WEBVTT - The Breakfast Club REWIND (Jabari Banks, Kim Fields, Topic Time and More)

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<v Speaker 1>Good morning USCA yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo Yo. I'm DJ Envy. Now nobody

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<v Speaker 1>name is Charlot Mine, the guy with the world the

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<v Speaker 1>most dangerous morning yo to Breakfast Club. And currently we

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<v Speaker 1>are on vacation man, totally disconnected. Yes, we're not even

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<v Speaker 1>really here. You think you're listening to us, but we're not. Well,

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<v Speaker 1>we are not. We're here spin Spirit Yeah yeah, and

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<v Speaker 1>we're gonna be playing some of our top interviews and

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<v Speaker 1>some throwbacks. So keep a lock right, it's gonna be

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<v Speaker 1>running the boards. It's the Breakfast Club. Good morning. This

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<v Speaker 1>is your time to get it off your chest. Whether

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<v Speaker 1>you're man from you on the Breakfast Club. You got

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<v Speaker 1>something on your mom? Hello, who's this? Good morning? Dave'm

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<v Speaker 1>hey Liema, good morning, get it off your chat morning Lima,

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<v Speaker 1>good morning. Oh my god. I don't believe my lasting,

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<v Speaker 1>but today my day happy. I've been born day Lima.

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<v Speaker 1>Dank you. Um, first of all, up in your face,

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<v Speaker 1>dare I'm an equal candidate. I don't care, gonna bust

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<v Speaker 1>your ass. We're gonna bush you all ass. The cowboy's

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<v Speaker 1>gonna bust your all ass. You wish that someone will

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<v Speaker 1>bust your ass? Sharlot man, Wow, you can't get damn

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<v Speaker 1>goodness great, she's second of all. I'm sorry, I just

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<v Speaker 1>really want to get it off my test that I'm okay,

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<v Speaker 1>So I'm gonna nurse and I work in the hospital.

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<v Speaker 1>Um these you pay into all these insurance companies and

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<v Speaker 1>the um work as Thompson short term disability, and when

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<v Speaker 1>you get hurt, they really don't want to pay you,

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<v Speaker 1>like get to life. That's funny that you said that.

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<v Speaker 1>I just had to fill all that out now, short

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<v Speaker 1>term disability, long term disability. I had to do that

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<v Speaker 1>all and I mean, thank god, I've never got sick

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<v Speaker 1>where I needed it. But people have been telling me

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<v Speaker 1>that that when they actually do get sick, it's really

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<v Speaker 1>hard to get paid. It's so hard like I've been

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<v Speaker 1>And you think I work for a hospital they would

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<v Speaker 1>pay me, but no, Like that's really crazy to me.

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<v Speaker 1>What's your what's your disability? I? UM, I'm sorry, I'm

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<v Speaker 1>really nursious. I UM. I took in my knee. I

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<v Speaker 1>walking set in the final put Oh got you got?

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<v Speaker 1>You sound like you lying that and the fact that

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<v Speaker 1>your Eagles fan. I look at my record time plaie number.

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<v Speaker 1>I don't want to you ain't gonna do all that. Now.

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<v Speaker 1>I know you lying. Now, now I know you lying.

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<v Speaker 1>Good morning, and I'm just a little livy. I'm shocked

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<v Speaker 1>that I got well. Have a good one, Liam, have

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<v Speaker 1>an enjoy your birthday. Yeah. I hope you keep pronouncing

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<v Speaker 1>the system. Hope you get everything you want out of

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<v Speaker 1>the game. Hello, who's this man? Going on? Leo? Whatever? Hey? Video?

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<v Speaker 1>I got some more Laker thick back, a good smartest,

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<v Speaker 1>smarter baby. Goodbye, Leo enby a walking lik? Hey, Leo

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<v Speaker 1>Enby a walking link? Ain en bey a walking link? Any?

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<v Speaker 1>I feel like gonna on the story. I feel like

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<v Speaker 1>you got more man, I feel like you got more stories.

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<v Speaker 1>This is goodbye Leo. Goodness gracious? Hello? Who's this? Hey?

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<v Speaker 1>This is Kareem? Why are you doing this? Going to

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<v Speaker 1>bear god? Whatever? Y? Hey, I got married this spe

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<v Speaker 1>get married. I'm not gonna lie to you. He said,

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<v Speaker 1>what got married this weekend? Okay, congratulate, congratulations my brother.

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<v Speaker 1>How old you? How old are you? I'm thirty three?

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<v Speaker 1>Oh man, that's beautiful. Man. Marriage is a wonderful thing.

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<v Speaker 1>My brother, It's gonna change your life. Make sure that

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<v Speaker 1>you make sure that you pour everything into your queen.

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<v Speaker 1>Make sure that you stay a faithful man out here

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<v Speaker 1>in these screets. You know, don't get distracted and watch

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<v Speaker 1>our life. Watch watch how your life gets blessed. Always

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<v Speaker 1>looks sir. I appreciate and y'all a perfect example for it.

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<v Speaker 1>I love y'all. Man, thank you, brother, enjoy man. Whoa, whoa.

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<v Speaker 1>Now we're a perfect example. We'll take it now, I'll

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<v Speaker 1>take it now, take no. I mean, you know it

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<v Speaker 1>wasn't the past. Man. You're right now, you're right, you

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<v Speaker 1>know what, You're absolutely right. I saw my good sister

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<v Speaker 1>Debbie Brown. Man. Debbie Brown posted something this weekend. She

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<v Speaker 1>said that, uh, there is no old you. It's just

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<v Speaker 1>it's just it's just a new you waiting to something.

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<v Speaker 1>I can't remember what the rest of it was. Yes,

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<v Speaker 1>eight Andrew five eight five one oh five one. If

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<v Speaker 1>you need to vent, hit us up now. It's the

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<v Speaker 1>breakfast Club. Good morning, the breakfast Club. Wake up, wake up,

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<v Speaker 1>wake y'all. If you're time to get it off your

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<v Speaker 1>chest is a man or blast we want to hear

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<v Speaker 1>from you on a breakfast club. Hello, who's this DeAndre?

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<v Speaker 1>Without getting out to a chest, Hi, DeAndre? We heard

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<v Speaker 1>a peace king. What's happening? Hey? How you doing? Charlom

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<v Speaker 1>Mandy guy? And I can't believe. I gotta hold of y'all.

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<v Speaker 1>How are you doing? What's up? Brother? I just want

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<v Speaker 1>to get off my chest. I come in all single brother. Um,

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<v Speaker 1>I'm a single father and now month through bagy. I'm sorry.

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<v Speaker 1>I'm kind of nervous right now. Oh good, I'm might work.

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<v Speaker 1>I might work right now. Man. I just want to

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<v Speaker 1>let y'all know I I really appreciate all single mothers

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<v Speaker 1>out there, and I know how how it is to

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<v Speaker 1>struggle with a with a baby. I got three kids myself,

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<v Speaker 1>but I got one hundred percent cup of my nine

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<v Speaker 1>month or baby and it's really really hard right now. Man. Um,

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<v Speaker 1>we just we just had a real bad parson. We

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<v Speaker 1>used to go. We flipped our truck four times. Wow,

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<v Speaker 1>and ever since, like she's such a soldier man. She

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<v Speaker 1>didn't even move out to the carsty though. But she's

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<v Speaker 1>so good man. But um, we've been a real struggle

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<v Speaker 1>in life, Like that accident got me behind all everything.

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<v Speaker 1>And I know some people to get on the radium, like,

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<v Speaker 1>don't be on very stuff begging and stuff and stuff

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<v Speaker 1>like that. But you know, sometimes people just need real help.

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<v Speaker 1>I'm not work right now, and I still need help.

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<v Speaker 1>I worked at a place called Midwest Auto. Um, it's

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<v Speaker 1>a really nice place. We've been on sprinter vans or

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<v Speaker 1>celebrities sent uh nifty hustling and got on them here before.

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<v Speaker 1>Really we based out of Florida. No, it's in Indiana. Man,

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<v Speaker 1>that's hard. Okay, what is it affordable? I mean, you know,

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<v Speaker 1>relatively affordable? Well what you what is for? You? Ain't

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<v Speaker 1>no for you don't mean you don't know what it's

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<v Speaker 1>going on over here. Hey, I can't afford one man myself,

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<v Speaker 1>but I'm pretty sure one of y'all can. Man, I

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<v Speaker 1>don't know about that ship. Don't assume that. Yeah, I mean, hey,

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<v Speaker 1>I wish I wish to pay. I wish to pay

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<v Speaker 1>was as good as the bed was. Man, we'll give

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<v Speaker 1>you a cash ap out. Manybody feel like being Santa

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<v Speaker 1>Clause this morning. Man, My cash shap is a root

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<v Speaker 1>of evil eighty seven? Why is it route at evil?

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<v Speaker 1>My brother in Lord having mercy, I made I made

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<v Speaker 1>that cash up like three years going and were not.

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<v Speaker 1>Let me change it. Man, it's so juvenile. Man, I

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<v Speaker 1>didn't grew up ast that part of my life. You

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<v Speaker 1>know what I'm saying. How old are you now? I'm

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<v Speaker 1>thirty five years old. You was? You was? You grew

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<v Speaker 1>up past that point of your life at thirty two,

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<v Speaker 1>bro root Evil, Okay, I don't like that, but rood

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<v Speaker 1>Evil eighty seven, I got one question for you, brother.

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<v Speaker 1>I know you know a lot of brothers in the courts.

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<v Speaker 1>I'm saying, it's very difficult to get you know, full

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<v Speaker 1>custody of a child, especially a baby. So we're a

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<v Speaker 1>background through as well. How did you go about doing

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<v Speaker 1>that for all the brothers that's that's been fighting the

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<v Speaker 1>turn Well, I don't know. I'm just in a better position.

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<v Speaker 1>Me and my my wife. We made an agree, man, whatever.

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<v Speaker 1>I'm just in a better it was a better situation

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<v Speaker 1>for my daughter. Got hey, I got a question too,

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<v Speaker 1>my brother, Can you and your friends build me a

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<v Speaker 1>sprinter van under the table for the lower That's not

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<v Speaker 1>how that works. That's not how it works. Hey man,

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<v Speaker 1>Look you can get Hey man, all you gotta do

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<v Speaker 1>is hit me up on Instagram or Somethingody to make

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<v Speaker 1>anything after not like that. Now, don't don't start that, man,

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<v Speaker 1>I'm not ain't talking about that. I'm not I want

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<v Speaker 1>to sprint up. You see, y'all y'all really think I'm

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<v Speaker 1>all on that type of time, don't you I want

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<v Speaker 1>to sprint up? Brother? Hold on, Paul, what Paul? No,

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<v Speaker 1>it's not. Don't listen, man, don't believe the hype. But

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<v Speaker 1>you know what, you know what you know what you

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<v Speaker 1>need to do, brother, since well you know, I'll talk

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<v Speaker 1>to you outside because if you know how to build

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<v Speaker 1>those vans a lot of times only takes is a

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<v Speaker 1>little bit of funding. And you know, the biggest thing

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<v Speaker 1>right now is those cargo vans that they're turning into

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<v Speaker 1>those Mercedes May back vehicles. That's exactly what they are.

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<v Speaker 1>That's exactly what because its cargo wins that costs about

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<v Speaker 1>thirty thousand, and it usually takes about sixty thousand dollars

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<v Speaker 1>worth of work, and then they're charging two hundred fifty thousand.

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<v Speaker 1>So that flip that your owner has is a lot

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<v Speaker 1>of money. Well, you know we might be able to

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<v Speaker 1>do something of the Let's talk my brother, because my

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<v Speaker 1>daughter got cheerleading season coming up and I I'm serious, man, Hey,

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<v Speaker 1>I can build a band and I can cook better. Okay,

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<v Speaker 1>up said well, hold on the line and his cash

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<v Speaker 1>ap is root of Evil eighty seven helped the brother out.

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<v Speaker 1>If you can weather some panthers some former love from

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<v Speaker 1>me and my daughter, I just need everybody send me

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<v Speaker 1>a dollar. I don't care. I'm humble. I'm grateful for

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<v Speaker 1>whatever I hear. A car from me and my baby.

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<v Speaker 1>I'm sending you a little something too. Right now, man,

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<v Speaker 1>consider it the down payment on that sprinter and junior.

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<v Speaker 1>People are gonna build for me on the love for

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<v Speaker 1>the low love holding the right, Yes, sir, yes, sir,

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<v Speaker 1>Thank you so much. Man, All right, man, we'll get

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<v Speaker 1>it off your chest. The Breakfast Club, Good morning, the

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<v Speaker 1>Breakfast Club. I think within the first day Will's company, Westbrook,

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<v Speaker 1>they hit him up and you know, they were like,

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<v Speaker 1>we want to, you know, talk with you and develop

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<v Speaker 1>this thing. And you know, I think a couple of

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<v Speaker 1>weeks after that, he was sitting with Will and he

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<v Speaker 1>was talking about, you know, where we want to take

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<v Speaker 1>this story, and uh, you know, years down the line

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<v Speaker 1>here we are totally different tone, totally different tones. Break

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<v Speaker 1>that down, Break down if people haven't seen the show.

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<v Speaker 1>The differences between what we've seen as a kid, Fresh

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<v Speaker 1>Prince of bel Air. Yeah, well, you know, bel Lair

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<v Speaker 1>twenty twenty two version is a dramatic retelling of the

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<v Speaker 1>Fresh Prince of bell Lair, the quintessential nineties sitcom, and uh,

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<v Speaker 1>you know, it's all the characters that we know and love,

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<v Speaker 1>but basically we get to dive deep into who they

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<v Speaker 1>are and the actual stories that are going on in

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<v Speaker 1>their lives, and uh, you know, it's a it's a

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<v Speaker 1>modern day retelling of the Fresh Prince of bel Air basically,

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<v Speaker 1>and um, and when you think of the story, you

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<v Speaker 1>know are our showrunner TJ. Brady He said it perfectly.

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<v Speaker 1>He was like, we all know the story of the Joker,

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<v Speaker 1>you know what I mean. But when we see juan

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<v Speaker 1>Kie Phoenix do what he was doing, it was like,

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<v Speaker 1>did you really think about it? You know what I mean?

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<v Speaker 1>And so like we get to see the story, we

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<v Speaker 1>get to see how Will ends up in bell Lair,

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<v Speaker 1>and it's gonna be super exciting for like old fans

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<v Speaker 1>and new fans and man, it's it's been crazy to

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<v Speaker 1>love around the project. Did you were you afraid to

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<v Speaker 1>turn something that I guess what was so happy? So

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<v Speaker 1>I would call it bright. I'll call fred Fritzi Belle bright.

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<v Speaker 1>Would you were you afraid to turn something like that dark? Nah?

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<v Speaker 1>I wasn't afraid of it, um, because when I had

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<v Speaker 1>seen Morgan's trailer, I was like, oh, I get it,

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<v Speaker 1>I get it, and I was like watch that, you

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<v Speaker 1>know what I mean? And so I think it's I

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<v Speaker 1>think it's important because it's a reflection of our world,

0:10:23.240 --> 0:10:24.520
<v Speaker 1>you know what I mean? And I think, you know,

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<v Speaker 1>it's it's important to see that. How hands Olin was

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<v Speaker 1>Will Smith during the taping and all life, I always

0:10:28.880 --> 0:10:30.360
<v Speaker 1>say this, it was it was great that he wasn't

0:10:30.360 --> 0:10:32.520
<v Speaker 1>because he really gave us. He really left the our

0:10:33.000 --> 0:10:35.600
<v Speaker 1>retelling and our creation of these characters to our own volition,

0:10:35.920 --> 0:10:37.760
<v Speaker 1>you know what I mean, And so that allowed us

0:10:37.840 --> 0:10:42.599
<v Speaker 1>to create these, you know, characters that ourselves are in,

0:10:42.640 --> 0:10:43.720
<v Speaker 1>you know what I mean. He didn't have his thumb

0:10:43.760 --> 0:10:45.240
<v Speaker 1>on it, hella, you know what I mean, And so

0:10:45.600 --> 0:10:47.280
<v Speaker 1>I feel like that's what I appreciated about him. But

0:10:47.280 --> 0:10:48.520
<v Speaker 1>you know, he definitely gave us a lot of tips.

0:10:48.600 --> 0:10:51.520
<v Speaker 1>What about the other characters calledton and call them any

0:10:51.520 --> 0:10:53.040
<v Speaker 1>of them coming on and said or did yeah, we

0:10:53.120 --> 0:10:54.120
<v Speaker 1>we have to, we have to. We had a few

0:10:54.160 --> 0:10:56.120
<v Speaker 1>talks with the original cast, so it was definitely a

0:10:56.160 --> 0:10:57.839
<v Speaker 1>blessing to to get their blessing. Then to see that

0:10:58.000 --> 0:10:59.640
<v Speaker 1>that torch passed, you know what I mean. I always

0:10:59.640 --> 0:11:02.000
<v Speaker 1>wanted to, you know, if and I would love to

0:11:02.040 --> 0:11:04.280
<v Speaker 1>ask world this, but maybe he told you. I wonder

0:11:04.360 --> 0:11:09.280
<v Speaker 1>what he had played that character differently now because you know, oh,

0:11:09.640 --> 0:11:11.760
<v Speaker 1>he's older now, and he always said that back then

0:11:11.840 --> 0:11:14.480
<v Speaker 1>he was he would pretending to be somebody he wasn't, right.

0:11:14.760 --> 0:11:19.240
<v Speaker 1>I wonder what he played at approached that character different now. Definitely, Yeah,

0:11:19.240 --> 0:11:21.480
<v Speaker 1>I feel you know, like when he when he was,

0:11:21.760 --> 0:11:23.760
<v Speaker 1>you know, doing the fresh Friend's thing, he had no

0:11:23.800 --> 0:11:25.760
<v Speaker 1>acting shops. Yeah, you know what I mean, and so

0:11:25.960 --> 0:11:27.400
<v Speaker 1>he was just kind of up there just trying to

0:11:27.440 --> 0:11:31.000
<v Speaker 1>figure it out. And uh, I definitely think knowing what

0:11:31.160 --> 0:11:33.040
<v Speaker 1>he knows now, it definitely would have been different, but

0:11:33.080 --> 0:11:35.800
<v Speaker 1>it wouldn't have been as raw. So you got acting shops,

0:11:35.840 --> 0:11:37.360
<v Speaker 1>so you weren't doing what willcams but he said will

0:11:37.360 --> 0:11:39.520
<v Speaker 1>you used to be saying everybody. It was a little

0:11:39.559 --> 0:11:40.959
<v Speaker 1>different for me. It was a little different for me

0:11:41.000 --> 0:11:44.120
<v Speaker 1>because I was a theater actor, so this is my

0:11:44.240 --> 0:11:46.680
<v Speaker 1>first time being in front of a camera, in front

0:11:46.679 --> 0:11:49.960
<v Speaker 1>of a forty person you know, camera crew. And uh

0:11:50.080 --> 0:11:51.959
<v Speaker 1>and so that was definitely a learning curve for sure.

0:11:52.080 --> 0:11:53.959
<v Speaker 1>How did this go to you? Just? You know, I

0:11:54.040 --> 0:11:56.240
<v Speaker 1>just sent to him my audition, you know, with I had,

0:11:56.280 --> 0:11:58.360
<v Speaker 1>I had a manager, had an agent that I got

0:11:58.400 --> 0:12:01.000
<v Speaker 1>through a showcase, and uh, you know, they sent me

0:12:01.040 --> 0:12:03.200
<v Speaker 1>the call. They were like, yo, there's this show called

0:12:03.240 --> 0:12:05.240
<v Speaker 1>bell Lair and for this character Will. And I was like,

0:12:05.280 --> 0:12:08.199
<v Speaker 1>hold on bella Will. Now I saw the call and

0:12:08.240 --> 0:12:09.839
<v Speaker 1>I was like, okay, okay, I could do this. I

0:12:09.920 --> 0:12:11.360
<v Speaker 1>knew it was me. I just had to prove to

0:12:11.360 --> 0:12:13.439
<v Speaker 1>everybody else. But I thought that they wanted like a

0:12:13.520 --> 0:12:15.120
<v Speaker 1>big name, you know what I mean. I thought that

0:12:15.160 --> 0:12:17.599
<v Speaker 1>they wanted somebody who was recognizable to everybody else. And

0:12:17.679 --> 0:12:19.360
<v Speaker 1>so I was like, I don't know how I'm gonna

0:12:19.400 --> 0:12:21.079
<v Speaker 1>get this role, but you know what I mean, I

0:12:21.120 --> 0:12:23.000
<v Speaker 1>just had to surrender to the whole process. And uh.

0:12:23.280 --> 0:12:25.920
<v Speaker 1>And so I sent him my call and uh and

0:12:26.200 --> 0:12:28.280
<v Speaker 1>a couple of a couple of weeks down the line.

0:12:28.320 --> 0:12:29.600
<v Speaker 1>What did you have to do on that first tape?

0:12:29.600 --> 0:12:31.240
<v Speaker 1>Do you remember? Yeah, it was a couple It was

0:12:31.240 --> 0:12:33.719
<v Speaker 1>a couple of scenes. No I have to wrap no, no,

0:12:33.880 --> 0:12:35.760
<v Speaker 1>I just uh, I just uh it was it was

0:12:35.760 --> 0:12:37.160
<v Speaker 1>a couple of scenes. It was actually a scene with

0:12:37.240 --> 0:12:39.040
<v Speaker 1>Lebron and it Lebron was supposed to be in the

0:12:39.080 --> 0:12:41.440
<v Speaker 1>first episode, but you know it was you know budget,

0:12:41.960 --> 0:12:43.800
<v Speaker 1>you know, well he was supposed to be playing with

0:12:43.840 --> 0:12:46.319
<v Speaker 1>the people you're playing ball against. No, no, no, no,

0:12:46.520 --> 0:12:48.200
<v Speaker 1>he was to be at the bell Lair party. Was like, Yo,

0:12:48.280 --> 0:12:50.600
<v Speaker 1>that's Lebron, you know what I mean? So I did

0:12:50.640 --> 0:12:52.520
<v Speaker 1>a see what Lebron was in it um and I

0:12:52.800 --> 0:12:55.160
<v Speaker 1>mean as as soon as I read the scenes, when

0:12:55.200 --> 0:12:56.760
<v Speaker 1>I first got the script, I was like, oh, this

0:12:56.800 --> 0:12:58.679
<v Speaker 1>show has something to say. All right, we have more.

0:12:58.679 --> 0:13:01.640
<v Speaker 1>With Jabari Banks, he is Will Smith in the new

0:13:01.720 --> 0:13:03.960
<v Speaker 1>series bell A will talk Tom some most to Breakfast Club,

0:13:04.000 --> 0:13:12.280
<v Speaker 1>Go Morning, the Breakfast Club Morning, Everybody at Day we

0:13:12.320 --> 0:13:14.280
<v Speaker 1>are the Breakfast Club was still kicking it with Jabari

0:13:14.400 --> 0:13:16.640
<v Speaker 1>Banks used the actor that plays Will Smith in the

0:13:16.679 --> 0:13:19.800
<v Speaker 1>new bell Air series that with Bell are they recreating

0:13:19.880 --> 0:13:22.320
<v Speaker 1>episodes that were done? Because there's so many iconic episodes

0:13:22.480 --> 0:13:26.280
<v Speaker 1>like you know, the far the episode, the pool Hall episode,

0:13:26.360 --> 0:13:29.640
<v Speaker 1>the drugs episode, Like are they recreating or they're doing

0:13:29.720 --> 0:13:32.320
<v Speaker 1>new episodes. They're doing new episodes, but they're recreating moments.

0:13:32.640 --> 0:13:35.320
<v Speaker 1>I would say, you know, moments that are recognizable. They're

0:13:35.320 --> 0:13:37.400
<v Speaker 1>gonna be like, oh, okay. So if you've seen the

0:13:37.480 --> 0:13:41.679
<v Speaker 1>pilot episode, there's a moment where Will is on the

0:13:41.800 --> 0:13:44.520
<v Speaker 1>plane and there's a glass full of OJ, you know,

0:13:44.640 --> 0:13:47.199
<v Speaker 1>Champaign glass full of OJ. And that's just a you know,

0:13:47.240 --> 0:13:49.679
<v Speaker 1>a call back to the original song, you know. And

0:13:49.840 --> 0:13:52.120
<v Speaker 1>there's this moments, a little small moments like that that

0:13:52.240 --> 0:13:54.280
<v Speaker 1>are that are gonna get the audience hype. I mean

0:13:54.320 --> 0:13:56.120
<v Speaker 1>the og fans. Did you have to learn how to rap?

0:13:56.160 --> 0:13:57.360
<v Speaker 1>But did you know how to wrap? Did you have

0:13:57.440 --> 0:13:58.920
<v Speaker 1>that part? Now? I was a rapper, but I was

0:13:58.920 --> 0:14:01.920
<v Speaker 1>actor rapping, So you rap? What was your rap name? Uh?

0:14:02.720 --> 0:14:05.280
<v Speaker 1>Been big back? Now now I've been through many rap names.

0:14:05.280 --> 0:14:07.640
<v Speaker 1>I used to call myself into the Philosopher. Actually Jabari

0:14:07.679 --> 0:14:09.439
<v Speaker 1>Banks in my rap name, say that fast, we want

0:14:09.480 --> 0:14:13.920
<v Speaker 1>to hit slow that down. Indeed the philosopher indeed a philosopher.

0:14:14.000 --> 0:14:18.679
<v Speaker 1>And I was in middle school. What was your name? Uh,

0:14:18.760 --> 0:14:23.960
<v Speaker 1>Dizzey van Winkle like Dick Van Dyke, No, like Dizzy

0:14:24.960 --> 0:14:29.280
<v Speaker 1>like ripped van Winkle, Uh mixed with a dizzy Dizzy devil.

0:14:30.040 --> 0:14:33.560
<v Speaker 1>Remember Disney devil. It was Tasmanian devil with it. I

0:14:33.640 --> 0:14:37.160
<v Speaker 1>think he had a son of Dizzy van Winkle, Dizney

0:14:37.240 --> 0:14:39.480
<v Speaker 1>van Winkle. It was wild, like you know, Rip van

0:14:39.520 --> 0:14:42.520
<v Speaker 1>Winkle was sleep for mad long and so I always

0:14:42.560 --> 0:14:44.280
<v Speaker 1>felt like, you know, I was sleep for mad long

0:14:44.320 --> 0:14:46.320
<v Speaker 1>and then I woke up like mentally confused. So I

0:14:46.440 --> 0:14:49.360
<v Speaker 1>was dizzy. Okay, got you because there was looking on you. No,

0:14:49.480 --> 0:14:50.960
<v Speaker 1>I got yeah, yeah, you know what I mean. I

0:14:51.040 --> 0:14:52.400
<v Speaker 1>was like, Okay, they're sleeping on you. So I was

0:14:52.440 --> 0:15:00.240
<v Speaker 1>in middle school. It was in middle him. Now, you

0:15:00.360 --> 0:15:03.800
<v Speaker 1>said that you learned so much from will in five months.

0:15:03.920 --> 0:15:06.200
<v Speaker 1>What are some of the things that Willy Lahma taught

0:15:06.240 --> 0:15:09.120
<v Speaker 1>you Willy Lama, Right, yeah, nah Yo, it's it's been.

0:15:09.200 --> 0:15:12.920
<v Speaker 1>It's been. It's been super enlightening for sure. Um. You know,

0:15:13.040 --> 0:15:15.240
<v Speaker 1>I feel like one of the bigger lessons that I

0:15:15.240 --> 0:15:16.960
<v Speaker 1>always that I've been taken with me. You know, I've

0:15:16.960 --> 0:15:18.480
<v Speaker 1>been thinking about that a lot. It's like he says,

0:15:18.680 --> 0:15:20.680
<v Speaker 1>you know, don't let the success get to your head,

0:15:20.680 --> 0:15:22.560
<v Speaker 1>don't let the failures get to your heart, you know

0:15:22.680 --> 0:15:25.120
<v Speaker 1>what I mean? And uh, And I've taken that with you.

0:15:25.200 --> 0:15:27.080
<v Speaker 1>I'm just like, man like, there's a lot of noise,

0:15:27.240 --> 0:15:30.440
<v Speaker 1>a lot of noise. There's a lot of things that

0:15:30.760 --> 0:15:33.800
<v Speaker 1>come into this business that aren't about the work, you

0:15:33.840 --> 0:15:36.160
<v Speaker 1>know what I mean, And to just stay about the word,

0:15:36.200 --> 0:15:37.760
<v Speaker 1>because that's that's how you elevate, you know what I mean,

0:15:37.800 --> 0:15:40.200
<v Speaker 1>that's how you, that's how you you know what I mean, inspired,

0:15:40.240 --> 0:15:41.520
<v Speaker 1>That's that's what we do. That's why we do what

0:15:41.600 --> 0:15:43.280
<v Speaker 1>we do, you know, I mean, everything else around is

0:15:43.360 --> 0:15:45.360
<v Speaker 1>kind of surrounding it, and it's like, okay, cool, that

0:15:45.440 --> 0:15:48.400
<v Speaker 1>comes with it, with the territory. It's interactly because you

0:15:48.520 --> 0:15:51.880
<v Speaker 1>want accolades, but those same accolades can make you a

0:15:52.000 --> 0:15:54.640
<v Speaker 1>prisoner to the opinions of other people. Yeah, and you

0:15:54.680 --> 0:15:57.320
<v Speaker 1>don't really want that. Yeah, no, no, no, you're staying here. Yeah,

0:15:57.360 --> 0:15:59.560
<v Speaker 1>so right, Yeah, I mean, accolades are just they're nice,

0:15:59.800 --> 0:16:01.200
<v Speaker 1>you know what I mean, when they come around, But

0:16:01.560 --> 0:16:03.440
<v Speaker 1>it's definitely all about the work for me, for me,

0:16:03.480 --> 0:16:04.600
<v Speaker 1>you know what i mean, because that's where I found

0:16:04.640 --> 0:16:06.400
<v Speaker 1>my joy. Yet like like you know what I mean,

0:16:06.440 --> 0:16:08.360
<v Speaker 1>I find joy being here, you know what i mean,

0:16:08.520 --> 0:16:10.160
<v Speaker 1>just talking, but you know what i mean, when I'm

0:16:10.160 --> 0:16:11.640
<v Speaker 1>doing about work, when I'm when I'm when I'm doing

0:16:11.840 --> 0:16:14.200
<v Speaker 1>doing something that makes me happy. That's that's that's what

0:16:14.440 --> 0:16:16.080
<v Speaker 1>that's what it's all about for me. But you know

0:16:16.080 --> 0:16:17.960
<v Speaker 1>what i mean, the wars, it come with it, you

0:16:18.000 --> 0:16:19.320
<v Speaker 1>know what I mean, come with it. So when you

0:16:19.480 --> 0:16:21.600
<v Speaker 1>when you through it about taking this or burning out

0:16:21.640 --> 0:16:23.560
<v Speaker 1>for this, did you ever get nervous that you'd be

0:16:23.720 --> 0:16:27.560
<v Speaker 1>always stuck as that character like you look at Jilia White. No, no, no, no, no,

0:16:28.240 --> 0:16:30.680
<v Speaker 1>I'm never I'm too dynamic for that. I knew that

0:16:30.720 --> 0:16:33.960
<v Speaker 1>about myself, Like I am an artist that that is transformative,

0:16:34.040 --> 0:16:35.200
<v Speaker 1>you know what I mean. Like I think I think

0:16:35.240 --> 0:16:37.200
<v Speaker 1>you'll see that through throughout the throughout the years. You

0:16:37.240 --> 0:16:39.680
<v Speaker 1>know what I mean, I I can transform And I

0:16:39.720 --> 0:16:42.080
<v Speaker 1>always knew that about myself, Like I was a totally

0:16:42.200 --> 0:16:44.360
<v Speaker 1>different person a year ago, two years ago, you know

0:16:44.400 --> 0:16:45.600
<v Speaker 1>what I mean. You look at that person like who

0:16:45.600 --> 0:16:47.320
<v Speaker 1>the hell is that? You know what I mean? And

0:16:47.560 --> 0:16:50.520
<v Speaker 1>like and so I feel like down the line, um,

0:16:50.600 --> 0:16:53.120
<v Speaker 1>I want to take on roles that are going to

0:16:53.360 --> 0:16:58.160
<v Speaker 1>give people a different perspective about how a black person

0:16:58.240 --> 0:17:00.640
<v Speaker 1>can be, you know what I mean. Like I'm super

0:17:00.680 --> 0:17:03.080
<v Speaker 1>interested in being like in fantasy movies, you know what

0:17:03.080 --> 0:17:05.640
<v Speaker 1>I mean, and and seeing fantasy science fiction and see

0:17:05.640 --> 0:17:07.600
<v Speaker 1>science fiction and you're just like, like, show you ever

0:17:07.640 --> 0:17:10.800
<v Speaker 1>seen a Lovecraft country? Oh yeah, you know what I'm saying.

0:17:11.280 --> 0:17:13.280
<v Speaker 1>And like it was it was a moment where it

0:17:13.400 --> 0:17:16.560
<v Speaker 1>was like, oh, like we can be you know what

0:17:16.600 --> 0:17:18.680
<v Speaker 1>I mean, we can exist in this type of And

0:17:18.760 --> 0:17:20.960
<v Speaker 1>it was like this was a period piece but it

0:17:21.080 --> 0:17:23.119
<v Speaker 1>was also fantasy, but it was also drama, and it

0:17:23.240 --> 0:17:27.920
<v Speaker 1>was also you know, sci fi. And I also season

0:17:28.160 --> 0:17:30.680
<v Speaker 1>I could not imagine seeing all these black people doing

0:17:30.800 --> 0:17:33.720
<v Speaker 1>this science fictional stuff. That's what it seemed like we had. Yeah,

0:17:33.720 --> 0:17:35.040
<v Speaker 1>you know, I think that came down the budget, you

0:17:35.080 --> 0:17:39.520
<v Speaker 1>know what I mean. The other day and she says,

0:17:39.560 --> 0:17:42.560
<v Speaker 1>she says, she feels like HBO couldn't see black people

0:17:43.280 --> 0:17:46.080
<v Speaker 1>in that space foot a long period of time. I'm

0:17:46.119 --> 0:17:48.800
<v Speaker 1>interested in opening up that realm. I'm interested in opening

0:17:48.960 --> 0:17:50.560
<v Speaker 1>up that story, you know what I mean. And I

0:17:50.640 --> 0:17:52.359
<v Speaker 1>feel like I don't ever want to get stuck in

0:17:52.440 --> 0:17:55.080
<v Speaker 1>just the box of he's fresh, praps, he's he's done this,

0:17:55.160 --> 0:17:56.720
<v Speaker 1>you know what I mean. That's not me And I

0:17:56.760 --> 0:17:58.600
<v Speaker 1>don't think I'll ever be that person. I mean, you know,

0:17:58.640 --> 0:18:01.080
<v Speaker 1>it's so interesting. That's such a great question Nvas because

0:18:01.080 --> 0:18:03.600
<v Speaker 1>it's like that role is so iconic, right, not just

0:18:03.760 --> 0:18:06.000
<v Speaker 1>the role, because we're talking about there's a lot of

0:18:06.200 --> 0:18:09.280
<v Speaker 1>iconic roles, but the person who played the role became

0:18:09.320 --> 0:18:14.719
<v Speaker 1>an icon with fitness self. So could you ever truly

0:18:14.800 --> 0:18:16.840
<v Speaker 1>fill those shoes? I don't know if anybody would ever

0:18:17.080 --> 0:18:18.919
<v Speaker 1>And that's you. I don't know if anybody would ever

0:18:19.400 --> 0:18:21.040
<v Speaker 1>see you as the fresh print. Yeah, no, I'm not

0:18:21.119 --> 0:18:23.720
<v Speaker 1>interested in that. I'm not interested in like actually feeling like,

0:18:23.920 --> 0:18:25.040
<v Speaker 1>you know what I mean, I'm telling the story that

0:18:25.040 --> 0:18:26.879
<v Speaker 1>I'm telling for a new generation at the end of

0:18:26.920 --> 0:18:29.399
<v Speaker 1>the day, and this is opening up opportunity for me,

0:18:29.920 --> 0:18:31.560
<v Speaker 1>you know what I mean. And this is like giving

0:18:31.600 --> 0:18:33.840
<v Speaker 1>me access for me to open up opportunity for the

0:18:33.880 --> 0:18:35.680
<v Speaker 1>next person, you know what I mean. And so my

0:18:35.800 --> 0:18:38.120
<v Speaker 1>story is my story, wild story is his story. Yeah,

0:18:38.280 --> 0:18:40.200
<v Speaker 1>we're not the same, you know what I mean. And

0:18:40.440 --> 0:18:42.720
<v Speaker 1>like I'm telling this story of the fresh Press, but

0:18:42.840 --> 0:18:45.399
<v Speaker 1>like you know, I'm telling the story of a sixteen

0:18:45.480 --> 0:18:47.639
<v Speaker 1>year old young man from Philly, you know, gets sent

0:18:47.720 --> 0:18:49.520
<v Speaker 1>to la But at the end of the day, like

0:18:49.600 --> 0:18:52.200
<v Speaker 1>our stories aren't the same, and you know, nobody will

0:18:52.240 --> 0:18:54.199
<v Speaker 1>ever be Wilson if he's one on one, one on one,

0:18:54.280 --> 0:18:55.960
<v Speaker 1>and Jabari Banks is one on one. You know what

0:18:56.000 --> 0:18:59.960
<v Speaker 1>I mean. So it's Jabari Banks, It's the Breakfast Club,

0:19:00.119 --> 0:19:09.440
<v Speaker 1>motor thank you. It's topic time called eight hundred and

0:19:09.480 --> 0:19:11.040
<v Speaker 1>five eight five one oh five. Want to join it

0:19:11.160 --> 0:19:14.760
<v Speaker 1>to the discussion with the Breakfast Club talk about it morning.

0:19:14.800 --> 0:19:18.159
<v Speaker 1>Everybody is DJ Envy Charlemagne the guy we are the

0:19:18.240 --> 0:19:20.639
<v Speaker 1>Breakfast Club now if he just joined us. We're talking

0:19:20.680 --> 0:19:24.240
<v Speaker 1>about believing in somebody when they say they have mental

0:19:24.320 --> 0:19:26.760
<v Speaker 1>health or mental health issues. And I do believe people

0:19:26.960 --> 0:19:29.520
<v Speaker 1>do have mental issues, but I also feel like people

0:19:29.680 --> 0:19:31.720
<v Speaker 1>use it as an excuse. I feel like it's in

0:19:31.720 --> 0:19:34.240
<v Speaker 1>an easy excuse to use because it's something that can't

0:19:34.280 --> 0:19:37.359
<v Speaker 1>be checked. It can't it can't be verified. It's just

0:19:37.480 --> 0:19:40.680
<v Speaker 1>something within yourself. And I feel like people, let me

0:19:40.680 --> 0:19:44.120
<v Speaker 1>ask a simple question, who are we to say, Hey,

0:19:44.480 --> 0:19:47.440
<v Speaker 1>this person's lying about what they're going through mentally, what

0:19:47.560 --> 0:19:49.520
<v Speaker 1>they're going through emotionally. How the hell do we know?

0:19:50.080 --> 0:19:52.000
<v Speaker 1>And I know that if somebody like Russ is walking

0:19:52.040 --> 0:19:55.400
<v Speaker 1>away from millions of dollars, that's the thing. Like Russ

0:19:55.480 --> 0:19:59.080
<v Speaker 1>isn't hurting anybody, nobody. The only person that's gonna suffer

0:19:59.080 --> 0:20:02.080
<v Speaker 1>in this situation. Is he's walking away. If he's walking

0:20:02.119 --> 0:20:04.720
<v Speaker 1>away from millions of dollars for whatever reason, you already

0:20:04.720 --> 0:20:07.200
<v Speaker 1>got to sold out European toll. That lets me know

0:20:07.600 --> 0:20:10.960
<v Speaker 1>clearly there's something wrong. And I salute Russ that you

0:20:11.040 --> 0:20:14.640
<v Speaker 1>know he's able to articulate what it is that he's

0:20:14.720 --> 0:20:17.200
<v Speaker 1>going through mentally, because for so long, man, so many

0:20:17.240 --> 0:20:19.560
<v Speaker 1>of us couldn't, like Yo, you be dealing with mental issues,

0:20:19.600 --> 0:20:21.879
<v Speaker 1>you'd be dealing with emotional issues, and you couldn't say, Man,

0:20:21.880 --> 0:20:23.840
<v Speaker 1>I'm stuffering from mental health issues. You gotta make up

0:20:23.880 --> 0:20:26.320
<v Speaker 1>some other excuse, like you said earlier, something about lying

0:20:26.359 --> 0:20:28.880
<v Speaker 1>on your dog or something like that. There's some about

0:20:28.880 --> 0:20:30.800
<v Speaker 1>the dog eating kids and what you say? What about

0:20:30.800 --> 0:20:33.080
<v Speaker 1>you talking about? What did you say? It was something

0:20:33.119 --> 0:20:34.800
<v Speaker 1>about the kids and something. I don't remember what it was.

0:20:34.960 --> 0:20:37.200
<v Speaker 1>All I'm simply saying, but whatever it was, it stupid

0:20:37.240 --> 0:20:39.080
<v Speaker 1>excuses like that we used to have to make up.

0:20:39.200 --> 0:20:41.240
<v Speaker 1>Oh I would say that that. You people are always

0:20:41.240 --> 0:20:42.639
<v Speaker 1>say that their kids were sick, but it would be

0:20:42.680 --> 0:20:45.399
<v Speaker 1>an excuse, or that's right, something like that. That's right. Well,

0:20:45.440 --> 0:20:51.560
<v Speaker 1>let's go to the phone. Long Hello, who's this Hey, Alicia?

0:20:51.680 --> 0:20:56.080
<v Speaker 1>Talk to us, Alicia, what's your thoughts? So I am

0:20:56.160 --> 0:21:01.200
<v Speaker 1>a mental health town flayer down in South Florida. M Sorry,

0:21:01.640 --> 0:21:06.800
<v Speaker 1>my kids are excited to hear you. Guys. What's up? Guys? Yes,

0:21:06.920 --> 0:21:10.040
<v Speaker 1>I am a I'm a mental health counselor down in Florida,

0:21:10.160 --> 0:21:12.840
<v Speaker 1>and I mean every single day I work in residential

0:21:12.920 --> 0:21:15.760
<v Speaker 1>treatment down here. And we have people that you know,

0:21:15.880 --> 0:21:20.680
<v Speaker 1>our CEOs of companies are professional athletes, you know, are

0:21:21.200 --> 0:21:24.440
<v Speaker 1>they at home moms or teachers. We have special education

0:21:24.520 --> 0:21:26.560
<v Speaker 1>teacher in my center right now who had a mental

0:21:26.640 --> 0:21:30.159
<v Speaker 1>health breakdown. And I cannot imagine this woman. She's in

0:21:30.240 --> 0:21:33.520
<v Speaker 1>a psychotic break at this moment. She should be teaching

0:21:33.600 --> 0:21:35.879
<v Speaker 1>second graders, you know, that's her job that she's on

0:21:36.040 --> 0:21:39.280
<v Speaker 1>leave from. And I cannot even imagine this woman showing

0:21:39.359 --> 0:21:43.520
<v Speaker 1>up to work for five minutes without a catastrophe occurring. Wow.

0:21:43.600 --> 0:21:46.800
<v Speaker 1>So people really need to understand mental health is not

0:21:46.960 --> 0:21:49.720
<v Speaker 1>a joke. It's not an excuse. People can use it

0:21:49.760 --> 0:21:52.360
<v Speaker 1>as an excuse, just like during the pandemic, people call

0:21:52.400 --> 0:21:54.760
<v Speaker 1>it off because they said they had a fever or whatever,

0:21:54.880 --> 0:21:56.920
<v Speaker 1>and you just let it hide because you'd rather them

0:21:57.000 --> 0:22:01.080
<v Speaker 1>not come around and bring their potential. You know, negative

0:22:01.119 --> 0:22:04.400
<v Speaker 1>exposures to the workplace that they need to do something

0:22:04.440 --> 0:22:06.520
<v Speaker 1>to focus on themselves or to get themselves in their

0:22:06.520 --> 0:22:11.040
<v Speaker 1>best health space. So, you know, when these performers, especially

0:22:11.119 --> 0:22:15.680
<v Speaker 1>these artists celebrities, a lot of them do have anxiety

0:22:15.840 --> 0:22:18.320
<v Speaker 1>that's crippling. A lot of them do have, you know,

0:22:18.440 --> 0:22:21.520
<v Speaker 1>identity issues that they struggle with just showing up and

0:22:22.080 --> 0:22:24.520
<v Speaker 1>putting out this image that there's somebody that we all

0:22:24.600 --> 0:22:27.240
<v Speaker 1>expect them to be. And if they fall short of that,

0:22:27.400 --> 0:22:30.640
<v Speaker 1>like Charlomagne said, we criticize them for that. We criticize

0:22:30.640 --> 0:22:32.800
<v Speaker 1>them if they snapped, we criticize them if they have

0:22:32.960 --> 0:22:35.399
<v Speaker 1>like a bad night. So when these people say they

0:22:35.480 --> 0:22:37.240
<v Speaker 1>just need a day off or a night off, or

0:22:37.280 --> 0:22:39.080
<v Speaker 1>they've got to cancel a core, I feel like we

0:22:39.240 --> 0:22:41.119
<v Speaker 1>all have the people need to learn how to expect

0:22:41.200 --> 0:22:43.680
<v Speaker 1>those boundaries that people are trying to put up. Man,

0:22:43.760 --> 0:22:48.000
<v Speaker 1>that's real. Give why you hack away? Why you hang

0:22:48.080 --> 0:22:49.360
<v Speaker 1>upon the lady? I was gonna tell her to give

0:22:49.359 --> 0:22:51.760
<v Speaker 1>out our information. See you part of the problem. You

0:22:52.960 --> 0:22:56.160
<v Speaker 1>are part of the problem. You you with the fake

0:22:56.240 --> 0:22:59.920
<v Speaker 1>bid I'm looking suspicious over that. Don't look suspicious bits

0:23:00.040 --> 0:23:02.679
<v Speaker 1>your problem. I'm hurt by what every time you tell

0:23:02.760 --> 0:23:05.640
<v Speaker 1>bad about me? What I'm hurt? Hurt by? What? Byre

0:23:05.680 --> 0:23:07.840
<v Speaker 1>you talking bad about me? Anybody talking bad about you?

0:23:07.880 --> 0:23:09.680
<v Speaker 1>Just said I talk bad about your bid anythink that

0:23:09.680 --> 0:23:12.040
<v Speaker 1>about you? That's me, That ain't you. That's me, that's

0:23:12.080 --> 0:23:14.480
<v Speaker 1>not you, it's not even yours. That's me. You didn't

0:23:14.520 --> 0:23:15.920
<v Speaker 1>pray it on. I wouldn't say nothing about it. Not

0:23:16.200 --> 0:23:17.960
<v Speaker 1>if you left that in the camp at home, I

0:23:18.000 --> 0:23:20.439
<v Speaker 1>would have nothing to say about five A five one

0:23:20.480 --> 0:23:23.560
<v Speaker 1>oh five. And we're talking about mental health. You know,

0:23:23.720 --> 0:23:25.920
<v Speaker 1>Little Pump made fun of Russ and said it was

0:23:26.000 --> 0:23:28.080
<v Speaker 1>a bullcrap. And we're asking when people say that going

0:23:28.080 --> 0:23:30.320
<v Speaker 1>through mental problems, do you believe them? You should? And

0:23:30.440 --> 0:23:32.800
<v Speaker 1>by the way, who are you to even act like

0:23:32.960 --> 0:23:34.440
<v Speaker 1>they lying? You don't know what's going on in that

0:23:34.480 --> 0:23:37.440
<v Speaker 1>person's head. It's a breakfast club. The morning, the breakfast

0:23:37.520 --> 0:23:44.159
<v Speaker 1>club morning, everybody is DJ Envy Charlemagne. The day we

0:23:44.200 --> 0:23:46.280
<v Speaker 1>are to breakfast Club. We got a special guest in

0:23:46.320 --> 0:23:50.920
<v Speaker 1>the building, legend actress Kim Field. Welcome. Thank you so much.

0:23:50.960 --> 0:23:52.680
<v Speaker 1>It so great to be here. I can't believe I'm

0:23:52.720 --> 0:23:57.560
<v Speaker 1>just not getting here. Oh man, we happy to have you. Yeah, really, yes,

0:23:58.240 --> 0:24:00.359
<v Speaker 1>how are you first and full? I'm great? How are you?

0:24:00.600 --> 0:24:02.840
<v Speaker 1>I'm blessed black and Holly favor? Well all right and

0:24:02.960 --> 0:24:09.440
<v Speaker 1>alright and happy birthday. Thank you, thank you, thank you,

0:24:09.640 --> 0:24:11.880
<v Speaker 1>thank you. How does it feel to be a star

0:24:12.000 --> 0:24:16.119
<v Speaker 1>on yet another hit show? Well, thank you? Talk about

0:24:16.240 --> 0:24:19.200
<v Speaker 1>you know, being blessed and favored. Um, it feels wonderful.

0:24:19.240 --> 0:24:22.320
<v Speaker 1>It's it's very surreal, quite honestly. And we knew that

0:24:22.359 --> 0:24:24.320
<v Speaker 1>we had something really great. We didn't know what was

0:24:24.359 --> 0:24:27.399
<v Speaker 1>gonna do what it did and continues to do and

0:24:27.560 --> 0:24:30.080
<v Speaker 1>have the impact you know that it has on the

0:24:30.160 --> 0:24:33.200
<v Speaker 1>culture and beyond. So it's exciting. It feels great. Of

0:24:33.240 --> 0:24:37.440
<v Speaker 1>course we're talking about season two. So how did you

0:24:37.440 --> 0:24:39.159
<v Speaker 1>get involved with the up shows for people? I don't know.

0:24:39.680 --> 0:24:42.280
<v Speaker 1>I was actually on a press tour for a movie

0:24:42.359 --> 0:24:45.480
<v Speaker 1>that I executive producing started and called Adventures in Christmasing.

0:24:46.080 --> 0:24:48.560
<v Speaker 1>And while I was in La on the press tour,

0:24:48.720 --> 0:24:50.440
<v Speaker 1>they said, hey, can you come in and do a

0:24:50.520 --> 0:24:54.200
<v Speaker 1>chemistry meeting with my Gapps and Wanda Sykes for a

0:24:54.320 --> 0:24:57.960
<v Speaker 1>Netflix series. And I wasn't checking to do a comedy,

0:24:58.040 --> 0:25:00.320
<v Speaker 1>but I was like, that's a trio. You can't say

0:25:00.359 --> 0:25:03.880
<v Speaker 1>no too, And so went in Mike and I had

0:25:04.080 --> 0:25:07.320
<v Speaker 1>great chemistry, Wanda and I had great chemistry, and the

0:25:07.480 --> 0:25:11.080
<v Speaker 1>Netflix crew was there and before I got home practically

0:25:11.200 --> 0:25:13.480
<v Speaker 1>they were like, Yeah, we're gonna do an offer and

0:25:13.720 --> 0:25:16.159
<v Speaker 1>you know, go from there. That we've seen recently that

0:25:16.359 --> 0:25:19.560
<v Speaker 1>Martin did a reunion show. Yeah, would you guys be

0:25:19.680 --> 0:25:28.240
<v Speaker 1>interested in doing a question reunion? You know, happy to

0:25:28.520 --> 0:25:31.200
<v Speaker 1>think about it. Um, we we have this this really

0:25:31.280 --> 0:25:33.800
<v Speaker 1>great thread, the six of us and Yvette who created

0:25:33.880 --> 0:25:36.800
<v Speaker 1>the show, this text threat and so um, you know,

0:25:36.960 --> 0:25:40.240
<v Speaker 1>we just love how everyone loves Living Single and again

0:25:40.359 --> 0:25:43.040
<v Speaker 1>talk about impact. You know that the show has made

0:25:43.760 --> 0:25:46.800
<v Speaker 1>and continues to make, and we don't want to taint

0:25:46.880 --> 0:25:50.520
<v Speaker 1>that by just kind of throwing a reboot together with

0:25:50.720 --> 0:25:54.560
<v Speaker 1>the idea of a reunion show. Thank God, everybody's busy,

0:25:55.160 --> 0:25:57.480
<v Speaker 1>so you know, there's no plans for one in the

0:25:57.680 --> 0:26:01.080
<v Speaker 1>immediate future. But you know, whenever I saw you tell

0:26:01.160 --> 0:26:03.439
<v Speaker 1>people dot Com that you got to be cautious when

0:26:03.480 --> 0:26:06.080
<v Speaker 1>you do these reboots. So that's whether it's Facts of

0:26:06.160 --> 0:26:08.359
<v Speaker 1>Life or Living Single, and you have to be really careful.

0:26:08.440 --> 0:26:11.760
<v Speaker 1>So what are your worries exactly? Well, because these characters

0:26:11.800 --> 0:26:16.160
<v Speaker 1>are beloved, you know, Martin Fresh Prints, Living single, facts

0:26:16.200 --> 0:26:18.520
<v Speaker 1>of life, different structs. I mean, these characters, these these

0:26:18.600 --> 0:26:22.280
<v Speaker 1>shows are so beloved and these characters really mean something

0:26:22.480 --> 0:26:26.240
<v Speaker 1>to everyone, and so if you get a wrong, they're

0:26:26.240 --> 0:26:29.800
<v Speaker 1>gonna be made as a fan is selfish in a way, right,

0:26:29.800 --> 0:26:33.520
<v Speaker 1>because it's like we would only want that when nostalgia purposes.

0:26:33.560 --> 0:26:35.399
<v Speaker 1>We got all of the reruns, we watch it now.

0:26:35.440 --> 0:26:39.280
<v Speaker 1>It's a timely shows. Just enjoy the art. That's the reunion,

0:26:39.760 --> 0:26:42.639
<v Speaker 1>I mean, know the show like all the time, Like

0:26:42.800 --> 0:26:44.920
<v Speaker 1>it's like watching like the Mona Lisa. Just go enjoy

0:26:45.040 --> 0:26:49.360
<v Speaker 1>the art that was Catherine was up to what they're

0:26:49.400 --> 0:26:51.000
<v Speaker 1>doing if you don't say and that's that's what I

0:26:51.080 --> 0:26:53.080
<v Speaker 1>thought was dope about the Martin. Yeah, I think the

0:26:53.320 --> 0:26:55.840
<v Speaker 1>reunions are kind of a nice happy medium, you know,

0:26:55.920 --> 0:26:59.120
<v Speaker 1>a good hybrid for we're not really rebooting, but here

0:26:59.160 --> 0:27:02.119
<v Speaker 1>you get to see us all together now. To be honest,

0:27:02.440 --> 0:27:03.879
<v Speaker 1>I just thought about I wouldn't. I would love a

0:27:03.920 --> 0:27:07.760
<v Speaker 1>reason because I love hearing Eric Alexander talk, oh my gosh,

0:27:08.119 --> 0:27:12.040
<v Speaker 1>she's the best, Yes, que Laty for yourself, Kim Cole's Yeah,

0:27:12.040 --> 0:27:13.840
<v Speaker 1>I would like to see that now, everybody, just a

0:27:13.880 --> 0:27:17.520
<v Speaker 1>conversation among right, Yeah, absolutely, Well you know when we

0:27:17.680 --> 0:27:20.600
<v Speaker 1>had one of those anniversary specials that I think TV

0:27:20.720 --> 0:27:23.720
<v Speaker 1>one did and we weren't able to get everybody, but

0:27:24.320 --> 0:27:26.240
<v Speaker 1>we got quite a few of us, and so we

0:27:26.359 --> 0:27:29.560
<v Speaker 1>were sitting around and chatting about the show and that

0:27:29.680 --> 0:27:31.920
<v Speaker 1>sort of thing. So we have had that type of

0:27:32.040 --> 0:27:34.920
<v Speaker 1>a moment now with everybody all in. But you know

0:27:35.119 --> 0:27:40.000
<v Speaker 1>close enough. Now, you did Housewives that was short lived. Yes,

0:27:40.320 --> 0:27:42.000
<v Speaker 1>you didn't like it wasn't for you. No, no, it

0:27:42.080 --> 0:27:43.480
<v Speaker 1>wasn't that at all. It was only supposed to be

0:27:43.520 --> 0:27:45.000
<v Speaker 1>a one and done, you know it was. It was

0:27:45.080 --> 0:27:50.840
<v Speaker 1>bread Farth with the Jets kind of moment. So you know,

0:27:51.000 --> 0:27:53.240
<v Speaker 1>for me, I did what I set out to do.

0:27:54.040 --> 0:27:56.680
<v Speaker 1>The mandate at that time in my career was I'm

0:27:56.720 --> 0:28:00.560
<v Speaker 1>celebrating forty years in the industry. Wow. And so my

0:28:00.680 --> 0:28:03.400
<v Speaker 1>team I said, hey, let's go into uncharted waters. We're

0:28:03.400 --> 0:28:05.720
<v Speaker 1>only going to do stuff that we've never done before.

0:28:06.200 --> 0:28:09.480
<v Speaker 1>And so they kept asking me to do reality for

0:28:09.680 --> 0:28:11.560
<v Speaker 1>years and I was like, no, the time's not right.

0:28:12.080 --> 0:28:14.240
<v Speaker 1>It's just too much. So we said, okay, well let's

0:28:14.280 --> 0:28:17.159
<v Speaker 1>just give that a try and see. But knowing that

0:28:17.359 --> 0:28:19.720
<v Speaker 1>I still had other shows to do, other work to

0:28:19.800 --> 0:28:22.000
<v Speaker 1>do as a director, as a producer, all kinds of things.

0:28:22.800 --> 0:28:25.159
<v Speaker 1>So it was just one of those Okay, yep, did that,

0:28:25.600 --> 0:28:29.720
<v Speaker 1>and then from there being almost catapulted into Dancing with

0:28:29.840 --> 0:28:33.119
<v Speaker 1>the Stars, which was not only a game changer but

0:28:33.240 --> 0:28:36.680
<v Speaker 1>a real life changer for me because there was such

0:28:36.720 --> 0:28:40.800
<v Speaker 1>a deep dive of surrender and pushing my limitations all

0:28:40.880 --> 0:28:43.120
<v Speaker 1>the way to the point of no return, you know,

0:28:43.280 --> 0:28:47.440
<v Speaker 1>And that was the introduction to me for life begins

0:28:47.480 --> 0:28:49.960
<v Speaker 1>at the end of your comfort zone. Wow. And so

0:28:50.240 --> 0:28:52.880
<v Speaker 1>from there, I haven't you know, looked back, since it's

0:28:52.920 --> 0:28:56.760
<v Speaker 1>always forward motion of what haven't I done? What can

0:28:56.840 --> 0:29:00.120
<v Speaker 1>we still do? Because there's a lot to still be done. Well,

0:29:00.160 --> 0:29:01.880
<v Speaker 1>you were dancing or was this something like that? I'd

0:29:01.920 --> 0:29:04.280
<v Speaker 1>never done that before in my life, so you now

0:29:04.520 --> 0:29:10.120
<v Speaker 1>trained from the beginning. It wasn't difficult, but having that

0:29:10.320 --> 0:29:12.760
<v Speaker 1>sense of doing something that you've never done before, but

0:29:12.920 --> 0:29:17.760
<v Speaker 1>at the highest level, you know, was really exciting, very

0:29:17.960 --> 0:29:22.520
<v Speaker 1>very demanding, incredibly demanding dancing about six or seven hours

0:29:23.040 --> 0:29:26.400
<v Speaker 1>every day, and I'm very competitive, and so there was

0:29:26.560 --> 0:29:28.640
<v Speaker 1>nothing that he could ask me to do. And I

0:29:28.720 --> 0:29:30.480
<v Speaker 1>was like, if you teach it to me, I will

0:29:30.560 --> 0:29:32.600
<v Speaker 1>do my very best. And so now I have that

0:29:32.880 --> 0:29:36.160
<v Speaker 1>skill set at that level, and it introduced other things

0:29:36.200 --> 0:29:39.400
<v Speaker 1>to me, like now I want to compete professionally in tango.

0:29:40.000 --> 0:29:44.000
<v Speaker 1>So I just started doing lessons. I make time. I

0:29:44.120 --> 0:29:46.560
<v Speaker 1>make time for it. Yeah, and then COVID happened, so

0:29:46.640 --> 0:29:49.840
<v Speaker 1>I had to obviously no more lessons, but you know,

0:29:50.000 --> 0:29:52.880
<v Speaker 1>integrating that back into the schedule is something that I

0:29:52.960 --> 0:29:55.280
<v Speaker 1>really want to do. I would kim Field to describe

0:29:55.320 --> 0:29:59.560
<v Speaker 1>her a journey in the entertainment industry very exciting, very surreal,

0:30:00.200 --> 0:30:02.440
<v Speaker 1>you know, to be the little black girl from Harlem

0:30:03.000 --> 0:30:06.040
<v Speaker 1>who is the one that's still going, you know, and

0:30:06.160 --> 0:30:08.240
<v Speaker 1>like our brother LLL, always just doing it and doing

0:30:08.280 --> 0:30:10.600
<v Speaker 1>it and doing it well, you know. And so it's

0:30:10.760 --> 0:30:14.280
<v Speaker 1>very surreal that I'm not a stranger to people around

0:30:14.320 --> 0:30:17.480
<v Speaker 1>the world, that people have known of me or me

0:30:17.600 --> 0:30:20.600
<v Speaker 1>since I was seven years old. You know. It's like

0:30:20.760 --> 0:30:23.120
<v Speaker 1>Langston Hugh's Palm, Well a sudden, I'll tell your life

0:30:23.160 --> 0:30:25.400
<v Speaker 1>for me and been no Crystal stairs. You know, There's

0:30:25.480 --> 0:30:28.640
<v Speaker 1>there's been some low lows and some high highs and

0:30:29.080 --> 0:30:32.080
<v Speaker 1>you know all the stuff in between. There's still a

0:30:32.160 --> 0:30:34.960
<v Speaker 1>lot to look forward to. But I think at the

0:30:35.160 --> 0:30:38.080
<v Speaker 1>end of the day, I think people don't see me coming,

0:30:38.480 --> 0:30:42.640
<v Speaker 1>and so well from the standpoint that they know of me.

0:30:43.040 --> 0:30:45.640
<v Speaker 1>You know, it's almost like almost every time people say

0:30:45.680 --> 0:30:50.080
<v Speaker 1>my name's like oh yeah, oh yeah, you know. And

0:30:50.240 --> 0:30:52.200
<v Speaker 1>so after a while, in order for me not to

0:30:52.560 --> 0:30:55.600
<v Speaker 1>you know, have that really messed me up. It became

0:30:55.680 --> 0:30:57.600
<v Speaker 1>a thing of Okay, so now I have to flip

0:30:57.720 --> 0:30:59.800
<v Speaker 1>the script and make it where I have the element

0:30:59.840 --> 0:31:03.120
<v Speaker 1>of of surprise. It's a surprise attacks now you're just

0:31:03.200 --> 0:31:06.200
<v Speaker 1>not gonna see me coming, but know that I'm here.

0:31:06.720 --> 0:31:09.040
<v Speaker 1>So I think that's the way to describe it. It's

0:31:09.080 --> 0:31:12.800
<v Speaker 1>like this push pull of I always felt very honored,

0:31:13.520 --> 0:31:17.520
<v Speaker 1>but there's still a grind. I'm still grinding and hustling,

0:31:17.640 --> 0:31:19.840
<v Speaker 1>like like I'm new with this. I wonder if they

0:31:19.880 --> 0:31:22.200
<v Speaker 1>don't see you coming, because you you know, you've had

0:31:22.280 --> 0:31:26.600
<v Speaker 1>the blessing of having two characters that are just absolutely beloved,

0:31:26.920 --> 0:31:28.800
<v Speaker 1>like you see you see you. When you see those

0:31:28.840 --> 0:31:30.800
<v Speaker 1>two characters, you think that is it. And I think

0:31:30.840 --> 0:31:32.760
<v Speaker 1>that's some of it. I think that's some of it,

0:31:32.920 --> 0:31:35.360
<v Speaker 1>you know. I think that the characters that I've played

0:31:35.640 --> 0:31:38.480
<v Speaker 1>and then being behind the camera for so many years

0:31:38.840 --> 0:31:41.120
<v Speaker 1>and so it's it's just kind of those I really

0:31:41.240 --> 0:31:45.160
<v Speaker 1>like the expect the unexpected. I think that's my mantra

0:31:45.320 --> 0:31:48.880
<v Speaker 1>going forward in my career. We got moree Kim Fields.

0:31:48.880 --> 0:31:50.960
<v Speaker 1>When we come back, don't move. It's the Breakfast Club.

0:31:51.000 --> 0:31:56.200
<v Speaker 1>Good morning morning everybody. We are the Breakfast Club was

0:31:56.280 --> 0:31:59.440
<v Speaker 1>still kicking with actress Kim Fields. How do you survive that?

0:31:59.680 --> 0:32:01.880
<v Speaker 1>So media time because at one time, like you said,

0:32:02.280 --> 0:32:04.479
<v Speaker 1>you were only seen when you wanted to be seen, right,

0:32:04.680 --> 0:32:06.840
<v Speaker 1>But now it's like you know, you you go to

0:32:06.920 --> 0:32:09.160
<v Speaker 1>the mall, or you go to the grocery store, somebody

0:32:09.240 --> 0:32:10.880
<v Speaker 1>sneaking the pictures, take a picture. I mean, you can

0:32:10.960 --> 0:32:14.240
<v Speaker 1>just have a head wrapper or you right, you know,

0:32:14.280 --> 0:32:20.840
<v Speaker 1>but how do you navigate through that? Well? I for me,

0:32:21.280 --> 0:32:23.640
<v Speaker 1>you know, there's again people have seen me since I

0:32:23.760 --> 0:32:26.680
<v Speaker 1>was seven, so there's really no like kind of hiding space,

0:32:26.800 --> 0:32:29.760
<v Speaker 1>hiding place, and you know, so I'm comfortable, like if

0:32:29.800 --> 0:32:32.200
<v Speaker 1>I don't have my makeup, Hey, it is what it is.

0:32:32.400 --> 0:32:34.640
<v Speaker 1>Is what it is. Y'all have seen the space before

0:32:34.960 --> 0:32:38.600
<v Speaker 1>it new makeup, So there you go. But I feel

0:32:38.640 --> 0:32:43.120
<v Speaker 1>like I've kind of navigated certain areas of social media,

0:32:43.800 --> 0:32:45.959
<v Speaker 1>one from that standpoint of if you can't beat them,

0:32:46.040 --> 0:32:50.760
<v Speaker 1>join them, and also doing it on my own terms.

0:32:50.920 --> 0:32:52.760
<v Speaker 1>If I'm not up for posting or I feel like

0:32:52.800 --> 0:32:56.240
<v Speaker 1>I've had just a sensory overload, take a little breather.

0:32:56.800 --> 0:33:00.560
<v Speaker 1>But it's a it's a space that I actually enjoyed because, um,

0:33:00.760 --> 0:33:03.480
<v Speaker 1>I get number one, I get to connect with certain people,

0:33:04.000 --> 0:33:07.960
<v Speaker 1>even you know, collaborations. I just did a collaboration with

0:33:08.120 --> 0:33:11.640
<v Speaker 1>Jonathan McReynolds and he sang on on my soundtrack and

0:33:11.720 --> 0:33:15.000
<v Speaker 1>now it's under consideration for an Emmy, so you know,

0:33:15.040 --> 0:33:16.800
<v Speaker 1>and that was because I thank you. But I reached

0:33:16.800 --> 0:33:19.880
<v Speaker 1>out on Instagram because we follow each other, and you know,

0:33:20.120 --> 0:33:23.000
<v Speaker 1>dms can be great and horrible, so in that moment,

0:33:23.120 --> 0:33:26.400
<v Speaker 1>it was great. But social media, you know, there's certain

0:33:26.440 --> 0:33:29.000
<v Speaker 1>things like anytime somebody tries to throw me in that

0:33:29.120 --> 0:33:31.280
<v Speaker 1>auntie zone, I am quick to respond, this is the

0:33:31.400 --> 0:33:37.560
<v Speaker 1>no auntie zone. Hashtag no aunties. No, I'm nobody NA

0:33:38.680 --> 0:33:41.760
<v Speaker 1>like me to call it. They call me uncle Leggy

0:33:41.960 --> 0:33:52.360
<v Speaker 1>really well good, yeah, I mean that's wonderful, but nahum,

0:33:52.440 --> 0:33:53.880
<v Speaker 1>And I think it's you know some of them too,

0:33:53.880 --> 0:33:56.400
<v Speaker 1>if it's different from you know, male female vine. So

0:33:56.520 --> 0:33:59.760
<v Speaker 1>you mentioned your MS, Yes, how many fellas are in

0:33:59.840 --> 0:34:03.280
<v Speaker 1>your MS being surprised about old or young. I'm sure

0:34:03.360 --> 0:34:05.440
<v Speaker 1>got to be some young man in the DMS as

0:34:05.480 --> 0:34:07.840
<v Speaker 1>well as some older people. Actually a great question because

0:34:07.840 --> 0:34:10.120
<v Speaker 1>I think with y'all generation don't realize is y'all are

0:34:10.239 --> 0:34:15.719
<v Speaker 1>showing a different level of aging gracefully, like when we

0:34:15.800 --> 0:34:17.880
<v Speaker 1>were growing up, forty and fifty used to seem like

0:34:18.120 --> 0:34:29.800
<v Speaker 1>old that was that was great? Yes, yeah, well, I

0:34:29.880 --> 0:34:32.840
<v Speaker 1>mean to answer that in my in my DMS, it's just,

0:34:33.280 --> 0:34:35.479
<v Speaker 1>you know, I basically have it set to the people

0:34:35.520 --> 0:34:38.240
<v Speaker 1>that I know, so I don't have any like surprise

0:34:38.320 --> 0:34:41.279
<v Speaker 1>like oh my god. No. And then in terms of

0:34:41.440 --> 0:34:44.920
<v Speaker 1>like aging, like you said, such a different time, it's

0:34:45.000 --> 0:34:48.439
<v Speaker 1>such a different everything, you know, and so I plan

0:34:48.719 --> 0:34:53.960
<v Speaker 1>on adventuring and journeying and doing I mean, just I'm

0:34:54.000 --> 0:34:57.080
<v Speaker 1>in such a new space I think too. And again

0:34:57.160 --> 0:34:59.279
<v Speaker 1>the genesis of it dancing with the stars and then

0:34:59.760 --> 0:35:03.720
<v Speaker 1>being regarded the way that I am as an executive producer.

0:35:04.200 --> 0:35:06.640
<v Speaker 1>You know, people talk about having a seat at the table.

0:35:07.320 --> 0:35:09.560
<v Speaker 1>My journey quite honestly, as I felt like I had

0:35:09.600 --> 0:35:12.759
<v Speaker 1>to actually build the table in the chairs, and then

0:35:12.920 --> 0:35:15.360
<v Speaker 1>everybody was like, oh, let me come to this table,

0:35:15.680 --> 0:35:18.160
<v Speaker 1>so I have a seat at the table. It's just different,

0:35:18.239 --> 0:35:22.040
<v Speaker 1>how that table and that seat got created, and so

0:35:22.239 --> 0:35:29.839
<v Speaker 1>that's actually very empowering and very exhilarating, liberating. Oh we yeah,

0:35:30.280 --> 0:35:34.200
<v Speaker 1>so that's that's really where I'm really hovering and moving

0:35:34.280 --> 0:35:37.600
<v Speaker 1>about and and so with that, yeah, as I'm leveling

0:35:37.719 --> 0:35:40.400
<v Speaker 1>up age wise, it's one of those like, you know,

0:35:40.719 --> 0:35:43.400
<v Speaker 1>like the Princess said, age ain't nothing but a number. Right,

0:35:43.640 --> 0:35:45.440
<v Speaker 1>I want to talk to you about the content of

0:35:45.520 --> 0:35:48.320
<v Speaker 1>Black shows art, right. Do you think that it was

0:35:48.360 --> 0:35:51.520
<v Speaker 1>some type of conspiracy to change the content because everybody

0:35:51.560 --> 0:35:53.840
<v Speaker 1>talked about how you know, the content is you know,

0:35:54.040 --> 0:35:56.279
<v Speaker 1>destructive now and influenced people the wrong way. Were growing

0:35:56.360 --> 0:35:58.799
<v Speaker 1>up you saw living thing what it was. Yeah, y'all

0:35:58.840 --> 0:36:02.080
<v Speaker 1>had careers, you know, y'all weren't I guess, quote unquote

0:36:02.239 --> 0:36:03.960
<v Speaker 1>ratchet even though if nothing wrong, being a little raget.

0:36:04.000 --> 0:36:06.640
<v Speaker 1>But it's like, do you think there was a conspiracy

0:36:06.680 --> 0:36:10.080
<v Speaker 1>to change the content of the shows? Ah, there's probably

0:36:10.080 --> 0:36:13.280
<v Speaker 1>a conspiracy about every damn thing, yea, and especially anything

0:36:13.360 --> 0:36:17.399
<v Speaker 1>positive to impact any people, let alone people of color.

0:36:18.120 --> 0:36:21.239
<v Speaker 1>That said, I'm not aware of anything that was that

0:36:21.640 --> 0:36:24.759
<v Speaker 1>in your face about it. I think that as a

0:36:25.120 --> 0:36:29.440
<v Speaker 1>content provider, you have to listen to what the audience

0:36:29.560 --> 0:36:31.759
<v Speaker 1>is saying that they want to see, you know, and

0:36:32.000 --> 0:36:35.160
<v Speaker 1>when they put on these great shows or positive shows

0:36:35.239 --> 0:36:37.759
<v Speaker 1>or whatever and people aren't watching, they get snatched up.

0:36:38.280 --> 0:36:41.560
<v Speaker 1>So it's almost like are we in our own way sometimes?

0:36:41.719 --> 0:36:43.840
<v Speaker 1>But you know, we don't have to watch everything just

0:36:43.840 --> 0:36:46.600
<v Speaker 1>because it's black people, or just because it's music, or

0:36:46.680 --> 0:36:49.640
<v Speaker 1>just because it's you know, there are certainly many different

0:36:49.680 --> 0:36:53.640
<v Speaker 1>ways that people can enjoy content and stories, and so

0:36:53.760 --> 0:36:55.759
<v Speaker 1>I think at the end of the day, it's it's

0:36:55.840 --> 0:36:59.760
<v Speaker 1>really about what's good storytelling, what a really good character.

0:37:00.560 --> 0:37:03.279
<v Speaker 1>I think that's what people want to see. And then

0:37:03.360 --> 0:37:05.640
<v Speaker 1>it becomes the timing of it. You know, there are

0:37:05.719 --> 0:37:07.600
<v Speaker 1>some shows that you feel like, God, that was ahead

0:37:07.600 --> 0:37:10.560
<v Speaker 1>of its time, and then some shows you like, Okay,

0:37:10.640 --> 0:37:13.440
<v Speaker 1>we've seen enough of that type of show, can we

0:37:13.560 --> 0:37:16.560
<v Speaker 1>please see something else. So I don't know that there's

0:37:16.640 --> 0:37:19.279
<v Speaker 1>a conspiracy or that there was, but I feel like

0:37:19.360 --> 0:37:23.120
<v Speaker 1>there are certain efforts that we, as the viewers, we

0:37:23.239 --> 0:37:28.040
<v Speaker 1>actually contribute to true true you know Kim Cole's say

0:37:28.160 --> 0:37:31.160
<v Speaker 1>that Fox use black shows like Living Single and Martin

0:37:31.239 --> 0:37:37.160
<v Speaker 1>to build a network, then kick them out the house. Yeah,

0:37:37.880 --> 0:37:40.640
<v Speaker 1>I mean, you know, when you when you are growing

0:37:40.719 --> 0:37:44.800
<v Speaker 1>a network and creating something from scratch. Yes, you do

0:37:45.160 --> 0:37:47.799
<v Speaker 1>gravitate towards what do we know is going to sell

0:37:48.040 --> 0:37:50.240
<v Speaker 1>right away? What do we know we'll have that loyal

0:37:50.320 --> 0:37:55.040
<v Speaker 1>audience right away? And historically speaking, it's been black shows.

0:37:55.560 --> 0:37:57.640
<v Speaker 1>But yes, there is that sense of Okay, we got

0:37:57.680 --> 0:38:00.279
<v Speaker 1>the numbers, we grew the audience. And then some times

0:38:00.320 --> 0:38:03.440
<v Speaker 1>it's also if there's a changing of the guard, if

0:38:03.480 --> 0:38:05.959
<v Speaker 1>there's a new network executive and they want to create

0:38:06.040 --> 0:38:08.839
<v Speaker 1>a new vision, put it in a new direction, then

0:38:09.160 --> 0:38:11.680
<v Speaker 1>you know, and it has nothing to do with being

0:38:11.840 --> 0:38:14.719
<v Speaker 1>you know, shows of color, then you know you go

0:38:14.920 --> 0:38:17.920
<v Speaker 1>that route. So I think that, yeah, that there there

0:38:18.040 --> 0:38:21.120
<v Speaker 1>is definitely something to what Kim said in terms of,

0:38:21.760 --> 0:38:24.440
<v Speaker 1>you know, how they build the network. Yes, do I

0:38:24.520 --> 0:38:26.640
<v Speaker 1>think that there could have been a touch more finessing

0:38:26.800 --> 0:38:30.480
<v Speaker 1>in terms of how you transition into whatever the new

0:38:30.600 --> 0:38:33.920
<v Speaker 1>direction is. But you know, people run their network how

0:38:33.960 --> 0:38:35.759
<v Speaker 1>they want to run it. So so how important did

0:38:35.760 --> 0:38:38.160
<v Speaker 1>they have a creator like a Regina Hicks who's worked

0:38:38.200 --> 0:38:42.440
<v Speaker 1>on like Insecure, Girl Sister Sister. Is it important to

0:38:42.480 --> 0:38:46.320
<v Speaker 1>have somebody who understands those legendary black sitcoms and what

0:38:46.400 --> 0:38:50.440
<v Speaker 1>it takes to create one. Yes, from the standpoint of

0:38:50.840 --> 0:38:55.080
<v Speaker 1>her experience, not in my opinion, not because she's a

0:38:55.200 --> 0:38:58.800
<v Speaker 1>woman or a woman of color, you know. But and

0:38:59.120 --> 0:39:01.839
<v Speaker 1>here's why, because there are those of us Mike Apps

0:39:01.920 --> 0:39:04.800
<v Speaker 1>want to diside me. We are people of color, and

0:39:05.320 --> 0:39:07.960
<v Speaker 1>you know two of us are women. So we're already

0:39:07.960 --> 0:39:09.840
<v Speaker 1>going to bring some of that to the tables. So

0:39:10.239 --> 0:39:14.520
<v Speaker 1>the idea of what we need somebody who understands that voice, well,

0:39:14.600 --> 0:39:18.279
<v Speaker 1>not if we have that voice. Her resume and what

0:39:18.480 --> 0:39:20.680
<v Speaker 1>she knows about running a writer's room or what she

0:39:20.800 --> 0:39:24.239
<v Speaker 1>knows about how to have a you know, a successful

0:39:24.680 --> 0:39:27.400
<v Speaker 1>show on a successful comedy. Those to me are the

0:39:27.520 --> 0:39:30.440
<v Speaker 1>more important boxes to check if you're going to just

0:39:30.760 --> 0:39:33.480
<v Speaker 1>you know, start checking boxes. But I do feel like

0:39:33.719 --> 0:39:37.239
<v Speaker 1>there has to be that sense of diversity even when

0:39:37.280 --> 0:39:40.919
<v Speaker 1>you are telling a specific type of story. Like people

0:39:40.960 --> 0:39:43.279
<v Speaker 1>will say, oh, I'm looking for a black director, I

0:39:43.400 --> 0:39:46.239
<v Speaker 1>need a female director. Well, I check those boxes, but

0:39:46.440 --> 0:39:49.080
<v Speaker 1>I don't approach it that way. I'm a director, and

0:39:49.280 --> 0:39:54.520
<v Speaker 1>so my sensibilities are about how to tell a great story. Secondary,

0:39:54.560 --> 0:39:57.440
<v Speaker 1>and what's kind of tertiary is yes I'm a female

0:39:57.560 --> 0:39:59.840
<v Speaker 1>or yes I'm a person of color. But for me,

0:40:00.320 --> 0:40:02.879
<v Speaker 1>it's you know, if you're a great director. You should

0:40:02.920 --> 0:40:05.920
<v Speaker 1>be able to tell anybody's story. Now, I love that

0:40:06.000 --> 0:40:07.840
<v Speaker 1>because you know, you have some companies. They got that

0:40:08.120 --> 0:40:12.360
<v Speaker 1>title now with the President of Diversity and Inclusion, inclusion.

0:40:12.960 --> 0:40:14.640
<v Speaker 1>But there might be a black person that has no

0:40:14.800 --> 0:40:18.840
<v Speaker 1>connection to the black community, experience black people whatsoever. Listen,

0:40:19.040 --> 0:40:23.360
<v Speaker 1>I you know, in the wake of certain tragedies, in

0:40:23.480 --> 0:40:28.359
<v Speaker 1>the wake of certain difficult moments in society, we had

0:40:28.480 --> 0:40:33.120
<v Speaker 1>some what some would consider forward motion, forward movement, and

0:40:33.280 --> 0:40:36.400
<v Speaker 1>exactly what you're saying. And for me, I'm not about

0:40:36.480 --> 0:40:39.799
<v Speaker 1>being a box checker. And when you are a box

0:40:39.920 --> 0:40:41.960
<v Speaker 1>checker and then you don't have the skill set to

0:40:42.040 --> 0:40:44.360
<v Speaker 1>back it up, it's like get in the door with

0:40:44.520 --> 0:40:46.520
<v Speaker 1>the boxes that you check, but then what you're gonna

0:40:46.520 --> 0:40:48.640
<v Speaker 1>do when you're in the door, you have to have

0:40:48.880 --> 0:40:51.160
<v Speaker 1>the skill set. You got to bring the thunder. Otherwise

0:40:51.239 --> 0:40:54.520
<v Speaker 1>you're just a box checker taking up air. So then

0:40:54.640 --> 0:41:00.040
<v Speaker 1>check the box that I'm an air taker upper. I

0:41:00.040 --> 0:41:02.120
<v Speaker 1>think that's messing up the art because it feels like

0:41:02.239 --> 0:41:07.879
<v Speaker 1>sometimes they'll put some black shows on black movies and whack, yeah, yes, yes,

0:41:07.960 --> 0:41:10.320
<v Speaker 1>I do, yes, I do. I feel like it's messing

0:41:10.400 --> 0:41:13.600
<v Speaker 1>up the art. The craft the culture. I mean just

0:41:14.880 --> 0:41:19.080
<v Speaker 1>just I mean, come on, you know, the diversity on anything,

0:41:19.280 --> 0:41:21.480
<v Speaker 1>it's what's up. I mean, it just makes it that

0:41:21.680 --> 0:41:25.239
<v Speaker 1>much more interesting, that much more collaborative. That's that much

0:41:25.320 --> 0:41:30.239
<v Speaker 1>more real in terms of what the reality is in

0:41:30.480 --> 0:41:34.200
<v Speaker 1>most people's environments. Yeah, I want you diverse in thought

0:41:34.239 --> 0:41:36.359
<v Speaker 1>though I like disity, but I like diversity and thought,

0:41:36.400 --> 0:41:41.960
<v Speaker 1>diversity and creativity. Like what you said, is the talent first, Yeah, absolutely, absolutely,

0:41:42.040 --> 0:41:45.040
<v Speaker 1>and then hey, if you check a box or two, cool,

0:41:45.520 --> 0:41:47.400
<v Speaker 1>But at the end of the day, that's more of

0:41:47.480 --> 0:41:51.120
<v Speaker 1>a I think of a corporate mindset because they want

0:41:51.160 --> 0:41:53.640
<v Speaker 1>to look good. That's right. We got more we Ken

0:41:53.760 --> 0:41:55.920
<v Speaker 1>feels when we come back, don't move. It's the Breakfast

0:41:55.920 --> 0:41:59.880
<v Speaker 1>clubical boarding. J D. Charlemagne, the guy we are the

0:42:00.000 --> 0:42:02.680
<v Speaker 1>Breakfast Club was still kicking it with actress Kim Fields.

0:42:02.960 --> 0:42:05.279
<v Speaker 1>Now you talked about, you know, you wanted to do

0:42:05.400 --> 0:42:07.719
<v Speaker 1>reality show, you wanted to be a director, you wanted

0:42:07.719 --> 0:42:10.200
<v Speaker 1>to do this. Is there anything that's that you haven't

0:42:10.200 --> 0:42:12.360
<v Speaker 1>done yet that you want to do? Yeah, your bucket

0:42:12.400 --> 0:42:13.960
<v Speaker 1>list that you're like, this is what I want to do.

0:42:14.120 --> 0:42:16.759
<v Speaker 1>Oh my gosh, well, I guess I don't approach it

0:42:16.840 --> 0:42:19.320
<v Speaker 1>like bucket List five. You know, I think I approach

0:42:19.360 --> 0:42:22.560
<v Speaker 1>it more of just you know, here's let's let's go.

0:42:23.120 --> 0:42:25.560
<v Speaker 1>So so for me, I'm definitely I want to do

0:42:25.880 --> 0:42:29.799
<v Speaker 1>more drama. Who definitely want to do um sci fi

0:42:30.320 --> 0:42:33.800
<v Speaker 1>because I love sci fi and fantasy. And you know,

0:42:34.080 --> 0:42:36.120
<v Speaker 1>folks can't just be the only ones in you know,

0:42:36.840 --> 0:42:39.239
<v Speaker 1>blue and green makeup and getting the check. I mean,

0:42:39.360 --> 0:42:41.799
<v Speaker 1>come on, I put another color on me and I'll

0:42:41.840 --> 0:42:45.760
<v Speaker 1>get a check. Tout his birthday today. What we're doing today?

0:42:45.840 --> 0:42:52.680
<v Speaker 1>Baby birthday the only thing right, And I got work

0:42:52.719 --> 0:42:55.120
<v Speaker 1>out at six. But you know, I'm watching Miss Marvel

0:42:55.200 --> 0:42:58.640
<v Speaker 1>on Disney Plus and there's a welcome to New Jerney

0:43:00.400 --> 0:43:03.120
<v Speaker 1>just to see it. Yeah, she's the first Muslim superhero.

0:43:03.400 --> 0:43:06.160
<v Speaker 1>She's on top of the sign, right, So I thought

0:43:06.239 --> 0:43:08.520
<v Speaker 1>you was gonna say that you wanted to be up

0:43:08.520 --> 0:43:11.640
<v Speaker 1>there and sitting next to her on it. That's a

0:43:11.840 --> 0:43:27.520
<v Speaker 1>birthday anxiety to No. No, I'm gonna drive by. Well,

0:43:27.640 --> 0:43:30.279
<v Speaker 1>I'm sure season. I got a couple more questions because

0:43:30.360 --> 0:43:32.400
<v Speaker 1>you know you said earlier, you said this is a things,

0:43:32.920 --> 0:43:35.160
<v Speaker 1>So what do black creators need to do to get there?

0:43:35.480 --> 0:43:39.320
<v Speaker 1>Just do manage your expectations on getting that just do

0:43:40.520 --> 0:43:43.319
<v Speaker 1>you know. Usually my answer is, you know, be good,

0:43:43.880 --> 0:43:46.800
<v Speaker 1>be better than you know. Set the bar, don't just

0:43:47.000 --> 0:43:48.759
<v Speaker 1>get to the bar, and in fact raise the bar.

0:43:49.120 --> 0:43:54.040
<v Speaker 1>Those are fantastic goals to have and more than likely attainable.

0:43:54.640 --> 0:43:57.000
<v Speaker 1>But at the end of the day, you can do

0:43:57.200 --> 0:44:01.120
<v Speaker 1>all of that, and if your goal is is beyond

0:44:01.280 --> 0:44:04.840
<v Speaker 1>what you can control, then you know you have to

0:44:04.920 --> 0:44:09.200
<v Speaker 1>manage that expectation. Great example years ago, Blair and I

0:44:09.280 --> 0:44:12.160
<v Speaker 1>were to Blair and Wood and I were talking about auditioning,

0:44:12.960 --> 0:44:16.680
<v Speaker 1>and he said, you know, make the goal something other

0:44:16.760 --> 0:44:20.880
<v Speaker 1>than booking the gig, because that's actually not in your control.

0:44:20.920 --> 0:44:23.680
<v Speaker 1>You can go in there crush it and not book

0:44:23.719 --> 0:44:27.200
<v Speaker 1>it because of circumstances beyond your control. They've already cast,

0:44:27.239 --> 0:44:30.160
<v Speaker 1>they're going with a different type of look, they're going

0:44:30.239 --> 0:44:32.560
<v Speaker 1>with a different name, all kinds of things, and so

0:44:33.480 --> 0:44:35.839
<v Speaker 1>what is the goal. But don't make the goal something

0:44:35.880 --> 0:44:38.160
<v Speaker 1>pressurized like I gotta book this to pay my rent,

0:44:38.360 --> 0:44:40.399
<v Speaker 1>I gotta book this to get the light bill paid,

0:44:40.480 --> 0:44:42.680
<v Speaker 1>or my baby's needs us, whatever it is, because that

0:44:42.840 --> 0:44:45.680
<v Speaker 1>pressure will then mess you up and you won't be

0:44:45.719 --> 0:44:49.080
<v Speaker 1>able to be at your best. But when you find

0:44:49.200 --> 0:44:52.560
<v Speaker 1>that space where you are not in a pressurized moment.

0:44:53.400 --> 0:44:57.440
<v Speaker 1>Then make the goal something that you can control. So

0:44:57.680 --> 0:45:00.680
<v Speaker 1>that's what I think when I say manage your at spectations.

0:45:01.320 --> 0:45:03.840
<v Speaker 1>My last question, you grew up in the entertainment industry.

0:45:03.920 --> 0:45:07.400
<v Speaker 1>What was the best and worst advice you received. Thankfully,

0:45:07.520 --> 0:45:10.359
<v Speaker 1>I've not had any bad advice, and if I had,

0:45:10.440 --> 0:45:13.879
<v Speaker 1>I guess I just didn't listen. So but my best

0:45:13.960 --> 0:45:17.240
<v Speaker 1>advice was from my mom and she, I mean, my goodness.

0:45:17.280 --> 0:45:19.440
<v Speaker 1>When I wrote my autobiography, I just felt like it

0:45:19.440 --> 0:45:22.560
<v Speaker 1>should be called, you know, chips gems because my mother

0:45:22.680 --> 0:45:25.359
<v Speaker 1>just dropped gem after gem in my life. But when

0:45:25.400 --> 0:45:27.960
<v Speaker 1>I was growing up, like one of the early days

0:45:28.000 --> 0:45:30.719
<v Speaker 1>of facts of life, and she said, you started a

0:45:30.880 --> 0:45:34.200
<v Speaker 1>hundred percent and everything that you do and say every

0:45:34.280 --> 0:45:36.960
<v Speaker 1>day that you're here either keeps you here or it

0:45:37.000 --> 0:45:41.960
<v Speaker 1>can chip away, right, And I was like, okay, all right,

0:45:42.280 --> 0:45:44.800
<v Speaker 1>that's that's all right. And then the second piece of

0:45:44.840 --> 0:45:47.640
<v Speaker 1>advice when I went to do the audition for the

0:45:47.680 --> 0:45:50.680
<v Speaker 1>Miss butter or Sarah commercial, so Janet was there and

0:45:50.800 --> 0:45:52.680
<v Speaker 1>that was the first time that I'd even seen her

0:45:52.800 --> 0:45:55.000
<v Speaker 1>met her and you know, they had those jacks in

0:45:55.120 --> 0:45:58.160
<v Speaker 1>Summer special, yes, and so I knew who she was,

0:45:58.200 --> 0:46:00.560
<v Speaker 1>and I've gotten to that and that was my first audition,

0:46:00.680 --> 0:46:03.000
<v Speaker 1>first time doing anything. We had just got in LA

0:46:03.480 --> 0:46:06.719
<v Speaker 1>and I thought, oh my god, that's Danna Jackson. I

0:46:06.760 --> 0:46:08.600
<v Speaker 1>don't belong here. I want to go home. I want

0:46:08.640 --> 0:46:11.759
<v Speaker 1>to go home. And I got terrified. I'm very insecure,

0:46:12.120 --> 0:46:15.240
<v Speaker 1>and my mom took me into the bathroom and she said, listen,

0:46:15.880 --> 0:46:18.920
<v Speaker 1>she's not doing anything to you. You were doing this

0:46:19.280 --> 0:46:24.440
<v Speaker 1>to yourself. Don't let anything or anybody intimidate you of

0:46:24.600 --> 0:46:27.120
<v Speaker 1>your own doing. But don't don't do it. And there

0:46:27.160 --> 0:46:29.520
<v Speaker 1>are times to this day guys, if I'm like feeling

0:46:29.840 --> 0:46:31.760
<v Speaker 1>you know, some kind of way or in my feelings

0:46:31.840 --> 0:46:35.440
<v Speaker 1>and feeling like, oh, I'm not sure whatever, and you know,

0:46:35.640 --> 0:46:38.759
<v Speaker 1>my level of confidence or my security is not on

0:46:38.960 --> 0:46:42.760
<v Speaker 1>full blast, I will go into the bathroom and tell myself,

0:46:42.880 --> 0:46:47.160
<v Speaker 1>don't let anything or anyone intimidate you. And especially when

0:46:47.200 --> 0:46:49.319
<v Speaker 1>you're doing that to yourself and they're not even doing

0:46:49.360 --> 0:46:53.520
<v Speaker 1>anything to you, don't you allow your own mind to

0:46:53.680 --> 0:47:01.319
<v Speaker 1>do that. So those are the right having the syndrome, yeah,

0:47:01.440 --> 0:47:05.120
<v Speaker 1>always feeling worthy, which is two things that you always

0:47:05.200 --> 0:47:08.920
<v Speaker 1>deal with matter how old you are. That's right, absolutely, absolutely,

0:47:09.200 --> 0:47:12.200
<v Speaker 1>And so that level of security, you know, really really

0:47:12.440 --> 0:47:16.600
<v Speaker 1>helps seal seal the deal for me. Yeah. Well, check

0:47:16.640 --> 0:47:19.720
<v Speaker 1>out the Upshore season two right now, and we appreciate

0:47:19.760 --> 0:47:24.000
<v Speaker 1>you for joining the legendary man. Thank you. You're right listen,

0:47:24.160 --> 0:47:26.560
<v Speaker 1>I'm so glad that I was able to finally get

0:47:26.680 --> 0:47:29.880
<v Speaker 1>here and finally meet you. Happy birthday, Thank you, Thank you.

0:47:30.000 --> 0:47:34.040
<v Speaker 1>Have an amazing, amazing next chapter filled with so much

0:47:34.440 --> 0:47:40.440
<v Speaker 1>adventure and wonder and success and being grounded. Happy birthday,

0:47:41.600 --> 0:47:43.480
<v Speaker 1>Yes indeed, and go on and sit up there next

0:47:43.520 --> 0:47:52.399
<v Speaker 1>to her. It's the breakfast Club. Good morning, the breakfast Club.

0:47:52.520 --> 0:47:56.200
<v Speaker 1>Your mornings will never be the same. What it's trying

0:47:56.200 --> 0:47:58.279
<v Speaker 1>to get with someone special. The best way to do

0:47:58.360 --> 0:48:01.720
<v Speaker 1>it is with Magnum large side condoms. That gold foil

0:48:01.760 --> 0:48:04.000
<v Speaker 1>wrapper is a badge of honor and it means you're

0:48:04.040 --> 0:48:07.160
<v Speaker 1>protected and you take care of things with comfort. Accept

0:48:07.200 --> 0:48:10.000
<v Speaker 1>no substitute. So bring the pleasure with the gold standard

0:48:10.160 --> 0:48:23.319
<v Speaker 1>Magnum large size condumns. You are. I'm gonna fatten all

0:48:23.360 --> 0:48:26.839
<v Speaker 1>that shit around your eye. This man Doden Blowers. Many

0:48:26.880 --> 0:48:32.600
<v Speaker 1>wait for Charlom judgment, the donkey of the day. They

0:48:32.760 --> 0:48:36.160
<v Speaker 1>chose you the breakfast Club. Bitches, who's donkey of the

0:48:36.280 --> 0:48:39.080
<v Speaker 1>day to day Wow, donkey of today goes to the

0:48:39.120 --> 0:48:43.399
<v Speaker 1>police in Putnella's County, Florida, and twenty seven year old

0:48:43.440 --> 0:48:46.360
<v Speaker 1>Caitlin O'Donovan in twenty nine year old Sarah Franks of

0:48:46.440 --> 0:48:49.080
<v Speaker 1>clear Water, Florida. All of y'all getting dunkey of today

0:48:49.120 --> 0:48:52.120
<v Speaker 1>because clearly none of y'all have anything better to do. Now,

0:48:52.200 --> 0:48:55.719
<v Speaker 1>what does your uncle Charlot always tell you about the

0:48:55.800 --> 0:48:58.279
<v Speaker 1>great state of Florida? What has your uncle Charla been

0:48:58.320 --> 0:49:00.840
<v Speaker 1>telling you on this radio for the path eleven years

0:49:01.280 --> 0:49:03.800
<v Speaker 1>about the great state of Florida. The craziest people in

0:49:03.840 --> 0:49:05.640
<v Speaker 1>America come from the Bronx and all the Florida. And

0:49:05.680 --> 0:49:07.960
<v Speaker 1>I must say, in recent years there is other places

0:49:08.000 --> 0:49:11.160
<v Speaker 1>in America trying to take Florida's crown. Texas, I'm talking

0:49:11.239 --> 0:49:14.040
<v Speaker 1>to you, okay, But Florida, y'all still have the crown,

0:49:14.040 --> 0:49:16.120
<v Speaker 1>all right, y'all still the kings of the thing. All right. Now,

0:49:16.200 --> 0:49:18.080
<v Speaker 1>If I told you that someone was charged with the

0:49:18.160 --> 0:49:21.120
<v Speaker 1>Sultan battery, what would you think, nvy a Sultan battery?

0:49:21.120 --> 0:49:22.719
<v Speaker 1>What would you think? But the first thing that comes

0:49:22.760 --> 0:49:27.160
<v Speaker 1>to your mind punching somebody? Yeah, right, that's the textbook definition,

0:49:27.239 --> 0:49:30.200
<v Speaker 1>it's an act of physical violence. Assault refers to the

0:49:30.320 --> 0:49:36.120
<v Speaker 1>act which causes the victim to receive imminent physical harm, okay,

0:49:36.360 --> 0:49:39.920
<v Speaker 1>while battery refers to the actual act causing the physical harm.

0:49:39.960 --> 0:49:42.279
<v Speaker 1>Oh no, let me say that again. Assault refers to

0:49:42.360 --> 0:49:46.560
<v Speaker 1>the act which causes the victim to apprehend imminent physical harm,

0:49:46.600 --> 0:49:49.920
<v Speaker 1>while battery refers to the actual act causing the physical harm.

0:49:50.000 --> 0:49:52.839
<v Speaker 1>So hitting, a punching somebody all right, forcibly causing them

0:49:52.920 --> 0:49:55.399
<v Speaker 1>pain is a Sultan battery. I actually think that when

0:49:55.440 --> 0:49:57.759
<v Speaker 1>somebody gets their ass kick, we've been doing ourselves a

0:49:57.800 --> 0:50:00.680
<v Speaker 1>disservice by saying they simply got beat up, all right.

0:50:00.719 --> 0:50:03.040
<v Speaker 1>When somebody gets done dirty, we should say, man, you

0:50:03.200 --> 0:50:06.160
<v Speaker 1>got batted, all right. Badded sound is way worse than

0:50:06.280 --> 0:50:08.560
<v Speaker 1>beat up. Even if you threaten somebody, keep it up.

0:50:08.760 --> 0:50:11.320
<v Speaker 1>I'm a batter your ass, all right. Don't make me

0:50:11.400 --> 0:50:14.480
<v Speaker 1>battery your punk ass, all right. That's why words matter

0:50:14.600 --> 0:50:16.480
<v Speaker 1>in the context of words matter, because it sounds so

0:50:16.600 --> 0:50:20.000
<v Speaker 1>cute when you think of batter in the context of pancakes, waffles,

0:50:20.080 --> 0:50:22.440
<v Speaker 1>red velvet cake, and it is all those things. But

0:50:22.520 --> 0:50:24.560
<v Speaker 1>when you say y'all batter or breaks off, you boy,

0:50:25.200 --> 0:50:27.360
<v Speaker 1>it changes things, all right? Could that work in the

0:50:27.440 --> 0:50:29.680
<v Speaker 1>context of prize fighting? Like if I say, Jake Paul batted,

0:50:30.239 --> 0:50:32.680
<v Speaker 1>you know, Nate Robinson or Jake Paul badded Tyrone Woodley.

0:50:32.760 --> 0:50:34.320
<v Speaker 1>No disrespect to those brothers at all, But I'm just

0:50:34.320 --> 0:50:36.239
<v Speaker 1>trying to show y'all what battery looks like. We've all

0:50:36.280 --> 0:50:38.400
<v Speaker 1>been on World Stoffer years. We've seen what you know

0:50:39.400 --> 0:50:41.759
<v Speaker 1>battery is. We know what it looks like when someone

0:50:41.840 --> 0:50:44.799
<v Speaker 1>gets dragged. You know who else knows what battery looks

0:50:44.840 --> 0:50:48.040
<v Speaker 1>like more than anybody? The police, all right. The police

0:50:48.120 --> 0:50:50.960
<v Speaker 1>arrest folks for assulting battery all the time. Hey, sometimes

0:50:51.040 --> 0:50:54.080
<v Speaker 1>someone gets batted, and depending on the situation, police don't

0:50:54.080 --> 0:50:56.440
<v Speaker 1>even arrest them, might detain them until they cool off,

0:50:56.480 --> 0:50:58.560
<v Speaker 1>but they don't take them to jail because it's bigger

0:50:58.600 --> 0:51:01.000
<v Speaker 1>fish to fry, bigger issue out here in folks having

0:51:01.000 --> 0:51:03.960
<v Speaker 1>a kerfuffle here and there, but not in Florida. Nope,

0:51:04.200 --> 0:51:08.440
<v Speaker 1>in Florida, one person's kerfuffle, one persons skirmish is another

0:51:08.480 --> 0:51:10.680
<v Speaker 1>person's battery. Now, I know there's a lot of law

0:51:10.800 --> 0:51:13.520
<v Speaker 1>enforcement that listens to the breakfast club. Salute all the

0:51:13.560 --> 0:51:16.239
<v Speaker 1>police officers out there that listen I need y'all to

0:51:16.320 --> 0:51:18.840
<v Speaker 1>tell me if I'm tripping. Okay, when you see me

0:51:18.880 --> 0:51:20.319
<v Speaker 1>in the streets, if you want to call love, tell

0:51:20.360 --> 0:51:23.080
<v Speaker 1>me if I'm tripping. For giving the Pennellas County, Florida

0:51:23.160 --> 0:51:25.759
<v Speaker 1>police the biggest he had for arresting these two women,

0:51:25.800 --> 0:51:28.400
<v Speaker 1>because when I heard this story, I just shook my

0:51:28.520 --> 0:51:30.840
<v Speaker 1>head and said to myself, life as we know it

0:51:31.360 --> 0:51:33.600
<v Speaker 1>is really a dramedy. Let's go to w FLA for

0:51:33.680 --> 0:51:36.239
<v Speaker 1>the report. Police. A few women here smiling in their

0:51:36.360 --> 0:51:39.080
<v Speaker 1>mug shots but facing felony charges. Up the police that

0:51:39.160 --> 0:51:42.080
<v Speaker 1>they threw glitter at a man during an argument in

0:51:42.280 --> 0:51:45.800
<v Speaker 1>Pennellas County, Florida. And no, glitter isn't some slang for

0:51:45.880 --> 0:51:48.400
<v Speaker 1>something you've never heard of. We're talking about the shiny

0:51:48.400 --> 0:51:51.160
<v Speaker 1>stuff glitter here in the story. This is twenty seven

0:51:51.200 --> 0:51:55.040
<v Speaker 1>year old Caitlin O'Donovan and twenty nine year old Sarah Franks,

0:51:55.080 --> 0:51:58.120
<v Speaker 1>both women, according to Clearwater police, throwing a container of

0:51:58.360 --> 0:52:02.280
<v Speaker 1>glitter at the victim during an argument. The arrest affidavit

0:52:02.320 --> 0:52:04.680
<v Speaker 1>statement that the man was hit in the head and

0:52:04.880 --> 0:52:07.760
<v Speaker 1>in the torso. Now officers said that Franks then climbed

0:52:07.800 --> 0:52:11.560
<v Speaker 1>over a balcony fence, went into the man's apartment and

0:52:11.800 --> 0:52:16.480
<v Speaker 1>threw more containers of glitter at him. Franks and O'Donovan

0:52:16.520 --> 0:52:19.560
<v Speaker 1>are both arrested and charge with delany burglary with assault

0:52:19.920 --> 0:52:23.759
<v Speaker 1>or battery. Yeah, and the arrest Affadavid also said the

0:52:23.880 --> 0:52:27.399
<v Speaker 1>vehicle was still warm when the police, you know, found

0:52:27.480 --> 0:52:30.040
<v Speaker 1>the car, and glitter was inside of it when police

0:52:30.040 --> 0:52:32.560
<v Speaker 1>found it as well. I wanted today buy all this

0:52:32.640 --> 0:52:34.920
<v Speaker 1>glitter somewhere in Florida recently or was it just a

0:52:35.000 --> 0:52:38.560
<v Speaker 1>lot of leftover glitter from Christmas? We're talking glitter man,

0:52:39.239 --> 0:52:41.880
<v Speaker 1>Glitter like the two thousand and one Mariah Carrey movie. Okay,

0:52:41.920 --> 0:52:45.040
<v Speaker 1>glitter like Little Kim's iconic purple tasty jumpsuit from the

0:52:45.160 --> 0:52:47.760
<v Speaker 1>ninety nine MS. Now, I'm not making no excuses Franks

0:52:47.800 --> 0:52:50.279
<v Speaker 1>and O'Donovan. That's why they're sharing in this donkey as well.

0:52:50.440 --> 0:52:52.920
<v Speaker 1>They went to that manhouse, they kicked the window until

0:52:52.960 --> 0:52:55.480
<v Speaker 1>it broke. Okay, they broke into that man's apartment, started

0:52:55.600 --> 0:52:58.200
<v Speaker 1>arguing with him and through containers a glitter. That's breaking

0:52:58.239 --> 0:53:01.440
<v Speaker 1>an entering disorderly conduct. Got the most all right, but

0:53:01.600 --> 0:53:04.279
<v Speaker 1>charging them for battery, taking them to jail and filling

0:53:04.320 --> 0:53:07.120
<v Speaker 1>out paperwork because these two young ladies did some glitter bombing.

0:53:07.880 --> 0:53:09.720
<v Speaker 1>Maybe they lesbians and it was an act of protest.

0:53:09.800 --> 0:53:12.680
<v Speaker 1>Don't the LGBT community use glitter as an act of protest.

0:53:13.120 --> 0:53:14.880
<v Speaker 1>Maybe the guy was dating one of the women and

0:53:14.960 --> 0:53:17.439
<v Speaker 1>she found out he was batting for the other team.

0:53:17.520 --> 0:53:19.920
<v Speaker 1>Who knows, so she decided to batter him with glitter.

0:53:20.000 --> 0:53:24.160
<v Speaker 1>There is something gold dusty here, don't you think. By

0:53:24.200 --> 0:53:25.800
<v Speaker 1>the way, if this is the route we're going in America,

0:53:25.920 --> 0:53:28.160
<v Speaker 1>Dustin Rose, they are about to bring up bring up

0:53:28.200 --> 0:53:31.000
<v Speaker 1>a bunch of retroactive charges against you and the WWE

0:53:31.280 --> 0:53:33.480
<v Speaker 1>for all that glitter. You know what I'm doing people's faces? Okay,

0:53:33.520 --> 0:53:35.560
<v Speaker 1>if you ask me, these women should be arrested for

0:53:35.600 --> 0:53:37.759
<v Speaker 1>breaking in that man's house, but charged with a salt

0:53:37.800 --> 0:53:42.080
<v Speaker 1>and battery for thrown glitter bo humbug. Okay. I understand

0:53:42.160 --> 0:53:45.240
<v Speaker 1>some legal offices argue glitter bombing is a Sultan battery

0:53:45.320 --> 0:53:48.160
<v Speaker 1>because it's possible for glitter that into the eyes or

0:53:48.320 --> 0:53:52.200
<v Speaker 1>nose and caused damage that leads the infection depending on

0:53:52.280 --> 0:53:54.080
<v Speaker 1>the size of the glitter. But do you really have

0:53:54.239 --> 0:53:56.880
<v Speaker 1>a case about glitter going in your nose? If you

0:53:57.000 --> 0:54:00.680
<v Speaker 1>already snort cocaine that has nothing to do with nothing,

0:54:00.800 --> 0:54:03.279
<v Speaker 1>But the moral of the story is Pernella's Police. Y'all

0:54:03.280 --> 0:54:06.320
<v Speaker 1>don't have anything better to do. Please give the Pernella's

0:54:06.320 --> 0:54:09.280
<v Speaker 1>County Police Department and the two young ladies Caitlyn O'Donovan

0:54:09.320 --> 0:54:12.080
<v Speaker 1>and Sarah Franks the sweet sounds of the Hamletones. Oh

0:54:12.280 --> 0:54:23.359
<v Speaker 1>no you are dogee, Oh the day, the dogee, Oh

0:54:23.560 --> 0:54:31.440
<v Speaker 1>the day. Yeah. I was about to play something too,

0:54:31.480 --> 0:54:34.640
<v Speaker 1>but I'm not doing that in me. No, no, no, no,

0:54:34.680 --> 0:54:35.759
<v Speaker 1>we don't have to play a game. These are the

0:54:35.800 --> 0:54:41.920
<v Speaker 1>two people, right, Sarah Franks, Caitlyn O'Donovan O'Donovan. Come on,

0:54:42.520 --> 0:54:45.760
<v Speaker 1>come on, that'd be funny, though the fight with somebody

0:54:45.800 --> 0:54:48.400
<v Speaker 1>just stop glittering their face, that would not be funny.

0:54:48.440 --> 0:54:51.239
<v Speaker 1>I'm telling you that's something bigger here. I really think that,

0:54:51.320 --> 0:54:52.759
<v Speaker 1>you know, one of them was dating the dude to

0:54:52.760 --> 0:54:54.759
<v Speaker 1>the dude started messing around another guy. But that's just

0:54:54.880 --> 0:54:58.160
<v Speaker 1>me and how my brain works, because that's very specific.

0:54:58.239 --> 0:54:59.960
<v Speaker 1>To go to somebody house with glitter that means something.

0:55:01.000 --> 0:55:03.600
<v Speaker 1>I'm blaking. I'm bringing glitter Hill on Monday. Just know

0:55:03.760 --> 0:55:08.480
<v Speaker 1>that what I ain't gold dust get that time. Gold

0:55:08.480 --> 0:55:10.560
<v Speaker 1>does get somebody moth to my resuscitation and put their

0:55:10.600 --> 0:55:13.120
<v Speaker 1>tongue in the myth, put his tongue in goodness. Okay,

0:55:13.200 --> 0:55:14.680
<v Speaker 1>So if you're gonna go there and go there, Nope,

0:55:14.680 --> 0:55:16.800
<v Speaker 1>I'm not going in anything. Thank you for that. Donkey

0:55:16.840 --> 0:55:19.960
<v Speaker 1>to day. It's the Breakfast Club. Go morning, the Breakfast Club.

0:55:24.160 --> 0:55:27.160
<v Speaker 1>Ask Charlemagne and DJ n d An make it up,

0:55:27.200 --> 0:55:32.319
<v Speaker 1>pick it up up. It's time to ask an ass

0:55:32.440 --> 0:55:34.799
<v Speaker 1>C and E. If you need relationship advice will help

0:55:34.840 --> 0:55:37.120
<v Speaker 1>you out. Ye's not here? Hello? Who's this? Hey? What's

0:55:37.120 --> 0:55:39.560
<v Speaker 1>going on? Man? Hey? Jeffrey Man? What's your what's your

0:55:39.640 --> 0:55:42.480
<v Speaker 1>question for us? Man? So? I got three baby one

0:55:42.520 --> 0:55:44.520
<v Speaker 1>of them just causing a lot of problems, making false

0:55:44.640 --> 0:55:46.680
<v Speaker 1>accusations and the stuff. For like sa, I just kind

0:55:46.719 --> 0:55:48.319
<v Speaker 1>of want to be how I could weed her out

0:55:48.360 --> 0:55:51.200
<v Speaker 1>and still be able to play with my girlfriend without

0:55:51.239 --> 0:55:53.160
<v Speaker 1>her like causing rumors and all that god of stuff.

0:55:53.280 --> 0:55:55.600
<v Speaker 1>So you got three baby mamas, but your baby mamas

0:55:55.800 --> 0:55:58.920
<v Speaker 1>is messing up your new girlfriend. Basically the advice I

0:55:58.960 --> 0:56:01.520
<v Speaker 1>wouldn't give you, sir. It's a guy named Doc Brown

0:56:01.600 --> 0:56:04.520
<v Speaker 1>that you should seek out. Doc Brown has invented a

0:56:04.640 --> 0:56:06.920
<v Speaker 1>time machine. It's in the form of a dolous. You

0:56:06.960 --> 0:56:09.439
<v Speaker 1>should get into that DeLorean and go back in time

0:56:09.480 --> 0:56:11.759
<v Speaker 1>and wear condoms, sir, that's what you should do. Well,

0:56:12.080 --> 0:56:14.080
<v Speaker 1>I mean, there's really nothing you can do. I mean,

0:56:14.160 --> 0:56:16.480
<v Speaker 1>you put yourself in that position. You have three baby mamas.

0:56:16.480 --> 0:56:17.719
<v Speaker 1>You got to deal with it for the rest of

0:56:17.760 --> 0:56:19.279
<v Speaker 1>your life. The only thing I would do is trying

0:56:19.280 --> 0:56:22.200
<v Speaker 1>to separate my baby moms from my girlfriend unless they're

0:56:22.200 --> 0:56:24.320
<v Speaker 1>trying to get in touch with her on social media

0:56:24.520 --> 0:56:26.040
<v Speaker 1>and things like that, and then I would go into

0:56:26.080 --> 0:56:28.560
<v Speaker 1>my girlfriend's phone and block them myself so they have

0:56:28.880 --> 0:56:31.239
<v Speaker 1>no way to speak to each other. And you should

0:56:31.280 --> 0:56:33.839
<v Speaker 1>wear condoms now, so you don't have a fourth baby mama,

0:56:33.880 --> 0:56:37.040
<v Speaker 1>because your protection game is clearly trash, very trash. Yeah,

0:56:37.719 --> 0:56:39.880
<v Speaker 1>I got well, she only do BLUs, but she's like

0:56:40.000 --> 0:56:42.800
<v Speaker 1>calling from different numbers, sending videos and all that stuff

0:56:42.840 --> 0:56:45.279
<v Speaker 1>like that. And I'm actually looking to propose to my

0:56:45.719 --> 0:56:47.640
<v Speaker 1>kind of girlfriend now, but she's just calling them like

0:56:47.640 --> 0:56:49.800
<v Speaker 1>a whole bunch of problems. So I wouldn't marry you.

0:56:49.880 --> 0:56:51.960
<v Speaker 1>You got three kids from three different baby mamas. I

0:56:51.960 --> 0:56:54.239
<v Speaker 1>wouldn't marry you if I was her. Well, I'm glad

0:56:54.239 --> 0:56:56.919
<v Speaker 1>you wouldn't marry me. You're married already, sir? Yeah, Hello,

0:56:57.000 --> 0:57:01.480
<v Speaker 1>who's this day? Your name is juice? Yeah? All right?

0:57:01.480 --> 0:57:03.600
<v Speaker 1>Sound like your baby in the back seat choking on

0:57:03.640 --> 0:57:05.919
<v Speaker 1>some juice? Right now? Are you coughing so much? What's

0:57:05.960 --> 0:57:10.759
<v Speaker 1>your questions? All right? What's your question? Mamma? My question is,

0:57:11.000 --> 0:57:13.480
<v Speaker 1>for some reason, it's not hard for me to find

0:57:13.640 --> 0:57:16.080
<v Speaker 1>the day, to find somebody to deal with, but I

0:57:16.240 --> 0:57:24.160
<v Speaker 1>just cannot keep anyone because of them two little kids. Stop?

0:57:24.280 --> 0:57:26.320
<v Speaker 1>How many kids you have back there? Mama? I haven't

0:57:26.320 --> 0:57:33.960
<v Speaker 1>said twins really fun? You got three kids? Okay? All right,

0:57:34.080 --> 0:57:36.959
<v Speaker 1>I'm stupid South Carolina Public Educations. You got three kids?

0:57:37.720 --> 0:57:40.400
<v Speaker 1>Nobody want to already made family. That's just allid it? Okay? Well,

0:57:40.480 --> 0:57:42.200
<v Speaker 1>let me ask you a question. How are you? How

0:57:42.240 --> 0:57:43.800
<v Speaker 1>do you look? Are you in the gym? Do you

0:57:43.880 --> 0:57:46.720
<v Speaker 1>look nicey? Tell us? How are your parents look? I mean, well,

0:57:46.760 --> 0:57:48.560
<v Speaker 1>I've recently lost a lot of way, and I look

0:57:48.640 --> 0:57:53.320
<v Speaker 1>damn good really like wise full of third like everybody exactly?

0:57:53.680 --> 0:57:57.880
<v Speaker 1>All right? Well, everybody's asked conversation though, like I cannot.

0:57:58.200 --> 0:58:00.520
<v Speaker 1>I hate that. Well, where are you looking for? These guys?

0:58:00.640 --> 0:58:02.920
<v Speaker 1>Nobody wants to ready made family? Mama? While are you lying?

0:58:02.960 --> 0:58:05.200
<v Speaker 1>To this show. You got three kids, that's what it is.

0:58:05.520 --> 0:58:07.960
<v Speaker 1>I'm sure. I'm clearly your box is good because people

0:58:08.040 --> 0:58:09.680
<v Speaker 1>have shot your club up a few times, you know

0:58:09.680 --> 0:58:11.480
<v Speaker 1>what I'm saying. But they just don't want to be

0:58:11.600 --> 0:58:13.440
<v Speaker 1>They don't want that ready made family. Now, there's some

0:58:13.600 --> 0:58:16.200
<v Speaker 1>guys out there who got two and three kids themselves,

0:58:16.240 --> 0:58:17.960
<v Speaker 1>So y'all can come together and make your own little

0:58:18.000 --> 0:58:20.800
<v Speaker 1>ghetto Brady bunch. But other than that, nah, well where

0:58:20.800 --> 0:58:22.320
<v Speaker 1>are you looking? Mama? Are you in the club. See,

0:58:22.320 --> 0:58:24.280
<v Speaker 1>if you're in the club, Yeah, your body might be looking.

0:58:24.320 --> 0:58:26.720
<v Speaker 1>You might look good. And like he said, if you're

0:58:26.760 --> 0:58:28.760
<v Speaker 1>in the club, these guys want to smash and they

0:58:28.880 --> 0:58:30.560
<v Speaker 1>might not want to already made family. But if you

0:58:30.680 --> 0:58:33.680
<v Speaker 1>look at I don't call inde period. I don't club

0:58:33.680 --> 0:58:36.280
<v Speaker 1>about three kids. Okay, So where you go? What are

0:58:36.280 --> 0:58:38.960
<v Speaker 1>you looking for? These guys at? They find me at

0:58:39.000 --> 0:58:42.360
<v Speaker 1>the grocery store, at the gas station, at the live areas.

0:58:42.960 --> 0:58:44.920
<v Speaker 1>Find a man that has two or three kids like

0:58:45.040 --> 0:58:54.479
<v Speaker 1>you do. Try Christian mingle, Yes, people don't. Christian Mingle

0:58:54.520 --> 0:58:59.160
<v Speaker 1>are very forgiving. They're very forgiving, all right. That's all

0:58:59.160 --> 0:59:01.240
<v Speaker 1>I can come up with. Don't do five A five

0:59:01.760 --> 0:59:05.120
<v Speaker 1>five boy, Hey, mama, good morning, good morning, Hey ask

0:59:05.200 --> 0:59:08.040
<v Speaker 1>c and hi. Um, So my question is what do

0:59:08.160 --> 0:59:10.280
<v Speaker 1>I do if I find my husband having an l

0:59:11.440 --> 0:59:16.400
<v Speaker 1>ump on his phone he's looking at uh gay men

0:59:16.840 --> 0:59:19.600
<v Speaker 1>or gay women or what? What? What is he looking at? Well?

0:59:19.680 --> 0:59:23.200
<v Speaker 1>I mean I found messages on the phone on the

0:59:23.320 --> 0:59:25.520
<v Speaker 1>app when he was in the shower. So I haven't

0:59:25.560 --> 0:59:28.280
<v Speaker 1>confined him about it yet. But is it men contacting

0:59:28.360 --> 0:59:31.960
<v Speaker 1>him or is it women contacted him? Healthy? Yes? Men,

0:59:32.920 --> 0:59:36.480
<v Speaker 1>make sure it's not Disney Plus now because the LGBT

0:59:37.200 --> 0:59:42.000
<v Speaker 1>LGBTQ plus Disney Plus is not the plus can confuse

0:59:42.120 --> 0:59:45.960
<v Speaker 1>you sometimes. And what are these messages? Say mama, Well like,

0:59:46.200 --> 0:59:48.479
<v Speaker 1>oh we should meet up? And oh but I gotta

0:59:48.520 --> 0:59:50.920
<v Speaker 1>be like I gotta like planet out because I have

0:59:51.000 --> 0:59:53.960
<v Speaker 1>a girl he mentioned me. But let me ask your question.

0:59:54.080 --> 0:59:57.120
<v Speaker 1>Let me ask your question. Sorry, why wouldn't you have

0:59:57.280 --> 1:00:01.360
<v Speaker 1>all this? And you have a message that clearly states

1:00:01.400 --> 1:00:04.520
<v Speaker 1>his intention? Why are you calling up him? Because she's

1:00:04.560 --> 1:00:06.840
<v Speaker 1>still going back he's on a pawn site and there's

1:00:06.880 --> 1:00:10.120
<v Speaker 1>another man that's but she knows what to do. Yes,

1:00:10.240 --> 1:00:12.280
<v Speaker 1>you need to go confront him, to confront him, showing

1:00:12.320 --> 1:00:14.120
<v Speaker 1>the messages in confront him and ask him why he's

1:00:14.120 --> 1:00:17.640
<v Speaker 1>talking to men on porn sites. Well, it's not port

1:00:18.280 --> 1:00:24.800
<v Speaker 1>exactly or dating sites as to say, it's an LGBTQ

1:00:25.000 --> 1:00:28.960
<v Speaker 1>plus app. He's asking to meet up with people. Confront him.

1:00:29.160 --> 1:00:35.640
<v Speaker 1>You have more than enough evidence. Yeah, he's cheating on you. Yeah,

1:00:35.680 --> 1:00:42.440
<v Speaker 1>attempting to cheating on you, wanting to cheat on you something, Yeah, definite.

1:00:42.520 --> 1:00:45.960
<v Speaker 1>Donkey to day. Well, I got I need more information.

1:00:46.280 --> 1:00:50.439
<v Speaker 1>You should confront him and ask him what's up. Yeah, Well,

1:00:50.640 --> 1:00:52.720
<v Speaker 1>I'm gonna, and you might need to. You might need

1:00:52.800 --> 1:00:54.200
<v Speaker 1>to free him. You know what I'm saying. He might

1:00:54.240 --> 1:00:56.400
<v Speaker 1>need to go live his truth, or he might be

1:00:56.600 --> 1:00:58.480
<v Speaker 1>you know, and to men and women at the same time.

1:00:58.520 --> 1:01:00.919
<v Speaker 1>You don't. We don't know, but you need to find out, Mama.

1:01:00.960 --> 1:01:03.680
<v Speaker 1>You need to find out. Yeah. I should have known

1:01:03.680 --> 1:01:05.600
<v Speaker 1>when he started to want to get petticures a little

1:01:05.640 --> 1:01:09.160
<v Speaker 1>more than the average. Now wait a minute, I get

1:01:09.200 --> 1:01:12.200
<v Speaker 1>pedicures and manicures on the regular. That means nothing. Yeah,

1:01:12.280 --> 1:01:14.439
<v Speaker 1>and her point, it's true. Thank you so much, mama,

1:01:15.040 --> 1:01:17.320
<v Speaker 1>good luck. Please please let us know how it works out.

1:01:17.440 --> 1:01:20.040
<v Speaker 1>First of all, patios do not mean anything. I got

1:01:20.440 --> 1:01:23.000
<v Speaker 1>I need a pedicure right now, and a manicule. I

1:01:23.120 --> 1:01:26.200
<v Speaker 1>love pedicures and manicules, and I get facials. Okay, self

1:01:26.280 --> 1:01:29.720
<v Speaker 1>cares very facials. But thank you, mama. Good luck you

1:01:29.840 --> 1:01:33.680
<v Speaker 1>sold chocolates. I have a man. Oh, flattery will get

1:01:33.720 --> 1:01:39.120
<v Speaker 1>you everywhere. Thank you, You're welcome. You're so chocolate old man,

1:01:39.240 --> 1:01:42.120
<v Speaker 1>still got it? Don't act like hunk. Don't still got it?

1:01:43.160 --> 1:01:46.720
<v Speaker 1>Over there, you hear me as it's the breakfast club.

1:01:46.760 --> 1:01:54.120
<v Speaker 1>Good morning, ask Charlomagne and DJ Envy. Anything up? It's

1:01:54.160 --> 1:01:58.000
<v Speaker 1>time to act a morning. Everybody in the middle of

1:01:58.240 --> 1:02:00.840
<v Speaker 1>ass c and E. If you need relationship advice, you

1:02:00.920 --> 1:02:04.640
<v Speaker 1>can call us right now. Hello, who's this? This is

1:02:04.840 --> 1:02:10.520
<v Speaker 1>Anonymous from De Treity, just got a std what's your question,

1:02:10.640 --> 1:02:14.040
<v Speaker 1>miss Anonymous? You're crazy drum man. Okay, So look, I'm

1:02:14.080 --> 1:02:16.760
<v Speaker 1>in dating this guy, but like seven or eight more right,

1:02:17.520 --> 1:02:20.800
<v Speaker 1>and probably I met his ten year old son. Well,

1:02:21.080 --> 1:02:24.920
<v Speaker 1>his son is related to me. He's my cousin, and like,

1:02:25.120 --> 1:02:28.240
<v Speaker 1>I don't feel comfortable. The isn't even more and he

1:02:28.360 --> 1:02:32.000
<v Speaker 1>does not understand this, Like his child's mother is my cousin.

1:02:32.120 --> 1:02:34.320
<v Speaker 1>We're an we don't know each other like that, but

1:02:34.680 --> 1:02:36.640
<v Speaker 1>she thinks it's funny. She's like, oh, you know we

1:02:36.920 --> 1:02:38.920
<v Speaker 1>dated over ten years ago. You know, he's just a

1:02:38.960 --> 1:02:41.720
<v Speaker 1>good father. Blah blah blah. But she had sex with

1:02:41.760 --> 1:02:44.240
<v Speaker 1>our cousin. He was so uncomfortable. Let me get this grade.

1:02:44.240 --> 1:02:46.920
<v Speaker 1>You have sex with your cousin. No, his son, his

1:02:47.080 --> 1:02:49.120
<v Speaker 1>son is her cousin. His son is her cousin. He

1:02:49.240 --> 1:02:52.040
<v Speaker 1>knocked off her cousin. So it's just a family and fair.

1:02:52.120 --> 1:02:53.920
<v Speaker 1>You're not you're not really, you're not related that that

1:02:54.000 --> 1:02:55.760
<v Speaker 1>blood is not in you. You good money if you

1:02:55.840 --> 1:02:57.800
<v Speaker 1>like him, No, I know, but I just don't want

1:02:57.800 --> 1:02:59.880
<v Speaker 1>to talk to him. No more like no, I want

1:03:00.080 --> 1:03:02.320
<v Speaker 1>children one day. That mean our kids would be cousins.

1:03:02.400 --> 1:03:05.360
<v Speaker 1>Answers to what's wrong with that? If y'all already had sex, right,

1:03:05.560 --> 1:03:07.760
<v Speaker 1>it's kind of too late to turn back now, right,

1:03:08.280 --> 1:03:09.880
<v Speaker 1>you already did it. You already had sex with your

1:03:09.920 --> 1:03:14.320
<v Speaker 1>cousin or your cousin's son whatever, Chile's father, and he

1:03:14.440 --> 1:03:17.320
<v Speaker 1>was not on purpose, and no, man, go ahead and

1:03:17.360 --> 1:03:20.400
<v Speaker 1>keep it in the family. Not lessen. My advice is

1:03:20.480 --> 1:03:24.320
<v Speaker 1>not whether I actually to be critical. Man, go ahead

1:03:24.360 --> 1:03:25.880
<v Speaker 1>and keep it in the family. If y'all kids is

1:03:25.960 --> 1:03:29.160
<v Speaker 1>born with an arm coming out their forehead, y'all all right,

1:03:30.080 --> 1:03:33.400
<v Speaker 1>it's okay, Yeah, I don't know what you want to tell.

1:03:33.400 --> 1:03:35.120
<v Speaker 1>You already slept with your cousin, you might as well stay.

1:03:35.120 --> 1:03:37.200
<v Speaker 1>It's not her cousin, man, it's her cousin. Cousin so

1:03:39.120 --> 1:03:42.200
<v Speaker 1>really early charying, I am, and your kids gonna be

1:03:42.240 --> 1:03:44.400
<v Speaker 1>too if you keep fleeping with your cousin. Thank you, mama.

1:03:44.960 --> 1:03:47.880
<v Speaker 1>I don't know we helped. Hello. Hello, who's this Hi?

1:03:48.120 --> 1:03:51.000
<v Speaker 1>My name of Denisia, Good morning and v come on in, Charlomagne,

1:03:51.040 --> 1:03:52.880
<v Speaker 1>good morning, good morning. What's your question for c? And

1:03:53.320 --> 1:03:56.560
<v Speaker 1>my question is primarily from Charlotmagne and Charlotmagne, I too,

1:03:56.680 --> 1:03:59.000
<v Speaker 1>am from Charleston. Love your book. Can't wait for your

1:03:59.040 --> 1:04:00.880
<v Speaker 1>new book to come out. Thank you? Eight four three.

1:04:00.920 --> 1:04:05.440
<v Speaker 1>What's happening, hey, charlomne um. I primarily wanted to know

1:04:05.640 --> 1:04:08.560
<v Speaker 1>I wrote a book myself. I'm twenty two, pretty young,

1:04:08.960 --> 1:04:12.120
<v Speaker 1>so I'm not really familiar with how to publish. Is

1:04:12.160 --> 1:04:14.680
<v Speaker 1>it better to self publish or is it better to

1:04:14.880 --> 1:04:18.720
<v Speaker 1>go through a publishing agency? Well, I have a publishing agency.

1:04:18.880 --> 1:04:21.200
<v Speaker 1>I'm with Touchdown, Seaman and Shuston, But I don't see

1:04:21.240 --> 1:04:23.680
<v Speaker 1>any problem with self publishing. Needs. I think self publishing

1:04:23.760 --> 1:04:25.800
<v Speaker 1>is dope. I buy a lot of books from people

1:04:26.080 --> 1:04:28.160
<v Speaker 1>who actually self published. I mean, you know you got

1:04:28.200 --> 1:04:31.160
<v Speaker 1>Amazon right there. You can, you know, press up as

1:04:31.200 --> 1:04:33.440
<v Speaker 1>many copies as you can afford to press up and

1:04:33.600 --> 1:04:36.240
<v Speaker 1>put them up on Amazon. Why don't you send what happens?

1:04:36.360 --> 1:04:37.800
<v Speaker 1>Don't you send a book a pad and let us

1:04:37.800 --> 1:04:39.880
<v Speaker 1>read it and shout you out? Oh? Really, I only

1:04:39.960 --> 1:04:44.280
<v Speaker 1>have like the paper version, um paperback version of all

1:04:44.360 --> 1:04:47.880
<v Speaker 1>paperback storry. Yeah, I primarily wrote it. It's done. I

1:04:48.040 --> 1:04:50.000
<v Speaker 1>just don't know where to go from here. It took

1:04:50.040 --> 1:04:51.960
<v Speaker 1>me about a year to write it pretty much. Was

1:04:52.080 --> 1:04:55.040
<v Speaker 1>talking about is it on paper like loose leaf paper

1:04:55.200 --> 1:04:57.440
<v Speaker 1>or is it in book form? I have it in

1:04:57.480 --> 1:04:59.960
<v Speaker 1>book form on my iPhone. I mean you could try both.

1:05:00.000 --> 1:05:01.520
<v Speaker 1>So you can try to shop it to a publisher

1:05:01.560 --> 1:05:03.000
<v Speaker 1>if a publisher don't want, and then you put it

1:05:03.040 --> 1:05:05.919
<v Speaker 1>out yourself on Amazon. Send it up here, mama, we're reading,

1:05:05.920 --> 1:05:08.760
<v Speaker 1>shout it out? Hello, who's that flying to people? Good morning?

1:05:09.480 --> 1:05:13.600
<v Speaker 1>Good morning? What's your name? An anonymous? What you got

1:05:13.680 --> 1:05:16.880
<v Speaker 1>her pies? Chlamydia? Stop it? What's your question? Mama? Everybody

1:05:16.960 --> 1:05:19.000
<v Speaker 1>in my town listen to a radio basis, so I'm

1:05:19.080 --> 1:05:21.640
<v Speaker 1>like all let me just keep it anount of it.

1:05:21.720 --> 1:05:25.640
<v Speaker 1>But what's your question, you guys doing? My question is okay.

1:05:25.720 --> 1:05:28.080
<v Speaker 1>So I have two children by two different men, and

1:05:28.440 --> 1:05:37.560
<v Speaker 1>twins project twins. My youngest father is a dead beat. However,

1:05:37.720 --> 1:05:40.600
<v Speaker 1>my oldest his dad. You know, he saw a bed

1:05:41.000 --> 1:05:42.840
<v Speaker 1>and he feels as though, you know, this is his

1:05:43.000 --> 1:05:45.880
<v Speaker 1>son's sister. He stopped in and he plays that role

1:05:46.000 --> 1:05:50.280
<v Speaker 1>in my child's life. Now, three years later, her father

1:05:50.280 --> 1:05:52.920
<v Speaker 1>want to come into picture, and she has such a

1:05:53.040 --> 1:05:56.040
<v Speaker 1>great connection and she's very attached to my son's father.

1:05:56.640 --> 1:05:58.400
<v Speaker 1>I don't know if I should let him in because

1:05:58.440 --> 1:06:02.240
<v Speaker 1>he's full of disappointments and he's been in the same

1:06:02.320 --> 1:06:05.160
<v Speaker 1>building with her before and didn't acknowledge her in public.

1:06:05.520 --> 1:06:07.840
<v Speaker 1>So why should I let you in now? I don't

1:06:07.880 --> 1:06:09.520
<v Speaker 1>think you have a choice. I don't. I don't think

1:06:09.520 --> 1:06:12.160
<v Speaker 1>you have a choice. I think if he's the real daddy,

1:06:12.240 --> 1:06:14.680
<v Speaker 1>that can he come see his daughter. He lives four

1:06:14.760 --> 1:06:18.800
<v Speaker 1>minutes away and she hasn't seen him in almost two years. Yeah,

1:06:18.840 --> 1:06:20.920
<v Speaker 1>I would say it's never too late, man, But I mean,

1:06:21.040 --> 1:06:23.680
<v Speaker 1>if he not really making a he's not making a

1:06:23.720 --> 1:06:25.520
<v Speaker 1>real effort to being a child's life, and if he

1:06:25.560 --> 1:06:27.800
<v Speaker 1>ain't got no money. Why I confuse the poor kids

1:06:28.120 --> 1:06:29.480
<v Speaker 1>about the money with you? You know what I'm saying?

1:06:29.520 --> 1:06:31.200
<v Speaker 1>Why I confuse the poor kids? Still? He might be

1:06:31.240 --> 1:06:32.880
<v Speaker 1>want to change you Ala, we talk about people changing.

1:06:32.920 --> 1:06:34.480
<v Speaker 1>Maybe this man was the change. She gotta fire the

1:06:34.520 --> 1:06:37.560
<v Speaker 1>fingure in her life. He's called He's called in like

1:06:37.760 --> 1:06:39.600
<v Speaker 1>every month he calls and say, hey, I want to

1:06:39.600 --> 1:06:41.960
<v Speaker 1>pick her up this weekend and the weekend coming. I

1:06:42.000 --> 1:06:44.000
<v Speaker 1>don't hear from him at all. Oh yeah, now you

1:06:44.040 --> 1:06:45.840
<v Speaker 1>got to box some mouth changing them. But don't even

1:06:45.880 --> 1:06:49.800
<v Speaker 1>mess with him. I'm gabbling now it's worth Yeah. Why

1:06:49.840 --> 1:06:53.560
<v Speaker 1>I confuse that poor How you know he broke because

1:06:53.760 --> 1:06:59.320
<v Speaker 1>she just told us he is old? Oh yeah, don't

1:06:59.400 --> 1:07:01.280
<v Speaker 1>no no need for that boom Yeah, keep that away,

1:07:01.360 --> 1:07:03.280
<v Speaker 1>Keep that away from your child. Don't be confusing your child.

1:07:03.280 --> 1:07:04.920
<v Speaker 1>You don't want that negativeenity around your child. You know,

1:07:04.960 --> 1:07:06.680
<v Speaker 1>when you pray to God to take negative vinity out

1:07:06.680 --> 1:07:08.720
<v Speaker 1>of your life. He's not swinging a spirit. He's swinging

1:07:08.760 --> 1:07:11.680
<v Speaker 1>at people things and broke baby daddies. That's the embodiment

1:07:11.720 --> 1:07:16.200
<v Speaker 1>of that negativity. All right. Huh, she got up, She

1:07:16.320 --> 1:07:18.120
<v Speaker 1>got her a nice father figure that got his life

1:07:18.160 --> 1:07:21.400
<v Speaker 1>together him they have the best relation, and he loves

1:07:21.400 --> 1:07:24.200
<v Speaker 1>to he adores her, and we're not even together. So

1:07:24.400 --> 1:07:26.560
<v Speaker 1>for a man to step in and do that for her,

1:07:27.080 --> 1:07:30.320
<v Speaker 1>I mean, come up only than your other baby daddy

1:07:30.320 --> 1:07:31.360
<v Speaker 1>can do for you at this point, and pay that

1:07:31.400 --> 1:07:33.480
<v Speaker 1>ten granted child's body or you. Yeah, that's all he

1:07:33.520 --> 1:07:35.800
<v Speaker 1>gotta do is pay that and we'll be okay. He

1:07:35.840 --> 1:07:38.040
<v Speaker 1>don't even ever have to ask about her, seeing her,

1:07:38.080 --> 1:07:40.720
<v Speaker 1>interact with her. Just pay up, that's all, my goodness.

1:07:40.800 --> 1:07:42.440
<v Speaker 1>It's not all about the money, scholder man. That's your

1:07:42.480 --> 1:07:45.800
<v Speaker 1>first thing? Is he broke? It's not about the money. Bird. Well,

1:07:46.080 --> 1:07:48.800
<v Speaker 1>that sounds like some sound advice to me. All right, Well,

1:07:48.840 --> 1:07:50.920
<v Speaker 1>good luck, ass And if you couldn't get through the

1:07:50.920 --> 1:07:52.760
<v Speaker 1>phone lines to see a lot of you tried, we'll

1:07:52.800 --> 1:07:54.640
<v Speaker 1>do it again. Don't worry about it. You ain't miss nothing.

1:07:54.680 --> 1:07:57.000
<v Speaker 1>You ain't miss nothing. All right. It's the Breakfast Club.

1:07:57.040 --> 1:08:04.320
<v Speaker 1>Good morning, the Breakfast Club. Everybody is DJ V Charlemagne,

1:08:04.360 --> 1:08:07.320
<v Speaker 1>the guy we are the Breakfast Club Charlemagne. You got

1:08:07.320 --> 1:08:09.840
<v Speaker 1>a positive note, Listen to positive note. Simply this man,

1:08:10.120 --> 1:08:12.439
<v Speaker 1>I want you to remember this this weekend. The only

1:08:12.560 --> 1:08:14.880
<v Speaker 1>limits you have are the limits you believe you have

1:08:15.360 --> 1:08:18.040
<v Speaker 1>breakfast club bitches you don't finish, or y'all dumb