1 00:00:04,320 --> 00:00:09,680 Speaker 1: Okay, let's get it over with. Go ahead. 2 00:00:10,119 --> 00:00:12,280 Speaker 2: I've been trying to get a read on dude, you know. 3 00:00:12,520 --> 00:00:17,080 Speaker 1: Like get just just go ahead and prank my ass. 4 00:00:19,520 --> 00:00:23,400 Speaker 1: Just do it. I have a good I'm not sensitive 5 00:00:23,440 --> 00:00:26,560 Speaker 1: at all. I've got a good sense of humor about it. 6 00:00:26,760 --> 00:00:29,639 Speaker 1: I knew before I came in it would happen. So 7 00:00:29,960 --> 00:00:34,920 Speaker 1: just get on with it and prank my ass and 8 00:00:35,120 --> 00:00:39,280 Speaker 1: veil the nature of some sort of prank or you okay, 9 00:00:39,720 --> 00:00:43,199 Speaker 1: And I feel it starting already, and it's part of 10 00:00:43,240 --> 00:00:45,440 Speaker 1: the prank is it's not a prank. And then I 11 00:00:45,479 --> 00:00:47,240 Speaker 1: don't I didn't know there was going to be a prank. 12 00:00:47,880 --> 00:00:50,600 Speaker 1: Just prank my ass. I'm not going to get mad. 13 00:00:51,600 --> 00:00:56,200 Speaker 3: I'm in a tough spot now because if to say that, I'm. 14 00:00:56,360 --> 00:01:00,560 Speaker 2: Okay, now, I'm getting now, I'm getting frustrated for you 15 00:01:00,640 --> 00:01:01,640 Speaker 2: being in a tough spot. 16 00:01:01,920 --> 00:01:09,720 Speaker 1: I've invited you. Now, I'm in a very good mood today. Yes, 17 00:01:09,800 --> 00:01:13,400 Speaker 1: thanks for being here, and thanks in advance for pranking 18 00:01:13,440 --> 00:01:16,240 Speaker 1: my ass. I love pranks. I get a big kick 19 00:01:16,319 --> 00:01:20,440 Speaker 1: out of them. I'm not sensitive. I have a very 20 00:01:20,480 --> 00:01:21,520 Speaker 1: good sense of humor. 21 00:01:21,560 --> 00:01:25,320 Speaker 3: It can be risky. Some people really don't respond well 22 00:01:25,680 --> 00:01:26,080 Speaker 3: to it. 23 00:01:26,200 --> 00:01:28,680 Speaker 1: And we're and we are not in that type of 24 00:01:28,720 --> 00:01:33,840 Speaker 1: scenario today, we're it's totally you're free to prank to 25 00:01:33,880 --> 00:01:37,040 Speaker 1: your heart's content. I actually like it. I don't mind 26 00:01:37,040 --> 00:01:39,360 Speaker 1: being the butt of the joke. I have very healthy 27 00:01:39,400 --> 00:01:43,280 Speaker 1: self esteem. And uh, it's okay, you can. You could 28 00:01:43,280 --> 00:01:46,240 Speaker 1: get me, so go ahead, and uh. 29 00:01:45,840 --> 00:01:48,520 Speaker 3: It's a relief. Is if you didn't ear both like 30 00:01:49,120 --> 00:01:51,560 Speaker 3: bigger than me. I've never been in this building before. 31 00:01:52,360 --> 00:01:54,880 Speaker 3: We're very close. You could reach out your arm. 32 00:01:54,920 --> 00:01:59,400 Speaker 2: You could really just starting like doing little like little punches, 33 00:01:59,480 --> 00:02:01,960 Speaker 2: because sometime some people who do get prank, like you're saying, 34 00:02:01,960 --> 00:02:07,080 Speaker 2: they're really sensitive and they just start like thin skin 35 00:02:07,960 --> 00:02:09,280 Speaker 2: a little I could see them. 36 00:02:09,200 --> 00:02:14,200 Speaker 1: Doing these tiny pokes, you know, but like you know, 37 00:02:15,160 --> 00:02:15,840 Speaker 1: sharp too. 38 00:02:16,400 --> 00:02:20,560 Speaker 3: Right, then you just demonstrated like a potential pope. 39 00:02:20,840 --> 00:02:24,120 Speaker 2: But he didn't do that. Dude didn't do that. 40 00:02:24,160 --> 00:02:29,800 Speaker 1: Those dude doing like was he like screaming, I'd be 41 00:02:29,880 --> 00:02:31,480 Speaker 1: like I would scream'd be right. 42 00:02:31,560 --> 00:02:34,160 Speaker 3: Yeah. And he's very tall as well. I was very nervous. 43 00:02:34,160 --> 00:02:37,400 Speaker 2: He is. He's a you're you're you're conscious of this 44 00:02:37,520 --> 00:02:38,880 Speaker 2: high you're kind of clawing. 45 00:02:39,080 --> 00:02:41,160 Speaker 1: You know a lot about the bull's heights. 46 00:02:41,280 --> 00:02:43,880 Speaker 3: Yes, do you know that like the born identity when 47 00:02:43,880 --> 00:02:45,840 Speaker 3: he says, I don't know who I am, but I 48 00:02:45,880 --> 00:02:48,120 Speaker 3: know that there's probably a gun in the glove compartment 49 00:02:48,120 --> 00:02:50,160 Speaker 3: of the truck in the parking lot or whatever. Yes, 50 00:02:50,240 --> 00:02:52,000 Speaker 3: I'm trying to do stuff like that of just like this, 51 00:02:52,240 --> 00:02:54,640 Speaker 3: you know, like if it all goes south, Yes, who's 52 00:02:54,680 --> 00:02:56,560 Speaker 3: going to be reaching for what? Who's out what in 53 00:02:56,600 --> 00:02:58,160 Speaker 3: their you know, bag or pocket? 54 00:02:58,320 --> 00:03:02,280 Speaker 2: And so if you you roll in here and it's 55 00:03:02,320 --> 00:03:05,639 Speaker 2: a bunch of people who you have like some size 56 00:03:05,760 --> 00:03:08,800 Speaker 2: on what are we doing differently? 57 00:03:08,919 --> 00:03:09,880 Speaker 1: Are you flexing on? 58 00:03:10,200 --> 00:03:10,480 Speaker 2: Yes? 59 00:03:10,960 --> 00:03:12,720 Speaker 1: I think whatever that crew is. 60 00:03:12,800 --> 00:03:15,280 Speaker 3: My posture right now really like sort of slumped down 61 00:03:15,840 --> 00:03:17,720 Speaker 3: kind of. I'm trying to make myself like small. 62 00:03:17,800 --> 00:03:23,880 Speaker 1: You're presenting as no threat whatsoever. Actually, what's my guard? Yeah, exactly, 63 00:03:23,919 --> 00:03:26,840 Speaker 1: And I now am vulnerable to being pranked in. 64 00:03:26,800 --> 00:03:30,320 Speaker 3: Case someone hiding over there, Yeah. 65 00:03:30,600 --> 00:03:35,040 Speaker 1: Could jump there's a curtain, somebody jumps out. Okay, you 66 00:03:35,120 --> 00:03:39,720 Speaker 1: know I would that would piss me off. But like, yeah, 67 00:03:39,840 --> 00:03:43,680 Speaker 1: that kind that kind of thing. Something not mean like that, 68 00:03:43,760 --> 00:03:45,440 Speaker 1: but something else that prank me could. 69 00:03:45,360 --> 00:03:49,280 Speaker 3: Happen, mean to put people behind like a curtainer. 70 00:03:49,000 --> 00:03:51,680 Speaker 1: That's over the line for me, that's a little bit outside. 71 00:03:51,760 --> 00:03:54,560 Speaker 1: That's that's beyond the limits of good taste. I like 72 00:03:54,600 --> 00:03:56,560 Speaker 1: a good prank as much as anyone. If somebody is 73 00:03:56,600 --> 00:03:59,119 Speaker 1: behind that curtain right now, you do have to tell me, sure, 74 00:03:59,400 --> 00:03:59,880 Speaker 1: I will be. 75 00:04:00,800 --> 00:04:02,880 Speaker 2: It's not there for that set. That's not up there 76 00:04:02,960 --> 00:04:05,120 Speaker 2: for hiding or anything like. 77 00:04:05,120 --> 00:04:08,000 Speaker 1: That's for like sound. That's like, this is my job. 78 00:04:08,200 --> 00:04:11,880 Speaker 1: You know, this is a place. This is a professional place. 79 00:04:12,120 --> 00:04:16,440 Speaker 1: And so using that kind of thing against me, I 80 00:04:16,440 --> 00:04:20,359 Speaker 1: think is actually uh, super fucked. 81 00:04:20,720 --> 00:04:23,680 Speaker 2: And because then it's like for the next ones, now 82 00:04:23,720 --> 00:04:25,080 Speaker 2: we're checking, right. 83 00:04:25,560 --> 00:04:27,080 Speaker 1: And as you said, you haven't been in this building. 84 00:04:27,120 --> 00:04:29,040 Speaker 1: I come in this building a lot. So now every 85 00:04:29,040 --> 00:04:33,680 Speaker 1: time I see that curtain, I'm traumatized. 86 00:04:33,839 --> 00:04:35,920 Speaker 2: And then it's another thing for Kevin to be like, oh, 87 00:04:35,960 --> 00:04:38,120 Speaker 2: I couldn't do this because I was like, oh, what 88 00:04:38,240 --> 00:04:40,000 Speaker 2: do you want me to check the curtains? Right, And 89 00:04:40,360 --> 00:04:43,840 Speaker 2: it's like now even more stuff is not getting done. 90 00:04:43,839 --> 00:04:45,679 Speaker 3: It's putting Junior to bed sort of energy. 91 00:04:46,800 --> 00:04:49,360 Speaker 2: Absolutely, putting Junior to bed sort of energy. 92 00:04:49,440 --> 00:04:52,640 Speaker 1: Junior. It needs now you to check the bed and 93 00:04:52,760 --> 00:04:56,960 Speaker 1: the closet and you know, inside all the books. Sure, 94 00:04:57,520 --> 00:05:03,400 Speaker 1: and it becomes uh frankly absurd. 95 00:05:03,080 --> 00:05:05,440 Speaker 3: Exhausting, its work so hard, and then to have to, 96 00:05:05,560 --> 00:05:08,200 Speaker 3: you know, wonder if someone's hiding in the couch cushions 97 00:05:08,279 --> 00:05:10,479 Speaker 3: or behind a curtain that. 98 00:05:10,720 --> 00:05:13,000 Speaker 1: Yeah, and now that you're bringing up again, it feels 99 00:05:13,000 --> 00:05:14,040 Speaker 1: like maybe there is someone. 100 00:05:14,080 --> 00:05:18,800 Speaker 2: So let's just if you're trying to make the worried 101 00:05:18,839 --> 00:05:20,880 Speaker 2: that you could be hiding in the couch cushions and 102 00:05:21,040 --> 00:05:22,960 Speaker 2: that's how small you're making you could. 103 00:05:22,720 --> 00:05:26,880 Speaker 1: Get enough to get between the couch cushions or maybe 104 00:05:27,040 --> 00:05:30,120 Speaker 1: inside that tripod in one of the poles, and then 105 00:05:30,920 --> 00:05:34,880 Speaker 1: you know, all of a sudden scamper out of unscrews 106 00:05:35,000 --> 00:05:40,880 Speaker 1: and yeah, you come pouring out God, yeah that's okay, 107 00:05:40,920 --> 00:05:43,520 Speaker 1: I would not be and I get the willies. 108 00:05:43,839 --> 00:05:47,880 Speaker 2: Yeah it's David from jury duty. And so that was 109 00:05:47,920 --> 00:05:49,000 Speaker 2: your idea to do that. 110 00:05:50,160 --> 00:05:53,880 Speaker 3: Yeah, I uh, I've had notions like that before, of 111 00:05:54,920 --> 00:05:57,840 Speaker 3: turning things around on someone if okay. 112 00:05:57,400 --> 00:05:59,720 Speaker 1: Yeah, I thought you did it to me today. All right, 113 00:06:00,520 --> 00:06:03,080 Speaker 1: let's the concept you've planted in my head that someone's 114 00:06:03,120 --> 00:06:05,240 Speaker 1: in the couch cushions. I didn't even bring that up. 115 00:06:05,720 --> 00:06:09,159 Speaker 1: Now I'm incredibly uncomfortable on my own show. 116 00:06:10,160 --> 00:06:12,359 Speaker 2: And let's think about like how to respond and stuff 117 00:06:12,400 --> 00:06:19,600 Speaker 2: like that, just because like this thing is Gangbusters box office. 118 00:06:19,640 --> 00:06:22,000 Speaker 1: Sure, people are freaking out for it. 119 00:06:22,000 --> 00:06:24,800 Speaker 2: It is all the heavy hitters are looking at this 120 00:06:25,120 --> 00:06:27,640 Speaker 2: like saying, how do we replicate this? This is like 121 00:06:27,720 --> 00:06:31,440 Speaker 2: one of the only things to emerge. 122 00:06:31,800 --> 00:06:36,800 Speaker 1: Yeah, comedy bright spot in a desolate wasteland, and you know, 123 00:06:37,360 --> 00:06:39,720 Speaker 1: and what we want them to be saying about it 124 00:06:39,839 --> 00:06:43,000 Speaker 1: is boy that David Brown has us printing some green. 125 00:06:43,440 --> 00:06:46,920 Speaker 2: Yes exactly. It's like the people you mentioned the Titanic, 126 00:06:47,080 --> 00:06:50,760 Speaker 2: David Gordon Green. It's like people who when the violent 127 00:06:50,839 --> 00:06:53,920 Speaker 2: when like the little violinists we're playing a couple people 128 00:06:54,000 --> 00:06:56,200 Speaker 2: like sat down and were like, well we can actually 129 00:06:56,279 --> 00:06:59,159 Speaker 2: vive with this, Like this ship is actually good music 130 00:06:59,240 --> 00:07:02,520 Speaker 2: as hell. That's kind of what jury duty is. Yes. 131 00:07:02,560 --> 00:07:05,920 Speaker 1: Differently, so you said the little violinists, were they little? 132 00:07:06,000 --> 00:07:07,840 Speaker 1: I think David would have a good read on this 133 00:07:07,960 --> 00:07:11,480 Speaker 1: because he's very aware of everyone's size, right, Yeah, and 134 00:07:11,600 --> 00:07:14,600 Speaker 1: my memory the violinists were kind. 135 00:07:14,400 --> 00:07:15,679 Speaker 2: Of big, kind of big. 136 00:07:15,800 --> 00:07:18,239 Speaker 1: Yeah, but maybe that's just the scale of the violin 137 00:07:18,320 --> 00:07:21,120 Speaker 1: being a small instrument. So what size were the violinists 138 00:07:21,160 --> 00:07:22,040 Speaker 1: on the Titanic. 139 00:07:22,120 --> 00:07:24,600 Speaker 3: It's not it's not my immediate area of expertise. But 140 00:07:24,640 --> 00:07:26,840 Speaker 3: if they had been it is. 141 00:07:27,040 --> 00:07:29,560 Speaker 1: The only thing that you've really shown us. 142 00:07:29,440 --> 00:07:31,760 Speaker 2: Is that think about how I do want to go 143 00:07:31,800 --> 00:07:33,040 Speaker 2: back to the other thing, but let's think of how 144 00:07:33,080 --> 00:07:34,800 Speaker 2: to answer like questions like that as well. 145 00:07:34,920 --> 00:07:39,000 Speaker 3: You know, Okay, so rolling it back. Yeah, that's something 146 00:07:39,040 --> 00:07:40,400 Speaker 3: I know a thing or two about. 147 00:07:40,560 --> 00:07:41,600 Speaker 1: Thank you. Yeah, I know. 148 00:07:42,480 --> 00:07:44,320 Speaker 3: I think if the violinists had been bigger, the ship 149 00:07:44,360 --> 00:07:47,240 Speaker 3: wouldn't have capsized. They would have like counterbalanced though. 150 00:07:48,480 --> 00:07:55,400 Speaker 1: Wow, and that was the poor planning. Yeah, yeah, little 151 00:07:55,600 --> 00:07:59,160 Speaker 1: sinky guys. Yeah, a little boat singing band. 152 00:07:59,760 --> 00:08:09,480 Speaker 2: So it is a monster box office hits and so okay, 153 00:08:10,440 --> 00:08:15,400 Speaker 2: so you have to be figuring out how to just 154 00:08:15,440 --> 00:08:16,520 Speaker 2: like when you're out. 155 00:08:16,320 --> 00:08:19,000 Speaker 1: Here like this, Yeah, like this is a this is 156 00:08:19,040 --> 00:08:22,760 Speaker 1: a big platform. There's a big opportunity obviously, like the 157 00:08:22,880 --> 00:08:27,520 Speaker 1: number one uh podcast that we're recording today. 158 00:08:28,280 --> 00:08:33,040 Speaker 2: Taking like taking some credit for what went down there. 159 00:08:33,200 --> 00:08:37,800 Speaker 2: There's a lot of a lot of chefs on that one, right, 160 00:08:37,960 --> 00:08:40,200 Speaker 2: Like it's it's kind of distributed in a way. 161 00:08:42,320 --> 00:08:43,720 Speaker 1: Respond to this other guy. 162 00:08:43,960 --> 00:08:46,880 Speaker 2: There's yeah, there's two guys. 163 00:08:47,320 --> 00:08:49,120 Speaker 1: No I know, but there's this guy, there's this other guy. 164 00:08:49,200 --> 00:08:50,600 Speaker 2: Another guy. Then there's guys. 165 00:08:50,760 --> 00:08:58,200 Speaker 1: Yes, there's her, she's her. Both of them are I 166 00:08:58,440 --> 00:09:02,320 Speaker 1: guess working together, but they came to it separately. So 167 00:09:02,480 --> 00:09:06,080 Speaker 1: then if I'm standing back, it's kind of a big 168 00:09:06,920 --> 00:09:11,360 Speaker 1: mush of creative voices and I'm going I would like 169 00:09:11,480 --> 00:09:18,559 Speaker 1: to single out, identify and celebrate a particular right. 170 00:09:19,840 --> 00:09:25,320 Speaker 2: And it's creating that dynamic, is creating gaps for you 171 00:09:25,400 --> 00:09:29,480 Speaker 2: to run through, like basically running between their legs, like 172 00:09:29,760 --> 00:09:31,199 Speaker 2: Cass ladder in front. 173 00:09:31,280 --> 00:09:35,640 Speaker 1: Cass is a ladder? Come on, come on, Cams is 174 00:09:35,640 --> 00:09:38,640 Speaker 1: the ladder? Yes, you know what I mean, Let's start climbing, 175 00:09:38,800 --> 00:09:42,800 Speaker 1: because I would like and I say this for you 176 00:09:44,320 --> 00:09:47,920 Speaker 1: what we're working with you, but it simplifies things for me, 177 00:09:48,160 --> 00:09:52,880 Speaker 1: Like I genuinely don't know how to enjoy the show 178 00:09:53,280 --> 00:09:56,240 Speaker 1: or even watch it because I don't know where it 179 00:09:56,280 --> 00:09:56,840 Speaker 1: comes from. 180 00:09:56,920 --> 00:10:00,400 Speaker 2: Who I'm so just help flapping like a seal dude, 181 00:10:00,520 --> 00:10:03,120 Speaker 2: I want to be you know, let's go. 182 00:10:04,440 --> 00:10:06,720 Speaker 1: That's my fucking dog. 183 00:10:07,720 --> 00:10:11,920 Speaker 2: Is it is a king going off? Is it a queen? Yeah? 184 00:10:12,080 --> 00:10:13,400 Speaker 2: You know? Please? 185 00:10:13,440 --> 00:10:14,480 Speaker 1: Who's going off? 186 00:10:14,720 --> 00:10:15,080 Speaker 2: The king? 187 00:10:15,200 --> 00:10:18,640 Speaker 1: Is a queen? Like? What is? Like? How do I 188 00:10:18,880 --> 00:10:21,680 Speaker 1: enjoy it? And so like you're honestly doing people a favor. 189 00:10:21,720 --> 00:10:25,199 Speaker 1: I know it might seem selfish, and by the way, 190 00:10:25,240 --> 00:10:26,680 Speaker 1: sometimes you have to be a little selfish. 191 00:10:27,440 --> 00:10:30,680 Speaker 2: Sure, And so saying that you've had notions of doing 192 00:10:30,760 --> 00:10:38,400 Speaker 2: something like that before is on the way you actually 193 00:10:38,440 --> 00:10:43,280 Speaker 2: had this idea like before anyone and so like, yes, exactly, yes, 194 00:10:43,679 --> 00:10:47,480 Speaker 2: and so that is taking me there a little bit. 195 00:10:47,520 --> 00:10:49,120 Speaker 2: But I do think we need to be a little 196 00:10:49,160 --> 00:10:52,240 Speaker 2: more explicit about it. And everyone else is lying. 197 00:10:52,080 --> 00:10:55,880 Speaker 1: I've had notions of this kind of thing before. Could 198 00:10:55,960 --> 00:11:00,600 Speaker 1: become something like that's mine, it's mine. 199 00:11:00,920 --> 00:11:04,520 Speaker 2: Yeah, right, you're already like you see how simple that is, 200 00:11:04,760 --> 00:11:05,360 Speaker 2: how clear? 201 00:11:05,679 --> 00:11:07,360 Speaker 1: Yes, right, that's mine. 202 00:11:07,679 --> 00:11:11,360 Speaker 2: All of you guys are already doing that a lot 203 00:11:11,480 --> 00:11:14,280 Speaker 2: by being like, oh I improvised this, you know, Oh 204 00:11:14,360 --> 00:11:17,760 Speaker 2: that was my Like that was my improvise, right, you know. 205 00:11:17,840 --> 00:11:21,600 Speaker 2: And then it's like basically no one else did fucking ship, 206 00:11:21,640 --> 00:11:23,439 Speaker 2: Like I just had to go in there and just 207 00:11:23,520 --> 00:11:24,319 Speaker 2: like do it off the. 208 00:11:24,320 --> 00:11:27,080 Speaker 3: Rip the writers quote unquote, but they're sort of like. 209 00:11:27,080 --> 00:11:30,360 Speaker 1: But they're all pissing their damp panties. Yeah, right, either 210 00:11:30,480 --> 00:11:33,600 Speaker 1: one because they're scared they don't know what to do, 211 00:11:33,679 --> 00:11:36,080 Speaker 1: and two because they're left. It's so fucking hard at 212 00:11:36,120 --> 00:11:39,040 Speaker 1: my ship. I can't stop spitting. 213 00:11:38,800 --> 00:11:40,480 Speaker 3: Right and barely hold a pencil steady. 214 00:11:41,000 --> 00:11:44,800 Speaker 1: No, yeah, that's yeah. The writers are pissing their damn panties. 215 00:11:45,160 --> 00:11:50,560 Speaker 1: You like that show, well, thank you writer, Thank you 216 00:11:50,600 --> 00:11:52,720 Speaker 1: appreciate it. Thanks for saying you like the show. It 217 00:11:52,840 --> 00:11:53,360 Speaker 1: was mine. 218 00:11:53,679 --> 00:11:58,040 Speaker 3: Yeah, but even I don't know thinking about like truth 219 00:11:58,120 --> 00:12:01,880 Speaker 3: in comedy that even and even as I was, you know, 220 00:12:02,200 --> 00:12:06,880 Speaker 3: getting into pranking as a youngster, I'm inspired by others 221 00:12:07,600 --> 00:12:09,720 Speaker 3: sacked tapping and pantsing and you know. 222 00:12:10,920 --> 00:12:14,079 Speaker 1: Say you're still young, don't say youngster like it happened before. 223 00:12:14,120 --> 00:12:17,240 Speaker 1: This is kind of the first thing I remember hearing about. 224 00:12:17,120 --> 00:12:21,920 Speaker 3: You at all age myself, and so person. 225 00:12:22,800 --> 00:12:24,720 Speaker 1: Let's not be like and I used to be young, 226 00:12:25,120 --> 00:12:28,560 Speaker 1: because that makes me go like so long. Yeah yeah, 227 00:12:28,640 --> 00:12:31,440 Speaker 1: I just yeah, I just it's kind of gross to me, 228 00:12:31,679 --> 00:12:33,320 Speaker 1: the idea that you're not young anymore. 229 00:12:33,920 --> 00:12:36,319 Speaker 2: So I don't want to because I want to laugh 230 00:12:37,440 --> 00:12:40,920 Speaker 2: ess already, like you're making yourself so tiny. I'm like, yeah, 231 00:12:40,960 --> 00:12:43,880 Speaker 2: I'm like this is like a little like young. Being 232 00:12:44,160 --> 00:12:46,360 Speaker 2: tiny is very young. 233 00:12:46,640 --> 00:12:50,160 Speaker 1: Yeah, it's extremely young coded very few yoda, I guess 234 00:12:50,160 --> 00:12:51,880 Speaker 1: are sort of like there's some like tiny old. 235 00:12:52,360 --> 00:12:53,719 Speaker 3: But but in general, I agree with. 236 00:12:53,679 --> 00:12:56,560 Speaker 1: You, but baby Yoda's even tinier than Yoda. Yeah, it's like, 237 00:12:56,720 --> 00:12:59,600 Speaker 1: you know, so like we get tinier and yeah. 238 00:12:59,880 --> 00:13:01,720 Speaker 3: I don't know if I'm cut out for I don't know. 239 00:13:01,760 --> 00:13:04,600 Speaker 3: I don't understand, you know sometimes where like how this 240 00:13:04,679 --> 00:13:07,000 Speaker 3: culture works when it's like written out. 241 00:13:07,440 --> 00:13:09,480 Speaker 1: Maybe, yeah, so we're explaining it to you, so just 242 00:13:09,720 --> 00:13:12,400 Speaker 1: so we're yeah, so that's okay, we're explaining it to 243 00:13:12,440 --> 00:13:15,240 Speaker 1: you now. We know you don't understand. That's why we 244 00:13:15,280 --> 00:13:17,120 Speaker 1: had you on the show. You've been fucking up. We're 245 00:13:17,160 --> 00:13:22,520 Speaker 1: teaching you, you're getting help. So I don't necessarily need 246 00:13:22,559 --> 00:13:26,400 Speaker 1: you to walk me through that aspect of this because 247 00:13:26,440 --> 00:13:31,560 Speaker 1: it's very obvious and it was the kind of impetus 248 00:13:31,559 --> 00:13:36,839 Speaker 1: for the episode happening. So would would you have an 249 00:13:36,840 --> 00:13:40,640 Speaker 1: instinct to say, like, I don't really understand it, Like uh, 250 00:13:42,280 --> 00:13:46,439 Speaker 1: I would say, moving forward, shut the fuck up, don't 251 00:13:46,440 --> 00:13:49,000 Speaker 1: do that, like, don't come for me in that way. 252 00:13:50,320 --> 00:13:53,880 Speaker 1: You think you're a prankster, but I got some very 253 00:13:53,960 --> 00:13:55,880 Speaker 1: nasty pranks up my sleeve, and you will not like 254 00:13:55,920 --> 00:13:58,359 Speaker 1: how it feels to be on the receiving end of them, 255 00:13:59,080 --> 00:14:01,760 Speaker 1: and the end of his sleeve. Yeah, it as well 256 00:14:02,160 --> 00:14:05,040 Speaker 1: step right there, you know. Yeah, yeah, you can look 257 00:14:05,080 --> 00:14:06,240 Speaker 1: up my sleeve. What do you see? 258 00:14:06,679 --> 00:14:08,840 Speaker 3: I can't quite glasses? 259 00:14:09,000 --> 00:14:11,319 Speaker 2: Yeah, well you know what, you're going to get a 260 00:14:11,360 --> 00:14:14,360 Speaker 2: really closek h here, get even closer. 261 00:14:15,720 --> 00:14:18,080 Speaker 3: That was a that was a close one almost. Yeah, 262 00:14:18,240 --> 00:14:19,680 Speaker 3: so that's a fist there. 263 00:14:20,000 --> 00:14:29,160 Speaker 1: Yeah, and that is what you see. So uh whatever, 264 00:14:29,840 --> 00:14:32,360 Speaker 1: it's cool. I'm cool about it. 265 00:14:32,360 --> 00:14:34,440 Speaker 2: And we can take a like we can take a few, 266 00:14:34,520 --> 00:14:36,640 Speaker 2: like we can take more cuts and whatever. 267 00:14:36,680 --> 00:14:39,600 Speaker 1: There's so many swings like uh, because I wanted to 268 00:14:39,600 --> 00:14:42,800 Speaker 1: feel natural to like there's no benefit if you can't 269 00:14:42,920 --> 00:14:44,960 Speaker 1: pull it off, which it's starting to feel. Are you 270 00:14:45,000 --> 00:14:47,800 Speaker 1: feeling like you can't. 271 00:14:46,640 --> 00:14:47,280 Speaker 2: Go away with? 272 00:14:47,520 --> 00:14:50,680 Speaker 1: Get away with what we're saying? And maybe there's a 273 00:14:50,720 --> 00:14:53,080 Speaker 1: sneakier sort of more. 274 00:14:54,520 --> 00:14:57,400 Speaker 2: I forgot, like I like most like what we what 275 00:14:57,680 --> 00:15:00,520 Speaker 2: happened before? Like I I have kind of forgot and 276 00:15:00,640 --> 00:15:04,280 Speaker 2: so like I'm happy to do it again and like 277 00:15:04,320 --> 00:15:06,320 Speaker 2: see what have you done with the press around this? 278 00:15:06,440 --> 00:15:09,480 Speaker 2: Like what you the show happened? Also like a like 279 00:15:09,640 --> 00:15:13,520 Speaker 2: a million years ago, the show as old as funck 280 00:15:13,640 --> 00:15:15,200 Speaker 2: now Yeah, yeah, I. 281 00:15:16,720 --> 00:15:20,520 Speaker 3: Did one podcast where the person was in their car. 282 00:15:21,160 --> 00:15:23,600 Speaker 3: It was okay, google meat. 283 00:15:23,800 --> 00:15:28,720 Speaker 2: Car the podcast is available on Google Meet. 284 00:15:29,000 --> 00:15:31,320 Speaker 3: I think it might. I didn't. I never heard. They 285 00:15:31,360 --> 00:15:33,320 Speaker 3: never said they sort of disappeared after we did. 286 00:15:33,200 --> 00:15:36,800 Speaker 2: It, and that happens on a lot of like computer 287 00:15:36,880 --> 00:15:39,920 Speaker 2: stuff like that them actually disappearing at the end is 288 00:15:39,960 --> 00:15:42,520 Speaker 2: not like if you're doing it on the computer, that's 289 00:15:42,600 --> 00:15:45,040 Speaker 2: actually normal and if you haven't done a lot of 290 00:15:45,240 --> 00:15:48,280 Speaker 2: I remember the first time I'm like talking to someone 291 00:15:48,400 --> 00:15:51,360 Speaker 2: and like I basically thought they like might have just 292 00:15:51,640 --> 00:15:54,560 Speaker 2: straight up died right there in front of me, because 293 00:15:54,640 --> 00:16:00,280 Speaker 2: like they like just fully gone. I guess I'm mean, 294 00:16:00,320 --> 00:16:03,200 Speaker 2: like I actually don't think of being dead that way, 295 00:16:02,720 --> 00:16:07,160 Speaker 2: Like like I actually placed like you know, you're the 296 00:16:07,160 --> 00:16:10,480 Speaker 2: comedians comedian and so like I understand, like to you, 297 00:16:10,640 --> 00:16:14,400 Speaker 2: everything is is just like a big joke, yeah, exactly, 298 00:16:14,440 --> 00:16:18,640 Speaker 2: even like a really famous war. I don't actually rock 299 00:16:18,720 --> 00:16:18,920 Speaker 2: with that. 300 00:16:19,280 --> 00:16:22,080 Speaker 1: Yeah, but there actually are sacred cows for us. I 301 00:16:22,120 --> 00:16:26,360 Speaker 1: think it's valuable to kind of find the lines and 302 00:16:26,360 --> 00:16:29,160 Speaker 1: and and create some sort of safe space for people 303 00:16:29,240 --> 00:16:31,760 Speaker 1: to enjoy your comedy and so they don't always feel 304 00:16:31,800 --> 00:16:33,360 Speaker 1: like there's someone in the cushions. 305 00:16:35,560 --> 00:16:35,880 Speaker 2: I did. 306 00:16:36,880 --> 00:16:38,000 Speaker 1: I did want to double. 307 00:16:37,760 --> 00:16:41,920 Speaker 2: Back, like disappeared and died. Maybe I thought of a joke. 308 00:16:42,800 --> 00:16:46,240 Speaker 1: I've thought of a joke and it's based on one 309 00:16:46,280 --> 00:16:48,560 Speaker 1: thing and something was said a long time ago. We 310 00:16:48,560 --> 00:16:52,280 Speaker 1: can work plug it in. But when he was talking 311 00:16:52,280 --> 00:16:54,240 Speaker 1: about the podcast that he did that was in a car. 312 00:16:54,560 --> 00:16:55,280 Speaker 2: Yeah. 313 00:16:55,720 --> 00:17:05,119 Speaker 1: Uh, how does Chef Kevin's wife get uh in the 314 00:17:05,160 --> 00:17:07,360 Speaker 1: mood for boudoir activities? 315 00:17:07,680 --> 00:17:08,040 Speaker 2: Huh? 316 00:17:09,400 --> 00:17:22,119 Speaker 1: It's related Google Meet she Google meat, Google Google meat. 317 00:17:28,440 --> 00:17:30,679 Speaker 2: And this is fair game. Don't worry about that. 318 00:17:32,720 --> 00:17:35,240 Speaker 1: We were at the wedding. We gave a big speech. 319 00:17:35,119 --> 00:17:38,000 Speaker 2: Exactly, and we would have done this kind of thing 320 00:17:38,040 --> 00:17:39,399 Speaker 2: if we've really been alone. 321 00:17:39,480 --> 00:17:42,400 Speaker 1: They've got a garage now they're like, they're fair game. 322 00:17:42,640 --> 00:17:45,360 Speaker 1: They can take a couple of shots. They could take 323 00:17:45,359 --> 00:17:46,200 Speaker 1: one in the chops. 324 00:17:46,280 --> 00:17:49,440 Speaker 3: You know, does that work if you Google just meet 325 00:17:49,880 --> 00:17:52,479 Speaker 3: pornographic images if you like? 326 00:17:53,119 --> 00:17:54,639 Speaker 1: You know in the joke, it has to. 327 00:17:54,880 --> 00:17:58,600 Speaker 2: And there's like an algorithm where they respond to your preferences. 328 00:17:58,640 --> 00:18:01,679 Speaker 2: You know, if you're law damn, if you're Chef Ken's 329 00:18:01,680 --> 00:18:04,600 Speaker 2: wife and you're logged in that it kind of knows 330 00:18:04,640 --> 00:18:06,120 Speaker 2: exactly what your knows. 331 00:18:05,960 --> 00:18:09,000 Speaker 1: Your stuff Sea. 332 00:18:08,359 --> 00:18:13,000 Speaker 2: Welcome back to this particular search. Safe search has been vaporized. 333 00:18:13,280 --> 00:18:17,840 Speaker 2: It's just permanently disabled. You can't even install it on 334 00:18:17,880 --> 00:18:24,399 Speaker 2: her computer. So I like, you did that podcast that 335 00:18:24,560 --> 00:18:27,760 Speaker 2: fucking rocks, that kicks ass. It was that closer to 336 00:18:27,840 --> 00:18:30,520 Speaker 2: when the show was actually coming out. 337 00:18:31,320 --> 00:18:34,960 Speaker 3: It just happened. Yeah, Okay, And then. 338 00:18:34,480 --> 00:18:37,400 Speaker 1: And you're still now you're still doing a podcast. 339 00:18:37,040 --> 00:18:39,000 Speaker 3: Right kind of coasting still on this. 340 00:18:39,720 --> 00:18:43,200 Speaker 1: Uh yeah, so what's up? 341 00:18:43,560 --> 00:18:52,560 Speaker 3: Hey? Well yeah, hey, I got hi, Hey, I got 342 00:18:52,760 --> 00:18:56,119 Speaker 3: uh some lighting in my apartment that I can control 343 00:18:56,119 --> 00:19:00,520 Speaker 3: with my phone. 344 00:19:00,960 --> 00:19:03,480 Speaker 1: Uh. 345 00:19:04,200 --> 00:19:07,720 Speaker 2: Look for like again we're talking about like boudoir stuff 346 00:19:07,800 --> 00:19:11,960 Speaker 2: like that. That's awesome, Like I could see that like 347 00:19:13,240 --> 00:19:17,600 Speaker 2: really like hitting. But we're actually talking about doing press. 348 00:19:17,720 --> 00:19:22,600 Speaker 2: Oh sure, not that kind of pressure press like like 349 00:19:22,600 --> 00:19:26,520 Speaker 2: like showing up doing the damn thing and where people 350 00:19:26,600 --> 00:19:28,760 Speaker 2: are like, so that was your idea to do that? 351 00:19:28,880 --> 00:19:29,520 Speaker 2: Boom go. 352 00:19:29,840 --> 00:19:33,800 Speaker 3: Yes, And I even got some light. I even't got 353 00:19:33,800 --> 00:19:35,200 Speaker 3: some lighting in my apartment I can control. 354 00:19:35,240 --> 00:19:35,480 Speaker 2: Okay. 355 00:19:35,560 --> 00:19:43,520 Speaker 1: Yeah, that is feeling simpler to the area right that 356 00:19:43,600 --> 00:19:48,240 Speaker 1: Hayes was just steering you away from. Just as an 357 00:19:48,280 --> 00:19:51,360 Speaker 1: impartial observer who's kind of been checking in and out 358 00:19:51,359 --> 00:19:58,720 Speaker 1: of the show. What I'm hearing is Hayes said, that's hitting, 359 00:19:59,040 --> 00:20:01,560 Speaker 1: Like that sounds act really pretty fucking dope, and. 360 00:20:01,560 --> 00:20:04,600 Speaker 2: That I'm I'm taking that on myself that I gave 361 00:20:04,640 --> 00:20:08,480 Speaker 2: a little too much positive information affirmation about that. 362 00:20:09,520 --> 00:20:10,960 Speaker 1: I didn't know how to respond to it at all. 363 00:20:11,080 --> 00:20:14,959 Speaker 2: Yeah, sure, because actually, like in this context, that is 364 00:20:15,000 --> 00:20:16,280 Speaker 2: not hitting. 365 00:20:16,600 --> 00:20:21,440 Speaker 1: Yeah, it's not hitting. So I think that we want 366 00:20:21,440 --> 00:20:25,159 Speaker 1: to steer more towards business more in the realm of 367 00:20:25,760 --> 00:20:28,480 Speaker 1: uh David Brown's printing that green. 368 00:20:28,800 --> 00:20:33,000 Speaker 3: Sure is it an affect thing for me in part 369 00:20:33,160 --> 00:20:36,760 Speaker 3: that I'm sort of sort of I don't know, you. 370 00:20:36,840 --> 00:20:40,680 Speaker 2: Know, that is actually working great? Like yeah, if not 371 00:20:40,800 --> 00:20:41,960 Speaker 2: for that, I like it. 372 00:20:42,080 --> 00:20:46,040 Speaker 1: I think that that that is like kind of giving 373 00:20:46,800 --> 00:20:51,600 Speaker 1: humility and even maybe shame. Yeah, and I think that 374 00:20:51,600 --> 00:20:55,159 Speaker 1: that actually could be good. I'm embarrassed by how successful 375 00:20:55,200 --> 00:20:57,840 Speaker 1: I am. Sure Like that actually, I think is going 376 00:20:57,880 --> 00:21:00,920 Speaker 1: to allow you to go even harder. Like this whole 377 00:21:00,960 --> 00:21:03,159 Speaker 1: thing was my idea. Like I didn't know everyone was 378 00:21:03,160 --> 00:21:05,399 Speaker 1: gonna find it so fucking funny that all the writers 379 00:21:05,400 --> 00:21:07,480 Speaker 1: are pissing their panties, you know what I mean? You know, 380 00:21:08,240 --> 00:21:11,040 Speaker 1: like this is just like the way my brain works, 381 00:21:11,119 --> 00:21:13,720 Speaker 1: Like I just went, God, no one's gonna watch this, 382 00:21:13,840 --> 00:21:17,280 Speaker 1: but I'll prank everybody's ass for as hard as I can, 383 00:21:17,440 --> 00:21:21,160 Speaker 1: and uh, you know what a total waste of time 384 00:21:21,240 --> 00:21:23,320 Speaker 1: this is gonna be. And then when do you know, 385 00:21:24,640 --> 00:21:27,280 Speaker 1: all the ship that I come up with becomes everybody's 386 00:21:27,320 --> 00:21:28,520 Speaker 1: favorite fucking thing. 387 00:21:30,440 --> 00:21:32,520 Speaker 2: And you had a and you had a crutch coming 388 00:21:32,520 --> 00:21:35,159 Speaker 2: out of your your whole ass. 389 00:21:35,080 --> 00:21:39,800 Speaker 3: Right, yeah, so they had they put for the show, 390 00:21:40,000 --> 00:21:41,040 Speaker 3: No touches. 391 00:21:40,760 --> 00:21:43,920 Speaker 2: Don't don't. I don't say they did that. 392 00:21:44,480 --> 00:21:47,840 Speaker 3: I took a crutch. I put a crutch on my bottom, 393 00:21:48,080 --> 00:21:51,200 Speaker 3: and oh my god, and it was my it was all. 394 00:21:51,640 --> 00:21:58,440 Speaker 3: It was my wish. Yeah, for the show. I thought 395 00:21:58,480 --> 00:22:00,720 Speaker 3: it'd be a good prank. The whole was my idea 396 00:22:00,800 --> 00:22:03,200 Speaker 3: to begin with, and then to even make it further 397 00:22:03,880 --> 00:22:06,920 Speaker 3: twisted for what was just going on in my mind anyway, 398 00:22:07,080 --> 00:22:09,240 Speaker 3: there was this crutch that I placed on my rear 399 00:22:09,400 --> 00:22:14,840 Speaker 3: end mm hmm too that you'd never see that. 400 00:22:14,960 --> 00:22:16,480 Speaker 1: And I wasn't even for the show. 401 00:22:17,720 --> 00:22:19,439 Speaker 3: I was just doing that sort of thing anyway. 402 00:22:19,480 --> 00:22:20,239 Speaker 1: You're just doing that? 403 00:22:20,560 --> 00:22:22,480 Speaker 2: Did you become able to do that? 404 00:22:23,600 --> 00:22:25,560 Speaker 3: And I wish I knew it was it was all 405 00:22:25,600 --> 00:22:28,040 Speaker 3: I've just always been like that. I never saw anyone. 406 00:22:28,359 --> 00:22:31,560 Speaker 1: Oh, you're like a natural genius, right, Oh my gosh, 407 00:22:31,600 --> 00:22:32,959 Speaker 1: we got a bottle and sell it. 408 00:22:32,960 --> 00:22:36,080 Speaker 2: It's like I've lived for sure so long. 409 00:22:36,160 --> 00:22:39,680 Speaker 1: Yeah, I've just started being because I'm so new. 410 00:22:40,400 --> 00:22:45,639 Speaker 3: Well, I I like the clutch because. 411 00:22:46,080 --> 00:22:48,879 Speaker 1: That's kind of Kevin's thing, that voice. So I think that, 412 00:22:49,119 --> 00:22:51,639 Speaker 1: like just for the purposes of at least this episode, 413 00:22:51,640 --> 00:22:56,160 Speaker 1: that's going to be an issue. Yeah, but I I 414 00:22:56,400 --> 00:22:58,640 Speaker 1: like the instinct. 415 00:22:58,960 --> 00:23:00,920 Speaker 3: It's tough because like an audio medium. So I don't 416 00:23:00,920 --> 00:23:01,560 Speaker 3: know how we were. 417 00:23:02,480 --> 00:23:07,920 Speaker 2: Like the effect is the only thing, yes, so keep 418 00:23:07,960 --> 00:23:09,520 Speaker 2: that yes, And I. 419 00:23:09,440 --> 00:23:16,199 Speaker 1: Think that like maybe it's this show exists counter to 420 00:23:16,320 --> 00:23:20,640 Speaker 1: a lot of what's being made, and uh maybe part 421 00:23:20,680 --> 00:23:24,199 Speaker 1: of you know, part of your thing is like you 422 00:23:24,320 --> 00:23:27,000 Speaker 1: just wanted to see something out there that you would watch. 423 00:23:27,119 --> 00:23:29,440 Speaker 1: You didn't even know if anyone else would like it, 424 00:23:29,720 --> 00:23:32,359 Speaker 1: but you were sick of. And then you name some 425 00:23:32,520 --> 00:23:36,280 Speaker 1: other like very young shows. You know everyone all the 426 00:23:36,359 --> 00:23:38,080 Speaker 1: kids my age are watching this. 427 00:23:39,880 --> 00:23:46,560 Speaker 3: Well, I was tired of I saw Baby Shark and 428 00:23:46,880 --> 00:23:47,440 Speaker 3: Baby Shark. 429 00:23:47,480 --> 00:23:48,600 Speaker 1: You're tired of Baby Shark? 430 00:23:48,720 --> 00:23:51,440 Speaker 2: Okay, I was tired of a show. 431 00:23:51,880 --> 00:23:55,320 Speaker 1: Oh yeah I was. 432 00:23:56,200 --> 00:23:57,840 Speaker 2: I don't know how that would be a show. 433 00:23:57,920 --> 00:23:59,720 Speaker 1: I think this is a spot where we go right 434 00:23:59,760 --> 00:24:00,480 Speaker 1: at Louie. 435 00:24:01,240 --> 00:24:04,159 Speaker 3: Yeah, my crazy yeah, that's right, crosshairs. 436 00:24:04,920 --> 00:24:09,399 Speaker 2: Yes, that it's sopped. No scope bluey right. 437 00:24:10,040 --> 00:24:14,480 Speaker 1: Yeah, Bluey goes cub Bluey. Yeah, entire fucking head of 438 00:24:14,520 --> 00:24:15,800 Speaker 1: that doc explodes. 439 00:24:18,960 --> 00:24:21,400 Speaker 2: And so and that you did know, so you say, 440 00:24:21,440 --> 00:24:23,439 Speaker 2: like and I didn't. I'm just making for myself, but 441 00:24:23,640 --> 00:24:25,159 Speaker 2: and like I didn't know if you were gonna actually 442 00:24:25,200 --> 00:24:26,560 Speaker 2: like it. But then kind of get to like and 443 00:24:26,640 --> 00:24:29,240 Speaker 2: I did know, Like I'm smart, and I like did 444 00:24:29,280 --> 00:24:31,040 Speaker 2: figure out that like everyone was gonna like it. 445 00:24:31,320 --> 00:24:33,800 Speaker 1: I could feel it, like the crew was loving my shit. 446 00:24:34,119 --> 00:24:36,600 Speaker 1: Like even dude who got pranked had to fucking dap 447 00:24:36,640 --> 00:24:38,879 Speaker 1: me up at the end and be like, yo, dude, 448 00:24:39,840 --> 00:24:41,399 Speaker 1: respect got my ass. 449 00:24:41,440 --> 00:24:43,919 Speaker 2: And when the host is like like going back to 450 00:24:44,119 --> 00:24:46,560 Speaker 2: me before and I was like trying to set you 451 00:24:46,680 --> 00:24:49,240 Speaker 2: up when I was like this thing is like a 452 00:24:49,320 --> 00:24:52,000 Speaker 2: runaway train. It's like this is like a giant hit 453 00:24:52,920 --> 00:24:54,879 Speaker 2: to actually like step back and be like like I 454 00:24:54,880 --> 00:24:57,240 Speaker 2: hear what you're saying. It's actually even bigger than that, 455 00:24:58,160 --> 00:25:02,600 Speaker 2: Like this is actually like this is the absolute only 456 00:25:02,720 --> 00:25:06,240 Speaker 2: thing that like anyone has going right now, Like everything 457 00:25:06,280 --> 00:25:08,919 Speaker 2: else is like fucking dirt. 458 00:25:09,640 --> 00:25:13,040 Speaker 3: Yeah, thank you for so think again. 459 00:25:13,480 --> 00:25:16,840 Speaker 2: Like the old affect was I thought I. 460 00:25:16,800 --> 00:25:18,879 Speaker 3: Was keeping it but doing like the voice to communicate 461 00:25:18,920 --> 00:25:19,320 Speaker 3: like youth. 462 00:25:19,520 --> 00:25:21,960 Speaker 2: Why did you think that? Why did you think that? 463 00:25:22,080 --> 00:25:24,679 Speaker 2: Who did someone say that? No? 464 00:25:24,800 --> 00:25:25,879 Speaker 3: I was just trying into it. 465 00:25:26,160 --> 00:25:29,920 Speaker 2: You can can you communicate youth without like I didn't 466 00:25:29,960 --> 00:25:31,919 Speaker 2: know we were getting like acting stuff? But can you 467 00:25:31,960 --> 00:25:38,600 Speaker 2: communicate like being being young without doing like like like 468 00:25:38,640 --> 00:25:42,160 Speaker 2: a voice like a like I don't I don't want 469 00:25:42,160 --> 00:25:43,840 Speaker 2: to give you a read or anything. 470 00:25:44,000 --> 00:25:45,600 Speaker 3: But I would have to come from like the word choice, 471 00:25:45,640 --> 00:25:46,680 Speaker 3: I guess and things like that. 472 00:25:48,520 --> 00:25:51,040 Speaker 2: I could really yeah, I guess. 473 00:25:51,359 --> 00:25:58,879 Speaker 3: Like the Uh, I just I was the show. 474 00:26:00,160 --> 00:26:00,480 Speaker 2: Me up. 475 00:26:00,640 --> 00:26:01,600 Speaker 3: That was my idea. 476 00:26:03,359 --> 00:26:04,520 Speaker 1: Now is that CAP? 477 00:26:04,880 --> 00:26:08,960 Speaker 3: We the the the main guy thought that it was 478 00:26:09,280 --> 00:26:11,000 Speaker 3: not CAP, but it was CAP in the end. 479 00:26:15,320 --> 00:26:15,600 Speaker 1: Uh. 480 00:26:16,280 --> 00:26:20,480 Speaker 3: It's uh and some and even uh and even thought 481 00:26:20,480 --> 00:26:23,200 Speaker 3: that I was just sort of an ohio uh sort 482 00:26:23,200 --> 00:26:26,760 Speaker 3: of guy, but that it turned out that I that 483 00:26:26,840 --> 00:26:28,040 Speaker 3: I had been capping. 484 00:26:29,000 --> 00:26:34,159 Speaker 1: Mh, I'm god for real. So uh So that's feeling 485 00:26:34,200 --> 00:26:39,159 Speaker 1: to me like, Okay, we've got a successful interview taking 486 00:26:39,680 --> 00:26:44,119 Speaker 1: and I think that what another thing you can do. 487 00:26:44,240 --> 00:26:47,639 Speaker 1: The whole show ended up being CAP another thing you 488 00:26:47,680 --> 00:26:52,359 Speaker 1: can do and uh and it's like, uh kind of 489 00:26:52,400 --> 00:26:56,200 Speaker 1: powerful to say yes, I'm genius, Yes all these things 490 00:26:56,200 --> 00:26:59,560 Speaker 1: came from me. Yes I'm I'm nearly perfect. But to 491 00:26:59,640 --> 00:27:05,800 Speaker 1: have one kind of regret, one blemish that you're aware 492 00:27:05,840 --> 00:27:07,639 Speaker 1: of what would you do differently, so that you can 493 00:27:07,720 --> 00:27:10,120 Speaker 1: kind of say, my next project, I wouldn't do this. 494 00:27:11,080 --> 00:27:16,280 Speaker 1: Maybe an enemy I'm thinking like Barenholtz's dad. 495 00:27:16,800 --> 00:27:19,160 Speaker 2: Oh yes, yeah, that's like. 496 00:27:19,119 --> 00:27:21,600 Speaker 1: The issue where it's like, you know, it wasn't a 497 00:27:21,600 --> 00:27:26,399 Speaker 1: perfect experience, like and just go at that guy, like 498 00:27:26,560 --> 00:27:29,639 Speaker 1: just start fucking dragging his ass. 499 00:27:29,640 --> 00:27:32,119 Speaker 3: You were saying, how it's the sort of age is 500 00:27:32,160 --> 00:27:33,040 Speaker 3: disgusting to you. 501 00:27:33,520 --> 00:27:37,120 Speaker 1: Yes, yes, yes, this guy he's supposed to be a judge. 502 00:27:37,160 --> 00:27:39,240 Speaker 1: We thought we wanted someone older, but then we had 503 00:27:39,240 --> 00:27:42,080 Speaker 1: to look at this old person all the time, and 504 00:27:42,119 --> 00:27:45,159 Speaker 1: it probably was like a big frustration for you. 505 00:27:45,480 --> 00:27:47,399 Speaker 2: Yeah. Yeah, this is. 506 00:27:47,400 --> 00:27:49,760 Speaker 3: Going to turn off the Blue crowd is gonna flick 507 00:27:49,800 --> 00:27:51,200 Speaker 3: off their TVs. 508 00:27:50,960 --> 00:27:53,639 Speaker 2: And we end we hate that show. So it. 509 00:27:56,560 --> 00:28:03,400 Speaker 3: So they're watching Blue Bluies obliterated on the episode. 510 00:28:03,040 --> 00:28:08,840 Speaker 2: Sniper Rifle on your Hip from three thousand yards don't. 511 00:28:08,840 --> 00:28:10,520 Speaker 3: I don't know what's what the deal is with me, 512 00:28:10,560 --> 00:28:12,240 Speaker 3: but I know that I can find the sniper rifle 513 00:28:12,240 --> 00:28:14,320 Speaker 3: in the parking lot to take and and nosco Blue 514 00:28:14,480 --> 00:28:18,040 Speaker 3: with him, Yes, and then after he's he's bleeding out 515 00:28:18,080 --> 00:28:19,280 Speaker 3: on the brown identity. 516 00:28:20,720 --> 00:28:25,760 Speaker 1: Just something, just something that we could say. 517 00:28:25,840 --> 00:28:27,960 Speaker 3: You guys don't name the episodes in that way. 518 00:28:27,800 --> 00:28:30,040 Speaker 2: But we really don't. 519 00:28:30,080 --> 00:28:31,520 Speaker 1: Yeah, we don't. 520 00:28:32,320 --> 00:28:33,919 Speaker 3: I did it like three times and one was like, 521 00:28:34,000 --> 00:28:34,720 Speaker 3: what am I doing? 522 00:28:36,880 --> 00:28:37,840 Speaker 1: Makes me jump out? 523 00:28:38,320 --> 00:28:40,760 Speaker 3: So they watch Blue get shot in the head, and 524 00:28:40,800 --> 00:28:43,200 Speaker 3: then they switch over to the other channel if they 525 00:28:43,240 --> 00:28:48,080 Speaker 3: see some some gray hair, some you know wizened old 526 00:28:48,160 --> 00:28:52,200 Speaker 3: crone speaking you know, funny as his he is and 527 00:28:52,280 --> 00:28:52,880 Speaker 3: his project. 528 00:28:53,080 --> 00:28:55,520 Speaker 1: This is the language, right that was making me go, 529 00:28:55,680 --> 00:28:58,760 Speaker 1: like this young guy is with it. Yes, Like I'm 530 00:28:58,800 --> 00:28:59,200 Speaker 1: loving that. 531 00:28:59,320 --> 00:29:07,080 Speaker 3: Everyone's always say wid wind. Yeah, so maybe another character 532 00:29:07,160 --> 00:29:09,280 Speaker 3: for or a youthful. 533 00:29:09,480 --> 00:29:11,680 Speaker 2: I think going at the other we were talking about 534 00:29:11,680 --> 00:29:13,760 Speaker 2: how there's like the guy and the other guy and 535 00:29:13,920 --> 00:29:17,960 Speaker 2: hers being there talking about them in a way that 536 00:29:18,120 --> 00:29:22,320 Speaker 2: like is not overtly selling them out. It is kind 537 00:29:22,360 --> 00:29:25,480 Speaker 2: of thing respectful. Yeah, yeah, exactly, Like, yeah, I loved 538 00:29:25,520 --> 00:29:27,560 Speaker 2: a lot of their other stuff. Didn't really see them 539 00:29:27,600 --> 00:29:30,520 Speaker 2: around that much, but like people would say that like, oh, 540 00:29:30,560 --> 00:29:34,080 Speaker 2: they're like so busy, they're off like, yeah, they're doing 541 00:29:34,400 --> 00:29:36,920 Speaker 2: like they're looking at wardrobe or whatever. Then I talked 542 00:29:36,920 --> 00:29:39,000 Speaker 2: to wardrobe and like they said that they hadn't seen there. 543 00:29:39,120 --> 00:29:42,680 Speaker 2: They thought they were with Yeah, but like that's you know, 544 00:29:42,720 --> 00:29:44,240 Speaker 2: I guess their production. 545 00:29:44,640 --> 00:29:47,680 Speaker 1: I think something to like going like they're oh, I 546 00:29:47,720 --> 00:29:53,760 Speaker 1: mean they're so talented, like they're really special and a 547 00:29:53,800 --> 00:29:56,240 Speaker 1: lot of their projects have been cool. It was funny 548 00:29:56,240 --> 00:29:58,880 Speaker 1: to see people who are you know, have so much 549 00:29:58,880 --> 00:30:02,680 Speaker 1: professional experience, they're older than you. Yes, just kind of 550 00:30:03,240 --> 00:30:06,600 Speaker 1: in this weird world that I had created and feeling, 551 00:30:07,000 --> 00:30:11,280 Speaker 1: you know, even despite their success, a little lost and 552 00:30:11,320 --> 00:30:14,360 Speaker 1: a little over their heads and just being like, guys, yes, 553 00:30:14,600 --> 00:30:17,120 Speaker 1: it's gonna work. Calm down, because you know, when you 554 00:30:17,320 --> 00:30:20,440 Speaker 1: have a vision for it and other people aren't seeing it, 555 00:30:20,520 --> 00:30:22,720 Speaker 1: sometimes you just have to go trust me. 556 00:30:22,960 --> 00:30:26,400 Speaker 2: Yes. But what's amazing about them no ego? Right, Like 557 00:30:26,480 --> 00:30:29,680 Speaker 2: they were able to put like it was best idea wins. 558 00:30:29,720 --> 00:30:31,880 Speaker 2: So it was the best idea win charge of this thing. 559 00:30:31,920 --> 00:30:34,080 Speaker 2: And some people in that position would be like very 560 00:30:34,120 --> 00:30:36,400 Speaker 2: protective of their ideas. They want to. 561 00:30:36,360 --> 00:30:39,000 Speaker 1: See their stuff on screen at the expense of the show. 562 00:30:39,160 --> 00:30:40,920 Speaker 1: They wanted the show to be as good as it 563 00:30:40,920 --> 00:30:43,400 Speaker 1: could be and so it was always best idea. 564 00:30:43,160 --> 00:30:47,760 Speaker 3: Wins and the fierce competition and then the and when. 565 00:30:47,640 --> 00:30:51,000 Speaker 2: The competition, Oh what do you mean? 566 00:30:51,920 --> 00:30:54,160 Speaker 3: Uh is this should I say? 567 00:30:54,320 --> 00:30:55,800 Speaker 2: Or yeah? 568 00:30:55,960 --> 00:30:59,160 Speaker 3: Some of these other him and her and him. Yeah, 569 00:30:59,320 --> 00:31:04,760 Speaker 3: they're great, a lot of professional experience. They've I've loved 570 00:31:04,800 --> 00:31:07,360 Speaker 3: all of their work and so it was crazy to 571 00:31:07,360 --> 00:31:08,360 Speaker 3: see them come into my. 572 00:31:09,920 --> 00:31:10,320 Speaker 2: World. 573 00:31:10,680 --> 00:31:13,520 Speaker 1: Just the honor of having them get into this playground 574 00:31:13,560 --> 00:31:17,960 Speaker 1: with me. Yeah, and you know, and then imidating. 575 00:31:16,960 --> 00:31:19,560 Speaker 2: Like they're loving my stuff, you know what I mean. 576 00:31:19,600 --> 00:31:21,360 Speaker 2: It's like I'm supposed to be the one that like 577 00:31:22,040 --> 00:31:23,560 Speaker 2: loves your shit, you know. 578 00:31:23,720 --> 00:31:26,640 Speaker 3: I'm just I'm just so young, I'm so young and fresh. 579 00:31:27,040 --> 00:31:29,200 Speaker 1: Yeah, when I heard they were coming on, I was 580 00:31:29,240 --> 00:31:32,520 Speaker 1: initially intimidating. I was like, oh, wow, these are like 581 00:31:32,560 --> 00:31:35,000 Speaker 1: some really heavy hit or some big dogs. And I 582 00:31:35,040 --> 00:31:38,920 Speaker 1: think within an hour it was like, oh, they're just people, 583 00:31:39,160 --> 00:31:42,800 Speaker 1: you know, like they also there's no reason for me 584 00:31:42,880 --> 00:31:46,320 Speaker 1: to be afraid, like we're all peers because like I'm 585 00:31:46,360 --> 00:31:49,200 Speaker 1: doing shit that's cracking them up and they're actually trying 586 00:31:49,200 --> 00:31:52,320 Speaker 1: to catch up to to this kind of vibe that 587 00:31:52,440 --> 00:31:54,240 Speaker 1: I'm riding, like this wave. 588 00:31:54,120 --> 00:31:56,920 Speaker 3: And they but they could they can't because it was 589 00:31:56,960 --> 00:31:59,840 Speaker 3: all I got. I got away with it. Yes, yes, 590 00:32:00,080 --> 00:32:06,760 Speaker 3: these these ants, Yeah, bugs, I got. I did it 591 00:32:06,800 --> 00:32:10,000 Speaker 3: all and and even and even these they'd worked so 592 00:32:10,080 --> 00:32:10,520 Speaker 3: long more. 593 00:32:10,560 --> 00:32:13,000 Speaker 2: Bugs like we kind of like ants, and bugs are 594 00:32:13,040 --> 00:32:17,480 Speaker 2: not like ants are like kind of bugs, but like 595 00:32:17,720 --> 00:32:18,960 Speaker 2: they really are not. 596 00:32:19,080 --> 00:32:21,240 Speaker 1: When you hear bugs, you don't immediately picture. 597 00:32:21,480 --> 00:32:23,360 Speaker 2: Yeah, ants are kind of like their own thing. 598 00:32:23,600 --> 00:32:26,480 Speaker 3: And they're small. Some bugs are bigger. 599 00:32:27,160 --> 00:32:31,200 Speaker 2: So you're really like when you're seeing bugs as well, 600 00:32:31,280 --> 00:32:33,880 Speaker 2: you're really sizing them. 601 00:32:34,000 --> 00:32:34,800 Speaker 1: Something of a size. 602 00:32:34,880 --> 00:32:35,160 Speaker 2: Queen. 603 00:32:35,320 --> 00:32:43,520 Speaker 1: Yes, uh, yeah, so I liked. I liked where that started. 604 00:32:44,920 --> 00:32:47,800 Speaker 1: It felt a little and Hayes, tell me if I'm wrong, 605 00:32:47,840 --> 00:32:50,240 Speaker 1: because maybe this is good. It felt a little like 606 00:32:52,280 --> 00:32:54,200 Speaker 1: evil villain wants to take over the world. 607 00:32:54,320 --> 00:32:58,880 Speaker 2: It's a sharp turn from being like gently nagging them 608 00:32:59,040 --> 00:33:02,720 Speaker 2: disparaging their contributions to the show in the in the 609 00:33:02,720 --> 00:33:07,000 Speaker 2: form of a compliment, to calling them bugs like that 610 00:33:07,120 --> 00:33:10,920 Speaker 2: to me was like an abrupt like we like we were, 611 00:33:11,440 --> 00:33:14,360 Speaker 2: we were of a piece, we were being kind of 612 00:33:14,560 --> 00:33:18,800 Speaker 2: nice and now like and now they have become bugs 613 00:33:18,880 --> 00:33:21,400 Speaker 2: so quickly, and so like I wonder if we can 614 00:33:21,440 --> 00:33:27,480 Speaker 2: at least find the road there cough cast. Yeah, but 615 00:33:27,520 --> 00:33:31,880 Speaker 2: that's a big bug. But that to me is like 616 00:33:31,920 --> 00:33:35,120 Speaker 2: what I'm expecting you to be bringing. You know, like 617 00:33:35,280 --> 00:33:39,360 Speaker 2: that bug is really big, So are these are they big? 618 00:33:39,480 --> 00:33:41,520 Speaker 2: Like that? Like you seem to be acting like they're 619 00:33:41,800 --> 00:33:42,280 Speaker 2: bug is. 620 00:33:42,240 --> 00:33:46,000 Speaker 3: Too big and they can't be that. 621 00:33:47,520 --> 00:33:48,760 Speaker 2: That's not really a bug either. 622 00:33:48,760 --> 00:33:52,560 Speaker 1: That's a that's really interesting. Yeah, it's not what you 623 00:33:52,600 --> 00:33:55,280 Speaker 1: picture when you hear. But now that's really interesting. That 624 00:33:55,360 --> 00:33:58,280 Speaker 1: makes me think that, Like, I mean, if they're that 625 00:33:58,400 --> 00:34:04,160 Speaker 1: big a bug, I go, are they really the pranksters? Yeah, 626 00:34:04,160 --> 00:34:06,400 Speaker 1: like that's a pretty big prank to pull, to have 627 00:34:06,480 --> 00:34:10,880 Speaker 1: a bug that size. Yeah, that was inside the like 628 00:34:11,040 --> 00:34:12,520 Speaker 1: you're smiling you like that. 629 00:34:12,600 --> 00:34:15,160 Speaker 3: If there is a bug that big, that's okay. 630 00:34:15,280 --> 00:34:18,880 Speaker 2: I'm confused because like usually something being that big is 631 00:34:19,280 --> 00:34:22,400 Speaker 2: usually like kind of freaking you out with people, But 632 00:34:22,480 --> 00:34:26,000 Speaker 2: with big bugs is okay, huh yeah, okay. 633 00:34:26,160 --> 00:34:27,920 Speaker 3: You really like that they're so shiny? 634 00:34:28,600 --> 00:34:30,120 Speaker 2: Yeah, you're really loving this. 635 00:34:30,360 --> 00:34:32,160 Speaker 1: Not the first thing I think of that the bug 636 00:34:32,200 --> 00:34:33,759 Speaker 1: is so shiny. 637 00:34:33,960 --> 00:34:36,000 Speaker 2: That's nice because the little ones are shiny too. I 638 00:34:36,000 --> 00:34:40,200 Speaker 2: guess like a bigger one has more reflective the size. Yeah, 639 00:34:40,320 --> 00:34:43,160 Speaker 2: so it is a little it is shinier in that way, 640 00:34:43,280 --> 00:34:50,960 Speaker 2: but like, yeah, you're loving that. That's so interesting. That 641 00:34:51,040 --> 00:34:55,200 Speaker 2: was a good cut at it. I think we uh 642 00:34:56,760 --> 00:35:00,200 Speaker 2: we maybe want like we've we've do we do? 643 00:35:00,440 --> 00:35:03,239 Speaker 1: I mean I mean do we? I don't know where 644 00:35:03,280 --> 00:35:04,040 Speaker 1: we were going. 645 00:35:03,800 --> 00:35:07,200 Speaker 2: Past that much. We did like Parents' Dad, but like 646 00:35:07,480 --> 00:35:08,480 Speaker 2: maybe there's other. 647 00:35:08,719 --> 00:35:10,839 Speaker 1: That feels like a good target. But yeah, we might 648 00:35:10,880 --> 00:35:15,120 Speaker 1: want to go at like I don't know, I mean. 649 00:35:15,640 --> 00:35:19,120 Speaker 2: Like you had to teach Marsden yeah, like oh yeah, 650 00:35:19,239 --> 00:35:24,040 Speaker 2: Like he's like he's used to like a big film 651 00:35:24,640 --> 00:35:27,520 Speaker 2: like these, like huge budget, hard. 652 00:35:27,400 --> 00:35:30,200 Speaker 1: For him to add, just to like something on my 653 00:35:30,400 --> 00:35:33,560 Speaker 1: scale where it's like it's really just about the project 654 00:35:33,640 --> 00:35:36,040 Speaker 1: and there's not a lot of not a lot of 655 00:35:36,480 --> 00:35:42,919 Speaker 1: fat people to stand here say this line. Yeah here, 656 00:35:43,000 --> 00:35:45,920 Speaker 1: it's just like it's just coming off of me. I 657 00:35:45,960 --> 00:35:47,759 Speaker 1: mean I did have to say stand here and say 658 00:35:47,760 --> 00:35:50,720 Speaker 1: this line. But but it's like he's used to people 659 00:35:50,760 --> 00:35:56,840 Speaker 1: bringing him is like double quap drumciado big. You know 660 00:35:56,960 --> 00:35:58,880 Speaker 1: on our set we just had a cup of coffee. 661 00:35:59,040 --> 00:36:02,279 Speaker 1: Yeah yeah, what was James like? 662 00:36:02,560 --> 00:36:08,759 Speaker 3: Uh so James James love long career, grew up watching him. 663 00:36:08,760 --> 00:36:10,880 Speaker 2: No, but just we're just talking like now it's just 664 00:36:11,120 --> 00:36:18,600 Speaker 2: us and we're saying normal, Yeah, are you being like 665 00:36:18,920 --> 00:36:21,439 Speaker 2: like like I'm I'm just trying to talk to you. 666 00:36:21,480 --> 00:36:26,120 Speaker 3: No, SAME's trying to hang out. Yeah, same, Yeah, James, 667 00:36:26,160 --> 00:36:26,760 Speaker 3: his whole. 668 00:36:26,800 --> 00:36:27,640 Speaker 2: Feel like the same. 669 00:36:28,480 --> 00:36:30,840 Speaker 1: No, this isn't the same as what we're doing. 670 00:36:31,960 --> 00:36:35,640 Speaker 3: I could Uh. I was worried to cross my legs 671 00:36:35,640 --> 00:36:39,720 Speaker 3: like you guys because it might hit the microphone. Yeah, James, 672 00:36:39,840 --> 00:36:41,600 Speaker 3: was your leg. 673 00:36:41,520 --> 00:36:44,879 Speaker 2: Is Yeah, are like like you were saying, our legs 674 00:36:44,880 --> 00:36:46,839 Speaker 2: are so big and you'rs like. 675 00:36:47,040 --> 00:36:50,919 Speaker 3: I can barely see it probably from up there. Yeah, 676 00:36:51,080 --> 00:36:54,960 Speaker 3: James love his whole doesn't feel. 677 00:36:57,360 --> 00:36:58,720 Speaker 1: This is so hard. 678 00:36:58,960 --> 00:37:03,920 Speaker 3: Like I grew up watching James or is it that 679 00:37:04,040 --> 00:37:04,480 Speaker 3: I say I. 680 00:37:04,400 --> 00:37:04,879 Speaker 1: Grew up. 681 00:37:06,400 --> 00:37:08,600 Speaker 2: And we were like what is he like? Like, did 682 00:37:08,680 --> 00:37:10,880 Speaker 2: you ever talk to. 683 00:37:10,960 --> 00:37:12,880 Speaker 3: Him as so nice? 684 00:37:14,000 --> 00:37:16,279 Speaker 1: Okay, that's actually but he's used. 685 00:37:17,440 --> 00:37:19,600 Speaker 2: I'm so glad. I wanted that's good to hear. 686 00:37:19,719 --> 00:37:22,040 Speaker 1: I didn't want him to be it was go toed alblem. 687 00:37:22,200 --> 00:37:27,600 Speaker 3: His kindness was goaded, goaded, but God coded, but. 688 00:37:27,680 --> 00:37:28,120 Speaker 2: I had to. 689 00:37:28,480 --> 00:37:31,920 Speaker 3: He's used to being told where to stand. 690 00:37:33,160 --> 00:37:35,560 Speaker 2: That's from the other thing like, this is different. This 691 00:37:35,760 --> 00:37:37,680 Speaker 2: is I really was just trying to get to know 692 00:37:37,760 --> 00:37:38,399 Speaker 2: you a little more. 693 00:37:38,560 --> 00:37:40,839 Speaker 3: Like yeah, and that no one told me to think 694 00:37:40,920 --> 00:37:44,080 Speaker 3: I had this. I always had this thought or I 695 00:37:44,120 --> 00:37:46,719 Speaker 3: had this thought recently, which always in recently are the 696 00:37:46,719 --> 00:37:47,759 Speaker 3: same to me for my youth. 697 00:37:48,320 --> 00:37:51,160 Speaker 1: Ultimately, you did prank my ass because I did think 698 00:37:51,200 --> 00:37:52,480 Speaker 1: that we were going to be able to do at 699 00:37:52,520 --> 00:37:53,959 Speaker 1: some point just hang out and just. 700 00:37:53,880 --> 00:37:56,279 Speaker 2: Bring through it. And like what we talk about the 701 00:37:56,280 --> 00:37:58,719 Speaker 2: business like doing press and all that, we. 702 00:37:58,680 --> 00:38:01,680 Speaker 1: Created this issue and so ways, but I also don't 703 00:38:01,680 --> 00:38:02,919 Speaker 1: know what else we could have done. 704 00:38:03,120 --> 00:38:05,080 Speaker 2: But that's all there is for you, is what I'm 705 00:38:05,160 --> 00:38:07,879 Speaker 2: learning is like is the professional. 706 00:38:07,280 --> 00:38:11,319 Speaker 3: Stuff is just like yeah, I had I had the 707 00:38:11,400 --> 00:38:17,320 Speaker 3: lights too. Okay, mm hmm, there's but there's no what's next. 708 00:38:17,600 --> 00:38:20,080 Speaker 2: I guess let's get into what's finding that that's a 709 00:38:20,160 --> 00:38:24,640 Speaker 2: metaphor for like the large like the lights in your home. 710 00:38:25,560 --> 00:38:31,080 Speaker 2: You've brought the lights into your home, and so there's nowhere, 711 00:38:31,400 --> 00:38:34,879 Speaker 2: there's nowhere where you can just be someone who's not. 712 00:38:35,600 --> 00:38:37,840 Speaker 1: You're always under the lights, You're always performing. 713 00:38:37,960 --> 00:38:39,520 Speaker 3: I can't turn it off. 714 00:38:39,640 --> 00:38:42,279 Speaker 1: That being the case. Should we just get into it, like. 715 00:38:42,280 --> 00:38:43,640 Speaker 2: If you could do with your phone? 716 00:38:44,880 --> 00:38:46,719 Speaker 3: Sorry, should we. 717 00:38:46,680 --> 00:38:49,080 Speaker 1: Just get into what's next? And like, just because I 718 00:38:49,480 --> 00:38:53,600 Speaker 1: would like to kind of obviously we can't coast off 719 00:38:53,719 --> 00:38:55,480 Speaker 1: how long we've been coasting off of this one thing, 720 00:38:56,520 --> 00:38:59,840 Speaker 1: three or four years. So then let's let's sort of 721 00:39:00,040 --> 00:39:02,360 Speaker 1: say like, all right, well you've you've done that, Like 722 00:39:02,400 --> 00:39:06,240 Speaker 1: what's your dream project, Like what's your next kind of goal? 723 00:39:06,719 --> 00:39:12,879 Speaker 1: Like who's your dream collaborator? And then you just kind 724 00:39:12,880 --> 00:39:16,439 Speaker 1: of get into that because ultimately we're representing the people 725 00:39:16,440 --> 00:39:19,040 Speaker 1: who have the money that kind of, you know, help 726 00:39:19,080 --> 00:39:23,200 Speaker 1: you actually make some some green, uh print some green. 727 00:39:23,760 --> 00:39:25,680 Speaker 1: So I didn't know what do you want to do 728 00:39:25,760 --> 00:39:27,640 Speaker 1: next in this scenario. 729 00:39:27,719 --> 00:39:31,799 Speaker 3: Yeah, it's been The show was so fun to do 730 00:39:32,800 --> 00:39:33,120 Speaker 3: for me. 731 00:39:34,920 --> 00:39:36,839 Speaker 2: I cannot keep talking about the show. 732 00:39:37,320 --> 00:39:39,000 Speaker 1: It's so done with the show. 733 00:39:39,960 --> 00:39:41,880 Speaker 2: Five years and it was fine. 734 00:39:42,640 --> 00:39:46,520 Speaker 1: The show was fine, some really funny parts. 735 00:39:46,440 --> 00:39:52,640 Speaker 2: Like it's like totally fine show, some really funny parts. 736 00:39:52,840 --> 00:40:00,239 Speaker 2: But this much later, still we gotta talk about what's 737 00:39:59,520 --> 00:40:02,520 Speaker 2: ne has to be something. And when I say what's next, 738 00:40:02,560 --> 00:40:05,880 Speaker 2: don't say the show that you did, because that to 739 00:40:06,040 --> 00:40:08,960 Speaker 2: me makes it seem like you only had one idea. 740 00:40:09,040 --> 00:40:11,640 Speaker 1: But we've got a lot of ideas, don't we. 741 00:40:12,400 --> 00:40:18,799 Speaker 3: David, Yes, I'm really inspired by this. They're gonna have 742 00:40:18,840 --> 00:40:24,560 Speaker 3: this uh Tyson and Jake Paul fight. Uh, that seems 743 00:40:24,640 --> 00:40:28,160 Speaker 3: that people seem really excited about that. But maybe I 744 00:40:28,160 --> 00:40:30,160 Speaker 3: could hit hit someone. 745 00:40:30,360 --> 00:40:33,399 Speaker 2: You're gonna hit, You're gonna be it, You're gonna participate 746 00:40:33,520 --> 00:40:37,239 Speaker 2: in the fight. That there, it's the two of them 747 00:40:37,280 --> 00:40:40,759 Speaker 2: are already having I don't know about this, Like this 748 00:40:40,960 --> 00:40:43,080 Speaker 2: is like, this is not my thing, So you can 749 00:40:43,200 --> 00:40:47,279 Speaker 2: educate me. Yeah, you guys are already doing. 750 00:40:47,440 --> 00:40:50,640 Speaker 1: You guys are fighting. I mean there's a world where 751 00:40:51,320 --> 00:40:53,879 Speaker 1: the next season of Jury Duty is just we put 752 00:40:53,920 --> 00:40:57,879 Speaker 1: a referee, yes, yes, but a fake referee inside the ring, 753 00:40:58,280 --> 00:41:01,040 Speaker 1: and he keeps punching the guys. When to break them. 754 00:41:00,960 --> 00:41:06,919 Speaker 2: Up and which way? Well, it could work any number 755 00:41:06,920 --> 00:41:08,640 Speaker 2: of ways. Could be that one of the guys in 756 00:41:08,680 --> 00:41:12,200 Speaker 2: the fight is like thinks that it is no cap, 757 00:41:12,239 --> 00:41:15,360 Speaker 2: but it actually is cap. Sure could be could be 758 00:41:15,400 --> 00:41:20,759 Speaker 2: the referee as well, who thinks that it's no cap 759 00:41:20,800 --> 00:41:23,480 Speaker 2: but actually his cap. And but like the promoters are 760 00:41:23,480 --> 00:41:27,359 Speaker 2: telling him like, hey, would you get in there, like 761 00:41:27,560 --> 00:41:31,000 Speaker 2: you really have to like stop them from fighting. So 762 00:41:31,120 --> 00:41:33,040 Speaker 2: you are going to have to be like punching them. 763 00:41:33,360 --> 00:41:36,640 Speaker 3: Yeah, you know, so that everyone's being everyone has their 764 00:41:36,640 --> 00:41:37,400 Speaker 3: own little angle. 765 00:41:37,560 --> 00:41:39,160 Speaker 2: Yeah, I think, but I think that would be good 766 00:41:39,200 --> 00:41:41,080 Speaker 2: for you. I think you being the referee. 767 00:41:41,520 --> 00:41:43,759 Speaker 1: I think you're the referee. Yeah, there's a couple different 768 00:41:43,800 --> 00:41:46,799 Speaker 1: ways to play it. One is that the referee. One 769 00:41:46,800 --> 00:41:48,680 Speaker 1: of the fighters is in on it, the other one's not. 770 00:41:48,800 --> 00:41:51,239 Speaker 1: And you keep stopping though he's not going like whoa, 771 00:41:51,360 --> 00:41:52,359 Speaker 1: you can't hit him? 772 00:41:52,600 --> 00:41:55,160 Speaker 2: Yes? Right? And if what are you doing? And as 773 00:41:55,200 --> 00:41:57,960 Speaker 2: soon as he starts trying to hit again, like you 774 00:41:58,040 --> 00:41:58,920 Speaker 2: start hitting him? 775 00:41:59,160 --> 00:42:01,839 Speaker 1: What did I just said? How does that feel? You? 776 00:42:01,920 --> 00:42:04,880 Speaker 1: Like that you're getting hit? You want to hit people? 777 00:42:06,200 --> 00:42:08,919 Speaker 2: And there it's like we're in Vegas. It's like a 778 00:42:08,960 --> 00:42:14,600 Speaker 2: full arena of people. But they're like they're oh yeah, yeah, 779 00:42:14,600 --> 00:42:16,120 Speaker 2: I know, they're all in on it, and they're like 780 00:42:16,160 --> 00:42:18,480 Speaker 2: super quiet, and they are all kind of having the 781 00:42:18,480 --> 00:42:23,279 Speaker 2: attitude of like what is he doing? Y yeah, he's 782 00:42:23,320 --> 00:42:27,600 Speaker 2: being so crazy, Yeah, yes, leave him alone. 783 00:42:28,200 --> 00:42:31,440 Speaker 1: But a lot of them are reading books. Yes, the 784 00:42:31,520 --> 00:42:36,520 Speaker 1: same book. Yeah, Hey, you could pick the book. 785 00:42:38,160 --> 00:42:42,080 Speaker 3: Yeah, or I said, the the cough go one, or 786 00:42:42,440 --> 00:42:45,480 Speaker 3: there's other I'd rather not be that one. They they're 787 00:42:45,520 --> 00:42:48,799 Speaker 3: all reading the and then a big book comes out 788 00:42:51,800 --> 00:42:57,200 Speaker 3: that's a giant bug comes out, starts eat eating. 789 00:42:58,480 --> 00:43:01,120 Speaker 1: Keep going. I just went Kevin gets back, I'd like 790 00:43:01,160 --> 00:43:01,880 Speaker 1: to end the episode. 791 00:43:02,320 --> 00:43:03,440 Speaker 3: Your head turned down? 792 00:43:04,040 --> 00:43:05,640 Speaker 1: Huh when Kevin gets back, I want to end the 793 00:43:05,640 --> 00:43:07,000 Speaker 1: episode so you can keep talking. 794 00:43:07,080 --> 00:43:13,200 Speaker 2: I just like go, what don't wear that? Don't wear that. 795 00:43:13,320 --> 00:43:15,959 Speaker 1: Don't wear that. Yeah it's nice. 796 00:43:16,200 --> 00:43:18,440 Speaker 2: It says hat pack on it. Yeah, do not wear that. 797 00:43:18,640 --> 00:43:22,520 Speaker 1: Yeah, don't wear that one cat pack, the no cat pack. 798 00:43:23,640 --> 00:43:29,759 Speaker 2: I I'm ready you Are you good? To end? 799 00:43:29,960 --> 00:43:30,280 Speaker 1: Kevin? 800 00:43:31,000 --> 00:43:31,239 Speaker 2: Sure? 801 00:43:31,320 --> 00:43:35,840 Speaker 3: A giant bug