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Speaker 1: My lips are dry.

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Speaker 2: It looks does head gump keep chapstick? Not anymore.

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Speaker 1: Headstick?

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Speaker 2: They left some chap gums chapstick kind of like outside

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Speaker 2: the door and they and they keep it really dry

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Speaker 2: and here on perfect that there's like no humidity in here,

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Speaker 2: and they're like sucking on the moisture out of the

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Speaker 2: air and then you're they're selling it. They have chapstick

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Speaker 2: kind of like dangling from like a telephone pole outside,

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Speaker 2: so people will like go out outside and.

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Speaker 3: To the street, to the street.

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Speaker 2: Yeah, and to use this chap shove them into the street,

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Speaker 2: or to kill them, to kill them.

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Speaker 3: Yeah, yeah, people who work here, Yeah, what's the point

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Speaker 3: and what's.

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Speaker 4: The well, nobody works here, you know what I mean?

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Speaker 4: First of all, do what you love. You'll never work

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Speaker 4: a day in your life. And everybody here.

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Speaker 2: Love this world.

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Speaker 1: This podcast world's so exciting. It's the wild West podcasts.

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Speaker 1: You know, if you started one yet, Aaron.

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Speaker 3: I have not got a podcast yet. I'm thinking about

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Speaker 3: it is you have to are you talking about the

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Speaker 3: podcast world? You're thinking all of the podcasts they exist

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Speaker 3: in one world.

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Speaker 5: They all work in pretty much the same way, which

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Speaker 5: is you make a freaking butt crap of money. Yeah,

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Speaker 5: and they.

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Speaker 6: Literally talking to your friends for literally talking to your friends.

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Speaker 5: And they in exchange, I just say, like, should anything happen,

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Speaker 5: obviously we would want to be included as because we're

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Speaker 5: basically family here in your last.

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Speaker 2: Will and testament.

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Speaker 5: Yes, and so some of the money everything we gave

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Speaker 5: you and plus a little extra mm hm, and.

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Speaker 1: Your home, your children's future.

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Speaker 5: I'm sure nothing's gonna happen. You know what could happen.

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Speaker 5: We're all young, we're just having fun out here.

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Speaker 3: So where does the pushing happen in the street?

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Speaker 5: In the street, Yeah, but I it happens on the

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Speaker 5: sidewalk and then it ends in the street.

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Speaker 4: I've managed to either a car wasn't coming, or I've

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Speaker 4: managed to do kind of a spin move where I

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Speaker 4: hang under the pole and I swirl all the way around.

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Speaker 6: So that's what his lips are grazing up against perfect

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Speaker 6: coverage on the chapstick and landing following a little bit.

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Speaker 4: Of course, I scrape up my legs and my hips

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Speaker 4: and button stuff.

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Speaker 1: But it's not like that bad.

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Speaker 4: And they also have bassat tracing in the bathroom.

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Speaker 1: You can only use.

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Speaker 3: What is bassett trayc we don't have basst tracing.

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Speaker 1: So basst tracing is.

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Speaker 4: Sort of a topical antibiotic ointment and you guys call

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Speaker 4: it marm.

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Speaker 3: Yeah, yeah, momm is. That's the second tier one. Veggiemight,

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Speaker 3: top tier, mam, second tier wounds for wounds.

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Speaker 2: Not as good for wounds.

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Speaker 4: Yeah, so this is because this is not as good.

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Speaker 4: This is why we want to have you on. Honestly,

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Speaker 4: they sort of bridge some of these cultural divides.

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Speaker 2: Yes, I remember one day you have had him on.

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Speaker 2: I just want to I forgot to know what.

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Speaker 4: Oh I knew we'd had him on before, but I'm

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Speaker 4: saying people are probably going, well, I heard the first one,

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Speaker 4: Why the fund do you have him back?

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Speaker 2: This is why Andy did? You were saying why, Well,

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Speaker 2: he's telling you of.

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Speaker 4: These cultural divides. When I asked Kevin about the chapstick,

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Speaker 4: I said the head gum still keep it here? He

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Speaker 4: said not anymore. So I guess they took it off

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Speaker 4: the telephone pole. I don't know what happened. Maybe they

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Speaker 4: gotta wait to clean up the husk of Rachel Bilson

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Speaker 4: off the Off the Pay event, one of the other hosts.

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Speaker 4: They've managed to sort of Rachel Bill row under there.

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Speaker 1: Yeah, she does a.

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Speaker 4: Show here, not anymore, not anymore. Uh, but she tried

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Speaker 4: it now yeah, yeah, now the whole show road smeared

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Speaker 4: all over that.

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Speaker 3: Oh because she's stuck on the road, but she can still.

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Speaker 1: Start the road she got she got hit.

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Speaker 4: So they probably gonna do fresh chapstick, so they I

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Speaker 4: gotta wait while they replace it, but.

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Speaker 1: We do, we do want to have you back.

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Speaker 4: And people know, if you didn't hear the first episode,

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Speaker 4: we have Aaron Chen, it's gonna go better this time.

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Speaker 1: And this guy is, uh, your stand up comedian?

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Speaker 3: Yeah, Aaron, Yeah, I have a stand up comedian.

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Speaker 4: So where can we see you perform all over? And

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Speaker 4: what kind of jokes would I expect to hear? Like

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Speaker 4: what can I look forward to like some of the

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Speaker 4: comedy that I would hear if I went to see

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Speaker 4: So I'm you know, because a lot of our listeners

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Speaker 4: are just they're regular guys, and uh, they want to laugh,

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Speaker 4: and so they're kind of going, hey, I'm gonna spend

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Speaker 4: my hard earned dollars seeing this guy do and why, yeah,

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Speaker 4: what can I look forward to hearing? Like what kind

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Speaker 4: of jokes are we going to hear? You want a

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Speaker 4: nice night out.

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Speaker 2: Yes, your lover girlfriend. Yeah yeah, no, it's a girlfriend.

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Speaker 3: A girlfriend, yeah.

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Speaker 5: And her husband and like what like where can I

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Speaker 5: just go to the step kids?

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Speaker 2: Yeah?

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Speaker 3: Well, so you're saying that the main guy in this

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Speaker 3: equation is this guy who's like the third over. It's

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Speaker 3: a it's a girlfriend. It's this guy's girlfriend and.

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Speaker 2: This girl husband her husband.

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Speaker 3: But this guy's such their stepkids.

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Speaker 1: And their his step kids.

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Speaker 3: Yeah, the husband likes this guy, and his.

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Speaker 2: Step kids are of course the girlfriend's kids. I mean.

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Speaker 1: That's helpful.

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Speaker 3: Yeah, that's helpful to you, that's very helpful.

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Speaker 2: And their husband go, yeah, I.

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Speaker 3: Think if this guy loves observation comedy.

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Speaker 1: So what kind of observations could I look forward to?

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Speaker 4: But well, I just even want to know the general area,

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Speaker 4: like what are we observing?

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Speaker 2: Because I I'll be honest, I've tried to do some

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Speaker 2: of that stuff, and it's.

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Speaker 1: Harder than it looks.

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Speaker 4: No, no, no, but I've tried to observe and it's

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Speaker 4: harder than it looks. You know, you sometimes feel like

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Speaker 4: you have something and it's either not true or.

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Speaker 6: It's too true in a way where it's just so you.

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Speaker 5: Just end up in like doing a bit where you're

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Speaker 5: not processing any information, like you're not observing anything at all,

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Speaker 5: You're not taking in any sounds.

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Speaker 1: I'm trying.

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Speaker 4: A lot of my experiences are not universal at all,

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Speaker 4: and they're either indescribable or they are so unique that

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Speaker 4: made uncomfortable. Well, I was about to say normal stuff,

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Speaker 4: but I guess it's not normal.

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Speaker 5: So to him it's he thought it was normal stuff

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Speaker 5: but realized on stage that what was normal to him

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Speaker 5: is actually something that no one else has ever experienced before.

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Speaker 4: I'd be like, you know, I'd be like, hey, remember

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Speaker 4: the remember the first Monday after Christmas break when your

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Speaker 4: parents would make you wear all the wrapping paper from

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Speaker 4: the gifts to school?

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Speaker 3: They did that to you.

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Speaker 1: I just say, hey, remember that boxing day?

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Speaker 3: Yeah, people don't remember that. That didn't really well.

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Speaker 1: I was finding that nobody remembered that.

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Speaker 4: But I would say, you know, you you'd rip off

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Speaker 4: the wrapping paper and they'd say like, hey, you know,

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Speaker 4: we're not just going to throw this out. It's a

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Speaker 4: lot of good paper, and they'd make you put it

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Speaker 4: all on. You know, you'd fashion sort of a wrapping

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Speaker 4: paper bikini with like Santa's face and beard, serving as

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Speaker 4: sort of a de facto pubic triangle.

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Speaker 3: Oh, it poke out of the wrapping paper.

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Speaker 4: I was thinking there was an image of Santa's face

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Speaker 4: on the wrapping paper.

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Speaker 3: I thought, you meaning you wore the.

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Speaker 2: Underneath, the underneath, and it's like you have a big

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Speaker 2: bush or something. Not really, it's not it's not really

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Speaker 2: crazy because because his family was working with.

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Speaker 3: But you like Sean's observations.

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Speaker 2: I didn't say, I like it does.

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Speaker 5: I call it boxing day because like that's how it

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Speaker 5: worked in my family. And we called it that because

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Speaker 5: that's how my dad would wake me up that day,

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Speaker 5: throwing on some gloves and and and and.

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Speaker 2: Foxy boxing me. He said, When I do it, it's

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Speaker 2: foxy boxing.

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Speaker 3: What's foxy boxing is that it's.

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Speaker 5: When my dad would put on gloves and he sort

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Speaker 5: of box him away and boxed me away.

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Speaker 3: You're both done observational.

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Speaker 4: So I like, again to back up to what I

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Speaker 4: was saying before, is I was curious what kind of

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Speaker 4: observations you're making so that I would have something to

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Speaker 4: go off of. My attempts at doing observational humor have

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Speaker 4: not really resonated with people.

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Speaker 1: You I assume have some kind of audience.

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Speaker 3: You can do alternative comedy.

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Speaker 2: People were saying in the crowd. He would say, you

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Speaker 2: guys know about when this blah blah blah. Whatever he said,

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Speaker 2: they would say, almost in unison, like no, sorry, we

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Speaker 2: don't know.

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Speaker 3: No, sorry, we don't know about yeah, the whole sentence.

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Speaker 1: Yeah, no, sounds.

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Speaker 2: Interesting though, we don't know about No, sorry, I don't

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Speaker 2: know about that. That sounds really interesting.

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Speaker 3: We don't know.

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Speaker 4: They'd say that sounds interesting though, but not for here,

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Speaker 4: and yeah it's dick for me because I'm up on stage.

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Speaker 4: I go, well, you just said it sounded interesting, so

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Speaker 4: I was gonna at least try to push through even

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Speaker 4: though you didn't connect to it. But then when they

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Speaker 4: say but not for here, I go, oh wow, so

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Speaker 4: they only and.

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Speaker 1: Then you say they talk to me about it?

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Speaker 2: It was like Pluribus. Have you seen Pluribus?

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Speaker 3: I've seen I've seen one episode of Pluribus.

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Speaker 2: Okay.

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Speaker 3: It was like, yeah, did you watch the whole thing?

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Speaker 2: Yeah?

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Speaker 3: Not really, you go on Apple TV.

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Speaker 2: Now, so no, no, no, no, no, it's okay. So

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Speaker 2: let's say let's just say the.

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Speaker 5: Promo starts right now, you know, so the promotional tour

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Speaker 5: for your movie that you're in that's on Apple TV.

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Speaker 3: Yeah oh yeah, yeah yeah yeah.

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Speaker 2: You are maybe a subscriber to I guess they give

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Speaker 2: one episode out for free, uh to non subscribers.

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Speaker 3: Solus Yeah, episode one.

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Speaker 2: Yeah, and so was it that you the.

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Speaker 3: Show hated the interface and hated.

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Speaker 5: And so let's start it? No, no, no, let's start it now.

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Speaker 5: Let's start it now? Where the where the promo for

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Speaker 5: the movie which is on Apple TV. We were gonna

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Speaker 5: start the like the the promotional window for the movie.

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Speaker 3: It starts now.

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Speaker 1: They work so hard on the interface, on the interface.

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Speaker 4: I've talked to like these are my partners in this,

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Speaker 4: Like I've talked to them, like they're so proud of interface,

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Speaker 4: and like there's so much thought went into it, Like

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Speaker 4: and the new sound that they have.

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Speaker 3: They got a new sound.

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Speaker 1: Yeah, the little apples.

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Speaker 4: There's like almost colorful slices of apples.

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Speaker 3: It's like, yeah, yeah, I haven't watched too much of it,

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Speaker 3: to be.

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Speaker 1: Honest, Well that's fine to have not watched too much

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Speaker 1: of it. Yeah, not watch too much of it is fine.

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Speaker 2: That's fine.

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Speaker 4: That's fine because because it's like I think there's gotta

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Speaker 4: be something, you know, I have made anything. That's like

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Speaker 4: so for me, that like I just have to watch

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Speaker 4: it and subscribe. But I hear there's something good coming

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Speaker 4: out soon.

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Speaker 1: What is it, you're it's yes, it's the movie you're in.

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Speaker 1: It's going to be on Apple.

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Speaker 3: Okay, that's gonna be on Apple. Yeah, it's very I

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Speaker 3: think that's a big mistake. That's a big Can you

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Speaker 3: change it? You can use change where it comes up.

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Speaker 2: What the fuck are you talking about? Wait? Wait, wait, wait,

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Speaker 2: well is it possible to change it? I mean, why

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Speaker 2: would it be a mistake? I think it might might.

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Speaker 2: What he's saying might be helpful.

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Speaker 1: What's a mistake about it?

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Speaker 3: Because you know Apple, they have a machine. You need

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Speaker 3: to buy a machine to use Apple.

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Speaker 2: That's that's not true. But but say it were true.

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Speaker 3: Everything else they don't have a machine. You can use

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Speaker 3: whatever machine to get onto Apple. Okay, you know what

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Speaker 3: I'm saying.

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Speaker 4: Hang on, and I'm not arguing yet, and Hayes, you

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Speaker 4: can keep drawing this out. I just want to say

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Speaker 4: I want to recap what we've learned so far, which

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Speaker 4: is Apple you need to have a machine. You have

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Speaker 4: to buy a machine to get onto Apple. Everything else

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Speaker 4: you don't need a machine. You can use whatever you

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Speaker 4: want to get on.

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Speaker 2: It doesn't have to be a machine. You don't have

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Speaker 2: some other device that's not a miss television.

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Speaker 1: But you did say to get onto Apple.

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Speaker 3: Yeah, they have at the end.

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Speaker 1: You don't need a machine.

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Speaker 3: They have a machine that only you can find it

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Speaker 3: at Airbnb's mm hmm. You know the machine Apple TV

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Speaker 3: mm hmm. We don't want the machine the machine.

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Speaker 2: Is you don't. You don't when you see it in

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Speaker 2: the Airbnb you see.

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Speaker 3: TV TB Yeah, direct to consumer.

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Speaker 2: Ubo mm hmm.

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Speaker 3: Larry Ellison, so and.

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Speaker 5: So you you're thinking, is that it should be on?

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Speaker 5: What's this because of Larry Ellison? Is that's my daughters?

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Speaker 5: Don't touch that?

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Speaker 2: Okay, sorry, like that's my families, okay.

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Speaker 1: Bringing away apples my family. I'm in the Apple family.

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Speaker 3: You're in the Apple.

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Speaker 1: Yeah, I got a movie.

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Speaker 3: There is that public you arrive with severance. I thought

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Speaker 3: they wouldn't.

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Speaker 2: Really we are.

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Speaker 5: Actually Sean is starting to make that public. Yes, he

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Speaker 5: is the sort of lift the veil that part of

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Speaker 5: his life. Usually he likes to keep the show is here,

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Speaker 5: Severance is over here.

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Speaker 3: It's interesting.

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Speaker 5: They have started said, hey, if you could maybe start

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Speaker 5: talking about this.

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Speaker 2: It might be helpful.

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Speaker 3: Very successful. There's a very successful show, Severance, and is.

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Speaker 2: It not for you? Though necessarily sounding like the way

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Speaker 2: you're describing it, just in terms of its success in relation.

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Speaker 1: To other let me guess you've seen one episode of it.

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Speaker 3: I've seen actually a lot of Severance.

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Speaker 2: Okay, a lot of it.

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Speaker 3: Well on YouTube. People they put like one minute clips

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Speaker 3: part seventeen, part eighteen. I've seen a lot of them.

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Speaker 1: Yeah, you're watching it on YouTube.

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Speaker 2: YouTube, Yeah, it's it's YouTube. But it's not chewby I noticed.

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Speaker 2: Should it also be Juby?

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Speaker 3: Juby doesn't have a lot of stuff.

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Speaker 5: Okay, doesn't have a lot of stuff, but you still

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Speaker 5: think you still think that it should be on there

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Speaker 5: because it's space for some more stuff.

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Speaker 3: What I'm saying with what I wanted to say about

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Speaker 3: the Severance thing is it's very interesting. They got you

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Speaker 3: to write on it.

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Speaker 2: You don't think it's a fit.

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Speaker 3: It's very strange. It is very it's kind of an

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Speaker 3: off kilter Showance is serious. It's beautiful. They probably want

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Speaker 3: to they want a listers on Severance. I've heard a

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Speaker 3: lot of a listers. They get upset by Sean's writing.

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Speaker 3: A lot of them they punch your scripts, a lot

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Speaker 3: of them. A lot of them they do that.

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Speaker 1: You know, people get emotional.

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Speaker 4: It's a it's a business where you know these these actors,

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Speaker 4: which you're one of them. What we love about them

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Speaker 4: is the passion that they bring to these projects.

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Speaker 3: They really care and normally that on the screen, not

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Speaker 3: sometimes it's on the screen.

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Speaker 1: Sometimes they're punching the script because they're upset.

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Speaker 5: And that doesn't mean that you don't like taking the

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Speaker 5: time to put on gloves.

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Speaker 2: You see someone awake.

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Speaker 4: Is like, by the way, Ted Lasso, aren't they all

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Speaker 4: do they touch that we believe sign that's almost like

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Speaker 4: a punch, right or do you believe in yourself or something.

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Speaker 3: That on the screen as well? You don't hear that

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Speaker 3: reading a script.

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Speaker 4: So I don't know why you don't hear about it

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Speaker 4: because a lot of that stuff, a lot of that

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Speaker 4: stuff that what happens on set, it stays private between

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Speaker 4: the people who were there who really understand the context.

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Speaker 4: They're not out here running around going on every podcast

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Speaker 4: bringing up these stories that who even remembers if script

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Speaker 4: got punched, didn't get punched, Who cares.

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Speaker 2: What do you think of of ted Lasso?

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Speaker 3: Is that last it is amazing you really liked and

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Speaker 3: that's on Apple TV.

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Speaker 2: It was despite of the in spite of the platform.

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Speaker 1: The interface keep you from enjoying that.

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Speaker 3: Wow, that is a show. You don't even need to

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Speaker 3: worry about the interface because it takes Yeah, you just

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Speaker 3: let it keep going.

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Speaker 2: Press machine in the interface.

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Speaker 3: That's horrible. You go on the machine, you turn the

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Speaker 3: machine on you. This is horrible stuff. You press one button,

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Speaker 3: ted l s one e one. You sit there, You

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Speaker 3: let it roll. You don't deal with the interface again

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Speaker 3: because this is funny.

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Speaker 2: Is trying to like move you away?

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Speaker 1: Are these the kind of observations you're doing on stage?

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Speaker 4: Like so if I'm so, I you know, because we've

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Speaker 4: got a lot of regular Joe's in this podcast, so

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Speaker 4: they're going to spend their hard earned dollars, you know,

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Speaker 4: to go see comedy.

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Speaker 1: This is the kind of stuff you're talking about, the

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Speaker 1: interface stuff like this.

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Speaker 4: I thought maybe you'd be doing some observations that like

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Speaker 4: our audience could connect to.

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Speaker 1: This is a little inside baseball punch and scripts that.

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Speaker 3: Stuff punch, Yeah, that is that is inside baseball.

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Speaker 4: So like what what kind of observations would you have?

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Speaker 4: Stuff about what?

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Speaker 1: Uh? Dating women? We get into that at all?

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Speaker 3: Well, I'm actually married, I'm off the market.

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Speaker 4: Yeah, well it's not a contest, buddy, so am I?

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Speaker 2: And are you gonna like tell her that you're gonna

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Speaker 2: be on Apple TV now that you know this? Or

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Speaker 2: is that something that you're gonna.

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Speaker 4: Is that a difficult conversation to have with your wife

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Speaker 4: that I'm gonna be on Apple TV?

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Speaker 2: How do you have?

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Speaker 1: I like?

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Speaker 2: How do you share?

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Speaker 3: She likes it? She likes she knows how to use

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Speaker 3: that machine?

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Speaker 2: Wow?

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Speaker 3: Yeah, okay, that's a separate remote. You know, you have

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Speaker 3: the remote for the TV and then you've got a

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Speaker 3: small remote for the machine.

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Speaker 1: Mm hmm does even you don't?

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Speaker 3: Do they still do that the machine?

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Speaker 2: They still do? They have they have the machine.

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Speaker 1: You don't have to have the machine.

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Speaker 3: Okay, well, now we're making progress.

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Speaker 1: You think you changed it just now by complaining about it?

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Speaker 3: You don't think I did. You don't think I moved

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Speaker 3: the needle a little bit?

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Speaker 1: I guess I can't say for sure. I think I

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Speaker 1: don't think you needed to have the machine for a

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Speaker 1: little bit.

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Speaker 3: Now, Okay, well, we like Apple TV, and.

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Speaker 1: Yeah, I like it.

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Speaker 5: You know, the other machines do have their own apps

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Speaker 5: that they want to put stuff on your like your

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Speaker 5: Roku and things like that.

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Speaker 3: And like Apple TV doesn't make it onto a lot

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Speaker 3: of the remotes.

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Speaker 2: So your problem is you're looking for a button on

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Speaker 2: single remote.

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Speaker 3: How are they going to watch the movie if they

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Speaker 3: can't get it in one click?

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Speaker 2: So you that you are.

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Speaker 3: And they need the machine. You know, even if the

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Speaker 3: one machine, you'd have to wait a.

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Speaker 1: Day established that they don't need the machine.

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Speaker 3: We don't need the machine. Yeah, So, but it was

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Speaker 3: a good point.

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Speaker 2: Sure getting them if it and it we're true, that

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Speaker 2: would have been a really interesting point.

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Speaker 1: Mm hmmm, we're just true. A lot of the stuff

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Speaker 1: that I see, just.

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Speaker 3: Think about it from my perspective for a moment. If

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Speaker 3: you did have to have the machine to watch Apple

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Speaker 3: TV would be a horrible service.

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Speaker 4: Let me somehow become stupid enough to think of it

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Speaker 4: from your perspective.

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Speaker 1: Hold on, okay, I see it, thank you, Okay, I

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Speaker 1: see it again.

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Speaker 3: Now we can continue.

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Speaker 4: Now you don't need the machine. So that's done. The

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Speaker 4: having a button one button.

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Speaker 3: You don't think that adds that much.

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Speaker 4: I think you still might need to press another button

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Speaker 4: to watch the movie.

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Speaker 5: I'm curious as someone who is you know, is rooting

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Speaker 5: for the movie, its success is my success in a

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Speaker 5: lot of ways. I want the best for for Sean

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Speaker 5: and for you. Do you think you will be able

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Speaker 5: to not talk about this when you are promoting the movie,

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Speaker 5: like it's sort of we.

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Speaker 4: Know it's a little ways out the movie, like transparently

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Speaker 4: it's it's still about when five months away or something.

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Speaker 1: I don't know. I don't know if we're going to

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Speaker 1: release this.

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Speaker 2: It's coming on in a couple of weeks.

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Speaker 5: I had sort of been thinking during this episode we

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Speaker 5: could say like, Okay.

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Speaker 2: Now it's time the promotion begins.

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Speaker 4: Now, yeah, I want to say that, and I thought, wow,

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Speaker 4: Hayes is doing it really.

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Speaker 2: But I am. I am now going to delay the

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Speaker 2: start time.

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Speaker 5: I'm going to push it a little bit, just to

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Speaker 5: like see where we're at in terms of talking about

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Speaker 5: how you think it's a mistake for the movie to

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Speaker 5: be on Apple TV.

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Speaker 4: I just don't even want to engage with that because

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Speaker 4: we can't. You know, you had asked, can we change

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Speaker 4: where it's on? We can't change where it's on. And

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Speaker 4: actually I wouldn't want to, you wouldn't want I think

452
00:21:50,800 --> 00:21:53,920
Speaker 4: they're an incredible partner for us, and I'm just engaged

453
00:21:53,920 --> 00:21:55,520
Speaker 4: to be more excited to be in business with this

454
00:21:55,880 --> 00:21:56,720
Speaker 4: wonderful company.

455
00:21:56,800 --> 00:21:58,080
Speaker 1: It's made so many great things.

456
00:21:58,160 --> 00:22:00,760
Speaker 5: I'm just engaging with it to say, I don't think

457
00:22:00,800 --> 00:22:04,760
Speaker 5: it's helpful for the movie to like have to put

458
00:22:04,760 --> 00:22:07,520
Speaker 5: that out there at all, to say that it's so

459
00:22:07,600 --> 00:22:09,960
Speaker 5: I'm engaging with it to say, like, I like, I

460
00:22:10,359 --> 00:22:11,720
Speaker 5: think it's counterproductive.

461
00:22:11,840 --> 00:22:13,280
Speaker 1: You see hijack.

462
00:22:16,000 --> 00:22:19,280
Speaker 3: On a train, Now, what do you what is hijack?

463
00:22:23,480 --> 00:22:25,880
Speaker 4: Step out of the room. Call your wife right now,

464
00:22:26,000 --> 00:22:27,560
Speaker 4: find out what hijack.

465
00:22:27,240 --> 00:22:29,800
Speaker 3: Is she because she's Apple TV Stan.

466
00:22:30,640 --> 00:22:32,480
Speaker 1: She she knows how to work the machine.

467
00:22:32,720 --> 00:22:37,000
Speaker 3: Yeah, in Australia we have one called Stan. Could you

468
00:22:37,040 --> 00:22:37,800
Speaker 3: put it on that.

469
00:22:39,720 --> 00:22:42,760
Speaker 1: I can talk to, We can talk to Maybe partnering

470
00:22:43,160 --> 00:22:44,840
Speaker 1: could be interesting. We are trying to bridge these.

471
00:22:47,400 --> 00:22:48,960
Speaker 3: The movie in Australia.

472
00:22:49,760 --> 00:22:51,600
Speaker 2: Well, what do you think you're doing here? Man?

473
00:22:52,000 --> 00:22:58,480
Speaker 3: Interesting? We don't even really have pickaball. Yeah, I didn't really.

474
00:22:58,480 --> 00:23:02,480
Speaker 5: Understand the huge market. They didn't have spices either.

475
00:23:03,240 --> 00:23:03,800
Speaker 1: Payed with you?

476
00:23:04,880 --> 00:23:06,639
Speaker 3: Oh, yeah, you.

477
00:23:07,600 --> 00:23:08,679
Speaker 2: Didn't understand the script.

478
00:23:09,280 --> 00:23:10,240
Speaker 3: I didn't really get it.

479
00:23:10,880 --> 00:23:13,919
Speaker 1: What was confusing about it?

480
00:23:13,880 --> 00:23:21,960
Speaker 3: It's not the only one confused. But let's just say that.

481
00:23:19,720 --> 00:23:21,600
Speaker 1: You never answered my question what kind of observations do

482
00:23:21,680 --> 00:23:23,160
Speaker 1: you make? And you start talking about something else?

483
00:23:23,240 --> 00:23:26,960
Speaker 4: Yeah, yeah, Then I go okay, well and nothing everything's

484
00:23:26,960 --> 00:23:29,200
Speaker 4: a question question with a question, Oh did you talk

485
00:23:29,240 --> 00:23:29,840
Speaker 4: about dating?

486
00:23:29,920 --> 00:23:33,600
Speaker 1: I'm well, I'm I'm married, Okay, okay, fine.

487
00:23:33,640 --> 00:23:36,840
Speaker 4: That one example where it's not but it's but it's

488
00:23:36,960 --> 00:23:42,600
Speaker 4: but it's never you actually contributing anything that is helpful

489
00:23:42,640 --> 00:23:46,560
Speaker 4: to the show. You're never helping us move forward. All

490
00:23:46,600 --> 00:23:50,680
Speaker 4: you do is take us down these very damaging back roads.

491
00:23:51,800 --> 00:23:57,480
Speaker 2: Unless can stuff be changed in the movie? Now, what was.

492
00:23:56,680 --> 00:23:57,600
Speaker 1: Confusing for you?

493
00:23:59,560 --> 00:24:01,800
Speaker 2: Well, it's if it's worth like getting in there.

494
00:24:01,680 --> 00:24:03,840
Speaker 4: And there's something you really didn't understand that you think

495
00:24:03,840 --> 00:24:06,880
Speaker 4: people won't understand. Like I mean, I know I want

496
00:24:06,880 --> 00:24:08,720
Speaker 4: people to be able to enjoy it. I want people

497
00:24:08,720 --> 00:24:09,240
Speaker 4: to like it.

498
00:24:09,320 --> 00:24:11,880
Speaker 1: So like, by the way, it's like it's like five

499
00:24:11,880 --> 00:24:13,000
Speaker 1: months ago, we don't even have.

500
00:24:12,960 --> 00:24:15,720
Speaker 2: To so maybe there's time. We know there's time.

501
00:24:15,760 --> 00:24:16,280
Speaker 1: There's time.

502
00:24:16,320 --> 00:24:17,960
Speaker 4: I just don't know that this would be what this

503
00:24:18,040 --> 00:24:22,560
Speaker 4: whole episode is about. I thought that maybe we could

504
00:24:22,640 --> 00:24:24,959
Speaker 4: kind of bridge some of this cultural divide, you know

505
00:24:25,080 --> 00:24:27,280
Speaker 4: between you know, Australia and America.

506
00:24:27,400 --> 00:24:29,840
Speaker 3: Could we make the movie about rugby or AFL.

507
00:24:31,680 --> 00:24:33,040
Speaker 1: That's a really big change to do.

508
00:24:33,160 --> 00:24:35,840
Speaker 3: Now, we could just change the shape of the ball.

509
00:24:36,600 --> 00:24:38,280
Speaker 2: I think it's is that all you have to do?

510
00:24:39,320 --> 00:24:42,879
Speaker 4: I think ai, I think they could probably change the

511
00:24:42,880 --> 00:24:44,560
Speaker 4: shape of the ball. Change the shape of the ball.

512
00:24:44,600 --> 00:24:47,320
Speaker 4: I don't think that would make it about rugby.

513
00:24:47,440 --> 00:24:49,639
Speaker 2: Not just the shape, I mean the size too. They

514
00:24:49,640 --> 00:24:50,679
Speaker 2: have to make it huge.

515
00:24:51,040 --> 00:24:52,520
Speaker 3: Yeah, and then.

516
00:24:52,480 --> 00:24:54,679
Speaker 1: Like they'd still be hitting it with a panel, so.

517
00:24:54,720 --> 00:24:56,440
Speaker 2: They have to change the size of the paddle.

518
00:24:56,560 --> 00:24:59,359
Speaker 3: Okay, the pedal looks that size.

519
00:24:59,359 --> 00:25:02,320
Speaker 2: When they have to make it huge.

520
00:25:02,040 --> 00:25:04,000
Speaker 3: You make the pedal a little bit bigger. But that's

521
00:25:04,000 --> 00:25:05,000
Speaker 3: an easy change.

522
00:25:05,080 --> 00:25:08,360
Speaker 4: That's that's really be really expensive to make all those

523
00:25:08,480 --> 00:25:10,919
Speaker 4: changes for something that I'm not sure would make the

524
00:25:11,000 --> 00:25:14,800
Speaker 4: movie you think easier to understand for most people.

525
00:25:14,520 --> 00:25:17,800
Speaker 3: They are using a lot of CGI and movies.

526
00:25:17,840 --> 00:25:22,320
Speaker 4: Now, yeah, I'm aware he's not saying they don't use

527
00:25:22,359 --> 00:25:22,880
Speaker 4: it at all.

528
00:25:23,560 --> 00:25:24,480
Speaker 2: He's saying it's expense.

529
00:25:24,520 --> 00:25:26,600
Speaker 1: It's a big expense for us to go and make.

530
00:25:26,520 --> 00:25:30,880
Speaker 3: Those No, no, it's not expensive. You don't you don't

531
00:25:30,880 --> 00:25:33,960
Speaker 3: need a separate machine or anything. It's just on the.

532
00:25:34,280 --> 00:25:37,439
Speaker 1: Separate machine from what you do need a special machine.

533
00:25:37,520 --> 00:25:39,520
Speaker 3: It's just a laptop. You can do a lot of

534
00:25:39,560 --> 00:25:41,280
Speaker 3: the editing and stuff.

535
00:25:40,920 --> 00:25:43,399
Speaker 1: A lot of okay, but that's like I have.

536
00:25:43,480 --> 00:25:44,760
Speaker 3: Gen is the machine?

537
00:25:46,400 --> 00:25:50,800
Speaker 1: What is the machine you think you need for Apple TV?

538
00:25:52,840 --> 00:25:54,760
Speaker 3: You can't even do a lot of CGI on.

539
00:25:54,800 --> 00:25:58,520
Speaker 2: The little box. Yeah okay, but you don't actually need

540
00:25:58,560 --> 00:25:59,200
Speaker 2: to what you can?

541
00:25:59,560 --> 00:26:00,800
Speaker 1: You can want it without that.

542
00:26:01,400 --> 00:26:03,359
Speaker 3: I don't mean you can watch it.

543
00:26:03,880 --> 00:26:06,000
Speaker 4: I was a laptop, not a special machine to do

544
00:26:06,080 --> 00:26:07,040
Speaker 4: the c GI.

545
00:26:07,680 --> 00:26:09,600
Speaker 2: Yeah, you got the box.

546
00:26:09,680 --> 00:26:11,080
Speaker 1: Get the box? Great, love the box.

547
00:26:11,200 --> 00:26:13,680
Speaker 2: You can have the box. It's true. You can also

548
00:26:13,720 --> 00:26:15,760
Speaker 2: watch all the other things you're talking about on all

549
00:26:15,760 --> 00:26:17,000
Speaker 2: the other platforms on the box.

550
00:26:17,080 --> 00:26:19,919
Speaker 3: And every time a new movie comes out. Do you

551
00:26:20,000 --> 00:26:23,080
Speaker 3: need to take that box into the Apple store and

552
00:26:23,200 --> 00:26:25,520
Speaker 3: get the movie on there? Because I'm worried a lot

553
00:26:25,560 --> 00:26:28,239
Speaker 3: of people might have the box, but so Dink one.

554
00:26:28,440 --> 00:26:30,680
Speaker 3: They might have bought it before the Dink came out.

555
00:26:31,520 --> 00:26:33,359
Speaker 2: They you don't have to bring it in to put on.

556
00:26:33,400 --> 00:26:34,600
Speaker 2: They come to your head if they have it.

557
00:26:34,640 --> 00:26:37,359
Speaker 1: They did, they did buy it before the d thinks

558
00:26:37,359 --> 00:26:37,879
Speaker 1: not out.

559
00:26:37,760 --> 00:26:42,720
Speaker 3: Yet and that you were a lot of these boxes,

560
00:26:42,760 --> 00:26:44,800
Speaker 3: so I'm worried they won't be Dink ready.

561
00:26:45,520 --> 00:26:49,399
Speaker 4: It's it's not as a software update you need for

562
00:26:49,440 --> 00:26:50,480
Speaker 4: the movie.

563
00:26:51,040 --> 00:26:54,040
Speaker 1: Put out movies all the time, you know, I mean

564
00:26:54,280 --> 00:26:54,880
Speaker 1: not that many.

565
00:26:54,880 --> 00:26:58,520
Speaker 4: We're special, We're still special, but they put out stuff

566
00:26:58,560 --> 00:27:00,480
Speaker 4: all the time, and it just you don't need special

567
00:27:00,560 --> 00:27:02,800
Speaker 4: new software update that just goes right into the box

568
00:27:02,840 --> 00:27:05,280
Speaker 4: the same way you have the box, and everybody can relax.

569
00:27:05,480 --> 00:27:08,520
Speaker 3: The Dink might have new software because we will be

570
00:27:08,560 --> 00:27:10,320
Speaker 3: doing a lot of CGI on it.

571
00:27:11,160 --> 00:27:14,080
Speaker 1: I'm not sold on doing CGI to change the shape

572
00:27:14,119 --> 00:27:16,400
Speaker 1: of the ball, to make it just.

573
00:27:16,880 --> 00:27:19,800
Speaker 2: Like you do a firmware update. It doesn't have to

574
00:27:19,880 --> 00:27:21,760
Speaker 2: be like you take it in like it could.

575
00:27:21,960 --> 00:27:24,040
Speaker 4: You said you didn't understand the script and that a

576
00:27:24,080 --> 00:27:26,520
Speaker 4: lot of people were confused by my writing.

577
00:27:28,000 --> 00:27:32,400
Speaker 1: I don't think the shape of the ball with CGI.

578
00:27:33,600 --> 00:27:36,840
Speaker 4: Is is going to solve whatever this confusion was you

579
00:27:36,880 --> 00:27:38,439
Speaker 4: were describing for most people.

580
00:27:38,560 --> 00:27:41,000
Speaker 5: And can I ask when you were reading the script

581
00:27:41,200 --> 00:27:45,399
Speaker 5: was the shape of the ball? I don't remember it

582
00:27:45,440 --> 00:27:46,600
Speaker 5: even being described.

583
00:27:46,720 --> 00:27:49,320
Speaker 3: I didn't even really think that it was a bawl

584
00:27:49,400 --> 00:27:54,080
Speaker 3: when I saw it. This object they used to right

585
00:27:54,560 --> 00:27:58,040
Speaker 3: it had a lot of holes in it. I've never

586
00:27:58,080 --> 00:28:00,200
Speaker 3: seen a bawl like that in my life, okay.

587
00:28:00,240 --> 00:28:02,320
Speaker 2: And that happened. This happened when you were reading the script,

588
00:28:02,400 --> 00:28:04,399
Speaker 2: because you said that when you read the script that

589
00:28:04,480 --> 00:28:06,919
Speaker 2: the writing was confusing. You didn't understand you saw the

590
00:28:06,920 --> 00:28:08,159
Speaker 2: ball when you were reading.

591
00:28:07,920 --> 00:28:11,800
Speaker 3: The script in my mind, in my mind, you can see.

592
00:28:11,600 --> 00:28:14,760
Speaker 2: It, Okay. So it was described that. I just don't

593
00:28:14,760 --> 00:28:15,520
Speaker 2: remember that part.

594
00:28:15,680 --> 00:28:18,600
Speaker 4: I don't remember writing that. But if I described I

595
00:28:18,640 --> 00:28:20,680
Speaker 4: guess I could have done a better job describing the ball.

596
00:28:20,800 --> 00:28:22,920
Speaker 5: So you saw it, and that was taking some accountability

597
00:28:22,960 --> 00:28:24,639
Speaker 5: for it. And I guess the size of the paddle

598
00:28:24,880 --> 00:28:26,199
Speaker 5: was the paddle?

599
00:28:26,240 --> 00:28:29,919
Speaker 3: I don't I've been on records.

600
00:28:30,080 --> 00:28:32,640
Speaker 1: You want to change the ball, c GI.

601
00:28:32,520 --> 00:28:35,119
Speaker 4: Budget to go in and make the battle slightly larger,

602
00:28:35,160 --> 00:28:36,440
Speaker 4: even though you don't have an issue with it.

603
00:28:36,760 --> 00:28:38,800
Speaker 3: That doesn't cost a lot. I'm telling you that doesn't

604
00:28:38,800 --> 00:28:40,640
Speaker 3: cost money. You don't need another machine.

605
00:28:40,840 --> 00:28:42,440
Speaker 1: It is expensive, I do.

606
00:28:42,720 --> 00:28:43,959
Speaker 3: It's just a lot.

607
00:28:45,800 --> 00:28:49,680
Speaker 5: If our options are rugby or Australian rules football, is

608
00:28:49,720 --> 00:28:52,200
Speaker 5: it the same ball or is there one that's maybe

609
00:28:52,280 --> 00:28:56,080
Speaker 5: a little more manageable for us in terms of changing

610
00:28:56,280 --> 00:28:57,360
Speaker 5: that in every frame.

611
00:28:57,200 --> 00:28:59,800
Speaker 7: We'll do both and see which on the I think

612
00:28:59,800 --> 00:29:02,840
Speaker 7: it might make it confused, just to say I think

613
00:29:02,880 --> 00:29:04,959
Speaker 7: it might make it confusing for people that do know

614
00:29:05,000 --> 00:29:08,280
Speaker 7: what pickleball is that they're playing within Australian.

615
00:29:07,800 --> 00:29:12,600
Speaker 1: Rules football ball, Like like, are.

616
00:29:12,400 --> 00:29:17,440
Speaker 4: We are we in some ways creating a new problem

617
00:29:17,480 --> 00:29:21,160
Speaker 4: even though we're solving your specific bump, which is Australians

618
00:29:21,200 --> 00:29:22,800
Speaker 4: don't really have the sport of pickleball.

619
00:29:22,840 --> 00:29:23,120
Speaker 1: I don't.

620
00:29:23,160 --> 00:29:27,640
Speaker 6: You might be picking some new understanding and they may

621
00:29:27,720 --> 00:29:28,960
Speaker 6: get it in the next couple of months.

622
00:29:29,000 --> 00:29:31,280
Speaker 1: They may get it, you know, because they're getting ready

623
00:29:31,320 --> 00:29:31,840
Speaker 1: for the movie.

624
00:29:32,240 --> 00:29:33,280
Speaker 3: I don't know about that.

625
00:29:34,360 --> 00:29:34,920
Speaker 2: No, you don't know.

626
00:29:34,960 --> 00:29:36,360
Speaker 4: You don't know, so you can't say for sure that

627
00:29:36,400 --> 00:29:38,920
Speaker 4: it's not gonna happen. So it's like you're telling me

628
00:29:38,960 --> 00:29:40,760
Speaker 4: you don't know about that. So it's like, yeah, you

629
00:29:40,800 --> 00:29:43,000
Speaker 4: don't know about that, you don't know.

630
00:29:43,080 --> 00:29:45,600
Speaker 5: I don't know, because it could maybe like a promotional

631
00:29:45,680 --> 00:29:49,200
Speaker 5: opportunity where like you are going into Australia and kind

632
00:29:49,200 --> 00:29:51,440
Speaker 5: of helping be an ambassador for pickleball.

633
00:29:53,360 --> 00:29:55,040
Speaker 2: You're saying you're not gonna do no.

634
00:29:55,200 --> 00:29:56,920
Speaker 3: So what I'm hearing is.

635
00:29:58,440 --> 00:29:59,640
Speaker 2: Wh just how you're.

636
00:29:59,520 --> 00:30:03,600
Speaker 4: Saying said no where Hayes was driving, Oh boy, you

637
00:30:03,800 --> 00:30:06,880
Speaker 4: go in and you know, being sort of positive about

638
00:30:06,880 --> 00:30:08,960
Speaker 4: the movie and trying to bring in more of an audience,

639
00:30:09,120 --> 00:30:12,080
Speaker 4: you know, to your your homeland, explain what pick a

640
00:30:12,160 --> 00:30:15,719
Speaker 4: Ball is to I mean, and maybe in sort of

641
00:30:16,080 --> 00:30:19,400
Speaker 4: a comedic way, because you're an observation like media, you

642
00:30:19,440 --> 00:30:21,960
Speaker 4: can sort of like, yeah, you can be sort of

643
00:30:22,000 --> 00:30:22,920
Speaker 4: like poking.

644
00:30:22,520 --> 00:30:27,400
Speaker 5: At it while you're you're also excited about it, a

645
00:30:27,400 --> 00:30:29,640
Speaker 5: little teasing. You know, this is an option, but you're

646
00:30:29,640 --> 00:30:30,800
Speaker 5: saying you're not going to do that.

647
00:30:30,920 --> 00:30:34,120
Speaker 3: You're saying so just in Australia, we use the c

648
00:30:34,320 --> 00:30:39,840
Speaker 3: g I when we do the promotion with c g I.

649
00:30:39,840 --> 00:30:43,920
Speaker 4: I do think the movie on the platform like one

650
00:30:43,960 --> 00:30:46,880
Speaker 4: with a lot of c g I enhancements in one without.

651
00:30:46,960 --> 00:30:50,360
Speaker 1: I think it's because like languages.

652
00:30:50,720 --> 00:30:53,800
Speaker 3: They do it for languages, and I feel like now

653
00:30:53,880 --> 00:30:56,360
Speaker 3: that we're doing the CGI to make it into an

654
00:30:56,400 --> 00:30:58,840
Speaker 3: AFL bowl, it doesn't make sense.

655
00:30:58,560 --> 00:31:02,920
Speaker 2: That you think is the better than the AFL is good.

656
00:31:02,960 --> 00:31:04,480
Speaker 3: I think we'll start with that.

657
00:31:05,160 --> 00:31:07,560
Speaker 1: But we have to get others.

658
00:31:07,840 --> 00:31:10,880
Speaker 3: We have to get rid of Jacob Country.

659
00:31:10,840 --> 00:31:12,680
Speaker 2: Have their own ball. I do think if we're doing one,

660
00:31:12,720 --> 00:31:14,560
Speaker 2: it should be that every country has a has a

661
00:31:14,560 --> 00:31:17,640
Speaker 2: different I do think it would be weird to just do.

662
00:31:17,680 --> 00:31:22,360
Speaker 3: It for Australia, Ireland, GA.

663
00:31:23,600 --> 00:31:24,560
Speaker 2: Is that a different ball.

664
00:31:24,880 --> 00:31:25,720
Speaker 3: That's a different ball.

665
00:31:26,120 --> 00:31:29,600
Speaker 2: That's tough. I was really kind of crossing my fingers

666
00:31:29,600 --> 00:31:30,000
Speaker 2: that it was.

667
00:31:30,560 --> 00:31:30,800
Speaker 1: It was.

668
00:31:32,000 --> 00:31:34,200
Speaker 3: It's not even it's not similar.

669
00:31:34,240 --> 00:31:36,040
Speaker 2: Okay, what's that? What's going on with that one?

670
00:31:36,080 --> 00:31:36,800
Speaker 3: It's a round ball?

671
00:31:37,600 --> 00:31:39,560
Speaker 1: Okay, I think we're going to do well, that's the

672
00:31:39,600 --> 00:31:46,720
Speaker 1: ball is round? H you know that one or something?

673
00:31:46,800 --> 00:31:47,280
Speaker 2: Is it? Okay?

674
00:31:47,280 --> 00:31:48,000
Speaker 1: That as holes?

675
00:31:48,240 --> 00:31:48,560
Speaker 3: No?

676
00:31:48,560 --> 00:31:51,600
Speaker 1: No, that's the problem.

677
00:31:51,600 --> 00:31:55,040
Speaker 3: I'm saying, that's the problem with your script. People is

678
00:31:55,040 --> 00:31:58,000
Speaker 3: the only ball with holes in it, and people won't

679
00:31:58,240 --> 00:32:01,160
Speaker 3: people don't get that that actually angers people.

680
00:32:01,440 --> 00:32:02,480
Speaker 1: Whiffle ball has them.

681
00:32:03,200 --> 00:32:05,920
Speaker 3: We don't know wiffa ball. Why didn't you make it

682
00:32:05,920 --> 00:32:07,880
Speaker 3: a wiffa if you made it a whiffle ball movie?

683
00:32:07,880 --> 00:32:09,400
Speaker 2: But you just said you don't know about it, So

684
00:32:09,440 --> 00:32:10,680
Speaker 2: wouldn't that be the exact time?

685
00:32:10,760 --> 00:32:13,320
Speaker 3: But he's arguing whiffle ball has it, but it's not

686
00:32:13,400 --> 00:32:15,560
Speaker 3: about I said, if you made it about whiffleball, we

687
00:32:15,560 --> 00:32:17,640
Speaker 3: can talk it about whiffle okay.

688
00:32:17,320 --> 00:32:18,000
Speaker 1: But I but.

689
00:32:19,840 --> 00:32:21,680
Speaker 4: I also don't want to make it about well, no,

690
00:32:21,720 --> 00:32:22,880
Speaker 4: I didn't make it about whootball.

691
00:32:22,920 --> 00:32:24,440
Speaker 2: But I don't want to do that, but he doesn't

692
00:32:24,480 --> 00:32:27,880
Speaker 2: want to do he does want in Australia.

693
00:32:28,480 --> 00:32:29,080
Speaker 1: It was fun.

694
00:32:29,280 --> 00:32:29,480
Speaker 2: You know.

695
00:32:29,880 --> 00:32:31,800
Speaker 1: I thought when we were doing it, we were having fun.

696
00:32:32,000 --> 00:32:33,840
Speaker 4: Can I talk about a moment where we sort of

697
00:32:33,880 --> 00:32:36,400
Speaker 4: bridge the cultural divide on the movie that felt really

698
00:32:36,400 --> 00:32:39,480
Speaker 4: special to me, which is, you know, at Craft Services,

699
00:32:39,520 --> 00:32:42,360
Speaker 4: they had these little things called Aussie bites. And one

700
00:32:42,440 --> 00:32:44,240
Speaker 4: day I walked over and I was eating one. It

701
00:32:44,280 --> 00:32:46,680
Speaker 4: was a nice little snack, little breakfast snack, a little oat,

702
00:32:46,960 --> 00:32:51,240
Speaker 4: you know, uh, sort of like treat. And I am

703
00:32:51,280 --> 00:32:55,000
Speaker 4: eating it in uh Aaron chen my. You know, my

704
00:32:55,080 --> 00:32:57,040
Speaker 4: friend walked up to me and he said, are you

705
00:32:57,080 --> 00:33:00,480
Speaker 4: having an Aussie Bite? And I said I am, And

706
00:33:00,560 --> 00:33:02,880
Speaker 4: he said, good day.

707
00:33:04,640 --> 00:33:05,280
Speaker 1: This is true?

708
00:33:06,400 --> 00:33:07,680
Speaker 3: Is this a real story?

709
00:33:07,760 --> 00:33:10,160
Speaker 1: Yeah? And it was so special and I thought, oh,

710
00:33:10,200 --> 00:33:12,920
Speaker 1: I'm connecting to this guy. You know, here we are

711
00:33:13,000 --> 00:33:16,160
Speaker 1: bridging this cultural divide. You know that that has pushed

712
00:33:16,240 --> 00:33:18,200
Speaker 1: us apart. I'm enjoying, you know.

713
00:33:18,800 --> 00:33:20,360
Speaker 2: Some part of his culture.

714
00:33:20,400 --> 00:33:22,520
Speaker 1: He's kind of welcomed me in. You know.

715
00:33:23,680 --> 00:33:24,440
Speaker 2: He did not want to.

716
00:33:25,200 --> 00:33:26,360
Speaker 1: Yes, of course it's true.

717
00:33:26,400 --> 00:33:27,400
Speaker 2: You don't remember this.

718
00:33:28,400 --> 00:33:30,040
Speaker 1: Oh god, it was so impactful for me.

719
00:33:30,080 --> 00:33:32,120
Speaker 4: I said, Wow, I really bonded with Aaron today and

720
00:33:32,160 --> 00:33:34,800
Speaker 4: he really shared a part of you know, his history

721
00:33:34,840 --> 00:33:35,120
Speaker 4: with me.

722
00:33:35,360 --> 00:33:37,960
Speaker 3: And but I saying good ay, and Mike.

723
00:33:37,960 --> 00:33:40,200
Speaker 1: Yeah, I have Are you having an Aussie bite?

724
00:33:40,320 --> 00:33:40,560
Speaker 2: Yeah?

725
00:33:40,640 --> 00:33:42,000
Speaker 1: And I said, I am.

726
00:33:42,080 --> 00:33:46,040
Speaker 3: Doing a bit more. Are you having I?

727
00:33:47,200 --> 00:33:50,680
Speaker 4: I I I have a bite?

728
00:33:51,800 --> 00:33:54,080
Speaker 2: Are you trying to learn how to be Australian from

729
00:33:54,360 --> 00:33:54,920
Speaker 2: from Sean?

730
00:33:54,960 --> 00:33:55,720
Speaker 3: From Sean?

731
00:34:00,040 --> 00:34:00,480
Speaker 2: It's not.

732
00:34:02,680 --> 00:34:06,480
Speaker 3: It's Macklemore, Michael Moore.

733
00:34:12,120 --> 00:34:15,239
Speaker 2: So I just to reset a little bit here.

734
00:34:15,440 --> 00:34:16,600
Speaker 1: Yes, it can't be that.

735
00:34:16,640 --> 00:34:21,360
Speaker 5: I'm we can do an episode about bridging the cultural divide,

736
00:34:21,400 --> 00:34:22,160
Speaker 5: which is what but.

737
00:34:22,120 --> 00:34:23,759
Speaker 1: I think we have to do that later or now.

738
00:34:23,760 --> 00:34:25,560
Speaker 4: I think we have to kind of punt that whole

739
00:34:25,680 --> 00:34:28,080
Speaker 4: thing because we got so in the weeds with.

740
00:34:29,560 --> 00:34:32,759
Speaker 8: And honestly, I think the cultural divide is harder to

741
00:34:32,840 --> 00:34:36,400
Speaker 8: bridge than I realized. Yeah, Like, I honestly thought we

742
00:34:36,400 --> 00:34:38,719
Speaker 8: were close enough that we'd be able to in one

743
00:34:38,800 --> 00:34:45,000
Speaker 8: episode connect these two different cultures in a really beautiful,

744
00:34:45,040 --> 00:34:48,320
Speaker 8: harmonious way. And what I'm realizing just from this thirty

745
00:34:48,360 --> 00:34:52,160
Speaker 8: four minutes of conversation is that we're so far apart.

746
00:34:52,160 --> 00:34:53,440
Speaker 1: Did you think it was longer or shorter.

747
00:34:54,160 --> 00:34:56,040
Speaker 3: I thought it was much longer. I thought, when you're

748
00:34:56,080 --> 00:34:56,680
Speaker 3: in the end.

749
00:34:56,719 --> 00:35:01,080
Speaker 2: Yeah, yeah, but yeah, you're fine ending out that. They

750
00:35:01,560 --> 00:35:03,600
Speaker 2: just like that. Even he didn't that he didn't enjoy

751
00:35:03,640 --> 00:35:04,160
Speaker 2: doing the movie.

752
00:35:04,160 --> 00:35:08,600
Speaker 4: The confusing the most, the shape of the ball that

753
00:35:08,640 --> 00:35:10,879
Speaker 4: he wants to move it off of the platform, which

754
00:35:10,920 --> 00:35:12,040
Speaker 4: I was really excited.

755
00:35:12,080 --> 00:35:13,800
Speaker 1: It's felt like a big win to get on it.

756
00:35:14,680 --> 00:35:17,200
Speaker 3: Can I just finish that up? That thought really cool?

757
00:35:17,320 --> 00:35:19,319
Speaker 2: There's you have more to say about that?

758
00:35:19,400 --> 00:35:23,320
Speaker 3: Because of the ball. The ball, we need to recast everyone.

759
00:35:24,080 --> 00:35:26,280
Speaker 2: You need to recast everyone to.

760
00:35:26,200 --> 00:35:30,040
Speaker 3: Jake, to Chris Hemsworth. Okay, we got Ed Harris for

761
00:35:30,280 --> 00:35:34,319
Speaker 3: Russell Crowe, yea Mary Stein virgin. Who are we putting.

762
00:35:38,280 --> 00:35:39,360
Speaker 1: You're the one who's doing it.

763
00:35:39,480 --> 00:35:46,480
Speaker 5: Yeah, I will say right now as an objective person

764
00:35:47,200 --> 00:35:52,160
Speaker 5: beyond my bias is rooting for the movie. His cast,

765
00:35:52,360 --> 00:35:55,440
Speaker 5: I think is likely to do more numbers.

766
00:35:56,440 --> 00:36:00,480
Speaker 2: But Chris hems he has been filmed Chris Hemsworth instead

767
00:36:00,480 --> 00:36:00,839
Speaker 2: of Jake.

768
00:36:00,920 --> 00:36:03,200
Speaker 5: We're talking about, like he says, there's only one machine

769
00:36:03,320 --> 00:36:05,840
Speaker 5: to like if we're changing the ball. The ball is

770
00:36:05,880 --> 00:36:07,000
Speaker 5: like a character.

771
00:36:06,640 --> 00:36:09,880
Speaker 2: In the loop. Right now, we're basically so we're casting

772
00:36:09,960 --> 00:36:14,520
Speaker 2: the ball where c G I inserting Chris Hemsworth over Jake.

773
00:36:15,040 --> 00:36:16,799
Speaker 3: Yes, well you can do.

774
00:36:17,360 --> 00:36:17,480
Speaker 1: Now.

775
00:36:17,680 --> 00:36:21,920
Speaker 5: That would be harder if Jake were bigger than Chris Hemsworth,

776
00:36:22,000 --> 00:36:23,759
Speaker 5: you know what I mean, because the parts of Jake

777
00:36:23,760 --> 00:36:24,239
Speaker 5: would kind of.

778
00:36:24,239 --> 00:36:28,600
Speaker 4: Be sticking out from the back, but Chris Chriss sort

779
00:36:28,600 --> 00:36:29,360
Speaker 4: of enveloped.

780
00:36:29,600 --> 00:36:33,600
Speaker 5: Russell Crow and Ed Harris easy. Ed Harris is like

781
00:36:33,640 --> 00:36:36,280
Speaker 5: a wiry.

782
00:36:35,080 --> 00:36:37,440
Speaker 2: Had a little small. Russell Crow is strong, but he's

783
00:36:38,360 --> 00:36:43,680
Speaker 2: fier yeah. Yeah, And Nicole Kimmen certainly taller than Mary

784
00:36:43,719 --> 00:36:45,280
Speaker 2: Stein Virgin. I would say, I've.

785
00:36:45,120 --> 00:36:47,359
Speaker 1: Never don't even know. We don't want to say that

786
00:36:47,920 --> 00:36:49,440
Speaker 1: who's I don't know who's taller.

787
00:36:50,120 --> 00:36:53,480
Speaker 4: I this is making me think then if we're just

788
00:36:54,080 --> 00:36:56,239
Speaker 4: if we're doing this anyway, that perhaps we could put

789
00:36:56,280 --> 00:36:57,640
Speaker 4: Rebel Wilson over and Jed.

790
00:36:59,040 --> 00:36:59,920
Speaker 2: Or I mean, should it.

791
00:36:59,880 --> 00:37:02,439
Speaker 3: Be You're not understanding the premise of what I'm saying.

792
00:37:02,680 --> 00:37:05,200
Speaker 1: Okay, well that's the premise that it's just Australia.

793
00:37:05,239 --> 00:37:06,799
Speaker 3: I am Australian already.

794
00:37:07,880 --> 00:37:09,640
Speaker 2: But you are in the movie.

795
00:37:09,680 --> 00:37:12,720
Speaker 1: I just want to say, it's like upgrading everybody, right.

796
00:37:12,960 --> 00:37:14,920
Speaker 5: And also like your role in the movie is as

797
00:37:14,960 --> 00:37:19,080
Speaker 5: a cometic like foreign presence, you know what I mean.

798
00:37:19,280 --> 00:37:21,759
Speaker 4: We're like, oh, right, right, And at the point that

799
00:37:21,840 --> 00:37:25,439
Speaker 4: everyone else is Australian, then we may want to put

800
00:37:25,840 --> 00:37:32,120
Speaker 4: jakeover Eric. People will be in the movie, which he's

801
00:37:32,239 --> 00:37:35,360
Speaker 4: you know already look at his.

802
00:37:35,080 --> 00:37:40,040
Speaker 2: Usual foreign ways and say like, oh, this is abusing

803
00:37:40,400 --> 00:37:44,120
Speaker 2: the bloody well that's not something he would say, but

804
00:37:44,200 --> 00:37:48,359
Speaker 2: like listening to you now in America here something like that,

805
00:37:48,480 --> 00:37:49,080
Speaker 2: and say.

806
00:37:49,400 --> 00:37:53,000
Speaker 3: What's this yank doing in Australia.

807
00:37:53,200 --> 00:37:56,600
Speaker 2: That's what they're Yeah, like, what's he doing here?

808
00:37:58,960 --> 00:38:03,799
Speaker 1: Right, He's gonna buzz off bus? And then I don't

809
00:38:03,840 --> 00:38:06,200
Speaker 1: hate it. I don't hate it. So they got a

810
00:38:06,200 --> 00:38:06,720
Speaker 1: big ball.

811
00:38:06,840 --> 00:38:10,080
Speaker 4: It's Chris Hemsworth saying what's you know, what's Jake doing here?

812
00:38:10,160 --> 00:38:15,279
Speaker 4: Jake saying buzz off Russell Crow And then I guess

813
00:38:15,320 --> 00:38:17,680
Speaker 4: it's Chris Hemsworth's dad now.

814
00:38:18,040 --> 00:38:21,880
Speaker 5: And but also like we're we're swapping out Andy Roddick.

815
00:38:22,000 --> 00:38:26,800
Speaker 5: I guess for who Mark philippouss oh.

816
00:38:26,800 --> 00:38:31,240
Speaker 2: I want to say the movie is now not about

817
00:38:32,080 --> 00:38:35,320
Speaker 2: it's about pickleball being played with an Australian rule rules football.

818
00:38:35,880 --> 00:38:37,960
Speaker 2: I don't know if a tennis player.

819
00:38:39,120 --> 00:38:42,400
Speaker 5: I'm just suggesting maybe it is an Australian rules football player.

820
00:38:42,440 --> 00:38:45,480
Speaker 4: If we're changing so much of this too because they're

821
00:38:45,520 --> 00:38:48,280
Speaker 4: talking about tennis and stuff, because then I feel.

822
00:38:48,040 --> 00:38:49,640
Speaker 5: Like we could just use a tennis ball, have them

823
00:38:49,640 --> 00:38:51,680
Speaker 5: playing pick a ball with a tennis ball. If Nick

824
00:38:51,760 --> 00:38:55,520
Speaker 5: Kurrios is a solution for you, you see what I'm saying.

825
00:38:56,120 --> 00:38:58,600
Speaker 5: If we're changing Andy Rotick to another tennis player, so.

826
00:38:58,600 --> 00:39:00,680
Speaker 1: We're not doing Mark philippouss is what I.

827
00:39:00,640 --> 00:39:02,600
Speaker 3: Thought that you liked that it was a tennis player.

828
00:39:03,760 --> 00:39:05,520
Speaker 3: That's why I suggested a tennis players.

829
00:39:05,600 --> 00:39:07,840
Speaker 2: Okay, yeah, you again. I want to come back to

830
00:39:08,040 --> 00:39:12,160
Speaker 2: can it be a tennis ball? Because if you are.

831
00:39:12,120 --> 00:39:14,759
Speaker 1: Okay, well there are tennis balls in the.

832
00:39:14,680 --> 00:39:19,960
Speaker 3: Movie Challenges, then you're just making challenges like tennis.

833
00:39:20,000 --> 00:39:22,120
Speaker 1: Really just actually had some of the team from Challengers

834
00:39:22,120 --> 00:39:22,600
Speaker 1: on the movie.

835
00:39:22,760 --> 00:39:23,400
Speaker 3: Is that true?

836
00:39:23,960 --> 00:39:24,360
Speaker 1: Yeah?

837
00:39:24,520 --> 00:39:28,600
Speaker 3: I must say some of the shots the were amazing

838
00:39:28,680 --> 00:39:33,600
Speaker 3: to watch. They used they used the drone as the

839
00:39:33,640 --> 00:39:35,160
Speaker 3: ball one time.

840
00:39:36,400 --> 00:39:38,520
Speaker 2: So some of the shots that it was amazing to

841
00:39:38,560 --> 00:39:42,000
Speaker 2: watch the machines moving or like you, this guy.

842
00:39:41,880 --> 00:39:44,879
Speaker 1: Was so anti machine to start the episode.

843
00:39:45,480 --> 00:39:49,240
Speaker 2: It's it's not what he likes machines, Yeah, just certain

844
00:39:49,280 --> 00:39:50,120
Speaker 2: ones that he likes.

845
00:39:50,160 --> 00:39:51,320
Speaker 1: But I yeah, I agree.

846
00:39:51,360 --> 00:39:53,359
Speaker 4: Some of the shots are amazing and I think they

847
00:39:53,520 --> 00:39:56,080
Speaker 4: and parts of the script also are not confusing at all.

848
00:39:56,120 --> 00:39:56,920
Speaker 1: You can enjoy them.

849
00:39:56,960 --> 00:39:57,960
Speaker 3: Parts of them went, I.

850
00:39:58,040 --> 00:39:59,840
Speaker 2: Have to get that drones at the end because the

851
00:40:00,080 --> 00:40:03,000
Speaker 2: all won't doesn't move the same way. Yeah, yeah, it's

852
00:40:03,120 --> 00:40:05,640
Speaker 2: I mean, let's be honest, that's all lost on what

853
00:40:05,680 --> 00:40:07,360
Speaker 2: the ball is going to be gon be an Australian

854
00:40:07,440 --> 00:40:10,120
Speaker 2: rules football with a slightly bigger paddle and so.

855
00:40:10,239 --> 00:40:12,000
Speaker 1: But I thought tennis ball.

856
00:40:12,080 --> 00:40:14,239
Speaker 2: That ball I was pitching that, but he didn't really

857
00:40:14,239 --> 00:40:14,640
Speaker 2: go for it.

858
00:40:15,120 --> 00:40:16,919
Speaker 5: Well, that ball is not making it over the net,

859
00:40:16,960 --> 00:40:19,320
Speaker 5: and so the drone is going to have to just kind.

860
00:40:19,080 --> 00:40:23,880
Speaker 4: Of like kind of tumble along the die to the Yeah,

861
00:40:24,120 --> 00:40:24,840
Speaker 4: is it still.

862
00:40:24,640 --> 00:40:26,880
Speaker 1: A court that they're playing on? Like a tennis or

863
00:40:26,920 --> 00:40:27,600
Speaker 1: a pick a ball court?

864
00:40:28,239 --> 00:40:30,920
Speaker 3: Can I can I just see this? Are you? Are

865
00:40:30,960 --> 00:40:32,640
Speaker 3: you happy with the script?

866
00:40:35,960 --> 00:40:37,000
Speaker 1: This feels like a trap?

867
00:40:37,120 --> 00:40:39,239
Speaker 2: No, I mean, like.

868
00:40:42,000 --> 00:40:43,959
Speaker 1: I think he's just this feels like a trap.

869
00:40:44,520 --> 00:40:45,000
Speaker 3: Yes or no.

870
00:40:48,239 --> 00:40:52,480
Speaker 1: Nothing's ever perfect, you know, it's always okay. So yeah,

871
00:40:52,640 --> 00:40:54,000
Speaker 1: there's there's always.

872
00:40:55,719 --> 00:40:57,319
Speaker 4: Places you wish me and me had a little more

873
00:40:57,320 --> 00:41:00,759
Speaker 4: time to get it just right. But which just a

874
00:41:00,840 --> 00:41:04,080
Speaker 4: yes or no. I guess when I was describing the ball,

875
00:41:04,120 --> 00:41:09,279
Speaker 4: I could be a little more, could have been a

876
00:41:09,280 --> 00:41:12,120
Speaker 4: little more locked in. I think I maybe rushed through

877
00:41:12,120 --> 00:41:16,520
Speaker 4: some of the descriptions of the ball. I remember I

878
00:41:16,560 --> 00:41:18,520
Speaker 4: was on a pretty tight deadline to turn stuff around,

879
00:41:18,560 --> 00:41:21,439
Speaker 4: and they said, you know, we've almost got Aaron Chen,

880
00:41:21,520 --> 00:41:24,719
Speaker 4: but he's demanding pretty extensive rewrites and we don't get

881
00:41:24,719 --> 00:41:26,280
Speaker 4: them to the next twenty four hours.

882
00:41:27,880 --> 00:41:30,000
Speaker 1: He's going to sign on for another project. I believe

883
00:41:30,040 --> 00:41:30,839
Speaker 1: it was plur of us.

884
00:41:31,680 --> 00:41:33,280
Speaker 3: I think it was a Christmas pickle ball.

885
00:41:33,200 --> 00:41:38,720
Speaker 4: Movie regardless, And so I do remember sort of feeling

886
00:41:38,760 --> 00:41:41,240
Speaker 4: like some of the ball descriptions I put in the

887
00:41:41,280 --> 00:41:41,879
Speaker 4: script works.

888
00:41:43,600 --> 00:41:45,280
Speaker 3: It has some beautiful descriptions.

889
00:41:45,600 --> 00:41:48,320
Speaker 4: Some of them were good. Yeah, but I was describing

890
00:41:48,320 --> 00:41:51,839
Speaker 4: the ball on almost every page, and some descriptions were

891
00:41:51,840 --> 00:41:52,640
Speaker 4: stronger than others.

892
00:41:53,040 --> 00:41:54,280
Speaker 1: I can admit that now.

893
00:41:59,680 --> 00:42:01,800
Speaker 4: Definitely could have included dialogue on some of the pages

894
00:42:01,800 --> 00:42:05,399
Speaker 4: that were just ball descriptions, just so you guys would

895
00:42:05,400 --> 00:42:07,359
Speaker 4: have had some idea of what you should be saying

896
00:42:07,360 --> 00:42:07,960
Speaker 4: in the scenes.

897
00:42:09,400 --> 00:42:12,840
Speaker 2: But I mean, in fact, you took so much time

898
00:42:13,880 --> 00:42:17,440
Speaker 2: to explain the ball, and yet still.

899
00:42:17,560 --> 00:42:20,919
Speaker 4: That that was still a sticking point for him. Yeah,

900
00:42:21,080 --> 00:42:23,239
Speaker 4: and you know, it's been a while since I've read

901
00:42:23,239 --> 00:42:26,200
Speaker 4: the script, so I do have to kind of go

902
00:42:26,239 --> 00:42:28,840
Speaker 4: into my mind palace a little bit to work through it.

903
00:42:28,880 --> 00:42:32,360
Speaker 4: But I would say overall, yes, I'm happy with the script. Obviously,

904
00:42:32,400 --> 00:42:34,239
Speaker 4: I wish I had more time to describe the ball.

905
00:42:34,920 --> 00:42:37,799
Speaker 3: Okay, Well, if you're happy, then we leave it as is.

906
00:42:39,160 --> 00:42:40,239
Speaker 1: That's very generous.

907
00:42:40,920 --> 00:42:43,239
Speaker 3: If you think it's good, we can do I.

908
00:42:43,760 --> 00:42:47,319
Speaker 5: Actually think just I mean, if I'm an executive, I

909
00:42:47,360 --> 00:42:51,520
Speaker 5: do want more than that, you know, like I like, I.

910
00:42:51,480 --> 00:42:53,560
Speaker 2: Want more than I want more.

911
00:42:54,400 --> 00:42:55,960
Speaker 1: We don't even have to talk about this.

912
00:42:57,440 --> 00:43:03,040
Speaker 4: Now film, yes, just five months before before it's available

913
00:43:03,040 --> 00:43:07,360
Speaker 4: to the public. But it's fit's been it's been purchased.

914
00:43:07,360 --> 00:43:08,439
Speaker 1: They're planning that there.

915
00:43:08,560 --> 00:43:12,680
Speaker 4: As you said, the language changes and everything being done,

916
00:43:12,719 --> 00:43:16,840
Speaker 4: you know, title translation, all this stuff. It's all you know, Uh,

917
00:43:17,120 --> 00:43:19,920
Speaker 4: we've got a whole team gearing up to get this

918
00:43:20,000 --> 00:43:22,279
Speaker 4: thing out in the world. I think it's you know,

919
00:43:22,320 --> 00:43:25,319
Speaker 4: the script is almost the movie is done.

920
00:43:25,400 --> 00:43:29,440
Speaker 2: They might be really interested in the challenge of.

921
00:43:29,719 --> 00:43:34,560
Speaker 9: Like challengers changing the movie in in ways that like

922
00:43:34,880 --> 00:43:40,799
Speaker 9: make it easier to understand for people all over the world, and.

923
00:43:40,719 --> 00:43:42,279
Speaker 1: They would yeah, so they would like it.

924
00:43:42,600 --> 00:43:43,520
Speaker 2: So they would like it.

925
00:43:44,440 --> 00:43:46,040
Speaker 1: I want people to like it. I do want people

926
00:43:46,080 --> 00:43:46,879
Speaker 1: to like it, you know.

927
00:43:47,200 --> 00:43:51,680
Speaker 5: And and it has people in it that are objectively

928
00:43:52,560 --> 00:43:55,840
Speaker 5: like and like Your cast is great.

929
00:43:56,160 --> 00:43:59,720
Speaker 1: Yeah, it was an incredible experience.

930
00:43:59,480 --> 00:44:04,160
Speaker 5: All time or cast the one he's describing is I mean,

931
00:44:04,160 --> 00:44:06,160
Speaker 5: I'm not even saying like these are like nicer people

932
00:44:06,239 --> 00:44:06,680
Speaker 5: or whatever.

933
00:44:07,239 --> 00:44:10,000
Speaker 2: That is a hell of a cast.

934
00:44:10,560 --> 00:44:13,240
Speaker 4: Would we still have been Stiller? Or is that Russell

935
00:44:13,280 --> 00:44:14,240
Speaker 4: Brand now or something?

936
00:44:16,040 --> 00:44:19,600
Speaker 3: It will right, It can't be Russell Brand. At the moment,

937
00:44:19,719 --> 00:44:22,200
Speaker 3: he's he's he's kind of busy.

938
00:44:22,239 --> 00:44:25,840
Speaker 5: At the moment you're you're you're keeping track of his

939
00:44:25,840 --> 00:44:26,920
Speaker 5: his his whereabouts.

940
00:44:28,480 --> 00:44:32,600
Speaker 4: You were telling me about you're designing a special app.

941
00:44:32,760 --> 00:44:35,879
Speaker 1: That's just just that's called on brand.

942
00:44:38,800 --> 00:44:43,959
Speaker 3: On brand and west Brand. What's brand up to? We're

943
00:44:43,960 --> 00:44:45,960
Speaker 3: trying to get him back in the movies.

944
00:44:45,640 --> 00:44:47,640
Speaker 2: But trying to get him back in the movies.

945
00:44:47,880 --> 00:44:49,759
Speaker 3: Yeah, but this is not the one.

946
00:44:50,760 --> 00:44:51,879
Speaker 1: Okay, this is not I.

947
00:44:51,800 --> 00:44:55,480
Speaker 4: Don't think he was your suggestion because I think obviously

948
00:44:55,520 --> 00:44:56,600
Speaker 4: not as you're thinking.

949
00:44:56,719 --> 00:45:03,040
Speaker 5: Chris Hemsworth, Russell Crow, Nicole Kidman, Nick Kyrios.

950
00:45:03,040 --> 00:45:05,279
Speaker 2: We can get but us.

951
00:45:07,680 --> 00:45:09,319
Speaker 1: Playing who's playing Bend's role.

952
00:45:09,440 --> 00:45:12,320
Speaker 3: Well, Ben's still he's meant to be like a funny

953
00:45:12,360 --> 00:45:16,719
Speaker 3: character or something like that, asking.

954
00:45:16,520 --> 00:45:20,280
Speaker 1: Me if he's meant to be a funny character. Well

955
00:45:20,280 --> 00:45:21,080
Speaker 1: that was the intention?

956
00:45:21,280 --> 00:45:24,920
Speaker 2: Is that there maybe like an Australian funny man.

957
00:45:25,360 --> 00:45:27,360
Speaker 3: Ben got there and he didn't really know what to

958
00:45:27,400 --> 00:45:29,880
Speaker 3: make of it. He didn't really know what it was doing.

959
00:45:30,320 --> 00:45:31,760
Speaker 3: He was saying the ball was weird.

960
00:45:32,160 --> 00:45:33,520
Speaker 2: He went to you and he said, I don't know

961
00:45:33,520 --> 00:45:34,839
Speaker 2: what to make what to make of it?

962
00:45:34,880 --> 00:45:37,600
Speaker 3: He took me aside and he said, hey, you've been

963
00:45:37,800 --> 00:45:39,920
Speaker 3: on this set for a few more days than me.

964
00:45:40,719 --> 00:45:44,000
Speaker 3: Do you know what the ball is supposed too?

965
00:45:45,239 --> 00:45:47,719
Speaker 1: Really? Were he was involved very early on.

966
00:45:48,160 --> 00:45:50,520
Speaker 3: I said, you're the you're the old hand. You're coming

967
00:45:50,560 --> 00:45:51,400
Speaker 3: to me for it?

968
00:45:51,680 --> 00:45:54,200
Speaker 1: Was okay, Yeah, I guess that must be flattering.

969
00:45:55,080 --> 00:46:00,160
Speaker 3: And he felt very sorry for you and I'm he

970
00:46:00,239 --> 00:46:02,800
Speaker 3: said that huh yeah, he said, I feel very sorry

971
00:46:02,880 --> 00:46:03,239
Speaker 3: for him.

972
00:46:03,280 --> 00:46:07,719
Speaker 4: He'd come up with this, this ball with holes in it.

973
00:46:07,880 --> 00:46:11,560
Speaker 1: Yeah, I didn't invent the idea of the.

974
00:46:10,920 --> 00:46:12,800
Speaker 3: Just saying it's been around before.

975
00:46:15,320 --> 00:46:20,800
Speaker 4: Yes, the ball are the script?

976
00:46:21,840 --> 00:46:22,360
Speaker 2: Then leaf?

977
00:46:23,480 --> 00:46:24,680
Speaker 3: Can I pee him come back?

978
00:46:25,120 --> 00:46:27,840
Speaker 1: I don't know if that's I don't know if that.

979
00:46:27,960 --> 00:46:29,440
Speaker 2: I don't think we're going to do a pee and

980
00:46:29,560 --> 00:46:32,200
Speaker 2: come back like we're going to do a pee and then.

981
00:46:34,000 --> 00:46:36,600
Speaker 4: Yeah, I think we're saying it's probably a pee and

982
00:46:36,840 --> 00:46:39,480
Speaker 4: don't ever come back. It's probably what we're at, you know,

983
00:46:39,520 --> 00:46:42,480
Speaker 4: in terms of what we should do now, because it's been.

984
00:46:44,239 --> 00:46:46,480
Speaker 1: Just a really did I offend you? Episode of that

985
00:46:46,680 --> 00:46:52,080
Speaker 1: Did I offend you? It's not I can't be offended. Okay,

986
00:46:52,880 --> 00:46:54,480
Speaker 1: I can't, But did.

987
00:46:54,360 --> 00:46:55,840
Speaker 3: I say anything offensive to Sean?

988
00:46:56,680 --> 00:47:02,080
Speaker 2: To me, it wouldn't, you know, Like I I like feedback,

989
00:47:01,280 --> 00:47:02,520
Speaker 2: I got no.

990
00:47:02,560 --> 00:47:03,200
Speaker 1: I love feedback.

991
00:47:03,239 --> 00:47:06,080
Speaker 2: I love making projects better too.

992
00:47:06,239 --> 00:47:10,759
Speaker 5: And so when I hear like the script didn't work,

993
00:47:11,640 --> 00:47:13,840
Speaker 5: like it was confusing to me, it's going to be

994
00:47:13,880 --> 00:47:17,080
Speaker 5: confusing to the audience. The platform was a mistake and

995
00:47:17,120 --> 00:47:19,040
Speaker 5: all that. I hear that, and I think, like, okay,

996
00:47:20,680 --> 00:47:26,400
Speaker 5: that's like helping me improve the project. And I'm not

997
00:47:26,440 --> 00:47:30,040
Speaker 5: saying like it's never done, like you know, it's not

998
00:47:30,080 --> 00:47:31,200
Speaker 5: like the project is just like.

999
00:47:31,320 --> 00:47:34,880
Speaker 1: Done done, like it is edible after it.

1000
00:47:35,560 --> 00:47:38,719
Speaker 5: And also why it's on the machine right, like other

1001
00:47:38,760 --> 00:47:42,520
Speaker 5: stuff changed, Like I have like my stories that I

1002
00:47:42,560 --> 00:47:44,000
Speaker 5: write on my machines.

1003
00:47:43,640 --> 00:47:46,720
Speaker 2: That like I can go back and change them any time.

1004
00:47:47,600 --> 00:47:49,960
Speaker 3: I'm gonna be I'm going to be really sorry.

1005
00:47:50,200 --> 00:47:52,279
Speaker 2: Yeah, I did this happen last time too.

1006
00:47:52,320 --> 00:47:55,040
Speaker 4: I think I really was in the bathroom immediately before

1007
00:47:55,080 --> 00:47:55,600
Speaker 4: coming in.

1008
00:47:55,840 --> 00:47:58,200
Speaker 3: I did something kind of nasty.

1009
00:48:00,600 --> 00:48:06,680
Speaker 4: Hollywood, Hampollywood, hamp You guys keep going.

1010
00:48:07,920 --> 00:48:09,880
Speaker 1: I don't need your permission to keep going on the

1011
00:48:11,160 --> 00:48:12,360
Speaker 1: on the show. It's my show.

1012
00:48:13,160 --> 00:48:19,359
Speaker 2: He he delivers his message, I think in an sort

1013
00:48:19,400 --> 00:48:20,600
Speaker 2: of unconventional way.

1014
00:48:20,880 --> 00:48:22,200
Speaker 1: Yes, that that's what part.

1015
00:48:22,360 --> 00:48:28,120
Speaker 2: Do you think? He is smart? And I think if

1016
00:48:28,160 --> 00:48:31,640
Speaker 2: you sit with it for a little bit, okay, it

1017
00:48:31,719 --> 00:48:33,680
Speaker 2: might not be everything, but I think there might be

1018
00:48:33,800 --> 00:48:35,640
Speaker 2: some things.

1019
00:48:35,400 --> 00:48:38,680
Speaker 4: Well, I mean yeah, I mean, you know, I'm open

1020
00:48:38,719 --> 00:48:40,839
Speaker 4: to feedback always too. I'm open to feedback always too,

1021
00:48:40,840 --> 00:48:44,799
Speaker 4: And I I do, I do know that for him,

1022
00:48:44,960 --> 00:48:47,719
Speaker 4: there's something he's reacting to, whether it actually is the

1023
00:48:47,760 --> 00:48:49,840
Speaker 4: shape of the ball, you know, whether that is a

1024
00:48:49,880 --> 00:48:52,960
Speaker 4: fix that there's some reason that he's feeling a disconnect

1025
00:48:52,960 --> 00:48:53,680
Speaker 4: from the material.

1026
00:48:54,120 --> 00:48:56,520
Speaker 1: It seems specifically to be the ball.

1027
00:48:57,200 --> 00:48:59,000
Speaker 4: I don't I mean, just but hearing even if we

1028
00:48:59,120 --> 00:49:03,080
Speaker 4: just were to change even maybe the you know, I mean,

1029
00:49:03,120 --> 00:49:08,040
Speaker 4: this isn't right, but something like a character's name or

1030
00:49:08,160 --> 00:49:09,920
Speaker 4: the font of the poster. He may go, oh, you

1031
00:49:09,960 --> 00:49:11,600
Speaker 4: know what, the ball wasn't bothering me. It was this

1032
00:49:11,880 --> 00:49:14,320
Speaker 4: I think, I think it is okay.

1033
00:49:14,400 --> 00:49:16,320
Speaker 1: So that's a big challenge.

1034
00:49:16,320 --> 00:49:17,040
Speaker 2: I think I don't.

1035
00:49:17,080 --> 00:49:18,600
Speaker 5: I don't know if it's I don't know if it's

1036
00:49:18,640 --> 00:49:21,840
Speaker 5: that one. I don't know really what that shape is.

1037
00:49:21,880 --> 00:49:23,759
Speaker 5: But as I was hearing him say it, I had

1038
00:49:23,760 --> 00:49:24,719
Speaker 5: the exact.

1039
00:49:24,480 --> 00:49:27,040
Speaker 4: That I had an issue with that as well. The

1040
00:49:27,080 --> 00:49:29,680
Speaker 4: shape of the ball that was a problem for you

1041
00:49:29,719 --> 00:49:33,080
Speaker 4: in the movie. It lost me, it lost you.

1042
00:49:33,719 --> 00:49:39,240
Speaker 2: Yeah, and this was never just like we filmed someone

1043
00:49:39,239 --> 00:49:42,160
Speaker 2: to articulate it. Ever thee to articulate it because I

1044
00:49:42,480 --> 00:49:44,720
Speaker 2: was having this like what because yes.

1045
00:49:44,560 --> 00:49:47,320
Speaker 1: Like you can like feedback is it can be valuable.

1046
00:49:47,360 --> 00:49:51,760
Speaker 4: But there are times when it certainly is more helpful

1047
00:49:51,800 --> 00:49:54,080
Speaker 4: than others. Like if the shape of the ball is

1048
00:49:54,120 --> 00:49:55,840
Speaker 4: an issue, that's something could come up in one of

1049
00:49:55,840 --> 00:49:59,640
Speaker 4: the first like prop meetings or something, you know, like, uh,

1050
00:50:00,200 --> 00:50:03,239
Speaker 4: that's something where the production designer could have maybe gotten

1051
00:50:03,239 --> 00:50:05,160
Speaker 4: in front of it. But when the entire movie has

1052
00:50:05,160 --> 00:50:09,200
Speaker 4: been filmed and edited and sold, best tall corrected sound man,

1053
00:50:09,400 --> 00:50:10,080
Speaker 4: best time to.

1054
00:50:10,000 --> 00:50:12,800
Speaker 2: Bring that shape of the ball is in one of

1055
00:50:12,840 --> 00:50:15,800
Speaker 2: the first prop meetings. Second that the best time is

1056
00:50:15,880 --> 00:50:16,839
Speaker 2: right right now.

1057
00:50:19,920 --> 00:50:23,120
Speaker 3: Thanks for I'm still taking up the torch for this.

1058
00:50:23,800 --> 00:50:24,440
Speaker 2: I'm taking.

1059
00:50:26,800 --> 00:50:28,880
Speaker 1: With uh Hayes.

1060
00:50:28,960 --> 00:50:31,520
Speaker 4: He's he's come around to agree with some of your

1061
00:50:31,560 --> 00:50:37,520
Speaker 4: issues and and I just I was lamenting that none

1062
00:50:37,560 --> 00:50:39,600
Speaker 4: of that was discussed earlier. Like you were on set

1063
00:50:39,600 --> 00:50:43,280
Speaker 4: the entire time. You never said anything about it. Uh,

1064
00:50:43,920 --> 00:50:44,680
Speaker 4: in fact, you.

1065
00:50:46,080 --> 00:50:50,920
Speaker 1: Okay, I'm like being scary. I'm not being scary.

1066
00:50:50,920 --> 00:50:53,480
Speaker 2: I'm nice. Well, somebody was scared of you, then you

1067
00:50:53,520 --> 00:50:54,320
Speaker 2: were being scary.

1068
00:50:54,560 --> 00:50:58,120
Speaker 3: Some people think you're only writing for severance because you're

1069
00:50:58,440 --> 00:51:00,359
Speaker 3: you're the only one in the writer's room with a gun.

1070
00:51:02,280 --> 00:51:03,760
Speaker 2: That scared him.

1071
00:51:04,040 --> 00:51:06,400
Speaker 3: It scared him that he had a gun going. That

1072
00:51:06,520 --> 00:51:08,760
Speaker 3: was in the Hollywood Reporter.

1073
00:51:10,920 --> 00:51:14,200
Speaker 2: I am, It's in the Hollywood Reporter.

1074
00:51:14,280 --> 00:51:16,360
Speaker 3: But some people think that some people illegit.

1075
00:51:17,120 --> 00:51:19,040
Speaker 1: Not I don't even think that's true, that I'm not.

1076
00:51:19,160 --> 00:51:20,640
Speaker 4: I don't believe I'm the only one you think with

1077
00:51:20,760 --> 00:51:22,920
Speaker 4: the gun, I'm the only one with an open carry license.

1078
00:51:25,040 --> 00:51:28,359
Speaker 2: But that's like, but you think that there are other

1079
00:51:28,400 --> 00:51:29,759
Speaker 2: people in the room with a gun, or at the

1080
00:51:29,800 --> 00:51:31,920
Speaker 2: very least you have to account for that possibility.

1081
00:51:32,000 --> 00:51:34,239
Speaker 1: I just don't think. Yeah, I don't think they have.

1082
00:51:34,560 --> 00:51:35,960
Speaker 1: They could say that conclusively.

1083
00:51:36,080 --> 00:51:39,360
Speaker 3: Which of the severans Ros do you think owns a gun.

1084
00:51:39,560 --> 00:51:41,799
Speaker 2: Or is it different on different days? Like who who has?

1085
00:51:41,880 --> 00:51:43,279
Speaker 2: Who has actually brought.

1086
00:51:43,040 --> 00:51:47,120
Speaker 1: It to work? Uh, there's a guy named Eli there.

1087
00:51:47,400 --> 00:51:51,959
Speaker 4: Yeah, yeah, I got a feeling he's back and he no, yeah,

1088
00:51:52,600 --> 00:51:53,640
Speaker 4: I think he actually.

1089
00:51:53,440 --> 00:51:55,440
Speaker 5: Wait wait wait sorry, so you think he's not You

1090
00:51:55,480 --> 00:51:58,680
Speaker 5: think it's cool that he You heard that Eli has

1091
00:51:58,719 --> 00:52:01,359
Speaker 5: a gun and you said Noah, but.

1092
00:52:02,880 --> 00:52:03,680
Speaker 2: You don't care for it.

1093
00:52:03,600 --> 00:52:05,560
Speaker 4: When Shawn and you see what he does right where

1094
00:52:05,600 --> 00:52:07,600
Speaker 4: he's changed the subject now to where it was like

1095
00:52:08,360 --> 00:52:10,719
Speaker 4: I'm scary on set and then he goes. Then I

1096
00:52:10,800 --> 00:52:13,000
Speaker 4: read in the Hollywood reported that you're the only writer

1097
00:52:13,120 --> 00:52:14,960
Speaker 4: on sever with the guns, Like, that's nothing to do

1098
00:52:15,000 --> 00:52:16,520
Speaker 4: with my behavior on the set of the Dink And

1099
00:52:16,560 --> 00:52:18,160
Speaker 4: why you wouldn't tell me that you didn't tak the

1100
00:52:18,160 --> 00:52:18,880
Speaker 4: shape of the ball?

1101
00:52:19,280 --> 00:52:23,520
Speaker 2: Could that he was maybe googling scared up?

1102
00:52:23,600 --> 00:52:25,800
Speaker 4: But the timelight falls apart, But the timeline falls apart,

1103
00:52:26,760 --> 00:52:28,200
Speaker 4: like it's all the timing issue.

1104
00:52:27,960 --> 00:52:30,640
Speaker 1: Because I wasn't in the room yet at that time.

1105
00:52:30,760 --> 00:52:34,200
Speaker 4: So this, you know, this supposed article wouldn't have come

1106
00:52:34,200 --> 00:52:34,680
Speaker 4: out yet.

1107
00:52:35,560 --> 00:52:38,640
Speaker 3: Well, well, if my question is how did the bull

1108
00:52:38,640 --> 00:52:42,600
Speaker 3: get holes? And then I read about this gun and

1109
00:52:42,680 --> 00:52:47,400
Speaker 3: I'm thinking shot it with bullets, And that's why in

1110
00:52:47,440 --> 00:52:48,440
Speaker 3: the problem they sell.

1111
00:52:48,400 --> 00:52:52,719
Speaker 1: Them, sell them with holes already for the movie. I

1112
00:52:52,760 --> 00:52:55,040
Speaker 1: shot the ball because it just.

1113
00:52:56,440 --> 00:52:59,920
Speaker 4: It was it was just easier to know that we

1114
00:53:00,080 --> 00:53:02,520
Speaker 4: were going to have the holes the way that we

1115
00:53:02,560 --> 00:53:05,239
Speaker 4: wanted that we wanted powder burns around the end of

1116
00:53:05,280 --> 00:53:08,000
Speaker 4: the holes. It looked sort of lived in, you know,

1117
00:53:08,280 --> 00:53:11,200
Speaker 4: they they'd been used before. It was that was a

1118
00:53:11,239 --> 00:53:13,200
Speaker 4: certain look we were going for. So yes, I did

1119
00:53:13,280 --> 00:53:18,640
Speaker 4: obviously shoot the We got whole plastic you know, entire

1120
00:53:18,760 --> 00:53:21,360
Speaker 4: pickleballs that were solid and I and I would shoot

1121
00:53:21,400 --> 00:53:22,320
Speaker 4: them immediately.

1122
00:53:23,000 --> 00:53:24,600
Speaker 3: Did you call them in tire pig hole?

1123
00:53:24,719 --> 00:53:27,879
Speaker 4: Yes, yes, I have to shoot them before we take

1124
00:53:28,200 --> 00:53:32,560
Speaker 4: But that was not ever meant to be threatening or scary.

1125
00:53:32,760 --> 00:53:35,960
Speaker 4: But you actually the fun for the cast.

1126
00:53:36,320 --> 00:53:39,960
Speaker 5: But you can see how it affected you when the

1127
00:53:40,040 --> 00:53:43,280
Speaker 5: cast members were being violent against your script.

1128
00:53:43,640 --> 00:53:45,400
Speaker 2: Every person was doing.

1129
00:53:45,840 --> 00:53:47,920
Speaker 1: They're passionate, they care about the movie.

1130
00:53:47,960 --> 00:53:52,399
Speaker 2: We're all trying to make something great, and that's how

1131
00:53:52,440 --> 00:53:57,799
Speaker 2: you felt about the ball, and so that's why it

1132
00:53:57,880 --> 00:54:00,920
Speaker 2: was a little painful for him to hear when you

1133
00:54:01,360 --> 00:54:04,640
Speaker 2: felt like the ball was a mistake. Ball doesn't work,

1134
00:54:05,719 --> 00:54:07,000
Speaker 2: needs to be changed.

1135
00:54:07,680 --> 00:54:10,040
Speaker 3: I don't think strongly suggest.

1136
00:54:11,080 --> 00:54:13,840
Speaker 5: I mean that's I'm I'm saying from his perspective, it

1137
00:54:14,000 --> 00:54:16,320
Speaker 5: just has not come up with anyone else.

1138
00:54:16,360 --> 00:54:20,879
Speaker 4: And then now you're agreeing with him, not on on.

1139
00:54:21,120 --> 00:54:24,200
Speaker 2: What the ball should be, but that.

1140
00:54:24,239 --> 00:54:27,520
Speaker 6: It original needs changed.

1141
00:54:27,600 --> 00:54:28,160
Speaker 1: If we talk.

1142
00:54:28,280 --> 00:54:30,839
Speaker 4: If we talk about this in this way, everyone's going

1143
00:54:30,880 --> 00:54:33,759
Speaker 4: to be looking for this to be an.

1144
00:54:33,640 --> 00:54:36,080
Speaker 2: Issue where they're never watching.

1145
00:54:37,320 --> 00:54:39,320
Speaker 4: But if we but they're watching with it through a

1146
00:54:39,440 --> 00:54:41,640
Speaker 4: neat watching.

1147
00:54:42,000 --> 00:54:45,560
Speaker 1: To criticize, which is there just could be enjoying the movie.

1148
00:54:45,760 --> 00:54:48,120
Speaker 4: Let the shape of the ball, if it's crazy, if

1149
00:54:48,120 --> 00:54:50,640
Speaker 4: it's weird, whatever, let it wash over them. I think

1150
00:54:50,680 --> 00:54:52,959
Speaker 4: if we didn't talk about it. So I'm nervous about

1151
00:54:52,960 --> 00:54:53,400
Speaker 4: releasing this.

1152
00:54:53,480 --> 00:54:53,960
Speaker 1: I think if we.

1153
00:54:53,960 --> 00:54:57,520
Speaker 4: Don't mention it before the movie comes out, that a

1154
00:54:57,520 --> 00:55:00,040
Speaker 4: lot of people won't even occur to them, as it

1155
00:55:00,080 --> 00:55:01,120
Speaker 4: had not occurred to you.

1156
00:55:01,920 --> 00:55:04,319
Speaker 5: But I I something was off. I did tell you

1157
00:55:04,360 --> 00:55:10,000
Speaker 5: that something while you were yes, and it's I don't think.

1158
00:55:10,200 --> 00:55:12,160
Speaker 5: I don't know if the ball that you're describing is

1159
00:55:12,200 --> 00:55:14,320
Speaker 5: gonna work, but I think it needs to be different.

1160
00:55:14,320 --> 00:55:16,600
Speaker 4: Well, if you two have two different ideas of what

1161
00:55:17,000 --> 00:55:20,000
Speaker 4: the ball would need to be to fix it, then

1162
00:55:20,000 --> 00:55:22,959
Speaker 4: we're in the same situation where everybody's gonna have a problem.

1163
00:55:22,640 --> 00:55:24,399
Speaker 2: With some you know, bowling ball.

1164
00:55:25,640 --> 00:55:29,480
Speaker 1: It's funny, comedy movie, it's funny.

1165
00:55:30,000 --> 00:55:31,080
Speaker 3: It should be funny.

1166
00:55:31,560 --> 00:55:33,480
Speaker 4: Paddle would have to be almost like a trampoline or

1167
00:55:33,520 --> 00:55:43,960
Speaker 4: something that'd.

1168
00:55:38,960 --> 00:55:40,000
Speaker 2: Be really funny.

1169
00:55:40,840 --> 00:55:43,560
Speaker 1: The battle is a big trampoline.

1170
00:55:44,520 --> 00:55:45,160
Speaker 2: Holy ship.

1171
00:55:46,560 --> 00:55:49,840
Speaker 1: The ball is shooting a bowling ball, isn't it. Yeah,

1172
00:55:51,880 --> 00:55:52,720
Speaker 1: that's really funny.

1173
00:55:53,360 --> 00:55:59,719
Speaker 2: That's really dangerous if you shoot it, though, but it.

1174
00:55:59,640 --> 00:56:01,160
Speaker 1: Does have holes in it.

1175
00:56:01,160 --> 00:56:03,080
Speaker 5: It already has the foles, so you don't need to

1176
00:56:03,080 --> 00:56:05,800
Speaker 5: shoot them.

1177
00:56:06,239 --> 00:56:07,200
Speaker 3: You think about it.

1178
00:56:07,600 --> 00:56:08,280
Speaker 2: He is thinking.

1179
00:56:09,800 --> 00:56:12,160
Speaker 1: So he's clearly thinking, and are we leaving the cast?

1180
00:56:12,200 --> 00:56:15,600
Speaker 3: In that case, they'd have to be more bowling guys.

1181
00:56:17,719 --> 00:56:22,120
Speaker 2: I agree on having Andy Roddick in there. Talking about

1182
00:56:22,120 --> 00:56:25,359
Speaker 2: a game where you're using trampolines to shoot bowling balls

1183
00:56:25,400 --> 00:56:28,759
Speaker 2: back and forth is not going to read as as much.

1184
00:56:30,200 --> 00:56:32,040
Speaker 1: But who are we getting?

1185
00:56:32,040 --> 00:56:36,040
Speaker 3: Then we're getting the big the big Lebaski I