1 00:00:00,960 --> 00:00:04,920 Speaker 1: Look mare, Oh, I see you my own look over 2 00:00:04,960 --> 00:00:12,119 Speaker 1: there is that culture? Yes, goodness, wow, lost culture, last culture. 3 00:00:13,160 --> 00:00:15,280 Speaker 1: Now what are they going to talk about today? That's 4 00:00:15,280 --> 00:00:17,840 Speaker 1: what all the readers are saying. Now, what are they 5 00:00:17,880 --> 00:00:18,800 Speaker 1: going to talk about today? 6 00:00:18,800 --> 00:00:21,960 Speaker 2: Well, I'm genuinely asking this question because we are recording 7 00:00:22,000 --> 00:00:26,400 Speaker 2: this on the same week as last week's episode, very near, 8 00:00:26,920 --> 00:00:29,520 Speaker 2: very near, and so I do have that, you know, 9 00:00:29,720 --> 00:00:33,280 Speaker 2: podcast or anxiety. I think, oh am, I not going 10 00:00:33,320 --> 00:00:35,320 Speaker 2: to have anything to talk about with my co host. 11 00:00:35,360 --> 00:00:37,400 Speaker 2: But I know that's never a challenge with. 12 00:00:37,400 --> 00:00:42,280 Speaker 1: You have, Ppa. I don't podcast performance anxiety. Hep ah 13 00:00:42,400 --> 00:00:46,479 Speaker 1: my god, do I just create We just created a 14 00:00:46,680 --> 00:00:53,519 Speaker 1: new contemporary disease mental illness Ppa, Oh my god, Canadian 15 00:00:53,560 --> 00:00:57,400 Speaker 1: golden showers. Yes, lover saying Ppa, I'm saying right now, 16 00:00:57,840 --> 00:01:00,120 Speaker 1: this is going to be the best Last Cultures out 17 00:01:00,120 --> 00:01:03,080 Speaker 1: of all time. Today, Honey, I don't doubt it. I 18 00:01:03,080 --> 00:01:05,800 Speaker 1: don't doubt it. Well, there's much to celebrate and remember 19 00:01:05,840 --> 00:01:08,400 Speaker 1: and reflect upon. Oh, can we just well, what do 20 00:01:08,400 --> 00:01:10,320 Speaker 1: you want to talk about? First? Listen? We can start 21 00:01:10,319 --> 00:01:12,560 Speaker 1: on a mournful note. I think we have to start 22 00:01:12,560 --> 00:01:16,319 Speaker 1: in a mournful note. Yeah, because we're recording this On Saturday, 23 00:01:16,319 --> 00:01:22,800 Speaker 1: September second, last night, a legend passed. Jimmy Buffett has 24 00:01:22,840 --> 00:01:27,960 Speaker 1: passed at age seventy six. He was the singer, songwriter, icon, author, 25 00:01:28,760 --> 00:01:33,480 Speaker 1: and entrepreneur. Billionaire. He was a genius. He was valued 26 00:01:33,480 --> 00:01:36,520 Speaker 1: at one billion dollars. And this is when you go, 27 00:01:36,680 --> 00:01:39,679 Speaker 1: maybe not all billionaires. Are not all billionaires. If it's 28 00:01:39,760 --> 00:01:43,080 Speaker 1: Rihanna and Jimmy, if it's Rihanna and Jimmy and soon Taylor, 29 00:01:43,200 --> 00:01:46,240 Speaker 1: three of the least evil people in the entertainment industry, 30 00:01:47,319 --> 00:01:49,600 Speaker 1: those are the three least evil people in the entertainment 31 00:01:49,800 --> 00:01:52,120 Speaker 1: They are the kindest, biggest slaves. 32 00:01:52,360 --> 00:01:56,720 Speaker 2: Actually, I will say Taylor giving the teamsters bonuses. 33 00:01:57,000 --> 00:01:58,800 Speaker 1: That's good. Are you kidding me? That was huge to 34 00:01:58,840 --> 00:02:00,720 Speaker 1: give him a huge bonus. I mean like that's like 35 00:02:01,120 --> 00:02:03,640 Speaker 1: everyone on the whole thing got one hundred thousand dollars. 36 00:02:03,680 --> 00:02:06,120 Speaker 1: But we digress. Here's the thing we're talking about Jimmy. 37 00:02:06,160 --> 00:02:09,080 Speaker 1: Now we're talking about Jimmy and I so the Taylor 38 00:02:09,120 --> 00:02:12,200 Speaker 1: Swift of his time in many ways, bitch, did you 39 00:02:12,280 --> 00:02:16,200 Speaker 1: know he is? I read his obituary, as many people did. 40 00:02:17,120 --> 00:02:21,400 Speaker 1: One of only five or six writers, including Ernest Hemingway 41 00:02:21,639 --> 00:02:25,680 Speaker 1: and fucking John Steinbeck to top to be number one 42 00:02:25,760 --> 00:02:29,600 Speaker 1: on the bestsellers list for nonfiction and fiction. Yeah, yeah, 43 00:02:29,680 --> 00:02:33,760 Speaker 1: I mean he had a real connection to people and 44 00:02:33,880 --> 00:02:37,520 Speaker 1: to like creativity, to art. Yeah, and this man Ryan's 45 00:02:37,560 --> 00:02:41,519 Speaker 1: flip flop with pop top you never forgot. You never 46 00:02:41,600 --> 00:02:44,600 Speaker 1: forgot that blew out my flip flop stepped on a 47 00:02:44,639 --> 00:02:46,440 Speaker 1: pop top? What is it? What's the rest? Had a 48 00:02:46,480 --> 00:02:48,360 Speaker 1: cruise the way the cruise on back home, a cruise 49 00:02:48,360 --> 00:02:51,959 Speaker 1: on back home. Honestly, here's the thing about Jimmy Buffett 50 00:02:51,960 --> 00:02:54,440 Speaker 1: who And I was reading about him today too, just briefly, 51 00:02:54,800 --> 00:02:56,400 Speaker 1: I felt like I didn't even need to just need 52 00:02:56,880 --> 00:03:00,640 Speaker 1: you have the bibliography on him. I needed to. He 53 00:03:00,760 --> 00:03:03,720 Speaker 1: is giving jaws like you don't know, Jimmy Offfitt. If 54 00:03:03,720 --> 00:03:07,240 Speaker 1: you're not American, I feel that is the America. I want. 55 00:03:08,120 --> 00:03:10,480 Speaker 2: This man who is able to unite people from every 56 00:03:10,919 --> 00:03:14,880 Speaker 2: end of life, Yes, make them feel welcome, either in 57 00:03:14,919 --> 00:03:18,559 Speaker 2: the music or in the eating establishments, just the lifestyle, 58 00:03:18,760 --> 00:03:23,880 Speaker 2: Gulf and Western lifestyle. He created something many special things. 59 00:03:24,280 --> 00:03:26,840 Speaker 1: He as a true artist in that he had a 60 00:03:26,919 --> 00:03:33,359 Speaker 1: vision in combining fucking like Calypso country rock that's incredible. 61 00:03:33,520 --> 00:03:36,640 Speaker 1: He invented a new way of expressing it. It was 62 00:03:36,720 --> 00:03:39,960 Speaker 1: yacht rock, and it was been yacht but it wasn't, 63 00:03:40,040 --> 00:03:43,240 Speaker 1: but it was still so signature and to have that 64 00:03:43,400 --> 00:03:46,440 Speaker 1: in the music, end in the brand, and therefore in 65 00:03:46,520 --> 00:03:50,760 Speaker 1: people's lives. My dad sent me the sweetest message I posted. 66 00:03:50,760 --> 00:03:53,640 Speaker 1: I was thinking about him today, Trina. Actually I called 67 00:03:53,680 --> 00:03:55,200 Speaker 1: him this morning. It was the first thing I did 68 00:03:55,200 --> 00:03:56,800 Speaker 1: when I woke up. I looked at my phone. I 69 00:03:56,840 --> 00:03:59,080 Speaker 1: was on a group Texas to Jimmy Buffett and tagged 70 00:03:59,080 --> 00:04:01,560 Speaker 1: me and said, Matt, where thinking of your dad? And 71 00:04:01,640 --> 00:04:04,640 Speaker 1: I literally called my dad. And I didn't know what 72 00:04:04,680 --> 00:04:06,920 Speaker 1: to expect, and I didn't know if I could expect 73 00:04:07,000 --> 00:04:09,240 Speaker 1: him to be like emotional or what. But they were 74 00:04:09,240 --> 00:04:11,920 Speaker 1: at the beach and they came to the beach to 75 00:04:12,000 --> 00:04:15,480 Speaker 1: pour one out for Jimmy. It's just I texted Andy 76 00:04:15,560 --> 00:04:18,039 Speaker 1: actually to see how he was doing because they were friends. 77 00:04:18,640 --> 00:04:22,520 Speaker 1: And apparently he was really at peace when he went 78 00:04:22,839 --> 00:04:25,040 Speaker 1: like apparently he had been sick for some time and 79 00:04:25,080 --> 00:04:30,160 Speaker 1: that everything was accepted and you know, everything was good. 80 00:04:30,200 --> 00:04:33,080 Speaker 1: And I felt like, yeah, I mean what, that's like 81 00:04:33,120 --> 00:04:35,839 Speaker 1: a fitting way for him to go, like truly like 82 00:04:36,080 --> 00:04:38,920 Speaker 1: at peace. And also the fact is if he had 83 00:04:38,960 --> 00:04:41,039 Speaker 1: been sick for a while and no one knew about it. 84 00:04:41,080 --> 00:04:42,960 Speaker 1: I mean, this is someone who's like a cultural icon 85 00:04:43,000 --> 00:04:45,359 Speaker 1: and no one knew he had been struggling. In this way, 86 00:04:45,839 --> 00:04:48,960 Speaker 1: I think he genuinely had care for his fans up 87 00:04:49,000 --> 00:04:50,640 Speaker 1: until the very end. He's like, I don't want them 88 00:04:50,680 --> 00:04:52,800 Speaker 1: to know that I'm suffering. I want them to think 89 00:04:52,839 --> 00:04:54,880 Speaker 1: it's still a party, you know what I mean. And 90 00:04:54,920 --> 00:04:58,200 Speaker 1: even in the way that they disclosed, his manner of 91 00:04:58,279 --> 00:05:02,600 Speaker 1: passing was very like the vibes were good, and it's 92 00:05:02,800 --> 00:05:06,200 Speaker 1: just so rough because my dad said like he was 93 00:05:06,240 --> 00:05:11,279 Speaker 1: the music to my voyage. Oh my god. Yeah, people 94 00:05:11,320 --> 00:05:15,159 Speaker 1: have a connection your dad being like the parrot head. 95 00:05:16,120 --> 00:05:18,640 Speaker 1: You've seen that room in my old house. I've seen 96 00:05:18,680 --> 00:05:21,600 Speaker 1: the room. It is imagine a corner in a basement 97 00:05:22,120 --> 00:05:24,160 Speaker 1: at the basement, right, it was like the back den. 98 00:05:24,360 --> 00:05:28,200 Speaker 1: The back den. Yeah, that is just airlifted out of 99 00:05:28,960 --> 00:05:33,400 Speaker 1: city walk. Yes, it's beautiful. It was. It was a 100 00:05:33,440 --> 00:05:35,640 Speaker 1: beautiful room. And but I'm just saying like this, there 101 00:05:35,640 --> 00:05:38,719 Speaker 1: were so many parrots in that room. So remember counting them. 102 00:05:39,000 --> 00:05:40,920 Speaker 1: I didn't count them. Oh I count there was about 103 00:05:40,920 --> 00:05:42,920 Speaker 1: twenty three parrots. Did did you just count the parrots 104 00:05:42,920 --> 00:05:45,520 Speaker 1: in Broadway ants or no, I think we did that, 105 00:05:45,680 --> 00:05:48,240 Speaker 1: count the parents in Broadways. But in Broadway Ants, which 106 00:05:48,400 --> 00:05:51,240 Speaker 1: was my old web series with Doug White with Doug Whydeck, 107 00:05:51,640 --> 00:05:55,240 Speaker 1: they did debrief all the shows they saw in that room. 108 00:05:56,760 --> 00:06:00,120 Speaker 1: I think we discussed it. Funny. That's so funny. 109 00:06:00,440 --> 00:06:04,440 Speaker 2: No, I'm saying, like he provided an esthetic for so 110 00:06:04,560 --> 00:06:08,640 Speaker 2: many people, your dad included obviously. Yeah, it's a lifestyle. 111 00:06:09,080 --> 00:06:14,400 Speaker 2: And when you sell people a lifestyle that is like harmless. Yeah, 112 00:06:14,400 --> 00:06:17,680 Speaker 2: and like it's about chilling out. It's about chilling out. 113 00:06:17,760 --> 00:06:21,359 Speaker 2: Like that is like thank god he like provided that 114 00:06:21,520 --> 00:06:24,080 Speaker 2: on such a scale. Yeah, And I don't mean scale 115 00:06:24,080 --> 00:06:26,520 Speaker 2: in the business, and I just mean like in terms 116 00:06:26,560 --> 00:06:30,080 Speaker 2: of like getting into people's hearts and creating a fantasy 117 00:06:30,120 --> 00:06:32,440 Speaker 2: for people that is like really lovely. 118 00:06:32,520 --> 00:06:36,120 Speaker 1: I think is beautiful. I mean it really is like this, 119 00:06:36,400 --> 00:06:39,320 Speaker 1: Like I think that a lot of people that were 120 00:06:39,320 --> 00:06:42,200 Speaker 1: his fans were actually hard working type a people who 121 00:06:42,360 --> 00:06:47,200 Speaker 1: just literally wanted a break. And literally he personified what 122 00:06:47,279 --> 00:06:48,920 Speaker 1: it meant to take a break, to take a break. 123 00:06:48,920 --> 00:06:51,159 Speaker 2: But see, even even if you're talking about like him 124 00:06:51,160 --> 00:06:54,360 Speaker 2: not wanting to worry his fans for any illness because 125 00:06:54,400 --> 00:06:56,359 Speaker 2: the party is still going. I mean that is like 126 00:06:56,400 --> 00:06:59,400 Speaker 2: a pure commitment to that idea because even he, like 127 00:07:00,040 --> 00:07:03,599 Speaker 2: I think like after a certain age, was like, this 128 00:07:03,680 --> 00:07:06,039 Speaker 2: isn't what I do anymore necessarily in my own life, 129 00:07:06,080 --> 00:07:09,000 Speaker 2: but I will still sing about it. I'm very much 130 00:07:09,000 --> 00:07:10,560 Speaker 2: like when he started writing books. I think was when 131 00:07:10,560 --> 00:07:12,600 Speaker 2: he was like buckling down and being like I am 132 00:07:12,680 --> 00:07:16,600 Speaker 2: just gonna be like pretty like square and not be 133 00:07:16,960 --> 00:07:19,679 Speaker 2: like this man. But then I'll dress up on stage 134 00:07:19,720 --> 00:07:22,520 Speaker 2: as this guy. M like, that is there's such a 135 00:07:22,560 --> 00:07:23,560 Speaker 2: beauty to that too. 136 00:07:24,080 --> 00:07:28,600 Speaker 1: What if today Beyonce at Renaissance Stur does a cover 137 00:07:28,680 --> 00:07:34,800 Speaker 1: of cheeseburger. Imagine Beyonce at Renaissance in La in La, 138 00:07:35,120 --> 00:07:37,640 Speaker 1: just like so close to her birthday. She's like, we 139 00:07:37,720 --> 00:07:40,920 Speaker 1: need to stop the show tonight. We have lost a 140 00:07:41,000 --> 00:07:44,200 Speaker 1: legend because you know Beyonce respect of course she does, 141 00:07:44,280 --> 00:07:51,280 Speaker 1: and she shut it all down to saying geez burger 142 00:07:51,480 --> 00:07:57,400 Speaker 1: in paradise. I would love that. If she is worth 143 00:07:57,480 --> 00:08:01,160 Speaker 1: her salt, she will turn to God and she will 144 00:08:01,160 --> 00:08:04,400 Speaker 1: say up there in heaven, I see you, Jimmy. Here's 145 00:08:04,520 --> 00:08:10,000 Speaker 1: my sunning rendition. She has of cheeseburger and she has 146 00:08:10,080 --> 00:08:11,280 Speaker 1: to this man. 147 00:08:12,840 --> 00:08:16,480 Speaker 2: Just before the skincarelines and the fucking. 148 00:08:16,680 --> 00:08:20,320 Speaker 1: Before my Slabs, there was Margaritaville, And that's a rule 149 00:08:20,320 --> 00:08:26,000 Speaker 1: of culture. Number nine before house, I believe your go 150 00:08:26,120 --> 00:08:29,600 Speaker 1: to is House Flabs and not fenty or like No, 151 00:08:29,920 --> 00:08:32,960 Speaker 1: for me, the number one celebrity brand is House Lab Labs. 152 00:08:34,120 --> 00:08:36,240 Speaker 1: Should we do a House Labs episode where we have like, 153 00:08:37,120 --> 00:08:39,400 Speaker 1: do we do a video and we have a woman 154 00:08:39,480 --> 00:08:41,920 Speaker 1: come in who's like incredible jobs and we just do 155 00:08:41,960 --> 00:08:45,000 Speaker 1: a house we should just get rap? 156 00:08:45,040 --> 00:08:49,439 Speaker 2: Maybe her name is Stephanie GERMANA. What if Gaga ever 157 00:08:49,480 --> 00:08:53,080 Speaker 2: came on the pod? That would be first of all, 158 00:08:53,640 --> 00:08:57,360 Speaker 2: I realized that I am going through my life with 159 00:08:57,520 --> 00:08:58,679 Speaker 2: Gaga the same way you. 160 00:08:58,800 --> 00:09:01,440 Speaker 1: Am going through my life with Yaga, the same way 161 00:09:01,480 --> 00:09:02,800 Speaker 1: you did for a long time with Kelly. 162 00:09:03,440 --> 00:09:07,040 Speaker 2: Where like I have fear about meeting her, yes, I 163 00:09:07,160 --> 00:09:10,040 Speaker 2: completely understand. And if I've ever presented the option where 164 00:09:10,040 --> 00:09:13,120 Speaker 2: it's not completely on my own terms, I will decline. 165 00:09:13,720 --> 00:09:16,960 Speaker 1: Do you know what I'm saying? And if she were to. 166 00:09:17,000 --> 00:09:20,760 Speaker 2: Ever come on this pod, can you even imagine I? 167 00:09:20,840 --> 00:09:22,839 Speaker 2: That would be my not to compare it to your 168 00:09:22,920 --> 00:09:25,960 Speaker 2: journey or your voyage, but I would not be able 169 00:09:25,960 --> 00:09:26,440 Speaker 2: to keep now. 170 00:09:26,440 --> 00:09:27,120 Speaker 1: I have such. 171 00:09:26,960 --> 00:09:30,360 Speaker 2: Respect for the composure and the professionalism you kept around 172 00:09:30,400 --> 00:09:33,280 Speaker 2: her during her episode. It's even on fucking film, like 173 00:09:33,480 --> 00:09:36,679 Speaker 2: I would not be able to keep it together. 174 00:09:36,800 --> 00:09:40,199 Speaker 1: But we're going to. I don't know, I'm putting it out. 175 00:09:40,320 --> 00:09:42,959 Speaker 2: Anything is possible at this point, really, especially in a 176 00:09:43,000 --> 00:09:45,360 Speaker 2: post Kelly landscape on Lost Culturistas. 177 00:09:45,360 --> 00:09:49,160 Speaker 1: But I I just if we committed, I think we 178 00:09:49,200 --> 00:09:52,040 Speaker 1: could make a serious case for God. Come on the pod, 179 00:09:52,480 --> 00:09:55,439 Speaker 1: we come on, you know what will do? This is 180 00:09:55,440 --> 00:09:57,160 Speaker 1: what I want to do. I want to go to 181 00:09:57,280 --> 00:10:00,240 Speaker 1: Vegas with you and see her jazz and pian I know, 182 00:10:00,880 --> 00:10:01,679 Speaker 1: and do it there? 183 00:10:01,760 --> 00:10:03,760 Speaker 2: Did you see she did stupid love jazz rendition and 184 00:10:03,800 --> 00:10:06,280 Speaker 2: it sounds dare I say, little monsters just saying it 185 00:10:06,280 --> 00:10:07,240 Speaker 2: sounds better the original? 186 00:10:07,280 --> 00:10:10,559 Speaker 1: I mean, why wouldn't it. She's just a constant sleigh. 187 00:10:10,240 --> 00:10:18,679 Speaker 2: Constant sight, like the horns come in and it's like Woo's. 188 00:10:16,200 --> 00:10:17,520 Speaker 1: I would love that, do you? 189 00:10:17,720 --> 00:10:19,280 Speaker 2: I mean not that this would have happened because he 190 00:10:19,400 --> 00:10:21,719 Speaker 2: was sick and we don't know what he would have 191 00:10:21,760 --> 00:10:23,880 Speaker 2: been able to do. You have regrets about not getting 192 00:10:23,960 --> 00:10:24,360 Speaker 2: Jimmy on? 193 00:10:25,080 --> 00:10:27,280 Speaker 1: Oh? I mean like that would have been fun. But 194 00:10:27,320 --> 00:10:30,679 Speaker 1: I don't. It's a difference. The reason why he's more 195 00:10:30,679 --> 00:10:33,240 Speaker 1: significant for me is through my father. It's not for me. 196 00:10:33,320 --> 00:10:36,120 Speaker 1: It's just like it will always connect to that joy. 197 00:10:36,240 --> 00:10:38,080 Speaker 2: He's the type of person I'm sure who would not 198 00:10:38,120 --> 00:10:41,520 Speaker 2: have minded that like someone's parent of a different generation. 199 00:10:41,720 --> 00:10:46,520 Speaker 2: I mean, no way was like their gateway through to even. 200 00:10:46,320 --> 00:10:48,959 Speaker 1: Like the title of his Greatest Hits album is one 201 00:10:48,960 --> 00:10:51,520 Speaker 1: of the best greatest Hits titles. It's songs you know 202 00:10:51,600 --> 00:10:55,439 Speaker 1: by heart. That's just like straightforward, it's like beautiful, Yeah, 203 00:10:55,440 --> 00:10:56,800 Speaker 1: these are songs you know by heart. And guess what 204 00:10:56,920 --> 00:10:59,559 Speaker 1: they were not hits. He actually only had any I 205 00:10:59,600 --> 00:11:03,000 Speaker 1: always video was like the only like chart come Monday. 206 00:11:03,640 --> 00:11:06,559 Speaker 1: And I think Margaritaville probably at some point just because 207 00:11:06,600 --> 00:11:10,280 Speaker 1: of the all I want for Christmas is uness of Margaritaville. 208 00:11:10,360 --> 00:11:14,360 Speaker 2: Yes, yes, oh my god, inspiration inspiration is struck. The 209 00:11:14,360 --> 00:11:16,520 Speaker 2: genius is in the walls. Can I ask did he 210 00:11:16,600 --> 00:11:20,080 Speaker 2: invent the phrase it's five o'clock somewhere? Did he invent that? 211 00:11:20,240 --> 00:11:22,920 Speaker 1: Well, that was a song that he did with Kenny Chesney, 212 00:11:23,200 --> 00:11:25,640 Speaker 1: but based on the phrase I don't I can't, let's 213 00:11:25,640 --> 00:11:29,920 Speaker 1: look it up. I feel who invented? Who coined what 214 00:11:30,080 --> 00:11:32,040 Speaker 1: this is? Good? Okay, so you guys, we're here in 215 00:11:32,080 --> 00:11:35,160 Speaker 1: the culture lab and we're typing away who coined the phrase? 216 00:11:35,240 --> 00:11:38,040 Speaker 2: It appears like comedian Red Skelton coined I re least 217 00:11:38,080 --> 00:11:39,959 Speaker 2: popularized the phrase in nineteen fifty nine. 218 00:11:40,000 --> 00:11:41,800 Speaker 1: Oh wait, so this is interesting. You know when you 219 00:11:41,840 --> 00:11:44,840 Speaker 1: type something into Google and it fills in Yeah, so 220 00:11:44,920 --> 00:11:46,600 Speaker 1: this is what I love when that happened. This is 221 00:11:46,600 --> 00:11:48,880 Speaker 1: what happens when you type in who coined the phrase? Okay, 222 00:11:49,960 --> 00:11:51,720 Speaker 1: and let's see if you can answer each one, and 223 00:11:51,760 --> 00:11:56,679 Speaker 1: it's quiz bowl. Okay, who coined the phrase manifest destiny? 224 00:11:56,800 --> 00:12:00,920 Speaker 2: I think I feel like that is a because in 225 00:12:01,000 --> 00:12:04,640 Speaker 2: paintings have manifest destiny, there's like an angel. I feel 226 00:12:04,640 --> 00:12:06,720 Speaker 2: like it's either a Christian thing or it's like a 227 00:12:06,760 --> 00:12:07,240 Speaker 2: Greek thing. 228 00:12:07,559 --> 00:12:12,040 Speaker 1: Why do I feel like it's like Andrew Jackson maybe 229 00:12:12,640 --> 00:12:14,680 Speaker 1: who coined the phrase? And now I'm gonna click it. 230 00:12:15,240 --> 00:12:18,480 Speaker 1: John John Lewis O'Sullivan eighteen thirteen to eighteen ninety five 231 00:12:18,480 --> 00:12:22,160 Speaker 1: American and her they paint Columbia. Yeah, yeah, they paint 232 00:12:22,200 --> 00:12:25,240 Speaker 1: like the woman Columbia, right, America. She's like moving across 233 00:12:25,320 --> 00:12:27,880 Speaker 1: the island. I think, yes, yes, yes, what it was 234 00:12:27,880 --> 00:12:30,400 Speaker 1: was like, it is our destiny to manifest the entirety 235 00:12:30,440 --> 00:12:34,840 Speaker 1: of the continent of America. Yeah, totally period period. Okay, 236 00:12:34,840 --> 00:12:37,880 Speaker 1: what are you coined the phrase? Oh? My god, this 237 00:12:37,960 --> 00:12:41,440 Speaker 1: is our news segment? Who coined the phrase? Who coined 238 00:12:41,480 --> 00:12:45,800 Speaker 1: the phrase cold war? Oh? Interesting? These are a little 239 00:12:45,800 --> 00:12:48,640 Speaker 1: too historic, don't you think? Do you want to just say, 240 00:12:49,800 --> 00:12:50,960 Speaker 1: my guests, Yeah, your. 241 00:12:50,840 --> 00:12:54,480 Speaker 2: Guess who coined the phrase cold war? I'm gonna say 242 00:12:54,480 --> 00:12:58,240 Speaker 2: that it predates the actual cold warm Hm, let's say 243 00:12:58,360 --> 00:13:02,400 Speaker 2: it was I don't fucking know know, Walt Whitman. 244 00:13:03,600 --> 00:13:06,520 Speaker 1: The first use of the term to describe the specific 245 00:13:06,600 --> 00:13:10,079 Speaker 1: post war geopolitical confrontation between the Soviet Union and the 246 00:13:10,160 --> 00:13:13,720 Speaker 1: United States, came in a speech by Bernard Baruch, an 247 00:13:13,760 --> 00:13:18,720 Speaker 1: influential advisor to Democratic presidents, on April sixteenth, nineteen forty seven. 248 00:13:18,840 --> 00:13:23,520 Speaker 1: I would have never known. Yep, So this is this 249 00:13:23,600 --> 00:13:28,000 Speaker 1: still fun? After one more, we're gonna find out who 250 00:13:28,000 --> 00:13:32,920 Speaker 1: coined the phrase rock and roll? Oh I don't pos 251 00:13:33,160 --> 00:13:36,040 Speaker 1: I'm sure Alan Freed was his name anyway, anyway, Sorry, 252 00:13:36,040 --> 00:13:38,520 Speaker 1: I didn't mean to No, you're right, it's not being fun, 253 00:13:38,640 --> 00:13:41,400 Speaker 1: probably like one and a half because I've never heard 254 00:13:41,440 --> 00:13:44,280 Speaker 1: of these fucking people I know, But isn't it interesting? 255 00:13:44,440 --> 00:13:47,840 Speaker 1: Like we weren't wrong, We just weren't right. We just 256 00:13:47,920 --> 00:13:51,720 Speaker 1: weren't right. We sort of knew something. That's actually a 257 00:13:51,760 --> 00:13:55,360 Speaker 1: really interesting test of what the fuck you remember from 258 00:13:55,400 --> 00:13:57,600 Speaker 1: high school? All the bullshit that we had just said 259 00:13:57,600 --> 00:14:01,439 Speaker 1: through Do you remember one? Man? I remember a lot 260 00:14:01,440 --> 00:14:05,000 Speaker 1: of maths trig If I put a trigonometry problem in 261 00:14:05,000 --> 00:14:06,600 Speaker 1: front of your face right now, what would happen? 262 00:14:06,640 --> 00:14:07,840 Speaker 2: I don't know, but you know what this is what 263 00:14:07,880 --> 00:14:10,960 Speaker 2: blows my mind. There are friends of ours who know 264 00:14:11,200 --> 00:14:15,200 Speaker 2: this shit because they have to, oh for tutoring. It's 265 00:14:15,280 --> 00:14:17,679 Speaker 2: like Josh Sharp knows every fucking. 266 00:14:17,960 --> 00:14:20,960 Speaker 1: Yup, he's got to know the periodic table. Charlie Barday 267 00:14:21,000 --> 00:14:23,400 Speaker 1: is out here teaching kids the sat right. Yeah, he 268 00:14:23,440 --> 00:14:25,480 Speaker 1: a'm getting that wrong. Yep, he has to know the 269 00:14:25,560 --> 00:14:30,520 Speaker 1: quadratic that I'm like, thank god, thank god, although I 270 00:14:30,560 --> 00:14:34,600 Speaker 1: would have if I needed to. Yes, does that sound weird? Not? 271 00:14:35,160 --> 00:14:37,360 Speaker 1: It doesn't sound weird. I was sitting here thinking like 272 00:14:37,760 --> 00:14:40,040 Speaker 1: how lost I would be on one of those tests, 273 00:14:40,280 --> 00:14:42,320 Speaker 1: like if you put like THET in front of me 274 00:14:42,400 --> 00:14:45,320 Speaker 1: right now, which, by the way, I'm sorry to do 275 00:14:45,360 --> 00:14:47,520 Speaker 1: this to you. But you do have perfect scores on 276 00:14:47,560 --> 00:14:54,720 Speaker 1: both these tests. No Nosa sac SAT. Was you flopped 277 00:14:54,720 --> 00:14:55,320 Speaker 1: on SAT? 278 00:14:55,480 --> 00:14:59,160 Speaker 2: Wow, bitch, I got a twenty two hundred out of 279 00:14:59,160 --> 00:14:59,640 Speaker 2: twenty four. 280 00:14:59,760 --> 00:15:03,200 Speaker 1: That's slayer. Why would you do I don't want to 281 00:15:03,240 --> 00:15:16,480 Speaker 1: do that. Did you see the tellyboard day and Joe 282 00:15:16,560 --> 00:15:22,160 Speaker 1: Castel Baker? I want to stay in that house against 283 00:15:22,800 --> 00:15:23,240 Speaker 1: speak it. 284 00:15:23,480 --> 00:15:25,480 Speaker 2: That was the charge already house and we got a 285 00:15:25,520 --> 00:15:27,360 Speaker 2: little you know, that was when we talked about the 286 00:15:27,400 --> 00:15:30,200 Speaker 2: house and quote unquote made fun of it, even though 287 00:15:30,200 --> 00:15:32,360 Speaker 2: it did on my knees begging them to forgive us. 288 00:15:32,880 --> 00:15:35,760 Speaker 2: They did and ultimately it was fine, but it was 289 00:15:36,000 --> 00:15:39,880 Speaker 2: because that house is stunning. I've had rough parties there 290 00:15:40,080 --> 00:15:41,840 Speaker 2: one weeks where I was not staying in that house 291 00:15:42,480 --> 00:15:44,840 Speaker 2: where it was like every geek when you've ever met, 292 00:15:45,280 --> 00:15:46,440 Speaker 2: was like, I mean. 293 00:15:46,600 --> 00:15:49,480 Speaker 1: Yes, but also it's like it's about how you fill 294 00:15:49,560 --> 00:15:52,560 Speaker 1: the house yourself. You know what you fill the house? 295 00:15:52,640 --> 00:15:53,160 Speaker 1: We'd love. 296 00:15:53,960 --> 00:15:56,480 Speaker 2: That house will always be very special to me. I 297 00:15:56,600 --> 00:15:59,560 Speaker 2: have very special memories in that house, and I am sorry. 298 00:15:59,680 --> 00:16:02,320 Speaker 2: Sometimes we do this Reader's Keys Publicis finalists and Matt 299 00:16:02,400 --> 00:16:04,000 Speaker 2: comes in with one energy, I come in with another. 300 00:16:04,080 --> 00:16:06,160 Speaker 1: Today it was the energy was. Matt was like, oh, 301 00:16:06,200 --> 00:16:07,480 Speaker 1: we God, we have so much to talk about, and 302 00:16:07,560 --> 00:16:11,800 Speaker 1: my energy was we just recorded four days ago. I 303 00:16:11,960 --> 00:16:12,760 Speaker 1: know you're so right. 304 00:16:14,280 --> 00:16:16,760 Speaker 2: I wanted to talk about although enjoyment. Although, but I 305 00:16:16,800 --> 00:16:20,040 Speaker 2: think although when joined that last week, do you know 306 00:16:20,120 --> 00:16:20,720 Speaker 2: what I'm googling? 307 00:16:20,840 --> 00:16:23,200 Speaker 1: What is popular right now? No? No, no, no, no, 308 00:16:24,280 --> 00:16:27,160 Speaker 1: let's say no. This is our first pop Crave episode 309 00:16:27,160 --> 00:16:31,000 Speaker 1: where we go down Popcrave to eight Popcrave episode. Can 310 00:16:31,080 --> 00:16:34,480 Speaker 1: I tell you I have had so much news day 311 00:16:35,040 --> 00:16:37,880 Speaker 1: they will win a Pulitzer by the end of this 312 00:16:38,280 --> 00:16:41,960 Speaker 1: half decade by twenty twenty five. I mean, forget about CNN, 313 00:16:42,320 --> 00:16:46,080 Speaker 1: MSNBC saying Trump was arrested. I found out from Popcrave. 314 00:16:46,360 --> 00:16:49,080 Speaker 1: I think every time Trump has been arrested, it's been 315 00:16:49,200 --> 00:16:52,560 Speaker 1: pop Crave. They have someone placed everywhere. 316 00:16:52,640 --> 00:16:57,080 Speaker 2: Popcrave broke the story of Charlie xcx unfollowing arena and 317 00:16:57,240 --> 00:17:00,280 Speaker 2: then tweeting messy Era, and then that caused it's actu 318 00:17:00,280 --> 00:17:02,400 Speaker 2: an uproar that Charlie had to put out an extra 319 00:17:02,640 --> 00:17:03,680 Speaker 2: like statement about. 320 00:17:03,680 --> 00:17:07,320 Speaker 1: Pop Crave is scaring the girl? Wait, what's going on 321 00:17:07,440 --> 00:17:08,320 Speaker 1: with that Charlie stuff? 322 00:17:08,359 --> 00:17:10,240 Speaker 2: I don't really know, but then the statement she put 323 00:17:10,240 --> 00:17:12,240 Speaker 2: out was basically like, I didn't want to do this, 324 00:17:12,480 --> 00:17:15,080 Speaker 2: but after getting off the phone with Rina, I just 325 00:17:15,400 --> 00:17:17,720 Speaker 2: think you should all know that this happened over a 326 00:17:17,800 --> 00:17:19,520 Speaker 2: personal disagreement. 327 00:17:18,960 --> 00:17:20,000 Speaker 1: And blah blah blah blah blah. 328 00:17:20,040 --> 00:17:24,040 Speaker 2: And I'm like, wow, pop Crape is forcing fucking the girls, 329 00:17:24,400 --> 00:17:26,600 Speaker 2: forcing the girls to talk, and isn't that huge? 330 00:17:26,600 --> 00:17:28,640 Speaker 1: Okay? Do you want to get tweet by tweet pop Crave? Yes, 331 00:17:28,760 --> 00:17:31,560 Speaker 1: Pop Crave, that is so okay. 332 00:17:31,680 --> 00:17:35,280 Speaker 2: First, Ariana Grande looks beautiful and newly shared photos. 333 00:17:35,680 --> 00:17:38,920 Speaker 1: Yeah, your girl, Oh my god, ari we love you. 334 00:17:39,119 --> 00:17:40,720 Speaker 1: Does she let me see the pictures? Look at her? 335 00:17:41,080 --> 00:17:44,440 Speaker 1: Absolutely beautiful, beautiful girl, beautiful girl, stunning. 336 00:17:44,640 --> 00:17:47,760 Speaker 2: She has a very smashed, shattered iPhone and I will 337 00:17:47,800 --> 00:17:49,919 Speaker 2: say she calls that her art piece. She says, look 338 00:17:49,920 --> 00:17:52,159 Speaker 2: at my art piece. Is she a girl with a 339 00:17:52,200 --> 00:17:53,960 Speaker 2: smashed iPhone? She's a girl with a smash. She goes 340 00:17:53,960 --> 00:17:57,200 Speaker 2: Onnatrual with her iPhone. One day on set, someone complimented 341 00:17:57,240 --> 00:17:58,639 Speaker 2: her for They're like, oh my god, I kind of 342 00:17:58,680 --> 00:17:59,640 Speaker 2: love the cracks on your phone. 343 00:17:59,680 --> 00:18:05,280 Speaker 1: She goes, thank you, my art piece. Okay. Cinderella was 344 00:18:05,359 --> 00:18:12,120 Speaker 1: released two years ago. Pop Craz always saying, remember not Cinderella, 345 00:18:12,160 --> 00:18:15,680 Speaker 1: but the Camilla Cabello Amazon Cinderella. Wow. A Moment in 346 00:18:15,840 --> 00:18:16,880 Speaker 1: Culture starring. 347 00:18:16,680 --> 00:18:21,399 Speaker 2: Adina Menzel starring Billy Porter starting, Oh my god, Maddie 348 00:18:21,600 --> 00:18:24,320 Speaker 2: Maddi from Hairspray Live. I forget what her last name. 349 00:18:24,320 --> 00:18:27,639 Speaker 1: Is, Ballio or Baalo or something. Yeah, yeah, yeah, I 350 00:18:27,720 --> 00:18:30,880 Speaker 1: think that's her. That's beautiful. What else is popcra saying? 351 00:18:30,960 --> 00:18:32,800 Speaker 1: Shang Chi and the Legend of the Ten Rings was 352 00:18:32,880 --> 00:18:35,359 Speaker 1: released two years ago. Oh, I saw it that. I 353 00:18:35,520 --> 00:18:38,600 Speaker 1: saw it that weekend. I saw it that weekend. I said, 354 00:18:38,720 --> 00:18:40,480 Speaker 1: I have to go see shang Xi. I have to 355 00:18:40,520 --> 00:18:43,160 Speaker 1: see shang Chi starring friend of the Pod Michelle Yoh, 356 00:18:43,359 --> 00:18:44,040 Speaker 1: Stephanie Schu. 357 00:18:46,560 --> 00:18:50,040 Speaker 2: Camp Rock Too. The Final Jam premiered thirteen years ago. 358 00:18:50,119 --> 00:18:51,400 Speaker 2: I was never a camp Rock kid. 359 00:18:51,960 --> 00:18:54,960 Speaker 1: I actually, for some reason, the YouTube wormhole that I've 360 00:18:55,000 --> 00:18:57,840 Speaker 1: fallen into is like Disney Kids, and like Disney Kids 361 00:18:57,880 --> 00:19:00,480 Speaker 1: when they first appeared on Allen uh huh. And it's 362 00:19:00,640 --> 00:19:03,800 Speaker 1: so funny that camp Rock was such a sensation that 363 00:19:03,880 --> 00:19:06,800 Speaker 1: Debbie Latta was huge, because it really wasn't that girl 364 00:19:07,119 --> 00:19:10,240 Speaker 1: like high school musical, was that girl that was phenomenon? 365 00:19:10,520 --> 00:19:14,040 Speaker 1: Camp Rock was not who literally watched Camp Rock? Can 366 00:19:14,119 --> 00:19:15,560 Speaker 1: I actually throw that question out there? 367 00:19:15,680 --> 00:19:19,639 Speaker 2: You're gonna get millions of responses. Seriously, we were in 368 00:19:19,800 --> 00:19:22,159 Speaker 2: that window where it would not have been cool to 369 00:19:22,240 --> 00:19:24,000 Speaker 2: watch it. I think we were like at that age 370 00:19:24,359 --> 00:19:26,480 Speaker 2: we're like, oh, you watched like high school musical. 371 00:19:26,480 --> 00:19:28,200 Speaker 1: I remember we were. It worked because I was in 372 00:19:28,280 --> 00:19:29,920 Speaker 1: high school. It still hit me so hard. 373 00:19:30,040 --> 00:19:32,080 Speaker 2: I think we were like right in college as Camp 374 00:19:32,200 --> 00:19:34,399 Speaker 2: Rock YEP, thirteen years ago. So what is that like 375 00:19:34,440 --> 00:19:37,320 Speaker 2: twenty ten? So then we were in college, right, we 376 00:19:37,440 --> 00:19:39,679 Speaker 2: were like trying to be cool college students in New 377 00:19:39,760 --> 00:19:42,840 Speaker 2: York wearing black, smoking cigarette, you know what I mean? Yeah, 378 00:19:42,920 --> 00:19:47,880 Speaker 2: So that's no people people fucking worship this shit. Yeah, 379 00:19:47,920 --> 00:19:50,480 Speaker 2: they truly love Camp Rock. There's people out there that 380 00:19:50,560 --> 00:19:52,640 Speaker 2: truly love it. And I'm really. 381 00:19:52,480 --> 00:19:54,320 Speaker 1: Excited to hear from you. And I want you to 382 00:19:54,400 --> 00:19:57,119 Speaker 1: be really forceful with me that I don't know it. 383 00:19:57,560 --> 00:20:01,320 Speaker 1: Bust me around, bust me around. Snake bomb me O 384 00:20:01,720 --> 00:20:04,960 Speaker 1: snake bomb me. Oh my god, the look I just dove. 385 00:20:05,640 --> 00:20:08,159 Speaker 1: Next up Easter Race stunts for night one of the 386 00:20:08,160 --> 00:20:10,560 Speaker 1: Renaissance tour in Los Angeles. Yes, and she followed the 387 00:20:10,640 --> 00:20:14,040 Speaker 1: prompt of wearing silver thank you. A lot of U 388 00:20:14,160 --> 00:20:16,879 Speaker 1: LA girls followed the prompt very well. I saw you, 389 00:20:17,080 --> 00:20:19,479 Speaker 1: but I also saw it. And can I say denim? 390 00:20:19,720 --> 00:20:22,119 Speaker 1: And can I say something? I understand you want to 391 00:20:22,160 --> 00:20:26,320 Speaker 1: wear denim, Matt, you gotta let them wear no, no, mama, 392 00:20:26,400 --> 00:20:31,760 Speaker 1: because it's not silver. Honey. The queens dress a certain way. Yeah. Sorry, but. 393 00:20:33,400 --> 00:20:36,160 Speaker 2: There's a dress. You have to understand. It's Virgo season. 394 00:20:36,240 --> 00:20:39,480 Speaker 2: This woman goes, I want all of you to wear silver. 395 00:20:39,720 --> 00:20:43,520 Speaker 2: At my remaining dates, the fucking frenzy that caused, Matt, 396 00:20:43,600 --> 00:20:45,960 Speaker 2: these girls were out here going, well, fuck now I 397 00:20:46,040 --> 00:20:49,200 Speaker 2: gotta buy silver ship And you don't have a silver garment. 398 00:20:49,240 --> 00:20:50,560 Speaker 2: But I'm saying, and the next show is. 399 00:20:50,560 --> 00:20:52,920 Speaker 1: In what like a week? I truly don't have a 400 00:20:52,960 --> 00:20:55,879 Speaker 1: silver garment. You don't have a silver garment? No do 401 00:20:56,040 --> 00:20:56,920 Speaker 1: I you might. 402 00:20:57,480 --> 00:21:00,320 Speaker 2: I'm gonna look, okay, well anyway, as Matt looks, I'm 403 00:21:00,320 --> 00:21:03,720 Speaker 2: gonna read the next one, okay. Selena Gomez tells the 404 00:21:03,840 --> 00:21:06,320 Speaker 2: Cruise show that she and Carol G have talked about 405 00:21:06,400 --> 00:21:11,560 Speaker 2: possibly collaborating together. Carol G, do you have any thoughts 406 00:21:11,600 --> 00:21:12,080 Speaker 2: she's a star? 407 00:21:12,320 --> 00:21:15,760 Speaker 1: I actually literally don't know who she is can and 408 00:21:15,880 --> 00:21:19,040 Speaker 1: I cannot describe how much I could not pick her 409 00:21:19,080 --> 00:21:19,600 Speaker 1: out of a crowd. 410 00:21:20,240 --> 00:21:23,000 Speaker 2: Well, don't worry, because the second you see her in 411 00:21:23,080 --> 00:21:24,720 Speaker 2: the if you see her in a lineup or in 412 00:21:24,760 --> 00:21:28,119 Speaker 2: a crowd, you go, that's a fucking super smar. I'm 413 00:21:28,160 --> 00:21:34,920 Speaker 2: googling Carol Ge appearance, Carol Ge, physical appearance, physical appearance. 414 00:21:35,440 --> 00:21:41,800 Speaker 1: Wow, wait, I love but not she's playing MetLife? What 415 00:21:42,440 --> 00:21:45,680 Speaker 1: we wait? Are you even joking? Look at that, Matt 416 00:21:45,720 --> 00:21:48,360 Speaker 1: get into Carol Ge. Okay, So if I get into 417 00:21:48,480 --> 00:21:51,000 Speaker 1: Carol G and we go see her on Friday, September eighth? 418 00:21:54,040 --> 00:21:56,119 Speaker 1: What if I get into Carole and in less than 419 00:21:56,160 --> 00:21:59,560 Speaker 1: a week, you know every fucking syllable that could be done. 420 00:21:59,640 --> 00:22:02,200 Speaker 1: This is the culture just challenge. This is gonna be 421 00:22:02,400 --> 00:22:04,720 Speaker 1: really interesting when happen. You know what. 422 00:22:04,840 --> 00:22:08,119 Speaker 2: I am committing myself to this fall before Pink Friday too. 423 00:22:08,600 --> 00:22:10,840 Speaker 2: Oh by the way that we say, no, I need 424 00:22:10,920 --> 00:22:12,480 Speaker 2: to listen to it again. I thought to myself, first, 425 00:22:12,560 --> 00:22:14,320 Speaker 2: this doesn't feel right, and then I thought the first 426 00:22:14,320 --> 00:22:16,280 Speaker 2: single on Pink Friday was your Love and that was 427 00:22:16,440 --> 00:22:17,639 Speaker 2: like way out of left field. 428 00:22:18,040 --> 00:22:21,359 Speaker 1: I love that she's doing this me too. Wait, should 429 00:22:21,359 --> 00:22:24,320 Speaker 1: we do a live lesson? Is that even allowed? It's allowed. 430 00:22:24,440 --> 00:22:27,480 Speaker 1: If we're talking over it, it's allowed. Okay, so we're 431 00:22:27,520 --> 00:22:28,440 Speaker 1: gonna talk over it. 432 00:22:28,640 --> 00:22:33,000 Speaker 2: But Matt, I'm committing myself to like literally getting off 433 00:22:33,119 --> 00:22:37,040 Speaker 2: book on like the important Nikki shit. I realized, like 434 00:22:37,080 --> 00:22:39,080 Speaker 2: I'm not fully off book on like any BD Piggy 435 00:22:39,200 --> 00:22:40,200 Speaker 2: necessarily I know. 436 00:22:40,680 --> 00:22:42,600 Speaker 1: Okay, So this is the ad in the beginning. This 437 00:22:42,720 --> 00:22:45,520 Speaker 1: is not the same car. This is ad for insta car, 438 00:22:46,080 --> 00:22:50,440 Speaker 1: get your groceries delivered instagart dot com. Here we go? 439 00:22:53,480 --> 00:22:56,320 Speaker 1: Is this a lyric video or the music video? And 440 00:22:56,440 --> 00:23:03,639 Speaker 1: I'm loving the images. It's a groove ooh see a 441 00:23:03,720 --> 00:23:06,680 Speaker 1: lyric video is like honestly, like these are these are really? 442 00:23:07,280 --> 00:23:10,960 Speaker 1: This is good. It's giving ocean. How much do you 443 00:23:11,000 --> 00:23:14,120 Speaker 1: think this? This this costume? That's actually a really good question. 444 00:23:14,200 --> 00:23:20,600 Speaker 1: I bet this was expensive. We haven't gotten this Nikki 445 00:23:20,640 --> 00:23:31,400 Speaker 1: in a long now. I'm really excited about it. Yeah, 446 00:23:31,960 --> 00:23:43,639 Speaker 1: it's good. It actually is definitely hitting lyrics. It's giving 447 00:23:43,840 --> 00:23:47,960 Speaker 1: save me. Oh I love saving me this time? Will 448 00:23:48,119 --> 00:24:12,880 Speaker 1: Jesus saved me? Hmm? Yes? Oh attended with pendent yeah 449 00:24:13,720 --> 00:24:29,040 Speaker 1: pend it who I'm a fast It's got drunk and laught. 450 00:24:29,119 --> 00:24:32,879 Speaker 1: It was splendid. Wow, that's actually a realer culture. Number 451 00:24:33,400 --> 00:24:38,119 Speaker 1: ninety six, Got got drunk, Got drunk that night and 452 00:24:38,280 --> 00:24:45,760 Speaker 1: it was splendid. We forgot immediately, wait, hold on, wait 453 00:24:46,359 --> 00:24:55,879 Speaker 1: before got drunken, laughter, got drunk, and last it was splendid. Okay, 454 00:24:55,960 --> 00:25:00,400 Speaker 1: we're into this song. I really like it. The lyric 455 00:25:00,560 --> 00:25:04,080 Speaker 1: video is doing something. The lyric video is perfect because 456 00:25:04,119 --> 00:25:06,879 Speaker 1: you want to know what it's giving everything from the 457 00:25:06,960 --> 00:25:10,640 Speaker 1: Pink Friday era in terms of color and in terms 458 00:25:10,680 --> 00:25:14,360 Speaker 1: of mood, but kind of bringing it into this fun 459 00:25:14,480 --> 00:25:18,120 Speaker 1: new like vaporwere sort of like, there's gonna be huge 460 00:25:18,200 --> 00:25:21,560 Speaker 1: hits on this album. Oh Death, I can She's not 461 00:25:21,640 --> 00:25:24,240 Speaker 1: gonna fuck this up. She's saying this is going to 462 00:25:24,400 --> 00:25:27,840 Speaker 1: live up to Pink Friday. Yeah, it's huge of her 463 00:25:27,920 --> 00:25:28,399 Speaker 1: to call it that. 464 00:25:30,880 --> 00:25:33,199 Speaker 2: I just love that it's straight up called Pink Friday too, 465 00:25:33,320 --> 00:25:35,200 Speaker 2: Like she wasn't trying to do this like blueprint thing 466 00:25:35,680 --> 00:25:38,879 Speaker 2: like like jay Z, like like she did that with 467 00:25:38,960 --> 00:25:40,720 Speaker 2: the pink print like literally, but I'm saying this is 468 00:25:40,800 --> 00:25:44,560 Speaker 2: a This is like her confidently being like I'm following 469 00:25:44,720 --> 00:25:46,439 Speaker 2: up the thing, the. 470 00:25:46,640 --> 00:25:50,800 Speaker 1: Iconography through the iconography. Yeah, I love that. Bombs Away, 471 00:25:50,880 --> 00:25:55,720 Speaker 1: bombs away, bombs away, bombs Away Now it's it's like 472 00:25:55,800 --> 00:26:04,160 Speaker 1: a weirdy breakdown. I love the butterflies. It's honestly taking 473 00:26:04,240 --> 00:26:07,119 Speaker 1: something from Mariah. You can't be putting a butterfly in 474 00:26:07,200 --> 00:26:10,040 Speaker 1: your video and not be thinking about it, especially a monarchy, 475 00:26:10,520 --> 00:26:13,640 Speaker 1: especially this song is about Mariah. I wish I would 476 00:26:13,680 --> 00:26:15,720 Speaker 1: have hugged you tighter last time that the last time 477 00:26:15,760 --> 00:26:18,760 Speaker 1: I saw you. I bet you. I bet she thinks 478 00:26:18,800 --> 00:26:22,040 Speaker 1: about the times when she and Mariah were like friends, 479 00:26:23,000 --> 00:26:26,480 Speaker 1: because my face they were getting along. Oh my god, 480 00:26:26,560 --> 00:26:28,400 Speaker 1: about my face. The video with the two of them, 481 00:26:28,760 --> 00:26:29,160 Speaker 1: like they. 482 00:26:29,080 --> 00:26:37,280 Speaker 2: Are smiling, having a good time, like kiking, like Mariah, ooh. 483 00:26:38,680 --> 00:26:40,680 Speaker 1: Maybe I pushed you away because I thought that I'd 484 00:26:40,720 --> 00:26:45,440 Speaker 1: in that long, long space and then bore you. I 485 00:26:45,560 --> 00:26:47,760 Speaker 1: love I love her use of silence in this like 486 00:26:48,200 --> 00:26:51,399 Speaker 1: I killed it. That's a huge hit. That's a huge hit. 487 00:26:51,560 --> 00:26:55,680 Speaker 1: Last time I saw you, girl, Okay, tell you've been 488 00:26:55,800 --> 00:27:01,480 Speaker 1: crying to talk to. First of all, this is a 489 00:27:01,520 --> 00:27:04,560 Speaker 1: fun game to play. Readers, finalists, publicist Kties play the game. 490 00:27:04,880 --> 00:27:08,040 Speaker 2: We say one person in the group says, just sings 491 00:27:08,160 --> 00:27:12,000 Speaker 2: on a tone girl or that was two notes, but 492 00:27:12,200 --> 00:27:15,520 Speaker 2: just it can be girl and and and then see 493 00:27:15,640 --> 00:27:17,720 Speaker 2: what the response is from the group. 494 00:27:17,840 --> 00:27:20,680 Speaker 3: It could be where do you think you'll go in? 495 00:27:21,680 --> 00:27:23,960 Speaker 3: It could be I could tell you been crying and 496 00:27:24,119 --> 00:27:28,399 Speaker 3: needing somebody top two. It could be Girl put your 497 00:27:28,560 --> 00:27:29,240 Speaker 3: records on. 498 00:27:29,880 --> 00:27:32,200 Speaker 1: Oh wait, stop it all. It's the Girl game. This 499 00:27:32,280 --> 00:27:34,600 Speaker 1: is the Girl Game, the Girl. Oh my god. This 500 00:27:34,800 --> 00:27:36,640 Speaker 1: is on track to be one of the best Last 501 00:27:36,640 --> 00:27:38,760 Speaker 1: Cultural ississ episodes of all time. This is one of 502 00:27:38,840 --> 00:27:41,560 Speaker 1: the best Last Culture recessed episodes of all time. And 503 00:27:41,840 --> 00:27:44,399 Speaker 1: here we are at halfway. Here, we are at the 504 00:27:44,400 --> 00:27:47,200 Speaker 1: halfway point, and we're checking in to say so far, 505 00:27:47,800 --> 00:27:52,000 Speaker 1: and we're in the lab. We're actually checking the statistics. Yes, 506 00:27:52,520 --> 00:27:55,159 Speaker 1: it is the best episode of Last Culture Recess of 507 00:27:55,440 --> 00:27:58,840 Speaker 1: all the time. And that's title of the best Last 508 00:27:58,880 --> 00:28:02,399 Speaker 1: Culture Recess episode of all time with Matt and Bowen. 509 00:28:02,800 --> 00:28:05,359 Speaker 1: You were about to say something, Girl, you had a 510 00:28:05,440 --> 00:28:08,760 Speaker 1: song put your records on. Oh no, what I was 511 00:28:08,800 --> 00:28:10,960 Speaker 1: gonna say was we had such a moment with Girl 512 00:28:11,000 --> 00:28:14,240 Speaker 1: put your records on. Brian Bailey Ray in Fire Island 513 00:28:14,400 --> 00:28:17,600 Speaker 1: like it truly filled the house. And when I say 514 00:28:18,119 --> 00:28:21,920 Speaker 1: that is better than you remember it is aged like 515 00:28:22,160 --> 00:28:29,040 Speaker 1: a fucking cask of wine. Oh wischris like a fucking 516 00:28:29,400 --> 00:28:34,679 Speaker 1: cask that's a real culture. Number sixty three put your 517 00:28:34,760 --> 00:28:39,280 Speaker 1: records on has age like a fucking cask. What is 518 00:28:39,360 --> 00:28:42,160 Speaker 1: she up to now? Well, she's forty four love in 519 00:28:42,280 --> 00:28:45,760 Speaker 1: the prime of her life. She is living in England. 520 00:28:46,960 --> 00:28:49,920 Speaker 1: What is she doing now, let's see twenty sixteenth to present. 521 00:28:50,080 --> 00:28:51,880 Speaker 1: She's just kind of out there. She's out there, She's 522 00:28:51,920 --> 00:28:52,600 Speaker 1: out there. Look. 523 00:28:52,760 --> 00:28:56,440 Speaker 2: I first discovered this woman on an episode of Gray's Anatomy, 524 00:28:57,200 --> 00:28:59,840 Speaker 2: on the episode entitled Yesterday, which is the first episode 525 00:29:00,000 --> 00:29:04,040 Speaker 2: after the Code Black episodes. The premiere of Eric Dane 526 00:29:04,240 --> 00:29:07,240 Speaker 2: as Mark Who Could Forget? 527 00:29:07,280 --> 00:29:07,800 Speaker 1: Who Could Forget? 528 00:29:08,440 --> 00:29:12,720 Speaker 2: Really seem perfectly soundtracked this show music supervised by the 529 00:29:12,920 --> 00:29:17,760 Speaker 2: legend Alex Pastavas like a Starbuck and Bailey Ray plays. 530 00:29:18,400 --> 00:29:29,920 Speaker 1: Just stop cos Masma, Oh you need to do her bones? Bones? 531 00:29:29,960 --> 00:29:34,400 Speaker 1: Got y? Do you know what I was thinking today, 532 00:29:34,520 --> 00:29:37,760 Speaker 1: Like this is the fiftieth and it's like, oh, this 533 00:29:37,880 --> 00:29:39,720 Speaker 1: is don't worry. 534 00:29:39,800 --> 00:29:42,160 Speaker 2: But if if this strike goes on till next May, 535 00:29:42,760 --> 00:29:44,840 Speaker 2: then there might not be a forty nine, which I 536 00:29:44,880 --> 00:29:45,560 Speaker 2: will not come to that. 537 00:29:45,680 --> 00:29:49,120 Speaker 1: Although, what's your temperature, Let's take the temperature. I don't 538 00:29:49,120 --> 00:29:50,400 Speaker 1: want to just take the temperature. 539 00:29:50,520 --> 00:29:52,280 Speaker 2: Just such a bummer to talk about the strikes. But 540 00:29:52,480 --> 00:29:55,280 Speaker 2: there is an emotional turning point potentially now that we're 541 00:29:55,280 --> 00:29:58,680 Speaker 2: past Libor Day, because remember it was the vibe early 542 00:29:58,840 --> 00:30:00,120 Speaker 2: on where it was like, this will be done by 543 00:30:00,200 --> 00:30:02,080 Speaker 2: Labor Day, and they gave me some symbolic and whatever 544 00:30:02,080 --> 00:30:03,800 Speaker 2: blah blah blah, like to finish it on Labor Day. 545 00:30:03,880 --> 00:30:07,720 Speaker 2: But this is when we all go like, God, damn, 546 00:30:07,920 --> 00:30:11,240 Speaker 2: this sucks. Anyway, let's not talk about it anymore. 547 00:30:13,280 --> 00:30:18,000 Speaker 1: You've brought them. I can't. This was this was on 548 00:30:18,160 --> 00:30:21,680 Speaker 1: track to be the best Lost Culture episode of all time. 549 00:30:30,600 --> 00:30:32,760 Speaker 1: By the way, we're recording in my new apartment in 550 00:30:32,840 --> 00:30:35,000 Speaker 1: Long Island City. We didn't give a sense of place 551 00:30:35,280 --> 00:30:37,640 Speaker 1: our first Long Island City episode. This is our first 552 00:30:37,960 --> 00:30:43,800 Speaker 1: Queen's episode Queens and Queens. I would say that that 553 00:30:43,840 --> 00:30:45,920 Speaker 1: would be a good title of now, but the fact 554 00:30:46,120 --> 00:30:49,320 Speaker 1: is that this is called the best Lost Culturess episode 555 00:30:49,320 --> 00:30:51,800 Speaker 1: of all times because what it is because what we 556 00:30:51,880 --> 00:30:59,160 Speaker 1: did a live listen of Nicki min As Wow, and 557 00:30:59,240 --> 00:31:01,560 Speaker 1: it's a hook. It's kind of giving Drake, I. 558 00:31:01,600 --> 00:31:07,040 Speaker 2: Guess, don't say his name. Drake came on Shuffle and 559 00:31:07,160 --> 00:31:10,400 Speaker 2: I thought I used to love this man. Someone literally 560 00:31:10,480 --> 00:31:13,000 Speaker 2: on TikTok did a poll of like, say something in 561 00:31:13,080 --> 00:31:18,000 Speaker 2: the comments if you're a true blue like Drake Stan, 562 00:31:18,800 --> 00:31:22,560 Speaker 2: if you're not a guy, let's say now, I liked 563 00:31:22,640 --> 00:31:24,480 Speaker 2: some one or two albums ago where he did like 564 00:31:24,520 --> 00:31:27,600 Speaker 2: a house themed one. I used to know every word 565 00:31:27,680 --> 00:31:29,920 Speaker 2: to this man's song, like take Care, I know every 566 00:31:29,960 --> 00:31:33,080 Speaker 2: word on that album. Mm hmm, fucking I used to 567 00:31:33,280 --> 00:31:35,120 Speaker 2: love this man anyway, It's just what a what a 568 00:31:35,200 --> 00:31:37,320 Speaker 2: weird tragic thing. And then his whole thing with fucking 569 00:31:37,400 --> 00:31:39,520 Speaker 2: Megan is like so fucking shit. 570 00:31:39,680 --> 00:31:42,240 Speaker 1: I can't believe that. I just like god, this man 571 00:31:42,520 --> 00:31:45,880 Speaker 1: anyway to in any way not be up in arms 572 00:31:45,960 --> 00:31:50,840 Speaker 1: when a woman is shot, like to can you fucking imagine. 573 00:31:50,880 --> 00:31:52,520 Speaker 2: The thing that like all these guys are trying to 574 00:31:52,560 --> 00:31:54,560 Speaker 2: put holes in is like, well, she's lying, like did 575 00:31:54,600 --> 00:31:58,080 Speaker 2: it happen? I'm like, fuck, like in a court of law, 576 00:31:58,360 --> 00:32:01,480 Speaker 2: it got you know, worked out. So whatever that means 577 00:32:01,520 --> 00:32:03,880 Speaker 2: to you, I don't know anyway. Should we keep going 578 00:32:03,880 --> 00:32:04,760 Speaker 2: on pop Crave or are you done? 579 00:32:04,800 --> 00:32:08,760 Speaker 1: What's happening with Popcrave? Wait? What is happening with Barbie? 580 00:32:09,200 --> 00:32:12,560 Speaker 1: What records hasn't broken lately? Barbie is now the highest 581 00:32:12,600 --> 00:32:17,760 Speaker 1: grossing movie have twenty twenty three and it's September. Good 582 00:32:17,880 --> 00:32:20,800 Speaker 1: luck to any other movie that tries. Barbie has defeated, 583 00:32:20,920 --> 00:32:27,160 Speaker 1: Mario Let that sink in Barbie has defeated. It is 584 00:32:27,320 --> 00:32:32,040 Speaker 1: the year of women of women. It is the year 585 00:32:32,480 --> 00:32:39,480 Speaker 1: of Greta Girlwig. Okay, so get this. One day we 586 00:32:39,560 --> 00:32:41,760 Speaker 1: get an email. Here's people that have been pitched for 587 00:32:41,840 --> 00:32:46,560 Speaker 1: the podcast Greta Gerwig. We say, uh yeah, never heard back. 588 00:32:47,080 --> 00:32:49,320 Speaker 1: Can I just say if you reach out and we 589 00:32:49,440 --> 00:32:52,040 Speaker 1: go yeah, yeah, but you got to reach back out. 590 00:32:52,240 --> 00:32:54,720 Speaker 1: Can I go public on something? Oh my god, I 591 00:32:54,920 --> 00:32:58,560 Speaker 1: think Greta and Noah are mad at me. BF Why 592 00:32:59,520 --> 00:33:04,200 Speaker 1: I got cut out of White Noise and you spoke 593 00:33:04,280 --> 00:33:06,200 Speaker 1: up about it? I did not pick up about it. 594 00:33:06,400 --> 00:33:11,280 Speaker 2: Oh and I was potentially going to have an appearance 595 00:33:11,400 --> 00:33:14,800 Speaker 2: in Listen this is gonna be a fucking thing. I 596 00:33:14,880 --> 00:33:16,760 Speaker 2: was potentially gonna be in the Barbie movie, as has 597 00:33:16,840 --> 00:33:19,920 Speaker 2: been maybe reported on. I think gret is mad at me. 598 00:33:20,440 --> 00:33:22,960 Speaker 1: Why. I don't know why I have not heard from 599 00:33:23,040 --> 00:33:28,000 Speaker 1: the woman. Help me reach out Gretta being mad? You 600 00:33:28,040 --> 00:33:30,200 Speaker 1: were and she was supposed to come on Lost culturstas 601 00:33:30,320 --> 00:33:33,720 Speaker 1: I know, stop being mad? Stop being mad? Oh god, 602 00:33:33,920 --> 00:33:37,400 Speaker 1: that has to feel really, really shitty for you, because 603 00:33:37,440 --> 00:33:41,120 Speaker 1: it's to run awe to run a fel of either. 604 00:33:40,960 --> 00:33:44,920 Speaker 2: One of that howerd Cup. You hate to run, hate 605 00:33:44,920 --> 00:33:47,720 Speaker 2: to run a foul, but to both. For some reason, 606 00:33:47,760 --> 00:33:49,880 Speaker 2: I pissed off both of these legends. 607 00:33:50,320 --> 00:33:54,360 Speaker 1: You hate to run. The Oscar winners of Hollywood power 608 00:33:54,440 --> 00:33:55,360 Speaker 1: Players one. 609 00:33:55,280 --> 00:33:59,200 Speaker 2: Oscar winner, one Oscar nominee. Neither the neither are the 610 00:33:59,240 --> 00:34:02,200 Speaker 2: Oscar winners one as an Oscar. No I believe Noah 611 00:34:02,240 --> 00:34:04,080 Speaker 2: has an Oscar for a marriage story. And this is 612 00:34:04,120 --> 00:34:08,520 Speaker 2: why it's good that we're in the lab. Noah bomb 613 00:34:08,640 --> 00:34:14,000 Speaker 2: back and the answer is, oh, sorry, they neither have 614 00:34:14,640 --> 00:34:17,760 Speaker 2: won an Oscar. Oh god, I'm just I'm just digging 615 00:34:17,920 --> 00:34:20,839 Speaker 2: myself into a deeper well, aren't I? Because now they're 616 00:34:20,840 --> 00:34:22,440 Speaker 2: going to listen to this, and then they're gonna be like, 617 00:34:22,480 --> 00:34:23,719 Speaker 2: why did you have to remind us that? 618 00:34:23,960 --> 00:34:26,520 Speaker 1: Why did you have to remind us that we were 619 00:34:26,600 --> 00:34:30,280 Speaker 1: only nominated? Why the hell did you add no injury? 620 00:34:31,280 --> 00:34:34,520 Speaker 1: But Noah, Greta, you gotta let me know what I did, 621 00:34:34,800 --> 00:34:42,239 Speaker 1: because I suffering. I suffer. So I recently watched there 622 00:34:42,360 --> 00:34:45,239 Speaker 1: was like something floating around from the dances. Huh oh yeah, 623 00:34:45,400 --> 00:34:49,400 Speaker 1: she's such a she's literally number one. I wrote that 624 00:34:49,840 --> 00:34:53,520 Speaker 1: I know we really do stand. We stand, we stand, 625 00:34:53,800 --> 00:34:56,000 Speaker 1: and uh oh, can I say something I'm pissed off 626 00:34:56,040 --> 00:34:58,759 Speaker 1: about in relation to this? So I went on Keep 627 00:34:58,840 --> 00:35:02,120 Speaker 1: It and talked about the Barbie movie Yeah, And they 628 00:35:02,239 --> 00:35:05,320 Speaker 1: released a social media asset that made it look like 629 00:35:05,719 --> 00:35:08,799 Speaker 1: you was like being anti Barbie. And I just want 630 00:35:08,840 --> 00:35:11,759 Speaker 1: to say I am extremely pro Barbie. I have seen 631 00:35:11,800 --> 00:35:13,920 Speaker 1: it twice. It's one of my favorite movies of the year. 632 00:35:14,160 --> 00:35:16,920 Speaker 1: I think everyone in its lade. Did I leave a 633 00:35:17,000 --> 00:35:18,960 Speaker 1: little bit confused because I wasn't when I thought I 634 00:35:19,080 --> 00:35:21,520 Speaker 1: was going to get yes. But it's fine to process 635 00:35:21,680 --> 00:35:24,600 Speaker 1: art over time, and I fucking love it. And I 636 00:35:24,719 --> 00:35:28,399 Speaker 1: feel like, well, Lewis was very negative about the movie, 637 00:35:28,440 --> 00:35:30,600 Speaker 1: and he kind of swept you into his I felt like, 638 00:35:30,719 --> 00:35:33,000 Speaker 1: in order to keep a conversation going, I had to 639 00:35:33,080 --> 00:35:34,719 Speaker 1: be like, yeah, I can see why you'd say that 640 00:35:35,000 --> 00:35:36,880 Speaker 1: this I could agree with, just to like have a 641 00:35:36,920 --> 00:35:41,880 Speaker 1: subduct conversation about Undercurrent. And he was very black and 642 00:35:41,920 --> 00:35:44,600 Speaker 1: white about the fact that he hated it. But I 643 00:35:45,239 --> 00:35:47,719 Speaker 1: loved it, and it made it seem like I did it, 644 00:35:47,840 --> 00:35:50,200 Speaker 1: And I just want to say it really hurt the 645 00:35:50,280 --> 00:35:53,239 Speaker 1: heart to see that people didn't understand I only have 646 00:35:53,360 --> 00:35:56,439 Speaker 1: love for Barbie when I think you know, page six. 647 00:35:56,480 --> 00:35:58,440 Speaker 2: If you're going to report on this episode, as Bowen 648 00:35:58,520 --> 00:36:01,120 Speaker 2: Yang complains about not being in the bar movie, you 649 00:36:01,360 --> 00:36:03,920 Speaker 2: have to couple that reporting along with the fact that 650 00:36:04,080 --> 00:36:07,240 Speaker 2: Matt Rodgers is pro Barbie and the social media assets 651 00:36:07,719 --> 00:36:09,960 Speaker 2: for Headgum painted him in a terrible. 652 00:36:09,840 --> 00:36:13,240 Speaker 1: Well, it wasn't Headgun. It was actually crooked crooked. I'm sorry. 653 00:36:13,360 --> 00:36:15,920 Speaker 1: We hate to call it out. I'm sorry to We 654 00:36:16,080 --> 00:36:22,880 Speaker 1: hate to start hurt you. This episode is a five. 655 00:36:24,840 --> 00:36:28,200 Speaker 1: This episode is a battlefield, much like love. Should the 656 00:36:28,280 --> 00:36:31,200 Speaker 1: title that be battlefield? No, it has to be the 657 00:36:31,280 --> 00:36:33,759 Speaker 1: greatest and the best episode of last culture time. We 658 00:36:33,880 --> 00:36:37,360 Speaker 1: just want to remind everyone listening, take this podcast with 659 00:36:37,440 --> 00:36:39,719 Speaker 1: the grain of salt. You know what I mean. You 660 00:36:39,840 --> 00:36:42,600 Speaker 1: might be reporting, Oh you take this with the big 661 00:36:42,680 --> 00:36:46,879 Speaker 1: old rock. Take us with a rock assault, Honey, that's 662 00:36:47,000 --> 00:36:50,640 Speaker 1: actually realer coachure number five. Take us with the rock 663 00:36:50,760 --> 00:36:55,520 Speaker 1: of salt assault rock. Yeah, what is the best cocktail 664 00:36:55,560 --> 00:36:57,239 Speaker 1: you've had recently? God? 665 00:36:57,360 --> 00:37:00,640 Speaker 2: I was my knee jerk response was gonna be a 666 00:37:00,840 --> 00:37:04,560 Speaker 2: rocket fuel. But that that was the thing that fucking 667 00:37:04,880 --> 00:37:08,759 Speaker 2: I was really I would say I was pretty down 668 00:37:08,840 --> 00:37:11,040 Speaker 2: and out before Busted when we were on Fire Island, 669 00:37:11,040 --> 00:37:13,520 Speaker 2: because as we mentioned last week, we all ordered rocket fuels. 670 00:37:13,640 --> 00:37:16,360 Speaker 2: That was the drink that made Matt say, I like this, 671 00:37:16,440 --> 00:37:19,040 Speaker 2: I'm gonna have three of these. And I enjoyed it 672 00:37:19,080 --> 00:37:21,480 Speaker 2: as well. As we've said, it's a pinacletta with a 673 00:37:21,520 --> 00:37:28,480 Speaker 2: rum floater, not even just any and so it really 674 00:37:29,040 --> 00:37:32,719 Speaker 2: knocked me off my feet in the period between Head 675 00:37:32,719 --> 00:37:36,239 Speaker 2: of Lettus and Busted and Cherry Grove, and I was 676 00:37:36,360 --> 00:37:40,879 Speaker 2: starting to close my eyes and potentially fall asleep, which 677 00:37:41,800 --> 00:37:43,520 Speaker 2: really pissed off Matt Rogers. 678 00:37:44,120 --> 00:37:47,320 Speaker 1: Way, did I actually get mad you? I was. You 679 00:37:47,400 --> 00:37:48,319 Speaker 1: were very drunk and. 680 00:37:48,400 --> 00:37:51,200 Speaker 2: You were really getting in my face, threatening me. And 681 00:37:51,440 --> 00:37:53,440 Speaker 2: I only say this with love to wake up, to 682 00:37:53,520 --> 00:37:57,960 Speaker 2: wake up, and I was, I don't remember this at all. 683 00:37:58,080 --> 00:38:00,760 Speaker 1: You were very threatening. Tell me what do an impression 684 00:38:00,800 --> 00:38:03,719 Speaker 1: of me to me? If you close your eyes, I 685 00:38:03,800 --> 00:38:05,920 Speaker 1: will have words. It was something like that. It was 686 00:38:06,040 --> 00:38:07,960 Speaker 1: to that effect, I will have words. I will have 687 00:38:08,080 --> 00:38:09,960 Speaker 1: words that sounds like me. So then what we did 688 00:38:10,160 --> 00:38:12,279 Speaker 1: was say I have to wake us up. We walked 689 00:38:12,280 --> 00:38:14,919 Speaker 1: over to the beach to look at the stars. Oh, 690 00:38:15,280 --> 00:38:17,520 Speaker 1: and then we all went as a group and then 691 00:38:17,920 --> 00:38:18,839 Speaker 1: totally black this out. 692 00:38:19,040 --> 00:38:20,840 Speaker 2: Okay, so this is the funny sort of irony to 693 00:38:20,920 --> 00:38:25,080 Speaker 2: this is that Me, Josh, Aaron, Dave, and Matt Whitaker, 694 00:38:25,239 --> 00:38:27,359 Speaker 2: we were all like in one group sort of laughing 695 00:38:27,400 --> 00:38:30,880 Speaker 2: and enduring the sea. I turn around, you and Patrick 696 00:38:30,960 --> 00:38:35,239 Speaker 2: Rodgers are two dark shadows on the ground because you've 697 00:38:35,280 --> 00:38:38,520 Speaker 2: what taken a nap? You full on took a nap 698 00:38:38,600 --> 00:38:44,960 Speaker 2: on the beach before, and you were so cruel to me, 699 00:38:46,480 --> 00:38:49,560 Speaker 2: and you full on fell asleep, and then like the 700 00:38:49,719 --> 00:38:51,680 Speaker 2: entire walk over to the ice place, we're like, Patrick 701 00:38:51,719 --> 00:38:54,000 Speaker 2: and I just took a nap, and I was like, 702 00:38:54,239 --> 00:38:55,720 Speaker 2: you fucking stupid. 703 00:38:56,239 --> 00:38:59,680 Speaker 1: I am so stupid, and I want to apologize right 704 00:38:59,760 --> 00:39:02,520 Speaker 1: now wholeheartedly. I should not have acted that way. It 705 00:39:02,680 --> 00:39:06,160 Speaker 1: was untoward because you were threading me what. I didn't 706 00:39:06,160 --> 00:39:08,320 Speaker 1: do any impressions. You were grabbing me by the arm. No, 707 00:39:10,280 --> 00:39:13,840 Speaker 1: I'm sorry. I think when I turn up, I turn up. 708 00:39:14,040 --> 00:39:15,400 Speaker 1: I know you do. And when I turn up, I 709 00:39:15,440 --> 00:39:17,160 Speaker 1: got to turn down a little first, because guess what, 710 00:39:17,480 --> 00:39:19,160 Speaker 1: I don't know if you remember this part, I busted 711 00:39:19,239 --> 00:39:22,160 Speaker 1: at the show later on, I was live there. I 712 00:39:22,320 --> 00:39:25,879 Speaker 1: know you really slay. I was jumping up around the room. 713 00:39:25,960 --> 00:39:29,880 Speaker 1: I was I tipped this person, busted Queen, our greatest 714 00:39:29,960 --> 00:39:32,359 Speaker 1: living performer. Yeah, I had to give over one hundred bucks. 715 00:39:32,400 --> 00:39:33,240 Speaker 1: I tipped two hundred. 716 00:39:33,440 --> 00:39:36,560 Speaker 2: Yeah, because I wanted to hear Zaturans at least ten times. Yeah, 717 00:39:36,920 --> 00:39:37,960 Speaker 2: it's twenty dollars a pot. 718 00:39:38,040 --> 00:39:40,239 Speaker 1: Also, the moment of just putting the twenty in the 719 00:39:40,280 --> 00:39:42,880 Speaker 1: bucket and hearing the music come in right away, shouts 720 00:39:43,040 --> 00:39:47,200 Speaker 1: to the DJ, because it was just so interactive. It's 721 00:39:47,200 --> 00:39:52,480 Speaker 1: an interactive imagine going to Universal Studios and none of 722 00:39:52,560 --> 00:39:55,719 Speaker 1: it being on the rails, being a rollercoaster and you 723 00:39:55,880 --> 00:39:57,160 Speaker 1: just fly wherever you want to fly. 724 00:39:57,360 --> 00:40:00,160 Speaker 2: Yeah, that's what a busted show is like. Yep, oh 725 00:40:00,360 --> 00:40:03,000 Speaker 2: my god, busted did I've been thinking about. 726 00:40:02,760 --> 00:40:04,120 Speaker 1: This joke all week gone. 727 00:40:04,960 --> 00:40:08,040 Speaker 2: So before she performs, she does a lipsic number to 728 00:40:08,120 --> 00:40:11,560 Speaker 2: Jesus Take the Wheel. She sits down on her Leopard 729 00:40:11,600 --> 00:40:14,520 Speaker 2: Princess out of Nowhere and we again. 730 00:40:14,560 --> 00:40:18,640 Speaker 1: This is before the song. She goes, oh Jesus crass. 731 00:40:18,920 --> 00:40:24,759 Speaker 1: The face is what I imagine Carrie Underwood screamed when 732 00:40:24,800 --> 00:40:27,520 Speaker 1: she fell down the stairs and broke her face open. 733 00:40:28,440 --> 00:40:31,000 Speaker 1: This was in twenty eighteen, Carrie Underwood falling down the 734 00:40:31,000 --> 00:40:33,799 Speaker 1: stairs happened like five years ago, and Busted is still 735 00:40:33,840 --> 00:40:37,000 Speaker 1: making jokes as her prelude into Jesus take the wheel. 736 00:40:37,120 --> 00:40:44,239 Speaker 1: I go. This is a brilliant comedian Byey. I absolutely 737 00:40:44,440 --> 00:40:51,640 Speaker 1: could not stand Jesus my face. It came out of nowhere. 738 00:40:52,080 --> 00:40:56,880 Speaker 1: You can imagine it might be true, you can't imagine 739 00:40:57,080 --> 00:41:03,399 Speaker 1: Jesus Christ. And look, listen, we and all the love. 740 00:41:03,680 --> 00:41:07,120 Speaker 1: Can I say, are upset? Carry? I listened to Carrie 741 00:41:07,160 --> 00:41:10,000 Speaker 1: today than her song end Up with You, which was 742 00:41:10,040 --> 00:41:12,960 Speaker 1: co written by Leland. And I also I want to 743 00:41:13,000 --> 00:41:16,720 Speaker 1: say this Carrie Underwood, what a sleigh of a Christmas 744 00:41:16,760 --> 00:41:20,359 Speaker 1: special it was on Max Now Max is. She wears 745 00:41:20,400 --> 00:41:23,600 Speaker 1: a gorgeous blue shining dress at the end, proving that 746 00:41:23,760 --> 00:41:28,400 Speaker 1: Christmas can also be blue. Yes, okay, let that sink in. 747 00:41:29,000 --> 00:41:34,200 Speaker 2: Anyone who eschews the traditional red green of Christmas, you're 748 00:41:34,280 --> 00:41:38,600 Speaker 2: a hero. And can I say, including Carrie. 749 00:41:38,560 --> 00:41:40,640 Speaker 1: I don't really do that. I kind of embrace red 750 00:41:40,680 --> 00:41:44,439 Speaker 1: and green, not green. That's okay. I don't think green. 751 00:41:45,080 --> 00:41:48,279 Speaker 1: I don't think green. No, if you came out in 752 00:41:48,360 --> 00:41:50,839 Speaker 1: only green for Christmas, I'd be like, okay, you're giving 753 00:41:50,920 --> 00:41:53,680 Speaker 1: Saint Patrick's period, like I can't see you an all 754 00:41:53,800 --> 00:41:56,000 Speaker 1: green festive and think Christmas. 755 00:41:56,920 --> 00:42:02,240 Speaker 2: I want someone to come out and give like brown 756 00:42:02,719 --> 00:42:06,680 Speaker 2: and red in a way that's like reindeer slash gingerbread. 757 00:42:07,360 --> 00:42:08,919 Speaker 1: Do you know what I mean? I just want someone 758 00:42:08,960 --> 00:42:15,600 Speaker 1: to do that. It could be anyone. Well, oh my god, 759 00:42:15,680 --> 00:42:18,040 Speaker 1: we just had to hear heat. We had we had 760 00:42:18,080 --> 00:42:22,560 Speaker 1: to heat because we share a secret. We share a secret, 761 00:42:22,719 --> 00:42:25,960 Speaker 1: and I think I'm ready to tease the secret. Oh 762 00:42:26,440 --> 00:42:30,120 Speaker 1: my secret is top braver. You thought that Bowen Yang 763 00:42:30,200 --> 00:42:34,120 Speaker 1: and I have collaborated, You ain't seen nothing yet. My god, 764 00:42:34,640 --> 00:42:37,600 Speaker 1: Oh my god, this is so you ain't seen nothing yet. 765 00:42:37,640 --> 00:42:40,000 Speaker 1: If you think Bowen Yang and I have collaborated, you 766 00:42:40,640 --> 00:42:53,040 Speaker 1: nothing yet. I just cracked my knuckles into the mic. 767 00:42:54,600 --> 00:42:57,520 Speaker 1: Do you think it's time? I think it's time. This 768 00:42:57,680 --> 00:42:59,759 Speaker 1: is a little bit of a shorter episode. No, I 769 00:42:59,840 --> 00:43:02,000 Speaker 1: mean because look, here's the thing about I don't think 770 00:43:02,000 --> 00:43:03,360 Speaker 1: so honey. It promotes conversations. 771 00:43:03,400 --> 00:43:07,440 Speaker 2: Of course, I do you have something? Yes, okay, this 772 00:43:07,719 --> 00:43:09,680 Speaker 2: is Matt Rogers's I don't think so honey. On this 773 00:43:10,080 --> 00:43:12,719 Speaker 2: the greatest lost culture ists up of all time, m 774 00:43:12,920 --> 00:43:15,040 Speaker 2: h and his time starts now. 775 00:43:15,200 --> 00:43:19,239 Speaker 1: I don't think so honey. Sand Currently in my apartment, No, 776 00:43:19,400 --> 00:43:22,000 Speaker 1: there is sand, and guess what. We're actually miles and 777 00:43:22,040 --> 00:43:24,319 Speaker 1: miles away from the beach. But it doesn't matter because 778 00:43:24,360 --> 00:43:27,200 Speaker 1: of the way sand stays with you when you interact 779 00:43:27,239 --> 00:43:29,120 Speaker 1: with it. I have brought it home with me. I 780 00:43:29,280 --> 00:43:30,919 Speaker 1: have to say. One of the low points I don't 781 00:43:30,920 --> 00:43:33,359 Speaker 1: think so honey, moment of myself and how I felt 782 00:43:33,400 --> 00:43:36,120 Speaker 1: about myself was when Bowen Yang we were sharing around 783 00:43:36,120 --> 00:43:38,160 Speaker 1: and he was trying to unpack and he said, there 784 00:43:38,239 --> 00:43:41,560 Speaker 1: is sand everywhere? Was this? He said, what is this? 785 00:43:41,960 --> 00:43:44,120 Speaker 1: And he said this is sand? And he was getting 786 00:43:44,239 --> 00:43:48,200 Speaker 1: so worked up, and I was like, this is my 787 00:43:48,800 --> 00:43:53,360 Speaker 1: fault because I know that my weakness is sand and 788 00:43:53,640 --> 00:43:57,200 Speaker 1: sand control. I don't have any sand control. Whenever I 789 00:43:57,320 --> 00:43:59,560 Speaker 1: go to the beach and I interact with the sand, 790 00:43:59,640 --> 00:44:02,720 Speaker 1: fifty it is up in everywhere. It is in my shoes, 791 00:44:02,800 --> 00:44:05,920 Speaker 1: it is in the towel. I don't interact well, I 792 00:44:06,040 --> 00:44:09,919 Speaker 1: guess with an outdoor shower, I really should be utilizing 793 00:44:10,080 --> 00:44:12,120 Speaker 1: the facilities, but I don't. 794 00:44:12,400 --> 00:44:15,360 Speaker 2: I don't think so honey, sand because you follow me 795 00:44:15,520 --> 00:44:18,719 Speaker 2: and that's one minute, it follows and this is I 796 00:44:19,080 --> 00:44:21,160 Speaker 2: just need to give my Raschaman version of. 797 00:44:21,400 --> 00:44:23,920 Speaker 1: Polease And I'm so happy you finally get into this 798 00:44:24,040 --> 00:44:27,240 Speaker 1: because you guys, there was actually a dearth of conflict, 799 00:44:27,440 --> 00:44:29,759 Speaker 1: but there was a sand moment. Yeah, so this is 800 00:44:29,800 --> 00:44:31,400 Speaker 1: what happened. This is how I remember. 801 00:44:31,600 --> 00:44:34,520 Speaker 2: We were packing. This is ramon, did you say unpacking 802 00:44:34,560 --> 00:44:38,080 Speaker 2: your packing? We were packing, packing out and then I 803 00:44:38,400 --> 00:44:40,800 Speaker 2: lift up shirt or something. 804 00:44:41,360 --> 00:44:44,880 Speaker 1: Yeah, there's like a big This is what like was 805 00:44:44,960 --> 00:44:47,520 Speaker 1: peculiar to me. It was a big sort of like 806 00:44:47,840 --> 00:44:52,560 Speaker 1: consolidated path of sand. Yeah, like amount of sand, which 807 00:44:52,600 --> 00:44:54,759 Speaker 1: makes me think, did you like sweep it there? I'll 808 00:44:54,800 --> 00:44:56,520 Speaker 1: tell you what I think happened, and I can only 809 00:44:57,760 --> 00:45:00,759 Speaker 1: this is conjecture. Okay, I think think what happened was 810 00:45:01,200 --> 00:45:04,080 Speaker 1: there was a fuck ton of sand in my Converse sneaker, 811 00:45:04,840 --> 00:45:06,919 Speaker 1: and when I took my shoe and dump it out, 812 00:45:07,160 --> 00:45:09,480 Speaker 1: all came out and sort of like dumped out. I 813 00:45:09,600 --> 00:45:12,160 Speaker 1: can tell you it was not purposeful. Okay, But was 814 00:45:12,239 --> 00:45:15,600 Speaker 1: it what I think happened? Yeah? I don't see. 815 00:45:16,120 --> 00:45:18,400 Speaker 2: And the only reason I am like questioning it, or 816 00:45:18,440 --> 00:45:20,160 Speaker 2: that I was questioning it, thank you for telling me, 817 00:45:20,360 --> 00:45:23,040 Speaker 2: is because I'm like, Matt wouldn't do that. No, Matt 818 00:45:23,040 --> 00:45:24,400 Speaker 2: would not purposefully do that. 819 00:45:24,640 --> 00:45:28,080 Speaker 1: I don't think that that is something a normal person 820 00:45:28,200 --> 00:45:31,360 Speaker 1: would do, right, like just dumped out your sandy shoe 821 00:45:31,400 --> 00:45:33,680 Speaker 1: in your bedroom, and I don't I hope you don't 822 00:45:33,680 --> 00:45:36,239 Speaker 1: think that. I suspect that. No. But what I do 823 00:45:36,440 --> 00:45:39,400 Speaker 1: think and what I intuited from your reaction was you 824 00:45:39,520 --> 00:45:43,719 Speaker 1: were thinking in your head one word careless, no, careless. 825 00:45:43,960 --> 00:45:46,279 Speaker 1: This is again, Rachmon. This is what I remember. I 826 00:45:46,440 --> 00:45:50,640 Speaker 1: see the sand, I go, what is this? Oh my god, 827 00:45:50,680 --> 00:45:58,280 Speaker 1: what is that? And this is how I remember Russo moan. 828 00:45:58,560 --> 00:46:06,400 Speaker 1: You said that's not mine. I was so fun. This 829 00:46:06,600 --> 00:46:08,600 Speaker 1: was like during the day. But we were drinking. 830 00:46:08,680 --> 00:46:10,600 Speaker 2: No, we were drinking, and so then you're good, that's 831 00:46:10,640 --> 00:46:13,719 Speaker 2: not mine, and I go, well, it's not mine, and 832 00:46:13,800 --> 00:46:15,920 Speaker 2: then you were like double down and like made me 833 00:46:16,000 --> 00:46:16,680 Speaker 2: think that I did. 834 00:46:17,160 --> 00:46:18,799 Speaker 1: No, Okay, I think, can I tell you. I think 835 00:46:18,800 --> 00:46:21,800 Speaker 1: what was happening was I thought it was obviously me 836 00:46:22,239 --> 00:46:24,400 Speaker 1: and I was doing a bit like nope, and I 837 00:46:24,480 --> 00:46:28,400 Speaker 1: thought you understood. Sometimes I guess I just think you understand. 838 00:46:28,560 --> 00:46:32,640 Speaker 1: I'm sorry I should have understood. Well, anyway, I want 839 00:46:32,680 --> 00:46:35,640 Speaker 1: you to know the sand instead of taking out my 840 00:46:36,320 --> 00:46:38,680 Speaker 1: what do you call it? When you vacuum. See it's 841 00:46:38,680 --> 00:46:40,279 Speaker 1: hard for me to find the word, but that's how 842 00:46:40,680 --> 00:46:44,040 Speaker 1: little I So instead of vacuuming up here, I did 843 00:46:44,120 --> 00:46:47,759 Speaker 1: push it under the couch and uh yeah, it's under 844 00:46:47,800 --> 00:46:52,000 Speaker 1: there if you want to track like literally, no, no, no, 845 00:46:52,320 --> 00:46:57,560 Speaker 1: don't get close to it. No, I know, And it's 846 00:46:57,680 --> 00:47:02,000 Speaker 1: on me. There's a lot of things off. You're right now. 847 00:47:02,080 --> 00:47:06,520 Speaker 1: It's awful. It is so bad. It's literally what stops 848 00:47:06,600 --> 00:47:08,960 Speaker 1: me from going to the beach. Just say it and 849 00:47:09,080 --> 00:47:11,000 Speaker 1: I like it. I want to love it. I want 850 00:47:11,000 --> 00:47:15,080 Speaker 1: to love it. Gun to your head. Pick one sand 851 00:47:15,880 --> 00:47:19,840 Speaker 1: or glitter? Oh sand, really, glitter is the most annoying 852 00:47:19,920 --> 00:47:22,160 Speaker 1: shit ever. So then there's a tear worse than sand 853 00:47:22,960 --> 00:47:27,839 Speaker 1: glitter in terms of sticking around. Yeah. Like, here's the thing. 854 00:47:27,960 --> 00:47:30,040 Speaker 1: If you went to the beach and it was glitter 855 00:47:30,120 --> 00:47:32,759 Speaker 1: instead of sand, you would never get over that. 856 00:47:33,000 --> 00:47:34,400 Speaker 2: I'm going to tell you this now because by the 857 00:47:34,440 --> 00:47:36,960 Speaker 2: time this episode comes out, it will have happened. I 858 00:47:37,120 --> 00:47:40,480 Speaker 2: bought some little flakes. It's not glitter, it's not confetti. 859 00:47:40,600 --> 00:47:43,560 Speaker 2: I bought little gold silver flakes for tonight's game show 860 00:47:43,719 --> 00:47:47,080 Speaker 2: mm hm, for my making entrance. Yes, do you advise 861 00:47:47,120 --> 00:47:47,480 Speaker 2: against it? 862 00:47:48,440 --> 00:47:51,160 Speaker 1: No? It might get on people. And here's what I'll say. 863 00:47:51,280 --> 00:47:54,440 Speaker 1: Thank you for telling me, thank you for being a 864 00:47:54,520 --> 00:47:56,960 Speaker 1: sister and letting me know that there will be glitter about. 865 00:47:57,400 --> 00:47:58,080 Speaker 1: It's not quite. 866 00:47:58,400 --> 00:48:00,279 Speaker 2: I bought it at Target. I asked where the confetti was. 867 00:48:00,320 --> 00:48:03,560 Speaker 2: The best they could do was this. It's it's bigger 868 00:48:03,640 --> 00:48:06,120 Speaker 2: than glitter. It's not little little little particles. It's like 869 00:48:06,200 --> 00:48:07,160 Speaker 2: little like this big. 870 00:48:07,440 --> 00:48:09,959 Speaker 1: I trust you. Maintenance at the Bellhouse may not trust 871 00:48:10,200 --> 00:48:11,160 Speaker 1: you that. I don't want to. 872 00:48:11,200 --> 00:48:14,080 Speaker 2: I'm already feuding with no One, Greta. I can't feud 873 00:48:14,160 --> 00:48:15,360 Speaker 2: with maintenance at the Bell. 874 00:48:15,400 --> 00:48:18,520 Speaker 1: No because at that point it's like a PR crisis. 875 00:48:18,719 --> 00:48:20,799 Speaker 1: Then you need to highre crisis management. Then you need 876 00:48:20,880 --> 00:48:24,600 Speaker 1: to be fucking studios. Yeah, Disney hired. Let's just say 877 00:48:24,640 --> 00:48:26,719 Speaker 1: it out loud. Disney has hired. I think it's like 878 00:48:26,719 --> 00:48:29,759 Speaker 1: a three hundred thousand dollars position, and it's like a 879 00:48:30,080 --> 00:48:35,000 Speaker 1: crisis management person because they know how badly they're fucking up. Girl. 880 00:48:35,840 --> 00:48:39,640 Speaker 1: Just end it and it to end the strike now, 881 00:48:39,840 --> 00:48:43,520 Speaker 1: I said, studios, you better give a fair deal. What 882 00:48:43,680 --> 00:48:47,239 Speaker 1: if because this episodes are being so publicized, because it's 883 00:48:47,239 --> 00:48:48,080 Speaker 1: the greatest. 884 00:48:47,800 --> 00:48:51,920 Speaker 2: Ep of all time, because because of the public feuds. 885 00:48:52,000 --> 00:48:56,400 Speaker 2: Because of the public feuds, this is a huge platform 886 00:48:56,480 --> 00:48:58,960 Speaker 2: for you. And I think what you just said to 887 00:48:59,080 --> 00:49:01,600 Speaker 2: the studios will change things. 888 00:49:02,320 --> 00:49:05,000 Speaker 1: Yeah, and I want them to do something about sand too. 889 00:49:05,600 --> 00:49:08,439 Speaker 1: While they're at it. They probably have the means, Hey, 890 00:49:08,800 --> 00:49:13,360 Speaker 1: Joe Biden, why is there sand in my apartment? Kamala Kamala? 891 00:49:13,480 --> 00:49:17,359 Speaker 1: Can someone turned that up? The sand going away? I mean, 892 00:49:17,800 --> 00:49:19,600 Speaker 1: turn up the sand going away? So you know how 893 00:49:19,680 --> 00:49:22,040 Speaker 1: one of my new things is TikTok. Yeah, yesterday I 894 00:49:22,200 --> 00:49:26,640 Speaker 1: was on like Kamala impersonation TikTok. Oh my god. I 895 00:49:26,719 --> 00:49:29,080 Speaker 1: mean do you think the bros broke that open? Yeah? 896 00:49:29,120 --> 00:49:32,320 Speaker 1: For sure because the crows are amazing because that girl 897 00:49:32,680 --> 00:49:33,680 Speaker 1: is that girl? 898 00:49:33,800 --> 00:49:40,440 Speaker 2: That girl, that girl Comma like the sun rash Tamala impressions. 899 00:49:40,640 --> 00:49:42,960 Speaker 2: TikTok is so genius. 900 00:49:43,239 --> 00:49:46,080 Speaker 1: Was that a big song for you? Five? A brown 901 00:49:46,160 --> 00:49:51,320 Speaker 1: ass back the sunriss kind of a cunty hook. That 902 00:49:51,440 --> 00:49:54,320 Speaker 1: was their antidote to you know, what would you do? 903 00:49:54,400 --> 00:49:57,680 Speaker 1: Because what a sad city. I had to come out 904 00:49:57,680 --> 00:49:59,800 Speaker 1: with a song that was like, Okay, this is so 905 00:50:00,040 --> 00:50:06,279 Speaker 1: laboratory groovy chill song. Oh groovy should bring should you 906 00:50:06,320 --> 00:50:07,920 Speaker 1: bring back groovy? Well? 907 00:50:08,000 --> 00:50:14,600 Speaker 2: I've been saying from Girls, groovy lifestyle, my because all 908 00:50:14,640 --> 00:50:19,279 Speaker 2: I want is a groovy lifestyle. What my groove life, 909 00:50:20,000 --> 00:50:24,799 Speaker 2: Ticky bank rolling your groovy lifestyle, my groovy lifestyle. 910 00:50:25,360 --> 00:50:29,080 Speaker 1: Wow, so good. A great first scene in a pilot. 911 00:50:29,920 --> 00:50:33,160 Speaker 1: You always be saying, Matt, I you love that pilot. 912 00:50:33,280 --> 00:50:35,600 Speaker 1: I love that. Is it your favorite pilot? It's not 913 00:50:35,719 --> 00:50:38,000 Speaker 1: my favorite pilot. I don't know what is though. It's 914 00:50:38,000 --> 00:50:38,520 Speaker 1: a hard question. 915 00:50:38,560 --> 00:50:41,160 Speaker 2: I mean, like everyone says, like the Cheers pilot is perfect. 916 00:50:41,560 --> 00:50:43,560 Speaker 2: I mean I've seen the Cheer I know, I know 917 00:50:44,000 --> 00:50:45,920 Speaker 2: in the modern sense, like what is the best pilot? 918 00:50:46,160 --> 00:50:49,520 Speaker 1: Maybe Girls is up there? Oh, I know what Modern Family, 919 00:50:49,640 --> 00:50:54,440 Speaker 1: Modern Family, Oh, Desperad, Housewives, Death, Lastives is a great pilot. 920 00:50:54,520 --> 00:50:56,239 Speaker 1: We watched it New Years Oh yeah, and it kind 921 00:50:56,239 --> 00:50:57,200 Speaker 1: of didn't feel as good. 922 00:50:58,040 --> 00:51:02,640 Speaker 2: Maybe Greece Anatomy, Gray's Anatomy has a good pilot because oh, 923 00:51:02,680 --> 00:51:05,080 Speaker 2: because there's a cute scene between Christina and Meredith at 924 00:51:05,120 --> 00:51:08,120 Speaker 2: the end where Christina goes go to bed, you look 925 00:51:08,200 --> 00:51:12,000 Speaker 2: like hell, and then Meredith goes, so do you, and 926 00:51:12,040 --> 00:51:14,359 Speaker 2: then Christina goes, that's not true. 927 00:51:17,280 --> 00:51:21,560 Speaker 1: That's really good. I love that. I love that. That's 928 00:51:21,640 --> 00:51:23,919 Speaker 1: me and you girl. 929 00:51:27,480 --> 00:51:30,200 Speaker 2: We got everything in this episode. We have Nikki, we 930 00:51:30,360 --> 00:51:33,040 Speaker 2: have Gray's anatomy, we have industry secret. 931 00:51:33,239 --> 00:51:37,160 Speaker 1: You want to know why it was like this, and 932 00:51:37,400 --> 00:51:40,360 Speaker 1: also because we're at home. We're at home, and I 933 00:51:40,520 --> 00:51:44,239 Speaker 1: just want to say, we're here in my home here 934 00:51:44,320 --> 00:51:48,000 Speaker 1: before me. Yeah, we might have to come back here. Okay, anyway, 935 00:51:49,040 --> 00:51:50,640 Speaker 1: are you ready to do your out of think so honey. 936 00:51:50,800 --> 00:51:52,360 Speaker 1: I'm ready to do my own and think so honey, 937 00:51:52,520 --> 00:51:55,680 Speaker 1: This in that case is Bowen Yang's. I don't think sohanni. 938 00:51:55,719 --> 00:51:57,600 Speaker 1: And as time starts now, I don't think so honey. 939 00:51:57,800 --> 00:52:02,080 Speaker 1: Three M adhesive or in general, but especially this three 940 00:52:02,239 --> 00:52:04,040 Speaker 1: M shit, the kind where you like, if you want 941 00:52:04,040 --> 00:52:05,840 Speaker 1: to hang a hook on a wall, that is gonna 942 00:52:05,960 --> 00:52:09,080 Speaker 1: ruin your walls, If you need to hide a cord 943 00:52:09,120 --> 00:52:12,680 Speaker 1: with those little white tubes, goodbye to your wall, because 944 00:52:12,760 --> 00:52:16,320 Speaker 1: guess what You're gonna spend upwards of a million dollars 945 00:52:16,719 --> 00:52:19,400 Speaker 1: fixing up your walls if you leave an apartment like 946 00:52:19,520 --> 00:52:23,880 Speaker 1: I just did. This shit is too sticky. Goldilocks should 947 00:52:23,920 --> 00:52:26,640 Speaker 1: have gone in that house and gone This three step 948 00:52:26,719 --> 00:52:29,799 Speaker 1: is too sticky. This painter's tape is not sticky enough. 949 00:52:29,920 --> 00:52:32,760 Speaker 1: And that's why we have never found the goldilocks of tape. 950 00:52:33,440 --> 00:52:36,480 Speaker 1: Tape is either too much or too little. I need 951 00:52:36,560 --> 00:52:39,359 Speaker 1: things held together, but not in a way that's gonna 952 00:52:39,400 --> 00:52:44,880 Speaker 1: fucking gorillatriate everything on a surface. Okay, we just pretend 953 00:52:45,120 --> 00:52:48,280 Speaker 1: and act like tape is normal. When it's too sticky, 954 00:52:48,480 --> 00:52:52,000 Speaker 1: it's not. If it's stick to you, it's on you forever, 955 00:52:52,200 --> 00:52:54,640 Speaker 1: and people go to the hospital for this shit on 956 00:52:54,920 --> 00:52:57,719 Speaker 1: stick things Now make things not as sticky. And that's 957 00:52:57,760 --> 00:53:01,040 Speaker 1: one minute. Do you understand there's a theme we don't 958 00:53:01,080 --> 00:53:03,839 Speaker 1: want things to take on us. Get off us, Get off. 959 00:53:04,000 --> 00:53:08,160 Speaker 1: It's actually it's actually really culture number two hundred. Get off, 960 00:53:08,239 --> 00:53:13,920 Speaker 1: USA Off, Get off us, get off. But on a 961 00:53:14,160 --> 00:53:20,640 Speaker 1: human level, there is nothing worse than like stickiness, than humidity, 962 00:53:20,920 --> 00:53:25,160 Speaker 1: then things staying on, clinging onto you. I hate it. Yeah, 963 00:53:25,840 --> 00:53:29,160 Speaker 1: it's very bad. And I have to say, Okay, I 964 00:53:29,280 --> 00:53:31,359 Speaker 1: know we've sort of beat the drum long enough about 965 00:53:31,360 --> 00:53:35,080 Speaker 1: our Lexapro hashtag Lexapro journey. But one of the things 966 00:53:35,160 --> 00:53:38,520 Speaker 1: that's really tough in the very beginning is the sweating, 967 00:53:39,440 --> 00:53:44,239 Speaker 1: the night sweats, because I struggle with that. No, I don't, 968 00:53:44,280 --> 00:53:46,400 Speaker 1: and that is sweat being sticky and all over you. 969 00:53:46,719 --> 00:53:48,719 Speaker 1: On the show. Now it's over. Now, it's over now 970 00:53:48,719 --> 00:53:51,440 Speaker 1: that I've adjusted it. But like that is what like, 971 00:53:51,640 --> 00:53:55,160 Speaker 1: I hate waking up and being sweaty. Rather the room 972 00:53:55,239 --> 00:53:58,520 Speaker 1: that I'm in be frigid. Sixty eight degrees that's my 973 00:53:58,640 --> 00:54:02,360 Speaker 1: preferred temperature for sleeping. Is actually right around the optimal 974 00:54:02,480 --> 00:54:05,880 Speaker 1: temperature to sleep. That's what I heard. Where did you 975 00:54:05,960 --> 00:54:10,879 Speaker 1: hear that? I think Today's show, Today's show, which I'm 976 00:54:10,920 --> 00:54:13,839 Speaker 1: getting back into. I'm slowly. I'm slow. 977 00:54:13,920 --> 00:54:16,200 Speaker 2: Okay, if you want my progress report for a morning show, yes, 978 00:54:17,160 --> 00:54:20,080 Speaker 2: I am. On season two, episode four. This is where 979 00:54:21,280 --> 00:54:24,000 Speaker 2: moderating the debates is a big a story. But at 980 00:54:24,040 --> 00:54:27,000 Speaker 2: this point, Bradley Jackson and Julia Margleiz I forget her 981 00:54:27,080 --> 00:54:31,759 Speaker 2: character's name because she is severely underdeveloped, have. 982 00:54:33,239 --> 00:54:38,440 Speaker 1: Hooked up. Yeah, and I will say season one was 983 00:54:38,560 --> 00:54:44,080 Speaker 1: like fun pulby campy, not even campy. Now. This that 984 00:54:44,280 --> 00:54:47,600 Speaker 1: was the moment when Reese like lunges towards Juliana where 985 00:54:47,680 --> 00:54:50,000 Speaker 1: I go. The third graders have arrived. 986 00:54:50,080 --> 00:54:53,600 Speaker 2: Yeah, this was when I finally it all made sense 987 00:54:53,640 --> 00:54:57,640 Speaker 2: to me. Yep, the third graders are here. This dialogue 988 00:54:57,880 --> 00:54:59,799 Speaker 2: is crazy. 989 00:55:00,200 --> 00:55:02,200 Speaker 1: No, the third graders popped off in the second season, 990 00:55:02,440 --> 00:55:04,480 Speaker 1: I've got the third gradest we're writing the first season, 991 00:55:04,520 --> 00:55:05,920 Speaker 1: I do want to say I think they were like 992 00:55:06,000 --> 00:55:08,160 Speaker 1: auditing the room or something, but tea try to have 993 00:55:08,280 --> 00:55:09,880 Speaker 1: your hand and a teacher had to have your hair. 994 00:55:10,200 --> 00:55:14,040 Speaker 1: But in the second season of The Morning Show, the 995 00:55:14,120 --> 00:55:18,280 Speaker 1: third graders have gone wild and I'm on the paper. 996 00:55:18,480 --> 00:55:23,160 Speaker 1: No yeah, and it gets even crazier. Girl, you're going 997 00:55:23,320 --> 00:55:26,880 Speaker 1: to when you understand like where it goes in the 998 00:55:26,960 --> 00:55:30,319 Speaker 1: last couple episodes. I let's just say this. I am 999 00:55:31,120 --> 00:55:34,480 Speaker 1: so excited for the third season. I am over the 1000 00:55:34,600 --> 00:55:38,400 Speaker 1: moon and I just it can't come soon enough. But 1001 00:55:38,600 --> 00:55:41,480 Speaker 1: it cannot. I'm not soon enough. I mean, it's truly 1002 00:55:41,560 --> 00:55:43,560 Speaker 1: a joy to watch. It's a jewel. 1003 00:55:43,600 --> 00:55:47,000 Speaker 2: Well again, this show has altered something in me. Where 1004 00:55:47,000 --> 00:55:49,160 Speaker 2: I used to be, I would find it really hard 1005 00:55:49,239 --> 00:55:53,480 Speaker 2: to watch things, to sit through things, especially our long 1006 00:55:53,560 --> 00:55:56,640 Speaker 2: TV no shade. Yes, it was also me being sick. 1007 00:55:56,719 --> 00:55:58,840 Speaker 2: But now that I'm even out of that fugue, I'm like, 1008 00:56:00,040 --> 00:56:00,920 Speaker 2: this is with me. 1009 00:56:01,560 --> 00:56:04,880 Speaker 1: Well you know why why? Because this is and this 1010 00:56:05,040 --> 00:56:09,160 Speaker 1: is just the truth. Jennifer Aniston is the most watchable 1011 00:56:09,239 --> 00:56:13,200 Speaker 1: person in the world period. She is the most watchable 1012 00:56:14,080 --> 00:56:18,440 Speaker 1: on screen talent. Out there period period in terms. 1013 00:56:18,239 --> 00:56:22,799 Speaker 2: Of just like, yep, you are, I agree, I completely 1014 00:56:23,000 --> 00:56:26,440 Speaker 2: co sign completely God with a Star and even her 1015 00:56:26,520 --> 00:56:28,719 Speaker 2: scenes were the writing, I'm like, wait, did what did 1016 00:56:28,800 --> 00:56:29,279 Speaker 2: she just say? 1017 00:56:30,080 --> 00:56:34,759 Speaker 1: But it doesn't matter. Aston sells it. Yeah, And here's 1018 00:56:34,800 --> 00:56:37,719 Speaker 1: what I'll say. It doesn't fucking hurt that Reese is 1019 00:56:37,760 --> 00:56:40,759 Speaker 1: also there, that Steve Carell is there, that like this, 1020 00:56:41,239 --> 00:56:45,160 Speaker 1: Karen Pittman that like it's just all a sleigh. But 1021 00:56:45,440 --> 00:56:49,160 Speaker 1: if we're being one hundred real, why it's Jennifer Aniston 1022 00:56:49,840 --> 00:56:51,800 Speaker 1: and she should have won an Emmy for that first season, 1023 00:56:52,120 --> 00:56:55,520 Speaker 1: especially if they were gonna give Zendeiya two. Like, Jennifer 1024 00:56:55,560 --> 00:56:59,360 Speaker 1: Aniston ate that up. And I say it just because 1025 00:56:59,360 --> 00:57:02,120 Speaker 1: she has no television peer, you know what I mean, 1026 00:57:02,280 --> 00:57:04,600 Speaker 1: Like that's just the way it is. I give it 1027 00:57:04,680 --> 00:57:07,920 Speaker 1: up for First of all, I do think Marketyplace is 1028 00:57:07,960 --> 00:57:11,480 Speaker 1: doing it consistently eats the cast is so you know 1029 00:57:11,560 --> 00:57:14,120 Speaker 1: what it reminds me of, honestly, Praise No No, True 1030 00:57:14,200 --> 00:57:18,560 Speaker 1: Blood true that it's so funny, it was so insane, 1031 00:57:18,840 --> 00:57:20,880 Speaker 1: but the actors doing it were so good that you 1032 00:57:20,960 --> 00:57:24,800 Speaker 1: were like, Okay, it's just that that was vampires, so 1033 00:57:24,920 --> 00:57:27,320 Speaker 1: it could be fucking crazy, whereas this tone of this 1034 00:57:27,400 --> 00:57:29,720 Speaker 1: show is also fucking crazy, but it's like grounded because 1035 00:57:29,720 --> 00:57:31,960 Speaker 1: it's a morning show when we recognize it, but it's 1036 00:57:32,200 --> 00:57:37,000 Speaker 1: somehow spiritually connected. For me, that's so interesting. I can't 1037 00:57:37,120 --> 00:57:41,160 Speaker 1: tell how aware it is of its own when it 1038 00:57:41,200 --> 00:57:44,600 Speaker 1: gets cuckoo, of when it gets coo kidded. I don't know, girl, 1039 00:57:44,760 --> 00:57:47,320 Speaker 1: because some shit happens in the later part of the 1040 00:57:47,360 --> 00:57:50,040 Speaker 1: season that you're like, no one thinks this is grounded. 1041 00:57:50,200 --> 00:57:53,120 Speaker 2: Okay, Okay, I don't quite understand what's going on with 1042 00:57:53,200 --> 00:57:56,680 Speaker 2: Steve Carell's character in Italy with the Italian woman. 1043 00:57:56,880 --> 00:58:00,360 Speaker 1: I think you're gonna see, yeah, and it's been ruined 1044 00:58:00,400 --> 00:58:02,800 Speaker 1: for you, right, I mean from my recaps on the show. 1045 00:58:02,960 --> 00:58:05,760 Speaker 2: Well, does COVID get like brought back to the studio 1046 00:58:05,840 --> 00:58:07,360 Speaker 2: as like the reporter who went to China? 1047 00:58:07,480 --> 00:58:11,000 Speaker 1: Is he bringing back COVID? I am not gonna answer 1048 00:58:11,040 --> 00:58:13,560 Speaker 1: that question. I'm gonna let the COVID storyline of The 1049 00:58:13,600 --> 00:58:16,000 Speaker 1: Morning Show Season two just unfold for you. I'm just 1050 00:58:16,080 --> 00:58:18,480 Speaker 1: gonna let it. I'm just gonna let you experience it 1051 00:58:18,560 --> 00:58:22,320 Speaker 1: the way God intended, which was naturally and without impediment 1052 00:58:22,520 --> 00:58:24,920 Speaker 1: of me telling you or reminding you of what actually 1053 00:58:24,960 --> 00:58:29,680 Speaker 1: happens in this season of TV. And I stress that 1054 00:58:29,960 --> 00:58:32,360 Speaker 1: it is something I want every reader to be off 1055 00:58:32,560 --> 00:58:34,560 Speaker 1: every and I rarely give homework. 1056 00:58:34,360 --> 00:58:36,880 Speaker 2: No, and if it means anything that I am now 1057 00:58:37,440 --> 00:58:40,960 Speaker 2: coming in as you know, substitute teacher and saying, this 1058 00:58:41,120 --> 00:58:41,800 Speaker 2: is your homework. 1059 00:58:42,160 --> 00:58:45,720 Speaker 1: This is your homework. We are watching the third season together. 1060 00:58:46,680 --> 00:58:49,680 Speaker 1: It is our favorite show. Not to scab and promote 1061 00:58:49,720 --> 00:58:55,160 Speaker 1: a sage. We're allowed to do a podcast about a culture? Yeah, okay, 1062 00:58:56,200 --> 00:58:58,280 Speaker 1: should we put in there? Matt and Bowen realized this scab. 1063 00:59:03,480 --> 00:59:06,800 Speaker 1: We're very high. Okay, you give us a goddamn break. 1064 00:59:07,800 --> 00:59:10,880 Speaker 1: Listen what an episode I mean? This was? Let me 1065 00:59:11,000 --> 00:59:14,320 Speaker 1: just google, let me just yeah, the last episode of 1066 00:59:14,360 --> 00:59:16,439 Speaker 1: all time, that's what they're saying. Feels like the Carol 1067 00:59:16,480 --> 00:59:18,760 Speaker 1: g Of episodes. It's the Carol g Of episode. It 1068 00:59:18,840 --> 00:59:23,320 Speaker 1: does feel like old school lost culture period. Sitting in 1069 00:59:23,400 --> 00:59:31,440 Speaker 1: an apartment? What could be better? What sitting in an 1070 00:59:31,440 --> 00:59:36,920 Speaker 1: apartment could be better? With the culture? Number two? Sitting 1071 00:59:36,960 --> 00:59:41,120 Speaker 1: in an apartment could be better? With that? We do 1072 00:59:41,600 --> 00:59:51,320 Speaker 1: end every episode with the song Jeez fairde Heaven on 1073 00:59:52,040 --> 01:00:00,160 Speaker 1: and on, not too particularly not Jeez the parode Then 1074 01:00:07,400 --> 01:00:13,240 Speaker 1: Rest in peace. Jimmy Smoke a Jay drink a Mark. 1075 01:00:14,160 --> 01:00:15,120 Speaker 1: Good Night, everybody,