1 00:00:02,520 --> 00:00:13,960 Speaker 1: To teas in a pod with Teddy Mellencamp and Cameridge Edge. 2 00:00:14,680 --> 00:00:17,599 Speaker 2: Hi, guys, welcome to another episode of The twat Seat 3 00:00:17,800 --> 00:00:20,079 Speaker 2: with myself, Teddy Mellencamp. 4 00:00:19,600 --> 00:00:21,800 Speaker 3: And Dolores Catanya. 5 00:00:22,400 --> 00:00:25,639 Speaker 2: And we are so excited because I am hooked on 6 00:00:25,680 --> 00:00:27,160 Speaker 2: a show that I did not know I was going 7 00:00:27,200 --> 00:00:27,760 Speaker 2: to be hooked on. 8 00:00:28,320 --> 00:00:29,040 Speaker 3: Me too. 9 00:00:30,680 --> 00:00:31,840 Speaker 4: I feel like I get. 10 00:00:31,800 --> 00:00:34,760 Speaker 2: So over reality television because we watched so much of it, 11 00:00:35,240 --> 00:00:38,240 Speaker 2: but then all of a sudden, I was right into 12 00:00:38,360 --> 00:00:40,080 Speaker 2: it with Ladies of London. 13 00:00:40,200 --> 00:00:43,200 Speaker 3: This is like my biggest surprise. I don't know why 14 00:00:43,240 --> 00:00:45,680 Speaker 3: I didn't think I was gonna like it, but I'm 15 00:00:46,240 --> 00:00:52,600 Speaker 3: obsessed and I'm intrigued by Mark van Delli. Sounds like 16 00:00:52,600 --> 00:00:54,520 Speaker 3: he's from New Jersey, but we're going to talk about 17 00:00:54,560 --> 00:00:56,760 Speaker 3: that because we're going to talk about it very far 18 00:00:56,800 --> 00:00:57,640 Speaker 3: from New Jersey. 19 00:00:58,000 --> 00:01:01,520 Speaker 2: Yeah. He is an Italian businessman who formerly owned a 20 00:01:01,600 --> 00:01:06,960 Speaker 2: Chile factory, and he's a socialite and former model. In 21 00:01:07,000 --> 00:01:10,959 Speaker 2: April twenty eleven, Van Delli joined reality television program Made 22 00:01:10,959 --> 00:01:13,480 Speaker 2: in Chelsea as one of the original cast members. In 23 00:01:13,520 --> 00:01:16,399 Speaker 2: twenty twenty six, Van Delli joined the cast as the 24 00:01:16,440 --> 00:01:19,360 Speaker 2: reality television shows The Ladies of London The New Rain, 25 00:01:19,440 --> 00:01:22,120 Speaker 2: which premiered on Bravo on March fifth. So if you 26 00:01:22,120 --> 00:01:25,440 Speaker 2: guys haven't watched this yet, get to it. And we 27 00:01:25,480 --> 00:01:28,319 Speaker 2: need all of your thoughts on your favorites and all 28 00:01:28,400 --> 00:01:31,120 Speaker 2: the things. But we we have so many questions for Mark, 29 00:01:31,200 --> 00:01:32,039 Speaker 2: so let's bring him in. 30 00:01:32,400 --> 00:01:34,360 Speaker 3: I can't wait to meet him Mark. 31 00:01:34,680 --> 00:01:35,240 Speaker 4: Mark. 32 00:01:35,720 --> 00:01:38,080 Speaker 3: Hi, you're in your guilted. 33 00:01:37,720 --> 00:01:41,320 Speaker 5: Home, are you? It's so good to meet you both. 34 00:01:41,760 --> 00:01:44,200 Speaker 3: I'm very excited to talk to you be and and 35 00:01:44,280 --> 00:01:46,720 Speaker 3: you know what Mark like on my bucket list. I 36 00:01:46,800 --> 00:01:49,040 Speaker 3: need to come over for coffee. 37 00:01:49,320 --> 00:01:52,160 Speaker 5: Of course, for coffee, we don't need tea. 38 00:01:53,280 --> 00:01:55,680 Speaker 3: I'm not doing tea, So you'll have to have coffee 39 00:01:55,680 --> 00:01:58,040 Speaker 3: for me, because you know it's proper to have what 40 00:01:58,080 --> 00:01:58,840 Speaker 3: your guests drink. 41 00:02:00,120 --> 00:02:00,720 Speaker 5: Champagne. 42 00:02:01,400 --> 00:02:05,440 Speaker 3: Yeah, that's champagne. Okay, he won't even bring coffee in 43 00:02:05,480 --> 00:02:10,359 Speaker 3: his house. We just made an amazing compromise. 44 00:02:12,440 --> 00:02:13,400 Speaker 4: What are you drinking now? 45 00:02:13,520 --> 00:02:17,640 Speaker 3: Speaking of what made personal white? Another thing Mark would 46 00:02:17,639 --> 00:02:18,240 Speaker 3: never drink. 47 00:02:18,440 --> 00:02:22,840 Speaker 4: Oh that's what I'm going to make. Believe. 48 00:02:22,840 --> 00:02:28,440 Speaker 3: It's rose in my in my uh to beg this 49 00:02:28,600 --> 00:02:31,359 Speaker 3: is my my superior crystal. 50 00:02:31,960 --> 00:02:36,359 Speaker 5: But just for you Mark, I love it some. 51 00:02:36,480 --> 00:02:40,160 Speaker 2: Mark, you're the first male cast member of Ladies of London. 52 00:02:41,240 --> 00:02:43,600 Speaker 2: Were you approached first for the reboot or how did 53 00:02:43,600 --> 00:02:44,239 Speaker 2: that come about? 54 00:02:45,680 --> 00:02:48,320 Speaker 6: I really don't know. We've been talking about it for 55 00:02:48,400 --> 00:02:50,919 Speaker 6: so long. I feel that it's been about three years 56 00:02:50,919 --> 00:02:56,440 Speaker 6: in the making. But I was approached at the same 57 00:02:56,520 --> 00:02:59,160 Speaker 6: time as quite a few of my friends, and I thought, 58 00:02:59,200 --> 00:03:02,600 Speaker 6: what a great excuse used to turn pleasure into work. 59 00:03:03,840 --> 00:03:07,080 Speaker 3: Yeah, for sure, good way to look at it. But 60 00:03:07,160 --> 00:03:09,639 Speaker 3: did you have Were you apprehensive about it at all? 61 00:03:10,840 --> 00:03:12,840 Speaker 5: I'm never really apprehensive about anything. 62 00:03:12,919 --> 00:03:17,120 Speaker 6: I did a ski jumping competition a few years ago 63 00:03:17,200 --> 00:03:22,480 Speaker 6: which was televised in England and I didn't I wasn't 64 00:03:22,520 --> 00:03:25,960 Speaker 6: familiar with ski jumping or the show at all, and 65 00:03:26,040 --> 00:03:28,239 Speaker 6: I just thought, well, that's a great excuse to spend 66 00:03:28,240 --> 00:03:29,440 Speaker 6: a couple of months in the Alps. 67 00:03:29,480 --> 00:03:31,480 Speaker 5: And of course it all went horrendously wrong. 68 00:03:31,560 --> 00:03:34,440 Speaker 6: Because I'm not a natural born ski jumper, so I 69 00:03:34,520 --> 00:03:37,320 Speaker 6: tend not to think about what's to come. I just 70 00:03:37,360 --> 00:03:39,640 Speaker 6: sort of dive straight in and then hope for the best. 71 00:03:39,960 --> 00:03:41,440 Speaker 3: You're the So did you get hurt? 72 00:03:42,200 --> 00:03:44,240 Speaker 5: Yeah, of course. I spent like a month in hospital. 73 00:03:44,600 --> 00:03:47,560 Speaker 3: Oh my, you know, Mark, I read because I'm so 74 00:03:47,680 --> 00:03:50,360 Speaker 3: intrigued by your whole life. I read I did a 75 00:03:50,400 --> 00:03:52,960 Speaker 3: little read up, and I read that your family did 76 00:03:52,960 --> 00:03:55,960 Speaker 3: not want you to do this show, reality keeping. 77 00:03:56,040 --> 00:03:58,320 Speaker 5: I mean, they'd rather die than. 78 00:04:00,040 --> 00:04:03,200 Speaker 6: Except for their only some being on television. But it's 79 00:04:03,240 --> 00:04:05,960 Speaker 6: too late now and they're still alive, so they're just 80 00:04:06,000 --> 00:04:07,920 Speaker 6: going to have to deal with it. They clearly survived 81 00:04:08,000 --> 00:04:09,320 Speaker 6: the first fifteen years. 82 00:04:09,160 --> 00:04:09,320 Speaker 5: I think. 83 00:04:09,560 --> 00:04:13,080 Speaker 3: Yeah, so I have to say, I'm so glad that 84 00:04:13,320 --> 00:04:16,240 Speaker 3: you didn't listen to your parents because I'm enjoying you 85 00:04:16,520 --> 00:04:20,599 Speaker 3: so much and adorable and your Russian model mom, the 86 00:04:20,680 --> 00:04:23,000 Speaker 3: model is going to be mad at me for saying that, 87 00:04:23,040 --> 00:04:24,560 Speaker 3: but don't listen. 88 00:04:25,960 --> 00:04:27,839 Speaker 6: I mean, she doesn't even know how to use the internet, 89 00:04:28,000 --> 00:04:31,200 Speaker 6: so the likelihood of being able to intercept any of this. 90 00:04:31,560 --> 00:04:36,000 Speaker 3: Is amazing, amazing, So she's better off. Ignorance is bliss, 91 00:04:36,080 --> 00:04:37,880 Speaker 3: but the people around her know how to use it. 92 00:04:37,920 --> 00:04:41,840 Speaker 3: Mark that want to get you in trouble, that's fine. 93 00:04:42,320 --> 00:04:45,400 Speaker 3: I don't think you care, no, no, you can do 94 00:04:45,480 --> 00:04:46,000 Speaker 3: no wrong. 95 00:04:46,920 --> 00:04:49,360 Speaker 5: Well that is absolutely not true, but it's very time 96 00:04:49,400 --> 00:04:50,000 Speaker 5: to be the same. 97 00:04:51,360 --> 00:04:54,680 Speaker 2: Can we do a little just quick and go for 98 00:04:54,760 --> 00:04:58,680 Speaker 2: those of us that you know haven't watched yet, so 99 00:04:58,720 --> 00:05:01,840 Speaker 2: that we can bring in some attention going through your 100 00:05:01,880 --> 00:05:05,279 Speaker 2: cast list, tell us one word to describe each cast member. 101 00:05:05,880 --> 00:05:08,320 Speaker 3: Okay, okay, oh I love this. 102 00:05:08,760 --> 00:05:10,960 Speaker 4: Yeah, Emma, lady Emma. 103 00:05:11,040 --> 00:05:15,279 Speaker 5: Then sublime. 104 00:05:16,520 --> 00:05:25,800 Speaker 4: Martha saidwell really endaring, Lottie Kane. 105 00:05:30,760 --> 00:05:45,560 Speaker 7: Ambitious, Okay, okay, Missus, sexy. 106 00:05:44,720 --> 00:05:45,560 Speaker 4: Kimmy Murdoch. 107 00:05:48,360 --> 00:05:50,520 Speaker 3: There's a lot of what things you can say right now. 108 00:05:50,560 --> 00:05:53,880 Speaker 5: I'm just huh formidable. 109 00:05:54,360 --> 00:06:01,200 Speaker 4: Yeah, Mica adorable, Margo. 110 00:06:03,120 --> 00:06:04,000 Speaker 5: Obnoxious. 111 00:06:05,120 --> 00:06:09,760 Speaker 4: I know, God, we agree. 112 00:06:10,120 --> 00:06:12,800 Speaker 3: That was our word. We went over this before you 113 00:06:12,839 --> 00:06:15,200 Speaker 3: got on, and we all said the same thing. 114 00:06:16,000 --> 00:06:20,640 Speaker 6: Oh my god, this podcast is my spiritual home. 115 00:06:22,040 --> 00:06:23,640 Speaker 3: You can't do anything wrong here. 116 00:06:25,360 --> 00:06:31,080 Speaker 5: Dara inconsequential, Oh. 117 00:06:30,920 --> 00:06:33,080 Speaker 4: I love that. And then what would you say for yourself? 118 00:06:39,480 --> 00:06:40,200 Speaker 5: My might. 119 00:06:42,200 --> 00:06:44,200 Speaker 3: I don't know. We have to google that word. 120 00:06:44,960 --> 00:06:47,440 Speaker 5: If you love to hate me or hate to love me? 121 00:06:50,279 --> 00:06:52,520 Speaker 3: I hate that. I love you because you're not somebody 122 00:06:52,520 --> 00:06:56,600 Speaker 3: I would typically like. I don't know. I'm just like 123 00:06:56,920 --> 00:06:59,960 Speaker 3: you and me are going to be friends. So since Darren, 124 00:07:00,120 --> 00:07:07,560 Speaker 3: it is, what did you say? What she's? Yeah, she's 125 00:07:07,760 --> 00:07:09,320 Speaker 3: Were you surprised when she quit? 126 00:07:11,440 --> 00:07:14,679 Speaker 5: I wasn't because I had had one very very brief 127 00:07:14,760 --> 00:07:17,559 Speaker 5: encounter with Dara prior to starting the show. 128 00:07:17,680 --> 00:07:21,400 Speaker 6: So I was walking down a street very close to 129 00:07:21,480 --> 00:07:26,040 Speaker 6: my home and this girl was walking toward me with 130 00:07:26,600 --> 00:07:29,160 Speaker 6: a producer who I had actually met a couple of 131 00:07:29,240 --> 00:07:29,840 Speaker 6: weeks before. 132 00:07:30,160 --> 00:07:32,520 Speaker 5: And this producer introduced me to Dara. 133 00:07:32,800 --> 00:07:35,640 Speaker 6: She had in fact just signed her contract, and she's like, 134 00:07:35,960 --> 00:07:37,960 Speaker 6: i'd like you to meet one of the new cast 135 00:07:38,000 --> 00:07:39,440 Speaker 6: members of the show. 136 00:07:39,600 --> 00:07:40,360 Speaker 5: This is Dara. 137 00:07:40,480 --> 00:07:43,760 Speaker 6: And were introduced, and she immediately had this very super 138 00:07:44,400 --> 00:07:48,000 Speaker 6: supercilious air of you know, She's like. 139 00:07:48,280 --> 00:07:53,360 Speaker 5: I can't believe I just signed this. I'm like Broier, 140 00:07:53,440 --> 00:07:56,280 Speaker 5: and I don't know why I'm doing this, and so 141 00:07:56,480 --> 00:07:59,440 Speaker 5: I really shouldn't be doing this. Well that maybe you should. 142 00:07:59,600 --> 00:08:02,160 Speaker 5: I mean it's a little late now, but maybe you 143 00:08:02,200 --> 00:08:03,320 Speaker 5: just shouldn't do It's. 144 00:08:03,120 --> 00:08:05,480 Speaker 3: Like, oh, but I say so, I'm going to have 145 00:08:05,600 --> 00:08:07,080 Speaker 3: to you know why. 146 00:08:07,480 --> 00:08:08,880 Speaker 6: You know, if you don't want to do it, don't 147 00:08:08,920 --> 00:08:11,400 Speaker 6: do it. No one's forcing you to go on a 148 00:08:11,440 --> 00:08:12,720 Speaker 6: reality TV sw Oh, but. 149 00:08:12,760 --> 00:08:15,640 Speaker 5: I'm just so private because you don't real and royal 150 00:08:15,680 --> 00:08:16,520 Speaker 5: people don't do this. 151 00:08:16,600 --> 00:08:19,040 Speaker 6: And I'm like, well, precisely, so you shouldn't be doing it, 152 00:08:19,080 --> 00:08:21,760 Speaker 6: should you, honey, And. 153 00:08:21,760 --> 00:08:27,880 Speaker 8: She immediately gave me this air of kind of. 154 00:08:25,960 --> 00:08:28,960 Speaker 5: Someone who was a little false. If I have to 155 00:08:28,960 --> 00:08:29,520 Speaker 5: be honest, you. 156 00:08:29,560 --> 00:08:31,560 Speaker 3: Know how many times does she have to say she's 157 00:08:31,640 --> 00:08:33,120 Speaker 3: royal to you in the first meeting. 158 00:08:33,679 --> 00:08:36,720 Speaker 6: But also if you're royal, your behavior will will speak 159 00:08:36,840 --> 00:08:37,920 Speaker 6: volumes and you're not going to. 160 00:08:38,000 --> 00:08:39,559 Speaker 3: Have to talk right, you don't know that. 161 00:08:39,840 --> 00:08:42,319 Speaker 6: But also no one cares, you know, it's we live 162 00:08:42,320 --> 00:08:46,640 Speaker 6: in London. It's anything goes, it's not a thing. Just 163 00:08:46,800 --> 00:08:50,640 Speaker 6: be the best version of yourself because that's the that's 164 00:08:50,679 --> 00:08:52,280 Speaker 6: the only thing anyone's really interested in. 165 00:08:52,440 --> 00:08:54,120 Speaker 5: We're not impressed by titles. 166 00:08:54,400 --> 00:08:56,320 Speaker 2: Well then I'm confused a little bit because then she 167 00:08:56,400 --> 00:08:58,040 Speaker 2: shows up during episode three. 168 00:08:58,360 --> 00:09:00,520 Speaker 4: Why do you think she came back to film? 169 00:09:00,880 --> 00:09:06,640 Speaker 5: I think she was probably contractually obliged to. 170 00:09:07,520 --> 00:09:08,760 Speaker 4: At least do three episodes. 171 00:09:10,559 --> 00:09:14,520 Speaker 3: Okay, got it, that makes sense. But do you think 172 00:09:14,559 --> 00:09:16,640 Speaker 3: she's a madam? 173 00:09:16,760 --> 00:09:19,480 Speaker 6: It's funny because I had a coffee with Kimmi Mhuddock 174 00:09:19,600 --> 00:09:23,520 Speaker 6: this morning, who told me she's absolutely certain she is 175 00:09:23,559 --> 00:09:29,000 Speaker 6: because she, I understand, was just in Miami on a 176 00:09:29,120 --> 00:09:35,160 Speaker 6: yacht with someone and brought a good number of female 177 00:09:35,800 --> 00:09:37,640 Speaker 6: friends or acquaintances with her. 178 00:09:38,520 --> 00:09:41,959 Speaker 4: Are we talking, Heidi flies madam? Are we talking like. 179 00:09:44,000 --> 00:09:44,120 Speaker 1: I? 180 00:09:44,160 --> 00:09:47,720 Speaker 4: Think she's an introducer, an introducer. Okay, that's what I 181 00:09:47,760 --> 00:09:48,240 Speaker 4: was thinking. 182 00:09:48,960 --> 00:09:51,520 Speaker 3: She could say she's a royal matchmaker. 183 00:09:52,080 --> 00:09:52,679 Speaker 6: She could. 184 00:09:54,120 --> 00:09:57,520 Speaker 3: She's a she's a royal that just has a lot 185 00:09:57,520 --> 00:10:01,880 Speaker 3: of horry looking friends, I mean, and say like she 186 00:10:02,040 --> 00:10:06,600 Speaker 3: just likes She could say like, I'm just a royal 187 00:10:06,600 --> 00:10:09,440 Speaker 3: who hangs around with prostitute looking women. 188 00:10:10,720 --> 00:10:14,280 Speaker 2: She could have done too, She could have done so 189 00:10:14,480 --> 00:10:18,480 Speaker 2: much that she could have made it so funny, but 190 00:10:18,600 --> 00:10:19,520 Speaker 2: she just sat there. 191 00:10:19,640 --> 00:10:24,320 Speaker 5: Well again, just to own it. You know, this series 192 00:10:24,480 --> 00:10:27,600 Speaker 5: gets so much worse. That really is just an amals bouche. 193 00:10:27,720 --> 00:10:28,800 Speaker 3: We were going to ask you that. 194 00:10:28,960 --> 00:10:31,440 Speaker 5: Yeah, go with it. It's fine, it's not the end 195 00:10:31,440 --> 00:10:33,720 Speaker 5: of the world. And also, people gossip the whole time. 196 00:10:34,120 --> 00:10:38,239 Speaker 8: It's it's all right, just just find. 197 00:10:38,080 --> 00:10:39,560 Speaker 5: The humor side to it. 198 00:10:40,040 --> 00:10:42,319 Speaker 3: Mark. You know what I think, and I've met I've 199 00:10:42,320 --> 00:10:44,480 Speaker 3: been in this business now ten years, you've been in 200 00:10:44,520 --> 00:10:49,320 Speaker 3: this business before. I think that people that act like 201 00:10:49,360 --> 00:10:53,240 Speaker 3: that are insecure and just not cut out for this business. 202 00:10:53,600 --> 00:10:55,640 Speaker 3: I don't care if she's a royal or I don't 203 00:10:55,640 --> 00:10:58,400 Speaker 3: care if she's from Patterson. If you try to be 204 00:10:58,520 --> 00:11:01,200 Speaker 3: something you're not, you don't belong in this business. I 205 00:11:01,240 --> 00:11:02,800 Speaker 3: mean it's yourself. I get your hair, and. 206 00:11:02,760 --> 00:11:05,600 Speaker 6: That's all the insecure. And I think it's okay to 207 00:11:05,600 --> 00:11:10,640 Speaker 6: be insecure, but that vulnerability is actually essential to really 208 00:11:10,679 --> 00:11:12,040 Speaker 6: showing people who you are. 209 00:11:12,200 --> 00:11:15,920 Speaker 5: It's okay to be uncertain about things and to make mistakes. 210 00:11:15,960 --> 00:11:16,720 Speaker 5: It's fine, and. 211 00:11:16,600 --> 00:11:19,240 Speaker 6: That's part of your trajectory on a show like this 212 00:11:19,520 --> 00:11:21,040 Speaker 6: because it is supposed to be real. 213 00:11:21,120 --> 00:11:22,319 Speaker 5: It needs to be real. 214 00:11:22,840 --> 00:11:26,960 Speaker 3: And people like that. But when you're trying to put 215 00:11:26,960 --> 00:11:30,760 Speaker 3: on airs about something that you're better or you can 216 00:11:30,800 --> 00:11:34,440 Speaker 3: handle this, she I've seen people like her. When the 217 00:11:34,480 --> 00:11:36,640 Speaker 3: cameras are down and the door shuts and the last 218 00:11:36,640 --> 00:11:41,440 Speaker 3: producers out the door, they're in the fetal position, going 219 00:11:41,480 --> 00:11:44,920 Speaker 3: over every single thing they said, imagining what people are 220 00:11:44,920 --> 00:11:47,480 Speaker 3: going to think about them, worried about what the world 221 00:11:47,559 --> 00:11:50,200 Speaker 3: is going to say. And I think that I have 222 00:11:50,280 --> 00:11:52,560 Speaker 3: seen that be the demise of more than one person 223 00:11:52,640 --> 00:11:52,959 Speaker 3: in this. 224 00:11:52,920 --> 00:11:55,280 Speaker 5: Business, no question about it. You're absolutely right. 225 00:11:55,720 --> 00:11:57,640 Speaker 4: And then how in the world. And Nika think this 226 00:11:57,800 --> 00:12:00,560 Speaker 4: was her best friend, But. 227 00:12:00,480 --> 00:12:04,520 Speaker 6: That's kind of the baffling part because very sweet girl, 228 00:12:04,720 --> 00:12:06,520 Speaker 6: and it's like, how did it take you twenty six 229 00:12:06,760 --> 00:12:08,920 Speaker 6: years to realize something that we worked out at the 230 00:12:08,920 --> 00:12:12,520 Speaker 6: beginning of episode one, just slightly baffled there. 231 00:12:13,200 --> 00:12:16,679 Speaker 3: But you know, but Teddy, we've seen this in another thing. 232 00:12:16,679 --> 00:12:19,800 Speaker 3: Look at Tannin and Sky friends for like years, going 233 00:12:19,840 --> 00:12:23,599 Speaker 3: on vacations together, leaving their husband's home, thick is thieves, 234 00:12:23,640 --> 00:12:26,880 Speaker 3: close best friends, and then they come on the show 235 00:12:26,960 --> 00:12:31,160 Speaker 3: and then you're You're like, well, she's always been the same, 236 00:12:31,200 --> 00:12:33,120 Speaker 3: So how does it not How is she not your 237 00:12:33,120 --> 00:12:33,720 Speaker 3: friend now? 238 00:12:33,800 --> 00:12:36,200 Speaker 4: Like, how do I think Darren did never see her? 239 00:12:38,080 --> 00:12:39,240 Speaker 3: Bar is embarrassed of her? 240 00:12:39,600 --> 00:12:41,560 Speaker 5: Yeah, but then she's not a real friend. You know, 241 00:12:41,600 --> 00:12:42,360 Speaker 5: we cannot. 242 00:12:42,800 --> 00:12:47,360 Speaker 6: We all disagree with certain things our friends might do, 243 00:12:47,640 --> 00:12:51,719 Speaker 6: or certain clothes they might wear, or whatever. But if 244 00:12:51,760 --> 00:12:56,400 Speaker 6: someone's your best friend, you either very politely and respectfully 245 00:12:56,480 --> 00:12:58,440 Speaker 6: tell them that maybe they could be doing something in 246 00:12:58,480 --> 00:13:00,640 Speaker 6: a better way, or you just go with it, because 247 00:13:00,679 --> 00:13:04,480 Speaker 6: that's part of the eccentricity of us all being real characters. 248 00:13:04,520 --> 00:13:07,520 Speaker 8: And it's fine, it's okay to different. Actually we should 249 00:13:07,520 --> 00:13:10,360 Speaker 8: be celebrating that difference. And that's exactly what I tried 250 00:13:10,440 --> 00:13:12,920 Speaker 8: to say it doras dinner. You know, we are all different, 251 00:13:13,040 --> 00:13:17,960 Speaker 8: don't assume anything about anyone, and to celebrate that, because 252 00:13:18,000 --> 00:13:21,520 Speaker 8: that's what makes a much more enriching cast and a 253 00:13:21,600 --> 00:13:25,240 Speaker 8: much more interesting show. 254 00:13:36,880 --> 00:13:40,199 Speaker 3: I do have a question. Have you been to Martha's Gratage? 255 00:13:40,640 --> 00:13:41,640 Speaker 3: Is that how you say it? 256 00:13:42,280 --> 00:13:43,520 Speaker 5: No, I haven't been. 257 00:13:44,200 --> 00:13:46,640 Speaker 3: I want you to go. I want to go too, 258 00:13:47,600 --> 00:13:49,600 Speaker 3: and I want to see it. I want to see 259 00:13:49,600 --> 00:13:52,240 Speaker 3: your reaction. I want everything. I want you to. 260 00:13:52,240 --> 00:13:56,760 Speaker 2: See the stairs going up with like the chewed mouse bites. 261 00:14:02,520 --> 00:14:05,960 Speaker 3: Wow, we have to that has to be a scene. 262 00:14:05,960 --> 00:14:08,400 Speaker 3: If they don't do that, do wait? All right, I 263 00:14:08,440 --> 00:14:10,200 Speaker 3: won't ask you if we see it or not. We'll 264 00:14:10,240 --> 00:14:10,959 Speaker 3: just have to wait. 265 00:14:12,640 --> 00:14:15,880 Speaker 6: I mean, I haven't been there personally, and I don't 266 00:14:16,679 --> 00:14:20,560 Speaker 6: know what scenes Martha's film there. 267 00:14:21,200 --> 00:14:25,520 Speaker 3: Okay, we'll see you there next season. I want to 268 00:14:25,520 --> 00:14:27,440 Speaker 3: see you. Think you're in this for the long haul? 269 00:14:27,560 --> 00:14:27,800 Speaker 6: Mark. 270 00:14:27,920 --> 00:14:29,800 Speaker 3: I think you are. I wouldn't watch it without you. 271 00:14:29,920 --> 00:14:30,600 Speaker 3: I want them to know. 272 00:14:31,800 --> 00:14:33,440 Speaker 5: Yeah. I tend to be a like two to three 273 00:14:33,480 --> 00:14:34,840 Speaker 5: hundred episode kind of plass. 274 00:14:35,480 --> 00:14:39,160 Speaker 2: Okay, Okay, Now I have two questions for you that 275 00:14:39,320 --> 00:14:40,760 Speaker 2: I couldn't really make sense of. 276 00:14:40,840 --> 00:14:41,800 Speaker 4: So I need to understand. 277 00:14:42,080 --> 00:14:44,320 Speaker 2: So you drive all the way to this winery for 278 00:14:44,360 --> 00:14:48,080 Speaker 2: the tasting, but then you leave right away. 279 00:14:49,440 --> 00:14:50,560 Speaker 5: So I left. 280 00:14:50,360 --> 00:14:54,600 Speaker 6: Home at eight am the idea was that we were 281 00:14:54,640 --> 00:14:57,280 Speaker 6: then all getting in cars at eight thirty. 282 00:14:57,160 --> 00:14:59,040 Speaker 5: And we would be there by ten thirty. 283 00:14:59,640 --> 00:15:02,240 Speaker 6: I need to leave by one, so that would have 284 00:15:02,240 --> 00:15:07,720 Speaker 6: given me enough time to taste the wine fundamentally and 285 00:15:07,800 --> 00:15:10,760 Speaker 6: maybe have an ammuz boosh with the girls and leave 286 00:15:11,280 --> 00:15:14,680 Speaker 6: in time for my meeting. Instead, we got there at 287 00:15:15,000 --> 00:15:19,280 Speaker 6: twelve fifty, so I was left with ten minutes. Because, 288 00:15:19,400 --> 00:15:25,160 Speaker 6: as you well know, these things take forever. Production, traffic, disorganization, 289 00:15:25,520 --> 00:15:27,680 Speaker 6: people need the loop, people need to stop. 290 00:15:27,840 --> 00:15:31,080 Speaker 4: It's like, oh my god, who do you think of 291 00:15:31,200 --> 00:15:33,600 Speaker 4: your group? Is the one that's late the most or 292 00:15:33,680 --> 00:15:34,680 Speaker 4: holding you guys up? 293 00:15:35,520 --> 00:15:36,800 Speaker 5: I'm always extremely late. 294 00:15:36,960 --> 00:15:39,720 Speaker 3: But I read that about you. Did you get in 295 00:15:39,760 --> 00:15:41,160 Speaker 3: trouble for that earlier? 296 00:15:41,880 --> 00:15:41,920 Speaker 1: No? 297 00:15:42,000 --> 00:15:46,240 Speaker 6: Because actually, when I'm working, I'm punctual because I respect 298 00:15:46,240 --> 00:15:48,320 Speaker 6: the fact that this is a job and you're keeping 299 00:15:48,320 --> 00:15:51,120 Speaker 6: other people waiting and everybody's being paid to be here, 300 00:15:51,160 --> 00:15:53,120 Speaker 6: and they're going to be sick of you know. 301 00:15:53,200 --> 00:15:56,160 Speaker 5: It's like, if you want them to respect you already, 302 00:15:56,200 --> 00:15:56,640 Speaker 5: it's not. 303 00:15:56,680 --> 00:15:59,480 Speaker 6: The easiest of jobs for them to have to put 304 00:15:59,560 --> 00:16:01,400 Speaker 6: up with our so at least be punctual. 305 00:16:02,200 --> 00:16:03,120 Speaker 5: That's how I see it. 306 00:16:03,400 --> 00:16:07,080 Speaker 2: Yeah, I agree, And then you seemed a little uncomfortable 307 00:16:07,160 --> 00:16:08,560 Speaker 2: with the nude model painting. 308 00:16:09,240 --> 00:16:12,320 Speaker 6: Why quite grotesque? Actually, I have to be honest. It's 309 00:16:12,360 --> 00:16:15,560 Speaker 6: not that I have no problem with nudity, but it. 310 00:16:15,440 --> 00:16:19,480 Speaker 5: Was just a little bit. It just doesn't I don't 311 00:16:19,480 --> 00:16:20,320 Speaker 5: think he showered. 312 00:16:21,000 --> 00:16:24,920 Speaker 2: Ah, Okay, now this all makes sense. 313 00:16:24,960 --> 00:16:26,520 Speaker 4: You were just discussed by hand. 314 00:16:26,960 --> 00:16:31,680 Speaker 5: He doesn't feel very uh sanitary. 315 00:16:32,640 --> 00:16:35,360 Speaker 3: Well, I did like that you put the hydrangers up 316 00:16:35,640 --> 00:16:36,760 Speaker 3: so you couldn't see. 317 00:16:37,200 --> 00:16:39,080 Speaker 6: Look, I really think in life you have to see 318 00:16:39,080 --> 00:16:40,840 Speaker 6: what you want to see, and you have to alter 319 00:16:40,960 --> 00:16:43,520 Speaker 6: your viewpoint for it to be right for you, because 320 00:16:43,560 --> 00:16:44,640 Speaker 6: there's no point complaining. 321 00:16:44,880 --> 00:16:47,000 Speaker 5: Just just deal with the deal with it. 322 00:16:47,120 --> 00:16:50,360 Speaker 3: Especially when you're filming a reality show. There's a lot 323 00:16:50,400 --> 00:16:54,200 Speaker 3: of things that you may not typically do. But I 324 00:16:54,240 --> 00:16:56,920 Speaker 3: think I think it makes a good scene when you 325 00:16:57,000 --> 00:16:59,640 Speaker 3: find a way to deal with it. And I thought 326 00:16:59,680 --> 00:17:02,040 Speaker 3: that that was a great scene. I was watching Beime. 327 00:17:02,200 --> 00:17:04,239 Speaker 6: We're not all best friends. Half of the people on 328 00:17:04,280 --> 00:17:05,680 Speaker 6: the show I didn't actually know. 329 00:17:06,520 --> 00:17:08,360 Speaker 5: But it's fine. You know, you get to know them. 330 00:17:08,400 --> 00:17:09,800 Speaker 5: Someone you end up really liking. 331 00:17:09,840 --> 00:17:12,800 Speaker 6: Others you're apathetic too, other than you're you're not really 332 00:17:12,800 --> 00:17:13,280 Speaker 6: interested in. 333 00:17:13,359 --> 00:17:14,000 Speaker 5: But it's okay. 334 00:17:14,240 --> 00:17:18,240 Speaker 6: It's totally fine because in the end, it's all it's 335 00:17:18,320 --> 00:17:21,000 Speaker 6: interesting and ultimately life is kind of like that. You 336 00:17:21,080 --> 00:17:23,280 Speaker 6: need all sorts of people along the way, and with 337 00:17:23,400 --> 00:17:26,080 Speaker 6: some you develop great bonds and with others you don't. 338 00:17:26,240 --> 00:17:27,680 Speaker 6: But everyone deserves a chance. 339 00:17:28,480 --> 00:17:32,280 Speaker 2: Well you have chances. That changes the Americans. Who do 340 00:17:32,280 --> 00:17:33,960 Speaker 2: you think is the most fun and who's. 341 00:17:33,760 --> 00:17:36,280 Speaker 5: The least Who's the most fun? 342 00:17:36,920 --> 00:17:40,399 Speaker 4: Yeah, and who's the least fun of the Americans? 343 00:17:40,800 --> 00:17:44,040 Speaker 3: Between Kimmy Meeker and Margo Well, Kimmy. 344 00:17:44,359 --> 00:17:47,760 Speaker 6: Kimmy is sensational in every way. You know she's and 345 00:17:47,800 --> 00:17:52,200 Speaker 6: I think she's the proof that it has absolutely nothing 346 00:17:52,240 --> 00:17:57,040 Speaker 6: to do with being British or American, European or continental. 347 00:17:57,400 --> 00:17:59,640 Speaker 5: That's not the point. It's not about where you're from. 348 00:17:59,720 --> 00:18:05,440 Speaker 6: It's at your disposition, your personality, your character, your your education, 349 00:18:06,200 --> 00:18:10,840 Speaker 6: your your style. Ultimately, and that has nothing to. 350 00:18:10,840 --> 00:18:12,960 Speaker 5: Do with where you're from. No one really cares about 351 00:18:12,960 --> 00:18:14,560 Speaker 5: where you're from. In all honesty. 352 00:18:16,880 --> 00:18:19,359 Speaker 4: How do you feel about pregnant women being on the show? 353 00:18:21,600 --> 00:18:22,919 Speaker 5: I guess it wasn't her fault. 354 00:18:25,720 --> 00:18:28,720 Speaker 3: He doesn't like it. Look at his home. He doesn't 355 00:18:29,240 --> 00:18:33,600 Speaker 3: like children. Not for him. 356 00:18:33,920 --> 00:18:36,000 Speaker 2: I can't wait to bring on my little ones there 357 00:18:36,200 --> 00:18:38,440 Speaker 2: just to touch, like touch. 358 00:18:38,200 --> 00:18:40,160 Speaker 4: Everything with their dirty hands. 359 00:18:41,240 --> 00:18:44,800 Speaker 6: Look, he's already He has not once brought her children 360 00:18:45,040 --> 00:18:46,360 Speaker 6: anywhere near my home. 361 00:18:47,600 --> 00:18:48,320 Speaker 4: Would you would? 362 00:18:51,119 --> 00:18:53,600 Speaker 3: That's okay, when they're older they can come. Would you 363 00:18:53,640 --> 00:18:55,359 Speaker 3: take etiquette advice from micah? 364 00:18:57,960 --> 00:18:58,080 Speaker 6: Uh? 365 00:18:59,000 --> 00:18:59,440 Speaker 5: For sure? 366 00:18:59,480 --> 00:19:01,600 Speaker 6: You know, if I had to go into an environment 367 00:19:01,640 --> 00:19:05,120 Speaker 6: that I wasn't familiar with, She's a professional, and I'm 368 00:19:05,160 --> 00:19:07,600 Speaker 6: sure she'd be able to give me some very sound advice. 369 00:19:09,640 --> 00:19:10,080 Speaker 3: Got it. 370 00:19:10,359 --> 00:19:11,840 Speaker 4: Can we talk a little bit about Margo? 371 00:19:13,359 --> 00:19:14,040 Speaker 5: Absolutely? 372 00:19:14,480 --> 00:19:18,520 Speaker 2: Why are we every single episode hearing about this movie? 373 00:19:18,800 --> 00:19:19,480 Speaker 4: And have you seen it? 374 00:19:19,520 --> 00:19:21,639 Speaker 6: Because it's the only thing she's ever done in a 375 00:19:21,680 --> 00:19:23,000 Speaker 6: professional capacity? 376 00:19:23,840 --> 00:19:26,320 Speaker 3: Okay, fair enough, that's all I needed to hear. And 377 00:19:26,359 --> 00:19:28,399 Speaker 3: I loved it. It was so great. 378 00:19:28,960 --> 00:19:30,920 Speaker 4: Why do I have said, why am I so bored 379 00:19:30,960 --> 00:19:32,520 Speaker 4: by her? 380 00:19:33,359 --> 00:19:36,080 Speaker 5: Because once again, it has nothing to do with where 381 00:19:36,119 --> 00:19:37,560 Speaker 5: she's from. It has to do with. 382 00:19:38,600 --> 00:19:44,320 Speaker 6: The depth of her personality, and unfortunately, she's quite affected 383 00:19:45,000 --> 00:19:49,800 Speaker 6: and she doesn't have great depth or richness to her 384 00:19:50,040 --> 00:19:50,680 Speaker 6: I'm afraid. 385 00:19:51,240 --> 00:19:52,120 Speaker 4: Yeah, got it? 386 00:19:52,200 --> 00:19:55,160 Speaker 2: Well, I need to learn how to start speaking, because 387 00:19:55,200 --> 00:19:57,600 Speaker 2: when he's throwing shade, it's so much better than when 388 00:19:57,640 --> 00:19:58,520 Speaker 2: I'm throwing shade. 389 00:19:58,520 --> 00:20:00,000 Speaker 4: Mine gets written out, because I. 390 00:20:00,240 --> 00:20:03,639 Speaker 3: That would take years. If he speaks five languages, Teddy, 391 00:20:03,960 --> 00:20:06,600 Speaker 3: we barely speak Mark. I read about you, and I 392 00:20:06,720 --> 00:20:07,639 Speaker 3: just read about. 393 00:20:07,720 --> 00:20:10,159 Speaker 5: All people in more countries. 394 00:20:12,520 --> 00:20:15,120 Speaker 3: Mark. I had to know everything, and I'm not done. 395 00:20:15,119 --> 00:20:17,000 Speaker 3: I'm going to read more. And I think I know 396 00:20:17,080 --> 00:20:18,960 Speaker 3: somebody in your neighborhood. I'm going to find out. I 397 00:20:19,000 --> 00:20:21,320 Speaker 3: want to know everything about you. I want to know 398 00:20:21,320 --> 00:20:23,119 Speaker 3: what you mean for breakfast. I don't know why I. 399 00:20:24,680 --> 00:20:28,359 Speaker 4: Hideous I've been They don't have breakfast there. 400 00:20:29,040 --> 00:20:32,240 Speaker 2: Yeah, okay, that's my favorite meal of the day, even 401 00:20:32,240 --> 00:20:34,200 Speaker 2: though I will say it's unnecessary, not. 402 00:20:34,119 --> 00:20:38,399 Speaker 3: My thing either. It makes me sick. Wait, do you 403 00:20:38,440 --> 00:20:40,480 Speaker 3: know do you know Carolyn Stanbury? 404 00:20:41,160 --> 00:20:43,800 Speaker 5: I love Caroline. I love her. 405 00:20:44,560 --> 00:20:47,400 Speaker 3: Oh she she finally made it home. Did you see? 406 00:20:47,960 --> 00:20:48,639 Speaker 5: No, I didn't. 407 00:20:48,920 --> 00:20:52,400 Speaker 3: She was stuck here for a month with the war 408 00:20:52,560 --> 00:20:56,400 Speaker 3: and six weeks oh okay, it was six weeks stuck here, Mark. 409 00:20:57,040 --> 00:21:01,880 Speaker 3: And then poor Sergio in the airport left his iPad 410 00:21:01,920 --> 00:21:04,679 Speaker 3: and computer in the TSA, and I don't think they 411 00:21:04,680 --> 00:21:05,320 Speaker 3: got it back yet. 412 00:21:05,400 --> 00:21:07,440 Speaker 5: Did they get married to a child? You need to 413 00:21:07,480 --> 00:21:08,160 Speaker 5: look after them. 414 00:21:08,560 --> 00:21:10,440 Speaker 4: I know you have to pick up that for their stuff. 415 00:21:10,760 --> 00:21:15,080 Speaker 3: And she doesn't because the nanny wasn't with her son. 416 00:21:15,800 --> 00:21:18,920 Speaker 3: The nanny wasn't with her, so then she wasn't interested in, 417 00:21:19,480 --> 00:21:22,080 Speaker 3: you know, worried about him. She was worried about her 418 00:21:22,119 --> 00:21:22,800 Speaker 3: own bags. 419 00:21:22,960 --> 00:21:26,200 Speaker 4: How did you think she found out that he forgot it? 420 00:21:26,280 --> 00:21:26,359 Speaker 1: Was? 421 00:21:26,400 --> 00:21:28,800 Speaker 4: She like posing for a photo and then she was like, 422 00:21:28,840 --> 00:21:30,600 Speaker 4: where's the hold on? Where's the loomy light? 423 00:21:31,440 --> 00:21:33,800 Speaker 3: That's what it was. She needed something from it. 424 00:21:34,320 --> 00:21:37,160 Speaker 5: The great thing about Caroline is that she owns it. 425 00:21:37,240 --> 00:21:39,159 Speaker 6: You know, you could say all of this to her 426 00:21:39,200 --> 00:21:41,680 Speaker 6: face and she'd be like, yeah, absolutely, that's me. 427 00:21:41,760 --> 00:21:44,879 Speaker 3: And we'd probably say it before we would, and she 428 00:21:45,000 --> 00:21:50,199 Speaker 3: had she owns it, and then we'd like you to 429 00:21:50,359 --> 00:21:53,879 Speaker 3: give us since we're gazzipping about other people off your 430 00:21:53,880 --> 00:21:57,480 Speaker 3: show now, Megan Markle, what's your thoughts? 431 00:21:58,160 --> 00:22:02,119 Speaker 6: Well, I think that it's very telling that in the 432 00:22:02,240 --> 00:22:06,040 Speaker 6: last week or so we've been reading about another side 433 00:22:06,240 --> 00:22:11,640 Speaker 6: which perhaps we might have assumed was there, but now 434 00:22:11,720 --> 00:22:13,960 Speaker 6: that it's all coming into the open, I think it's 435 00:22:14,960 --> 00:22:18,960 Speaker 6: I think it gives a much rounder and more coherent picture. 436 00:22:19,800 --> 00:22:21,679 Speaker 3: Correct. I see what you're saying, and I know what 437 00:22:21,720 --> 00:22:25,359 Speaker 3: you're talking about, and I didn't look at it like 438 00:22:25,480 --> 00:22:28,480 Speaker 3: that until you just spoke about it because there's other 439 00:22:28,600 --> 00:22:32,960 Speaker 3: stuff going on, But I get what you're saying. 440 00:22:33,280 --> 00:22:36,720 Speaker 6: Yeah, you know, And I really think that it's interesting 441 00:22:36,800 --> 00:22:43,600 Speaker 6: to read it both on American tabloids and the British, 442 00:22:43,760 --> 00:22:48,200 Speaker 6: because of course the British will tell you that they 443 00:22:48,280 --> 00:22:52,560 Speaker 6: have that outlook from day one, and that perhaps we're 444 00:22:52,600 --> 00:22:55,920 Speaker 6: more skeptical and that we're more judgmental. 445 00:22:56,560 --> 00:23:02,399 Speaker 5: The truth is that we can't straight through bullshit, and 446 00:23:02,520 --> 00:23:07,280 Speaker 5: Americans perhaps culturally, and it's not necessarily a bad. 447 00:23:07,080 --> 00:23:12,880 Speaker 6: Thing, but they are more indulging of someone's full of bullshit, 448 00:23:13,880 --> 00:23:15,159 Speaker 6: their own truth. 449 00:23:15,320 --> 00:23:18,320 Speaker 5: You know, I'm gonna give you my own my truth. 450 00:23:18,760 --> 00:23:21,360 Speaker 4: I hate when people say my truth. I hate when 451 00:23:21,359 --> 00:23:22,399 Speaker 4: people say my truth. 452 00:23:22,520 --> 00:23:26,600 Speaker 3: Just say the truth correct, thank you? Like, well, that's 453 00:23:26,720 --> 00:23:28,560 Speaker 3: because they want don't want my truth? 454 00:23:28,640 --> 00:23:34,159 Speaker 4: Is I'm lying. It's like when people swear on their 455 00:23:34,240 --> 00:23:35,800 Speaker 4: kids life. I'm like, you're lying. 456 00:23:36,600 --> 00:23:39,720 Speaker 3: Yeah, well I wouldn't do that, Teddy. Actually I almost 457 00:23:39,760 --> 00:23:42,520 Speaker 3: lost the Traders because someone swore on their kids, and 458 00:23:42,600 --> 00:23:44,520 Speaker 3: I believe nobody would ever lie about that. 459 00:23:45,280 --> 00:23:47,560 Speaker 4: Now they weren't lying thing. 460 00:23:48,680 --> 00:23:54,040 Speaker 3: Yeah that that's like crazy, I think, But if you 461 00:23:54,080 --> 00:24:14,920 Speaker 3: gotta yatta. 462 00:24:07,320 --> 00:24:12,280 Speaker 2: What's more fab Martha's bird or Kimmy's bird taxidermy collection. 463 00:24:13,840 --> 00:24:17,520 Speaker 6: Well, I mean, I'm all for living species, but I 464 00:24:17,560 --> 00:24:20,320 Speaker 6: do think that if you've got more dead ones, it's 465 00:24:20,359 --> 00:24:24,680 Speaker 6: better than one alive one, and also will be around forever. 466 00:24:25,040 --> 00:24:28,680 Speaker 5: So I'm here for eternity, so I'll go for dead. 467 00:24:29,359 --> 00:24:33,480 Speaker 3: Is that what you're Okay, You're a vampire. That's why 468 00:24:33,480 --> 00:24:36,520 Speaker 3: you're not going to aage. You got it, I know, 469 00:24:37,680 --> 00:24:38,560 Speaker 3: I'm telling you. 470 00:24:39,359 --> 00:24:43,359 Speaker 2: Well, on a softer side, I really related to when 471 00:24:43,400 --> 00:24:46,359 Speaker 2: you were talking about how you got your place so 472 00:24:46,359 --> 00:24:49,600 Speaker 2: that you could develop a stronger relationship with your dad. 473 00:24:50,800 --> 00:24:53,440 Speaker 2: I also was one of those latch key kids where 474 00:24:53,480 --> 00:24:56,040 Speaker 2: like every other weekend we'd fly to see them, and 475 00:24:56,680 --> 00:25:00,359 Speaker 2: we didn't develop a tight, tight relationship until I in 476 00:25:00,400 --> 00:25:04,840 Speaker 2: my twenties. So when you said that, I was like, 477 00:25:04,960 --> 00:25:07,960 Speaker 2: oh my gosh, I can see so many similarities to that. 478 00:25:08,040 --> 00:25:11,159 Speaker 4: Because no matter what, going every other weekend, it's just 479 00:25:11,240 --> 00:25:13,639 Speaker 4: like a taste. And then you go back to your 480 00:25:13,640 --> 00:25:15,400 Speaker 4: real life totally. 481 00:25:15,480 --> 00:25:17,840 Speaker 6: And as your parents get older and you grow up, 482 00:25:17,880 --> 00:25:20,560 Speaker 6: you start becoming so much more aware of the clock 483 00:25:20,640 --> 00:25:24,960 Speaker 6: ticking and you understand how vital every moment that you 484 00:25:25,000 --> 00:25:28,280 Speaker 6: spend with them is because the last thing that you 485 00:25:28,320 --> 00:25:31,679 Speaker 6: want to do is be left with a sense of regret. 486 00:25:31,880 --> 00:25:33,720 Speaker 6: You know, I should have done more, I should have 487 00:25:33,760 --> 00:25:35,879 Speaker 6: been more present, I should have valued the more. 488 00:25:35,920 --> 00:25:40,000 Speaker 5: I should have listened. I should have So that's in 489 00:25:40,119 --> 00:25:41,240 Speaker 5: part what I want to avoid. 490 00:25:41,480 --> 00:25:44,199 Speaker 6: What But the truth is that I really think we 491 00:25:44,280 --> 00:25:47,520 Speaker 6: owe so much to our parents that we're not aware 492 00:25:47,560 --> 00:25:51,840 Speaker 6: of when we're kids. But I think, you know, as 493 00:25:51,880 --> 00:25:56,040 Speaker 6: you grow up, you really need to understand how instrumental 494 00:25:56,119 --> 00:25:59,720 Speaker 6: and how much they've given to you, and to return that, 495 00:26:00,040 --> 00:26:02,480 Speaker 6: do what you can to kind of as they get older, 496 00:26:03,280 --> 00:26:04,200 Speaker 6: give that back to them. 497 00:26:04,240 --> 00:26:05,120 Speaker 5: I think it's important. 498 00:26:05,520 --> 00:26:06,520 Speaker 4: Time is fleeting. 499 00:26:06,600 --> 00:26:09,560 Speaker 2: Like I never believed my parents when they said, like 500 00:26:09,640 --> 00:26:12,679 Speaker 2: time goes by so fast. The older you get, the 501 00:26:12,720 --> 00:26:15,320 Speaker 2: faster it goes. And now I'm like, how did this happen? 502 00:26:15,359 --> 00:26:17,000 Speaker 2: How am I forty four years old? And where did 503 00:26:17,000 --> 00:26:17,439 Speaker 2: my life go? 504 00:26:19,520 --> 00:26:23,960 Speaker 3: It goes fast? Just a question mark? Do you know 505 00:26:24,359 --> 00:26:26,560 Speaker 3: so many people from all over the world? Is there 506 00:26:26,600 --> 00:26:29,800 Speaker 3: anybody you know? This is just from my personal masking, 507 00:26:29,800 --> 00:26:31,520 Speaker 3: because I do know people like this. Do you know 508 00:26:31,560 --> 00:26:34,240 Speaker 3: anyone that regrets not reaching out to their parents before 509 00:26:34,240 --> 00:26:35,600 Speaker 3: they passed away or doing more? 510 00:26:36,600 --> 00:26:41,040 Speaker 6: Another people who have who have shaped my outlook in 511 00:26:41,160 --> 00:26:45,800 Speaker 6: recent years the most, absolutely, And I'm around a lot 512 00:26:45,840 --> 00:26:47,080 Speaker 6: of much older people. 513 00:26:46,840 --> 00:26:48,119 Speaker 5: Because I prefer their company. 514 00:26:48,119 --> 00:26:49,879 Speaker 6: I find them much more interesting and I find I 515 00:26:49,960 --> 00:26:53,000 Speaker 6: learn a lot more from them, and they're the ones 516 00:26:53,040 --> 00:26:55,600 Speaker 6: who have given me, you know, the sagest advice. 517 00:26:55,680 --> 00:26:59,320 Speaker 3: I would say, yeah, life's advice is the best. And 518 00:26:59,400 --> 00:27:02,760 Speaker 3: I to be around older people as well. And what's 519 00:27:02,800 --> 00:27:04,679 Speaker 3: to come? Do we have more to look forward to? 520 00:27:04,720 --> 00:27:05,040 Speaker 4: It's good. 521 00:27:05,080 --> 00:27:06,880 Speaker 3: I know you said earlier it gets crazy, but. 522 00:27:08,280 --> 00:27:12,760 Speaker 6: It does because actually the outcome is really unexpected. And 523 00:27:13,280 --> 00:27:16,280 Speaker 6: it's interesting how people can come into a show like 524 00:27:16,400 --> 00:27:19,639 Speaker 6: this thinking they've got it all mapped up, and you 525 00:27:19,680 --> 00:27:23,199 Speaker 6: can see that they've got a little diagram of it 526 00:27:23,320 --> 00:27:26,680 Speaker 6: all in their mind, and they've already got the outcome set, 527 00:27:27,240 --> 00:27:31,200 Speaker 6: and you can see them being slowly dismantled over time 528 00:27:32,000 --> 00:27:35,360 Speaker 6: because they think that everything's just going to go their way, 529 00:27:35,520 --> 00:27:37,439 Speaker 6: because well, they think it's their show. 530 00:27:38,240 --> 00:27:40,480 Speaker 5: And there's quite a bit of that. 531 00:27:40,640 --> 00:27:42,080 Speaker 4: And are you talking about Margo. 532 00:27:42,800 --> 00:27:46,960 Speaker 6: I am, And I think people's true colors really do 533 00:27:47,200 --> 00:27:51,760 Speaker 6: always show in programs like this because they are actually 534 00:27:52,160 --> 00:27:52,800 Speaker 6: quite real. 535 00:27:53,240 --> 00:27:56,720 Speaker 5: We were lucky. We had a great crew who really brought. 536 00:27:56,440 --> 00:27:59,800 Speaker 6: Out a lot of more emotion that I wasn't expecting 537 00:28:00,200 --> 00:28:05,119 Speaker 6: and so and so, yeah, it gets kind of wild. 538 00:28:05,520 --> 00:28:08,000 Speaker 3: So you mean we're going to see some emotions of 539 00:28:08,040 --> 00:28:11,120 Speaker 3: the people that aren't usually emotional, like the British people 540 00:28:11,119 --> 00:28:13,280 Speaker 3: that they were talking like the last episode was like 541 00:28:13,320 --> 00:28:16,440 Speaker 3: why are we who's emotional? Why are these Americans so emotional? 542 00:28:16,680 --> 00:28:19,560 Speaker 3: Which I agree with. I'm not into emotion at all, 543 00:28:20,760 --> 00:28:27,800 Speaker 3: I am. 544 00:28:24,520 --> 00:28:27,159 Speaker 6: You know, I think we're I think you've got to 545 00:28:27,160 --> 00:28:29,280 Speaker 6: be emotional in order to be in touch with yourself. 546 00:28:29,320 --> 00:28:33,040 Speaker 6: But the way you demonstrate that emotion is then a 547 00:28:33,040 --> 00:28:35,880 Speaker 6: matter of choice, a matter of your upbringing, your education, 548 00:28:36,000 --> 00:28:40,000 Speaker 6: and how comfortable you feel, you know, really throwing that 549 00:28:40,120 --> 00:28:42,120 Speaker 6: all out there and what you expect from people, because 550 00:28:42,120 --> 00:28:44,320 Speaker 6: I think when people get overly emotional just because they 551 00:28:44,360 --> 00:28:48,520 Speaker 6: want other people's sympathy, right, that's wrong and I'm not 552 00:28:48,600 --> 00:28:49,880 Speaker 6: fond of that, you know. 553 00:28:50,400 --> 00:28:54,800 Speaker 4: And you could see through that, you can What could 554 00:28:54,800 --> 00:28:57,120 Speaker 4: you tease for the season? And who do you think 555 00:28:57,120 --> 00:28:59,960 Speaker 4: the biggest villain is? And do we see it coming? 556 00:29:02,360 --> 00:29:03,360 Speaker 5: What can I tease? 557 00:29:05,480 --> 00:29:08,280 Speaker 6: I think you're starting to get a great picture of 558 00:29:10,120 --> 00:29:13,400 Speaker 6: people's true characters. I think someone like Martha, who is 559 00:29:13,480 --> 00:29:18,680 Speaker 6: so very much herself, is going to blossom because she 560 00:29:18,880 --> 00:29:23,600 Speaker 6: isn't afraid of that vulnerability and she's this beautiful rose 561 00:29:23,960 --> 00:29:27,600 Speaker 6: that that's just opening up and that's finally encouraged to 562 00:29:28,200 --> 00:29:30,560 Speaker 6: be herself. And I think that kind of bravery is 563 00:29:30,680 --> 00:29:33,400 Speaker 6: very beautiful. And I think you're seeing something quite similar 564 00:29:33,400 --> 00:29:37,160 Speaker 6: with Emma. I think someone like Kimmy has so many 565 00:29:37,200 --> 00:29:41,040 Speaker 6: incredible layers of depth, and a little like me, she 566 00:29:41,160 --> 00:29:43,400 Speaker 6: sort of wraps it all up in a lot of 567 00:29:43,440 --> 00:29:48,880 Speaker 6: eccentricity because it's a coping mechanism. And I think that 568 00:29:48,920 --> 00:29:53,520 Speaker 6: as time goes on, we'll see a lot more that 569 00:29:53,600 --> 00:29:58,640 Speaker 6: we'll see a profound, a profound version of Kimmy Murdoch. 570 00:29:58,680 --> 00:30:00,280 Speaker 6: And I think that's one to be see. 571 00:30:01,920 --> 00:30:03,960 Speaker 4: I want to see that too, and I've been loving it. 572 00:30:04,120 --> 00:30:06,280 Speaker 2: So Thank you so much for joining us, and thank 573 00:30:06,320 --> 00:30:09,560 Speaker 2: you so much for giving us the deeds and uh 574 00:30:10,040 --> 00:30:10,640 Speaker 2: you've got. 575 00:30:10,480 --> 00:30:11,920 Speaker 4: Us hooked on another show. 576 00:30:13,280 --> 00:30:17,360 Speaker 5: To meet you me me the divine. 577 00:30:17,520 --> 00:30:24,560 Speaker 3: Thank you so much, Thank you, Bye bye bye