1 00:00:00,160 --> 00:00:03,080 Speaker 1: Good morning USCA yo yo yo yo yo yo yo 2 00:00:03,120 --> 00:00:04,880 Speaker 1: yo yo yo yo yo yo yo yo yo yo 3 00:00:04,960 --> 00:00:06,800 Speaker 1: yo yo yo yo yo yo yo yo yo yo 4 00:00:06,880 --> 00:00:11,160 Speaker 1: yo yo yo yo Yo. I'm DJ Envy. Now nobody 5 00:00:11,240 --> 00:00:12,479 Speaker 1: name is Charlot Mine, the guy with the world the 6 00:00:12,480 --> 00:00:14,760 Speaker 1: most dangerous morning yo to Breakfast Club. And currently we 7 00:00:14,800 --> 00:00:18,599 Speaker 1: are on vacation man, totally disconnected. Yes, we're not even 8 00:00:18,600 --> 00:00:20,800 Speaker 1: really here. You think you're listening to us, but we're not. Well, 9 00:00:20,880 --> 00:00:24,639 Speaker 1: we are not. We're here spin Spirit Yeah yeah, and 10 00:00:24,680 --> 00:00:26,840 Speaker 1: we're gonna be playing some of our top interviews and 11 00:00:26,960 --> 00:00:29,320 Speaker 1: some throwbacks. So keep a lock right, it's gonna be 12 00:00:29,360 --> 00:00:32,839 Speaker 1: running the boards. It's the Breakfast Club. Good morning. This 13 00:00:33,000 --> 00:00:34,600 Speaker 1: is your time to get it off your chest. Whether 14 00:00:34,640 --> 00:00:39,280 Speaker 1: you're man from you on the Breakfast Club. You got 15 00:00:39,320 --> 00:00:44,400 Speaker 1: something on your mom? Hello, who's this? Good morning? Dave'm 16 00:00:45,159 --> 00:00:47,720 Speaker 1: hey Liema, good morning, get it off your chat morning Lima, 17 00:00:48,120 --> 00:00:50,680 Speaker 1: good morning. Oh my god. I don't believe my lasting, 18 00:00:50,760 --> 00:00:54,160 Speaker 1: but today my day happy. I've been born day Lima. 19 00:00:54,720 --> 00:00:57,600 Speaker 1: Dank you. Um, first of all, up in your face, 20 00:00:57,680 --> 00:01:00,480 Speaker 1: dare I'm an equal candidate. I don't care, gonna bust 21 00:01:00,480 --> 00:01:02,440 Speaker 1: your ass. We're gonna bush you all ass. The cowboy's 22 00:01:02,480 --> 00:01:05,640 Speaker 1: gonna bust your all ass. You wish that someone will 23 00:01:05,680 --> 00:01:10,600 Speaker 1: bust your ass? Sharlot man, Wow, you can't get damn 24 00:01:10,800 --> 00:01:13,280 Speaker 1: goodness great, she's second of all. I'm sorry, I just 25 00:01:13,280 --> 00:01:16,440 Speaker 1: really want to get it off my test that I'm okay, 26 00:01:16,480 --> 00:01:18,600 Speaker 1: So I'm gonna nurse and I work in the hospital. 27 00:01:19,319 --> 00:01:23,440 Speaker 1: Um these you pay into all these insurance companies and 28 00:01:23,640 --> 00:01:28,520 Speaker 1: the um work as Thompson short term disability, and when 29 00:01:28,560 --> 00:01:30,240 Speaker 1: you get hurt, they really don't want to pay you, 30 00:01:30,560 --> 00:01:33,760 Speaker 1: like get to life. That's funny that you said that. 31 00:01:33,800 --> 00:01:35,920 Speaker 1: I just had to fill all that out now, short 32 00:01:36,000 --> 00:01:38,120 Speaker 1: term disability, long term disability. I had to do that 33 00:01:38,200 --> 00:01:40,400 Speaker 1: all and I mean, thank god, I've never got sick 34 00:01:40,400 --> 00:01:42,120 Speaker 1: where I needed it. But people have been telling me 35 00:01:42,160 --> 00:01:44,160 Speaker 1: that that when they actually do get sick, it's really 36 00:01:44,160 --> 00:01:47,200 Speaker 1: hard to get paid. It's so hard like I've been 37 00:01:47,400 --> 00:01:50,040 Speaker 1: And you think I work for a hospital they would 38 00:01:50,160 --> 00:01:53,240 Speaker 1: pay me, but no, Like that's really crazy to me. 39 00:01:53,320 --> 00:01:57,840 Speaker 1: What's your what's your disability? I? UM, I'm sorry, I'm 40 00:01:57,840 --> 00:02:01,240 Speaker 1: really nursious. I UM. I took in my knee. I 41 00:02:01,480 --> 00:02:05,720 Speaker 1: walking set in the final put Oh got you got? 42 00:02:05,760 --> 00:02:07,560 Speaker 1: You sound like you lying that and the fact that 43 00:02:07,640 --> 00:02:12,400 Speaker 1: your Eagles fan. I look at my record time plaie number. 44 00:02:13,320 --> 00:02:16,400 Speaker 1: I don't want to you ain't gonna do all that. Now. 45 00:02:16,440 --> 00:02:19,320 Speaker 1: I know you lying. Now, now I know you lying. 46 00:02:19,400 --> 00:02:21,360 Speaker 1: Good morning, and I'm just a little livy. I'm shocked 47 00:02:21,400 --> 00:02:23,400 Speaker 1: that I got well. Have a good one, Liam, have 48 00:02:23,400 --> 00:02:25,520 Speaker 1: an enjoy your birthday. Yeah. I hope you keep pronouncing 49 00:02:25,560 --> 00:02:27,200 Speaker 1: the system. Hope you get everything you want out of 50 00:02:27,240 --> 00:02:34,320 Speaker 1: the game. Hello, who's this man? Going on? Leo? Whatever? Hey? Video? 51 00:02:34,320 --> 00:02:43,560 Speaker 1: I got some more Laker thick back, a good smartest, 52 00:02:43,560 --> 00:02:54,280 Speaker 1: smarter baby. Goodbye, Leo enby a walking lik? Hey, Leo 53 00:02:54,680 --> 00:02:58,040 Speaker 1: Enby a walking link? Ain en bey a walking link? Any? 54 00:02:59,080 --> 00:03:00,959 Speaker 1: I feel like gonna on the story. I feel like 55 00:03:01,000 --> 00:03:03,440 Speaker 1: you got more man, I feel like you got more stories. 56 00:03:03,800 --> 00:03:11,239 Speaker 1: This is goodbye Leo. Goodness gracious? Hello? Who's this? Hey? 57 00:03:11,280 --> 00:03:12,959 Speaker 1: This is Kareem? Why are you doing this? Going to 58 00:03:13,000 --> 00:03:17,880 Speaker 1: bear god? Whatever? Y? Hey, I got married this spe 59 00:03:20,240 --> 00:03:22,720 Speaker 1: get married. I'm not gonna lie to you. He said, 60 00:03:22,760 --> 00:03:27,639 Speaker 1: what got married this weekend? Okay, congratulate, congratulations my brother. 61 00:03:27,680 --> 00:03:30,119 Speaker 1: How old you? How old are you? I'm thirty three? 62 00:03:30,440 --> 00:03:33,080 Speaker 1: Oh man, that's beautiful. Man. Marriage is a wonderful thing. 63 00:03:33,200 --> 00:03:35,680 Speaker 1: My brother, It's gonna change your life. Make sure that 64 00:03:35,760 --> 00:03:38,440 Speaker 1: you make sure that you pour everything into your queen. 65 00:03:38,760 --> 00:03:40,800 Speaker 1: Make sure that you stay a faithful man out here 66 00:03:40,840 --> 00:03:43,520 Speaker 1: in these screets. You know, don't get distracted and watch 67 00:03:43,560 --> 00:03:46,280 Speaker 1: our life. Watch watch how your life gets blessed. Always 68 00:03:46,320 --> 00:03:48,680 Speaker 1: looks sir. I appreciate and y'all a perfect example for it. 69 00:03:48,760 --> 00:03:51,560 Speaker 1: I love y'all. Man, thank you, brother, enjoy man. Whoa, whoa. 70 00:03:51,760 --> 00:03:53,920 Speaker 1: Now we're a perfect example. We'll take it now, I'll 71 00:03:53,920 --> 00:03:56,280 Speaker 1: take it now, take no. I mean, you know it 72 00:03:56,360 --> 00:03:58,400 Speaker 1: wasn't the past. Man. You're right now, you're right, you 73 00:03:58,440 --> 00:04:00,240 Speaker 1: know what, You're absolutely right. I saw my good sister 74 00:04:00,320 --> 00:04:03,280 Speaker 1: Debbie Brown. Man. Debbie Brown posted something this weekend. She 75 00:04:03,400 --> 00:04:06,560 Speaker 1: said that, uh, there is no old you. It's just 76 00:04:06,720 --> 00:04:10,800 Speaker 1: it's just it's just a new you waiting to something. 77 00:04:10,920 --> 00:04:14,840 Speaker 1: I can't remember what the rest of it was. Yes, 78 00:04:15,040 --> 00:04:17,440 Speaker 1: eight Andrew five eight five one oh five one. If 79 00:04:17,440 --> 00:04:19,080 Speaker 1: you need to vent, hit us up now. It's the 80 00:04:19,080 --> 00:04:26,160 Speaker 1: breakfast Club. Good morning, the breakfast Club. Wake up, wake up, 81 00:04:26,240 --> 00:04:29,520 Speaker 1: wake y'all. If you're time to get it off your 82 00:04:29,600 --> 00:04:33,120 Speaker 1: chest is a man or blast we want to hear 83 00:04:33,160 --> 00:04:39,400 Speaker 1: from you on a breakfast club. Hello, who's this DeAndre? 84 00:04:39,480 --> 00:04:41,960 Speaker 1: Without getting out to a chest, Hi, DeAndre? We heard 85 00:04:41,960 --> 00:04:44,239 Speaker 1: a peace king. What's happening? Hey? How you doing? Charlom 86 00:04:44,240 --> 00:04:45,880 Speaker 1: Mandy guy? And I can't believe. I gotta hold of y'all. 87 00:04:45,880 --> 00:04:48,200 Speaker 1: How are you doing? What's up? Brother? I just want 88 00:04:48,240 --> 00:04:51,200 Speaker 1: to get off my chest. I come in all single brother. Um, 89 00:04:51,640 --> 00:04:54,599 Speaker 1: I'm a single father and now month through bagy. I'm sorry. 90 00:04:54,600 --> 00:04:56,760 Speaker 1: I'm kind of nervous right now. Oh good, I'm might work. 91 00:04:56,920 --> 00:04:58,920 Speaker 1: I might work right now. Man. I just want to 92 00:04:58,960 --> 00:05:01,600 Speaker 1: let y'all know I I really appreciate all single mothers 93 00:05:01,640 --> 00:05:04,160 Speaker 1: out there, and I know how how it is to 94 00:05:04,160 --> 00:05:06,960 Speaker 1: struggle with a with a baby. I got three kids myself, 95 00:05:07,080 --> 00:05:09,160 Speaker 1: but I got one hundred percent cup of my nine 96 00:05:09,160 --> 00:05:12,240 Speaker 1: month or baby and it's really really hard right now. Man. Um, 97 00:05:12,520 --> 00:05:14,440 Speaker 1: we just we just had a real bad parson. We 98 00:05:14,520 --> 00:05:17,680 Speaker 1: used to go. We flipped our truck four times. Wow, 99 00:05:17,839 --> 00:05:21,240 Speaker 1: and ever since, like she's such a soldier man. She 100 00:05:21,279 --> 00:05:23,400 Speaker 1: didn't even move out to the carsty though. But she's 101 00:05:23,440 --> 00:05:25,839 Speaker 1: so good man. But um, we've been a real struggle 102 00:05:25,920 --> 00:05:29,080 Speaker 1: in life, Like that accident got me behind all everything. 103 00:05:29,279 --> 00:05:31,600 Speaker 1: And I know some people to get on the radium, like, 104 00:05:31,720 --> 00:05:33,679 Speaker 1: don't be on very stuff begging and stuff and stuff 105 00:05:33,680 --> 00:05:36,320 Speaker 1: like that. But you know, sometimes people just need real help. 106 00:05:36,360 --> 00:05:38,160 Speaker 1: I'm not work right now, and I still need help. 107 00:05:39,880 --> 00:05:43,640 Speaker 1: I worked at a place called Midwest Auto. Um, it's 108 00:05:43,680 --> 00:05:46,280 Speaker 1: a really nice place. We've been on sprinter vans or 109 00:05:46,320 --> 00:05:50,080 Speaker 1: celebrities sent uh nifty hustling and got on them here before. 110 00:05:50,360 --> 00:05:54,160 Speaker 1: Really we based out of Florida. No, it's in Indiana. Man, 111 00:05:54,279 --> 00:05:57,560 Speaker 1: that's hard. Okay, what is it affordable? I mean, you know, 112 00:05:57,680 --> 00:06:01,880 Speaker 1: relatively affordable? Well what you what is for? You? Ain't 113 00:06:01,920 --> 00:06:03,400 Speaker 1: no for you don't mean you don't know what it's 114 00:06:03,400 --> 00:06:06,760 Speaker 1: going on over here. Hey, I can't afford one man myself, 115 00:06:06,800 --> 00:06:08,480 Speaker 1: but I'm pretty sure one of y'all can. Man, I 116 00:06:08,560 --> 00:06:12,760 Speaker 1: don't know about that ship. Don't assume that. Yeah, I mean, hey, 117 00:06:12,800 --> 00:06:14,680 Speaker 1: I wish I wish to pay. I wish to pay 118 00:06:14,760 --> 00:06:16,760 Speaker 1: was as good as the bed was. Man, we'll give 119 00:06:16,800 --> 00:06:19,719 Speaker 1: you a cash ap out. Manybody feel like being Santa 120 00:06:19,720 --> 00:06:22,440 Speaker 1: Clause this morning. Man, My cash shap is a root 121 00:06:22,560 --> 00:06:25,440 Speaker 1: of evil eighty seven? Why is it route at evil? 122 00:06:25,560 --> 00:06:28,080 Speaker 1: My brother in Lord having mercy, I made I made 123 00:06:28,160 --> 00:06:30,000 Speaker 1: that cash up like three years going and were not. 124 00:06:30,120 --> 00:06:34,200 Speaker 1: Let me change it. Man, it's so juvenile. Man, I 125 00:06:34,360 --> 00:06:36,160 Speaker 1: didn't grew up ast that part of my life. You 126 00:06:36,160 --> 00:06:38,159 Speaker 1: know what I'm saying. How old are you now? I'm 127 00:06:38,200 --> 00:06:40,720 Speaker 1: thirty five years old. You was? You was? You grew 128 00:06:40,800 --> 00:06:42,320 Speaker 1: up past that point of your life at thirty two, 129 00:06:42,360 --> 00:06:45,039 Speaker 1: bro root Evil, Okay, I don't like that, but rood 130 00:06:45,120 --> 00:06:48,040 Speaker 1: Evil eighty seven, I got one question for you, brother. 131 00:06:48,080 --> 00:06:50,200 Speaker 1: I know you know a lot of brothers in the courts. 132 00:06:50,320 --> 00:06:52,520 Speaker 1: I'm saying, it's very difficult to get you know, full 133 00:06:52,600 --> 00:06:55,920 Speaker 1: custody of a child, especially a baby. So we're a 134 00:06:56,000 --> 00:06:59,200 Speaker 1: background through as well. How did you go about doing 135 00:06:59,240 --> 00:07:00,960 Speaker 1: that for all the brothers that's that's been fighting the 136 00:07:01,040 --> 00:07:03,320 Speaker 1: turn Well, I don't know. I'm just in a better position. 137 00:07:03,480 --> 00:07:05,920 Speaker 1: Me and my my wife. We made an agree, man, whatever. 138 00:07:05,920 --> 00:07:07,719 Speaker 1: I'm just in a better it was a better situation 139 00:07:07,760 --> 00:07:10,560 Speaker 1: for my daughter. Got hey, I got a question too, 140 00:07:10,680 --> 00:07:12,200 Speaker 1: my brother, Can you and your friends build me a 141 00:07:12,240 --> 00:07:14,200 Speaker 1: sprinter van under the table for the lower That's not 142 00:07:14,280 --> 00:07:16,000 Speaker 1: how that works. That's not how it works. Hey man, 143 00:07:16,080 --> 00:07:17,800 Speaker 1: Look you can get Hey man, all you gotta do 144 00:07:17,880 --> 00:07:19,560 Speaker 1: is hit me up on Instagram or Somethingody to make 145 00:07:19,560 --> 00:07:23,880 Speaker 1: anything after not like that. Now, don't don't start that, man, 146 00:07:23,920 --> 00:07:27,240 Speaker 1: I'm not ain't talking about that. I'm not I want 147 00:07:27,240 --> 00:07:30,760 Speaker 1: to sprint up. You see, y'all y'all really think I'm 148 00:07:30,760 --> 00:07:32,640 Speaker 1: all on that type of time, don't you I want 149 00:07:32,680 --> 00:07:39,440 Speaker 1: to sprint up? Brother? Hold on, Paul, what Paul? No, 150 00:07:39,600 --> 00:07:42,360 Speaker 1: it's not. Don't listen, man, don't believe the hype. But 151 00:07:42,480 --> 00:07:43,720 Speaker 1: you know what, you know what you know what you 152 00:07:43,800 --> 00:07:45,760 Speaker 1: need to do, brother, since well you know, I'll talk 153 00:07:45,800 --> 00:07:47,400 Speaker 1: to you outside because if you know how to build 154 00:07:47,440 --> 00:07:49,480 Speaker 1: those vans a lot of times only takes is a 155 00:07:49,480 --> 00:07:51,720 Speaker 1: little bit of funding. And you know, the biggest thing 156 00:07:51,840 --> 00:07:54,160 Speaker 1: right now is those cargo vans that they're turning into 157 00:07:54,200 --> 00:07:58,520 Speaker 1: those Mercedes May back vehicles. That's exactly what they are. 158 00:07:58,640 --> 00:08:01,320 Speaker 1: That's exactly what because its cargo wins that costs about 159 00:08:01,360 --> 00:08:03,600 Speaker 1: thirty thousand, and it usually takes about sixty thousand dollars 160 00:08:03,600 --> 00:08:05,760 Speaker 1: worth of work, and then they're charging two hundred fifty thousand. 161 00:08:05,800 --> 00:08:08,120 Speaker 1: So that flip that your owner has is a lot 162 00:08:08,200 --> 00:08:09,680 Speaker 1: of money. Well, you know we might be able to 163 00:08:09,720 --> 00:08:11,880 Speaker 1: do something of the Let's talk my brother, because my 164 00:08:12,000 --> 00:08:17,640 Speaker 1: daughter got cheerleading season coming up and I I'm serious, man, Hey, 165 00:08:17,720 --> 00:08:20,160 Speaker 1: I can build a band and I can cook better. Okay, 166 00:08:20,360 --> 00:08:23,320 Speaker 1: up said well, hold on the line and his cash 167 00:08:23,400 --> 00:08:26,640 Speaker 1: ap is root of Evil eighty seven helped the brother out. 168 00:08:26,680 --> 00:08:29,680 Speaker 1: If you can weather some panthers some former love from 169 00:08:29,720 --> 00:08:31,800 Speaker 1: me and my daughter, I just need everybody send me 170 00:08:31,840 --> 00:08:34,400 Speaker 1: a dollar. I don't care. I'm humble. I'm grateful for 171 00:08:34,480 --> 00:08:36,240 Speaker 1: whatever I hear. A car from me and my baby. 172 00:08:36,360 --> 00:08:38,120 Speaker 1: I'm sending you a little something too. Right now, man, 173 00:08:38,160 --> 00:08:41,160 Speaker 1: consider it the down payment on that sprinter and junior. 174 00:08:41,200 --> 00:08:42,520 Speaker 1: People are gonna build for me on the love for 175 00:08:42,600 --> 00:08:44,520 Speaker 1: the low love holding the right, Yes, sir, yes, sir, 176 00:08:44,640 --> 00:08:46,559 Speaker 1: Thank you so much. Man, All right, man, we'll get 177 00:08:46,600 --> 00:08:49,360 Speaker 1: it off your chest. The Breakfast Club, Good morning, the 178 00:08:49,640 --> 00:08:55,959 Speaker 1: Breakfast Club. I think within the first day Will's company, Westbrook, 179 00:08:56,000 --> 00:08:58,679 Speaker 1: they hit him up and you know, they were like, 180 00:08:58,920 --> 00:09:01,120 Speaker 1: we want to, you know, talk with you and develop 181 00:09:01,200 --> 00:09:03,199 Speaker 1: this thing. And you know, I think a couple of 182 00:09:03,240 --> 00:09:04,839 Speaker 1: weeks after that, he was sitting with Will and he 183 00:09:04,920 --> 00:09:06,760 Speaker 1: was talking about, you know, where we want to take 184 00:09:06,800 --> 00:09:08,920 Speaker 1: this story, and uh, you know, years down the line 185 00:09:08,960 --> 00:09:13,280 Speaker 1: here we are totally different tone, totally different tones. Break 186 00:09:13,320 --> 00:09:15,440 Speaker 1: that down, Break down if people haven't seen the show. 187 00:09:15,720 --> 00:09:17,960 Speaker 1: The differences between what we've seen as a kid, Fresh 188 00:09:17,960 --> 00:09:20,240 Speaker 1: Prince of bel Air. Yeah, well, you know, bel Lair 189 00:09:20,800 --> 00:09:23,839 Speaker 1: twenty twenty two version is a dramatic retelling of the 190 00:09:23,880 --> 00:09:27,920 Speaker 1: Fresh Prince of bell Lair, the quintessential nineties sitcom, and uh, 191 00:09:28,040 --> 00:09:29,839 Speaker 1: you know, it's all the characters that we know and love, 192 00:09:30,120 --> 00:09:32,120 Speaker 1: but basically we get to dive deep into who they 193 00:09:32,160 --> 00:09:34,000 Speaker 1: are and the actual stories that are going on in 194 00:09:34,080 --> 00:09:35,920 Speaker 1: their lives, and uh, you know, it's a it's a 195 00:09:36,000 --> 00:09:38,680 Speaker 1: modern day retelling of the Fresh Prince of bel Air basically, 196 00:09:38,960 --> 00:09:40,679 Speaker 1: and um, and when you think of the story, you 197 00:09:40,760 --> 00:09:43,680 Speaker 1: know are our showrunner TJ. Brady He said it perfectly. 198 00:09:43,720 --> 00:09:45,640 Speaker 1: He was like, we all know the story of the Joker, 199 00:09:45,960 --> 00:09:47,120 Speaker 1: you know what I mean. But when we see juan 200 00:09:47,200 --> 00:09:48,920 Speaker 1: Kie Phoenix do what he was doing, it was like, 201 00:09:49,400 --> 00:09:51,160 Speaker 1: did you really think about it? You know what I mean? 202 00:09:51,280 --> 00:09:54,360 Speaker 1: And so like we get to see the story, we 203 00:09:54,440 --> 00:09:56,280 Speaker 1: get to see how Will ends up in bell Lair, 204 00:09:56,520 --> 00:09:58,360 Speaker 1: and it's gonna be super exciting for like old fans 205 00:09:58,400 --> 00:10:00,319 Speaker 1: and new fans and man, it's it's been crazy to 206 00:10:00,400 --> 00:10:03,040 Speaker 1: love around the project. Did you were you afraid to 207 00:10:03,240 --> 00:10:06,280 Speaker 1: turn something that I guess what was so happy? So 208 00:10:06,400 --> 00:10:08,440 Speaker 1: I would call it bright. I'll call fred Fritzi Belle bright. 209 00:10:08,480 --> 00:10:11,240 Speaker 1: Would you were you afraid to turn something like that dark? Nah? 210 00:10:11,400 --> 00:10:13,480 Speaker 1: I wasn't afraid of it, um, because when I had 211 00:10:13,480 --> 00:10:15,640 Speaker 1: seen Morgan's trailer, I was like, oh, I get it, 212 00:10:16,000 --> 00:10:18,559 Speaker 1: I get it, and I was like watch that, you 213 00:10:18,600 --> 00:10:20,679 Speaker 1: know what I mean? And so I think it's I 214 00:10:20,720 --> 00:10:23,080 Speaker 1: think it's important because it's a reflection of our world, 215 00:10:23,240 --> 00:10:24,520 Speaker 1: you know what I mean? And I think, you know, 216 00:10:24,640 --> 00:10:26,599 Speaker 1: it's it's important to see that. How hands Olin was 217 00:10:26,640 --> 00:10:28,839 Speaker 1: Will Smith during the taping and all life, I always 218 00:10:28,880 --> 00:10:30,360 Speaker 1: say this, it was it was great that he wasn't 219 00:10:30,360 --> 00:10:32,520 Speaker 1: because he really gave us. He really left the our 220 00:10:33,000 --> 00:10:35,600 Speaker 1: retelling and our creation of these characters to our own volition, 221 00:10:35,920 --> 00:10:37,760 Speaker 1: you know what I mean, And so that allowed us 222 00:10:37,840 --> 00:10:42,599 Speaker 1: to create these, you know, characters that ourselves are in, 223 00:10:42,640 --> 00:10:43,720 Speaker 1: you know what I mean. He didn't have his thumb 224 00:10:43,760 --> 00:10:45,240 Speaker 1: on it, hella, you know what I mean, And so 225 00:10:45,600 --> 00:10:47,280 Speaker 1: I feel like that's what I appreciated about him. But 226 00:10:47,280 --> 00:10:48,520 Speaker 1: you know, he definitely gave us a lot of tips. 227 00:10:48,600 --> 00:10:51,520 Speaker 1: What about the other characters calledton and call them any 228 00:10:51,520 --> 00:10:53,040 Speaker 1: of them coming on and said or did yeah, we 229 00:10:53,120 --> 00:10:54,120 Speaker 1: we have to, we have to. We had a few 230 00:10:54,160 --> 00:10:56,120 Speaker 1: talks with the original cast, so it was definitely a 231 00:10:56,160 --> 00:10:57,839 Speaker 1: blessing to to get their blessing. Then to see that 232 00:10:58,000 --> 00:10:59,640 Speaker 1: that torch passed, you know what I mean. I always 233 00:10:59,640 --> 00:11:02,000 Speaker 1: wanted to, you know, if and I would love to 234 00:11:02,040 --> 00:11:04,280 Speaker 1: ask world this, but maybe he told you. I wonder 235 00:11:04,360 --> 00:11:09,280 Speaker 1: what he had played that character differently now because you know, oh, 236 00:11:09,640 --> 00:11:11,760 Speaker 1: he's older now, and he always said that back then 237 00:11:11,840 --> 00:11:14,480 Speaker 1: he was he would pretending to be somebody he wasn't, right. 238 00:11:14,760 --> 00:11:19,240 Speaker 1: I wonder what he played at approached that character different now. Definitely, Yeah, 239 00:11:19,240 --> 00:11:21,480 Speaker 1: I feel you know, like when he when he was, 240 00:11:21,760 --> 00:11:23,760 Speaker 1: you know, doing the fresh Friend's thing, he had no 241 00:11:23,800 --> 00:11:25,760 Speaker 1: acting shops. Yeah, you know what I mean, and so 242 00:11:25,960 --> 00:11:27,400 Speaker 1: he was just kind of up there just trying to 243 00:11:27,440 --> 00:11:31,000 Speaker 1: figure it out. And uh, I definitely think knowing what 244 00:11:31,160 --> 00:11:33,040 Speaker 1: he knows now, it definitely would have been different, but 245 00:11:33,080 --> 00:11:35,800 Speaker 1: it wouldn't have been as raw. So you got acting shops, 246 00:11:35,840 --> 00:11:37,360 Speaker 1: so you weren't doing what willcams but he said will 247 00:11:37,360 --> 00:11:39,520 Speaker 1: you used to be saying everybody. It was a little 248 00:11:39,559 --> 00:11:40,959 Speaker 1: different for me. It was a little different for me 249 00:11:41,000 --> 00:11:44,120 Speaker 1: because I was a theater actor, so this is my 250 00:11:44,240 --> 00:11:46,680 Speaker 1: first time being in front of a camera, in front 251 00:11:46,679 --> 00:11:49,960 Speaker 1: of a forty person you know, camera crew. And uh 252 00:11:50,080 --> 00:11:51,959 Speaker 1: and so that was definitely a learning curve for sure. 253 00:11:52,080 --> 00:11:53,959 Speaker 1: How did this go to you? Just? You know, I 254 00:11:54,040 --> 00:11:56,240 Speaker 1: just sent to him my audition, you know, with I had, 255 00:11:56,280 --> 00:11:58,360 Speaker 1: I had a manager, had an agent that I got 256 00:11:58,400 --> 00:12:01,000 Speaker 1: through a showcase, and uh, you know, they sent me 257 00:12:01,040 --> 00:12:03,200 Speaker 1: the call. They were like, yo, there's this show called 258 00:12:03,240 --> 00:12:05,240 Speaker 1: bell Lair and for this character Will. And I was like, 259 00:12:05,280 --> 00:12:08,199 Speaker 1: hold on bella Will. Now I saw the call and 260 00:12:08,240 --> 00:12:09,839 Speaker 1: I was like, okay, okay, I could do this. I 261 00:12:09,920 --> 00:12:11,360 Speaker 1: knew it was me. I just had to prove to 262 00:12:11,360 --> 00:12:13,439 Speaker 1: everybody else. But I thought that they wanted like a 263 00:12:13,520 --> 00:12:15,120 Speaker 1: big name, you know what I mean. I thought that 264 00:12:15,160 --> 00:12:17,599 Speaker 1: they wanted somebody who was recognizable to everybody else. And 265 00:12:17,679 --> 00:12:19,360 Speaker 1: so I was like, I don't know how I'm gonna 266 00:12:19,400 --> 00:12:21,079 Speaker 1: get this role, but you know what I mean, I 267 00:12:21,120 --> 00:12:23,000 Speaker 1: just had to surrender to the whole process. And uh. 268 00:12:23,280 --> 00:12:25,920 Speaker 1: And so I sent him my call and uh and 269 00:12:26,200 --> 00:12:28,280 Speaker 1: a couple of a couple of weeks down the line. 270 00:12:28,320 --> 00:12:29,600 Speaker 1: What did you have to do on that first tape? 271 00:12:29,600 --> 00:12:31,240 Speaker 1: Do you remember? Yeah, it was a couple It was 272 00:12:31,240 --> 00:12:33,719 Speaker 1: a couple of scenes. No I have to wrap no, no, 273 00:12:33,880 --> 00:12:35,760 Speaker 1: I just uh, I just uh it was it was 274 00:12:35,760 --> 00:12:37,160 Speaker 1: a couple of scenes. It was actually a scene with 275 00:12:37,240 --> 00:12:39,040 Speaker 1: Lebron and it Lebron was supposed to be in the 276 00:12:39,080 --> 00:12:41,440 Speaker 1: first episode, but you know it was you know budget, 277 00:12:41,960 --> 00:12:43,800 Speaker 1: you know, well he was supposed to be playing with 278 00:12:43,840 --> 00:12:46,319 Speaker 1: the people you're playing ball against. No, no, no, no, 279 00:12:46,520 --> 00:12:48,200 Speaker 1: he was to be at the bell Lair party. Was like, Yo, 280 00:12:48,280 --> 00:12:50,600 Speaker 1: that's Lebron, you know what I mean? So I did 281 00:12:50,640 --> 00:12:52,520 Speaker 1: a see what Lebron was in it um and I 282 00:12:52,800 --> 00:12:55,160 Speaker 1: mean as as soon as I read the scenes, when 283 00:12:55,200 --> 00:12:56,760 Speaker 1: I first got the script, I was like, oh, this 284 00:12:56,800 --> 00:12:58,679 Speaker 1: show has something to say. All right, we have more. 285 00:12:58,679 --> 00:13:01,640 Speaker 1: With Jabari Banks, he is Will Smith in the new 286 00:13:01,720 --> 00:13:03,960 Speaker 1: series bell A will talk Tom some most to Breakfast Club, 287 00:13:04,000 --> 00:13:12,280 Speaker 1: Go Morning, the Breakfast Club Morning, Everybody at Day we 288 00:13:12,320 --> 00:13:14,280 Speaker 1: are the Breakfast Club was still kicking it with Jabari 289 00:13:14,400 --> 00:13:16,640 Speaker 1: Banks used the actor that plays Will Smith in the 290 00:13:16,679 --> 00:13:19,800 Speaker 1: new bell Air series that with Bell are they recreating 291 00:13:19,880 --> 00:13:22,320 Speaker 1: episodes that were done? Because there's so many iconic episodes 292 00:13:22,480 --> 00:13:26,280 Speaker 1: like you know, the far the episode, the pool Hall episode, 293 00:13:26,360 --> 00:13:29,640 Speaker 1: the drugs episode, Like are they recreating or they're doing 294 00:13:29,720 --> 00:13:32,320 Speaker 1: new episodes. They're doing new episodes, but they're recreating moments. 295 00:13:32,640 --> 00:13:35,320 Speaker 1: I would say, you know, moments that are recognizable. They're 296 00:13:35,320 --> 00:13:37,400 Speaker 1: gonna be like, oh, okay. So if you've seen the 297 00:13:37,480 --> 00:13:41,679 Speaker 1: pilot episode, there's a moment where Will is on the 298 00:13:41,800 --> 00:13:44,520 Speaker 1: plane and there's a glass full of OJ, you know, 299 00:13:44,640 --> 00:13:47,199 Speaker 1: Champaign glass full of OJ. And that's just a you know, 300 00:13:47,240 --> 00:13:49,679 Speaker 1: a call back to the original song, you know. And 301 00:13:49,840 --> 00:13:52,120 Speaker 1: there's this moments, a little small moments like that that 302 00:13:52,240 --> 00:13:54,280 Speaker 1: are that are gonna get the audience hype. I mean 303 00:13:54,320 --> 00:13:56,120 Speaker 1: the og fans. Did you have to learn how to rap? 304 00:13:56,160 --> 00:13:57,360 Speaker 1: But did you know how to wrap? Did you have 305 00:13:57,440 --> 00:13:58,920 Speaker 1: that part? Now? I was a rapper, but I was 306 00:13:58,920 --> 00:14:01,920 Speaker 1: actor rapping, So you rap? What was your rap name? Uh? 307 00:14:02,720 --> 00:14:05,280 Speaker 1: Been big back? Now now I've been through many rap names. 308 00:14:05,280 --> 00:14:07,640 Speaker 1: I used to call myself into the Philosopher. Actually Jabari 309 00:14:07,679 --> 00:14:09,439 Speaker 1: Banks in my rap name, say that fast, we want 310 00:14:09,480 --> 00:14:13,920 Speaker 1: to hit slow that down. Indeed the philosopher indeed a philosopher. 311 00:14:14,000 --> 00:14:18,679 Speaker 1: And I was in middle school. What was your name? Uh, 312 00:14:18,760 --> 00:14:23,960 Speaker 1: Dizzey van Winkle like Dick Van Dyke, No, like Dizzy 313 00:14:24,960 --> 00:14:29,280 Speaker 1: like ripped van Winkle, Uh mixed with a dizzy Dizzy devil. 314 00:14:30,040 --> 00:14:33,560 Speaker 1: Remember Disney devil. It was Tasmanian devil with it. I 315 00:14:33,640 --> 00:14:37,160 Speaker 1: think he had a son of Dizzy van Winkle, Dizney 316 00:14:37,240 --> 00:14:39,480 Speaker 1: van Winkle. It was wild, like you know, Rip van 317 00:14:39,520 --> 00:14:42,520 Speaker 1: Winkle was sleep for mad long and so I always 318 00:14:42,560 --> 00:14:44,280 Speaker 1: felt like, you know, I was sleep for mad long 319 00:14:44,320 --> 00:14:46,320 Speaker 1: and then I woke up like mentally confused. So I 320 00:14:46,440 --> 00:14:49,360 Speaker 1: was dizzy. Okay, got you because there was looking on you. No, 321 00:14:49,480 --> 00:14:50,960 Speaker 1: I got yeah, yeah, you know what I mean. I 322 00:14:51,040 --> 00:14:52,400 Speaker 1: was like, Okay, they're sleeping on you. So I was 323 00:14:52,440 --> 00:15:00,240 Speaker 1: in middle school. It was in middle him. Now, you 324 00:15:00,360 --> 00:15:03,800 Speaker 1: said that you learned so much from will in five months. 325 00:15:03,920 --> 00:15:06,200 Speaker 1: What are some of the things that Willy Lahma taught 326 00:15:06,240 --> 00:15:09,120 Speaker 1: you Willy Lama, Right, yeah, nah Yo, it's it's been. 327 00:15:09,200 --> 00:15:12,920 Speaker 1: It's been. It's been super enlightening for sure. Um. You know, 328 00:15:13,040 --> 00:15:15,240 Speaker 1: I feel like one of the bigger lessons that I 329 00:15:15,240 --> 00:15:16,960 Speaker 1: always that I've been taken with me. You know, I've 330 00:15:16,960 --> 00:15:18,480 Speaker 1: been thinking about that a lot. It's like he says, 331 00:15:18,680 --> 00:15:20,680 Speaker 1: you know, don't let the success get to your head, 332 00:15:20,680 --> 00:15:22,560 Speaker 1: don't let the failures get to your heart, you know 333 00:15:22,680 --> 00:15:25,120 Speaker 1: what I mean? And uh, And I've taken that with you. 334 00:15:25,200 --> 00:15:27,080 Speaker 1: I'm just like, man like, there's a lot of noise, 335 00:15:27,240 --> 00:15:30,440 Speaker 1: a lot of noise. There's a lot of things that 336 00:15:30,760 --> 00:15:33,800 Speaker 1: come into this business that aren't about the work, you 337 00:15:33,840 --> 00:15:36,160 Speaker 1: know what I mean, And to just stay about the word, 338 00:15:36,200 --> 00:15:37,760 Speaker 1: because that's that's how you elevate, you know what I mean, 339 00:15:37,800 --> 00:15:40,200 Speaker 1: that's how you, that's how you you know what I mean, inspired, 340 00:15:40,240 --> 00:15:41,520 Speaker 1: That's that's what we do. That's why we do what 341 00:15:41,600 --> 00:15:43,280 Speaker 1: we do, you know, I mean, everything else around is 342 00:15:43,360 --> 00:15:45,360 Speaker 1: kind of surrounding it, and it's like, okay, cool, that 343 00:15:45,440 --> 00:15:48,400 Speaker 1: comes with it, with the territory. It's interactly because you 344 00:15:48,520 --> 00:15:51,880 Speaker 1: want accolades, but those same accolades can make you a 345 00:15:52,000 --> 00:15:54,640 Speaker 1: prisoner to the opinions of other people. Yeah, and you 346 00:15:54,680 --> 00:15:57,320 Speaker 1: don't really want that. Yeah, no, no, no, you're staying here. Yeah, 347 00:15:57,360 --> 00:15:59,560 Speaker 1: so right, Yeah, I mean, accolades are just they're nice, 348 00:15:59,800 --> 00:16:01,200 Speaker 1: you know what I mean, when they come around, But 349 00:16:01,560 --> 00:16:03,440 Speaker 1: it's definitely all about the work for me, for me, 350 00:16:03,480 --> 00:16:04,600 Speaker 1: you know what i mean, because that's where I found 351 00:16:04,640 --> 00:16:06,400 Speaker 1: my joy. Yet like like you know what I mean, 352 00:16:06,440 --> 00:16:08,360 Speaker 1: I find joy being here, you know what i mean, 353 00:16:08,520 --> 00:16:10,160 Speaker 1: just talking, but you know what i mean, when I'm 354 00:16:10,160 --> 00:16:11,640 Speaker 1: doing about work, when I'm when I'm when I'm doing 355 00:16:11,840 --> 00:16:14,200 Speaker 1: doing something that makes me happy. That's that's that's what 356 00:16:14,440 --> 00:16:16,080 Speaker 1: that's what it's all about for me. But you know 357 00:16:16,080 --> 00:16:17,960 Speaker 1: what i mean, the wars, it come with it, you 358 00:16:18,000 --> 00:16:19,320 Speaker 1: know what I mean, come with it. So when you 359 00:16:19,480 --> 00:16:21,600 Speaker 1: when you through it about taking this or burning out 360 00:16:21,640 --> 00:16:23,560 Speaker 1: for this, did you ever get nervous that you'd be 361 00:16:23,720 --> 00:16:27,560 Speaker 1: always stuck as that character like you look at Jilia White. No, no, no, no, no, 362 00:16:28,240 --> 00:16:30,680 Speaker 1: I'm never I'm too dynamic for that. I knew that 363 00:16:30,720 --> 00:16:33,960 Speaker 1: about myself, Like I am an artist that that is transformative, 364 00:16:34,040 --> 00:16:35,200 Speaker 1: you know what I mean. Like I think I think 365 00:16:35,240 --> 00:16:37,200 Speaker 1: you'll see that through throughout the throughout the years. You 366 00:16:37,240 --> 00:16:39,680 Speaker 1: know what I mean, I I can transform And I 367 00:16:39,720 --> 00:16:42,080 Speaker 1: always knew that about myself, Like I was a totally 368 00:16:42,200 --> 00:16:44,360 Speaker 1: different person a year ago, two years ago, you know 369 00:16:44,400 --> 00:16:45,600 Speaker 1: what I mean. You look at that person like who 370 00:16:45,600 --> 00:16:47,320 Speaker 1: the hell is that? You know what I mean? And 371 00:16:47,560 --> 00:16:50,520 Speaker 1: like and so I feel like down the line, um, 372 00:16:50,600 --> 00:16:53,120 Speaker 1: I want to take on roles that are going to 373 00:16:53,360 --> 00:16:58,160 Speaker 1: give people a different perspective about how a black person 374 00:16:58,240 --> 00:17:00,640 Speaker 1: can be, you know what I mean. Like I'm super 375 00:17:00,680 --> 00:17:03,080 Speaker 1: interested in being like in fantasy movies, you know what 376 00:17:03,080 --> 00:17:05,640 Speaker 1: I mean, and and seeing fantasy science fiction and see 377 00:17:05,640 --> 00:17:07,600 Speaker 1: science fiction and you're just like, like, show you ever 378 00:17:07,640 --> 00:17:10,800 Speaker 1: seen a Lovecraft country? Oh yeah, you know what I'm saying. 379 00:17:11,280 --> 00:17:13,280 Speaker 1: And like it was it was a moment where it 380 00:17:13,400 --> 00:17:16,560 Speaker 1: was like, oh, like we can be you know what 381 00:17:16,600 --> 00:17:18,680 Speaker 1: I mean, we can exist in this type of And 382 00:17:18,760 --> 00:17:20,960 Speaker 1: it was like this was a period piece but it 383 00:17:21,080 --> 00:17:23,119 Speaker 1: was also fantasy, but it was also drama, and it 384 00:17:23,240 --> 00:17:27,920 Speaker 1: was also you know, sci fi. And I also season 385 00:17:28,160 --> 00:17:30,680 Speaker 1: I could not imagine seeing all these black people doing 386 00:17:30,800 --> 00:17:33,720 Speaker 1: this science fictional stuff. That's what it seemed like we had. Yeah, 387 00:17:33,720 --> 00:17:35,040 Speaker 1: you know, I think that came down the budget, you 388 00:17:35,080 --> 00:17:39,520 Speaker 1: know what I mean. The other day and she says, 389 00:17:39,560 --> 00:17:42,560 Speaker 1: she says, she feels like HBO couldn't see black people 390 00:17:43,280 --> 00:17:46,080 Speaker 1: in that space foot a long period of time. I'm 391 00:17:46,119 --> 00:17:48,800 Speaker 1: interested in opening up that realm. I'm interested in opening 392 00:17:48,960 --> 00:17:50,560 Speaker 1: up that story, you know what I mean. And I 393 00:17:50,640 --> 00:17:52,359 Speaker 1: feel like I don't ever want to get stuck in 394 00:17:52,440 --> 00:17:55,080 Speaker 1: just the box of he's fresh, praps, he's he's done this, 395 00:17:55,160 --> 00:17:56,720 Speaker 1: you know what I mean. That's not me And I 396 00:17:56,760 --> 00:17:58,600 Speaker 1: don't think I'll ever be that person. I mean, you know, 397 00:17:58,640 --> 00:18:01,080 Speaker 1: it's so interesting. That's such a great question Nvas because 398 00:18:01,080 --> 00:18:03,600 Speaker 1: it's like that role is so iconic, right, not just 399 00:18:03,760 --> 00:18:06,000 Speaker 1: the role, because we're talking about there's a lot of 400 00:18:06,200 --> 00:18:09,280 Speaker 1: iconic roles, but the person who played the role became 401 00:18:09,320 --> 00:18:14,719 Speaker 1: an icon with fitness self. So could you ever truly 402 00:18:14,800 --> 00:18:16,840 Speaker 1: fill those shoes? I don't know if anybody would ever 403 00:18:17,080 --> 00:18:18,919 Speaker 1: And that's you. I don't know if anybody would ever 404 00:18:19,400 --> 00:18:21,040 Speaker 1: see you as the fresh print. Yeah, no, I'm not 405 00:18:21,119 --> 00:18:23,720 Speaker 1: interested in that. I'm not interested in like actually feeling like, 406 00:18:23,920 --> 00:18:25,040 Speaker 1: you know what I mean, I'm telling the story that 407 00:18:25,040 --> 00:18:26,879 Speaker 1: I'm telling for a new generation at the end of 408 00:18:26,920 --> 00:18:29,399 Speaker 1: the day, and this is opening up opportunity for me, 409 00:18:29,920 --> 00:18:31,560 Speaker 1: you know what I mean. And this is like giving 410 00:18:31,600 --> 00:18:33,840 Speaker 1: me access for me to open up opportunity for the 411 00:18:33,880 --> 00:18:35,680 Speaker 1: next person, you know what I mean. And so my 412 00:18:35,800 --> 00:18:38,120 Speaker 1: story is my story, wild story is his story. Yeah, 413 00:18:38,280 --> 00:18:40,200 Speaker 1: we're not the same, you know what I mean. And 414 00:18:40,440 --> 00:18:42,720 Speaker 1: like I'm telling this story of the fresh Press, but 415 00:18:42,840 --> 00:18:45,399 Speaker 1: like you know, I'm telling the story of a sixteen 416 00:18:45,480 --> 00:18:47,639 Speaker 1: year old young man from Philly, you know, gets sent 417 00:18:47,720 --> 00:18:49,520 Speaker 1: to la But at the end of the day, like 418 00:18:49,600 --> 00:18:52,200 Speaker 1: our stories aren't the same, and you know, nobody will 419 00:18:52,240 --> 00:18:54,199 Speaker 1: ever be Wilson if he's one on one, one on one, 420 00:18:54,280 --> 00:18:55,960 Speaker 1: and Jabari Banks is one on one. You know what 421 00:18:56,000 --> 00:18:59,960 Speaker 1: I mean. So it's Jabari Banks, It's the Breakfast Club, 422 00:19:00,119 --> 00:19:09,440 Speaker 1: motor thank you. It's topic time called eight hundred and 423 00:19:09,480 --> 00:19:11,040 Speaker 1: five eight five one oh five. Want to join it 424 00:19:11,160 --> 00:19:14,760 Speaker 1: to the discussion with the Breakfast Club talk about it morning. 425 00:19:14,800 --> 00:19:18,159 Speaker 1: Everybody is DJ Envy Charlemagne the guy we are the 426 00:19:18,240 --> 00:19:20,639 Speaker 1: Breakfast Club now if he just joined us. We're talking 427 00:19:20,680 --> 00:19:24,240 Speaker 1: about believing in somebody when they say they have mental 428 00:19:24,320 --> 00:19:26,760 Speaker 1: health or mental health issues. And I do believe people 429 00:19:26,960 --> 00:19:29,520 Speaker 1: do have mental issues, but I also feel like people 430 00:19:29,680 --> 00:19:31,720 Speaker 1: use it as an excuse. I feel like it's in 431 00:19:31,720 --> 00:19:34,240 Speaker 1: an easy excuse to use because it's something that can't 432 00:19:34,280 --> 00:19:37,359 Speaker 1: be checked. It can't it can't be verified. It's just 433 00:19:37,480 --> 00:19:40,680 Speaker 1: something within yourself. And I feel like people, let me 434 00:19:40,680 --> 00:19:44,120 Speaker 1: ask a simple question, who are we to say, Hey, 435 00:19:44,480 --> 00:19:47,440 Speaker 1: this person's lying about what they're going through mentally, what 436 00:19:47,560 --> 00:19:49,520 Speaker 1: they're going through emotionally. How the hell do we know? 437 00:19:50,080 --> 00:19:52,000 Speaker 1: And I know that if somebody like Russ is walking 438 00:19:52,040 --> 00:19:55,400 Speaker 1: away from millions of dollars, that's the thing. Like Russ 439 00:19:55,480 --> 00:19:59,080 Speaker 1: isn't hurting anybody, nobody. The only person that's gonna suffer 440 00:19:59,080 --> 00:20:02,080 Speaker 1: in this situation. Is he's walking away. If he's walking 441 00:20:02,119 --> 00:20:04,720 Speaker 1: away from millions of dollars for whatever reason, you already 442 00:20:04,720 --> 00:20:07,200 Speaker 1: got to sold out European toll. That lets me know 443 00:20:07,600 --> 00:20:10,960 Speaker 1: clearly there's something wrong. And I salute Russ that you 444 00:20:11,040 --> 00:20:14,640 Speaker 1: know he's able to articulate what it is that he's 445 00:20:14,720 --> 00:20:17,200 Speaker 1: going through mentally, because for so long, man, so many 446 00:20:17,240 --> 00:20:19,560 Speaker 1: of us couldn't, like Yo, you be dealing with mental issues, 447 00:20:19,600 --> 00:20:21,879 Speaker 1: you'd be dealing with emotional issues, and you couldn't say, Man, 448 00:20:21,880 --> 00:20:23,840 Speaker 1: I'm stuffering from mental health issues. You gotta make up 449 00:20:23,880 --> 00:20:26,320 Speaker 1: some other excuse, like you said earlier, something about lying 450 00:20:26,359 --> 00:20:28,880 Speaker 1: on your dog or something like that. There's some about 451 00:20:28,880 --> 00:20:30,800 Speaker 1: the dog eating kids and what you say? What about 452 00:20:30,800 --> 00:20:33,080 Speaker 1: you talking about? What did you say? It was something 453 00:20:33,119 --> 00:20:34,800 Speaker 1: about the kids and something. I don't remember what it was. 454 00:20:34,960 --> 00:20:37,200 Speaker 1: All I'm simply saying, but whatever it was, it stupid 455 00:20:37,240 --> 00:20:39,080 Speaker 1: excuses like that we used to have to make up. 456 00:20:39,200 --> 00:20:41,240 Speaker 1: Oh I would say that that. You people are always 457 00:20:41,240 --> 00:20:42,639 Speaker 1: say that their kids were sick, but it would be 458 00:20:42,680 --> 00:20:45,399 Speaker 1: an excuse, or that's right, something like that. That's right. Well, 459 00:20:45,440 --> 00:20:51,560 Speaker 1: let's go to the phone. Long Hello, who's this Hey, Alicia? 460 00:20:51,680 --> 00:20:56,080 Speaker 1: Talk to us, Alicia, what's your thoughts? So I am 461 00:20:56,160 --> 00:21:01,200 Speaker 1: a mental health town flayer down in South Florida. M Sorry, 462 00:21:01,640 --> 00:21:06,800 Speaker 1: my kids are excited to hear you. Guys. What's up? Guys? Yes, 463 00:21:06,920 --> 00:21:10,040 Speaker 1: I am a I'm a mental health counselor down in Florida, 464 00:21:10,160 --> 00:21:12,840 Speaker 1: and I mean every single day I work in residential 465 00:21:12,920 --> 00:21:15,760 Speaker 1: treatment down here. And we have people that you know, 466 00:21:15,880 --> 00:21:20,680 Speaker 1: our CEOs of companies are professional athletes, you know, are 467 00:21:21,200 --> 00:21:24,440 Speaker 1: they at home moms or teachers. We have special education 468 00:21:24,520 --> 00:21:26,560 Speaker 1: teacher in my center right now who had a mental 469 00:21:26,640 --> 00:21:30,159 Speaker 1: health breakdown. And I cannot imagine this woman. She's in 470 00:21:30,240 --> 00:21:33,520 Speaker 1: a psychotic break at this moment. She should be teaching 471 00:21:33,600 --> 00:21:35,879 Speaker 1: second graders, you know, that's her job that she's on 472 00:21:36,040 --> 00:21:39,280 Speaker 1: leave from. And I cannot even imagine this woman showing 473 00:21:39,359 --> 00:21:43,520 Speaker 1: up to work for five minutes without a catastrophe occurring. Wow. 474 00:21:43,600 --> 00:21:46,800 Speaker 1: So people really need to understand mental health is not 475 00:21:46,960 --> 00:21:49,720 Speaker 1: a joke. It's not an excuse. People can use it 476 00:21:49,760 --> 00:21:52,360 Speaker 1: as an excuse, just like during the pandemic, people call 477 00:21:52,400 --> 00:21:54,760 Speaker 1: it off because they said they had a fever or whatever, 478 00:21:54,880 --> 00:21:56,920 Speaker 1: and you just let it hide because you'd rather them 479 00:21:57,000 --> 00:22:01,080 Speaker 1: not come around and bring their potential. You know, negative 480 00:22:01,119 --> 00:22:04,400 Speaker 1: exposures to the workplace that they need to do something 481 00:22:04,440 --> 00:22:06,520 Speaker 1: to focus on themselves or to get themselves in their 482 00:22:06,520 --> 00:22:11,040 Speaker 1: best health space. So, you know, when these performers, especially 483 00:22:11,119 --> 00:22:15,680 Speaker 1: these artists celebrities, a lot of them do have anxiety 484 00:22:15,840 --> 00:22:18,320 Speaker 1: that's crippling. A lot of them do have, you know, 485 00:22:18,440 --> 00:22:21,520 Speaker 1: identity issues that they struggle with just showing up and 486 00:22:22,080 --> 00:22:24,520 Speaker 1: putting out this image that there's somebody that we all 487 00:22:24,600 --> 00:22:27,240 Speaker 1: expect them to be. And if they fall short of that, 488 00:22:27,400 --> 00:22:30,640 Speaker 1: like Charlomagne said, we criticize them for that. We criticize 489 00:22:30,640 --> 00:22:32,800 Speaker 1: them if they snapped, we criticize them if they have 490 00:22:32,960 --> 00:22:35,399 Speaker 1: like a bad night. So when these people say they 491 00:22:35,480 --> 00:22:37,240 Speaker 1: just need a day off or a night off, or 492 00:22:37,280 --> 00:22:39,080 Speaker 1: they've got to cancel a core, I feel like we 493 00:22:39,240 --> 00:22:41,119 Speaker 1: all have the people need to learn how to expect 494 00:22:41,200 --> 00:22:43,680 Speaker 1: those boundaries that people are trying to put up. Man, 495 00:22:43,760 --> 00:22:48,000 Speaker 1: that's real. Give why you hack away? Why you hang 496 00:22:48,080 --> 00:22:49,360 Speaker 1: upon the lady? I was gonna tell her to give 497 00:22:49,359 --> 00:22:51,760 Speaker 1: out our information. See you part of the problem. You 498 00:22:52,960 --> 00:22:56,160 Speaker 1: are part of the problem. You you with the fake 499 00:22:56,240 --> 00:22:59,920 Speaker 1: bid I'm looking suspicious over that. Don't look suspicious bits 500 00:23:00,040 --> 00:23:02,679 Speaker 1: your problem. I'm hurt by what every time you tell 501 00:23:02,760 --> 00:23:05,640 Speaker 1: bad about me? What I'm hurt? Hurt by? What? Byre 502 00:23:05,680 --> 00:23:07,840 Speaker 1: you talking bad about me? Anybody talking bad about you? 503 00:23:07,880 --> 00:23:09,680 Speaker 1: Just said I talk bad about your bid anythink that 504 00:23:09,680 --> 00:23:12,040 Speaker 1: about you? That's me, That ain't you. That's me, that's 505 00:23:12,080 --> 00:23:14,480 Speaker 1: not you, it's not even yours. That's me. You didn't 506 00:23:14,520 --> 00:23:15,920 Speaker 1: pray it on. I wouldn't say nothing about it. Not 507 00:23:16,200 --> 00:23:17,960 Speaker 1: if you left that in the camp at home, I 508 00:23:18,000 --> 00:23:20,439 Speaker 1: would have nothing to say about five A five one 509 00:23:20,480 --> 00:23:23,560 Speaker 1: oh five. And we're talking about mental health. You know, 510 00:23:23,720 --> 00:23:25,920 Speaker 1: Little Pump made fun of Russ and said it was 511 00:23:26,000 --> 00:23:28,080 Speaker 1: a bullcrap. And we're asking when people say that going 512 00:23:28,080 --> 00:23:30,320 Speaker 1: through mental problems, do you believe them? You should? And 513 00:23:30,440 --> 00:23:32,800 Speaker 1: by the way, who are you to even act like 514 00:23:32,960 --> 00:23:34,440 Speaker 1: they lying? You don't know what's going on in that 515 00:23:34,480 --> 00:23:37,440 Speaker 1: person's head. It's a breakfast club. The morning, the breakfast 516 00:23:37,520 --> 00:23:44,159 Speaker 1: club morning, everybody is DJ Envy Charlemagne. The day we 517 00:23:44,200 --> 00:23:46,280 Speaker 1: are to breakfast Club. We got a special guest in 518 00:23:46,320 --> 00:23:50,920 Speaker 1: the building, legend actress Kim Field. Welcome. Thank you so much. 519 00:23:50,960 --> 00:23:52,680 Speaker 1: It so great to be here. I can't believe I'm 520 00:23:52,720 --> 00:23:57,560 Speaker 1: just not getting here. Oh man, we happy to have you. Yeah, really, yes, 521 00:23:58,240 --> 00:24:00,359 Speaker 1: how are you first and full? I'm great? How are you? 522 00:24:00,600 --> 00:24:02,840 Speaker 1: I'm blessed black and Holly favor? Well all right and 523 00:24:02,960 --> 00:24:09,440 Speaker 1: alright and happy birthday. Thank you, thank you, thank you, 524 00:24:09,640 --> 00:24:11,880 Speaker 1: thank you. How does it feel to be a star 525 00:24:12,000 --> 00:24:16,119 Speaker 1: on yet another hit show? Well, thank you? Talk about 526 00:24:16,240 --> 00:24:19,200 Speaker 1: you know, being blessed and favored. Um, it feels wonderful. 527 00:24:19,240 --> 00:24:22,320 Speaker 1: It's it's very surreal, quite honestly. And we knew that 528 00:24:22,359 --> 00:24:24,320 Speaker 1: we had something really great. We didn't know what was 529 00:24:24,359 --> 00:24:27,399 Speaker 1: gonna do what it did and continues to do and 530 00:24:27,560 --> 00:24:30,080 Speaker 1: have the impact you know that it has on the 531 00:24:30,160 --> 00:24:33,200 Speaker 1: culture and beyond. So it's exciting. It feels great. Of 532 00:24:33,240 --> 00:24:37,440 Speaker 1: course we're talking about season two. So how did you 533 00:24:37,440 --> 00:24:39,159 Speaker 1: get involved with the up shows for people? I don't know. 534 00:24:39,680 --> 00:24:42,280 Speaker 1: I was actually on a press tour for a movie 535 00:24:42,359 --> 00:24:45,480 Speaker 1: that I executive producing started and called Adventures in Christmasing. 536 00:24:46,080 --> 00:24:48,560 Speaker 1: And while I was in La on the press tour, 537 00:24:48,720 --> 00:24:50,440 Speaker 1: they said, hey, can you come in and do a 538 00:24:50,520 --> 00:24:54,200 Speaker 1: chemistry meeting with my Gapps and Wanda Sykes for a 539 00:24:54,320 --> 00:24:57,960 Speaker 1: Netflix series. And I wasn't checking to do a comedy, 540 00:24:58,040 --> 00:25:00,320 Speaker 1: but I was like, that's a trio. You can't say 541 00:25:00,359 --> 00:25:03,880 Speaker 1: no too, And so went in Mike and I had 542 00:25:04,080 --> 00:25:07,320 Speaker 1: great chemistry, Wanda and I had great chemistry, and the 543 00:25:07,480 --> 00:25:11,080 Speaker 1: Netflix crew was there and before I got home practically 544 00:25:11,200 --> 00:25:13,480 Speaker 1: they were like, Yeah, we're gonna do an offer and 545 00:25:13,720 --> 00:25:16,159 Speaker 1: you know, go from there. That we've seen recently that 546 00:25:16,359 --> 00:25:19,560 Speaker 1: Martin did a reunion show. Yeah, would you guys be 547 00:25:19,680 --> 00:25:28,240 Speaker 1: interested in doing a question reunion? You know, happy to 548 00:25:28,520 --> 00:25:31,200 Speaker 1: think about it. Um, we we have this this really 549 00:25:31,280 --> 00:25:33,800 Speaker 1: great thread, the six of us and Yvette who created 550 00:25:33,880 --> 00:25:36,800 Speaker 1: the show, this text threat and so um, you know, 551 00:25:36,960 --> 00:25:40,240 Speaker 1: we just love how everyone loves Living Single and again 552 00:25:40,359 --> 00:25:43,040 Speaker 1: talk about impact. You know that the show has made 553 00:25:43,760 --> 00:25:46,800 Speaker 1: and continues to make, and we don't want to taint 554 00:25:46,880 --> 00:25:50,520 Speaker 1: that by just kind of throwing a reboot together with 555 00:25:50,720 --> 00:25:54,560 Speaker 1: the idea of a reunion show. Thank God, everybody's busy, 556 00:25:55,160 --> 00:25:57,480 Speaker 1: so you know, there's no plans for one in the 557 00:25:57,680 --> 00:26:01,080 Speaker 1: immediate future. But you know, whenever I saw you tell 558 00:26:01,160 --> 00:26:03,439 Speaker 1: people dot Com that you got to be cautious when 559 00:26:03,480 --> 00:26:06,080 Speaker 1: you do these reboots. So that's whether it's Facts of 560 00:26:06,160 --> 00:26:08,359 Speaker 1: Life or Living Single, and you have to be really careful. 561 00:26:08,440 --> 00:26:11,760 Speaker 1: So what are your worries exactly? Well, because these characters 562 00:26:11,800 --> 00:26:16,160 Speaker 1: are beloved, you know, Martin Fresh Prints, Living single, facts 563 00:26:16,200 --> 00:26:18,520 Speaker 1: of life, different structs. I mean, these characters, these these 564 00:26:18,600 --> 00:26:22,280 Speaker 1: shows are so beloved and these characters really mean something 565 00:26:22,480 --> 00:26:26,240 Speaker 1: to everyone, and so if you get a wrong, they're 566 00:26:26,240 --> 00:26:29,800 Speaker 1: gonna be made as a fan is selfish in a way, right, 567 00:26:29,800 --> 00:26:33,520 Speaker 1: because it's like we would only want that when nostalgia purposes. 568 00:26:33,560 --> 00:26:35,399 Speaker 1: We got all of the reruns, we watch it now. 569 00:26:35,440 --> 00:26:39,280 Speaker 1: It's a timely shows. Just enjoy the art. That's the reunion, 570 00:26:39,760 --> 00:26:42,639 Speaker 1: I mean, know the show like all the time, Like 571 00:26:42,800 --> 00:26:44,920 Speaker 1: it's like watching like the Mona Lisa. Just go enjoy 572 00:26:45,040 --> 00:26:49,360 Speaker 1: the art that was Catherine was up to what they're 573 00:26:49,400 --> 00:26:51,000 Speaker 1: doing if you don't say and that's that's what I 574 00:26:51,080 --> 00:26:53,080 Speaker 1: thought was dope about the Martin. Yeah, I think the 575 00:26:53,320 --> 00:26:55,840 Speaker 1: reunions are kind of a nice happy medium, you know, 576 00:26:55,920 --> 00:26:59,120 Speaker 1: a good hybrid for we're not really rebooting, but here 577 00:26:59,160 --> 00:27:02,119 Speaker 1: you get to see us all together now. To be honest, 578 00:27:02,440 --> 00:27:03,879 Speaker 1: I just thought about I wouldn't. I would love a 579 00:27:03,920 --> 00:27:07,760 Speaker 1: reason because I love hearing Eric Alexander talk, oh my gosh, 580 00:27:08,119 --> 00:27:12,040 Speaker 1: she's the best, Yes, que Laty for yourself, Kim Cole's Yeah, 581 00:27:12,040 --> 00:27:13,840 Speaker 1: I would like to see that now, everybody, just a 582 00:27:13,880 --> 00:27:17,520 Speaker 1: conversation among right, Yeah, absolutely, Well you know when we 583 00:27:17,680 --> 00:27:20,600 Speaker 1: had one of those anniversary specials that I think TV 584 00:27:20,720 --> 00:27:23,720 Speaker 1: one did and we weren't able to get everybody, but 585 00:27:24,320 --> 00:27:26,240 Speaker 1: we got quite a few of us, and so we 586 00:27:26,359 --> 00:27:29,560 Speaker 1: were sitting around and chatting about the show and that 587 00:27:29,680 --> 00:27:31,920 Speaker 1: sort of thing. So we have had that type of 588 00:27:32,040 --> 00:27:34,920 Speaker 1: a moment now with everybody all in. But you know 589 00:27:35,119 --> 00:27:40,000 Speaker 1: close enough. Now, you did Housewives that was short lived. Yes, 590 00:27:40,320 --> 00:27:42,000 Speaker 1: you didn't like it wasn't for you. No, no, it 591 00:27:42,080 --> 00:27:43,480 Speaker 1: wasn't that at all. It was only supposed to be 592 00:27:43,520 --> 00:27:45,000 Speaker 1: a one and done, you know it was. It was 593 00:27:45,080 --> 00:27:50,840 Speaker 1: bread Farth with the Jets kind of moment. So you know, 594 00:27:51,000 --> 00:27:53,240 Speaker 1: for me, I did what I set out to do. 595 00:27:54,040 --> 00:27:56,680 Speaker 1: The mandate at that time in my career was I'm 596 00:27:56,720 --> 00:28:00,560 Speaker 1: celebrating forty years in the industry. Wow. And so my 597 00:28:00,680 --> 00:28:03,400 Speaker 1: team I said, hey, let's go into uncharted waters. We're 598 00:28:03,400 --> 00:28:05,720 Speaker 1: only going to do stuff that we've never done before. 599 00:28:06,200 --> 00:28:09,480 Speaker 1: And so they kept asking me to do reality for 600 00:28:09,680 --> 00:28:11,560 Speaker 1: years and I was like, no, the time's not right. 601 00:28:12,080 --> 00:28:14,240 Speaker 1: It's just too much. So we said, okay, well let's 602 00:28:14,280 --> 00:28:17,159 Speaker 1: just give that a try and see. But knowing that 603 00:28:17,359 --> 00:28:19,720 Speaker 1: I still had other shows to do, other work to 604 00:28:19,800 --> 00:28:22,000 Speaker 1: do as a director, as a producer, all kinds of things. 605 00:28:22,800 --> 00:28:25,159 Speaker 1: So it was just one of those Okay, yep, did that, 606 00:28:25,600 --> 00:28:29,720 Speaker 1: and then from there being almost catapulted into Dancing with 607 00:28:29,840 --> 00:28:33,119 Speaker 1: the Stars, which was not only a game changer but 608 00:28:33,240 --> 00:28:36,680 Speaker 1: a real life changer for me because there was such 609 00:28:36,720 --> 00:28:40,800 Speaker 1: a deep dive of surrender and pushing my limitations all 610 00:28:40,880 --> 00:28:43,120 Speaker 1: the way to the point of no return, you know, 611 00:28:43,280 --> 00:28:47,440 Speaker 1: And that was the introduction to me for life begins 612 00:28:47,480 --> 00:28:49,960 Speaker 1: at the end of your comfort zone. Wow. And so 613 00:28:50,240 --> 00:28:52,880 Speaker 1: from there, I haven't you know, looked back, since it's 614 00:28:52,920 --> 00:28:56,760 Speaker 1: always forward motion of what haven't I done? What can 615 00:28:56,840 --> 00:29:00,120 Speaker 1: we still do? Because there's a lot to still be done. Well, 616 00:29:00,160 --> 00:29:01,880 Speaker 1: you were dancing or was this something like that? I'd 617 00:29:01,920 --> 00:29:04,280 Speaker 1: never done that before in my life, so you now 618 00:29:04,520 --> 00:29:10,120 Speaker 1: trained from the beginning. It wasn't difficult, but having that 619 00:29:10,320 --> 00:29:12,760 Speaker 1: sense of doing something that you've never done before, but 620 00:29:12,920 --> 00:29:17,760 Speaker 1: at the highest level, you know, was really exciting, very 621 00:29:17,960 --> 00:29:22,520 Speaker 1: very demanding, incredibly demanding dancing about six or seven hours 622 00:29:23,040 --> 00:29:26,400 Speaker 1: every day, and I'm very competitive, and so there was 623 00:29:26,560 --> 00:29:28,640 Speaker 1: nothing that he could ask me to do. And I 624 00:29:28,720 --> 00:29:30,480 Speaker 1: was like, if you teach it to me, I will 625 00:29:30,560 --> 00:29:32,600 Speaker 1: do my very best. And so now I have that 626 00:29:32,880 --> 00:29:36,160 Speaker 1: skill set at that level, and it introduced other things 627 00:29:36,200 --> 00:29:39,400 Speaker 1: to me, like now I want to compete professionally in tango. 628 00:29:40,000 --> 00:29:44,000 Speaker 1: So I just started doing lessons. I make time. I 629 00:29:44,120 --> 00:29:46,560 Speaker 1: make time for it. Yeah, and then COVID happened, so 630 00:29:46,640 --> 00:29:49,840 Speaker 1: I had to obviously no more lessons, but you know, 631 00:29:50,000 --> 00:29:52,880 Speaker 1: integrating that back into the schedule is something that I 632 00:29:52,960 --> 00:29:55,280 Speaker 1: really want to do. I would kim Field to describe 633 00:29:55,320 --> 00:29:59,560 Speaker 1: her a journey in the entertainment industry very exciting, very surreal, 634 00:30:00,200 --> 00:30:02,440 Speaker 1: you know, to be the little black girl from Harlem 635 00:30:03,000 --> 00:30:06,040 Speaker 1: who is the one that's still going, you know, and 636 00:30:06,160 --> 00:30:08,240 Speaker 1: like our brother LLL, always just doing it and doing 637 00:30:08,280 --> 00:30:10,600 Speaker 1: it and doing it well, you know. And so it's 638 00:30:10,760 --> 00:30:14,280 Speaker 1: very surreal that I'm not a stranger to people around 639 00:30:14,320 --> 00:30:17,480 Speaker 1: the world, that people have known of me or me 640 00:30:17,600 --> 00:30:20,600 Speaker 1: since I was seven years old. You know. It's like 641 00:30:20,760 --> 00:30:23,120 Speaker 1: Langston Hugh's Palm, Well a sudden, I'll tell your life 642 00:30:23,160 --> 00:30:25,400 Speaker 1: for me and been no Crystal stairs. You know, There's 643 00:30:25,480 --> 00:30:28,640 Speaker 1: there's been some low lows and some high highs and 644 00:30:29,080 --> 00:30:32,080 Speaker 1: you know all the stuff in between. There's still a 645 00:30:32,160 --> 00:30:34,960 Speaker 1: lot to look forward to. But I think at the 646 00:30:35,160 --> 00:30:38,080 Speaker 1: end of the day, I think people don't see me coming, 647 00:30:38,480 --> 00:30:42,640 Speaker 1: and so well from the standpoint that they know of me. 648 00:30:43,040 --> 00:30:45,640 Speaker 1: You know, it's almost like almost every time people say 649 00:30:45,680 --> 00:30:50,080 Speaker 1: my name's like oh yeah, oh yeah, you know. And 650 00:30:50,240 --> 00:30:52,200 Speaker 1: so after a while, in order for me not to 651 00:30:52,560 --> 00:30:55,600 Speaker 1: you know, have that really messed me up. It became 652 00:30:55,680 --> 00:30:57,600 Speaker 1: a thing of Okay, so now I have to flip 653 00:30:57,720 --> 00:30:59,800 Speaker 1: the script and make it where I have the element 654 00:30:59,840 --> 00:31:03,120 Speaker 1: of of surprise. It's a surprise attacks now you're just 655 00:31:03,200 --> 00:31:06,200 Speaker 1: not gonna see me coming, but know that I'm here. 656 00:31:06,720 --> 00:31:09,040 Speaker 1: So I think that's the way to describe it. It's 657 00:31:09,080 --> 00:31:12,800 Speaker 1: like this push pull of I always felt very honored, 658 00:31:13,520 --> 00:31:17,520 Speaker 1: but there's still a grind. I'm still grinding and hustling, 659 00:31:17,640 --> 00:31:19,840 Speaker 1: like like I'm new with this. I wonder if they 660 00:31:19,880 --> 00:31:22,200 Speaker 1: don't see you coming, because you you know, you've had 661 00:31:22,280 --> 00:31:26,600 Speaker 1: the blessing of having two characters that are just absolutely beloved, 662 00:31:26,920 --> 00:31:28,800 Speaker 1: like you see you see you. When you see those 663 00:31:28,840 --> 00:31:30,800 Speaker 1: two characters, you think that is it. And I think 664 00:31:30,840 --> 00:31:32,760 Speaker 1: that's some of it. I think that's some of it, 665 00:31:32,920 --> 00:31:35,360 Speaker 1: you know. I think that the characters that I've played 666 00:31:35,640 --> 00:31:38,480 Speaker 1: and then being behind the camera for so many years 667 00:31:38,840 --> 00:31:41,120 Speaker 1: and so it's it's just kind of those I really 668 00:31:41,240 --> 00:31:45,160 Speaker 1: like the expect the unexpected. I think that's my mantra 669 00:31:45,320 --> 00:31:48,880 Speaker 1: going forward in my career. We got moree Kim Fields. 670 00:31:48,880 --> 00:31:50,960 Speaker 1: When we come back, don't move. It's the Breakfast Club. 671 00:31:51,000 --> 00:31:56,200 Speaker 1: Good morning morning everybody. We are the Breakfast Club was 672 00:31:56,280 --> 00:31:59,440 Speaker 1: still kicking with actress Kim Fields. How do you survive that? 673 00:31:59,680 --> 00:32:01,880 Speaker 1: So media time because at one time, like you said, 674 00:32:02,280 --> 00:32:04,479 Speaker 1: you were only seen when you wanted to be seen, right, 675 00:32:04,680 --> 00:32:06,840 Speaker 1: But now it's like you know, you you go to 676 00:32:06,920 --> 00:32:09,160 Speaker 1: the mall, or you go to the grocery store, somebody 677 00:32:09,240 --> 00:32:10,880 Speaker 1: sneaking the pictures, take a picture. I mean, you can 678 00:32:10,960 --> 00:32:14,240 Speaker 1: just have a head wrapper or you right, you know, 679 00:32:14,280 --> 00:32:20,840 Speaker 1: but how do you navigate through that? Well? I for me, 680 00:32:21,280 --> 00:32:23,640 Speaker 1: you know, there's again people have seen me since I 681 00:32:23,760 --> 00:32:26,680 Speaker 1: was seven, so there's really no like kind of hiding space, 682 00:32:26,800 --> 00:32:29,760 Speaker 1: hiding place, and you know, so I'm comfortable, like if 683 00:32:29,800 --> 00:32:32,200 Speaker 1: I don't have my makeup, Hey, it is what it is. 684 00:32:32,400 --> 00:32:34,640 Speaker 1: Is what it is. Y'all have seen the space before 685 00:32:34,960 --> 00:32:38,600 Speaker 1: it new makeup, So there you go. But I feel 686 00:32:38,640 --> 00:32:43,120 Speaker 1: like I've kind of navigated certain areas of social media, 687 00:32:43,800 --> 00:32:45,959 Speaker 1: one from that standpoint of if you can't beat them, 688 00:32:46,040 --> 00:32:50,760 Speaker 1: join them, and also doing it on my own terms. 689 00:32:50,920 --> 00:32:52,760 Speaker 1: If I'm not up for posting or I feel like 690 00:32:52,800 --> 00:32:56,240 Speaker 1: I've had just a sensory overload, take a little breather. 691 00:32:56,800 --> 00:33:00,560 Speaker 1: But it's a it's a space that I actually enjoyed because, um, 692 00:33:00,760 --> 00:33:03,480 Speaker 1: I get number one, I get to connect with certain people, 693 00:33:04,000 --> 00:33:07,960 Speaker 1: even you know, collaborations. I just did a collaboration with 694 00:33:08,120 --> 00:33:11,640 Speaker 1: Jonathan McReynolds and he sang on on my soundtrack and 695 00:33:11,720 --> 00:33:15,000 Speaker 1: now it's under consideration for an Emmy, so you know, 696 00:33:15,040 --> 00:33:16,800 Speaker 1: and that was because I thank you. But I reached 697 00:33:16,800 --> 00:33:19,880 Speaker 1: out on Instagram because we follow each other, and you know, 698 00:33:20,120 --> 00:33:23,000 Speaker 1: dms can be great and horrible, so in that moment, 699 00:33:23,120 --> 00:33:26,400 Speaker 1: it was great. But social media, you know, there's certain 700 00:33:26,440 --> 00:33:29,000 Speaker 1: things like anytime somebody tries to throw me in that 701 00:33:29,120 --> 00:33:31,280 Speaker 1: auntie zone, I am quick to respond, this is the 702 00:33:31,400 --> 00:33:37,560 Speaker 1: no auntie zone. Hashtag no aunties. No, I'm nobody NA 703 00:33:38,680 --> 00:33:41,760 Speaker 1: like me to call it. They call me uncle Leggy 704 00:33:41,960 --> 00:33:52,360 Speaker 1: really well good, yeah, I mean that's wonderful, but nahum, 705 00:33:52,440 --> 00:33:53,880 Speaker 1: And I think it's you know some of them too, 706 00:33:53,880 --> 00:33:56,400 Speaker 1: if it's different from you know, male female vine. So 707 00:33:56,520 --> 00:33:59,760 Speaker 1: you mentioned your MS, Yes, how many fellas are in 708 00:33:59,840 --> 00:34:03,280 Speaker 1: your MS being surprised about old or young. I'm sure 709 00:34:03,360 --> 00:34:05,440 Speaker 1: got to be some young man in the DMS as 710 00:34:05,480 --> 00:34:07,840 Speaker 1: well as some older people. Actually a great question because 711 00:34:07,840 --> 00:34:10,120 Speaker 1: I think with y'all generation don't realize is y'all are 712 00:34:10,239 --> 00:34:15,719 Speaker 1: showing a different level of aging gracefully, like when we 713 00:34:15,800 --> 00:34:17,880 Speaker 1: were growing up, forty and fifty used to seem like 714 00:34:18,120 --> 00:34:29,800 Speaker 1: old that was that was great? Yes, yeah, well, I 715 00:34:29,880 --> 00:34:32,840 Speaker 1: mean to answer that in my in my DMS, it's just, 716 00:34:33,280 --> 00:34:35,479 Speaker 1: you know, I basically have it set to the people 717 00:34:35,520 --> 00:34:38,240 Speaker 1: that I know, so I don't have any like surprise 718 00:34:38,320 --> 00:34:41,279 Speaker 1: like oh my god. No. And then in terms of 719 00:34:41,440 --> 00:34:44,920 Speaker 1: like aging, like you said, such a different time, it's 720 00:34:45,000 --> 00:34:48,439 Speaker 1: such a different everything, you know, and so I plan 721 00:34:48,719 --> 00:34:53,960 Speaker 1: on adventuring and journeying and doing I mean, just I'm 722 00:34:54,000 --> 00:34:57,080 Speaker 1: in such a new space I think too. And again 723 00:34:57,160 --> 00:34:59,279 Speaker 1: the genesis of it dancing with the stars and then 724 00:34:59,760 --> 00:35:03,720 Speaker 1: being regarded the way that I am as an executive producer. 725 00:35:04,200 --> 00:35:06,640 Speaker 1: You know, people talk about having a seat at the table. 726 00:35:07,320 --> 00:35:09,560 Speaker 1: My journey quite honestly, as I felt like I had 727 00:35:09,600 --> 00:35:12,759 Speaker 1: to actually build the table in the chairs, and then 728 00:35:12,920 --> 00:35:15,360 Speaker 1: everybody was like, oh, let me come to this table, 729 00:35:15,680 --> 00:35:18,160 Speaker 1: so I have a seat at the table. It's just different, 730 00:35:18,239 --> 00:35:22,040 Speaker 1: how that table and that seat got created, and so 731 00:35:22,239 --> 00:35:29,839 Speaker 1: that's actually very empowering and very exhilarating, liberating. Oh we yeah, 732 00:35:30,280 --> 00:35:34,200 Speaker 1: so that's that's really where I'm really hovering and moving 733 00:35:34,280 --> 00:35:37,600 Speaker 1: about and and so with that, yeah, as I'm leveling 734 00:35:37,719 --> 00:35:40,400 Speaker 1: up age wise, it's one of those like, you know, 735 00:35:40,719 --> 00:35:43,400 Speaker 1: like the Princess said, age ain't nothing but a number. Right, 736 00:35:43,640 --> 00:35:45,440 Speaker 1: I want to talk to you about the content of 737 00:35:45,520 --> 00:35:48,320 Speaker 1: Black shows art, right. Do you think that it was 738 00:35:48,360 --> 00:35:51,520 Speaker 1: some type of conspiracy to change the content because everybody 739 00:35:51,560 --> 00:35:53,840 Speaker 1: talked about how you know, the content is you know, 740 00:35:54,040 --> 00:35:56,279 Speaker 1: destructive now and influenced people the wrong way. Were growing 741 00:35:56,360 --> 00:35:58,799 Speaker 1: up you saw living thing what it was. Yeah, y'all 742 00:35:58,840 --> 00:36:02,080 Speaker 1: had careers, you know, y'all weren't I guess, quote unquote 743 00:36:02,239 --> 00:36:03,960 Speaker 1: ratchet even though if nothing wrong, being a little raget. 744 00:36:04,000 --> 00:36:06,640 Speaker 1: But it's like, do you think there was a conspiracy 745 00:36:06,680 --> 00:36:10,080 Speaker 1: to change the content of the shows? Ah, there's probably 746 00:36:10,080 --> 00:36:13,280 Speaker 1: a conspiracy about every damn thing, yea, and especially anything 747 00:36:13,360 --> 00:36:17,399 Speaker 1: positive to impact any people, let alone people of color. 748 00:36:18,120 --> 00:36:21,239 Speaker 1: That said, I'm not aware of anything that was that 749 00:36:21,640 --> 00:36:24,759 Speaker 1: in your face about it. I think that as a 750 00:36:25,120 --> 00:36:29,440 Speaker 1: content provider, you have to listen to what the audience 751 00:36:29,560 --> 00:36:31,759 Speaker 1: is saying that they want to see, you know, and 752 00:36:32,000 --> 00:36:35,160 Speaker 1: when they put on these great shows or positive shows 753 00:36:35,239 --> 00:36:37,759 Speaker 1: or whatever and people aren't watching, they get snatched up. 754 00:36:38,280 --> 00:36:41,560 Speaker 1: So it's almost like are we in our own way sometimes? 755 00:36:41,719 --> 00:36:43,840 Speaker 1: But you know, we don't have to watch everything just 756 00:36:43,840 --> 00:36:46,600 Speaker 1: because it's black people, or just because it's music, or 757 00:36:46,680 --> 00:36:49,640 Speaker 1: just because it's you know, there are certainly many different 758 00:36:49,680 --> 00:36:53,640 Speaker 1: ways that people can enjoy content and stories, and so 759 00:36:53,760 --> 00:36:55,759 Speaker 1: I think at the end of the day, it's it's 760 00:36:55,840 --> 00:36:59,760 Speaker 1: really about what's good storytelling, what a really good character. 761 00:37:00,560 --> 00:37:03,279 Speaker 1: I think that's what people want to see. And then 762 00:37:03,360 --> 00:37:05,640 Speaker 1: it becomes the timing of it. You know, there are 763 00:37:05,719 --> 00:37:07,600 Speaker 1: some shows that you feel like, God, that was ahead 764 00:37:07,600 --> 00:37:10,560 Speaker 1: of its time, and then some shows you like, Okay, 765 00:37:10,640 --> 00:37:13,440 Speaker 1: we've seen enough of that type of show, can we 766 00:37:13,560 --> 00:37:16,560 Speaker 1: please see something else. So I don't know that there's 767 00:37:16,640 --> 00:37:19,279 Speaker 1: a conspiracy or that there was, but I feel like 768 00:37:19,360 --> 00:37:23,120 Speaker 1: there are certain efforts that we, as the viewers, we 769 00:37:23,239 --> 00:37:28,040 Speaker 1: actually contribute to true true you know Kim Cole's say 770 00:37:28,160 --> 00:37:31,160 Speaker 1: that Fox use black shows like Living Single and Martin 771 00:37:31,239 --> 00:37:37,160 Speaker 1: to build a network, then kick them out the house. Yeah, 772 00:37:37,880 --> 00:37:40,640 Speaker 1: I mean, you know, when you when you are growing 773 00:37:40,719 --> 00:37:44,800 Speaker 1: a network and creating something from scratch. Yes, you do 774 00:37:45,160 --> 00:37:47,799 Speaker 1: gravitate towards what do we know is going to sell 775 00:37:48,040 --> 00:37:50,240 Speaker 1: right away? What do we know we'll have that loyal 776 00:37:50,320 --> 00:37:55,040 Speaker 1: audience right away? And historically speaking, it's been black shows. 777 00:37:55,560 --> 00:37:57,640 Speaker 1: But yes, there is that sense of Okay, we got 778 00:37:57,680 --> 00:38:00,279 Speaker 1: the numbers, we grew the audience. And then some times 779 00:38:00,320 --> 00:38:03,440 Speaker 1: it's also if there's a changing of the guard, if 780 00:38:03,480 --> 00:38:05,959 Speaker 1: there's a new network executive and they want to create 781 00:38:06,040 --> 00:38:08,839 Speaker 1: a new vision, put it in a new direction, then 782 00:38:09,160 --> 00:38:11,680 Speaker 1: you know, and it has nothing to do with being 783 00:38:11,840 --> 00:38:14,719 Speaker 1: you know, shows of color, then you know you go 784 00:38:14,920 --> 00:38:17,920 Speaker 1: that route. So I think that, yeah, that there there 785 00:38:18,040 --> 00:38:21,120 Speaker 1: is definitely something to what Kim said in terms of, 786 00:38:21,760 --> 00:38:24,440 Speaker 1: you know, how they build the network. Yes, do I 787 00:38:24,520 --> 00:38:26,640 Speaker 1: think that there could have been a touch more finessing 788 00:38:26,800 --> 00:38:30,480 Speaker 1: in terms of how you transition into whatever the new 789 00:38:30,600 --> 00:38:33,920 Speaker 1: direction is. But you know, people run their network how 790 00:38:33,960 --> 00:38:35,759 Speaker 1: they want to run it. So so how important did 791 00:38:35,760 --> 00:38:38,160 Speaker 1: they have a creator like a Regina Hicks who's worked 792 00:38:38,200 --> 00:38:42,440 Speaker 1: on like Insecure, Girl Sister Sister. Is it important to 793 00:38:42,480 --> 00:38:46,320 Speaker 1: have somebody who understands those legendary black sitcoms and what 794 00:38:46,400 --> 00:38:50,440 Speaker 1: it takes to create one. Yes, from the standpoint of 795 00:38:50,840 --> 00:38:55,080 Speaker 1: her experience, not in my opinion, not because she's a 796 00:38:55,200 --> 00:38:58,800 Speaker 1: woman or a woman of color, you know. But and 797 00:38:59,120 --> 00:39:01,839 Speaker 1: here's why, because there are those of us Mike Apps 798 00:39:01,920 --> 00:39:04,800 Speaker 1: want to diside me. We are people of color, and 799 00:39:05,320 --> 00:39:07,960 Speaker 1: you know two of us are women. So we're already 800 00:39:07,960 --> 00:39:09,840 Speaker 1: going to bring some of that to the tables. So 801 00:39:10,239 --> 00:39:14,520 Speaker 1: the idea of what we need somebody who understands that voice, well, 802 00:39:14,600 --> 00:39:18,279 Speaker 1: not if we have that voice. Her resume and what 803 00:39:18,480 --> 00:39:20,680 Speaker 1: she knows about running a writer's room or what she 804 00:39:20,800 --> 00:39:24,239 Speaker 1: knows about how to have a you know, a successful 805 00:39:24,680 --> 00:39:27,400 Speaker 1: show on a successful comedy. Those to me are the 806 00:39:27,520 --> 00:39:30,440 Speaker 1: more important boxes to check if you're going to just 807 00:39:30,760 --> 00:39:33,480 Speaker 1: you know, start checking boxes. But I do feel like 808 00:39:33,719 --> 00:39:37,239 Speaker 1: there has to be that sense of diversity even when 809 00:39:37,280 --> 00:39:40,919 Speaker 1: you are telling a specific type of story. Like people 810 00:39:40,960 --> 00:39:43,279 Speaker 1: will say, oh, I'm looking for a black director, I 811 00:39:43,400 --> 00:39:46,239 Speaker 1: need a female director. Well, I check those boxes, but 812 00:39:46,440 --> 00:39:49,080 Speaker 1: I don't approach it that way. I'm a director, and 813 00:39:49,280 --> 00:39:54,520 Speaker 1: so my sensibilities are about how to tell a great story. Secondary, 814 00:39:54,560 --> 00:39:57,440 Speaker 1: and what's kind of tertiary is yes I'm a female 815 00:39:57,560 --> 00:39:59,840 Speaker 1: or yes I'm a person of color. But for me, 816 00:40:00,320 --> 00:40:02,879 Speaker 1: it's you know, if you're a great director. You should 817 00:40:02,920 --> 00:40:05,920 Speaker 1: be able to tell anybody's story. Now, I love that 818 00:40:06,000 --> 00:40:07,840 Speaker 1: because you know, you have some companies. They got that 819 00:40:08,120 --> 00:40:12,360 Speaker 1: title now with the President of Diversity and Inclusion, inclusion. 820 00:40:12,960 --> 00:40:14,640 Speaker 1: But there might be a black person that has no 821 00:40:14,800 --> 00:40:18,840 Speaker 1: connection to the black community, experience black people whatsoever. Listen, 822 00:40:19,040 --> 00:40:23,360 Speaker 1: I you know, in the wake of certain tragedies, in 823 00:40:23,480 --> 00:40:28,359 Speaker 1: the wake of certain difficult moments in society, we had 824 00:40:28,480 --> 00:40:33,120 Speaker 1: some what some would consider forward motion, forward movement, and 825 00:40:33,280 --> 00:40:36,400 Speaker 1: exactly what you're saying. And for me, I'm not about 826 00:40:36,480 --> 00:40:39,799 Speaker 1: being a box checker. And when you are a box 827 00:40:39,920 --> 00:40:41,960 Speaker 1: checker and then you don't have the skill set to 828 00:40:42,040 --> 00:40:44,360 Speaker 1: back it up, it's like get in the door with 829 00:40:44,520 --> 00:40:46,520 Speaker 1: the boxes that you check, but then what you're gonna 830 00:40:46,520 --> 00:40:48,640 Speaker 1: do when you're in the door, you have to have 831 00:40:48,880 --> 00:40:51,160 Speaker 1: the skill set. You got to bring the thunder. Otherwise 832 00:40:51,239 --> 00:40:54,520 Speaker 1: you're just a box checker taking up air. So then 833 00:40:54,640 --> 00:41:00,040 Speaker 1: check the box that I'm an air taker upper. I 834 00:41:00,040 --> 00:41:02,120 Speaker 1: think that's messing up the art because it feels like 835 00:41:02,239 --> 00:41:07,879 Speaker 1: sometimes they'll put some black shows on black movies and whack, yeah, yes, yes, 836 00:41:07,960 --> 00:41:10,320 Speaker 1: I do, yes, I do. I feel like it's messing 837 00:41:10,400 --> 00:41:13,600 Speaker 1: up the art. The craft the culture. I mean just 838 00:41:14,880 --> 00:41:19,080 Speaker 1: just I mean, come on, you know, the diversity on anything, 839 00:41:19,280 --> 00:41:21,480 Speaker 1: it's what's up. I mean, it just makes it that 840 00:41:21,680 --> 00:41:25,239 Speaker 1: much more interesting, that much more collaborative. That's that much 841 00:41:25,320 --> 00:41:30,239 Speaker 1: more real in terms of what the reality is in 842 00:41:30,480 --> 00:41:34,200 Speaker 1: most people's environments. Yeah, I want you diverse in thought 843 00:41:34,239 --> 00:41:36,359 Speaker 1: though I like disity, but I like diversity and thought, 844 00:41:36,400 --> 00:41:41,960 Speaker 1: diversity and creativity. Like what you said, is the talent first, Yeah, absolutely, absolutely, 845 00:41:42,040 --> 00:41:45,040 Speaker 1: and then hey, if you check a box or two, cool, 846 00:41:45,520 --> 00:41:47,400 Speaker 1: But at the end of the day, that's more of 847 00:41:47,480 --> 00:41:51,120 Speaker 1: a I think of a corporate mindset because they want 848 00:41:51,160 --> 00:41:53,640 Speaker 1: to look good. That's right. We got more we Ken 849 00:41:53,760 --> 00:41:55,920 Speaker 1: feels when we come back, don't move. It's the Breakfast 850 00:41:55,920 --> 00:41:59,880 Speaker 1: clubical boarding. J D. Charlemagne, the guy we are the 851 00:42:00,000 --> 00:42:02,680 Speaker 1: Breakfast Club was still kicking it with actress Kim Fields. 852 00:42:02,960 --> 00:42:05,279 Speaker 1: Now you talked about, you know, you wanted to do 853 00:42:05,400 --> 00:42:07,719 Speaker 1: reality show, you wanted to be a director, you wanted 854 00:42:07,719 --> 00:42:10,200 Speaker 1: to do this. Is there anything that's that you haven't 855 00:42:10,200 --> 00:42:12,360 Speaker 1: done yet that you want to do? Yeah, your bucket 856 00:42:12,400 --> 00:42:13,960 Speaker 1: list that you're like, this is what I want to do. 857 00:42:14,120 --> 00:42:16,759 Speaker 1: Oh my gosh, well, I guess I don't approach it 858 00:42:16,840 --> 00:42:19,320 Speaker 1: like bucket List five. You know, I think I approach 859 00:42:19,360 --> 00:42:22,560 Speaker 1: it more of just you know, here's let's let's go. 860 00:42:23,120 --> 00:42:25,560 Speaker 1: So so for me, I'm definitely I want to do 861 00:42:25,880 --> 00:42:29,799 Speaker 1: more drama. Who definitely want to do um sci fi 862 00:42:30,320 --> 00:42:33,800 Speaker 1: because I love sci fi and fantasy. And you know, 863 00:42:34,080 --> 00:42:36,120 Speaker 1: folks can't just be the only ones in you know, 864 00:42:36,840 --> 00:42:39,239 Speaker 1: blue and green makeup and getting the check. I mean, 865 00:42:39,360 --> 00:42:41,799 Speaker 1: come on, I put another color on me and I'll 866 00:42:41,840 --> 00:42:45,760 Speaker 1: get a check. Tout his birthday today. What we're doing today? 867 00:42:45,840 --> 00:42:52,680 Speaker 1: Baby birthday the only thing right, And I got work 868 00:42:52,719 --> 00:42:55,120 Speaker 1: out at six. But you know, I'm watching Miss Marvel 869 00:42:55,200 --> 00:42:58,640 Speaker 1: on Disney Plus and there's a welcome to New Jerney 870 00:43:00,400 --> 00:43:03,120 Speaker 1: just to see it. Yeah, she's the first Muslim superhero. 871 00:43:03,400 --> 00:43:06,160 Speaker 1: She's on top of the sign, right, So I thought 872 00:43:06,239 --> 00:43:08,520 Speaker 1: you was gonna say that you wanted to be up 873 00:43:08,520 --> 00:43:11,640 Speaker 1: there and sitting next to her on it. That's a 874 00:43:11,840 --> 00:43:27,520 Speaker 1: birthday anxiety to No. No, I'm gonna drive by. Well, 875 00:43:27,640 --> 00:43:30,279 Speaker 1: I'm sure season. I got a couple more questions because 876 00:43:30,360 --> 00:43:32,400 Speaker 1: you know you said earlier, you said this is a things, 877 00:43:32,920 --> 00:43:35,160 Speaker 1: So what do black creators need to do to get there? 878 00:43:35,480 --> 00:43:39,320 Speaker 1: Just do manage your expectations on getting that just do 879 00:43:40,520 --> 00:43:43,319 Speaker 1: you know. Usually my answer is, you know, be good, 880 00:43:43,880 --> 00:43:46,800 Speaker 1: be better than you know. Set the bar, don't just 881 00:43:47,000 --> 00:43:48,759 Speaker 1: get to the bar, and in fact raise the bar. 882 00:43:49,120 --> 00:43:54,040 Speaker 1: Those are fantastic goals to have and more than likely attainable. 883 00:43:54,640 --> 00:43:57,000 Speaker 1: But at the end of the day, you can do 884 00:43:57,200 --> 00:44:01,120 Speaker 1: all of that, and if your goal is is beyond 885 00:44:01,280 --> 00:44:04,840 Speaker 1: what you can control, then you know you have to 886 00:44:04,920 --> 00:44:09,200 Speaker 1: manage that expectation. Great example years ago, Blair and I 887 00:44:09,280 --> 00:44:12,160 Speaker 1: were to Blair and Wood and I were talking about auditioning, 888 00:44:12,960 --> 00:44:16,680 Speaker 1: and he said, you know, make the goal something other 889 00:44:16,760 --> 00:44:20,880 Speaker 1: than booking the gig, because that's actually not in your control. 890 00:44:20,920 --> 00:44:23,680 Speaker 1: You can go in there crush it and not book 891 00:44:23,719 --> 00:44:27,200 Speaker 1: it because of circumstances beyond your control. They've already cast, 892 00:44:27,239 --> 00:44:30,160 Speaker 1: they're going with a different type of look, they're going 893 00:44:30,239 --> 00:44:32,560 Speaker 1: with a different name, all kinds of things, and so 894 00:44:33,480 --> 00:44:35,839 Speaker 1: what is the goal. But don't make the goal something 895 00:44:35,880 --> 00:44:38,160 Speaker 1: pressurized like I gotta book this to pay my rent, 896 00:44:38,360 --> 00:44:40,399 Speaker 1: I gotta book this to get the light bill paid, 897 00:44:40,480 --> 00:44:42,680 Speaker 1: or my baby's needs us, whatever it is, because that 898 00:44:42,840 --> 00:44:45,680 Speaker 1: pressure will then mess you up and you won't be 899 00:44:45,719 --> 00:44:49,080 Speaker 1: able to be at your best. But when you find 900 00:44:49,200 --> 00:44:52,560 Speaker 1: that space where you are not in a pressurized moment. 901 00:44:53,400 --> 00:44:57,440 Speaker 1: Then make the goal something that you can control. So 902 00:44:57,680 --> 00:45:00,680 Speaker 1: that's what I think when I say manage your at spectations. 903 00:45:01,320 --> 00:45:03,840 Speaker 1: My last question, you grew up in the entertainment industry. 904 00:45:03,920 --> 00:45:07,400 Speaker 1: What was the best and worst advice you received. Thankfully, 905 00:45:07,520 --> 00:45:10,359 Speaker 1: I've not had any bad advice, and if I had, 906 00:45:10,440 --> 00:45:13,879 Speaker 1: I guess I just didn't listen. So but my best 907 00:45:13,960 --> 00:45:17,240 Speaker 1: advice was from my mom and she, I mean, my goodness. 908 00:45:17,280 --> 00:45:19,440 Speaker 1: When I wrote my autobiography, I just felt like it 909 00:45:19,440 --> 00:45:22,560 Speaker 1: should be called, you know, chips gems because my mother 910 00:45:22,680 --> 00:45:25,359 Speaker 1: just dropped gem after gem in my life. But when 911 00:45:25,400 --> 00:45:27,960 Speaker 1: I was growing up, like one of the early days 912 00:45:28,000 --> 00:45:30,719 Speaker 1: of facts of life, and she said, you started a 913 00:45:30,880 --> 00:45:34,200 Speaker 1: hundred percent and everything that you do and say every 914 00:45:34,280 --> 00:45:36,960 Speaker 1: day that you're here either keeps you here or it 915 00:45:37,000 --> 00:45:41,960 Speaker 1: can chip away, right, And I was like, okay, all right, 916 00:45:42,280 --> 00:45:44,800 Speaker 1: that's that's all right. And then the second piece of 917 00:45:44,840 --> 00:45:47,640 Speaker 1: advice when I went to do the audition for the 918 00:45:47,680 --> 00:45:50,680 Speaker 1: Miss butter or Sarah commercial, so Janet was there and 919 00:45:50,800 --> 00:45:52,680 Speaker 1: that was the first time that I'd even seen her 920 00:45:52,800 --> 00:45:55,000 Speaker 1: met her and you know, they had those jacks in 921 00:45:55,120 --> 00:45:58,160 Speaker 1: Summer special, yes, and so I knew who she was, 922 00:45:58,200 --> 00:46:00,560 Speaker 1: and I've gotten to that and that was my first audition, 923 00:46:00,680 --> 00:46:03,000 Speaker 1: first time doing anything. We had just got in LA 924 00:46:03,480 --> 00:46:06,719 Speaker 1: and I thought, oh my god, that's Danna Jackson. I 925 00:46:06,760 --> 00:46:08,600 Speaker 1: don't belong here. I want to go home. I want 926 00:46:08,640 --> 00:46:11,759 Speaker 1: to go home. And I got terrified. I'm very insecure, 927 00:46:12,120 --> 00:46:15,240 Speaker 1: and my mom took me into the bathroom and she said, listen, 928 00:46:15,880 --> 00:46:18,920 Speaker 1: she's not doing anything to you. You were doing this 929 00:46:19,280 --> 00:46:24,440 Speaker 1: to yourself. Don't let anything or anybody intimidate you of 930 00:46:24,600 --> 00:46:27,120 Speaker 1: your own doing. But don't don't do it. And there 931 00:46:27,160 --> 00:46:29,520 Speaker 1: are times to this day guys, if I'm like feeling 932 00:46:29,840 --> 00:46:31,760 Speaker 1: you know, some kind of way or in my feelings 933 00:46:31,840 --> 00:46:35,440 Speaker 1: and feeling like, oh, I'm not sure whatever, and you know, 934 00:46:35,640 --> 00:46:38,759 Speaker 1: my level of confidence or my security is not on 935 00:46:38,960 --> 00:46:42,760 Speaker 1: full blast, I will go into the bathroom and tell myself, 936 00:46:42,880 --> 00:46:47,160 Speaker 1: don't let anything or anyone intimidate you. And especially when 937 00:46:47,200 --> 00:46:49,319 Speaker 1: you're doing that to yourself and they're not even doing 938 00:46:49,360 --> 00:46:53,520 Speaker 1: anything to you, don't you allow your own mind to 939 00:46:53,680 --> 00:47:01,319 Speaker 1: do that. So those are the right having the syndrome, yeah, 940 00:47:01,440 --> 00:47:05,120 Speaker 1: always feeling worthy, which is two things that you always 941 00:47:05,200 --> 00:47:08,920 Speaker 1: deal with matter how old you are. That's right, absolutely, absolutely, 942 00:47:09,200 --> 00:47:12,200 Speaker 1: And so that level of security, you know, really really 943 00:47:12,440 --> 00:47:16,600 Speaker 1: helps seal seal the deal for me. Yeah. Well, check 944 00:47:16,640 --> 00:47:19,720 Speaker 1: out the Upshore season two right now, and we appreciate 945 00:47:19,760 --> 00:47:24,000 Speaker 1: you for joining the legendary man. Thank you. You're right listen, 946 00:47:24,160 --> 00:47:26,560 Speaker 1: I'm so glad that I was able to finally get 947 00:47:26,680 --> 00:47:29,880 Speaker 1: here and finally meet you. Happy birthday, Thank you, Thank you. 948 00:47:30,000 --> 00:47:34,040 Speaker 1: Have an amazing, amazing next chapter filled with so much 949 00:47:34,440 --> 00:47:40,440 Speaker 1: adventure and wonder and success and being grounded. Happy birthday, 950 00:47:41,600 --> 00:47:43,480 Speaker 1: Yes indeed, and go on and sit up there next 951 00:47:43,520 --> 00:47:52,399 Speaker 1: to her. It's the breakfast Club. Good morning, the breakfast Club. 952 00:47:52,520 --> 00:47:56,200 Speaker 1: Your mornings will never be the same. What it's trying 953 00:47:56,200 --> 00:47:58,279 Speaker 1: to get with someone special. The best way to do 954 00:47:58,360 --> 00:48:01,720 Speaker 1: it is with Magnum large side condoms. That gold foil 955 00:48:01,760 --> 00:48:04,000 Speaker 1: wrapper is a badge of honor and it means you're 956 00:48:04,040 --> 00:48:07,160 Speaker 1: protected and you take care of things with comfort. Accept 957 00:48:07,200 --> 00:48:10,000 Speaker 1: no substitute. So bring the pleasure with the gold standard 958 00:48:10,160 --> 00:48:23,319 Speaker 1: Magnum large size condumns. You are. I'm gonna fatten all 959 00:48:23,360 --> 00:48:26,839 Speaker 1: that shit around your eye. This man Doden Blowers. Many 960 00:48:26,880 --> 00:48:32,600 Speaker 1: wait for Charlom judgment, the donkey of the day. They 961 00:48:32,760 --> 00:48:36,160 Speaker 1: chose you the breakfast Club. Bitches, who's donkey of the 962 00:48:36,280 --> 00:48:39,080 Speaker 1: day to day Wow, donkey of today goes to the 963 00:48:39,120 --> 00:48:43,399 Speaker 1: police in Putnella's County, Florida, and twenty seven year old 964 00:48:43,440 --> 00:48:46,360 Speaker 1: Caitlin O'Donovan in twenty nine year old Sarah Franks of 965 00:48:46,440 --> 00:48:49,080 Speaker 1: clear Water, Florida. All of y'all getting dunkey of today 966 00:48:49,120 --> 00:48:52,120 Speaker 1: because clearly none of y'all have anything better to do. Now, 967 00:48:52,200 --> 00:48:55,719 Speaker 1: what does your uncle Charlot always tell you about the 968 00:48:55,800 --> 00:48:58,279 Speaker 1: great state of Florida? What has your uncle Charla been 969 00:48:58,320 --> 00:49:00,840 Speaker 1: telling you on this radio for the path eleven years 970 00:49:01,280 --> 00:49:03,800 Speaker 1: about the great state of Florida. The craziest people in 971 00:49:03,840 --> 00:49:05,640 Speaker 1: America come from the Bronx and all the Florida. And 972 00:49:05,680 --> 00:49:07,960 Speaker 1: I must say, in recent years there is other places 973 00:49:08,000 --> 00:49:11,160 Speaker 1: in America trying to take Florida's crown. Texas, I'm talking 974 00:49:11,239 --> 00:49:14,040 Speaker 1: to you, okay, But Florida, y'all still have the crown, 975 00:49:14,040 --> 00:49:16,120 Speaker 1: all right, y'all still the kings of the thing. All right. Now, 976 00:49:16,200 --> 00:49:18,080 Speaker 1: If I told you that someone was charged with the 977 00:49:18,160 --> 00:49:21,120 Speaker 1: Sultan battery, what would you think, nvy a Sultan battery? 978 00:49:21,120 --> 00:49:22,719 Speaker 1: What would you think? But the first thing that comes 979 00:49:22,760 --> 00:49:27,160 Speaker 1: to your mind punching somebody? Yeah, right, that's the textbook definition, 980 00:49:27,239 --> 00:49:30,200 Speaker 1: it's an act of physical violence. Assault refers to the 981 00:49:30,320 --> 00:49:36,120 Speaker 1: act which causes the victim to receive imminent physical harm, okay, 982 00:49:36,360 --> 00:49:39,920 Speaker 1: while battery refers to the actual act causing the physical harm. 983 00:49:39,960 --> 00:49:42,279 Speaker 1: Oh no, let me say that again. Assault refers to 984 00:49:42,360 --> 00:49:46,560 Speaker 1: the act which causes the victim to apprehend imminent physical harm, 985 00:49:46,600 --> 00:49:49,920 Speaker 1: while battery refers to the actual act causing the physical harm. 986 00:49:50,000 --> 00:49:52,839 Speaker 1: So hitting, a punching somebody all right, forcibly causing them 987 00:49:52,920 --> 00:49:55,399 Speaker 1: pain is a Sultan battery. I actually think that when 988 00:49:55,440 --> 00:49:57,759 Speaker 1: somebody gets their ass kick, we've been doing ourselves a 989 00:49:57,800 --> 00:50:00,680 Speaker 1: disservice by saying they simply got beat up, all right. 990 00:50:00,719 --> 00:50:03,040 Speaker 1: When somebody gets done dirty, we should say, man, you 991 00:50:03,200 --> 00:50:06,160 Speaker 1: got batted, all right. Badded sound is way worse than 992 00:50:06,280 --> 00:50:08,560 Speaker 1: beat up. Even if you threaten somebody, keep it up. 993 00:50:08,760 --> 00:50:11,320 Speaker 1: I'm a batter your ass, all right. Don't make me 994 00:50:11,400 --> 00:50:14,480 Speaker 1: battery your punk ass, all right. That's why words matter 995 00:50:14,600 --> 00:50:16,480 Speaker 1: in the context of words matter, because it sounds so 996 00:50:16,600 --> 00:50:20,000 Speaker 1: cute when you think of batter in the context of pancakes, waffles, 997 00:50:20,080 --> 00:50:22,440 Speaker 1: red velvet cake, and it is all those things. But 998 00:50:22,520 --> 00:50:24,560 Speaker 1: when you say y'all batter or breaks off, you boy, 999 00:50:25,200 --> 00:50:27,360 Speaker 1: it changes things, all right? Could that work in the 1000 00:50:27,440 --> 00:50:29,680 Speaker 1: context of prize fighting? Like if I say, Jake Paul batted, 1001 00:50:30,239 --> 00:50:32,680 Speaker 1: you know, Nate Robinson or Jake Paul badded Tyrone Woodley. 1002 00:50:32,760 --> 00:50:34,320 Speaker 1: No disrespect to those brothers at all, But I'm just 1003 00:50:34,320 --> 00:50:36,239 Speaker 1: trying to show y'all what battery looks like. We've all 1004 00:50:36,280 --> 00:50:38,400 Speaker 1: been on World Stoffer years. We've seen what you know 1005 00:50:39,400 --> 00:50:41,759 Speaker 1: battery is. We know what it looks like when someone 1006 00:50:41,840 --> 00:50:44,799 Speaker 1: gets dragged. You know who else knows what battery looks 1007 00:50:44,840 --> 00:50:48,040 Speaker 1: like more than anybody? The police, all right. The police 1008 00:50:48,120 --> 00:50:50,960 Speaker 1: arrest folks for assulting battery all the time. Hey, sometimes 1009 00:50:51,040 --> 00:50:54,080 Speaker 1: someone gets batted, and depending on the situation, police don't 1010 00:50:54,080 --> 00:50:56,440 Speaker 1: even arrest them, might detain them until they cool off, 1011 00:50:56,480 --> 00:50:58,560 Speaker 1: but they don't take them to jail because it's bigger 1012 00:50:58,600 --> 00:51:01,000 Speaker 1: fish to fry, bigger issue out here in folks having 1013 00:51:01,000 --> 00:51:03,960 Speaker 1: a kerfuffle here and there, but not in Florida. Nope, 1014 00:51:04,200 --> 00:51:08,440 Speaker 1: in Florida, one person's kerfuffle, one persons skirmish is another 1015 00:51:08,480 --> 00:51:10,680 Speaker 1: person's battery. Now, I know there's a lot of law 1016 00:51:10,800 --> 00:51:13,520 Speaker 1: enforcement that listens to the breakfast club. Salute all the 1017 00:51:13,560 --> 00:51:16,239 Speaker 1: police officers out there that listen I need y'all to 1018 00:51:16,320 --> 00:51:18,840 Speaker 1: tell me if I'm tripping. Okay, when you see me 1019 00:51:18,880 --> 00:51:20,319 Speaker 1: in the streets, if you want to call love, tell 1020 00:51:20,360 --> 00:51:23,080 Speaker 1: me if I'm tripping. For giving the Pennellas County, Florida 1021 00:51:23,160 --> 00:51:25,759 Speaker 1: police the biggest he had for arresting these two women, 1022 00:51:25,800 --> 00:51:28,400 Speaker 1: because when I heard this story, I just shook my 1023 00:51:28,520 --> 00:51:30,840 Speaker 1: head and said to myself, life as we know it 1024 00:51:31,360 --> 00:51:33,600 Speaker 1: is really a dramedy. Let's go to w FLA for 1025 00:51:33,680 --> 00:51:36,239 Speaker 1: the report. Police. A few women here smiling in their 1026 00:51:36,360 --> 00:51:39,080 Speaker 1: mug shots but facing felony charges. Up the police that 1027 00:51:39,160 --> 00:51:42,080 Speaker 1: they threw glitter at a man during an argument in 1028 00:51:42,280 --> 00:51:45,800 Speaker 1: Pennellas County, Florida. And no, glitter isn't some slang for 1029 00:51:45,880 --> 00:51:48,400 Speaker 1: something you've never heard of. We're talking about the shiny 1030 00:51:48,400 --> 00:51:51,160 Speaker 1: stuff glitter here in the story. This is twenty seven 1031 00:51:51,200 --> 00:51:55,040 Speaker 1: year old Caitlin O'Donovan and twenty nine year old Sarah Franks, 1032 00:51:55,080 --> 00:51:58,120 Speaker 1: both women, according to Clearwater police, throwing a container of 1033 00:51:58,360 --> 00:52:02,280 Speaker 1: glitter at the victim during an argument. The arrest affidavit 1034 00:52:02,320 --> 00:52:04,680 Speaker 1: statement that the man was hit in the head and 1035 00:52:04,880 --> 00:52:07,760 Speaker 1: in the torso. Now officers said that Franks then climbed 1036 00:52:07,800 --> 00:52:11,560 Speaker 1: over a balcony fence, went into the man's apartment and 1037 00:52:11,800 --> 00:52:16,480 Speaker 1: threw more containers of glitter at him. Franks and O'Donovan 1038 00:52:16,520 --> 00:52:19,560 Speaker 1: are both arrested and charge with delany burglary with assault 1039 00:52:19,920 --> 00:52:23,759 Speaker 1: or battery. Yeah, and the arrest Affadavid also said the 1040 00:52:23,880 --> 00:52:27,399 Speaker 1: vehicle was still warm when the police, you know, found 1041 00:52:27,480 --> 00:52:30,040 Speaker 1: the car, and glitter was inside of it when police 1042 00:52:30,040 --> 00:52:32,560 Speaker 1: found it as well. I wanted today buy all this 1043 00:52:32,640 --> 00:52:34,920 Speaker 1: glitter somewhere in Florida recently or was it just a 1044 00:52:35,000 --> 00:52:38,560 Speaker 1: lot of leftover glitter from Christmas? We're talking glitter man, 1045 00:52:39,239 --> 00:52:41,880 Speaker 1: Glitter like the two thousand and one Mariah Carrey movie. Okay, 1046 00:52:41,920 --> 00:52:45,040 Speaker 1: glitter like Little Kim's iconic purple tasty jumpsuit from the 1047 00:52:45,160 --> 00:52:47,760 Speaker 1: ninety nine MS. Now, I'm not making no excuses Franks 1048 00:52:47,800 --> 00:52:50,279 Speaker 1: and O'Donovan. That's why they're sharing in this donkey as well. 1049 00:52:50,440 --> 00:52:52,920 Speaker 1: They went to that manhouse, they kicked the window until 1050 00:52:52,960 --> 00:52:55,480 Speaker 1: it broke. Okay, they broke into that man's apartment, started 1051 00:52:55,600 --> 00:52:58,200 Speaker 1: arguing with him and through containers a glitter. That's breaking 1052 00:52:58,239 --> 00:53:01,440 Speaker 1: an entering disorderly conduct. Got the most all right, but 1053 00:53:01,600 --> 00:53:04,279 Speaker 1: charging them for battery, taking them to jail and filling 1054 00:53:04,320 --> 00:53:07,120 Speaker 1: out paperwork because these two young ladies did some glitter bombing. 1055 00:53:07,880 --> 00:53:09,720 Speaker 1: Maybe they lesbians and it was an act of protest. 1056 00:53:09,800 --> 00:53:12,680 Speaker 1: Don't the LGBT community use glitter as an act of protest. 1057 00:53:13,120 --> 00:53:14,880 Speaker 1: Maybe the guy was dating one of the women and 1058 00:53:14,960 --> 00:53:17,439 Speaker 1: she found out he was batting for the other team. 1059 00:53:17,520 --> 00:53:19,920 Speaker 1: Who knows, so she decided to batter him with glitter. 1060 00:53:20,000 --> 00:53:24,160 Speaker 1: There is something gold dusty here, don't you think. By 1061 00:53:24,200 --> 00:53:25,800 Speaker 1: the way, if this is the route we're going in America, 1062 00:53:25,920 --> 00:53:28,160 Speaker 1: Dustin Rose, they are about to bring up bring up 1063 00:53:28,200 --> 00:53:31,000 Speaker 1: a bunch of retroactive charges against you and the WWE 1064 00:53:31,280 --> 00:53:33,480 Speaker 1: for all that glitter. You know what I'm doing people's faces? Okay, 1065 00:53:33,520 --> 00:53:35,560 Speaker 1: if you ask me, these women should be arrested for 1066 00:53:35,600 --> 00:53:37,759 Speaker 1: breaking in that man's house, but charged with a salt 1067 00:53:37,800 --> 00:53:42,080 Speaker 1: and battery for thrown glitter bo humbug. Okay. I understand 1068 00:53:42,160 --> 00:53:45,240 Speaker 1: some legal offices argue glitter bombing is a Sultan battery 1069 00:53:45,320 --> 00:53:48,160 Speaker 1: because it's possible for glitter that into the eyes or 1070 00:53:48,320 --> 00:53:52,200 Speaker 1: nose and caused damage that leads the infection depending on 1071 00:53:52,280 --> 00:53:54,080 Speaker 1: the size of the glitter. But do you really have 1072 00:53:54,239 --> 00:53:56,880 Speaker 1: a case about glitter going in your nose? If you 1073 00:53:57,000 --> 00:54:00,680 Speaker 1: already snort cocaine that has nothing to do with nothing, 1074 00:54:00,800 --> 00:54:03,279 Speaker 1: But the moral of the story is Pernella's Police. Y'all 1075 00:54:03,280 --> 00:54:06,320 Speaker 1: don't have anything better to do. Please give the Pernella's 1076 00:54:06,320 --> 00:54:09,280 Speaker 1: County Police Department and the two young ladies Caitlyn O'Donovan 1077 00:54:09,320 --> 00:54:12,080 Speaker 1: and Sarah Franks the sweet sounds of the Hamletones. Oh 1078 00:54:12,280 --> 00:54:23,359 Speaker 1: no you are dogee, Oh the day, the dogee, Oh 1079 00:54:23,560 --> 00:54:31,440 Speaker 1: the day. Yeah. I was about to play something too, 1080 00:54:31,480 --> 00:54:34,640 Speaker 1: but I'm not doing that in me. No, no, no, no, 1081 00:54:34,680 --> 00:54:35,759 Speaker 1: we don't have to play a game. These are the 1082 00:54:35,800 --> 00:54:41,920 Speaker 1: two people, right, Sarah Franks, Caitlyn O'Donovan O'Donovan. Come on, 1083 00:54:42,520 --> 00:54:45,760 Speaker 1: come on, that'd be funny, though the fight with somebody 1084 00:54:45,800 --> 00:54:48,400 Speaker 1: just stop glittering their face, that would not be funny. 1085 00:54:48,440 --> 00:54:51,239 Speaker 1: I'm telling you that's something bigger here. I really think that, 1086 00:54:51,320 --> 00:54:52,759 Speaker 1: you know, one of them was dating the dude to 1087 00:54:52,760 --> 00:54:54,759 Speaker 1: the dude started messing around another guy. But that's just 1088 00:54:54,880 --> 00:54:58,160 Speaker 1: me and how my brain works, because that's very specific. 1089 00:54:58,239 --> 00:54:59,960 Speaker 1: To go to somebody house with glitter that means something. 1090 00:55:01,000 --> 00:55:03,600 Speaker 1: I'm blaking. I'm bringing glitter Hill on Monday. Just know 1091 00:55:03,760 --> 00:55:08,480 Speaker 1: that what I ain't gold dust get that time. Gold 1092 00:55:08,480 --> 00:55:10,560 Speaker 1: does get somebody moth to my resuscitation and put their 1093 00:55:10,600 --> 00:55:13,120 Speaker 1: tongue in the myth, put his tongue in goodness. Okay, 1094 00:55:13,200 --> 00:55:14,680 Speaker 1: So if you're gonna go there and go there, Nope, 1095 00:55:14,680 --> 00:55:16,800 Speaker 1: I'm not going in anything. Thank you for that. Donkey 1096 00:55:16,840 --> 00:55:19,960 Speaker 1: to day. It's the Breakfast Club. Go morning, the Breakfast Club. 1097 00:55:24,160 --> 00:55:27,160 Speaker 1: Ask Charlemagne and DJ n d An make it up, 1098 00:55:27,200 --> 00:55:32,319 Speaker 1: pick it up up. It's time to ask an ass 1099 00:55:32,440 --> 00:55:34,799 Speaker 1: C and E. If you need relationship advice will help 1100 00:55:34,840 --> 00:55:37,120 Speaker 1: you out. Ye's not here? Hello? Who's this? Hey? What's 1101 00:55:37,120 --> 00:55:39,560 Speaker 1: going on? Man? Hey? Jeffrey Man? What's your what's your 1102 00:55:39,640 --> 00:55:42,480 Speaker 1: question for us? Man? So? I got three baby one 1103 00:55:42,520 --> 00:55:44,520 Speaker 1: of them just causing a lot of problems, making false 1104 00:55:44,640 --> 00:55:46,680 Speaker 1: accusations and the stuff. For like sa, I just kind 1105 00:55:46,719 --> 00:55:48,319 Speaker 1: of want to be how I could weed her out 1106 00:55:48,360 --> 00:55:51,200 Speaker 1: and still be able to play with my girlfriend without 1107 00:55:51,239 --> 00:55:53,160 Speaker 1: her like causing rumors and all that god of stuff. 1108 00:55:53,280 --> 00:55:55,600 Speaker 1: So you got three baby mamas, but your baby mamas 1109 00:55:55,800 --> 00:55:58,920 Speaker 1: is messing up your new girlfriend. Basically the advice I 1110 00:55:58,960 --> 00:56:01,520 Speaker 1: wouldn't give you, sir. It's a guy named Doc Brown 1111 00:56:01,600 --> 00:56:04,520 Speaker 1: that you should seek out. Doc Brown has invented a 1112 00:56:04,640 --> 00:56:06,920 Speaker 1: time machine. It's in the form of a dolous. You 1113 00:56:06,960 --> 00:56:09,439 Speaker 1: should get into that DeLorean and go back in time 1114 00:56:09,480 --> 00:56:11,759 Speaker 1: and wear condoms, sir, that's what you should do. Well, 1115 00:56:12,080 --> 00:56:14,080 Speaker 1: I mean, there's really nothing you can do. I mean, 1116 00:56:14,160 --> 00:56:16,480 Speaker 1: you put yourself in that position. You have three baby mamas. 1117 00:56:16,480 --> 00:56:17,719 Speaker 1: You got to deal with it for the rest of 1118 00:56:17,760 --> 00:56:19,279 Speaker 1: your life. The only thing I would do is trying 1119 00:56:19,280 --> 00:56:22,200 Speaker 1: to separate my baby moms from my girlfriend unless they're 1120 00:56:22,200 --> 00:56:24,320 Speaker 1: trying to get in touch with her on social media 1121 00:56:24,520 --> 00:56:26,040 Speaker 1: and things like that, and then I would go into 1122 00:56:26,080 --> 00:56:28,560 Speaker 1: my girlfriend's phone and block them myself so they have 1123 00:56:28,880 --> 00:56:31,239 Speaker 1: no way to speak to each other. And you should 1124 00:56:31,280 --> 00:56:33,839 Speaker 1: wear condoms now, so you don't have a fourth baby mama, 1125 00:56:33,880 --> 00:56:37,040 Speaker 1: because your protection game is clearly trash, very trash. Yeah, 1126 00:56:37,719 --> 00:56:39,880 Speaker 1: I got well, she only do BLUs, but she's like 1127 00:56:40,000 --> 00:56:42,800 Speaker 1: calling from different numbers, sending videos and all that stuff 1128 00:56:42,840 --> 00:56:45,279 Speaker 1: like that. And I'm actually looking to propose to my 1129 00:56:45,719 --> 00:56:47,640 Speaker 1: kind of girlfriend now, but she's just calling them like 1130 00:56:47,640 --> 00:56:49,800 Speaker 1: a whole bunch of problems. So I wouldn't marry you. 1131 00:56:49,880 --> 00:56:51,960 Speaker 1: You got three kids from three different baby mamas. I 1132 00:56:51,960 --> 00:56:54,239 Speaker 1: wouldn't marry you if I was her. Well, I'm glad 1133 00:56:54,239 --> 00:56:56,919 Speaker 1: you wouldn't marry me. You're married already, sir? Yeah, Hello, 1134 00:56:57,000 --> 00:57:01,480 Speaker 1: who's this day? Your name is juice? Yeah? All right? 1135 00:57:01,480 --> 00:57:03,600 Speaker 1: Sound like your baby in the back seat choking on 1136 00:57:03,640 --> 00:57:05,919 Speaker 1: some juice? Right now? Are you coughing so much? What's 1137 00:57:05,960 --> 00:57:10,759 Speaker 1: your questions? All right? What's your question? Mamma? My question is, 1138 00:57:11,000 --> 00:57:13,480 Speaker 1: for some reason, it's not hard for me to find 1139 00:57:13,640 --> 00:57:16,080 Speaker 1: the day, to find somebody to deal with, but I 1140 00:57:16,240 --> 00:57:24,160 Speaker 1: just cannot keep anyone because of them two little kids. Stop? 1141 00:57:24,280 --> 00:57:26,320 Speaker 1: How many kids you have back there? Mama? I haven't 1142 00:57:26,320 --> 00:57:33,960 Speaker 1: said twins really fun? You got three kids? Okay? All right, 1143 00:57:34,080 --> 00:57:36,959 Speaker 1: I'm stupid South Carolina Public Educations. You got three kids? 1144 00:57:37,720 --> 00:57:40,400 Speaker 1: Nobody want to already made family. That's just allid it? Okay? Well, 1145 00:57:40,480 --> 00:57:42,200 Speaker 1: let me ask you a question. How are you? How 1146 00:57:42,240 --> 00:57:43,800 Speaker 1: do you look? Are you in the gym? Do you 1147 00:57:43,880 --> 00:57:46,720 Speaker 1: look nicey? Tell us? How are your parents look? I mean, well, 1148 00:57:46,760 --> 00:57:48,560 Speaker 1: I've recently lost a lot of way, and I look 1149 00:57:48,640 --> 00:57:53,320 Speaker 1: damn good really like wise full of third like everybody exactly? 1150 00:57:53,680 --> 00:57:57,880 Speaker 1: All right? Well, everybody's asked conversation though, like I cannot. 1151 00:57:58,200 --> 00:58:00,520 Speaker 1: I hate that. Well, where are you looking for? These guys? 1152 00:58:00,640 --> 00:58:02,920 Speaker 1: Nobody wants to ready made family? Mama? While are you lying? 1153 00:58:02,960 --> 00:58:05,200 Speaker 1: To this show. You got three kids, that's what it is. 1154 00:58:05,520 --> 00:58:07,960 Speaker 1: I'm sure. I'm clearly your box is good because people 1155 00:58:08,040 --> 00:58:09,680 Speaker 1: have shot your club up a few times, you know 1156 00:58:09,680 --> 00:58:11,480 Speaker 1: what I'm saying. But they just don't want to be 1157 00:58:11,600 --> 00:58:13,440 Speaker 1: They don't want that ready made family. Now, there's some 1158 00:58:13,600 --> 00:58:16,200 Speaker 1: guys out there who got two and three kids themselves, 1159 00:58:16,240 --> 00:58:17,960 Speaker 1: So y'all can come together and make your own little 1160 00:58:18,000 --> 00:58:20,800 Speaker 1: ghetto Brady bunch. But other than that, nah, well where 1161 00:58:20,800 --> 00:58:22,320 Speaker 1: are you looking? Mama? Are you in the club. See, 1162 00:58:22,320 --> 00:58:24,280 Speaker 1: if you're in the club, Yeah, your body might be looking. 1163 00:58:24,320 --> 00:58:26,720 Speaker 1: You might look good. And like he said, if you're 1164 00:58:26,760 --> 00:58:28,760 Speaker 1: in the club, these guys want to smash and they 1165 00:58:28,880 --> 00:58:30,560 Speaker 1: might not want to already made family. But if you 1166 00:58:30,680 --> 00:58:33,680 Speaker 1: look at I don't call inde period. I don't club 1167 00:58:33,680 --> 00:58:36,280 Speaker 1: about three kids. Okay, So where you go? What are 1168 00:58:36,280 --> 00:58:38,960 Speaker 1: you looking for? These guys at? They find me at 1169 00:58:39,000 --> 00:58:42,360 Speaker 1: the grocery store, at the gas station, at the live areas. 1170 00:58:42,960 --> 00:58:44,920 Speaker 1: Find a man that has two or three kids like 1171 00:58:45,040 --> 00:58:54,479 Speaker 1: you do. Try Christian mingle, Yes, people don't. Christian Mingle 1172 00:58:54,520 --> 00:58:59,160 Speaker 1: are very forgiving. They're very forgiving, all right. That's all 1173 00:58:59,160 --> 00:59:01,240 Speaker 1: I can come up with. Don't do five A five 1174 00:59:01,760 --> 00:59:05,120 Speaker 1: five boy, Hey, mama, good morning, good morning, Hey ask 1175 00:59:05,200 --> 00:59:08,040 Speaker 1: c and hi. Um, So my question is what do 1176 00:59:08,160 --> 00:59:10,280 Speaker 1: I do if I find my husband having an l 1177 00:59:11,440 --> 00:59:16,400 Speaker 1: ump on his phone he's looking at uh gay men 1178 00:59:16,840 --> 00:59:19,600 Speaker 1: or gay women or what? What? What is he looking at? Well? 1179 00:59:19,680 --> 00:59:23,200 Speaker 1: I mean I found messages on the phone on the 1180 00:59:23,320 --> 00:59:25,520 Speaker 1: app when he was in the shower. So I haven't 1181 00:59:25,560 --> 00:59:28,280 Speaker 1: confined him about it yet. But is it men contacting 1182 00:59:28,360 --> 00:59:31,960 Speaker 1: him or is it women contacted him? Healthy? Yes? Men, 1183 00:59:32,920 --> 00:59:36,480 Speaker 1: make sure it's not Disney Plus now because the LGBT 1184 00:59:37,200 --> 00:59:42,000 Speaker 1: LGBTQ plus Disney Plus is not the plus can confuse 1185 00:59:42,120 --> 00:59:45,960 Speaker 1: you sometimes. And what are these messages? Say mama, Well like, 1186 00:59:46,200 --> 00:59:48,479 Speaker 1: oh we should meet up? And oh but I gotta 1187 00:59:48,520 --> 00:59:50,920 Speaker 1: be like I gotta like planet out because I have 1188 00:59:51,000 --> 00:59:53,960 Speaker 1: a girl he mentioned me. But let me ask your question. 1189 00:59:54,080 --> 00:59:57,120 Speaker 1: Let me ask your question. Sorry, why wouldn't you have 1190 00:59:57,280 --> 01:00:01,360 Speaker 1: all this? And you have a message that clearly states 1191 01:00:01,400 --> 01:00:04,520 Speaker 1: his intention? Why are you calling up him? Because she's 1192 01:00:04,560 --> 01:00:06,840 Speaker 1: still going back he's on a pawn site and there's 1193 01:00:06,880 --> 01:00:10,120 Speaker 1: another man that's but she knows what to do. Yes, 1194 01:00:10,240 --> 01:00:12,280 Speaker 1: you need to go confront him, to confront him, showing 1195 01:00:12,320 --> 01:00:14,120 Speaker 1: the messages in confront him and ask him why he's 1196 01:00:14,120 --> 01:00:17,640 Speaker 1: talking to men on porn sites. Well, it's not port 1197 01:00:18,280 --> 01:00:24,800 Speaker 1: exactly or dating sites as to say, it's an LGBTQ 1198 01:00:25,000 --> 01:00:28,960 Speaker 1: plus app. He's asking to meet up with people. Confront him. 1199 01:00:29,160 --> 01:00:35,640 Speaker 1: You have more than enough evidence. Yeah, he's cheating on you. Yeah, 1200 01:00:35,680 --> 01:00:42,440 Speaker 1: attempting to cheating on you, wanting to cheat on you something, Yeah, definite. 1201 01:00:42,520 --> 01:00:45,960 Speaker 1: Donkey to day. Well, I got I need more information. 1202 01:00:46,280 --> 01:00:50,439 Speaker 1: You should confront him and ask him what's up. Yeah, Well, 1203 01:00:50,640 --> 01:00:52,720 Speaker 1: I'm gonna, and you might need to. You might need 1204 01:00:52,800 --> 01:00:54,200 Speaker 1: to free him. You know what I'm saying. He might 1205 01:00:54,240 --> 01:00:56,400 Speaker 1: need to go live his truth, or he might be 1206 01:00:56,600 --> 01:00:58,480 Speaker 1: you know, and to men and women at the same time. 1207 01:00:58,520 --> 01:01:00,919 Speaker 1: You don't. We don't know, but you need to find out, Mama. 1208 01:01:00,960 --> 01:01:03,680 Speaker 1: You need to find out. Yeah. I should have known 1209 01:01:03,680 --> 01:01:05,600 Speaker 1: when he started to want to get petticures a little 1210 01:01:05,640 --> 01:01:09,160 Speaker 1: more than the average. Now wait a minute, I get 1211 01:01:09,200 --> 01:01:12,200 Speaker 1: pedicures and manicures on the regular. That means nothing. Yeah, 1212 01:01:12,280 --> 01:01:14,439 Speaker 1: and her point, it's true. Thank you so much, mama, 1213 01:01:15,040 --> 01:01:17,320 Speaker 1: good luck. Please please let us know how it works out. 1214 01:01:17,440 --> 01:01:20,040 Speaker 1: First of all, patios do not mean anything. I got 1215 01:01:20,440 --> 01:01:23,000 Speaker 1: I need a pedicure right now, and a manicule. I 1216 01:01:23,120 --> 01:01:26,200 Speaker 1: love pedicures and manicules, and I get facials. Okay, self 1217 01:01:26,280 --> 01:01:29,720 Speaker 1: cares very facials. But thank you, mama. Good luck you 1218 01:01:29,840 --> 01:01:33,680 Speaker 1: sold chocolates. I have a man. Oh, flattery will get 1219 01:01:33,720 --> 01:01:39,120 Speaker 1: you everywhere. Thank you, You're welcome. You're so chocolate old man, 1220 01:01:39,240 --> 01:01:42,120 Speaker 1: still got it? Don't act like hunk. Don't still got it? 1221 01:01:43,160 --> 01:01:46,720 Speaker 1: Over there, you hear me as it's the breakfast club. 1222 01:01:46,760 --> 01:01:54,120 Speaker 1: Good morning, ask Charlomagne and DJ Envy. Anything up? It's 1223 01:01:54,160 --> 01:01:58,000 Speaker 1: time to act a morning. Everybody in the middle of 1224 01:01:58,240 --> 01:02:00,840 Speaker 1: ass c and E. If you need relationship advice, you 1225 01:02:00,920 --> 01:02:04,640 Speaker 1: can call us right now. Hello, who's this? This is 1226 01:02:04,840 --> 01:02:10,520 Speaker 1: Anonymous from De Treity, just got a std what's your question, 1227 01:02:10,640 --> 01:02:14,040 Speaker 1: miss Anonymous? You're crazy drum man. Okay, So look, I'm 1228 01:02:14,080 --> 01:02:16,760 Speaker 1: in dating this guy, but like seven or eight more right, 1229 01:02:17,520 --> 01:02:20,800 Speaker 1: and probably I met his ten year old son. Well, 1230 01:02:21,080 --> 01:02:24,920 Speaker 1: his son is related to me. He's my cousin, and like, 1231 01:02:25,120 --> 01:02:28,240 Speaker 1: I don't feel comfortable. The isn't even more and he 1232 01:02:28,360 --> 01:02:32,000 Speaker 1: does not understand this, Like his child's mother is my cousin. 1233 01:02:32,120 --> 01:02:34,320 Speaker 1: We're an we don't know each other like that, but 1234 01:02:34,680 --> 01:02:36,640 Speaker 1: she thinks it's funny. She's like, oh, you know we 1235 01:02:36,920 --> 01:02:38,920 Speaker 1: dated over ten years ago. You know, he's just a 1236 01:02:38,960 --> 01:02:41,720 Speaker 1: good father. Blah blah blah. But she had sex with 1237 01:02:41,760 --> 01:02:44,240 Speaker 1: our cousin. He was so uncomfortable. Let me get this grade. 1238 01:02:44,240 --> 01:02:46,920 Speaker 1: You have sex with your cousin. No, his son, his 1239 01:02:47,080 --> 01:02:49,120 Speaker 1: son is her cousin. His son is her cousin. He 1240 01:02:49,240 --> 01:02:52,040 Speaker 1: knocked off her cousin. So it's just a family and fair. 1241 01:02:52,120 --> 01:02:53,920 Speaker 1: You're not you're not really, you're not related that that 1242 01:02:54,000 --> 01:02:55,760 Speaker 1: blood is not in you. You good money if you 1243 01:02:55,840 --> 01:02:57,800 Speaker 1: like him, No, I know, but I just don't want 1244 01:02:57,800 --> 01:02:59,880 Speaker 1: to talk to him. No more like no, I want 1245 01:03:00,080 --> 01:03:02,320 Speaker 1: children one day. That mean our kids would be cousins. 1246 01:03:02,400 --> 01:03:05,360 Speaker 1: Answers to what's wrong with that? If y'all already had sex, right, 1247 01:03:05,560 --> 01:03:07,760 Speaker 1: it's kind of too late to turn back now, right, 1248 01:03:08,280 --> 01:03:09,880 Speaker 1: you already did it. You already had sex with your 1249 01:03:09,920 --> 01:03:14,320 Speaker 1: cousin or your cousin's son whatever, Chile's father, and he 1250 01:03:14,440 --> 01:03:17,320 Speaker 1: was not on purpose, and no, man, go ahead and 1251 01:03:17,360 --> 01:03:20,400 Speaker 1: keep it in the family. Not lessen. My advice is 1252 01:03:20,480 --> 01:03:24,320 Speaker 1: not whether I actually to be critical. Man, go ahead 1253 01:03:24,360 --> 01:03:25,880 Speaker 1: and keep it in the family. If y'all kids is 1254 01:03:25,960 --> 01:03:29,160 Speaker 1: born with an arm coming out their forehead, y'all all right, 1255 01:03:30,080 --> 01:03:33,400 Speaker 1: it's okay, Yeah, I don't know what you want to tell. 1256 01:03:33,400 --> 01:03:35,120 Speaker 1: You already slept with your cousin, you might as well stay. 1257 01:03:35,120 --> 01:03:37,200 Speaker 1: It's not her cousin, man, it's her cousin. Cousin so 1258 01:03:39,120 --> 01:03:42,200 Speaker 1: really early charying, I am, and your kids gonna be 1259 01:03:42,240 --> 01:03:44,400 Speaker 1: too if you keep fleeping with your cousin. Thank you, mama. 1260 01:03:44,960 --> 01:03:47,880 Speaker 1: I don't know we helped. Hello. Hello, who's this Hi? 1261 01:03:48,120 --> 01:03:51,000 Speaker 1: My name of Denisia, Good morning and v come on in, Charlomagne, 1262 01:03:51,040 --> 01:03:52,880 Speaker 1: good morning, good morning. What's your question for c? And 1263 01:03:53,320 --> 01:03:56,560 Speaker 1: my question is primarily from Charlotmagne and Charlotmagne, I too, 1264 01:03:56,680 --> 01:03:59,000 Speaker 1: am from Charleston. Love your book. Can't wait for your 1265 01:03:59,040 --> 01:04:00,880 Speaker 1: new book to come out. Thank you? Eight four three. 1266 01:04:00,920 --> 01:04:05,440 Speaker 1: What's happening, hey, charlomne um. I primarily wanted to know 1267 01:04:05,640 --> 01:04:08,560 Speaker 1: I wrote a book myself. I'm twenty two, pretty young, 1268 01:04:08,960 --> 01:04:12,120 Speaker 1: so I'm not really familiar with how to publish. Is 1269 01:04:12,160 --> 01:04:14,680 Speaker 1: it better to self publish or is it better to 1270 01:04:14,880 --> 01:04:18,720 Speaker 1: go through a publishing agency? Well, I have a publishing agency. 1271 01:04:18,880 --> 01:04:21,200 Speaker 1: I'm with Touchdown, Seaman and Shuston, But I don't see 1272 01:04:21,240 --> 01:04:23,680 Speaker 1: any problem with self publishing. Needs. I think self publishing 1273 01:04:23,760 --> 01:04:25,800 Speaker 1: is dope. I buy a lot of books from people 1274 01:04:26,080 --> 01:04:28,160 Speaker 1: who actually self published. I mean, you know you got 1275 01:04:28,200 --> 01:04:31,160 Speaker 1: Amazon right there. You can, you know, press up as 1276 01:04:31,200 --> 01:04:33,440 Speaker 1: many copies as you can afford to press up and 1277 01:04:33,600 --> 01:04:36,240 Speaker 1: put them up on Amazon. Why don't you send what happens? 1278 01:04:36,360 --> 01:04:37,800 Speaker 1: Don't you send a book a pad and let us 1279 01:04:37,800 --> 01:04:39,880 Speaker 1: read it and shout you out? Oh? Really, I only 1280 01:04:39,960 --> 01:04:44,280 Speaker 1: have like the paper version, um paperback version of all 1281 01:04:44,360 --> 01:04:47,880 Speaker 1: paperback storry. Yeah, I primarily wrote it. It's done. I 1282 01:04:48,040 --> 01:04:50,000 Speaker 1: just don't know where to go from here. It took 1283 01:04:50,040 --> 01:04:51,960 Speaker 1: me about a year to write it pretty much. Was 1284 01:04:52,080 --> 01:04:55,040 Speaker 1: talking about is it on paper like loose leaf paper 1285 01:04:55,200 --> 01:04:57,440 Speaker 1: or is it in book form? I have it in 1286 01:04:57,480 --> 01:04:59,960 Speaker 1: book form on my iPhone. I mean you could try both. 1287 01:05:00,000 --> 01:05:01,520 Speaker 1: So you can try to shop it to a publisher 1288 01:05:01,560 --> 01:05:03,000 Speaker 1: if a publisher don't want, and then you put it 1289 01:05:03,040 --> 01:05:05,919 Speaker 1: out yourself on Amazon. Send it up here, mama, we're reading, 1290 01:05:05,920 --> 01:05:08,760 Speaker 1: shout it out? Hello, who's that flying to people? Good morning? 1291 01:05:09,480 --> 01:05:13,600 Speaker 1: Good morning? What's your name? An anonymous? What you got 1292 01:05:13,680 --> 01:05:16,880 Speaker 1: her pies? Chlamydia? Stop it? What's your question? Mama? Everybody 1293 01:05:16,960 --> 01:05:19,000 Speaker 1: in my town listen to a radio basis, so I'm 1294 01:05:19,080 --> 01:05:21,640 Speaker 1: like all let me just keep it anount of it. 1295 01:05:21,720 --> 01:05:25,640 Speaker 1: But what's your question, you guys doing? My question is okay. 1296 01:05:25,720 --> 01:05:28,080 Speaker 1: So I have two children by two different men, and 1297 01:05:28,440 --> 01:05:37,560 Speaker 1: twins project twins. My youngest father is a dead beat. However, 1298 01:05:37,720 --> 01:05:40,600 Speaker 1: my oldest his dad. You know, he saw a bed 1299 01:05:41,000 --> 01:05:42,840 Speaker 1: and he feels as though, you know, this is his 1300 01:05:43,000 --> 01:05:45,880 Speaker 1: son's sister. He stopped in and he plays that role 1301 01:05:46,000 --> 01:05:50,280 Speaker 1: in my child's life. Now, three years later, her father 1302 01:05:50,280 --> 01:05:52,920 Speaker 1: want to come into picture, and she has such a 1303 01:05:53,040 --> 01:05:56,040 Speaker 1: great connection and she's very attached to my son's father. 1304 01:05:56,640 --> 01:05:58,400 Speaker 1: I don't know if I should let him in because 1305 01:05:58,440 --> 01:06:02,240 Speaker 1: he's full of disappointments and he's been in the same 1306 01:06:02,320 --> 01:06:05,160 Speaker 1: building with her before and didn't acknowledge her in public. 1307 01:06:05,520 --> 01:06:07,840 Speaker 1: So why should I let you in now? I don't 1308 01:06:07,880 --> 01:06:09,520 Speaker 1: think you have a choice. I don't. I don't think 1309 01:06:09,520 --> 01:06:12,160 Speaker 1: you have a choice. I think if he's the real daddy, 1310 01:06:12,240 --> 01:06:14,680 Speaker 1: that can he come see his daughter. He lives four 1311 01:06:14,760 --> 01:06:18,800 Speaker 1: minutes away and she hasn't seen him in almost two years. Yeah, 1312 01:06:18,840 --> 01:06:20,920 Speaker 1: I would say it's never too late, man, But I mean, 1313 01:06:21,040 --> 01:06:23,680 Speaker 1: if he not really making a he's not making a 1314 01:06:23,720 --> 01:06:25,520 Speaker 1: real effort to being a child's life, and if he 1315 01:06:25,560 --> 01:06:27,800 Speaker 1: ain't got no money. Why I confuse the poor kids 1316 01:06:28,120 --> 01:06:29,480 Speaker 1: about the money with you? You know what I'm saying? 1317 01:06:29,520 --> 01:06:31,200 Speaker 1: Why I confuse the poor kids? Still? He might be 1318 01:06:31,240 --> 01:06:32,880 Speaker 1: want to change you Ala, we talk about people changing. 1319 01:06:32,920 --> 01:06:34,480 Speaker 1: Maybe this man was the change. She gotta fire the 1320 01:06:34,520 --> 01:06:37,560 Speaker 1: fingure in her life. He's called He's called in like 1321 01:06:37,760 --> 01:06:39,600 Speaker 1: every month he calls and say, hey, I want to 1322 01:06:39,600 --> 01:06:41,960 Speaker 1: pick her up this weekend and the weekend coming. I 1323 01:06:42,000 --> 01:06:44,000 Speaker 1: don't hear from him at all. Oh yeah, now you 1324 01:06:44,040 --> 01:06:45,840 Speaker 1: got to box some mouth changing them. But don't even 1325 01:06:45,880 --> 01:06:49,800 Speaker 1: mess with him. I'm gabbling now it's worth Yeah. Why 1326 01:06:49,840 --> 01:06:53,560 Speaker 1: I confuse that poor How you know he broke because 1327 01:06:53,760 --> 01:06:59,320 Speaker 1: she just told us he is old? Oh yeah, don't 1328 01:06:59,400 --> 01:07:01,280 Speaker 1: no no need for that boom Yeah, keep that away, 1329 01:07:01,360 --> 01:07:03,280 Speaker 1: Keep that away from your child. Don't be confusing your child. 1330 01:07:03,280 --> 01:07:04,920 Speaker 1: You don't want that negativeenity around your child. You know, 1331 01:07:04,960 --> 01:07:06,680 Speaker 1: when you pray to God to take negative vinity out 1332 01:07:06,680 --> 01:07:08,720 Speaker 1: of your life. He's not swinging a spirit. He's swinging 1333 01:07:08,760 --> 01:07:11,680 Speaker 1: at people things and broke baby daddies. That's the embodiment 1334 01:07:11,720 --> 01:07:16,200 Speaker 1: of that negativity. All right. Huh, she got up, She 1335 01:07:16,320 --> 01:07:18,120 Speaker 1: got her a nice father figure that got his life 1336 01:07:18,160 --> 01:07:21,400 Speaker 1: together him they have the best relation, and he loves 1337 01:07:21,400 --> 01:07:24,200 Speaker 1: to he adores her, and we're not even together. So 1338 01:07:24,400 --> 01:07:26,560 Speaker 1: for a man to step in and do that for her, 1339 01:07:27,080 --> 01:07:30,320 Speaker 1: I mean, come up only than your other baby daddy 1340 01:07:30,320 --> 01:07:31,360 Speaker 1: can do for you at this point, and pay that 1341 01:07:31,400 --> 01:07:33,480 Speaker 1: ten granted child's body or you. Yeah, that's all he 1342 01:07:33,520 --> 01:07:35,800 Speaker 1: gotta do is pay that and we'll be okay. He 1343 01:07:35,840 --> 01:07:38,040 Speaker 1: don't even ever have to ask about her, seeing her, 1344 01:07:38,080 --> 01:07:40,720 Speaker 1: interact with her. Just pay up, that's all, my goodness. 1345 01:07:40,800 --> 01:07:42,440 Speaker 1: It's not all about the money, scholder man. That's your 1346 01:07:42,480 --> 01:07:45,800 Speaker 1: first thing? Is he broke? It's not about the money. Bird. Well, 1347 01:07:46,080 --> 01:07:48,800 Speaker 1: that sounds like some sound advice to me. All right, Well, 1348 01:07:48,840 --> 01:07:50,920 Speaker 1: good luck, ass And if you couldn't get through the 1349 01:07:50,920 --> 01:07:52,760 Speaker 1: phone lines to see a lot of you tried, we'll 1350 01:07:52,800 --> 01:07:54,640 Speaker 1: do it again. Don't worry about it. You ain't miss nothing. 1351 01:07:54,680 --> 01:07:57,000 Speaker 1: You ain't miss nothing. All right. It's the Breakfast Club. 1352 01:07:57,040 --> 01:08:04,320 Speaker 1: Good morning, the Breakfast Club. Everybody is DJ V Charlemagne, 1353 01:08:04,360 --> 01:08:07,320 Speaker 1: the guy we are the Breakfast Club Charlemagne. You got 1354 01:08:07,320 --> 01:08:09,840 Speaker 1: a positive note, Listen to positive note. Simply this man, 1355 01:08:10,120 --> 01:08:12,439 Speaker 1: I want you to remember this this weekend. The only 1356 01:08:12,560 --> 01:08:14,880 Speaker 1: limits you have are the limits you believe you have 1357 01:08:15,360 --> 01:08:18,040 Speaker 1: breakfast club bitches you don't finish, or y'all dumb