1 00:00:01,720 --> 00:00:04,440 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,480 --> 00:00:14,000 Speaker 1: Welcome to and that's when you really miss podcasts. The last, 4 00:00:14,160 --> 00:00:20,280 Speaker 1: oh God, final season. We are here. We are at 5 00:00:20,280 --> 00:00:23,800 Speaker 1: the beginning of the end. Kevin, this is crazy. 6 00:00:24,079 --> 00:00:25,600 Speaker 2: Yeah, we made it. Jenna. 7 00:00:25,840 --> 00:00:28,600 Speaker 1: This is season six, episode one. We are at a 8 00:00:28,680 --> 00:00:34,400 Speaker 1: loser like me. Our favorite song and it is. This 9 00:00:34,560 --> 00:00:39,040 Speaker 1: was aired on January ninth, twenty fifteen, which was a Friday. 10 00:00:39,520 --> 00:00:42,479 Speaker 1: And this was a delay. Correct, So like they delayed 11 00:00:42,520 --> 00:00:47,720 Speaker 1: airing because we finished filmingly in February of twenty fifteen, 12 00:00:47,760 --> 00:00:51,720 Speaker 1: correct something like that, Yes, right close to it. Yeah, yes, 13 00:00:53,320 --> 00:00:54,120 Speaker 1: crazy times. 14 00:00:54,200 --> 00:00:57,400 Speaker 2: And like, just for those of you who, maybe the 15 00:00:57,440 --> 00:01:00,680 Speaker 2: younger ones who aren't familiar with week do we television 16 00:01:00,720 --> 00:01:05,160 Speaker 2: on cable If you get moved to a Friday, it's 17 00:01:05,240 --> 00:01:11,119 Speaker 2: basically like moving you to the graveyard people in America, don't. 18 00:01:11,120 --> 00:01:14,120 Speaker 1: People are out on Friday. They're not watching TV on 19 00:01:14,200 --> 00:01:17,240 Speaker 1: Friday night unless you're a mom of June and now 20 00:01:17,280 --> 00:01:19,320 Speaker 1: you're watching Harry Potter on a Friday night. Okay. 21 00:01:19,560 --> 00:01:22,000 Speaker 2: Yeah, so that was a little bit of a kiss 22 00:01:22,040 --> 00:01:24,319 Speaker 2: of death. Okay, but we were already you know, I 23 00:01:24,319 --> 00:01:24,880 Speaker 2: can't wait. 24 00:01:24,760 --> 00:01:26,360 Speaker 1: To get into this episode. So let's get all through 25 00:01:26,360 --> 00:01:28,080 Speaker 1: all the fun stuff so we can talk about our 26 00:01:28,120 --> 00:01:28,720 Speaker 1: thoughts because I know. 27 00:01:28,800 --> 00:01:31,480 Speaker 2: Okay now, So the number one song in the country 28 00:01:31,560 --> 00:01:32,839 Speaker 2: was blank Space by Taylor Swift. 29 00:01:33,080 --> 00:01:36,679 Speaker 1: Great song, new song. The movie was Taken number three, 30 00:01:36,800 --> 00:01:39,160 Speaker 1: so Taking three. This is the third film in the 31 00:01:39,160 --> 00:01:40,600 Speaker 1: Taking trilogy with William Mason. 32 00:01:40,720 --> 00:01:42,319 Speaker 2: They were really just turning those out. 33 00:01:42,480 --> 00:01:46,479 Speaker 1: Didn't see it in Glee News this week. On January sixth, 34 00:01:46,480 --> 00:01:50,600 Speaker 1: Glee the Complete fifth season was released on DVD, still 35 00:01:51,040 --> 00:01:53,520 Speaker 1: and featuring all twenty episodes of season five and six 36 00:01:53,560 --> 00:01:57,360 Speaker 1: on discs. And then on January sixth, the music of 37 00:01:57,560 --> 00:02:00,000 Speaker 1: Loser Like Me Ep was released. 38 00:02:00,840 --> 00:02:03,720 Speaker 2: Not to be confused with the other January sixth that 39 00:02:03,880 --> 00:02:05,280 Speaker 2: happened a couple of years later. 40 00:02:06,040 --> 00:02:10,520 Speaker 1: Oh no, no, quite a few years later, many many 41 00:02:10,600 --> 00:02:13,240 Speaker 1: years later. We were in a different eon of time 42 00:02:13,400 --> 00:02:19,799 Speaker 1: where something didn't exist. Okay, No simpler times, Okay. This 43 00:02:19,880 --> 00:02:22,120 Speaker 1: episode was directed by the one and only Brad Baker. 44 00:02:22,360 --> 00:02:24,560 Speaker 1: You could tell as soon as we started watching it, 45 00:02:24,680 --> 00:02:27,040 Speaker 1: all of his shots, all his intimate close ups. 46 00:02:27,160 --> 00:02:30,320 Speaker 2: Uh huh. In this episode we have Brian Sookes Mitchell 47 00:02:30,400 --> 00:02:34,720 Speaker 2: back along with like Ickball, Max Adler, A lot of 48 00:02:34,760 --> 00:02:36,320 Speaker 2: people are back, and we have a lot. 49 00:02:36,200 --> 00:02:43,399 Speaker 1: Of and a special appearance as already caret. That's right, weird, Okay. 50 00:02:43,600 --> 00:02:45,160 Speaker 1: The songs in this episode Kevin tell Me. 51 00:02:45,120 --> 00:02:49,559 Speaker 2: About Them Uninvited by Alanis Moore, sett performed by Rachel. 52 00:02:49,600 --> 00:02:53,120 Speaker 1: Suddenly Seymour Kevin by Blaine and Rachel. 53 00:02:54,400 --> 00:02:59,280 Speaker 2: I have Trauma sing by Ed Charon performed by Blaine 54 00:02:59,360 --> 00:03:02,839 Speaker 2: and Skyler with Dulton Academy Warblers. 55 00:03:02,480 --> 00:03:06,840 Speaker 1: And Dance to Night Away by a Book Adrenaline. 56 00:03:06,400 --> 00:03:08,880 Speaker 2: And let It Go. Wow, yes, that let It Go 57 00:03:09,000 --> 00:03:09,560 Speaker 2: by Rachel. 58 00:03:09,639 --> 00:03:12,000 Speaker 1: I've got to tell you I let it Go started playing, 59 00:03:12,400 --> 00:03:16,080 Speaker 1: and I watched the episode before this, and I listened 60 00:03:16,120 --> 00:03:20,600 Speaker 1: to Let It Go, the original Ladina version about fifteen 61 00:03:20,720 --> 00:03:26,520 Speaker 1: times this morning because my daughter is ob sassed and 62 00:03:26,560 --> 00:03:29,120 Speaker 1: she has two microphones that bluetooth in and you can 63 00:03:29,120 --> 00:03:31,240 Speaker 1: play it through and she sings it and she sings 64 00:03:31,240 --> 00:03:33,520 Speaker 1: it on repeat, and we're like, let's switch it up. 65 00:03:33,600 --> 00:03:36,640 Speaker 1: Can we change the song? Girlfriend? And she's like, okay, 66 00:03:36,720 --> 00:03:40,000 Speaker 1: can you do show yourself then from Frozen too? So 67 00:03:41,640 --> 00:03:44,120 Speaker 1: I am this Frozen in my house is like and 68 00:03:44,160 --> 00:03:46,240 Speaker 1: I thought I would be like shook by Leah singing 69 00:03:46,240 --> 00:03:47,880 Speaker 1: it because I was like, oh God, let it go. 70 00:03:48,640 --> 00:03:50,880 Speaker 1: But honestly, it's just in my bones now. And I 71 00:03:50,920 --> 00:03:52,240 Speaker 1: was like, oh, yeah, I know this song. 72 00:03:53,800 --> 00:03:57,680 Speaker 2: I'd like to hear your version. Oh it's hard, Yes, 73 00:03:57,760 --> 00:03:58,440 Speaker 2: it is hard. 74 00:03:58,600 --> 00:03:59,920 Speaker 1: I you know. I was lidal to Leon. I was 75 00:03:59,920 --> 00:04:02,080 Speaker 1: like wow, because Emma will be like, Mommy, sing this song, 76 00:04:02,120 --> 00:04:04,720 Speaker 1: and I'm like, girl, I don't know if I can. 77 00:04:05,960 --> 00:04:06,680 Speaker 1: And then show. 78 00:04:06,520 --> 00:04:08,880 Speaker 2: Yourself you're a singer, like do you know you can sing? 79 00:04:10,040 --> 00:04:12,080 Speaker 1: Yes, a little bit. But I also think like even 80 00:04:12,120 --> 00:04:13,960 Speaker 1: if I didn't have a singing voice, I think she'd 81 00:04:13,960 --> 00:04:16,640 Speaker 1: be like, Mommy sing this. Except for the first time 82 00:04:16,720 --> 00:04:20,919 Speaker 1: today ever, she said no, Mommy, you don't sing. And 83 00:04:20,960 --> 00:04:23,240 Speaker 1: she said no, Daddy don't sing either, And I was like, Okay, 84 00:04:23,240 --> 00:04:25,599 Speaker 1: at least we're in this together. I didn't get shunned myself. 85 00:04:25,720 --> 00:04:28,400 Speaker 1: It wasn't just me, but I was like, wow, that's 86 00:04:28,400 --> 00:04:31,520 Speaker 1: a first. Okay, didn't you say that she has a 87 00:04:31,520 --> 00:04:34,200 Speaker 1: really good pitch. She does have a really good pitch. 88 00:04:34,320 --> 00:04:36,320 Speaker 1: Today she didn't, but usually she does. 89 00:04:36,360 --> 00:04:38,440 Speaker 2: She's I mean. 90 00:04:38,279 --> 00:04:41,440 Speaker 1: She's two and a half, like she she can really 91 00:04:41,480 --> 00:04:43,520 Speaker 1: get to the note. It's like flipping the head voice 92 00:04:43,520 --> 00:04:45,520 Speaker 1: that like we're trying to teach her now, but she's 93 00:04:45,600 --> 00:04:48,880 Speaker 1: like weirdly really musical and very. 94 00:04:48,839 --> 00:04:50,080 Speaker 2: Good at it's better than me. 95 00:04:50,360 --> 00:04:51,279 Speaker 1: No, no, better than me. 96 00:04:51,360 --> 00:04:52,039 Speaker 2: It makes sense. 97 00:04:52,640 --> 00:04:55,839 Speaker 1: Yeah, anyway, get her in lessons now. I know. I'm 98 00:04:55,880 --> 00:04:56,560 Speaker 1: working on it. 99 00:04:56,680 --> 00:04:58,920 Speaker 2: Wow, staying junkle, I. 100 00:04:58,920 --> 00:05:03,080 Speaker 1: Know who are she loves this thing? Okay. Season six 101 00:05:03,120 --> 00:05:05,240 Speaker 1: of Glee aired on Fridays at nine, which we have 102 00:05:06,080 --> 00:05:10,600 Speaker 1: already discussed is the Graveyard and season six premiered at 103 00:05:10,640 --> 00:05:13,919 Speaker 1: EPM for a special two part premiere So usual like 104 00:05:14,000 --> 00:05:17,160 Speaker 1: Me was first, and then season six episode two, Homecoming, 105 00:05:17,279 --> 00:05:18,320 Speaker 1: aired right after. 106 00:05:18,760 --> 00:05:22,760 Speaker 2: We're not doing that, we're spreading this out so just 107 00:05:22,839 --> 00:05:27,080 Speaker 2: so you know. Yes, this episode was watched by two 108 00:05:27,080 --> 00:05:31,840 Speaker 2: point three four million viewers, which is a twenty one 109 00:05:31,880 --> 00:05:40,160 Speaker 2: percent improvement from the last episode. However, this is the 110 00:05:40,160 --> 00:05:41,800 Speaker 2: lowest watch Glee season premiere. 111 00:05:43,360 --> 00:05:45,520 Speaker 1: This is the second time two episodes aired on the 112 00:05:45,560 --> 00:05:48,480 Speaker 1: same day, the first being Props and National. 113 00:05:49,080 --> 00:05:51,160 Speaker 2: This is the first and only season premiere where Ardy 114 00:05:51,200 --> 00:05:52,359 Speaker 2: and Tina don't appear. 115 00:05:53,400 --> 00:05:55,600 Speaker 1: Oh is sad and I'm starting In this episode, dut 116 00:05:55,640 --> 00:05:58,400 Speaker 1: Marie Jones and Amber Riley were promoted to a regular cast, 117 00:05:58,960 --> 00:06:01,599 Speaker 1: which is funny because when was Ama not regular cast? 118 00:06:02,320 --> 00:06:06,720 Speaker 1: But like you know. Nara Rivera, John Ashwitzpecatova, and Alex Newel, 119 00:06:06,760 --> 00:06:11,240 Speaker 1: Jacob artists Blake Jenner were deed demoted to the recurring casts. 120 00:06:11,839 --> 00:06:15,239 Speaker 2: This episode marks the first appearance of Clint Spencer, Porter 121 00:06:15,320 --> 00:06:16,280 Speaker 2: and Roderck Meeks. 122 00:06:17,160 --> 00:06:19,560 Speaker 1: And this is the third episode named after an original 123 00:06:19,640 --> 00:06:23,880 Speaker 1: song that's been done on Glee, following Extraordinary Merried Christmas 124 00:06:23,920 --> 00:06:25,159 Speaker 1: and All or Nothing. 125 00:06:26,160 --> 00:06:28,279 Speaker 2: While the song Loser Like Me is not actually in 126 00:06:28,320 --> 00:06:31,080 Speaker 2: this episode, an instrumental version of the season five version 127 00:06:31,240 --> 00:06:33,599 Speaker 2: is used as background music in Rachel and Blaine scene 128 00:06:33,680 --> 00:06:35,360 Speaker 2: at the line of bean which I really liked it 129 00:06:35,400 --> 00:06:37,320 Speaker 2: really fit, it died, it fit. 130 00:06:37,520 --> 00:06:40,599 Speaker 1: It was nice. This is the fourth season premiere where 131 00:06:40,640 --> 00:06:42,080 Speaker 1: Rachel has a solo. 132 00:06:43,480 --> 00:06:46,440 Speaker 2: With this episode, Rachel sings a duet and every season 133 00:06:46,480 --> 00:06:48,680 Speaker 2: premiere in each of them with a different person Finn 134 00:06:48,680 --> 00:06:52,520 Speaker 2: and Don't Stop Believing Sunshine and Telephone Curtain Ding among 135 00:06:52,600 --> 00:06:55,520 Speaker 2: The Witch is Dead, Marley in New York, State of Mind, 136 00:06:55,600 --> 00:06:59,080 Speaker 2: Santana A Hard Day's Night, and Blaine suddenly. 137 00:06:58,680 --> 00:07:02,640 Speaker 1: Seymour piano shown during that so Rachel has a reference 138 00:07:02,680 --> 00:07:05,120 Speaker 1: to the Purple Piano Project would Die was like, Oh, 139 00:07:05,160 --> 00:07:05,920 Speaker 1: I know that piano. 140 00:07:07,120 --> 00:07:09,760 Speaker 2: This episode marks the final appearance. 141 00:07:09,840 --> 00:07:15,800 Speaker 1: Of Leroy berry Oh. Rachel sings let It Go from Frozen, 142 00:07:15,840 --> 00:07:18,480 Speaker 1: originally sung by a Dana Menzel. A. Dina, of course, 143 00:07:18,520 --> 00:07:21,200 Speaker 1: played Rachel's mother, Shelby Corkran. The pop version of the 144 00:07:21,240 --> 00:07:24,600 Speaker 1: song was sung by Demie Levado, who played Danny. Season five, 145 00:07:25,400 --> 00:07:26,239 Speaker 1: All Full. 146 00:07:26,080 --> 00:07:30,800 Speaker 2: Circle Incestuous, Blaine singhs Suddenly Seemore from the Little Shop of Horrors. 147 00:07:30,960 --> 00:07:34,920 Speaker 2: Darren would later play Seymour himself and the current off 148 00:07:34,960 --> 00:07:36,080 Speaker 2: Broadway production. 149 00:07:36,280 --> 00:07:39,560 Speaker 1: Which we have multiple times pitched ourselves for and yet 150 00:07:39,720 --> 00:07:42,000 Speaker 1: nobody has called us. 151 00:07:42,360 --> 00:07:46,800 Speaker 2: No, nobody wants it. Well, okay, we'll have to do 152 00:07:46,800 --> 00:07:50,160 Speaker 2: our own show. Jenna God, I'll produce it. 153 00:07:50,760 --> 00:07:55,880 Speaker 1: You start. No, no tell me what the summary is? 154 00:07:57,360 --> 00:08:01,960 Speaker 2: Okay. After Rachel's humilionating failure as a TV actress, she 155 00:08:02,080 --> 00:08:04,640 Speaker 2: comes home to Lima to go figure out what she 156 00:08:04,680 --> 00:08:07,320 Speaker 2: wants to do next. Upon discovering that Sue has banished 157 00:08:07,360 --> 00:08:10,360 Speaker 2: the arts at McKinley, Rachel takes it upon herself to 158 00:08:10,400 --> 00:08:13,760 Speaker 2: reinstate and lead the glee club when they're just spoiling 159 00:08:13,760 --> 00:08:17,000 Speaker 2: the whole episode. Meanwhile, Blaine, no longer in a relationship 160 00:08:17,000 --> 00:08:19,920 Speaker 2: with Kurt, has moved home to coach the Warblers, while 161 00:08:19,960 --> 00:08:23,560 Speaker 2: Will is coaching rival Vocal Ajournaline and Sam is the 162 00:08:23,560 --> 00:08:25,640 Speaker 2: assistant coach for the McKinley football team. 163 00:08:25,680 --> 00:08:28,480 Speaker 1: I mean, literally, that's what you really missed. Yeah, you 164 00:08:28,520 --> 00:08:37,480 Speaker 1: don't need to watch the episode. That's it. Okay, overall, overall, Kevin, 165 00:08:38,000 --> 00:08:41,880 Speaker 1: uh huh ah, what did you What were your feelings 166 00:08:41,880 --> 00:08:43,040 Speaker 1: on season six? To start? 167 00:08:49,760 --> 00:08:54,679 Speaker 2: Mm hmm okay, let me start with the positives. 168 00:08:54,800 --> 00:08:55,079 Speaker 1: Okay. 169 00:08:57,080 --> 00:08:58,480 Speaker 2: I liked having this one's Rachel. 170 00:08:59,400 --> 00:08:59,920 Speaker 1: Yeah. 171 00:09:00,559 --> 00:09:06,680 Speaker 2: I really enjoyed watching Rachel sort of like own what 172 00:09:06,720 --> 00:09:10,920 Speaker 2: was happening to her and shout out to that ickball 173 00:09:10,960 --> 00:09:17,840 Speaker 2: moment she's like. And I thought Leah was incredible. Yes, 174 00:09:19,120 --> 00:09:25,000 Speaker 2: I thought Chris and Darren. I thought everybody's performances were very, 175 00:09:25,120 --> 00:09:30,640 Speaker 2: very good. I really enjoyed that. I liked having them 176 00:09:30,679 --> 00:09:35,320 Speaker 2: back in Lima. However, I did miss them a little 177 00:09:35,360 --> 00:09:39,160 Speaker 2: bit in New York. I did a little bit. But 178 00:09:39,360 --> 00:09:42,200 Speaker 2: what I don't love, and this is maybe just a 179 00:09:42,240 --> 00:09:46,680 Speaker 2: me thing, is when you have all these beloved characters 180 00:09:46,720 --> 00:09:51,040 Speaker 2: and storylines and relationships that we have watched over five 181 00:09:51,280 --> 00:09:57,000 Speaker 2: full seasons now, and then in the premiere episode you 182 00:09:57,120 --> 00:09:59,680 Speaker 2: just sort of talk about all these things that have 183 00:09:59,679 --> 00:10:03,440 Speaker 2: happened off screen, like very big significant things. Obviously, we 184 00:10:03,480 --> 00:10:06,920 Speaker 2: get a flashback of the breakup between Blaine Cod we 185 00:10:07,000 --> 00:10:13,360 Speaker 2: get to see Leah's episode of Rachel's episode of her pilot. 186 00:10:13,679 --> 00:10:16,760 Speaker 1: But you wish we had like lived it. 187 00:10:17,440 --> 00:10:20,480 Speaker 2: Yeah, I would rather have seen what was going on 188 00:10:20,600 --> 00:10:24,560 Speaker 2: because we spent all last season getting to a certain 189 00:10:24,559 --> 00:10:27,720 Speaker 2: place and then they blew it up and we didn't. 190 00:10:27,760 --> 00:10:29,559 Speaker 2: We weren't there to experience it right. 191 00:10:29,640 --> 00:10:30,520 Speaker 1: Time time jump. 192 00:10:31,120 --> 00:10:32,679 Speaker 2: I don't love a time jump. 193 00:10:34,800 --> 00:10:39,280 Speaker 1: I have to disagree with you in this do it. Yeah, 194 00:10:39,360 --> 00:10:42,079 Speaker 1: I have to disagree with you. Now I don't. I 195 00:10:42,120 --> 00:10:47,800 Speaker 1: don't disagree with you on everything. But just like the 196 00:10:47,880 --> 00:10:52,119 Speaker 1: time jump was interesting because I always love a flashback 197 00:10:52,120 --> 00:10:55,160 Speaker 1: on Glee. It feels very Glee to me. And I 198 00:10:55,360 --> 00:10:58,960 Speaker 1: liked the time jump because I feel like I would 199 00:10:58,960 --> 00:11:04,200 Speaker 1: have been complaining, like yet they're faster. There's something about 200 00:11:04,240 --> 00:11:06,880 Speaker 1: this episode going back to the beginning of it. Like 201 00:11:06,960 --> 00:11:08,960 Speaker 1: you had said you missed them in New York. I 202 00:11:09,000 --> 00:11:13,360 Speaker 1: loved New York, as we all know if you're listening 203 00:11:13,400 --> 00:11:18,560 Speaker 1: to this podcast. I there's something very nostalgic about coming 204 00:11:18,600 --> 00:11:23,240 Speaker 1: home to mccambley, seeing Jane and like social vest back 205 00:11:23,280 --> 00:11:27,560 Speaker 1: in her element seeing will and like kind of in 206 00:11:27,600 --> 00:11:31,600 Speaker 1: a new element in vocal adrenaline, Like it feels very 207 00:11:31,720 --> 00:11:35,040 Speaker 1: old school great to me, and it's like nostalgic. And 208 00:11:35,080 --> 00:11:38,480 Speaker 1: I was like there was like a breath of relief, 209 00:11:38,480 --> 00:11:40,160 Speaker 1: and I was like, oh, everybody's home. 210 00:11:40,840 --> 00:11:41,520 Speaker 2: I agree with that. 211 00:11:41,640 --> 00:11:46,520 Speaker 1: Really, there's something very very calming about it. But then 212 00:11:46,559 --> 00:11:48,679 Speaker 1: there's conflict within it. So I was like, oh, I 213 00:11:48,760 --> 00:11:51,200 Speaker 1: know this place, this is familiar to me. I'm all 214 00:11:51,240 --> 00:11:55,280 Speaker 1: about it. The thing that I had an issue with 215 00:11:56,720 --> 00:12:01,120 Speaker 1: or that felt very jarring to me initially, very specifically, 216 00:12:01,600 --> 00:12:06,000 Speaker 1: was Rachel getting fired and the whole thing like just 217 00:12:06,040 --> 00:12:08,400 Speaker 1: blowing up in our face that I do agree with you, 218 00:12:08,400 --> 00:12:10,160 Speaker 1: where you're like, oh, I feel like I didn't see 219 00:12:10,200 --> 00:12:14,400 Speaker 1: it all. I just like happened so quickly, and then 220 00:12:14,520 --> 00:12:19,560 Speaker 1: jumping into Uninvited, which love len Is love that song. 221 00:12:20,080 --> 00:12:22,880 Speaker 1: It was like out of nowhere, she like burst into song. 222 00:12:23,160 --> 00:12:27,559 Speaker 1: I was like, what is happening. But then when she 223 00:12:27,600 --> 00:12:33,320 Speaker 1: gets dropped off at the gate with the box, I 224 00:12:33,520 --> 00:12:36,959 Speaker 1: was belly laughing and I was like, this is ridiculous, 225 00:12:37,000 --> 00:12:39,080 Speaker 1: and I was like, right, it's a satire, Like I 226 00:12:39,080 --> 00:12:41,800 Speaker 1: could imagine Ryan sitting in the editing room, like like 227 00:12:41,920 --> 00:12:44,600 Speaker 1: hit the laugh that he has, being like this is 228 00:12:44,720 --> 00:12:46,640 Speaker 1: this is exactly what it's supposed to be because it's 229 00:12:46,720 --> 00:12:49,680 Speaker 1: so insane, like she has nobody is a box of 230 00:12:49,720 --> 00:12:52,240 Speaker 1: things that they get dropped off with and like outside 231 00:12:52,240 --> 00:12:54,880 Speaker 1: the game, like the gate shots on her face, like 232 00:12:55,760 --> 00:12:59,040 Speaker 1: it was comical and like in a good way. Like 233 00:12:59,080 --> 00:13:01,960 Speaker 1: I just was like, right, this is a satire, like 234 00:13:02,040 --> 00:13:13,000 Speaker 1: don't forget. And I loved watching Kurt and Blaane go 235 00:13:13,240 --> 00:13:16,160 Speaker 1: through this experience because we know where they're going to 236 00:13:16,240 --> 00:13:19,640 Speaker 1: end up to, like in hindsight, like I know obviously 237 00:13:19,960 --> 00:13:24,920 Speaker 1: spoiler alert, they end up together. Like so I enjoyed 238 00:13:25,480 --> 00:13:28,360 Speaker 1: that it's not all sung chin and rainbows for them 239 00:13:28,720 --> 00:13:32,120 Speaker 1: and that they go through some hard stuff before making 240 00:13:32,160 --> 00:13:35,160 Speaker 1: the very big decision to get married right like they're 241 00:13:35,240 --> 00:13:38,360 Speaker 1: so young still, And I loved the flashbacks and I 242 00:13:38,360 --> 00:13:42,439 Speaker 1: thought the two of them their performance was so stellar. 243 00:13:42,559 --> 00:13:47,600 Speaker 1: In addition to Las, it was just all really it 244 00:13:47,679 --> 00:13:52,360 Speaker 1: felt jarring it first, like the first twenty minutes, like 245 00:13:52,400 --> 00:13:55,920 Speaker 1: suddenly Seymour felt a little rush to me. Yeah, I 246 00:13:55,960 --> 00:13:57,840 Speaker 1: was like, where where are we? Why are we singing 247 00:13:57,920 --> 00:14:00,720 Speaker 1: right now? Why are we singing? And then and then 248 00:14:00,880 --> 00:14:04,360 Speaker 1: halfway through it, I was like, oh, I like this episode. 249 00:14:05,559 --> 00:14:07,280 Speaker 1: I don't know, Like when they're back in the hall, 250 00:14:07,400 --> 00:14:09,440 Speaker 1: like in the halls and McKinley in the choir room 251 00:14:09,520 --> 00:14:13,199 Speaker 1: and Sue is dropping drops her smoothie and she comes 252 00:14:13,200 --> 00:14:15,400 Speaker 1: at them, It's like, I'm here for it. 253 00:14:15,760 --> 00:14:21,320 Speaker 2: I agree with everything you're saying. I think maybe part 254 00:14:21,360 --> 00:14:25,120 Speaker 2: of that thing being like jarring in the beginning was 255 00:14:25,160 --> 00:14:27,920 Speaker 2: part of what threw me of, like, oh, we're just 256 00:14:28,120 --> 00:14:31,200 Speaker 2: like making up a lot of ground here. Yeah, yeah, yeah, 257 00:14:31,680 --> 00:14:34,440 Speaker 2: we're just going into a song. And it was just 258 00:14:34,560 --> 00:14:37,120 Speaker 2: a lot of I guess it was comical chords like 259 00:14:37,880 --> 00:14:40,920 Speaker 2: her show ends up being the worst show of all time, 260 00:14:42,080 --> 00:14:43,960 Speaker 2: and then her dads are getting divorced. 261 00:14:44,320 --> 00:14:47,120 Speaker 1: Right, It was just a lot crazy. 262 00:14:47,480 --> 00:14:50,840 Speaker 2: Which is funny, but it also just felt like I 263 00:14:50,880 --> 00:14:55,040 Speaker 2: don't know, I care about Rachel. And it's also weird 264 00:14:55,040 --> 00:14:57,400 Speaker 2: that like why didn't she know her dads are getting divorced? 265 00:14:57,480 --> 00:15:00,400 Speaker 1: And also like that's it just the way it was 266 00:15:00,440 --> 00:15:02,560 Speaker 1: written that that's the reaction is like we'll talk about 267 00:15:02,600 --> 00:15:07,160 Speaker 1: it later, you know. Like the whole scene felt rushed, 268 00:15:07,240 --> 00:15:14,680 Speaker 1: Like I agree, I'm still angry that like everything fell 269 00:15:14,720 --> 00:15:17,280 Speaker 1: apart and she gave up Broadway after she had it 270 00:15:17,320 --> 00:15:18,520 Speaker 1: in the palm of her hands. 271 00:15:18,520 --> 00:15:19,760 Speaker 2: I'm not over it. I think it's. 272 00:15:21,200 --> 00:15:23,400 Speaker 1: Really not over it. She's like, my dream is Broadway 273 00:15:23,520 --> 00:15:25,960 Speaker 1: at the end, and I was like but and like 274 00:15:26,000 --> 00:15:31,600 Speaker 1: she says she had it, but she it's angering to me. 275 00:15:32,360 --> 00:15:35,600 Speaker 2: Yeah, I like the stuff of the TV show is 276 00:15:35,640 --> 00:15:38,080 Speaker 2: really funny. It has provided a lot of comedy. Especially 277 00:15:38,120 --> 00:15:40,560 Speaker 2: in this episode we get to see it and yeah, yeah, 278 00:15:40,640 --> 00:15:44,520 Speaker 2: dude gets hit by the light and then Carrot Top 279 00:15:44,600 --> 00:15:45,520 Speaker 2: forgets his line. 280 00:15:45,600 --> 00:15:49,320 Speaker 1: It's ridiculous. She does weirdly like Brittany or like she's 281 00:15:49,480 --> 00:15:53,640 Speaker 1: very very like, yeah, very good. You know what now 282 00:15:53,680 --> 00:15:55,360 Speaker 1: that I think about it and we're like saying it 283 00:15:55,360 --> 00:16:00,520 Speaker 1: out loud, there's part of me that thinks, like like 284 00:16:00,760 --> 00:16:04,240 Speaker 1: I always try to imagine, like asking Ian, why did 285 00:16:04,320 --> 00:16:06,880 Speaker 1: you guys do this storyline? And like I always try 286 00:16:06,920 --> 00:16:10,200 Speaker 1: to like imagine what he would say, and I feel 287 00:16:10,240 --> 00:16:12,880 Speaker 1: like Ian, there's part of it. It's like, but this 288 00:16:12,960 --> 00:16:16,840 Speaker 1: is what happens, Like actors like, especially when you get 289 00:16:16,880 --> 00:16:19,200 Speaker 1: to a place that you always wanted, Like we were 290 00:16:19,320 --> 00:16:22,640 Speaker 1: always striving because it's so this industry is so hard 291 00:16:23,160 --> 00:16:27,040 Speaker 1: and we're constantly fighting in every audition for another role. 292 00:16:27,200 --> 00:16:30,800 Speaker 1: Another part to have our place, like to be seen. 293 00:16:30,720 --> 00:16:32,600 Speaker 2: To climb up one more rung of the way, yeah. 294 00:16:32,480 --> 00:16:34,800 Speaker 1: And like get there right and then when you get there, 295 00:16:34,840 --> 00:16:38,200 Speaker 1: you're like, oh, there's another place to reach to. So 296 00:16:38,360 --> 00:16:42,120 Speaker 1: like that's kind of the way this industry was built 297 00:16:42,160 --> 00:16:44,360 Speaker 1: and how we learned how to do it. And so 298 00:16:44,560 --> 00:16:47,880 Speaker 1: like there is satire and like her getting exactly what 299 00:16:47,960 --> 00:16:51,320 Speaker 1: she wanted and then like trying again and like completely 300 00:16:51,360 --> 00:16:54,560 Speaker 1: falling in her face, Like yeah, I do see it. 301 00:16:55,000 --> 00:16:58,400 Speaker 2: I know. I think there's a lot of reality there. 302 00:16:58,560 --> 00:17:00,640 Speaker 2: I don't have a problem with that because I think 303 00:17:00,680 --> 00:17:04,240 Speaker 2: that that's what happens all the time. Literally half the 304 00:17:04,320 --> 00:17:08,160 Speaker 2: cast was from Broadway, Like you know, you all came 305 00:17:08,200 --> 00:17:08,800 Speaker 2: from Broadway. 306 00:17:08,840 --> 00:17:11,040 Speaker 1: I wanted was to be on TV after on Broadway. 307 00:17:11,440 --> 00:17:14,240 Speaker 2: Yeah see, I just mean, like, you know, as like 308 00:17:14,280 --> 00:17:18,720 Speaker 2: a fan, I just I wanted to like live in 309 00:17:20,240 --> 00:17:22,520 Speaker 2: I know it's not good for TV probably, and this 310 00:17:22,560 --> 00:17:26,280 Speaker 2: is why I am not a writer, but live in 311 00:17:26,480 --> 00:17:30,280 Speaker 2: the joy of her finally getting to do what she wanted. 312 00:17:30,320 --> 00:17:32,760 Speaker 2: Because as soon as she got it, we like did 313 00:17:32,840 --> 00:17:34,560 Speaker 2: time jump a little bit, like a couple of months 314 00:17:34,640 --> 00:17:38,120 Speaker 2: or something, and she was over it and was trying 315 00:17:38,119 --> 00:17:41,080 Speaker 2: to pursue TV and so I just wanted to like 316 00:17:41,520 --> 00:17:42,719 Speaker 2: live in that a little longer. 317 00:17:42,880 --> 00:17:45,720 Speaker 1: I feel that's all. I'm totally with you. I am 318 00:17:45,760 --> 00:17:46,480 Speaker 1: on board with that. 319 00:17:54,920 --> 00:17:57,920 Speaker 2: What I do like about this sort of structure right now. 320 00:17:58,000 --> 00:17:59,840 Speaker 2: You know we talked about New York at the end 321 00:17:59,880 --> 00:18:02,000 Speaker 2: of last season was that there were less characters, so 322 00:18:02,040 --> 00:18:04,920 Speaker 2: you're getting more time with everybody. I really liked that. 323 00:18:05,119 --> 00:18:07,880 Speaker 2: Love this episode. You get your Will, like you said, 324 00:18:07,960 --> 00:18:11,639 Speaker 2: you get Sue, you get Kurt and Blaine and Rachel, 325 00:18:11,920 --> 00:18:16,680 Speaker 2: and it feels adequate, totally total. I really really enjoyed that. 326 00:18:16,840 --> 00:18:21,920 Speaker 2: I also loved what Brad Beeker was doing with Will's 327 00:18:21,960 --> 00:18:24,919 Speaker 2: like the shuster of it all, with the baby's perspective 328 00:18:25,000 --> 00:18:28,920 Speaker 2: and I'm planning out that was really nice. And also 329 00:18:29,840 --> 00:18:37,000 Speaker 2: Mattie Morrison like any creepiness that Will Schuster may have 330 00:18:37,040 --> 00:18:41,560 Speaker 2: had before, it's just simply evaporated. Yes, and like, this 331 00:18:41,640 --> 00:18:42,919 Speaker 2: is my favorite Will Shuster. 332 00:18:43,480 --> 00:18:48,119 Speaker 1: Yeah, I didn't even think about that. I'm I totally agree. 333 00:18:48,359 --> 00:18:50,520 Speaker 2: He's so good with the baby. There's something about that 334 00:18:50,560 --> 00:18:55,160 Speaker 2: where the character feels settled. He's he's reached his goal 335 00:18:55,240 --> 00:18:57,280 Speaker 2: and he's living in and he talks about it right, 336 00:18:57,960 --> 00:19:02,200 Speaker 2: or like you see the perspective age gives you, and 337 00:19:02,720 --> 00:19:05,160 Speaker 2: he got to his new goal and. 338 00:19:05,200 --> 00:19:10,440 Speaker 1: Is just it's like there's a part of will that 339 00:19:10,560 --> 00:19:12,560 Speaker 1: I feel like, like you said, with the age of 340 00:19:12,600 --> 00:19:15,760 Speaker 1: maturity of it all of like his legacy was William 341 00:19:15,800 --> 00:19:18,040 Speaker 1: McKinley High School and the glee club in that time, 342 00:19:18,200 --> 00:19:20,840 Speaker 1: right and leading us to nationals and the whole thing, 343 00:19:20,960 --> 00:19:26,760 Speaker 1: like he built that and then like just now having 344 00:19:26,840 --> 00:19:30,720 Speaker 1: a family and having other priorities, but then also continuing 345 00:19:30,760 --> 00:19:32,600 Speaker 1: to be able to be involved in the arts. Like 346 00:19:32,640 --> 00:19:36,679 Speaker 1: there's something like very settling about that for him that 347 00:19:36,760 --> 00:19:39,680 Speaker 1: I loved and I thought he was so sweet and god, 348 00:19:39,760 --> 00:19:42,320 Speaker 1: that baby was so cute. I was like a little 349 00:19:43,200 --> 00:19:46,720 Speaker 1: are you kidding me? And then when he turns to 350 00:19:46,800 --> 00:19:48,720 Speaker 1: the camera and this is five six seven eight and 351 00:19:48,760 --> 00:19:52,440 Speaker 1: we cut into the next one. Honestly, I normally would 352 00:19:52,480 --> 00:19:55,680 Speaker 1: hate something like that, but like Brad Beeker, like, kudos 353 00:19:55,720 --> 00:19:57,359 Speaker 1: to you for getting us out of a scene and 354 00:19:57,400 --> 00:20:01,680 Speaker 1: into the next one, because like go you, Like I 355 00:20:01,720 --> 00:20:06,679 Speaker 1: loved it, and Maddie for just committing to it, like 356 00:20:07,440 --> 00:20:10,119 Speaker 1: that's all it is, you know, It's like you have 357 00:20:10,200 --> 00:20:15,439 Speaker 1: to just commit to it, and like he did. I 358 00:20:15,480 --> 00:20:19,960 Speaker 1: really enjoyed that. I also loved like Rachel coming back 359 00:20:20,160 --> 00:20:23,960 Speaker 1: to vocal adrenaline and visiting him and her doing that 360 00:20:24,040 --> 00:20:26,359 Speaker 1: scene with like making you know, don't talk me about 361 00:20:26,359 --> 00:20:29,359 Speaker 1: being part of something special makes you special, Like like 362 00:20:29,400 --> 00:20:32,359 Speaker 1: you said about Rachel kind of really leaning into like 363 00:20:32,640 --> 00:20:35,960 Speaker 1: admitting that like what you know, her mistakes and her like. 364 00:20:36,400 --> 00:20:39,560 Speaker 2: Really enjoyed that because we don't ever see that from Rachel, 365 00:20:40,000 --> 00:20:42,879 Speaker 2: especially towards the end of last season where she was 366 00:20:42,920 --> 00:20:47,679 Speaker 2: sort of a monster, And to see the growth and 367 00:20:47,680 --> 00:20:51,119 Speaker 2: that will do it to you. Public humiliation will certainly 368 00:20:51,160 --> 00:20:56,320 Speaker 2: will yer. Yeah, whether you choose to accept it or not, 369 00:20:56,480 --> 00:21:02,680 Speaker 2: it will have some effect on you. And so I thought, 370 00:21:03,000 --> 00:21:04,960 Speaker 2: you know, she was just like, no, let's be real 371 00:21:04,960 --> 00:21:08,359 Speaker 2: about this, Like let's really be real about this really, 372 00:21:08,440 --> 00:21:13,119 Speaker 2: And and I liked her because I really loved his 373 00:21:13,160 --> 00:21:16,399 Speaker 2: speech to her. He was like, don't forget you're still 374 00:21:16,520 --> 00:21:19,680 Speaker 2: like Rachel Barry totally who like gets things done. 375 00:21:20,000 --> 00:21:20,240 Speaker 1: Yep. 376 00:21:20,720 --> 00:21:25,600 Speaker 2: And then she goes to talk to the superintendent and 377 00:21:25,720 --> 00:21:28,119 Speaker 2: like just offers her money. 378 00:21:28,880 --> 00:21:32,720 Speaker 1: Is it starting a book club again? And then Kurt 379 00:21:33,280 --> 00:21:37,680 Speaker 1: being like maybe I need to be home, Starry staying 380 00:21:37,680 --> 00:21:41,680 Speaker 1: in Rachel before we jumped tokrt Rachel's trailer in the beginning. 381 00:21:42,440 --> 00:21:44,560 Speaker 1: Let's just like paint the picture for a second, Kevin, 382 00:21:44,600 --> 00:21:47,440 Speaker 1: Because we were only the hottest show on television, and 383 00:21:49,359 --> 00:21:52,359 Speaker 1: when we got first got cast, like we had for 384 00:21:52,440 --> 00:21:56,680 Speaker 1: the pilot, some like newer trailers and they're called trible bangers, 385 00:21:57,080 --> 00:22:01,240 Speaker 1: which huh, that sounds funny. It's three to one, so 386 00:22:01,320 --> 00:22:04,600 Speaker 1: it's like one one really long like RV kind of 387 00:22:04,640 --> 00:22:07,840 Speaker 1: looking thing, but there's three rooms in that. And the 388 00:22:07,920 --> 00:22:10,680 Speaker 1: reason why we couldn't negotiate, like a lot of stars 389 00:22:10,760 --> 00:22:13,040 Speaker 1: in Hollywood like get a single banger, which is like 390 00:22:13,640 --> 00:22:14,920 Speaker 1: one single. 391 00:22:15,040 --> 00:22:16,760 Speaker 2: Huge, gigantic trailer with like. 392 00:22:16,720 --> 00:22:19,119 Speaker 1: A bed and like a kitchen d and like all 393 00:22:19,160 --> 00:22:22,040 Speaker 1: these things. But because there were so many of us, 394 00:22:22,080 --> 00:22:25,040 Speaker 1: there was not enough room on the lot to hold 395 00:22:25,760 --> 00:22:30,160 Speaker 1: twenty single trailers. So like I was happy because our 396 00:22:30,320 --> 00:22:33,240 Speaker 1: trailer was Newmi and Chris and like I was happy 397 00:22:33,240 --> 00:22:36,800 Speaker 1: to be there forever. But when we started the show 398 00:22:37,040 --> 00:22:39,760 Speaker 1: for real and season one, we got trailers and they 399 00:22:39,800 --> 00:22:46,400 Speaker 1: were like nineteen from nineteen eighty therese still exist and 400 00:22:46,720 --> 00:22:49,600 Speaker 1: they're still out there, the star wagons. Yeah, and then 401 00:22:49,640 --> 00:22:52,320 Speaker 1: we upgraded at some point, maybe season three. They gave 402 00:22:52,400 --> 00:22:55,080 Speaker 1: us some newer ones. It might have been season two, okay, 403 00:22:55,160 --> 00:22:57,000 Speaker 1: got it was a little bit newer. 404 00:22:57,040 --> 00:22:57,720 Speaker 2: They were newer. 405 00:22:57,600 --> 00:23:01,199 Speaker 1: Versions, but the one that Chel was in was like 406 00:23:01,280 --> 00:23:04,600 Speaker 1: a single and it had like a recliner and like 407 00:23:04,600 --> 00:23:07,199 Speaker 1: a bed and like all this stuff, and those do 408 00:23:07,400 --> 00:23:12,879 Speaker 1: exist because I remember at the super Bowl episode, the 409 00:23:12,920 --> 00:23:17,600 Speaker 1: director had an episode Brad felt Jack our creator EP 410 00:23:18,359 --> 00:23:21,560 Speaker 1: and Hero and he never used his trailer. He was 411 00:23:21,560 --> 00:23:23,800 Speaker 1: always on set anyway, because like, who has time to 412 00:23:23,800 --> 00:23:27,119 Speaker 1: like go rest as the director. But he's like, you 413 00:23:27,119 --> 00:23:29,359 Speaker 1: guys can go, like sit in my trailer if you want. So, 414 00:23:29,400 --> 00:23:31,399 Speaker 1: like we all went and like sat in his trailer 415 00:23:31,480 --> 00:23:32,760 Speaker 1: and it was like group hag. 416 00:23:33,440 --> 00:23:36,120 Speaker 2: It was nice to sit there. 417 00:23:35,720 --> 00:23:38,840 Speaker 1: And like there was a fireplace in there. So they 418 00:23:38,880 --> 00:23:41,520 Speaker 1: do exist, like the ones that that Rachel had, but 419 00:23:42,000 --> 00:23:43,920 Speaker 1: we did not have those, so I was like, wow, 420 00:23:44,160 --> 00:23:46,080 Speaker 1: they really like pulled out all it stops for Rachel. 421 00:23:46,520 --> 00:23:49,679 Speaker 2: It was also sort of jarring seeing like that they 422 00:23:49,720 --> 00:23:51,960 Speaker 2: canceled the show after one episode, like, oh, that doesn't 423 00:23:51,960 --> 00:23:52,680 Speaker 2: happen anymore. 424 00:23:55,800 --> 00:23:56,080 Speaker 1: I did. 425 00:23:56,320 --> 00:23:59,640 Speaker 2: So the thing about that number that she went into 426 00:24:00,119 --> 00:24:04,000 Speaker 2: invited is that you see our stages so weird. So 427 00:24:04,160 --> 00:24:07,119 Speaker 2: when she's facing into the sound stage. That building in 428 00:24:07,160 --> 00:24:09,320 Speaker 2: the back is where if we ever did have to 429 00:24:09,320 --> 00:24:11,800 Speaker 2: do eight R one time, that is the building we 430 00:24:11,840 --> 00:24:13,800 Speaker 2: would go into. And it was a new building on Paramount. 431 00:24:14,040 --> 00:24:15,719 Speaker 2: Like all those little things are so fun for us 432 00:24:15,720 --> 00:24:18,760 Speaker 2: to see on camera, little nuggets. Yeah, And like the 433 00:24:18,800 --> 00:24:21,840 Speaker 2: stage that she's looking at was one of our smaller stages. 434 00:24:21,960 --> 00:24:24,560 Speaker 2: We had. How many we had one, two, three, four, 435 00:24:24,680 --> 00:24:27,800 Speaker 2: five stages and we had two smaller ones and those 436 00:24:27,840 --> 00:24:30,639 Speaker 2: would be the ones that would change out every episode, 437 00:24:30,920 --> 00:24:32,679 Speaker 2: right if there were new sets to be built. And 438 00:24:32,720 --> 00:24:35,040 Speaker 2: so that's what you see right in this episode. 439 00:24:35,200 --> 00:24:39,200 Speaker 1: Right. I loved seeing our I always loved seeing our lot. 440 00:24:39,760 --> 00:24:43,720 Speaker 1: It's always like so magical on Hollywood, like to see 441 00:24:43,720 --> 00:24:49,080 Speaker 1: our lot on camera. H she I mean, she really 442 00:24:49,080 --> 00:24:51,040 Speaker 1: gave it and she sounded great. Like I love the 443 00:24:51,160 --> 00:24:54,000 Speaker 1: song a lot. It was one of my favorite Alanta songs, 444 00:24:54,160 --> 00:24:58,280 Speaker 1: hands down. But unfortunate that like it was just it 445 00:24:58,320 --> 00:25:01,119 Speaker 1: was a jarring moment in the show in general, and 446 00:25:01,160 --> 00:25:03,919 Speaker 1: so I think I couldn't like fully enjoy it the 447 00:25:03,920 --> 00:25:07,600 Speaker 1: way that I probably should have. Yeah, But realistically, like 448 00:25:07,680 --> 00:25:08,760 Speaker 1: she sounded and she looked great. 449 00:25:08,960 --> 00:25:11,440 Speaker 2: I really liked that we were back in Rachel's bedroom, 450 00:25:12,040 --> 00:25:15,440 Speaker 2: that feeling of when you go away, become an adult, 451 00:25:15,560 --> 00:25:18,000 Speaker 2: have experiences, and you go back to your childhood bedrooms, 452 00:25:18,040 --> 00:25:19,040 Speaker 2: it's exactly the same. 453 00:25:19,200 --> 00:25:22,040 Speaker 1: Yes, yes, it feels different though, I bat you know, 454 00:25:22,200 --> 00:25:24,359 Speaker 1: like when it feels different, but it looks exactly the same. 455 00:25:24,720 --> 00:25:26,600 Speaker 2: And it felt different watching her in that space. 456 00:25:26,720 --> 00:25:28,960 Speaker 1: Yes, yes, so weird. 457 00:25:28,960 --> 00:25:31,800 Speaker 2: And I enjoyed that, and it was nice to see 458 00:25:31,920 --> 00:25:33,520 Speaker 2: see it like in my eyes of like, oh, yeah, 459 00:25:33,520 --> 00:25:38,840 Speaker 2: they rebuilt this. It looks a little new paint on 460 00:25:38,880 --> 00:25:39,720 Speaker 2: the walls, looks. 461 00:25:40,520 --> 00:25:45,640 Speaker 1: Exactly for her to be not living there. And then 462 00:25:46,080 --> 00:25:49,160 Speaker 1: the Blaine and Rachel scene when they're talking about coming 463 00:25:49,200 --> 00:25:51,400 Speaker 1: back and they both kind of have their failures and 464 00:25:51,640 --> 00:25:57,760 Speaker 1: Blaine's telling Rachel about Kurt breaking up and and it's 465 00:25:57,800 --> 00:26:02,520 Speaker 1: just a really nice, slower moment, And I think it's 466 00:26:02,560 --> 00:26:05,640 Speaker 1: like living in those scenes where you get to enjoy, 467 00:26:05,840 --> 00:26:10,879 Speaker 1: like you said, the simplicity of like having just a 468 00:26:10,920 --> 00:26:14,760 Speaker 1: few characters and really being able to like invest in 469 00:26:14,840 --> 00:26:16,040 Speaker 1: their storylines in. 470 00:26:16,080 --> 00:26:18,560 Speaker 2: This have a real conversation because I think, yeah, a 471 00:26:18,560 --> 00:26:20,879 Speaker 2: lot of the magic of the show is the pace 472 00:26:20,960 --> 00:26:24,159 Speaker 2: and how quickly we you know, throw out little like 473 00:26:24,280 --> 00:26:27,200 Speaker 2: jabs here and there and we still get that. Yeah, 474 00:26:27,200 --> 00:26:29,840 Speaker 2: but it is nice to have the space to like, 475 00:26:30,080 --> 00:26:31,760 Speaker 2: let these two people who have been through so much, 476 00:26:31,800 --> 00:26:34,800 Speaker 2: we care about them, we want to know what they're thinking, 477 00:26:35,880 --> 00:26:37,600 Speaker 2: and let them just have the air to do it. 478 00:26:38,800 --> 00:26:42,840 Speaker 1: So we also have the Dalton warblurs where Blaine takes 479 00:26:43,440 --> 00:26:47,680 Speaker 1: Rachel to Dalton and he is now Blaine is now 480 00:26:47,680 --> 00:26:50,320 Speaker 1: the head of Dalton. Ugly cluss. 481 00:26:50,680 --> 00:26:54,280 Speaker 2: I also, I do really enjoy just like you don't 482 00:26:54,320 --> 00:26:57,120 Speaker 2: have to have a degree for that. Also, Okay, so 483 00:26:57,520 --> 00:27:04,560 Speaker 2: Rachel's show gets canceled, are getting divorced, Blaine gets after 484 00:27:04,600 --> 00:27:08,200 Speaker 2: the breakup, he starts flailing and failing and gets kicked 485 00:27:08,200 --> 00:27:12,320 Speaker 2: out of YadA, right Kurt and Kirk gets broken up 486 00:27:12,359 --> 00:27:17,280 Speaker 2: with Kurt breaks up with well yeah, and so like 487 00:27:17,600 --> 00:27:19,679 Speaker 2: everybody is going through so much. I was like, what 488 00:27:19,840 --> 00:27:23,080 Speaker 2: is that happening? But it gets them all back. I 489 00:27:23,119 --> 00:27:24,919 Speaker 2: get it. So what I do love, though, are these 490 00:27:24,960 --> 00:27:28,119 Speaker 2: little things of just you don't have to have a 491 00:27:28,160 --> 00:27:31,240 Speaker 2: college degree and like, well no, then you know, the 492 00:27:31,240 --> 00:27:34,080 Speaker 2: the instructor got ebola or whatever, and so I'm doing 493 00:27:34,119 --> 00:27:38,600 Speaker 2: it temporarily like it's just my great Yeah, just I'm 494 00:27:38,600 --> 00:27:42,359 Speaker 2: glad we asked the question and let's give a whatever answer. 495 00:27:42,480 --> 00:27:46,280 Speaker 2: I think it's hilarious. I agree when they go back 496 00:27:46,280 --> 00:27:48,960 Speaker 2: to Dalton, I missed Dalton a little bit. That was 497 00:27:49,080 --> 00:27:50,760 Speaker 2: nice to be back, wasn't it. 498 00:27:50,760 --> 00:27:54,159 Speaker 1: It was nice to be back. It was weird t 499 00:27:54,400 --> 00:27:58,119 Speaker 1: back with like a totally new group of people. But 500 00:27:58,200 --> 00:28:01,239 Speaker 1: I guess it's like interchangeable anyway, like don't always kind 501 00:28:01,280 --> 00:28:07,719 Speaker 1: of changes their people. I I don't love this is 502 00:28:07,720 --> 00:28:13,479 Speaker 1: not my favorite at cheeron song like at all. So 503 00:28:13,520 --> 00:28:16,280 Speaker 1: like I didn't again, like couldn't for some like this 504 00:28:16,520 --> 00:28:18,639 Speaker 1: also couldn't get into like you know, I love a 505 00:28:18,640 --> 00:28:20,800 Speaker 1: Warblish number, but like I couldn't get into it. 506 00:28:22,160 --> 00:28:26,000 Speaker 2: I could, and I don't love she brings music that much. 507 00:28:26,160 --> 00:28:29,120 Speaker 1: Wow, I love it music. I just thought this. 508 00:28:29,760 --> 00:28:32,239 Speaker 2: I just enjoyed the number. It was nice hearing those 509 00:28:32,280 --> 00:28:34,800 Speaker 2: harmonies and the a cappella of it all and seeing 510 00:28:34,840 --> 00:28:41,000 Speaker 2: like Rachel Berry sort of like rehab tour. Mmm, because 511 00:28:41,040 --> 00:28:42,880 Speaker 2: I agree, Like if you see those first two numbers, 512 00:28:42,960 --> 00:28:47,240 Speaker 2: I feel a little like shoehorned in. This feels natural 513 00:28:47,280 --> 00:28:51,480 Speaker 2: and she enjoys it and they sound and look great. 514 00:28:51,720 --> 00:28:56,240 Speaker 1: Right, I I agree, I just like it was Actually 515 00:28:56,280 --> 00:28:59,040 Speaker 1: it was just the song, like I loved everything else 516 00:28:59,080 --> 00:29:03,479 Speaker 1: about it, Like I enjoy seeing Dalton and warblers and 517 00:29:03,520 --> 00:29:05,880 Speaker 1: like Rachel being there. It was all really fun. It 518 00:29:06,000 --> 00:29:08,600 Speaker 1: just felt like I was like, Wow, I wish I 519 00:29:08,680 --> 00:29:10,640 Speaker 1: liked this. I also I'm always just waiting for a 520 00:29:10,720 --> 00:29:12,280 Speaker 1: dark side for them, just saying. 521 00:29:22,880 --> 00:29:26,640 Speaker 2: So then we have Kurt's business going on, we get 522 00:29:26,640 --> 00:29:29,200 Speaker 2: this flashback or at first I was like, what's happening, 523 00:29:30,280 --> 00:29:33,200 Speaker 2: Like we don't. We also don't live in flashbacks this long, 524 00:29:34,080 --> 00:29:36,320 Speaker 2: and it happened a couple of times this episode well. 525 00:29:36,320 --> 00:29:39,040 Speaker 1: And also like can I just kudos to Brad Beeker 526 00:29:39,040 --> 00:29:41,760 Speaker 1: for all the transitions in and out of these scenes, 527 00:29:41,800 --> 00:29:45,120 Speaker 1: because from the watch to the watch in the flashback, 528 00:29:45,400 --> 00:29:48,920 Speaker 1: I was like, I'm loving this right now. I really 529 00:29:49,120 --> 00:29:51,640 Speaker 1: appreciated it, and we don't always do that, but like 530 00:29:51,760 --> 00:29:52,760 Speaker 1: it felt really good. 531 00:29:52,840 --> 00:29:54,840 Speaker 2: I was like I feel the tear to the tier. 532 00:29:55,440 --> 00:30:00,640 Speaker 1: Oh, I just come on like drifted through this episode 533 00:30:00,760 --> 00:30:02,640 Speaker 1: on like a cloud, do you know what I mean? 534 00:30:03,520 --> 00:30:07,040 Speaker 2: Well, yeah, it was like a perfect math. Everything just 535 00:30:07,120 --> 00:30:11,920 Speaker 2: snapped together. Yes, yes, yes, their breakup was crazy very 536 00:30:12,000 --> 00:30:14,000 Speaker 2: them where it's like a little like you guys do 537 00:30:14,080 --> 00:30:17,040 Speaker 2: not communicate, You guys are not good at living together 538 00:30:17,280 --> 00:30:18,480 Speaker 2: and you both get like. 539 00:30:18,640 --> 00:30:20,760 Speaker 1: Well that is the truth. Like when Kurt was saying that, 540 00:30:20,880 --> 00:30:24,520 Speaker 1: I was like, actually, you're right, and like he was 541 00:30:24,560 --> 00:30:26,720 Speaker 1: definitely getting cold feet a little bit, but also like 542 00:30:26,800 --> 00:30:30,320 Speaker 1: he's not wrong, Like you the living together is actually 543 00:30:30,360 --> 00:30:32,240 Speaker 1: just a symptom of the of a problem. 544 00:30:32,440 --> 00:30:34,040 Speaker 2: Those are valid concerns. 545 00:30:34,240 --> 00:30:37,800 Speaker 1: Yeah yeah, but then like just coming on being like 546 00:30:37,880 --> 00:30:40,640 Speaker 1: let's just end it before we hate each other. It 547 00:30:40,720 --> 00:30:44,080 Speaker 1: was like, wow, that is harsh, which. 548 00:30:43,880 --> 00:30:46,640 Speaker 2: Then makes sense why he comes back so hard to 549 00:30:46,680 --> 00:30:48,680 Speaker 2: be like I'm going to get him back, please set 550 00:30:48,720 --> 00:30:54,080 Speaker 2: it up. These speed dates are hilarious. Hilarious, Yeah, I 551 00:30:54,120 --> 00:30:56,640 Speaker 2: know it is said that cut to the one, you know, 552 00:30:56,800 --> 00:30:58,840 Speaker 2: the crying into the crying where he's sitting acrossing that 553 00:30:58,840 --> 00:31:00,760 Speaker 2: guy and he's like, I have to go in the 554 00:31:00,800 --> 00:31:03,480 Speaker 2: moments with Rachel also just to see how far Kurt 555 00:31:03,480 --> 00:31:07,880 Speaker 2: and Rachel have come together and how their friendship is now. 556 00:31:08,800 --> 00:31:10,360 Speaker 2: It's really nice. 557 00:31:10,680 --> 00:31:17,240 Speaker 1: It is really nice. I I loved. I loved the storylines. 558 00:31:17,320 --> 00:31:21,080 Speaker 1: I really did. I appreciated all of them this this episode. 559 00:31:20,800 --> 00:31:27,120 Speaker 2: Like now you know who got crazy and you know 560 00:31:27,200 --> 00:31:29,280 Speaker 2: we we haven't had that much to say lately, and 561 00:31:30,160 --> 00:31:38,480 Speaker 2: Tarty takes about the cringe moments, so everything Sue said like, yeah, 562 00:31:38,520 --> 00:31:43,120 Speaker 2: we can't talk about it because it's so it was crazy. 563 00:31:43,600 --> 00:31:46,200 Speaker 2: It was it was like that one season premier episode 564 00:31:46,240 --> 00:31:50,360 Speaker 2: was the season two auditions. Yeah, we're like we just 565 00:31:50,400 --> 00:31:53,560 Speaker 2: couldn't talk about it sometimes. The comedy just like it was. 566 00:31:54,880 --> 00:32:00,840 Speaker 1: It was it really it tipped over and I tipped 567 00:32:01,560 --> 00:32:03,880 Speaker 1: if it sunk over the line, you know what I mean? Like, 568 00:32:05,240 --> 00:32:07,520 Speaker 1: I just like, I don't even want to talk about 569 00:32:07,520 --> 00:32:08,880 Speaker 1: it much. I don't want to go too much air. 570 00:32:08,880 --> 00:32:14,360 Speaker 1: But like the pig pen, oh my god, the noses, 571 00:32:15,000 --> 00:32:20,640 Speaker 1: I was like, where are we right now? Where are we? I? 572 00:32:20,960 --> 00:32:24,720 Speaker 1: My jaw was agaye on the ground or my mouth 573 00:32:24,760 --> 00:32:26,800 Speaker 1: will gape on the ground. Like it just was like 574 00:32:26,960 --> 00:32:33,960 Speaker 1: too too much. I will say the context decide. I 575 00:32:34,000 --> 00:32:38,160 Speaker 1: do enjoy that the rivalry coming back, like she's now 576 00:32:38,240 --> 00:32:42,800 Speaker 1: got new people to take down doing Sue at what 577 00:32:42,840 --> 00:32:46,680 Speaker 1: she does best is like taking people down. We just 578 00:32:46,720 --> 00:32:50,240 Speaker 1: hope it's not at the expense of other people, do 579 00:32:50,280 --> 00:32:50,880 Speaker 1: you know what I mean? 580 00:32:51,560 --> 00:32:52,280 Speaker 2: Oh? I sure do. 581 00:32:52,920 --> 00:32:59,360 Speaker 1: I did love the vocal adrenaline performance. Also, Max George 582 00:32:59,400 --> 00:33:09,160 Speaker 1: of I'm Glad You Came Fame is a vocalist, you know, Yeah, 583 00:33:09,560 --> 00:33:14,240 Speaker 1: like singing his face off and that vocal adrenaline number. 584 00:33:16,480 --> 00:33:19,760 Speaker 1: I I have to admit, I don't think I ever 585 00:33:19,800 --> 00:33:25,040 Speaker 1: saw this episode, but I mean I was shocked, Like 586 00:33:25,120 --> 00:33:29,000 Speaker 1: I obviously know him from the boy band and I 587 00:33:29,840 --> 00:33:32,240 Speaker 1: should know better than anybody else not to judge a 588 00:33:32,240 --> 00:33:38,640 Speaker 1: book by its boy band cover. But he was no, no, 589 00:33:38,640 --> 00:33:44,920 Speaker 1: no singing, singing, dancing, yeah, like performing. It was really god, 590 00:33:45,280 --> 00:33:47,840 Speaker 1: it was very good, very exciting to see. I was 591 00:33:47,880 --> 00:33:50,959 Speaker 1: I was missing vocal adrenaline. I felt like, you know, 592 00:33:51,040 --> 00:33:54,080 Speaker 1: we love New York, but to bring back vocal adrenaline 593 00:33:54,080 --> 00:33:56,680 Speaker 1: that first was like we needed it. And I love 594 00:33:56,760 --> 00:33:59,080 Speaker 1: that Will is doing it. It's just so ironic and 595 00:33:59,080 --> 00:34:02,040 Speaker 1: like feels so crazy. But also his little sweater vests 596 00:34:02,040 --> 00:34:05,200 Speaker 1: and plaid spy, I know, he's so sweet. Like usually 597 00:34:05,200 --> 00:34:07,520 Speaker 1: he's like sitting there with like his eyes welling up. 598 00:34:07,520 --> 00:34:10,040 Speaker 1: In this one, he's like dancing. It's just a different shoe, 599 00:34:10,080 --> 00:34:11,560 Speaker 1: but I love it. I love it. 600 00:34:12,040 --> 00:34:14,319 Speaker 2: I also love getting to see some coach beast in 601 00:34:14,360 --> 00:34:17,520 Speaker 2: there yelling at the football the football players. 602 00:34:17,200 --> 00:34:19,919 Speaker 1: And Sam telling sat his own water. 603 00:34:21,600 --> 00:34:24,520 Speaker 2: Marshall shows up at Spencer and I think it's so 604 00:34:24,680 --> 00:34:29,560 Speaker 2: great fits right in in this like new era gay student. Yes, 605 00:34:30,920 --> 00:34:34,239 Speaker 2: and also like Marshall's just so sweet, nice and big 606 00:34:34,280 --> 00:34:34,759 Speaker 2: fan of him. 607 00:34:35,719 --> 00:34:37,000 Speaker 1: We have to talk about Krovski. 608 00:34:37,760 --> 00:34:39,400 Speaker 2: We have talking about the last. 609 00:34:39,400 --> 00:34:44,680 Speaker 1: Kurt meeting the Lane to get him back. It all 610 00:34:44,880 --> 00:34:49,080 Speaker 1: started out to happy, go lucky. For it to end 611 00:34:49,200 --> 00:34:51,799 Speaker 1: in them being together, it would have been like them 612 00:34:51,840 --> 00:34:54,000 Speaker 1: crying and then deciding to get back together. But this 613 00:34:54,080 --> 00:34:57,200 Speaker 1: I was like, something's wrong here, something is going to 614 00:34:57,320 --> 00:34:59,320 Speaker 1: happen in this scene, and I don't know what it is. 615 00:34:59,440 --> 00:35:03,280 Speaker 1: I was like, oh my god, here it is, and 616 00:35:04,400 --> 00:35:05,480 Speaker 1: Blaine is dating. 617 00:35:07,280 --> 00:35:11,000 Speaker 2: I couldn't remember. Don't be mad at me, dear listeners. 618 00:35:11,600 --> 00:35:17,280 Speaker 2: I couldn't remember who dated Kosky if it was or Blaine, 619 00:35:18,000 --> 00:35:20,719 Speaker 2: because you know, so often like sex education, like you 620 00:35:20,760 --> 00:35:26,200 Speaker 2: have your the bully and bullied end up together in 621 00:35:26,320 --> 00:35:32,880 Speaker 2: some sort of suspicious relationship, right, And so I just 622 00:35:32,920 --> 00:35:38,800 Speaker 2: couldn't remember. And then also that flashback Max Line dancing 623 00:35:38,920 --> 00:35:44,280 Speaker 2: and Blaine Warbler. It is weird sitting there watching him. Yeah, 624 00:35:44,320 --> 00:35:47,000 Speaker 2: it's but it makes sense. It's a small town. How 625 00:35:47,000 --> 00:35:48,879 Speaker 2: many out gay people are there? Really? 626 00:35:49,040 --> 00:35:50,640 Speaker 1: Yeah, And it couldn't have been so easy for kurtin 627 00:35:50,680 --> 00:35:52,359 Speaker 1: Blaine to like be like I want you back, Ohey, 628 00:35:52,440 --> 00:35:54,759 Speaker 1: let's get together. Like either Blaine would have been like no, no, no, no, 629 00:35:54,840 --> 00:35:57,080 Speaker 1: we're not doing it. It's not that easy, or Blaine's 630 00:35:57,120 --> 00:36:00,760 Speaker 1: gonna be dating somebody else. I for one have to say, 631 00:36:01,200 --> 00:36:04,400 Speaker 1: like love seeing Max Outler back, love seeing like them, 632 00:36:04,760 --> 00:36:07,120 Speaker 1: you know Kurk kind of being quick through the ringer 633 00:36:07,120 --> 00:36:10,320 Speaker 1: at this point, or like their relationship kind of being challenged. 634 00:36:10,360 --> 00:36:16,319 Speaker 1: But I do not like this couple. Do you know 635 00:36:16,400 --> 00:36:19,400 Speaker 1: like this? I don't either, but I think it's good TV. 636 00:36:19,840 --> 00:36:24,239 Speaker 1: I get it. I just am like, I don't know, yeah, 637 00:36:24,239 --> 00:36:28,400 Speaker 1: and I'm like Blaine, let's get let's get it together. 638 00:36:28,560 --> 00:36:30,960 Speaker 1: Curtain Blaine and let's just get married. Do you know 639 00:36:31,000 --> 00:36:32,080 Speaker 1: what I mean? Yeah? 640 00:36:32,320 --> 00:36:35,600 Speaker 2: I don't. I'm I think it's done way too often 641 00:36:35,640 --> 00:36:38,160 Speaker 2: of you know, having the bully end up dating some 642 00:36:38,239 --> 00:36:45,919 Speaker 2: of their bullying, even though this isn't exactly that. But selfishly, yeah, 643 00:36:46,120 --> 00:36:49,160 Speaker 2: like you said, I like seeing them all. I like 644 00:36:49,200 --> 00:36:52,719 Speaker 2: seeing Max back. So did you also notice that Kelly 645 00:36:52,800 --> 00:36:53,800 Speaker 2: was one of the line dancers. 646 00:36:54,280 --> 00:36:58,840 Speaker 1: Yes, I was just going to say that, it's my 647 00:36:58,920 --> 00:37:03,840 Speaker 1: favorite Kelly Kuzman himself, Kusman just making an appearance whenever 648 00:37:03,880 --> 00:37:07,160 Speaker 1: he can. I mean this is the place to do it. 649 00:37:07,360 --> 00:37:08,000 Speaker 1: I love it. 650 00:37:08,080 --> 00:37:10,239 Speaker 2: And he was a writer this season. Oh that's right, 651 00:37:10,480 --> 00:37:12,080 Speaker 2: so he must have been on set and they just 652 00:37:12,120 --> 00:37:12,560 Speaker 2: threw him in. 653 00:37:12,560 --> 00:37:14,400 Speaker 1: There man or he was like, I'm going to be 654 00:37:14,400 --> 00:37:15,080 Speaker 1: in this scene. 655 00:37:15,239 --> 00:37:20,800 Speaker 2: Yeah, that makes sense. The Kowski and Blaine, the whole 656 00:37:20,800 --> 00:37:25,880 Speaker 2: thing about Bear and Otter. I was like, I have 657 00:37:25,920 --> 00:37:27,680 Speaker 2: to get out of here, That's what I'm saying out 658 00:37:27,680 --> 00:37:28,160 Speaker 2: of myself. 659 00:37:28,640 --> 00:37:30,080 Speaker 1: Very uncomfortable there. 660 00:37:30,200 --> 00:37:32,080 Speaker 2: Yeah, but I think that's part of the fun. 661 00:37:32,239 --> 00:37:34,040 Speaker 1: I know, I know, I know, I just know. 662 00:37:34,160 --> 00:37:36,960 Speaker 2: I'm not saying I like it, But there have been 663 00:37:37,000 --> 00:37:38,160 Speaker 2: crazier things on the show. 664 00:37:38,480 --> 00:37:41,040 Speaker 1: And then you know, Rachel and Kurt, they get to 665 00:37:41,040 --> 00:37:43,000 Speaker 1: the end of the episode like Rachel and Kurt are 666 00:37:43,040 --> 00:37:48,920 Speaker 1: coming in and Rachel's in the office and mister Shu says, 667 00:37:49,280 --> 00:37:51,319 Speaker 1: I thought Finn was going to take this office, which 668 00:37:51,360 --> 00:37:54,239 Speaker 1: I thought was really sweet, and Rachel saying like it's 669 00:37:54,239 --> 00:37:57,120 Speaker 1: a few months, and like, yeah, your assets a few months. 670 00:37:57,239 --> 00:38:00,480 Speaker 1: But and then we didn't let it go, and we 671 00:38:00,520 --> 00:38:03,560 Speaker 1: get a wonderful performance of let I Go by le. 672 00:38:03,680 --> 00:38:07,160 Speaker 2: Michelle and papers flying through the hallway with the open door. 673 00:38:07,640 --> 00:38:10,640 Speaker 1: And again I have to say, like even her weird 674 00:38:10,680 --> 00:38:12,440 Speaker 1: little line at the end, You're like, how do they 675 00:38:12,440 --> 00:38:14,480 Speaker 1: pull this up? I was like, oh God, bless they 676 00:38:14,520 --> 00:38:17,120 Speaker 1: cut the cold never bothered me anyway, I'm so glad. 677 00:38:17,719 --> 00:38:20,880 Speaker 1: And then we get to her, which I'm glad they 678 00:38:20,880 --> 00:38:23,560 Speaker 1: did because putting up that Glee sign up list was 679 00:38:23,719 --> 00:38:27,640 Speaker 1: very exciting. I loved it. It's nostalgic. It made me 680 00:38:27,680 --> 00:38:30,759 Speaker 1: feel things with the gold star next to it and 681 00:38:30,800 --> 00:38:34,440 Speaker 1: then straight into the camera, which is a Bradbeaker special 682 00:38:34,840 --> 00:38:37,360 Speaker 1: of doing a cold. Never bothered me in it. I 683 00:38:37,400 --> 00:38:40,080 Speaker 1: was like, you know what I buy, I buy it. 684 00:38:40,160 --> 00:38:42,160 Speaker 2: I take it now. Beaker's got taste. 685 00:38:42,560 --> 00:38:45,640 Speaker 1: He really doesn't. He knows what he's doing. I was 686 00:38:45,640 --> 00:38:51,799 Speaker 1: into it. So that's the the beginning of the end. 687 00:38:52,280 --> 00:38:54,600 Speaker 2: This is what always happens. This is how I listened 688 00:38:54,600 --> 00:38:58,000 Speaker 2: to music, watch movies, watch TV. I always initially don't 689 00:38:58,040 --> 00:39:01,759 Speaker 2: love something, and then after I talk it out, like, you. 690 00:39:01,719 --> 00:39:05,040 Speaker 1: Know what, it wasn't so bad? Yeah, yeah, kind of 691 00:39:05,040 --> 00:39:05,319 Speaker 1: like that. 692 00:39:05,440 --> 00:39:06,239 Speaker 2: Kind of enjoyed it. 693 00:39:08,360 --> 00:39:08,799 Speaker 1: For sure. 694 00:39:09,320 --> 00:39:14,759 Speaker 2: I also this was my weirdest watching experience. Why I 695 00:39:14,880 --> 00:39:16,600 Speaker 2: watched it in my car. 696 00:39:18,600 --> 00:39:22,239 Speaker 1: I watched it in my car often, so really I 697 00:39:22,280 --> 00:39:24,319 Speaker 1: have to because I'm on ago and I just I 698 00:39:24,360 --> 00:39:25,480 Speaker 1: watched fair I watch it. 699 00:39:26,320 --> 00:39:28,600 Speaker 2: There was a street cleaning and there was nowhere to 700 00:39:28,600 --> 00:39:30,560 Speaker 2: park my car, and so I sat in my car 701 00:39:30,600 --> 00:39:32,560 Speaker 2: to see if parking enforcement was going to come by, 702 00:39:32,840 --> 00:39:33,880 Speaker 2: and so I just watched the. 703 00:39:33,880 --> 00:39:36,479 Speaker 1: Episode on your phone with the sound in your car. Yeah, 704 00:39:36,480 --> 00:39:39,920 Speaker 1: it's kind of fun. Yeah, yeah, that's funnyway. Yeah, I 705 00:39:39,960 --> 00:39:43,440 Speaker 1: watch it. I watch it all over the place. Sometimes 706 00:39:43,480 --> 00:39:47,560 Speaker 1: I watch it while I'm making dinner. Sometimes I watch it. 707 00:39:48,400 --> 00:39:51,719 Speaker 1: Sometimes I watch it when I'm feeding gray Am. Sometimes 708 00:39:51,760 --> 00:39:54,000 Speaker 1: I watch it a little bit with Emma. And yesterday 709 00:39:54,040 --> 00:39:56,480 Speaker 1: I was who's that singing? Mummy? Who's that singing? It was? 710 00:39:57,960 --> 00:40:04,279 Speaker 1: It was Rachel singing uninvited? Let's grades and performances uninvited. 711 00:40:06,200 --> 00:40:10,640 Speaker 1: The vocal A A plus the number so well. I 712 00:40:10,680 --> 00:40:13,600 Speaker 1: also liked singing paramount I did, but the GoF covers 713 00:40:13,640 --> 00:40:14,600 Speaker 1: being very fast. 714 00:40:15,360 --> 00:40:20,600 Speaker 2: Yeah, I'll give it a B plus A minus. 715 00:40:20,640 --> 00:40:24,759 Speaker 1: Okay, same thing my book that. 716 00:40:24,800 --> 00:40:28,000 Speaker 2: Is not the same Jenna, that is a full different letter. 717 00:40:28,160 --> 00:40:34,040 Speaker 1: Okay, suddenly Seymour B yeah B it's so weird to me. 718 00:40:34,239 --> 00:40:46,120 Speaker 1: Sing as a dance the Night Away, Oh A A 719 00:40:46,120 --> 00:40:47,640 Speaker 1: A let it. 720 00:40:47,600 --> 00:40:49,839 Speaker 2: Go A plus. I really like Dance to Night Away. 721 00:40:51,080 --> 00:40:54,480 Speaker 1: Yeah, let's give an A plus. I mean just a 722 00:40:54,520 --> 00:41:03,400 Speaker 1: vocal adournaline after all, let it go a B plus. Whoa. 723 00:41:03,680 --> 00:41:04,839 Speaker 2: I just can't do that song. 724 00:41:05,080 --> 00:41:08,239 Speaker 1: I get it. I am just too undisensitized towards it. 725 00:41:08,239 --> 00:41:11,600 Speaker 1: It is just normal in my body for sure. 726 00:41:11,800 --> 00:41:14,520 Speaker 2: No, no, no, no, I'm a frozen two truther. 727 00:41:17,360 --> 00:41:22,840 Speaker 1: Cracked. Do you like Patti get things go when he 728 00:41:22,880 --> 00:41:24,320 Speaker 1: does that? Because it's so high? 729 00:41:24,640 --> 00:41:27,240 Speaker 2: God damn it, Jenna. I have spent this whole show 730 00:41:27,800 --> 00:41:31,040 Speaker 2: praising how good you sound, and then I agree to 731 00:41:31,160 --> 00:41:38,640 Speaker 2: do that. Ah, okay, TARTI takes TARTI takes cringe moments everything. 732 00:41:38,719 --> 00:41:42,279 Speaker 1: Sue says, it's really bad. It's really really bad. 733 00:41:42,440 --> 00:41:43,799 Speaker 2: Like I don't even know where to start. 734 00:41:43,960 --> 00:41:46,279 Speaker 1: No no, no, I mean like her secretary, Like the 735 00:41:46,320 --> 00:41:47,959 Speaker 1: whole thing is just really bad. 736 00:41:49,120 --> 00:41:49,200 Speaker 2: No. 737 00:41:49,320 --> 00:41:52,960 Speaker 1: I can't with that Translors. No, no, no, no, no, it's 738 00:41:53,000 --> 00:41:58,320 Speaker 1: it's actually not good. It's bad. Best dance move right away, 739 00:41:58,920 --> 00:42:04,280 Speaker 1: best song, mm hmmm, dance to night away, dance nightaway? 740 00:42:04,960 --> 00:42:07,240 Speaker 1: Uh best? 741 00:42:07,280 --> 00:42:10,759 Speaker 2: Hold on, we're not doing the best performance doing best song. 742 00:42:12,840 --> 00:42:15,200 Speaker 2: I'm going to switch it to uninvited. 743 00:42:15,120 --> 00:42:26,680 Speaker 1: And invited vocally Yeah, okay, prop that's a Rachel like 744 00:42:26,960 --> 00:42:29,920 Speaker 1: the set. 745 00:42:28,520 --> 00:42:29,680 Speaker 2: Everything, and that's so Rachel. 746 00:42:30,080 --> 00:42:34,600 Speaker 1: Yeah, it's absolute best line. 747 00:42:36,040 --> 00:42:39,160 Speaker 2: I'm gonna go sappy here and use the speech between 748 00:42:39,400 --> 00:42:41,120 Speaker 2: Will and Rachel. 749 00:42:41,400 --> 00:42:42,600 Speaker 1: Okay, I like that. 750 00:42:45,000 --> 00:42:48,400 Speaker 2: MVP. I'm going Leah. 751 00:42:48,480 --> 00:42:52,040 Speaker 1: Yes, I'm going Leah with an honorable mention to Darren 752 00:42:52,080 --> 00:42:52,880 Speaker 1: and Chris. 753 00:42:54,120 --> 00:42:55,800 Speaker 2: Leah carries this episode. 754 00:42:55,880 --> 00:42:58,839 Speaker 1: She really does, and it's excellent, really really good. 755 00:42:59,120 --> 00:43:01,640 Speaker 2: It works on her, it always has. 756 00:43:01,760 --> 00:43:02,839 Speaker 1: Always has. 757 00:43:03,400 --> 00:43:06,719 Speaker 2: Okay, okay, should we got on TikTok? It is so good. 758 00:43:06,800 --> 00:43:11,240 Speaker 2: It is these two friends Missus Jerry Traynor on TikTok 759 00:43:12,280 --> 00:43:14,920 Speaker 2: and they're leaving a fake voicemail and saying the urge 760 00:43:14,920 --> 00:43:17,720 Speaker 2: to leave the infamous Will Shooster voicemail every time someone 761 00:43:17,760 --> 00:43:22,920 Speaker 2: doesn't answer their phone, and they have it memorized and 762 00:43:23,000 --> 00:43:25,439 Speaker 2: are saying it. That's good. 763 00:43:25,840 --> 00:43:26,520 Speaker 1: This is good. 764 00:43:27,120 --> 00:43:29,200 Speaker 2: It's so good and the comments are great, like the 765 00:43:29,200 --> 00:43:34,520 Speaker 2: way I knew what it was immediately. The thing is, 766 00:43:34,520 --> 00:43:37,719 Speaker 2: none of my friends watched Glee. Can you imagine doing that? Someone? 767 00:43:38,160 --> 00:43:41,320 Speaker 2: Oh yeah, someone will have an issue with that target 768 00:43:41,360 --> 00:43:44,360 Speaker 2: audience reach. I found my people. This is my humor. 769 00:43:44,440 --> 00:43:46,640 Speaker 2: I think it's great. Jenna, leave me a voicemail sometime, 770 00:43:46,680 --> 00:43:51,800 Speaker 2: would you? I will oh my gosh, and do the monologue. 771 00:43:51,400 --> 00:43:54,319 Speaker 1: Everybody has been talking to me about, like, oh, have 772 00:43:54,400 --> 00:43:57,279 Speaker 1: you seen like the viral song on TikTok, like which one? 773 00:43:57,480 --> 00:44:01,120 Speaker 1: I say a little brown, like yeah, it's still going 774 00:44:01,239 --> 00:44:03,160 Speaker 1: you guys. We have a great guest this week. Nolah 775 00:44:03,200 --> 00:44:07,319 Speaker 1: Guthrie is here kicking off season six guests. He is 776 00:44:08,600 --> 00:44:13,200 Speaker 1: so sweet, so don't miss that. And then our next 777 00:44:13,280 --> 00:44:16,680 Speaker 1: recap is Homecoming. It's a season part two of the 778 00:44:16,719 --> 00:44:17,760 Speaker 1: season six premiere. 779 00:44:19,120 --> 00:44:20,120 Speaker 2: Oh I'm in that one. 780 00:44:20,280 --> 00:44:21,640 Speaker 1: So Mike, we're back. 781 00:44:23,320 --> 00:44:24,160 Speaker 2: We're back. 782 00:44:25,280 --> 00:44:29,160 Speaker 1: This is when cord falls. We're all back. And I 783 00:44:29,200 --> 00:44:33,520 Speaker 1: remember we did some weird behind the scenes videos during 784 00:44:33,560 --> 00:44:37,160 Speaker 1: this number. Kevin at Bernstein, do you remember with Diana? 785 00:44:37,239 --> 00:44:38,400 Speaker 2: Nope, nope. 786 00:44:38,719 --> 00:44:41,799 Speaker 1: Oh it's really fun. Okay, stay tuned, and that's what 787 00:44:41,840 --> 00:44:42,520 Speaker 1: you really missed. 788 00:44:43,040 --> 00:44:46,200 Speaker 2: Thanks for listening, and follow us on Instagram at and 789 00:44:46,280 --> 00:44:48,480 Speaker 2: that's what you really miss pod. Make sure to write 790 00:44:48,560 --> 00:44:50,840 Speaker 2: us a review and leave us five stars. See you 791 00:44:50,840 --> 00:44:51,239 Speaker 2: next time.