker 1>of songwriters in this town. Like I knew Jesse Fraser's

0:32:58.480 --> 0:33:01.200
<v Speaker 1>story before. Jesse and I are Ever Boys, John I Kopperman,

0:33:01.360 --> 0:33:03.160
<v Speaker 1>all of the guys that have been on this podcast,

0:33:03.600 --> 0:33:06.920
<v Speaker 1>I I idolize. And the fact that now I can

0:33:06.960 --> 0:33:09.200
<v Speaker 1>sit and call them friends and they want to write

0:33:09.200 --> 0:33:11.000
<v Speaker 1>with me because of those songs to me is like

0:33:11.360 --> 0:33:14.480
<v Speaker 1>it truly is I'm living my dream and I'm so

0:33:14.600 --> 0:33:20.200
<v Speaker 1>grateful and humbled, and it's also terrifying because like I'm

0:33:20.200 --> 0:33:23.200
<v Speaker 1>so grateful for those songs and now also too, like

0:33:23.600 --> 0:33:25.800
<v Speaker 1>when I if I now, thankfully, I think that I

0:33:25.840 --> 0:33:28.000
<v Speaker 1>have all. I've gotten all the big, big, big rights

0:33:28.000 --> 0:33:29.880
<v Speaker 1>out of the way, and thankfully I made a lot

0:33:29.920 --> 0:33:32.440
<v Speaker 1>of friends along the way. But during that year, really

0:33:32.520 --> 0:33:34.800
<v Speaker 1>after Tennessee, Orange probably Why I'm Not Pretty was still

0:33:34.840 --> 0:33:37.640
<v Speaker 1>on its way to being a hit. You only get

0:33:37.640 --> 0:33:40.520
<v Speaker 1>one chance to walk in the room with you know,

0:33:40.720 --> 0:33:43.600
<v Speaker 1>abz ex artist X writer and if you to walk

0:33:43.640 --> 0:33:45.040
<v Speaker 1>in and they're like, yeah, you might just be on

0:33:45.080 --> 0:33:46.560
<v Speaker 1>a hit song, but you might not be the reason

0:33:46.600 --> 0:33:49.160
<v Speaker 1>why I was a hit song. You have to prove yourself.

0:33:49.200 --> 0:33:51.560
<v Speaker 1>And I had to prove myself like not only when

0:33:51.560 --> 0:33:54.400
<v Speaker 1>I just got first got my publishing publishing deal before hits,

0:33:54.440 --> 0:33:56.480
<v Speaker 1>but then after hits to go into the biggest of

0:33:56.480 --> 0:33:58.720
<v Speaker 1>biggest rooms and be like can this guy hang? Do

0:33:58.760 --> 0:34:00.440
<v Speaker 1>we are we gonna turn to this guy I now

0:34:00.440 --> 0:34:04.560
<v Speaker 1>to help with these other artists. That was tough because

0:34:04.600 --> 0:34:07.480
<v Speaker 1>like I know I can, but I had to go

0:34:07.600 --> 0:34:09.920
<v Speaker 1>do it, and that was that was crazy.

0:34:10.160 --> 0:34:13.640
<v Speaker 2>What would your advice be to you seven years ago,

0:34:14.560 --> 0:34:17.120
<v Speaker 2>four years ago a covid messages with my brain. Yeah,

0:34:17.120 --> 0:34:19.960
<v Speaker 2>because again, you're writing with Megan before she was a

0:34:20.040 --> 0:34:22.000
<v Speaker 2>known entity. Yeah, and I'll talk about her as not

0:34:22.040 --> 0:34:23.839
<v Speaker 2>a human but just as like as a data point

0:34:23.880 --> 0:34:27.040
<v Speaker 2>that can generate streams and revenue. You were writing with

0:34:27.080 --> 0:34:31.200
<v Speaker 2>her before she was a thing. What would you tell

0:34:31.320 --> 0:34:35.080
<v Speaker 2>other guys or girls like you that are like I

0:34:35.160 --> 0:34:36.799
<v Speaker 2>just can't get any rights with anybody big, Like, how

0:34:36.800 --> 0:34:37.680
<v Speaker 2>am I supposed to make it?

0:34:37.760 --> 0:34:41.040
<v Speaker 1>Oh? My gosh. That is like if I go get

0:34:41.040 --> 0:34:43.440
<v Speaker 1>coffee with Belmont students or something, that's the number one

0:34:43.480 --> 0:34:44.920
<v Speaker 1>thing I tell them was like when I signed my

0:34:44.920 --> 0:34:47.120
<v Speaker 1>first publisher, Neil, I'm twenty six now, I was twenty two,

0:34:47.920 --> 0:34:51.400
<v Speaker 1>and I just remember that first year being like I

0:34:51.440 --> 0:34:53.680
<v Speaker 1>need a Luke Brian cut, I need a Morgan wall

0:34:53.719 --> 0:34:56.200
<v Speaker 1>And cut. I need these, Like that is how I'm

0:34:56.200 --> 0:34:59.040
<v Speaker 1>going to have success. I'm going to get an outside cut.

0:34:59.600 --> 0:35:02.399
<v Speaker 1>I had no idea that when I was sitting there

0:35:02.400 --> 0:35:04.920
<v Speaker 1>writing all those songs with Meg and I did a

0:35:04.920 --> 0:35:07.799
<v Speaker 1>bunch of Averyanna songs and all those early songs, I

0:35:07.880 --> 0:35:10.200
<v Speaker 1>had no idea that what was going to propel me

0:35:10.280 --> 0:35:12.080
<v Speaker 1>to even have the opportunity to write a Luke Brian

0:35:12.160 --> 0:35:15.120
<v Speaker 1>or Morgan wallensong or whatever was sitting right next to

0:35:15.160 --> 0:35:17.400
<v Speaker 1>me co writing the song I was doing. And so

0:35:17.640 --> 0:35:20.400
<v Speaker 1>that is the number one thing is don't obviously, if

0:35:20.440 --> 0:35:23.759
<v Speaker 1>you get a Blake Shelton single or whatever, that's amazing,

0:35:23.840 --> 0:35:26.040
<v Speaker 1>like go you go you. But I think the way

0:35:26.080 --> 0:35:28.120
<v Speaker 1>to break in as a just a pure writer, which

0:35:28.160 --> 0:35:29.759
<v Speaker 1>I am, is look to your left and your right,

0:35:30.080 --> 0:35:33.319
<v Speaker 1>who do you truly believe out of your friends or

0:35:33.360 --> 0:35:36.360
<v Speaker 1>your circle has a chance to be honest in a stage,

0:35:36.760 --> 0:35:40.040
<v Speaker 1>and whoever that person is, sit next to them, write

0:35:40.080 --> 0:35:42.640
<v Speaker 1>with them every week, write with them every day, write

0:35:42.680 --> 0:35:45.440
<v Speaker 1>their first record before they know that it's their first record.

0:35:45.760 --> 0:35:47.640
<v Speaker 1>And then if you can contribute to their career and

0:35:47.680 --> 0:35:50.360
<v Speaker 1>they blow up, boom. You just did the thing. And

0:35:50.360 --> 0:35:52.239
<v Speaker 1>now you get the opportunity to do the thing that

0:35:52.280 --> 0:35:55.040
<v Speaker 1>was impossible, which was getting an outside Luke Brian's song

0:35:55.040 --> 0:35:56.520
<v Speaker 1>in your first Bubbles you deal pretty much.

0:35:57.080 --> 0:35:57.879
<v Speaker 2>Did you ever want to sing?

0:35:57.960 --> 0:35:59.840
<v Speaker 1>Can you sing? Oh? My gosh. I think about it

0:35:59.840 --> 0:36:01.759
<v Speaker 1>all the time now. I used to never think about

0:36:01.760 --> 0:36:03.600
<v Speaker 1>it because there's so many songs on my phone where

0:36:03.600 --> 0:36:06.640
<v Speaker 1>I'm like that I sing. I sing most demos, and

0:36:06.719 --> 0:36:09.719
<v Speaker 1>I'm like, man, maybe I should put these songs out

0:36:09.719 --> 0:36:12.640
<v Speaker 1>at some point. I don't know. It's nice to not though.

0:36:14.040 --> 0:36:17.480
<v Speaker 2>There are two kind of versions of the situation you're in.

0:36:17.680 --> 0:36:22.960
<v Speaker 2>One would be I am extremely close. You mentioned Ross Kapperman.

0:36:23.520 --> 0:36:25.239
<v Speaker 2>He comes over pick a ball a couple of times

0:36:25.239 --> 0:36:27.600
<v Speaker 2>a week. Our wives are very close. Like that's like

0:36:27.920 --> 0:36:30.400
<v Speaker 2>my guy been friends for the whole time I've been

0:36:30.440 --> 0:36:32.839
<v Speaker 2>in town, just about them. And Ross is really good

0:36:32.880 --> 0:36:35.080
<v Speaker 2>and Ross was like an artist. Yeah, he's an artist,

0:36:35.160 --> 0:36:38.080
<v Speaker 2>and then he started to have success writing, so he'd

0:36:38.120 --> 0:36:40.520
<v Speaker 2>like focused all his talent, so he's like an artist

0:36:41.040 --> 0:36:43.200
<v Speaker 2>and then he gets at a crossroads. What do I do.

0:36:43.239 --> 0:36:45.520
<v Speaker 2>I've got all this success, you know, uh, being a

0:36:45.520 --> 0:36:47.040
<v Speaker 2>producer and art and so it's like I want to

0:36:47.040 --> 0:36:49.319
<v Speaker 2>take Manders you put it here. But he was the

0:36:49.440 --> 0:36:51.839
<v Speaker 2>artist that then. But a lot of those guys right

0:36:51.840 --> 0:36:53.960
<v Speaker 2>are artists and then shift for one reason or the other.

0:36:54.480 --> 0:36:56.840
<v Speaker 2>And then there are guys, my guys. For any of

0:36:56.840 --> 0:36:58.879
<v Speaker 2>it's gonna message me. I mean, got women and men

0:36:59.080 --> 0:37:02.239
<v Speaker 2>guys is universal crue. I agree, thank you, thank you

0:37:02.800 --> 0:37:08.120
<v Speaker 2>like yourself who write and they have the ability to

0:37:08.200 --> 0:37:10.680
<v Speaker 2>learn to be a better writer, so they do, and

0:37:10.719 --> 0:37:13.840
<v Speaker 2>then they kind of find the voice yeah inside of

0:37:13.880 --> 0:37:17.360
<v Speaker 2>them physically and mentally that they now want to write

0:37:17.360 --> 0:37:20.800
<v Speaker 2>and sing songs. And I feel like that second version

0:37:20.840 --> 0:37:22.839
<v Speaker 2>could be a bit of you now I'm not.

0:37:23.480 --> 0:37:25.880
<v Speaker 1>My and the thing is too like if it's coming

0:37:25.880 --> 0:37:30.640
<v Speaker 1>from anywhere, it's not coming from I want. I want

0:37:30.760 --> 0:37:33.319
<v Speaker 1>the spotlight that comes from being the artists. Like that

0:37:33.440 --> 0:37:35.359
<v Speaker 1>is not what I want. What I do want, though,

0:37:35.440 --> 0:37:37.640
<v Speaker 1>is like, man, when I go finish this song, like

0:37:38.000 --> 0:37:39.960
<v Speaker 1>Ross and I wrote a ton of songs, like a

0:37:40.000 --> 0:37:41.680
<v Speaker 1>lot of them are getting cut, but like there's a

0:37:41.719 --> 0:37:43.279
<v Speaker 1>lot of songs that we just wrote for some new

0:37:43.320 --> 0:37:46.000
<v Speaker 1>projects that like aren't getting cut. And I'm like, and

0:37:46.040 --> 0:37:48.200
<v Speaker 1>I sang all the demos and even with other people,

0:37:48.239 --> 0:37:50.719
<v Speaker 1>and I'm like, they're my some of my favorite songs

0:37:50.719 --> 0:37:53.640
<v Speaker 1>I've ever written, and I'm singing them and I'm like, Wow,

0:37:53.719 --> 0:37:56.200
<v Speaker 1>I wish people could just all I'm saying is there

0:37:56.200 --> 0:37:58.239
<v Speaker 1>are so many cool songs that I wish were in

0:37:58.239 --> 0:38:00.239
<v Speaker 1>the world that won't be in the world. And the

0:38:00.280 --> 0:38:01.880
<v Speaker 1>only avenue for them to be in the world is

0:38:01.880 --> 0:38:02.560
<v Speaker 1>if I put them at.

0:38:02.520 --> 0:38:03.080
<v Speaker 2>A mount Yeah.

0:38:03.120 --> 0:38:05.480
<v Speaker 1>And I'm like, I'm just walking that line of Wow,

0:38:05.480 --> 0:38:07.320
<v Speaker 1>it's really nice to wake up on a Saturday and

0:38:07.400 --> 0:38:10.040
<v Speaker 1>go play golf with my friends or if I do it,

0:38:10.120 --> 0:38:12.880
<v Speaker 1>I'm gonna do it, and then I would be in

0:38:13.040 --> 0:38:14.840
<v Speaker 1>you know, Maine on a Saturday.

0:38:14.960 --> 0:38:28.640
<v Speaker 4>Right, the Bobby Cast will be right back. This is

0:38:28.680 --> 0:38:29.560
<v Speaker 4>the Bobby Cast.

0:38:30.160 --> 0:38:32.480
<v Speaker 2>My text rass and to say, tell me one thing.

0:38:33.840 --> 0:38:36.160
<v Speaker 2>See if you've been FACETI will probably pick up well,

0:38:36.239 --> 0:38:37.640
<v Speaker 2>I hate face timing if they're in the middle of

0:38:37.680 --> 0:38:40.759
<v Speaker 2>a right, because I'll do that for the right, I'll

0:38:40.800 --> 0:38:42.719
<v Speaker 2>face time. I mean, I mean, I'm that close with

0:38:42.800 --> 0:38:44.960
<v Speaker 2>I don't care. But let's just see what happens. This

0:38:45.000 --> 0:38:47.280
<v Speaker 2>is well, by the way, Ross has over like forty

0:38:47.320 --> 0:38:48.200
<v Speaker 2>number ones right as.

0:38:48.320 --> 0:38:51.200
<v Speaker 1>The biggest writers in our world, in the world.

0:38:51.560 --> 0:38:55.799
<v Speaker 2>Let's see if he answers here hebby Bobby, Hey man,

0:38:56.440 --> 0:38:59.440
<v Speaker 2>I just got out of a nice back. He's not

0:38:59.480 --> 0:39:03.000
<v Speaker 2>gonna answer, though he may call back. You can't leave

0:39:03.000 --> 0:39:08.799
<v Speaker 2>a video, he is. Hey, So I'm sitting here RaSE.

0:39:13.360 --> 0:39:16.600
<v Speaker 2>So we were just talking about you, Uh what give me?

0:39:16.840 --> 0:39:18.279
<v Speaker 2>Can you give me like a couple of fun facts

0:39:18.280 --> 0:39:20.080
<v Speaker 2>out oh Ben here? Like, oh my god, just some

0:39:20.200 --> 0:39:22.279
<v Speaker 2>for somebody that works because he he loves you and

0:39:22.560 --> 0:39:25.080
<v Speaker 2>talks in such high regard of you. And so I thought,

0:39:25.239 --> 0:39:27.239
<v Speaker 2>if Ross has a couple two to three minutes we're

0:39:27.239 --> 0:39:29.120
<v Speaker 2>recording this right now, could you give me just a

0:39:29.120 --> 0:39:30.360
<v Speaker 2>couple of thoughts on Ben.

0:39:32.000 --> 0:39:32.239
<v Speaker 1>Ben.

0:39:32.600 --> 0:39:35.080
<v Speaker 5>I don't remember what you got into about his athleticism.

0:39:35.680 --> 0:39:37.880
<v Speaker 2>It was the whole first ten minutes of the podcast.

0:39:37.920 --> 0:39:40.920
<v Speaker 1>Yeah, yeah, all right, all right, all right.

0:39:41.880 --> 0:39:46.200
<v Speaker 5>The way Ben writes lyrics is just it's it's pretty incredible.

0:39:46.440 --> 0:39:47.279
<v Speaker 1>He he.

0:39:49.320 --> 0:39:51.040
<v Speaker 2>He says the most profound.

0:39:50.600 --> 0:39:55.520
<v Speaker 5>Things and he's he's thoughtful, and he just knows how

0:39:55.560 --> 0:39:56.479
<v Speaker 5>to write a hit song.

0:39:58.280 --> 0:39:59.359
<v Speaker 1>To be so such a.

0:39:59.280 --> 0:40:03.920
<v Speaker 5>Young writer write such incredible rixperient and to know how

0:40:03.960 --> 0:40:06.239
<v Speaker 5>the arc of how to write the second verse, I

0:40:06.320 --> 0:40:08.640
<v Speaker 5>was like, he knows how to write the second verse,

0:40:09.440 --> 0:40:13.560
<v Speaker 5>and that's that's like the biggest challenge writing the right

0:40:13.640 --> 0:40:14.239
<v Speaker 5>second verse.

0:40:15.200 --> 0:40:17.200
<v Speaker 2>I'm very annoyed that he's an athlete. I'll be honest

0:40:17.200 --> 0:40:19.960
<v Speaker 2>with you. I kind of hated that he was so athletic,

0:40:20.000 --> 0:40:21.839
<v Speaker 2>because you know, when someone has such success as something

0:40:21.880 --> 0:40:23.279
<v Speaker 2>else and they're young, and they're also like I was

0:40:23.280 --> 0:40:25.239
<v Speaker 2>a d one athlete, I'm like, God, damn, dude, say something,

0:40:25.280 --> 0:40:26.600
<v Speaker 2>save something for us, something, you know.

0:40:27.920 --> 0:40:29.680
<v Speaker 1>Hey, his voice the.

0:40:29.560 --> 0:40:33.160
<v Speaker 5>Best translation to Dirk's balty Ai that exists.

0:40:34.960 --> 0:40:37.759
<v Speaker 2>Okay, there you have it, all right, buddy? Uh hey

0:40:37.920 --> 0:40:39.600
<v Speaker 2>do you play pickleball at all? Do you play pickball?

0:40:40.840 --> 0:40:43.640
<v Speaker 2>Does he get the invite? Does he get the invite?

0:40:44.040 --> 0:40:46.800
<v Speaker 5>He'd be too good, Bobby.

0:40:46.080 --> 0:40:48.200
<v Speaker 1>That's the too good.

0:40:48.440 --> 0:40:50.319
<v Speaker 2>You know, I've got backing down from any but not

0:40:50.360 --> 0:40:50.719
<v Speaker 2>that good.

0:40:51.280 --> 0:40:54.319
<v Speaker 5>You wouldn't really, Yeah, he knocked my position down.

0:40:54.400 --> 0:40:56.600
<v Speaker 2>No, I would not, All right, buddy, Thanks France, are

0:40:56.560 --> 0:40:57.239
<v Speaker 2>and good to see you.

0:40:58.840 --> 0:40:59.960
<v Speaker 1>That's awesome, Like Ross is.

0:40:59.920 --> 0:41:05.000
<v Speaker 2>Like, you're right, Like he upper tier. Yeah, he's done

0:41:05.040 --> 0:41:07.480
<v Speaker 2>it at a high level for so long with many

0:41:07.480 --> 0:41:10.040
<v Speaker 2>different people. Kenny Keith, it doesn't matter. Yeah, And for

0:41:10.080 --> 0:41:12.279
<v Speaker 2>a guy like that, how does that make you feel

0:41:12.280 --> 0:41:14.919
<v Speaker 2>when he says stuff like that, So because he didn't

0:41:14.920 --> 0:41:16.200
<v Speaker 2>have to get uid anything you wanted.

0:41:16.040 --> 0:41:18.160
<v Speaker 1>He's that's the coolest thing to me.

0:41:18.200 --> 0:41:18.399
<v Speaker 2>Ever.

0:41:18.480 --> 0:41:20.400
<v Speaker 1>And like the fact that one of the you know,

0:41:20.520 --> 0:41:22.480
<v Speaker 1>idol of a writer of mine just told me that

0:41:22.680 --> 0:41:24.520
<v Speaker 1>I could I know how to write the second verse,

0:41:24.560 --> 0:41:26.080
<v Speaker 1>which is obviously the hardest part of the song.

0:41:26.160 --> 0:41:28.839
<v Speaker 2>Yeah, we expand on that a little bit. Why why

0:41:29.239 --> 0:41:29.920
<v Speaker 2>why is that a thing?

0:41:30.480 --> 0:41:32.520
<v Speaker 1>I think? And the thing with me, I've never really

0:41:32.520 --> 0:41:34.480
<v Speaker 1>believed in it. But I remember when I first started

0:41:34.480 --> 0:41:36.800
<v Speaker 1>writing in town specifically, people are always like the second

0:41:36.880 --> 0:41:39.400
<v Speaker 1>verse curse, And people used to go to lunch when

0:41:39.400 --> 0:41:41.560
<v Speaker 1>they finished the chorus to like kind of like rejuvenate

0:41:41.600 --> 0:41:44.120
<v Speaker 1>for the second verse, because it's easy to get lazy

0:41:44.280 --> 0:41:46.440
<v Speaker 1>because you're tired. You just spend all this effort writing

0:41:46.440 --> 0:41:48.879
<v Speaker 1>the hook and the chorus in the first verse, and

0:41:49.120 --> 0:41:51.239
<v Speaker 1>I feel like all the time people are like, well,

0:41:51.239 --> 0:41:53.400
<v Speaker 1>now there's nothing left to say. I feel like, what

0:41:53.480 --> 0:41:56.239
<v Speaker 1>else people are? What else do we say? And I

0:41:56.360 --> 0:41:57.799
<v Speaker 1>was just like, well, let's say the same thing but

0:41:57.840 --> 0:42:00.919
<v Speaker 1>in a cooler way. And also like second verse wise,

0:42:00.960 --> 0:42:02.640
<v Speaker 1>I don't know on any of the songs Ross and

0:42:02.680 --> 0:42:05.120
<v Speaker 1>I have done together, but I'm never afraid to just

0:42:05.120 --> 0:42:08.520
<v Speaker 1>write a completely different melody and a completely different structure

0:42:08.560 --> 0:42:10.600
<v Speaker 1>for the second verse than from the first verse. Like

0:42:10.640 --> 0:42:12.160
<v Speaker 1>why does the second verse have to be the same

0:42:12.160 --> 0:42:14.440
<v Speaker 1>melody as the first verse? If it sounds good being

0:42:14.440 --> 0:42:16.840
<v Speaker 1>the same great, But like, second verse to me is

0:42:16.880 --> 0:42:21.560
<v Speaker 1>like another opportunity to regain the listener's ear before they

0:42:21.600 --> 0:42:24.480
<v Speaker 1>hit another chorus. So let's say something weird or interesting

0:42:24.560 --> 0:42:26.279
<v Speaker 1>or throw melody that they're not ready for.

0:42:26.480 --> 0:42:28.600
<v Speaker 2>Do you feel like if you're in a room and

0:42:29.719 --> 0:42:33.240
<v Speaker 2>with artists who have excuse me, artists or mostly songwriters

0:42:33.280 --> 0:42:39.320
<v Speaker 2>that have traditionally written not that way, you know, melody

0:42:39.320 --> 0:42:41.360
<v Speaker 2>of the first verse, melody the second verse gotta have

0:42:41.480 --> 0:42:44.000
<v Speaker 2>three chorus here, got it? And it has to be done. Yeah,

0:42:44.080 --> 0:42:45.960
<v Speaker 2>that it's hard to kind of break through to them

0:42:46.080 --> 0:42:46.640
<v Speaker 2>what you're.

0:42:46.480 --> 0:42:50.040
<v Speaker 1>Saying sometimes, Yeah, But a lot of the time I

0:42:50.080 --> 0:42:51.960
<v Speaker 1>think if they just see that it's cool or they

0:42:51.960 --> 0:42:54.759
<v Speaker 1>hear that it's cool, the vibe and the feeling. They'll

0:42:54.760 --> 0:42:56.839
<v Speaker 1>just be like, oh, yeah, that is cool, even if

0:42:56.880 --> 0:42:59.319
<v Speaker 1>they think that it has to be exactly this way.

0:42:59.520 --> 0:43:02.759
<v Speaker 1>If something sounds good to somebody and they're if they're

0:43:02.800 --> 0:43:05.840
<v Speaker 1>not willing to adapt, then they probably aren't writing in

0:43:05.840 --> 0:43:08.400
<v Speaker 1>town anymore anyways, you know. So I think it's just

0:43:09.440 --> 0:43:12.520
<v Speaker 1>showing if they don't believe in changing, showing them how

0:43:12.520 --> 0:43:14.560
<v Speaker 1>it could be really cool, and then they'll be like,

0:43:14.600 --> 0:43:15.480
<v Speaker 1>oh that is cool.

0:43:15.680 --> 0:43:18.839
<v Speaker 2>You get a lot of people from non Nashville come

0:43:18.880 --> 0:43:20.160
<v Speaker 2>in and go, hey, I want to write with you,

0:43:20.480 --> 0:43:22.520
<v Speaker 2>Like is that a thing? Are people coming from with me?

0:43:22.600 --> 0:43:24.440
<v Speaker 2>So just yeah, you specifically are Just in general, it

0:43:24.440 --> 0:43:25.759
<v Speaker 2>feels like there's a lot of folks coming from like

0:43:25.840 --> 0:43:28.760
<v Speaker 2>La just to write with like Nashville writers, they write differently,

0:43:29.120 --> 0:43:31.640
<v Speaker 2>like more than ever, more than ever, it's constant.

0:43:31.680 --> 0:43:35.080
<v Speaker 1>Now, it's like, listen, the fact that country's cool and

0:43:35.120 --> 0:43:37.759
<v Speaker 1>everybody wants to be a part of country. Ashley said

0:43:37.800 --> 0:43:39.920
<v Speaker 1>it the best. It's like this is the more the

0:43:39.920 --> 0:43:43.120
<v Speaker 1>merrier come. We have open arms. Hopefully that'll go both ways,

0:43:43.600 --> 0:43:45.520
<v Speaker 1>but I think they want to come see what we've

0:43:45.520 --> 0:43:48.279
<v Speaker 1>been doing and that's really changing the world. I mean

0:43:48.320 --> 0:43:50.799
<v Speaker 1>country to me hopefully, I don't know stats, but like

0:43:51.040 --> 0:43:53.120
<v Speaker 1>it sure seems like it's the coolest format right now.

0:43:53.320 --> 0:43:55.600
<v Speaker 2>Oh yeah, by far. Yeah, I mean just the format

0:43:55.680 --> 0:43:57.919
<v Speaker 2>exploding as it has has helped me in other ways

0:43:57.960 --> 0:44:01.200
<v Speaker 2>professionally because people will be like, oh, you're the most

0:44:01.440 --> 0:44:04.239
<v Speaker 2>listened to, yeah, and the most listened to for it.

0:44:04.360 --> 0:44:07.000
<v Speaker 2>You must be cool without it. So there's just credibility

0:44:07.239 --> 0:44:10.279
<v Speaker 2>with country now that there hadn't been before a few

0:44:10.360 --> 0:44:11.480
<v Speaker 2>years ago. And you know a lot of that is

0:44:11.520 --> 0:44:18.239
<v Speaker 2>credited to the Wallins and Comb's and Zach Bryan being

0:44:18.239 --> 0:44:21.160
<v Speaker 2>able to go stadium for sure, right, for sure, because

0:44:21.160 --> 0:44:22.800
<v Speaker 2>a lot of people can do arena and that's amazing,

0:44:22.840 --> 0:44:25.160
<v Speaker 2>for sure, but when you can go stadium, that's that's

0:44:25.239 --> 0:44:26.880
<v Speaker 2>next level. And you have three young guys doing it

0:44:26.920 --> 0:44:28.880
<v Speaker 2>at once. And I'm not talking abou Kenny, because Kenny's

0:44:28.880 --> 0:44:31.000
<v Speaker 2>been able to do it in Garth, but it took

0:44:31.040 --> 0:44:33.520
<v Speaker 2>those guys a long time. But you're talking about a

0:44:33.600 --> 0:44:37.600
<v Speaker 2>sound that got so popular so quick. Yeah, and these

0:44:37.600 --> 0:44:38.920
<v Speaker 2>guys are your age.

0:44:39.040 --> 0:44:41.400
<v Speaker 1>I'll be super honest too, Like the one thing that

0:44:41.520 --> 0:44:44.799
<v Speaker 1>is a little frustrating about it, And again I'm as

0:44:44.800 --> 0:44:47.960
<v Speaker 1>open arms as it gets when I also can't wait

0:44:48.000 --> 0:44:49.920
<v Speaker 1>to go to I haven't been on an LA trip yet,

0:44:50.000 --> 0:44:52.040
<v Speaker 1>and so like, I know that I want to write

0:44:52.040 --> 0:44:53.879
<v Speaker 1>some pop stuff at some point, and like I'm gonna

0:44:53.880 --> 0:44:56.400
<v Speaker 1>get over there and be super green. And I'm not

0:44:56.440 --> 0:44:58.359
<v Speaker 1>saying that people who come here are super green, because

0:44:58.360 --> 0:45:01.759
<v Speaker 1>they're all amazing. Like when you come and I haven't

0:45:01.760 --> 0:45:04.440
<v Speaker 1>written with a ton of LA people, I'm like writing

0:45:04.480 --> 0:45:08.080
<v Speaker 1>with a couple, But it's like, unless you've written a

0:45:08.080 --> 0:45:10.040
<v Speaker 1>lot of country before, which some of them have and

0:45:10.080 --> 0:45:12.480
<v Speaker 1>they're amazing country writers, if you're just coming here for

0:45:12.520 --> 0:45:15.560
<v Speaker 1>the first time to start dabble in country, the sessions

0:45:15.560 --> 0:45:18.680
<v Speaker 1>are very much like, this is how we do it.

0:45:18.680 --> 0:45:21.280
<v Speaker 1>It's sort of this way. Lyrics are like this. It's

0:45:21.360 --> 0:45:24.560
<v Speaker 1>it's like, let me show you a sort of sort

0:45:24.600 --> 0:45:27.560
<v Speaker 1>of vibe. And that's a little tough at the beginning,

0:45:27.640 --> 0:45:29.440
<v Speaker 1>just to be like, come, let's I'm gonna show you

0:45:29.480 --> 0:45:30.840
<v Speaker 1>how to This is how we kind of do it

0:45:30.840 --> 0:45:32.840
<v Speaker 1>here versus them just getting here and we're just on

0:45:32.920 --> 0:45:35.479
<v Speaker 1>the same page crushing. But that will come with time,

0:45:35.560 --> 0:45:37.040
<v Speaker 1>and then the more that they come here, the more

0:45:37.040 --> 0:45:39.160
<v Speaker 1>that we get to share in their world too. So

0:45:39.200 --> 0:45:40.520
<v Speaker 1>I look at it as a positive thing.

0:45:40.880 --> 0:45:46.640
<v Speaker 2>The creators writers that I know from California be the

0:45:46.800 --> 0:45:49.760
<v Speaker 2>many more creators writers that I know in Nashville. Yeah,

0:45:49.800 --> 0:45:53.640
<v Speaker 2>whenever those two mix, especially for the first time, well

0:45:53.680 --> 0:45:55.719
<v Speaker 2>both sides. Often if they go into the land where

0:45:55.719 --> 0:45:57.400
<v Speaker 2>they're going, they want to prove themselves. And I have

0:45:57.440 --> 0:45:59.000
<v Speaker 2>done this in many situations where I'm like over the

0:45:59.040 --> 0:46:00.719
<v Speaker 2>top a little bit because I want to myself so much.

0:46:01.200 --> 0:46:03.440
<v Speaker 2>But it seems to me like the dynamic has been

0:46:04.320 --> 0:46:07.600
<v Speaker 2>if people come, well, to say, from California here when

0:46:07.640 --> 0:46:10.120
<v Speaker 2>they work there, it could be one in the morning,

0:46:10.200 --> 0:46:13.000
<v Speaker 2>it could be in a studio, it could be you know,

0:46:13.120 --> 0:46:15.719
<v Speaker 2>they're getting high in recording while they're riding. Totally, it

0:46:15.719 --> 0:46:19.440
<v Speaker 2>could it very much and all the time, very much.

0:46:19.480 --> 0:46:24.320
<v Speaker 2>It's melody. First will fully flesh out of a freaking awesome

0:46:24.360 --> 0:46:26.839
<v Speaker 2>melody and then assign some words to it. And again

0:46:27.120 --> 0:46:29.359
<v Speaker 2>all of that happens here a little bit, but mostly here,

0:46:29.400 --> 0:46:33.080
<v Speaker 2>like it's a it's a job for sure, like nine

0:46:33.120 --> 0:46:37.920
<v Speaker 2>to three, Yep, we're riding this and it can be concept,

0:46:38.000 --> 0:46:40.839
<v Speaker 2>it can be melody, it can be but yeah, it's

0:46:40.840 --> 0:46:44.560
<v Speaker 2>it's definitely they're just created differently. And I could understand

0:46:44.600 --> 0:46:47.000
<v Speaker 2>how that oil and water meat and it will be

0:46:47.000 --> 0:46:47.719
<v Speaker 2>difficult to learn.

0:46:47.760 --> 0:46:50.120
<v Speaker 1>Sometimes it's like a lot of the time it's amazing too.

0:46:50.160 --> 0:46:53.160
<v Speaker 1>Like there's a song on Meg's last last record called

0:46:53.200 --> 0:46:54.840
<v Speaker 1>I Know You and I wrote it with Jay Cash.

0:46:55.000 --> 0:46:57.399
<v Speaker 1>We read it with Jay Cash and Jake I Love

0:46:57.680 --> 0:46:59.719
<v Speaker 1>I Don't Know jacsh So. J Cash wrote like a

0:46:59.719 --> 0:47:01.799
<v Speaker 1>lot of the early one Direction songs he wrote last

0:47:01.880 --> 0:47:04.880
<v Speaker 1>night with Ashley Morgan's song He's just He's just an

0:47:04.920 --> 0:47:07.719
<v Speaker 1>amazing guy. But he came and like just some of

0:47:07.760 --> 0:47:09.600
<v Speaker 1>the melodies he would throw out that sort of hit

0:47:09.719 --> 0:47:12.600
<v Speaker 1>factory thing and pop that we don't have as much

0:47:12.600 --> 0:47:15.440
<v Speaker 1>in country really helps. That was really cool. I enjoy it.

0:47:15.440 --> 0:47:17.080
<v Speaker 1>But you're right, I mean the times that we start

0:47:17.120 --> 0:47:20.160
<v Speaker 1>I think they start at one there versus eleven here

0:47:20.239 --> 0:47:22.480
<v Speaker 1>and stay up all night. I'm not in up all

0:47:22.560 --> 0:47:27.160
<v Speaker 1>night writer, like I'm if I'm not done by three, Yeah,

0:47:27.560 --> 0:47:28.640
<v Speaker 1>I'm like, oh my god.

0:47:28.719 --> 0:47:31.520
<v Speaker 2>But it's the culture here right for sure. It's Yeah.

0:47:31.680 --> 0:47:34.040
<v Speaker 2>I'm not a I said, I'm not a morning person

0:47:34.080 --> 0:47:35.319
<v Speaker 2>at all. I hate it.

0:47:35.400 --> 0:47:38.520
<v Speaker 1>I like nine ams like I love a nine Am.

0:47:39.560 --> 0:47:42.440
<v Speaker 2>I would wake up at noon. I literally wake up

0:47:42.440 --> 0:47:44.400
<v Speaker 2>at noon every day. Or later if I could, and

0:47:44.440 --> 0:47:45.879
<v Speaker 2>I don't. I wake up before thirty in the morning,

0:47:46.160 --> 0:47:46.680
<v Speaker 2>and it sucks.

0:47:46.800 --> 0:47:48.760
<v Speaker 1>You wake up before thirty every day every day.

0:47:48.719 --> 0:47:53.080
<v Speaker 2>If not before, like my my alarm, Yeah, because the

0:47:53.080 --> 0:47:55.720
<v Speaker 2>show starts at five, but we're not we can record

0:47:55.760 --> 0:47:58.759
<v Speaker 2>stuff early early on because we're on East coast six am, right,

0:47:58.840 --> 0:48:01.600
<v Speaker 2>we can record stuff early early on. COVID kind of

0:48:01.640 --> 0:48:06.400
<v Speaker 2>allowed that. But my alarm is set for four thirty,

0:48:06.840 --> 0:48:08.399
<v Speaker 2>and I don't know that. My alarm has gone off

0:48:08.400 --> 0:48:12.040
<v Speaker 2>three times this year, meaning I'm so neurotic that I

0:48:12.080 --> 0:48:18.520
<v Speaker 2>wake up three twenty three fifty four to ten take

0:48:18.560 --> 0:48:22.560
<v Speaker 2>a gasp because I do. It sucks. I hate it.

0:48:23.040 --> 0:48:24.520
<v Speaker 2>And people will be like, what time do you start working?

0:48:24.520 --> 0:48:26.160
<v Speaker 2>And I'm like, as soon as my eyes open, sure,

0:48:26.320 --> 0:48:28.239
<v Speaker 2>or I would or I wouldn't wake up right, But

0:48:28.320 --> 0:48:30.080
<v Speaker 2>what wakes me up is me going, oh my god,

0:48:30.080 --> 0:48:33.560
<v Speaker 2>I got so much to do. And Mike, who produces this,

0:48:33.680 --> 0:48:37.520
<v Speaker 2>but it's also like been my vertebrae for ten years

0:48:37.520 --> 0:48:39.799
<v Speaker 2>at this point, he knows if he's getting emails, even

0:48:39.800 --> 0:48:41.320
<v Speaker 2>if he's on a wake at two thirty in the morning,

0:48:41.600 --> 0:48:43.279
<v Speaker 2>it's about to be a rough day because that means

0:48:43.320 --> 0:48:45.600
<v Speaker 2>I haven't slept at all. I can't sleep. I'm up,

0:48:45.600 --> 0:48:48.480
<v Speaker 2>I'm writing, I'm sending notes for the show. But again,

0:48:48.600 --> 0:48:50.680
<v Speaker 2>that is also and I say that, don't not the

0:48:50.840 --> 0:48:54.480
<v Speaker 2>wa but like that's also what built the studio in

0:48:54.560 --> 0:48:58.040
<v Speaker 2>here for sure. For sure, it's also what allows me

0:48:58.120 --> 0:49:00.239
<v Speaker 2>to travel around the country doing a sports show that's

0:49:00.239 --> 0:49:03.000
<v Speaker 2>opened all these doors for television. So you know, with

0:49:03.680 --> 0:49:06.480
<v Speaker 2>all of that, hate mornings and I don't sleep a

0:49:06.520 --> 0:49:09.520
<v Speaker 2>little bit, not a time that would be suitable to

0:49:09.520 --> 0:49:14.120
<v Speaker 2>wake up that early, like eleven. Sure, before I got married,

0:49:15.040 --> 0:49:16.839
<v Speaker 2>I could go to bed at seven thirty or eight

0:49:16.880 --> 0:49:21.080
<v Speaker 2>pm because who cares. Yeah, But now that I have

0:49:21.200 --> 0:49:24.120
<v Speaker 2>like a wife and like I try to not be

0:49:24.200 --> 0:49:26.160
<v Speaker 2>lame and we like watch it's have a life.

0:49:26.200 --> 0:49:27.240
<v Speaker 1>I'm getting married in July.

0:49:27.480 --> 0:49:28.560
<v Speaker 2>Yeah, and that's awesome.

0:49:28.719 --> 0:49:31.200
<v Speaker 1>Oh it's we've been together since like Belmont, like the

0:49:31.239 --> 0:49:31.840
<v Speaker 1>whole ride.

0:49:32.160 --> 0:49:33.839
<v Speaker 2>Yeah, but you say that like that's one hundred years ago,

0:49:34.080 --> 0:49:35.680
<v Speaker 2>you're like twelve. Yeah, it was, like, I mean, it

0:49:35.719 --> 0:49:37.839
<v Speaker 2>was my adult life, like kids do the darnedest thing,

0:49:37.960 --> 0:49:39.440
<v Speaker 2>Like it's my way to seven years.

0:49:39.560 --> 0:49:41.399
<v Speaker 1>Really, yeah, it is a long time.

0:49:41.640 --> 0:49:43.960
<v Speaker 2>Nineteen Dang, Why she cool? What's cool about her?

0:49:44.080 --> 0:49:46.279
<v Speaker 1>She's so cool. She puts up with me. She's just

0:49:46.360 --> 0:49:49.200
<v Speaker 1>so easy and so amazing and smart talented.

0:49:49.280 --> 0:49:50.600
<v Speaker 2>How'd you propose? When you propose?

0:49:50.760 --> 0:49:53.279
<v Speaker 1>I proposed almost two years ago. We were doing a

0:49:53.280 --> 0:49:55.840
<v Speaker 1>long engagement. But so her birthday is May sixteenth, mine's

0:49:55.840 --> 0:49:58.640
<v Speaker 1>May eighteenth. So I proposed on the seventeenth. Her parents

0:49:58.719 --> 0:50:01.440
<v Speaker 1>have a place down in Florida, and I had my

0:50:01.480 --> 0:50:03.319
<v Speaker 1>whole family come down and we did one of those

0:50:03.880 --> 0:50:05.960
<v Speaker 1>Hey we're gonna do a family picture on the beach.

0:50:06.280 --> 0:50:08.759
<v Speaker 1>And then I actually was so funny. We hired this

0:50:08.880 --> 0:50:13.279
<v Speaker 1>photographer lady to take pictures, obviously, and we were I

0:50:13.360 --> 0:50:15.800
<v Speaker 1>was standing there with with Bella her name is Bella,

0:50:15.840 --> 0:50:18.120
<v Speaker 1>with Bella, her dad, her mom, and her sister, and

0:50:18.120 --> 0:50:20.480
<v Speaker 1>we were doing like one family photo, like right before

0:50:20.640 --> 0:50:22.680
<v Speaker 1>they were gonna like Bella's dad was like, hey, let's

0:50:22.719 --> 0:50:24.680
<v Speaker 1>do pictures with Ben and Bella. That's what I was

0:50:24.719 --> 0:50:27.080
<v Speaker 1>gonna do it. And I had the ring like in

0:50:27.120 --> 0:50:29.360
<v Speaker 1>my pocket right here, the big box, and I'm on

0:50:29.400 --> 0:50:33.160
<v Speaker 1>the right side of this family photo and the photographer,

0:50:33.160 --> 0:50:37.720
<v Speaker 1>whose only job was to be there to take engagement pictures.

0:50:37.760 --> 0:50:40.640
<v Speaker 1>These family photos are whatever, They're not part of the

0:50:40.680 --> 0:50:44.400
<v Speaker 1>thing goes you have something sticking out of your pot.

0:50:44.840 --> 0:50:49.120
<v Speaker 1>And I literally Bella's dad looks at her AND's like what,

0:50:50.000 --> 0:50:51.879
<v Speaker 1>and I'm like, I just joked. I was like, that's

0:50:51.920 --> 0:50:54.399
<v Speaker 1>my butt. I got a big butt, and she was like,

0:50:55.080 --> 0:50:56.600
<v Speaker 1>I was like, what do you do? And so just

0:50:56.680 --> 0:50:59.239
<v Speaker 1>immediately after that, her family got out and you had

0:50:59.280 --> 0:51:01.120
<v Speaker 1>to go down. No one knew anyways, did she?

0:51:01.440 --> 0:51:03.800
<v Speaker 2>Oh, when I bought the ring, but let's not hold on,

0:51:03.920 --> 0:51:07.080
<v Speaker 2>let's not okay, okay, that's still the photographer. Regardless if

0:51:07.200 --> 0:51:09.440
<v Speaker 2>Bella knew anyways, I don't want to take off the

0:51:09.520 --> 0:51:11.600
<v Speaker 2>dad's a bad movie. That photographer needs to be focused,

0:51:12.200 --> 0:51:16.040
<v Speaker 2>be focused, because you should know why you're there. Yes, now, yeah,

0:51:16.320 --> 0:51:16.960
<v Speaker 2>but she didn't know.

0:51:17.480 --> 0:51:20.279
<v Speaker 1>Oh yeah, she's like FBI agent. Like when I when

0:51:20.280 --> 0:51:23.320
<v Speaker 1>I bought her an engagement ring, we were in Colorado

0:51:23.520 --> 0:51:27.640
<v Speaker 1>and her mom booked her a massage, and Bella was like,

0:51:27.640 --> 0:51:29.720
<v Speaker 1>why why did my mom booked me a massage?

0:51:29.719 --> 0:51:31.600
<v Speaker 2>Something's up today because it was so uncharacteristic.

0:51:31.840 --> 0:51:34.839
<v Speaker 1>Yeah, I guess, but it's not. She gets massages all

0:51:34.840 --> 0:51:38.279
<v Speaker 1>the time. Anyways, it was snowing outside in Colorado. I

0:51:38.320 --> 0:51:40.359
<v Speaker 1>went and bought the ring. We got back and she

0:51:40.440 --> 0:51:43.360
<v Speaker 1>was like they're acting all weird. She went in the garage,

0:51:43.719 --> 0:51:47.319
<v Speaker 1>looked at her mom's tires of her car, felt them

0:51:47.360 --> 0:51:49.239
<v Speaker 1>that they were wet, and knew that we must have

0:51:49.280 --> 0:51:51.239
<v Speaker 1>left the house so and she knew I wouldn't bought

0:51:51.239 --> 0:51:52.879
<v Speaker 1>the ring because we had left our phones at home,

0:51:52.920 --> 0:51:55.520
<v Speaker 1>so our locations looked. She's like FBI agent.

0:51:56.120 --> 0:51:58.120
<v Speaker 2>That's a little bit on you, guys. I too. If

0:51:58.160 --> 0:51:59.839
<v Speaker 2>you know she's like FBI agent, then you gotta make

0:51:59.840 --> 0:52:02.960
<v Speaker 2>sure tires aren't warm. You get an uber could have ubered,

0:52:03.040 --> 0:52:05.319
<v Speaker 2>oh my god, I've never thought about that. I can't

0:52:05.320 --> 0:52:06.480
<v Speaker 2>believe the photography did that though.

0:52:07.960 --> 0:52:19.040
<v Speaker 3>Let's take a quick pause for a message from our sponsor. Wow,

0:52:19.440 --> 0:52:21.680
<v Speaker 3>and we're back on the Bobby cast.

0:52:22.320 --> 0:52:25.399
<v Speaker 2>Your realtor, you were home? How do you know that

0:52:25.560 --> 0:52:28.239
<v Speaker 2>you were really that? How long? How long did you

0:52:28.280 --> 0:52:28.480
<v Speaker 2>do that?

0:52:29.080 --> 0:52:35.239
<v Speaker 1>So during my first publishing deal, my first year, I

0:52:35.280 --> 0:52:37.839
<v Speaker 1>wasn't making very much money, and I was like, I

0:52:37.920 --> 0:52:40.360
<v Speaker 1>just wanted to have a little bit of money to

0:52:40.400 --> 0:52:42.080
<v Speaker 1>go to dinner or something, and so I got my

0:52:42.120 --> 0:52:43.520
<v Speaker 1>real estate license. I love real estate.

0:52:43.560 --> 0:52:44.720
<v Speaker 2>How hard was it to get that license?

0:52:44.760 --> 0:52:46.840
<v Speaker 1>Not hard, You just have to You just have to

0:52:46.840 --> 0:52:50.640
<v Speaker 1>do it. And I got my real estate license because

0:52:50.680 --> 0:52:52.080
<v Speaker 1>I just wanted one. I wanted to see if I

0:52:52.080 --> 0:52:53.360
<v Speaker 1>could do it when I wanted to learn about it

0:52:53.400 --> 0:52:55.480
<v Speaker 1>because at one point, hopefully if I was successful, I

0:52:55.520 --> 0:52:58.040
<v Speaker 1>wanted to learn about real estate like a lot of

0:52:58.040 --> 0:53:00.279
<v Speaker 1>people have been very successful in real estate, especial with

0:53:00.320 --> 0:53:02.920
<v Speaker 1>investing and whatever. I don't have my license anymore, by

0:53:02.960 --> 0:53:05.120
<v Speaker 1>the way, but I got my license and I sold

0:53:05.160 --> 0:53:07.560
<v Speaker 1>one house. You still I sold one house in the

0:53:07.719 --> 0:53:09.919
<v Speaker 1>in the Sylvan Park. Was your picture on the front

0:53:09.920 --> 0:53:10.279
<v Speaker 1>of the thing?

0:53:10.320 --> 0:53:11.080
<v Speaker 2>Do you have it like a thing?

0:53:11.160 --> 0:53:11.200
<v Speaker 3>No?

0:53:11.480 --> 0:53:11.840
<v Speaker 2>I didn't.

0:53:11.880 --> 0:53:13.959
<v Speaker 1>I was too cheap. I didn't even buy I din't.

0:53:13.960 --> 0:53:15.759
<v Speaker 1>I don't even know if I bought real estate agent

0:53:15.880 --> 0:53:16.920
<v Speaker 1>like business cards.

0:53:16.960 --> 0:53:18.640
<v Speaker 2>Can I read your zelobio?

0:53:19.200 --> 0:53:20.520
<v Speaker 1>Do I have a zilobio?

0:53:21.040 --> 0:53:22.160
<v Speaker 2>I don't know. You tell me of this? You or

0:53:22.200 --> 0:53:25.439
<v Speaker 2>not enthusiastic and motivated to create a seamless real estate

0:53:25.480 --> 0:53:29.880
<v Speaker 2>experience for you? Please allow me to introduce myself. Originally

0:53:29.880 --> 0:53:32.839
<v Speaker 2>from the Bay Area, with generational ties to the greater

0:53:32.960 --> 0:53:34.920
<v Speaker 2>Nashville area. I've been a resident of Tennessee for the

0:53:35.000 --> 0:53:37.080
<v Speaker 2>last five years, and I loved every minute of it.

0:53:37.480 --> 0:53:37.680
<v Speaker 1>Wow.

0:53:37.880 --> 0:53:41.960
<v Speaker 2>I graduate. I graduated from Belmont University with a music

0:53:42.040 --> 0:53:44.520
<v Speaker 2>business degree, and along with furthering my exciting career in

0:53:44.560 --> 0:53:48.160
<v Speaker 2>real estate, I've been a professional songwriter in Nashville since graduation. Wow.

0:53:48.560 --> 0:53:50.560
<v Speaker 2>I've come from a family of real estate investors who

0:53:50.680 --> 0:53:53.200
<v Speaker 2>taught me the importance of investing wisely and using the

0:53:53.239 --> 0:53:56.239
<v Speaker 2>power of real estate to create an abundance of benefits

0:53:56.680 --> 0:54:01.160
<v Speaker 2>in life, both financially and practically. I pride myself if

0:54:01.200 --> 0:54:02.560
<v Speaker 2>you put a melody behind it, Did I think you

0:54:02.560 --> 0:54:03.000
<v Speaker 2>got to hit here?

0:54:03.080 --> 0:54:03.279
<v Speaker 1>Yeah?

0:54:03.400 --> 0:54:05.759
<v Speaker 2>I pride myself on my ability to communicate thoroughly, my

0:54:05.760 --> 0:54:07.520
<v Speaker 2>passion for helping others, and my drive to use real

0:54:07.600 --> 0:54:11.120
<v Speaker 2>estate to excel in a volatile society. Only one more sentence.

0:54:11.280 --> 0:54:13.560
<v Speaker 2>There's nothing like finding a house that feels like home,

0:54:13.680 --> 0:54:16.360
<v Speaker 2>or letting go of one to move on to greener pastures.

0:54:17.120 --> 0:54:18.120
<v Speaker 1>All that for one sale.

0:54:18.960 --> 0:54:19.600
<v Speaker 2>Did you write that?

0:54:20.080 --> 0:54:20.160
<v Speaker 1>Oh?

0:54:20.280 --> 0:54:21.200
<v Speaker 2>Yeah, you wrote that yourself.

0:54:21.239 --> 0:54:24.759
<v Speaker 1>You know what it's crazy too, is what was I

0:54:24.760 --> 0:54:27.160
<v Speaker 1>just gonna talk about? Oh? I just bought my house

0:54:27.280 --> 0:54:30.319
<v Speaker 1>in twel South like three months ago. My real estate

0:54:30.360 --> 0:54:33.520
<v Speaker 1>license expired like two months ago, So I could have

0:54:33.560 --> 0:54:34.600
<v Speaker 1>saved You.

0:54:34.520 --> 0:54:36.080
<v Speaker 2>Could have got part of the feet.

0:54:36.120 --> 0:54:38.960
<v Speaker 1>Yeah, but I didn't let again. So now one of

0:54:39.000 --> 0:54:41.040
<v Speaker 1>the i've met. I met a friend who was my

0:54:41.080 --> 0:54:42.600
<v Speaker 1>real estate agent. Isn't that crazy?

0:54:43.120 --> 0:54:45.080
<v Speaker 2>It sold two houses. What would have been fun was

0:54:45.080 --> 0:54:46.840
<v Speaker 2>if like you're like, I need to find a realtor

0:54:46.840 --> 0:54:48.200
<v Speaker 2>and you're like, let me just type in some keywords

0:54:48.239 --> 0:54:49.560
<v Speaker 2>of like a good realtor that pops up and you

0:54:49.600 --> 0:54:51.040
<v Speaker 2>type in some words than you pop up for yourself.

0:54:51.080 --> 0:54:52.680
<v Speaker 2>Where did you find that? Don't worry about what we

0:54:52.800 --> 0:54:53.640
<v Speaker 2>what I do and what we do.

0:54:53.920 --> 0:54:56.240
<v Speaker 1>Okay, I didn't even know that existed.

0:54:56.320 --> 0:54:57.719
<v Speaker 2>I was the one that bought the house for you before.

0:54:57.760 --> 0:55:00.399
<v Speaker 2>You just didn't realize that was me. Uh you guys,

0:55:00.440 --> 0:55:02.480
<v Speaker 2>you can follow Ben at Ben We already said all

0:55:02.520 --> 0:55:05.759
<v Speaker 2>this but Ben dot Williams dot music too many dots

0:55:05.800 --> 0:55:10.000
<v Speaker 2>for me. But you know og Yeah, yeah for sure. Yeah,

0:55:10.040 --> 0:55:17.120
<v Speaker 2>congratulations mans like pretty cool, so happy. Yeah. Sometimes it's like, man,

0:55:17.120 --> 0:55:20.480
<v Speaker 2>somebody's had some success. You're a young guy, like a

0:55:20.520 --> 0:55:23.920
<v Speaker 2>wonder No, I like you. Oh yeah, it's good and

0:55:23.960 --> 0:55:27.680
<v Speaker 2>I appreciate that the compliments about this, and man, I

0:55:27.840 --> 0:55:30.839
<v Speaker 2>just hair salon is like that, like that's one of

0:55:30.880 --> 0:55:32.160
<v Speaker 2>the song. If you were to go like of the

0:55:32.160 --> 0:55:33.759
<v Speaker 2>past like five to seven years, like, what's a song

0:55:33.800 --> 0:55:36.080
<v Speaker 2>that hits you sideways and you're like, oh, that's it,

0:55:36.239 --> 0:55:38.200
<v Speaker 2>that's it, whatever, that that's one of those songs.

0:55:38.600 --> 0:55:40.279
<v Speaker 1>So I had no idea I'd be talking about that

0:55:40.280 --> 0:55:42.279
<v Speaker 1>song today, which is so cool. And by the way,

0:55:42.320 --> 0:55:46.200
<v Speaker 1>like I didn't even I literally Major Bob was my

0:55:46.239 --> 0:55:48.560
<v Speaker 1>first publishing deal. I love them, We have a great relationship.

0:55:49.440 --> 0:55:51.920
<v Speaker 1>I for two years, I filed all the papers in

0:55:51.960 --> 0:55:54.000
<v Speaker 1>the back and I would go back and forth between

0:55:54.040 --> 0:55:56.400
<v Speaker 1>Bobbycasts and the writer is. I mean, I probably listened

0:55:56.400 --> 0:56:00.160
<v Speaker 1>to all of the first three hundred episodes, and I

0:56:00.320 --> 0:56:02.399
<v Speaker 1>even remember being at Belmont like on the track team

0:56:02.440 --> 0:56:05.799
<v Speaker 1>and listening to Gorley's episode and just like all and

0:56:05.960 --> 0:56:08.319
<v Speaker 1>just being in awe. I think I stayed up until

0:56:08.320 --> 0:56:10.440
<v Speaker 1>like one am listening to that podcast before it tracked me.

0:56:10.719 --> 0:56:13.080
<v Speaker 1>This podcast really changed my life, no thanks, and got

0:56:13.080 --> 0:56:15.319
<v Speaker 1>me so inspired, And it's crazy to me that in

0:56:15.440 --> 0:56:17.480
<v Speaker 1>so full circle and so cool that I'm even here

0:56:17.520 --> 0:56:19.440
<v Speaker 1>looking at that really cool picture of me behind you.

0:56:19.480 --> 0:56:21.320
<v Speaker 2>Oh, we're not recording this. This was just it's to

0:56:21.360 --> 0:56:23.440
<v Speaker 2>make a wish. Yeah, yeah, you don't know yet, but

0:56:23.440 --> 0:56:26.439
<v Speaker 2>you're gonna be giving us some bad news. So yeah,

0:56:26.480 --> 0:56:29.600
<v Speaker 2>this is just it was about to come in Uh

0:56:29.640 --> 0:56:31.480
<v Speaker 2>you guys followed Ben. Been good to see you, buddy,

0:56:31.760 --> 0:56:33.640
<v Speaker 2>h This was awesome and once it gets a little

0:56:33.760 --> 0:56:36.560
<v Speaker 2>we played pickleball a lot. Yeah, I woop pross butt.

0:56:37.040 --> 0:56:38.240
<v Speaker 2>I believe I woop pross.

0:56:38.280 --> 0:56:39.280
<v Speaker 1>But have you played with Ashley?

0:56:39.360 --> 0:56:42.239
<v Speaker 2>He's really no, But but so Gator. You know Gator here.

0:56:42.640 --> 0:56:43.799
<v Speaker 1>I just met Gator.

0:56:43.840 --> 0:56:45.360
<v Speaker 2>So he plays over at Ashley. They played basketball a

0:56:45.360 --> 0:56:46.960
<v Speaker 2>lot too. But the basketball games are albably so late.

0:56:47.040 --> 0:56:48.799
<v Speaker 2>I can never go because they're like, we're playing at

0:56:48.840 --> 0:56:50.799
<v Speaker 2>a forty five PM and I'm like, guys, i gotta

0:56:50.800 --> 0:56:52.960
<v Speaker 2>get up in two hours, right, But Getter's like he's

0:56:52.960 --> 0:56:56.720
<v Speaker 2>got courts, but my schedule is so weird with the hours.

0:56:57.080 --> 0:56:59.600
<v Speaker 2>But I think that's a place, and I'm just gonna

0:56:59.600 --> 0:57:01.480
<v Speaker 2>divite ash over here too. But yeah, yeah Gators, like

0:57:01.520 --> 0:57:03.000
<v Speaker 2>they're playing like costumes and crap over there.

0:57:03.000 --> 0:57:05.319
<v Speaker 1>Oh yeah, Mandy Ashley's wife like they have like a

0:57:05.320 --> 0:57:08.719
<v Speaker 1>women's league and everything. Your wife should play too, she wants.

0:57:08.840 --> 0:57:12.319
<v Speaker 2>My wife is such an annoyingly good athlete, but like

0:57:12.520 --> 0:57:15.279
<v Speaker 2>is it's so annoying. She's such a good athlete and

0:57:15.360 --> 0:57:15.919
<v Speaker 2>does not care.

0:57:16.280 --> 0:57:19.520
<v Speaker 1>Wow, that's like my Bella is so good. I love golf.

0:57:20.040 --> 0:57:22.080
<v Speaker 1>Bella is she was on the high school golf team,

0:57:22.120 --> 0:57:23.880
<v Speaker 1>and she's so good at golf. I can't even convince

0:57:23.920 --> 0:57:24.439
<v Speaker 1>her to come plain.

0:57:24.720 --> 0:57:26.960
<v Speaker 2>Really. Every once in a while, I get Caitlyn to

0:57:27.000 --> 0:57:31.040
<v Speaker 2>play pickleball. Read Yeah, she's good, Say it's good, Say

0:57:31.320 --> 0:57:32.080
<v Speaker 2>say more.

0:57:32.160 --> 0:57:32.960
<v Speaker 1>She whooped us.

0:57:32.800 --> 0:57:36.240
<v Speaker 2>And he whooped us as the team, and read's gotten

0:57:36.240 --> 0:57:40.560
<v Speaker 2>pretty good, and she like she is, but she just

0:57:40.600 --> 0:57:44.040
<v Speaker 2>has she's yeah, you know, she got stuff to do.

0:57:44.240 --> 0:57:45.680
<v Speaker 2>You gotta read a book or something. And I'm like,

0:57:45.760 --> 0:57:47.320
<v Speaker 2>I would never read a single day thing if I

0:57:47.360 --> 0:57:48.280
<v Speaker 2>was reading.

0:57:48.080 --> 0:57:51.439
<v Speaker 1>Because Bella she loves, she loves yeah, and.

0:57:51.360 --> 0:57:53.600
<v Speaker 2>If she can't for some reason, it's dead. Uh, she'll

0:57:53.640 --> 0:57:54.920
<v Speaker 2>get it up, put on her phone too, and read

0:57:54.920 --> 0:57:57.040
<v Speaker 2>it on her phone like she loves. She read like

0:57:58.360 --> 0:57:59.840
<v Speaker 2>there's a lot of sex stuff. No, no, it's not. I'm

0:57:59.840 --> 0:58:06.120
<v Speaker 2>just I was going it's not. She it's pretty diverse.

0:58:06.400 --> 0:58:08.200
<v Speaker 2>And sometimes I don't even ask because it moves from

0:58:08.200 --> 0:58:10.160
<v Speaker 2>one book to the other. And then sometimes if I ask,

0:58:10.160 --> 0:58:11.480
<v Speaker 2>I really don't want to hear about it. I'll be

0:58:11.520 --> 0:58:15.880
<v Speaker 2>honest with you. I don't like, and then I don't

0:58:15.880 --> 0:58:17.680
<v Speaker 2>want to get lectured about how much because there's I

0:58:17.760 --> 0:58:19.640
<v Speaker 2>will check out for a couple of months of time

0:58:19.680 --> 0:58:21.240
<v Speaker 2>of reading at all, because I'm just like I get

0:58:21.240 --> 0:58:23.400
<v Speaker 2>in seasons of book reading, like I'll kill a book

0:58:23.440 --> 0:58:25.800
<v Speaker 2>and I'm done. And sometimes you'll be like, maybe you

0:58:25.800 --> 0:58:27.640
<v Speaker 2>should read more, And I also don't want to have

0:58:27.680 --> 0:58:29.600
<v Speaker 2>that lecture. Some might can even.

0:58:29.520 --> 0:58:31.720
<v Speaker 1>Acquire Yeah, that's a really good reason not to ask.

0:58:32.880 --> 0:58:34.600
<v Speaker 2>Yeah, or she'll be like, while you're over there swiping

0:58:34.600 --> 0:58:36.960
<v Speaker 2>on TikTok, I'm over here reading about you know, are

0:58:37.000 --> 0:58:41.680
<v Speaker 2>you a tiktokst It's the greatest, It's the it's what

0:58:41.880 --> 0:58:50.120
<v Speaker 2>the iPhone, penicillin, TikTok, the carriage built onto the horse,

0:58:50.160 --> 0:58:54.560
<v Speaker 2>maybe the four greatest dintions ever, and a pencil not adventure,

0:58:54.600 --> 0:58:55.880
<v Speaker 2>but I guess like a discovery.

0:58:55.920 --> 0:58:57.880
<v Speaker 1>So it was TikTok actually getting banned in January.

0:58:58.080 --> 0:58:59.080
<v Speaker 2>No, that'll never happen.

0:58:59.160 --> 0:59:00.720
<v Speaker 1>Yeah, that's what I was thinking. I'll never happened. I

0:59:00.840 --> 0:59:02.040
<v Speaker 1>never go on it, but maybe I should.

0:59:02.080 --> 0:59:04.480
<v Speaker 2>Why TikTok is great is because it doesn't matter what

0:59:04.520 --> 0:59:06.520
<v Speaker 2>your thing is. There's a corner of the universe that

0:59:06.560 --> 0:59:10.280
<v Speaker 2>is built specifically for you and for me. It happens

0:59:10.280 --> 0:59:14.240
<v Speaker 2>to be a lot of sports stuff, but like nineties wrestling,

0:59:14.760 --> 0:59:19.600
<v Speaker 2>you know old it like old like a bunch of

0:59:19.640 --> 0:59:22.840
<v Speaker 2>like early two thousands nineties music like alternative. So there's

0:59:22.880 --> 0:59:26.600
<v Speaker 2>just whatever like your thing is, it's it's unlimited.

0:59:26.760 --> 0:59:30.200
<v Speaker 1>I'm a YouTube guy, like I've been watching YouTube for it,

0:59:30.320 --> 0:59:31.840
<v Speaker 1>like I watch YouTube shorts.

0:59:32.160 --> 0:59:35.240
<v Speaker 2>Oh so you're a TikTok guy. Then just a different format, yeah,

0:59:35.320 --> 0:59:37.320
<v Speaker 2>a different name. My problem is just cooking stuff like

0:59:37.600 --> 0:59:38.000
<v Speaker 2>you like it.

0:59:38.040 --> 0:59:40.840
<v Speaker 1>Like there's this guy, La Try guy, and he just

0:59:40.880 --> 0:59:43.240
<v Speaker 1>goes to all the different like worst places, like the

0:59:43.240 --> 0:59:45.480
<v Speaker 1>best worst food for you places you can and I

0:59:45.600 --> 0:59:47.680
<v Speaker 1>just watch. I just get hungry. That's all I do.

0:59:48.080 --> 0:59:50.400
<v Speaker 1>It's really my That would be like my A perfect

0:59:50.400 --> 0:59:53.160
<v Speaker 1>Friday night is I throw on like Diners, Drivens and dives.

0:59:53.560 --> 0:59:55.160
<v Speaker 1>I have the fire pit and I go on door

0:59:55.240 --> 0:59:58.560
<v Speaker 1>Dash and I'll get like two vastly different cuisines like

0:59:58.680 --> 1:00:02.280
<v Speaker 1>Indian and Mexican, and I'll watch food videos and chill.

1:00:02.880 --> 1:00:03.920
<v Speaker 1>That's like heaven.

1:00:05.400 --> 1:00:07.840
<v Speaker 2>That's even more ludicrous than me saying penicillin and talking

1:00:07.840 --> 1:00:11.080
<v Speaker 2>about the greatest. Uh. Been good to talk to you, Bunny.

1:00:11.120 --> 1:00:14.720
<v Speaker 3>Thank you so much, thanks for listening to a Bobby

1:00:14.760 --> 1:00:15.560
<v Speaker 3>Cast production