1 00:00:00,080 --> 00:00:03,840 Speaker 1: All right, Fred Shill, finally a respectable honorable guest on 2 00:00:04,200 --> 00:00:07,440 Speaker 1: our program. I mean we don't often have a We've 3 00:00:07,440 --> 00:00:10,000 Speaker 1: never had an author, have we we ever had an author? 4 00:00:10,039 --> 00:00:13,600 Speaker 1: Like just an author? No, I don't think so. No, 5 00:00:14,000 --> 00:00:18,439 Speaker 1: Ladies and gentlemen. TJ Newman is here. Hi, welcome. You've 6 00:00:18,480 --> 00:00:20,919 Speaker 1: never done like in the studio radio and you're a 7 00:00:20,960 --> 00:00:22,800 Speaker 1: Best New York Times best selling author. 8 00:00:22,920 --> 00:00:25,240 Speaker 2: Well, my first book came out it was Covid Times. 9 00:00:25,280 --> 00:00:26,680 Speaker 2: So this is my second book. 10 00:00:26,720 --> 00:00:27,400 Speaker 3: And now I can. 11 00:00:27,280 --> 00:00:29,400 Speaker 2: Actually do a tour, I can actually be in studio 12 00:00:29,520 --> 00:00:31,920 Speaker 2: and so yeah, this is my first time in a 13 00:00:32,000 --> 00:00:32,720 Speaker 2: radio studio. 14 00:00:32,800 --> 00:00:34,760 Speaker 1: Look at TJ with the voice over here listening. Let 15 00:00:34,800 --> 00:00:36,960 Speaker 1: me come on. You can't have it all, okay. 16 00:00:37,040 --> 00:00:39,560 Speaker 3: I was a flight at ten for ten years. 17 00:00:39,560 --> 00:00:42,120 Speaker 1: So there. Do you remember the speech? Do you remember 18 00:00:42,159 --> 00:00:42,639 Speaker 1: the whole thing? 19 00:00:42,960 --> 00:00:43,800 Speaker 3: I'm sure I do. 20 00:00:44,360 --> 00:00:46,080 Speaker 1: I feel like that's somebody you'd never forget, like your 21 00:00:46,080 --> 00:00:46,720 Speaker 1: whole life. 22 00:00:47,360 --> 00:00:49,440 Speaker 3: Ladies and gentlemen, welcome on board Virtuin in America. 23 00:00:49,479 --> 00:00:53,159 Speaker 1: Oh yeah, did you get all sultry with it too 24 00:00:53,200 --> 00:00:54,680 Speaker 1: when you were doing it? That would have been my best, 25 00:00:54,760 --> 00:00:55,560 Speaker 1: my favorite flight ever. 26 00:00:55,920 --> 00:00:59,080 Speaker 3: My pa alter ego. Her name is Peaches. 27 00:00:59,360 --> 00:01:02,480 Speaker 4: Oh, peaches girl. 28 00:01:02,680 --> 00:01:05,560 Speaker 1: So your first book falling, and now we have drowning? 29 00:01:05,640 --> 00:01:07,400 Speaker 1: What And we were talking out the year what's next? 30 00:01:07,400 --> 00:01:08,800 Speaker 1: Like how are we going to die? The next way? 31 00:01:08,880 --> 00:01:11,640 Speaker 1: What's the third way? You know? 32 00:01:11,760 --> 00:01:13,840 Speaker 2: There's there's there's a lot of things that can go 33 00:01:13,920 --> 00:01:15,320 Speaker 2: right and a lot of things that can go wrong 34 00:01:15,360 --> 00:01:17,280 Speaker 2: in aviation. And I worked as a flight attendant for 35 00:01:17,319 --> 00:01:20,520 Speaker 2: ten years. So one or two good ideas for books 36 00:01:20,600 --> 00:01:22,080 Speaker 2: is I don't think that's well. 37 00:01:21,880 --> 00:01:23,920 Speaker 1: She's got three more to write, so you're not gonna 38 00:01:23,920 --> 00:01:25,920 Speaker 1: tell us is when it comes to drinking the water 39 00:01:25,959 --> 00:01:27,920 Speaker 1: on the plane? Yeah, that's a no no, isn't it 40 00:01:29,160 --> 00:01:31,040 Speaker 1: the coffee? You don't want to call drink the coffee 41 00:01:31,040 --> 00:01:33,160 Speaker 1: on the plane every time? But yeah, the look on 42 00:01:33,200 --> 00:01:36,919 Speaker 1: your face, Yeah really, I mean I'm already in a cesspool. 43 00:01:37,000 --> 00:01:39,200 Speaker 1: I'm in an illuminum cesspool. What's the worst is going 44 00:01:39,240 --> 00:01:39,720 Speaker 1: to happen there? 45 00:01:39,959 --> 00:01:43,080 Speaker 3: Oh no, no, Yeah, read my read my books and 46 00:01:43,120 --> 00:01:44,720 Speaker 3: find out we're. 47 00:01:44,560 --> 00:01:48,200 Speaker 1: Talking about I've read them all twice, so okay. People 48 00:01:48,240 --> 00:01:50,279 Speaker 1: need to know the story though, like how this happened, 49 00:01:50,320 --> 00:01:53,240 Speaker 1: because it's pretty remarkable. Like if anyone's driving to work 50 00:01:53,320 --> 00:01:55,280 Speaker 1: right now wherever, and they're thinking I've always wanted to 51 00:01:55,280 --> 00:01:57,800 Speaker 1: do X Y Z. That's basically what you did is 52 00:01:57,840 --> 00:02:00,520 Speaker 1: you had this idea, this dream, and you made it 53 00:02:00,560 --> 00:02:02,920 Speaker 1: happen while you were working as a flight attendant, and 54 00:02:02,960 --> 00:02:04,680 Speaker 1: so sort of I don't know what's like, how would 55 00:02:04,680 --> 00:02:07,680 Speaker 1: you paraphrase the story of you and how this all happened. 56 00:02:07,840 --> 00:02:09,480 Speaker 3: Yeah, it's been a wild ride. 57 00:02:09,600 --> 00:02:13,400 Speaker 2: I started out going to New York and trying to 58 00:02:13,400 --> 00:02:15,840 Speaker 2: make it on Broadway. And since we're not talking about 59 00:02:15,840 --> 00:02:17,760 Speaker 2: what my next Broadway show is, you can guess. 60 00:02:17,600 --> 00:02:18,600 Speaker 4: How well that one. 61 00:02:19,720 --> 00:02:22,280 Speaker 2: I left New York, moved home, moved in with my parents, 62 00:02:22,280 --> 00:02:23,959 Speaker 2: did the whole what do I do with my life now? 63 00:02:23,960 --> 00:02:26,800 Speaker 3: And that's when I got a job at a independent. 64 00:02:26,400 --> 00:02:31,160 Speaker 2: Bookstore up the street and started writing again and started 65 00:02:31,200 --> 00:02:33,320 Speaker 2: thinking of stories and trying to come up with a 66 00:02:33,360 --> 00:02:35,639 Speaker 2: new way for me to be creative and be with stories. 67 00:02:36,200 --> 00:02:38,720 Speaker 2: I left the store eventually to become a flight attendant, 68 00:02:38,760 --> 00:02:40,960 Speaker 2: because it's the family business, as we call it. My 69 00:02:41,000 --> 00:02:43,720 Speaker 2: mom's a flight attendant, my sister's flight attendant, Okay, And 70 00:02:43,960 --> 00:02:45,640 Speaker 2: it was there at work that I had the idea 71 00:02:45,760 --> 00:02:48,280 Speaker 2: for my first book on a red eye in the 72 00:02:48,280 --> 00:02:51,800 Speaker 2: middle of the night, and I started writing my hand 73 00:02:51,840 --> 00:02:54,200 Speaker 2: in the forward galley and flight after flight. I just 74 00:02:54,240 --> 00:02:57,520 Speaker 2: cobbled together the story, and once I had a complete book, 75 00:02:57,840 --> 00:03:00,280 Speaker 2: I tried to go out and get an agent that's 76 00:03:00,280 --> 00:03:02,840 Speaker 2: what you have to do, and try to get a 77 00:03:02,840 --> 00:03:05,560 Speaker 2: publisher to want to publish my book. And forty one 78 00:03:05,680 --> 00:03:07,359 Speaker 2: agents in a row rejected me. 79 00:03:08,160 --> 00:03:09,720 Speaker 1: And forty two said, okay. 80 00:03:09,560 --> 00:03:12,000 Speaker 3: Forty two is my one and normally yes, yeah, and forty. 81 00:03:11,760 --> 00:03:13,840 Speaker 1: One people are like, oh my god, I could be 82 00:03:13,840 --> 00:03:20,760 Speaker 1: a gazillionaire, right book dying. It's a flight of forty 83 00:03:20,760 --> 00:03:24,079 Speaker 1: one people. Random number. I just made it up. And 84 00:03:25,919 --> 00:03:29,040 Speaker 1: somehow those forty one people don't make it. They drink 85 00:03:29,040 --> 00:03:32,480 Speaker 1: the coffee they did. Yeah, that's amazing. Okay, So then 86 00:03:32,520 --> 00:03:35,560 Speaker 1: you get signed and the book goes out there, and 87 00:03:35,720 --> 00:03:38,000 Speaker 1: of course you have the hope that it's going to 88 00:03:38,000 --> 00:03:40,480 Speaker 1: be a major success, but like, how do they set 89 00:03:40,560 --> 00:03:43,640 Speaker 1: expectations at the agency, Like, I don't know, maybe this 90 00:03:43,720 --> 00:03:46,000 Speaker 1: will sell or I don't know. How do you gauge 91 00:03:46,320 --> 00:03:48,000 Speaker 1: how it's going to go, because you really can't. There's 92 00:03:48,000 --> 00:03:48,520 Speaker 1: no way to know. 93 00:03:48,800 --> 00:03:50,640 Speaker 2: The only thing that we knew for sure was that 94 00:03:50,680 --> 00:03:55,200 Speaker 2: the concept was good and that people would connect with 95 00:03:55,200 --> 00:03:56,680 Speaker 2: the book and would read it if we could just 96 00:03:56,720 --> 00:03:58,080 Speaker 2: get it out there, and if we could just do 97 00:03:58,120 --> 00:04:00,000 Speaker 2: it right. But you never know. Your work is hard. 98 00:04:00,120 --> 00:04:03,680 Speaker 2: She can and you hope. But we knew the idea 99 00:04:03,760 --> 00:04:05,680 Speaker 2: was good. And the first book is about a pilot 100 00:04:05,680 --> 00:04:09,160 Speaker 2: who's told mid flight that his family has been taken 101 00:04:09,680 --> 00:04:12,560 Speaker 2: and that if he doesn't crash the plane, they'll be killed. 102 00:04:12,720 --> 00:04:14,040 Speaker 3: Oh, so what do you do? 103 00:04:14,240 --> 00:04:16,599 Speaker 1: Oh what do you do? I'm not going to tell. 104 00:04:17,440 --> 00:04:20,400 Speaker 1: I'm not going to tell what you do. So then 105 00:04:20,640 --> 00:04:23,320 Speaker 1: it debuted number two and got to number one New 106 00:04:23,400 --> 00:04:25,120 Speaker 1: York Times bestseller rapidly. 107 00:04:25,800 --> 00:04:27,880 Speaker 2: Yeah, it's debuted at number two on the New York 108 00:04:27,880 --> 00:04:30,760 Speaker 2: Times bestseller list. It became Simon and Schuster's fastest selling 109 00:04:30,760 --> 00:04:33,000 Speaker 2: hardcore fiction debut since two thousand and four. 110 00:04:33,520 --> 00:04:34,560 Speaker 1: And that's pretty good. 111 00:04:35,120 --> 00:04:36,679 Speaker 3: It's not bad. I'm pretty pleased. 112 00:04:37,720 --> 00:04:41,159 Speaker 2: Had a movie deal with Universal Pictures and working title, 113 00:04:41,279 --> 00:04:44,000 Speaker 2: and that book was the one that forty one agents rejected. 114 00:04:44,200 --> 00:04:46,800 Speaker 1: Wow. And Nicole Kidment's involved in this one, the first 115 00:04:46,800 --> 00:04:47,520 Speaker 1: one or the second one. 116 00:04:47,600 --> 00:04:50,320 Speaker 2: The second one, and she was involved in the bidding 117 00:04:50,360 --> 00:04:53,640 Speaker 2: process for it. So there was an insane six day 118 00:04:53,720 --> 00:04:56,000 Speaker 2: process where I didn't leave my house. I was just 119 00:04:56,080 --> 00:04:58,400 Speaker 2: on the phone and on zooms and on calls, you know, 120 00:04:58,560 --> 00:05:01,680 Speaker 2: with some of the biggest names in Hollywood who were 121 00:05:01,720 --> 00:05:05,400 Speaker 2: interested in my second book, Drowning, And that's the title 122 00:05:05,440 --> 00:05:07,279 Speaker 2: of the book, Drowning The Rest of Your Flight fourteen 123 00:05:07,320 --> 00:05:10,560 Speaker 2: twenty one. And yeah, my agent he would call me 124 00:05:10,640 --> 00:05:13,800 Speaker 2: and say things like, you know, and this person's coming 125 00:05:13,800 --> 00:05:15,200 Speaker 2: in at this and this person. Oh, by the way, 126 00:05:15,240 --> 00:05:18,320 Speaker 2: Steven Spielberg has your book right now. No big deal, 127 00:05:18,640 --> 00:05:20,400 Speaker 2: no big deal. You know, I'm talking to him tomorrow, Seve. 128 00:05:20,680 --> 00:05:25,320 Speaker 1: You know. That's if we call them sometimes, you know exactly. 129 00:05:25,400 --> 00:05:26,680 Speaker 2: And then my agent would hang up the phone and 130 00:05:26,680 --> 00:05:28,120 Speaker 2: I would just be like, you know, with the phone 131 00:05:28,160 --> 00:05:31,120 Speaker 2: to my ear, being like, there's there's two, right, Like 132 00:05:31,279 --> 00:05:35,240 Speaker 2: there's one. There's Steven Spielberg in Ohio. That's I mean, 133 00:05:35,320 --> 00:05:38,200 Speaker 2: that's amazing. It's truly, it's an amazing story. 134 00:05:38,360 --> 00:05:40,040 Speaker 1: You write this thing while you're doing something else, and 135 00:05:40,400 --> 00:05:42,960 Speaker 1: everyone tells you know, but you keep trying. And you 136 00:05:43,000 --> 00:05:44,159 Speaker 1: have a five book deal, right. 137 00:05:45,160 --> 00:05:49,040 Speaker 2: No, I read that I made five some figured deals. 138 00:05:49,080 --> 00:05:50,480 Speaker 2: I think that might have been which. 139 00:05:50,320 --> 00:05:55,119 Speaker 1: Always a book? Sorry, yeah, five seven figure deals? Wow? 140 00:05:55,400 --> 00:05:56,440 Speaker 3: Yes, girl, girl? 141 00:05:57,560 --> 00:05:59,719 Speaker 4: Now are you are you writing the script for the 142 00:05:59,720 --> 00:06:01,000 Speaker 4: movie for Falling, For. 143 00:06:01,000 --> 00:06:03,000 Speaker 3: Falling, I am yeah, I'm adapting the screenplay. 144 00:06:03,160 --> 00:06:05,440 Speaker 4: Said a hard process to do, like from writing the book. 145 00:06:05,520 --> 00:06:07,960 Speaker 2: It is so hard and so fascinating, and it's it's 146 00:06:08,000 --> 00:06:10,320 Speaker 2: a it's an art of compression, right. Having take a 147 00:06:10,360 --> 00:06:12,919 Speaker 2: three hundred page book turned into a hundred page script 148 00:06:13,120 --> 00:06:16,680 Speaker 2: and not lose anything that is in the story is 149 00:06:16,720 --> 00:06:18,880 Speaker 2: incredibly difficult, and I'm having a blast. 150 00:06:19,000 --> 00:06:21,400 Speaker 4: Is there a small role for someone like me? The 151 00:06:21,520 --> 00:06:23,640 Speaker 4: passenger three? 152 00:06:23,800 --> 00:06:25,680 Speaker 2: I thought you were gonna say for her because she 153 00:06:25,760 --> 00:06:32,200 Speaker 2: needed to be on Broadway. 154 00:06:32,240 --> 00:06:35,320 Speaker 4: You just said to follow your dreams. 155 00:06:35,640 --> 00:06:38,040 Speaker 1: Okay, you met the person. 156 00:06:39,160 --> 00:06:43,640 Speaker 4: Plus during the video movie, I could die in the 157 00:06:43,680 --> 00:06:45,720 Speaker 4: first ten minutes. I'm good. You know what I'm saying that, right? 158 00:06:47,120 --> 00:06:52,520 Speaker 2: I mean, if everybody can submit their headshots and resumes, why. 159 00:06:52,279 --> 00:06:56,800 Speaker 1: Not Rufio over here has never well Jason as well? 160 00:06:56,800 --> 00:06:59,680 Speaker 1: Who you met? Who's outside? But Jason has never read 161 00:06:59,680 --> 00:07:03,080 Speaker 1: a book? Start to finish me the guy You've been outside? 162 00:07:03,080 --> 00:07:04,600 Speaker 1: But I don't read a lot of books either. 163 00:07:04,920 --> 00:07:07,240 Speaker 4: No, you're just waiting for the movie to get Yes, 164 00:07:07,400 --> 00:07:09,440 Speaker 4: I enjoy the movie because a lot of people say, 165 00:07:09,480 --> 00:07:11,480 Speaker 4: like they watch a movie, they'll be like, well, I 166 00:07:11,520 --> 00:07:13,640 Speaker 4: read the book, and the book gets so much more 167 00:07:13,720 --> 00:07:16,440 Speaker 4: and it's it doesn't it doesn't compare. So I just 168 00:07:16,480 --> 00:07:18,240 Speaker 4: like to watch the movie. So I'm excited for your 169 00:07:18,440 --> 00:07:21,280 Speaker 4: your first movie to come out. So whatever, does I 170 00:07:21,320 --> 00:07:22,080 Speaker 4: appreciate a movie? 171 00:07:22,120 --> 00:07:24,360 Speaker 3: Thank you? I appreciate your half support. 172 00:07:26,040 --> 00:07:29,679 Speaker 1: Teaching Newman. The new book is drowning, the first book 173 00:07:29,720 --> 00:07:31,760 Speaker 1: is falling. What are you doing with all your money now? 174 00:07:31,760 --> 00:07:37,560 Speaker 2: Because you're rich, I'm I'm ordering the avocado without second thoughts. 175 00:07:37,640 --> 00:07:40,280 Speaker 2: Yeah yeah, they say charge and I'm. 176 00:07:40,160 --> 00:07:44,680 Speaker 1: Like, yeah, it coss extra, but not for you. You're like, eh, whatever, 177 00:07:44,680 --> 00:07:45,160 Speaker 1: It's fine. 178 00:07:45,880 --> 00:07:46,200 Speaker 4: I mean. 179 00:07:46,400 --> 00:07:48,480 Speaker 1: And do people come out of the woodwork when you 180 00:07:48,520 --> 00:07:51,120 Speaker 1: when you are like an overnight success, Are people coming 181 00:07:51,160 --> 00:07:53,120 Speaker 1: out like hey remember me? You know kind of stuff 182 00:07:53,120 --> 00:07:54,560 Speaker 1: where you're not having to deal with too much of that? 183 00:07:54,840 --> 00:07:58,920 Speaker 2: Not so much because my overnight success took fifteen years, 184 00:07:59,000 --> 00:08:00,680 Speaker 2: you know what I mean. So it's most of the 185 00:08:00,720 --> 00:08:04,880 Speaker 2: people in my life, it's they're just they're just supporting 186 00:08:04,880 --> 00:08:06,840 Speaker 2: me and they're just happy for me. And so far 187 00:08:06,960 --> 00:08:10,280 Speaker 2: nobody has come out and ask me for anything. It's 188 00:08:10,320 --> 00:08:11,920 Speaker 2: just been a really nice Sufferree. 189 00:08:16,280 --> 00:08:17,720 Speaker 1: I just want you to know that we were friends 190 00:08:17,720 --> 00:08:20,960 Speaker 1: before you got in with Nicole Kidman. Okay, just I 191 00:08:20,960 --> 00:08:22,120 Speaker 1: I was in early. 192 00:08:21,960 --> 00:08:23,560 Speaker 3: You were there in the beginning. 193 00:08:23,600 --> 00:08:28,320 Speaker 1: That's right. At hey, do you want to write a 194 00:08:28,400 --> 00:08:29,240 Speaker 1: children's book with me? 195 00:08:30,080 --> 00:08:33,200 Speaker 3: What are we writing about? My subject matter is not. 196 00:08:34,559 --> 00:08:36,280 Speaker 1: Except you're going to write it and I'm just gonna 197 00:08:36,280 --> 00:08:38,560 Speaker 1: watch you write it and then oh yeah, I mean 198 00:08:38,600 --> 00:08:40,560 Speaker 1: you're a New York Times best selling author. I mean, 199 00:08:40,640 --> 00:08:42,760 Speaker 1: what the hell am I doing writing? You write it? 200 00:08:43,000 --> 00:08:44,520 Speaker 1: And then I'm going to watch you write it, and 201 00:08:44,520 --> 00:08:46,280 Speaker 1: then we're gonna sell it to Nicole Kidman. 202 00:08:46,559 --> 00:08:47,520 Speaker 3: Yeah, what's the book about? 203 00:08:47,559 --> 00:08:50,560 Speaker 1: I say, right now, I'm going to give out my 204 00:08:50,600 --> 00:08:55,040 Speaker 1: concept on a kidney. It's about a pilot. It's flying 205 00:08:55,080 --> 00:08:57,320 Speaker 1: a plane. What would you do? No, it's not about 206 00:08:57,320 --> 00:09:01,200 Speaker 1: a kid flying a plane. Similar concept. All right, So 207 00:09:01,480 --> 00:09:03,520 Speaker 1: everyone needs to go buy this book? And do they 208 00:09:03,520 --> 00:09:05,439 Speaker 1: have to read them in order? Like will Falling make 209 00:09:05,520 --> 00:09:08,120 Speaker 1: sense with? Or will Drowning make sense without Falling? 210 00:09:08,280 --> 00:09:12,199 Speaker 2: They are both standalone novels. They're both aviation epic disasters. 211 00:09:12,200 --> 00:09:16,800 Speaker 2: They're both stories that feature everyday, normal people and extraordinary 212 00:09:16,800 --> 00:09:18,920 Speaker 2: circumstances on the worst day of their life. But they 213 00:09:18,960 --> 00:09:20,400 Speaker 2: are completely separate novels. 214 00:09:20,520 --> 00:09:22,880 Speaker 1: Do you care if they buy. We like bookstores, Go 215 00:09:22,880 --> 00:09:24,120 Speaker 1: buy in a bookstore. But do you make the same 216 00:09:24,160 --> 00:09:25,480 Speaker 1: amount of money for they might on Amazon? 217 00:09:26,320 --> 00:09:28,440 Speaker 2: Book sale is a book if people are reading. If 218 00:09:28,480 --> 00:09:30,679 Speaker 2: I can get Rufio to read like that, that's all 219 00:09:30,760 --> 00:09:31,040 Speaker 2: I hear. 220 00:09:31,080 --> 00:09:33,800 Speaker 4: I'm going to read this book. I'm going to read Drowning. 221 00:09:33,840 --> 00:09:35,040 Speaker 4: I got it. I'm gonna I. 222 00:09:35,040 --> 00:09:38,120 Speaker 1: Don't believe you, but but yeah, maybe I'm gonna read it. 223 00:09:38,280 --> 00:09:40,560 Speaker 3: People say it reads like a movie. They say, they 224 00:09:40,600 --> 00:09:41,319 Speaker 3: say it reads like. 225 00:09:41,520 --> 00:09:43,040 Speaker 4: I'm going to read it and I will do a 226 00:09:43,080 --> 00:09:43,800 Speaker 4: review on it. 227 00:09:44,000 --> 00:09:46,520 Speaker 3: A book report. Yeah, maybe that's the problem. You think 228 00:09:46,559 --> 00:09:47,520 Speaker 3: of it as an assignment. 229 00:09:47,600 --> 00:09:50,280 Speaker 1: Yeah, yeah, yeah, yeah, that's right. Write me a little 230 00:09:50,320 --> 00:09:52,560 Speaker 1: book report I found, you know, with a little like 231 00:09:52,559 --> 00:09:54,400 Speaker 1: plastic thing on the front of it. Come on, let's 232 00:09:54,400 --> 00:09:54,920 Speaker 1: do the whole thing. 233 00:09:54,960 --> 00:09:59,720 Speaker 4: My quote on the cover, you know, saws air, whatever 234 00:09:59,720 --> 00:10:00,000 Speaker 4: it's called. 235 00:10:00,120 --> 00:10:04,480 Speaker 2: You've gone from not reading the book to Cassy in 236 00:10:04,559 --> 00:10:05,000 Speaker 2: the movie. 237 00:10:05,559 --> 00:10:07,240 Speaker 3: Put my blurb on the cover. 238 00:10:07,880 --> 00:10:15,679 Speaker 1: Yeah, yes, yeah, truly met and all that he embodies experience. 239 00:10:16,040 --> 00:10:18,640 Speaker 1: All right, Well, everyone go buy the book TJ. Newman 240 00:10:19,360 --> 00:10:22,240 Speaker 1: Falling and Drowning. You have to buy both. In my opinion, 241 00:10:22,280 --> 00:10:23,760 Speaker 1: can you buy him in like, are you at the 242 00:10:23,800 --> 00:10:26,439 Speaker 1: level yet where they come together. It's like a little thing. 243 00:10:26,440 --> 00:10:29,200 Speaker 3: Not at that level, not at box set level yet. 244 00:10:29,400 --> 00:10:31,760 Speaker 1: Now all right, but but we got another one coming. 245 00:10:31,720 --> 00:10:34,320 Speaker 2: Right, another one. Look, I'm deep at work on book three. 246 00:10:34,360 --> 00:10:35,079 Speaker 2: I'm excited about it. 247 00:10:35,160 --> 00:10:38,160 Speaker 1: Look at this. Yeah, well Rufio is only going to 248 00:10:38,200 --> 00:10:41,839 Speaker 1: read it if his name is all right, go buy 249 00:10:41,880 --> 00:10:43,959 Speaker 1: the book. Thank you for being here. It's nice to 250 00:10:43,960 --> 00:10:45,280 Speaker 1: meet you in person. I think you were on the 251 00:10:45,280 --> 00:10:47,679 Speaker 1: phone with us one time or something. I feel like 252 00:10:47,720 --> 00:10:51,160 Speaker 1: you've been on before. But anyway, inspirational story, Order the avocado. 253 00:10:51,240 --> 00:10:54,199 Speaker 1: That's that's the moral. Right, Well, if you have a 254 00:10:54,240 --> 00:10:57,840 Speaker 1: best selling book otherways, maybe maybe don't be so financially irresponsible. 255 00:10:57,840 --> 00:10:58,360 Speaker 1: Fred Show