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Speaker 1: From Hollywood. See you, thank you for listening to us

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Speaker 1: on air with Ryan Seacrest. We are going to start

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Speaker 1: paying bills, but just getting coordinated here for the morning show.

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Speaker 1: On this Tuesday, my least favorite day of the week.

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Speaker 1: I thought you hated Tuesdays. Today is see how Tuesday

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Speaker 1: it is? Oh my gosh, it's so Tuesday. You didn't

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Speaker 1: realize that. Wow, I thought we were one Wednesday already.

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Speaker 1: You guys, that's why you're getting seventy percent of me.

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Speaker 1: It's Tuesday. That's how bad Tuesday is. You actually wanted

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Speaker 1: it to be an entire thought it was an entirely

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Speaker 1: different day. Totally thought it was Wednesday already. Wow, all right,

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Speaker 1: I wore the wrong underwear. Yeah, I'm wearing my Wednesday underwear.

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Speaker 1: I'm going on a date night tonight. Okay, we're gonna

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Speaker 1: get to you in a second. Is there a difference

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Speaker 1: in a Tuesday and a wind No, I don't remin

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Speaker 1: you're a little kid. I had underwear that like had

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Speaker 1: the days. No, I have my Friday underwear now, and

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Speaker 1: that's it my right I Friday red on. You should

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Speaker 1: probably get a new underwear right now. No, it's twenty

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Speaker 1: years old. It's so good though. I have so many

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Speaker 1: memories in it. I bought you a pair of red

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Speaker 1: underwor one year for Christmas. That's inappropriate. No, it's like funny. No,

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Speaker 1: I put it out of my mind. All right, So

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Speaker 1: let's talk about what I'm seeing here, Tanya Siany back

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Speaker 1: to Tanya. Cisany describe Tanya's look this morning? Here early,

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Speaker 1: which is a it's not the normal. We just got

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Speaker 1: here and are doing a radio show. Look. Every now

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Speaker 1: and then Tanya decides to explore with a lipstick. And

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Speaker 1: then today is one of those days where up and

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Speaker 1: she decided to wear a red lip. Yeah, it might

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Speaker 1: be because of her date night. Yeah, busy gal today,

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Speaker 1: cat eyes, don't you. I don't have cat eyes, but

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Speaker 1: I have more eyelash than you're used to seeing. Yes,

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Speaker 1: is it lash? Or is that stuff y'all put around

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Speaker 1: your eyes? It's lash? So you have bright red lipstick

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Speaker 1: and you have nighttime lashes? Correct? Yet a girl not

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Speaker 1: yet seven am? Yes? Thank you? What is it that

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Speaker 1: you're preparing for in twelve hours? You know she's a

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Speaker 1: busy gal today. She's just back to back to back

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Speaker 1: with some work things. And then I have my date.

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Speaker 1: Can you use eye because you're going to confuse those

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Speaker 1: are barely awake right now. I'm a busy gal, busy

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Speaker 1: girly today, So back to back to back and then

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Speaker 1: I have my date night. So no, I want to

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Speaker 1: get your dating in a second. But lipstick? Can't you

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Speaker 1: apply that later? What's wrong with your wearing it? Now? Yeah?

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Speaker 1: It just throws me off. I don't know what time

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Speaker 1: of day it is, especially because I look at usually

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Speaker 1: roll in here looking like a troll. Well, no, it's

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Speaker 1: not troll. You look like you're on your way or

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Speaker 1: from a workout normally. Yeah, and now I'm it's Friday

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Speaker 1: night all of a sudden, Yeah, that's right. I don't

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Speaker 1: know which That's why I thought it was Wednesday. Right,

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Speaker 1: because she's dressed like she's going to start a music

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Speaker 1: video with Lady Gaga's right now. I guess I'm supposed

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Speaker 1: to ask about this date night. It's Lady Gaga's birthday today.

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Speaker 1: I can just make that up. Purpose see what you're doing.

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Speaker 1: It's Tuesday, Lady Gaga's birthday. Where is this special date tonight?

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Speaker 1: So I actually don't know where we're going, but um,

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Speaker 1: because it's spring break for the kids. We have them

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Speaker 1: for a week straight. So Robbie wants to take me

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Speaker 1: out to dinner, just the two of us, before we

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Speaker 1: have a full week before before we have a full week. Yeah,

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Speaker 1: before we have a full week with just trailed off.

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Speaker 1: What hap? Yeah? I get it. Okay, So it's like

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Speaker 1: random that it's on a Tuesday, But there's a reason

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Speaker 1: for the Tuesday. But is he coming by to surprise you?

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Speaker 1: Is that why everything's like in launch mud? Yeah? I

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Speaker 1: don't know where we're going on? What time? All right? Good? Well,

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Speaker 1: I love a surprise. I have to say I'm feeling

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Speaker 1: a little inadequate with my look this morning. Now. I

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Speaker 1: like your sweater. I like it too, but not that much.

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Speaker 1: It's like my sweater sdsu You are they in the bracket?

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Speaker 1: Is that the bracket? Final four? Final four? It's like

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Speaker 1: a big deal. March madness m yeah, all right, so

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Speaker 1: let's see who we got today. Everybody ready to go

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Speaker 1: to the back room? Alive? We are alive? What day

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Speaker 1: is it? It's tuesday? Okay, thank you? They're listening. Uh

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Speaker 1: Sunny Tom, sunny nice today? You have an itch? No?

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Speaker 1: Should I do you want to go do something? Like?

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Speaker 1: You have an inch to get out there enjoy it. Yeah,

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Speaker 1: of course, get out there and get some vitamin D.

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Speaker 1: What would you do? What would where would you go

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Speaker 1: pursue your vitamin D today? Later? M Maybe just a

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Speaker 1: walk through the neighborhood or a light jogs on a

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Speaker 1: light jog, A light jog. You get a little sweat break,

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Speaker 1: a little sweat yeah, get a green juice out. Um hm,

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Speaker 1: well get it in soon. Rain's coming late tonight. Can

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Speaker 1: you believe it's coming back? Account? Oh I'm so over

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Speaker 1: it right. I mean, you're gonna be out on your

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Speaker 1: date and it's gonna be the third quarter of the

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Speaker 1: night and here comes rain again. I know. But you know,

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Speaker 1: rain could be good luck on a date could be Yeah,

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Speaker 1: it could be romantic. So what are we gonna do today,

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Speaker 1: you're probably wondering. We have drinking twenty one Savage tickets.

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Speaker 1: Those are great. We have a second date update. This

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Speaker 1: is seven twenty this morning. She's calling it a never

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Speaker 1: date update. They hit it off and they talk all

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Speaker 1: the time, but they've never gone out. So what what's

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Speaker 1: everydy waiting for? Here? So all of a sudden, a

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Speaker 1: bunch of these these games are coming to my house.

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Speaker 1: Like dinner games, card games, fun with the family games,

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Speaker 1: couples games. Somebody's been ordering games that's cool. Well I

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Speaker 1: thought that would be cool, and I opened up this

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Speaker 1: one was going to bring into play with you. It

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Speaker 1: turns out this is called the Couple's Game. Oh yeah,

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Speaker 1: what is it called the Couple's Games? Oh? Just told

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Speaker 1: us that's not what it's called. I don't does it

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Speaker 1: have a name? I don't. Yeah, comes in a red box?

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Speaker 1: How well do you know me? Or something like that.

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Speaker 1: I think it's that there's the Couple's Edition of Yeah, yeah, yeah, yeah,

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Speaker 1: it's fun. This is not a fun game. I make

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Speaker 1: this out thing. It was gonna be like a fun

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Speaker 1: dinner time game. Why are there mixed reviews here? Well,

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Speaker 1: because it makes you dig deep into like your relationship.

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Speaker 1: That's not a game. That's not a game. Like there's

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Speaker 1: fun version of the outcome. Well, I mean I brought

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Speaker 1: in some cards here. Imagine like, hey, let's play a game,

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Speaker 1: and then someone's like, okay, great, let's play the Couple's Edition.

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Speaker 1: Sounds fun. I think it's gonna be like quirky stuff. Yeah,

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Speaker 1: funny stuff, alo levity, pull a card here, Okay, let's

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Speaker 1: play a game. All right, What immediately attracted you to

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Speaker 1: me is one of the questions. What attracted you more

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Speaker 1: over time? Right? So did you play this with your partner?

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Speaker 1: That's just the two of you, So it's not a

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Speaker 1: group thing. It's just like this version. There's another version

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Speaker 1: of all these cards where it can be a group there.

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Speaker 1: So that's the game we brought on our couple's retreat

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Speaker 1: when we went and I told you, guys, I was

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Speaker 1: going on, whatever, this is dreadful because okay, fine, next one,

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Speaker 1: what about you? Feel's hardest to love Sissy? What's hardest

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Speaker 1: to love about you? My stubbornness, Tanya, you my sensitivity?

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Speaker 1: I cry a lot. This is it's like a therapy session.

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Speaker 1: Well what about you? What about me? What's hardest with you?

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Speaker 1: My impatience? Wild card? Write a love song for your

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Speaker 1: partner one minute to perform for each other. Go, I mean,

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Speaker 1: I cannot play this game. I need a lot of

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Speaker 1: tequila for this game. I think that heals back because

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Speaker 1: this gets like serious. Yeah right, uh, okay, plan a

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Speaker 1: surprise your partner would appreciate. Make it happen by the

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Speaker 1: end of the month, both players. That's fun. That's that's

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Speaker 1: the cute game. I like this game. It's a really

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Speaker 1: cute Okay, next card, what do you find difficult open

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Speaker 1: up to me about? Like I don't want to have

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Speaker 1: that conversation over dinner. I know that's the whole point.

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Speaker 1: And y'all did this on your couple's retreat? How did

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Speaker 1: it go great while they're still together? Because these are

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Speaker 1: things that you don't necessarily like talk about all the time,

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Speaker 1: and so when it's kind of brought up, it's a

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Speaker 1: great way to have those conversations and also to be

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Speaker 1: like more self aware. I mean, how have you seen

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Speaker 1: me grow in this relationship? Ah? I need there's other

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Speaker 1: additions in the game that i'd rather What was that

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Speaker 1: guy Jay Shetty? So we actually had a good time

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Speaker 1: with his questions? Let's do another one of his questions? Yes,

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Speaker 1: I remember the last one. We asked, Oh do we well?

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Speaker 1: What was it? What would your younger self be happy

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Speaker 1: about right now and sad about right now? Right? So

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Speaker 1: we did that. We're gonna do another one today a

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Speaker 1: little bit later. Oh that's a fun Actually, I know

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Speaker 1: what today's is here? It is Mark, Yes, why do

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Speaker 1: you get to know what it is? And we don't

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Speaker 1: I'm asking Mark, I don't know what it is. He's

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Speaker 1: gonna tell us. Mark, He's gonna say, don't do it

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Speaker 1: right now. Well, we do have it. If you'm going

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Speaker 1: to tell you right now, I will pretty much here

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Speaker 1: at this point where we're gonna hear it. Yeah, I'm

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Speaker 1: not gonna do it. Yeah, I just want to hear it. Okay, Okay,

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Speaker 1: what do you think makes a person most attractive? And

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Speaker 1: how attractive are you on that scale? What? I think

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Speaker 1: it's got a double punch. Okay, so we're not an

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Speaker 1: play Now, we're gonna go round the room and we're

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Speaker 1: gonna answer this. What do you think makes a person

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Speaker 1: most attractive and how attractive are you on that scale? Okay, okay,

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Speaker 1: this is easier. I think with strangers. Okay, we're not strangers.

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Speaker 1: We're not really strangers, that's correct. We're a triplet or trip,

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Speaker 1: not a throble, but no look at but it's a

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Speaker 1: three relationship throat. I think throuble doesn't need to mean romantic.

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Speaker 1: It means a three it Try affect a relationship friends, Yeah,

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Speaker 1: try factor friendship? What is that? What's three people in

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Speaker 1: a friendship? Trying? A thruble is where they do. No,

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Speaker 1: I think it's Oh, yeah it is. Yes, I didn't

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Speaker 1: know that either. Trup was too hardesty. Anyway, let's pass.

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Speaker 1: We're just three people trying to do a show. We're friends, guys.

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Speaker 1: Anybody could have all right, is that pepper pig your

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Speaker 1: morning hack is? No, it's from the hangover now a

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Speaker 1: lot of people. I do too. I don't like to

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Speaker 1: eat stuff past the expiration date. I think it's gonna

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Speaker 1: make me sick. But these are three foods you can

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Speaker 1: eat safely after the expiration date. Bread two weeks if

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Speaker 1: it's stored in the fridge. Now, if you see the

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Speaker 1: little mold, sometimes my mom would cut the mold off

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Speaker 1: and cut around that green. No, mother tossed the piece

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Speaker 1: of bread. Oh, parents still do that. Peanut butter five

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Speaker 1: to eight months. It lasts after expiration if stored in

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Speaker 1: the fridge. We've got peanut butter in there from years ago.

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Speaker 1: What I got I got mustard. I got mustard from

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Speaker 1: the os from the Yeah, the mustard for some reason

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Speaker 1: always seems to be expired. And I'm just like, we

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Speaker 1: go through mustard like it's no. We have some kinds

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Speaker 1: of mustards. So I've got crusty rim mustard. Yeah, I

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Speaker 1: seem to always be tossing our mustard stone ground. I

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Speaker 1: got like the regular, So what's the deal with the mustard?

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Speaker 1: How long it's tony? I got a lot of must

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Speaker 1: not even didn't tell me. I got mustard from years ago,

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Speaker 1: dry pasta. It's good for two years after the expiration.

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Speaker 1: They just thought you might want to know. Joel Spring

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Speaker 1: cleaning Today's squat for Tuesday. Every now and then, it's

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Speaker 1: good to stop climbing and appreciate the view from right

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Speaker 1: where you are. Oh my gosh headlines. Well. Authorities are

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Speaker 1: searching for answers after a shooter killed six people at

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Speaker 1: a private Christian elementary school in Nashville yesterday morning. The

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Speaker 1: fatally shot by authorities. A motive remains unknown, but it

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Speaker 1: appears a suspect was a former student. Taylor's Swift fans

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Speaker 1: gathered outside a downtown Los Angeles federal courtroom yesterday morning

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Speaker 1: to rally ahead of a hearing on the Ticketmaster debacle

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Speaker 1: involving her era's tour. As you know, fans are suing

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Speaker 1: Ticketmaster and its parent company, Live Nation, claiming they violated

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Speaker 1: consumer protection and antitrust laws, and the Dodgers are set

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Speaker 1: to return with a new form of postgame entertainment for

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Speaker 1: fans to enjoy after games on Friday nights at Dodgers Stadium.

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Speaker 1: Adding to their traditional Friday night fireworks promotion from years past,

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Speaker 1: the Dodgers will host a drone show for the first time,

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Speaker 1: titled Dodger Stadium Friday Night Light Shows. Fans will be

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Speaker 1: able to check it out the new show the New

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Speaker 1: Drone Show this Friday nights after the Dodgers take on

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Speaker 1: the Arizona Diamondbacks, with Ryan Seacrest joining us live in

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Speaker 1: the studio. Luke, Brian, yes, and line out Richie and

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Speaker 1: accounted for us. Why are all our Mike silver and

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Speaker 1: yours as gold? Thank you very much? Questions. It's to

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Speaker 1: put you at ease and make you feel comfortable after

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Speaker 1: some kind of like hierarchy here on your show. But

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Speaker 1: there's a quality on our show. Just imagine their platinum.

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Speaker 1: No no, no, no no, yeah, I like that. Luke like that.

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Speaker 1: Let me ask you something, so Katie, I'll start with

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Speaker 1: you did did you was there ever any thought or

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Speaker 1: concern about the chemistry level that you guys would have

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Speaker 1: before you all started working together on this show. Well,

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Speaker 1: you know, it's so funny. The story behind some of

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Speaker 1: it is actually I met Lionel Richie Um one night

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Speaker 1: the Sunset Tower, late late after night, late night dinner,

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Speaker 1: and I sat with him and we just like shared stories.

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Speaker 1: But he was telling like iconic stories that I was

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Speaker 1: just thinking, Oh my god, this guy has such a

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Speaker 1: rolodex of like stories from all of his time. And

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Speaker 1: so you know, actually they are like, would you like

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Speaker 1: Lionel Richie to be on the show. They were like,

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Speaker 1: wouldn't that make a good duo? And I was like yes,

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Speaker 1: But I was nervous about Luke actually, because I literally

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Speaker 1: was asking Lionel. I was like, what kind of guy

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Speaker 1: you got? You got background jack on Luke? They asked me.

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Speaker 1: They said, so who in country would you want? I said,

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Speaker 1: get Luke Bryan right now? Now I knew Luke, but

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Speaker 1: Katie did. I didn't know if I still don't know

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Speaker 1: if I can. And all of a sudden, I said,

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Speaker 1: trust me, as soon as you meet him, you'll know

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Speaker 1: him as the oldest friend you ever had, and it

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Speaker 1: will well, you know, when you think about today, you know,

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Speaker 1: we didn't really get Katie and I didn't get like

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Speaker 1: a hangout utaker dinner. Yeah, we didn't have any of that.

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Speaker 1: It was like the first time we met, it was

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Speaker 1: it was no. I was like, what is it going

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Speaker 1: to be like? And then you know, it just took

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Speaker 1: and and then we gang together and we're like, now

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Speaker 1: we're bringing no. No, it's it's it's terrified. Yeah, it's terrified.

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Speaker 1: But I remember when I knew the ice was broken

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Speaker 1: when I heard Katie go shut up and now we're

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Speaker 1: fi and LU said, oh god, Katie, what was wrong?

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Speaker 1: I mean, what did I do? Now? I said, they're

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Speaker 1: going to be just mine. Well, and then there was

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Speaker 1: one time that first season that we were we were

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Speaker 1: on the filming lives and Katie literally under a breathlet

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Speaker 1: I mean, she goes dragged me across the flour bomb

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Speaker 1: I left arm rotting. And that's actually that's where the

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Speaker 1: base goes in her voice when she said and I

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Speaker 1: was like, she's like, it'll be a great TV moment.

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Speaker 1: I was like dragon and she fell on the floor.

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Speaker 1: And you know, that's when we knew the chemistry was there.

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Speaker 1: The kindomist assault each other, you know, and everybody's cool.

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Speaker 1: It was. We're talking to the judges here in American Idol, Luke,

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Speaker 1: Lionel and Katie and Lionel. You you know, as Katie said,

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Speaker 1: you've seen so many legends. You know so many legends.

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Speaker 1: You've told us the stories about that you are. You're

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Speaker 1: in that class. But you're also shaping current music with

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Speaker 1: this show. So when you are out there looking at

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Speaker 1: the talent that you see the people that come in,

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Speaker 1: what strikes you after seeing so many over the years. Well,

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Speaker 1: you know, it's funny because I run into so many

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Speaker 1: people saying, oh my, can't god, I can't believe you

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Speaker 1: through that particular person off she was such or he

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Speaker 1: was such a great singer. And I go, no, no,

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Speaker 1: we're not looking for singers, we're looking for stylists. You

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Speaker 1: follow me, and no one understands that. For a minute,

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Speaker 1: I say, no, no, everybody can sing. That's why karaoke

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Speaker 1: is so hot. You follow me. But what we're looking

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Speaker 1: for is what's going to make you unique? Now, that

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Speaker 1: is the difficult part. And every year they come out

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Speaker 1: with let me think about it, Alejandro, that's a unique fact.

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Speaker 1: We didn't see him coming. And so now what people

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Speaker 1: are getting the idea is we're now trying to find

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Speaker 1: the next real artist and not some great singer has

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Speaker 1: seen these contestants perform. You see them an auditions, you

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Speaker 1: see them on the live stage. Luke, has that influenced

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Speaker 1: any of your live performances. When you go back to

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Speaker 1: your show, it makes me go sit at my piano

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Speaker 1: and and work on stuff. And I tell you what, too, um,

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Speaker 1: you kind of have to It forces you to keep

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Speaker 1: your finger on the pulse of current happening because these

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Speaker 1: kids are coming in singing this songs. I think anytime

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Speaker 1: you're you're all up in the middle of something fun

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Speaker 1: and fresh and you got youth coming in front of you,

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Speaker 1: it always energizes you and inspires you to um to

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Speaker 1: stay current and relevant and be on your toes. So

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Speaker 1: I mean you'll be surprised though. I mean, for example,

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Speaker 1: you think we're teaching them something. No, they're teaching us

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Speaker 1: something because that's the next level of no fear and

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Speaker 1: the vocals are right just staggering. Let me just tell you.

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Speaker 1: Reminds you to be grateful because there's like you know,

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Speaker 1: hundreds and thousands of other kids that are just waiting

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Speaker 1: in line for the opportunity that you actually have, probably Lissa, Katy,

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Speaker 1: we're playing your songs on a regular basis right here,

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Speaker 1: and you think about the contestants that want that same

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Speaker 1: thing in a way, right, I mean, that's what they want.

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Speaker 1: And you look at the evolution of American Idol, it's

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Speaker 1: changed over the years too, and you guys have navigated that.

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Speaker 1: What intention did you have maybe in evolving the show

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Speaker 1: with the times of what we see in music? Well,

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Speaker 1: I think you know, it's a different thing with us

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Speaker 1: as judges. You've seen all the different judges that have

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Speaker 1: come through the door, and I think we have been

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Speaker 1: in their shoes. You know, we're we're working artists, we're

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Speaker 1: on tour. You know, we're coming in from tour when

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Speaker 1: we're actually filming, so we know what it feels like

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Speaker 1: to live a day in their shoes. And you know,

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Speaker 1: we've all come from nothing and created this life of

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Speaker 1: our own. So we can empathize, you know, with some

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Speaker 1: of their situations and know what they're talking about and

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Speaker 1: give them real advice, like and give them shortcuts. I

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Speaker 1: think they respect us as artists. We respect them even

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Speaker 1: when we're giving them tough love or like constructive criticism.

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Speaker 1: We're hoping that they win. We want every single kid

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Speaker 1: that comes off of that show to win in their

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Speaker 1: own way. Even if they don't win at the end,

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Speaker 1: we want them to walk away with something that they

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Speaker 1: can apply in real time and takes them forward. And

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Speaker 1: that's genuine, that's authentic, that's really And then the most

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Speaker 1: important part you have to remember is it's not about us.

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Speaker 1: I mean, if you understand, we take their life under

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Speaker 1: our wing. And so when someone walks in and says,

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Speaker 1: you know, we're supposed to be talking about finding the

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Speaker 1: next artist, the next American idol, and someone comes in

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Speaker 1: and says, tell me about your family life and they say,

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Speaker 1: I'm homeless. Stop for a minute. You can't go to

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Speaker 1: what song you're gonna sing for us? And you have

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Speaker 1: to dive into let's talk about this homeless situation. How

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Speaker 1: are you dealing with that? Now? That real audience, that

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Speaker 1: real time moment is what breaks it down to what

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Speaker 1: it's a difference between our show and anything else because

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Speaker 1: now we're now talking about real kids in their real

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Speaker 1: lives and how what they're going to have to overcome

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Speaker 1: to get to be a superstar. Yeah. I think what's

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Speaker 1: amazing too is a lot of times we're getting this

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Speaker 1: emotional about these kids, like on the fly, like we

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Speaker 1: we haven't even seen their you know, their backstories. So

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Speaker 1: by the time, you know, these kids are just kind

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Speaker 1: of captivating us in the room. Well then by the

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Speaker 1: time the show can go edit their hometown and their struggles,

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Speaker 1: and then the people at home watch us, you know,

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Speaker 1: be emotional, and then and then we see these viral

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Speaker 1: moments to start happening, and then we get on our

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Speaker 1: text I mean, you know, I think the world needs

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Speaker 1: to know that. I mean, Ryan, you're on the text

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Speaker 1: chain too. I mean, we get fired up about these wonderful,

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Speaker 1: beautiful moments because a beautiful moment own American idol is

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Speaker 1: just beautiful for the show, and it's great for human

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Speaker 1: I mean, I know it sounds it's great for people.

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Speaker 1: I was in the elevator yesterday and the show aired

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Speaker 1: Sunday night, and this gentleman it was probably my dad's age, right,

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Speaker 1: and he kept sort of like looking at me, and

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Speaker 1: I looked up when he said hello, and I said hello,

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Speaker 1: and he said, can I just say something to you?

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Speaker 1: And I said, sure, my name's Ryany do somehself. He goes,

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Speaker 1: I was crying last night because I was watching these

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Speaker 1: stories of young people in our country on American Idol

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Speaker 1: and I just wanted to say it really it moved me.

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Speaker 1: And that's to your point, like, yes, it's a show.

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Speaker 1: Yes it's changing lives for those people, but it's also

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Speaker 1: impacting people who are not even a part of it. Yeah.

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Speaker 1: I feel like it's telling the story of what America

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Speaker 1: could be. Yeah. Well, I mean and it's a heavy

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Speaker 1: morning this morning after some some very tragic news that

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Speaker 1: we've been talking about you. So if you need a

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Speaker 1: little escape and you want to feel something, check it

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Speaker 1: out of Erica Idol Sunday and Monday, eight seventh Central.

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Speaker 1: That is on ABC and Lina Richie good to see you, guys. Hey,

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Speaker 1: let me tell yourselfing you you are, I'll superstar. I'm

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Speaker 1: telling you, man, I don't know how you navigate all

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Speaker 1: that you do, but you We are so happy to

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Speaker 1: have your party. I can't wait to spend a lot

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Speaker 1: of time in California with you. Is dating fun? I

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00:22:28,240 --> 00:22:32,439
Speaker 1: think there's two answers there, yes and no, depending on

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Speaker 1: how it's going on what stage you're in. And think

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Speaker 1: about that when I get into this second date update.

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Speaker 1: Because Madison has reached out in Long Beach, and she

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Speaker 1: has said that they met at a friend's Super Bowl

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Speaker 1: party and they hit it off, hit it off so

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Speaker 1: much they barely watched the game. They exchanged numbers. What's

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Speaker 1: the easiest way to exchange numbers? I've fumbled through it sometimes,

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Speaker 1: not even I'm talking about like even work, Like, hey,

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Speaker 1: you want to get together for a meeting yourself? I

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Speaker 1: think you text each other? Is it text each other?

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Speaker 1: One gets the number and then you text right away?

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Speaker 1: It's me, Yeah, I put in my notes. Then oh boy,

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Speaker 1: why because it seems easier, Like I'm trying to be

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Speaker 1: smooth and put in my notes. But that's so not efficient.

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Speaker 1: Well then you can click on it and send to

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Speaker 1: the person anyway. All right, So they exchange numbers. They've

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Speaker 1: been texting ever since, but the guy won't ask her out.

420
00:23:34,240 --> 00:23:36,400
Speaker 1: Let me get more. Madison's actually on the phone here.

421
00:23:36,680 --> 00:23:39,280
Speaker 1: His name is Jacob Madison. Good morning. Why won't he

422
00:23:39,359 --> 00:23:43,159
Speaker 1: ask you out? What's up? I honestly have no idea

423
00:23:43,280 --> 00:23:46,600
Speaker 1: because we got along so well, like we like we

424
00:23:46,800 --> 00:23:49,400
Speaker 1: really hit it off, Like every conversation was like slowing.

425
00:23:49,440 --> 00:23:52,639
Speaker 1: There was no awkward like pauses, like he seemed really

426
00:23:52,680 --> 00:23:55,399
Speaker 1: into me, So I honestly am like going crazy. I

427
00:23:55,440 --> 00:23:57,600
Speaker 1: have no idea why. Well, I'm gonna tell you what

428
00:23:57,640 --> 00:24:03,520
Speaker 1: Tissany's thinking. I'm thinking, don't chase him. I'm gonna tell

429
00:24:03,560 --> 00:24:08,879
Speaker 1: you then what Tanya is thinking, which is he probably

430
00:24:09,000 --> 00:24:14,520
Speaker 1: is a girlfriend. Everything is everything. But yeah, you know

431
00:24:14,560 --> 00:24:16,199
Speaker 1: what I would. That's kind of that kind of is

432
00:24:16,200 --> 00:24:19,159
Speaker 1: what I'm thinking, right, That's what I'm thinking because the

433
00:24:19,200 --> 00:24:23,440
Speaker 1: fact that he's giving you the I'm busy like, it's

434
00:24:23,480 --> 00:24:27,200
Speaker 1: not a good sign. It's strange, right, Probably what was

435
00:24:27,240 --> 00:24:31,200
Speaker 1: the super Bowl February twelfth? Yea, A long time here.

436
00:24:31,240 --> 00:24:33,000
Speaker 1: I just feel like maybe there's someone else. What are

437
00:24:33,040 --> 00:24:35,080
Speaker 1: you thinking, Tanya? I was thinking, good memory on you

438
00:24:35,119 --> 00:24:40,000
Speaker 1: for remembering the super Bowl Semperary twelve, right, a special day.

439
00:24:40,240 --> 00:24:42,160
Speaker 1: All right, So we're gonna see where we can track

440
00:24:42,200 --> 00:24:44,520
Speaker 1: him down. I mean, not much to go on here,

441
00:24:44,560 --> 00:24:47,879
Speaker 1: but why is he creating this dialogue with you and

442
00:24:47,920 --> 00:24:51,600
Speaker 1: then just not asking you out? Okay? So real quick

443
00:24:51,680 --> 00:24:54,280
Speaker 1: leaning to this. We're in the middle of a second

444
00:24:54,480 --> 00:25:01,440
Speaker 1: date update disaster. Madison met Jacob at a super Bowl party,

445
00:25:01,480 --> 00:25:04,560
Speaker 1: the one that just happened. They hit it off. They

446
00:25:04,560 --> 00:25:07,000
Speaker 1: don't watch the game, they're into each other. They exchanged numbers.

447
00:25:07,040 --> 00:25:09,560
Speaker 1: They've been talking ever since. But he will not make

448
00:25:09,560 --> 00:25:12,520
Speaker 1: the move. He won't even ask her out, and she's

449
00:25:12,600 --> 00:25:16,159
Speaker 1: like wanting him to ask her out. So Madison, I

450
00:25:16,240 --> 00:25:17,679
Speaker 1: have Jacob on the phone. Let me see what we

451
00:25:17,680 --> 00:25:19,360
Speaker 1: can find out. Just be really quiet. You're gonna listen

452
00:25:19,400 --> 00:25:23,320
Speaker 1: in on this. Okay, Okay, okay, Jacob, thanks for holding on.

453
00:25:23,720 --> 00:25:26,080
Speaker 1: We're calling about a woman named Madison that you know.

454
00:25:26,160 --> 00:25:30,320
Speaker 1: Is that sound familiar? Oh yeah, So how did you

455
00:25:30,320 --> 00:25:36,120
Speaker 1: meet Madison? Oh? Better? At a super Bowl party one

456
00:25:36,119 --> 00:25:40,560
Speaker 1: of my friends was having and we just kind of

457
00:25:41,840 --> 00:25:45,919
Speaker 1: started off about it, talking about some food or guacamolea

458
00:25:46,000 --> 00:25:49,920
Speaker 1: or whatever, and then just didn't stop talking all night.

459
00:25:50,560 --> 00:25:53,480
Speaker 1: And what was it you talked about about the guacamole?

460
00:25:55,359 --> 00:25:57,240
Speaker 1: We just talked about how it was like the perfect

461
00:25:57,320 --> 00:26:00,159
Speaker 1: blend of spices. You know, a lot of people too

462
00:26:00,240 --> 00:26:02,639
Speaker 1: much tomato or too much garwacre and stuff, but it

463
00:26:02,720 --> 00:26:06,200
Speaker 1: was just I actually like, deal on my guacamole. Have

464
00:26:06,280 --> 00:26:10,639
Speaker 1: you had that? I can't say I half if you do.

465
00:26:10,680 --> 00:26:12,560
Speaker 1: If you're in a guacamole, you do a little like

466
00:26:12,640 --> 00:26:14,800
Speaker 1: fresh herbs on top, you can do some deal. Okay?

467
00:26:14,840 --> 00:26:18,280
Speaker 1: This is irrelevant. Yeah, no, I'm being serious. Has the

468
00:26:18,280 --> 00:26:22,560
Speaker 1: food take right? The reason we're calling you is Madison.

469
00:26:22,760 --> 00:26:26,400
Speaker 1: So when I say that name, what do you think?

470
00:26:26,440 --> 00:26:32,320
Speaker 1: What do you feel? Um? Well, she seems pretty cool, honestly,

471
00:26:32,440 --> 00:26:36,159
Speaker 1: I'm just kind of feeling it out right now. And

472
00:26:36,240 --> 00:26:41,399
Speaker 1: what are you feeling it out for? Well, you know,

473
00:26:42,400 --> 00:26:44,679
Speaker 1: I to say this, but she said something where we

474
00:26:44,680 --> 00:26:47,359
Speaker 1: were talking that kind of set us a little bit

475
00:26:47,400 --> 00:26:50,760
Speaker 1: of a red flag for me. Yeah, no, I don't

476
00:26:50,840 --> 00:26:57,320
Speaker 1: what happened. Um, well, we were talking and she said

477
00:26:57,920 --> 00:27:04,560
Speaker 1: that that she isn't really friends with a lot of girls.

478
00:27:04,560 --> 00:27:06,720
Speaker 1: She thinks that they are too much drama. So all

479
00:27:06,760 --> 00:27:10,679
Speaker 1: our friends are dudes and I don't know those kind

480
00:27:10,720 --> 00:27:12,360
Speaker 1: of girls. You kind of gotta watch out for them,

481
00:27:12,400 --> 00:27:18,879
Speaker 1: you know, totally. So why did that? What struck you

482
00:27:18,920 --> 00:27:25,760
Speaker 1: about that? What bothered you? Well, you know there's the

483
00:27:25,800 --> 00:27:29,280
Speaker 1: girls like that. You know, it's just awkward. You know,

484
00:27:29,359 --> 00:27:32,480
Speaker 1: it's like, you want to be friends with the girls friends, right,

485
00:27:32,560 --> 00:27:33,879
Speaker 1: you know, if you're in a relationship, you want to

486
00:27:33,880 --> 00:27:36,320
Speaker 1: be friends with their friends. I don't get along. But

487
00:27:36,920 --> 00:27:38,560
Speaker 1: if it's just a bunch of dudes that are hanging

488
00:27:38,600 --> 00:27:42,320
Speaker 1: out with and just her it's like awker. I don't

489
00:27:42,320 --> 00:27:44,359
Speaker 1: know who has feelings or who or if they're as

490
00:27:44,400 --> 00:27:47,520
Speaker 1: a past with one of them. Are you you're like

491
00:27:47,600 --> 00:27:53,720
Speaker 1: already jealous, Well, not jealous, it's just you kind of

492
00:27:53,760 --> 00:27:56,600
Speaker 1: gotta be wary of those kind of people because if

493
00:27:56,640 --> 00:27:59,120
Speaker 1: you're because there's a girl that's like hanging a bunch

494
00:27:59,160 --> 00:28:04,560
Speaker 1: of guys, you just always around all that like competition,

495
00:28:04,800 --> 00:28:09,160
Speaker 1: and you don't know, then why not have you've been out?

496
00:28:09,680 --> 00:28:11,680
Speaker 1: Have you asked her out? But have you made a move?

497
00:28:11,720 --> 00:28:14,840
Speaker 1: Have you asked her out? Oh? Not really, I just

498
00:28:14,840 --> 00:28:18,520
Speaker 1: didn't kind of enjoying seems like clu. But Jacob, if

499
00:28:18,520 --> 00:28:20,080
Speaker 1: it's on your mind that some of the other guy's

500
00:28:20,119 --> 00:28:22,320
Speaker 1: gonna make the move, you should make the move. Yeah,

501
00:28:22,359 --> 00:28:27,160
Speaker 1: you're just assuming all of this, that's true. I just

502
00:28:27,680 --> 00:28:29,359
Speaker 1: I don't know. I've had some bad experiences in the

503
00:28:29,359 --> 00:28:31,720
Speaker 1: past of the like this. But bro, do you want

504
00:28:31,720 --> 00:28:35,840
Speaker 1: to go out with Madison? I do? I? Do you?

505
00:28:35,880 --> 00:28:37,320
Speaker 1: Do you want to go out with? Things? Pretty cool?

506
00:28:37,600 --> 00:28:39,719
Speaker 1: I think she seems very cool and then ask her

507
00:28:39,920 --> 00:28:42,280
Speaker 1: I should ask her out? She wants to go out

508
00:28:42,280 --> 00:28:44,760
Speaker 1: with you, and she's on the phone right now, Jacob,

509
00:28:44,840 --> 00:28:50,080
Speaker 1: So let's go Madison, Are you hearing this? Oh wow, yeah, yeah.

510
00:28:50,120 --> 00:28:54,200
Speaker 1: I honestly I can't believe like the things you just said,

511
00:28:54,280 --> 00:28:57,520
Speaker 1: because like I of all the things that we talked

512
00:28:57,520 --> 00:28:59,400
Speaker 1: about and we got along with, like this is the

513
00:28:59,600 --> 00:29:06,320
Speaker 1: thing you're concerned about, and that's a little wild to me. Ah,

514
00:29:06,360 --> 00:29:10,920
Speaker 1: that's awkward. Um, I guess it's just I don't know

515
00:29:11,000 --> 00:29:14,160
Speaker 1: if you just like the attention from guys or I

516
00:29:14,200 --> 00:29:17,520
Speaker 1: don't know, I don't know what it is. No, no, no,

517
00:29:17,720 --> 00:29:21,440
Speaker 1: I I honestly just feel like I click better with

518
00:29:21,600 --> 00:29:25,200
Speaker 1: guys because I've never really been like one to have

519
00:29:25,240 --> 00:29:27,760
Speaker 1: a lot of girlfriends, Like they always just seem to

520
00:29:27,760 --> 00:29:30,120
Speaker 1: be super into like frivolous stuff, and I'm just like

521
00:29:30,800 --> 00:29:33,680
Speaker 1: I'm not into that. So I just prefer hanging out

522
00:29:33,680 --> 00:29:37,160
Speaker 1: with guys, like honestly, we just get along better. So

523
00:29:37,400 --> 00:29:42,840
Speaker 1: it was, yeah, I don't know. Usually a much gas experience,

524
00:29:42,880 --> 00:29:46,440
Speaker 1: it's like it's a girl does not have friends as

525
00:29:46,440 --> 00:29:50,560
Speaker 1: a lot of girls because not because you don't want

526
00:29:50,560 --> 00:29:55,000
Speaker 1: to hang out with her, it's because like there's something

527
00:29:55,040 --> 00:29:57,760
Speaker 1: wrong with you and they you're putting off a bad

528
00:29:57,840 --> 00:30:03,920
Speaker 1: vibe for them, you know. I'm that doesn't have to

529
00:30:03,960 --> 00:30:08,120
Speaker 1: be the case. I'm just Jacob, can you ask her out?

530
00:30:09,120 --> 00:30:10,520
Speaker 1: I don't know that Madison wants to go out with

531
00:30:10,560 --> 00:30:11,920
Speaker 1: him at this point, Madison, do you want to go

532
00:30:11,960 --> 00:30:16,240
Speaker 1: out with Jacob? Honestly, like, at this point, I'm not

533
00:30:16,240 --> 00:30:18,320
Speaker 1: really sure anymore. I feel like this has like been

534
00:30:18,320 --> 00:30:21,160
Speaker 1: a waste of your time. I'm sorry, not a waste

535
00:30:21,200 --> 00:30:22,720
Speaker 1: of our time. If we get to a place where

536
00:30:22,760 --> 00:30:26,960
Speaker 1: you are clear, So I guess I need to ask

537
00:30:27,200 --> 00:30:29,560
Speaker 1: both of you is there a date here? Or should

538
00:30:29,560 --> 00:30:33,880
Speaker 1: we just move on? I would actually be willing to

539
00:30:33,880 --> 00:30:35,760
Speaker 1: take here out on a date. I think that there's

540
00:30:35,760 --> 00:30:38,560
Speaker 1: a little bit more that we could explore here. But Jacob,

541
00:30:38,600 --> 00:30:39,920
Speaker 1: I think he needs to be a little bit more

542
00:30:39,960 --> 00:30:43,480
Speaker 1: passionate about it, enthusiastic about it. I'm not Madison, but

543
00:30:43,520 --> 00:30:47,320
Speaker 1: if it were me, I would want that. Yeah, you

544
00:30:47,320 --> 00:30:49,320
Speaker 1: know what, You're right, I think I do like this

545
00:30:49,440 --> 00:30:54,040
Speaker 1: go and I'm gonna talk to her just as he

546
00:30:55,440 --> 00:30:59,040
Speaker 1: Let's do this, let's do Honestly, guys, like, it's fine,

547
00:31:00,040 --> 00:31:04,280
Speaker 1: never biden, because I feel I feel I'm suddenly feeling

548
00:31:04,280 --> 00:31:06,640
Speaker 1: like this kind of like like I'm desperate all of

549
00:31:06,680 --> 00:31:10,640
Speaker 1: a sudden, and I'm not that person. So honestly, guys,

550
00:31:10,680 --> 00:31:13,880
Speaker 1: I don't. I don't need this guy, and um, I

551
00:31:13,880 --> 00:31:15,600
Speaker 1: think I made him out to be greater than he

552
00:31:15,640 --> 00:31:20,800
Speaker 1: really is after one night and like this was a mistake.

553
00:31:21,040 --> 00:31:25,600
Speaker 1: But okay, I know, don't apologize. Okay, well, good thank

554
00:31:25,640 --> 00:31:29,920
Speaker 1: you for reaching out, Jacob. Good luck to you. Uh

555
00:31:30,120 --> 00:31:35,440
Speaker 1: you swing you miss get another bat? So I don't know,

556
00:31:35,560 --> 00:31:39,160
Speaker 1: he may not swing and still miss. Oh because that guy,

557
00:31:39,720 --> 00:31:42,400
Speaker 1: I don't know. I like him so close minded, but

558
00:31:43,120 --> 00:31:46,400
Speaker 1: I'll find fit. But how about a little bit of

559
00:31:46,440 --> 00:31:50,040
Speaker 1: excitement and wanting to take someone out to get to know? Yeah,

560
00:31:50,040 --> 00:31:53,560
Speaker 1: I guess alright to I mean, and I'm sitting here

561
00:31:53,640 --> 00:31:57,440
Speaker 1: with the microphone. I know, come on, Jacob, like we're

562
00:31:57,920 --> 00:32:00,400
Speaker 1: and he was like, yeah, but I don't. I wouldn't

563
00:32:00,400 --> 00:32:02,120
Speaker 1: want to go out some It's not like a little

564
00:32:02,160 --> 00:32:06,920
Speaker 1: more excited about like gas to take me out. He

565
00:32:07,040 --> 00:32:11,800
Speaker 1: put her in a box from the get go. He

566
00:32:11,840 --> 00:32:13,760
Speaker 1: already had his mind made up as to what type

567
00:32:13,760 --> 00:32:16,280
Speaker 1: of girl she was. But those are not the case.

568
00:32:16,560 --> 00:32:19,400
Speaker 1: I know, and that's not okay. But I don't think

569
00:32:19,400 --> 00:32:21,360
Speaker 1: he really wanted to go out again. I think he

570
00:32:21,480 --> 00:32:24,200
Speaker 1: was based on his tempo there. I'm not so sure

571
00:32:24,200 --> 00:32:28,480
Speaker 1: he really wanted it that date all right, Well that sucked.

572
00:32:29,040 --> 00:32:34,800
Speaker 1: That good okay, that was great on air with Ryan Seacrest.

573
00:32:36,760 --> 00:32:39,640
Speaker 1: Well this is interesting and I was gonna do something

574
00:32:39,720 --> 00:32:42,640
Speaker 1: else here, but just follow me for a second, Disney.

575
00:32:42,680 --> 00:32:45,640
Speaker 1: I think you're you can relate to this. No, I

576
00:32:45,680 --> 00:32:49,520
Speaker 1: cannot relate to this because I actually know freeways like

577
00:32:50,200 --> 00:32:53,640
Speaker 1: you don't rely on your GPS no at all. Oh,

578
00:32:53,760 --> 00:32:56,200
Speaker 1: I mean never if I don't know, like or if

579
00:32:56,200 --> 00:33:00,280
Speaker 1: you want to get a back root, yeah, exactly if trying.

580
00:33:00,760 --> 00:33:03,840
Speaker 1: All right, So if you wanted to get home, like

581
00:33:03,880 --> 00:33:06,800
Speaker 1: to where Losalle High School? Right, yes, I can get

582
00:33:06,840 --> 00:33:09,040
Speaker 1: to what would you take? I would get on the

583
00:33:09,080 --> 00:33:11,680
Speaker 1: one thirty four to the one oh one to the

584
00:33:11,760 --> 00:33:15,000
Speaker 1: five to then to the seven ten get to Long

585
00:33:15,000 --> 00:33:17,000
Speaker 1: Beach or the six o five to the four or five.

586
00:33:17,160 --> 00:33:19,720
Speaker 1: And if you don't follow those numbers, then you don't

587
00:33:19,760 --> 00:33:23,440
Speaker 1: live here. Yeah, So it all depend on it all

588
00:33:23,480 --> 00:33:25,440
Speaker 1: depends on the traffic in the time of day. Now

589
00:33:25,520 --> 00:33:27,200
Speaker 1: let me just bring in up our back room here,

590
00:33:27,240 --> 00:33:30,200
Speaker 1: marianna Um, how is it that you get to work

591
00:33:30,240 --> 00:33:34,320
Speaker 1: every day? I use my GPS every single day. Okay,

592
00:33:34,360 --> 00:33:36,520
Speaker 1: So if you do not have your GPS, would you

593
00:33:36,560 --> 00:33:38,920
Speaker 1: know how to get here to the studium burbank Um.

594
00:33:38,960 --> 00:33:42,320
Speaker 1: I feel like probably not, I'd probably get lost. So

595
00:33:42,360 --> 00:33:44,520
Speaker 1: what freeways do you take to get here? I have

596
00:33:44,560 --> 00:33:48,240
Speaker 1: no idea? And how long have you worked here? For

597
00:33:48,440 --> 00:33:51,760
Speaker 1: like seven months already and you don't know what freeways?

598
00:33:51,960 --> 00:33:55,480
Speaker 1: Where are you coming from from Riverside? A long drive?

599
00:33:55,520 --> 00:33:57,200
Speaker 1: I've got it, Yeah, I have a long drive. Get

600
00:33:57,240 --> 00:33:59,200
Speaker 1: in the car and you put on the GPS and

601
00:33:59,240 --> 00:34:03,000
Speaker 1: you and it just takes you. Yeah, well it has.

602
00:34:03,040 --> 00:34:04,880
Speaker 1: It's like I just put work and it just takes

603
00:34:04,920 --> 00:34:07,120
Speaker 1: me here and you don't hear the voice telling you

604
00:34:07,120 --> 00:34:09,279
Speaker 1: to take this exit in that exit. Yeah, but that's

605
00:34:09,320 --> 00:34:11,120
Speaker 1: why I have around. So I can you know, like

606
00:34:11,360 --> 00:34:14,720
Speaker 1: just about and do you think you take the fifty seven?

607
00:34:16,040 --> 00:34:21,800
Speaker 1: That doesn't sound familiar, but maybe I do. Oh my gosh, wait, okay,

608
00:34:22,000 --> 00:34:24,960
Speaker 1: this is about there is a generation that doesn't know

609
00:34:25,000 --> 00:34:29,560
Speaker 1: how to get home. We don't need to. Didn't Collette's

610
00:34:29,560 --> 00:34:33,600
Speaker 1: bone die once? Yeah? What happened to you? So this

611
00:34:33,680 --> 00:34:35,719
Speaker 1: was like back when my boyfriend and I were still

612
00:34:35,719 --> 00:34:37,840
Speaker 1: a long distance. So I was driving from San Diego

613
00:34:37,920 --> 00:34:40,839
Speaker 1: to LA and A right around and I was like

614
00:34:40,880 --> 00:34:43,200
Speaker 1: in Long Beach area. My phone died. I thought it

615
00:34:43,239 --> 00:34:46,080
Speaker 1: was charging the whole time, and I just like instantly

616
00:34:46,080 --> 00:34:47,640
Speaker 1: go into like a panic attack, and I'm just like

617
00:34:47,840 --> 00:34:51,400
Speaker 1: I don't know where I am. And so I was

618
00:34:51,440 --> 00:34:53,200
Speaker 1: like looking for all these stores. I was like in

619
00:34:53,239 --> 00:34:55,120
Speaker 1: the suburbs. I couldn't find a place to buy a

620
00:34:55,160 --> 00:34:58,440
Speaker 1: phone charger. Eventually I got like a CVS and I

621
00:34:58,480 --> 00:34:59,880
Speaker 1: went in and I bought a phone charger and I

622
00:35:00,000 --> 00:35:01,800
Speaker 1: to wait in my car for a little bit, because

623
00:35:01,840 --> 00:35:03,560
Speaker 1: you would have been you would have not known how

624
00:35:03,560 --> 00:35:05,919
Speaker 1: many times would you have driven that route before. At

625
00:35:05,920 --> 00:35:08,279
Speaker 1: this point it only been a few. But I'm gonna

626
00:35:08,320 --> 00:35:09,719
Speaker 1: have to side with Mariana. Even though I've lived in

627
00:35:09,800 --> 00:35:12,719
Speaker 1: LA for like over a year now, I don't curl up.

628
00:35:12,800 --> 00:35:14,680
Speaker 1: Where do you come from to get here? I come

629
00:35:14,719 --> 00:35:17,600
Speaker 1: from San Gabriel, like Pasadena area, and I like I

630
00:35:17,680 --> 00:35:20,000
Speaker 1: can like get here if my GPS is like done,

631
00:35:20,000 --> 00:35:21,560
Speaker 1: But it also like took me like a year in

632
00:35:21,680 --> 00:35:23,800
Speaker 1: order the Pasadena is a straight shot. That is the

633
00:35:23,880 --> 00:35:32,239
Speaker 1: one thirty four. Those three numbers sound familiar, one the

634
00:35:32,400 --> 00:35:34,680
Speaker 1: five sounds familiar, But you didn't say that one. So

635
00:35:34,760 --> 00:35:37,080
Speaker 1: now I'm confused, and I don't know. Maybe I don't

636
00:35:37,080 --> 00:35:39,839
Speaker 1: know where I mean, I get it. If you learned

637
00:35:39,880 --> 00:35:42,279
Speaker 1: to drive and you had a GPS like you kind

638
00:35:42,320 --> 00:35:47,280
Speaker 1: of can rely on that, but you should know at least, Maria,

639
00:35:47,440 --> 00:35:52,040
Speaker 1: you take the sixty okay, thanks to the seventy one.

640
00:35:53,440 --> 00:35:58,799
Speaker 1: Uh yeah, I think so to surprise the fifty seven. Yes,

641
00:35:58,920 --> 00:36:00,560
Speaker 1: you for sure have to take at least fifty seven

642
00:36:00,560 --> 00:36:06,319
Speaker 1: to the two ten, ten to the what to get here?

643
00:36:06,360 --> 00:36:08,279
Speaker 1: To the one thirty four. No, I'm not asking you.

644
00:36:08,480 --> 00:36:11,759
Speaker 1: Oh do you see that? All that already confused me.

645
00:36:12,640 --> 00:36:14,640
Speaker 1: Just like listening to Ginger in the morning, we're just like, yeah,

646
00:36:14,719 --> 00:36:17,840
Speaker 1: that sounds right. Yeah. I'm always so impressed that Ginger

647
00:36:17,960 --> 00:36:21,640
Speaker 1: because she's so good with all the freeways their Ginger

648
00:36:21,719 --> 00:36:25,719
Speaker 1: Jan stands high back room every time she comes on.

649
00:36:25,960 --> 00:36:27,879
Speaker 1: I have to say, there's a large population of people

650
00:36:27,920 --> 00:36:29,880
Speaker 1: that do know the freeways that they're taking this morning,

651
00:36:29,880 --> 00:36:31,239
Speaker 1: and they do know how to connect them all to

652
00:36:31,280 --> 00:36:33,719
Speaker 1: get to where they're going to work. So Tanya, let

653
00:36:33,719 --> 00:36:36,800
Speaker 1: me ask you if you had to drive from here.

654
00:36:37,800 --> 00:36:42,600
Speaker 1: M well, I've worked here for like almost a decade,

655
00:36:42,640 --> 00:36:47,719
Speaker 1: all right, how to get to the forum from where here?

656
00:36:47,880 --> 00:36:54,480
Speaker 1: I'm here? I have Galler, I don't know the five

657
00:36:54,640 --> 00:36:55,719
Speaker 1: I know I take the four or five, But I

658
00:36:55,719 --> 00:36:56,880
Speaker 1: don't know what I need to take to get to

659
00:36:56,920 --> 00:36:59,719
Speaker 1: the four or five here. No, I don't know how

660
00:36:59,760 --> 00:37:02,600
Speaker 1: to get from out this building to the four or five. No,

661
00:37:03,080 --> 00:37:05,720
Speaker 1: because to get home, I take the one thirty four everywhere,

662
00:37:06,520 --> 00:37:09,560
Speaker 1: but four you would get You would go one to

663
00:37:09,600 --> 00:37:11,759
Speaker 1: the one on one to the four or five. Okay, there,

664
00:37:11,920 --> 00:37:14,560
Speaker 1: so I can get from You gotta get on the

665
00:37:14,600 --> 00:37:16,160
Speaker 1: one thirty four to the one on one to get

666
00:37:16,160 --> 00:37:17,839
Speaker 1: out of here. No, what do you think those are?

667
00:37:18,560 --> 00:37:20,640
Speaker 1: I don't know. I put everything in my GPS. Oh

668
00:37:20,680 --> 00:37:23,080
Speaker 1: you're right there with them. I don't think it's weird.

669
00:37:23,239 --> 00:37:24,839
Speaker 1: We have our phones for a reason. We have all

670
00:37:24,880 --> 00:37:27,439
Speaker 1: this stuff in our cars to get us places. Thank

671
00:37:27,480 --> 00:37:29,920
Speaker 1: you well. You To get from here to Santa Monica,

672
00:37:30,520 --> 00:37:32,640
Speaker 1: I know I would take the four or five or

673
00:37:32,800 --> 00:37:38,960
Speaker 1: ten the ten, but give me the order. I don't know. No.

674
00:37:39,040 --> 00:37:42,839
Speaker 1: One thirty to the one on one, ten, the one

675
00:37:42,880 --> 00:37:46,400
Speaker 1: oh one to the yeh. I just don't know the

676
00:37:46,400 --> 00:37:49,240
Speaker 1: connector like I know the ones that go to certain places,

677
00:37:49,280 --> 00:37:50,840
Speaker 1: like the long ones. Like I know to get to

678
00:37:50,880 --> 00:37:52,680
Speaker 1: Orange County, I take the four or five, and I

679
00:37:52,719 --> 00:37:55,319
Speaker 1: know to get capacity and I take the one thirty four.

680
00:37:55,440 --> 00:37:59,400
Speaker 1: But right, it's that you and I when we started driving,

681
00:37:59,480 --> 00:38:05,080
Speaker 1: we had misguides that which was a binder. It was

682
00:38:05,120 --> 00:38:07,879
Speaker 1: a binder or we had to do map quests before

683
00:38:07,920 --> 00:38:09,720
Speaker 1: you left the house and you actually had to print

684
00:38:09,719 --> 00:38:12,239
Speaker 1: out a piece of paper and have your directions and

685
00:38:12,320 --> 00:38:14,719
Speaker 1: also ready to take ways everywhere. So when I go

686
00:38:14,760 --> 00:38:17,720
Speaker 1: to the forum, I don't take the freeway I'm taking.

687
00:38:17,800 --> 00:38:19,760
Speaker 1: I don't even know what streets I'm taking. I should

688
00:38:19,760 --> 00:38:21,759
Speaker 1: be grateful you guys make it every day. Thank you

689
00:38:21,800 --> 00:38:24,160
Speaker 1: all forgetting you're on a regular basis on time. I

690
00:38:24,160 --> 00:38:26,640
Speaker 1: don't realize how grateful we should be. It's a risk

691
00:38:26,680 --> 00:38:32,400
Speaker 1: every day, but we're here all right. On air with

692
00:38:32,719 --> 00:38:37,840
Speaker 1: Ryan Seacrest, I was talking to Connie Seacrest my mother yesterday,

693
00:38:38,320 --> 00:38:41,439
Speaker 1: like in the afternoon. I'm four thirty five o'clock and

694
00:38:41,520 --> 00:38:44,319
Speaker 1: she said, oh, I'm about to get ready. What are

695
00:38:44,320 --> 00:38:46,160
Speaker 1: you doing tonight? Well, I'm gonna make your father some

696
00:38:46,239 --> 00:38:50,360
Speaker 1: garbanzo beans and like bell peppers. I said, oh, all right, Well,

697
00:38:50,360 --> 00:38:51,879
Speaker 1: why are you telling me? Well, it's easy to eat

698
00:38:51,880 --> 00:38:53,920
Speaker 1: in front of the TV. We're gonna watch. Yeah. I

699
00:38:53,960 --> 00:38:56,320
Speaker 1: had Radio Music Awards, you know, Ryan Lenny Kravitz is

700
00:38:56,360 --> 00:38:58,440
Speaker 1: hosting it. Yes, mother, I know Lenny Kravitz is hosting,

701
00:38:58,960 --> 00:39:01,799
Speaker 1: and did he He did such a great job. By

702
00:39:01,800 --> 00:39:05,160
Speaker 1: the way, now you were there, Sissy, did you see

703
00:39:05,200 --> 00:39:08,160
Speaker 1: Taylor in the flash? Did I see Taylor? I mean

704
00:39:08,400 --> 00:39:13,040
Speaker 1: everybody stopped. Everybody started screaming the minute she walked in

705
00:39:13,080 --> 00:39:16,319
Speaker 1: the room in her bejeweled jumpsuit. By the way, the

706
00:39:16,360 --> 00:39:18,360
Speaker 1: whole she didn't really did make the whole place shimmer,

707
00:39:18,840 --> 00:39:21,960
Speaker 1: all right, Taylor. I think that was her purpose. She

708
00:39:22,160 --> 00:39:24,160
Speaker 1: won for Song of the Year for Anti Hero, and

709
00:39:24,200 --> 00:39:25,960
Speaker 1: here she is. You know, we're kind of like fed

710
00:39:26,080 --> 00:39:28,480
Speaker 1: the messaging that in order for it to be a

711
00:39:28,600 --> 00:39:31,880
Speaker 1: hit song, it has to be like really like I

712
00:39:31,880 --> 00:39:34,440
Speaker 1: don't know, simple, it has to be stuck in everybody's

713
00:39:34,440 --> 00:39:37,120
Speaker 1: head and you have to just not have lines in it,

714
00:39:37,160 --> 00:39:40,799
Speaker 1: like did you hear my covert narcissism? I disguise as

715
00:39:40,880 --> 00:39:46,120
Speaker 1: all truism, like some kind of congressman. So I got

716
00:39:46,160 --> 00:39:48,760
Speaker 1: fully prepped him, like it's not gonna work at radio.

717
00:39:48,920 --> 00:39:52,160
Speaker 1: This is not why we're doing this. Um. So, I

718
00:39:52,200 --> 00:39:56,200
Speaker 1: would like to thank iHeart and radio everywhere and fans

719
00:39:56,239 --> 00:40:01,120
Speaker 1: everywhere for proving that Raw I feel like she's even

720
00:40:01,200 --> 00:40:06,040
Speaker 1: at another level of fame, success and appeal then every right.

721
00:40:06,080 --> 00:40:07,799
Speaker 1: I mean I saw her at the Rose Bowl how

722
00:40:07,840 --> 00:40:10,719
Speaker 1: many years ago? Oh, that was for the Reputation tour.

723
00:40:10,800 --> 00:40:13,279
Speaker 1: That was twenty eight. I took my family to see

724
00:40:13,280 --> 00:40:15,560
Speaker 1: her at the Rose Bowl. My parents and I thought,

725
00:40:15,800 --> 00:40:17,799
Speaker 1: it doesn't it probably doesn't get bigger and better. I mean,

726
00:40:17,800 --> 00:40:19,239
Speaker 1: this is it. This is like she's going to run

727
00:40:19,280 --> 00:40:21,800
Speaker 1: this for for her life. But it doesn't bigger and

728
00:40:22,520 --> 00:40:24,920
Speaker 1: it does. Right, that's the thing, and that's the thing.

729
00:40:24,960 --> 00:40:28,000
Speaker 1: She stayed true to herself since day one. And she's

730
00:40:28,040 --> 00:40:30,360
Speaker 1: one of the only artists I think in our time

731
00:40:30,920 --> 00:40:34,719
Speaker 1: that has continued to write music for herself. I think

732
00:40:34,760 --> 00:40:36,920
Speaker 1: when some new artists come out, they have other writers

733
00:40:36,920 --> 00:40:39,359
Speaker 1: for them, and they write other people's or they sing

734
00:40:39,360 --> 00:40:42,040
Speaker 1: other people's music. But Taylor has sung her own song.

735
00:40:42,120 --> 00:40:44,600
Speaker 1: I mean it feels like a child trying to make

736
00:40:44,640 --> 00:40:46,360
Speaker 1: it and be an artist, right and be a singer.

737
00:40:46,680 --> 00:40:50,280
Speaker 1: And they were like, we're gonna throw you some help exactly,

738
00:40:50,280 --> 00:40:53,560
Speaker 1: which most young artists way to do it exactly, but

739
00:40:53,920 --> 00:40:56,319
Speaker 1: not Taylor. No. So she won the Innovator Award as well.

740
00:40:56,520 --> 00:41:07,279
Speaker 1: Have to give yourself permission to fail. I try as

741
00:41:07,320 --> 00:41:10,319
Speaker 1: hard as I can not to fail because it's embarrassing.

742
00:41:10,360 --> 00:41:13,640
Speaker 1: But I do give myself permission to and you should too,

743
00:41:13,800 --> 00:41:16,120
Speaker 1: So go easy on yourselves and just make the right

744
00:41:16,200 --> 00:41:19,880
Speaker 1: choices that feel right for you. And some days someone

745
00:41:20,000 --> 00:41:23,719
Speaker 1: might think that you've been innovative. Thank you so much

746
00:41:23,760 --> 00:41:26,880
Speaker 1: for that. The wisdom is fantastic. I have to tell you,

747
00:41:26,880 --> 00:41:33,520
Speaker 1: though I didn't. I don't give myself much permission to fail,

748
00:41:33,760 --> 00:41:37,480
Speaker 1: and I certainly wouldn't consider it in my twenties and

749
00:41:37,560 --> 00:41:40,440
Speaker 1: in my early thirties, I know, which is not healthy,

750
00:41:41,320 --> 00:41:44,799
Speaker 1: but I wouldn't even I mean, I would beat myself

751
00:41:44,920 --> 00:41:48,359
Speaker 1: up over anything, to the point where I couldn't even

752
00:41:48,360 --> 00:41:51,399
Speaker 1: sit at dinner if my folks were in town. Yeah,

753
00:41:51,440 --> 00:41:53,600
Speaker 1: but that was her whole, her whole point to that speech.

754
00:41:53,640 --> 00:41:55,759
Speaker 1: She was just like, I'm being celebrated all the time

755
00:41:55,800 --> 00:41:57,600
Speaker 1: for all of my successes and all the things that

756
00:41:57,680 --> 00:41:59,840
Speaker 1: I do great, But what you guys don't see or

757
00:41:59,840 --> 00:42:02,839
Speaker 1: all the thousands of times that I have failed. And

758
00:42:02,880 --> 00:42:05,359
Speaker 1: that's where she's saying, like, give yourself permission to fail,

759
00:42:05,400 --> 00:42:08,080
Speaker 1: because that's where you learn. Do you know? Who is

760
00:42:08,160 --> 00:42:11,520
Speaker 1: like an Icon literally won the Icon Award last night,

761
00:42:11,560 --> 00:42:15,000
Speaker 1: and when we were on the Red carpet pink. Yes,

762
00:42:15,320 --> 00:42:18,560
Speaker 1: and she stayed and talked to us. I honestly felt

763
00:42:18,560 --> 00:42:20,799
Speaker 1: like ten minutes. What was she saying. Well, she was

764
00:42:20,840 --> 00:42:24,439
Speaker 1: talking just about how like she can stay she stayed

765
00:42:24,440 --> 00:42:26,600
Speaker 1: true to herself, and how to be confident in your

766
00:42:26,640 --> 00:42:28,839
Speaker 1: own skin, and how it's hard for you know, new

767
00:42:28,960 --> 00:42:31,279
Speaker 1: artists coming in, and how she always stayed true to

768
00:42:31,320 --> 00:42:34,439
Speaker 1: who she was. And then she was just talking about

769
00:42:34,440 --> 00:42:36,120
Speaker 1: how excited she was for the performance because she was

770
00:42:36,120 --> 00:42:38,200
Speaker 1: getting a lot of women together and so that was

771
00:42:38,280 --> 00:42:40,719
Speaker 1: kind of cool to see the performance. She did like

772
00:42:40,800 --> 00:42:44,879
Speaker 1: trust Falls and Everything is Pink. Winner of the Icon

773
00:42:44,960 --> 00:42:47,360
Speaker 1: Award last night, our Ihet Radio Music Award. You have

774
00:42:47,440 --> 00:42:50,960
Speaker 1: watched me do this, this sifting through life's messiness for

775
00:42:51,000 --> 00:42:54,080
Speaker 1: almost twenty five years. Wow. And some of you find

776
00:42:54,120 --> 00:42:56,840
Speaker 1: what I do annoying and some of you find it brave,

777
00:42:57,080 --> 00:43:02,400
Speaker 1: and I find it. I just find it necessary. I

778
00:43:02,480 --> 00:43:04,719
Speaker 1: think as human beings, we are vulnerable from the time

779
00:43:04,760 --> 00:43:06,520
Speaker 1: we are born until the time we die, and most

780
00:43:06,520 --> 00:43:10,359
Speaker 1: of us went our entire lives running from that vulnerability

781
00:43:10,400 --> 00:43:14,400
Speaker 1: means the ability to be wounded. I have decided to

782
00:43:14,440 --> 00:43:20,080
Speaker 1: make vulnerability my life's work. I feel like this is

783
00:43:20,440 --> 00:43:25,600
Speaker 1: all therapy, these speeches that therapists might say to us.

784
00:43:26,400 --> 00:43:29,319
Speaker 1: I felt like a lot of oviews were very therapeutic.

785
00:43:29,480 --> 00:43:32,080
Speaker 1: On the carpet yesterday, like everybody we were really talking

786
00:43:32,120 --> 00:43:34,960
Speaker 1: about like soul searching things. It was very interesting. I

787
00:43:35,000 --> 00:43:38,359
Speaker 1: also have always looked at pink in an admiration of

788
00:43:38,400 --> 00:43:41,560
Speaker 1: not giving an F yeah stuff right, Like she said

789
00:43:41,600 --> 00:43:43,560
Speaker 1: it may annoy people. She doesn't give an F. No,

790
00:43:43,800 --> 00:43:46,640
Speaker 1: it doesn't care. And she kicked off the show with

791
00:43:46,719 --> 00:43:49,400
Speaker 1: a bang. I mean her performance. You know, she always

792
00:43:49,400 --> 00:43:53,799
Speaker 1: does really cool, elaborate performances. She had crazy trampolines. She

793
00:43:53,840 --> 00:43:55,960
Speaker 1: did a trust fall from probably like ten feet up

794
00:43:56,000 --> 00:43:58,520
Speaker 1: in the air. She just imagine going backwards like into

795
00:43:58,560 --> 00:44:00,440
Speaker 1: the audience kind of and then she just like trusting

796
00:44:00,440 --> 00:44:02,480
Speaker 1: you answers to catch you. This was a test for

797
00:44:02,520 --> 00:44:04,799
Speaker 1: her tour, she basically said, I heart gave her the

798
00:44:04,840 --> 00:44:08,000
Speaker 1: reins to kind of like test this this situation to

799
00:44:08,040 --> 00:44:13,320
Speaker 1: see how yeah, which is really cool Air with Ryan Seacrest.

800
00:44:16,560 --> 00:44:20,080
Speaker 1: Let me grab this call for a second. Here Jessica

801
00:44:20,160 --> 00:44:23,760
Speaker 1: is on the phone. It is a Tuesday morning. Good morning, Jessica,

802
00:44:23,800 --> 00:44:27,000
Speaker 1: how are you good? How are you guys doing well?

803
00:44:27,040 --> 00:44:31,239
Speaker 1: So your husband's ex has pictures of him on her Instagram.

804
00:44:31,560 --> 00:44:37,000
Speaker 1: Yes she does. She came up on under like people

805
00:44:37,040 --> 00:44:39,880
Speaker 1: you may know, so naturally I just scroll through it,

806
00:44:39,960 --> 00:44:42,960
Speaker 1: and I mean, it's way back. My husband and I

807
00:44:43,000 --> 00:44:46,680
Speaker 1: have been together for like ten years. But I don't know.

808
00:44:46,800 --> 00:44:49,480
Speaker 1: I just still think it's like kind of weird and

809
00:44:49,680 --> 00:44:51,160
Speaker 1: I don't know if I should bring it up to

810
00:44:51,239 --> 00:44:53,759
Speaker 1: him or not. Are just like let it go? Why

811
00:44:53,760 --> 00:44:55,759
Speaker 1: does she still pictures of and what did pictures of?

812
00:44:56,960 --> 00:44:59,600
Speaker 1: That's a good question. The only thing is too is

813
00:45:00,000 --> 00:45:02,600
Speaker 1: you still do talk occasionally. She's really good friends with

814
00:45:02,640 --> 00:45:05,799
Speaker 1: my sister in law. So I don't know. I just

815
00:45:05,840 --> 00:45:08,160
Speaker 1: find it to be so odd, Like I don't know

816
00:45:08,200 --> 00:45:11,520
Speaker 1: if I should studied to him. Won't bring it up

817
00:45:11,560 --> 00:45:12,960
Speaker 1: to my sister in law and be like, do you

818
00:45:13,000 --> 00:45:15,080
Speaker 1: think it's weird or I'm am I making too big

819
00:45:15,120 --> 00:45:17,279
Speaker 1: of a deal of it. You have a look on

820
00:45:17,320 --> 00:45:20,520
Speaker 1: your face. It's so complicated because she's friends with the

821
00:45:20,560 --> 00:45:24,640
Speaker 1: sister in law, So that is like another layer that

822
00:45:25,239 --> 00:45:28,600
Speaker 1: already makes me kind of feel uncomfortable. Um, I would

823
00:45:28,600 --> 00:45:31,200
Speaker 1: have just I would just drop it. I wouldn't bring

824
00:45:31,239 --> 00:45:32,880
Speaker 1: it up. Look, you're married, and you said you've been

825
00:45:32,880 --> 00:45:35,640
Speaker 1: together for ten years. I would not have this even

826
00:45:35,719 --> 00:45:38,759
Speaker 1: be an issue. Your husband loves you, you love him.

827
00:45:38,960 --> 00:45:42,640
Speaker 1: You guys are happily married. Don't even give this any

828
00:45:42,680 --> 00:45:48,600
Speaker 1: more time than it needs. Okay, that's a good perspective.

829
00:45:48,719 --> 00:45:52,120
Speaker 1: That's inminding myself up to. I think, so we'll also

830
00:45:52,160 --> 00:45:54,320
Speaker 1: I think about what you would do. You'd be asking

831
00:45:54,400 --> 00:45:56,680
Speaker 1: him to ask her to pack down the photos, and

832
00:45:56,719 --> 00:45:58,440
Speaker 1: it's just like, play that out in your head. It's

833
00:45:58,440 --> 00:46:03,240
Speaker 1: so yeah, you're asking them to interact. It just seems petty,

834
00:46:03,360 --> 00:46:05,760
Speaker 1: and it seems like Susy said, don't waste your time

835
00:46:05,760 --> 00:46:09,919
Speaker 1: and energy and any emotion on it and just move on.

836
00:46:10,440 --> 00:46:13,640
Speaker 1: You are in a good, seemingly good place with anything.

837
00:46:13,719 --> 00:46:19,200
Speaker 1: It makes her look desperate, right, Yeah, she's the one

838
00:46:19,239 --> 00:46:20,880
Speaker 1: that has them on her Instagram. You know, it's not

839
00:46:20,920 --> 00:46:23,880
Speaker 1: your husband that has them on his. Yeah, that is

840
00:46:23,920 --> 00:46:26,759
Speaker 1: really true. You guys give me a really good perspective

841
00:46:26,760 --> 00:46:33,920
Speaker 1: on this. Thank you, Thank you, Jessica, Bye bye. Good advice.

842
00:46:35,160 --> 00:46:37,920
Speaker 1: You know, but I know that it still stings. We

843
00:46:38,000 --> 00:46:39,920
Speaker 1: get these advice calls. I get a little exhausted by

844
00:46:39,920 --> 00:46:41,840
Speaker 1: the end because I throw myself into the situation and

845
00:46:41,920 --> 00:46:45,120
Speaker 1: kind of live it, you know, like I have you

846
00:46:45,120 --> 00:46:49,840
Speaker 1: get mad. I don't know. I can suspend disbelief and

847
00:46:49,840 --> 00:46:51,600
Speaker 1: all of a sudden I'm in it, I'm leaving it,

848
00:46:51,640 --> 00:46:53,799
Speaker 1: and then I feel exhausted after it. I know, I

849
00:46:53,840 --> 00:47:03,000
Speaker 1: know what you mean. On air with Ryan Seacrest, people

850
00:47:03,000 --> 00:47:04,960
Speaker 1: really have to createst job in the world. Why don't

851
00:47:04,960 --> 00:47:07,960
Speaker 1: you point seven, kiss up down? You're a kiss where

852
00:47:08,000 --> 00:47:10,040
Speaker 1: we do what we do. And we started this morning

853
00:47:10,080 --> 00:47:12,520
Speaker 1: at six. It's now nine, and that kind of just

854
00:47:12,600 --> 00:47:14,279
Speaker 1: said I don't really want to do this, but I

855
00:47:14,280 --> 00:47:16,640
Speaker 1: don't want to say that because just because it might

856
00:47:16,680 --> 00:47:19,439
Speaker 1: be a tough question, they're all going to ask each other.

857
00:47:19,520 --> 00:47:21,239
Speaker 1: We shouldn't shy away from it. Why because we have

858
00:47:21,280 --> 00:47:23,319
Speaker 1: the greatest job in the world, So so what if

859
00:47:23,320 --> 00:47:25,719
Speaker 1: it's a tough question. So we had this guy on,

860
00:47:26,400 --> 00:47:31,360
Speaker 1: Jay Shetty. Now Jay is a what he's a life coach.

861
00:47:32,520 --> 00:47:35,080
Speaker 1: So he comes on and I have to tell you

862
00:47:35,080 --> 00:47:37,160
Speaker 1: you told me about him. I saw his books. He

863
00:47:37,239 --> 00:47:39,640
Speaker 1: was a monk, he's now not. I was impressed and

864
00:47:39,640 --> 00:47:42,560
Speaker 1: I really liked what he had to say. So we

865
00:47:42,600 --> 00:47:46,840
Speaker 1: started with some questions from him. He said, if you

866
00:47:46,880 --> 00:47:49,080
Speaker 1: know this is stuff from his his life coaching. He

867
00:47:49,080 --> 00:47:52,680
Speaker 1: says if you're younger self met you, Now, what would

868
00:47:53,160 --> 00:47:56,279
Speaker 1: make them happy? What would make them sad about you today?

869
00:47:56,320 --> 00:47:58,080
Speaker 1: And we answered that and it was a little It

870
00:47:58,160 --> 00:48:01,319
Speaker 1: was we did some work, ye kind of emotional, did

871
00:48:01,440 --> 00:48:03,279
Speaker 1: some work to get to those answers. I had a

872
00:48:03,280 --> 00:48:05,200
Speaker 1: lot of people texting me after that air and being like,

873
00:48:05,280 --> 00:48:08,759
Speaker 1: are you okay? I was fine, Yeah, you were fine,

874
00:48:08,760 --> 00:48:11,680
Speaker 1: But I like broke down. Oh you okay? I said,

875
00:48:11,719 --> 00:48:14,839
Speaker 1: you met oz? Yeah, yeah, you're fine. Fine. I mean,

876
00:48:14,840 --> 00:48:16,560
Speaker 1: I don't know if you're fine. You seem fine right

877
00:48:17,280 --> 00:48:21,319
Speaker 1: next next break you were back. Sometimes you just have

878
00:48:21,360 --> 00:48:23,360
Speaker 1: to have a good cry. Yeah, and it's fine to

879
00:48:23,400 --> 00:48:27,080
Speaker 1: do it here. Why because we're three people working on

880
00:48:27,080 --> 00:48:31,160
Speaker 1: a radio show. Um, all right, so here's the question.

881
00:48:32,120 --> 00:48:34,799
Speaker 1: And this comes at random. I think Mark picked this

882
00:48:34,920 --> 00:48:39,000
Speaker 1: question from one of his self help, relationship, life coaching

883
00:48:39,160 --> 00:48:42,640
Speaker 1: books or lessons. What do you think makes a person

884
00:48:42,719 --> 00:48:46,920
Speaker 1: most attractive? And how attractive are you on that scale? Sissy?

885
00:48:46,960 --> 00:48:55,239
Speaker 1: We'll start with you. Um, I think, well there's a

886
00:48:55,320 --> 00:48:58,440
Speaker 1: more Could that be one thing? Yeah? One thing? No,

887
00:48:58,560 --> 00:49:02,600
Speaker 1: there are no rules, okay. I think what makes someone

888
00:49:02,800 --> 00:49:06,719
Speaker 1: most attractive is confidence. Oh I didn't think of that.

889
00:49:06,880 --> 00:49:10,520
Speaker 1: You know someone that kind of takes charge and is

890
00:49:10,800 --> 00:49:15,320
Speaker 1: essentially a leader that to me is very attractive in humor.

891
00:49:16,960 --> 00:49:18,759
Speaker 1: So now those are two different things. But for me,

892
00:49:18,880 --> 00:49:20,880
Speaker 1: confidence and humor, where are you on the scale of

893
00:49:20,920 --> 00:49:25,360
Speaker 1: confidence and humor at once? To know? I think yes,

894
00:49:26,000 --> 00:49:29,120
Speaker 1: I think for me those are high on the list.

895
00:49:29,200 --> 00:49:33,040
Speaker 1: I think that's kind of I think I naturally have confidence,

896
00:49:33,440 --> 00:49:36,480
Speaker 1: especially in a relationship that consider you a leader. Okay,

897
00:49:37,719 --> 00:49:41,160
Speaker 1: let's get to what do you think makes a person

898
00:49:41,200 --> 00:49:43,680
Speaker 1: most attractive? Okay, so I'm going to go off Sisney's

899
00:49:43,760 --> 00:49:46,719
Speaker 1: confidence because mine also is a seward. So I think

900
00:49:46,719 --> 00:49:51,480
Speaker 1: it's kind of cute. Character. Good one. You guys are

901
00:49:51,520 --> 00:49:54,600
Speaker 1: better at this game than I. Character to me is

902
00:49:55,400 --> 00:49:57,799
Speaker 1: above the rest, the most important thing. And I feel

903
00:49:57,800 --> 00:50:01,080
Speaker 1: like you can really tell a person's character on a

904
00:50:01,160 --> 00:50:03,959
Speaker 1: first date by the way they interact with the wait

905
00:50:04,080 --> 00:50:06,719
Speaker 1: staff or people in the bar, or how they talk

906
00:50:06,760 --> 00:50:08,520
Speaker 1: about the people in their lives. I feel like you

907
00:50:08,520 --> 00:50:11,960
Speaker 1: can really tell somebody's character and what what are you?

908
00:50:12,160 --> 00:50:14,719
Speaker 1: How attractive are you on that scale? I think I

909
00:50:14,760 --> 00:50:18,120
Speaker 1: have a very strong character. I think I'm a very loyal,

910
00:50:18,200 --> 00:50:23,360
Speaker 1: trustworthy person. And um oh hi, hold on one second,

911
00:50:23,440 --> 00:50:27,200
Speaker 1: go ahead? Oh uh, so I would say, I'd say,

912
00:50:27,239 --> 00:50:29,200
Speaker 1: I'm I'm high up. I'm still a work in progress,

913
00:50:29,239 --> 00:50:31,279
Speaker 1: but I think I have a really strong character. All right,

914
00:50:31,400 --> 00:50:33,520
Speaker 1: good like it? Very good answers. I'm just talking with

915
00:50:33,600 --> 00:50:35,799
Speaker 1: Sisney and Tanya. I'll explain later. But what do you

916
00:50:35,840 --> 00:50:42,279
Speaker 1: think my most attractive quality is? Oh, that's a good one. Well,

917
00:50:42,320 --> 00:50:47,759
Speaker 1: what's the answer? Quicker? Quicker? I love the fact that

918
00:50:47,800 --> 00:50:55,080
Speaker 1: you are goofy fun with anything, even if it's something

919
00:50:55,280 --> 00:50:57,759
Speaker 1: like something serious you're doing. You'd like to just make

920
00:50:57,800 --> 00:51:02,359
Speaker 1: it full of life. Mate. Yeah, And how attractive am

921
00:51:02,360 --> 00:51:04,360
Speaker 1: I at that? I know I has? She And now's

922
00:51:06,040 --> 00:51:09,000
Speaker 1: all right, I'm all right, I'll call I'll explain by later.

923
00:51:10,360 --> 00:51:15,719
Speaker 1: So I was gonna say, I'm attracted to smiles. Like

924
00:51:15,920 --> 00:51:19,360
Speaker 1: smiles to me are like they say, the eyes of

925
00:51:19,400 --> 00:51:21,080
Speaker 1: the windows to the soul. Smile to me, it's like

926
00:51:21,120 --> 00:51:24,120
Speaker 1: the window to all the things you said, confidence and character,

927
00:51:25,480 --> 00:51:29,040
Speaker 1: and with that smile comes all those things, like an

928
00:51:29,080 --> 00:51:33,960
Speaker 1: abundance of traits and qualities. Right, So then on that scale,

929
00:51:34,400 --> 00:51:36,960
Speaker 1: do you have a good a good smile? What would

930
00:51:36,960 --> 00:51:41,640
Speaker 1: you give it a number? M hmm, good. Nine that's

931
00:51:41,640 --> 00:51:48,240
Speaker 1: a good smile, Not right, nine that's pretty good. Actually

932
00:51:48,239 --> 00:51:51,640
Speaker 1: your smile. You know, I enjoyed your Uni video. Oh

933
00:51:52,560 --> 00:51:54,319
Speaker 1: I thought you had a good smile in that video.

934
00:51:54,600 --> 00:51:57,480
Speaker 1: I wanted to try it. You should try uney. It's

935
00:51:57,520 --> 00:51:59,560
Speaker 1: really good. It's see our chidden. They've got them right up.

936
00:52:00,000 --> 00:52:02,080
Speaker 1: I think the key to your operation was the bread

937
00:52:02,480 --> 00:52:04,719
Speaker 1: that you put it, all of it with the egg.

938
00:52:04,840 --> 00:52:06,520
Speaker 1: I was like, I've never tried it like that, So

939
00:52:07,040 --> 00:52:09,760
Speaker 1: I check out my Instagram feed if you want more detail.

940
00:52:09,960 --> 00:52:11,400
Speaker 1: It was very good. And the fact that you went

941
00:52:11,480 --> 00:52:15,600
Speaker 1: down onto the streets and had random people try it. Wow,

942
00:52:15,680 --> 00:52:17,839
Speaker 1: he's really going. He's gone for he's trying to get

943
00:52:17,920 --> 00:52:22,239
Speaker 1: the traction in my secret and gradient was the limes test. Yeah,

944
00:52:22,840 --> 00:52:25,799
Speaker 1: did you guys see that back room on my Instagram feed?

945
00:52:25,880 --> 00:52:31,359
Speaker 1: My big post? Yeah? Sure did day? Big Day? Did

946
00:52:31,440 --> 00:52:34,719
Speaker 1: you comment? I liked it? I liked Yeah, I gave

947
00:52:34,760 --> 00:52:36,719
Speaker 1: you a clap comments. Wait, you liked it? What did you?

948
00:52:36,840 --> 00:52:39,040
Speaker 1: What did you say? Though, let's put a heart just

949
00:52:39,400 --> 00:52:43,239
Speaker 1: They liked it like yeah, like a double tap. They

950
00:52:43,320 --> 00:52:45,000
Speaker 1: liked it like I liked it too, But what did

951
00:52:45,040 --> 00:52:46,840
Speaker 1: you say? I did notice something in one of your

952
00:52:46,880 --> 00:52:50,239
Speaker 1: photos on Instagram. Go on, maybe I'll save it for later.

953
00:52:50,480 --> 00:52:54,520
Speaker 1: I feel like Mark's getting up stressed, Getting stressed break

954
00:52:54,640 --> 00:52:56,640
Speaker 1: is going too long? Ye all right, then let's take

955
00:52:56,640 --> 00:52:59,279
Speaker 1: a break. It's a physical feature of Yours Last Night

956
00:52:59,480 --> 00:53:01,680
Speaker 1: Big Show or I our Radio Music Awards with Lenny

957
00:53:01,719 --> 00:53:05,040
Speaker 1: Kravitz as host Taylor as your one Pink Big winner

958
00:53:05,040 --> 00:53:09,200
Speaker 1: for the Icon Award and Latin Pop Song of the Year, Mommy,

959
00:53:09,560 --> 00:53:13,239
Speaker 1: Becky G and Carol G. Here's a Becky g A.

960
00:53:13,560 --> 00:53:16,560
Speaker 1: As Nichola said, two G's too, Mummy's one hit song.

961
00:53:17,160 --> 00:53:20,640
Speaker 1: I think it really just demonstrates that Humpatsmo's musk. When

962
00:53:20,680 --> 00:53:22,560
Speaker 1: we come together as women in this industry, we are

963
00:53:22,640 --> 00:53:25,840
Speaker 1: capable of not just making hit songs, when making history

964
00:53:25,880 --> 00:53:28,880
Speaker 1: and setting in an example that when we come together

965
00:53:29,200 --> 00:53:33,480
Speaker 1: we are powerhouses. We are able to see each other

966
00:53:33,640 --> 00:53:37,319
Speaker 1: differently and share in the light and not to get

967
00:53:37,360 --> 00:53:39,680
Speaker 1: into like the cheesement of what was kind of going

968
00:53:39,719 --> 00:53:42,400
Speaker 1: on in Becky's world yesterday, But there was like a

969
00:53:42,560 --> 00:53:46,400
Speaker 1: lot happening in her world. There was rumors going around

970
00:53:46,480 --> 00:53:48,359
Speaker 1: that her fiance had cheated on her, and he came

971
00:53:48,360 --> 00:53:50,120
Speaker 1: out with like a statement earlier that days, like the

972
00:53:50,160 --> 00:53:52,320
Speaker 1: fact that she of the red carpet the day of

973
00:53:52,360 --> 00:53:54,399
Speaker 1: the red carpet. Like, so the fact that she showed

974
00:53:54,480 --> 00:53:57,160
Speaker 1: up yesterday I heard a Rhodes and like crushed with

975
00:53:57,239 --> 00:53:59,400
Speaker 1: the statement that he put out. He put out a

976
00:53:59,440 --> 00:54:03,400
Speaker 1: statement that he was unfaithful allegedly. Yeah, it was like

977
00:54:03,440 --> 00:54:06,840
Speaker 1: a long when she was arriving kind of and so,

978
00:54:07,120 --> 00:54:08,640
Speaker 1: I mean, she didn't have her ring on, but like

979
00:54:08,760 --> 00:54:10,960
Speaker 1: sometimes when you go to award shows, you don't necessarily

980
00:54:11,040 --> 00:54:13,120
Speaker 1: wear your wedding ring or your engagement rings as you

981
00:54:13,160 --> 00:54:15,520
Speaker 1: have other jewelry on and stuff like that. But she

982
00:54:16,200 --> 00:54:19,680
Speaker 1: just proved that you just persevere and you just handle

983
00:54:19,760 --> 00:54:22,080
Speaker 1: business sometimes. How do you have to have no life?

984
00:54:22,680 --> 00:54:25,919
Speaker 1: I know you've gone through significantly difficult moments in your life, sist.

985
00:54:26,120 --> 00:54:28,319
Speaker 1: Have you ever had to do the show here after

986
00:54:28,400 --> 00:54:30,960
Speaker 1: a breakup? You haven't, have you not a breakup? But

987
00:54:31,080 --> 00:54:33,959
Speaker 1: I actually had to do the IHEARDIO Music Awards after

988
00:54:34,239 --> 00:54:39,600
Speaker 1: a miscarriage, and it was just sometimes and we just

989
00:54:39,920 --> 00:54:43,439
Speaker 1: have to like you just do it, like you put

990
00:54:43,520 --> 00:54:47,640
Speaker 1: your personal life aside and you just and how did

991
00:54:47,680 --> 00:54:50,960
Speaker 1: you go after I think you're just kind of numb

992
00:54:51,200 --> 00:54:54,040
Speaker 1: during the process because it's work, Like you know, you

993
00:54:54,200 --> 00:54:58,480
Speaker 1: just to mean, yeah, you're a gentleman takes over and

994
00:54:58,600 --> 00:55:01,200
Speaker 1: you're almost like in the I was probably in denial,

995
00:55:01,320 --> 00:55:04,320
Speaker 1: to be quite honest, and then you get through it

996
00:55:04,400 --> 00:55:07,440
Speaker 1: and then you feel pain afterwards. So I hope she's

997
00:55:07,480 --> 00:55:09,680
Speaker 1: doing okay. It's what I'm trying to say. Well, that

998
00:55:09,760 --> 00:55:12,120
Speaker 1: was a big moment last night. Becky g and the

999
00:55:12,200 --> 00:55:15,600
Speaker 1: Latin pop song and you're Becky and Carol ge with that, Tanya,

1000
00:55:15,680 --> 00:55:18,680
Speaker 1: what's your new word after the right carpet? Okay? So

1001
00:55:19,239 --> 00:55:21,880
Speaker 1: when we were interviewing Papa Roach, they won an award.

1002
00:55:21,920 --> 00:55:23,920
Speaker 1: We presented them with this award and they've been a

1003
00:55:24,000 --> 00:55:25,840
Speaker 1: band for thirty years, and so I was like talking

1004
00:55:25,920 --> 00:55:29,000
Speaker 1: to them about what does it take to be in

1005
00:55:29,040 --> 00:55:31,319
Speaker 1: a relationship with your bandmates for thirty years? How did

1006
00:55:31,320 --> 00:55:33,319
Speaker 1: you guys stay together for thirty years? And he said

1007
00:55:33,360 --> 00:55:37,240
Speaker 1: this word that really stuck with me. It was sticktuitiveness.

1008
00:55:37,680 --> 00:55:39,160
Speaker 1: And I've never heard it before and I had to

1009
00:55:39,200 --> 00:55:41,719
Speaker 1: like google it when I got home. Is that persistency? Yeah,

1010
00:55:41,760 --> 00:55:43,719
Speaker 1: it's basically just like you stick to it even when

1011
00:55:43,760 --> 00:55:45,640
Speaker 1: times are hard, you stick to it. And I don't

1012
00:55:45,640 --> 00:55:48,120
Speaker 1: know why. It felt really philosophical in that moment about

1013
00:55:48,239 --> 00:55:50,120
Speaker 1: just like every relationship in your life, you know, like

1014
00:55:50,200 --> 00:55:52,880
Speaker 1: we're in this generation where everybody just flees, like, if

1015
00:55:52,920 --> 00:55:54,600
Speaker 1: it's not working out, you leave. If if it's not

1016
00:55:54,880 --> 00:55:57,319
Speaker 1: going great, you leave, you bounce, you find something bigger, better.

1017
00:55:57,880 --> 00:56:01,120
Speaker 1: And that word sticktuitiveness, it's just really stuck with me

1018
00:56:01,280 --> 00:56:03,080
Speaker 1: and I really really liked it, so it might be

1019
00:56:03,200 --> 00:56:05,680
Speaker 1: my word for next year. M Papa roach one for

1020
00:56:05,800 --> 00:56:12,319
Speaker 1: best rock Artist. Sticktuitiveness, which is made yeah stick yeah, yeah.

1021
00:56:12,880 --> 00:56:15,960
Speaker 1: I don't know that I could say it fast. What

1022
00:56:16,000 --> 00:56:18,960
Speaker 1: do you have that it's hard? I can get my

1023
00:56:19,040 --> 00:56:20,560
Speaker 1: tongue into my roof of my mouth that many times

1024
00:56:20,600 --> 00:56:22,640
Speaker 1: that fast. It's definitely in the running for twenty twenty

1025
00:56:22,680 --> 00:56:25,440
Speaker 1: four Word of the Year. All right, I ready music chords.

1026
00:56:25,480 --> 00:56:27,200
Speaker 1: If you missed all of that, you gotta check it

1027
00:56:27,239 --> 00:56:31,040
Speaker 1: out on Hulu. Where can you stream it? Tubs? You

1028
00:56:31,080 --> 00:56:33,359
Speaker 1: don't have a mic? We're run over here and use

1029
00:56:33,400 --> 00:56:34,560
Speaker 1: that one and tell me where I can stream it?

1030
00:56:35,760 --> 00:56:40,719
Speaker 1: Oh boy, there the build up. I heard radio dot Com.

1031
00:56:43,760 --> 00:56:45,319
Speaker 1: I gotta tell you if you listen to this show,

1032
00:56:45,360 --> 00:56:53,160
Speaker 1: it never disappoints, does it? Never? Just said it? Tubs?

1033
00:56:54,760 --> 00:56:56,680
Speaker 1: Stream it on Hulu. Where can you stream it? Toubs

1034
00:56:57,200 --> 00:57:00,359
Speaker 1: hu Hulu, Hulu. It's all right, he's busy, our kid

1035
00:57:01,080 --> 00:57:02,600
Speaker 1: and it doesn't have a microphone because we had to.

1036
00:57:02,760 --> 00:57:04,960
Speaker 1: Then we give them earlier to Katie Luke and Lionel Yeah.

1037
00:57:05,800 --> 00:57:10,440
Speaker 1: On Air with Ryan Seacrest, I's gonna wrap it up

1038
00:57:10,480 --> 00:57:14,880
Speaker 1: for us today. Tomorrow we are back with NonStop pits,

1039
00:57:15,040 --> 00:57:18,280
Speaker 1: NonStop paying your bills, and Morning Hack All happen it

1040
00:57:18,360 --> 00:57:22,720
Speaker 1: Tomorrow's Assistney's Guy to let my guys taking care. Thanks

1041
00:57:22,760 --> 00:57:25,440
Speaker 1: for listening to On Air with Ryan Seacrest. Make sure

1042
00:57:25,480 --> 00:57:27,520
Speaker 1: to subscribe it and we'll talk to you again tomorrow