WEBVTT - 9-29: BobbyCast Ep. 11 (Natalie Stovall)

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<v Speaker 1>All right, welcome to episode eleven of the Bobby Cast.

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<v Speaker 1>Thank you very much. In uh the studio today is

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<v Speaker 1>Natalie Stovall, singer, fiddle player, dancer. You did have to

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<v Speaker 1>dance as a kid when you were doing operaing Land,

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<v Speaker 1>you were a dancer. The weird thing about Natalie is

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<v Speaker 1>um and by the way, at Natalie Stovall on Twitter

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<v Speaker 1>is would you say that you were a prodigy if

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<v Speaker 1>you were looking at yourself from someone else's eyes? Because

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<v Speaker 1>I see prodigy because I know how young you started.

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<v Speaker 1>I feel like prodigy is like I don't know, just

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<v Speaker 1>beyond the way, beyond anything ever. Okay, well then let's

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<v Speaker 1>just go back. You started playing the fiddle. Win four. Okay,

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<v Speaker 1>a four year old even care about playing the fiddle.

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<v Speaker 1>It's weird, but that's a really good time to start,

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<v Speaker 1>because then it's just part of your life to start

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<v Speaker 1>for too. It's a wonderful fun to start. But no

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<v Speaker 1>four year old really wants to pick up a fiddle.

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<v Speaker 1>So I just want to be able to pay attention

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<v Speaker 1>to me. Just four. How do you get a fiddle

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<v Speaker 1>into your hands? My grandmother read an article in the

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<v Speaker 1>newspaper and we had a violent teacher coming to Columbia, Tennessee,

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<v Speaker 1>and she thought it'd be a good idea if I played.

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<v Speaker 1>So she called mama, and Mama asked me if I

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<v Speaker 1>wanted to play, and I said, yeah, four years old,

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<v Speaker 1>you committed to playing the violin. Was it the violin?

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<v Speaker 1>I was it the fiddle. It was the violin. I

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<v Speaker 1>started with classical music. So that's even crazier that you

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<v Speaker 1>cared about classical music before. Okay, so you picked it up.

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<v Speaker 1>And when did you start to be where people will

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<v Speaker 1>be like, wow, this kid's kind of good. How old

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<v Speaker 1>were you then? I think I started fiddle competitions when

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<v Speaker 1>I was seven or eight. I don't remember my first competition,

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<v Speaker 1>but I started out in like the junior competitions and stuff,

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<v Speaker 1>probably eight, because I guess eight is when I started

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<v Speaker 1>playing fiddle music and taking like double lessons classical and fiddle,

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<v Speaker 1>and so then I just started. I don't know, i'd

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<v Speaker 1>play for anyone that would listen, though, Yeah, that's that's

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<v Speaker 1>that's this case of a lot of musicians. But you're seven,

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<v Speaker 1>eight years old playing the fiddle. Were you the best

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<v Speaker 1>when you were seven? No? No, I definitely wasn't, especially

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<v Speaker 1>like in the classical world. I mean, I was not

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<v Speaker 1>the best. There were kids in in my group that

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<v Speaker 1>were just, you know, like they could play anything. When

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<v Speaker 1>did you flip over and start to do the fiddle

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<v Speaker 1>or kind of more of the countryside of things. As

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<v Speaker 1>soon as so my teacher brought in a fiddle team

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<v Speaker 1>first to play because she was trying to introduce this

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<v Speaker 1>to different things, and that's when my whole world opened up.

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<v Speaker 1>I mean that's when I was like, oh, oh, oh,

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<v Speaker 1>I want to do this because I used to get

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<v Speaker 1>in trouble for smiling while I was playing my concertos

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<v Speaker 1>on stage. You're not to know because they want you

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<v Speaker 1>to take it really seriously, but I was performing. It

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<v Speaker 1>was just what I wanted to do. I don't know,

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<v Speaker 1>I didn't really think about it, and so um so

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<v Speaker 1>when a fiddle tune came in, that's when I was like, oh,

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<v Speaker 1>I like played two strings at once and like, smile

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<v Speaker 1>all I want. And so then Mama went and found

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<v Speaker 1>a fiddle teacher for me, and so then I started

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<v Speaker 1>playing fiddle music. So if you're four and you have

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<v Speaker 1>this need to perform, was there a lack of love?

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<v Speaker 1>Why would you want to perform at four years old?

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<v Speaker 1>Why did you Why did you need the love from

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<v Speaker 1>the crowd four? Like I know that's why I started

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<v Speaker 1>being in front of you. No, there wasn't not for me.

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<v Speaker 1>I mean, you know, I'm I'm I'm a weirdo that

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<v Speaker 1>is a songwriter and creator and musician that had a

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<v Speaker 1>very loving upbringing. And it's not a family and still do. Yeah,

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<v Speaker 1>and all my siblings are supportive. And you know, I've

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<v Speaker 1>got three older siblings that are either ten years or

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<v Speaker 1>more older. Um, I don't know, I think because also

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<v Speaker 1>I started acting classes when I was three and started

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<v Speaker 1>doing commercials and stuff. When I was said, parents, pro

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<v Speaker 1>are you into this? Like not at all? So they're trying.

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<v Speaker 1>They saw like a little golden child. So at three

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<v Speaker 1>you started taking I don't even have a memory at

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<v Speaker 1>three years old. Can I take this off it back? Yeah,

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<v Speaker 1>you're sure. The microphone, y'all. Microphone. You're the first guest

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<v Speaker 1>to ever take the microphone off because really, Yeah, I

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<v Speaker 1>feel like I saw a picture with somebody. Yeah, I

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<v Speaker 1>don't know. I feel like I'm being too proper sitting

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<v Speaker 1>up at the front of the chair. I'm gonna have

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<v Speaker 1>a pants off. So you're taking acting lessons at three.

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<v Speaker 1>You're playing the fiddle at four, Um, you know that's

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<v Speaker 1>what you want to do. In school? Were you the

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<v Speaker 1>music kid? Yes? Yeah, I was always the weirdo that

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<v Speaker 1>you know. I always did the performing thing. You went

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<v Speaker 1>to college. You went to a music school in Boston, right, Yeah? Berkeley?

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<v Speaker 1>Berkeley not the world? Did you get in there? I

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<v Speaker 1>first heard about Berkeley through my voice teacher in Nashville.

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<v Speaker 1>But Berkeley was like super prestigious and like where we

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<v Speaker 1>come from? Are you and I? That's not even real? Yeah,

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<v Speaker 1>Like Berkeley is not real. It's like it's something you

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<v Speaker 1>see on TV where kids go there, rich and super.

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<v Speaker 1>That's why I'm saying, like, as soon as I found

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<v Speaker 1>out that it existed, though, there was nothing that was

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<v Speaker 1>going to stop me from going to school there. Um.

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<v Speaker 1>I started working on my scholarship audition pretty much in

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<v Speaker 1>my sophomore year of high school. And you know I

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<v Speaker 1>didn't audition until senior year. I mean, you don't audition

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<v Speaker 1>to get in until then. Audition you play in front

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<v Speaker 1>of someone. Yeah, you you audition on your principal instruments,

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<v Speaker 1>and mine was voice. That's what I wanted to do.

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<v Speaker 1>You got it on voice, not fiddle, yeah, I that's

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<v Speaker 1>that's kind of a funny story. They destroyed my confidence

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<v Speaker 1>on fiddle at Berkeley. I stopped playing for a while

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<v Speaker 1>because they told to stop um. But I had never

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<v Speaker 1>had technical vocal training. My vocal teacher in Nashville I

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<v Speaker 1>had started at eleven. We'd worked more on repertoire and

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<v Speaker 1>we worked a little on technique, but that wasn't really

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<v Speaker 1>his forte. So then I went to college and I

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<v Speaker 1>knew if I wanted to do this for real, I

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<v Speaker 1>needed to, you know, really focus on it and do

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<v Speaker 1>vocal performance. So I started working on my scholarship audition

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<v Speaker 1>and I worked. I picked this four and a half

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<v Speaker 1>minute Ella Fitzgerald's got solo for my jazz piece, and

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<v Speaker 1>learned every note. Went to Berkeley on a vocal scholarship.

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<v Speaker 1>Did that's crazy? It is crazy. I didn't think of

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<v Speaker 1>myself as a singer. I was always like the performer

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<v Speaker 1>that could sing, you know, were you heads and shoulders

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<v Speaker 1>when you got there? A better singer than most of

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<v Speaker 1>the people there. No, No, I had I had a

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<v Speaker 1>good ear. I've always gotten by on my ear. You know,

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<v Speaker 1>I'm not one of those site readers that you can

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<v Speaker 1>just put a sheet of paper in front of me.

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<v Speaker 1>But if I can hear it at least once ahead

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<v Speaker 1>of time, I'm pretty good. And so there are people

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<v Speaker 1>there that can just read anything you put in front

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<v Speaker 1>of them, and there were, but I was one of

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<v Speaker 1>the only country singers, so that was interesting. That helped

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<v Speaker 1>make me different. And I thought I wanted to, you know,

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<v Speaker 1>get away from country when I went to Berkeley for

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<v Speaker 1>a minute, because I had always been the girl that

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<v Speaker 1>played the fiddle, that was always given the country music song.

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<v Speaker 1>I no idea you went on a voice scholarship. And

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<v Speaker 1>I've told Natalie even just like driving around, like she's

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<v Speaker 1>one of the better singers in Nashville, Like there's a

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<v Speaker 1>one percent group that that we put certain people in

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<v Speaker 1>and Natalie sobas one of the better singers in all

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<v Speaker 1>of the city. And I thought you were the fiddle place.

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<v Speaker 1>So you go to Berkeley with the fiddle and they

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<v Speaker 1>say you're just not good. Yeah. I kept auditioning for

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<v Speaker 1>this one show. It was their big singer showcase, and

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<v Speaker 1>I didn't get in the first couple of times that

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<v Speaker 1>I auditioned for it. But I would always I would

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<v Speaker 1>audition and play fiddle too, and they would always encourage

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<v Speaker 1>you to come in and watch your tape with one

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<v Speaker 1>of the judges and he would give you advice. So

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<v Speaker 1>I went in because I wanted to get into this sucker,

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<v Speaker 1>and he was like, would you please just put the

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<v Speaker 1>fiddle down. It's what's hurting you, Like, just stop playing

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<v Speaker 1>the fiddle and just sing. And the next time I

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<v Speaker 1>auditioned just on vocals, and I I made the show

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<v Speaker 1>every semester after that. And now it's weird because you're

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<v Speaker 1>the girl that plays the fiddle like a monster. That's

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<v Speaker 1>what you're known for. I mean, you're the baddest fiddle

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<v Speaker 1>player around. It's crazy, it will and it it took

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<v Speaker 1>me a while. It really destroyed my confidence on fiddle.

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<v Speaker 1>I mean I thought I was horrible, and I thought

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<v Speaker 1>I shouldn't play anymore, and so I kind of put

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<v Speaker 1>it down for a little. I mean I always still

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<v Speaker 1>kind of played, but then when I started putting a

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<v Speaker 1>band together at school, um, you know, Devil and Down

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<v Speaker 1>to Georgia was always one of our big show stopping moments.

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<v Speaker 1>And so then there were a few songs I'd play

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<v Speaker 1>on but it didn't really play much. I just sang.

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<v Speaker 1>So going back, you were on Oprah. Yeah, I was

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<v Speaker 1>on Oprah. That was that was weird. Um. I I

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<v Speaker 1>had won the Silliest Kid in America contest through No

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<v Speaker 1>it was in Okay. So when I was in Kids Club,

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<v Speaker 1>the adult Kid Club is Oprey Land and you were

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<v Speaker 1>a performer. Yes, I was in that show for four years,

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<v Speaker 1>from like ages ten of fourteen. So, um, when I

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<v Speaker 1>was in Kids Club, the adult in the show, she

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<v Speaker 1>was hosting Nashville Silliest Kid competition and she called me

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<v Speaker 1>and said, Natalie, you gotta come to your baby cry

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<v Speaker 1>because I had learned how to do this ventriloquist kind

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<v Speaker 1>of baby cry thing I can. It's not gonna work

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<v Speaker 1>over my mouth is not and it drinks a bottle

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<v Speaker 1>of Bourbs. There's a whole act. So I won. I

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<v Speaker 1>won the Nashville Silliest Kid Competition, which wasn't difficult because

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<v Speaker 1>I was up against like your mom was so fat jokes,

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<v Speaker 1>you know. It was like at the East Nashville y

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<v Speaker 1>and it was just it was kind of funny. And

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<v Speaker 1>then they sent my tape into national judges. I won

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<v Speaker 1>the national competen ash and I got like a free

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<v Speaker 1>trip to Disney World for my whole family because I

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<v Speaker 1>did a baby cry, and one of the prizes was

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<v Speaker 1>supposed to be to be on either j Letto or

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<v Speaker 1>David Letterman, and I was like freaking out. But the

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<v Speaker 1>thing was I was at the end of the age group.

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<v Speaker 1>I was like fourteen, and they sent my tape to

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<v Speaker 1>David Letterman. They were like, um, no, we don't want

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<v Speaker 1>her on the show, because I think they were expecting

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<v Speaker 1>like a little kid, like a little funny kid. And

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<v Speaker 1>now I'm like a fourteen year old kid that's like, hey,

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<v Speaker 1>I can crawl like a baby. But then I didn't

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<v Speaker 1>know this was happening, but tricks the sponsors of the competition.

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<v Speaker 1>They sent in my tape to Oprah because she was

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<v Speaker 1>doing a show on her funniest viewers, like silly viewers

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<v Speaker 1>and stuff. So um, the producers of Oprah called one

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<v Speaker 1>day and I was like a freshman in high school

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<v Speaker 1>by the time this happened, and said, do you want

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<v Speaker 1>to come be on the show? We'd love for you

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<v Speaker 1>to do something else though, too, And so that's when

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<v Speaker 1>I played. I played the fiddle between my knees. So

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<v Speaker 1>you want here's Natalie Stoball at Oprah. Here, Oh that's

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<v Speaker 1>is Oprey never mind. Couldn't we looked hard for hard?

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<v Speaker 1>You can just call my parents. I'm sure they have

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<v Speaker 1>want o. And you did the baby cry and you

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<v Speaker 1>played the fiddle between your knees. Yeah yeah. And so

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<v Speaker 1>did you meet Oprah? Was cool? It was awesome? Yeah yeah.

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<v Speaker 1>When I walked out and she said, so what are

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<v Speaker 1>you going to do? When she introduced me and stuff,

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<v Speaker 1>and I told her I was going to play the

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<v Speaker 1>violin between moneies and she was like, of course you

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<v Speaker 1>are Natalie as the video that I saw a couple

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<v Speaker 1>of weeks ago where it was the first time you

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<v Speaker 1>played the Grand ol Opry and you were how old? Twelve? Okay?

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<v Speaker 1>And so this is a Natalie at the Grand ol Opry.

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<v Speaker 1>She's only twelve years old. So I want you to

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<v Speaker 1>make her welcome here tonight, ladies and gentlemen. Natalie Stowall

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<v Speaker 1>and I was him. She's in a cowgirl outfit, full

0:11:51.000 --> 0:12:02.400
<v Speaker 1>cowgirl and that's not guess and the games and you're

0:12:02.440 --> 0:12:11.120
<v Speaker 1>still blowing it and down tonight the guy right, and

0:12:11.160 --> 0:12:24.560
<v Speaker 1>then days the bigger says like, I'm in an she's

0:12:24.679 --> 0:12:30.000
<v Speaker 1>twelve playing the Opery, So how do you get that?

0:12:30.120 --> 0:12:32.599
<v Speaker 1>Was so cool? People like, wait, the whole life to

0:12:32.720 --> 0:12:35.839
<v Speaker 1>play the Opery. It was yeah, yeah, they do, and

0:12:35.920 --> 0:12:37.760
<v Speaker 1>it was It was crazy because when I was in

0:12:37.800 --> 0:12:41.200
<v Speaker 1>the kids Club show out at the theme park, they

0:12:41.480 --> 0:12:44.679
<v Speaker 1>we did a video that they wanted to sell at

0:12:44.679 --> 0:12:47.800
<v Speaker 1>the shows and one of the songs was called Think

0:12:47.880 --> 0:12:49.720
<v Speaker 1>Big and it was all talking about like you can

0:12:49.760 --> 0:12:51.240
<v Speaker 1>be anything you want to be when you grow up.

0:12:51.760 --> 0:12:53.960
<v Speaker 1>And they asked all of the kids in the song,

0:12:54.040 --> 0:12:55.400
<v Speaker 1>what do you want to be when you grow up?

0:12:55.440 --> 0:12:57.560
<v Speaker 1>And said they would ask me and I would say,

0:12:57.600 --> 0:12:59.440
<v Speaker 1>I want to be on the Grand Ole Opry. And

0:12:59.559 --> 0:13:02.640
<v Speaker 1>then they just they made it happen. The first time

0:13:02.679 --> 0:13:05.040
<v Speaker 1>you were supposed to be on there, you got bombed, right, yeah,

0:13:05.120 --> 0:13:08.320
<v Speaker 1>so you go your and Natalie's gonna go and play

0:13:08.360 --> 0:13:10.240
<v Speaker 1>the Opery fwelve years old and all of a sudden,

0:13:10.280 --> 0:13:13.600
<v Speaker 1>Garth shows up. Well it was crazy because this that's

0:13:13.640 --> 0:13:16.199
<v Speaker 1>such a crazy time in my life because I had

0:13:16.240 --> 0:13:20.440
<v Speaker 1>just been invited to go audition for Pilot Season in

0:13:20.600 --> 0:13:23.360
<v Speaker 1>Los Angeles. So my mom and I were getting ready

0:13:23.360 --> 0:13:25.440
<v Speaker 1>to just go live in l A for a few months,

0:13:26.120 --> 0:13:30.000
<v Speaker 1>and we kept postponing our leave date for the Opery.

0:13:30.120 --> 0:13:32.360
<v Speaker 1>But then they kept postponing on me. They did twice

0:13:32.880 --> 0:13:35.520
<v Speaker 1>and so finally the operaly and said, hey, just go

0:13:35.559 --> 0:13:37.320
<v Speaker 1>on and we'll just fly you back whenever the date

0:13:37.360 --> 0:13:39.640
<v Speaker 1>comes through. So I was actually living in l A

0:13:39.640 --> 0:13:43.280
<v Speaker 1>at the time, and then they flew me back and

0:13:43.320 --> 0:13:46.439
<v Speaker 1>I bought the most country outfit I've ever worn in

0:13:46.679 --> 0:13:48.800
<v Speaker 1>l A, like I wouldn't got that outfit in l A,

0:13:48.920 --> 0:13:50.520
<v Speaker 1>and then wore it on the opry that and I'd

0:13:50.520 --> 0:13:53.679
<v Speaker 1>already had the hat of course, but yeah, and then

0:13:53.679 --> 0:13:56.520
<v Speaker 1>a fule back to l A and finished out. Thank goodness,

0:13:56.559 --> 0:13:59.680
<v Speaker 1>I never booked anything out there, because that's really where

0:13:59.679 --> 0:14:01.360
<v Speaker 1>I've was like, Okay, I don't want to be an actress.

0:14:01.360 --> 0:14:02.800
<v Speaker 1>I want to be on stage all the time. You

0:14:02.800 --> 0:14:08.000
<v Speaker 1>were so composed at twelve. You I played the Outbreak

0:14:08.040 --> 0:14:09.760
<v Speaker 1>for the first time at thirty five, and I was like,

0:14:09.800 --> 0:14:11.240
<v Speaker 1>this is crazy, Like I don't even know what I'm

0:14:11.280 --> 0:14:14.200
<v Speaker 1>doing here. I'm looking around, my eyeballs are beady, and

0:14:15.600 --> 0:14:17.360
<v Speaker 1>but for you at twelve, you were just like it

0:14:17.480 --> 0:14:19.760
<v Speaker 1>was just you, just that they're smiling, having a good time.

0:14:19.920 --> 0:14:22.520
<v Speaker 1>I didn't enjoy it when I did it, really because

0:14:22.520 --> 0:14:24.840
<v Speaker 1>I don't enjoy awesome things while they're happening, because I

0:14:24.840 --> 0:14:27.200
<v Speaker 1>think I'm gonna screw them up. Yeah. I enjoyed things

0:14:27.320 --> 0:14:29.440
<v Speaker 1>that go well, and looking at pictures afterwards, I don't

0:14:29.480 --> 0:14:32.000
<v Speaker 1>enjoy them while they're happening. You were enjoying enjoying this.

0:14:32.440 --> 0:14:34.680
<v Speaker 1>I was enjoying every second. And I told myself before

0:14:34.680 --> 0:14:37.480
<v Speaker 1>I went out there, like, enjoy this. This is not

0:14:37.600 --> 0:14:41.360
<v Speaker 1>something that anyone gets to do. You sang for the president.

0:14:41.640 --> 0:14:45.320
<v Speaker 1>I did, which President George W. Bush. So I have

0:14:45.640 --> 0:14:48.120
<v Speaker 1>Natalie singing for the president here. God, it is my

0:14:48.280 --> 0:14:53.840
<v Speaker 1>great pleasure to welcome tonight from Nashville, Tennessee. Ms. Natalie Stowball.

0:14:54.600 --> 0:15:10.600
<v Speaker 1>God bless um America. Then love stand beside, and God

0:15:12.600 --> 0:15:18.800
<v Speaker 1>through the nine went the light from a book. Now

0:15:18.920 --> 0:15:21.000
<v Speaker 1>I know who you are, and I've figured it out

0:15:21.040 --> 0:15:23.160
<v Speaker 1>as we're talking. You're the forest gulp of country music.

0:15:24.760 --> 0:15:29.320
<v Speaker 1>She's you're the first. You have the odd off stories

0:15:29.360 --> 0:15:32.000
<v Speaker 1>that all just kind of come back together, you know,

0:15:32.360 --> 0:15:36.000
<v Speaker 1>like it's like Forrest Gump. I mean, I was not

0:15:36.120 --> 0:15:40.040
<v Speaker 1>composed for that one. They asked you to come sing

0:15:40.080 --> 0:15:43.440
<v Speaker 1>for President Bush. Yes, and so did someone just call

0:15:43.480 --> 0:15:46.240
<v Speaker 1>you and say, hey, we've heard you sing. I got

0:15:46.680 --> 0:15:49.320
<v Speaker 1>an email from my agent At the time, I was

0:15:49.360 --> 0:15:51.360
<v Speaker 1>out touring colleges, and I was on one of my

0:15:51.560 --> 0:15:54.920
<v Speaker 1>very first big college shows and I remember getting in

0:15:54.960 --> 0:15:57.760
<v Speaker 1>the back of the suburban and it was, you know,

0:15:57.920 --> 0:15:59.480
<v Speaker 1>one or two in the morning, and this was back

0:15:59.480 --> 0:16:01.960
<v Speaker 1>when I had my little Trio Palm Pilot or whatever.

0:16:02.160 --> 0:16:05.880
<v Speaker 1>And I see this email coming that says, hey, um,

0:16:06.160 --> 0:16:09.720
<v Speaker 1>what was the gray headed dude from American idol Taylor Hicks.

0:16:10.120 --> 0:16:13.160
<v Speaker 1>Taylor Hicks just dropped out of singing for the president.

0:16:13.240 --> 0:16:15.480
<v Speaker 1>It's all pro bono. Does anybody want this? And I

0:16:15.520 --> 0:16:19.120
<v Speaker 1>was like, does anybody want this? And the reason they

0:16:19.120 --> 0:16:21.400
<v Speaker 1>were asking was because you had to pay your own way.

0:16:21.640 --> 0:16:23.720
<v Speaker 1>You weren't going to get paid to do it or anything.

0:16:23.760 --> 0:16:26.440
<v Speaker 1>And I was going, who wouldn't do this? And I

0:16:26.440 --> 0:16:29.160
<v Speaker 1>immediately was like, please, please, please, I'll do anything to

0:16:29.200 --> 0:16:32.240
<v Speaker 1>do this. And they asked for a recording of me

0:16:32.280 --> 0:16:34.120
<v Speaker 1>singing the national anthem. It was supposed to be the

0:16:34.160 --> 0:16:37.400
<v Speaker 1>anthem um, so I sent that in and they called

0:16:37.400 --> 0:16:39.600
<v Speaker 1>and asked me to come do it. So you're singing

0:16:39.600 --> 0:16:41.760
<v Speaker 1>in front of the president, you're able to see him

0:16:41.800 --> 0:16:43.680
<v Speaker 1>while you're singing. I got to meet him right before.

0:16:46.440 --> 0:16:48.360
<v Speaker 1>He was on my right and the first lady was

0:16:48.400 --> 0:16:51.360
<v Speaker 1>on my left and in front of me, it was

0:16:51.440 --> 0:16:53.240
<v Speaker 1>you know, it was the correspondent stenter, so it's all

0:16:53.360 --> 0:16:56.920
<v Speaker 1>movie stars and you know, famous people. And in front

0:16:56.960 --> 0:16:59.520
<v Speaker 1>of me Larry King and Larry David were sitting at

0:16:59.520 --> 0:17:01.280
<v Speaker 1>a table right next to each other, right in the

0:17:01.320 --> 0:17:03.520
<v Speaker 1>front row. And I was like, this is crazy, Like

0:17:03.560 --> 0:17:06.280
<v Speaker 1>where am I right? Like a girl from smalltown Tennessee

0:17:06.600 --> 0:17:11.080
<v Speaker 1>is singing pent in the United States And regardless of

0:17:11.080 --> 0:17:12.960
<v Speaker 1>who the president is, that's still the franking president of

0:17:13.000 --> 0:17:15.719
<v Speaker 1>the United States. Yes, I know it was. It was

0:17:15.760 --> 0:17:18.439
<v Speaker 1>one of the most incredible honors of my life. I

0:17:18.440 --> 0:17:23.120
<v Speaker 1>mean it was so surreal, nervous, yes, shaking, And they

0:17:23.119 --> 0:17:26.240
<v Speaker 1>told me they were, you know, the guy Steve Scully

0:17:26.320 --> 0:17:29.919
<v Speaker 1>who was introducing me there, he was gonna put the

0:17:29.960 --> 0:17:32.159
<v Speaker 1>little step stool up because even with my heels on,

0:17:32.240 --> 0:17:35.840
<v Speaker 1>I was too short to reach the mic and so um,

0:17:35.880 --> 0:17:37.359
<v Speaker 1>but they forgot to do that. So I had to

0:17:37.400 --> 0:17:39.119
<v Speaker 1>get there like in my ball gown and pull the

0:17:39.119 --> 0:17:41.359
<v Speaker 1>little steps stool out and then stand up on it myself.

0:17:41.400 --> 0:17:43.200
<v Speaker 1>And I think that was good. It kind of called

0:17:43.200 --> 0:17:47.240
<v Speaker 1>me down for a second, yeah, but I was so nervous.

0:17:47.240 --> 0:17:48.880
<v Speaker 1>How did you feel about the performance once it was over?

0:17:49.080 --> 0:17:51.440
<v Speaker 1>Did you feel like you did pretty good. I did, okay.

0:17:51.800 --> 0:17:53.639
<v Speaker 1>It's hard for me to listen to that, though, I

0:17:53.720 --> 0:17:57.280
<v Speaker 1>don't I don't like that one. Why don't you like that?

0:17:57.840 --> 0:18:00.480
<v Speaker 1>Because I can hear myself. I can hear the nerves,

0:18:00.520 --> 0:18:02.480
<v Speaker 1>I can hear a little pitch issues. I can tell

0:18:02.520 --> 0:18:06.080
<v Speaker 1>that I was not on my game. Do you have

0:18:06.080 --> 0:18:08.359
<v Speaker 1>a picture do you look at and go, okay, this

0:18:08.440 --> 0:18:13.080
<v Speaker 1>is awesome? Yes, I have one? Backstage? So right before

0:18:13.280 --> 0:18:17.199
<v Speaker 1>we went out, um, they had just introduced me to

0:18:17.400 --> 0:18:21.240
<v Speaker 1>President Bush and the first Lady, and then they cleared

0:18:21.320 --> 0:18:25.080
<v Speaker 1>the room of everyone except for me, the two of

0:18:25.119 --> 0:18:28.200
<v Speaker 1>them in secret service and a photographer. And as we're

0:18:28.240 --> 0:18:32.639
<v Speaker 1>standing there, I'm talking to him and he I think

0:18:33.320 --> 0:18:36.680
<v Speaker 1>I think. The first lady said, George is Natalie. She's

0:18:36.680 --> 0:18:40.159
<v Speaker 1>gonna sing the anthem, and he goes, no, she's not.

0:18:40.160 --> 0:18:43.040
<v Speaker 1>She's gonna sing America is beautiful. And then I'm standing

0:18:43.040 --> 0:18:46.800
<v Speaker 1>there thinking like, oh no, do you correct the president?

0:18:46.840 --> 0:18:48.480
<v Speaker 1>And the first lady like what do you do? And

0:18:48.480 --> 0:18:50.760
<v Speaker 1>I kind of put my hand on my my heart

0:18:50.760 --> 0:18:54.080
<v Speaker 1>and was like, God, bless America. And then we all

0:18:54.119 --> 0:18:57.720
<v Speaker 1>started laughing. And I wouldn't have remembered this, but they

0:18:57.760 --> 0:19:00.119
<v Speaker 1>snapped a picture right when we're all laughing at the

0:19:00.160 --> 0:19:02.639
<v Speaker 1>same time, and apparently I put my hand down on

0:19:02.880 --> 0:19:05.640
<v Speaker 1>his arm, like I'm that's just how I am. I'm

0:19:05.640 --> 0:19:09.399
<v Speaker 1>real kind of I don't know, I'm I'm touchy with people,

0:19:09.440 --> 0:19:13.480
<v Speaker 1>you know. And I got my hand on the President's

0:19:13.600 --> 0:19:15.560
<v Speaker 1>arm and the first ladies kind of looking at me,

0:19:15.600 --> 0:19:17.280
<v Speaker 1>but we're all laughing, and it's just one of my

0:19:17.320 --> 0:19:19.560
<v Speaker 1>favorite piers. So cool. You got to meet the president

0:19:19.600 --> 0:19:21.800
<v Speaker 1>of the United States of America. And when I was done,

0:19:22.040 --> 0:19:23.880
<v Speaker 1>this is crazy. When I was done, when I got

0:19:23.880 --> 0:19:26.680
<v Speaker 1>down off of the stage, as I was passing by,

0:19:26.880 --> 0:19:30.600
<v Speaker 1>President Bush put his left hand to his side but

0:19:30.680 --> 0:19:33.600
<v Speaker 1>kind of underneath like a low five, like when you

0:19:33.680 --> 0:19:35.440
<v Speaker 1>give someone a low five. And that was another moment

0:19:35.480 --> 0:19:37.959
<v Speaker 1>where I'm like, yeah, I give them president on five.

0:19:38.200 --> 0:19:40.920
<v Speaker 1>What do I do right now? I just kinda put

0:19:40.960 --> 0:19:44.240
<v Speaker 1>my hand in his like like a soft five. I guess,

0:19:44.359 --> 0:19:47.600
<v Speaker 1>really awkward, and he goes he nailed it, and I

0:19:47.640 --> 0:19:52.000
<v Speaker 1>was like, for like the four's music like before, they're

0:19:52.000 --> 0:19:54.680
<v Speaker 1>blowing me away right now. So it's so funny. You

0:19:54.720 --> 0:19:57.240
<v Speaker 1>started acting at three fiddle. At four You're in the

0:19:57.320 --> 0:20:01.000
<v Speaker 1>kids club at opry landa opus Landa not exist anymore

0:20:01.000 --> 0:20:04.080
<v Speaker 1>because it wasn't It was a theme park. And you,

0:20:04.320 --> 0:20:06.800
<v Speaker 1>as a kid, I would assume we're making pretty good

0:20:06.800 --> 0:20:12.000
<v Speaker 1>money performing. Yeah. Yeah, for I'm making any money performing

0:20:12.040 --> 0:20:15.560
<v Speaker 1>for me, Like and I I put every single penny

0:20:15.600 --> 0:20:18.879
<v Speaker 1>away in the bank. Um. And the only way that

0:20:18.920 --> 0:20:22.000
<v Speaker 1>I got to do that Los Angeles trip and go

0:20:22.240 --> 0:20:23.919
<v Speaker 1>live out there for a couple of months was that

0:20:23.960 --> 0:20:26.280
<v Speaker 1>I paid for the whole thing for me and Mama

0:20:26.600 --> 0:20:29.160
<v Speaker 1>and then, um, the rest of it went to college.

0:20:29.600 --> 0:20:31.640
<v Speaker 1>So you go to l A to be an actress,

0:20:31.760 --> 0:20:33.720
<v Speaker 1>and what you did just audition for a bunch of

0:20:33.760 --> 0:20:36.960
<v Speaker 1>roles and yeah, I auditioned. I had about I don't know,

0:20:37.080 --> 0:20:40.080
<v Speaker 1>twelve or thirteen auditions, which wasn't a ton for the time.

0:20:41.240 --> 0:20:45.840
<v Speaker 1>My acting coach's son was my age. He was my boyfriend,

0:20:46.520 --> 0:20:50.719
<v Speaker 1>and uh, he had like twenty six auditions. Dudes at

0:20:50.720 --> 0:20:52.760
<v Speaker 1>the time, twelve year old kids at the time had

0:20:52.800 --> 0:20:55.919
<v Speaker 1>a lot more opportunities. And that it just fluctuates, just

0:20:55.960 --> 0:20:58.119
<v Speaker 1>like crazy because women have all the opportunities. Oh I

0:20:58.160 --> 0:21:01.760
<v Speaker 1>know now they all especially catch love in the world. Yeah,

0:21:02.480 --> 0:21:04.119
<v Speaker 1>so you go out and I was I guess you

0:21:04.160 --> 0:21:08.280
<v Speaker 1>didn't land You know, they worked really hard um to

0:21:08.320 --> 0:21:11.640
<v Speaker 1>help me get rid of my accent, which I am

0:21:11.680 --> 0:21:14.160
<v Speaker 1>glad did not work on me. And I started listening

0:21:14.200 --> 0:21:17.120
<v Speaker 1>to tapes and I started trying to but they just

0:21:17.480 --> 0:21:20.160
<v Speaker 1>stuff I did that I want to speak with. Yeah,

0:21:20.520 --> 0:21:22.560
<v Speaker 1>I went for years. See that's the thing. I would

0:21:22.560 --> 0:21:24.520
<v Speaker 1>have to go for years, and you still don't lose

0:21:24.520 --> 0:21:26.560
<v Speaker 1>it because you're maybe if you're in l A. It's

0:21:26.560 --> 0:21:28.879
<v Speaker 1>different for me. I never left the South. Yeah, I

0:21:28.960 --> 0:21:32.000
<v Speaker 1>meaning I lived in Arkansas and as I'm learning speech

0:21:32.040 --> 0:21:36.159
<v Speaker 1>path and you know your your eyes guy, yeah, I

0:21:36.240 --> 0:21:40.560
<v Speaker 1>say I now, but when you're in Arkansas, need you

0:21:40.600 --> 0:21:43.000
<v Speaker 1>know that's how that's how I would talk, or you know,

0:21:43.040 --> 0:21:45.280
<v Speaker 1>you go fishing, you wanna go fishing? You know there

0:21:45.280 --> 0:21:48.440
<v Speaker 1>were different things that you would learn by doing that.

0:21:48.800 --> 0:21:50.479
<v Speaker 1>So they're trying to remove your accent. I would think

0:21:50.520 --> 0:21:52.359
<v Speaker 1>they would try to put you into roles where your

0:21:52.400 --> 0:21:56.240
<v Speaker 1>accent was kind of a character, you would think. So

0:21:56.359 --> 0:21:58.240
<v Speaker 1>I guess there weren't really any auditions because I mean

0:21:58.280 --> 0:22:00.200
<v Speaker 1>I was only out there for a couple of months.

0:22:00.359 --> 0:22:03.800
<v Speaker 1>You got nothing, were you destroyed? H I got to

0:22:03.840 --> 0:22:09.760
<v Speaker 1>audition for Roseanne for Roseanne show DJ's first girlfriend. But

0:22:10.119 --> 0:22:12.560
<v Speaker 1>and in some girl that was on a lot of shows,

0:22:12.600 --> 0:22:15.959
<v Speaker 1>like you knew who she was, got the part they

0:22:16.000 --> 0:22:20.679
<v Speaker 1>see at the video store. I've seen every episode of Roseanne.

0:22:21.920 --> 0:22:23.600
<v Speaker 1>Know he went he was taking her to a dance.

0:22:24.760 --> 0:22:27.320
<v Speaker 1>It was like his middle school dancer could be it

0:22:27.359 --> 0:22:31.480
<v Speaker 1>could have been me, Oh, I've got one for you.

0:22:32.320 --> 0:22:34.879
<v Speaker 1>I audition. I got a call back to be a

0:22:34.880 --> 0:22:38.639
<v Speaker 1>little Jinny in Forrest Gump. Really you look like a

0:22:38.640 --> 0:22:45.080
<v Speaker 1>little Jenny. So Forrest Gump did for Little Jenny. They

0:22:45.119 --> 0:22:50.800
<v Speaker 1>came to Nashville. Yeah, yeah, and I don't remember the audition,

0:22:51.080 --> 0:22:52.879
<v Speaker 1>Like I don't remember what we did. I don't know

0:22:52.920 --> 0:22:55.760
<v Speaker 1>if I said any of that. But um, but yeah,

0:22:55.880 --> 0:22:57.439
<v Speaker 1>and they wouldn't even let you in that, like they

0:22:57.440 --> 0:23:00.080
<v Speaker 1>would look at each kid. Because my best friend and

0:23:00.160 --> 0:23:02.640
<v Speaker 1>I and she was also at opry Land. We both

0:23:02.680 --> 0:23:04.680
<v Speaker 1>auditioned for it and she actually made it, I think

0:23:04.720 --> 0:23:08.159
<v Speaker 1>to a third callback, like she made it even further. Um.

0:23:08.200 --> 0:23:10.560
<v Speaker 1>But yeah, you had to have blonde hair and blue eyes,

0:23:10.640 --> 0:23:12.280
<v Speaker 1>and you know, they would kind of look at you

0:23:12.359 --> 0:23:14.920
<v Speaker 1>before you go in, and then you'd go in and

0:23:15.119 --> 0:23:17.000
<v Speaker 1>do your lines or talk to him or whatever. I

0:23:17.000 --> 0:23:21.400
<v Speaker 1>don't know. So you go in to get the part

0:23:21.440 --> 0:23:23.960
<v Speaker 1>of Jenny, obviously, but she didn't know what for. You

0:23:24.000 --> 0:23:26.560
<v Speaker 1>just knew it was a Tom Hanks movie. You know

0:23:26.640 --> 0:23:29.000
<v Speaker 1>what it was yet And then when I saw the movie,

0:23:29.040 --> 0:23:32.680
<v Speaker 1>I was like, dang it, I could have been Little Jenny. Yeah,

0:23:33.200 --> 0:23:36.800
<v Speaker 1>it's I Can Fly Far, Far Away. Um. So okay,

0:23:36.840 --> 0:23:40.760
<v Speaker 1>So so this is happening. You're you're trying everything. Yeah,

0:23:40.960 --> 0:23:45.640
<v Speaker 1>young're you got through a high school normal, like twelfth grade.

0:23:45.680 --> 0:23:48.040
<v Speaker 1>You graduate school, so then you go to Berkeley. You

0:23:48.040 --> 0:23:51.919
<v Speaker 1>graduate from Berkeley. Yes, so you finished school there too, Yeah, okay,

0:23:51.960 --> 0:23:54.120
<v Speaker 1>and then you're at a crossroads. Do you go out

0:23:54.119 --> 0:23:56.240
<v Speaker 1>to Nashville? Do you? Oh? I knew I was coming

0:23:56.280 --> 0:23:59.639
<v Speaker 1>straight back here, straight back and start. While I was

0:24:00.359 --> 0:24:08.240
<v Speaker 1>at Berkeley. UM, my sophomore year, I I met a

0:24:08.320 --> 0:24:13.280
<v Speaker 1>guy named James, and he was now my husband and drummer,

0:24:13.359 --> 0:24:15.760
<v Speaker 1>but he was I had a crush on his roommate,

0:24:15.840 --> 0:24:18.159
<v Speaker 1>so I would always like try to hang out and

0:24:18.200 --> 0:24:22.000
<v Speaker 1>fill in James's room. And I went and I met

0:24:22.040 --> 0:24:24.040
<v Speaker 1>this dude named James, and I was like, hey, well,

0:24:24.119 --> 0:24:25.800
<v Speaker 1>I'm a country singer and he was like I'm a

0:24:25.840 --> 0:24:28.359
<v Speaker 1>country drummer and I was like no, wall, oh my gosh.

0:24:28.359 --> 0:24:30.919
<v Speaker 1>And he still swears to this day. Did not say that,

0:24:30.960 --> 0:24:33.000
<v Speaker 1>but I swear he said he was a country drummer.

0:24:33.400 --> 0:24:35.040
<v Speaker 1>But we were talking one day and he was like, hey,

0:24:35.080 --> 0:24:37.040
<v Speaker 1>why are you singing for all these other people? Because

0:24:37.080 --> 0:24:39.200
<v Speaker 1>I was singing backgrounds and playing fiddle for a lot

0:24:39.200 --> 0:24:40.919
<v Speaker 1>of people. I was like, why don't you have your

0:24:40.920 --> 0:24:42.960
<v Speaker 1>own band? And I was like, I don't know, I

0:24:42.960 --> 0:24:45.520
<v Speaker 1>don't have my own band. So we started a band,

0:24:45.920 --> 0:24:49.000
<v Speaker 1>and you know, I had auditions and brought in all

0:24:49.000 --> 0:24:52.159
<v Speaker 1>these other players. And then I called my parents and

0:24:52.240 --> 0:24:54.720
<v Speaker 1>was like, hey, and this is weird. What do you

0:24:54.720 --> 0:24:57.719
<v Speaker 1>think about a band moving into the house during the summer?

0:24:58.040 --> 0:25:01.480
<v Speaker 1>And in my parents how in Columbia, Tennessee, And I'll

0:25:01.520 --> 0:25:04.879
<v Speaker 1>just book shows for us all summer. They're like, okay,

0:25:05.040 --> 0:25:07.080
<v Speaker 1>I cannot believe. They said, okay to that. How many

0:25:07.119 --> 0:25:09.479
<v Speaker 1>people have been to your parents house? The first summer

0:25:09.560 --> 0:25:11.880
<v Speaker 1>it was four guys, and the second summer was five

0:25:12.520 --> 0:25:15.560
<v Speaker 1>guys plus you guys plus me. So they were told

0:25:15.560 --> 0:25:16.960
<v Speaker 1>of eight people living in your house at one point.

0:25:17.080 --> 0:25:21.000
<v Speaker 1>Us cook and stuff. Yeah, Mama would cook all the time,

0:25:21.080 --> 0:25:24.719
<v Speaker 1>and and you know we need to like not to

0:25:24.800 --> 0:25:29.480
<v Speaker 1>expect that. But and I just like it's crazy. I

0:25:29.480 --> 0:25:31.359
<v Speaker 1>can't believe they let us do that. Your band is

0:25:31.440 --> 0:25:36.000
<v Speaker 1>Natalie stove All on the Drive. I always I think

0:25:36.040 --> 0:25:42.520
<v Speaker 1>it's like the other people didn't care, like how comments

0:25:42.600 --> 0:25:46.320
<v Speaker 1>it's not you know, the Drive or a bunch of

0:25:46.840 --> 0:25:49.720
<v Speaker 1>any name, but it was you then a side band.

0:25:50.119 --> 0:25:53.600
<v Speaker 1>Oh well, at first I really wanted it to just

0:25:53.640 --> 0:25:58.600
<v Speaker 1>be stove All. But there was another band in Atlanta

0:25:58.920 --> 0:26:01.480
<v Speaker 1>that is a bunch of duds that play on the

0:26:01.520 --> 0:26:03.680
<v Speaker 1>weekends and stuff, and their name is Stoveall. And now

0:26:03.760 --> 0:26:08.520
<v Speaker 1>with the way the world works, um, it's like you,

0:26:09.359 --> 0:26:13.800
<v Speaker 1>because of Facebook, you're established worldwide if you have a name,

0:26:14.200 --> 0:26:16.400
<v Speaker 1>you know, I mean, you know, before Facebook and stuff,

0:26:16.520 --> 0:26:18.240
<v Speaker 1>was there an issue like hey, why do we have

0:26:18.280 --> 0:26:19.760
<v Speaker 1>me to drive and you get your own name as

0:26:19.800 --> 0:26:22.320
<v Speaker 1>the head of the band. No, because with that, because

0:26:22.320 --> 0:26:25.080
<v Speaker 1>also when it was at Berkeley, it was Natalie Stovell

0:26:25.119 --> 0:26:27.680
<v Speaker 1>on Green Line South. It was a different name. Um,

0:26:27.720 --> 0:26:31.159
<v Speaker 1>but for years we toured under just Natalie stove All.

0:26:31.880 --> 0:26:36.040
<v Speaker 1>But after about well, i mean this November, William Miguel's

0:26:36.080 --> 0:26:39.720
<v Speaker 1>tenth year on the road with me and Joel's almost

0:26:39.760 --> 0:26:42.000
<v Speaker 1>a five years and so it's like after a while,

0:26:42.119 --> 0:26:44.800
<v Speaker 1>it was like, man, I don't I don't feel like

0:26:44.840 --> 0:26:47.639
<v Speaker 1>me without these guys, And so that was really a

0:26:47.680 --> 0:26:49.960
<v Speaker 1>call on my part to give the band a name

0:26:50.000 --> 0:26:53.160
<v Speaker 1>and recognize them more, elevate them more. As my band

0:26:56.680 --> 0:26:59.480
<v Speaker 1>were called Natalie Stival on the drive right right, And

0:26:59.520 --> 0:27:03.160
<v Speaker 1>when we from Natalie stove All to deciding to name

0:27:03.200 --> 0:27:04.800
<v Speaker 1>it as a band, that's when I was looking at

0:27:04.840 --> 0:27:08.959
<v Speaker 1>stove All and when that didn't pan out, you know,

0:27:09.080 --> 0:27:11.040
<v Speaker 1>we were searching for a name, and then we decided

0:27:11.119 --> 0:27:15.879
<v Speaker 1>to do the end. Yeah, here's a weird hard and

0:27:15.960 --> 0:27:18.120
<v Speaker 1>maybe a question that you take in a weird way.

0:27:18.320 --> 0:27:24.359
<v Speaker 1>Why do you think that you haven't popped yet? Because

0:27:24.520 --> 0:27:28.040
<v Speaker 1>I say that in the most complimentary way, because you

0:27:28.080 --> 0:27:31.919
<v Speaker 1>are one of the best singers in a city of

0:27:31.960 --> 0:27:35.800
<v Speaker 1>the best singers, and to watch you play the fiddle,

0:27:35.920 --> 0:27:39.320
<v Speaker 1>nobody does what you Nobody does what you do, and

0:27:39.920 --> 0:27:43.200
<v Speaker 1>it's just like, why why do you think you haven't

0:27:43.240 --> 0:27:47.000
<v Speaker 1>popped yet? I think part of it is that I

0:27:47.040 --> 0:27:50.480
<v Speaker 1>have kind of gone at it from a little backwards

0:27:50.480 --> 0:27:52.240
<v Speaker 1>way than a lot of people did, because I was

0:27:52.280 --> 0:27:57.000
<v Speaker 1>on the road for so long before I really started

0:27:57.040 --> 0:28:00.720
<v Speaker 1>to kind of take more time in Nashville and spend

0:28:00.720 --> 0:28:04.959
<v Speaker 1>more time writing and developing the music side. Because you know,

0:28:05.040 --> 0:28:07.560
<v Speaker 1>the typical Nashville route is it's like you move here,

0:28:07.640 --> 0:28:10.040
<v Speaker 1>you start writing, you start honing in on what your

0:28:10.080 --> 0:28:14.879
<v Speaker 1>sound is. And I really, I really just wanted to

0:28:14.880 --> 0:28:17.040
<v Speaker 1>be on the road. I wanted to do anything I

0:28:17.080 --> 0:28:20.240
<v Speaker 1>could to be working full time as a musician, and

0:28:20.280 --> 0:28:22.400
<v Speaker 1>I went that route instead of writing all the time.

0:28:22.400 --> 0:28:25.840
<v Speaker 1>And I would write as often as I could in town.

0:28:25.960 --> 0:28:30.280
<v Speaker 1>But you know, I don't I don't know. I think

0:28:30.560 --> 0:28:32.640
<v Speaker 1>you are one of the most talented people I've ever met.

0:28:32.880 --> 0:28:34.800
<v Speaker 1>Why do you think I haven't popped. I don't know

0:28:34.800 --> 0:28:36.399
<v Speaker 1>the answer to that, because I didn't know that that

0:28:36.440 --> 0:28:39.000
<v Speaker 1>you went road dogging way early instead of because people

0:28:39.000 --> 0:28:40.960
<v Speaker 1>that's what happens. People come to Nashville. They try to

0:28:41.040 --> 0:28:43.680
<v Speaker 1>establish an identity or a sound. They right right right

0:28:43.680 --> 0:28:46.280
<v Speaker 1>with as many people as possible they play. Then they

0:28:46.360 --> 0:28:49.160
<v Speaker 1>start to play a little bit locally and they try

0:28:49.200 --> 0:28:51.920
<v Speaker 1>to branch them. So I didn't know you went backward

0:28:52.040 --> 0:28:55.560
<v Speaker 1>like that. That makes a little sense. Um, yeah, because

0:28:55.560 --> 0:28:58.800
<v Speaker 1>I've done the college market for you know, since two

0:28:58.800 --> 0:29:01.680
<v Speaker 1>thousand and six, and we've I mean, we were doing

0:29:01.920 --> 0:29:04.520
<v Speaker 1>between two hundred and two fifty shows a year up

0:29:04.600 --> 0:29:10.200
<v Speaker 1>until last year. You're so so talented that I asked

0:29:10.280 --> 0:29:13.200
<v Speaker 1>Natalie and she plays on the road with the Raging Idiots.

0:29:13.200 --> 0:29:15.959
<v Speaker 1>Some it was just like, would you please play with us?

0:29:16.000 --> 0:29:19.240
<v Speaker 1>Because and I can ask frankly, I can ask anybody

0:29:20.560 --> 0:29:23.000
<v Speaker 1>musicians everywhere. And I was just like, hey, would you

0:29:23.040 --> 0:29:25.239
<v Speaker 1>please play with us? Because you're so good? And at

0:29:25.240 --> 0:29:28.360
<v Speaker 1>times I feel guilty because I felt like, man, I'm

0:29:28.360 --> 0:29:30.720
<v Speaker 1>holding you back because I mean also, I'm really good

0:29:30.800 --> 0:29:35.720
<v Speaker 1>and I'll overshadow you alive. So I felt bad there. Um,

0:29:36.600 --> 0:29:39.280
<v Speaker 1>what is you're You're raising the bar so that I

0:29:39.320 --> 0:29:41.840
<v Speaker 1>can hold my own stage, so that I can get

0:29:41.880 --> 0:29:44.200
<v Speaker 1>up to your level. You do get a deal, a

0:29:44.240 --> 0:29:46.320
<v Speaker 1>record deal? Okay, how long ago is that when you

0:29:46.360 --> 0:29:50.680
<v Speaker 1>get your first record deal? So three years ago roughly

0:29:50.720 --> 0:29:53.840
<v Speaker 1>you get a record deal? Um, and so what what's

0:29:53.840 --> 0:29:56.120
<v Speaker 1>the first song you start with? Like, first time, first

0:29:56.120 --> 0:29:58.160
<v Speaker 1>record deal, first single, you're excited? What song you put

0:29:58.200 --> 0:30:00.640
<v Speaker 1>out there? Baby? Come on with it, Baby, come on

0:30:00.720 --> 0:30:05.440
<v Speaker 1>with it, Come on with drink on that, I'll drink,

0:30:05.480 --> 0:30:14.560
<v Speaker 1>sing show me the outside down by the fis, come

0:30:14.600 --> 0:30:19.560
<v Speaker 1>in all song with it, I don't me and you

0:30:19.880 --> 0:30:26.320
<v Speaker 1>and dance do there wrong with? So what did this

0:30:26.400 --> 0:30:30.080
<v Speaker 1>song do? Uh? Did chart? Yeah? I got to thirty six,

0:30:30.160 --> 0:30:33.280
<v Speaker 1>He got a thirty six? Is this your biggest song? Yes,

0:30:33.640 --> 0:30:36.640
<v Speaker 1>it's my only song to radio that we actually shipped

0:30:36.680 --> 0:30:38.760
<v Speaker 1>to radio. So baby, come on when it comes out.

0:30:38.800 --> 0:30:40.760
<v Speaker 1>You hit thirty six, do you think, okay, this is it,

0:30:40.840 --> 0:30:45.520
<v Speaker 1>like we're about to hit big. Um, there's no. There

0:30:45.600 --> 0:30:49.080
<v Speaker 1>wasn't a lot of time to think too much. But

0:30:49.480 --> 0:30:53.120
<v Speaker 1>I felt like we were in We had positioned ourselves

0:30:53.160 --> 0:30:55.160
<v Speaker 1>really well. I felt, you know, because we we were

0:30:55.200 --> 0:30:59.400
<v Speaker 1>meeting every radio station in the country and just going

0:30:59.600 --> 0:31:02.360
<v Speaker 1>like crazy, going NonStop. I mean all the crazy stories

0:31:02.400 --> 0:31:05.480
<v Speaker 1>you hear about radio tours and Um, the way you

0:31:05.560 --> 0:31:07.360
<v Speaker 1>hit Shop did it was pretty cool because they would

0:31:07.400 --> 0:31:09.680
<v Speaker 1>book a show like a real show in a club,

0:31:09.760 --> 0:31:13.360
<v Speaker 1>and they were the record deal, Yeah, the record label,

0:31:13.560 --> 0:31:16.120
<v Speaker 1>so they would fly all these radio p ds and

0:31:16.160 --> 0:31:19.480
<v Speaker 1>all these people, all the representatives from the station's out

0:31:19.520 --> 0:31:22.200
<v Speaker 1>to see our live show instead of just going into

0:31:22.200 --> 0:31:25.280
<v Speaker 1>the conference room and just playing acoustic. And that was

0:31:25.440 --> 0:31:29.280
<v Speaker 1>really an amazing way to do it. Um, and I

0:31:29.520 --> 0:31:32.520
<v Speaker 1>felt like our second single. Once we recorded it and

0:31:32.560 --> 0:31:35.800
<v Speaker 1>started working on it, I felt like that was I

0:31:35.840 --> 0:31:38.520
<v Speaker 1>don't know, I just I was really excited to see

0:31:38.600 --> 0:31:58.440
<v Speaker 1>where it went. It was called Mason Jar got me

0:31:59.320 --> 0:32:04.160
<v Speaker 1>from them. So this is how you thought, Okay, this

0:32:04.200 --> 0:32:06.120
<v Speaker 1>could really be out for us. Yeah, well, I just

0:32:06.240 --> 0:32:08.479
<v Speaker 1>I felt like it was gonna I don't know. I

0:32:08.520 --> 0:32:11.080
<v Speaker 1>was really really excited about it, and it was. It

0:32:11.120 --> 0:32:14.600
<v Speaker 1>was really reacting well to crowds, which is always my gauge.

0:32:14.720 --> 0:32:16.520
<v Speaker 1>Like when we were playing on stage, if the crowd

0:32:16.560 --> 0:32:19.320
<v Speaker 1>gets into it when they don't know the song, then

0:32:19.440 --> 0:32:21.560
<v Speaker 1>it it feels really good and you feel like you're

0:32:21.560 --> 0:32:24.600
<v Speaker 1>on a good a good plan, a good route. I

0:32:24.640 --> 0:32:29.240
<v Speaker 1>guess um what happened the week before that got shipped

0:32:29.240 --> 0:32:31.960
<v Speaker 1>to radio the label clothes. The investor said, we don't

0:32:31.960 --> 0:32:34.200
<v Speaker 1>want to do this anymore, and so that was about

0:32:34.200 --> 0:32:36.360
<v Speaker 1>a year into signing the deal. So a couple of

0:32:36.400 --> 0:32:39.120
<v Speaker 1>years ago, you're on a label, you chart, you have

0:32:39.160 --> 0:32:40.840
<v Speaker 1>a second song you feel great about, and the level

0:32:40.880 --> 0:32:44.480
<v Speaker 1>goes at we're out. So then what do you do?

0:32:44.520 --> 0:32:47.680
<v Speaker 1>So then everything just kind of you know, all the

0:32:47.720 --> 0:32:51.160
<v Speaker 1>stuff that we had worked for really fell away in

0:32:51.240 --> 0:32:53.480
<v Speaker 1>a lot of ways. I mean, we were the good

0:32:53.480 --> 0:32:55.640
<v Speaker 1>thing about my band is it's like we're gonna play

0:32:55.840 --> 0:32:59.160
<v Speaker 1>and we're gonna tour the crap out of the country

0:32:59.800 --> 0:33:02.360
<v Speaker 1>no matter what. Happens. Deal, no deal, it doesn't matter.

0:33:02.400 --> 0:33:07.040
<v Speaker 1>I'm gonna make sure that we're touring. Um, But yeah,

0:33:07.120 --> 0:33:12.640
<v Speaker 1>it was. It's it's hard to have help both financially

0:33:12.680 --> 0:33:15.360
<v Speaker 1>and just support wise in the industry and then have

0:33:15.480 --> 0:33:18.560
<v Speaker 1>everything fall away because everything were breaking the band up.

0:33:19.600 --> 0:33:23.280
<v Speaker 1>No no, no no, and like it's cheaper to go

0:33:23.360 --> 0:33:29.520
<v Speaker 1>solo now on, I don't even think it is. Also,

0:33:29.640 --> 0:33:33.800
<v Speaker 1>my guys have put in so much time and work

0:33:33.880 --> 0:33:36.920
<v Speaker 1>and work done, done more jobs than they needed to

0:33:37.000 --> 0:33:39.080
<v Speaker 1>as far as like they work so hard for me.

0:33:39.200 --> 0:33:41.880
<v Speaker 1>Joel does merch during like after the shows for me,

0:33:41.920 --> 0:33:44.640
<v Speaker 1>and Miguel does the stage and James tour manages, and

0:33:45.040 --> 0:33:48.240
<v Speaker 1>we all take on about fifteen extra rolls to make

0:33:48.280 --> 0:33:53.560
<v Speaker 1>this thing work. And I mean, I think being by myself,

0:33:53.760 --> 0:33:56.240
<v Speaker 1>I wouldn't have it with my guys to share it with,

0:33:56.960 --> 0:34:01.000
<v Speaker 1>you know, And I don't know. It's it's a family

0:34:01.080 --> 0:34:03.720
<v Speaker 1>that we've worked really hard to build and it's really

0:34:03.720 --> 0:34:07.360
<v Speaker 1>fun to see these highs and lows together. It sucks

0:34:07.520 --> 0:34:11.560
<v Speaker 1>when it's a low, but we're we're experiencing it together,

0:34:11.760 --> 0:34:15.319
<v Speaker 1>you know. So now you're not on a label, um,

0:34:15.880 --> 0:34:17.719
<v Speaker 1>are you trying to be on the label? And are you,

0:34:17.840 --> 0:34:19.719
<v Speaker 1>it's like, are you on the meetings and they're just like, ah,

0:34:19.760 --> 0:34:23.440
<v Speaker 1>we just don't feel it right now. Um, yes, and no,

0:34:23.840 --> 0:34:28.000
<v Speaker 1>I'm I would love to have the right partnership again.

0:34:28.200 --> 0:34:31.520
<v Speaker 1>That'd be amazing, you know, and I'm constantly looking for it,

0:34:31.560 --> 0:34:34.279
<v Speaker 1>but I try very hard not to worry too much

0:34:34.280 --> 0:34:37.359
<v Speaker 1>about that. That's what management and all the other parts

0:34:37.360 --> 0:34:40.080
<v Speaker 1>of your team were for, I think, because it all

0:34:40.120 --> 0:34:42.120
<v Speaker 1>starts with the music, and it's all about the song.

0:34:42.760 --> 0:34:46.279
<v Speaker 1>And I'm just been writing a bunch and trying to

0:34:46.360 --> 0:34:51.279
<v Speaker 1>find the right next thing, you know. I mean, as

0:34:51.320 --> 0:34:54.600
<v Speaker 1>I'm writing and working, I've been meeting with different producers

0:34:54.600 --> 0:34:57.440
<v Speaker 1>and talking to people, and that's another relationship that's really

0:34:58.200 --> 0:35:01.680
<v Speaker 1>integral to your your sale. And what happens next is

0:35:02.120 --> 0:35:05.040
<v Speaker 1>recording the right music and the right sound and kind

0:35:05.040 --> 0:35:08.200
<v Speaker 1>of taking everything I've learned from the last few years

0:35:08.200 --> 0:35:11.239
<v Speaker 1>and what worked and what didn't, what I'm good at,

0:35:11.480 --> 0:35:15.160
<v Speaker 1>you know, what do I do that other artists don't do?

0:35:15.400 --> 0:35:17.279
<v Speaker 1>Or you know, what is the one thing that I'm

0:35:17.320 --> 0:35:21.239
<v Speaker 1>better at? You know, because I think we all have that. You. Um,

0:35:21.480 --> 0:35:24.720
<v Speaker 1>you label folds and you decided to crowd fund a record.

0:35:25.080 --> 0:35:27.279
<v Speaker 1>How were you doing this? And like, if you give

0:35:27.280 --> 0:35:28.759
<v Speaker 1>me a dollar, I'll come to your house and give them.

0:35:28.760 --> 0:35:33.040
<v Speaker 1>The songs were stuff And so is that where the

0:35:33.040 --> 0:35:35.320
<v Speaker 1>EP that you guys have about now came from. Yeah,

0:35:35.760 --> 0:35:40.480
<v Speaker 1>that was you know, when the label folded all the music.

0:35:41.200 --> 0:35:44.520
<v Speaker 1>I mean they owned all the music, and um, well

0:35:44.560 --> 0:35:48.160
<v Speaker 1>they that was. It took a while, but they were

0:35:48.160 --> 0:35:50.560
<v Speaker 1>great about it. Once I called. I personally called the

0:35:50.719 --> 0:35:52.480
<v Speaker 1>one of the investors and talked to him because they

0:35:52.520 --> 0:35:55.040
<v Speaker 1>took it offline. So we kind of lost all the

0:35:55.120 --> 0:35:56.800
<v Speaker 1>all the reviews and all the fun things, and it

0:35:56.800 --> 0:35:58.799
<v Speaker 1>looked like we didn't have anything out, you know, it

0:35:58.800 --> 0:36:03.040
<v Speaker 1>looked like we were just some them band music. Probably

0:36:03.480 --> 0:36:05.560
<v Speaker 1>we had had a couple of records out before this

0:36:05.640 --> 0:36:08.719
<v Speaker 1>stuff that we took down at the request of the

0:36:08.800 --> 0:36:10.840
<v Speaker 1>label because they wanted to put up all new stuff.

0:36:10.880 --> 0:36:12.439
<v Speaker 1>But then, I'm not going to go back and put

0:36:12.520 --> 0:36:15.319
<v Speaker 1>up stuff I released in two thousand and eight, you know,

0:36:15.440 --> 0:36:19.360
<v Speaker 1>in two thousand and ten or eleven, I guess, but

0:36:19.480 --> 0:36:21.319
<v Speaker 1>I'm not gonna put up older stuff. And when I

0:36:21.360 --> 0:36:23.360
<v Speaker 1>don't even have newer stuff to put up. So the

0:36:23.440 --> 0:36:25.919
<v Speaker 1>name of the EP now is called Heartbreak. Okay. Here

0:36:26.160 --> 0:36:34.640
<v Speaker 1>is the song which is called heartbreak, they'll take away

0:36:47.360 --> 0:36:51.920
<v Speaker 1>little and this was paid for all by fans for

0:36:51.960 --> 0:36:55.560
<v Speaker 1>the most part. Yeah, that's that's cool. It was amazing.

0:36:55.840 --> 0:36:59.520
<v Speaker 1>It also shows the age were in. Yeah that you know,

0:36:59.560 --> 0:37:02.919
<v Speaker 1>if people a passionate enough. And I remember, I mean listen,

0:37:02.960 --> 0:37:04.719
<v Speaker 1>I put ten grand down myself. You didn't know, but

0:37:04.760 --> 0:37:10.240
<v Speaker 1>I did. You're welcome. I didn't not really didn't get

0:37:10.239 --> 0:37:12.719
<v Speaker 1>No one put in den Graham, not one single person.

0:37:13.400 --> 0:37:17.120
<v Speaker 1>I give it to Stove all why did you give

0:37:17.120 --> 0:37:21.560
<v Speaker 1>it too? So you have the EP out there and

0:37:21.600 --> 0:37:25.239
<v Speaker 1>so you're on the road supporting that. But is that

0:37:25.360 --> 0:37:27.320
<v Speaker 1>something that like, you guys are gonna take that and

0:37:27.640 --> 0:37:29.359
<v Speaker 1>make that into a bigger record or you just kind

0:37:29.360 --> 0:37:33.240
<v Speaker 1>of starting from scratch now. I feel like I'm starting

0:37:33.239 --> 0:37:36.120
<v Speaker 1>from scratch now. I mean at first I was, I'm

0:37:36.160 --> 0:37:39.760
<v Speaker 1>open to all options. But this EP was really cool

0:37:39.840 --> 0:37:43.880
<v Speaker 1>because we got the chance to experiment a lot. We

0:37:43.920 --> 0:37:47.480
<v Speaker 1>worked almost every song with a different producer, and I

0:37:47.520 --> 0:37:51.759
<v Speaker 1>was writing thematically. Most of the songs are kind of

0:37:51.800 --> 0:37:55.319
<v Speaker 1>about you know, the the label falling apart or just

0:37:55.440 --> 0:37:57.200
<v Speaker 1>you know, just hanging in and not giving up on

0:37:57.239 --> 0:38:01.440
<v Speaker 1>what you believe in. Um. But but musically I was

0:38:01.480 --> 0:38:04.040
<v Speaker 1>trying a lot of different things and seeing what worked

0:38:04.040 --> 0:38:08.279
<v Speaker 1>and what didn't end. So that EP was really fun

0:38:08.360 --> 0:38:10.759
<v Speaker 1>for us and kind of a great experiment. And so

0:38:10.800 --> 0:38:14.200
<v Speaker 1>I'm trying to take what I learned from that and

0:38:14.560 --> 0:38:18.520
<v Speaker 1>turn that into the next thing. You still downloaded now too.

0:38:18.560 --> 0:38:26.600
<v Speaker 1>By the way, it's a heartbreak here. You're married to

0:38:26.640 --> 0:38:30.040
<v Speaker 1>your drummer. That's a lot of time together. It is

0:38:30.880 --> 0:38:32.759
<v Speaker 1>a lot of time. The reality of it. It's a

0:38:32.840 --> 0:38:36.719
<v Speaker 1>lot of time together. And they say, you know, distance

0:38:37.440 --> 0:38:43.040
<v Speaker 1>makes the heart grow fonder. That's not the case with you, guys. No,

0:38:43.360 --> 0:38:46.000
<v Speaker 1>it's not. I mean it is, and we do when

0:38:46.080 --> 0:38:49.600
<v Speaker 1>we are a part which isn't very often, but it's

0:38:50.239 --> 0:38:52.600
<v Speaker 1>I don't think it would work for everybody. I think

0:38:52.880 --> 0:38:56.759
<v Speaker 1>because we were had such a musical partnership that was

0:38:56.920 --> 0:38:59.400
<v Speaker 1>not at all romantic for a few years before it

0:38:59.520 --> 0:39:02.120
<v Speaker 1>turned into something romantic. I think that was a big

0:39:02.200 --> 0:39:06.480
<v Speaker 1>advantage for us. And uh, you know, we worked really

0:39:06.560 --> 0:39:09.560
<v Speaker 1>hard to to make it. We don't ever want people

0:39:09.560 --> 0:39:12.160
<v Speaker 1>to feel like they're out with the married couple, you know,

0:39:12.400 --> 0:39:16.440
<v Speaker 1>So even when we're on the road, it's we're we're working.

0:39:16.640 --> 0:39:21.680
<v Speaker 1>We're not loved whenever. Um. Because by the way, Natalie

0:39:21.719 --> 0:39:23.719
<v Speaker 1>comes out, and we're lucky enough that she should played

0:39:23.760 --> 0:39:27.440
<v Speaker 1>the Raging Idiot shows. She'll she's done some shows. You know.

0:39:28.160 --> 0:39:30.239
<v Speaker 1>It's like a cycle, and I'm lucky you have great

0:39:30.320 --> 0:39:32.640
<v Speaker 1>artists come in and Natalie comes and sings the brains

0:39:32.680 --> 0:39:34.879
<v Speaker 1>out and plays a fiddle and has really been as

0:39:34.920 --> 0:39:38.839
<v Speaker 1>part of the growth of our stupid band. Um, it's fun.

0:39:40.520 --> 0:39:42.719
<v Speaker 1>It's been what you've actually been a part of the

0:39:42.840 --> 0:39:46.440
<v Speaker 1>growth of what is just a it's a nutty thing, right,

0:39:46.560 --> 0:39:49.040
<v Speaker 1>it's crazy, like it's crazy. The Raging Idiot thing is crazy.

0:39:49.200 --> 0:39:51.800
<v Speaker 1>It's crazy. It's so fun and until you see it,

0:39:52.440 --> 0:39:58.360
<v Speaker 1>you just don't understand it because I can't think, and

0:39:58.520 --> 0:40:01.480
<v Speaker 1>I've gotten better, but it can't sing. But it is

0:40:01.640 --> 0:40:04.440
<v Speaker 1>a very entertaining show. And people that will scream for

0:40:04.560 --> 0:40:07.200
<v Speaker 1>us to go, and we'll go down and get undressed.

0:40:07.200 --> 0:40:11.400
<v Speaker 1>I never expected people are just like God. So for

0:40:11.560 --> 0:40:14.239
<v Speaker 1>what you do, I always feel guilty because we go

0:40:14.360 --> 0:40:18.320
<v Speaker 1>out and we've had this talk off just to ourselves

0:40:19.320 --> 0:40:22.200
<v Speaker 1>to where we shouldn't have these crowds come to these shows.

0:40:22.239 --> 0:40:24.279
<v Speaker 1>We shouldn't be having two thousand people show up at

0:40:24.280 --> 0:40:28.040
<v Speaker 1>a theater and sell out and go nuts. And here

0:40:28.160 --> 0:40:30.359
<v Speaker 1>you are that one of the most talented people I've

0:40:30.360 --> 0:40:35.920
<v Speaker 1>ever met, and you're like my side Federal player. I

0:40:36.160 --> 0:40:38.520
<v Speaker 1>disagree that that you shouldn't and I disagree that you

0:40:38.600 --> 0:40:40.880
<v Speaker 1>can't sing to you because you can sing and what

0:40:41.080 --> 0:40:44.400
<v Speaker 1>you do is so accessible and the show is so

0:40:44.640 --> 0:40:47.680
<v Speaker 1>fun and people just want to be there and have

0:40:47.800 --> 0:40:49.920
<v Speaker 1>a good time, and you provide that for him, and

0:40:50.880 --> 0:40:54.560
<v Speaker 1>you know, for the thing is I mean, I'm I

0:40:54.680 --> 0:40:58.440
<v Speaker 1>don't know why it hasn't happened for us yet. I

0:40:59.520 --> 0:41:01.680
<v Speaker 1>guess what I'm what have I taught you as an artist?

0:41:02.400 --> 0:41:04.719
<v Speaker 1>What have I taught you as an artist? What do

0:41:04.800 --> 0:41:14.080
<v Speaker 1>you mean? Oh, you're genuinely asking, No, you need I'm

0:41:14.120 --> 0:41:16.200
<v Speaker 1>not gonna let you be facetious at that, though, because

0:41:17.000 --> 0:41:20.720
<v Speaker 1>I have learned so much from you by being okay

0:41:20.800 --> 0:41:24.160
<v Speaker 1>with being on my toes and being okay with whatever

0:41:24.280 --> 0:41:28.040
<v Speaker 1>happens roll with it, because I'm I'm much more. I

0:41:28.200 --> 0:41:30.160
<v Speaker 1>like for things to be rehearsed, and I like for

0:41:30.480 --> 0:41:32.960
<v Speaker 1>to know what we're gonna do. And there are times

0:41:33.000 --> 0:41:36.160
<v Speaker 1>in my show where it does go somewhere, or there's

0:41:36.200 --> 0:41:39.320
<v Speaker 1>a solo or some kind of instrumental or something that happens.

0:41:39.400 --> 0:41:42.000
<v Speaker 1>It's off the cuff, but that's a lot less often

0:41:42.080 --> 0:41:44.239
<v Speaker 1>than a raging idiot show, because you will look at

0:41:44.320 --> 0:41:46.239
<v Speaker 1>us at times and say, hey, hey, do you know

0:41:46.360 --> 0:41:47.799
<v Speaker 1>this song? And I'll be like, well, I mean i've

0:41:47.880 --> 0:41:49.920
<v Speaker 1>I've heard it, I've heard it before, and you're like,

0:41:49.960 --> 0:41:53.960
<v Speaker 1>play it thousands of Oh yeah, no, we need a

0:41:54.000 --> 0:41:58.200
<v Speaker 1>thong song we practice five minutes hilarious. Um, I was

0:41:58.280 --> 0:42:02.360
<v Speaker 1>kidding with that, but um. But I have learned so

0:42:02.440 --> 0:42:04.560
<v Speaker 1>much from that, and I think that's part of being

0:42:04.640 --> 0:42:06.320
<v Speaker 1>on the road too. And it's been good for me

0:42:06.440 --> 0:42:10.040
<v Speaker 1>to do different tours and play with different people, because

0:42:10.080 --> 0:42:12.239
<v Speaker 1>you do you learn something from everybody you're out with.

0:42:12.520 --> 0:42:14.560
<v Speaker 1>Who do you you're out there now doing a lot

0:42:14.560 --> 0:42:15.960
<v Speaker 1>of stuff. Who do you see out there now that

0:42:16.000 --> 0:42:19.360
<v Speaker 1>you're like, man, that's special and it doesn't you know,

0:42:19.400 --> 0:42:21.080
<v Speaker 1>the major artists are out there. We know they're special

0:42:21.080 --> 0:42:23.480
<v Speaker 1>because they've broken through there. But who who's out there

0:42:23.520 --> 0:42:25.879
<v Speaker 1>now that you're like, that's special and it's ready. It's

0:42:25.880 --> 0:42:28.880
<v Speaker 1>also ready to pop. You're just kind of watching for it.

0:42:29.239 --> 0:42:33.440
<v Speaker 1>Oh well, I mean, I'm I mean my friends. Of course,

0:42:33.560 --> 0:42:35.400
<v Speaker 1>I'm part of the reason I'm friends with some of

0:42:35.920 --> 0:42:38.480
<v Speaker 1>the people. And I don't know, there's God there's so

0:42:38.560 --> 0:42:42.040
<v Speaker 1>many in Nashville. Um, you know, Ruthie Collins is one

0:42:42.080 --> 0:42:44.200
<v Speaker 1>of my best friends, and I just I think she's

0:42:44.200 --> 0:42:46.399
<v Speaker 1>one of the best writers in Nashville. I just think

0:42:48.960 --> 0:42:51.080
<v Speaker 1>I think I don't understand why she hasn't because I

0:42:51.160 --> 0:42:55.320
<v Speaker 1>think what she does as an artist is incredible, unique,

0:42:55.719 --> 0:42:59.440
<v Speaker 1>very specific style that is so cool. Well, and she's

0:42:59.560 --> 0:43:01.560
<v Speaker 1>you know, and he's on Curb and they're they're working

0:43:01.640 --> 0:43:05.480
<v Speaker 1>on putting some stuff out, so hopefully you'll hear stuff saying, Um,

0:43:05.880 --> 0:43:07.920
<v Speaker 1>I think Kelly Bannon is amazing, you know. I mean,

0:43:08.000 --> 0:43:09.839
<v Speaker 1>we're the three of us are doing the Three Girls

0:43:09.920 --> 0:43:12.080
<v Speaker 1>Rocking to a Our tour and it's been so that's

0:43:12.080 --> 0:43:15.000
<v Speaker 1>another one I'm learning so much from because I watch

0:43:15.080 --> 0:43:17.719
<v Speaker 1>what these girls do and and the struggles that they

0:43:17.800 --> 0:43:20.880
<v Speaker 1>have as artists and and trying to make what they

0:43:20.960 --> 0:43:24.640
<v Speaker 1>do make sense all together. And it's it's kind of

0:43:25.440 --> 0:43:29.200
<v Speaker 1>it's crazy to me the talent in this town and

0:43:29.920 --> 0:43:32.440
<v Speaker 1>the people that are so good and that just haven't

0:43:32.920 --> 0:43:35.800
<v Speaker 1>gotten there yet. But it's fun to see people like

0:43:36.400 --> 0:43:39.359
<v Speaker 1>Lucy Silva's really starting to pop right now. I mean,

0:43:39.800 --> 0:43:41.719
<v Speaker 1>you know, people are really She's getting on some of

0:43:41.719 --> 0:43:44.800
<v Speaker 1>the bigger festivals and the stuff with her music and

0:43:44.880 --> 0:43:48.560
<v Speaker 1>Caitlin Smith and you know, and even Maren, Like, god,

0:43:48.680 --> 0:43:50.799
<v Speaker 1>I'm so glad her stuff is coming through right now.

0:43:51.040 --> 0:43:57.080
<v Speaker 1>It's awesome. You mentioned a lot of women. Everyone you

0:43:57.160 --> 0:43:59.719
<v Speaker 1>just mentioned was a woman that wasn't on purpose. But

0:44:00.760 --> 0:44:04.760
<v Speaker 1>I think the women though, have been making some incredible music.

0:44:04.840 --> 0:44:06.480
<v Speaker 1>And not to take away from the men, because the

0:44:06.520 --> 0:44:11.400
<v Speaker 1>men have been too, but um, that's part of what happens,

0:44:11.480 --> 0:44:13.759
<v Speaker 1>is a backlash when you're you know, it's like then

0:44:13.800 --> 0:44:15.879
<v Speaker 1>you have to step up your game. You know, it's

0:44:15.920 --> 0:44:18.320
<v Speaker 1>like the women aren't getting played as often on radio.

0:44:18.560 --> 0:44:21.000
<v Speaker 1>But some of the women have been putting out some

0:44:21.120 --> 0:44:28.320
<v Speaker 1>of the most stellar records. You know. Maren is awesome

0:44:28.360 --> 0:44:32.320
<v Speaker 1>because I don't think she cares, you know, and knowing

0:44:32.480 --> 0:44:36.280
<v Speaker 1>Maren and I've gotten the I've gotten to know Maren.

0:44:37.960 --> 0:44:40.960
<v Speaker 1>It's special when someone is just like this is me

0:44:41.520 --> 0:44:43.800
<v Speaker 1>and if it works, it works, and if it doesn't,

0:44:44.080 --> 0:44:48.680
<v Speaker 1>if it and that's part of her appeal. Yeah, it

0:44:48.800 --> 0:44:50.880
<v Speaker 1>really is. I think that's such a blessing to have

0:44:51.000 --> 0:44:54.520
<v Speaker 1>that attitude too, because you know, I want it so

0:44:54.800 --> 0:44:58.840
<v Speaker 1>bad and I'm I get a little too crazy about

0:44:58.920 --> 0:45:00.919
<v Speaker 1>like trying to find the p afect thing and trying

0:45:00.960 --> 0:45:02.920
<v Speaker 1>to find the perfect sound and do the thing, and

0:45:03.440 --> 0:45:06.719
<v Speaker 1>to have the luxury to to I don't know whether

0:45:06.800 --> 0:45:08.760
<v Speaker 1>she did or not, but I'm just saying for myself

0:45:08.840 --> 0:45:10.720
<v Speaker 1>to have the luxury to just sit back and write

0:45:10.760 --> 0:45:13.280
<v Speaker 1>a whole bunch, just get in the room with people

0:45:13.360 --> 0:45:16.200
<v Speaker 1>and find your people. And you know, I've always kind

0:45:16.239 --> 0:45:18.440
<v Speaker 1>of balanced that when you're I mean that was when

0:45:18.480 --> 0:45:20.520
<v Speaker 1>year we were only home sixty days out of the

0:45:20.560 --> 0:45:24.120
<v Speaker 1>whole year, you know, and talking about Lucy to Lucy,

0:45:24.160 --> 0:45:27.160
<v Speaker 1>Sylvia's one of my favorites. Like, I mean, I've had

0:45:27.160 --> 0:45:30.680
<v Speaker 1>her on the show two or three times I've she played.

0:45:30.760 --> 0:45:32.319
<v Speaker 1>She'll come out and if there's any time I can

0:45:32.320 --> 0:45:33.680
<v Speaker 1>put her on any show, I put her off. She's

0:45:33.719 --> 0:45:35.920
<v Speaker 1>open for She's played the women of country with this,

0:45:36.080 --> 0:45:38.879
<v Speaker 1>Like it's just it's it's exciting for me to see

0:45:39.440 --> 0:45:42.160
<v Speaker 1>because you're starting to see that little shift and not

0:45:42.280 --> 0:45:43.839
<v Speaker 1>every year you see it a little more and more.

0:45:43.880 --> 0:45:45.799
<v Speaker 1>And and I get interviewed about it a lot because

0:45:45.800 --> 0:45:48.600
<v Speaker 1>I've been really one of the guys. There are a

0:45:48.640 --> 0:45:50.880
<v Speaker 1>couple of us in the industry that really are like

0:45:51.360 --> 0:45:55.680
<v Speaker 1>fighting for the females um and so it's cool to

0:45:55.760 --> 0:45:59.080
<v Speaker 1>see it start to shift a bit and then shifting.

0:45:59.280 --> 0:46:04.600
<v Speaker 1>It's shifting all uh Lucy and yourself and even like

0:46:04.800 --> 0:46:10.080
<v Speaker 1>Lindsay and Lindsay good Lord, Lindsay. Lindsay is by the way,

0:46:10.200 --> 0:46:13.799
<v Speaker 1>Lindsay l is on such a different level as an

0:46:13.920 --> 0:46:19.080
<v Speaker 1>artist and just her playing as a She's just someone

0:46:19.120 --> 0:46:22.200
<v Speaker 1>who like like you to something. No one else can

0:46:22.239 --> 0:46:23.880
<v Speaker 1>do what she does. No one else can do what

0:46:23.960 --> 0:46:26.120
<v Speaker 1>you do, and it will be interesting for you guys

0:46:26.160 --> 0:46:29.120
<v Speaker 1>to find your voices. Yeah, and that's what I think

0:46:29.200 --> 0:46:31.919
<v Speaker 1>you got a searching for right now, Like what's your voice? Yeah?

0:46:32.040 --> 0:46:35.840
<v Speaker 1>Like what what is the sound of of Lindsay l?

0:46:35.920 --> 0:46:37.480
<v Speaker 1>And what is the sound of Natalie Stove? All in

0:46:37.520 --> 0:46:41.520
<v Speaker 1>the drive? You know, because I mean I I always

0:46:41.600 --> 0:46:43.560
<v Speaker 1>feel like I feel it when I'm on stage and

0:46:43.640 --> 0:46:48.520
<v Speaker 1>then putting that into the perfect song, you know, is

0:46:49.600 --> 0:46:52.920
<v Speaker 1>much easier said than done. Mike, any questions over there

0:46:52.920 --> 0:46:55.040
<v Speaker 1>they'd like to ask in the corner Mike destro there,

0:46:55.040 --> 0:46:58.160
<v Speaker 1>go ahead, So when did you start writing songs? And

0:46:58.200 --> 0:47:00.320
<v Speaker 1>how old were you? Because you started playing what was

0:47:00.400 --> 0:47:02.879
<v Speaker 1>like the first song you wrote about? I started when

0:47:02.880 --> 0:47:06.000
<v Speaker 1>I was eleven, but I wouldn't shown anybody but I

0:47:06.080 --> 0:47:11.319
<v Speaker 1>have like probably a boy. I don't remember the first

0:47:11.320 --> 0:47:13.560
<v Speaker 1>thing I wrote about. I think I have the journal

0:47:13.640 --> 0:47:17.600
<v Speaker 1>somewhere in my room at my parents. Also, it's hilarious. Oh,

0:47:17.760 --> 0:47:20.840
<v Speaker 1>what's something your hometown is known for. We are the

0:47:21.280 --> 0:47:27.759
<v Speaker 1>mule capital of the world. The um Yeah, well back

0:47:27.800 --> 0:47:29.520
<v Speaker 1>in the day when that was a lot more important,

0:47:29.640 --> 0:47:31.719
<v Speaker 1>we were the mule trading capital of the world. And

0:47:31.800 --> 0:47:35.319
<v Speaker 1>I don't It's just we have Mule Day every year.

0:47:35.360 --> 0:47:37.120
<v Speaker 1>We have a big parade with all the mules and

0:47:37.560 --> 0:47:41.960
<v Speaker 1>they do mule races and it's awesome. Mule Day is

0:47:42.000 --> 0:47:44.680
<v Speaker 1>so fun. And then what's your favorite move on stage?

0:47:45.800 --> 0:47:48.520
<v Speaker 1>My favorite move on stage? I know the answer to that.

0:47:49.080 --> 0:47:52.120
<v Speaker 1>I know Natalie's signature move. It's where she plays the

0:47:52.120 --> 0:47:53.759
<v Speaker 1>fiddle on back, bends all the way down and the

0:47:53.840 --> 0:47:55.759
<v Speaker 1>crowd goes nice. She plays the fiddle and then she

0:47:55.840 --> 0:47:58.960
<v Speaker 1>bends all the way backward to our heads almost touching

0:47:59.000 --> 0:48:03.879
<v Speaker 1>the ground, actually plays and the like every every time,

0:48:04.360 --> 0:48:10.480
<v Speaker 1>like I every time. The weird thing is like Natalie

0:48:10.600 --> 0:48:14.440
<v Speaker 1>is a dancer. Like Natalie has soul, and so like I,

0:48:14.719 --> 0:48:19.560
<v Speaker 1>I like soul. I'm comfortable with soul, and so when

0:48:19.640 --> 0:48:22.160
<v Speaker 1>Natalie and I are together on stage. I like to dance,

0:48:22.239 --> 0:48:25.080
<v Speaker 1>and we dance a lot together, and I love dancing

0:48:25.360 --> 0:48:27.839
<v Speaker 1>and I love dancing. However, when now his husband's playing

0:48:27.960 --> 0:48:31.480
<v Speaker 1>drum behind us, no no, no, no, no no no,

0:48:32.320 --> 0:48:37.080
<v Speaker 1>I can do it. There was a dancing I talked

0:48:37.120 --> 0:48:40.360
<v Speaker 1>about it forever to it. So I'm not going to

0:48:40.480 --> 0:48:43.440
<v Speaker 1>dance if I'm not dancing like well, dance, you know,

0:48:43.640 --> 0:48:45.200
<v Speaker 1>it's a show. To me, it's a show like we're

0:48:45.239 --> 0:48:47.560
<v Speaker 1>there to entertain the crowd, and it's when when we

0:48:47.600 --> 0:48:50.840
<v Speaker 1>play the REGI idiots. I do not have lead singer disease.

0:48:50.880 --> 0:48:52.400
<v Speaker 1>There's a thing called lead singer disease. But the lead

0:48:52.400 --> 0:48:53.600
<v Speaker 1>singer has got to be the star all the time.

0:48:54.160 --> 0:48:55.759
<v Speaker 1>I have the opposite of that. I want the best,

0:48:55.960 --> 0:48:59.000
<v Speaker 1>the most fun thing happening, if it's Natalie singing, or

0:48:59.040 --> 0:49:01.400
<v Speaker 1>if it's a mom odd or if it's Eddie, like

0:49:01.480 --> 0:49:03.719
<v Speaker 1>I just wanted to come from all directions. And part

0:49:03.760 --> 0:49:06.279
<v Speaker 1>of it is like we get down, Natalie has play

0:49:06.280 --> 0:49:08.840
<v Speaker 1>the drums, we got up. I was out, like I was.

0:49:09.160 --> 0:49:12.000
<v Speaker 1>I was blinding my Eddie, like I had Eddie bent

0:49:12.120 --> 0:49:14.719
<v Speaker 1>over because I was her husband played them was loud

0:49:14.800 --> 0:49:16.799
<v Speaker 1>and he's big, and I was like just today having

0:49:16.840 --> 0:49:19.000
<v Speaker 1>it and I'm not doing it. I even went up

0:49:19.000 --> 0:49:20.799
<v Speaker 1>to you at one point and you wouldn't even look

0:49:21.320 --> 0:49:24.759
<v Speaker 1>like I was trying to You got a six or

0:49:24.800 --> 0:49:26.560
<v Speaker 1>four husband behind me, went playing the drums, and I

0:49:26.600 --> 0:49:28.400
<v Speaker 1>got nothing to do with you right now. That is

0:49:28.520 --> 0:49:34.240
<v Speaker 1>so funny. But he doesn't care. No, he does not care. No, okay,

0:49:34.320 --> 0:49:37.440
<v Speaker 1>I just want to make sure, alright. So Natalie Stoball

0:49:37.680 --> 0:49:40.400
<v Speaker 1>and the Drive. I put them as one of the

0:49:40.480 --> 0:49:42.440
<v Speaker 1>ten acts that you have to see live if they're around.

0:49:42.680 --> 0:49:45.279
<v Speaker 1>So if they if Natalie comes out, you have to

0:49:45.320 --> 0:49:47.520
<v Speaker 1>see her. I mean, just fantastic live even if you

0:49:47.560 --> 0:49:50.279
<v Speaker 1>come and see it with the Raging Idiots. Um. And

0:49:50.360 --> 0:49:53.759
<v Speaker 1>it's been cool to like you played the rhyme and

0:49:53.800 --> 0:49:55.759
<v Speaker 1>with this last year with a million dollars show. Yeah,

0:49:55.840 --> 0:49:57.719
<v Speaker 1>that was my first show with you. Was that the

0:49:57.719 --> 0:50:00.759
<v Speaker 1>first show that it was cool for me because that

0:50:00.840 --> 0:50:03.080
<v Speaker 1>was a big show because like it was Natalie and

0:50:04.239 --> 0:50:07.480
<v Speaker 1>like it was carry and all these dirks and everybody

0:50:07.560 --> 0:50:12.520
<v Speaker 1>was playing and so. And then we played I Heart

0:50:12.600 --> 0:50:14.719
<v Speaker 1>Radio Music Festival and we just played acoustic, but we

0:50:14.800 --> 0:50:16.719
<v Speaker 1>went out in the Irwin Center and arena and it

0:50:16.880 --> 0:50:19.440
<v Speaker 1>was me, Eddie and Natalie it was crazy and we

0:50:19.640 --> 0:50:22.480
<v Speaker 1>played so you know, it was so many people in

0:50:22.520 --> 0:50:24.680
<v Speaker 1>an arena and that was gonna play the operaty with

0:50:24.680 --> 0:50:26.480
<v Speaker 1>this on Tuesday, depending on when you hear this. So

0:50:26.680 --> 0:50:28.040
<v Speaker 1>Eddie and I are playing and I was like, Nady,

0:50:28.040 --> 0:50:30.080
<v Speaker 1>we could please come and play with us. And so

0:50:30.880 --> 0:50:31.960
<v Speaker 1>I know I take up a lot of your time.

0:50:32.040 --> 0:50:35.720
<v Speaker 1>Did your band get mad? No, no, they're so happy

0:50:35.840 --> 0:50:38.479
<v Speaker 1>for me, because I want to get annoyed. I think

0:50:39.040 --> 0:50:40.600
<v Speaker 1>if you're an interview it. Some one was like, hey,

0:50:40.640 --> 0:50:41.839
<v Speaker 1>so tell me about when you played with the rate.

0:50:41.840 --> 0:50:43.520
<v Speaker 1>I would. I Sometimes i'll see a clip and I'll

0:50:43.520 --> 0:50:45.160
<v Speaker 1>be like, oh cringe, and I'll text you me like

0:50:45.200 --> 0:50:49.439
<v Speaker 1>I'm stuff. Sorry, No, it's it, really, I promised, though.

0:50:49.480 --> 0:50:52.959
<v Speaker 1>I mean they know that that it's it's all good

0:50:53.160 --> 0:50:55.160
<v Speaker 1>for all of us. My only goal is to get

0:50:55.239 --> 0:50:57.000
<v Speaker 1>more people to see your name in your face, and

0:50:57.880 --> 0:51:01.360
<v Speaker 1>that's it. You're just so good. And I remember talking

0:51:03.160 --> 0:51:04.400
<v Speaker 1>two weeks ago and I was like, I know you're

0:51:04.400 --> 0:51:07.080
<v Speaker 1>gonna leave soon, but just thank you for playing with us,

0:51:07.120 --> 0:51:10.680
<v Speaker 1>because you've just been an incredible run. And um, I

0:51:10.800 --> 0:51:13.800
<v Speaker 1>hope people kind of start to see that now. And no,

0:51:14.239 --> 0:51:17.440
<v Speaker 1>thank you. I mean it's it's it's been. It is

0:51:17.560 --> 0:51:20.880
<v Speaker 1>so much fun and it still is. And I I've

0:51:20.960 --> 0:51:23.000
<v Speaker 1>had a ball being on the road with you, and

0:51:23.080 --> 0:51:25.759
<v Speaker 1>I'm so thankful you asked me to. And you know,

0:51:25.840 --> 0:51:27.880
<v Speaker 1>the guys they know how much fun I'm having and

0:51:27.960 --> 0:51:32.160
<v Speaker 1>they talking about it because you have so much fun. No,

0:51:33.200 --> 0:51:36.520
<v Speaker 1>they always ask, they always ask how it was, you know,

0:51:36.680 --> 0:51:39.759
<v Speaker 1>every week, how the last weekend was? And I don't

0:51:39.760 --> 0:51:44.080
<v Speaker 1>know talking about everything. No, it's not all right. I

0:51:44.239 --> 0:51:46.320
<v Speaker 1>just get scared they're gonna jump me in an alley.

0:51:47.160 --> 0:51:51.719
<v Speaker 1>They love you, all right. Natalie Soball how you can

0:51:51.800 --> 0:51:56.560
<v Speaker 1>follower on Twitter, Instagram It's at Natalie Soball. Yes, Natalie

0:51:56.560 --> 0:51:58.840
<v Speaker 1>Stowball on the Drive. They're all over the place and

0:51:59.040 --> 0:52:01.120
<v Speaker 1>she's with us some but she's really out, you know,

0:52:01.239 --> 0:52:03.080
<v Speaker 1>doing her thing. Can't wait to hear a record. I

0:52:03.120 --> 0:52:05.719
<v Speaker 1>know you have things popping right now. You're working on

0:52:05.800 --> 0:52:10.719
<v Speaker 1>new stuff hopefully. Yeah, I'm excited and I can't wait

0:52:10.800 --> 0:52:14.440
<v Speaker 1>to like play it on the radio because yeah, as

0:52:14.440 --> 0:52:16.279
<v Speaker 1>soon as I find something I love, I just I

0:52:16.400 --> 0:52:18.279
<v Speaker 1>can't wait to play it on the radio. Um, and

0:52:18.320 --> 0:52:21.520
<v Speaker 1>I encourage you better to download Heartbreak. It's the EP

0:52:21.680 --> 0:52:24.440
<v Speaker 1>now and I'm a huge Natalie stowball fan, and then

0:52:24.480 --> 0:52:26.879
<v Speaker 1>thanks for hanging out with us today, Thanks for having me. Yeah,

0:52:26.880 --> 0:52:30.160
<v Speaker 1>it's good. Anything else you'd like to ask, Mike, You're good,

0:52:30.880 --> 0:52:34.560
<v Speaker 1>all right, Natalie? About popsicles? Listen, I had a thing

0:52:34.719 --> 0:52:36.680
<v Speaker 1>here at my house last night. I got rid of

0:52:36.719 --> 0:52:39.439
<v Speaker 1>all the popsicles because I've been need nothing popsicles because

0:52:39.440 --> 0:52:41.239
<v Speaker 1>I've been sick for like three weeks, had some sort

0:52:41.239 --> 0:52:44.360
<v Speaker 1>of weird pneumonia that I couldn't shake. And aumonia actually

0:52:44.400 --> 0:52:46.879
<v Speaker 1>sounds a lot worse than it is. Like pneumonia sounds

0:52:46.880 --> 0:52:48.400
<v Speaker 1>like you should beat the little house on the parades.

0:52:48.400 --> 0:52:51.200
<v Speaker 1>That pretty bad, no matter how Yeah, so I was

0:52:51.640 --> 0:52:55.040
<v Speaker 1>just good. It's a terrible coughing. And so I had

0:52:55.120 --> 0:52:57.279
<v Speaker 1>my get rid of all the popsicles. Mike, I can't

0:52:57.320 --> 0:53:00.080
<v Speaker 1>go in the room discard all of them. Now they

0:53:00.120 --> 0:53:02.840
<v Speaker 1>walks five boxes of popsicles both drops them on the

0:53:02.920 --> 0:53:05.759
<v Speaker 1>counter and that, and I was like, well, I guess

0:53:05.800 --> 0:53:08.239
<v Speaker 1>I'll have a coupful game. It's trying to bring something

0:53:08.320 --> 0:53:11.000
<v Speaker 1>to need. Like it's like some people you a bottle

0:53:11.000 --> 0:53:14.120
<v Speaker 1>the wine or or now they brought popsicles. You know

0:53:14.600 --> 0:53:16.800
<v Speaker 1>you're definitely not drinking the wine. I'm not. Do you

0:53:16.840 --> 0:53:19.040
<v Speaker 1>see how much liquor I have, Like I don't know

0:53:19.040 --> 0:53:20.279
<v Speaker 1>if you could see it's it's in the corner I

0:53:20.400 --> 0:53:24.160
<v Speaker 1>have because of like people will send me gifts that

0:53:24.400 --> 0:53:28.040
<v Speaker 1>don't know me, know me, don't send me like Crystal

0:53:28.360 --> 0:53:31.719
<v Speaker 1>or dom or have thousands of dollars in alcohol just

0:53:31.960 --> 0:53:35.319
<v Speaker 1>sitting in my house and they don't drink. But much

0:53:35.360 --> 0:53:38.319
<v Speaker 1>like popsicles, once up, pop, I'm gonna prinkle those things

0:53:39.239 --> 0:53:41.480
<v Speaker 1>like I'm gonna drink thousands of dollars in one night,

0:53:41.960 --> 0:53:44.080
<v Speaker 1>Like it's gonna be a supermarket sweep, like and you

0:53:44.120 --> 0:53:45.400
<v Speaker 1>can have all the big Hams and you throw it

0:53:45.480 --> 0:53:48.799
<v Speaker 1>in the day of just alcohol, like I'm going I'll

0:53:48.840 --> 0:53:50.920
<v Speaker 1>a like Joe, We'll have a big party. Thank you

0:53:50.920 --> 0:53:54.400
<v Speaker 1>for the popsicles. Thank you for stopping Natalie Snowball the

0:53:54.520 --> 0:53:58.400
<v Speaker 1>Forest Gump of country music. She played for the President,

0:53:59.120 --> 0:54:02.319
<v Speaker 1>she audition to be Jenny and Forrescum, which we learned

0:54:02.360 --> 0:54:06.240
<v Speaker 1>later she played the operay at twelve years old, started

0:54:06.280 --> 0:54:08.680
<v Speaker 1>playing the fiddle, went to Berkeley. I mean, it's just

0:54:08.800 --> 0:54:13.120
<v Speaker 1>a nutty story. Thank you, and we will, Uh, I

0:54:13.160 --> 0:54:18.960
<v Speaker 1>guess I'll see you sun soon, tay for Tuesday. Yeah,

0:54:19.239 --> 0:54:21.160
<v Speaker 1>if you hear this later on. If you hear this

0:54:21.239 --> 0:54:23.000
<v Speaker 1>later on, Man, we killed the Operator was awesome, Like,

0:54:23.040 --> 0:54:25.680
<v Speaker 1>if you listen to Tuesday they standing ovation for like

0:54:25.800 --> 0:54:29.480
<v Speaker 1>ten minutes. It's crazy. There's there's nuts. Even Dirk's came

0:54:29.480 --> 0:54:32.040
<v Speaker 1>out who played earlier, and it's like, that's awesome. It

0:54:32.160 --> 0:54:36.480
<v Speaker 1>was amazing. So thanks. Natalie Stoball At Natalie Stoball, Mike

0:54:36.560 --> 0:54:39.359
<v Speaker 1>destro At, Mike D E. E. S. T r Oh.

0:54:39.920 --> 0:54:41.560
<v Speaker 1>By the way, Mike, somebody asked, Hey, if Mike has

0:54:41.600 --> 0:54:43.520
<v Speaker 1>a podcast, why does he doing. Don't you don't do

0:54:43.560 --> 0:54:47.400
<v Speaker 1>your podcast anymore? No, but he used to do a

0:54:47.920 --> 0:54:52.000
<v Speaker 1>punk punk rock podcast, but he doesn't do it anymore.

0:54:52.200 --> 0:54:55.759
<v Speaker 1>What happened? He's got you too busy, and you have

0:54:55.840 --> 0:54:59.000
<v Speaker 1>a lot of friends in like a watch of punk

0:54:59.080 --> 0:55:01.600
<v Speaker 1>dudes sit around crazy talking about the ears Pierce and

0:55:01.719 --> 0:55:04.600
<v Speaker 1>tattoos and stuff, and talking about music I've never heard of.

0:55:04.680 --> 0:55:07.200
<v Speaker 1>I'll get in a mix car and it's it's not

0:55:07.320 --> 0:55:13.080
<v Speaker 1>like this, like every song exactly, I don't even know

0:55:13.120 --> 0:55:16.520
<v Speaker 1>what the listening to, but that that's this thing. Favorite

0:55:16.920 --> 0:55:20.879
<v Speaker 1>band all right now, probably Maria. What do you think

0:55:22.560 --> 0:55:24.600
<v Speaker 1>I've seen him the most every band I've seen him

0:55:24.640 --> 0:55:26.759
<v Speaker 1>like over fifteen times you go to their house. That's

0:55:26.800 --> 0:55:30.839
<v Speaker 1>how it. No, I have no idea next paper band band.

0:55:30.960 --> 0:55:33.720
<v Speaker 1>I really like Julian Baker right now. She's a solo artist.

0:55:33.960 --> 0:55:35.480
<v Speaker 1>Is that the girl you post like a guitar pickure?

0:55:35.600 --> 0:55:38.520
<v Speaker 1>She's like, she's twelve. It looks like Natalie playing the Obrey,

0:55:38.560 --> 0:55:41.040
<v Speaker 1>but I see the other night. I really like her

0:55:41.080 --> 0:55:45.560
<v Speaker 1>right now. Well, thank you all for being here this

0:55:45.719 --> 0:55:50.400
<v Speaker 1>episode eleven of the Boby Cast until next time our sponsor.

0:55:50.480 --> 0:55:54.400
<v Speaker 1>Right now, still no one, but hopefully that changes in

0:55:54.520 --> 0:55:55.480
<v Speaker 1>all right, good everybody