WEBVTT - FULL SHOW: The Freeways

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<v Speaker 1>From Hollywood. See you, thank you for listening to us

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<v Speaker 1>on air with Ryan Seacrest. We are going to start

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<v Speaker 1>paying bills, but just getting coordinated here for the morning show.

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<v Speaker 1>On this Tuesday, my least favorite day of the week.

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<v Speaker 1>I thought you hated Tuesdays. Today is see how Tuesday

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<v Speaker 1>it is? Oh my gosh, it's so Tuesday. You didn't

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<v Speaker 1>realize that. Wow, I thought we were one Wednesday already.

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<v Speaker 1>You guys, that's why you're getting seventy percent of me.

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<v Speaker 1>It's Tuesday. That's how bad Tuesday is. You actually wanted

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<v Speaker 1>it to be an entire thought it was an entirely

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<v Speaker 1>different day. Totally thought it was Wednesday already. Wow, all right,

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<v Speaker 1>I wore the wrong underwear. Yeah, I'm wearing my Wednesday underwear.

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<v Speaker 1>I'm going on a date night tonight. Okay, we're gonna

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<v Speaker 1>get to you in a second. Is there a difference

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<v Speaker 1>in a Tuesday and a wind No, I don't remin

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<v Speaker 1>you're a little kid. I had underwear that like had

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<v Speaker 1>the days. No, I have my Friday underwear now, and

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<v Speaker 1>that's it my right I Friday red on. You should

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<v Speaker 1>probably get a new underwear right now. No, it's twenty

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<v Speaker 1>years old. It's so good though. I have so many

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<v Speaker 1>memories in it. I bought you a pair of red

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<v Speaker 1>underwor one year for Christmas. That's inappropriate. No, it's like funny. No,

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<v Speaker 1>I put it out of my mind. All right, So

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<v Speaker 1>let's talk about what I'm seeing here, Tanya Siany back

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<v Speaker 1>to Tanya. Cisany describe Tanya's look this morning? Here early,

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<v Speaker 1>which is a it's not the normal. We just got

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<v Speaker 1>here and are doing a radio show. Look. Every now

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<v Speaker 1>and then Tanya decides to explore with a lipstick. And

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<v Speaker 1>then today is one of those days where up and

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<v Speaker 1>she decided to wear a red lip. Yeah, it might

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<v Speaker 1>be because of her date night. Yeah, busy gal today,

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<v Speaker 1>cat eyes, don't you. I don't have cat eyes, but

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<v Speaker 1>I have more eyelash than you're used to seeing. Yes,

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<v Speaker 1>is it lash? Or is that stuff y'all put around

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<v Speaker 1>your eyes? It's lash? So you have bright red lipstick

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<v Speaker 1>and you have nighttime lashes? Correct? Yet a girl not

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<v Speaker 1>yet seven am? Yes? Thank you? What is it that

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<v Speaker 1>you're preparing for in twelve hours? You know she's a

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<v Speaker 1>busy gal today. She's just back to back to back

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<v Speaker 1>with some work things. And then I have my date.

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<v Speaker 1>Can you use eye because you're going to confuse those

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<v Speaker 1>are barely awake right now. I'm a busy gal, busy

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<v Speaker 1>girly today, So back to back to back and then

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<v Speaker 1>I have my date night. So no, I want to

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<v Speaker 1>get your dating in a second. But lipstick? Can't you

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<v Speaker 1>apply that later? What's wrong with your wearing it? Now? Yeah?

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<v Speaker 1>It just throws me off. I don't know what time

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<v Speaker 1>of day it is, especially because I look at usually

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<v Speaker 1>roll in here looking like a troll. Well, no, it's

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<v Speaker 1>not troll. You look like you're on your way or

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<v Speaker 1>from a workout normally. Yeah, and now I'm it's Friday

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<v Speaker 1>night all of a sudden, Yeah, that's right. I don't

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<v Speaker 1>know which That's why I thought it was Wednesday. Right,

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<v Speaker 1>because she's dressed like she's going to start a music

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<v Speaker 1>video with Lady Gaga's right now. I guess I'm supposed

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<v Speaker 1>to ask about this date night. It's Lady Gaga's birthday today.

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<v Speaker 1>I can just make that up. Purpose see what you're doing.

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<v Speaker 1>It's Tuesday, Lady Gaga's birthday. Where is this special date tonight?

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<v Speaker 1>So I actually don't know where we're going, but um,

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<v Speaker 1>because it's spring break for the kids. We have them

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<v Speaker 1>for a week straight. So Robbie wants to take me

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<v Speaker 1>out to dinner, just the two of us, before we

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<v Speaker 1>have a full week before before we have a full week. Yeah,

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<v Speaker 1>before we have a full week with just trailed off.

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<v Speaker 1>What hap? Yeah? I get it. Okay, So it's like

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<v Speaker 1>random that it's on a Tuesday, But there's a reason

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<v Speaker 1>for the Tuesday. But is he coming by to surprise you?

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<v Speaker 1>Is that why everything's like in launch mud? Yeah? I

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<v Speaker 1>don't know where we're going on? What time? All right? Good? Well,

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<v Speaker 1>I love a surprise. I have to say I'm feeling

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<v Speaker 1>a little inadequate with my look this morning. Now. I

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<v Speaker 1>like your sweater. I like it too, but not that much.

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<v Speaker 1>It's like my sweater sdsu You are they in the bracket?

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<v Speaker 1>Is that the bracket? Final four? Final four? It's like

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<v Speaker 1>a big deal. March madness m yeah, all right, so

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<v Speaker 1>let's see who we got today. Everybody ready to go

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<v Speaker 1>to the back room? Alive? We are alive? What day

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<v Speaker 1>is it? It's tuesday? Okay, thank you? They're listening. Uh

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<v Speaker 1>Sunny Tom, sunny nice today? You have an itch? No?

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<v Speaker 1>Should I do you want to go do something? Like?

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<v Speaker 1>You have an inch to get out there enjoy it. Yeah,

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<v Speaker 1>of course, get out there and get some vitamin D.

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<v Speaker 1>What would you do? What would where would you go

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<v Speaker 1>pursue your vitamin D today? Later? M Maybe just a

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<v Speaker 1>walk through the neighborhood or a light jogs on a

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<v Speaker 1>light jog, A light jog. You get a little sweat break,

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<v Speaker 1>a little sweat yeah, get a green juice out. Um hm,

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<v Speaker 1>well get it in soon. Rain's coming late tonight. Can

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<v Speaker 1>you believe it's coming back? Account? Oh I'm so over

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<v Speaker 1>it right. I mean, you're gonna be out on your

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<v Speaker 1>date and it's gonna be the third quarter of the

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<v Speaker 1>night and here comes rain again. I know. But you know,

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<v Speaker 1>rain could be good luck on a date could be Yeah,

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<v Speaker 1>it could be romantic. So what are we gonna do today,

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<v Speaker 1>you're probably wondering. We have drinking twenty one Savage tickets.

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<v Speaker 1>Those are great. We have a second date update. This

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<v Speaker 1>is seven twenty this morning. She's calling it a never

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<v Speaker 1>date update. They hit it off and they talk all

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<v Speaker 1>the time, but they've never gone out. So what what's

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<v Speaker 1>everydy waiting for? Here? So all of a sudden, a

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<v Speaker 1>bunch of these these games are coming to my house.

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<v Speaker 1>Like dinner games, card games, fun with the family games,

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<v Speaker 1>couples games. Somebody's been ordering games that's cool. Well I

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<v Speaker 1>thought that would be cool, and I opened up this

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<v Speaker 1>one was going to bring into play with you. It

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<v Speaker 1>turns out this is called the Couple's Game. Oh yeah,

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<v Speaker 1>what is it called the Couple's Games? Oh? Just told

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<v Speaker 1>us that's not what it's called. I don't does it

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<v Speaker 1>have a name? I don't. Yeah, comes in a red box?

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<v Speaker 1>How well do you know me? Or something like that.

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<v Speaker 1>I think it's that there's the Couple's Edition of Yeah, yeah, yeah, yeah,

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<v Speaker 1>it's fun. This is not a fun game. I make

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<v Speaker 1>this out thing. It was gonna be like a fun

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<v Speaker 1>dinner time game. Why are there mixed reviews here? Well,

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<v Speaker 1>because it makes you dig deep into like your relationship.

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<v Speaker 1>That's not a game. That's not a game. Like there's

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<v Speaker 1>fun version of the outcome. Well, I mean I brought

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<v Speaker 1>in some cards here. Imagine like, hey, let's play a game,

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<v Speaker 1>and then someone's like, okay, great, let's play the Couple's Edition.

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<v Speaker 1>Sounds fun. I think it's gonna be like quirky stuff. Yeah,

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<v Speaker 1>funny stuff, alo levity, pull a card here, Okay, let's

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<v Speaker 1>play a game. All right, What immediately attracted you to

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<v Speaker 1>me is one of the questions. What attracted you more

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<v Speaker 1>over time? Right? So did you play this with your partner?

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<v Speaker 1>That's just the two of you, So it's not a

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<v Speaker 1>group thing. It's just like this version. There's another version

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<v Speaker 1>of all these cards where it can be a group there.

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<v Speaker 1>So that's the game we brought on our couple's retreat

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<v Speaker 1>when we went and I told you, guys, I was

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<v Speaker 1>going on, whatever, this is dreadful because okay, fine, next one,

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<v Speaker 1>what about you? Feel's hardest to love Sissy? What's hardest

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<v Speaker 1>to love about you? My stubbornness, Tanya, you my sensitivity?

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<v Speaker 1>I cry a lot. This is it's like a therapy session.

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<v Speaker 1>Well what about you? What about me? What's hardest with you?

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<v Speaker 1>My impatience? Wild card? Write a love song for your

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<v Speaker 1>partner one minute to perform for each other. Go, I mean,

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<v Speaker 1>I cannot play this game. I need a lot of

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<v Speaker 1>tequila for this game. I think that heals back because

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<v Speaker 1>this gets like serious. Yeah right, uh, okay, plan a

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<v Speaker 1>surprise your partner would appreciate. Make it happen by the

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<v Speaker 1>end of the month, both players. That's fun. That's that's

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<v Speaker 1>the cute game. I like this game. It's a really

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<v Speaker 1>cute Okay, next card, what do you find difficult open

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<v Speaker 1>up to me about? Like I don't want to have

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<v Speaker 1>that conversation over dinner. I know that's the whole point.

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<v Speaker 1>And y'all did this on your couple's retreat? How did

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<v Speaker 1>it go great while they're still together? Because these are

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<v Speaker 1>things that you don't necessarily like talk about all the time,

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<v Speaker 1>and so when it's kind of brought up, it's a

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<v Speaker 1>great way to have those conversations and also to be

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<v Speaker 1>like more self aware. I mean, how have you seen

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<v Speaker 1>me grow in this relationship? Ah? I need there's other

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<v Speaker 1>additions in the game that i'd rather What was that

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<v Speaker 1>guy Jay Shetty? So we actually had a good time

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<v Speaker 1>with his questions? Let's do another one of his questions? Yes,

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<v Speaker 1>I remember the last one. We asked, Oh do we well?

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<v Speaker 1>What was it? What would your younger self be happy

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<v Speaker 1>about right now and sad about right now? Right? So

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<v Speaker 1>we did that. We're gonna do another one today a

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<v Speaker 1>little bit later. Oh that's a fun Actually, I know

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<v Speaker 1>what today's is here? It is Mark, Yes, why do

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<v Speaker 1>you get to know what it is? And we don't

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<v Speaker 1>I'm asking Mark, I don't know what it is. He's

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<v Speaker 1>gonna tell us. Mark, He's gonna say, don't do it

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<v Speaker 1>right now. Well, we do have it. If you'm going

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<v Speaker 1>to tell you right now, I will pretty much here

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<v Speaker 1>at this point where we're gonna hear it. Yeah, I'm

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<v Speaker 1>not gonna do it. Yeah, I just want to hear it. Okay, Okay,

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<v Speaker 1>what do you think makes a person most attractive? And

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<v Speaker 1>how attractive are you on that scale? What? I think

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<v Speaker 1>it's got a double punch. Okay, so we're not an

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<v Speaker 1>play Now, we're gonna go round the room and we're

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<v Speaker 1>gonna answer this. What do you think makes a person

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<v Speaker 1>most attractive and how attractive are you on that scale? Okay, okay,

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<v Speaker 1>this is easier. I think with strangers. Okay, we're not strangers.

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<v Speaker 1>We're not really strangers, that's correct. We're a triplet or trip,

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<v Speaker 1>not a throble, but no look at but it's a

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<v Speaker 1>three relationship throat. I think throuble doesn't need to mean romantic.

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<v Speaker 1>It means a three it Try affect a relationship friends, Yeah,

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<v Speaker 1>try factor friendship? What is that? What's three people in

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<v Speaker 1>a friendship? Trying? A thruble is where they do. No,

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<v Speaker 1>I think it's Oh, yeah it is. Yes, I didn't

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<v Speaker 1>know that either. Trup was too hardesty. Anyway, let's pass.

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<v Speaker 1>We're just three people trying to do a show. We're friends, guys.

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<v Speaker 1>Anybody could have all right, is that pepper pig your

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<v Speaker 1>morning hack is? No, it's from the hangover now a

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<v Speaker 1>lot of people. I do too. I don't like to

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<v Speaker 1>eat stuff past the expiration date. I think it's gonna

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<v Speaker 1>make me sick. But these are three foods you can

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<v Speaker 1>eat safely after the expiration date. Bread two weeks if

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<v Speaker 1>it's stored in the fridge. Now, if you see the

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<v Speaker 1>little mold, sometimes my mom would cut the mold off

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<v Speaker 1>and cut around that green. No, mother tossed the piece

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<v Speaker 1>of bread. Oh, parents still do that. Peanut butter five

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<v Speaker 1>to eight months. It lasts after expiration if stored in

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<v Speaker 1>the fridge. We've got peanut butter in there from years ago.

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<v Speaker 1>What I got I got mustard. I got mustard from

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<v Speaker 1>the os from the Yeah, the mustard for some reason

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<v Speaker 1>always seems to be expired. And I'm just like, we

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<v Speaker 1>go through mustard like it's no. We have some kinds

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<v Speaker 1>of mustards. So I've got crusty rim mustard. Yeah, I

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<v Speaker 1>seem to always be tossing our mustard stone ground. I

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<v Speaker 1>got like the regular, So what's the deal with the mustard?

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<v Speaker 1>How long it's tony? I got a lot of must

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<v Speaker 1>not even didn't tell me. I got mustard from years ago,

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<v Speaker 1>dry pasta. It's good for two years after the expiration.

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<v Speaker 1>They just thought you might want to know. Joel Spring

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<v Speaker 1>cleaning Today's squat for Tuesday. Every now and then, it's

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<v Speaker 1>good to stop climbing and appreciate the view from right

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<v Speaker 1>where you are. Oh my gosh headlines. Well. Authorities are

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<v Speaker 1>searching for answers after a shooter killed six people at

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<v Speaker 1>a private Christian elementary school in Nashville yesterday morning. The

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<v Speaker 1>suspect of twenty eight year old Nashville woman was later

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<v Speaker 1>fatally shot by authorities. A motive remains unknown, but it

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<v Speaker 1>appears a suspect was a former student. Taylor's Swift fans

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<v Speaker 1>gathered outside a downtown Los Angeles federal courtroom yesterday morning

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<v Speaker 1>to rally ahead of a hearing on the Ticketmaster debacle

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<v Speaker 1>involving her era's tour. As you know, fans are suing

0:12:22.679 --> 0:12:26.640
<v Speaker 1>Ticketmaster and its parent company, Live Nation, claiming they violated

0:12:26.679 --> 0:12:32.120
<v Speaker 1>consumer protection and antitrust laws, and the Dodgers are set

0:12:32.160 --> 0:12:35.720
<v Speaker 1>to return with a new form of postgame entertainment for

0:12:35.840 --> 0:12:39.880
<v Speaker 1>fans to enjoy after games on Friday nights at Dodgers Stadium.

0:12:40.160 --> 0:12:43.760
<v Speaker 1>Adding to their traditional Friday night fireworks promotion from years past,

0:12:44.280 --> 0:12:47.600
<v Speaker 1>the Dodgers will host a drone show for the first time,

0:12:47.920 --> 0:12:51.719
<v Speaker 1>titled Dodger Stadium Friday Night Light Shows. Fans will be

0:12:51.760 --> 0:12:53.679
<v Speaker 1>able to check it out the new show the New

0:12:53.760 --> 0:12:56.640
<v Speaker 1>Drone Show this Friday nights after the Dodgers take on

0:12:56.720 --> 0:13:04.480
<v Speaker 1>the Arizona Diamondbacks, with Ryan Seacrest joining us live in

0:13:04.559 --> 0:13:10.520
<v Speaker 1>the studio. Luke, Brian, yes, and line out Richie and

0:13:10.679 --> 0:13:13.640
<v Speaker 1>accounted for us. Why are all our Mike silver and

0:13:13.679 --> 0:13:19.280
<v Speaker 1>yours as gold? Thank you very much? Questions. It's to

0:13:19.320 --> 0:13:21.520
<v Speaker 1>put you at ease and make you feel comfortable after

0:13:21.679 --> 0:13:24.360
<v Speaker 1>some kind of like hierarchy here on your show. But

0:13:24.480 --> 0:13:27.120
<v Speaker 1>there's a quality on our show. Just imagine their platinum.

0:13:27.240 --> 0:13:33.040
<v Speaker 1>No no, no, no no, yeah, I like that. Luke like that.

0:13:33.440 --> 0:13:35.480
<v Speaker 1>Let me ask you something, so Katie, I'll start with

0:13:35.520 --> 0:13:38.800
<v Speaker 1>you did did you was there ever any thought or

0:13:38.840 --> 0:13:40.880
<v Speaker 1>concern about the chemistry level that you guys would have

0:13:40.920 --> 0:13:43.920
<v Speaker 1>before you all started working together on this show. Well,

0:13:44.320 --> 0:13:46.679
<v Speaker 1>you know, it's so funny. The story behind some of

0:13:46.679 --> 0:13:50.160
<v Speaker 1>it is actually I met Lionel Richie Um one night

0:13:50.840 --> 0:13:54.480
<v Speaker 1>the Sunset Tower, late late after night, late night dinner,

0:13:54.559 --> 0:13:57.520
<v Speaker 1>and I sat with him and we just like shared stories.

0:13:57.559 --> 0:13:59.960
<v Speaker 1>But he was telling like iconic stories that I was

0:14:00.040 --> 0:14:02.200
<v Speaker 1>just thinking, Oh my god, this guy has such a

0:14:02.320 --> 0:14:06.160
<v Speaker 1>rolodex of like stories from all of his time. And

0:14:06.240 --> 0:14:08.720
<v Speaker 1>so you know, actually they are like, would you like

0:14:08.880 --> 0:14:10.520
<v Speaker 1>Lionel Richie to be on the show. They were like,

0:14:10.720 --> 0:14:13.000
<v Speaker 1>wouldn't that make a good duo? And I was like yes,

0:14:13.400 --> 0:14:17.760
<v Speaker 1>But I was nervous about Luke actually, because I literally

0:14:17.840 --> 0:14:20.760
<v Speaker 1>was asking Lionel. I was like, what kind of guy

0:14:21.320 --> 0:14:25.360
<v Speaker 1>you got? You got background jack on Luke? They asked me.

0:14:25.400 --> 0:14:28.800
<v Speaker 1>They said, so who in country would you want? I said,

0:14:29.440 --> 0:14:32.400
<v Speaker 1>get Luke Bryan right now? Now I knew Luke, but

0:14:32.640 --> 0:14:35.400
<v Speaker 1>Katie did. I didn't know if I still don't know

0:14:35.440 --> 0:14:38.960
<v Speaker 1>if I can. And all of a sudden, I said,

0:14:39.000 --> 0:14:42.080
<v Speaker 1>trust me, as soon as you meet him, you'll know

0:14:42.160 --> 0:14:44.600
<v Speaker 1>him as the oldest friend you ever had, and it

0:14:44.640 --> 0:14:47.640
<v Speaker 1>will well, you know, when you think about today, you know,

0:14:48.320 --> 0:14:51.800
<v Speaker 1>we didn't really get Katie and I didn't get like

0:14:51.960 --> 0:14:56.400
<v Speaker 1>a hangout utaker dinner. Yeah, we didn't have any of that.

0:14:56.520 --> 0:14:58.400
<v Speaker 1>It was like the first time we met, it was

0:14:58.840 --> 0:15:02.520
<v Speaker 1>it was no. I was like, what is it going

0:15:02.560 --> 0:15:04.600
<v Speaker 1>to be like? And then you know, it just took

0:15:05.240 --> 0:15:08.440
<v Speaker 1>and and then we gang together and we're like, now

0:15:08.480 --> 0:15:14.240
<v Speaker 1>we're bringing no. No, it's it's it's terrified. Yeah, it's terrified.

0:15:14.400 --> 0:15:16.720
<v Speaker 1>But I remember when I knew the ice was broken

0:15:17.200 --> 0:15:21.360
<v Speaker 1>when I heard Katie go shut up and now we're

0:15:21.440 --> 0:15:24.640
<v Speaker 1>fi and LU said, oh god, Katie, what was wrong?

0:15:24.640 --> 0:15:26.120
<v Speaker 1>I mean, what did I do? Now? I said, they're

0:15:26.120 --> 0:15:28.400
<v Speaker 1>going to be just mine. Well, and then there was

0:15:28.440 --> 0:15:31.280
<v Speaker 1>one time that first season that we were we were

0:15:31.360 --> 0:15:35.040
<v Speaker 1>on the filming lives and Katie literally under a breathlet

0:15:35.040 --> 0:15:37.280
<v Speaker 1>I mean, she goes dragged me across the flour bomb

0:15:37.360 --> 0:15:40.000
<v Speaker 1>I left arm rotting. And that's actually that's where the

0:15:40.000 --> 0:15:43.800
<v Speaker 1>base goes in her voice when she said and I

0:15:43.880 --> 0:15:46.520
<v Speaker 1>was like, she's like, it'll be a great TV moment.

0:15:46.600 --> 0:15:49.200
<v Speaker 1>I was like dragon and she fell on the floor.

0:15:49.280 --> 0:15:53.200
<v Speaker 1>And you know, that's when we knew the chemistry was there.

0:15:53.240 --> 0:15:56.080
<v Speaker 1>The kindomist assault each other, you know, and everybody's cool.

0:15:56.120 --> 0:15:59.480
<v Speaker 1>It was. We're talking to the judges here in American Idol, Luke,

0:15:59.600 --> 0:16:02.720
<v Speaker 1>Lionel and Katie and Lionel. You you know, as Katie said,

0:16:02.760 --> 0:16:06.040
<v Speaker 1>you've seen so many legends. You know so many legends.

0:16:06.080 --> 0:16:09.160
<v Speaker 1>You've told us the stories about that you are. You're

0:16:09.280 --> 0:16:12.520
<v Speaker 1>in that class. But you're also shaping current music with

0:16:12.640 --> 0:16:15.720
<v Speaker 1>this show. So when you are out there looking at

0:16:15.840 --> 0:16:18.600
<v Speaker 1>the talent that you see the people that come in,

0:16:18.880 --> 0:16:22.000
<v Speaker 1>what strikes you after seeing so many over the years. Well,

0:16:22.040 --> 0:16:24.760
<v Speaker 1>you know, it's funny because I run into so many

0:16:24.760 --> 0:16:27.080
<v Speaker 1>people saying, oh my, can't god, I can't believe you

0:16:27.120 --> 0:16:29.720
<v Speaker 1>through that particular person off she was such or he

0:16:29.800 --> 0:16:32.120
<v Speaker 1>was such a great singer. And I go, no, no,

0:16:32.160 --> 0:16:35.280
<v Speaker 1>we're not looking for singers, we're looking for stylists. You

0:16:35.360 --> 0:16:37.480
<v Speaker 1>follow me, and no one understands that. For a minute,

0:16:37.480 --> 0:16:40.320
<v Speaker 1>I say, no, no, everybody can sing. That's why karaoke

0:16:40.440 --> 0:16:42.800
<v Speaker 1>is so hot. You follow me. But what we're looking

0:16:42.800 --> 0:16:46.440
<v Speaker 1>for is what's going to make you unique? Now, that

0:16:46.640 --> 0:16:50.440
<v Speaker 1>is the difficult part. And every year they come out

0:16:50.480 --> 0:16:55.000
<v Speaker 1>with let me think about it, Alejandro, that's a unique fact.

0:16:55.360 --> 0:16:58.400
<v Speaker 1>We didn't see him coming. And so now what people

0:16:58.440 --> 0:17:01.240
<v Speaker 1>are getting the idea is we're now trying to find

0:17:01.280 --> 0:17:05.120
<v Speaker 1>the next real artist and not some great singer has

0:17:05.119 --> 0:17:07.600
<v Speaker 1>seen these contestants perform. You see them an auditions, you

0:17:07.640 --> 0:17:10.400
<v Speaker 1>see them on the live stage. Luke, has that influenced

0:17:10.440 --> 0:17:12.600
<v Speaker 1>any of your live performances. When you go back to

0:17:12.880 --> 0:17:15.520
<v Speaker 1>your show, it makes me go sit at my piano

0:17:15.600 --> 0:17:20.520
<v Speaker 1>and and work on stuff. And I tell you what, too, um,

0:17:21.080 --> 0:17:23.359
<v Speaker 1>you kind of have to It forces you to keep

0:17:23.440 --> 0:17:27.560
<v Speaker 1>your finger on the pulse of current happening because these

0:17:27.640 --> 0:17:31.080
<v Speaker 1>kids are coming in singing this songs. I think anytime

0:17:31.160 --> 0:17:34.280
<v Speaker 1>you're you're all up in the middle of something fun

0:17:34.320 --> 0:17:37.399
<v Speaker 1>and fresh and you got youth coming in front of you,

0:17:37.560 --> 0:17:42.520
<v Speaker 1>it always energizes you and inspires you to um to

0:17:42.760 --> 0:17:45.240
<v Speaker 1>stay current and relevant and be on your toes. So

0:17:45.520 --> 0:17:47.600
<v Speaker 1>I mean you'll be surprised though. I mean, for example,

0:17:47.720 --> 0:17:51.040
<v Speaker 1>you think we're teaching them something. No, they're teaching us

0:17:51.040 --> 0:17:55.840
<v Speaker 1>something because that's the next level of no fear and

0:17:56.200 --> 0:17:59.800
<v Speaker 1>the vocals are right just staggering. Let me just tell you.

0:18:00.040 --> 0:18:02.679
<v Speaker 1>Reminds you to be grateful because there's like you know,

0:18:03.760 --> 0:18:06.439
<v Speaker 1>hundreds and thousands of other kids that are just waiting

0:18:06.440 --> 0:18:10.080
<v Speaker 1>in line for the opportunity that you actually have, probably Lissa, Katy,

0:18:10.440 --> 0:18:13.240
<v Speaker 1>we're playing your songs on a regular basis right here,

0:18:13.800 --> 0:18:17.880
<v Speaker 1>and you think about the contestants that want that same

0:18:17.880 --> 0:18:20.000
<v Speaker 1>thing in a way, right, I mean, that's what they want.

0:18:20.440 --> 0:18:22.680
<v Speaker 1>And you look at the evolution of American Idol, it's

0:18:22.760 --> 0:18:25.200
<v Speaker 1>changed over the years too, and you guys have navigated that.

0:18:26.000 --> 0:18:29.800
<v Speaker 1>What intention did you have maybe in evolving the show

0:18:29.800 --> 0:18:32.239
<v Speaker 1>with the times of what we see in music? Well,

0:18:32.280 --> 0:18:34.879
<v Speaker 1>I think you know, it's a different thing with us

0:18:34.880 --> 0:18:37.439
<v Speaker 1>as judges. You've seen all the different judges that have

0:18:37.520 --> 0:18:40.440
<v Speaker 1>come through the door, and I think we have been

0:18:40.480 --> 0:18:43.240
<v Speaker 1>in their shoes. You know, we're we're working artists, we're

0:18:43.400 --> 0:18:46.160
<v Speaker 1>on tour. You know, we're coming in from tour when

0:18:46.160 --> 0:18:49.440
<v Speaker 1>we're actually filming, so we know what it feels like

0:18:49.480 --> 0:18:51.439
<v Speaker 1>to live a day in their shoes. And you know,

0:18:51.480 --> 0:18:54.439
<v Speaker 1>we've all come from nothing and created this life of

0:18:54.440 --> 0:18:58.159
<v Speaker 1>our own. So we can empathize, you know, with some

0:18:58.200 --> 0:19:00.639
<v Speaker 1>of their situations and know what they're talking about and

0:19:00.680 --> 0:19:03.600
<v Speaker 1>give them real advice, like and give them shortcuts. I

0:19:03.600 --> 0:19:06.560
<v Speaker 1>think they respect us as artists. We respect them even

0:19:06.600 --> 0:19:10.480
<v Speaker 1>when we're giving them tough love or like constructive criticism.

0:19:11.000 --> 0:19:14.840
<v Speaker 1>We're hoping that they win. We want every single kid

0:19:15.160 --> 0:19:16.800
<v Speaker 1>that comes off of that show to win in their

0:19:16.840 --> 0:19:18.880
<v Speaker 1>own way. Even if they don't win at the end,

0:19:19.320 --> 0:19:21.119
<v Speaker 1>we want them to walk away with something that they

0:19:21.119 --> 0:19:25.199
<v Speaker 1>can apply in real time and takes them forward. And

0:19:25.280 --> 0:19:30.680
<v Speaker 1>that's genuine, that's authentic, that's really And then the most

0:19:30.680 --> 0:19:33.000
<v Speaker 1>important part you have to remember is it's not about us.

0:19:33.560 --> 0:19:38.600
<v Speaker 1>I mean, if you understand, we take their life under

0:19:38.640 --> 0:19:41.080
<v Speaker 1>our wing. And so when someone walks in and says,

0:19:41.440 --> 0:19:43.679
<v Speaker 1>you know, we're supposed to be talking about finding the

0:19:43.720 --> 0:19:46.240
<v Speaker 1>next artist, the next American idol, and someone comes in

0:19:46.280 --> 0:19:48.720
<v Speaker 1>and says, tell me about your family life and they say,

0:19:49.119 --> 0:19:52.320
<v Speaker 1>I'm homeless. Stop for a minute. You can't go to

0:19:52.359 --> 0:19:54.000
<v Speaker 1>what song you're gonna sing for us? And you have

0:19:54.080 --> 0:19:57.560
<v Speaker 1>to dive into let's talk about this homeless situation. How

0:19:57.560 --> 0:20:00.080
<v Speaker 1>are you dealing with that? Now? That real audience, that

0:20:00.240 --> 0:20:03.119
<v Speaker 1>real time moment is what breaks it down to what

0:20:03.400 --> 0:20:07.280
<v Speaker 1>it's a difference between our show and anything else because

0:20:07.359 --> 0:20:11.440
<v Speaker 1>now we're now talking about real kids in their real

0:20:11.480 --> 0:20:14.359
<v Speaker 1>lives and how what they're going to have to overcome

0:20:14.800 --> 0:20:17.359
<v Speaker 1>to get to be a superstar. Yeah. I think what's

0:20:17.359 --> 0:20:21.120
<v Speaker 1>amazing too is a lot of times we're getting this

0:20:21.400 --> 0:20:26.040
<v Speaker 1>emotional about these kids, like on the fly, like we

0:20:26.040 --> 0:20:29.120
<v Speaker 1>we haven't even seen their you know, their backstories. So

0:20:29.600 --> 0:20:32.680
<v Speaker 1>by the time, you know, these kids are just kind

0:20:32.680 --> 0:20:36.480
<v Speaker 1>of captivating us in the room. Well then by the

0:20:36.520 --> 0:20:40.280
<v Speaker 1>time the show can go edit their hometown and their struggles,

0:20:40.560 --> 0:20:43.000
<v Speaker 1>and then the people at home watch us, you know,

0:20:43.080 --> 0:20:47.040
<v Speaker 1>be emotional, and then and then we see these viral

0:20:47.200 --> 0:20:49.399
<v Speaker 1>moments to start happening, and then we get on our

0:20:49.440 --> 0:20:51.840
<v Speaker 1>text I mean, you know, I think the world needs

0:20:51.840 --> 0:20:54.520
<v Speaker 1>to know that. I mean, Ryan, you're on the text

0:20:54.600 --> 0:20:57.280
<v Speaker 1>chain too. I mean, we get fired up about these wonderful,

0:20:57.320 --> 0:21:01.560
<v Speaker 1>beautiful moments because a beautiful moment own American idol is

0:21:01.600 --> 0:21:06.240
<v Speaker 1>just beautiful for the show, and it's great for human

0:21:06.400 --> 0:21:08.960
<v Speaker 1>I mean, I know it sounds it's great for people.

0:21:11.560 --> 0:21:15.520
<v Speaker 1>I was in the elevator yesterday and the show aired

0:21:15.560 --> 0:21:20.040
<v Speaker 1>Sunday night, and this gentleman it was probably my dad's age, right,

0:21:20.720 --> 0:21:23.000
<v Speaker 1>and he kept sort of like looking at me, and

0:21:23.040 --> 0:21:25.520
<v Speaker 1>I looked up when he said hello, and I said hello,

0:21:25.560 --> 0:21:27.479
<v Speaker 1>and he said, can I just say something to you?

0:21:27.520 --> 0:21:29.800
<v Speaker 1>And I said, sure, my name's Ryany do somehself. He goes,

0:21:30.040 --> 0:21:33.000
<v Speaker 1>I was crying last night because I was watching these

0:21:33.000 --> 0:21:35.520
<v Speaker 1>stories of young people in our country on American Idol

0:21:35.800 --> 0:21:38.320
<v Speaker 1>and I just wanted to say it really it moved me.

0:21:38.640 --> 0:21:41.119
<v Speaker 1>And that's to your point, like, yes, it's a show.

0:21:41.200 --> 0:21:43.040
<v Speaker 1>Yes it's changing lives for those people, but it's also

0:21:43.080 --> 0:21:46.480
<v Speaker 1>impacting people who are not even a part of it. Yeah.

0:21:46.680 --> 0:21:48.880
<v Speaker 1>I feel like it's telling the story of what America

0:21:48.920 --> 0:21:52.200
<v Speaker 1>could be. Yeah. Well, I mean and it's a heavy

0:21:52.200 --> 0:21:54.639
<v Speaker 1>morning this morning after some some very tragic news that

0:21:54.640 --> 0:21:57.199
<v Speaker 1>we've been talking about you. So if you need a

0:21:57.240 --> 0:21:59.679
<v Speaker 1>little escape and you want to feel something, check it

0:21:59.680 --> 0:22:02.000
<v Speaker 1>out of Erica Idol Sunday and Monday, eight seventh Central.

0:22:02.000 --> 0:22:05.720
<v Speaker 1>That is on ABC and Lina Richie good to see you, guys. Hey,

0:22:05.800 --> 0:22:08.400
<v Speaker 1>let me tell yourselfing you you are, I'll superstar. I'm

0:22:08.400 --> 0:22:10.720
<v Speaker 1>telling you, man, I don't know how you navigate all

0:22:10.720 --> 0:22:13.159
<v Speaker 1>that you do, but you We are so happy to

0:22:13.160 --> 0:22:14.960
<v Speaker 1>have your party. I can't wait to spend a lot

0:22:14.960 --> 0:22:28.199
<v Speaker 1>of time in California with you. Is dating fun? I

0:22:28.240 --> 0:22:32.439
<v Speaker 1>think there's two answers there, yes and no, depending on

0:22:32.480 --> 0:22:35.480
<v Speaker 1>how it's going on what stage you're in. And think

0:22:35.480 --> 0:22:37.720
<v Speaker 1>about that when I get into this second date update.

0:22:37.760 --> 0:22:40.359
<v Speaker 1>Because Madison has reached out in Long Beach, and she

0:22:40.480 --> 0:22:43.800
<v Speaker 1>has said that they met at a friend's Super Bowl

0:22:43.800 --> 0:22:47.720
<v Speaker 1>party and they hit it off, hit it off so

0:22:47.800 --> 0:22:51.360
<v Speaker 1>much they barely watched the game. They exchanged numbers. What's

0:22:51.359 --> 0:22:54.360
<v Speaker 1>the easiest way to exchange numbers? I've fumbled through it sometimes,

0:22:55.600 --> 0:22:58.040
<v Speaker 1>not even I'm talking about like even work, Like, hey,

0:22:58.080 --> 0:23:00.879
<v Speaker 1>you want to get together for a meeting yourself? I

0:23:00.920 --> 0:23:04.320
<v Speaker 1>think you text each other? Is it text each other?

0:23:04.400 --> 0:23:06.399
<v Speaker 1>One gets the number and then you text right away?

0:23:06.680 --> 0:23:12.800
<v Speaker 1>It's me, Yeah, I put in my notes. Then oh boy,

0:23:14.720 --> 0:23:18.320
<v Speaker 1>why because it seems easier, Like I'm trying to be

0:23:18.359 --> 0:23:22.520
<v Speaker 1>smooth and put in my notes. But that's so not efficient.

0:23:23.400 --> 0:23:25.080
<v Speaker 1>Well then you can click on it and send to

0:23:25.160 --> 0:23:30.200
<v Speaker 1>the person anyway. All right, So they exchange numbers. They've

0:23:30.200 --> 0:23:34.160
<v Speaker 1>been texting ever since, but the guy won't ask her out.

0:23:34.240 --> 0:23:36.400
<v Speaker 1>Let me get more. Madison's actually on the phone here.

0:23:36.680 --> 0:23:39.280
<v Speaker 1>His name is Jacob Madison. Good morning. Why won't he

0:23:39.359 --> 0:23:43.159
<v Speaker 1>ask you out? What's up? I honestly have no idea

0:23:43.280 --> 0:23:46.600
<v Speaker 1>because we got along so well, like we like we

0:23:46.800 --> 0:23:49.400
<v Speaker 1>really hit it off, Like every conversation was like slowing.

0:23:49.440 --> 0:23:52.639
<v Speaker 1>There was no awkward like pauses, like he seemed really

0:23:52.680 --> 0:23:55.399
<v Speaker 1>into me, So I honestly am like going crazy. I

0:23:55.440 --> 0:23:57.600
<v Speaker 1>have no idea why. Well, I'm gonna tell you what

0:23:57.640 --> 0:24:03.520
<v Speaker 1>Tissany's thinking. I'm thinking, don't chase him. I'm gonna tell

0:24:03.560 --> 0:24:08.879
<v Speaker 1>you then what Tanya is thinking, which is he probably

0:24:09.000 --> 0:24:14.520
<v Speaker 1>is a girlfriend. Everything is everything. But yeah, you know

0:24:14.560 --> 0:24:16.199
<v Speaker 1>what I would. That's kind of that kind of is

0:24:16.200 --> 0:24:19.159
<v Speaker 1>what I'm thinking, right, That's what I'm thinking because the

0:24:19.200 --> 0:24:23.440
<v Speaker 1>fact that he's giving you the I'm busy like, it's

0:24:23.480 --> 0:24:27.200
<v Speaker 1>not a good sign. It's strange, right, Probably what was

0:24:27.240 --> 0:24:31.200
<v Speaker 1>the super Bowl February twelfth? Yea, A long time here.

0:24:31.240 --> 0:24:33.000
<v Speaker 1>I just feel like maybe there's someone else. What are

0:24:33.040 --> 0:24:35.080
<v Speaker 1>you thinking, Tanya? I was thinking, good memory on you

0:24:35.119 --> 0:24:40.000
<v Speaker 1>for remembering the super Bowl Semperary twelve, right, a special day.

0:24:40.240 --> 0:24:42.160
<v Speaker 1>All right, So we're gonna see where we can track

0:24:42.200 --> 0:24:44.520
<v Speaker 1>him down. I mean, not much to go on here,

0:24:44.560 --> 0:24:47.879
<v Speaker 1>but why is he creating this dialogue with you and

0:24:47.920 --> 0:24:51.600
<v Speaker 1>then just not asking you out? Okay? So real quick

0:24:51.680 --> 0:24:54.280
<v Speaker 1>leaning to this. We're in the middle of a second

0:24:54.480 --> 0:25:01.440
<v Speaker 1>date update disaster. Madison met Jacob at a super Bowl party,

0:25:01.480 --> 0:25:04.560
<v Speaker 1>the one that just happened. They hit it off. They

0:25:04.560 --> 0:25:07.000
<v Speaker 1>don't watch the game, they're into each other. They exchanged numbers.

0:25:07.040 --> 0:25:09.560
<v Speaker 1>They've been talking ever since. But he will not make

0:25:09.560 --> 0:25:12.520
<v Speaker 1>the move. He won't even ask her out, and she's

0:25:12.600 --> 0:25:16.159
<v Speaker 1>like wanting him to ask her out. So Madison, I

0:25:16.240 --> 0:25:17.679
<v Speaker 1>have Jacob on the phone. Let me see what we

0:25:17.680 --> 0:25:19.360
<v Speaker 1>can find out. Just be really quiet. You're gonna listen

0:25:19.400 --> 0:25:23.320
<v Speaker 1>in on this. Okay, Okay, okay, Jacob, thanks for holding on.

0:25:23.720 --> 0:25:26.080
<v Speaker 1>We're calling about a woman named Madison that you know.

0:25:26.160 --> 0:25:30.320
<v Speaker 1>Is that sound familiar? Oh yeah, So how did you

0:25:30.320 --> 0:25:36.120
<v Speaker 1>meet Madison? Oh? Better? At a super Bowl party one

0:25:36.119 --> 0:25:40.560
<v Speaker 1>of my friends was having and we just kind of

0:25:41.840 --> 0:25:45.919
<v Speaker 1>started off about it, talking about some food or guacamolea

0:25:46.000 --> 0:25:49.920
<v Speaker 1>or whatever, and then just didn't stop talking all night.

0:25:50.560 --> 0:25:53.480
<v Speaker 1>And what was it you talked about about the guacamole?

0:25:55.359 --> 0:25:57.240
<v Speaker 1>We just talked about how it was like the perfect

0:25:57.320 --> 0:26:00.159
<v Speaker 1>blend of spices. You know, a lot of people too

0:26:00.240 --> 0:26:02.639
<v Speaker 1>much tomato or too much garwacre and stuff, but it

0:26:02.720 --> 0:26:06.200
<v Speaker 1>was just I actually like, deal on my guacamole. Have

0:26:06.280 --> 0:26:10.639
<v Speaker 1>you had that? I can't say I half if you do.

0:26:10.680 --> 0:26:12.560
<v Speaker 1>If you're in a guacamole, you do a little like

0:26:12.640 --> 0:26:14.800
<v Speaker 1>fresh herbs on top, you can do some deal. Okay?

0:26:14.840 --> 0:26:18.280
<v Speaker 1>This is irrelevant. Yeah, no, I'm being serious. Has the

0:26:18.280 --> 0:26:22.560
<v Speaker 1>food take right? The reason we're calling you is Madison.

0:26:22.760 --> 0:26:26.400
<v Speaker 1>So when I say that name, what do you think?

0:26:26.440 --> 0:26:32.320
<v Speaker 1>What do you feel? Um? Well, she seems pretty cool, honestly,

0:26:32.440 --> 0:26:36.159
<v Speaker 1>I'm just kind of feeling it out right now. And

0:26:36.240 --> 0:26:41.399
<v Speaker 1>what are you feeling it out for? Well, you know,

0:26:42.400 --> 0:26:44.679
<v Speaker 1>I to say this, but she said something where we

0:26:44.680 --> 0:26:47.359
<v Speaker 1>were talking that kind of set us a little bit

0:26:47.400 --> 0:26:50.760
<v Speaker 1>of a red flag for me. Yeah, no, I don't

0:26:50.840 --> 0:26:57.320
<v Speaker 1>what happened. Um, well, we were talking and she said

0:26:57.920 --> 0:27:04.560
<v Speaker 1>that that she isn't really friends with a lot of girls.

0:27:04.560 --> 0:27:06.720
<v Speaker 1>She thinks that they are too much drama. So all

0:27:06.760 --> 0:27:10.679
<v Speaker 1>our friends are dudes and I don't know those kind

0:27:10.720 --> 0:27:12.360
<v Speaker 1>of girls. You kind of gotta watch out for them,

0:27:12.400 --> 0:27:18.879
<v Speaker 1>you know, totally. So why did that? What struck you

0:27:18.920 --> 0:27:25.760
<v Speaker 1>about that? What bothered you? Well, you know there's the

0:27:25.800 --> 0:27:29.280
<v Speaker 1>girls like that. You know, it's just awkward. You know,

0:27:29.359 --> 0:27:32.480
<v Speaker 1>it's like, you want to be friends with the girls friends, right,

0:27:32.560 --> 0:27:33.879
<v Speaker 1>you know, if you're in a relationship, you want to

0:27:33.880 --> 0:27:36.320
<v Speaker 1>be friends with their friends. I don't get along. But

0:27:36.920 --> 0:27:38.560
<v Speaker 1>if it's just a bunch of dudes that are hanging

0:27:38.600 --> 0:27:42.320
<v Speaker 1>out with and just her it's like awker. I don't

0:27:42.320 --> 0:27:44.359
<v Speaker 1>know who has feelings or who or if they're as

0:27:44.400 --> 0:27:47.520
<v Speaker 1>a past with one of them. Are you you're like

0:27:47.600 --> 0:27:53.720
<v Speaker 1>already jealous, Well, not jealous, it's just you kind of

0:27:53.760 --> 0:27:56.600
<v Speaker 1>gotta be wary of those kind of people because if

0:27:56.640 --> 0:27:59.120
<v Speaker 1>you're because there's a girl that's like hanging a bunch

0:27:59.160 --> 0:28:04.560
<v Speaker 1>of guys, you just always around all that like competition,

0:28:04.800 --> 0:28:09.160
<v Speaker 1>and you don't know, then why not have you've been out?

0:28:09.680 --> 0:28:11.680
<v Speaker 1>Have you asked her out? But have you made a move?

0:28:11.720 --> 0:28:14.840
<v Speaker 1>Have you asked her out? Oh? Not really, I just

0:28:14.840 --> 0:28:18.520
<v Speaker 1>didn't kind of enjoying seems like clu. But Jacob, if

0:28:18.520 --> 0:28:20.080
<v Speaker 1>it's on your mind that some of the other guy's

0:28:20.119 --> 0:28:22.320
<v Speaker 1>gonna make the move, you should make the move. Yeah,

0:28:22.359 --> 0:28:27.160
<v Speaker 1>you're just assuming all of this, that's true. I just

0:28:27.680 --> 0:28:29.359
<v Speaker 1>I don't know. I've had some bad experiences in the

0:28:29.359 --> 0:28:31.720
<v Speaker 1>past of the like this. But bro, do you want

0:28:31.720 --> 0:28:35.840
<v Speaker 1>to go out with Madison? I do? I? Do you?

0:28:35.880 --> 0:28:37.320
<v Speaker 1>Do you want to go out with? Things? Pretty cool?

0:28:37.600 --> 0:28:39.719
<v Speaker 1>I think she seems very cool and then ask her

0:28:39.920 --> 0:28:42.280
<v Speaker 1>I should ask her out? She wants to go out

0:28:42.280 --> 0:28:44.760
<v Speaker 1>with you, and she's on the phone right now, Jacob,

0:28:44.840 --> 0:28:50.080
<v Speaker 1>So let's go Madison, Are you hearing this? Oh wow, yeah, yeah.

0:28:50.120 --> 0:28:54.200
<v Speaker 1>I honestly I can't believe like the things you just said,

0:28:54.280 --> 0:28:57.520
<v Speaker 1>because like I of all the things that we talked

0:28:57.520 --> 0:28:59.400
<v Speaker 1>about and we got along with, like this is the

0:28:59.600 --> 0:29:06.320
<v Speaker 1>thing you're concerned about, and that's a little wild to me. Ah,

0:29:06.360 --> 0:29:10.920
<v Speaker 1>that's awkward. Um, I guess it's just I don't know

0:29:11.000 --> 0:29:14.160
<v Speaker 1>if you just like the attention from guys or I

0:29:14.200 --> 0:29:17.520
<v Speaker 1>don't know, I don't know what it is. No, no, no,

0:29:17.720 --> 0:29:21.440
<v Speaker 1>I I honestly just feel like I click better with

0:29:21.600 --> 0:29:25.200
<v Speaker 1>guys because I've never really been like one to have

0:29:25.240 --> 0:29:27.760
<v Speaker 1>a lot of girlfriends, Like they always just seem to

0:29:27.760 --> 0:29:30.120
<v Speaker 1>be super into like frivolous stuff, and I'm just like

0:29:30.800 --> 0:29:33.680
<v Speaker 1>I'm not into that. So I just prefer hanging out

0:29:33.680 --> 0:29:37.160
<v Speaker 1>with guys, like honestly, we just get along better. So

0:29:37.400 --> 0:29:42.840
<v Speaker 1>it was, yeah, I don't know. Usually a much gas experience,

0:29:42.880 --> 0:29:46.440
<v Speaker 1>it's like it's a girl does not have friends as

0:29:46.440 --> 0:29:50.560
<v Speaker 1>a lot of girls because not because you don't want

0:29:50.560 --> 0:29:55.000
<v Speaker 1>to hang out with her, it's because like there's something

0:29:55.040 --> 0:29:57.760
<v Speaker 1>wrong with you and they you're putting off a bad

0:29:57.840 --> 0:30:03.920
<v Speaker 1>vibe for them, you know. I'm that doesn't have to

0:30:03.960 --> 0:30:08.120
<v Speaker 1>be the case. I'm just Jacob, can you ask her out?

0:30:09.120 --> 0:30:10.520
<v Speaker 1>I don't know that Madison wants to go out with

0:30:10.560 --> 0:30:11.920
<v Speaker 1>him at this point, Madison, do you want to go

0:30:11.960 --> 0:30:16.240
<v Speaker 1>out with Jacob? Honestly, like, at this point, I'm not

0:30:16.240 --> 0:30:18.320
<v Speaker 1>really sure anymore. I feel like this has like been

0:30:18.320 --> 0:30:21.160
<v Speaker 1>a waste of your time. I'm sorry, not a waste

0:30:21.200 --> 0:30:22.720
<v Speaker 1>of our time. If we get to a place where

0:30:22.760 --> 0:30:26.960
<v Speaker 1>you are clear, So I guess I need to ask

0:30:27.200 --> 0:30:29.560
<v Speaker 1>both of you is there a date here? Or should

0:30:29.560 --> 0:30:33.880
<v Speaker 1>we just move on? I would actually be willing to

0:30:33.880 --> 0:30:35.760
<v Speaker 1>take here out on a date. I think that there's

0:30:35.760 --> 0:30:38.560
<v Speaker 1>a little bit more that we could explore here. But Jacob,

0:30:38.600 --> 0:30:39.920
<v Speaker 1>I think he needs to be a little bit more

0:30:39.960 --> 0:30:43.480
<v Speaker 1>passionate about it, enthusiastic about it. I'm not Madison, but

0:30:43.520 --> 0:30:47.320
<v Speaker 1>if it were me, I would want that. Yeah, you

0:30:47.320 --> 0:30:49.320
<v Speaker 1>know what, You're right, I think I do like this

0:30:49.440 --> 0:30:54.040
<v Speaker 1>go and I'm gonna talk to her just as he

0:30:55.440 --> 0:30:59.040
<v Speaker 1>Let's do this, let's do Honestly, guys, like, it's fine,

0:31:00.040 --> 0:31:04.280
<v Speaker 1>never biden, because I feel I feel I'm suddenly feeling

0:31:04.280 --> 0:31:06.640
<v Speaker 1>like this kind of like like I'm desperate all of

0:31:06.680 --> 0:31:10.640
<v Speaker 1>a sudden, and I'm not that person. So honestly, guys,

0:31:10.680 --> 0:31:13.880
<v Speaker 1>I don't. I don't need this guy, and um, I

0:31:13.880 --> 0:31:15.600
<v Speaker 1>think I made him out to be greater than he

0:31:15.640 --> 0:31:20.800
<v Speaker 1>really is after one night and like this was a mistake.

0:31:21.040 --> 0:31:25.600
<v Speaker 1>But okay, I know, don't apologize. Okay, well, good thank

0:31:25.640 --> 0:31:29.920
<v Speaker 1>you for reaching out, Jacob. Good luck to you. Uh

0:31:30.120 --> 0:31:35.440
<v Speaker 1>you swing you miss get another bat? So I don't know,

0:31:35.560 --> 0:31:39.160
<v Speaker 1>he may not swing and still miss. Oh because that guy,

0:31:39.720 --> 0:31:42.400
<v Speaker 1>I don't know. I like him so close minded, but

0:31:43.120 --> 0:31:46.400
<v Speaker 1>I'll find fit. But how about a little bit of

0:31:46.440 --> 0:31:50.040
<v Speaker 1>excitement and wanting to take someone out to get to know? Yeah,

0:31:50.040 --> 0:31:53.560
<v Speaker 1>I guess alright to I mean, and I'm sitting here

0:31:53.640 --> 0:31:57.440
<v Speaker 1>with the microphone. I know, come on, Jacob, like we're

0:31:57.920 --> 0:32:00.400
<v Speaker 1>and he was like, yeah, but I don't. I wouldn't

0:32:00.400 --> 0:32:02.120
<v Speaker 1>want to go out some It's not like a little

0:32:02.160 --> 0:32:06.920
<v Speaker 1>more excited about like gas to take me out. He

0:32:07.040 --> 0:32:11.800
<v Speaker 1>put her in a box from the get go. He

0:32:11.840 --> 0:32:13.760
<v Speaker 1>already had his mind made up as to what type

0:32:13.760 --> 0:32:16.280
<v Speaker 1>of girl she was. But those are not the case.

0:32:16.560 --> 0:32:19.400
<v Speaker 1>I know, and that's not okay. But I don't think

0:32:19.400 --> 0:32:21.360
<v Speaker 1>he really wanted to go out again. I think he

0:32:21.480 --> 0:32:24.200
<v Speaker 1>was based on his tempo there. I'm not so sure

0:32:24.200 --> 0:32:28.480
<v Speaker 1>he really wanted it that date all right, Well that sucked.

0:32:29.040 --> 0:32:34.800
<v Speaker 1>That good okay, that was great on air with Ryan Seacrest.

0:32:36.760 --> 0:32:39.640
<v Speaker 1>Well this is interesting and I was gonna do something

0:32:39.720 --> 0:32:42.640
<v Speaker 1>else here, but just follow me for a second, Disney.

0:32:42.680 --> 0:32:45.640
<v Speaker 1>I think you're you can relate to this. No, I

0:32:45.680 --> 0:32:49.520
<v Speaker 1>cannot relate to this because I actually know freeways like

0:32:50.200 --> 0:32:53.640
<v Speaker 1>you don't rely on your GPS no at all. Oh,

0:32:53.760 --> 0:32:56.200
<v Speaker 1>I mean never if I don't know, like or if

0:32:56.200 --> 0:33:00.280
<v Speaker 1>you want to get a back root, yeah, exactly if trying.

0:33:00.760 --> 0:33:03.840
<v Speaker 1>All right, So if you wanted to get home, like

0:33:03.880 --> 0:33:06.800
<v Speaker 1>to where Losalle High School? Right, yes, I can get

0:33:06.840 --> 0:33:09.040
<v Speaker 1>to what would you take? I would get on the

0:33:09.080 --> 0:33:11.680
<v Speaker 1>one thirty four to the one oh one to the

0:33:11.760 --> 0:33:15.000
<v Speaker 1>five to then to the seven ten get to Long

0:33:15.000 --> 0:33:17.000
<v Speaker 1>Beach or the six o five to the four or five.

0:33:17.160 --> 0:33:19.720
<v Speaker 1>And if you don't follow those numbers, then you don't

0:33:19.760 --> 0:33:23.440
<v Speaker 1>live here. Yeah, So it all depend on it all

0:33:23.480 --> 0:33:25.440
<v Speaker 1>depends on the traffic in the time of day. Now

0:33:25.520 --> 0:33:27.200
<v Speaker 1>let me just bring in up our back room here,

0:33:27.240 --> 0:33:30.200
<v Speaker 1>marianna Um, how is it that you get to work

0:33:30.240 --> 0:33:34.320
<v Speaker 1>every day? I use my GPS every single day. Okay,

0:33:34.360 --> 0:33:36.520
<v Speaker 1>So if you do not have your GPS, would you

0:33:36.560 --> 0:33:38.920
<v Speaker 1>know how to get here to the studium burbank Um.

0:33:38.960 --> 0:33:42.320
<v Speaker 1>I feel like probably not, I'd probably get lost. So

0:33:42.360 --> 0:33:44.520
<v Speaker 1>what freeways do you take to get here? I have

0:33:44.560 --> 0:33:48.240
<v Speaker 1>no idea? And how long have you worked here? For

0:33:48.440 --> 0:33:51.760
<v Speaker 1>like seven months already and you don't know what freeways?

0:33:51.960 --> 0:33:55.480
<v Speaker 1>Where are you coming from from Riverside? A long drive?

0:33:55.520 --> 0:33:57.200
<v Speaker 1>I've got it, Yeah, I have a long drive. Get

0:33:57.240 --> 0:33:59.200
<v Speaker 1>in the car and you put on the GPS and

0:33:59.240 --> 0:34:03.000
<v Speaker 1>you and it just takes you. Yeah, well it has.

0:34:03.040 --> 0:34:04.880
<v Speaker 1>It's like I just put work and it just takes

0:34:04.920 --> 0:34:07.120
<v Speaker 1>me here and you don't hear the voice telling you

0:34:07.120 --> 0:34:09.279
<v Speaker 1>to take this exit in that exit. Yeah, but that's

0:34:09.320 --> 0:34:11.120
<v Speaker 1>why I have around. So I can you know, like

0:34:11.360 --> 0:34:14.720
<v Speaker 1>just about and do you think you take the fifty seven?

0:34:16.040 --> 0:34:21.800
<v Speaker 1>That doesn't sound familiar, but maybe I do. Oh my gosh, wait, okay,

0:34:22.000 --> 0:34:24.960
<v Speaker 1>this is about there is a generation that doesn't know

0:34:25.000 --> 0:34:29.560
<v Speaker 1>how to get home. We don't need to. Didn't Collette's

0:34:29.560 --> 0:34:33.600
<v Speaker 1>bone die once? Yeah? What happened to you? So this

0:34:33.680 --> 0:34:35.719
<v Speaker 1>was like back when my boyfriend and I were still

0:34:35.719 --> 0:34:37.840
<v Speaker 1>a long distance. So I was driving from San Diego

0:34:37.920 --> 0:34:40.839
<v Speaker 1>to LA and A right around and I was like

0:34:40.880 --> 0:34:43.200
<v Speaker 1>in Long Beach area. My phone died. I thought it

0:34:43.239 --> 0:34:46.080
<v Speaker 1>was charging the whole time, and I just like instantly

0:34:46.080 --> 0:34:47.640
<v Speaker 1>go into like a panic attack, and I'm just like

0:34:47.840 --> 0:34:51.400
<v Speaker 1>I don't know where I am. And so I was

0:34:51.440 --> 0:34:53.200
<v Speaker 1>like looking for all these stores. I was like in

0:34:53.239 --> 0:34:55.120
<v Speaker 1>the suburbs. I couldn't find a place to buy a

0:34:55.160 --> 0:34:58.440
<v Speaker 1>phone charger. Eventually I got like a CVS and I

0:34:58.480 --> 0:34:59.880
<v Speaker 1>went in and I bought a phone charger and I

0:35:00.000 --> 0:35:01.800
<v Speaker 1>to wait in my car for a little bit, because

0:35:01.840 --> 0:35:03.560
<v Speaker 1>you would have been you would have not known how

0:35:03.560 --> 0:35:05.919
<v Speaker 1>many times would you have driven that route before. At

0:35:05.920 --> 0:35:08.279
<v Speaker 1>this point it only been a few. But I'm gonna

0:35:08.320 --> 0:35:09.719
<v Speaker 1>have to side with Mariana. Even though I've lived in

0:35:09.800 --> 0:35:12.719
<v Speaker 1>LA for like over a year now, I don't curl up.

0:35:12.800 --> 0:35:14.680
<v Speaker 1>Where do you come from to get here? I come

0:35:14.719 --> 0:35:17.600
<v Speaker 1>from San Gabriel, like Pasadena area, and I like I

0:35:17.680 --> 0:35:20.000
<v Speaker 1>can like get here if my GPS is like done,

0:35:20.000 --> 0:35:21.560
<v Speaker 1>But it also like took me like a year in

0:35:21.680 --> 0:35:23.800
<v Speaker 1>order the Pasadena is a straight shot. That is the

0:35:23.880 --> 0:35:32.239
<v Speaker 1>one thirty four. Those three numbers sound familiar, one the

0:35:32.400 --> 0:35:34.680
<v Speaker 1>five sounds familiar, But you didn't say that one. So

0:35:34.760 --> 0:35:37.080
<v Speaker 1>now I'm confused, and I don't know. Maybe I don't

0:35:37.080 --> 0:35:39.839
<v Speaker 1>know where I mean, I get it. If you learned

0:35:39.880 --> 0:35:42.279
<v Speaker 1>to drive and you had a GPS like you kind

0:35:42.320 --> 0:35:47.280
<v Speaker 1>of can rely on that, but you should know at least, Maria,

0:35:47.440 --> 0:35:52.040
<v Speaker 1>you take the sixty okay, thanks to the seventy one.

0:35:53.440 --> 0:35:58.799
<v Speaker 1>Uh yeah, I think so to surprise the fifty seven. Yes,

0:35:58.920 --> 0:36:00.560
<v Speaker 1>you for sure have to take at least fifty seven

0:36:00.560 --> 0:36:06.319
<v Speaker 1>to the two ten, ten to the what to get here?

0:36:06.360 --> 0:36:08.279
<v Speaker 1>To the one thirty four. No, I'm not asking you.

0:36:08.480 --> 0:36:11.759
<v Speaker 1>Oh do you see that? All that already confused me.

0:36:12.640 --> 0:36:14.640
<v Speaker 1>Just like listening to Ginger in the morning, we're just like, yeah,

0:36:14.719 --> 0:36:17.840
<v Speaker 1>that sounds right. Yeah. I'm always so impressed that Ginger

0:36:17.960 --> 0:36:21.640
<v Speaker 1>because she's so good with all the freeways their Ginger

0:36:21.719 --> 0:36:25.719
<v Speaker 1>Jan stands high back room every time she comes on.

0:36:25.960 --> 0:36:27.879
<v Speaker 1>I have to say, there's a large population of people

0:36:27.920 --> 0:36:29.880
<v Speaker 1>that do know the freeways that they're taking this morning,

0:36:29.880 --> 0:36:31.239
<v Speaker 1>and they do know how to connect them all to

0:36:31.280 --> 0:36:33.719
<v Speaker 1>get to where they're going to work. So Tanya, let

0:36:33.719 --> 0:36:36.800
<v Speaker 1>me ask you if you had to drive from here.

0:36:37.800 --> 0:36:42.600
<v Speaker 1>M well, I've worked here for like almost a decade,

0:36:42.640 --> 0:36:47.719
<v Speaker 1>all right, how to get to the forum from where here?

0:36:47.880 --> 0:36:54.480
<v Speaker 1>I'm here? I have Galler, I don't know the five

0:36:54.640 --> 0:36:55.719
<v Speaker 1>I know I take the four or five, But I

0:36:55.719 --> 0:36:56.880
<v Speaker 1>don't know what I need to take to get to

0:36:56.920 --> 0:36:59.719
<v Speaker 1>the four or five here. No, I don't know how

0:36:59.760 --> 0:37:02.600
<v Speaker 1>to get from out this building to the four or five. No,

0:37:03.080 --> 0:37:05.720
<v Speaker 1>because to get home, I take the one thirty four everywhere,

0:37:06.520 --> 0:37:09.560
<v Speaker 1>but four you would get You would go one to

0:37:09.600 --> 0:37:11.759
<v Speaker 1>the one on one to the four or five. Okay, there,

0:37:11.920 --> 0:37:14.560
<v Speaker 1>so I can get from You gotta get on the

0:37:14.600 --> 0:37:16.160
<v Speaker 1>one thirty four to the one on one to get

0:37:16.160 --> 0:37:17.839
<v Speaker 1>out of here. No, what do you think those are?

0:37:18.560 --> 0:37:20.640
<v Speaker 1>I don't know. I put everything in my GPS. Oh

0:37:20.680 --> 0:37:23.080
<v Speaker 1>you're right there with them. I don't think it's weird.

0:37:23.239 --> 0:37:24.839
<v Speaker 1>We have our phones for a reason. We have all

0:37:24.880 --> 0:37:27.439
<v Speaker 1>this stuff in our cars to get us places. Thank

0:37:27.480 --> 0:37:29.920
<v Speaker 1>you well. You To get from here to Santa Monica,

0:37:30.520 --> 0:37:32.640
<v Speaker 1>I know I would take the four or five or

0:37:32.800 --> 0:37:38.960
<v Speaker 1>ten the ten, but give me the order. I don't know. No.

0:37:39.040 --> 0:37:42.839
<v Speaker 1>One thirty to the one on one, ten, the one

0:37:42.880 --> 0:37:46.400
<v Speaker 1>oh one to the yeh. I just don't know the

0:37:46.400 --> 0:37:49.240
<v Speaker 1>connector like I know the ones that go to certain places,

0:37:49.280 --> 0:37:50.840
<v Speaker 1>like the long ones. Like I know to get to

0:37:50.880 --> 0:37:52.680
<v Speaker 1>Orange County, I take the four or five, and I

0:37:52.719 --> 0:37:55.319
<v Speaker 1>know to get capacity and I take the one thirty four.

0:37:55.440 --> 0:37:59.400
<v Speaker 1>But right, it's that you and I when we started driving,

0:37:59.480 --> 0:38:05.080
<v Speaker 1>we had misguides that which was a binder. It was

0:38:05.120 --> 0:38:07.879
<v Speaker 1>a binder or we had to do map quests before

0:38:07.920 --> 0:38:09.720
<v Speaker 1>you left the house and you actually had to print

0:38:09.719 --> 0:38:12.239
<v Speaker 1>out a piece of paper and have your directions and

0:38:12.320 --> 0:38:14.719
<v Speaker 1>also ready to take ways everywhere. So when I go

0:38:14.760 --> 0:38:17.720
<v Speaker 1>to the forum, I don't take the freeway I'm taking.

0:38:17.800 --> 0:38:19.760
<v Speaker 1>I don't even know what streets I'm taking. I should

0:38:19.760 --> 0:38:21.759
<v Speaker 1>be grateful you guys make it every day. Thank you

0:38:21.800 --> 0:38:24.160
<v Speaker 1>all forgetting you're on a regular basis on time. I

0:38:24.160 --> 0:38:26.640
<v Speaker 1>don't realize how grateful we should be. It's a risk

0:38:26.680 --> 0:38:32.400
<v Speaker 1>every day, but we're here all right. On air with

0:38:32.719 --> 0:38:37.840
<v Speaker 1>Ryan Seacrest, I was talking to Connie Seacrest my mother yesterday,

0:38:38.320 --> 0:38:41.439
<v Speaker 1>like in the afternoon. I'm four thirty five o'clock and

0:38:41.520 --> 0:38:44.319
<v Speaker 1>she said, oh, I'm about to get ready. What are

0:38:44.320 --> 0:38:46.160
<v Speaker 1>you doing tonight? Well, I'm gonna make your father some

0:38:46.239 --> 0:38:50.360
<v Speaker 1>garbanzo beans and like bell peppers. I said, oh, all right, Well,

0:38:50.360 --> 0:38:51.879
<v Speaker 1>why are you telling me? Well, it's easy to eat

0:38:51.880 --> 0:38:53.920
<v Speaker 1>in front of the TV. We're gonna watch. Yeah. I

0:38:53.960 --> 0:38:56.320
<v Speaker 1>had Radio Music Awards, you know, Ryan Lenny Kravitz is

0:38:56.360 --> 0:38:58.440
<v Speaker 1>hosting it. Yes, mother, I know Lenny Kravitz is hosting,

0:38:58.960 --> 0:39:01.799
<v Speaker 1>and did he He did such a great job. By

0:39:01.800 --> 0:39:05.160
<v Speaker 1>the way, now you were there, Sissy, did you see

0:39:05.200 --> 0:39:08.160
<v Speaker 1>Taylor in the flash? Did I see Taylor? I mean

0:39:08.400 --> 0:39:13.040
<v Speaker 1>everybody stopped. Everybody started screaming the minute she walked in

0:39:13.080 --> 0:39:16.319
<v Speaker 1>the room in her bejeweled jumpsuit. By the way, the

0:39:16.360 --> 0:39:18.360
<v Speaker 1>whole she didn't really did make the whole place shimmer,

0:39:18.840 --> 0:39:21.960
<v Speaker 1>all right, Taylor. I think that was her purpose. She

0:39:22.160 --> 0:39:24.160
<v Speaker 1>won for Song of the Year for Anti Hero, and

0:39:24.200 --> 0:39:25.960
<v Speaker 1>here she is. You know, we're kind of like fed

0:39:26.080 --> 0:39:28.480
<v Speaker 1>the messaging that in order for it to be a

0:39:28.600 --> 0:39:31.880
<v Speaker 1>hit song, it has to be like really like I

0:39:31.880 --> 0:39:34.440
<v Speaker 1>don't know, simple, it has to be stuck in everybody's

0:39:34.440 --> 0:39:37.120
<v Speaker 1>head and you have to just not have lines in it,

0:39:37.160 --> 0:39:40.799
<v Speaker 1>like did you hear my covert narcissism? I disguise as

0:39:40.880 --> 0:39:46.120
<v Speaker 1>all truism, like some kind of congressman. So I got

0:39:46.160 --> 0:39:48.760
<v Speaker 1>fully prepped him, like it's not gonna work at radio.

0:39:48.920 --> 0:39:52.160
<v Speaker 1>This is not why we're doing this. Um. So, I

0:39:52.200 --> 0:39:56.200
<v Speaker 1>would like to thank iHeart and radio everywhere and fans

0:39:56.239 --> 0:40:01.120
<v Speaker 1>everywhere for proving that Raw I feel like she's even

0:40:01.200 --> 0:40:06.040
<v Speaker 1>at another level of fame, success and appeal then every right.

0:40:06.080 --> 0:40:07.799
<v Speaker 1>I mean I saw her at the Rose Bowl how

0:40:07.840 --> 0:40:10.719
<v Speaker 1>many years ago? Oh, that was for the Reputation tour.

0:40:10.800 --> 0:40:13.279
<v Speaker 1>That was twenty eight. I took my family to see

0:40:13.280 --> 0:40:15.560
<v Speaker 1>her at the Rose Bowl. My parents and I thought,

0:40:15.800 --> 0:40:17.799
<v Speaker 1>it doesn't it probably doesn't get bigger and better. I mean,

0:40:17.800 --> 0:40:19.239
<v Speaker 1>this is it. This is like she's going to run

0:40:19.280 --> 0:40:21.800
<v Speaker 1>this for for her life. But it doesn't bigger and

0:40:22.520 --> 0:40:24.920
<v Speaker 1>it does. Right, that's the thing, and that's the thing.

0:40:24.960 --> 0:40:28.000
<v Speaker 1>She stayed true to herself since day one. And she's

0:40:28.040 --> 0:40:30.360
<v Speaker 1>one of the only artists I think in our time

0:40:30.920 --> 0:40:34.719
<v Speaker 1>that has continued to write music for herself. I think

0:40:34.760 --> 0:40:36.920
<v Speaker 1>when some new artists come out, they have other writers

0:40:36.920 --> 0:40:39.359
<v Speaker 1>for them, and they write other people's or they sing

0:40:39.360 --> 0:40:42.040
<v Speaker 1>other people's music. But Taylor has sung her own song.

0:40:42.120 --> 0:40:44.600
<v Speaker 1>I mean it feels like a child trying to make

0:40:44.640 --> 0:40:46.360
<v Speaker 1>it and be an artist, right and be a singer.

0:40:46.680 --> 0:40:50.280
<v Speaker 1>And they were like, we're gonna throw you some help exactly,

0:40:50.280 --> 0:40:53.560
<v Speaker 1>which most young artists way to do it exactly, but

0:40:53.920 --> 0:40:56.319
<v Speaker 1>not Taylor. No. So she won the Innovator Award as well.

0:40:56.520 --> 0:41:07.279
<v Speaker 1>Have to give yourself permission to fail. I try as

0:41:07.320 --> 0:41:10.319
<v Speaker 1>hard as I can not to fail because it's embarrassing.

0:41:10.360 --> 0:41:13.640
<v Speaker 1>But I do give myself permission to and you should too,

0:41:13.800 --> 0:41:16.120
<v Speaker 1>So go easy on yourselves and just make the right

0:41:16.200 --> 0:41:19.880
<v Speaker 1>choices that feel right for you. And some days someone

0:41:20.000 --> 0:41:23.719
<v Speaker 1>might think that you've been innovative. Thank you so much

0:41:23.760 --> 0:41:26.880
<v Speaker 1>for that. The wisdom is fantastic. I have to tell you,

0:41:26.880 --> 0:41:33.520
<v Speaker 1>though I didn't. I don't give myself much permission to fail,

0:41:33.760 --> 0:41:37.480
<v Speaker 1>and I certainly wouldn't consider it in my twenties and

0:41:37.560 --> 0:41:40.440
<v Speaker 1>in my early thirties, I know, which is not healthy,

0:41:41.320 --> 0:41:44.799
<v Speaker 1>but I wouldn't even I mean, I would beat myself

0:41:44.920 --> 0:41:48.359
<v Speaker 1>up over anything, to the point where I couldn't even

0:41:48.360 --> 0:41:51.399
<v Speaker 1>sit at dinner if my folks were in town. Yeah,

0:41:51.440 --> 0:41:53.600
<v Speaker 1>but that was her whole, her whole point to that speech.

0:41:53.640 --> 0:41:55.759
<v Speaker 1>She was just like, I'm being celebrated all the time

0:41:55.800 --> 0:41:57.600
<v Speaker 1>for all of my successes and all the things that

0:41:57.680 --> 0:41:59.840
<v Speaker 1>I do great, But what you guys don't see or

0:41:59.840 --> 0:42:02.839
<v Speaker 1>all the thousands of times that I have failed. And

0:42:02.880 --> 0:42:05.359
<v Speaker 1>that's where she's saying, like, give yourself permission to fail,

0:42:05.400 --> 0:42:08.080
<v Speaker 1>because that's where you learn. Do you know? Who is

0:42:08.160 --> 0:42:11.520
<v Speaker 1>like an Icon literally won the Icon Award last night,

0:42:11.560 --> 0:42:15.000
<v Speaker 1>and when we were on the Red carpet pink. Yes,

0:42:15.320 --> 0:42:18.560
<v Speaker 1>and she stayed and talked to us. I honestly felt

0:42:18.560 --> 0:42:20.799
<v Speaker 1>like ten minutes. What was she saying. Well, she was

0:42:20.840 --> 0:42:24.439
<v Speaker 1>talking just about how like she can stay she stayed

0:42:24.440 --> 0:42:26.600
<v Speaker 1>true to herself, and how to be confident in your

0:42:26.640 --> 0:42:28.839
<v Speaker 1>own skin, and how it's hard for you know, new

0:42:28.960 --> 0:42:31.279
<v Speaker 1>artists coming in, and how she always stayed true to

0:42:31.320 --> 0:42:34.439
<v Speaker 1>who she was. And then she was just talking about

0:42:34.440 --> 0:42:36.120
<v Speaker 1>how excited she was for the performance because she was

0:42:36.120 --> 0:42:38.200
<v Speaker 1>getting a lot of women together and so that was

0:42:38.280 --> 0:42:40.719
<v Speaker 1>kind of cool to see the performance. She did like

0:42:40.800 --> 0:42:44.879
<v Speaker 1>trust Falls and Everything is Pink. Winner of the Icon

0:42:44.960 --> 0:42:47.360
<v Speaker 1>Award last night, our Ihet Radio Music Award. You have

0:42:47.440 --> 0:42:50.960
<v Speaker 1>watched me do this, this sifting through life's messiness for

0:42:51.000 --> 0:42:54.080
<v Speaker 1>almost twenty five years. Wow. And some of you find

0:42:54.120 --> 0:42:56.840
<v Speaker 1>what I do annoying and some of you find it brave,

0:42:57.080 --> 0:43:02.400
<v Speaker 1>and I find it. I just find it necessary. I

0:43:02.480 --> 0:43:04.719
<v Speaker 1>think as human beings, we are vulnerable from the time

0:43:04.760 --> 0:43:06.520
<v Speaker 1>we are born until the time we die, and most

0:43:06.520 --> 0:43:10.359
<v Speaker 1>of us went our entire lives running from that vulnerability

0:43:10.400 --> 0:43:14.400
<v Speaker 1>means the ability to be wounded. I have decided to

0:43:14.440 --> 0:43:20.080
<v Speaker 1>make vulnerability my life's work. I feel like this is

0:43:20.440 --> 0:43:25.600
<v Speaker 1>all therapy, these speeches that therapists might say to us.

0:43:26.400 --> 0:43:29.319
<v Speaker 1>I felt like a lot of oviews were very therapeutic.

0:43:29.480 --> 0:43:32.080
<v Speaker 1>On the carpet yesterday, like everybody we were really talking

0:43:32.120 --> 0:43:34.960
<v Speaker 1>about like soul searching things. It was very interesting. I

0:43:35.000 --> 0:43:38.359
<v Speaker 1>also have always looked at pink in an admiration of

0:43:38.400 --> 0:43:41.560
<v Speaker 1>not giving an F yeah stuff right, Like she said

0:43:41.600 --> 0:43:43.560
<v Speaker 1>it may annoy people. She doesn't give an F. No,

0:43:43.800 --> 0:43:46.640
<v Speaker 1>it doesn't care. And she kicked off the show with

0:43:46.719 --> 0:43:49.400
<v Speaker 1>a bang. I mean her performance. You know, she always

0:43:49.400 --> 0:43:53.799
<v Speaker 1>does really cool, elaborate performances. She had crazy trampolines. She

0:43:53.840 --> 0:43:55.960
<v Speaker 1>did a trust fall from probably like ten feet up

0:43:56.000 --> 0:43:58.520
<v Speaker 1>in the air. She just imagine going backwards like into

0:43:58.560 --> 0:44:00.440
<v Speaker 1>the audience kind of and then she just like trusting

0:44:00.440 --> 0:44:02.480
<v Speaker 1>you answers to catch you. This was a test for

0:44:02.520 --> 0:44:04.799
<v Speaker 1>her tour, she basically said, I heart gave her the

0:44:04.840 --> 0:44:08.000
<v Speaker 1>reins to kind of like test this this situation to

0:44:08.040 --> 0:44:13.320
<v Speaker 1>see how yeah, which is really cool Air with Ryan Seacrest.

0:44:16.560 --> 0:44:20.080
<v Speaker 1>Let me grab this call for a second. Here Jessica

0:44:20.160 --> 0:44:23.760
<v Speaker 1>is on the phone. It is a Tuesday morning. Good morning, Jessica,

0:44:23.800 --> 0:44:27.000
<v Speaker 1>how are you good? How are you guys doing well?

0:44:27.040 --> 0:44:31.239
<v Speaker 1>So your husband's ex has pictures of him on her Instagram.

0:44:31.560 --> 0:44:37.000
<v Speaker 1>Yes she does. She came up on under like people

0:44:37.040 --> 0:44:39.880
<v Speaker 1>you may know, so naturally I just scroll through it,

0:44:39.960 --> 0:44:42.960
<v Speaker 1>and I mean, it's way back. My husband and I

0:44:43.000 --> 0:44:46.680
<v Speaker 1>have been together for like ten years. But I don't know.

0:44:46.800 --> 0:44:49.480
<v Speaker 1>I just still think it's like kind of weird and

0:44:49.680 --> 0:44:51.160
<v Speaker 1>I don't know if I should bring it up to

0:44:51.239 --> 0:44:53.759
<v Speaker 1>him or not. Are just like let it go? Why

0:44:53.760 --> 0:44:55.759
<v Speaker 1>does she still pictures of and what did pictures of?

0:44:56.960 --> 0:44:59.600
<v Speaker 1>That's a good question. The only thing is too is

0:45:00.000 --> 0:45:02.600
<v Speaker 1>you still do talk occasionally. She's really good friends with

0:45:02.640 --> 0:45:05.799
<v Speaker 1>my sister in law. So I don't know. I just

0:45:05.840 --> 0:45:08.160
<v Speaker 1>find it to be so odd, Like I don't know

0:45:08.200 --> 0:45:11.520
<v Speaker 1>if I should studied to him. Won't bring it up

0:45:11.560 --> 0:45:12.960
<v Speaker 1>to my sister in law and be like, do you

0:45:13.000 --> 0:45:15.080
<v Speaker 1>think it's weird or I'm am I making too big

0:45:15.120 --> 0:45:17.279
<v Speaker 1>of a deal of it. You have a look on

0:45:17.320 --> 0:45:20.520
<v Speaker 1>your face. It's so complicated because she's friends with the

0:45:20.560 --> 0:45:24.640
<v Speaker 1>sister in law, So that is like another layer that

0:45:25.239 --> 0:45:28.600
<v Speaker 1>already makes me kind of feel uncomfortable. Um, I would

0:45:28.600 --> 0:45:31.200
<v Speaker 1>have just I would just drop it. I wouldn't bring

0:45:31.239 --> 0:45:32.880
<v Speaker 1>it up. Look, you're married, and you said you've been

0:45:32.880 --> 0:45:35.640
<v Speaker 1>together for ten years. I would not have this even

0:45:35.719 --> 0:45:38.759
<v Speaker 1>be an issue. Your husband loves you, you love him.

0:45:38.960 --> 0:45:42.640
<v Speaker 1>You guys are happily married. Don't even give this any

0:45:42.680 --> 0:45:48.600
<v Speaker 1>more time than it needs. Okay, that's a good perspective.

0:45:48.719 --> 0:45:52.120
<v Speaker 1>That's inminding myself up to. I think, so we'll also

0:45:52.160 --> 0:45:54.320
<v Speaker 1>I think about what you would do. You'd be asking

0:45:54.400 --> 0:45:56.680
<v Speaker 1>him to ask her to pack down the photos, and

0:45:56.719 --> 0:45:58.440
<v Speaker 1>it's just like, play that out in your head. It's

0:45:58.440 --> 0:46:03.240
<v Speaker 1>so yeah, you're asking them to interact. It just seems petty,

0:46:03.360 --> 0:46:05.760
<v Speaker 1>and it seems like Susy said, don't waste your time

0:46:05.760 --> 0:46:09.919
<v Speaker 1>and energy and any emotion on it and just move on.

0:46:10.440 --> 0:46:13.640
<v Speaker 1>You are in a good, seemingly good place with anything.

0:46:13.719 --> 0:46:19.200
<v Speaker 1>It makes her look desperate, right, Yeah, she's the one

0:46:19.239 --> 0:46:20.880
<v Speaker 1>that has them on her Instagram. You know, it's not

0:46:20.920 --> 0:46:23.880
<v Speaker 1>your husband that has them on his. Yeah, that is

0:46:23.920 --> 0:46:26.759
<v Speaker 1>really true. You guys give me a really good perspective

0:46:26.760 --> 0:46:33.920
<v Speaker 1>on this. Thank you, Thank you, Jessica, Bye bye. Good advice.

0:46:35.160 --> 0:46:37.920
<v Speaker 1>You know, but I know that it still stings. We

0:46:38.000 --> 0:46:39.920
<v Speaker 1>get these advice calls. I get a little exhausted by

0:46:39.920 --> 0:46:41.840
<v Speaker 1>the end because I throw myself into the situation and

0:46:41.920 --> 0:46:45.120
<v Speaker 1>kind of live it, you know, like I have you

0:46:45.120 --> 0:46:49.840
<v Speaker 1>get mad. I don't know. I can suspend disbelief and

0:46:49.840 --> 0:46:51.600
<v Speaker 1>all of a sudden I'm in it, I'm leaving it,

0:46:51.640 --> 0:46:53.799
<v Speaker 1>and then I feel exhausted after it. I know, I

0:46:53.840 --> 0:47:03.000
<v Speaker 1>know what you mean. On air with Ryan Seacrest, people

0:47:03.000 --> 0:47:04.960
<v Speaker 1>really have to createst job in the world. Why don't

0:47:04.960 --> 0:47:07.960
<v Speaker 1>you point seven, kiss up down? You're a kiss where

0:47:08.000 --> 0:47:10.040
<v Speaker 1>we do what we do. And we started this morning

0:47:10.080 --> 0:47:12.520
<v Speaker 1>at six. It's now nine, and that kind of just

0:47:12.600 --> 0:47:14.279
<v Speaker 1>said I don't really want to do this, but I

0:47:14.280 --> 0:47:16.640
<v Speaker 1>don't want to say that because just because it might

0:47:16.680 --> 0:47:19.439
<v Speaker 1>be a tough question, they're all going to ask each other.

0:47:19.520 --> 0:47:21.239
<v Speaker 1>We shouldn't shy away from it. Why because we have

0:47:21.280 --> 0:47:23.319
<v Speaker 1>the greatest job in the world, So so what if

0:47:23.320 --> 0:47:25.719
<v Speaker 1>it's a tough question. So we had this guy on,

0:47:26.400 --> 0:47:31.360
<v Speaker 1>Jay Shetty. Now Jay is a what he's a life coach.

0:47:32.520 --> 0:47:35.080
<v Speaker 1>So he comes on and I have to tell you

0:47:35.080 --> 0:47:37.160
<v Speaker 1>you told me about him. I saw his books. He

0:47:37.239 --> 0:47:39.640
<v Speaker 1>was a monk, he's now not. I was impressed and

0:47:39.640 --> 0:47:42.560
<v Speaker 1>I really liked what he had to say. So we

0:47:42.600 --> 0:47:46.840
<v Speaker 1>started with some questions from him. He said, if you

0:47:46.880 --> 0:47:49.080
<v Speaker 1>know this is stuff from his his life coaching. He

0:47:49.080 --> 0:47:52.680
<v Speaker 1>says if you're younger self met you, Now, what would

0:47:53.160 --> 0:47:56.279
<v Speaker 1>make them happy? What would make them sad about you today?

0:47:56.320 --> 0:47:58.080
<v Speaker 1>And we answered that and it was a little It

0:47:58.160 --> 0:48:01.319
<v Speaker 1>was we did some work, ye kind of emotional, did

0:48:01.440 --> 0:48:03.279
<v Speaker 1>some work to get to those answers. I had a

0:48:03.280 --> 0:48:05.200
<v Speaker 1>lot of people texting me after that air and being like,

0:48:05.280 --> 0:48:08.759
<v Speaker 1>are you okay? I was fine, Yeah, you were fine,

0:48:08.760 --> 0:48:11.680
<v Speaker 1>But I like broke down. Oh you okay? I said,

0:48:11.719 --> 0:48:14.839
<v Speaker 1>you met oz? Yeah, yeah, you're fine. Fine. I mean,

0:48:14.840 --> 0:48:16.560
<v Speaker 1>I don't know if you're fine. You seem fine right

0:48:17.280 --> 0:48:21.319
<v Speaker 1>next next break you were back. Sometimes you just have

0:48:21.360 --> 0:48:23.360
<v Speaker 1>to have a good cry. Yeah, and it's fine to

0:48:23.400 --> 0:48:27.080
<v Speaker 1>do it here. Why because we're three people working on

0:48:27.080 --> 0:48:31.160
<v Speaker 1>a radio show. Um, all right, so here's the question.

0:48:32.120 --> 0:48:34.799
<v Speaker 1>And this comes at random. I think Mark picked this

0:48:34.920 --> 0:48:39.000
<v Speaker 1>question from one of his self help, relationship, life coaching

0:48:39.160 --> 0:48:42.640
<v Speaker 1>books or lessons. What do you think makes a person

0:48:42.719 --> 0:48:46.920
<v Speaker 1>most attractive? And how attractive are you on that scale? Sissy?

0:48:46.960 --> 0:48:55.239
<v Speaker 1>We'll start with you. Um, I think, well there's a

0:48:55.320 --> 0:48:58.440
<v Speaker 1>more Could that be one thing? Yeah? One thing? No,

0:48:58.560 --> 0:49:02.600
<v Speaker 1>there are no rules, okay. I think what makes someone

0:49:02.800 --> 0:49:06.719
<v Speaker 1>most attractive is confidence. Oh I didn't think of that.

0:49:06.880 --> 0:49:10.520
<v Speaker 1>You know someone that kind of takes charge and is

0:49:10.800 --> 0:49:15.320
<v Speaker 1>essentially a leader that to me is very attractive in humor.

0:49:16.960 --> 0:49:18.759
<v Speaker 1>So now those are two different things. But for me,

0:49:18.880 --> 0:49:20.880
<v Speaker 1>confidence and humor, where are you on the scale of

0:49:20.920 --> 0:49:25.360
<v Speaker 1>confidence and humor at once? To know? I think yes,

0:49:26.000 --> 0:49:29.120
<v Speaker 1>I think for me those are high on the list.

0:49:29.200 --> 0:49:33.040
<v Speaker 1>I think that's kind of I think I naturally have confidence,

0:49:33.440 --> 0:49:36.480
<v Speaker 1>especially in a relationship that consider you a leader. Okay,

0:49:37.719 --> 0:49:41.160
<v Speaker 1>let's get to what do you think makes a person

0:49:41.200 --> 0:49:43.680
<v Speaker 1>most attractive? Okay, so I'm going to go off Sisney's

0:49:43.760 --> 0:49:46.719
<v Speaker 1>confidence because mine also is a seward. So I think

0:49:46.719 --> 0:49:51.480
<v Speaker 1>it's kind of cute. Character. Good one. You guys are

0:49:51.520 --> 0:49:54.600
<v Speaker 1>better at this game than I. Character to me is

0:49:55.400 --> 0:49:57.799
<v Speaker 1>above the rest, the most important thing. And I feel

0:49:57.800 --> 0:50:01.080
<v Speaker 1>like you can really tell a person's character on a

0:50:01.160 --> 0:50:03.959
<v Speaker 1>first date by the way they interact with the wait

0:50:04.080 --> 0:50:06.719
<v Speaker 1>staff or people in the bar, or how they talk

0:50:06.760 --> 0:50:08.520
<v Speaker 1>about the people in their lives. I feel like you

0:50:08.520 --> 0:50:11.960
<v Speaker 1>can really tell somebody's character and what what are you?

0:50:12.160 --> 0:50:14.719
<v Speaker 1>How attractive are you on that scale? I think I

0:50:14.760 --> 0:50:18.120
<v Speaker 1>have a very strong character. I think I'm a very loyal,

0:50:18.200 --> 0:50:23.360
<v Speaker 1>trustworthy person. And um oh hi, hold on one second,

0:50:23.440 --> 0:50:27.200
<v Speaker 1>go ahead? Oh uh, so I would say, I'd say,

0:50:27.239 --> 0:50:29.200
<v Speaker 1>I'm I'm high up. I'm still a work in progress,

0:50:29.239 --> 0:50:31.279
<v Speaker 1>but I think I have a really strong character. All right,

0:50:31.400 --> 0:50:33.520
<v Speaker 1>good like it? Very good answers. I'm just talking with

0:50:33.600 --> 0:50:35.799
<v Speaker 1>Sisney and Tanya. I'll explain later. But what do you

0:50:35.840 --> 0:50:42.279
<v Speaker 1>think my most attractive quality is? Oh, that's a good one. Well,

0:50:42.320 --> 0:50:47.759
<v Speaker 1>what's the answer? Quicker? Quicker? I love the fact that

0:50:47.800 --> 0:50:55.080
<v Speaker 1>you are goofy fun with anything, even if it's something

0:50:55.280 --> 0:50:57.759
<v Speaker 1>like something serious you're doing. You'd like to just make

0:50:57.800 --> 0:51:02.359
<v Speaker 1>it full of life. Mate. Yeah, And how attractive am

0:51:02.360 --> 0:51:04.360
<v Speaker 1>I at that? I know I has? She And now's

0:51:06.040 --> 0:51:09.000
<v Speaker 1>all right, I'm all right, I'll call I'll explain by later.

0:51:10.360 --> 0:51:15.719
<v Speaker 1>So I was gonna say, I'm attracted to smiles. Like

0:51:15.920 --> 0:51:19.360
<v Speaker 1>smiles to me are like they say, the eyes of

0:51:19.400 --> 0:51:21.080
<v Speaker 1>the windows to the soul. Smile to me, it's like

0:51:21.120 --> 0:51:24.120
<v Speaker 1>the window to all the things you said, confidence and character,

0:51:25.480 --> 0:51:29.040
<v Speaker 1>and with that smile comes all those things, like an

0:51:29.080 --> 0:51:33.960
<v Speaker 1>abundance of traits and qualities. Right, So then on that scale,

0:51:34.400 --> 0:51:36.960
<v Speaker 1>do you have a good a good smile? What would

0:51:36.960 --> 0:51:41.640
<v Speaker 1>you give it a number? M hmm, good. Nine that's

0:51:41.640 --> 0:51:48.240
<v Speaker 1>a good smile, Not right, nine that's pretty good. Actually

0:51:48.239 --> 0:51:51.640
<v Speaker 1>your smile. You know, I enjoyed your Uni video. Oh

0:51:52.560 --> 0:51:54.319
<v Speaker 1>I thought you had a good smile in that video.

0:51:54.600 --> 0:51:57.480
<v Speaker 1>I wanted to try it. You should try uney. It's

0:51:57.520 --> 0:51:59.560
<v Speaker 1>really good. It's see our chidden. They've got them right up.

0:52:00.000 --> 0:52:02.080
<v Speaker 1>I think the key to your operation was the bread

0:52:02.480 --> 0:52:04.719
<v Speaker 1>that you put it, all of it with the egg.

0:52:04.840 --> 0:52:06.520
<v Speaker 1>I was like, I've never tried it like that, So

0:52:07.040 --> 0:52:09.760
<v Speaker 1>I check out my Instagram feed if you want more detail.

0:52:09.960 --> 0:52:11.400
<v Speaker 1>It was very good. And the fact that you went

0:52:11.480 --> 0:52:15.600
<v Speaker 1>down onto the streets and had random people try it. Wow,

0:52:15.680 --> 0:52:17.839
<v Speaker 1>he's really going. He's gone for he's trying to get

0:52:17.920 --> 0:52:22.239
<v Speaker 1>the traction in my secret and gradient was the limes test. Yeah,

0:52:22.840 --> 0:52:25.799
<v Speaker 1>did you guys see that back room on my Instagram feed?

0:52:25.880 --> 0:52:31.359
<v Speaker 1>My big post? Yeah? Sure did day? Big Day? Did

0:52:31.440 --> 0:52:34.719
<v Speaker 1>you comment? I liked it? I liked Yeah, I gave

0:52:34.760 --> 0:52:36.719
<v Speaker 1>you a clap comments. Wait, you liked it? What did you?

0:52:36.840 --> 0:52:39.040
<v Speaker 1>What did you say? Though, let's put a heart just

0:52:39.400 --> 0:52:43.239
<v Speaker 1>They liked it like yeah, like a double tap. They

0:52:43.320 --> 0:52:45.000
<v Speaker 1>liked it like I liked it too, But what did

0:52:45.040 --> 0:52:46.840
<v Speaker 1>you say? I did notice something in one of your

0:52:46.880 --> 0:52:50.239
<v Speaker 1>photos on Instagram. Go on, maybe I'll save it for later.

0:52:50.480 --> 0:52:54.520
<v Speaker 1>I feel like Mark's getting up stressed, Getting stressed break

0:52:54.640 --> 0:52:56.640
<v Speaker 1>is going too long? Ye all right, then let's take

0:52:56.640 --> 0:52:59.279
<v Speaker 1>a break. It's a physical feature of Yours Last Night

0:52:59.480 --> 0:53:01.680
<v Speaker 1>Big Show or I our Radio Music Awards with Lenny

0:53:01.719 --> 0:53:05.040
<v Speaker 1>Kravitz as host Taylor as your one Pink Big winner

0:53:05.040 --> 0:53:09.200
<v Speaker 1>for the Icon Award and Latin Pop Song of the Year, Mommy,

0:53:09.560 --> 0:53:13.239
<v Speaker 1>Becky G and Carol G. Here's a Becky g A.

0:53:13.560 --> 0:53:16.560
<v Speaker 1>As Nichola said, two G's too, Mummy's one hit song.

0:53:17.160 --> 0:53:20.640
<v Speaker 1>I think it really just demonstrates that Humpatsmo's musk. When

0:53:20.680 --> 0:53:22.560
<v Speaker 1>we come together as women in this industry, we are

0:53:22.640 --> 0:53:25.840
<v Speaker 1>capable of not just making hit songs, when making history

0:53:25.880 --> 0:53:28.880
<v Speaker 1>and setting in an example that when we come together

0:53:29.200 --> 0:53:33.480
<v Speaker 1>we are powerhouses. We are able to see each other

0:53:33.640 --> 0:53:37.319
<v Speaker 1>differently and share in the light and not to get

0:53:37.360 --> 0:53:39.680
<v Speaker 1>into like the cheesement of what was kind of going

0:53:39.719 --> 0:53:42.400
<v Speaker 1>on in Becky's world yesterday, But there was like a

0:53:42.560 --> 0:53:46.400
<v Speaker 1>lot happening in her world. There was rumors going around

0:53:46.480 --> 0:53:48.359
<v Speaker 1>that her fiance had cheated on her, and he came

0:53:48.360 --> 0:53:50.120
<v Speaker 1>out with like a statement earlier that days, like the

0:53:50.160 --> 0:53:52.320
<v Speaker 1>fact that she of the red carpet the day of

0:53:52.360 --> 0:53:54.399
<v Speaker 1>the red carpet. Like, so the fact that she showed

0:53:54.480 --> 0:53:57.160
<v Speaker 1>up yesterday I heard a Rhodes and like crushed with

0:53:57.239 --> 0:53:59.400
<v Speaker 1>the statement that he put out. He put out a

0:53:59.440 --> 0:54:03.400
<v Speaker 1>statement that he was unfaithful allegedly. Yeah, it was like

0:54:03.440 --> 0:54:06.840
<v Speaker 1>a long when she was arriving kind of and so,

0:54:07.120 --> 0:54:08.640
<v Speaker 1>I mean, she didn't have her ring on, but like

0:54:08.760 --> 0:54:10.960
<v Speaker 1>sometimes when you go to award shows, you don't necessarily

0:54:11.040 --> 0:54:13.120
<v Speaker 1>wear your wedding ring or your engagement rings as you

0:54:13.160 --> 0:54:15.520
<v Speaker 1>have other jewelry on and stuff like that. But she

0:54:16.200 --> 0:54:19.680
<v Speaker 1>just proved that you just persevere and you just handle

0:54:19.760 --> 0:54:22.080
<v Speaker 1>business sometimes. How do you have to have no life?

0:54:22.680 --> 0:54:25.919
<v Speaker 1>I know you've gone through significantly difficult moments in your life, sist.

0:54:26.120 --> 0:54:28.319
<v Speaker 1>Have you ever had to do the show here after

0:54:28.400 --> 0:54:30.960
<v Speaker 1>a breakup? You haven't, have you not a breakup? But

0:54:31.080 --> 0:54:33.959
<v Speaker 1>I actually had to do the IHEARDIO Music Awards after

0:54:34.239 --> 0:54:39.600
<v Speaker 1>a miscarriage, and it was just sometimes and we just

0:54:39.920 --> 0:54:43.439
<v Speaker 1>have to like you just do it, like you put

0:54:43.520 --> 0:54:47.640
<v Speaker 1>your personal life aside and you just and how did

0:54:47.680 --> 0:54:50.960
<v Speaker 1>you go after I think you're just kind of numb

0:54:51.200 --> 0:54:54.040
<v Speaker 1>during the process because it's work, Like you know, you

0:54:54.200 --> 0:54:58.480
<v Speaker 1>just to mean, yeah, you're a gentleman takes over and

0:54:58.600 --> 0:55:01.200
<v Speaker 1>you're almost like in the I was probably in denial,

0:55:01.320 --> 0:55:04.320
<v Speaker 1>to be quite honest, and then you get through it

0:55:04.400 --> 0:55:07.440
<v Speaker 1>and then you feel pain afterwards. So I hope she's

0:55:07.480 --> 0:55:09.680
<v Speaker 1>doing okay. It's what I'm trying to say. Well, that

0:55:09.760 --> 0:55:12.120
<v Speaker 1>was a big moment last night. Becky g and the

0:55:12.200 --> 0:55:15.600
<v Speaker 1>Latin pop song and you're Becky and Carol ge with that, Tanya,

0:55:15.680 --> 0:55:18.680
<v Speaker 1>what's your new word after the right carpet? Okay? So

0:55:19.239 --> 0:55:21.880
<v Speaker 1>when we were interviewing Papa Roach, they won an award.

0:55:21.920 --> 0:55:23.920
<v Speaker 1>We presented them with this award and they've been a

0:55:24.000 --> 0:55:25.840
<v Speaker 1>band for thirty years, and so I was like talking

0:55:25.920 --> 0:55:29.000
<v Speaker 1>to them about what does it take to be in

0:55:29.040 --> 0:55:31.319
<v Speaker 1>a relationship with your bandmates for thirty years? How did

0:55:31.320 --> 0:55:33.319
<v Speaker 1>you guys stay together for thirty years? And he said

0:55:33.360 --> 0:55:37.240
<v Speaker 1>this word that really stuck with me. It was sticktuitiveness.

0:55:37.680 --> 0:55:39.160
<v Speaker 1>And I've never heard it before and I had to

0:55:39.200 --> 0:55:41.719
<v Speaker 1>like google it when I got home. Is that persistency? Yeah,

0:55:41.760 --> 0:55:43.719
<v Speaker 1>it's basically just like you stick to it even when

0:55:43.760 --> 0:55:45.640
<v Speaker 1>times are hard, you stick to it. And I don't

0:55:45.640 --> 0:55:48.120
<v Speaker 1>know why. It felt really philosophical in that moment about

0:55:48.239 --> 0:55:50.120
<v Speaker 1>just like every relationship in your life, you know, like

0:55:50.200 --> 0:55:52.880
<v Speaker 1>we're in this generation where everybody just flees, like, if

0:55:52.920 --> 0:55:54.600
<v Speaker 1>it's not working out, you leave. If if it's not

0:55:54.880 --> 0:55:57.319
<v Speaker 1>going great, you leave, you bounce, you find something bigger, better.

0:55:57.880 --> 0:56:01.120
<v Speaker 1>And that word sticktuitiveness, it's just really stuck with me

0:56:01.280 --> 0:56:03.080
<v Speaker 1>and I really really liked it, so it might be

0:56:03.200 --> 0:56:05.680
<v Speaker 1>my word for next year. M Papa roach one for

0:56:05.800 --> 0:56:12.319
<v Speaker 1>best rock Artist. Sticktuitiveness, which is made yeah stick yeah, yeah.

0:56:12.880 --> 0:56:15.960
<v Speaker 1>I don't know that I could say it fast. What

0:56:16.000 --> 0:56:18.960
<v Speaker 1>do you have that it's hard? I can get my

0:56:19.040 --> 0:56:20.560
<v Speaker 1>tongue into my roof of my mouth that many times

0:56:20.600 --> 0:56:22.640
<v Speaker 1>that fast. It's definitely in the running for twenty twenty

0:56:22.680 --> 0:56:25.440
<v Speaker 1>four Word of the Year. All right, I ready music chords.

0:56:25.480 --> 0:56:27.200
<v Speaker 1>If you missed all of that, you gotta check it

0:56:27.239 --> 0:56:31.040
<v Speaker 1>out on Hulu. Where can you stream it? Tubs? You

0:56:31.080 --> 0:56:33.359
<v Speaker 1>don't have a mic? We're run over here and use

0:56:33.400 --> 0:56:34.560
<v Speaker 1>that one and tell me where I can stream it?

0:56:35.760 --> 0:56:40.719
<v Speaker 1>Oh boy, there the build up. I heard radio dot Com.

0:56:43.760 --> 0:56:45.319
<v Speaker 1>I gotta tell you if you listen to this show,

0:56:45.360 --> 0:56:53.160
<v Speaker 1>it never disappoints, does it? Never? Just said it? Tubs?

0:56:54.760 --> 0:56:56.680
<v Speaker 1>Stream it on Hulu. Where can you stream it? Toubs

0:56:57.200 --> 0:57:00.359
<v Speaker 1>hu Hulu, Hulu. It's all right, he's busy, our kid

0:57:01.080 --> 0:57:02.600
<v Speaker 1>and it doesn't have a microphone because we had to.

0:57:02.760 --> 0:57:04.960
<v Speaker 1>Then we give them earlier to Katie Luke and Lionel Yeah.

0:57:05.800 --> 0:57:10.440
<v Speaker 1>On Air with Ryan Seacrest, I's gonna wrap it up

0:57:10.480 --> 0:57:14.880
<v Speaker 1>for us today. Tomorrow we are back with NonStop pits,

0:57:15.040 --> 0:57:18.280
<v Speaker 1>NonStop paying your bills, and Morning Hack All happen it

0:57:18.360 --> 0:57:22.720
<v Speaker 1>Tomorrow's Assistney's Guy to let my guys taking care. Thanks

0:57:22.760 --> 0:57:25.440
<v Speaker 1>for listening to On Air with Ryan Seacrest. Make sure

0:57:25.480 --> 0:57:27.520
<v Speaker 1>to subscribe it and we'll talk to you again tomorrow