1 00:00:02,160 --> 00:00:04,559 Speaker 1: What's up its lip service. I'm Angela yee, I'm g 2 00:00:04,680 --> 00:00:13,160 Speaker 1: g McGuire, I'm Stephanie in Santiago and this thing returning 3 00:00:13,200 --> 00:00:18,079 Speaker 1: guest but never together separately. Yeah, this is the first. Yeah, 4 00:00:18,320 --> 00:00:20,840 Speaker 1: spend a minute. I know. Well, it's great to see 5 00:00:20,880 --> 00:00:23,159 Speaker 1: you. You You look amazing. Thank you. Yes, that's good to 6 00:00:23,160 --> 00:00:26,880 Speaker 1: see out too. I miss y'all. And you've got this 7 00:00:26,920 --> 00:00:30,680 Speaker 1: exciting new project, pillow Talk. Yes, my new album, y'all, 8 00:00:30,720 --> 00:00:34,440 Speaker 1: Pillow Talk executive for those by hit Maker. Not the 9 00:00:34,479 --> 00:00:37,120 Speaker 1: first time either, huh, not the first time. This is 10 00:00:37,120 --> 00:00:41,280 Speaker 1: our second album, and I'm super excited about it. Okay, 11 00:00:41,680 --> 00:00:45,839 Speaker 1: So what made you decide we gotta go back in again? Um? 12 00:00:45,880 --> 00:00:47,320 Speaker 1: I think it was just the way, you know, the 13 00:00:47,360 --> 00:00:49,879 Speaker 1: first album hit heat at a moment that dropped last 14 00:00:49,920 --> 00:00:52,800 Speaker 1: year last summer. We caught away off it. You know, 15 00:00:52,840 --> 00:00:55,400 Speaker 1: the response was really good. And of course you know, 16 00:00:55,400 --> 00:00:57,720 Speaker 1: I'm an empire, so it's just organic. We're in the 17 00:00:57,760 --> 00:01:00,560 Speaker 1: same building, you know, on the same team. I'm like, 18 00:01:00,680 --> 00:01:05,080 Speaker 1: let's keep it going. Shout out to Empire, Shout out 19 00:01:05,120 --> 00:01:08,080 Speaker 1: the Empire. So we saw that you guys confirmed that 20 00:01:08,120 --> 00:01:12,280 Speaker 1: you're in a relationship. Is that you are false? No? 21 00:01:12,400 --> 00:01:15,680 Speaker 1: I don't think we confirmed that ever. You confirmed that. 22 00:01:16,880 --> 00:01:21,479 Speaker 1: I saw some headlines when it happened. Really, I mean 23 00:01:22,040 --> 00:01:27,200 Speaker 1: a ship though it's for real, uh me and me 24 00:01:27,240 --> 00:01:29,800 Speaker 1: and think like we like this, Like you know what 25 00:01:29,880 --> 00:01:31,479 Speaker 1: I'm saying, Like I think that a lot of people 26 00:01:31,520 --> 00:01:34,520 Speaker 1: put values and titles into different things or whatever. But 27 00:01:34,640 --> 00:01:36,880 Speaker 1: I mean we were best friends. We do everything together, 28 00:01:37,000 --> 00:01:39,640 Speaker 1: we talk about everything together, talk on phone, fileurs, and 29 00:01:39,680 --> 00:01:42,600 Speaker 1: we got a real personal relationship that's bigger than the 30 00:01:42,680 --> 00:01:45,840 Speaker 1: business as well. And I think that our person relationship 31 00:01:45,880 --> 00:01:47,520 Speaker 1: feeds into the business. So you know what I'm saying, 32 00:01:47,560 --> 00:01:50,800 Speaker 1: But I don't. I just think that just super close 33 00:01:50,840 --> 00:01:53,240 Speaker 1: I locked in for really, I think that's what that was. 34 00:01:53,440 --> 00:01:55,760 Speaker 1: I had made a post I think like last year, 35 00:01:55,880 --> 00:01:58,760 Speaker 1: last December, and I put a caption locked in. We 36 00:01:58,800 --> 00:02:00,920 Speaker 1: was in the studio, So I think that kind of 37 00:02:00,960 --> 00:02:03,120 Speaker 1: like made it look like he was locked in the studio. 38 00:02:03,200 --> 00:02:05,000 Speaker 1: That's where I was like, you know, they're gonnasume whatever, 39 00:02:05,040 --> 00:02:07,840 Speaker 1: they won't go it was locked in. The explanation maybe 40 00:02:07,880 --> 00:02:11,400 Speaker 1: seem like it's more than just business though this is 41 00:02:11,440 --> 00:02:13,360 Speaker 1: my dog. I don't even think, like, to be honest 42 00:02:13,400 --> 00:02:16,280 Speaker 1: with you, even from the executive level, with just like 43 00:02:16,360 --> 00:02:18,560 Speaker 1: being in the game so long or whatever. I always 44 00:02:18,560 --> 00:02:22,000 Speaker 1: think that women should kind of like unless they really 45 00:02:22,040 --> 00:02:24,000 Speaker 1: they're like, they should always be available. You know what 46 00:02:24,040 --> 00:02:26,040 Speaker 1: I'm saying. They have to be someone's fantasy. You know 47 00:02:26,080 --> 00:02:28,080 Speaker 1: what I'm saying, like from a being perspective and just 48 00:02:28,120 --> 00:02:31,320 Speaker 1: to be open with that. But I'm honestly like, man, 49 00:02:31,400 --> 00:02:34,520 Speaker 1: like you just two women have to always be available. 50 00:02:34,520 --> 00:02:36,560 Speaker 1: I want to get your opinion tent because I always 51 00:02:36,560 --> 00:02:39,320 Speaker 1: tell him it's not really like that to me these days, 52 00:02:39,360 --> 00:02:41,760 Speaker 1: I think like people like to see who you're talking to, 53 00:02:42,280 --> 00:02:44,240 Speaker 1: or they like to kind of like follow you, follow 54 00:02:44,280 --> 00:02:47,000 Speaker 1: along with your lifestyle. I agree with that person. It 55 00:02:47,000 --> 00:02:48,720 Speaker 1: ain't gonna stap no guy from trying to talk to her, 56 00:02:49,360 --> 00:02:53,720 Speaker 1: for sure. Respect to be honest, sometimes men want you more, 57 00:02:52,600 --> 00:02:56,200 Speaker 1: and that's what I was coming with. But I do 58 00:02:56,360 --> 00:02:59,080 Speaker 1: understand that that perspective though, like you want to make 59 00:02:59,120 --> 00:03:01,960 Speaker 1: sure that you know men can still like fantasize about you. 60 00:03:02,160 --> 00:03:03,520 Speaker 1: That's still a fact. I don't know if you heard 61 00:03:03,560 --> 00:03:14,320 Speaker 1: cat Standard, Yeah, yeah with that free and not Beyonce. Yeah, 62 00:03:14,480 --> 00:03:18,679 Speaker 1: he talked about a few people she's married. Yeah, that's 63 00:03:18,680 --> 00:03:21,040 Speaker 1: even crazier of being married and like taking your shot, 64 00:03:21,440 --> 00:03:23,919 Speaker 1: he bowled. Yeah, yeah, but I don't think you being 65 00:03:23,960 --> 00:03:28,200 Speaker 1: somebody's wife is gonna stop anything from I agree. Yeah, 66 00:03:28,440 --> 00:03:31,040 Speaker 1: I think it's interesting to me. You think it's different 67 00:03:31,080 --> 00:03:33,240 Speaker 1: for guys, Like for a guy to be openly in 68 00:03:33,280 --> 00:03:36,520 Speaker 1: a relationship, You think that that shouldn't happen, Like should 69 00:03:36,600 --> 00:03:41,480 Speaker 1: y'all be available to Huh that's right. I think me 70 00:03:41,560 --> 00:03:44,120 Speaker 1: and always available because Nick is just ain't ship, you know. 71 00:03:44,200 --> 00:03:50,120 Speaker 1: But yeah, that's that's an honest answer. You know, I don't. 72 00:03:50,960 --> 00:03:52,360 Speaker 1: Last time he was on here, one of the first 73 00:03:52,400 --> 00:03:53,520 Speaker 1: things to be had, she was when are you going 74 00:03:53,560 --> 00:03:56,400 Speaker 1: to find a nice girl? And what I told y'all 75 00:03:56,440 --> 00:04:03,280 Speaker 1: never probably not. You still feel that way? Uh uh? 76 00:04:03,480 --> 00:04:05,760 Speaker 1: Now see, like I mean, as you get older, you 77 00:04:05,800 --> 00:04:08,760 Speaker 1: get this fine um different things like I worked so 78 00:04:08,840 --> 00:04:12,600 Speaker 1: hard to reinvent myself and like I had no personal life. No, 79 00:04:12,800 --> 00:04:14,880 Speaker 1: I have no kids, I have no nothing. That just 80 00:04:15,000 --> 00:04:17,440 Speaker 1: like drives it. Now I'm at a certain level to 81 00:04:17,480 --> 00:04:19,640 Speaker 1: where I'm at an elevated level and I've accomplished some 82 00:04:19,680 --> 00:04:21,280 Speaker 1: of the things that I set out to accomplish, and 83 00:04:21,480 --> 00:04:23,840 Speaker 1: it's more so like damn, like you're missing out on that. 84 00:04:23,920 --> 00:04:26,960 Speaker 1: So some days I'm like super into like, man, Damn, 85 00:04:27,000 --> 00:04:28,120 Speaker 1: I want to have a kid. I want to have 86 00:04:28,200 --> 00:04:29,840 Speaker 1: a baby. I want to do this than the third. 87 00:04:29,839 --> 00:04:32,760 Speaker 1: But then other days it's like, man, like, hell, when 88 00:04:32,760 --> 00:04:34,839 Speaker 1: you get this, you know what I'm saying, see more 89 00:04:34,880 --> 00:04:36,760 Speaker 1: things and feel like you're still on your journey to 90 00:04:36,800 --> 00:04:39,200 Speaker 1: take it to where you want to take it. Yeah, 91 00:04:39,200 --> 00:04:40,599 Speaker 1: and I think when you have a lot more to 92 00:04:40,640 --> 00:04:42,920 Speaker 1: lose to you know what I'm saying, when you get 93 00:04:42,960 --> 00:04:45,839 Speaker 1: to a certain point where you're life and it's different though, 94 00:04:45,880 --> 00:04:48,120 Speaker 1: So imagine like all y'all ladies just like press the 95 00:04:48,160 --> 00:04:50,559 Speaker 1: reset button. Every lady that's in here just said poop. 96 00:04:50,640 --> 00:04:52,520 Speaker 1: I don't got no nigga no more. I'm nothing. I'm 97 00:04:52,520 --> 00:04:55,440 Speaker 1: starting from scratch. And then you're meeting people are meeting 98 00:04:55,440 --> 00:04:57,440 Speaker 1: you at an elevated level, so it's hard to see 99 00:04:57,440 --> 00:05:00,080 Speaker 1: what their true intentions are based on that that you 100 00:05:00,200 --> 00:05:03,120 Speaker 1: come across a rare situation where somebody's on the same 101 00:05:03,160 --> 00:05:05,440 Speaker 1: playing field as you. They understand how you move, they 102 00:05:05,560 --> 00:05:08,360 Speaker 1: understand what's going on. But that's my only like thing 103 00:05:08,440 --> 00:05:11,680 Speaker 1: as a man to be like, damn, Like, you don't 104 00:05:11,680 --> 00:05:13,919 Speaker 1: really like me, you just like what the perception of 105 00:05:14,560 --> 00:05:16,600 Speaker 1: what you see of me. You know, but don't you 106 00:05:16,600 --> 00:05:20,960 Speaker 1: think it's possible though, Yeah, exactly, it's possible. I think 107 00:05:21,000 --> 00:05:24,400 Speaker 1: you used to a certain type, and I think you 108 00:05:24,440 --> 00:05:29,160 Speaker 1: know in the industry a long time, but you didn't 109 00:05:29,160 --> 00:05:31,760 Speaker 1: see more ship, So I think you just used to 110 00:05:31,760 --> 00:05:34,480 Speaker 1: a certain type. Yeah, I'm feeling like I'm getting beat 111 00:05:34,520 --> 00:05:40,200 Speaker 1: up in this one. You Like, I got to say 112 00:05:40,360 --> 00:05:43,040 Speaker 1: some sometimes I feel like I have days that I'm like, oh, 113 00:05:43,080 --> 00:05:45,680 Speaker 1: I want to have another baby and and I want 114 00:05:45,680 --> 00:05:47,880 Speaker 1: to be when with a man and I need love, 115 00:05:48,279 --> 00:05:51,479 Speaker 1: And then other days I'm just like, oh, imagine that, 116 00:05:52,120 --> 00:05:53,760 Speaker 1: you know what. I just did this panel and the 117 00:05:53,880 --> 00:05:58,760 Speaker 1: question that changed was like, what is your ideal life? Right? 118 00:05:59,160 --> 00:06:01,560 Speaker 1: And so it's just because like the other two women 119 00:06:01,600 --> 00:06:04,160 Speaker 1: were there, they were like, you know, your husband, this 120 00:06:04,160 --> 00:06:06,040 Speaker 1: is and that, and I didn't even think about that. 121 00:06:06,520 --> 00:06:12,719 Speaker 1: It wasn't Your answer was not like Kiel, I don't 122 00:06:12,800 --> 00:06:15,760 Speaker 1: feel like sometimes it doesn't cross your mind that you 123 00:06:15,760 --> 00:06:17,719 Speaker 1: want to get married. I think I could not get 124 00:06:17,720 --> 00:06:21,200 Speaker 1: married and be happily with somebody. Yeah, yeah, yeah, I 125 00:06:21,200 --> 00:06:23,640 Speaker 1: feel the same way. Yeah, I feel that, but I'm 126 00:06:23,720 --> 00:06:25,720 Speaker 1: that still on my list. Yeah, and I'm not I'm 127 00:06:25,760 --> 00:06:29,360 Speaker 1: not marriage you'll at all. What's going is I'll be 128 00:06:29,400 --> 00:06:32,720 Speaker 1: like dream wedding. Like I was just watching Fiance one 129 00:06:32,800 --> 00:06:37,240 Speaker 1: night and everybody got married. I did not. I have 130 00:06:37,320 --> 00:06:39,839 Speaker 1: been there, you know, the one girl's always talking her 131 00:06:39,880 --> 00:06:42,760 Speaker 1: dream wedding right, And I was just like thinking, like, dang, 132 00:06:43,120 --> 00:06:45,640 Speaker 1: I really could care less, couldn't care less about actually 133 00:06:45,680 --> 00:06:48,080 Speaker 1: getting married, but just the wedding is like I would 134 00:06:48,160 --> 00:06:56,599 Speaker 1: love my way that moment, but I'm not that the rain. 135 00:06:56,880 --> 00:07:02,080 Speaker 1: And I don't like the business behind marriage, especially these days, 136 00:07:02,080 --> 00:07:06,320 Speaker 1: and especially with the caliber you worry about you should 137 00:07:06,360 --> 00:07:10,160 Speaker 1: be okay, you got to worry about pre nups and 138 00:07:10,160 --> 00:07:13,680 Speaker 1: and all of the you know business. Is that offensive 139 00:07:13,760 --> 00:07:16,560 Speaker 1: to take to the women that's sitting here? What do 140 00:07:16,600 --> 00:07:20,000 Speaker 1: you think? I don't think it's offensive. But at the 141 00:07:20,080 --> 00:07:22,520 Speaker 1: same time, like man, by the time you're married, you 142 00:07:22,520 --> 00:07:25,600 Speaker 1: want to trust your partner enough to have like faith 143 00:07:25,600 --> 00:07:27,440 Speaker 1: that they ain't gonna be on a bullshit about money. 144 00:07:28,120 --> 00:07:30,480 Speaker 1: It's not offensive about get it. But at the same time, 145 00:07:30,600 --> 00:07:32,200 Speaker 1: like you gotta find that right one. So you're not 146 00:07:32,240 --> 00:07:34,400 Speaker 1: even thinking that deep. To me, I think it depends 147 00:07:34,440 --> 00:07:36,120 Speaker 1: on what's in it too, right, because you can make 148 00:07:36,120 --> 00:07:37,760 Speaker 1: a preenup say whatever it is that you want to 149 00:07:37,760 --> 00:07:40,360 Speaker 1: say you can proboust. You don't trust me, like you 150 00:07:40,400 --> 00:07:42,360 Speaker 1: think I'm gonna go bad on you, But then he 151 00:07:42,400 --> 00:07:43,760 Speaker 1: could go bad on you, and then you could you 152 00:07:43,760 --> 00:07:45,040 Speaker 1: know what I'm saying, because you could put in a 153 00:07:45,080 --> 00:07:50,400 Speaker 1: prenup another bit. Then I get what I think when 154 00:07:50,440 --> 00:07:55,160 Speaker 1: I get married. I think even when you get married, 155 00:07:55,160 --> 00:07:57,800 Speaker 1: you're gonna want a prenup really, yeah, because but I 156 00:07:57,800 --> 00:07:59,800 Speaker 1: don't return it though, Like I feel like, man, it's 157 00:07:59,840 --> 00:08:02,440 Speaker 1: like I'm kind of set myself up, like it's almost 158 00:08:02,480 --> 00:08:05,559 Speaker 1: like you just you're not really confident in it. Yeah. 159 00:08:05,760 --> 00:08:08,520 Speaker 1: But I think even when you started business, right, you 160 00:08:08,560 --> 00:08:10,680 Speaker 1: have to put in place things that because it is 161 00:08:10,680 --> 00:08:13,560 Speaker 1: a business situation once you decide to legally get married, 162 00:08:13,560 --> 00:08:15,200 Speaker 1: and it's for your own protection in the long round, 163 00:08:15,280 --> 00:08:17,400 Speaker 1: and you can't feel like you never want your business 164 00:08:17,400 --> 00:08:19,960 Speaker 1: to fail, but you put things in place just in 165 00:08:20,000 --> 00:08:24,520 Speaker 1: case business. That's true, And that's where I coming from. 166 00:08:24,560 --> 00:08:26,440 Speaker 1: I'm looking at it as a as a little pet 167 00:08:26,520 --> 00:08:39,440 Speaker 1: maker's I don't want to, but that's what I'm saying, 168 00:08:39,520 --> 00:08:42,440 Speaker 1: Like whatsover that means your marriage built off one thing 169 00:08:42,720 --> 00:08:44,440 Speaker 1: or you know, it's supposed to be life for death, 170 00:08:44,440 --> 00:08:56,880 Speaker 1: so sickness. Now if you're out. We might have to 171 00:08:56,920 --> 00:09:00,880 Speaker 1: have some type of agreement. See her pup's crazy. Her 172 00:09:00,920 --> 00:09:03,600 Speaker 1: friend might have to because put you one of woman 173 00:09:03,640 --> 00:09:06,600 Speaker 1: to stay with you if you can't have sex. That's 174 00:09:06,640 --> 00:09:09,760 Speaker 1: kind of selfish. Yeah, that is so it depending on 175 00:09:09,760 --> 00:09:12,640 Speaker 1: what the terms of that is. Like if somebody getting 176 00:09:12,640 --> 00:09:14,520 Speaker 1: to a freak accident or something like that, in me, 177 00:09:14,960 --> 00:09:17,000 Speaker 1: they paralyzed from the waist down or something. You know 178 00:09:17,000 --> 00:09:18,920 Speaker 1: what I'm saying, God for bid to anybody that's listening, 179 00:09:19,440 --> 00:09:22,560 Speaker 1: Like that's kind of like you said, for better for worse, 180 00:09:22,679 --> 00:09:25,320 Speaker 1: Like it wasn't like I wouldn't did something or some 181 00:09:25,400 --> 00:09:27,120 Speaker 1: bit cut off my dick or something like that. Now 182 00:09:27,120 --> 00:09:33,520 Speaker 1: I don't have She's like she better sit something like 183 00:09:33,559 --> 00:09:39,440 Speaker 1: that or something like that. Sometimes anyway, you gotta stand 184 00:09:39,440 --> 00:09:41,800 Speaker 1: on love in your marriage. If not that she's not 185 00:09:41,800 --> 00:09:43,760 Speaker 1: gonna work. It could be all type of freak accidents 186 00:09:43,840 --> 00:09:48,920 Speaker 1: or anything can possibly happens. The real things is stopped 187 00:09:48,920 --> 00:09:57,559 Speaker 1: working that you brought it up. Are you okay with that? Um? 188 00:09:57,880 --> 00:09:59,480 Speaker 1: If I was locked in like that, I would have 189 00:09:59,520 --> 00:10:01,600 Speaker 1: to be like we would have to make something shape 190 00:10:01,679 --> 00:10:06,680 Speaker 1: for real, for real, Yeah, shaking that. I want to 191 00:10:06,679 --> 00:10:13,440 Speaker 1: get married in jack off that is ways around everything. 192 00:10:13,559 --> 00:10:15,080 Speaker 1: I like, I like how you said that, though, Like 193 00:10:15,280 --> 00:10:19,200 Speaker 1: I'm going to make something something work. That's not marriage. 194 00:10:18,559 --> 00:10:22,960 Speaker 1: That pass, that plass is crazy. That's a lifetime hall pass. 195 00:10:23,760 --> 00:10:29,200 Speaker 1: Cheating a non negotiable, Hell no, I can't. You gotta 196 00:10:29,200 --> 00:10:32,679 Speaker 1: be a negotiable. People always slip up that. Well, this 197 00:10:32,760 --> 00:10:36,560 Speaker 1: is a perspective man, for sure. This is just a 198 00:10:36,559 --> 00:10:40,120 Speaker 1: male perspective. So I think that y'all, um, y'all from y'all, 199 00:10:40,120 --> 00:10:43,400 Speaker 1: and I think that, um, I think that men just 200 00:10:43,440 --> 00:10:45,560 Speaker 1: think what they dick sometimes and they just use it 201 00:10:45,720 --> 00:10:47,800 Speaker 1: and it's not as much passion and it's not as 202 00:10:47,880 --> 00:10:50,640 Speaker 1: much thought process that goes behind a woman actually cheating. 203 00:10:51,000 --> 00:10:53,440 Speaker 1: If a woman cheats, she has a different regard about it. 204 00:10:53,440 --> 00:10:57,000 Speaker 1: It's more internal than external or whatever. And it's I 205 00:10:57,000 --> 00:11:00,880 Speaker 1: think that's a me thought like it's always the answer 206 00:11:00,920 --> 00:11:04,280 Speaker 1: to man, do y'all only cheat and put a lot 207 00:11:04,320 --> 00:11:06,000 Speaker 1: of thought into it, and it's deeper than that. Or 208 00:11:06,440 --> 00:11:11,080 Speaker 1: see women sometimes just sometimes women have one nice thing 209 00:11:12,400 --> 00:11:15,920 Speaker 1: you see that print, we'd be like, oh, let that 210 00:11:16,000 --> 00:11:21,720 Speaker 1: for them. You see them great. But so he's like, man, 211 00:11:21,840 --> 00:11:23,640 Speaker 1: cheat At the same time, you're not gonna cheat with 212 00:11:23,760 --> 00:11:26,360 Speaker 1: as anybody you start, you have to start some type 213 00:11:26,360 --> 00:11:29,880 Speaker 1: of connection to me. Even if it's just getting her number, 214 00:11:29,880 --> 00:11:32,720 Speaker 1: that's shipping, Even if it's just where you're staying tonight. 215 00:11:32,880 --> 00:11:34,640 Speaker 1: You're not just gonna meet somebody on the street and 216 00:11:34,840 --> 00:11:37,000 Speaker 1: hit him the same day. I know, mostly are not. 217 00:11:38,280 --> 00:11:40,720 Speaker 1: It's gonna be something like the next year. I don't know. 218 00:11:40,720 --> 00:11:42,719 Speaker 1: I don't think so. Yeah, I think I got a 219 00:11:42,720 --> 00:11:46,000 Speaker 1: starting at a starting level. You know, you gotta be 220 00:11:46,040 --> 00:11:49,520 Speaker 1: a little careful. Well, mak it. How has your selection changed, 221 00:11:49,559 --> 00:11:51,520 Speaker 1: as you said, You've matured and got to change at 222 00:11:51,559 --> 00:11:56,040 Speaker 1: some point your selection process changed. Um, it's just more 223 00:11:55,880 --> 00:11:58,440 Speaker 1: more more thought out, as she was saying, and just 224 00:11:58,600 --> 00:12:01,000 Speaker 1: like trying to feel you're out, you know what I'm saying. 225 00:12:01,000 --> 00:12:03,840 Speaker 1: How to navigate through through different things and different personalities, 226 00:12:03,880 --> 00:12:05,800 Speaker 1: you know what I'm saying. And if you decide to 227 00:12:05,800 --> 00:12:08,080 Speaker 1: do that for me personally, I'm so locked in on 228 00:12:08,120 --> 00:12:10,120 Speaker 1: my music and everything I'm doing it, I really on 229 00:12:10,160 --> 00:12:12,360 Speaker 1: that time to really be like going crazy and crazy 230 00:12:12,360 --> 00:12:15,719 Speaker 1: and like are doing anything that's like super and wilder outrageous. 231 00:12:15,960 --> 00:12:17,520 Speaker 1: I feel like with women, you've been through a lot 232 00:12:17,520 --> 00:12:23,000 Speaker 1: of ship too, like me with women. Um, yeah, but 233 00:12:23,120 --> 00:12:25,480 Speaker 1: this is what the thing is with me, it's it's 234 00:12:25,520 --> 00:12:28,200 Speaker 1: fun up things that happened. But in hindsight, sitting here 235 00:12:28,240 --> 00:12:30,319 Speaker 1: at this chair right now, it's like you've just been 236 00:12:30,360 --> 00:12:32,440 Speaker 1: able to experience things like that because I've been in 237 00:12:32,559 --> 00:12:34,520 Speaker 1: the music business for so long and I've been able 238 00:12:34,559 --> 00:12:37,079 Speaker 1: to maintain a certain relevancy into the game to where 239 00:12:37,120 --> 00:12:39,760 Speaker 1: like I've been in it for twenty years. So like 240 00:12:39,880 --> 00:12:42,240 Speaker 1: I really grew up in front of everything, so all 241 00:12:42,360 --> 00:12:44,559 Speaker 1: my mistakes were on front blasts and front page to 242 00:12:44,600 --> 00:12:47,400 Speaker 1: see what just different women. But I mean as as 243 00:12:47,440 --> 00:12:49,720 Speaker 1: the older as I grow, like just learning more and 244 00:12:49,800 --> 00:12:51,880 Speaker 1: just trying to not make the same mistakes. Was you 245 00:12:51,880 --> 00:12:53,760 Speaker 1: know what I'm saying, it's the key, Yeah, but I'm saying, 246 00:12:53,760 --> 00:12:56,880 Speaker 1: but so how is that like even that unfortunate incident 247 00:12:56,920 --> 00:12:59,240 Speaker 1: at the house, you know what I'm saying, So like, 248 00:12:59,280 --> 00:13:01,480 Speaker 1: how how does that? How has that changed you when 249 00:13:01,559 --> 00:13:04,280 Speaker 1: it comes to I got PTSD, Like you know what 250 00:13:04,320 --> 00:13:07,480 Speaker 1: I'm saying, Like, even if it's not like on a 251 00:13:07,840 --> 00:13:11,000 Speaker 1: like like a dating or whatever, y'all with lip service 252 00:13:11,200 --> 00:13:13,520 Speaker 1: generally is about it just more like just trust for 253 00:13:13,559 --> 00:13:16,760 Speaker 1: people in general, male female. Because I'm sure it was 254 00:13:16,800 --> 00:13:18,719 Speaker 1: a man that was involved with that as well to 255 00:13:19,000 --> 00:13:21,080 Speaker 1: put her onto that and said that, just do that, 256 00:13:21,120 --> 00:13:22,560 Speaker 1: you know what I'm saying. So it just puts up 257 00:13:22,600 --> 00:13:26,080 Speaker 1: a different wall in a different block for everything. Like 258 00:13:26,120 --> 00:13:27,920 Speaker 1: I just think that everybody is like trying to like 259 00:13:28,360 --> 00:13:30,360 Speaker 1: has alterior motive or taking advantage of you know what 260 00:13:30,360 --> 00:13:32,880 Speaker 1: I'm saying, Well, let's do some this of that with 261 00:13:32,920 --> 00:13:35,719 Speaker 1: you guys. Okay, cool, Okay, So you guys pick which 262 00:13:35,800 --> 00:13:40,760 Speaker 1: when you let you better? Okay, public relationship or private? Private? Private, 263 00:13:42,400 --> 00:13:49,360 Speaker 1: that's a coincidence, like private is always better. Why do 264 00:13:49,400 --> 00:13:53,080 Speaker 1: you say that? Man? People can destroy something really quick, 265 00:13:53,200 --> 00:13:56,280 Speaker 1: Like I don't think people want to see you happy, 266 00:13:56,559 --> 00:13:59,760 Speaker 1: especially and this this day, like drama get the most attention. 267 00:13:59,840 --> 00:14:02,280 Speaker 1: So in this chad, you know, you push your relationship, 268 00:14:02,280 --> 00:14:05,520 Speaker 1: people are gonna start bringing out oh ship, and I 269 00:14:05,520 --> 00:14:07,640 Speaker 1: don't know, it's just come with a less it's it's 270 00:14:07,679 --> 00:14:10,240 Speaker 1: too many eyes looking at Yeah, It's something I heard 271 00:14:10,240 --> 00:14:12,439 Speaker 1: I said before too. It's almost like in this era 272 00:14:12,559 --> 00:14:14,640 Speaker 1: that we're in right now, that gets the toxic era, 273 00:14:15,160 --> 00:14:18,520 Speaker 1: like people prefer to see the entertainer more upset or 274 00:14:18,559 --> 00:14:20,520 Speaker 1: going through some ship, you know what I'm saying, So 275 00:14:20,600 --> 00:14:23,080 Speaker 1: to just being happy and full of Joyan all this 276 00:14:23,160 --> 00:14:25,120 Speaker 1: other ship. It's like, bitchmen, you're gonna be mad again. 277 00:14:25,840 --> 00:14:27,720 Speaker 1: You know what I'm saying, Like they want And that's 278 00:14:27,720 --> 00:14:29,480 Speaker 1: why I think love and hip hop and all that 279 00:14:29,520 --> 00:14:32,560 Speaker 1: other stuff or whatever is like what's really in reality 280 00:14:32,600 --> 00:14:35,280 Speaker 1: shows is because he shows that, like, oh, this person 281 00:14:35,320 --> 00:14:38,600 Speaker 1: I thought was on this type of level the same 282 00:14:38,840 --> 00:14:43,240 Speaker 1: as me. You know what I'm saying, I think entertaining exactly, 283 00:14:44,160 --> 00:14:48,760 Speaker 1: But it's so true that that's our reality right now. Alright, 284 00:14:48,840 --> 00:14:57,880 Speaker 1: sex or the studio moth I listen, no, no, I'm 285 00:14:57,920 --> 00:14:59,560 Speaker 1: gonna pick one. But at the same time, you need 286 00:14:59,560 --> 00:15:02,640 Speaker 1: a balance, like in the studio what we're talking about, 287 00:15:02,840 --> 00:15:04,920 Speaker 1: what our music is. You know, I'm gonna be based 288 00:15:04,920 --> 00:15:11,720 Speaker 1: on studio all right here rather work, And you're like, okay, 289 00:15:12,480 --> 00:15:14,640 Speaker 1: I need you need motivation to go to the studio. 290 00:15:14,840 --> 00:15:16,400 Speaker 1: I think when you put in the work for sex, 291 00:15:16,480 --> 00:15:18,000 Speaker 1: don't come from that. You know what I'm saying. If 292 00:15:18,040 --> 00:15:20,480 Speaker 1: you've got good working like you're successful and you you 293 00:15:20,480 --> 00:15:22,200 Speaker 1: know what I'm saying, you're doing your thing. I think 294 00:15:22,240 --> 00:15:24,600 Speaker 1: that people want you more and that you have more 295 00:15:24,640 --> 00:15:27,240 Speaker 1: opportunity to have sex because of the success that you're 296 00:15:27,280 --> 00:15:33,520 Speaker 1: creating at your work. M M. It's a nice yeah, acious, 297 00:15:34,240 --> 00:15:36,640 Speaker 1: I get that. So, but at the same time, like 298 00:15:36,720 --> 00:15:38,840 Speaker 1: you want to have some motivation, Like I'd like to 299 00:15:38,880 --> 00:15:40,960 Speaker 1: go to the studio when I got something to talk about, 300 00:15:41,240 --> 00:15:47,880 Speaker 1: Like when you're dealing with a man, you know, yeah, 301 00:15:47,920 --> 00:15:51,520 Speaker 1: you need inspiration. What about you and studio or sex. 302 00:15:52,800 --> 00:16:09,320 Speaker 1: I'm not an artist. I'm tired. Girls, I work on 303 00:16:09,600 --> 00:16:11,880 Speaker 1: you work all the time too, so you know, and 304 00:16:11,920 --> 00:16:13,600 Speaker 1: I love being at the studio. I don't get me wrong, 305 00:16:13,800 --> 00:16:16,720 Speaker 1: I'm there a lot all the time. Still be there though, 306 00:16:16,800 --> 00:16:20,120 Speaker 1: you know, yeah, exactly, Like I said, unique inspiration for sure, 307 00:16:20,600 --> 00:16:24,160 Speaker 1: all right, love songs are breakup songs. Break up songs 308 00:16:24,200 --> 00:16:29,200 Speaker 1: for me, clearly love songs. She a man either I 309 00:16:29,200 --> 00:16:31,800 Speaker 1: would love. I love love. But you know she she 310 00:16:31,880 --> 00:16:33,640 Speaker 1: get her vibes off of you know what I'm saying, 311 00:16:33,640 --> 00:16:35,920 Speaker 1: Like she liked that's her venting process. I feel like 312 00:16:35,920 --> 00:16:38,640 Speaker 1: she goes and just whatever she going through, she just 313 00:16:38,720 --> 00:16:42,920 Speaker 1: leaving on the mike. Is that who was trifling about? Trifling? 314 00:16:43,040 --> 00:16:48,080 Speaker 1: Is about all these Yeah? I think I don't think 315 00:16:48,080 --> 00:16:50,640 Speaker 1: I write songs like they can be about a particular person. 316 00:16:50,680 --> 00:16:54,400 Speaker 1: But I'm speaking for the messes like you know, it 317 00:16:54,480 --> 00:16:57,760 Speaker 1: can pertain the three folks because you know, not just 318 00:16:58,200 --> 00:17:03,600 Speaker 1: they all like the song about me exactly so, and 319 00:17:03,640 --> 00:17:06,040 Speaker 1: I feel like for all of us, not you, because 320 00:17:06,080 --> 00:17:09,680 Speaker 1: we're talking about girls, but we've all had like a 321 00:17:09,800 --> 00:17:13,199 Speaker 1: fun boy make you feel a kind of way and 322 00:17:13,280 --> 00:17:15,840 Speaker 1: been like, what the funk am I doing? It's like, 323 00:17:16,320 --> 00:17:18,560 Speaker 1: we don't realize that they fun boys until they do 324 00:17:18,600 --> 00:17:20,639 Speaker 1: some fun boys ship and then it's like, oh, you 325 00:17:20,680 --> 00:17:23,960 Speaker 1: wanted them, so what so what do is some let's 326 00:17:23,960 --> 00:17:33,840 Speaker 1: discuss what that entails. Let's get let's get some examples. Okay, 327 00:17:34,240 --> 00:17:37,919 Speaker 1: but we considered to be funck boy trifling ship. I 328 00:17:37,960 --> 00:17:40,359 Speaker 1: feel like the first thing that comes to mind for 329 00:17:40,400 --> 00:17:43,200 Speaker 1: me is a guy fucking with me and trying to 330 00:17:43,240 --> 00:17:50,000 Speaker 1: talk to one of my friends. Okay, and we're she's 331 00:17:50,040 --> 00:17:53,440 Speaker 1: gonna tell me, bro, we're trying to talk to like 332 00:17:53,560 --> 00:17:58,919 Speaker 1: three of y'all at once, like talk about you. Are 333 00:17:58,960 --> 00:18:01,680 Speaker 1: y'all committed though, like if y'all locked in like or 334 00:18:01,760 --> 00:18:05,400 Speaker 1: y'alln't even matter if you try to just y'all gotta 335 00:18:05,400 --> 00:18:07,520 Speaker 1: space it out. I'm not saying that once you talk 336 00:18:07,600 --> 00:18:12,800 Speaker 1: to one girl, the other one is let's bring it back. 337 00:18:12,920 --> 00:18:14,800 Speaker 1: So we got to have some fun girl ship for 338 00:18:14,800 --> 00:18:22,080 Speaker 1: me or whatever. Tell us we'll go back and forth. 339 00:18:22,359 --> 00:18:25,639 Speaker 1: We'll let you represent. Uh the example she gave, not 340 00:18:25,760 --> 00:18:28,600 Speaker 1: pretending to nobody in this room. But it's very possible 341 00:18:28,880 --> 00:18:31,320 Speaker 1: for you to work in one industry and talk to 342 00:18:31,440 --> 00:18:33,760 Speaker 1: multiple people in the industry. I'm not saying that happened 343 00:18:33,840 --> 00:18:36,480 Speaker 1: yesterday or the day before or two months later. But 344 00:18:37,040 --> 00:18:39,000 Speaker 1: if that's the case, that we are we all friends, 345 00:18:39,040 --> 00:18:41,480 Speaker 1: or at least fake friends to to degree. You know 346 00:18:41,520 --> 00:18:43,240 Speaker 1: what I'm saying, phone kick it with each other to 347 00:18:43,240 --> 00:18:49,160 Speaker 1: a certain extent to where you know, niggas talking. Yeah, 348 00:18:49,840 --> 00:18:52,879 Speaker 1: I feel like our industry because you know I'm I'm 349 00:18:53,000 --> 00:18:56,080 Speaker 1: we date here, you know what I mean? So am 350 00:18:56,080 --> 00:18:59,200 Speaker 1: I saying that you know where everybody's all limits. But 351 00:18:59,240 --> 00:19:01,400 Speaker 1: if you are already sucking with my friends, don't try 352 00:19:01,400 --> 00:19:04,040 Speaker 1: to talk to me. Your chance it's really low because 353 00:19:04,080 --> 00:19:08,720 Speaker 1: you know, sometimes guys could be a pass around. No, 354 00:19:08,880 --> 00:19:10,760 Speaker 1: but we already spoke about that. If that's the case, 355 00:19:11,840 --> 00:19:14,920 Speaker 1: So girl, you need to do that. That's something that's 356 00:19:14,920 --> 00:19:19,160 Speaker 1: a good How when he's a pass around? How How 357 00:19:19,160 --> 00:19:21,280 Speaker 1: does the guy know when he's a pass around? Because 358 00:19:21,359 --> 00:19:23,600 Speaker 1: we know who's the pass around, But how do they 359 00:19:23,640 --> 00:19:25,520 Speaker 1: know because maybe a guy is trying to talk to 360 00:19:25,600 --> 00:19:28,800 Speaker 1: both friends because he thinks he's a pass around. I 361 00:19:28,840 --> 00:19:34,160 Speaker 1: mean I don't think they care. I mean I think 362 00:19:34,160 --> 00:19:37,440 Speaker 1: they'd be incident. It makes him feel like it makes 363 00:19:37,520 --> 00:19:43,000 Speaker 1: him feel like powerful. Like it's negative for women, but 364 00:19:43,040 --> 00:19:45,560 Speaker 1: it's like for men, they like pass me around. Not 365 00:19:45,720 --> 00:19:48,200 Speaker 1: but not all guys. But you know, some girls catch 366 00:19:48,280 --> 00:19:51,399 Speaker 1: feelings for certain guys even if they could be a 367 00:19:51,400 --> 00:19:55,560 Speaker 1: pass around captain don't know woman in here one a 368 00:19:55,600 --> 00:19:58,080 Speaker 1: man that's not desirable to know other women. No, but 369 00:19:58,160 --> 00:20:01,600 Speaker 1: that's true. But we also for a man who's selected, right, 370 00:20:01,640 --> 00:20:03,240 Speaker 1: because you don't want to talk to a guy that 371 00:20:03,280 --> 00:20:05,960 Speaker 1: will suck anybody talk because that makes you feel like, 372 00:20:06,160 --> 00:20:08,400 Speaker 1: well what if they do not fucking everybody, but they 373 00:20:08,480 --> 00:20:12,359 Speaker 1: just enjoy being around with everybody know, anybody difference and 374 00:20:12,480 --> 00:20:15,720 Speaker 1: everybody and anybody you know. And also yeah, because you 375 00:20:15,720 --> 00:20:17,880 Speaker 1: want your guy, you wanted to feel like, my guys 376 00:20:18,520 --> 00:20:24,440 Speaker 1: not attainable for anybody gonna be just like you that 377 00:20:26,280 --> 00:20:28,640 Speaker 1: me and really honor women that like other niggas can't touch. 378 00:20:28,680 --> 00:20:30,760 Speaker 1: So it's the same for us. We want that same feeling. 379 00:20:31,119 --> 00:20:34,040 Speaker 1: And she's say exclusive untouchable. That makes that make a 380 00:20:34,080 --> 00:20:36,159 Speaker 1: man looks so much to me in my eyes, like 381 00:20:36,240 --> 00:20:40,359 Speaker 1: you look so much, it's so better, Like don't nobody 382 00:20:41,640 --> 00:20:44,240 Speaker 1: I feel like when you're too accessible, even as men 383 00:20:44,320 --> 00:20:46,400 Speaker 1: look at women, when a person is too accessible, it's 384 00:20:46,480 --> 00:20:49,560 Speaker 1: like everybody know about that ship's cat two because all 385 00:20:49,560 --> 00:20:52,040 Speaker 1: these niggers as rappers and singers, they all want to 386 00:20:52,080 --> 00:20:54,080 Speaker 1: have sex with the same girl. As soon as somebody 387 00:20:54,080 --> 00:20:56,640 Speaker 1: break up with somebody, they a d M or it's 388 00:20:56,640 --> 00:20:59,040 Speaker 1: then the third like y'all heard y'all talk about this 389 00:20:59,080 --> 00:21:02,440 Speaker 1: on lip servers before, Like how men or go after 390 00:21:02,560 --> 00:21:05,159 Speaker 1: other women, but not because she's accessible. Maybe because she 391 00:21:05,480 --> 00:21:06,960 Speaker 1: you know, she's on a ship, or she would have 392 00:21:07,160 --> 00:21:08,959 Speaker 1: she would another guy or whatever, But not because she's 393 00:21:08,960 --> 00:21:11,920 Speaker 1: accessible because she sleep on sucking with everybody. Just because 394 00:21:11,920 --> 00:21:13,240 Speaker 1: they're trying to talk to her, don't mean they could 395 00:21:13,280 --> 00:21:17,679 Speaker 1: get her. True, I think everybody is accessible, but not 396 00:21:17,840 --> 00:21:21,040 Speaker 1: like she really go out with you or do, Like 397 00:21:21,119 --> 00:21:23,800 Speaker 1: there's certain people that you know, like I might have tried, 398 00:21:24,119 --> 00:21:27,640 Speaker 1: and you know she didn't bite. I'm with y'all, I'm 399 00:21:27,640 --> 00:21:34,840 Speaker 1: getting out this one. God bless you are out exactly 400 00:21:36,080 --> 00:21:38,840 Speaker 1: how you want to. Because we got the upper hand, 401 00:21:38,880 --> 00:21:41,200 Speaker 1: we can go for days. So let's talk about these trips. 402 00:21:41,200 --> 00:21:42,960 Speaker 1: So why are some other examples of what makes a 403 00:21:43,040 --> 00:21:50,080 Speaker 1: guy a Boy's a lot of things. Lying, the sending off, 404 00:21:50,200 --> 00:21:53,120 Speaker 1: flying is always that the lie, you know What's striffling 405 00:21:53,200 --> 00:21:55,639 Speaker 1: to me though, It's like when the guy kind of 406 00:21:55,640 --> 00:21:59,040 Speaker 1: has like a double life. He playing so like a 407 00:21:59,119 --> 00:22:01,000 Speaker 1: nigga would act one way when he in front of you, 408 00:22:01,160 --> 00:22:03,159 Speaker 1: when he's taking you out, when you meet you, and 409 00:22:03,160 --> 00:22:05,920 Speaker 1: then they canna get around his guys and pretend that 410 00:22:05,960 --> 00:22:08,400 Speaker 1: you know what I'm saying, it's nothing close to it, 411 00:22:09,119 --> 00:22:14,679 Speaker 1: like you know, you just you know nothing, your face exactly. 412 00:22:15,160 --> 00:22:19,119 Speaker 1: That's over here, I love you. I got it right here, 413 00:22:20,320 --> 00:22:26,320 Speaker 1: and that's very traveling, very like that's young. Though I 414 00:22:26,320 --> 00:22:29,000 Speaker 1: feel like that's an immature thing, you know what I'm saying, 415 00:22:29,040 --> 00:22:32,080 Speaker 1: because I think it's it's a man thing, you know 416 00:22:32,080 --> 00:22:34,040 Speaker 1: what I'm saying. Like I say, like nigga's like looking 417 00:22:34,080 --> 00:22:35,800 Speaker 1: like that nigga. So they're not going at when they 418 00:22:35,960 --> 00:22:38,040 Speaker 1: love guys go crying in front of you and then 419 00:22:38,600 --> 00:22:40,600 Speaker 1: cry on the phone to you. You know what I'm 420 00:22:40,640 --> 00:22:45,880 Speaker 1: trying to say, Yeah, like you're triving on you can't 421 00:22:45,880 --> 00:22:50,840 Speaker 1: stand on it, teak. Another one is a guideline about 422 00:22:50,880 --> 00:22:56,240 Speaker 1: how much money he makes his lifestyle, sharing sharing, going 423 00:22:56,359 --> 00:23:04,520 Speaker 1: to his house and wearing their sneakers, that you know 424 00:23:04,840 --> 00:23:07,360 Speaker 1: that you're really in the lifestyle. You only wear outfit 425 00:23:07,480 --> 00:23:11,240 Speaker 1: once maybe twice, so you get I'll be wearing my 426 00:23:11,800 --> 00:23:15,600 Speaker 1: favorite but I feel you. But you know, the guy 427 00:23:15,960 --> 00:23:19,280 Speaker 1: put it on the ground. It's like that you he 428 00:23:19,560 --> 00:23:23,280 Speaker 1: in the club wearing Chris Brown's watch because he's in 429 00:23:23,359 --> 00:23:26,520 Speaker 1: the crew. He man, my guys, I love Chris Brown 430 00:23:30,840 --> 00:23:33,879 Speaker 1: because you know, because Chris might have been its frying 431 00:23:33,960 --> 00:23:37,040 Speaker 1: and to watch. But but then but look this what's 432 00:23:37,080 --> 00:23:39,480 Speaker 1: sucked up to On the other hand, from the men standpoint, 433 00:23:39,760 --> 00:23:41,960 Speaker 1: So if you are a guy that's in that level 434 00:23:42,040 --> 00:23:43,600 Speaker 1: and that has a bunch of Jerry and a bunch 435 00:23:43,640 --> 00:23:45,840 Speaker 1: of things, and your boy ain't shining like that or whatever, 436 00:23:45,880 --> 00:23:48,119 Speaker 1: you want to see your nigger shine. So he might 437 00:23:48,200 --> 00:23:50,240 Speaker 1: not even ask for the watch or whatever. But it 438 00:23:50,320 --> 00:23:53,119 Speaker 1: was like, yo, come on, I want you to be 439 00:23:53,240 --> 00:23:56,080 Speaker 1: in this big naked you know, rather, but that's a guy. 440 00:23:56,119 --> 00:23:59,200 Speaker 1: Wouldn't you be like, I'm good? Exactly. It's a problem. 441 00:23:59,440 --> 00:24:01,920 Speaker 1: Nigga's start in the less like to them like like 442 00:24:02,040 --> 00:24:04,359 Speaker 1: I bought this ship. They're trying to get away out 443 00:24:05,200 --> 00:24:09,800 Speaker 1: make it different in the sky like like that. You know, 444 00:24:09,880 --> 00:24:12,040 Speaker 1: they're posting it like it's theirs. You know that that 445 00:24:12,160 --> 00:24:14,760 Speaker 1: kind of changed, and they'd be like like, well, I 446 00:24:14,800 --> 00:24:16,560 Speaker 1: don't go out often, but if I was to go 447 00:24:16,640 --> 00:24:18,760 Speaker 1: out or we somewhere and I have a lot of 448 00:24:18,800 --> 00:24:21,840 Speaker 1: stuff or whatever, I would definitely want my niggas because 449 00:24:21,880 --> 00:24:24,240 Speaker 1: in the eyes of the guy, it's like, we want 450 00:24:24,280 --> 00:24:26,600 Speaker 1: I want to look like we all bosses around each other, 451 00:24:26,720 --> 00:24:28,840 Speaker 1: so it don't look like I'm treating y'all some different 452 00:24:28,880 --> 00:24:32,399 Speaker 1: type of way or whatever. That type of shop with 453 00:24:32,480 --> 00:24:34,960 Speaker 1: the top one and then don't go out with no prerecords, 454 00:24:35,160 --> 00:24:36,960 Speaker 1: like don't you go tell no buses? That's your watch, 455 00:24:37,119 --> 00:24:45,840 Speaker 1: like somebody else's car, same thing driving your your baby 456 00:24:45,920 --> 00:24:53,280 Speaker 1: mama's car. Yes, that's the real thing, Michael driving up. 457 00:24:53,880 --> 00:24:57,000 Speaker 1: Come on, that's trifling. You can't have no other woman 458 00:24:57,720 --> 00:25:00,600 Speaker 1: and your baby mama car or your woman's car, and 459 00:25:00,840 --> 00:25:04,240 Speaker 1: you can't fuck somebody else in your house if y'all 460 00:25:04,280 --> 00:25:08,280 Speaker 1: lived together, that's why. Yeah. Yeah, that's like your privacy 461 00:25:08,280 --> 00:25:13,840 Speaker 1: save space surprize. That's very trifuling, very trifuling. That's on 462 00:25:13,920 --> 00:25:18,919 Speaker 1: the hide like that happened to me when and how 463 00:25:18,960 --> 00:25:22,000 Speaker 1: did you? How did you take it? So I didn't 464 00:25:22,000 --> 00:25:24,760 Speaker 1: find out tell after, but I could tell. This is 465 00:25:24,800 --> 00:25:27,080 Speaker 1: when I was this is my first job working in 466 00:25:27,119 --> 00:25:29,320 Speaker 1: the industry. I was at work and my ex kept 467 00:25:29,359 --> 00:25:30,760 Speaker 1: calling me while I was at work. I could tell 468 00:25:30,800 --> 00:25:33,600 Speaker 1: he was up to something because um he would kept 469 00:25:33,600 --> 00:25:34,919 Speaker 1: being like, Yo, what you're doing when you come home? 470 00:25:34,920 --> 00:25:36,159 Speaker 1: I was like, he was calling me too much. I 471 00:25:36,280 --> 00:25:38,119 Speaker 1: knew something was going on because it was like he 472 00:25:38,200 --> 00:25:40,880 Speaker 1: kept checking in to see, like what time I'm coming 473 00:25:41,040 --> 00:25:45,000 Speaker 1: show you? Yeah, So I went home early. I just 474 00:25:45,119 --> 00:25:46,600 Speaker 1: left work and I guess he called and they said 475 00:25:46,640 --> 00:25:48,840 Speaker 1: I wasn't there, so he got nervous. When I came home, 476 00:25:48,920 --> 00:25:51,760 Speaker 1: he was holding all the sheets in his arms, going 477 00:25:51,840 --> 00:25:53,719 Speaker 1: to the laundro mat because this is my first department, 478 00:25:53,760 --> 00:25:56,159 Speaker 1: so I didn't have a Washington dyre never again, and 479 00:25:56,320 --> 00:25:58,440 Speaker 1: so he was going to the laundro matter holding the sheets, 480 00:25:58,480 --> 00:26:00,639 Speaker 1: not even in a bag or nothing like, walking down 481 00:26:00,680 --> 00:26:02,399 Speaker 1: the steps. I was like, what are you doing? He 482 00:26:02,520 --> 00:26:03,800 Speaker 1: was like, I'm going to watch the sheees. I was like, 483 00:26:03,840 --> 00:26:09,119 Speaker 1: You've never watched the sheets ever in your life? What 484 00:26:09,240 --> 00:26:11,120 Speaker 1: if he just wanted to make sure that she was fresh, 485 00:26:11,200 --> 00:26:15,560 Speaker 1: you know what I'm saying, Like like she ended up 486 00:26:15,560 --> 00:26:18,480 Speaker 1: talking to the girl later, so but thank you for 487 00:26:18,560 --> 00:26:24,040 Speaker 1: trying to cover him. Look, they always in my younger 488 00:26:24,520 --> 00:26:27,320 Speaker 1: in my younger life, I did that. Like, um, when 489 00:26:27,359 --> 00:26:28,680 Speaker 1: I first got my deal and I had like the 490 00:26:28,760 --> 00:26:30,640 Speaker 1: song Sexy Lady and I was young berg or whatever. 491 00:26:30,680 --> 00:26:32,600 Speaker 1: I was on the screen tour and a girl that 492 00:26:32,640 --> 00:26:35,600 Speaker 1: I was dating at the time or whatever. M I 493 00:26:35,720 --> 00:26:37,560 Speaker 1: was on tour and like my Lesa went up in 494 00:26:37,640 --> 00:26:39,600 Speaker 1: my crib and I was moving into another spot and 495 00:26:39,720 --> 00:26:41,639 Speaker 1: she was like, um, I'm gonna go get your stuff 496 00:26:42,040 --> 00:26:43,439 Speaker 1: for you or whatever, and she put it in her 497 00:26:43,520 --> 00:26:46,480 Speaker 1: carib and she was an actress. So by the time 498 00:26:46,520 --> 00:26:48,080 Speaker 1: I got back, she was like shooting a movie in 499 00:26:48,119 --> 00:26:50,280 Speaker 1: Africa for like four weeks or four months or something 500 00:26:50,400 --> 00:26:53,800 Speaker 1: like that. And then I was I was wilder, but 501 00:26:53,880 --> 00:27:01,040 Speaker 1: I was twenty. He was a child. Yeah, so it 502 00:27:01,200 --> 00:27:06,680 Speaker 1: wasn't like that I did. And it was crib right, yeah, 503 00:27:06,680 --> 00:27:07,960 Speaker 1: I know I was. It was an l a. I 504 00:27:08,000 --> 00:27:09,800 Speaker 1: think she was living at the Arch Stone or some 505 00:27:09,880 --> 00:27:11,680 Speaker 1: ship like that in North Hollywood. It wasn't then. It 506 00:27:11,720 --> 00:27:14,200 Speaker 1: was humble beginnings, you know what. You took my stuff 507 00:27:14,520 --> 00:27:16,600 Speaker 1: and like let me move into the stuff. But she 508 00:27:16,720 --> 00:27:18,440 Speaker 1: was going for like four or five months, so like, 509 00:27:18,680 --> 00:27:21,280 Speaker 1: I mean he was a guest too at that goddamn it. 510 00:27:23,520 --> 00:27:28,879 Speaker 1: Yeah that's sucked up, but I mean should all right. Now, 511 00:27:29,040 --> 00:27:31,800 Speaker 1: another thing I wanted to talk about is um the 512 00:27:31,880 --> 00:27:34,760 Speaker 1: song cater So sometimes cater into your man. I feel 513 00:27:34,800 --> 00:27:37,560 Speaker 1: like it can get like people kind of look down 514 00:27:37,640 --> 00:27:41,960 Speaker 1: on that, but I think it's a positive thing, right same, Yeah, 515 00:27:42,040 --> 00:27:43,679 Speaker 1: I don't think there's anything wrong with that as long 516 00:27:43,680 --> 00:27:46,000 Speaker 1: as he's catering to you. Also at certain times in 517 00:27:46,040 --> 00:27:48,160 Speaker 1: the ways that you need to be catered to, that's 518 00:27:48,160 --> 00:27:50,680 Speaker 1: the key. You gotta make sure somebody worth there. We're 519 00:27:50,680 --> 00:27:53,840 Speaker 1: not just catering too anybody. And that takes time to, 520 00:27:54,080 --> 00:27:56,880 Speaker 1: like you want to, you know, build a foundation before 521 00:27:56,960 --> 00:28:00,440 Speaker 1: you just out head doing everything being some messive sniggers. 522 00:28:01,359 --> 00:28:03,240 Speaker 1: Take time to get to that point. So what do 523 00:28:03,320 --> 00:28:05,160 Speaker 1: you think about that? Now? Let me ask you because 524 00:28:05,200 --> 00:28:07,360 Speaker 1: I know I know the backstory behind all these songs 525 00:28:07,359 --> 00:28:11,920 Speaker 1: because I'm there in the studio every day. Um Ship, 526 00:28:12,080 --> 00:28:14,000 Speaker 1: we was in Miami and we was recording, and I 527 00:28:14,080 --> 00:28:16,119 Speaker 1: think we wasn't seeing out of eye about something or 528 00:28:16,160 --> 00:28:17,800 Speaker 1: whatever like, and we was kind of getting into it 529 00:28:17,840 --> 00:28:19,639 Speaker 1: because you know, after you be around somebody for so 530 00:28:19,760 --> 00:28:22,240 Speaker 1: long and y'all working and y'all doing stuff we might not. 531 00:28:22,640 --> 00:28:24,760 Speaker 1: I don't remember what we was into it about or whatever. 532 00:28:24,800 --> 00:28:26,600 Speaker 1: It was something creative. And then the next day I 533 00:28:26,720 --> 00:28:29,119 Speaker 1: just hit her like, yo, um, what songs that you 534 00:28:29,160 --> 00:28:31,440 Speaker 1: want to flip or whatever, like like a sample, and 535 00:28:31,520 --> 00:28:34,080 Speaker 1: she was said, cater to you. So I just actually 536 00:28:34,119 --> 00:28:36,760 Speaker 1: I did the music for previously or whatever, and I 537 00:28:36,880 --> 00:28:38,520 Speaker 1: just sent her the music but no drums on it. 538 00:28:38,560 --> 00:28:39,960 Speaker 1: And I walked in the studio and she had the 539 00:28:39,960 --> 00:28:42,000 Speaker 1: whole song written. It was beautiful, you know what I'm saying. 540 00:28:42,040 --> 00:28:45,080 Speaker 1: So I think that, you know, like ship like, she 541 00:28:45,280 --> 00:28:47,280 Speaker 1: wasn't trying to cater to you know, she ain't had 542 00:28:47,320 --> 00:28:50,440 Speaker 1: no uh nobo in the studio for me when I 543 00:28:50,520 --> 00:28:53,360 Speaker 1: got there. What I mean, she was pulling from something, 544 00:28:53,440 --> 00:28:54,920 Speaker 1: you know what I'm saying. That it's going through something, 545 00:28:55,000 --> 00:28:57,000 Speaker 1: you know what I'm saying. But it's just art at 546 00:28:57,040 --> 00:28:59,160 Speaker 1: the end of the day, Like I'm and I'm glad 547 00:28:59,240 --> 00:29:01,880 Speaker 1: that the song came like that because it threw um 548 00:29:02,560 --> 00:29:05,120 Speaker 1: a curveball in the way. I was adamant about us 549 00:29:05,160 --> 00:29:07,480 Speaker 1: adding a bridge on the record and stuff because I 550 00:29:07,640 --> 00:29:10,000 Speaker 1: just wanted that organic field with the music on being. 551 00:29:10,040 --> 00:29:12,080 Speaker 1: I thought that it's a different narrative to be pushed 552 00:29:12,080 --> 00:29:14,480 Speaker 1: because everything is so much I hate you, fuck you 553 00:29:14,600 --> 00:29:16,800 Speaker 1: this and a third or whatever. Let's splash something out 554 00:29:16,840 --> 00:29:19,600 Speaker 1: there that just shows a different diversity, even for her 555 00:29:19,960 --> 00:29:22,360 Speaker 1: core audience too, because sometimes some of her ship is 556 00:29:22,400 --> 00:29:24,080 Speaker 1: kind of like a g and you know what I'm 557 00:29:24,080 --> 00:29:25,920 Speaker 1: saying against men as well. So I thought it was like, 558 00:29:26,600 --> 00:29:28,480 Speaker 1: have a lot of happy love songs. How did you 559 00:29:28,520 --> 00:29:31,560 Speaker 1: feel recording? So this was different? I felt good. Actually 560 00:29:31,680 --> 00:29:33,440 Speaker 1: we was trying to say like we had a falling 561 00:29:33,480 --> 00:29:36,200 Speaker 1: out or whatever, so you know, as we in Miami, 562 00:29:36,280 --> 00:29:39,080 Speaker 1: I'm recording and ship the move one right, So after 563 00:29:39,160 --> 00:29:40,880 Speaker 1: like not talking for a long time, we kind of 564 00:29:40,960 --> 00:29:43,440 Speaker 1: like had a good conversation. So I was just feeling 565 00:29:43,520 --> 00:29:45,600 Speaker 1: feeling the good vibes again and I went in a 566 00:29:45,640 --> 00:29:49,640 Speaker 1: studio and kind of made like a more happy I 567 00:29:49,760 --> 00:29:51,720 Speaker 1: like it. You know, it was after you know, I 568 00:29:51,760 --> 00:29:54,760 Speaker 1: guess makeup type type. It was the thing out like 569 00:29:54,800 --> 00:29:57,160 Speaker 1: why while you're not saying at I is it mostly 570 00:29:57,200 --> 00:29:59,800 Speaker 1: about you know what I mean? We really like best friends, 571 00:29:59,840 --> 00:30:02,760 Speaker 1: so haven fight over anything, like you know, we have 572 00:30:02,920 --> 00:30:04,800 Speaker 1: fight over, like what we're drinking for the night. It'd 573 00:30:04,840 --> 00:30:07,160 Speaker 1: be like small ship. So and I'm telling what we 574 00:30:07,280 --> 00:30:09,840 Speaker 1: was came back like, yeah, I got such and such. 575 00:30:10,240 --> 00:30:11,840 Speaker 1: She's gonna do a feature for you? Is she? Like? 576 00:30:13,480 --> 00:30:20,480 Speaker 1: I don't say that, but she like that? Who's stubborn? 577 00:30:20,600 --> 00:30:23,120 Speaker 1: Like when y'all who starts these arguments more and it's 578 00:30:23,120 --> 00:30:28,680 Speaker 1: more stubborn? It's always me. Yeah, but it'll be you 579 00:30:28,720 --> 00:30:30,440 Speaker 1: know what I'm saying, Like, you know, that's really my 580 00:30:30,920 --> 00:30:34,160 Speaker 1: close like really real homies, so we can fight about anything. 581 00:30:34,240 --> 00:30:36,920 Speaker 1: It don't be deep. Yeah both of Chicago. Did y'all 582 00:30:36,960 --> 00:30:40,480 Speaker 1: know each other in Chicago? Hell know? So I'm actually 583 00:30:40,560 --> 00:30:43,200 Speaker 1: you know, I'm really I'm gonna younger to himself. I 584 00:30:43,240 --> 00:30:46,480 Speaker 1: don't know a lot about his previous life when he 585 00:30:46,600 --> 00:30:49,160 Speaker 1: was coming up, so it's like I'm a young bird, 586 00:30:49,240 --> 00:30:51,360 Speaker 1: you a young berg. I know he'd maker and I 587 00:30:51,440 --> 00:30:53,600 Speaker 1: kind of like that because I had stories. But it's 588 00:30:53,640 --> 00:30:58,640 Speaker 1: just like it's a wild boy. I'm kind of like, yeah, 589 00:30:58,800 --> 00:31:01,840 Speaker 1: I don't know too might but now we're from Chicago, 590 00:31:01,960 --> 00:31:04,400 Speaker 1: so we got a lot of like similar vibes, like 591 00:31:04,800 --> 00:31:06,520 Speaker 1: places he grew up and used to kick it at. 592 00:31:06,600 --> 00:31:08,920 Speaker 1: That's you know, places I know, like schools we went 593 00:31:09,000 --> 00:31:11,440 Speaker 1: to and ship like that. So we had a lot 594 00:31:11,480 --> 00:31:15,959 Speaker 1: in comment for sure, and like, um, just as far 595 00:31:16,040 --> 00:31:18,000 Speaker 1: as like the city, you know what I'm saying, I just, um, 596 00:31:18,800 --> 00:31:21,280 Speaker 1: I just want to attach myself to all the dope 597 00:31:21,320 --> 00:31:23,800 Speaker 1: people from Chicago, you know, saying. How it started initially 598 00:31:23,880 --> 00:31:27,120 Speaker 1: was just like man, like I know Mickey who works 599 00:31:27,160 --> 00:31:28,840 Speaker 1: with us as well, and I was just like yo, 600 00:31:29,000 --> 00:31:31,320 Speaker 1: like he'd be presented to me and I was like 601 00:31:31,400 --> 00:31:33,680 Speaker 1: we had never met. And the crazy thing is like 602 00:31:33,800 --> 00:31:36,320 Speaker 1: she never really worked with nobody before, Like she always 603 00:31:36,400 --> 00:31:38,800 Speaker 1: would just go in the studio, lock herself in the studio, 604 00:31:39,120 --> 00:31:42,280 Speaker 1: produces around, no nothing and whatever. So it took a 605 00:31:42,360 --> 00:31:44,120 Speaker 1: little bit, you know what I'm saying, to crack the 606 00:31:44,200 --> 00:31:46,280 Speaker 1: shell because they had told me what it was. But 607 00:31:46,440 --> 00:31:48,960 Speaker 1: like we just hit it off kind of like instantly. 608 00:31:49,080 --> 00:31:52,320 Speaker 1: Like the first day was at it was the first day, 609 00:31:52,360 --> 00:31:55,480 Speaker 1: like it was so hard, not even hard, but he 610 00:31:55,600 --> 00:31:58,600 Speaker 1: felt like I wasn't really into it, and I was 611 00:31:58,680 --> 00:32:01,400 Speaker 1: just trying to understand it because he works with producers, 612 00:32:01,520 --> 00:32:04,320 Speaker 1: he'll have writers, he'll have like all these people in 613 00:32:04,400 --> 00:32:06,720 Speaker 1: your studio space, and I'm used to being in there 614 00:32:06,760 --> 00:32:08,360 Speaker 1: with like two people. So you had a job. I 615 00:32:08,440 --> 00:32:10,760 Speaker 1: was like, oh, Ship, I'm looking at the room like, okay, 616 00:32:10,800 --> 00:32:13,240 Speaker 1: how do we start the song with others? It was 617 00:32:13,280 --> 00:32:15,240 Speaker 1: a whole new process. So that's all he had to 618 00:32:15,320 --> 00:32:18,000 Speaker 1: like and to me, just bring me into that world. 619 00:32:18,160 --> 00:32:20,480 Speaker 1: She was already successful before meeting me, and I was 620 00:32:20,600 --> 00:32:22,800 Speaker 1: already successful before meeting her. So it was just like 621 00:32:22,920 --> 00:32:24,880 Speaker 1: the meeting of us. You know what I'm saying, getting 622 00:32:24,920 --> 00:32:27,680 Speaker 1: on the same page, because both egos already like like, nigger, 623 00:32:27,720 --> 00:32:29,160 Speaker 1: I can do this without you, but I don't have 624 00:32:33,080 --> 00:32:37,600 Speaker 1: ego falls on him. I think somewhere with it's crazy, 625 00:32:38,200 --> 00:32:41,640 Speaker 1: I probably agree with that. Yeah, yeah, I don't really 626 00:32:41,680 --> 00:32:43,480 Speaker 1: have a big ego. I'm just shy and I have 627 00:32:43,600 --> 00:32:46,160 Speaker 1: a like a process, so I'll be trying to understand 628 00:32:46,560 --> 00:32:51,440 Speaker 1: self contained type of person. But after you opened up 629 00:32:51,440 --> 00:32:54,080 Speaker 1: a little bit and got used to let's see his formula, 630 00:32:54,280 --> 00:32:58,520 Speaker 1: you see that right? Yeah? Studio essions was live. What 631 00:32:58,680 --> 00:33:00,720 Speaker 1: were your conversations like? Because I feel like to do 632 00:33:00,840 --> 00:33:02,760 Speaker 1: the music that you do, you gotta really open up 633 00:33:02,800 --> 00:33:07,120 Speaker 1: about your life. M we know we know a lot 634 00:33:07,200 --> 00:33:08,960 Speaker 1: about each other, you know what I'm saying, not a 635 00:33:09,040 --> 00:33:12,560 Speaker 1: lot of Well, the boyship that y'all know about me, 636 00:33:12,640 --> 00:33:14,600 Speaker 1: you know what I'm saying, but the current moments about 637 00:33:14,640 --> 00:33:17,760 Speaker 1: me or whatever, it's just fooled. To be clear, I 638 00:33:17,840 --> 00:33:21,400 Speaker 1: know this bullshit about you, but I still think person Yeah, so, 639 00:33:21,520 --> 00:33:23,240 Speaker 1: I mean, you have a good sense of humor about 640 00:33:23,280 --> 00:33:25,080 Speaker 1: everything too. But I know you've been through a lot 641 00:33:25,120 --> 00:33:28,080 Speaker 1: of ship that's not easy. So I'll acknowledge that if 642 00:33:28,120 --> 00:33:29,880 Speaker 1: that type of stuff is what makes us stronger. You know, 643 00:33:30,040 --> 00:33:32,560 Speaker 1: we learned from every life lesson and and we learned 644 00:33:32,600 --> 00:33:35,120 Speaker 1: to make better decisions and move on and be better 645 00:33:35,200 --> 00:33:37,240 Speaker 1: people and to keep pushing too. I think that's a 646 00:33:37,360 --> 00:33:40,160 Speaker 1: valuable life lesson because I think people could go through 647 00:33:40,240 --> 00:33:41,840 Speaker 1: things you went through and been like funck this ship. 648 00:33:41,920 --> 00:33:44,520 Speaker 1: I'm out of here, like I'm not doing this anymore. 649 00:33:44,680 --> 00:33:47,520 Speaker 1: But you are like, no funk that, I'm gonna keep going. 650 00:33:47,560 --> 00:33:49,080 Speaker 1: I'm gonna do this. I'm gonna do that. I'm gonna 651 00:33:49,080 --> 00:33:50,840 Speaker 1: get back to here like this, I'm a lying and 652 00:33:50,880 --> 00:33:52,720 Speaker 1: act like I got this deal even though I don't, 653 00:33:52,760 --> 00:33:57,680 Speaker 1: and make that that was I don't know that was 654 00:33:57,760 --> 00:34:04,160 Speaker 1: that line or speaking into exist that wasn't true. I 655 00:34:04,200 --> 00:34:08,000 Speaker 1: ain't gonna lie like a couple of days later saying 656 00:34:09,520 --> 00:34:14,120 Speaker 1: so did manifest manifest tink in this situation. I don't 657 00:34:14,160 --> 00:34:16,719 Speaker 1: know if I would say manifest, but I think that 658 00:34:16,840 --> 00:34:20,040 Speaker 1: once I was able to get around it, like I like, uh, 659 00:34:20,400 --> 00:34:23,960 Speaker 1: I'm intrigued by people that are that's like stand office 660 00:34:24,040 --> 00:34:25,719 Speaker 1: to get to know like what the real you know, 661 00:34:26,000 --> 00:34:28,839 Speaker 1: her personality is, like really like if she's not sucking 662 00:34:28,880 --> 00:34:30,560 Speaker 1: with you, she's not working with you at all. So 663 00:34:31,040 --> 00:34:33,319 Speaker 1: it was a challenge to kind of see like who 664 00:34:33,440 --> 00:34:35,160 Speaker 1: she was, you know what I'm saying, as a real person, 665 00:34:35,239 --> 00:34:37,359 Speaker 1: and getting to get to the core and get from 666 00:34:37,360 --> 00:34:39,200 Speaker 1: the outside of the shill, you know what I'm saying. 667 00:34:39,200 --> 00:34:44,719 Speaker 1: So when's it breakthrough? If we're being honest though, like 668 00:34:45,160 --> 00:34:47,880 Speaker 1: it was quick like the first day, the first day 669 00:34:47,920 --> 00:34:49,920 Speaker 1: I met you, like we was really kicking it outside, 670 00:34:50,040 --> 00:34:52,640 Speaker 1: Like yeah, the first day we met was like doing 671 00:34:52,719 --> 00:34:55,000 Speaker 1: it almost anything and everything, Like we went to Louis 672 00:34:55,160 --> 00:35:00,279 Speaker 1: went kicking it. Yeah, Like honestly though, I can talk 673 00:35:00,320 --> 00:35:02,680 Speaker 1: to him for hours. I think like the second second week, 674 00:35:03,160 --> 00:35:04,759 Speaker 1: we was chopping it up like we knew each other 675 00:35:04,840 --> 00:35:07,960 Speaker 1: forever and it's organic, Like I don't be forcing myself, 676 00:35:08,080 --> 00:35:09,920 Speaker 1: like I'm not after nothing with him. He ain't have 677 00:35:10,000 --> 00:35:12,520 Speaker 1: the nothing with me, Like, so we could just really 678 00:35:12,640 --> 00:35:15,160 Speaker 1: talk and I comment to him, like a lot of 679 00:35:15,200 --> 00:35:17,279 Speaker 1: producers in the game or whatever, you'd be like, I'll 680 00:35:17,280 --> 00:35:20,040 Speaker 1: be scared to even mention certain things because it's like 681 00:35:20,160 --> 00:35:23,359 Speaker 1: an industry ship. Like with him, I really just could 682 00:35:23,400 --> 00:35:25,520 Speaker 1: chop it up. We could talk about past ship. I'll 683 00:35:25,560 --> 00:35:27,319 Speaker 1: be telling him like, man, when I was in my deal, 684 00:35:27,800 --> 00:35:30,360 Speaker 1: how do I work this situation? Or what attorney do 685 00:35:30,440 --> 00:35:32,120 Speaker 1: I need to get? You know, so it's like he 686 00:35:32,239 --> 00:35:35,319 Speaker 1: really be teaching me shit, you know, putting me on game. 687 00:35:35,480 --> 00:35:38,160 Speaker 1: We talked about like you know, people he's worked with 688 00:35:38,360 --> 00:35:42,440 Speaker 1: stuff that he didn't seen mistakes and watch out for now. 689 00:35:42,480 --> 00:35:44,759 Speaker 1: I'm keeping it because I don't think. I don't think 690 00:35:44,800 --> 00:35:48,279 Speaker 1: people know that I know, I know a real nice 691 00:35:48,280 --> 00:35:50,719 Speaker 1: side of him. So that's what it is for me. 692 00:35:52,000 --> 00:35:54,120 Speaker 1: Did you have that open up more like I could 693 00:35:54,120 --> 00:35:56,640 Speaker 1: trust and tell him? Did you tell him what you're 694 00:35:56,680 --> 00:35:59,680 Speaker 1: apprehensive at all? Like? I did some research, but because 695 00:35:59,719 --> 00:36:03,160 Speaker 1: that's got to do some research. That research is not 696 00:36:03,280 --> 00:36:05,120 Speaker 1: good because you google somebody and you now you have 697 00:36:05,520 --> 00:36:07,680 Speaker 1: like if you gotta do your research and twenty two though, 698 00:36:08,120 --> 00:36:10,759 Speaker 1: going the only way you can research, especially somebody, I 699 00:36:10,960 --> 00:36:13,359 Speaker 1: think Celiber who can you know? Ax questions and get 700 00:36:13,440 --> 00:36:17,440 Speaker 1: real answer Google and then you cross reference exactly you 701 00:36:17,560 --> 00:36:21,399 Speaker 1: asked around what you don't go you didn't google? Take 702 00:36:23,320 --> 00:36:29,200 Speaker 1: I think I think they do follow each other on Instagram. Yeah, okay, 703 00:36:29,760 --> 00:36:37,480 Speaker 1: I ain't following him right now. And that's just me around. 704 00:36:38,080 --> 00:36:39,719 Speaker 1: You know what. I got a lot comment going on 705 00:36:39,920 --> 00:36:42,080 Speaker 1: this week, and I just sometimes I need to have 706 00:36:42,160 --> 00:36:46,359 Speaker 1: a clear mind. And he's really like, I know it's 707 00:36:46,360 --> 00:36:48,400 Speaker 1: so it don't it don't even it don't make a difference. 708 00:36:48,400 --> 00:36:51,360 Speaker 1: It's for my little piece. But no, I had to follow. 709 00:36:51,520 --> 00:36:55,480 Speaker 1: I do. That's often to like all my friends. It's 710 00:36:55,560 --> 00:36:59,040 Speaker 1: just like, you know, certain things they post like rubbed me, 711 00:36:59,440 --> 00:37:01,520 Speaker 1: stain things they can run me wrong or whatever. What 712 00:37:01,640 --> 00:37:06,400 Speaker 1: then did you post nothing? He don't know. That's Instagram. 713 00:37:07,680 --> 00:37:09,920 Speaker 1: It'll it'll look deeper than it is. You know what 714 00:37:10,760 --> 00:37:14,040 Speaker 1: what our biggest problems and in us uh doing stuff 715 00:37:14,120 --> 00:37:15,960 Speaker 1: or whatever like this is what it is like with 716 00:37:16,120 --> 00:37:19,239 Speaker 1: me being like share eight years older than think or whatever. 717 00:37:19,360 --> 00:37:21,719 Speaker 1: Like the thing is is that she grew up in 718 00:37:21,840 --> 00:37:26,000 Speaker 1: like a super social media driven this that in the 719 00:37:26,120 --> 00:37:28,160 Speaker 1: third Twitter, this that in the third or anything that 720 00:37:28,280 --> 00:37:30,800 Speaker 1: happened so like say like we've got. Here's the example 721 00:37:30,840 --> 00:37:33,040 Speaker 1: of us getting into it. Like I'll go and post 722 00:37:33,080 --> 00:37:34,839 Speaker 1: some song lyrics. She won't be around me, and I'll 723 00:37:34,840 --> 00:37:36,480 Speaker 1: post some song lyrics from the song and I'd be 724 00:37:36,560 --> 00:37:38,400 Speaker 1: in prior evening and she'd be like, Yeah, why the 725 00:37:38,480 --> 00:37:40,200 Speaker 1: funk are you posting that? Just how you know what 726 00:37:40,200 --> 00:37:43,080 Speaker 1: I'm saying, Like you didn't consider how it looked like 727 00:37:43,160 --> 00:37:44,719 Speaker 1: that look weak? And I'm like, dog, this is the 728 00:37:44,800 --> 00:37:46,560 Speaker 1: lyrics from last night song and I sent it a 729 00:37:46,600 --> 00:37:48,400 Speaker 1: song and she'd be like, alright, but y'all know, if 730 00:37:48,480 --> 00:37:51,360 Speaker 1: somebody's posting lyrics, it is because that's what they're feeling 731 00:37:51,960 --> 00:37:57,200 Speaker 1: or that's what they came particular something. It'd be like 732 00:37:57,360 --> 00:37:59,600 Speaker 1: a dog gas line or something like that. Like I'll 733 00:37:59,600 --> 00:38:01,880 Speaker 1: be working with somebody to say like the most craziest 734 00:38:01,880 --> 00:38:04,520 Speaker 1: ship and something like like yo, you said this, and 735 00:38:04,560 --> 00:38:06,800 Speaker 1: it's something like that's super out there. So I just 736 00:38:06,920 --> 00:38:09,600 Speaker 1: posted it, what up and say whatever? And she looked 737 00:38:09,600 --> 00:38:11,200 Speaker 1: at it and be like what the yeah, like why 738 00:38:11,239 --> 00:38:13,080 Speaker 1: would you? Then you know she's like that, so then 739 00:38:13,120 --> 00:38:15,440 Speaker 1: you got to take that into considerations. No, but then 740 00:38:15,520 --> 00:38:18,000 Speaker 1: it's like yo, like you saying like come on, like 741 00:38:18,200 --> 00:38:20,239 Speaker 1: we love your piece but what at this same token, 742 00:38:20,280 --> 00:38:22,080 Speaker 1: I still gotta be you know what I'm saying me 743 00:38:22,320 --> 00:38:24,240 Speaker 1: to a certain degree, because it's not like I'm thinking 744 00:38:24,280 --> 00:38:26,840 Speaker 1: about it maliciously to do so, like I know this 745 00:38:27,040 --> 00:38:29,200 Speaker 1: is gonna funk with her like now, like I'm just 746 00:38:29,719 --> 00:38:31,879 Speaker 1: that's why you hit the unfollowed button so you don't 747 00:38:31,920 --> 00:38:33,600 Speaker 1: even have to see it. I don't have to see 748 00:38:33,600 --> 00:38:38,040 Speaker 1: it to No, I've never blocked nobody. Well no, I'll 749 00:38:38,080 --> 00:38:41,080 Speaker 1: never blocked him. But I will do not follow you though, 750 00:38:41,120 --> 00:38:42,640 Speaker 1: so I don't have to look at I'm not forced 751 00:38:42,680 --> 00:38:44,279 Speaker 1: to watch it. If I want to go see what 752 00:38:44,320 --> 00:38:47,600 Speaker 1: you're doing, I check. So that's that's like both of 753 00:38:47,640 --> 00:38:49,960 Speaker 1: our peace. Now you can have your piece and post 754 00:38:50,040 --> 00:38:52,120 Speaker 1: whatever you want. And then I got my He was 755 00:38:52,160 --> 00:38:58,160 Speaker 1: going exactly, you ain't even gotta worry, right, So it's 756 00:38:58,200 --> 00:39:04,279 Speaker 1: a win win. You'll followed me. So that all right? 757 00:39:04,360 --> 00:39:06,839 Speaker 1: Now about the song goofy, I know that's some real 758 00:39:07,000 --> 00:39:10,880 Speaker 1: Chicago slang too. Nobody wants to be a goofy. But 759 00:39:11,800 --> 00:39:14,719 Speaker 1: have you ever in real life? Because I know this 760 00:39:14,800 --> 00:39:17,920 Speaker 1: has to come from a place, So let's talk about 761 00:39:18,040 --> 00:39:22,640 Speaker 1: the dick. It hasn't ever made you goofy? Yeah, that's 762 00:39:22,680 --> 00:39:24,600 Speaker 1: a real thing. I think all women have been through 763 00:39:24,680 --> 00:39:26,839 Speaker 1: that at least one time in your life, Like when 764 00:39:27,320 --> 00:39:29,200 Speaker 1: when you're finding me with some good dick, or you're 765 00:39:29,239 --> 00:39:33,759 Speaker 1: doing something different in the very room different. That could 766 00:39:33,800 --> 00:39:36,399 Speaker 1: be a lot of things, new positions, um, y'all doing 767 00:39:36,440 --> 00:39:39,600 Speaker 1: it in places or just in life. You're showing you 768 00:39:39,719 --> 00:39:42,439 Speaker 1: some new ship that can on size, make your look, 769 00:39:42,760 --> 00:39:45,840 Speaker 1: you act out your character, act out of body. So 770 00:39:46,000 --> 00:39:48,279 Speaker 1: that's all I meant, Like, of course I ain't calling 771 00:39:48,360 --> 00:39:51,400 Speaker 1: us goofy, but we accelly sometimes like we make we 772 00:39:51,520 --> 00:39:54,879 Speaker 1: make some decisions, or you put up with some ship 773 00:39:55,080 --> 00:39:59,239 Speaker 1: that you normally wouldn't put up with. I was like, 774 00:39:59,440 --> 00:40:01,320 Speaker 1: for real was doing I was a little scared of 775 00:40:01,400 --> 00:40:03,840 Speaker 1: the Goofy song like prior to us releasing it, because 776 00:40:05,160 --> 00:40:07,399 Speaker 1: it was just like damn, you know, I've never heard 777 00:40:07,440 --> 00:40:09,960 Speaker 1: our artists be vulnerable and like hold a mirror up 778 00:40:10,000 --> 00:40:11,960 Speaker 1: today self like that to where it's like she could 779 00:40:12,080 --> 00:40:14,759 Speaker 1: say that about herself. It's usually like you see the 780 00:40:14,800 --> 00:40:17,360 Speaker 1: title goofy, it's probably like this goofy ass nigga or 781 00:40:17,400 --> 00:40:19,080 Speaker 1: something like that, and then it's the flip side, like 782 00:40:19,200 --> 00:40:21,880 Speaker 1: it was really about me, and to be honest, with 783 00:40:21,960 --> 00:40:25,400 Speaker 1: y'all like ship. Like two men, three men helped to 784 00:40:25,560 --> 00:40:30,200 Speaker 1: create the song myself, and I'm glad it ain't like 785 00:40:30,360 --> 00:40:33,360 Speaker 1: I was a co writer in love really got the 786 00:40:33,400 --> 00:40:37,719 Speaker 1: big got me goofy, y'all. I hate to even say 787 00:40:37,760 --> 00:40:44,239 Speaker 1: that my song I actually about the records. So yes, 788 00:40:45,120 --> 00:40:48,160 Speaker 1: he brought the like that ship too. They like for 789 00:40:48,239 --> 00:40:50,480 Speaker 1: their dick to make you goofy exactly. They'd be feeling 790 00:40:50,560 --> 00:40:57,080 Speaker 1: so damn. He did that, Like he must have been 791 00:40:57,120 --> 00:40:59,320 Speaker 1: going through song because he did that like seven minutes. 792 00:40:59,320 --> 00:41:01,319 Speaker 1: He came in like, oh, this is the track. I'm like, yeah, 793 00:41:01,360 --> 00:41:04,279 Speaker 1: that's one. He paced around for a second. The first 794 00:41:04,320 --> 00:41:07,680 Speaker 1: thing he said was dick got me goofy. I said, oh, Ship, 795 00:41:07,840 --> 00:41:14,000 Speaker 1: that's going. But you know you'd be mad and then 796 00:41:14,000 --> 00:41:16,080 Speaker 1: you're being bad. You have your back turns to him, 797 00:41:16,920 --> 00:41:18,839 Speaker 1: right and that, and then next thing you know, he's 798 00:41:18,880 --> 00:41:22,319 Speaker 1: my and he like I right exactly, and you still 799 00:41:22,360 --> 00:41:24,719 Speaker 1: be mad, but you'll have sex. Yeah, you're back at 800 00:41:25,440 --> 00:41:28,239 Speaker 1: square one, and that's all the song is about, y'all. 801 00:41:28,320 --> 00:41:31,400 Speaker 1: Like in real life, you can't really take a song 802 00:41:31,480 --> 00:41:36,120 Speaker 1: in too serious. Like everybody's kind of like saying whatever 803 00:41:36,239 --> 00:41:37,920 Speaker 1: comes to mind. Like some of the biggest songs that 804 00:41:38,000 --> 00:41:40,239 Speaker 1: just wow ship. So I feel like, you know, really 805 00:41:40,320 --> 00:41:42,680 Speaker 1: to make a to make a splash, I gotta get 806 00:41:42,719 --> 00:41:45,120 Speaker 1: bold and I gotta start telling it like it is. 807 00:41:45,760 --> 00:41:47,719 Speaker 1: So that's what my album is really about. Fellow Talk 808 00:41:47,840 --> 00:41:51,919 Speaker 1: is very raw. I'm really not like holding back any 809 00:41:52,000 --> 00:41:56,160 Speaker 1: emotions on it. What got you in that space? What 810 00:41:56,360 --> 00:41:59,440 Speaker 1: got me in that space? Um? I think it's just 811 00:41:59,760 --> 00:42:01,959 Speaker 1: me maturing and kind of like being able to face, 812 00:42:02,360 --> 00:42:06,680 Speaker 1: you know, face what I'm going through. You know, you know, 813 00:42:08,120 --> 00:42:12,200 Speaker 1: only like you're only twenty seven years old, right, twenty 814 00:42:12,280 --> 00:42:14,480 Speaker 1: seven years old, and I just feel like we watched 815 00:42:14,560 --> 00:42:16,520 Speaker 1: you grow up for real, I know. And it's a 816 00:42:16,560 --> 00:42:18,759 Speaker 1: different a curse too, because a lot of people would 817 00:42:18,760 --> 00:42:20,200 Speaker 1: look at me and it felt like I'm still like 818 00:42:20,920 --> 00:42:24,200 Speaker 1: twelve while I was like sixteen seventeen writing songs and 819 00:42:24,239 --> 00:42:27,400 Speaker 1: I'm like, no, y'all, I'm really grown and I've experienced 820 00:42:27,440 --> 00:42:30,799 Speaker 1: things now, and I've dated around and I've had relationships 821 00:42:30,840 --> 00:42:33,200 Speaker 1: to you know, to be able to say this, you know, 822 00:42:33,320 --> 00:42:36,279 Speaker 1: had this conversation to make a song like goofy um. 823 00:42:36,719 --> 00:42:38,560 Speaker 1: But that's the true thing. A lot of people see 824 00:42:38,600 --> 00:42:40,399 Speaker 1: me when I was like a kid, and that's something 825 00:42:40,440 --> 00:42:44,799 Speaker 1: that y'all had in common that I'm sure for sure, Yeah, 826 00:42:45,040 --> 00:42:50,279 Speaker 1: are you in love now? Um? Yeah, I think Well, 827 00:42:50,280 --> 00:42:52,200 Speaker 1: I wouldn't even call it being in love. I just 828 00:42:52,360 --> 00:42:58,680 Speaker 1: felt like i've you know, I'm around love, like for sure. 829 00:42:59,239 --> 00:43:01,680 Speaker 1: That's a weird. I'm around I'm not in love, but 830 00:43:01,800 --> 00:43:05,840 Speaker 1: I feel I feel love around the corner. Let me explain, 831 00:43:06,080 --> 00:43:11,799 Speaker 1: because it is kind of love is very heavy. Let 832 00:43:11,840 --> 00:43:15,320 Speaker 1: me say that I'm around love now, so let me 833 00:43:15,480 --> 00:43:18,000 Speaker 1: let me let me make it plain. Being in love 834 00:43:18,160 --> 00:43:20,520 Speaker 1: is very heavy, and I think that comes with a 835 00:43:20,640 --> 00:43:22,960 Speaker 1: lot like if you in love with somebody, you you 836 00:43:23,080 --> 00:43:26,200 Speaker 1: probably like are looking for marriage or you know what 837 00:43:26,239 --> 00:43:29,239 Speaker 1: I'm saying, you want a deep relationship. But to be 838 00:43:29,360 --> 00:43:31,520 Speaker 1: around love, that could be your best friend, that could 839 00:43:31,560 --> 00:43:33,400 Speaker 1: be you know, not to sound weird, that could be 840 00:43:33,440 --> 00:43:35,680 Speaker 1: a big bro, that could be you know, a better 841 00:43:35,760 --> 00:43:38,920 Speaker 1: team of people. So I'm around love and that's that's 842 00:43:39,000 --> 00:43:41,880 Speaker 1: like a different around like being And I say it 843 00:43:41,960 --> 00:43:45,080 Speaker 1: like that that makes some says the point man. Right 844 00:43:45,360 --> 00:43:57,000 Speaker 1: around love, you're feeling the love that's giving you. Right, 845 00:43:57,280 --> 00:44:02,040 Speaker 1: it sounds like all get back you think I got 846 00:44:02,160 --> 00:44:05,920 Speaker 1: to It's hard not to like, I'm really like I'm 847 00:44:05,960 --> 00:44:10,359 Speaker 1: trying to protect my you know, your peace, protect your heart, um, 848 00:44:10,640 --> 00:44:12,400 Speaker 1: And ain't nothing wrong with that, y'all. Like I have 849 00:44:12,520 --> 00:44:15,480 Speaker 1: asked everybody to hold back a little, especially and it's 850 00:44:15,480 --> 00:44:20,320 Speaker 1: an industry or whatever. Like you know, it's scary. It's scary. 851 00:44:20,840 --> 00:44:23,640 Speaker 1: So you're right, I am. I am probably holding back, 852 00:44:23,680 --> 00:44:26,040 Speaker 1: but I'm not lying like to say I'm in love. 853 00:44:26,120 --> 00:44:30,160 Speaker 1: That's that's very, very big. But I had to. You know, 854 00:44:30,200 --> 00:44:35,960 Speaker 1: I'm gonna ask you know you're not in love? Are 855 00:44:36,040 --> 00:44:39,240 Speaker 1: you around love? At least every day as much as possible. 856 00:44:39,600 --> 00:44:43,040 Speaker 1: I like around love better. Ever, it's like a down 857 00:44:43,120 --> 00:44:48,120 Speaker 1: comfiter warm and being in love. You just you look 858 00:44:48,160 --> 00:44:50,239 Speaker 1: at the person, like you said, and you you you 859 00:44:50,400 --> 00:44:52,759 Speaker 1: love them, so you want to see the best of them, 860 00:44:52,840 --> 00:44:54,480 Speaker 1: and you expect to see the best of them. And 861 00:44:54,600 --> 00:45:00,200 Speaker 1: because you're expecting, you can get disappointed a lot. I 862 00:45:00,360 --> 00:45:04,640 Speaker 1: think that he has time for that. Have you ever 863 00:45:04,719 --> 00:45:08,040 Speaker 1: been in love? Yeah, I've been in love before, but 864 00:45:08,120 --> 00:45:10,200 Speaker 1: every time in the times that I have been in 865 00:45:10,280 --> 00:45:12,560 Speaker 1: love before, I'm not still close with them. We don't 866 00:45:12,600 --> 00:45:14,719 Speaker 1: have a relationship, We don't have anything you looking back 867 00:45:14,760 --> 00:45:16,640 Speaker 1: on it, you know what I'm saying. So I don't 868 00:45:16,640 --> 00:45:18,680 Speaker 1: know that I kind of agree with her being around love. 869 00:45:18,760 --> 00:45:21,000 Speaker 1: It's like, it's not like a cut off date. You 870 00:45:21,040 --> 00:45:22,719 Speaker 1: know what I'm saying based on it. It's not like, 871 00:45:22,840 --> 00:45:25,479 Speaker 1: all right, it's an expiration date on this. It's gonna 872 00:45:25,520 --> 00:45:27,680 Speaker 1: come if this happens or whatever. We're not seeing out 873 00:45:27,719 --> 00:45:30,280 Speaker 1: of eye and I'm not gonna funk with you ever again. 874 00:45:30,400 --> 00:45:33,080 Speaker 1: Like you around love and you vibe and it's just like, 875 00:45:33,239 --> 00:45:35,919 Speaker 1: you know what I'm saying, Like you said certain expectations, 876 00:45:36,080 --> 00:45:38,120 Speaker 1: but you know you're able to protect yourself a little 877 00:45:38,120 --> 00:45:42,160 Speaker 1: bit more. Did you feel like you were around love? No? No, 878 00:45:42,239 --> 00:45:44,600 Speaker 1: I felt like it was a job saying. I felt 879 00:45:44,600 --> 00:45:50,920 Speaker 1: like it was something sometimes exactly I like that stuff 880 00:45:54,080 --> 00:45:56,879 Speaker 1: like I renew exactly what she meant and I was like, man, 881 00:45:56,960 --> 00:45:59,520 Speaker 1: that sounds good. What do you think you hold back to? Then? 882 00:46:02,480 --> 00:46:06,320 Speaker 1: I'm just a man. I just ain't ship, you know 883 00:46:06,360 --> 00:46:09,720 Speaker 1: what I'm saying, Like keeping you ain't saying that feels 884 00:46:09,760 --> 00:46:14,920 Speaker 1: like a disclaimer. You can be like like it's not 885 00:46:15,040 --> 00:46:19,319 Speaker 1: really like, look at how successful you've been in your career, right, 886 00:46:19,480 --> 00:46:21,600 Speaker 1: You're crazy. And they might have been a period of 887 00:46:21,640 --> 00:46:23,960 Speaker 1: time when they were like he ain't ship, and you 888 00:46:24,080 --> 00:46:26,160 Speaker 1: might have felt like that about yourself, But then why 889 00:46:26,200 --> 00:46:28,560 Speaker 1: do you feel like that about your personal life? You know, 890 00:46:28,680 --> 00:46:30,719 Speaker 1: because that's not true. I just think that me and 891 00:46:31,360 --> 00:46:35,160 Speaker 1: have a different regard for personal life, and I think 892 00:46:35,200 --> 00:46:37,680 Speaker 1: that I've been through so many bad things or whatever. 893 00:46:37,760 --> 00:46:39,759 Speaker 1: You know what I'm saying that it's just like like 894 00:46:39,800 --> 00:46:42,759 Speaker 1: what we're saying, just tagguarded, you know what I'm saying, 895 00:46:42,800 --> 00:46:46,200 Speaker 1: and just not really to be like because you could 896 00:46:46,239 --> 00:46:50,040 Speaker 1: be attracting ain't ship ship if I keep saying that 897 00:46:50,360 --> 00:46:56,880 Speaker 1: because you talk about manifesting the situation two days, I'm great, 898 00:46:57,560 --> 00:47:02,600 Speaker 1: But I just think that you know what I'm saying, 899 00:47:02,840 --> 00:47:04,840 Speaker 1: I have my moments. I'm human and I have my 900 00:47:04,960 --> 00:47:08,280 Speaker 1: moments and people being transparent, yeah, so like that's that's wars. 901 00:47:08,320 --> 00:47:10,600 Speaker 1: So what I'm saying, I do have my moments, and 902 00:47:10,640 --> 00:47:12,600 Speaker 1: it's a lot that comes with me, you know what 903 00:47:12,640 --> 00:47:14,360 Speaker 1: I'm saying. Like you said, you get the Google in 904 00:47:14,440 --> 00:47:16,719 Speaker 1: and doing all that other stuff or whatever, like and 905 00:47:16,840 --> 00:47:19,920 Speaker 1: that's why I just don't want um. That's why I like, 906 00:47:20,239 --> 00:47:22,560 Speaker 1: I think it's better like how we was talking about 907 00:47:22,600 --> 00:47:24,920 Speaker 1: more private than personal, because if it was if I 908 00:47:25,080 --> 00:47:28,680 Speaker 1: was personally putting something out there and the person that 909 00:47:28,960 --> 00:47:32,000 Speaker 1: I was dealing with, wasn't ready for what the backlash 910 00:47:32,080 --> 00:47:34,480 Speaker 1: could be. How the d M is gonna shack, How 911 00:47:34,520 --> 00:47:37,160 Speaker 1: it's gonna do, this's gonna happen. It could possibly funk 912 00:47:37,280 --> 00:47:39,560 Speaker 1: up everything that you've been building with somebody at the 913 00:47:39,640 --> 00:47:43,560 Speaker 1: same token too. How hard is it for y'all to 914 00:47:43,840 --> 00:47:46,800 Speaker 1: to like work together, be best friends and have this 915 00:47:46,960 --> 00:47:49,799 Speaker 1: like deep bond with each other. How does that affect work? 916 00:47:49,800 --> 00:47:51,680 Speaker 1: Does it ever affect work? Or can y'all work and 917 00:47:51,760 --> 00:47:55,279 Speaker 1: not even put that to the side? Yeah, work, work 918 00:47:55,320 --> 00:47:57,600 Speaker 1: will never get effective with me. Like I hadn't been 919 00:47:57,600 --> 00:48:01,959 Speaker 1: through so much, you know, to get here. So yeah, 920 00:48:02,480 --> 00:48:05,239 Speaker 1: I'm really like strong about that ship. Like we could 921 00:48:05,320 --> 00:48:07,040 Speaker 1: we could have a moment and fall out or whatever. 922 00:48:07,160 --> 00:48:09,279 Speaker 1: But we're gonna take the meeting. We're gonna be at 923 00:48:09,320 --> 00:48:11,879 Speaker 1: the studio at eight p m. You know what I'm saying. 924 00:48:11,960 --> 00:48:14,439 Speaker 1: Like I got to like a line between that ship. 925 00:48:14,560 --> 00:48:17,680 Speaker 1: Like whatever's going on, you know, on our free time. Cool, 926 00:48:17,800 --> 00:48:19,799 Speaker 1: But when it comes to this money or I come 927 00:48:19,840 --> 00:48:23,200 Speaker 1: to this my career, I'm not playing. She don't followed 928 00:48:23,200 --> 00:48:24,799 Speaker 1: me and I was here before her, so I guess 929 00:48:24,840 --> 00:48:27,200 Speaker 1: that kind of let you know I'm still it don't 930 00:48:27,320 --> 00:48:32,640 Speaker 1: change it. Don't change the business part though, Like right, 931 00:48:33,200 --> 00:48:34,960 Speaker 1: which one is I didn't even see nothing. You put 932 00:48:35,000 --> 00:48:38,600 Speaker 1: some bikini pritches up. No, so I just I just 933 00:48:39,080 --> 00:48:50,200 Speaker 1: hit the un follow. But yeah, take And is it 934 00:48:50,320 --> 00:48:52,720 Speaker 1: cool for you to like go out with other guys? 935 00:48:54,320 --> 00:48:56,200 Speaker 1: My day? I was a wow right now too, like 936 00:48:56,640 --> 00:48:59,440 Speaker 1: I bet. And that's the thing I tell, like, you 937 00:48:59,560 --> 00:49:02,719 Speaker 1: know both sides, Like it's easy for me to you know, 938 00:49:03,200 --> 00:49:06,200 Speaker 1: pick up a guy easy, like especially in twenty two, 939 00:49:06,280 --> 00:49:08,080 Speaker 1: Like the d M is like that's where everybody should 940 00:49:08,160 --> 00:49:10,839 Speaker 1: name shot. Now you don't even really have a seeing 941 00:49:10,840 --> 00:49:13,279 Speaker 1: nobody in person. You're just in a M anything good. 942 00:49:14,920 --> 00:49:18,200 Speaker 1: I'm really not into it, Like right now, I'm really 943 00:49:18,280 --> 00:49:20,520 Speaker 1: not looking for nothing. You want to manage your d M, 944 00:49:20,719 --> 00:49:24,200 Speaker 1: you can get it. Look y'all would have me. I 945 00:49:24,280 --> 00:49:27,800 Speaker 1: could see, I could see Angela like yeah, getting me 946 00:49:27,840 --> 00:49:30,840 Speaker 1: into some trouble. But now I'm really not looking like that. 947 00:49:31,080 --> 00:49:39,000 Speaker 1: So I've been focused at yeah, like exactly that that's 948 00:49:39,239 --> 00:49:40,880 Speaker 1: a real thing for me. I'm really not on the 949 00:49:40,960 --> 00:49:43,920 Speaker 1: ground as much, like unless I'm promoting or doing my 950 00:49:44,080 --> 00:49:46,840 Speaker 1: thing on music. I'm like a real life person. You 951 00:49:46,880 --> 00:49:49,040 Speaker 1: gotta get up with me to really shake something with me. 952 00:49:49,320 --> 00:49:54,239 Speaker 1: So I'm not m all the time. But girls like 953 00:49:54,360 --> 00:49:56,800 Speaker 1: you ain't looking at them. Yeah, because you and everybody 954 00:49:56,920 --> 00:50:00,880 Speaker 1: d M. It's not right special no more like for me, 955 00:50:01,280 --> 00:50:03,839 Speaker 1: you know, you would think that my DM is going 956 00:50:03,960 --> 00:50:07,799 Speaker 1: crazy and you so many guys in there, but something. Man, 957 00:50:08,040 --> 00:50:11,440 Speaker 1: I'll look a handful of times a year. To be honest, 958 00:50:11,480 --> 00:50:13,680 Speaker 1: I look at my d ms like you gotta catch 959 00:50:13,800 --> 00:50:17,000 Speaker 1: me in there, And when I look back, even the 960 00:50:17,120 --> 00:50:19,200 Speaker 1: ones that I missed, I'm not even mad that I missed. 961 00:50:19,200 --> 00:50:27,920 Speaker 1: So I'm like, this is god that maybe people for money? Yeah, people, 962 00:50:28,480 --> 00:50:30,560 Speaker 1: I have a go friend, look or I need some 963 00:50:30,680 --> 00:50:35,600 Speaker 1: money for this. I've had some hard time like everybody. Damn, 964 00:50:35,680 --> 00:50:38,359 Speaker 1: I got people. We had the same niggers sending us 965 00:50:38,760 --> 00:50:44,280 Speaker 1: you know what is my friend here? My d like damn, 966 00:50:44,360 --> 00:50:47,640 Speaker 1: the same message to it ain't really having the same ship. 967 00:50:47,719 --> 00:50:50,160 Speaker 1: They said to everybody. It ain't really what it's supposed 968 00:50:50,200 --> 00:50:52,040 Speaker 1: to be. I mean, it depends on what they're talking about. 969 00:50:52,120 --> 00:50:53,839 Speaker 1: But you know, they don't have one message that they 970 00:50:53,880 --> 00:50:57,879 Speaker 1: think is that me and seeing y'all in a DM 971 00:50:58,040 --> 00:51:00,040 Speaker 1: or something like that. Like what's the first interaction that 972 00:51:00,320 --> 00:51:02,759 Speaker 1: a man normally would do, Like if he didn't know you, 973 00:51:03,560 --> 00:51:06,280 Speaker 1: like I think you're dope. Yeah, you'd be a compliment. 974 00:51:07,200 --> 00:51:12,040 Speaker 1: That's that's called efficient. It's a compliment. I feel like 975 00:51:12,160 --> 00:51:15,160 Speaker 1: guys who are in the entertainment business, you know, they'll 976 00:51:15,160 --> 00:51:17,120 Speaker 1: stay in a compliment like oh you're so beautiful or 977 00:51:17,160 --> 00:51:19,800 Speaker 1: something like that, and then the industry guys be like, 978 00:51:19,960 --> 00:51:24,040 Speaker 1: oh they will for your job. What kind of job? 979 00:51:24,880 --> 00:51:31,239 Speaker 1: I got some work for you. Damn yes, that's that's 980 00:51:31,280 --> 00:51:35,239 Speaker 1: the one. That's the one. What's your DM like him? 981 00:51:35,440 --> 00:51:41,120 Speaker 1: As a guy like you, what would think? Don't keep 982 00:51:41,160 --> 00:51:45,200 Speaker 1: it off? Yeah? And I know you've had you said, 983 00:51:45,280 --> 00:51:47,680 Speaker 1: like all these women want to just be artists, and 984 00:51:48,440 --> 00:51:50,000 Speaker 1: you know they feel like they could just do it 985 00:51:50,000 --> 00:51:53,600 Speaker 1: because they have a following. Really that now that with me, 986 00:51:53,920 --> 00:51:56,880 Speaker 1: like I could be using my superpowers to a leverage 987 00:51:56,920 --> 00:51:59,239 Speaker 1: to be like yo, like every little chick that wants 988 00:51:59,320 --> 00:52:02,239 Speaker 1: to wrapper so like that whatever, like like if you 989 00:52:02,280 --> 00:52:04,560 Speaker 1: ain't got no record deal or nothing like that, tangibly 990 00:52:04,760 --> 00:52:07,120 Speaker 1: and like it's not passionate to you, then't I really 991 00:52:07,320 --> 00:52:09,200 Speaker 1: don't have a desire to work with you if it's 992 00:52:09,200 --> 00:52:11,480 Speaker 1: not your passion. I see that a lot of women 993 00:52:11,600 --> 00:52:14,439 Speaker 1: are looking at this ship is a come up because 994 00:52:14,520 --> 00:52:16,839 Speaker 1: it's been so accessible and attainable in such a short 995 00:52:16,840 --> 00:52:18,840 Speaker 1: amount of time, and they've seen people go through it, 996 00:52:19,120 --> 00:52:20,960 Speaker 1: like yo, I know this bitch was eating wings with 997 00:52:21,040 --> 00:52:23,080 Speaker 1: me Gonna flow six months ago and now she's such 998 00:52:23,160 --> 00:52:26,080 Speaker 1: and set, she's signed to be crazy. I know you're 999 00:52:26,080 --> 00:52:29,000 Speaker 1: not paying attention to what I'm either absolutely not, but 1000 00:52:29,160 --> 00:52:32,000 Speaker 1: at the same token, it's like, man, I don't really 1001 00:52:32,280 --> 00:52:34,120 Speaker 1: entertain it like on some music ship if you're not. 1002 00:52:34,280 --> 00:52:36,200 Speaker 1: I've been through so much in the music business to 1003 00:52:36,320 --> 00:52:38,480 Speaker 1: see somebody that doesn't care about it and just think 1004 00:52:38,520 --> 00:52:40,640 Speaker 1: that they want to do something overnight and just random. 1005 00:52:42,200 --> 00:52:44,560 Speaker 1: It's like you want to waste my time and gave 1006 00:52:44,680 --> 00:52:46,279 Speaker 1: my whole life to this ship, and now you think 1007 00:52:46,360 --> 00:52:51,000 Speaker 1: that I'm good because it's like a thing people think 1008 00:52:51,160 --> 00:52:54,279 Speaker 1: and I don't find this true, and I think it's sad. 1009 00:52:54,800 --> 00:52:56,800 Speaker 1: They think you don't really have to have talent to 1010 00:52:56,920 --> 00:53:02,000 Speaker 1: be a top artist. Now that's wrong it We know, what, 1011 00:53:03,680 --> 00:53:05,440 Speaker 1: if you work with me, you really don't have to 1012 00:53:05,520 --> 00:53:08,240 Speaker 1: be that. You know what I'm saying, like crazy or inclined, 1013 00:53:08,280 --> 00:53:10,600 Speaker 1: because like say, if I'll do a song for a 1014 00:53:10,760 --> 00:53:13,680 Speaker 1: rap female artist, I usually have the song done and 1015 00:53:13,719 --> 00:53:15,800 Speaker 1: I just handled this song. It's a total different process 1016 00:53:15,840 --> 00:53:17,719 Speaker 1: than working with an artists that's a real artist, like 1017 00:53:17,840 --> 00:53:21,439 Speaker 1: taking like a lot of rappers with no disrespect, without 1018 00:53:21,560 --> 00:53:23,960 Speaker 1: naming any names, like I'll just I'll have the song 1019 00:53:24,120 --> 00:53:26,120 Speaker 1: done and just be like here go do this. And 1020 00:53:26,200 --> 00:53:28,480 Speaker 1: my engineer is so fire. He knows that when he 1021 00:53:28,560 --> 00:53:30,279 Speaker 1: recorded it, so he knows what I want to deliver. 1022 00:53:30,680 --> 00:53:32,160 Speaker 1: And if you're sit in front of the mic for 1023 00:53:32,520 --> 00:53:34,400 Speaker 1: a whole day, I'm pretty sure you can get eight 1024 00:53:34,480 --> 00:53:37,040 Speaker 1: bars done or something like that. So it's it's a 1025 00:53:37,080 --> 00:53:39,919 Speaker 1: gift and the curse. All right, Now, let me ask 1026 00:53:39,960 --> 00:53:44,960 Speaker 1: you another this or that shoot? All right? Making love 1027 00:53:45,120 --> 00:53:49,759 Speaker 1: or fucking making love? She said that like and she 1028 00:53:49,880 --> 00:53:54,440 Speaker 1: said it like she just made love. No making love, No, 1029 00:53:54,560 --> 00:54:02,839 Speaker 1: it's not that. It's not that at all. Yea if 1030 00:54:03,080 --> 00:54:06,800 Speaker 1: her voice her voice be always sounds and calm with 1031 00:54:08,680 --> 00:54:11,360 Speaker 1: but making love for me, yeah, I think sucking it 1032 00:54:11,440 --> 00:54:14,399 Speaker 1: is like you can do that with anybody. You can't 1033 00:54:14,440 --> 00:54:18,360 Speaker 1: make love to just anybody. Making love is special. It's special. 1034 00:54:18,840 --> 00:54:21,640 Speaker 1: So what's the making love process for you? That for you? 1035 00:54:21,719 --> 00:54:28,000 Speaker 1: That's a feel nights I'm saying, like, of course there's 1036 00:54:28,000 --> 00:54:30,160 Speaker 1: gonna start off we're gonna do something to get there. 1037 00:54:30,239 --> 00:54:32,719 Speaker 1: We don't just go right into it. That could be. 1038 00:54:33,120 --> 00:54:36,080 Speaker 1: I was thinking like a day night night, okay, like 1039 00:54:36,239 --> 00:54:43,000 Speaker 1: a day night. I was not ready. I was not ready. 1040 00:54:43,280 --> 00:54:45,759 Speaker 1: You know, you gotta stay ready with this now like 1041 00:54:46,000 --> 00:54:52,080 Speaker 1: man works too much. But now it starts with a date. 1042 00:54:52,239 --> 00:54:54,400 Speaker 1: Of course, you gotta get there. You want to do 1043 00:54:54,520 --> 00:54:58,000 Speaker 1: something fun and then yeah, you go home, or you 1044 00:54:58,080 --> 00:55:01,080 Speaker 1: might go to your room for a play. Of course 1045 00:55:01,680 --> 00:55:03,640 Speaker 1: I'm having on for a play too. I hate rushing 1046 00:55:03,680 --> 00:55:06,759 Speaker 1: into things like I gotta like touch you. We gotta 1047 00:55:06,800 --> 00:55:09,400 Speaker 1: do something before we just lay down. You gotta eat 1048 00:55:09,440 --> 00:55:14,320 Speaker 1: your pussy always always, see that's what I'm saying. Yes, okay, 1049 00:55:14,400 --> 00:55:16,320 Speaker 1: I think that's when kind of like that's how you 1050 00:55:16,360 --> 00:55:20,640 Speaker 1: get activated, ladies, No, you gotta get activated. Got at there? 1051 00:55:21,160 --> 00:55:28,960 Speaker 1: What's that called space started starting? Made it sound terrible now, 1052 00:55:30,760 --> 00:55:33,040 Speaker 1: like a spence starts when you just spit on it 1053 00:55:33,120 --> 00:55:40,160 Speaker 1: and try to stick. Okay. I'm glad you explained it though, 1054 00:55:40,160 --> 00:55:42,600 Speaker 1: because I thought of it like that too. Yeah. Okay, 1055 00:55:43,360 --> 00:55:49,719 Speaker 1: so that's yeah, that's not intimate. Oh that's what should 1056 00:55:49,719 --> 00:55:52,840 Speaker 1: you do. That's like if your pussy dry, that's just 1057 00:55:53,440 --> 00:55:57,600 Speaker 1: that's just like, all right, so now we got you 1058 00:55:57,640 --> 00:56:00,360 Speaker 1: gotta eat the pussy. Okay, eat the pu See we 1059 00:56:00,400 --> 00:56:04,799 Speaker 1: gotta have for play kissing. That was kissing, Okay, that's 1060 00:56:04,880 --> 00:56:07,160 Speaker 1: like I feel like that's after the day and you're 1061 00:56:07,200 --> 00:56:10,399 Speaker 1: doing oral also, I mean, if you're right there, that's 1062 00:56:10,440 --> 00:56:16,960 Speaker 1: not something I'm like jumping. We're not jumping or you know, 1063 00:56:17,080 --> 00:56:18,560 Speaker 1: it's like some time for me to get into that. 1064 00:56:18,719 --> 00:56:23,600 Speaker 1: But but this is making love. But yeah, making love okay, yeah, reciprocate. 1065 00:56:23,840 --> 00:56:25,440 Speaker 1: Do you ever feel bad if you like sucking dick 1066 00:56:25,520 --> 00:56:27,360 Speaker 1: good and then you have to get start because you 1067 00:56:27,360 --> 00:56:28,640 Speaker 1: don't want him to come. But you're like, I'm doing 1068 00:56:28,680 --> 00:56:31,040 Speaker 1: such a great job. I feel like that's spending me 1069 00:56:31,120 --> 00:56:33,840 Speaker 1: off because I really enjoy sucking dick. So it's like 1070 00:56:33,880 --> 00:56:36,560 Speaker 1: when I'm really into it and really enjoying it, and 1071 00:56:36,600 --> 00:56:37,920 Speaker 1: then he want to stop because people have to come 1072 00:56:37,960 --> 00:56:41,600 Speaker 1: wor be bad, like what drinking mad? If he does come, 1073 00:56:41,719 --> 00:56:52,239 Speaker 1: Like maybe I should have stopped my mouth where you like, 1074 00:56:52,840 --> 00:56:56,400 Speaker 1: I have a drink of slying relaxed smoke block start 1075 00:56:56,480 --> 00:57:03,160 Speaker 1: over to start over. Yeah, it sounds fun like waiting plea, 1076 00:57:03,520 --> 00:57:16,840 Speaker 1: you're not a pasp work. It's not a quick process. 1077 00:57:16,960 --> 00:57:19,280 Speaker 1: Like I'm not down there forever, like and by the 1078 00:57:19,320 --> 00:57:24,600 Speaker 1: time you're down there forever and that's okay, and that's okay, 1079 00:57:25,520 --> 00:57:27,600 Speaker 1: but listen, you know what, I think it's good if 1080 00:57:27,640 --> 00:57:29,200 Speaker 1: you do that and then you have sex, and then 1081 00:57:29,240 --> 00:57:30,680 Speaker 1: you do it again and then you have sex. Like 1082 00:57:30,760 --> 00:57:33,040 Speaker 1: if you keep on all city it's called so that 1083 00:57:33,120 --> 00:57:35,680 Speaker 1: he doesn't come, but you're doing it like until he 1084 00:57:36,040 --> 00:57:38,880 Speaker 1: wants to, but you're not letting him yet. Is that 1085 00:57:39,000 --> 00:57:46,080 Speaker 1: like a form of edging? Yeah? What tricks? Yeah? And 1086 00:57:46,160 --> 00:57:51,000 Speaker 1: maybe amongst man once they get there, you gotta finish, right, 1087 00:57:51,520 --> 00:57:53,800 Speaker 1: You've never had a man be like man, stop, I'm close. 1088 00:57:54,920 --> 00:57:58,800 Speaker 1: If you're saying he will like moss, I will tell 1089 00:57:58,800 --> 00:58:01,640 Speaker 1: you to keep going until Yeah, not all the time. 1090 00:58:02,120 --> 00:58:04,640 Speaker 1: It depends on if he can go like more than again. Yeah, 1091 00:58:04,680 --> 00:58:10,280 Speaker 1: if he can't come and keep going, because then they 1092 00:58:10,280 --> 00:58:16,440 Speaker 1: don't get the pussy. Yeah is it? I feel like 1093 00:58:16,480 --> 00:58:18,560 Speaker 1: if you're making love then there shouldn't be no limits 1094 00:58:18,640 --> 00:58:20,920 Speaker 1: on the rounds that you have or whatever, because you 1095 00:58:21,080 --> 00:58:23,640 Speaker 1: actually love that person, you want to be around him. 1096 00:58:23,680 --> 00:58:28,120 Speaker 1: You're actually spreading go again after you'll be falling asleep 1097 00:58:28,640 --> 00:58:30,600 Speaker 1: or they just can't really bring it back, like can 1098 00:58:30,680 --> 00:58:32,600 Speaker 1: you go more than once in a row? Like right away? 1099 00:58:32,720 --> 00:58:36,000 Speaker 1: Do you stay hard? Um? Yeah, I could get active. 1100 00:58:36,080 --> 00:58:38,680 Speaker 1: I mean I could if I'm into the person like that. 1101 00:58:38,840 --> 00:58:41,040 Speaker 1: I think it. I think as a man, if you 1102 00:58:41,200 --> 00:58:43,840 Speaker 1: get in some head and then you come or whatever, 1103 00:58:44,240 --> 00:58:45,960 Speaker 1: you still want to get in it. You still know 1104 00:58:46,080 --> 00:58:48,600 Speaker 1: that you gotta return the favor to some degree or whatever. 1105 00:58:48,680 --> 00:58:53,040 Speaker 1: But like if y'all, if y'all kicking it, y'all can 1106 00:58:53,080 --> 00:58:55,960 Speaker 1: smoke a blunt, y'all can chill, kiki laugh, she could 1107 00:58:56,000 --> 00:58:57,680 Speaker 1: touch you the certain right way or whatever, and you 1108 00:58:57,760 --> 00:59:00,840 Speaker 1: can be right back to it. It's like then it's 1109 00:59:00,840 --> 00:59:02,800 Speaker 1: like I'm on your ass now you know what I'm saying, 1110 00:59:02,880 --> 00:59:04,400 Speaker 1: Like you put it on me, Like now, let's now, 1111 00:59:04,520 --> 00:59:07,000 Speaker 1: let's see what what this happens. Not different from oral 1112 00:59:07,120 --> 00:59:11,360 Speaker 1: than from intercourse, yeah to me, because like sometimes it 1113 00:59:11,440 --> 00:59:13,560 Speaker 1: depends on like if you're in a certain position and 1114 00:59:13,720 --> 00:59:16,120 Speaker 1: like you chest the chest with a female or something, 1115 00:59:16,200 --> 00:59:17,760 Speaker 1: y'all right there and y'all both are kind of a 1116 00:59:17,800 --> 00:59:20,240 Speaker 1: climax and y'all into it like that. It's a different 1117 00:59:20,520 --> 00:59:23,960 Speaker 1: type of experience then just getting some head, you know 1118 00:59:24,000 --> 00:59:26,560 Speaker 1: what I'm saying, like and whatever, especially if it's just 1119 00:59:26,680 --> 00:59:29,320 Speaker 1: like if it's not from someone that you make in love. 1120 00:59:29,400 --> 00:59:33,040 Speaker 1: When you're just getting here, it's kind of like I 1121 00:59:33,160 --> 00:59:36,680 Speaker 1: might be thinking about my fucking the something else, you 1122 00:59:36,720 --> 00:59:39,480 Speaker 1: know what I'm saying, Like niggers be replaying different women 1123 00:59:39,520 --> 00:59:44,920 Speaker 1: in their head, thinking about different things. You know, what 1124 00:59:45,000 --> 00:59:47,160 Speaker 1: about for women? Is it different from you like to 1125 00:59:47,400 --> 00:59:50,320 Speaker 1: come from oral than it is? Absolutely? What do you prefer? 1126 00:59:52,520 --> 00:59:54,960 Speaker 1: I want the internal orgasm. I feel like the internal 1127 00:59:55,080 --> 00:59:59,000 Speaker 1: orgasm comes from a deeper place, pun intended, like it's 1128 00:59:59,080 --> 01:00:01,880 Speaker 1: more here, right, if it comes from deep within, like 1129 01:00:01,960 --> 01:00:05,400 Speaker 1: it's it holds more weak, it's heavier, because that's something 1130 01:00:05,440 --> 01:00:08,520 Speaker 1: I can't do to myself, Like I can make myself 1131 01:00:08,600 --> 01:00:11,480 Speaker 1: coming externally eighty five times, but I can't get that 1132 01:00:11,640 --> 01:00:14,720 Speaker 1: internal pleasure if there's no pennis. I used to feel 1133 01:00:14,760 --> 01:00:20,760 Speaker 1: like g before, but currently I choose the other way 1134 01:00:20,960 --> 01:00:23,480 Speaker 1: because I like for a guy to make me come 1135 01:00:23,560 --> 01:00:27,920 Speaker 1: with his mouth and then you know, kiss him right after. Okay, 1136 01:00:28,160 --> 01:00:30,680 Speaker 1: It's like something I kind of want. It's a different 1137 01:00:30,720 --> 01:00:33,640 Speaker 1: feeling where you come from world like oral better, right, 1138 01:00:36,920 --> 01:00:40,400 Speaker 1: I don't think so. I used to like the way around. 1139 01:00:40,400 --> 01:00:43,720 Speaker 1: I don't think me not much, but now but I 1140 01:00:43,800 --> 01:00:45,760 Speaker 1: do like to. Okay, I want to say I like 1141 01:00:45,880 --> 01:00:47,680 Speaker 1: to come from earl and then have sex right out. 1142 01:00:47,720 --> 01:00:49,760 Speaker 1: Hear me too, Yeah, the same same. But if I 1143 01:00:49,840 --> 01:00:52,880 Speaker 1: had to pick an orgasm, I'm gonna want that internal ORGANSM. 1144 01:00:52,960 --> 01:00:54,960 Speaker 1: I'm telling you I like to. I like for it 1145 01:00:55,080 --> 01:00:57,160 Speaker 1: to finish and then he comes up kiss me and 1146 01:00:57,280 --> 01:00:59,760 Speaker 1: we're having sex and the kiss and sometimes I like 1147 01:01:00,000 --> 01:01:05,200 Speaker 1: guarantee orgasm was like normal. I feel like any nigger 1148 01:01:05,240 --> 01:01:07,280 Speaker 1: at each your pussy until you come like the next 1149 01:01:07,360 --> 01:01:19,000 Speaker 1: thing is to bring and then he never was like 1150 01:01:19,080 --> 01:01:27,160 Speaker 1: what do I taste? Like? Can't say I have? What 1151 01:01:27,280 --> 01:01:29,720 Speaker 1: would you do if somebody like did that to you 1152 01:01:29,760 --> 01:01:31,480 Speaker 1: and then trying to kiss you after you have to 1153 01:01:31,560 --> 01:01:34,840 Speaker 1: brush her teeth? Like what if she swallow? Respectfully, I 1154 01:01:34,880 --> 01:01:36,760 Speaker 1: would like for you to go like take care of 1155 01:01:36,800 --> 01:01:38,720 Speaker 1: yourself in the in the in the bathroom and then 1156 01:01:38,880 --> 01:01:41,800 Speaker 1: come back to the guy will let you just swallow 1157 01:01:41,880 --> 01:01:45,280 Speaker 1: and then kiss you at now that's too nasty. I 1158 01:01:45,440 --> 01:01:48,360 Speaker 1: think a guy would respectfully decline like, hey, which is 1159 01:01:48,440 --> 01:01:50,520 Speaker 1: what you doing? Girl? They'd be trying to kiss you, 1160 01:01:50,560 --> 01:01:54,680 Speaker 1: but like you try to kiss and the But if 1161 01:01:54,720 --> 01:01:56,600 Speaker 1: I turned my head, then you already know what time 1162 01:01:56,640 --> 01:01:58,960 Speaker 1: it is. It's like you might you might be embarrassed 1163 01:01:59,000 --> 01:02:00,480 Speaker 1: to the fact that you might it up and go. 1164 01:02:00,760 --> 01:02:02,800 Speaker 1: You know what I'm saying, get yourself if you try 1165 01:02:02,960 --> 01:02:05,200 Speaker 1: not no, I can go like that mean that you're 1166 01:02:05,240 --> 01:02:07,920 Speaker 1: just mad, like you're disrespectful, Like for I feel like 1167 01:02:07,960 --> 01:02:10,000 Speaker 1: I don't respect for the guy. After that, I'm not 1168 01:02:10,080 --> 01:02:13,600 Speaker 1: going to go and kiss him, like, yeah, you gotta 1169 01:02:13,840 --> 01:02:16,960 Speaker 1: exactly the term for that ship? What's the term for 1170 01:02:17,040 --> 01:02:27,640 Speaker 1: that ship? Snowballing? Oh my god? Why do y'all know that? Yeah? 1171 01:02:28,680 --> 01:02:31,040 Speaker 1: I mean for me. I think you asked me this 1172 01:02:32,000 --> 01:02:38,080 Speaker 1: last thing. I'm sorry, Yeah, that's true. Um, but you 1173 01:02:38,200 --> 01:02:40,440 Speaker 1: know the nastiest thing. I feel like the guys a 1174 01:02:40,560 --> 01:02:43,360 Speaker 1: little nested and and I am what's if that somebody 1175 01:02:43,440 --> 01:02:44,960 Speaker 1: did to you that you like that you didn't think 1176 01:02:45,000 --> 01:02:48,760 Speaker 1: you would like? Oh, I don't know if we could 1177 01:02:48,760 --> 01:02:53,640 Speaker 1: go that today. Girl. I know, ladies. Look, probably when 1178 01:02:53,640 --> 01:02:56,000 Speaker 1: I got in my ass, I didn't expect to like 1179 01:02:56,120 --> 01:02:58,320 Speaker 1: it because it was like something I want really into, 1180 01:02:58,520 --> 01:03:00,480 Speaker 1: Like I don't really at first, I want to really 1181 01:03:00,560 --> 01:03:02,360 Speaker 1: like you don't have to play with my ass, you 1182 01:03:02,360 --> 01:03:04,800 Speaker 1: don't have to do nothing to my ass. And it's 1183 01:03:04,800 --> 01:03:13,360 Speaker 1: actually these same like It surprised me because I wasn't 1184 01:03:13,400 --> 01:03:15,840 Speaker 1: really into like you can leave my ass alone. But 1185 01:03:16,280 --> 01:03:19,160 Speaker 1: it's nice, Like what was it finger eating out your 1186 01:03:19,200 --> 01:03:21,640 Speaker 1: ass when you ate it? All right? You were like, okay, 1187 01:03:21,680 --> 01:03:25,080 Speaker 1: I do like this. Yeah, I'm still figuring it out, 1188 01:03:25,120 --> 01:03:27,240 Speaker 1: so like I know, like I could be up there 1189 01:03:27,240 --> 01:03:30,400 Speaker 1: stay in a lot of ship way. Yeah that's going 1190 01:03:30,880 --> 01:03:33,120 Speaker 1: all right. I'm not mad at that I have gotten 1191 01:03:33,160 --> 01:03:36,600 Speaker 1: into that, but y'all, like, I know, it's not it's 1192 01:03:36,640 --> 01:03:39,600 Speaker 1: not something that I'm really looking forward to. You know. Yeah, 1193 01:03:39,600 --> 01:03:41,320 Speaker 1: I don't like what tongue in mom, and that's what 1194 01:03:41,400 --> 01:03:46,160 Speaker 1: I thought you like a thumb. I feel like it's 1195 01:03:46,240 --> 01:03:47,880 Speaker 1: just an add on, Like I'm not going to talk 1196 01:03:47,920 --> 01:03:49,720 Speaker 1: a guy not to do it, you know, if you 1197 01:03:50,480 --> 01:03:58,960 Speaker 1: it's like legs, Yeah, I kind of feel like a 1198 01:03:59,680 --> 01:04:02,640 Speaker 1: like out your coach vicinity if a nigga just being 1199 01:04:02,720 --> 01:04:04,440 Speaker 1: you over, like let me eat your butt, like you 1200 01:04:04,560 --> 01:04:13,240 Speaker 1: just because you already in the area. You might hit 1201 01:04:13,320 --> 01:04:14,720 Speaker 1: it once it twice. You know, you might get in 1202 01:04:14,800 --> 01:04:16,880 Speaker 1: that area. But and if you either puss it from 1203 01:04:16,920 --> 01:04:18,400 Speaker 1: the back you say you're hitting it from the back 1204 01:04:18,400 --> 01:04:23,160 Speaker 1: of it from the back, I know that you don't 1205 01:04:23,200 --> 01:04:24,360 Speaker 1: like that. He want to do it to you and 1206 01:04:24,440 --> 01:04:26,280 Speaker 1: turn you out. I think guys like to go with 1207 01:04:26,440 --> 01:04:37,720 Speaker 1: no man has gone before, Paul, No, listen, you've never 1208 01:04:37,800 --> 01:04:45,520 Speaker 1: had that before. You want some ship? Yeah, it's like 1209 01:04:45,800 --> 01:04:49,120 Speaker 1: you never had your I think it's kind of corny 1210 01:04:49,160 --> 01:04:52,240 Speaker 1: to talk about sex prior to sex. I think it's 1211 01:04:52,280 --> 01:04:57,400 Speaker 1: more fire when it just happens. You got a whole album. 1212 01:05:01,000 --> 01:05:02,800 Speaker 1: You will be able to answer that more correctly than me, 1213 01:05:02,800 --> 01:05:05,200 Speaker 1: because it's her expression. She named the album pillow Talk. 1214 01:05:05,280 --> 01:05:08,360 Speaker 1: But I think to me, pillow talk is after the fucking. 1215 01:05:08,680 --> 01:05:11,760 Speaker 1: But if to her it could mean something different, that's true, 1216 01:05:12,320 --> 01:05:14,240 Speaker 1: but it comes up in conversation. No, we're not gonna 1217 01:05:14,240 --> 01:05:16,080 Speaker 1: be like actually sitting on the bed saying what we 1218 01:05:16,120 --> 01:05:18,000 Speaker 1: want to do to each other. That could be actually 1219 01:05:18,200 --> 01:05:20,280 Speaker 1: actually sounds good the way you just said it, and 1220 01:05:20,400 --> 01:05:30,440 Speaker 1: I control freak, like she's the nigger in the relationship. 1221 01:05:31,520 --> 01:05:37,640 Speaker 1: Come here, you know, in the bed, talking about what 1222 01:05:37,720 --> 01:05:39,520 Speaker 1: you're about to do to each other before you do it. 1223 01:05:40,000 --> 01:05:43,880 Speaker 1: Is that role playing? No, you don't just talking about 1224 01:05:43,880 --> 01:05:46,000 Speaker 1: it here. I hate when a guy asked permission to 1225 01:05:46,120 --> 01:05:49,120 Speaker 1: kiss me. Yeah, make it kind of awkward to me, 1226 01:05:49,240 --> 01:05:51,440 Speaker 1: Like you're making an awkward just go through it. If 1227 01:05:51,520 --> 01:05:53,840 Speaker 1: I don't just get into it, it is me talking 1228 01:05:54,320 --> 01:06:01,360 Speaker 1: away now, No that everybody, boy, if we're already this far, 1229 01:06:01,800 --> 01:06:10,920 Speaker 1: you know exactly. Wow, And a lot of times you 1230 01:06:11,080 --> 01:06:12,560 Speaker 1: like to have a drink. You're not even really in 1231 01:06:12,600 --> 01:06:14,400 Speaker 1: the mood to talk. I'm not in the motor even 1232 01:06:14,840 --> 01:06:19,160 Speaker 1: you know, talk to too much, Like, let's get right me. 1233 01:06:19,320 --> 01:06:24,360 Speaker 1: The only question what have in a car? Yeah? Exactly, 1234 01:06:24,520 --> 01:06:26,560 Speaker 1: And I don't I feel like the only question that 1235 01:06:26,800 --> 01:06:29,080 Speaker 1: wouldn't be our when you're already in that heat a 1236 01:06:29,200 --> 01:06:32,600 Speaker 1: moment of about tops heat of the moment asking for 1237 01:06:32,680 --> 01:06:36,160 Speaker 1: a Yeah, I think that's the only question I fits there. 1238 01:06:38,640 --> 01:06:41,520 Speaker 1: I think that I bet you said we talked so 1239 01:06:41,720 --> 01:06:43,520 Speaker 1: much for a living. All of us talk for a 1240 01:06:43,600 --> 01:06:47,520 Speaker 1: living in some type of capacity that I kind of like, uh, 1241 01:06:48,240 --> 01:06:51,160 Speaker 1: rather with body, I would rather physically. But physical talk 1242 01:06:51,240 --> 01:06:54,360 Speaker 1: show more than than sucking, layout playing or you know 1243 01:06:54,360 --> 01:06:57,080 Speaker 1: what I'm saying, like a checklist that you got chemistry 1244 01:06:57,080 --> 01:07:00,600 Speaker 1: and energy can't be you know the not you feel 1245 01:07:00,640 --> 01:07:02,560 Speaker 1: that for sure? You don't got to talk about that 1246 01:07:02,960 --> 01:07:05,640 Speaker 1: for sure. Well listen, I know, I know you'll got 1247 01:07:05,680 --> 01:07:07,680 Speaker 1: a lot of things going on today. So they're saying 1248 01:07:07,680 --> 01:07:10,480 Speaker 1: we gotta wrap y'all up. But I do appreciate you 1249 01:07:10,560 --> 01:07:12,200 Speaker 1: guys coming and kicking with it. This is cute and 1250 01:07:12,240 --> 01:07:15,080 Speaker 1: this is fun. Yeah, it's always fun. Oh, I have 1251 01:07:15,160 --> 01:07:18,800 Speaker 1: a gift for y'all always where we go. So we're crazy. 1252 01:07:19,000 --> 01:07:21,240 Speaker 1: Why are you looking at some good kind of gifts? 1253 01:07:21,240 --> 01:07:26,080 Speaker 1: We'd be giving up. It's not it's not the kind 1254 01:07:26,080 --> 01:07:29,840 Speaker 1: of game. So we have a merch line shout from division. 1255 01:07:29,880 --> 01:07:33,280 Speaker 1: He actually wore the shirt. Yeah, thank this is for you, 1256 01:07:33,840 --> 01:07:35,240 Speaker 1: thank you. I'm gonna give you the bed. So I 1257 01:07:35,320 --> 01:07:39,040 Speaker 1: just wanted to pull thank you. Make a homeboy this 1258 01:07:39,400 --> 01:07:43,800 Speaker 1: for you. Yeah, I get some lift services here, so 1259 01:07:43,880 --> 01:07:48,160 Speaker 1: we stepped. We got we got a smoke, smoke outside, 1260 01:07:48,200 --> 01:07:51,480 Speaker 1: we got some We're gonna get you a bib to 1261 01:07:51,520 --> 01:08:00,680 Speaker 1: eat acid. No, but seriously to congratulations the time. It's 1262 01:08:00,760 --> 01:08:03,680 Speaker 1: like another level unlocked. Yes, and so we thank you. 1263 01:08:04,840 --> 01:08:08,400 Speaker 1: She breaking herself for us to we appreciate it. Always 1264 01:08:09,400 --> 01:08:11,280 Speaker 1: ring out the crazy ship. She was like, I don't 1265 01:08:11,280 --> 01:08:14,040 Speaker 1: know if I'm want to say this, but that's our love. 1266 01:08:14,080 --> 01:08:15,920 Speaker 1: When you set up your com when you started sentence 1267 01:08:15,960 --> 01:08:18,960 Speaker 1: like that, she'd got to say something. No, but it's 1268 01:08:18,960 --> 01:08:21,000 Speaker 1: a lot of fun with y'all. I love having girl talk. 1269 01:08:21,040 --> 01:08:26,760 Speaker 1: I'll get into it into everything. Yes, we always you 1270 01:08:26,840 --> 01:08:29,320 Speaker 1: because you know you are just uncensored and you have 1271 01:08:29,520 --> 01:08:31,519 Speaker 1: no problems. But like we did really good. He did 1272 01:08:31,640 --> 01:08:39,639 Speaker 1: really good today though, like and she didn't. The story 1273 01:08:39,680 --> 01:08:41,920 Speaker 1: of my life. This is like the calm, the calm 1274 01:08:42,040 --> 01:08:43,519 Speaker 1: nat maker today. I like that he was like, no 1275 01:08:43,640 --> 01:08:47,000 Speaker 1: drink for me, I have some temperature water for show man. 1276 01:08:47,080 --> 01:08:49,519 Speaker 1: I mean I'm trying. I'm trying to take it to 1277 01:08:49,600 --> 01:08:51,400 Speaker 1: another level. I'm trying to you know what I'm saying. 1278 01:08:51,479 --> 01:08:54,360 Speaker 1: Grow up, I'm executive now, you know what I'm saying. 1279 01:08:54,439 --> 01:08:57,040 Speaker 1: So I think that being transparent sometimes I get you 1280 01:08:57,120 --> 01:08:59,120 Speaker 1: in trouble with me. And not only that, you know, 1281 01:08:59,360 --> 01:09:01,720 Speaker 1: like I been seeing a lot of guys go do 1282 01:09:02,000 --> 01:09:03,880 Speaker 1: different interviews you know what I'm saying, and kind of 1283 01:09:03,960 --> 01:09:06,400 Speaker 1: like say too much or whatever. So I want to 1284 01:09:06,479 --> 01:09:09,599 Speaker 1: protect them, not only myself first and foremost. The reason 1285 01:09:09,640 --> 01:09:12,240 Speaker 1: I'm here tinks branding or whatever and not a fan nobody, 1286 01:09:12,280 --> 01:09:14,559 Speaker 1: And I also want to just keep the energy free 1287 01:09:14,600 --> 01:09:19,280 Speaker 1: flowing and everybody that's us really to get it and listen. 1288 01:09:19,360 --> 01:09:21,960 Speaker 1: We're glad. I saw you post about your a TV accident. 1289 01:09:22,120 --> 01:09:26,120 Speaker 1: Yeah that you almost died that, So thank god you 1290 01:09:26,240 --> 01:09:28,560 Speaker 1: are okay. You know, I've been through all kind of 1291 01:09:28,600 --> 01:09:33,080 Speaker 1: ship TV and you got a documentary coming right, Yeah, 1292 01:09:33,160 --> 01:09:35,400 Speaker 1: my documentary is on the way. Um, shout out to 1293 01:09:35,439 --> 01:09:37,599 Speaker 1: all the team that's involved with that. It's really literally 1294 01:09:37,720 --> 01:09:41,200 Speaker 1: like gonna show everything. So I'm super excited about people 1295 01:09:41,280 --> 01:09:43,760 Speaker 1: just seeing the Johnny because, more than anything more to 1296 01:09:43,840 --> 01:09:45,880 Speaker 1: be in our sense and more than all this other stuff, 1297 01:09:45,920 --> 01:09:48,400 Speaker 1: I want people, like in my career, all my ups 1298 01:09:48,439 --> 01:09:50,920 Speaker 1: and downs, to be a testimony and just just to 1299 01:09:51,000 --> 01:09:54,479 Speaker 1: show people that man like resilience is is key. You 1300 01:09:54,520 --> 01:09:56,160 Speaker 1: know what I'm saying. Never give up. If this is 1301 01:09:56,160 --> 01:09:58,040 Speaker 1: what you really want and you want to take this 1302 01:09:58,080 --> 01:09:59,639 Speaker 1: ship to where you want to take it, there's nothing 1303 01:09:59,720 --> 01:10:01,960 Speaker 1: really stopping you do it. Go lie on the breakfast club, 1304 01:10:02,040 --> 01:10:03,720 Speaker 1: tell you and Aaris want to give you a job 1305 01:10:03,840 --> 01:10:07,880 Speaker 1: to go do whatever you got. Lovely hip yeah, yo, 1306 01:10:08,040 --> 01:10:14,680 Speaker 1: don't bring it, don't It's not real at least all 1307 01:10:14,720 --> 01:10:17,559 Speaker 1: the other ship is real. Lovely hip hop is not real, guys, 1308 01:10:17,640 --> 01:10:19,800 Speaker 1: but you know it's a part of my journey. I 1309 01:10:19,800 --> 01:10:22,519 Speaker 1: don't shoy away from it. And I'm super excited because man, 1310 01:10:22,520 --> 01:10:25,639 Speaker 1: I'm here and I'm I'm up man, I'm really, I'm 1311 01:10:25,680 --> 01:10:31,720 Speaker 1: really blessed. Congratulations, thank you, congrats. We feel like that 1312 01:10:32,240 --> 01:10:37,240 Speaker 1: said congratulations, it would be a different reason she's been 1313 01:10:43,360 --> 01:10:46,600 Speaker 1: let's talk. Yes, I'm about to finish listening to it. 1314 01:10:47,080 --> 01:10:49,360 Speaker 1: I was listening on the plane I'm flew in today, 1315 01:10:49,439 --> 01:10:52,960 Speaker 1: so I was listening for me, y'all. Okay, yeah, you 1316 01:10:53,000 --> 01:10:55,120 Speaker 1: can listen a little bit before we love that. Make 1317 01:10:55,120 --> 01:10:58,559 Speaker 1: surely I'll go and get it here for it. Yes, 1318 01:10:59,160 --> 01:11:01,880 Speaker 1: I can't wait to see some visuals. Yes, I just 1319 01:11:02,000 --> 01:11:05,600 Speaker 1: dropped a goofy. We got a video out cater. If 1320 01:11:05,640 --> 01:11:10,080 Speaker 1: its're in two chains, keep streaming ya watching now with 1321 01:11:10,240 --> 01:11:13,439 Speaker 1: you because I'm your nigger in the cater video and 1322 01:11:13,560 --> 01:11:16,720 Speaker 1: then after that you're pregnant in the Goofy video, and like, 1323 01:11:16,800 --> 01:11:20,880 Speaker 1: we just like you know how to you don't be 1324 01:11:21,000 --> 01:11:26,240 Speaker 1: manifested too much truth and stuff. When they see things 1325 01:11:26,320 --> 01:11:28,000 Speaker 1: they try to think, they put into them two together. 1326 01:11:28,160 --> 01:11:31,240 Speaker 1: So it makes sense, but I think it's were we 1327 01:11:31,479 --> 01:11:32,880 Speaker 1: normally split our guests up, but he was like, I 1328 01:11:32,960 --> 01:11:34,760 Speaker 1: want to sit next to Tink on this, so we 1329 01:11:34,840 --> 01:11:36,479 Speaker 1: had to put you all on the couch together. No, 1330 01:11:36,560 --> 01:11:38,880 Speaker 1: I'm glad we do well together for support, you know, 1331 01:11:38,880 --> 01:11:43,759 Speaker 1: what I'm saying, I'm here for always, you know. Yeah, Okay, 1332 01:11:46,600 --> 01:11:47,519 Speaker 1: let's service, yea.