WEBVTT - Collective Media in the Second Trump Era

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<v Speaker 1>Als Media. Welcome to It could happen here a podcast

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<v Speaker 1>that I introduced the same way almost every time. I

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<v Speaker 1>don't know, you listen to the show, right, you're listening

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<v Speaker 1>at like some point in the future, you probably know

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<v Speaker 1>the things falling apart putting back together again Intro. I

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<v Speaker 1>don't have to do it. We are doing something that

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<v Speaker 1>we have done before and I guess we'll continue to do,

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<v Speaker 1>which is talking to other anarchist media projects about their

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<v Speaker 1>work and how things are going, and yeah, the general why,

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<v Speaker 1>how what of it all? And today we're talking with

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<v Speaker 1>the Collective Anarchist Writers, and very specifically we're talking to

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<v Speaker 1>Shirley Branson, who is a writer, translator, and teacher currently

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<v Speaker 1>living in so called New York. Carla joy Bergman who

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<v Speaker 1>lives across the border in Canada and is a mom, writer,

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<v Speaker 1>artist and loves crows. Very important. We'll be coming that

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<v Speaker 1>back to that in a second. And Vicky osteriwhil who

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<v Speaker 1>is a worker, writer and agitator based in Philadelphia, And

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<v Speaker 1>all three of you, welcome to the show.

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<v Speaker 2>Hi, thanks for having us, Thanks so much for having us,

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<v Speaker 2>for having us, love your project. I also just wanted

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<v Speaker 2>to give a shout out to our fourth member, Danny

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<v Speaker 2>or listen, who's not here today because she's working paid work,

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<v Speaker 2>who just rounds us out so beautifully and wanted to

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<v Speaker 2>say her name.

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<v Speaker 1>Yeah, I'm excited to talk about this, and partly I'm

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<v Speaker 1>excited to talk about it because so the acronym for

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<v Speaker 1>this is caw and there's a whole crow theme going on,

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<v Speaker 1>and we love a crow here in Portland. It is

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<v Speaker 1>maybe our big thing.

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<v Speaker 3>Yeah, I'm in Vancouver.

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<v Speaker 2>Well I was in Vancouver, just stopped from there, but

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<v Speaker 2>Pacific Northwest and so it's pro highway, you know, thousands

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<v Speaker 2>and thousands of crows.

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<v Speaker 3>Oh yeah, I got it.

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<v Speaker 4>I think the crow is like what ultimately sealed the

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<v Speaker 4>project for us, honestly, Yeah, hell.

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<v Speaker 5>Yeah it was. It really came together around around the

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<v Speaker 5>Corvid theme, I think.

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<v Speaker 6>Yeah.

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<v Speaker 5>Yeah, in the combination of enjoying shiny things, extreme intelligence,

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<v Speaker 5>and never ending spite. I think you're all sort of

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<v Speaker 5>motivating factors for all.

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<v Speaker 2>Of us, and that they are collective and have meetings

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<v Speaker 2>often throughout the day.

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<v Speaker 4>A collective called the Murder, which is also pretty badass.

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<v Speaker 1>Yeah, there's a huge thing in Portland here where we

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<v Speaker 1>have the Mega Murder. So every every like morning, all

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<v Speaker 1>the crows sort of fly off into their different like

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<v Speaker 1>little murders, and they go they you know, they go

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<v Speaker 1>out and hang out in the city. And then at

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<v Speaker 1>a round sunset every day, all of the crows fly

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<v Speaker 1>back into the city. They have their like giant mega

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<v Speaker 1>murdering meeting. There's thousands and thousands of them. You know,

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<v Speaker 1>you look up and you just see them like the herds,

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<v Speaker 1>like that, the murders. The crow is flying past. And

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<v Speaker 1>if you there's bificent spots in Portland where you can

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<v Speaker 1>just go see all of the all all all the

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<v Speaker 1>crows hanging out and you know, doing doing doing whatever

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<v Speaker 1>the things crows do. When literally in entire cities where

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<v Speaker 1>the crows gathered together every night.

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<v Speaker 4>Oh no, it's a spokes council.

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<v Speaker 1>I don't it's not a spokes assel because all of

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<v Speaker 1>them are there. I feel like that's an assembly.

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<v Speaker 2>Yeah yeah. On Vancouver called it's called the Crow Highway. Yeah,

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<v Speaker 2>hell yeah, because it's so massive and goes forever and

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<v Speaker 2>ever and ever.

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<v Speaker 3>To their roost.

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<v Speaker 2>Brief story on crows and resistance A really incredible story

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<v Speaker 2>in Vancouver when a park was a colonial person created

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<v Speaker 2>a park in the downtown, which was like displaced a

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<v Speaker 2>lot of Indigenous people in their homes and designed this

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<v Speaker 2>park that was filled with crows as well. They also

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<v Speaker 2>brought in animals from Europe as well to make it pretty,

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<v Speaker 2>and the crows made it really hard for these animals.

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<v Speaker 2>And so the City of Vancouver for fifty years from

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<v Speaker 2>nineteen hundred to nineteen fifty gave free range to the

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<v Speaker 2>Vancouver Gun people to go into the park and shoot

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<v Speaker 2>crows every day.

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<v Speaker 1>Oh my god.

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<v Speaker 2>And when I see like the amount of crows that

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<v Speaker 2>are still alive, it's just some metaphor for Indigenous resilience,

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<v Speaker 2>you know, Like it's just so powerful. So it's another

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<v Speaker 2>reason why I'm like interested in and in terms of

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<v Speaker 2>where I was like.

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<v Speaker 4>Living, as I been gathering images for our project that

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<v Speaker 4>I've been specifically trying to find images of crows attacking

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<v Speaker 4>people because I think that's good. So it's like, you know,

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<v Speaker 4>the follow up to what you were saying, Carla, is

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<v Speaker 4>the crow's revenge.

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<v Speaker 5>Yes.

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<v Speaker 4>Yeah.

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<v Speaker 1>One of the things that you know you kind of

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<v Speaker 1>have to do here in Portland is you have to

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<v Speaker 1>kind of like negotiate with the crows. You have to

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<v Speaker 1>like you leave them like peace offerings and you sort

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<v Speaker 1>of you know, when your friends come, you let you

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<v Speaker 1>introduce them to the crows, or the crows know that

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<v Speaker 1>you're okay. It's very sweet shiny things. Yeah, we love

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<v Speaker 1>a crow based society. And speaking of a crow based society, yeah,

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<v Speaker 1>do you want to, I guess, give a brief sort

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<v Speaker 1>of overview of what Cause is before we get sort

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<v Speaker 1>of more into it.

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<v Speaker 5>Yeah, I'm happy to take a spin at that as VICKI.

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<v Speaker 5>By the way, Yeah, so cause of like I mean,

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<v Speaker 5>it's an anarchist journal of arts and culture that is

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<v Speaker 5>a collective of anarchist writers. It's also a Corvid appreciation

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<v Speaker 5>working group. There's a lot of different acronyms for it.

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<v Speaker 5>And what we are doing is we are bringing all

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<v Speaker 5>for at first, just all four of our efforts together.

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<v Speaker 5>So a lot of us work on separate podcasts. We

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<v Speaker 5>have pedagological tasks, We have many activist projects that center

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<v Speaker 5>around culture. You know, I have a newsletter, Surely has

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<v Speaker 5>a Patreon, Kyla has a newsletter, Danny has has also

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<v Speaker 5>has like an email list. There's just all these different

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<v Speaker 5>projects and we realize that like for all of our

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<v Speaker 5>talk about mutual aid and working collectively when it comes

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<v Speaker 5>to writing and creativity, the market has been so fractured

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<v Speaker 5>and so alienated and sort of turned into like everyone

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<v Speaker 5>has an individual newsletter that they're competing with one another,

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<v Speaker 5>you know, even though they don't want to be like

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<v Speaker 5>they want to be. But that's sort of ultimately what's

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<v Speaker 5>happening is that there's limited sort of customers. And there's

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<v Speaker 5>also this other trend going on right now of this

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<v Speaker 5>really exciting kind of worker owned journals, a lot of

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<v Speaker 5>them local journalisms. There's some in New York and Chicago,

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<v Speaker 5>and there's one in Ashville and all over the country

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<v Speaker 5>as well as like on special topics like aftermath, which

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<v Speaker 5>like does I think the other video games, and there's

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<v Speaker 5>four or four media it is tech. There's just like

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<v Speaker 5>all these different sort of sites doing this sort of thing,

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<v Speaker 5>and I think in some ways all of us are

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<v Speaker 5>sort of collectively reinventing the newspapers that have been sort

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<v Speaker 5>of stolen and destroyed by capital, you know.

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<v Speaker 6>In a big way.

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<v Speaker 2>Yeah.

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<v Speaker 5>So there's sort of two goals that we have, and

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<v Speaker 5>I think Carla Carla speaks really eloquently to some of this,

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<v Speaker 5>but one of which is to make writing radical culture

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<v Speaker 5>work beautiful, joyful, fun and also critical like movement work,

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<v Speaker 5>to make it sustainable for us and for anyone else

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<v Speaker 5>who wants to share in this project, who we can

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<v Speaker 5>sort of expand towards, but also to make it easier

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<v Speaker 5>for people who are reading to have access to these things,

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<v Speaker 5>like in one place, instead of having to, you know,

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<v Speaker 5>decide who they care for and who they like in

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<v Speaker 5>order to sort of, you know, do that mac of

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<v Speaker 5>like who can I afford to subscribe to? Like I personally,

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<v Speaker 5>I don't know if it's true for everyone else, but

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<v Speaker 5>personally I usually have about two or three people I

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<v Speaker 5>can afford to subscribe to a month, and I switch

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<v Speaker 5>it out just like on a very arbitrary basis, you know,

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<v Speaker 5>or something like that. That was very technical and financially focused.

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<v Speaker 5>But what we're really excited to do mostly is support

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<v Speaker 5>each other's work, because I think we all really love

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<v Speaker 5>and admire each other's work and have for a long time,

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<v Speaker 5>and this is just this really exciting opportunity. Instead of

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<v Speaker 5>my writing just being for me, it's for Julie and

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<v Speaker 5>Carla and Danino, and that just makes it feel more

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<v Speaker 5>inspiring and exciting as well as a collective process.

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<v Speaker 4>Yeah, I mean connected to the financial aspect. But I

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<v Speaker 4>think when we are initially discussing this, the experience of

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<v Speaker 4>being a writer is trying to find outlets for your writing. Yeah,

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<v Speaker 4>and if you're trying to get paid for that, you

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<v Speaker 4>have to sell it to people, right, And so it's

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<v Speaker 4>very hard to get paid at all for writing, and

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<v Speaker 4>it's very hard to place your writing in venues to

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<v Speaker 4>publish it, especially if you're coming from an anarchist angle,

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<v Speaker 4>because people do not really want to publish things that

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<v Speaker 4>come to anarchist conclusions, Like they want you to do

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<v Speaker 4>all the analysis and whatever, but they don't want you

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<v Speaker 4>to think about like what an action is like.

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<v Speaker 6>So like, you know, you could write for some of

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<v Speaker 6>the lefty.

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<v Speaker 4>So called lefty socialist whatever rags, but they don't. Yeah,

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<v Speaker 4>they won't feature anarchists. They basically even just act as

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<v Speaker 4>if anarchism doesn't exist, never exists, you know, never existed.

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<v Speaker 6>They erase the whole history of it.

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<v Speaker 4>The only serious kind of political forces some kind of

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<v Speaker 4>democratic socialism. So to us, we wanted to create a

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<v Speaker 4>place where we can do the writing we want to

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<v Speaker 4>do without having to make compromises in what we want

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<v Speaker 4>to say. Just to get published because that, yeah, just

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<v Speaker 4>that game of like of shopping your stuff around is

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<v Speaker 4>it's demeaning, It's totally time consuming. It distracts you from

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<v Speaker 4>actually doing the work. So we were like, let's band

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<v Speaker 4>together instead of each of us going off wasting our

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<v Speaker 4>time trying to write.

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<v Speaker 1>Yeah, and I think one of the other issues with

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<v Speaker 1>this too also like the pay is just so bad,

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<v Speaker 1>like even though almost especially the leftiscroops like page is

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<v Speaker 1>so rancid, and all of the combinations of those things

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<v Speaker 1>make it really really hard to just sort of be

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<v Speaker 1>an independent writer. And also, okay, jumping back a second,

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<v Speaker 1>so they're raising anarchism exists. This is why. The one

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<v Speaker 1>that makes me always lose my mind is like I'm

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<v Speaker 1>specifically gonna name Jocobin here because I don't like them.

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<v Speaker 1>But like, one of the things that jack Wum will

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<v Speaker 1>do is they'll be covering a strike that is organized

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<v Speaker 1>by the IWW. It is an IWW union, that they

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<v Speaker 1>will have pictures of the strike where there are a

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<v Speaker 1>bunch of people holding IWW banners, and they will never

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<v Speaker 1>mention that it was the IWW who organized the strike.

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<v Speaker 1>So like, yeah, there is this real sort of conspiracy

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<v Speaker 1>of silence, I guess about our politics and the stuff

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<v Speaker 1>that we do in the world.

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<v Speaker 4>It's so claring. Jacobin is definitely a big culprit. And

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<v Speaker 4>then the podcast associated with the dig, like they will

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<v Speaker 4>specifically will be talking about history where anarchists have been

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<v Speaker 4>very involved, and then they just will not mention them.

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<v Speaker 4>I'm like, and they sometimes there's really good history and

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<v Speaker 4>now that podcast, but like this is an omission that

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<v Speaker 4>they clearly are choosing.

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<v Speaker 1>Yeah, And I think, you know, self organization is effectively

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<v Speaker 1>the only way out of this because why you just

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<v Speaker 1>sort of I don't know, have to deal with all

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<v Speaker 1>of the sort of media gatekeepers like sitting there in

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<v Speaker 1>front of you with a stick going no anarchism of balk.

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<v Speaker 5>Yeah, and even the projects that have sustained, that have survived,

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<v Speaker 5>which are all really awesome, you know, like and exciting,

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<v Speaker 5>Like very few of them have offered real sustainability, like

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<v Speaker 5>on a professional level, and like I've been publishing like

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<v Speaker 5>quote unquote professionally for fifteen years and like I'm the

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<v Speaker 5>like newest writer on the scene, like from our crew basically,

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<v Speaker 5>like we're incredibly experienced, and all of us have books out,

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<v Speaker 5>all of us have edited volumes all of us have

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<v Speaker 5>like podcasts, and like are people who I like, really

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<v Speaker 5>respect whose names I think are big and important in

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<v Speaker 5>the world of theory and activism and like in the

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<v Speaker 5>anglophone world especially, And none of us can sustain ourselves

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<v Speaker 5>as writers as such because of the way that just

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<v Speaker 5>you know, both politically but also just like the way

0:11:01.800 --> 0:11:04.800
<v Speaker 5>the market has come down. Yeah, and it just feels

0:11:04.800 --> 0:11:07.240
<v Speaker 5>like something we could apply our politics to solving as

0:11:07.240 --> 0:11:09.840
<v Speaker 5>a workplace issue rather than just sort of as like

0:11:09.880 --> 0:11:12.520
<v Speaker 5>a you know, are you committed enough to sacrifice all

0:11:12.559 --> 0:11:15.680
<v Speaker 5>your time issue? And so hopefully like that will also

0:11:15.720 --> 0:11:19.800
<v Speaker 5>function to make more work available to produce and to

0:11:20.240 --> 0:11:23.480
<v Speaker 5>platform and to yeah, to to sort of work as

0:11:23.480 --> 0:11:24.720
<v Speaker 5>an example simultaneously.

0:11:25.360 --> 0:11:28.240
<v Speaker 1>Unfortunately, speaking of speaking of sustaining work as a platform,

0:11:28.520 --> 0:11:30.960
<v Speaker 1>unfortunately the way we are sustained here is with these ads.

0:11:31.120 --> 0:11:44.280
<v Speaker 1>So hold on and we are back, And this, I

0:11:44.280 --> 0:11:47.199
<v Speaker 1>guess brings us to the kind of work that's happening here.

0:11:47.200 --> 0:11:50.400
<v Speaker 1>And I was very excited because one of the things

0:11:50.480 --> 0:11:53.520
<v Speaker 1>you all have done is an interview with Raouls of Becky,

0:11:53.679 --> 0:11:56.760
<v Speaker 1>who is the author of like one of my favorite

0:11:56.800 --> 0:11:58.760
<v Speaker 1>quotes of all time. I think I've said on this

0:11:58.800 --> 0:12:01.920
<v Speaker 1>show like multiple times. I really ran into in a

0:12:02.240 --> 0:12:04.920
<v Speaker 1>sort of completely unrelated book called Rhythms of the Patchacuti,

0:12:05.000 --> 0:12:07.000
<v Speaker 1>which is about the sort of the water and gas

0:12:07.080 --> 0:12:09.120
<v Speaker 1>wars in Bolivia. I talked about this book on the

0:12:09.160 --> 0:12:13.360
<v Speaker 1>show like all the time. This quote goes roughly like

0:12:13.440 --> 0:12:16.760
<v Speaker 1>struggle illuminates the divisions of a society like lightning illuminates

0:12:16.800 --> 0:12:18.440
<v Speaker 1>the sky. And I love it. It's like it's like

0:12:18.559 --> 0:12:20.720
<v Speaker 1>it's the best explanation of what happened during twenty twenty

0:12:20.760 --> 0:12:22.320
<v Speaker 1>that I've ever seen. And this is sort of what's

0:12:22.320 --> 0:12:26.200
<v Speaker 1>happening like right now too. Is like you have these

0:12:26.240 --> 0:12:29.440
<v Speaker 1>sort of flashpoint moments where where you know, suddenly like

0:12:29.679 --> 0:12:32.960
<v Speaker 1>all of how society works very briefly becomes visible and

0:12:33.000 --> 0:12:35.079
<v Speaker 1>you have this sort of moment when you're illuminated by

0:12:35.120 --> 0:12:37.079
<v Speaker 1>it to act. And so I'm I don't know, I'm

0:12:37.120 --> 0:12:41.199
<v Speaker 1>really excited that y'all are talking to him, And yeah,

0:12:41.400 --> 0:12:43.440
<v Speaker 1>because you talked at a bit more about what's been

0:12:43.480 --> 0:12:44.560
<v Speaker 1>going on and what's to come.

0:12:45.200 --> 0:12:46.080
<v Speaker 3>I'm sure. Thanks.

0:12:46.240 --> 0:12:49.160
<v Speaker 2>That was a highlight definitely this year was talking to

0:12:49.280 --> 0:12:52.800
<v Speaker 2>Raoul obviously, you know a podcastco We talked for quite

0:12:52.800 --> 0:12:56.680
<v Speaker 2>a bit longer than what was on the show, and I.

0:12:56.600 --> 0:12:59.439
<v Speaker 3>Think like reading his newest book that was.

0:12:59.360 --> 0:13:03.480
<v Speaker 2>Translated and then doing that show with him, it was

0:13:03.640 --> 0:13:07.520
<v Speaker 2>completely connected to me, like reaching out to Suley about

0:13:08.000 --> 0:13:11.480
<v Speaker 2>doing Call, because there is a way that we that

0:13:11.559 --> 0:13:15.120
<v Speaker 2>he talked about this whole idea of disappearing symmetries that

0:13:15.120 --> 0:13:18.320
<v Speaker 2>those Bapatistas are working on, like this idea of really

0:13:18.400 --> 0:13:23.160
<v Speaker 2>truly looking at all the fault lines within horizontality or

0:13:23.160 --> 0:13:26.199
<v Speaker 2>automy that we don't actually enact in our day to

0:13:26.280 --> 0:13:29.200
<v Speaker 2>day lives. And so I really started to reflect on

0:13:29.240 --> 0:13:32.880
<v Speaker 2>my own life that way, and not so much Vicky

0:13:33.040 --> 0:13:35.520
<v Speaker 2>at this point yet, but like Suley and Danny, both

0:13:35.520 --> 0:13:38.160
<v Speaker 2>of them, like we just were blurbing each other's books

0:13:38.240 --> 0:13:42.400
<v Speaker 2>and like supporting each other, connecting to publishers or trying

0:13:42.400 --> 0:13:46.319
<v Speaker 2>to connect each other to publishers, and just like trying

0:13:46.360 --> 0:13:49.440
<v Speaker 2>to disrupt a competitive nature that's running underneath even when

0:13:49.480 --> 0:13:52.439
<v Speaker 2>we're all really committed to not being competitive, but there's

0:13:52.840 --> 0:13:55.960
<v Speaker 2>it is, like there's a you know. So all is

0:13:56.000 --> 0:13:59.080
<v Speaker 2>to say that for me, like collaboration is at the

0:13:59.120 --> 0:14:02.440
<v Speaker 2>heart of we're doing here in a deep, deep way,

0:14:02.559 --> 0:14:07.080
<v Speaker 2>and for me, collaboration just means that when something is

0:14:07.160 --> 0:14:10.640
<v Speaker 2>created that wouldn't be created otherwise without this collaboration. So

0:14:10.880 --> 0:14:13.360
<v Speaker 2>I'm just really excited to see what sparks and comes

0:14:13.440 --> 0:14:16.520
<v Speaker 2>up individually, but also like with each other and even

0:14:16.640 --> 0:14:19.800
<v Speaker 2>like through collaborations like the show with Raoul and like

0:14:19.880 --> 0:14:25.080
<v Speaker 2>how that spreads seeds and ideas. Yeah, So like for myself,

0:14:25.160 --> 0:14:28.600
<v Speaker 2>I'm going to definitely focus on collaboration in a deep way.

0:14:28.640 --> 0:14:30.840
<v Speaker 2>I don't think I'll write very much solo stuff for

0:14:30.920 --> 0:14:33.960
<v Speaker 2>the for call. I think it will always be in

0:14:34.040 --> 0:14:38.040
<v Speaker 2>conversation with others and just trying to double down on

0:14:38.040 --> 0:14:43.440
<v Speaker 2>on doing it together instead of individual pursuits.

0:14:43.840 --> 0:14:45.560
<v Speaker 1>Yeah, and that's something I think this is useful for

0:14:45.600 --> 0:14:47.880
<v Speaker 1>everyone listening to this, is that, like it's a lot

0:14:47.920 --> 0:14:51.840
<v Speaker 1>easier to develop better ideas, and you know, it makes

0:14:51.840 --> 0:14:55.040
<v Speaker 1>your writing more clear. It makes the way that you, you know,

0:14:55.080 --> 0:14:56.520
<v Speaker 1>just the way you act in the world a lot

0:14:56.600 --> 0:14:59.160
<v Speaker 1>more clear when you're working with other people and it's

0:14:59.280 --> 0:15:01.040
<v Speaker 1>you know, it's it's it's the process by which the

0:15:01.040 --> 0:15:02.920
<v Speaker 1>best stuff gets created.

0:15:03.640 --> 0:15:05.600
<v Speaker 5>Yeah, I mean I think that's really like true. And

0:15:05.640 --> 0:15:08.640
<v Speaker 5>I think like I have for a long time now

0:15:08.840 --> 0:15:11.600
<v Speaker 5>sort of accepted that writing is never going to support

0:15:11.680 --> 0:15:14.160
<v Speaker 5>or sustain me and all I needed was a push

0:15:14.240 --> 0:15:15.880
<v Speaker 5>from a few other people to be like, wait, what

0:15:15.920 --> 0:15:18.000
<v Speaker 5>if we like actually tried to do it collectively, to

0:15:18.040 --> 0:15:20.120
<v Speaker 5>be like, oh yeah, like I could actually try that,

0:15:20.160 --> 0:15:21.760
<v Speaker 5>Like I don't have to just accept that, like I'll

0:15:21.760 --> 0:15:25.360
<v Speaker 5>always have like a full time job plus whatever writing,

0:15:25.480 --> 0:15:27.640
<v Speaker 5>like in whatever hours I can steal, you know, and like,

0:15:28.120 --> 0:15:31.480
<v Speaker 5>you know, with great difficulty put out some writing sometimes

0:15:31.520 --> 0:15:33.200
<v Speaker 5>and then always feel guilty when I'm not putting out

0:15:33.240 --> 0:15:36.040
<v Speaker 5>enough to like sustain myself. Like that whole process. I

0:15:36.040 --> 0:15:38.440
<v Speaker 5>think a lot of creatives right now know that struggle,

0:15:38.480 --> 0:15:41.840
<v Speaker 5>you know, of having gigs and work and lots of

0:15:41.840 --> 0:15:44.920
<v Speaker 5>other important things to do and and you know, sort

0:15:44.960 --> 0:15:46.960
<v Speaker 5>of accepting that that's the conditions. And I think, like,

0:15:47.440 --> 0:15:49.680
<v Speaker 5>what's so inspiring about, you know, because Carla and and

0:15:49.720 --> 0:15:51.600
<v Speaker 5>as Carlo was just mentioning, they sort of brought I'm

0:15:51.600 --> 0:15:53.200
<v Speaker 5>the last one on the on the crew, and I

0:15:53.240 --> 0:15:55.400
<v Speaker 5>was sort of the closer, you know or whatever. But

0:15:55.440 --> 0:15:58.000
<v Speaker 5>I think, like, I don't know what that means genuinely,

0:15:58.680 --> 0:16:01.680
<v Speaker 5>but but I was broughtup. And I think just having

0:16:01.760 --> 0:16:04.920
<v Speaker 5>them propose it already just as a project that we've

0:16:04.960 --> 0:16:06.600
<v Speaker 5>been thinking of, has like changed the way I've been

0:16:06.640 --> 0:16:09.440
<v Speaker 5>thinking about what is possible with the writing I'm already doing.

0:16:10.000 --> 0:16:11.840
<v Speaker 5>And then so I think, like just to underline that

0:16:11.880 --> 0:16:15.040
<v Speaker 5>point and go on and on, collaborations really really like

0:16:15.360 --> 0:16:19.040
<v Speaker 5>important and supporting one another is so is so powerful.

0:16:19.360 --> 0:16:22.280
<v Speaker 4>Yeah, when carl and I initially had like the seed

0:16:22.360 --> 0:16:27.400
<v Speaker 4>conversation of this, like Carla said something about collectivizing as writers,

0:16:27.520 --> 0:16:30.200
<v Speaker 4>like we talk about it with all these other other

0:16:30.360 --> 0:16:34.240
<v Speaker 4>workplaces and industries and whatever, and it was like like

0:16:34.320 --> 0:16:36.360
<v Speaker 4>when when she said that, I was like, oh, yeah,

0:16:36.560 --> 0:16:38.920
<v Speaker 4>like that makes so much sense that we're off here

0:16:39.040 --> 0:16:42.240
<v Speaker 4>doing our own thing. And as Vicky said, you do

0:16:42.320 --> 0:16:45.640
<v Speaker 4>it sort of with the knowledge that it's not sustainable.

0:16:46.080 --> 0:16:47.760
<v Speaker 4>You steal your time to do it.

0:16:48.080 --> 0:16:48.800
<v Speaker 6>Right, Even the.

0:16:48.800 --> 0:16:52.600
<v Speaker 4>Supposed jobs that are there to enable you to write

0:16:53.280 --> 0:16:55.840
<v Speaker 4>actually make you do all this other work. So like

0:16:56.200 --> 0:17:00.400
<v Speaker 4>the time for writing is always like endlessly deferred. And

0:17:00.680 --> 0:17:02.400
<v Speaker 4>you know, we have that image also, like of the

0:17:02.440 --> 0:17:04.720
<v Speaker 4>patron or something, or like Virginia Woolf says, you need

0:17:04.880 --> 0:17:07.159
<v Speaker 4>money enough to have a room of one's own. But

0:17:07.480 --> 0:17:11.800
<v Speaker 4>if we put ourselves together in this way, then we

0:17:11.880 --> 0:17:14.200
<v Speaker 4>are trying to, yeah, I don't know, create more time

0:17:14.240 --> 0:17:16.439
<v Speaker 4>for ourselves to write. And then like going back to

0:17:16.480 --> 0:17:20.120
<v Speaker 4>something Vicky said earlier about like reinventing the newspaper, there

0:17:20.240 --> 0:17:23.280
<v Speaker 4>was a time in anarchism where like I think we

0:17:23.359 --> 0:17:26.080
<v Speaker 4>talked about this amongst ourselves, like where like every block

0:17:26.359 --> 0:17:29.480
<v Speaker 4>had like a Yiddish anarchist newspaper, right. It wasn't like, yeah,

0:17:29.520 --> 0:17:32.400
<v Speaker 4>you had one newspaper telling all the anarchists what to think.

0:17:32.440 --> 0:17:34.360
<v Speaker 4>It was like it was hyper local in a way,

0:17:34.400 --> 0:17:37.280
<v Speaker 4>and there was so many voices. And so I think

0:17:37.440 --> 0:17:39.040
<v Speaker 4>that's another thing that we want to do, is like

0:17:39.119 --> 0:17:42.520
<v Speaker 4>help for that proliferation, because in the sort of spirit

0:17:42.560 --> 0:17:45.520
<v Speaker 4>of collaboration, like the reason to write as an anarchist

0:17:45.560 --> 0:17:48.720
<v Speaker 4>for me is to have conversations to produce the possibility

0:17:48.760 --> 0:17:52.040
<v Speaker 4>for people to like receive it and then contact me

0:17:52.119 --> 0:17:54.520
<v Speaker 4>into and I get into conversations with people and learn

0:17:54.560 --> 0:17:55.240
<v Speaker 4>things from them.

0:17:55.640 --> 0:17:57.639
<v Speaker 1>Yeah, I think it's an angle there too, where like

0:17:58.400 --> 0:18:00.439
<v Speaker 1>I think we're kind of okay, So I was a

0:18:00.480 --> 0:18:03.520
<v Speaker 1>tiny baby when all this was happening, So I'm I'm

0:18:03.520 --> 0:18:05.320
<v Speaker 1>gonna have to rely on y'all for this. But like

0:18:05.600 --> 0:18:07.320
<v Speaker 1>you know, one of the things I get sort of

0:18:07.359 --> 0:18:11.240
<v Speaker 1>reading the record about like the older anarchist movement, I

0:18:11.240 --> 0:18:13.680
<v Speaker 1>mean When I say older, I mean like like anti

0:18:13.720 --> 0:18:16.399
<v Speaker 1>anti globalization era stuff was like there seems like there

0:18:16.400 --> 0:18:18.240
<v Speaker 1>was a lot more of a kind of like anarchist

0:18:18.320 --> 0:18:18.879
<v Speaker 1>media sphere.

0:18:19.040 --> 0:18:21.720
<v Speaker 3>Are you talking about like the late nineties.

0:18:21.400 --> 0:18:23.440
<v Speaker 1>Yeah, like like like to the two thousands, to.

0:18:23.400 --> 0:18:25.400
<v Speaker 3>Some extent like a Battle Seattle.

0:18:25.560 --> 0:18:28.680
<v Speaker 2>Yeah yeah, I mean that was like the you know,

0:18:29.240 --> 0:18:33.119
<v Speaker 2>the birth of anarchy again, right, yeah, I was definitely around.

0:18:33.560 --> 0:18:38.160
<v Speaker 2>I'm in my late fifties, but the same struggle was there,

0:18:38.320 --> 0:18:42.480
<v Speaker 2>like that that we're swimming in liberalism and like that

0:18:42.560 --> 0:18:47.159
<v Speaker 2>socialist worker like capturing of the movement was just as

0:18:47.240 --> 0:18:49.240
<v Speaker 2>powerful then, and it was you saw it at all

0:18:49.280 --> 0:18:53.000
<v Speaker 2>the rallies and stuff, and you know, immediately anarchism was

0:18:53.240 --> 0:18:57.439
<v Speaker 2>marginalized and pushed off as irrelevant and not practical for

0:18:57.480 --> 0:19:00.320
<v Speaker 2>the revolution. And this is why it's clinch off and

0:19:00.359 --> 0:19:03.639
<v Speaker 2>all these kind of sectarian movements in the That's my

0:19:03.760 --> 0:19:04.840
<v Speaker 2>take anyway.

0:19:04.640 --> 0:19:07.280
<v Speaker 1>I think that no, it makes sense. It makes sense.

0:19:07.520 --> 0:19:10.080
<v Speaker 2>I mean I've hashed this out with so many older

0:19:10.119 --> 0:19:12.800
<v Speaker 2>anarchists that I was part of Institute for Anarchist Studies,

0:19:12.880 --> 0:19:15.720
<v Speaker 2>Like we talked about this a lot phenomena with Scott

0:19:15.720 --> 0:19:18.280
<v Speaker 2>Crow and you can just see the direct line of

0:19:18.359 --> 0:19:22.560
<v Speaker 2>where it went into sectarianism from this sort of rebirth.

0:19:22.920 --> 0:19:24.800
<v Speaker 2>Sorry I went off on a different thing instead of

0:19:24.840 --> 0:19:25.879
<v Speaker 2>like journals and media.

0:19:25.920 --> 0:19:28.400
<v Speaker 1>But yeah, no, no, well this is good too, because

0:19:28.440 --> 0:19:30.120
<v Speaker 1>like I think that's the other thing I've been realizing

0:19:30.200 --> 0:19:32.680
<v Speaker 1>is like people don't I mean in my generation too,

0:19:32.720 --> 0:19:35.439
<v Speaker 1>but like people younger than me don't really know the

0:19:35.480 --> 0:19:37.240
<v Speaker 1>history of this stuff. Like all the time I have

0:19:37.280 --> 0:19:39.240
<v Speaker 1>conversations with people where I start talking about like the

0:19:39.280 --> 0:19:42.080
<v Speaker 1>Wojaca uprising, and they have no idea what I'm talking about,

0:19:42.359 --> 0:19:44.800
<v Speaker 1>And I'm like, oh, no, we need to, like we

0:19:44.840 --> 0:19:46.800
<v Speaker 1>need to like resuscitate the history of like the two

0:19:46.800 --> 0:19:48.920
<v Speaker 1>thousands because stuff happened there.

0:19:49.680 --> 0:19:52.200
<v Speaker 5>So I wasn't actually active at that point, but I

0:19:52.359 --> 0:19:55.479
<v Speaker 5>was like very adjacent to some of that stuff at

0:19:55.520 --> 0:19:58.280
<v Speaker 5>the moment. And some of that was actually because a

0:19:58.320 --> 0:20:01.040
<v Speaker 5>lot of what was going on in the globalization movement

0:20:01.119 --> 0:20:04.680
<v Speaker 5>in that period was happening through culture. I think most famously,

0:20:04.840 --> 0:20:08.600
<v Speaker 5>like touring punk bands would also bring zene libraries with them,

0:20:08.640 --> 0:20:11.359
<v Speaker 5>so they would have someone destroying zines and playing the show.

0:20:11.400 --> 0:20:13.359
<v Speaker 5>And like, I mean I got radicalized through punk. I

0:20:13.400 --> 0:20:14.720
<v Speaker 5>know a lot of people who did that. Was you

0:20:14.760 --> 0:20:16.560
<v Speaker 5>know when I finally did, it was after that movement

0:20:16.560 --> 0:20:19.040
<v Speaker 5>had largely crusted, But I think there was a lot

0:20:19.119 --> 0:20:22.800
<v Speaker 5>of focus on culture, and also a critique of culture

0:20:22.920 --> 0:20:27.600
<v Speaker 5>was also pretty central to how people were thinking and moving,

0:20:27.680 --> 0:20:30.560
<v Speaker 5>And I think the explosion of social media and like

0:20:30.720 --> 0:20:35.359
<v Speaker 5>posting and like the sort of quote unquote democratization and

0:20:35.440 --> 0:20:39.440
<v Speaker 5>leveling of communication capabilities, which in some ways was more

0:20:39.520 --> 0:20:41.879
<v Speaker 5>real in the early twenty tens than it is certainly

0:20:41.920 --> 0:20:44.640
<v Speaker 5>than it is now. It wasn't totally like a made

0:20:44.720 --> 0:20:46.840
<v Speaker 5>up narrative, but there was also it was also over

0:20:46.920 --> 0:20:49.600
<v Speaker 5>relied on. I think people sort of reached for a

0:20:49.720 --> 0:20:52.399
<v Speaker 5>kind of like, well, anyone who can use these tools

0:20:52.400 --> 0:20:55.760
<v Speaker 5>to communicate, like, that's valuable. So critiquing sort of media

0:20:56.320 --> 0:20:58.680
<v Speaker 5>in general, or critiquing sort of capitalist media is sort

0:20:58.680 --> 0:21:00.600
<v Speaker 5>of beside the point because we can around it. We

0:21:00.640 --> 0:21:02.159
<v Speaker 5>can sort of go we can you know, go on

0:21:02.200 --> 0:21:03.840
<v Speaker 5>Twitter and subvert it, and we can like do all

0:21:03.840 --> 0:21:06.800
<v Speaker 5>these you know, go sideways around it. So I was,

0:21:06.880 --> 0:21:08.840
<v Speaker 5>you know, a participant in to Occupy Wall Street in

0:21:08.840 --> 0:21:11.080
<v Speaker 5>two's eleven, which people also don't know anything about because

0:21:11.520 --> 0:21:15.399
<v Speaker 5>that's just being older. But Occupy Wall Street was started

0:21:15.440 --> 0:21:18.360
<v Speaker 5>by a magazine called Adbusters, which came out of the

0:21:18.440 --> 0:21:21.520
<v Speaker 5>WTO movement and sort of managed to stick around, and

0:21:21.560 --> 0:21:24.160
<v Speaker 5>that by twenty eleven. When they did that, we thought

0:21:24.200 --> 0:21:25.840
<v Speaker 5>it was like a joke. It was like, oh, these

0:21:25.880 --> 0:21:28.919
<v Speaker 5>culture jammers who like make fun of advertisements, like they

0:21:28.960 --> 0:21:31.680
<v Speaker 5>started the movement. Like that's ridiculous, right, Like that's silly,

0:21:31.720 --> 0:21:35.280
<v Speaker 5>and like this is not to defend Adbusters, I think, whatever.

0:21:35.320 --> 0:21:37.400
<v Speaker 1>We yeah, there's some issues with them, but yeah, yeah,

0:21:37.400 --> 0:21:38.959
<v Speaker 1>they also did I don't know.

0:21:39.240 --> 0:21:41.639
<v Speaker 5>Yeah, But also I think that reaction of like culture

0:21:41.720 --> 0:21:43.600
<v Speaker 5>jamming is sort of stupid or like, you know, like

0:21:43.640 --> 0:21:46.480
<v Speaker 5>talking about who wants to talk about culture? At this point,

0:21:46.840 --> 0:21:49.399
<v Speaker 5>I think that that made sense in the context in

0:21:49.400 --> 0:21:52.000
<v Speaker 5>which we were moving and organizing, but like, now, once

0:21:52.040 --> 0:21:54.760
<v Speaker 5>again it is clear that by abandoning the cultural sphere

0:21:54.800 --> 0:21:57.840
<v Speaker 5>in many ways, we have in fact lost a tremendous

0:21:57.840 --> 0:22:00.000
<v Speaker 5>amount of ground. So I think it's actually really important

0:22:00.080 --> 0:22:03.280
<v Speaker 5>to have cultural organizations that aren't just theory, that aren't

0:22:03.359 --> 0:22:06.520
<v Speaker 5>just news, but that are like really talking about art

0:22:06.680 --> 0:22:10.520
<v Speaker 5>and beauty and excitement and joy and fiction and all

0:22:10.520 --> 0:22:14.000
<v Speaker 5>these things that we find really important. Because you know,

0:22:14.080 --> 0:22:15.520
<v Speaker 5>I think a lot of people sort of think, well,

0:22:15.520 --> 0:22:17.479
<v Speaker 5>it's a crisis moment. You know, the world's ending. Why

0:22:17.480 --> 0:22:19.000
<v Speaker 5>would you do that? But like the world has been

0:22:19.080 --> 0:22:21.960
<v Speaker 5>ending since fourteen ninety two, Like the world worth defending

0:22:21.960 --> 0:22:24.480
<v Speaker 5>has been ending since then, and it hasn't ended yet.

0:22:24.480 --> 0:22:27.119
<v Speaker 5>And one of the ways it hasn't ended is by

0:22:27.400 --> 0:22:32.359
<v Speaker 5>indigenous and black and other marginalized cultures and stories and

0:22:32.440 --> 0:22:35.400
<v Speaker 5>narratives and works of art has been an important mode

0:22:35.400 --> 0:22:38.320
<v Speaker 5>of history and resistance just as much as organizing and struggle.

0:22:38.880 --> 0:22:41.800
<v Speaker 5>And yeah, I think we can move some struggle into

0:22:41.840 --> 0:22:43.200
<v Speaker 5>that terrain right now. And I think there's a lot

0:22:43.200 --> 0:22:46.679
<v Speaker 5>of craving for it now because I think also for

0:22:46.760 --> 0:22:50.320
<v Speaker 5>a while things felt really oversaturated. But the last five years,

0:22:50.359 --> 0:22:53.359
<v Speaker 5>the internet doesn't feel helpful anymore. No, everything feels like

0:22:53.480 --> 0:22:55.760
<v Speaker 5>streaming is a mess. Like everything's a mess. There's no

0:22:55.800 --> 0:22:58.640
<v Speaker 5>access to culture that feels good. Everyone hates what they're doing.

0:22:58.640 --> 0:23:00.960
<v Speaker 5>They know it's exploiting the artists. They know, you know,

0:23:01.040 --> 0:23:03.960
<v Speaker 5>Spotify is giving people pennies, and that you know, Hbo

0:23:04.080 --> 0:23:06.040
<v Speaker 5>and all those you know, all the all the streaming

0:23:06.080 --> 0:23:09.560
<v Speaker 5>services you know support Amazon, and they're they're just miserable, right,

0:23:09.600 --> 0:23:11.840
<v Speaker 5>And I think there's there's a real opening and a

0:23:11.880 --> 0:23:15.359
<v Speaker 5>real desire for something else at this moment, at the

0:23:15.359 --> 0:23:20.080
<v Speaker 5>same time that things are indeed quite on fire literally ecocidally,

0:23:20.119 --> 0:23:21.640
<v Speaker 5>but also also sort of politically.

0:23:21.880 --> 0:23:23.960
<v Speaker 1>Yeah, speaking of everything being on fire, we need to

0:23:23.960 --> 0:23:25.560
<v Speaker 1>take an ad break and then we will come back.

0:23:25.600 --> 0:23:27.680
<v Speaker 1>And I think the deliberate political intervention here.

0:23:37.080 --> 0:23:37.280
<v Speaker 4>We are.

0:23:37.359 --> 0:23:41.120
<v Speaker 1>We are back from capital healthscape to mild do less

0:23:41.320 --> 0:23:43.760
<v Speaker 1>capital healthscape. Yu, you were gonna say.

0:23:43.600 --> 0:23:46.720
<v Speaker 4>Yeah, I wanted to just build on this culture thing,

0:23:46.760 --> 0:23:50.080
<v Speaker 4>because when you know, when after October seventh, people are

0:23:50.240 --> 0:23:52.399
<v Speaker 4>getting together to try to figure out how in the

0:23:52.480 --> 0:23:55.359
<v Speaker 4>United States to do some kind of work and action

0:23:55.520 --> 0:23:59.320
<v Speaker 4>and support and solidarity with Gaza and the Palestinian liberation movement,

0:23:59.359 --> 0:24:01.080
<v Speaker 4>Like people were sort of like, what the hell can

0:24:01.119 --> 0:24:02.960
<v Speaker 4>we even do? And one of the things that I

0:24:03.000 --> 0:24:05.720
<v Speaker 4>would say to people is like just putting up stickers

0:24:05.840 --> 0:24:08.879
<v Speaker 4>and writing about Gaza on the walls, like in graffiti

0:24:09.400 --> 0:24:12.120
<v Speaker 4>has a huge impact in it. It's overlooked often, I think,

0:24:12.160 --> 0:24:16.200
<v Speaker 4>as like something that's effective. But we can see that

0:24:16.240 --> 0:24:19.520
<v Speaker 4>there has been a giant cultural shift after October seventh

0:24:19.600 --> 0:24:23.560
<v Speaker 4>in terms of people's awareness of the Israeli ginocide against

0:24:23.560 --> 0:24:26.680
<v Speaker 4>the Palestinians and then support for the Palestinians. I think

0:24:26.680 --> 0:24:30.680
<v Speaker 4>that it has to do really, you know, post October seventh,

0:24:30.720 --> 0:24:33.440
<v Speaker 4>with the fact that this was like kind of plastered everywhere,

0:24:33.840 --> 0:24:36.040
<v Speaker 4>and so it's easy to kind of think that that

0:24:36.240 --> 0:24:39.399
<v Speaker 4>isn't action. But to me, in a way, doing something

0:24:39.440 --> 0:24:41.600
<v Speaker 4>like that is more effective than the kind of marching

0:24:41.600 --> 0:24:45.160
<v Speaker 4>in circles that we can do that we call protest.

0:24:45.800 --> 0:24:48.640
<v Speaker 4>And you know, like going back to punk, I think

0:24:48.680 --> 0:24:52.119
<v Speaker 4>also Punk has gets a bad rap sometimes because you know,

0:24:52.160 --> 0:24:55.080
<v Speaker 4>in that line of like the kind of bookschin lifestylism.

0:24:55.560 --> 0:24:59.200
<v Speaker 4>But I don't think we should downplay like punk created

0:24:59.359 --> 0:25:04.360
<v Speaker 4>its own culture of people doing everything themselves to make

0:25:04.400 --> 0:25:07.520
<v Speaker 4>it happen. It's where I got radicalized too, and they

0:25:07.520 --> 0:25:10.960
<v Speaker 4>were like it was anarchist, right, It was like explicitly anarchist,

0:25:11.080 --> 0:25:14.119
<v Speaker 4>and you were living in an anarchist way and like

0:25:14.400 --> 0:25:16.479
<v Speaker 4>creating things in an anarchist way, and it was this

0:25:16.560 --> 0:25:20.119
<v Speaker 4>whole other world. So like, if we put our anarchist

0:25:20.320 --> 0:25:24.040
<v Speaker 4>energy into culture, it's part of making a world that

0:25:24.080 --> 0:25:26.960
<v Speaker 4>we want to live in, you know, over and against

0:25:27.040 --> 0:25:29.560
<v Speaker 4>this world, this hell world that we're also trying to

0:25:29.600 --> 0:25:32.760
<v Speaker 4>destroy at the same time. So I think we shouldn't

0:25:32.880 --> 0:25:36.760
<v Speaker 4>kind of just like dismiss this as as less important

0:25:37.119 --> 0:25:40.160
<v Speaker 4>than the other kinds of actions that we can take.

0:25:40.920 --> 0:25:43.359
<v Speaker 1>You're here, Yeah, And that brings me to something I

0:25:43.400 --> 0:25:46.600
<v Speaker 1>wanted to sort of ask about, like more deliberately, which is, like,

0:25:46.640 --> 0:25:50.200
<v Speaker 1>what's the kind of specific political intervention that you're trying

0:25:50.200 --> 0:25:53.000
<v Speaker 1>to make into this moment with this project? And both sorts,

0:25:53.000 --> 0:25:56.119
<v Speaker 1>I guess a bit more generally, too big question.

0:25:58.520 --> 0:26:01.960
<v Speaker 2>I mean, I my work has always been about intervening

0:26:02.880 --> 0:26:06.800
<v Speaker 2>around any kind of dominant narratives that things are just

0:26:07.000 --> 0:26:10.679
<v Speaker 2>now bad, or that people don't know what anything, or

0:26:10.720 --> 0:26:14.080
<v Speaker 2>pedagogically they're lacking. Like I've always tried to intervene around

0:26:14.119 --> 0:26:16.800
<v Speaker 2>this idea that we've always been otherwise and we always are,

0:26:17.400 --> 0:26:21.840
<v Speaker 2>and there's always cracks everywhere and eruptions of radical ways

0:26:21.840 --> 0:26:25.199
<v Speaker 2>of being and knowing and doing, and so it's like

0:26:25.240 --> 0:26:27.679
<v Speaker 2>a deepening of that. And I think probably on a

0:26:27.840 --> 0:26:33.359
<v Speaker 2>systemic thinking, systemically is really about disrupting individualism or liberalism

0:26:33.960 --> 0:26:37.040
<v Speaker 2>or empire, whatever you want, of colonialism to really like

0:26:37.200 --> 0:26:38.280
<v Speaker 2>live it in the everyday.

0:26:38.560 --> 0:26:40.320
<v Speaker 3>So that's partly that.

0:26:40.440 --> 0:26:43.480
<v Speaker 2>And then on just a super practical level, like you know,

0:26:43.760 --> 0:26:47.040
<v Speaker 2>all of us don't have wealth, don't have generational wealth,

0:26:47.320 --> 0:26:50.639
<v Speaker 2>are working all the time to try to meet and

0:26:50.880 --> 0:26:54.040
<v Speaker 2>meant and some of us are have housing insecurity and

0:26:54.200 --> 0:26:59.119
<v Speaker 2>other real basic needs are insecure and health stuff and

0:26:59.160 --> 0:27:02.800
<v Speaker 2>so like actually showing up for each of us is

0:27:02.840 --> 0:27:05.240
<v Speaker 2>at the core of it. For me, Like I it

0:27:05.280 --> 0:27:09.080
<v Speaker 2>feels so good in my body to know that I'm

0:27:09.080 --> 0:27:11.639
<v Speaker 2>not just showing up to think about what to do

0:27:11.680 --> 0:27:14.520
<v Speaker 2>for cow. For me, it's like in the act of

0:27:14.960 --> 0:27:19.240
<v Speaker 2>collectivism for each other. And so I'm just open to

0:27:19.520 --> 0:27:23.399
<v Speaker 2>what sparks and emerges with our work. I don't have

0:27:23.440 --> 0:27:29.320
<v Speaker 2>an agenda except for to disrupt and intervene belief systems

0:27:29.359 --> 0:27:33.600
<v Speaker 2>that are ideologically driven by empire. And I also came

0:27:33.640 --> 0:27:36.280
<v Speaker 2>of age in the early eighties in the punk scene

0:27:36.280 --> 0:27:38.800
<v Speaker 2>and had a venue space, and to me, punk is

0:27:38.960 --> 0:27:41.520
<v Speaker 2>and I would say hip hop is well underground hip

0:27:41.560 --> 0:27:45.880
<v Speaker 2>hop stuff is like always the way to disrupt being

0:27:45.920 --> 0:27:49.000
<v Speaker 2>captured by empire or from liberalism is to keep that

0:27:49.280 --> 0:27:52.320
<v Speaker 2>punk ethos of doing it together and keeping it low

0:27:52.400 --> 0:27:52.919
<v Speaker 2>to the ground.

0:27:53.440 --> 0:27:56.119
<v Speaker 5>Yeah, yeah, yeah, I just like to build on that, Carl,

0:27:56.160 --> 0:27:58.960
<v Speaker 5>because I think that was really beautiful. Second, everything that

0:27:59.000 --> 0:28:01.280
<v Speaker 5>you said is it like many of us have a perspective.

0:28:01.480 --> 0:28:03.639
<v Speaker 5>You know that huge structural change is going to need

0:28:03.680 --> 0:28:05.600
<v Speaker 5>to come, and that often that will come through these

0:28:05.640 --> 0:28:09.199
<v Speaker 5>big social movements, that these explosions of energy that you know,

0:28:09.240 --> 0:28:12.679
<v Speaker 5>these lightning strikes, right, but you can't force those, you

0:28:12.720 --> 0:28:16.600
<v Speaker 5>can't make those happen. Yeah, and in the meantime you can.

0:28:17.040 --> 0:28:18.960
<v Speaker 5>I think I've spent a lot of my in the

0:28:19.000 --> 0:28:23.240
<v Speaker 5>meantimes in trying to sort of organize stuff that sort

0:28:23.240 --> 0:28:25.720
<v Speaker 5>of oriented towards mass movement, you know, and it just

0:28:25.760 --> 0:28:28.160
<v Speaker 5>feels often feels like wheal spinning, you know, like I'm

0:28:28.160 --> 0:28:30.960
<v Speaker 5>build I'm trying to build mass movement organizing like you know,

0:28:31.040 --> 0:28:33.639
<v Speaker 5>like whatever that means. And in the twenty tens, like

0:28:33.680 --> 0:28:36.159
<v Speaker 5>one of the things that happens from like twenty eleven

0:28:36.560 --> 0:28:38.920
<v Speaker 5>are youdly two thousand nine, but definitely twenty eleven to

0:28:39.000 --> 0:28:41.520
<v Speaker 5>twenty twenty was that wherever you were, it was never

0:28:41.560 --> 0:28:44.000
<v Speaker 5>more than probably eighteen months before there was like something

0:28:44.000 --> 0:28:46.920
<v Speaker 5>else going off in the streets. And so although those

0:28:46.960 --> 0:28:49.120
<v Speaker 5>could be very hard, those waves could be very difficult,

0:28:49.640 --> 0:28:52.600
<v Speaker 5>you still had a lot of periods where you know,

0:28:52.640 --> 0:28:54.160
<v Speaker 5>you could just sort of be waiting and it would

0:28:54.160 --> 0:28:54.760
<v Speaker 5>just sort of happened.

0:28:54.800 --> 0:28:55.000
<v Speaker 3>Again.

0:28:55.400 --> 0:28:57.200
<v Speaker 5>That was certainly what I was doing in that decade

0:28:57.240 --> 0:28:59.280
<v Speaker 5>and in a way that I don't think I appreciated

0:28:59.360 --> 0:29:02.360
<v Speaker 5>until it was over. Yea, because the last four years

0:29:02.400 --> 0:29:04.560
<v Speaker 5>has been very different. The rhythm has been very different

0:29:04.640 --> 0:29:08.400
<v Speaker 5>since the pandemic started. And I can't just say Panini

0:29:08.440 --> 0:29:13.680
<v Speaker 5>on this podcast, Okay, everyone does it right, Yeah, since

0:29:13.800 --> 0:29:17.800
<v Speaker 5>since the dynamics started, you know, those rhythms have been disrupted,

0:29:17.880 --> 0:29:20.320
<v Speaker 5>and I think the Biden counter revolution against Way twenty

0:29:20.560 --> 0:29:22.840
<v Speaker 5>which has also really disrupted those things. And in that

0:29:23.120 --> 0:29:25.800
<v Speaker 5>space it has felt very clear to me personally, and

0:29:25.800 --> 0:29:27.920
<v Speaker 5>I'm older, you know whatever. I'm like, you know, a

0:29:28.000 --> 0:29:30.040
<v Speaker 5>movement elder at this point, just because our movements are

0:29:30.080 --> 0:29:34.600
<v Speaker 5>so you focused now, because I'm actually old. Like the

0:29:34.640 --> 0:29:37.960
<v Speaker 5>decade before twenty eleven, from like two thousand and one,

0:29:38.120 --> 0:29:40.320
<v Speaker 5>you know, from nine to eleven until sort of occupies

0:29:40.440 --> 0:29:43.000
<v Speaker 5>sort of how I periodize it a bit, There wasn't

0:29:43.000 --> 0:29:44.760
<v Speaker 5>a ton of street movement. You had the Iraq War

0:29:44.760 --> 0:29:46.920
<v Speaker 5>stuff that was really really big, and there were important

0:29:47.080 --> 0:29:49.240
<v Speaker 5>exceptions to that in the US. I'm doing a potted

0:29:49.320 --> 0:29:52.320
<v Speaker 5>history here. Obviously there's exceptions to this, but you definitely

0:29:52.320 --> 0:29:54.880
<v Speaker 5>had all this time and the stuff that was sustained

0:29:54.880 --> 0:29:57.600
<v Speaker 5>and remembered were largely like sort of cultural projects. And

0:29:57.680 --> 0:29:59.320
<v Speaker 5>so like I think like now as we're moving into

0:29:59.320 --> 0:30:03.600
<v Speaker 5>this era here in North America on Turtle Island of

0:30:04.040 --> 0:30:08.160
<v Speaker 5>extreme repressive danger, right, like we shouldn't like joke about

0:30:08.200 --> 0:30:09.920
<v Speaker 5>it or downplay it. Like we're facing a lot of

0:30:09.920 --> 0:30:12.520
<v Speaker 5>extreme repression and fascists back in the streets in a

0:30:12.520 --> 0:30:16.800
<v Speaker 5>big way. It doesn't feel like big political organizing of

0:30:16.840 --> 0:30:18.880
<v Speaker 5>the kind that happened during the first Trump administration where

0:30:18.880 --> 0:30:20.840
<v Speaker 5>people did a lot of marching in circles, but there

0:30:20.840 --> 0:30:23.160
<v Speaker 5>were targets for the pressure, you know, like they don't

0:30:23.160 --> 0:30:26.440
<v Speaker 5>feel as relevant now. But now I'm really off, way off.

0:30:26.520 --> 0:30:28.880
<v Speaker 5>But no, I think so I think like I think

0:30:28.920 --> 0:30:32.640
<v Speaker 5>like we're in this moment where the fascists both are

0:30:32.960 --> 0:30:36.840
<v Speaker 5>quite empowered and very unfocused. They're they're confused. They don't

0:30:36.840 --> 0:30:39.440
<v Speaker 5>really have us in their sights, like they think Liz

0:30:39.520 --> 0:30:41.880
<v Speaker 5>Cheney is just as much a revolutionary as Assada Shakur

0:30:41.960 --> 0:30:44.920
<v Speaker 5>or whatever, right, And like that leaves us some space

0:30:45.280 --> 0:30:48.360
<v Speaker 5>to move and to build things that can maintain the

0:30:48.360 --> 0:30:51.240
<v Speaker 5>spirit of resistance, that can reproduce a culture of resistance

0:30:51.600 --> 0:30:55.160
<v Speaker 5>that can also organize. And another thing that has really

0:30:55.160 --> 0:30:57.480
<v Speaker 5>been important for me recently with KA is that I've

0:30:57.520 --> 0:30:59.480
<v Speaker 5>been doing an organizing project that I won't talk about

0:30:59.480 --> 0:31:02.720
<v Speaker 5>the details of, but that the skills have largely come

0:31:02.880 --> 0:31:05.520
<v Speaker 5>from punk music that I did in the twenties twenty

0:31:05.520 --> 0:31:07.520
<v Speaker 5>is being in a touring punk band, and those skills

0:31:07.560 --> 0:31:11.160
<v Speaker 5>have made this organizing really easy. And that's been a

0:31:11.240 --> 0:31:13.240
<v Speaker 5>huge thing for me because I'm working with other people

0:31:13.280 --> 0:31:15.400
<v Speaker 5>who are younger who don't have that experiential like, oh,

0:31:15.400 --> 0:31:16.840
<v Speaker 5>how do you do this? I'm like, oh no, no, it's

0:31:16.840 --> 0:31:18.960
<v Speaker 5>so easy. You just like do this. You know, here's

0:31:18.960 --> 0:31:21.479
<v Speaker 5>these skills I learned just from doing music, And like,

0:31:22.000 --> 0:31:25.320
<v Speaker 5>I don't think that's just like accidental, as Shirley was saying,

0:31:25.360 --> 0:31:27.600
<v Speaker 5>like the DIY nature of some of that work, the

0:31:27.640 --> 0:31:30.600
<v Speaker 5>culture work. You know, maybe the band wasn't revolutionary. The

0:31:30.600 --> 0:31:32.960
<v Speaker 5>bands I was in certainly weren't like the revolution or whatever,

0:31:33.280 --> 0:31:35.440
<v Speaker 5>but they gave me all of these powerful skills and

0:31:35.480 --> 0:31:38.720
<v Speaker 5>ideas and concepts for doing really important work. And I

0:31:38.720 --> 0:31:41.840
<v Speaker 5>think that that's also a reason to pursue DIY culture

0:31:42.240 --> 0:31:45.000
<v Speaker 5>in a way that's genuinely sustainable and world building.

0:31:45.560 --> 0:31:47.600
<v Speaker 4>I think like, if I can build off this too,

0:31:47.960 --> 0:31:51.160
<v Speaker 4>and I'm going to try to do some tying together

0:31:51.240 --> 0:31:53.520
<v Speaker 4>of things. But like one of the ways that I

0:31:53.560 --> 0:31:56.880
<v Speaker 4>think about my contribution is to think about like let's

0:31:56.960 --> 0:31:57.520
<v Speaker 4>not like.

0:31:57.480 --> 0:31:59.480
<v Speaker 6>Don't look there, let's look over here.

0:32:00.200 --> 0:32:02.840
<v Speaker 4>And that can mean of multiple things, which is often

0:32:02.880 --> 0:32:06.800
<v Speaker 4>when people think politically, they're looking at these big moments

0:32:07.000 --> 0:32:10.720
<v Speaker 4>or big actions or like top down solutions, which means

0:32:10.720 --> 0:32:13.760
<v Speaker 4>that we take our attention away from these other places

0:32:13.800 --> 0:32:16.640
<v Speaker 4>where we're doing all this stuff, like carlois saying, like

0:32:16.640 --> 0:32:19.320
<v Speaker 4>we're already doing a lot of important kind of like

0:32:19.440 --> 0:32:22.840
<v Speaker 4>life making work. And then also there's movements in our

0:32:22.880 --> 0:32:25.600
<v Speaker 4>movements where we have to be like you all look

0:32:25.640 --> 0:32:28.320
<v Speaker 4>over here while we do stuff over right, Like you

0:32:28.360 --> 0:32:30.240
<v Speaker 4>don't want to be seen all the time, So we

0:32:30.280 --> 0:32:32.040
<v Speaker 4>have to be able to direct our attention to the

0:32:32.080 --> 0:32:34.400
<v Speaker 4>things that we do and then also keep some of

0:32:34.440 --> 0:32:37.200
<v Speaker 4>that stuff under wraps. And that means it's hard sometimes

0:32:37.240 --> 0:32:40.600
<v Speaker 4>to see and because it's so decentralized, and anarchism really

0:32:40.640 --> 0:32:44.720
<v Speaker 4>functions through decentralization, like we're not always aware of how

0:32:44.800 --> 0:32:48.600
<v Speaker 4>much power we actually have and what's going on at

0:32:48.600 --> 0:32:52.080
<v Speaker 4>any one moment. And going back to the kind of moments,

0:32:52.120 --> 0:32:54.800
<v Speaker 4>even tracing back to the Battle of Seattle, and I

0:32:54.840 --> 0:32:57.520
<v Speaker 4>think it's like ever more present today in all of

0:32:57.520 --> 0:33:00.160
<v Speaker 4>the kinds of organizing for street actions that are being

0:33:00.200 --> 0:33:03.040
<v Speaker 4>done that a lot of the groundwork for any of

0:33:03.040 --> 0:33:05.800
<v Speaker 4>these moments is done by anarchists, and then it's not

0:33:06.360 --> 0:33:09.400
<v Speaker 4>either claimed by anarchists or it's stolen from anarchists. Like

0:33:10.040 --> 0:33:15.880
<v Speaker 4>we make everything sort of run, and anarchism makes everything run,

0:33:16.000 --> 0:33:19.000
<v Speaker 4>and then it just gets ignored because it's not about

0:33:19.000 --> 0:33:22.160
<v Speaker 4>taking credit, it's not about kind of imposing itself. And

0:33:22.240 --> 0:33:25.400
<v Speaker 4>so I think like that kind of in between of

0:33:26.040 --> 0:33:28.880
<v Speaker 4>saying what we're doing and sharing that knowledge and then

0:33:28.960 --> 0:33:31.880
<v Speaker 4>keeping under wrap so that we can keep chugging along,

0:33:32.280 --> 0:33:34.280
<v Speaker 4>and then just also being aware of when our work

0:33:34.320 --> 0:33:36.920
<v Speaker 4>is being stolen and then repurposed for something that goes

0:33:36.920 --> 0:33:38.040
<v Speaker 4>against what we want.

0:33:38.080 --> 0:33:38.840
<v Speaker 6>I think these are.

0:33:38.720 --> 0:33:41.400
<v Speaker 4>All ways for us to prepare for those moments of

0:33:41.440 --> 0:33:46.440
<v Speaker 4>like explosion or eruption where anarchy really manifests and then

0:33:46.520 --> 0:33:48.640
<v Speaker 4>we can kind of taste freedom for a moment.

0:33:50.520 --> 0:33:53.240
<v Speaker 1>Yeah. I think the way I've always thought about it

0:33:53.280 --> 0:33:56.040
<v Speaker 1>was just kind of like, is this like flame tending

0:33:56.120 --> 0:33:59.920
<v Speaker 1>process where in these sort of low cycles, your job

0:34:00.240 --> 0:34:03.840
<v Speaker 1>is to keep the flame alive, and eventually you know

0:34:03.960 --> 0:34:05.760
<v Speaker 1>that you're going to see it, like you know, you're

0:34:05.800 --> 0:34:07.520
<v Speaker 1>you're you're going to see the explosion again, right, You're

0:34:07.520 --> 0:34:10.279
<v Speaker 1>going to see the flame for uh, But like that

0:34:10.280 --> 0:34:13.120
<v Speaker 1>that doesn't happen unless the flame is still there and

0:34:13.200 --> 0:34:15.319
<v Speaker 1>unless people have been tending it and people have been

0:34:15.360 --> 0:34:18.359
<v Speaker 1>trying to make it grow. And you can't necessarily just

0:34:18.440 --> 0:34:20.719
<v Speaker 1>like add fuel to it and be like, ah, it's

0:34:20.719 --> 0:34:23.000
<v Speaker 1>gonna it's gonna grow now, right it. You know, you

0:34:23.000 --> 0:34:25.480
<v Speaker 1>don't you don't really have control of how it sort

0:34:25.520 --> 0:34:28.440
<v Speaker 1>of moves and grows it expands, but you have control

0:34:28.480 --> 0:34:31.320
<v Speaker 1>over your ability to like make sure that it keeps going.

0:34:31.920 --> 0:34:34.560
<v Speaker 3>Absolutely all about Bambers.

0:34:35.200 --> 0:34:38.160
<v Speaker 1>Yeah, And I think also, like I thinking about the

0:34:38.200 --> 0:34:39.840
<v Speaker 1>punk metaphor a lot. Like one of the ways that

0:34:39.840 --> 0:34:41.680
<v Speaker 1>I've been thinking a lot about like what we're doing

0:34:41.719 --> 0:34:43.400
<v Speaker 1>here and it could happen here is we kind of

0:34:43.440 --> 0:34:46.800
<v Speaker 1>took the like we took the ridge against the machine gambit,

0:34:47.480 --> 0:34:49.880
<v Speaker 1>which is to say we were like we're like, Okay,

0:34:50.000 --> 0:34:52.320
<v Speaker 1>we're going to go to try to go somewhat mainstream

0:34:52.400 --> 0:34:54.399
<v Speaker 1>in order to I mean bridge but obviously like went

0:34:54.440 --> 0:34:55.800
<v Speaker 1>way bigger than we did, but like we're gonna go

0:34:55.840 --> 0:34:58.000
<v Speaker 1>try to We're going to go like somewhat mainstream so

0:34:58.040 --> 0:35:01.080
<v Speaker 1>we can like spread this thing to a larger group

0:35:01.080 --> 0:35:04.239
<v Speaker 1>of people. That's also very very dangerous in the sense that,

0:35:04.360 --> 0:35:07.000
<v Speaker 1>like it's very easy to sort of just lose yourself

0:35:07.200 --> 0:35:09.480
<v Speaker 1>in the kind of mire of like the field you've

0:35:09.480 --> 0:35:12.080
<v Speaker 1>walked into. But on the other hand, the upside about

0:35:12.080 --> 0:35:15.640
<v Speaker 1>it is that we're not the only people doing this, right,

0:35:15.680 --> 0:35:17.840
<v Speaker 1>and there's all of you out there who are doing this,

0:35:18.120 --> 0:35:20.719
<v Speaker 1>Like everyone on this call is doing this, like is

0:35:21.880 --> 0:35:24.239
<v Speaker 1>doing the like like the DIY work that is going

0:35:24.280 --> 0:35:27.800
<v Speaker 1>to be the core of what this whole thing becomes.

0:35:27.840 --> 0:35:30.200
<v Speaker 1>And the more the more of these media products we

0:35:30.239 --> 0:35:31.920
<v Speaker 1>get and the more that people are able to sustain

0:35:31.960 --> 0:35:34.560
<v Speaker 1>themselves doing this, the more that we're sort of able

0:35:34.560 --> 0:35:37.200
<v Speaker 1>to break like I don't know, just like the modelmaniacal

0:35:37.239 --> 0:35:40.880
<v Speaker 1>substack control of like taking your money and giving it

0:35:40.880 --> 0:35:44.640
<v Speaker 1>the transphobes kind of thing. The better shape we're going

0:35:44.719 --> 0:35:46.920
<v Speaker 1>to be in in the years to come exactly.

0:35:47.000 --> 0:35:50.040
<v Speaker 5>And speaking of which, one thing anarchists are famously bad

0:35:50.080 --> 0:35:53.200
<v Speaker 5>at doing is accepting that we do wire money and

0:35:53.280 --> 0:35:54.719
<v Speaker 5>asking for it. So I'm going to do that for

0:35:54.760 --> 0:35:58.040
<v Speaker 5>the squad. Yeah, we are currently fundraising because it's actually

0:35:58.080 --> 0:36:01.719
<v Speaker 5>really hard to make something sustainable for people. Yeah, so

0:36:01.760 --> 0:36:03.960
<v Speaker 5>we have a fundraiser going on. If you like what

0:36:04.000 --> 0:36:06.960
<v Speaker 5>we're talking about here, you can donate to our Indiegogo

0:36:07.000 --> 0:36:10.480
<v Speaker 5>literally anything helps. Once we fully launch in February, we're

0:36:10.480 --> 0:36:12.400
<v Speaker 5>going to have a pay what you want subscription model,

0:36:12.719 --> 0:36:15.160
<v Speaker 5>so everything will be subscribed. But we really want to

0:36:15.200 --> 0:36:18.080
<v Speaker 5>have three months worth of living wage for all of

0:36:18.160 --> 0:36:19.640
<v Speaker 5>us to do two days a week on it, right,

0:36:19.680 --> 0:36:22.280
<v Speaker 5>so we're not even you know, we're not talking full salaries,

0:36:22.400 --> 0:36:24.719
<v Speaker 5>and that's forty five thousand dollars because four people for

0:36:24.760 --> 0:36:26.920
<v Speaker 5>three months, it's not even a tremendous amount of money

0:36:27.200 --> 0:36:29.480
<v Speaker 5>because we're including solidarity funds in that and like paying

0:36:29.520 --> 0:36:32.239
<v Speaker 5>any writers who contribute, like lots of other stuff. So yeah,

0:36:32.280 --> 0:36:34.439
<v Speaker 5>if you have a few bucks and you know, maybe

0:36:34.440 --> 0:36:36.320
<v Speaker 5>you're thinking about, you know, getting off of one of

0:36:36.360 --> 0:36:38.400
<v Speaker 5>those substacks or something, and you want to throw our away,

0:36:38.640 --> 0:36:41.200
<v Speaker 5>we would be absolutely honored. I'm very excited to accept

0:36:41.239 --> 0:36:44.479
<v Speaker 5>anything in this launch. And if you don't have that money,

0:36:44.520 --> 0:36:46.160
<v Speaker 5>which is I know true for a lot of us,

0:36:46.160 --> 0:36:48.080
<v Speaker 5>which is why we feel bad asking for the money

0:36:48.560 --> 0:36:50.359
<v Speaker 5>because there are so many people who need it right now,

0:36:50.840 --> 0:36:53.480
<v Speaker 5>you can subscribe online. You can find us on social

0:36:53.520 --> 0:36:55.920
<v Speaker 5>media and keep in touch until we do launch, and

0:36:55.920 --> 0:36:58.200
<v Speaker 5>then you can join and subscribe that way. That's also

0:36:58.320 --> 0:37:00.719
<v Speaker 5>a really great way to support us. But if you

0:37:00.760 --> 0:37:02.360
<v Speaker 5>have a few bucks you want to throw, if you

0:37:02.360 --> 0:37:04.600
<v Speaker 5>want to give someone a present of a year's membership,

0:37:04.640 --> 0:37:06.960
<v Speaker 5>you can get that for one hundred dollars for the holidays,

0:37:07.000 --> 0:37:10.759
<v Speaker 5>you know, radicalize your uncle, you know, just with our work,

0:37:10.960 --> 0:37:12.200
<v Speaker 5>we'd really really appreciate it.

0:37:12.239 --> 0:37:14.320
<v Speaker 3>And yeah, thanks Vicky.

0:37:15.120 --> 0:37:17.839
<v Speaker 1>Yeah, and I don't know, I'm excited for this. There's

0:37:17.840 --> 0:37:20.200
<v Speaker 1>already been a bunch of great stuff that's up on

0:37:20.200 --> 0:37:23.200
<v Speaker 1>the site. We will have links to everything in the description. Yeah,

0:37:23.320 --> 0:37:25.280
<v Speaker 1>thank you, Thank you three for coming on the show.

0:37:25.400 --> 0:37:26.960
<v Speaker 1>And I'm really excited about this.

0:37:27.480 --> 0:37:28.480
<v Speaker 3>Well, thanks for having us.

0:37:28.760 --> 0:37:30.640
<v Speaker 4>Yeah, thanks for the chance to share it. And like

0:37:30.719 --> 0:37:33.040
<v Speaker 4>I always say, like if anyone is interested and wants

0:37:33.080 --> 0:37:34.759
<v Speaker 4>to get in touch, I'm happy to hear from you.

0:37:34.800 --> 0:37:37.839
<v Speaker 2>And yeah, yeah, same and reach out to us too.

0:37:37.960 --> 0:37:40.600
<v Speaker 2>A few ideas on what cost stands for. We love

0:37:40.640 --> 0:37:44.359
<v Speaker 2>hearing from people. My favorite is kin the anarchist right,

0:37:44.640 --> 0:37:47.440
<v Speaker 2>that's what it stands for. I don't know who came

0:37:47.520 --> 0:37:47.759
<v Speaker 2>up with that.

0:37:47.760 --> 0:37:49.320
<v Speaker 3>I think that might have been scherlier Vicky.

0:37:49.120 --> 0:37:54.759
<v Speaker 2>But it's a good one TVD TBD, So yeah, send

0:37:54.760 --> 0:37:56.920
<v Speaker 2>in what you think. And we also are going to

0:37:56.960 --> 0:37:59.919
<v Speaker 2>have an advice column that's going to be lunched soon. Yeah,

0:38:00.120 --> 0:38:03.200
<v Speaker 2>so send us questions or individually or whatever, but you know,

0:38:03.280 --> 0:38:05.520
<v Speaker 2>disrupt individualism, reach out to us.

0:38:06.520 --> 0:38:09.480
<v Speaker 5>Yeah, thanks so much. And yeah, as a long time listener,

0:38:09.920 --> 0:38:11.640
<v Speaker 5>first time caller, it's really exciting to be on here.

0:38:11.680 --> 0:38:13.080
<v Speaker 5>So thank you Mia so much.

0:38:13.200 --> 0:38:14.880
<v Speaker 1>That's not true old time.

0:38:14.880 --> 0:38:19.520
<v Speaker 5>Second a right, sorry I was on. I just go

0:38:19.640 --> 0:38:22.319
<v Speaker 5>on so many podcasts like.

0:38:23.880 --> 0:38:24.160
<v Speaker 6>Sorry.

0:38:24.239 --> 0:38:27.440
<v Speaker 5>Yeah, well, anyway, it's really exciting to be here and

0:38:27.480 --> 0:38:29.680
<v Speaker 5>talking to everyone, and we hope to meet y'all in

0:38:29.719 --> 0:38:31.640
<v Speaker 5>the future and we'll have a well, we will have

0:38:31.640 --> 0:38:34.480
<v Speaker 5>a discord community, we'll be having like writing class, We're

0:38:34.480 --> 0:38:36.200
<v Speaker 5>gonna have a lot of like really exciting stuff. So

0:38:36.680 --> 0:38:38.680
<v Speaker 5>even if you can't throw in money right now, please

0:38:38.800 --> 0:38:41.640
<v Speaker 5>sign up to our website, cosh anythings dot com stay

0:38:41.640 --> 0:38:44.200
<v Speaker 5>in touch and find out all the really cool stuff

0:38:44.200 --> 0:38:44.560
<v Speaker 5>we're doing.

0:38:44.920 --> 0:38:47.560
<v Speaker 4>And just to reiterate, like all the stuff that we're

0:38:47.600 --> 0:38:50.279
<v Speaker 4>already doing is now going to have a home and call.

0:38:50.480 --> 0:38:56.560
<v Speaker 4>So like my essays and podcasts, Vicki's review reviews and essays,

0:38:57.000 --> 0:39:01.160
<v Speaker 4>and Carla's many projects which include pot podcasts and writing

0:39:01.440 --> 0:39:04.759
<v Speaker 4>and these interviews, Danny's writing and classes.

0:39:05.040 --> 0:39:07.160
<v Speaker 6>Yeah, this is all moving there.

0:39:07.480 --> 0:39:10.040
<v Speaker 3>Plus new things doing it together.

0:39:10.960 --> 0:39:14.759
<v Speaker 1>Yeah in that spirit YouTube, dear listener, can can do

0:39:14.840 --> 0:39:17.680
<v Speaker 1>things together and go to rup this world. So go

0:39:17.719 --> 0:39:20.960
<v Speaker 1>do that now instead of listening to whatever else it's

0:39:21.000 --> 0:39:24.480
<v Speaker 1>happening on the show. This ending exactly only well, but

0:39:24.560 --> 0:39:25.920
<v Speaker 1>go go go tosruugh things.

0:39:26.280 --> 0:39:28.000
<v Speaker 3>I get it, Thanks so much.

0:39:31.200 --> 0:39:33.640
<v Speaker 1>It could Happen Here is a production of cool Zone Media.

0:39:33.840 --> 0:39:36.880
<v Speaker 2>For more podcasts from cool Zone Media, visit our website

0:39:37.000 --> 0:39:40.560
<v Speaker 2>Foolzonemedia dot com or check us out from the iHeartRadio app,

0:39:40.640 --> 0:39:44.200
<v Speaker 2>Apple podcasts, or wherever you listen to podcasts, you can

0:39:44.239 --> 0:39:46.560
<v Speaker 2>now find sources for It could Happen Here listened directly

0:39:46.600 --> 0:39:47.759
<v Speaker 2>in episode descriptions.

0:39:48.080 --> 0:39:48.880
<v Speaker 3>Thanks for listening.