1 00:00:02,920 --> 00:00:05,119 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,360 --> 00:00:17,880 Speaker 1: Firm Show. It is a fifteen minute morning show podcast. 3 00:00:17,880 --> 00:00:20,480 Speaker 1: There's Froggy and there's Scotty B and they're scary, and 4 00:00:20,520 --> 00:00:23,400 Speaker 1: there's Danielle and producer Sam and part of her hair 5 00:00:23,480 --> 00:00:26,720 Speaker 1: fits the frame. There it is, and there's a straighten 6 00:00:26,760 --> 00:00:31,760 Speaker 1: Aid and Gandhi and Garrett and Rody Friday. Friday here 7 00:00:31,760 --> 00:00:36,919 Speaker 1: we are, so yes, yes. On yesterday's podcast, we were 8 00:00:36,960 --> 00:00:39,559 Speaker 1: all very nicely nice, and we all complimented each other 9 00:00:39,600 --> 00:00:44,000 Speaker 1: on things that we appreciated about each other. Today it's 10 00:00:44,040 --> 00:00:51,080 Speaker 1: intervention day. Yes. Well, well no, no, it's it's constructive 11 00:00:51,120 --> 00:00:56,040 Speaker 1: criticism day. Okay, And you must start each piece of 12 00:00:56,040 --> 00:01:02,040 Speaker 1: information with the words as your friend. This was this 13 00:01:02,160 --> 00:01:05,840 Speaker 1: was straight Nate's idea. We'll start with straight Nate. You 14 00:01:05,880 --> 00:01:12,400 Speaker 1: go right ahead. Okay, where do I even begin? Um? Alright? Uh, 15 00:01:12,480 --> 00:01:17,160 Speaker 1: let's start with uh you have one, so start with 16 00:01:17,200 --> 00:01:24,640 Speaker 1: that one? Just one? Yeah, he was ready to us. 17 00:01:26,040 --> 00:01:27,160 Speaker 1: I'll tell you what, no, no no, no, you know we 18 00:01:27,200 --> 00:01:29,320 Speaker 1: can make this a two day part, two part. So 19 00:01:29,880 --> 00:01:33,000 Speaker 1: you just mowed through everyone year in a second. So 20 00:01:33,160 --> 00:01:35,319 Speaker 1: let me let me No, no, you can't leave, because 21 00:01:35,360 --> 00:01:40,399 Speaker 1: I have mine to do well two years later and 22 00:01:40,440 --> 00:01:43,240 Speaker 1: then okay, I'm gonna start. I'll just do Froggy kiss. 23 00:01:43,360 --> 00:01:44,440 Speaker 1: Why where do you have to go? What do you 24 00:01:44,520 --> 00:01:46,000 Speaker 1: have to do this? So we have to get collar 25 00:01:46,080 --> 00:01:50,720 Speaker 1: one here in a second, Scotty, someone else is where's diamond? 26 00:01:52,000 --> 00:01:57,800 Speaker 1: Do you want everybody in here? No? No, she's gonna hear. 27 00:01:58,480 --> 00:02:01,560 Speaker 1: I'll do it in a second. So, as your friend, 28 00:02:02,880 --> 00:02:07,480 Speaker 1: you really have to stop dressing like you're going golfing 29 00:02:07,520 --> 00:02:10,359 Speaker 1: every day. I'm wearing a I'm wearing a T shirt, jackass. 30 00:02:11,360 --> 00:02:17,480 Speaker 1: You get kicked off the course for that. Try Do 31 00:02:17,520 --> 00:02:20,320 Speaker 1: you have your golf shorts on? I just yeah, actually, 32 00:02:20,360 --> 00:02:23,959 Speaker 1: hold on, these are ripped curl surf shorts. Oh wow, 33 00:02:24,240 --> 00:02:29,560 Speaker 1: I've ever not worn golf shorts? Is that fire? One 34 00:02:29,600 --> 00:02:37,959 Speaker 1: word or two? As your friend, get it right? I 35 00:02:38,040 --> 00:02:39,680 Speaker 1: thought you were going to say something to me about 36 00:02:39,680 --> 00:02:42,840 Speaker 1: wearing my hat backwards. That's exactly what I already did that. Remember, yeah, 37 00:02:43,600 --> 00:02:45,680 Speaker 1: it obviously didn't more. All right, you get to choose 38 00:02:45,680 --> 00:02:48,120 Speaker 1: who's next. Maybe Froggy's next, because you just tried to 39 00:02:48,200 --> 00:02:52,880 Speaker 1: rip him one. Okay, well what is scary? Go next me? 40 00:02:53,400 --> 00:02:57,040 Speaker 1: Well know, okay, well this is the worst show, am 41 00:02:57,080 --> 00:02:59,680 Speaker 1: I supposed am I supposed to just lay into somebody. Yeah, 42 00:02:59,760 --> 00:03:04,880 Speaker 1: they constructive criticism as a friend though as an intervention 43 00:03:05,080 --> 00:03:09,799 Speaker 1: as a friend, Oh my god, jeez, where do I go? 44 00:03:10,000 --> 00:03:12,800 Speaker 1: I don't want people to get pissed at me. I'm 45 00:03:12,800 --> 00:03:16,040 Speaker 1: gonna get mad they. I don't want to go in 46 00:03:16,120 --> 00:03:19,799 Speaker 1: on broad I don't know, you'll find someone else scary 47 00:03:21,760 --> 00:03:24,840 Speaker 1: always zones on broad. I don't want to bother anybody. 48 00:03:24,880 --> 00:03:35,440 Speaker 1: But okay, Brody, if anybody wants yes as a friend, 49 00:03:37,960 --> 00:03:43,000 Speaker 1: you know you do. You do pretty well for yourself. Yeah, 50 00:03:43,000 --> 00:03:45,360 Speaker 1: I mean, you have a great job, your family, and 51 00:03:45,800 --> 00:03:50,200 Speaker 1: you really should clean up that background at that thing 52 00:03:50,240 --> 00:03:56,080 Speaker 1: for fourteen months. If you're listening to this podcast, you're 53 00:03:56,120 --> 00:03:59,000 Speaker 1: not seeing what we're seeing. It just looks like you're 54 00:03:59,040 --> 00:04:02,600 Speaker 1: broadcasting from like a giant junk drawer or something. And 55 00:04:02,640 --> 00:04:06,840 Speaker 1: I've done with that. But like Froggy got the brick wall, 56 00:04:06,880 --> 00:04:08,840 Speaker 1: Elvis has a nice little step in repat. Even Brody 57 00:04:08,920 --> 00:04:13,320 Speaker 1: joined joined the action and with Scotty B's background looks great. 58 00:04:13,360 --> 00:04:15,800 Speaker 1: All the cereals nice and neat, and I can't talk 59 00:04:15,840 --> 00:04:17,960 Speaker 1: about the rest of us were in the studio, but 60 00:04:17,960 --> 00:04:20,279 Speaker 1: but you know, maybe a little pipe and drape or 61 00:04:20,279 --> 00:04:22,200 Speaker 1: something I don't know. As a friend, I'm just saying, 62 00:04:23,120 --> 00:04:25,960 Speaker 1: because you know, you are what you get to display, right, 63 00:04:26,240 --> 00:04:29,800 Speaker 1: That's what they always say. You are what you displaying 64 00:04:29,839 --> 00:04:33,680 Speaker 1: back into the universe and the energy. You know. I 65 00:04:33,680 --> 00:04:36,520 Speaker 1: think Daniel is about the middle finger. I'm just feeling it. 66 00:04:37,600 --> 00:04:40,560 Speaker 1: I'm trying to figure out how I can blur my background. 67 00:04:41,720 --> 00:04:45,400 Speaker 1: You need to choose the next as your friends. The 68 00:04:45,440 --> 00:04:52,279 Speaker 1: next one is Elvis uh Nate. Yeah, as your friend, 69 00:04:54,040 --> 00:04:56,599 Speaker 1: you do come across as someone on the air that 70 00:04:56,680 --> 00:05:02,240 Speaker 1: you're not, as you're nowhere near as toxic. Off the air. 71 00:05:03,480 --> 00:05:06,160 Speaker 1: You come across as a mean, old asshole on the air. 72 00:05:06,240 --> 00:05:10,160 Speaker 1: Something you do you sell like an old man, and 73 00:05:10,200 --> 00:05:12,880 Speaker 1: you're like bitch and moan about the trash cans and 74 00:05:12,920 --> 00:05:17,360 Speaker 1: about the garden, about the sewer, and and when you're 75 00:05:17,360 --> 00:05:19,360 Speaker 1: off the air, you're so sweet and so nice, but 76 00:05:19,440 --> 00:05:22,200 Speaker 1: you so feet As your friend, I'm thinking that you're 77 00:05:22,200 --> 00:05:24,800 Speaker 1: portraying something on air to the masses that isn't the 78 00:05:24,880 --> 00:05:28,680 Speaker 1: real you. Isn't that interesting? No, I think you are 79 00:05:28,680 --> 00:05:30,960 Speaker 1: more interesting off the air than on You're just a 80 00:05:31,000 --> 00:05:40,359 Speaker 1: fucking asshole on the air. I think you're multidimensional, but 81 00:05:40,400 --> 00:05:41,760 Speaker 1: when you're on the air, you're you're just like you 82 00:05:41,800 --> 00:05:44,359 Speaker 1: played as an old old madman. You don't like to 83 00:05:44,360 --> 00:05:46,440 Speaker 1: hear me bitch about this stuff going on in my life. 84 00:05:46,600 --> 00:05:48,560 Speaker 1: I'm just telling you you can do it all you want. 85 00:05:48,560 --> 00:05:52,720 Speaker 1: But then that's what people think. You are right as 86 00:05:52,760 --> 00:05:55,680 Speaker 1: your friend, just like you take take that and do 87 00:05:55,800 --> 00:05:58,680 Speaker 1: with it as you wish. I'm appreciating this. I just 88 00:05:58,839 --> 00:06:04,120 Speaker 1: kind of wish you had done this off thea. You're 89 00:06:04,120 --> 00:06:09,640 Speaker 1: a game nate who chooses the next person gandhi go 90 00:06:10,400 --> 00:06:12,599 Speaker 1: oh okay, I have a few, but I'll just narrow 91 00:06:12,600 --> 00:06:14,400 Speaker 1: it down to one. Do them all. We got time, 92 00:06:14,920 --> 00:06:18,799 Speaker 1: Sam as your friend. Yes, if I didn't know better 93 00:06:19,480 --> 00:06:21,320 Speaker 1: and I saw you walking down the street with that hair, 94 00:06:21,480 --> 00:06:23,200 Speaker 1: I would try to trap it and keep it in 95 00:06:23,240 --> 00:06:28,039 Speaker 1: my house and raise it. Oh you know what, I'll 96 00:06:28,080 --> 00:06:38,040 Speaker 1: give you that today. You're correct. Your hair just came 97 00:06:38,040 --> 00:06:43,160 Speaker 1: out looking for last year's nuts everything sort of when 98 00:06:43,160 --> 00:06:44,560 Speaker 1: you turned to the side, I was like, oh, there's 99 00:06:44,560 --> 00:06:47,000 Speaker 1: a raccoon in the studio. Someone get it. And then 100 00:06:47,200 --> 00:06:52,760 Speaker 1: it was Sam um scary as your friend. Yes, I 101 00:06:52,880 --> 00:06:54,760 Speaker 1: really appreciate that you pick me up and give me 102 00:06:54,800 --> 00:06:57,240 Speaker 1: a ride into the studio. When I'm there, but you're 103 00:06:57,320 --> 00:06:59,240 Speaker 1: driving is psychotic, and I think you're gonna kill us 104 00:06:59,240 --> 00:07:01,159 Speaker 1: all I've I would tell you that as a friend. 105 00:07:01,560 --> 00:07:05,200 Speaker 1: Red lights are not a suggestion. Red lights are a statement. 106 00:07:05,200 --> 00:07:09,200 Speaker 1: You're supposed to stop it that five o'clock in the morning. 107 00:07:09,240 --> 00:07:18,880 Speaker 1: I'm shittiest driver over to no. You know what the 108 00:07:18,920 --> 00:07:22,000 Speaker 1: best part about scary is as he's approaching the light 109 00:07:22,040 --> 00:07:23,760 Speaker 1: and it's like clearly read from far away. I hope 110 00:07:23,760 --> 00:07:25,600 Speaker 1: you like, fuck it, there's no one around. I'm gonna 111 00:07:25,640 --> 00:07:28,920 Speaker 1: take it. Saving electricity at that hour of the morning 112 00:07:28,960 --> 00:07:36,720 Speaker 1: and just shutting off the traffic. Lights should be on 113 00:07:36,800 --> 00:07:40,000 Speaker 1: these mechanical thing that that actually they go down into 114 00:07:40,000 --> 00:07:42,760 Speaker 1: the ground in the overnight, and then when it's like 115 00:07:42,800 --> 00:07:45,160 Speaker 1: six am, the wonderbout when somebody's coming from the other 116 00:07:45,200 --> 00:07:47,960 Speaker 1: direction in the overnight. Cars still collide in the overnight. 117 00:07:49,040 --> 00:07:51,480 Speaker 1: Just feel like a sun when the sun's out. Cars 118 00:07:52,160 --> 00:07:54,760 Speaker 1: certain intersections need to just shut it down. I mean, 119 00:07:54,840 --> 00:07:56,760 Speaker 1: and I like how you act. How the reason is 120 00:07:56,800 --> 00:07:58,840 Speaker 1: you want us to go green. That's the real reason. 121 00:07:59,120 --> 00:08:02,720 Speaker 1: That's the problem. You live in green. Shut your traffic. 122 00:08:04,680 --> 00:08:07,360 Speaker 1: His catchphrase is eff it. So every time he's about 123 00:08:07,400 --> 00:08:13,640 Speaker 1: to break the law. He goes catchphrase, I'm gonna do it. Okay, 124 00:08:13,640 --> 00:08:18,720 Speaker 1: I'll just call the cop I'm scary Jones. Yeah, that 125 00:08:18,720 --> 00:08:22,400 Speaker 1: should work. I'm gonna go for Sam since Sam was 126 00:08:22,480 --> 00:08:26,560 Speaker 1: part of this Sam Sam in her squirrel, Scottie b 127 00:08:26,760 --> 00:08:28,880 Speaker 1: my squirrel has something to say to you as a friend, 128 00:08:30,080 --> 00:08:33,040 Speaker 1: as a friend, a dear friend, I don't think you 129 00:08:33,040 --> 00:08:35,760 Speaker 1: should be allowed to eat any food between the hours 130 00:08:35,800 --> 00:08:39,800 Speaker 1: of six am and ten am, because everything you put 131 00:08:39,840 --> 00:08:42,160 Speaker 1: in your mouth you eat like you're mad at it, 132 00:08:42,240 --> 00:08:44,640 Speaker 1: like it owes you money, and you're right in front 133 00:08:44,679 --> 00:08:47,959 Speaker 1: of the camera and it's a mixture of like, like 134 00:08:48,679 --> 00:08:51,640 Speaker 1: uncomfortable and prolonged. I swear to god, you sucked the 135 00:08:51,679 --> 00:08:55,120 Speaker 1: logo off whatever rapper you are eating. Are you talking 136 00:08:55,120 --> 00:08:57,280 Speaker 1: about my nut butter Bar from yesterday? And you're not. 137 00:08:57,360 --> 00:08:59,680 Speaker 1: Butter Bar was a bad offender. But you just eat 138 00:08:59,720 --> 00:09:01,520 Speaker 1: all kinds of food like you're putting on a show 139 00:09:01,559 --> 00:09:05,160 Speaker 1: for a bunch of people who aren't Scotty. You may 140 00:09:05,200 --> 00:09:06,800 Speaker 1: not know this, but Scotty will pick up something to 141 00:09:06,800 --> 00:09:08,720 Speaker 1: eat and you'll you'll blow it and you'll like dust 142 00:09:08,720 --> 00:09:12,520 Speaker 1: it off, you don't eat it and snow it. Sniffet. 143 00:09:12,559 --> 00:09:14,160 Speaker 1: The only thing he eats in a great way is 144 00:09:14,200 --> 00:09:16,240 Speaker 1: the banana. His teeth never touched the banana. He just 145 00:09:16,280 --> 00:09:19,320 Speaker 1: swallows it right down his deep. He looks you in 146 00:09:19,320 --> 00:09:24,400 Speaker 1: the eye and does it slowly. It's all right, I 147 00:09:24,480 --> 00:09:28,040 Speaker 1: get sam. You have to pick a person. Oh okay, 148 00:09:28,040 --> 00:09:30,160 Speaker 1: well yeah, let's carry it down the line. Scotty B 149 00:09:30,280 --> 00:09:37,040 Speaker 1: it's your turn. Okay, scary. As a friend who also 150 00:09:37,120 --> 00:09:41,000 Speaker 1: has to edit all your ship, did you record? Are 151 00:09:41,040 --> 00:09:45,200 Speaker 1: you ever able to do anything like in one take? Ever? 152 00:09:45,480 --> 00:09:47,440 Speaker 1: Like I just recorded. I just had to do a 153 00:09:47,480 --> 00:09:50,439 Speaker 1: fifteen second thing for Duncan for him and it literally 154 00:09:50,520 --> 00:09:54,640 Speaker 1: was fifty seven seconds for fifteen seconds. He's uh. If 155 00:09:54,679 --> 00:09:58,800 Speaker 1: you get uh like, dude, you gotta calm down, very 156 00:09:58,920 --> 00:10:01,800 Speaker 1: hyper when you're and they're going and your thoughts are 157 00:10:01,800 --> 00:10:03,680 Speaker 1: all over the place. It's crazy because when I'm in 158 00:10:03,760 --> 00:10:06,720 Speaker 1: my own apartment and I'm doing these types of tracks, 159 00:10:07,360 --> 00:10:09,240 Speaker 1: it is one take. It's very quick, you know, But 160 00:10:09,320 --> 00:10:18,760 Speaker 1: I figured here I get I get stuck here all 161 00:10:18,920 --> 00:10:23,600 Speaker 1: day doing your Ship's not me, not just me, it's 162 00:10:23,640 --> 00:10:26,480 Speaker 1: mostly you. Well, and as your friend, Scotty, I want 163 00:10:26,480 --> 00:10:32,040 Speaker 1: to thank you for for doing my editing, because it's 164 00:10:32,600 --> 00:10:35,320 Speaker 1: tied up there with with scary. Scary is bad. I 165 00:10:35,320 --> 00:10:37,839 Speaker 1: mean mine, O mind's bad too, But scary is is 166 00:10:37,880 --> 00:10:40,240 Speaker 1: bad because he just fumbles. Mine's bad because I get 167 00:10:40,240 --> 00:10:42,400 Speaker 1: mad at the copy and that's poorly written. Who's is 168 00:10:42,440 --> 00:10:48,000 Speaker 1: the worst? Scotty? Who Who's the worst? On um? Scaries 169 00:10:48,120 --> 00:10:50,000 Speaker 1: edits are a little harder because he doesn't pick up 170 00:10:50,000 --> 00:10:52,200 Speaker 1: in the right spot. Elvis has are easier to do, 171 00:10:52,280 --> 00:10:53,920 Speaker 1: but there's more of them, so I don't know. I 172 00:10:53,920 --> 00:10:55,480 Speaker 1: guess it's about even. I know, but I read a 173 00:10:55,559 --> 00:10:57,600 Speaker 1: few times more copy than But I like when you yell. 174 00:10:57,960 --> 00:11:01,720 Speaker 1: That's my favorite part, yelling at the people who don't 175 00:11:01,720 --> 00:11:03,720 Speaker 1: know how to write commercials. Oh yeah, that makes me 176 00:11:03,720 --> 00:11:10,480 Speaker 1: all right. Oh um, next, I'm gonna pick a Garrett, okay, 177 00:11:10,600 --> 00:11:12,600 Speaker 1: because I know you're going to say something about me. Yeah, 178 00:11:12,600 --> 00:11:17,679 Speaker 1: it's funny you say that, my friends. Let's go back 179 00:11:17,679 --> 00:11:19,800 Speaker 1: to yesterday real quick, when I was calling myself a 180 00:11:19,840 --> 00:11:22,439 Speaker 1: dick um, you pretty much was like you were very 181 00:11:22,520 --> 00:11:25,280 Speaker 1: like real about it, like saying at least you said it. 182 00:11:25,640 --> 00:11:27,720 Speaker 1: And I'm pretty sure the day before I asked you 183 00:11:27,800 --> 00:11:30,160 Speaker 1: for a link to buy your candle, so as a friend, 184 00:11:30,160 --> 00:11:32,080 Speaker 1: I bought your candle. But yet you still agreed with 185 00:11:32,120 --> 00:11:35,319 Speaker 1: me being a dick, So that's your friend. You are, well, 186 00:11:35,320 --> 00:11:38,400 Speaker 1: I mean, you can go to Serial Killer's PC dot 187 00:11:38,400 --> 00:11:45,040 Speaker 1: com and not be a dick like Garrett. Nice. I 188 00:11:45,080 --> 00:11:47,080 Speaker 1: brought the candle, so that doesn't make me. I'd like 189 00:11:47,200 --> 00:11:50,680 Speaker 1: to point out that Garrett bought merchandise from the Brooken 190 00:11:50,679 --> 00:11:54,920 Speaker 1: Boys merch store without anyone asking him to. So sweet 191 00:11:55,000 --> 00:11:58,720 Speaker 1: and a couple of others. True, Garrett went to Brooklyn 192 00:11:58,760 --> 00:12:01,800 Speaker 1: Boys dot Big Cartel dot com. And it's not a 193 00:12:01,840 --> 00:12:06,880 Speaker 1: dick online, Scotty, I'm not buying your candle because I 194 00:12:06,920 --> 00:12:12,040 Speaker 1: don't want my house to smell like fucking fruit loops. Well, 195 00:12:12,240 --> 00:12:15,520 Speaker 1: it is as a friend, alright, the first time stuff 196 00:12:15,559 --> 00:12:19,120 Speaker 1: to go right, Yeah, And Daniel's tell us as a friend, 197 00:12:20,080 --> 00:12:22,520 Speaker 1: el us. As a friend, you can't come back to 198 00:12:22,559 --> 00:12:26,280 Speaker 1: the studio because your apartment near the studio is in 199 00:12:26,400 --> 00:12:30,000 Speaker 1: disrepair and needs work, Elvis, as your friend, you have 200 00:12:30,040 --> 00:12:35,080 Speaker 1: too many places to live in. Humans should not have 201 00:12:35,120 --> 00:12:38,080 Speaker 1: that many options. You can't have options where you don't 202 00:12:38,080 --> 00:12:39,840 Speaker 1: have to go to the place you actually live. But 203 00:12:40,920 --> 00:12:42,600 Speaker 1: I don't have that option. It's not it's not that 204 00:12:42,640 --> 00:12:46,160 Speaker 1: option is not an option because because you're not living there, 205 00:12:46,240 --> 00:12:51,400 Speaker 1: if you were living there, it wouldn't be in disrepair. No, necessarily, 206 00:12:51,400 --> 00:12:54,319 Speaker 1: but thank you as a friend. I appreciate friend. Are 207 00:12:54,360 --> 00:12:56,280 Speaker 1: you saying I have too many places to live? But 208 00:12:56,280 --> 00:12:59,560 Speaker 1: but it's not an option. I can't live there because 209 00:12:59,600 --> 00:13:02,439 Speaker 1: you have other places? No, I can't live there because 210 00:13:02,480 --> 00:13:05,240 Speaker 1: it's it's it's it's not you know. Only people like 211 00:13:06,160 --> 00:13:09,120 Speaker 1: straight Nate can live there because he's that's true. Yeah, 212 00:13:09,920 --> 00:13:11,320 Speaker 1: that's your friend. Do you need to go fund me 213 00:13:11,320 --> 00:13:17,719 Speaker 1: page to help with your other? Yes? What are you 214 00:13:17,760 --> 00:13:19,920 Speaker 1: doing to that poor kill? Oh my gosh, she wants 215 00:13:19,920 --> 00:13:23,920 Speaker 1: to come up in the computer again. All right, Brody, 216 00:13:23,960 --> 00:13:29,760 Speaker 1: you got a chance? Is it? Danielleell uh froggy? As 217 00:13:29,800 --> 00:13:32,880 Speaker 1: your friend, I think if you stopped begging for it 218 00:13:32,960 --> 00:13:36,040 Speaker 1: with your wife, you'd get it a little bit more. 219 00:13:36,360 --> 00:13:41,440 Speaker 1: Constantly asking for it and you know, you know, you know, 220 00:13:41,600 --> 00:13:45,240 Speaker 1: saying inappropriate things. I think she'd give it to you 221 00:13:45,280 --> 00:13:47,080 Speaker 1: a little bit more. I don't even want an hour 222 00:13:51,160 --> 00:14:00,160 Speaker 1: your wife. You want a part of I don't want 223 00:14:00,840 --> 00:14:03,640 Speaker 1: right now? Wouldn't take it? Yeah, you gotta play hard 224 00:14:03,679 --> 00:14:06,480 Speaker 1: to get showed up in Scotty studio. Who is that 225 00:14:06,520 --> 00:14:10,240 Speaker 1: is that? Andrew's Andrew? He's been everywhere. He's got a 226 00:14:10,320 --> 00:14:13,439 Speaker 1: nice sun tan. Going as your friend, maybe you should 227 00:14:13,440 --> 00:14:24,960 Speaker 1: come to work the fuck? Andrew respond as your friends scary, 228 00:14:25,000 --> 00:14:28,240 Speaker 1: and then we're paying as your friend. Okay, your friend 229 00:14:29,080 --> 00:14:35,720 Speaker 1: and plug your child. I didn't already said as your friend, scary, 230 00:14:35,760 --> 00:14:39,160 Speaker 1: you're a dick. I think we could all say it. Yeah, 231 00:14:39,600 --> 00:14:44,600 Speaker 1: your friend scary. I didn't get to go yet. Yes, 232 00:14:46,480 --> 00:14:51,800 Speaker 1: off frog. Oh as your friend, Yeah, you should cut 233 00:14:51,800 --> 00:15:02,200 Speaker 1: the douce. Not sorry, I will give you a hundred dollars. 234 00:15:02,240 --> 00:15:04,320 Speaker 1: I will venito you a hundred dollars right now. If 235 00:15:04,320 --> 00:15:05,920 Speaker 1: you go get a par of scissors and you cut 236 00:15:05,960 --> 00:15:10,400 Speaker 1: that off his head. Don't do that. That's assault. Don't 237 00:15:10,440 --> 00:15:13,920 Speaker 1: you know that? For Hamilton's when it comes back on 238 00:15:13,960 --> 00:15:18,720 Speaker 1: the stage as a friend, as a friend part, get 239 00:15:18,720 --> 00:15:23,080 Speaker 1: the part. I accept that. Froggy, You're welcome. You guys 240 00:15:23,080 --> 00:15:26,040 Speaker 1: are awful. I like it. Are we done? Yeah? We're 241 00:15:26,120 --> 00:15:28,920 Speaker 1: over today? So we put it extra this week. Oh 242 00:15:29,080 --> 00:15:33,160 Speaker 1: we're all so over. So question, however, you were met 243 00:15:33,240 --> 00:15:36,880 Speaker 1: with your as your friend? Uh statement or any change 244 00:15:36,920 --> 00:15:39,560 Speaker 1: is going to happen? Nope, No, probably not. I don't 245 00:15:39,600 --> 00:15:41,760 Speaker 1: want it anymore. Don't said anything to me. I feel 246 00:15:41,800 --> 00:15:48,520 Speaker 1: so perfect right now, it's amazing. Can we all do 247 00:15:48,640 --> 00:15:54,360 Speaker 1: one against Gandhi right now? Huh? I think Brodie skirted 248 00:15:54,400 --> 00:16:02,040 Speaker 1: through too. Yeah, we'll get you right down here. We'll 249 00:16:02,080 --> 00:16:05,960 Speaker 1: see you later. Bye bye, as your friend, we gotta go. 250 00:16:08,400 --> 00:16:10,120 Speaker 1: The fifteen minute Morning Show