1 00:00:01,280 --> 00:00:03,680 Speaker 1: She's like the tut like the Angel Jean, like they 2 00:00:03,760 --> 00:00:04,760 Speaker 1: angel jee. 3 00:00:05,040 --> 00:00:12,600 Speaker 2: Man, she's spilling it all. This is yeaky way. 4 00:00:10,680 --> 00:00:12,719 Speaker 1: All right, his way up at angela. Yee I'm here, 5 00:00:12,800 --> 00:00:14,120 Speaker 1: Mano's here border. 6 00:00:14,560 --> 00:00:15,920 Speaker 3: I had him spill that yeeze. 7 00:00:16,040 --> 00:00:17,319 Speaker 4: All right, Well, let's get into it. 8 00:00:17,400 --> 00:00:19,880 Speaker 1: Lamar Odom was in Vegas and he went to go 9 00:00:19,960 --> 00:00:22,240 Speaker 1: see real doll or a doll. 10 00:00:22,840 --> 00:00:24,680 Speaker 4: Listen, let me tell you something. 11 00:00:24,760 --> 00:00:27,480 Speaker 1: So he went on a tour of the facility and 12 00:00:27,520 --> 00:00:31,000 Speaker 1: there's all these like female sex dolls and also male 13 00:00:31,080 --> 00:00:33,040 Speaker 1: sex dolls with you know, huge organs. 14 00:00:33,080 --> 00:00:33,280 Speaker 2: Wow. 15 00:00:33,440 --> 00:00:37,000 Speaker 1: I'm so he was in the facility, you know, checking 16 00:00:37,040 --> 00:00:39,720 Speaker 1: everything out. The dolls go for between eight and twenty 17 00:00:39,760 --> 00:00:42,879 Speaker 1: thousand dollars, but they gave him a good deal so 18 00:00:42,960 --> 00:00:46,400 Speaker 1: you get to custom order what you want. And he 19 00:00:46,479 --> 00:00:49,159 Speaker 1: wanted a doll that looks like his ex. Here's what 20 00:00:49,200 --> 00:00:50,040 Speaker 1: he was saying. 21 00:00:50,880 --> 00:00:54,200 Speaker 5: It's crazy because it looks what she got blood running 22 00:00:54,200 --> 00:00:55,480 Speaker 5: through her veins right here. 23 00:00:55,440 --> 00:00:57,600 Speaker 2: And I love you, am I going crazy? 24 00:00:57,680 --> 00:00:58,960 Speaker 3: Look from realism? 25 00:01:01,480 --> 00:01:05,479 Speaker 6: Yeah, so you can get it to look like yes, 26 00:01:05,880 --> 00:01:07,080 Speaker 6: whoever you wanted to look like. 27 00:01:07,160 --> 00:01:07,280 Speaker 3: Now. 28 00:01:07,360 --> 00:01:11,800 Speaker 1: Lamar Odom's manager, Gina Rodriguez, told TMZ that he wanted 29 00:01:11,800 --> 00:01:14,000 Speaker 1: the doll to have voluptuous curves in the face of 30 00:01:14,080 --> 00:01:17,880 Speaker 1: his ex wife Chloe Kardashian, and that he thinks that 31 00:01:17,920 --> 00:01:20,080 Speaker 1: this Chloe like sex doll will be perfect because he 32 00:01:20,120 --> 00:01:23,399 Speaker 1: can do whatever he wants with her sexually, and he's 33 00:01:23,400 --> 00:01:26,760 Speaker 1: trying to get it before the holidays, so, uh, he 34 00:01:26,800 --> 00:01:31,440 Speaker 1: wants to make sure he has it. Yeah, it does, right. 35 00:01:31,560 --> 00:01:34,240 Speaker 3: So you're going to like, what be in a relationship 36 00:01:34,240 --> 00:01:34,720 Speaker 3: with the doll? 37 00:01:35,280 --> 00:01:40,000 Speaker 4: And yeah, I know, Chloe's like, OK, just the doll. 38 00:01:40,319 --> 00:01:42,160 Speaker 1: Well, no, that's just him touring the facility, and I 39 00:01:42,160 --> 00:01:43,960 Speaker 1: guess that's what he wants the doll to look like. 40 00:01:44,520 --> 00:01:47,760 Speaker 1: The picture, does that look like Chloe Kardashian to you? 41 00:01:48,360 --> 00:01:51,400 Speaker 3: He gonna hit the doll like all. 42 00:01:51,360 --> 00:01:55,760 Speaker 1: Right now, if you're looking to buy a house, Diddy's 43 00:01:55,760 --> 00:01:58,080 Speaker 1: Beverly Hills mansion is for sale, but it is not 44 00:01:58,120 --> 00:02:03,000 Speaker 1: attracting any buyers. They're saying only a few potential buyers 45 00:02:03,000 --> 00:02:06,000 Speaker 1: have even walked through the mansion and nobody has shown 46 00:02:06,040 --> 00:02:08,920 Speaker 1: any interest in actually purchasing it. So they said it 47 00:02:08,919 --> 00:02:12,040 Speaker 1: could be because of you know, the charges of things 48 00:02:12,080 --> 00:02:14,840 Speaker 1: that happened there, and also the real estate market slows 49 00:02:14,880 --> 00:02:18,160 Speaker 1: down around the holidays, so it's not an easy time. 50 00:02:18,880 --> 00:02:20,160 Speaker 4: But yes, we'll see what happens. 51 00:02:20,200 --> 00:02:22,600 Speaker 1: If somebody decides to do that, they're probably going to 52 00:02:22,680 --> 00:02:25,040 Speaker 1: end up selling it for way less what you want for. 53 00:02:26,040 --> 00:02:28,640 Speaker 1: I'm not sure what the listing prices right well, sixty 54 00:02:28,680 --> 00:02:31,480 Speaker 1: one I think sixty one million dollars. Yeah, that's what 55 00:02:31,480 --> 00:02:34,240 Speaker 1: they're asking, but they're not going to get that. And 56 00:02:34,320 --> 00:02:37,400 Speaker 1: you know they have the extravagant tax in California and 57 00:02:37,600 --> 00:02:41,120 Speaker 1: LA right now on properties that are that expensive, a 58 00:02:41,200 --> 00:02:42,799 Speaker 1: luxury mansion tax. 59 00:02:43,400 --> 00:02:43,839 Speaker 4: All right. 60 00:02:44,160 --> 00:02:48,320 Speaker 1: Ernie Hudson is talking about some of these wild Hollywood 61 00:02:48,360 --> 00:02:52,119 Speaker 1: parties and how he managed to avoid a lot of things. 62 00:02:51,360 --> 00:02:51,520 Speaker 5: Here. 63 00:02:52,160 --> 00:02:53,240 Speaker 4: Here's what he had to say. 64 00:02:53,680 --> 00:02:55,760 Speaker 5: It was some pretty wild parties. But I would be 65 00:02:55,760 --> 00:02:58,400 Speaker 5: at a party and I had friends would come up 66 00:02:58,440 --> 00:03:01,639 Speaker 5: to me and say, Ernie, you might want to leave now. 67 00:03:01,960 --> 00:03:04,160 Speaker 5: I would always leave, and then I find out later 68 00:03:04,320 --> 00:03:07,600 Speaker 5: there was some weird stuff going on and people whatever, 69 00:03:07,760 --> 00:03:10,840 Speaker 5: and I'm like, I So I always had people who 70 00:03:10,880 --> 00:03:11,720 Speaker 5: kind of look out for me. 71 00:03:12,520 --> 00:03:15,920 Speaker 1: And that was on the Smitty and Deep podcast. It's interesting. 72 00:03:16,000 --> 00:03:17,359 Speaker 1: And that's Earnie from Ghostbusters. 73 00:03:17,400 --> 00:03:19,320 Speaker 3: I know what that is. I've seen him here before. 74 00:03:19,480 --> 00:03:20,639 Speaker 4: Yeah, he was up here before. 75 00:03:20,960 --> 00:03:21,160 Speaker 2: You know. 76 00:03:21,240 --> 00:03:21,800 Speaker 4: It's interesting. 77 00:03:21,840 --> 00:03:24,320 Speaker 1: Somebody was telling me the other day about they would 78 00:03:24,320 --> 00:03:27,240 Speaker 1: go to parties, some of those parties, and then when 79 00:03:27,280 --> 00:03:29,359 Speaker 1: it was time to leave, there would be a few 80 00:03:29,360 --> 00:03:31,399 Speaker 1: people that didn't leave, and they were like, I guess 81 00:03:31,480 --> 00:03:34,120 Speaker 1: I wasn't invited to like the after after thing. I 82 00:03:34,160 --> 00:03:39,040 Speaker 1: would just be like, Okay, isn't it over going? Just 83 00:03:39,080 --> 00:03:41,840 Speaker 1: some of those parties, you know, I'll let them tell 84 00:03:41,840 --> 00:03:42,680 Speaker 1: their story one day. 85 00:03:42,720 --> 00:03:44,120 Speaker 4: Maybe. All right, well that is. 86 00:03:44,080 --> 00:03:46,200 Speaker 1: Your yet when we come back, we have about last 87 00:03:46,280 --> 00:03:49,600 Speaker 1: night where we discussed what we did last night. I 88 00:03:49,640 --> 00:03:52,840 Speaker 1: told you I was at DJ Clark Kent's funeral, and 89 00:03:52,840 --> 00:03:55,000 Speaker 1: then I was also at a pop up restaurant for 90 00:03:55,080 --> 00:03:57,120 Speaker 1: Chef JJ that was pretty amazing. 91 00:03:57,240 --> 00:03:58,120 Speaker 4: All right, its way up? 92 00:03:58,680 --> 00:04:02,839 Speaker 2: Whoa? So about last night? 93 00:04:04,720 --> 00:04:09,080 Speaker 1: I went down It's way up at Angela. Yee, I'm here, 94 00:04:09,120 --> 00:04:12,320 Speaker 1: my guy Mano is here. Good morning, Good morning. What 95 00:04:12,400 --> 00:04:13,240 Speaker 1: did you do last night? 96 00:04:13,360 --> 00:04:17,360 Speaker 6: I was doing some work, you know, and unfortunately I 97 00:04:17,760 --> 00:04:20,320 Speaker 6: didn't know about Clock's. 98 00:04:21,440 --> 00:04:23,480 Speaker 3: Funeral, so I didn't make it. 99 00:04:23,640 --> 00:04:26,520 Speaker 6: Oh yeah, by the time I found out, by the 100 00:04:26,560 --> 00:04:28,000 Speaker 6: time I would have got out there, it would have 101 00:04:28,040 --> 00:04:29,040 Speaker 6: been like after six. 102 00:04:29,960 --> 00:04:33,440 Speaker 1: Well, yes, his funeral was yesterday at Christian Cultural Center, 103 00:04:34,000 --> 00:04:36,080 Speaker 1: passed to a ar Bernard's Church, right, I know that 104 00:04:36,160 --> 00:04:38,880 Speaker 1: church in Brooklyn. And when I tell you, it was 105 00:04:38,960 --> 00:04:41,680 Speaker 1: amazing all the people. First of all, I've never heard 106 00:04:41,680 --> 00:04:45,160 Speaker 1: nobody say anything except positive things about DJ Clark Kent. Absolutely, 107 00:04:45,440 --> 00:04:48,360 Speaker 1: and to see his family there, to see so many 108 00:04:48,400 --> 00:04:50,320 Speaker 1: people that came out to show love and support, it 109 00:04:50,360 --> 00:04:54,400 Speaker 1: was amazing. So again, rest in peace to DJ Clark Kent. 110 00:04:54,480 --> 00:04:56,520 Speaker 1: He's definitely a legend. His documentary is going to be 111 00:04:56,520 --> 00:05:00,320 Speaker 1: coming out soon. And they definitely were playing pieces that 112 00:05:00,600 --> 00:05:05,920 Speaker 1: you know during during the everything that happened yesterday during 113 00:05:05,920 --> 00:05:10,640 Speaker 1: the funeral services. And then after that, Chef JJ, who 114 00:05:10,640 --> 00:05:13,000 Speaker 1: I do the cookout event with right at the Wine 115 00:05:13,000 --> 00:05:14,760 Speaker 1: and Food Festival. I'll be at the Miami Wine and 116 00:05:14,800 --> 00:05:16,960 Speaker 1: Food Festival with him as well. He had a pop 117 00:05:17,040 --> 00:05:19,920 Speaker 1: up restaurant called The Glory here in New York, and 118 00:05:20,000 --> 00:05:22,240 Speaker 1: so I left from there and went to the Glory 119 00:05:22,600 --> 00:05:26,080 Speaker 1: and it was an amazing, amazing It was like jordan 120 00:05:26,200 --> 00:05:28,440 Speaker 1: was there from Lip Service. I didn't even know she 121 00:05:28,480 --> 00:05:31,080 Speaker 1: was going to be there here, Jordie Joor, she was there, 122 00:05:31,480 --> 00:05:35,080 Speaker 1: but it was just you know, a really dope experience 123 00:05:35,120 --> 00:05:37,000 Speaker 1: to see it's inside of a church. So when you 124 00:05:37,040 --> 00:05:38,800 Speaker 1: go outside and you're walking up, be like, this is 125 00:05:38,800 --> 00:05:41,080 Speaker 1: a church. I don't know what this is. It's this 126 00:05:41,160 --> 00:05:44,080 Speaker 1: place called Inside Park, and so then you go inside. 127 00:05:44,160 --> 00:05:46,800 Speaker 1: We had our reservation for eight, me and my friend 128 00:05:46,960 --> 00:05:50,280 Speaker 1: Ingrid who owns I Best Wines, and so we went there, 129 00:05:50,400 --> 00:05:51,840 Speaker 1: ordered a lot of stuff off the menu. 130 00:05:51,880 --> 00:05:52,440 Speaker 4: It was really good. 131 00:05:52,440 --> 00:05:53,839 Speaker 1: It's a lot of seafood, so you know, I don't 132 00:05:53,839 --> 00:05:56,760 Speaker 1: need seafood, but she loves seafood. But I also had duck. 133 00:05:56,800 --> 00:05:58,960 Speaker 1: I don't eat duck often, but they had a jerk duck. 134 00:06:00,200 --> 00:06:00,320 Speaker 7: Oh. 135 00:06:00,320 --> 00:06:02,039 Speaker 1: I meant to bring it in today because I've put 136 00:06:02,400 --> 00:06:04,600 Speaker 1: I got something to bring in because I knew Dan 137 00:06:04,640 --> 00:06:06,480 Speaker 1: would like it because he's a FOODI yeah, jerk duck, 138 00:06:06,720 --> 00:06:10,719 Speaker 1: which I've never had. He said that was his favorite dish. 139 00:06:09,800 --> 00:06:12,600 Speaker 4: On the menu. And then we had an amazing dessert. 140 00:06:12,640 --> 00:06:16,040 Speaker 1: But it was a lot of you know, great people 141 00:06:16,080 --> 00:06:17,800 Speaker 1: in the room that we had a chance to see. 142 00:06:17,839 --> 00:06:20,320 Speaker 1: Our friend Jasmine who works with Asus Spades was there. 143 00:06:20,720 --> 00:06:21,320 Speaker 1: Shout out to. 144 00:06:21,279 --> 00:06:22,400 Speaker 4: Aaron from Unilever. 145 00:06:22,720 --> 00:06:25,279 Speaker 1: Just a lot of powerful women in that room and 146 00:06:25,360 --> 00:06:28,240 Speaker 1: it definitely felt like the energy that I needed right 147 00:06:28,279 --> 00:06:30,200 Speaker 1: now to go in that room and see like all 148 00:06:30,240 --> 00:06:33,280 Speaker 1: these amazing people who I've known for a long time 149 00:06:33,320 --> 00:06:35,600 Speaker 1: in this industry, and some new friends that we had 150 00:06:35,600 --> 00:06:37,600 Speaker 1: a chance to meet. So shout out to everybody who 151 00:06:37,640 --> 00:06:39,839 Speaker 1: came out, and thank you again to Chef JJ for 152 00:06:39,920 --> 00:06:42,880 Speaker 1: an amazing experience. The glory he owns Field trip. So 153 00:06:42,920 --> 00:06:45,200 Speaker 1: if you see those restaurants. 154 00:06:44,480 --> 00:06:46,800 Speaker 3: Duck, I don't eat chicken. Some I'm thinking, can I 155 00:06:46,800 --> 00:06:47,240 Speaker 3: eat duck? 156 00:06:47,520 --> 00:06:50,080 Speaker 1: Yeah, you can eat whatever you want, just eating chicken. 157 00:06:50,360 --> 00:06:50,960 Speaker 3: It's been a year. 158 00:06:51,080 --> 00:06:51,680 Speaker 4: You'll be back. 159 00:06:52,360 --> 00:06:55,200 Speaker 1: But when we come back, all right, tell us a secret. 160 00:06:55,200 --> 00:06:57,880 Speaker 1: Eight hundred two ninety two fifty one fifty call us 161 00:06:57,960 --> 00:06:59,040 Speaker 1: up any secret that you have. 162 00:06:59,320 --> 00:07:00,919 Speaker 4: We're here to help out again. 163 00:07:00,960 --> 00:07:05,200 Speaker 1: That's eight hundred two ninety two fifty one fifty menos here. 164 00:07:05,279 --> 00:07:06,800 Speaker 3: So you know there's no judgment. 165 00:07:06,880 --> 00:07:09,240 Speaker 1: You gotta catch him when he's here. So tell of 166 00:07:09,320 --> 00:07:10,480 Speaker 1: y'all want to be judged, but. 167 00:07:10,480 --> 00:07:11,120 Speaker 3: I wouldn't do that. 168 00:07:11,120 --> 00:07:13,840 Speaker 4: You're not gonna judge anyone. You promise, no matter what 169 00:07:14,000 --> 00:07:15,000 Speaker 4: somebody says today. 170 00:07:15,840 --> 00:07:18,400 Speaker 1: Promise you promise, Promise you're gonna be like, thank you 171 00:07:18,440 --> 00:07:22,160 Speaker 1: for calling, Yeah, thank you for sharing. Eight hundred two 172 00:07:22,240 --> 00:07:24,400 Speaker 1: ninety two fifty one fifty. Let's see if we believe this. 173 00:07:24,480 --> 00:07:25,000 Speaker 1: It's way up. 174 00:07:26,320 --> 00:07:29,080 Speaker 2: This is a judgment free zone. Tell us a secret. 175 00:07:29,920 --> 00:07:32,400 Speaker 1: It's way up at Angela, Yee, I'm here, matos here, 176 00:07:32,520 --> 00:07:34,880 Speaker 1: no man now and we're getting ready for tell us 177 00:07:34,920 --> 00:07:37,520 Speaker 1: a secret. And before we get into it, how long 178 00:07:37,600 --> 00:07:40,800 Speaker 1: can you keep food in the fridge before you eat it? 179 00:07:40,880 --> 00:07:41,000 Speaker 3: Like? 180 00:07:41,240 --> 00:07:44,160 Speaker 4: Two days is good? Okay? Just making sure. 181 00:07:44,120 --> 00:07:47,880 Speaker 6: Because every time I put food in fridge, it just 182 00:07:47,920 --> 00:07:48,720 Speaker 6: stays there. 183 00:07:49,240 --> 00:07:51,640 Speaker 1: And molde grows on it and then you scrape it 184 00:07:51,680 --> 00:07:54,320 Speaker 1: off and eat it. That's your secretly all right? Eight 185 00:07:54,400 --> 00:07:58,080 Speaker 1: hundred fifty one fifty anonymous call. It's a no judgment zone. 186 00:07:58,080 --> 00:07:59,720 Speaker 1: Tell us your secret, all right? 187 00:08:00,120 --> 00:08:04,000 Speaker 8: Two years I was speaking with a young woman, her sister, 188 00:08:04,520 --> 00:08:07,000 Speaker 8: her treasure living at the door, and best friend. 189 00:08:07,920 --> 00:08:08,520 Speaker 3: Who did you like? 190 00:08:08,600 --> 00:08:10,240 Speaker 4: The best cousin? 191 00:08:12,120 --> 00:08:14,400 Speaker 3: Oh my god, so so you was doing all this 192 00:08:14,560 --> 00:08:17,600 Speaker 3: and in the same era though, right, oh yeah, I 193 00:08:17,680 --> 00:08:20,840 Speaker 3: want right now? 194 00:08:20,880 --> 00:08:22,040 Speaker 4: How do we know this is real? 195 00:08:22,600 --> 00:08:24,840 Speaker 2: I'm showing everything. 196 00:08:24,560 --> 00:08:26,240 Speaker 3: I love, everything you love? 197 00:08:26,320 --> 00:08:26,960 Speaker 2: What do you love? 198 00:08:28,000 --> 00:08:29,120 Speaker 3: Did you love any of that? 199 00:08:33,240 --> 00:08:34,920 Speaker 6: I wanted to try to have a relationship a lot 200 00:08:34,960 --> 00:08:35,240 Speaker 6: of them. 201 00:08:35,559 --> 00:08:36,600 Speaker 4: Which one was the worst? 202 00:08:37,280 --> 00:08:37,600 Speaker 3: The one? 203 00:08:37,640 --> 00:08:40,120 Speaker 4: That one was the relationship of course. 204 00:08:40,559 --> 00:08:42,760 Speaker 3: When was that one there? 205 00:08:43,000 --> 00:08:43,200 Speaker 7: Bill? 206 00:08:44,320 --> 00:08:46,520 Speaker 1: Thank you for calling the phone said, no, we don't 207 00:08:46,520 --> 00:08:48,320 Speaker 1: believe you had not a miscolor. 208 00:08:48,520 --> 00:08:48,840 Speaker 3: Was good. 209 00:08:49,600 --> 00:08:53,280 Speaker 9: I'm here, I'm still I ain't beat nobody here, but 210 00:08:53,320 --> 00:08:54,280 Speaker 9: I guess my stupart does. 211 00:08:54,360 --> 00:08:56,040 Speaker 3: I want to? I want to fight somebody to keep 212 00:08:56,080 --> 00:09:01,560 Speaker 3: on testing my baby, bringing on my baby like, no fight? Yeah? 213 00:09:01,559 --> 00:09:02,360 Speaker 4: Who do you want to fight? 214 00:09:03,440 --> 00:09:07,000 Speaker 3: Somebody? Kidsbody want to fight somebody? Would you want to 215 00:09:07,000 --> 00:09:07,319 Speaker 3: do that? 216 00:09:07,480 --> 00:09:08,120 Speaker 10: Somebody? 217 00:09:08,480 --> 00:09:10,640 Speaker 3: Somebody's grown kids, grown kid? 218 00:09:10,960 --> 00:09:12,480 Speaker 4: Okay, when you said a kid, I was like, oh, 219 00:09:12,520 --> 00:09:13,720 Speaker 4: I'm not beating up kids. 220 00:09:14,160 --> 00:09:16,000 Speaker 3: No, I don't do that. I work at a daycare. 221 00:09:16,040 --> 00:09:19,400 Speaker 3: I got to boy, my god, make it look. I'm 222 00:09:19,640 --> 00:09:22,200 Speaker 3: definitely for the kids. But somebody keep on bullying on 223 00:09:22,200 --> 00:09:22,680 Speaker 3: my baby. 224 00:09:23,040 --> 00:09:26,040 Speaker 6: Okay, I don't even hit my kids, right, you want 225 00:09:26,080 --> 00:09:26,720 Speaker 6: to hit somebody else? 226 00:09:26,800 --> 00:09:26,959 Speaker 7: Kid? 227 00:09:27,040 --> 00:09:27,199 Speaker 3: Though? 228 00:09:28,240 --> 00:09:30,280 Speaker 4: So what do you do when you're angry to kind 229 00:09:30,280 --> 00:09:30,840 Speaker 4: of get it out? 230 00:09:31,200 --> 00:09:32,280 Speaker 3: She beat people's kids? 231 00:09:32,600 --> 00:09:33,960 Speaker 4: She wants to, but she's not gonna work. 232 00:09:34,040 --> 00:09:36,120 Speaker 9: No, don't get me kind of tell me for no 233 00:09:36,240 --> 00:09:36,880 Speaker 9: counsel or nothing. 234 00:09:36,880 --> 00:09:39,800 Speaker 3: I work at a daycare. Yeah, better not beating them 235 00:09:39,840 --> 00:09:42,040 Speaker 3: kids in there, I tell you that right now. At 236 00:09:42,160 --> 00:09:42,520 Speaker 3: for real? 237 00:09:42,760 --> 00:09:43,719 Speaker 4: She said a grown kid. 238 00:09:43,840 --> 00:09:46,559 Speaker 3: Yeah, as a kid. You don't know. 239 00:09:45,320 --> 00:09:47,320 Speaker 8: He told my kids. 240 00:09:47,320 --> 00:09:49,440 Speaker 4: He told my kid, don't like you ain't thinking without 241 00:09:49,440 --> 00:09:50,120 Speaker 4: your big brother. 242 00:09:50,440 --> 00:09:52,200 Speaker 3: My kids is twelve, fourteen and three. 243 00:09:53,160 --> 00:09:55,080 Speaker 4: All right, so what do you do when you get mad? 244 00:09:55,160 --> 00:09:55,280 Speaker 1: Like? 245 00:09:55,320 --> 00:09:55,480 Speaker 3: What? 246 00:09:55,520 --> 00:09:56,520 Speaker 4: How do you let that out? 247 00:09:57,000 --> 00:09:57,240 Speaker 1: No? 248 00:09:57,240 --> 00:09:59,040 Speaker 3: No, I just be singing. 249 00:10:00,920 --> 00:10:02,560 Speaker 4: Well, thank you for thank you for calling. 250 00:10:02,600 --> 00:10:05,800 Speaker 3: And Sharon, you like that, you just have sex, you 251 00:10:05,840 --> 00:10:10,840 Speaker 3: know what. I'm practicing my advice to you. Don't. 252 00:10:11,160 --> 00:10:14,640 Speaker 4: Okay, yeah, you need to let something out, definitely. 253 00:10:14,840 --> 00:10:16,679 Speaker 1: All right, well, thank you, thank you for calling and 254 00:10:16,760 --> 00:10:18,760 Speaker 1: good look, all right, well that was tell us a 255 00:10:18,800 --> 00:10:21,040 Speaker 1: secret eight hundred and two nine fifty one fifty in 256 00:10:21,120 --> 00:10:23,120 Speaker 1: case you couldn't get through. And when we come back, 257 00:10:23,120 --> 00:10:26,240 Speaker 1: we have your yet, and let's talk about DDG. He 258 00:10:26,480 --> 00:10:30,240 Speaker 1: is taking up for his uh, well, his child's mother, 259 00:10:30,800 --> 00:10:33,240 Speaker 1: Hallie Bailly. She as you know, had some things to 260 00:10:33,280 --> 00:10:36,720 Speaker 1: say about him going on livestream. Then she took it back. 261 00:10:36,920 --> 00:10:39,240 Speaker 1: So now he's explaining that he don't want y'all coming 262 00:10:39,280 --> 00:10:40,160 Speaker 1: at his baby mama. 263 00:10:40,240 --> 00:10:41,600 Speaker 4: Okay, it's way up, Joe. 264 00:10:41,640 --> 00:10:43,360 Speaker 2: She's about to blow the lead ab off this five. 265 00:10:43,440 --> 00:10:46,800 Speaker 2: Let's get it. Angela's feeling that yet, come and get 266 00:10:46,880 --> 00:10:47,480 Speaker 2: the tea. 267 00:10:48,400 --> 00:10:51,079 Speaker 4: It's way up at Angela. Yee, I'm here, My guy Mana. 268 00:10:50,880 --> 00:10:53,040 Speaker 3: Is here, baby. 269 00:10:52,800 --> 00:10:54,240 Speaker 4: Yes, let's get into this yet. 270 00:10:54,880 --> 00:10:59,440 Speaker 1: And in New Orleans today at five pm, Beiji is 271 00:10:59,480 --> 00:11:01,240 Speaker 1: gonna be on with my guy Wild Wayne. 272 00:11:01,280 --> 00:11:04,520 Speaker 4: Here is what that sounds like with the promo with 273 00:11:04,760 --> 00:11:05,280 Speaker 4: Jim Man. 274 00:11:05,320 --> 00:11:08,760 Speaker 7: It is bach ak a beach Schisel even number one 275 00:11:08,880 --> 00:11:11,640 Speaker 7: original how Bought Men And I needs y'all to torne 276 00:11:11,720 --> 00:11:15,920 Speaker 7: and in a few with me and months though, wildweezy baby. 277 00:11:16,320 --> 00:11:18,240 Speaker 4: All right, so get ready for that that's actually gonna 278 00:11:18,240 --> 00:11:18,600 Speaker 4: be today. 279 00:11:18,679 --> 00:11:21,400 Speaker 1: Notice my guy, I know you've been saying that, so 280 00:11:21,440 --> 00:11:23,320 Speaker 1: I'm excited to hear what he's gonna have to say 281 00:11:23,360 --> 00:11:26,160 Speaker 1: after the whole Hot Boys reunion and everything that's been 282 00:11:26,160 --> 00:11:29,040 Speaker 1: going down. So shout out to my guy Wild Wayne too. 283 00:11:29,640 --> 00:11:34,440 Speaker 1: All right, now let's get into DDG. We've been talking 284 00:11:34,440 --> 00:11:37,920 Speaker 1: a lot about Halle Belly her reaction to her son 285 00:11:37,960 --> 00:11:42,240 Speaker 1: with DDG appearing on Kai Sanats stream. Halo is the 286 00:11:42,320 --> 00:11:45,720 Speaker 1: name of is their son's name, And initially she did 287 00:11:45,720 --> 00:11:49,000 Speaker 1: not like that, but then I guess no, she didn't 288 00:11:49,080 --> 00:11:51,640 Speaker 1: like that DDG brought their son Halo on the stream. 289 00:11:51,720 --> 00:11:53,600 Speaker 1: She didn't know about it. She was out of town. 290 00:11:53,640 --> 00:11:56,480 Speaker 1: She found out what everybody else. But then she said 291 00:11:56,520 --> 00:11:59,280 Speaker 1: she did overreact maybe and she shouldn't have brought it here. 292 00:11:59,559 --> 00:12:01,240 Speaker 1: She said, I know that Halo is always safe for 293 00:12:01,320 --> 00:12:03,360 Speaker 1: his dad. I just don't like finding out with the 294 00:12:03,400 --> 00:12:05,839 Speaker 1: rest of the world what my baby is doing. Thank 295 00:12:05,880 --> 00:12:08,600 Speaker 1: you Kay for the gifts for Halo, because Kyles and 296 00:12:08,600 --> 00:12:10,800 Speaker 1: I did give them some gifts and I think she 297 00:12:11,280 --> 00:12:14,559 Speaker 1: rethought it and listen. She also explained that she's having 298 00:12:14,840 --> 00:12:20,000 Speaker 1: severe postpartum me and so DDG did defend her and 299 00:12:20,080 --> 00:12:21,120 Speaker 1: did defend her reaction. 300 00:12:21,200 --> 00:12:21,920 Speaker 4: Here's what he said. 301 00:12:22,320 --> 00:12:24,000 Speaker 3: I don't like when people hate on Hallie. 302 00:12:24,040 --> 00:12:26,600 Speaker 11: I don't care if people think she's wrong or not, 303 00:12:26,800 --> 00:12:29,480 Speaker 11: or if I think she wrong or right. She could 304 00:12:29,520 --> 00:12:32,040 Speaker 11: be going through something mentally after having a kid that 305 00:12:32,160 --> 00:12:35,120 Speaker 11: I can't understand as a man. So when situations like 306 00:12:35,160 --> 00:12:37,839 Speaker 11: this happened, had I try to handle it with as 307 00:12:37,920 --> 00:12:41,800 Speaker 11: much grace as possible because Halo needs her, I need her, 308 00:12:41,880 --> 00:12:46,800 Speaker 11: We need each other to create a childhood that's safe 309 00:12:47,080 --> 00:12:50,040 Speaker 11: and fun and memorable for him. 310 00:12:50,240 --> 00:12:52,960 Speaker 4: All right that I love that. 311 00:12:52,960 --> 00:12:53,440 Speaker 3: That was good? 312 00:12:53,480 --> 00:12:55,000 Speaker 4: I like that all right. 313 00:12:55,040 --> 00:12:55,240 Speaker 9: Now. 314 00:12:56,920 --> 00:12:58,920 Speaker 4: Another thing that happened on this Kaysinastian. 315 00:12:58,960 --> 00:13:01,560 Speaker 1: He's been doing a lot, all right with this, with 316 00:13:01,640 --> 00:13:05,480 Speaker 1: this whole stream athon. But anyway, people think that Quavo 317 00:13:05,520 --> 00:13:08,559 Speaker 1: and DDG have beef because of Quavo getting a little 318 00:13:08,559 --> 00:13:11,720 Speaker 1: spicy with him. They were playing what's the game Mafia? 319 00:13:12,240 --> 00:13:13,439 Speaker 1: And I'm here's what happened? 320 00:13:13,760 --> 00:13:15,640 Speaker 3: And nobody on the other side. 321 00:13:16,000 --> 00:13:18,080 Speaker 2: No, Like, if you move, you feel to feel it. 322 00:13:18,280 --> 00:13:23,360 Speaker 3: Yeah, everything. If Mafia, you live right out of choosing 323 00:13:23,600 --> 00:13:25,319 Speaker 3: you be. Oh not, He's Mafia, so you live to 324 00:13:25,360 --> 00:13:27,319 Speaker 3: know instantly. So it's always good to be like. 325 00:13:29,040 --> 00:13:30,079 Speaker 2: Over there over there? 326 00:13:30,640 --> 00:13:33,480 Speaker 3: Would staying over there because too close? Why would are 327 00:13:33,480 --> 00:13:34,040 Speaker 3: staying over there? 328 00:13:34,080 --> 00:13:34,200 Speaker 2: Though? 329 00:13:34,440 --> 00:13:37,880 Speaker 3: I got what game is Mafia? What game is that? 330 00:13:38,760 --> 00:13:41,040 Speaker 4: I don't know? I don't play. Should we learn to 331 00:13:41,080 --> 00:13:44,000 Speaker 4: play Mafia? There isn't this whole It's like. 332 00:13:44,000 --> 00:13:45,480 Speaker 12: A It's a game where you play with like a 333 00:13:45,480 --> 00:13:47,880 Speaker 12: group of friends where basically everyone's like assigned a role, 334 00:13:48,120 --> 00:13:51,319 Speaker 12: but the whole group doesn't know what each person's role is, 335 00:13:51,679 --> 00:13:53,280 Speaker 12: and the whole concept is kind of like try and 336 00:13:53,280 --> 00:13:55,760 Speaker 12: figure out who's what. So like there's a person that's 337 00:13:55,760 --> 00:13:58,320 Speaker 12: like a hitman, and a hitman's job's to like kill everyone, 338 00:13:58,679 --> 00:14:00,720 Speaker 12: but the whole group needs to say who's the hit man, 339 00:14:00,760 --> 00:14:02,120 Speaker 12: and the person who's the hit man is going to 340 00:14:02,160 --> 00:14:04,120 Speaker 12: try and manipulate the group to make to make you 341 00:14:04,160 --> 00:14:04,880 Speaker 12: think someone else is. 342 00:14:05,200 --> 00:14:07,360 Speaker 4: It's like a man thinks this is triggering. 343 00:14:07,520 --> 00:14:11,600 Speaker 3: It's honestly a lot of fun. Clearly, it's a lot 344 00:14:11,600 --> 00:14:11,880 Speaker 3: of fun. 345 00:14:13,520 --> 00:14:16,080 Speaker 1: Maybe it feels like is getting a lot of money 346 00:14:16,080 --> 00:14:17,600 Speaker 1: to do this mafia than stream too. 347 00:14:17,640 --> 00:14:20,200 Speaker 3: Absolutely, we need to play it. It's a lot of 348 00:14:20,200 --> 00:14:22,600 Speaker 3: fun with some drinks too. 349 00:14:23,000 --> 00:14:26,240 Speaker 4: Oh my goodness. All right, well, there you have it. 350 00:14:26,320 --> 00:14:28,440 Speaker 1: And another thing that happened during this dream is that 351 00:14:28,520 --> 00:14:32,160 Speaker 1: Quava was definitely getting very emotional. You know, they played 352 00:14:32,160 --> 00:14:35,280 Speaker 1: his tribute to take Off and and you know this 353 00:14:35,360 --> 00:14:36,200 Speaker 1: tribute listen. 354 00:14:40,840 --> 00:14:41,520 Speaker 9: The same. 355 00:14:44,240 --> 00:14:48,120 Speaker 1: And he was like definitely singing along and just looking emotional. 356 00:14:48,240 --> 00:14:49,360 Speaker 4: So what a time. 357 00:14:49,360 --> 00:14:51,920 Speaker 1: They're happened though, all right, well that is your yet 358 00:14:52,040 --> 00:14:53,680 Speaker 1: when we come back, we have under the radar. These 359 00:14:53,680 --> 00:14:55,880 Speaker 1: are the stories that are not necessarily in the headlines. 360 00:14:56,240 --> 00:14:59,280 Speaker 1: They are flying under the radar. Okay, and because it's Friday, 361 00:14:59,720 --> 00:15:02,280 Speaker 1: let's play some neo sexy love. 362 00:15:02,840 --> 00:15:04,400 Speaker 4: It's way up in the news. 363 00:15:04,200 --> 00:15:07,680 Speaker 2: That relates to you. These stories are flying under the radar. 364 00:15:08,360 --> 00:15:10,960 Speaker 1: All right, it's way up with Angela. Yee I Angela, ye, 365 00:15:11,000 --> 00:15:13,880 Speaker 1: of course. My guy Mana was here, got these papers 366 00:15:13,920 --> 00:15:15,320 Speaker 1: on the flock. You pick it up for me. It's 367 00:15:15,400 --> 00:15:18,360 Speaker 1: right by your foot. I didn't throw he head dropped 368 00:15:18,360 --> 00:15:19,200 Speaker 1: these papers for. 369 00:15:19,240 --> 00:15:22,680 Speaker 4: Under the radar. All right, got it, thank you? 370 00:15:22,800 --> 00:15:23,120 Speaker 3: All right. 371 00:15:23,160 --> 00:15:26,040 Speaker 1: The FBI is investigating these racist texts that have been 372 00:15:26,080 --> 00:15:28,960 Speaker 1: sent across the United States after the elections. A lot 373 00:15:29,000 --> 00:15:30,920 Speaker 1: of people have got this message telling people you have 374 00:15:31,000 --> 00:15:32,280 Speaker 1: been selected to pick cotton. 375 00:15:32,480 --> 00:15:34,080 Speaker 3: Oha got one of those. 376 00:15:34,200 --> 00:15:36,520 Speaker 4: He did, absolutely, and the nearest plantation. 377 00:15:36,600 --> 00:15:40,520 Speaker 3: Oh wow, I've seen that yesterday. 378 00:15:41,000 --> 00:15:41,200 Speaker 10: Right. 379 00:15:41,280 --> 00:15:44,880 Speaker 1: So they are supposedly going to investigate, but these were 380 00:15:44,880 --> 00:15:49,160 Speaker 1: sent to black people, including women and children, like in Alabama, Calli, Pennsylvania, 381 00:15:49,200 --> 00:15:52,280 Speaker 1: New York, Ohio, and Tennessee, Maryland, New Jersey, South Carolina. 382 00:15:52,680 --> 00:15:53,840 Speaker 4: So they're looking into it. 383 00:15:53,960 --> 00:15:54,360 Speaker 2: Wow. 384 00:15:54,440 --> 00:15:57,040 Speaker 3: I thought it. Oh wow, this is crazy. 385 00:15:57,320 --> 00:15:59,000 Speaker 4: Mm hmm, yeah you thought it was. 386 00:16:00,080 --> 00:16:03,000 Speaker 3: I thought he was joking, right because he sent it 387 00:16:03,080 --> 00:16:03,680 Speaker 3: in a group chat. 388 00:16:03,720 --> 00:16:07,840 Speaker 6: I'm thinking like he was joking, right, But I didn't 389 00:16:07,880 --> 00:16:09,680 Speaker 6: realize that people actually been getting these. 390 00:16:09,920 --> 00:16:10,200 Speaker 4: Yeah. 391 00:16:10,280 --> 00:16:13,160 Speaker 3: Yeah, it's the same you know, it's the same texts. 392 00:16:15,240 --> 00:16:17,760 Speaker 4: All right, Now let's move on to this. 393 00:16:18,240 --> 00:16:22,160 Speaker 1: Now that Donald Trump has won this election, people are 394 00:16:22,160 --> 00:16:26,840 Speaker 1: talking about what some of these repercussions could be. In particular, 395 00:16:27,400 --> 00:16:29,880 Speaker 1: there are a lot of people that are on his 396 00:16:30,000 --> 00:16:33,520 Speaker 1: list of I guess you would say enemies, just because 397 00:16:33,600 --> 00:16:37,000 Speaker 1: they may have done things that you know, call for 398 00:16:37,040 --> 00:16:41,120 Speaker 1: accountability from him. And one of these people that is 399 00:16:41,160 --> 00:16:43,880 Speaker 1: on the list of people who Donald Trump is surely 400 00:16:43,920 --> 00:16:47,760 Speaker 1: going to target is Leticia James. James and you know 401 00:16:48,120 --> 00:16:50,920 Speaker 1: she is the person who she's the attorney general here 402 00:16:50,960 --> 00:16:55,160 Speaker 1: in New York and has made Donald Trump has to 403 00:16:55,200 --> 00:16:57,480 Speaker 1: pay four hundred and fifty four I think million dollars 404 00:16:57,520 --> 00:17:03,160 Speaker 1: in restitution for trumping up what his value is and 405 00:17:03,240 --> 00:17:06,320 Speaker 1: getting loans with these trumped up numbers. Right not to 406 00:17:06,400 --> 00:17:09,320 Speaker 1: use the word trump too many times, but anyway, here's 407 00:17:09,320 --> 00:17:11,960 Speaker 1: what she had to say once Donald Trump won, we. 408 00:17:11,920 --> 00:17:15,919 Speaker 13: Will not compromise our values, or our integrity, or our principles. 409 00:17:16,280 --> 00:17:19,120 Speaker 13: We did not expect this result, but we are prepared 410 00:17:19,119 --> 00:17:22,000 Speaker 13: to respond to this result. And my office has been 411 00:17:22,080 --> 00:17:26,240 Speaker 13: preparing for several months, and we are prepared to fight back. 412 00:17:26,320 --> 00:17:29,880 Speaker 3: Once again, she talk like she's in a mafia. 413 00:17:31,000 --> 00:17:34,879 Speaker 1: I mean, that was like mobbish, because she already knows 414 00:17:35,680 --> 00:17:39,080 Speaker 1: what this is about to be. Now, you know, he 415 00:17:39,119 --> 00:17:40,639 Speaker 1: had to pay a four hundred and fifty four million 416 00:17:40,680 --> 00:17:43,120 Speaker 1: dollar bomb payment as part of this civil fraud case, 417 00:17:43,160 --> 00:17:45,320 Speaker 1: and she's doing her job right as far as making 418 00:17:45,359 --> 00:17:48,359 Speaker 1: sure he's accountable. Well, an attorney who's on the short 419 00:17:48,359 --> 00:17:51,359 Speaker 1: list of people who could potentially potentially be Donald Trump's 420 00:17:51,359 --> 00:17:56,480 Speaker 1: attorney general in his administration had this to say, I dare. 421 00:17:56,280 --> 00:17:59,960 Speaker 14: You to try to continue your lawfare against President Trump 422 00:18:00,359 --> 00:18:03,760 Speaker 14: in his second term because listen here, sweetheart, We're not 423 00:18:03,880 --> 00:18:07,080 Speaker 14: messing around this time, and we will put your fat 424 00:18:07,119 --> 00:18:10,679 Speaker 14: ass in prison for conspiracy against rights, and I promise 425 00:18:10,720 --> 00:18:10,960 Speaker 14: you that. 426 00:18:11,680 --> 00:18:12,760 Speaker 4: So that's Mike Davis. 427 00:18:12,880 --> 00:18:15,320 Speaker 1: So yeah, definitely sounds like somebody he would have point 428 00:18:15,400 --> 00:18:17,159 Speaker 1: into that position of attorney general. 429 00:18:17,920 --> 00:18:19,119 Speaker 4: So we'll see what's going to happen. 430 00:18:19,119 --> 00:18:23,320 Speaker 1: But that whole thing sounded so awful, so condescending, so degrading, 431 00:18:23,359 --> 00:18:29,240 Speaker 1: so retaliatory awful. So that's and this hasn't even started yet, 432 00:18:29,240 --> 00:18:30,679 Speaker 1: so just think of it like that. So we have 433 00:18:30,720 --> 00:18:33,439 Speaker 1: to be very vigilant. That's probably why Chis James had 434 00:18:33,440 --> 00:18:35,879 Speaker 1: to talk the way that she did, Knowing things like 435 00:18:35,920 --> 00:18:40,000 Speaker 1: this or what's going to happen retaliation for enforcing the law. 436 00:18:40,240 --> 00:18:42,600 Speaker 1: All right, well that is you're under the radar. We 437 00:18:42,640 --> 00:18:44,280 Speaker 1: have the Way up mixed at the top of the hour, 438 00:18:44,680 --> 00:18:47,239 Speaker 1: and we have somebody who is amazing. I was going 439 00:18:47,280 --> 00:18:48,840 Speaker 1: to say delightful, but I don't know if I've ever 440 00:18:48,920 --> 00:18:51,239 Speaker 1: used that word. Mecca Honora is going to be joining us. 441 00:18:51,240 --> 00:18:54,679 Speaker 1: She's the executive producer and director of Meg the Stallions 442 00:18:54,800 --> 00:18:57,800 Speaker 1: in her words documentary that you can see on Prime 443 00:18:57,960 --> 00:18:58,480 Speaker 1: his way. 444 00:18:58,359 --> 00:19:03,360 Speaker 2: Up the Rooms from industry shade to all the gossip 445 00:19:03,400 --> 00:19:05,159 Speaker 2: out Angelus feeling that. 446 00:19:07,320 --> 00:19:09,480 Speaker 1: It's way up at Angela. Yee, I'm here and of 447 00:19:09,480 --> 00:19:16,080 Speaker 1: course my guy Mano is here, all right. And Rihanna 448 00:19:17,080 --> 00:19:20,080 Speaker 1: has been trending because she was at an event for 449 00:19:20,200 --> 00:19:24,119 Speaker 1: a fenty Beauty's launch in Barbados last night and she 450 00:19:24,240 --> 00:19:28,199 Speaker 1: got on the mic and said, this music was the 451 00:19:28,240 --> 00:19:31,520 Speaker 1: thing that got the attention, but Guy had other plans 452 00:19:31,520 --> 00:19:33,960 Speaker 1: for me, and I will be able to create in 453 00:19:34,080 --> 00:19:36,600 Speaker 1: ways that it was very sincere. 454 00:19:36,200 --> 00:19:40,400 Speaker 3: And genuine or organic and the things that I love, 455 00:19:40,760 --> 00:19:42,120 Speaker 3: So doesn't even feel. 456 00:19:41,920 --> 00:19:42,520 Speaker 2: Like a job. 457 00:19:43,359 --> 00:19:46,000 Speaker 1: People are speculating that this means that she is no 458 00:19:46,080 --> 00:19:47,359 Speaker 1: longer going to do music. 459 00:19:47,760 --> 00:19:49,480 Speaker 3: She's not saying that she. 460 00:19:49,520 --> 00:19:51,320 Speaker 1: Just said music was the thing that got the attention 461 00:19:51,440 --> 00:19:52,800 Speaker 1: but got out of the plans for me. 462 00:19:53,640 --> 00:19:55,160 Speaker 4: That don't mean I guess she's. 463 00:19:55,119 --> 00:19:56,080 Speaker 3: Not gonna do music. 464 00:19:56,160 --> 00:19:58,000 Speaker 1: I don't believe that, because it's a whole big thing. 465 00:19:58,040 --> 00:20:00,959 Speaker 1: Now people are like, whoop, that's it. Rihanna officially retired. 466 00:20:01,320 --> 00:20:03,439 Speaker 1: I don't feel that that's what it is, because we 467 00:20:03,480 --> 00:20:05,639 Speaker 1: also keep hearing about her being in the studio, about 468 00:20:05,640 --> 00:20:06,480 Speaker 1: her making music. 469 00:20:07,440 --> 00:20:08,240 Speaker 4: Yeah, I agree. 470 00:20:08,359 --> 00:20:11,320 Speaker 1: And speaking of music, the twenty twenty five Grammy nominations 471 00:20:11,400 --> 00:20:14,760 Speaker 1: are in. They have been announced this morning, so this 472 00:20:14,840 --> 00:20:19,359 Speaker 1: is kind of breaking news. Oh no, okay, all right, Well, 473 00:20:20,720 --> 00:20:24,200 Speaker 1: Beyonce leads all of the nominations with eleven thanks to 474 00:20:24,280 --> 00:20:27,760 Speaker 1: her Cowboy Carter album. First may have been snubbed at 475 00:20:27,760 --> 00:20:30,320 Speaker 1: the Country Music Awards, but at the Grammys, you know, 476 00:20:30,400 --> 00:20:34,200 Speaker 1: we're all in. She's the most decorated artist in Grammy 477 00:20:34,280 --> 00:20:36,480 Speaker 1: history with thirty two wins, and now she's also the 478 00:20:36,520 --> 00:20:40,240 Speaker 1: most nominated with ninety nine. She was previously tied with 479 00:20:40,320 --> 00:20:42,840 Speaker 1: Jay Z for the most nominations, and now she has 480 00:20:42,880 --> 00:20:48,880 Speaker 1: surpassed that. Kenjuck Lamar has five nominations, including. 481 00:20:48,440 --> 00:20:50,400 Speaker 4: Song of the Year and a Record of the Year. 482 00:20:50,600 --> 00:20:54,240 Speaker 1: Categories and so let's get into some of these best 483 00:20:54,280 --> 00:20:58,160 Speaker 1: rap albums. J Cole Might Delete Later, Common and Pete 484 00:20:58,200 --> 00:21:02,760 Speaker 1: Rock The Auditorium Volume One, Dochi Alligated Bites, Never Heal, Eminem, 485 00:21:02,800 --> 00:21:04,920 Speaker 1: The Death of Slim Shady and Future and metro. 486 00:21:04,760 --> 00:21:10,080 Speaker 4: Booming and we Don't Trust You, Okay, you don't have. 487 00:21:10,000 --> 00:21:14,159 Speaker 6: No I think I will go with a Future and 488 00:21:14,200 --> 00:21:16,200 Speaker 6: metro Booman We Don't Trust You. 489 00:21:16,480 --> 00:21:17,400 Speaker 3: Yeah. 490 00:21:17,480 --> 00:21:21,200 Speaker 1: I like Dochi's album Yeah, And I like the fact 491 00:21:21,240 --> 00:21:24,440 Speaker 1: that she had these nominations. She's up for Best Rap 492 00:21:24,480 --> 00:21:28,720 Speaker 1: Album and Best New Artists, Best Rap Song, Rhapsody featuring 493 00:21:28,760 --> 00:21:31,840 Speaker 1: hit Boy with Asteroids, Kanye Tied al seim Ter Kidd 494 00:21:31,840 --> 00:21:35,439 Speaker 1: and Playboy, Cardi Carnival, Future, metro Booman and Kenjack Like That, 495 00:21:35,560 --> 00:21:40,160 Speaker 1: Kendrick Lamar, Not Like Us and Glorilla Yeah Glow. It's 496 00:21:40,160 --> 00:21:42,680 Speaker 1: gonna be hard to be not like Us. I think 497 00:21:42,720 --> 00:21:45,120 Speaker 1: for anybody. As much as I may love Yeah Glow, 498 00:21:45,200 --> 00:21:48,840 Speaker 1: I don't know that's gone m all right. So Album 499 00:21:48,840 --> 00:21:52,160 Speaker 1: of the Year, of course, that's a huge category. Andre 500 00:21:52,359 --> 00:22:01,080 Speaker 1: three thousand, Yeah, Beyonce, Cowboy, Carter's in a Carpenter, Short 501 00:22:01,119 --> 00:22:04,560 Speaker 1: and Sweet, We Know Here, Billie Eilish, Taylor Swift, I mean, 502 00:22:04,600 --> 00:22:06,760 Speaker 1: you know, that's always a very competitive category. 503 00:22:07,720 --> 00:22:10,480 Speaker 4: So yeah, just getting you guys ready. 504 00:22:10,760 --> 00:22:13,000 Speaker 6: For Who listened to that and was like, oh, this 505 00:22:13,080 --> 00:22:15,280 Speaker 6: is it, this is the uh we need to he 506 00:22:15,359 --> 00:22:15,959 Speaker 6: need to be uh? 507 00:22:18,040 --> 00:22:19,399 Speaker 3: Who sat back on that. 508 00:22:19,520 --> 00:22:21,119 Speaker 4: I was definitely surprised about that. 509 00:22:21,280 --> 00:22:22,480 Speaker 3: I was like, this is. 510 00:22:22,560 --> 00:22:24,600 Speaker 1: It, but I'm not gonna lie. I listened to the 511 00:22:24,600 --> 00:22:25,639 Speaker 1: album a little bit. 512 00:22:25,560 --> 00:22:27,520 Speaker 3: Once, so I can listen to it a little bit too. 513 00:22:27,680 --> 00:22:30,720 Speaker 4: I can't really judge, but I was surprised. 514 00:22:31,040 --> 00:22:34,600 Speaker 3: Just like music playing, it was a flute plan, all right. 515 00:22:34,640 --> 00:22:39,960 Speaker 1: Now, Best R and B Album Chris Brown eleven eleven Deluxe, Layla, Hathaway, Vanca, Black, 516 00:22:40,119 --> 00:22:43,280 Speaker 1: Money Long, Revenge, Lucky Day, Algorithm, and Usher Coming Home. 517 00:22:45,640 --> 00:22:48,399 Speaker 4: Mm hmmm, I feel like you'll go with Chris Brown. 518 00:22:49,880 --> 00:22:50,200 Speaker 3: Usher. 519 00:22:50,880 --> 00:22:55,040 Speaker 1: Oh yeah, Usher Coming Home. I'm not gonna lie. I 520 00:22:55,080 --> 00:22:58,800 Speaker 1: did like Money Long's album. I like Money Long, all right. Well, anyway, 521 00:22:58,800 --> 00:23:00,560 Speaker 1: those are just some of the things you guys to 522 00:23:00,600 --> 00:23:04,320 Speaker 1: get ready for the Grammys. We're excited to see and 523 00:23:04,800 --> 00:23:06,439 Speaker 1: as much as people may act like it's not a 524 00:23:06,440 --> 00:23:09,760 Speaker 1: big deal, it is for these artists, and so congratulations 525 00:23:09,800 --> 00:23:13,240 Speaker 1: to everybody who was nominated. Now, one more story here 526 00:23:13,320 --> 00:23:18,119 Speaker 1: in this Yu Team Diddy, according to an ex associate 527 00:23:18,160 --> 00:23:22,040 Speaker 1: of Ditties said he's filing a lawsuit against his mom. 528 00:23:22,359 --> 00:23:24,800 Speaker 1: All right, not Diddy, but this ex guy, this ex 529 00:23:24,880 --> 00:23:27,360 Speaker 1: associate of Didti's is filing a lawsuit against Diddy's mom. 530 00:23:28,000 --> 00:23:32,639 Speaker 1: And according to Dion d one Best, he was on 531 00:23:32,760 --> 00:23:35,040 Speaker 1: Daily Mail's podcast The Trial of Diddy. He says that 532 00:23:35,080 --> 00:23:38,000 Speaker 1: did he use his mother, Jannis's name to hide artists 533 00:23:38,000 --> 00:23:41,199 Speaker 1: publishing rights, including deals that he said he brokeered in 534 00:23:41,240 --> 00:23:43,720 Speaker 1: the late nineties, and he says his company, Finish Line 535 00:23:43,840 --> 00:23:47,280 Speaker 1: Entertainment signed artists a Diddy who worked on various albums 536 00:23:47,280 --> 00:23:50,800 Speaker 1: for Bad Boy, including Biggie's Born Again, which reached platinum 537 00:23:50,800 --> 00:23:52,680 Speaker 1: status and sold over one million copies. 538 00:23:53,000 --> 00:23:54,600 Speaker 4: But the way that he says. 539 00:23:54,440 --> 00:23:57,240 Speaker 1: That did he allegedly organized his business deals took publishing 540 00:23:57,320 --> 00:23:59,320 Speaker 1: rights from him and the artists who worked on the 541 00:23:59,359 --> 00:24:02,520 Speaker 1: songs and to them and got all of their future earnings. 542 00:24:02,560 --> 00:24:04,080 Speaker 1: And he said all of his publishing rights went to 543 00:24:04,160 --> 00:24:05,040 Speaker 1: Janis Colmbs. 544 00:24:05,119 --> 00:24:08,080 Speaker 6: You're not that's just the name of his company. You're 545 00:24:08,080 --> 00:24:12,880 Speaker 6: not nobody just taking your publishing without you signing. You 546 00:24:12,920 --> 00:24:13,760 Speaker 6: did the deal, bro. 547 00:24:14,720 --> 00:24:16,640 Speaker 4: Right, So you know what we're gonna see. 548 00:24:16,680 --> 00:24:18,480 Speaker 1: I don't know how this is going to play out, 549 00:24:18,840 --> 00:24:20,840 Speaker 1: but he said he's planning to sue Janis Combs and 550 00:24:20,880 --> 00:24:23,960 Speaker 1: her company because the deals were signed to her name. 551 00:24:24,400 --> 00:24:26,440 Speaker 4: All right, well, that is your ut. 552 00:24:26,600 --> 00:24:28,199 Speaker 1: When we come back, it's a Friday, said, it's a 553 00:24:28,240 --> 00:24:31,159 Speaker 1: new music Friday. We got to tell you what's out today. 554 00:24:31,240 --> 00:24:33,560 Speaker 1: One person in particular is trending today. Will tell you 555 00:24:33,600 --> 00:24:37,119 Speaker 1: about that. It's way out everybody, whether. 556 00:24:37,000 --> 00:24:41,800 Speaker 2: It's relationship or career advice. Angela's dropping facts. This is 557 00:24:41,840 --> 00:24:43,159 Speaker 2: aske what's up? 558 00:24:43,160 --> 00:24:44,119 Speaker 4: His way up with Angela? 559 00:24:44,160 --> 00:24:46,720 Speaker 1: Yee, I'm here, My guy Mano is here, and if 560 00:24:46,720 --> 00:24:49,280 Speaker 1: there's time for ask yee eight hundred and two nine 561 00:24:49,359 --> 00:24:51,560 Speaker 1: two fifty one fifty any question. I'm here with the 562 00:24:51,600 --> 00:24:54,679 Speaker 1: award winning advice giving Mano. All right, and we have 563 00:24:55,320 --> 00:24:56,160 Speaker 1: LJ on the line. 564 00:24:56,200 --> 00:25:00,320 Speaker 4: What's up, LJ? Hi good? How are you? 565 00:25:00,560 --> 00:25:02,919 Speaker 8: I'm pretty good? I actually have a question. 566 00:25:03,280 --> 00:25:05,440 Speaker 15: I just really want to know we did it for 567 00:25:05,520 --> 00:25:12,080 Speaker 15: come normal or females to not properly watch them lift 568 00:25:13,880 --> 00:25:19,080 Speaker 15: smell and the smell like you hadn't watched your. 569 00:25:20,400 --> 00:25:22,240 Speaker 1: It might be some people doing the walk of shame 570 00:25:22,320 --> 00:25:24,280 Speaker 1: after a night out or not showering in. 571 00:25:24,280 --> 00:25:27,800 Speaker 3: The fact that your mind went, it's. 572 00:25:27,640 --> 00:25:30,960 Speaker 4: Worse than that. What type of car is it? 573 00:25:31,000 --> 00:25:33,720 Speaker 1: Because is it like cloth seeds so that the smell 574 00:25:33,800 --> 00:25:35,880 Speaker 1: is sleeeping into the seat? 575 00:25:36,080 --> 00:25:36,960 Speaker 8: It's r model? 576 00:25:37,520 --> 00:25:39,399 Speaker 1: How is it when somebody staying to get out the 577 00:25:39,400 --> 00:25:40,760 Speaker 1: car and then someone else got to get in? 578 00:25:41,040 --> 00:25:42,000 Speaker 4: Because anythin it's. 579 00:25:41,880 --> 00:25:45,719 Speaker 8: You down, like all the way down, all of them. 580 00:25:45,760 --> 00:25:47,240 Speaker 8: I don't care what the type is. 581 00:25:47,480 --> 00:25:49,040 Speaker 1: Do you give them a bad rating? Because you know 582 00:25:49,080 --> 00:25:50,560 Speaker 1: the drivers get to rate the passenger. 583 00:25:50,600 --> 00:25:52,440 Speaker 3: Really, yeah, I surely do. 584 00:25:53,920 --> 00:25:58,000 Speaker 15: Oh my gosh, would you take this rider again? 585 00:25:58,040 --> 00:25:59,080 Speaker 8: And absolutely? 586 00:25:59,480 --> 00:26:00,919 Speaker 1: But what are you say to them? Do you let 587 00:26:00,960 --> 00:26:04,440 Speaker 1: them know? Because maybe they need a little motherly direction. 588 00:26:05,480 --> 00:26:10,639 Speaker 8: Who seem like they're open to taking But it's a 589 00:26:10,680 --> 00:26:11,200 Speaker 8: few of them. 590 00:26:11,160 --> 00:26:14,840 Speaker 6: You can't because you should have you should buy you 591 00:26:14,920 --> 00:26:18,320 Speaker 6: like some breeze or something and just spin around and 592 00:26:18,400 --> 00:26:21,679 Speaker 6: just spam them up like spread just spray them up. 593 00:26:23,800 --> 00:26:27,520 Speaker 8: You know you can phrase automatically, no, I have that. 594 00:26:28,080 --> 00:26:28,320 Speaker 3: Yeah. 595 00:26:28,359 --> 00:26:30,040 Speaker 6: And then when they be like, oh, what what are 596 00:26:30,040 --> 00:26:32,119 Speaker 6: you doing while you spraying and be like yo, you stink, 597 00:26:32,440 --> 00:26:32,919 Speaker 6: just tell. 598 00:26:32,800 --> 00:26:35,080 Speaker 1: Them maybe you should get the glass that goes up 599 00:26:35,080 --> 00:26:35,960 Speaker 1: and say you don't smell it. 600 00:26:35,960 --> 00:26:40,840 Speaker 4: In the French yeah, like a partition. I'm sorry to 601 00:26:40,840 --> 00:26:41,119 Speaker 4: hear that. 602 00:26:41,920 --> 00:26:44,040 Speaker 1: First of all, as as you know somebody, if you 603 00:26:44,040 --> 00:26:47,000 Speaker 1: don't really know these people, it's hard to tell someone because. 604 00:26:46,760 --> 00:26:48,120 Speaker 4: You also want to get good ratings. 605 00:26:48,320 --> 00:26:50,399 Speaker 1: And I can imagine if you tell somebody they stink, 606 00:26:50,520 --> 00:26:51,840 Speaker 1: you know, they'll give you a one star. 607 00:26:52,560 --> 00:26:55,840 Speaker 8: You try to tell them politely. Oh have you said? 608 00:26:56,200 --> 00:26:56,960 Speaker 8: And so you. 609 00:26:59,400 --> 00:27:02,520 Speaker 1: Can help you like what episode do you use or not? 610 00:27:02,600 --> 00:27:04,680 Speaker 3: You just hand them some soap and some wipes. 611 00:27:11,000 --> 00:27:12,639 Speaker 1: Well, I'm sorry to hear that. For you, it just 612 00:27:12,680 --> 00:27:14,960 Speaker 1: makes the job tough. Just look at yourself as maybe 613 00:27:15,000 --> 00:27:21,280 Speaker 1: like a sanitation worker. Yeah, screen, they gotta deal with 614 00:27:21,320 --> 00:27:23,080 Speaker 1: all kind of smells. 615 00:27:23,359 --> 00:27:24,000 Speaker 3: Is it that bad? 616 00:27:24,000 --> 00:27:27,600 Speaker 4: It's like a dump truck. Have you ever dealt with that? 617 00:27:27,640 --> 00:27:27,800 Speaker 16: Man? 618 00:27:27,840 --> 00:27:28,360 Speaker 3: O never? 619 00:27:28,920 --> 00:27:31,440 Speaker 4: Oh, all right, well that was ask you. 620 00:27:31,600 --> 00:27:34,480 Speaker 1: Eight hundred tune nine two fifty one fifty is a 621 00:27:34,560 --> 00:27:35,600 Speaker 1: number that was asked. 622 00:27:35,680 --> 00:27:36,000 Speaker 4: Ye. 623 00:27:36,160 --> 00:27:38,600 Speaker 1: When we come back, Nikka, Honora is going to be 624 00:27:38,640 --> 00:27:41,480 Speaker 1: joining us, and you're gonna love her story. From an 625 00:27:41,520 --> 00:27:44,879 Speaker 1: Internet b et to the director and executive producer of 626 00:27:44,960 --> 00:27:49,639 Speaker 1: Megan the Stallion's number one documentary on Prime Video. Okay, 627 00:27:49,720 --> 00:27:52,959 Speaker 1: Meghan the Stallion, in her words, she's gonna be joining us. 628 00:27:52,960 --> 00:27:53,600 Speaker 4: It's way up. 629 00:27:53,520 --> 00:27:58,400 Speaker 16: Anybody, yes, but you're all being waiting. 630 00:27:58,160 --> 00:28:01,800 Speaker 2: For You're tapped in a way up with Angela Yee. 631 00:28:02,200 --> 00:28:02,600 Speaker 3: What's up? 632 00:28:02,680 --> 00:28:05,120 Speaker 4: Its way up with Angela Yee. And this is exciting 633 00:28:05,240 --> 00:28:08,480 Speaker 4: for me today to have the Emmy Award winning Niga 634 00:28:08,560 --> 00:28:10,240 Speaker 4: Honora here with me this morning. 635 00:28:10,480 --> 00:28:12,480 Speaker 10: Thank you so much. I'm happy to be here with you. 636 00:28:12,760 --> 00:28:14,239 Speaker 10: I'm so proud of you. By the way, for your 637 00:28:14,280 --> 00:28:15,600 Speaker 10: show in general, thank you. 638 00:28:15,680 --> 00:28:16,240 Speaker 4: I'm proud of you. 639 00:28:16,960 --> 00:28:19,240 Speaker 1: I mean, listen honestly, and for people who don't know you. 640 00:28:19,400 --> 00:28:23,200 Speaker 1: Directed and executive produced Meghan The Sallion in her Words, 641 00:28:23,320 --> 00:28:25,200 Speaker 1: where she got to speak in her own words about 642 00:28:25,280 --> 00:28:28,320 Speaker 1: everything that kind of happened. The focus was really the 643 00:28:28,440 --> 00:28:31,679 Speaker 1: Tory Lane's situation in trial, but we got some backstory 644 00:28:32,160 --> 00:28:33,200 Speaker 1: before that as well. 645 00:28:33,280 --> 00:28:35,879 Speaker 4: And I remember when you were working on this, how 646 00:28:35,920 --> 00:28:36,680 Speaker 4: long did you film for? 647 00:28:36,760 --> 00:28:40,000 Speaker 16: It's been three years of filming this movie, so it's 648 00:28:40,040 --> 00:28:41,800 Speaker 16: been a long time coming. I was there with her 649 00:28:41,960 --> 00:28:44,680 Speaker 16: a lot of the time during twenty twenty two, which 650 00:28:44,760 --> 00:28:47,680 Speaker 16: was a very tumultuous time. So when I met Meghan 651 00:28:47,920 --> 00:28:49,720 Speaker 16: the first time, we were supposed to meet for an hour, 652 00:28:50,000 --> 00:28:52,680 Speaker 16: it turned into a three hour meeting, crying session, and 653 00:28:52,840 --> 00:28:55,720 Speaker 16: really need getting to know her. And so when I 654 00:28:55,960 --> 00:28:57,800 Speaker 16: saw her and I heard her story, I was like, 655 00:28:57,840 --> 00:28:59,720 Speaker 16: I have to tell this girl's story just because she 656 00:28:59,880 --> 00:29:02,280 Speaker 16: was experience and a lot of pain. And I always 657 00:29:02,320 --> 00:29:03,960 Speaker 16: like to give a safe space to women. So I 658 00:29:04,040 --> 00:29:06,200 Speaker 16: had to reassure her that I'm a safe space for 659 00:29:06,280 --> 00:29:07,720 Speaker 16: you to be able to tell your story, and I'm 660 00:29:07,760 --> 00:29:09,840 Speaker 16: just a conduit and a vessel to be able to 661 00:29:09,960 --> 00:29:11,120 Speaker 16: share women's empowerment. 662 00:29:11,200 --> 00:29:13,960 Speaker 1: So I first met her before she even signed her deal. 663 00:29:14,080 --> 00:29:16,080 Speaker 1: Right when she came to New York. We had her 664 00:29:16,120 --> 00:29:18,960 Speaker 1: on lip service and she was with her mom. Oh wow, Yes, 665 00:29:19,400 --> 00:29:21,760 Speaker 1: it was early for her to have certain conversations, but 666 00:29:21,840 --> 00:29:23,920 Speaker 1: her mom was just piping up, you know, weighing in 667 00:29:24,040 --> 00:29:27,600 Speaker 1: on the conversation, and she was like ma like, and 668 00:29:27,720 --> 00:29:29,520 Speaker 1: it was so cute to see their dynamics. So it 669 00:29:29,640 --> 00:29:32,800 Speaker 1: was shocking when her mother actually passed away, and she 670 00:29:32,960 --> 00:29:35,960 Speaker 1: addresses that also in this documentary. And I know that's 671 00:29:36,000 --> 00:29:38,520 Speaker 1: a hard topic for her to even talk about, because 672 00:29:38,640 --> 00:29:41,000 Speaker 1: after that she would do interviews and they would ask 673 00:29:41,120 --> 00:29:44,440 Speaker 1: us specifically, please don't bring up her mother. And so 674 00:29:45,120 --> 00:29:47,240 Speaker 1: for you to be able to have her just openly 675 00:29:47,360 --> 00:29:49,800 Speaker 1: talk about everything. That was my first time really hearing 676 00:29:49,920 --> 00:29:50,560 Speaker 1: all of that, and. 677 00:29:50,600 --> 00:29:52,840 Speaker 16: You know what, I really wanted to focus on the 678 00:29:52,960 --> 00:29:55,760 Speaker 16: connection that you have with mother and daughter. You have 679 00:29:56,240 --> 00:29:59,800 Speaker 16: a strong, powerful black woman teaching her daughter the ropes. 680 00:30:00,120 --> 00:30:02,360 Speaker 16: Miss Holly was a rapper first, so I really wanted 681 00:30:02,400 --> 00:30:04,880 Speaker 16: to highlight the fact that she was really like teaching 682 00:30:04,960 --> 00:30:07,200 Speaker 16: her and showing her the ropes because she was already 683 00:30:07,240 --> 00:30:09,720 Speaker 16: a Houston rapper. And so I wanted to show just 684 00:30:09,840 --> 00:30:12,320 Speaker 16: her helping build Meghan as an artist because she really 685 00:30:12,360 --> 00:30:13,600 Speaker 16: got it from the mud. And I think a lot 686 00:30:13,600 --> 00:30:16,000 Speaker 16: of people see Megan the Stallion now, but I really 687 00:30:16,080 --> 00:30:17,840 Speaker 16: really wanted to show how she came up. 688 00:30:17,920 --> 00:30:20,960 Speaker 10: She was performing in front of ten people, twenty people. 689 00:30:20,840 --> 00:30:21,760 Speaker 3: You've seen that. 690 00:30:23,120 --> 00:30:24,800 Speaker 4: Right now, I'm talking to Nakka Onnara. 691 00:30:24,920 --> 00:30:27,960 Speaker 1: She is the executive producer and director of Meghan the 692 00:30:28,040 --> 00:30:31,360 Speaker 1: Stallions in her words documentary on Prime Video. But let's 693 00:30:31,360 --> 00:30:33,120 Speaker 1: talk about your background a little bit, because when I 694 00:30:33,200 --> 00:30:36,920 Speaker 1: first met you, you were a young intern at BET. 695 00:30:37,280 --> 00:30:37,480 Speaker 13: Yeah. 696 00:30:37,480 --> 00:30:41,240 Speaker 4: I was for Steven Who Yeah, and so at that time. 697 00:30:41,280 --> 00:30:43,600 Speaker 10: You knew this was your path one hundred percent. 698 00:30:43,720 --> 00:30:46,280 Speaker 16: You know, I started off as an intern, worked my 699 00:30:46,360 --> 00:30:48,880 Speaker 16: way up in television like in the BT era, you 700 00:30:48,960 --> 00:30:52,360 Speaker 16: know when everybody's watching MTVVH one music video era doing 701 00:30:52,440 --> 00:30:53,440 Speaker 16: small documentaries. 702 00:30:53,480 --> 00:30:56,760 Speaker 10: There did my own documentary the same difference, which blew up. 703 00:30:56,840 --> 00:30:59,440 Speaker 16: I got to do it in AMC theaters everywhere and 704 00:30:59,680 --> 00:31:02,280 Speaker 16: became my entrepreneur for myself, and. 705 00:31:02,320 --> 00:31:05,200 Speaker 10: Then you know, led all that into winning an Emmy. 706 00:31:05,400 --> 00:31:08,240 Speaker 16: But through and through, I wanted to be able to 707 00:31:08,320 --> 00:31:10,840 Speaker 16: give people a voice that didn't have it and be 708 00:31:10,920 --> 00:31:13,040 Speaker 16: able to like do films on my own terms. 709 00:31:13,200 --> 00:31:15,200 Speaker 10: And I'm not stopping. I'm about to go into scripted. 710 00:31:15,320 --> 00:31:16,440 Speaker 4: So that's amazing. 711 00:31:16,880 --> 00:31:18,680 Speaker 1: And there is something special about you though, because it 712 00:31:18,680 --> 00:31:21,080 Speaker 1: ain't like we remember every person that we come across, 713 00:31:21,120 --> 00:31:24,280 Speaker 1: but I remember you from when you were first getting started. 714 00:31:24,440 --> 00:31:26,760 Speaker 1: There's something about you that is like you could see 715 00:31:26,800 --> 00:31:29,720 Speaker 1: this young woman is like motivated and she stands out 716 00:31:29,760 --> 00:31:32,120 Speaker 1: for some reason, and I'm sure that's why people feel 717 00:31:32,200 --> 00:31:35,400 Speaker 1: compelled to even like have these conversations with you. 718 00:31:35,720 --> 00:31:36,760 Speaker 10: Thank you. I'm passionate. 719 00:31:37,040 --> 00:31:38,880 Speaker 4: Mecca Onner is here with us today. 720 00:31:38,960 --> 00:31:43,000 Speaker 1: She's a storyteller, she's a director, she's a producer. She's 721 00:31:43,040 --> 00:31:45,040 Speaker 1: got the number one movie on Prime with Megan thee 722 00:31:45,040 --> 00:31:48,520 Speaker 1: Stallions in her words. She also directed Lizzo's Watch Out 723 00:31:48,560 --> 00:31:50,200 Speaker 1: for the Big Girls, and you'll hear a lot more 724 00:31:50,240 --> 00:31:52,760 Speaker 1: from her. But in the meantime, stay tuned to hear 725 00:31:52,880 --> 00:31:55,440 Speaker 1: more from Mecca on way up at the Angela Yee. 726 00:31:57,360 --> 00:32:01,160 Speaker 3: About to Domos to frame this women, and we're. 727 00:32:01,080 --> 00:32:03,680 Speaker 2: Talking about angela Ye. You're way up with angela Ye. 728 00:32:03,920 --> 00:32:04,720 Speaker 3: Please believe that. 729 00:32:05,640 --> 00:32:06,320 Speaker 4: What's up this way? 730 00:32:06,520 --> 00:32:09,280 Speaker 1: But Angela Yee, I'm here and my girl Nekka Onar 731 00:32:09,440 --> 00:32:11,600 Speaker 1: is in the building. You know her as the executive 732 00:32:11,600 --> 00:32:14,840 Speaker 1: producer and director of Meganis Stallions. In her words on 733 00:32:14,960 --> 00:32:17,640 Speaker 1: Prime Video. Now, one thing that went viral the day 734 00:32:17,680 --> 00:32:20,120 Speaker 1: that this came out was Gail King. She wasn't honest. 735 00:32:20,160 --> 00:32:22,040 Speaker 1: She did lie to Gil King and she said it 736 00:32:22,120 --> 00:32:24,840 Speaker 1: on there, which I thought was amazing. But her rational 737 00:32:25,160 --> 00:32:30,520 Speaker 1: for that was, to me just very honest and human. Look, 738 00:32:30,640 --> 00:32:33,280 Speaker 1: she wasn't expecting that question. What does that have to 739 00:32:33,360 --> 00:32:34,400 Speaker 1: do with anything else? 740 00:32:34,720 --> 00:32:37,280 Speaker 16: But she's like, yeah, I lied, Like my body, My 741 00:32:37,440 --> 00:32:39,960 Speaker 16: choice is all I gotta say. And I don't think 742 00:32:40,040 --> 00:32:42,440 Speaker 16: anybody has to answer any questions about their body and 743 00:32:42,520 --> 00:32:44,440 Speaker 16: what they do with their body in private. And I 744 00:32:44,480 --> 00:32:46,440 Speaker 16: don't know why she was asked that, but she was, 745 00:32:46,960 --> 00:32:49,320 Speaker 16: and I love that in the documentary, she's so candid. 746 00:32:49,840 --> 00:32:52,360 Speaker 16: Me and Meg, like it was we built this intimacy 747 00:32:52,440 --> 00:32:54,760 Speaker 16: where we could just be real, you know, with each other, 748 00:32:54,880 --> 00:32:56,840 Speaker 16: and she shared that and I respect her for that, 749 00:32:56,920 --> 00:32:58,680 Speaker 16: and I think a lot of people online are relating 750 00:32:58,760 --> 00:33:00,440 Speaker 16: to that ex experience. 751 00:33:00,720 --> 00:33:02,360 Speaker 4: Right now, I'm talking to Nikka Anara. 752 00:33:02,520 --> 00:33:05,560 Speaker 1: She is the executive producer and director of Megan the 753 00:33:05,640 --> 00:33:08,959 Speaker 1: Stallions in her Words documentary on Prime Video. There are 754 00:33:09,000 --> 00:33:12,440 Speaker 1: some moments that are may feel like a small moment, 755 00:33:12,480 --> 00:33:15,400 Speaker 1: but it's very indicative, like the jalapeno chips is one 756 00:33:15,400 --> 00:33:17,960 Speaker 1: of my favorites. She just want some vlopeno tipsy And 757 00:33:18,000 --> 00:33:18,880 Speaker 1: it's something like that that. 758 00:33:19,120 --> 00:33:22,880 Speaker 10: It relate to that, like have you ever you wanted 759 00:33:22,960 --> 00:33:24,640 Speaker 10: one thing? And then it just turned? 760 00:33:25,040 --> 00:33:26,600 Speaker 16: It turns side with that was really that was the 761 00:33:26,680 --> 00:33:30,480 Speaker 16: moment that me and Meg became really close because you 762 00:33:30,640 --> 00:33:32,400 Speaker 16: you hear my voice in that scene like I'm like, 763 00:33:32,680 --> 00:33:33,480 Speaker 16: why you don't want to eat? 764 00:33:33,480 --> 00:33:33,920 Speaker 10: What's going on? 765 00:33:34,200 --> 00:33:34,240 Speaker 2: Like? 766 00:33:34,520 --> 00:33:36,760 Speaker 16: And she just told me Because a lot of times 767 00:33:36,800 --> 00:33:39,160 Speaker 16: I didn't hear anybody asking Meg how was she doing? 768 00:33:39,600 --> 00:33:42,240 Speaker 16: Are you okay? How'd you sleep? So I always was 769 00:33:42,320 --> 00:33:44,240 Speaker 16: that person for her, like I was like, how'd you sleep? 770 00:33:44,520 --> 00:33:46,520 Speaker 16: Did you eat something? I'll ask her the questions, whether 771 00:33:46,600 --> 00:33:48,160 Speaker 16: she want me to or not. I just wanted to 772 00:33:48,240 --> 00:33:50,520 Speaker 16: check in with her, and so in that moment, she 773 00:33:50,680 --> 00:33:52,600 Speaker 16: finally opened up to me. So that was actually the 774 00:33:52,680 --> 00:33:56,280 Speaker 16: first moment that break. Yeah, we broke, that's why you 775 00:33:56,400 --> 00:33:59,040 Speaker 16: hear us laughing, and we just finally And that that 776 00:33:59,120 --> 00:34:01,720 Speaker 16: moment was so con thar because after she left, she 777 00:34:01,840 --> 00:34:04,200 Speaker 16: got back up, she went to the Billboard Awards, won 778 00:34:04,280 --> 00:34:07,160 Speaker 16: her Billboard Award, performed Plan B and it was up 779 00:34:07,400 --> 00:34:08,520 Speaker 16: to see so many lows. 780 00:34:08,560 --> 00:34:11,080 Speaker 10: That was such a beautiful high that she re empowered herself. 781 00:34:11,160 --> 00:34:14,200 Speaker 16: We talked about it. She went to the bathroom, came back. 782 00:34:14,520 --> 00:34:16,440 Speaker 16: Let's get it, like you know, and sometimes you just 783 00:34:16,480 --> 00:34:18,439 Speaker 16: need to let it out. And that's that's the space 784 00:34:18,480 --> 00:34:21,200 Speaker 16: I wanted to provide, is like, just let out how 785 00:34:21,239 --> 00:34:23,920 Speaker 16: you feel and you know, we'll get through this. 786 00:34:23,960 --> 00:34:24,719 Speaker 10: We're gonna get through this. 787 00:34:24,920 --> 00:34:27,320 Speaker 1: That moment in particular just really stood out to me 788 00:34:27,680 --> 00:34:30,320 Speaker 1: for some reason because it shows her just like breaking 789 00:34:30,400 --> 00:34:33,439 Speaker 1: but then being silly. But then it's sometimes those small 790 00:34:33,480 --> 00:34:35,319 Speaker 1: things that could just make you be like, oh my god, 791 00:34:35,440 --> 00:34:36,200 Speaker 1: everything's going on. 792 00:34:36,640 --> 00:34:37,280 Speaker 3: Well I think. 793 00:34:38,880 --> 00:34:41,400 Speaker 16: I think the smallest things are so universal. And I 794 00:34:41,480 --> 00:34:43,680 Speaker 16: made a choice as a director not to cut the 795 00:34:43,760 --> 00:34:47,120 Speaker 16: camera at all in those moments. Every time something was uncomfortable, 796 00:34:47,320 --> 00:34:48,120 Speaker 16: I sat still. 797 00:34:48,480 --> 00:34:51,520 Speaker 1: Well, congratulations to our Emmy Award winning friend. 798 00:34:52,800 --> 00:34:54,359 Speaker 4: That's a big deal. Some people act like a wars 799 00:34:54,400 --> 00:34:54,879 Speaker 4: don't matter. 800 00:34:55,920 --> 00:34:58,120 Speaker 1: It's nice to be able to say Emmy Award winning 801 00:34:59,160 --> 00:35:01,480 Speaker 1: Beca is here with us today. 802 00:35:01,320 --> 00:35:03,280 Speaker 4: So congratulations is well deserved. 803 00:35:03,320 --> 00:35:05,600 Speaker 1: I could feel like the heart in this that you 804 00:35:05,719 --> 00:35:07,520 Speaker 1: put into it and the trust that you were able 805 00:35:07,640 --> 00:35:10,400 Speaker 1: to develop with her. So hopefully when people watch this 806 00:35:10,520 --> 00:35:13,120 Speaker 1: they get a better view on who Megan thee Stallion is. 807 00:35:13,520 --> 00:35:15,759 Speaker 10: Thank you watching on Prime Video right now, Megan the 808 00:35:15,840 --> 00:35:16,799 Speaker 10: Stallion and her words. 809 00:35:17,000 --> 00:35:19,319 Speaker 1: That was Mekka Onnara joining us and you can watch 810 00:35:19,400 --> 00:35:21,319 Speaker 1: that phone and if you on my YouTube channel Way 811 00:35:21,400 --> 00:35:23,240 Speaker 1: Up with Ye And when we come back, of course, 812 00:35:23,360 --> 00:35:25,000 Speaker 1: you guys have the last word. 813 00:35:25,120 --> 00:35:28,920 Speaker 2: Take up the phone to get your voice heard. What 814 00:35:29,120 --> 00:35:32,880 Speaker 2: the word is the last word on Way Up with Angela? 815 00:35:32,960 --> 00:35:33,040 Speaker 1: Ye? 816 00:35:33,400 --> 00:35:34,680 Speaker 4: What happens? Way you put angela? 817 00:35:34,760 --> 00:35:34,840 Speaker 14: Ye? 818 00:35:34,960 --> 00:35:35,080 Speaker 11: Wait? 819 00:35:35,160 --> 00:35:35,239 Speaker 2: Ye? 820 00:35:35,560 --> 00:35:35,719 Speaker 7: Yes? 821 00:35:35,880 --> 00:35:39,480 Speaker 1: Indeed today is Friday, November eighty. You know, we just 822 00:35:39,560 --> 00:35:42,440 Speaker 1: want to tell you guys have a safe weekend. 823 00:35:42,920 --> 00:35:44,719 Speaker 3: Safe weekend. Great weekend, have fun. 824 00:35:45,000 --> 00:35:47,239 Speaker 1: If you haven't paid your rent, it's late now at 825 00:35:47,280 --> 00:35:51,600 Speaker 1: this point. But no, honestly, thank you guys for joining 826 00:35:51,680 --> 00:35:54,080 Speaker 1: us today. It's been a tough week. I'm not gonna lie, 827 00:35:54,640 --> 00:35:57,000 Speaker 1: but anyway, I want to thank Mekka Onnara for joining 828 00:35:57,080 --> 00:35:59,160 Speaker 1: us today. Make sure if you haven't watched Megan Thee 829 00:35:59,160 --> 00:36:01,560 Speaker 1: Stallion in her words, in her words, did you watch 830 00:36:01,600 --> 00:36:03,200 Speaker 1: the whole thing? I definitely watch the whole thing. 831 00:36:03,440 --> 00:36:03,600 Speaker 9: You know. 832 00:36:03,760 --> 00:36:06,440 Speaker 1: The most interesting part of that documentary about MEGANE. Stallion 833 00:36:06,560 --> 00:36:08,880 Speaker 1: was seeing all the hate that she was getting, like 834 00:36:09,280 --> 00:36:12,560 Speaker 1: from people with platforms. So shout out to Neka for 835 00:36:12,880 --> 00:36:15,520 Speaker 1: really gaining the trust of meganis Stallion. You can watch 836 00:36:15,560 --> 00:36:18,880 Speaker 1: that foot interview on my YouTube channel Way Up with Ye, 837 00:36:19,280 --> 00:36:22,400 Speaker 1: And of course this is your show, so you have 838 00:36:23,040 --> 00:36:23,800 Speaker 1: the last word. 839 00:36:24,200 --> 00:36:24,719 Speaker 3: Let's get it. 840 00:36:25,200 --> 00:36:29,640 Speaker 9: My secret is that I am currently sleeping with my roommates, 841 00:36:29,880 --> 00:36:32,800 Speaker 9: but we do have two other roommates who are not aware, 842 00:36:33,120 --> 00:36:35,120 Speaker 9: so it's just our little secret and has been for 843 00:36:35,200 --> 00:36:36,080 Speaker 9: the last seven months. 844 00:36:36,680 --> 00:36:38,759 Speaker 8: Hey ye, this is Floy from Milwaukee. 845 00:36:39,120 --> 00:36:40,640 Speaker 11: I want to shine a light on my. 846 00:36:40,760 --> 00:36:44,640 Speaker 15: Three kids, the oldest from our Queen, the middle Lawrence 847 00:36:44,760 --> 00:36:46,239 Speaker 15: and the baby Kumasi. 848 00:36:46,880 --> 00:36:50,760 Speaker 16: These last few years have been hard on my daughter, 849 00:36:51,200 --> 00:36:55,759 Speaker 16: but she has managed to pull through and she's shining. 850 00:36:55,320 --> 00:36:57,120 Speaker 11: In her life by fun. 851 00:36:57,800 --> 00:37:00,920 Speaker 9: I'm very proud of the man he has become and 852 00:37:01,080 --> 00:37:03,600 Speaker 9: the father that he has always been to his. 853 00:37:03,719 --> 00:37:07,320 Speaker 8: Baby at birthday, silent hasy first birthday. 854 00:37:07,840 --> 00:37:09,640 Speaker 9: And my youngest son whom I. 855 00:37:09,760 --> 00:37:11,800 Speaker 3: See my problem child. 856 00:37:12,320 --> 00:37:14,239 Speaker 9: I'm sure that day he's home. 857 00:37:14,040 --> 00:37:17,800 Speaker 8: After seven years and prospering in the things that he 858 00:37:18,080 --> 00:37:19,240 Speaker 8: is doing today. 859 00:37:19,840 --> 00:37:21,040 Speaker 9: I love y'all. 860 00:37:21,800 --> 00:37:24,080 Speaker 8: Mama will always have your back. 861 00:37:25,160 --> 00:37:28,120 Speaker 2: Going way out with Angela Yee