WEBVTT - Passing Notes PT 1

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 2>Some are solved and some are cold, very cold.

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<v Speaker 1>This is buried Bones.

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<v Speaker 2>Hi, Kate, how are you?

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<v Speaker 1>I'm doing well. I have wanted to ask you something

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<v Speaker 1>for a long time. You cheat on me with another show.

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<v Speaker 2>That's one way to put it.

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<v Speaker 1>He cheats on all of us. Although you guys listen,

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<v Speaker 1>I'm sure too. It's a small town Dick's great show.

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<v Speaker 1>One of your co hosts is very, very famous, you know,

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<v Speaker 1>Yardley Smith, who is Lisa Simpson and it does many

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<v Speaker 1>other things I know, but is best known for Lisa

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<v Speaker 1>Simpson on The Simpsons, and so I have not met

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<v Speaker 1>her in person yet, but I've sort of awestruck that

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<v Speaker 1>you can even put together a sentence when you're doing

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<v Speaker 1>a crime show with Lisa Simpson. I mean, she is

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<v Speaker 1>just Yardly to you because you say you're not like

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<v Speaker 1>some massive Simpsons fan like I am.

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<v Speaker 2>No, you know, I watched a few episodes when it

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<v Speaker 2>first came out, and that may have even been I

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<v Speaker 2>think it was the Tracy Allman Show, you know.

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<v Speaker 1>Back when they looked funny. I think, right, yeah, you know.

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<v Speaker 2>So that is thirty plus years ago, and I never

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<v Speaker 2>really followed it since. And then I met Yardley out

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<v Speaker 2>in d C for a true crime conference and Yardly

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<v Speaker 2>and then her now husband Dan and his twin brother

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<v Speaker 2>Dave were to interview me on stage, and then that's

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<v Speaker 2>when I got to know him, and obviously we just clicked,

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<v Speaker 2>you know, Dan, Dave and I being law enforcement, and Yardly,

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<v Speaker 2>even with her celebrity status, is just so down to

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<v Speaker 2>earth and you know. And so that has been a

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<v Speaker 2>great part of my life to get to know them

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<v Speaker 2>and eventually become part of the podcast Smalltown Dicks.

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<v Speaker 1>And I think you all have like a very easy

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<v Speaker 1>way of having a conversation but still being professional. Everybody's

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<v Speaker 1>professional there and being very serious. But I feel like

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<v Speaker 1>it seems like you're all very comfortable with each other,

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<v Speaker 1>which is which is you know, how you and I

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<v Speaker 1>are too.

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<v Speaker 2>I think, oh, yeah, no, you know, and I think

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<v Speaker 2>that that really is what helps drive is success podcast

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<v Speaker 2>is you know, the co host being able to relate

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<v Speaker 2>to each other just in a very natural, friendly way.

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<v Speaker 2>I am not a listener of podcasts, but I could

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<v Speaker 2>only imagine that if there's awkwardness between the co hosts,

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<v Speaker 2>that that probably doesn't come off very well. And so,

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<v Speaker 2>of course, you know, our listeners hear you and I

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<v Speaker 2>and the great relationship we have. But also a small

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<v Speaker 2>town dicks, it's just a natural thing. You know. We

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<v Speaker 2>of course record the episodes, but even if we get

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<v Speaker 2>together and it's we're not recording, we're just, let's say,

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<v Speaker 2>hanging out in a hot tub.

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<v Speaker 1>All right. That's good to know. Well, I am jealous,

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<v Speaker 1>very jealous, because I am a huge Simpsons fan and

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<v Speaker 1>I try to get my kiddos into the Simpsons also

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<v Speaker 1>they get looped into the Halloween specials, and so I

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<v Speaker 1>really admire her as an actress and as a voice actress,

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<v Speaker 1>and I just think it's great. I'm super happy, and

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<v Speaker 1>I hear she's a super fan, maybe not a super fan,

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<v Speaker 1>and she's a fan fan of Buried Bones, so that's good.

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<v Speaker 2>Yeah, she listens to Buried Bones. I think she's a

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<v Speaker 2>fan of yours. So you know, let's see if you've

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<v Speaker 2>got some sort of mutual thing going on there.

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<v Speaker 1>Well, what a wonderful way to start an episode. I

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<v Speaker 1>like to start on a you know, positive note here,

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<v Speaker 1>because you know, we now are pivoting into a well,

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<v Speaker 1>I think is a really complicated kidnapping case, and we've

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<v Speaker 1>had those before. I mean, I just feel like the

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<v Speaker 1>more kidnapping episodes we cover, the nuttier these people get

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<v Speaker 1>and the requests that they make it And I feel like,

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<v Speaker 1>you know, we've covered kidnappings from all all different sorts

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<v Speaker 1>of decades and we're going to be in the nineteen

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<v Speaker 1>seventies in England for this one. But the requests from

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<v Speaker 1>kidnappers just get stranger and stranger. So I always am

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<v Speaker 1>fascinated about your reaction. You always have like a quizzical

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<v Speaker 1>look on your face. I wish listeners could see it

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<v Speaker 1>every time we talk about some of these weird us

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<v Speaker 1>that the kidnappers make. So this will be a good

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<v Speaker 1>one for you.

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<v Speaker 2>Yeah, you know. And I can remember we had the

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<v Speaker 2>one episode where the mail that was kidnapped and I

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<v Speaker 2>was really suspicious of him, like he had staged his

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<v Speaker 2>own abduction and turned out to be very very wrong,

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<v Speaker 2>you know. But I do remember some of the requests

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<v Speaker 2>in that particular episode were so bizarre. I'm like, oh,

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<v Speaker 2>this this just doesn't sound right. Well it turns out

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<v Speaker 2>it was right, you know, And so I'm kind of

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<v Speaker 2>curious to see, you know, this case and what kind

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<v Speaker 2>of requests the kidnappers are going to make.

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<v Speaker 1>Yeah, well, let's go ahead and set the scene. So

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<v Speaker 1>this is nineteen seventy five England, and this is a big, big, big,

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<v Speaker 1>big one. I mean, there's lots of evidence, I have

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<v Speaker 1>good photos, there's lots to talk about. It's a double episode,

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<v Speaker 1>too big. Once I saw the prep document, I thought, man,

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<v Speaker 1>this is really big. So this will be a good

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<v Speaker 1>episode for us to really dig into. I think the

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<v Speaker 1>way that kidnappers work and what they're thinking when they

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<v Speaker 1>do stuff like this, so we won't like, you know,

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<v Speaker 1>dink around with this. As I say, my kids don't

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<v Speaker 1>think around like this. We're not going to dink around

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<v Speaker 1>this is let me tell you who the victim is,

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<v Speaker 1>which just already sets me on edge. It is a

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<v Speaker 1>seventeen year old girl, which is already you know, my

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<v Speaker 1>kids are almost fifteen, so that's already I'm already kind

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<v Speaker 1>of on edge to begin with with a story about

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<v Speaker 1>a teenager. She's very small, she's five foot tall, and

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<v Speaker 1>that kind of plays into this. I mean, what would

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<v Speaker 1>you say, Paul, So she's if you have a kidnapping

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<v Speaker 1>victim who's small, five feet it's just like you're going

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<v Speaker 1>to assume that this is somebody who's not going to

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<v Speaker 1>put up as much of a fight.

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<v Speaker 2>I guess, well, I wouldn't necessarily say that. I mean,

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<v Speaker 2>you could in terms of putting up a fight versus

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<v Speaker 2>being effective at the fight as probably how I differentiate that. Then,

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<v Speaker 2>of course, when you start dealing with evaluating the victim

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<v Speaker 2>who's five foot nothing, you know, sounds like a petite

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<v Speaker 2>seventeen year old girl. And let's say the kidnapper is

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<v Speaker 2>a more robust male. Obviously, the male has a size

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<v Speaker 2>and strength advantage, which gives that offender greater latitude in

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<v Speaker 2>terms of how to conduct the abduction versus you know,

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<v Speaker 2>is it an offender who's having to use charm and

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<v Speaker 2>lowering the victim versus an offender who could literally pick

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<v Speaker 2>this girl up, sling her over his shoulder and walk

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<v Speaker 2>her out to a vehicle. You know. So that's going

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<v Speaker 2>to be part of As I hear the details, I'm

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<v Speaker 2>going to be starting to assess, well, you know, how

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<v Speaker 2>did the offender approach the victim and how was she abducted?

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<v Speaker 2>Because that speaks volumes to certain attributes of the offender.

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<v Speaker 1>Okay, yeah, well here we go. This was a case

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<v Speaker 1>recommended by a listener. Thank you listener. This involves, as

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<v Speaker 1>I said at petit seventeen year old girl. Her name

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<v Speaker 1>is Leslie Whittle and she lives in highly Shropshire hopefully

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<v Speaker 1>I said that right, which is a village in the

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<v Speaker 1>West Midlands of England. She has a very comfortable life.

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<v Speaker 1>We are talking upper class because her father is a businessman.

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<v Speaker 1>His name is George Whittell, and he runs a sizable

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<v Speaker 1>and successful bus company coach company in the United States,

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<v Speaker 1>we'd say bus company. When he died in seventy two,

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<v Speaker 1>he left behind a fortune of three hundred thousand British

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<v Speaker 1>pounds to his surviving family. This is I'm going to

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<v Speaker 1>convert things to American dollars. This is like just south

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<v Speaker 1>of five million, I would say four and a half

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<v Speaker 1>million maybe dollars today. This includes his wife, Dorothy, she's

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<v Speaker 1>in her fifties, and he has a son named Ron

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<v Speaker 1>who is in his early thirties. And then there's Leslie

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<v Speaker 1>who's seventeen. So she actually gets a portion that is

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<v Speaker 1>substantial eighty two thousand, which is you know, about a

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<v Speaker 1>million pounds now, which is you know, one and a

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<v Speaker 1>half million dollars. I would say, So she gets us

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<v Speaker 1>at seventeen. Here's the problem. It's widely reported that she

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<v Speaker 1>got this inheritance in local newspapers. I've never understood this,

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<v Speaker 1>you know, I mean, don't you think that would make

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<v Speaker 1>her a target? And I'm not, like I said, I'm

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<v Speaker 1>not dinking around with this one. She's the target here.

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<v Speaker 1>So a seventeen year old who has about a million

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<v Speaker 1>and a half dollars to day dollars in an inheritance.

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<v Speaker 2>Well, I think just the family wealth is driving any

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<v Speaker 2>of them to be a target her inheriting the money.

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<v Speaker 2>Of course, maybe an offender would be evaluating this as

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<v Speaker 2>a seventeen year old girl. Is there a way I

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<v Speaker 2>can steal from her, rob from her if in an

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<v Speaker 2>abduction situation, it's not unheard of her offenders will force

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<v Speaker 2>victims to withdraw from their bank right checks, you know,

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<v Speaker 2>so this is a direct robbery of the victim's financial assets. However,

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<v Speaker 2>in this scenario, there's greater assets with the other family members.

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<v Speaker 2>And so now is Leslie when she gets abducted. Is

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<v Speaker 2>the offender or offenders utilizing her safety as leverage to

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<v Speaker 2>get access to the larger sums of money that the

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<v Speaker 2>family has.

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<v Speaker 1>Let's see what happens. This family's worth a lot of money.

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<v Speaker 1>And now the patriarch has gone, and there is a

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<v Speaker 1>son who's in his thirties but not around. It doesn't

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<v Speaker 1>sound like he lives somewhere else. And then Leslie. This

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<v Speaker 1>is January fourteenth, nineteen seventy five, and we are at

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<v Speaker 1>the Wittell home. Dorothy is wondering, so this is the mother.

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<v Speaker 1>Dorothy wonders why Leslie hasn't come down for breakfast yet.

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<v Speaker 1>That morning, she goes upstairs to look for Leslie, but

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<v Speaker 1>she's not in her bedroom and she doesn't seem to

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<v Speaker 1>be anywhere in the house. Dorothy is really nervous. She

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<v Speaker 1>calls to the adult son, Ron, who lives nearby, but

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<v Speaker 1>her phone isn't working, so she rushes over to Ron's

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<v Speaker 1>house and returns to her own house alongside him, and

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<v Speaker 1>together they start looking for Leslie, but they don't find her.

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<v Speaker 1>They do discover that what you probably have silently suspected

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<v Speaker 1>that someone cut the phone lines to the house.

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<v Speaker 2>Okay.

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<v Speaker 1>They also find a box of candy that has been

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<v Speaker 1>left in front of the homes fireplace, which seems odd.

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<v Speaker 1>They look in this box of candy and there are

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<v Speaker 1>several messages created with a Dimo label maker, which is

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<v Speaker 1>a device that punches letters and numbers onto a plastic tape,

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<v Speaker 1>like you know, I mean, I have a label maker

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<v Speaker 1>at home. Yeah, so this is a message, right, and

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<v Speaker 1>the message demands a ransom of fifty thousand pounds for

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<v Speaker 1>Leslie's safe return, which is quite a lot of money today,

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<v Speaker 1>about a million, maybe a little less than a million

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<v Speaker 1>American dollars. I have a photo of the house, and

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<v Speaker 1>I have a photo of this Dimo label maker message.

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<v Speaker 1>If you want to see those, or if you want

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<v Speaker 1>to keep going.

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<v Speaker 2>No, I'll go ahead and take a look at this.

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<v Speaker 1>Okay, So let's start with the house. You know, it's

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<v Speaker 1>a big house. It's as fancy as I thought it

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<v Speaker 1>could be. But still, I mean, you know, it's a

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<v Speaker 1>big house. What do you think.

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<v Speaker 2>Yeah, Well, when you're telling me that Leslie is not

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<v Speaker 2>inside the how and that it appears that the offender

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<v Speaker 2>or offenders left this box of candy with the message,

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<v Speaker 2>you know, the first thing I thought about is okay,

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<v Speaker 2>so even with Mom Dorothy inside the house, it sounds

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<v Speaker 2>like the offenders somehow gained entry into the house and

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<v Speaker 2>took Leslie without Mom hearing a thing. So now I'm

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<v Speaker 2>looking at a photo of this house, and you know,

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<v Speaker 2>in the foreground it appears that there this is a

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<v Speaker 2>photo taken during some sort of search. There are men,

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<v Speaker 2>numerous men with dogs that are out. I'm assuming this

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<v Speaker 2>is the front yard. It's you know, doesn't look like

0:12:35.280 --> 0:12:40.560
<v Speaker 2>a traditional street. And directly behind the men with the

0:12:40.600 --> 0:12:45.280
<v Speaker 2>dogs is a fairly tall hedge, is how I describe it.

0:12:45.760 --> 0:12:48.840
<v Speaker 2>And then beyond that hedge is a two story house.

0:12:49.280 --> 0:12:52.360
<v Speaker 2>What strikes me about at least this side of the house,

0:12:52.400 --> 0:12:54.320
<v Speaker 2>and I can't tell if this is the front side

0:12:54.400 --> 0:13:00.320
<v Speaker 2>or not, but there's very large windows all across this

0:13:00.440 --> 0:13:01.280
<v Speaker 2>side of the house.

0:13:01.679 --> 0:13:03.720
<v Speaker 1>I would bet Paul, this is the back because look

0:13:03.960 --> 0:13:07.240
<v Speaker 1>that ugly antenna is right there, yeah, you know, sticking

0:13:07.320 --> 0:13:09.280
<v Speaker 1>up above. I would bet this is the back. And

0:13:09.320 --> 0:13:12.320
<v Speaker 1>I also wonder if there's a building to the upper

0:13:12.480 --> 0:13:15.199
<v Speaker 1>left or if that's one of their buildings.

0:13:15.760 --> 0:13:17.960
<v Speaker 2>Yeah, you know, the to the left of the house,

0:13:18.480 --> 0:13:22.520
<v Speaker 2>I'm guessing that's maybe a garage, maybe a detached garage.

0:13:22.800 --> 0:13:25.960
<v Speaker 2>I think you're right, you know, this is likely the

0:13:26.000 --> 0:13:28.720
<v Speaker 2>back of the house. I'm not seeing anything even that

0:13:28.920 --> 0:13:33.200
<v Speaker 2>suggests that there is a a an entrance, you know,

0:13:33.240 --> 0:13:35.560
<v Speaker 2>that would be what would be considered a front entrance.

0:13:35.920 --> 0:13:38.800
<v Speaker 2>So the house looks like it has some size. It

0:13:38.840 --> 0:13:42.400
<v Speaker 2>does appear that it's a visibility into the house. Is

0:13:43.040 --> 0:13:47.479
<v Speaker 2>it's significant, you know, these large windows. I'm not seeing curtains.

0:13:47.920 --> 0:13:50.160
<v Speaker 2>It appears that at least with the windows that I

0:13:50.200 --> 0:13:54.679
<v Speaker 2>can see that there's plane view into the house, and

0:13:54.720 --> 0:13:57.680
<v Speaker 2>that would be a significant portion of the interior of

0:13:57.679 --> 0:14:01.319
<v Speaker 2>the house and an offender could see from the outside.

0:14:01.559 --> 0:14:03.920
<v Speaker 2>You know, this is a wealthier family. I'm assuming that

0:14:04.000 --> 0:14:09.520
<v Speaker 2>this house is something that is fitting with their lifestyle.

0:14:10.080 --> 0:14:14.520
<v Speaker 2>So the size of the house definitely aids the offender.

0:14:14.920 --> 0:14:18.360
<v Speaker 2>If Leslie, let's say she was last seen going into

0:14:18.400 --> 0:14:21.520
<v Speaker 2>her bedroom or in her bedroom. And Mom's bedroom is,

0:14:22.040 --> 0:14:23.920
<v Speaker 2>you know, on the other side of the house. And yes,

0:14:23.960 --> 0:14:26.680
<v Speaker 2>I could easily see an offender coming in and abducting

0:14:26.720 --> 0:14:30.200
<v Speaker 2>a petit seventeen year old girl, keeping her quiet either

0:14:30.240 --> 0:14:33.760
<v Speaker 2>by force or fear, and getting her outside of the house.

0:14:34.120 --> 0:14:36.880
<v Speaker 1>And it's just these two women. It's Dorothy and her daughter.

0:14:37.080 --> 0:14:39.480
<v Speaker 1>So that's it in this house. You know you had

0:14:39.520 --> 0:14:41.320
<v Speaker 1>mentioned this hedge. This is what I would call a

0:14:41.360 --> 0:14:44.320
<v Speaker 1>privacy hedge, and it is substantial. I mean it's tall

0:14:44.360 --> 0:14:47.320
<v Speaker 1>and taller than these men who are standing next to it.

0:14:47.600 --> 0:14:49.920
<v Speaker 1>I don't know if there's a wire above it or something.

0:14:50.280 --> 0:14:53.800
<v Speaker 1>It definitely looks like some kind of privacy like security.

0:14:54.000 --> 0:14:56.720
<v Speaker 1>There's a gate there. But then you're right, I mean,

0:14:56.760 --> 0:15:00.360
<v Speaker 1>the upper floors are completely exposed right below the I

0:15:00.360 --> 0:15:03.400
<v Speaker 1>don't know if those are terracotta tiles. But let me

0:15:03.440 --> 0:15:07.000
<v Speaker 1>show you this message, so I don't know. You see

0:15:07.040 --> 0:15:08.680
<v Speaker 1>where the chimney is, which was on the left hand

0:15:08.760 --> 0:15:11.240
<v Speaker 1>side of the house. I don't know if Leslie's room

0:15:11.320 --> 0:15:13.920
<v Speaker 1>is right above where the chimney is. And you know,

0:15:14.160 --> 0:15:17.320
<v Speaker 1>whoever took her went downstairs and just sort of dropped

0:15:17.320 --> 0:15:19.760
<v Speaker 1>this candy box on the ground, but this is what

0:15:19.960 --> 0:15:23.120
<v Speaker 1>was inside. So this is it says, well, why don't

0:15:23.120 --> 0:15:24.520
<v Speaker 1>you read it? Tell me what you think.

0:15:24.960 --> 0:15:28.680
<v Speaker 2>So this is a single strip of this dimo plastic

0:15:29.200 --> 0:15:32.920
<v Speaker 2>you know, and I remember utilizing these in you know,

0:15:32.920 --> 0:15:35.440
<v Speaker 2>when I was much younger. You know, the offender is

0:15:35.480 --> 0:15:40.640
<v Speaker 2>having to rotate a wheel and then press on a

0:15:40.680 --> 0:15:46.640
<v Speaker 2>handle that causes like a crimping aspect where the plastic

0:15:46.680 --> 0:15:49.960
<v Speaker 2>where it gets crimped. Now it changes color in the

0:15:49.960 --> 0:15:54.600
<v Speaker 2>shape of the letter. So this is a dark background

0:15:54.680 --> 0:15:58.920
<v Speaker 2>with white letters, single strip, and it says only after

0:15:59.240 --> 0:16:03.920
<v Speaker 2>fifty thousand pounds has been cleared will victim be released.

0:16:04.320 --> 0:16:07.640
<v Speaker 2>So obviously this is an essence a ransom note in

0:16:07.760 --> 0:16:10.280
<v Speaker 2>a very unusual format.

0:16:10.480 --> 0:16:13.880
<v Speaker 1>I mean, obviously he doesn't want to do this with handwriting,

0:16:14.200 --> 0:16:17.440
<v Speaker 1>because it's seventy five. Everybody knows that there's handwriting analysis.

0:16:17.600 --> 0:16:20.080
<v Speaker 1>This is an odd choice, right, I mean, I've seen

0:16:20.160 --> 0:16:24.120
<v Speaker 1>kidnappers do everything from you know, newspaper clippings to make

0:16:24.120 --> 0:16:28.160
<v Speaker 1>the letters, to obviously using a typewriter or computer. I

0:16:28.200 --> 0:16:30.680
<v Speaker 1>don't know if this choice is going to be significant

0:16:30.800 --> 0:16:33.320
<v Speaker 1>using a label maker, but this is certainly what he did,

0:16:33.320 --> 0:16:35.720
<v Speaker 1>and there's obviously more lines than just this one that

0:16:35.760 --> 0:16:37.800
<v Speaker 1>they just wanted to just show an example here.

0:16:38.240 --> 0:16:40.400
<v Speaker 2>Sure, well, you know, this is an offender who is

0:16:40.560 --> 0:16:44.160
<v Speaker 2>trying to think about physical evidence, and so in the

0:16:44.160 --> 0:16:49.760
<v Speaker 2>offender's mind, by utilizing this DIMO device to craft the

0:16:49.880 --> 0:16:55.080
<v Speaker 2>ransom note, he's avoiding leaving physical evidence. However, he's not

0:16:55.600 --> 0:17:00.200
<v Speaker 2>knowledgeable enough about how forensics can actually get a ton

0:17:00.480 --> 0:17:06.159
<v Speaker 2>of evidence from this type of material. You know, of

0:17:06.200 --> 0:17:11.800
<v Speaker 2>course we're seeing the investigator's hands, assuming it's investigators are

0:17:11.880 --> 0:17:15.760
<v Speaker 2>some you know, authorities, hands with no gloves on. You know,

0:17:15.840 --> 0:17:20.160
<v Speaker 2>this plastic is a very good surface for latent prints.

0:17:20.240 --> 0:17:22.800
<v Speaker 2>It's so narrow that you'd only get partial prints. But

0:17:22.840 --> 0:17:26.359
<v Speaker 2>of course now we have some contamination from whoever bare

0:17:26.400 --> 0:17:29.240
<v Speaker 2>fingers are showing here to kind of hold on to

0:17:29.359 --> 0:17:33.320
<v Speaker 2>this strip, you know, But this this device, there may

0:17:33.400 --> 0:17:38.960
<v Speaker 2>be characteristics that, due to the wear of this device

0:17:39.080 --> 0:17:43.520
<v Speaker 2>previously being used, might be unique to this particular device.

0:17:44.240 --> 0:17:49.280
<v Speaker 2>The finding of the source material for this ransom you know, plastic,

0:17:49.320 --> 0:17:51.760
<v Speaker 2>if you will, if it's with the device and the

0:17:51.800 --> 0:17:56.720
<v Speaker 2>fender's home, you know that significant fingerprints, of course could

0:17:56.720 --> 0:18:00.359
<v Speaker 2>be recovered from this material. And in this ana, it

0:18:00.400 --> 0:18:02.959
<v Speaker 2>also would be a source of DNA, but you know,

0:18:03.280 --> 0:18:07.520
<v Speaker 2>it informs me that the offender is trying in his

0:18:07.720 --> 0:18:11.760
<v Speaker 2>mind to limit the amount of evidence that law enforcement

0:18:11.840 --> 0:18:16.760
<v Speaker 2>can use to identify him or her.

0:18:17.800 --> 0:18:21.520
<v Speaker 1>Okay, So these are messages that demand a ransom as

0:18:21.520 --> 0:18:24.440
<v Speaker 1>you had read, of fifty thousand pounds for Leslie's safe return,

0:18:25.280 --> 0:18:28.960
<v Speaker 1>and they instruct a member of the family to go

0:18:29.200 --> 0:18:33.200
<v Speaker 1>to a specific telephone box like the classic red payphones

0:18:33.280 --> 0:18:36.080
<v Speaker 1>that you find, you know, in the United Kingdom, at

0:18:36.080 --> 0:18:39.840
<v Speaker 1>the Swan shopping center later that night. So this is

0:18:39.880 --> 0:18:42.280
<v Speaker 1>in a town, at a shopping center that's about ten

0:18:42.280 --> 0:18:46.520
<v Speaker 1>to fifteen miles away from where they are. Once at

0:18:46.520 --> 0:18:49.680
<v Speaker 1>the payphone, the family member has to wait for a

0:18:49.720 --> 0:18:54.000
<v Speaker 1>call from the kidnapper, who will then give further instructions

0:18:54.000 --> 0:18:57.320
<v Speaker 1>that will culminate in a ransom drop and Leslie's release.

0:18:57.560 --> 0:19:01.400
<v Speaker 1>So the kidnappers call will come so time between six

0:19:01.480 --> 0:19:05.199
<v Speaker 1>pm and one am on this night. You know that

0:19:05.240 --> 0:19:08.840
<v Speaker 1>she's been kidnapped in January. There's another message printed on

0:19:09.040 --> 0:19:13.119
<v Speaker 1>dimo tape that the kidnapper says, you are on a

0:19:13.160 --> 0:19:18.399
<v Speaker 1>time limit if police or tricks death. What do you

0:19:18.520 --> 0:19:22.000
<v Speaker 1>think so far? Besides he doesn't want to type too anymore,

0:19:22.000 --> 0:19:24.240
<v Speaker 1>and he's losing. He's leaving out a lot of words

0:19:24.240 --> 0:19:25.920
<v Speaker 1>in these messages. I guess that's what happens when you

0:19:26.000 --> 0:19:28.560
<v Speaker 1>use a label maker as your ransom note generator.

0:19:29.280 --> 0:19:34.200
<v Speaker 2>Yeah. Well, I mean this is, right now, pretty prototypical language.

0:19:34.680 --> 0:19:40.119
<v Speaker 2>You know. It is leveraging Leslie's safety for money, the

0:19:40.200 --> 0:19:42.760
<v Speaker 2>use of the dimo. You know. I remember having to,

0:19:42.920 --> 0:19:46.680
<v Speaker 2>you know, twist each letter for the word crimp it off,

0:19:46.840 --> 0:19:48.960
<v Speaker 2>go to the next letter. It is a kind of

0:19:49.000 --> 0:19:53.120
<v Speaker 2>a time consuming process to do, and that possibly contributes

0:19:53.160 --> 0:19:57.040
<v Speaker 2>to the curtness, if you will, of the message. But

0:19:57.119 --> 0:20:00.879
<v Speaker 2>the message is effective. It's not like it's leaving out

0:20:01.400 --> 0:20:04.960
<v Speaker 2>any clarity of what the intent is. And at least

0:20:04.960 --> 0:20:08.080
<v Speaker 2>with the previous strip, it looked like all the words

0:20:08.080 --> 0:20:12.119
<v Speaker 2>were spelled correctly, you know, so that might indicate something

0:20:12.160 --> 0:20:13.240
<v Speaker 2>about the offender too.

0:20:13.640 --> 0:20:16.399
<v Speaker 1>Okay, so we're thinking this one might be of the

0:20:16.560 --> 0:20:18.720
<v Speaker 1>range of offenders that we've had, this might be one

0:20:18.760 --> 0:20:20.399
<v Speaker 1>of the more intelligent ones. I guess we're going to

0:20:20.440 --> 0:20:22.560
<v Speaker 1>find out then, right, Well.

0:20:22.800 --> 0:20:25.159
<v Speaker 2>I want to go that far. At least it's not

0:20:25.359 --> 0:20:28.880
<v Speaker 2>so because we've had some you know, ransom letters in

0:20:28.920 --> 0:20:32.719
<v Speaker 2>which the grammar and the spelling of the words is

0:20:32.760 --> 0:20:37.240
<v Speaker 2>just so poor, and sometimes it's purposely done as a

0:20:37.280 --> 0:20:41.080
<v Speaker 2>form of staging, so the offender is making him look

0:20:41.160 --> 0:20:43.560
<v Speaker 2>like somebody else that he's not, or it's just that

0:20:43.640 --> 0:20:46.160
<v Speaker 2>the offender is just not very well educated.

0:20:47.480 --> 0:20:51.480
<v Speaker 1>So Ron and Dorothy, so the mother and the son

0:20:51.600 --> 0:20:56.400
<v Speaker 1>are prepared, they're ready to pay this ransom. But despite

0:20:56.560 --> 0:20:59.200
<v Speaker 1>the threat, they always call the police. You know, despite

0:20:59.240 --> 0:21:01.960
<v Speaker 1>the threat from the capers, Ron decides he's going to

0:21:02.000 --> 0:21:04.919
<v Speaker 1>call the police. And I'm never quite sure what the

0:21:05.000 --> 0:21:09.720
<v Speaker 1>right answer is here, because we have never seen anything

0:21:09.760 --> 0:21:12.919
<v Speaker 1>good come from calling the police in any of our

0:21:13.000 --> 0:21:16.520
<v Speaker 1>ransom stories. But you know, Ron calls the police and

0:21:16.560 --> 0:21:19.520
<v Speaker 1>they start quietly working with the police. So what do

0:21:19.560 --> 0:21:21.080
<v Speaker 1>you think about that it's always a good idea to

0:21:21.119 --> 0:21:24.200
<v Speaker 1>call investigators. I'm assuming I.

0:21:24.119 --> 0:21:27.520
<v Speaker 2>Think, yeah, you know, I think in most instances, you know,

0:21:28.119 --> 0:21:32.720
<v Speaker 2>to have the types of resources that authorities have in

0:21:32.880 --> 0:21:38.159
<v Speaker 2>order to be able to investigate and monitor, you know,

0:21:38.280 --> 0:21:44.600
<v Speaker 2>do surveillance. I think there's a greater ability with bringing

0:21:44.680 --> 0:21:48.080
<v Speaker 2>law enforcement in right off the bat of being able

0:21:48.160 --> 0:21:52.840
<v Speaker 2>to possibly catch the offenders prior to the loved one

0:21:53.359 --> 0:21:56.840
<v Speaker 2>suffering harm or more harm. You know, it would be

0:21:56.880 --> 0:21:59.200
<v Speaker 2>a tough one though. You know, if your your loved

0:21:59.200 --> 0:22:02.800
<v Speaker 2>one is abductive and now there's threat of that loved

0:22:02.840 --> 0:22:05.600
<v Speaker 2>one's life if you do notify authorities, you know, you

0:22:05.840 --> 0:22:08.520
<v Speaker 2>kind of are You've got to be second guessing. Well,

0:22:09.200 --> 0:22:11.399
<v Speaker 2>how are the offenders monitoring me?

0:22:12.040 --> 0:22:12.320
<v Speaker 1>You know?

0:22:12.720 --> 0:22:15.720
<v Speaker 2>Could I do something that inadvertently I have no idea

0:22:15.760 --> 0:22:18.359
<v Speaker 2>that the offenders would be able to find out, and

0:22:18.400 --> 0:22:22.280
<v Speaker 2>now my loved one is hurt, so I can see

0:22:22.280 --> 0:22:25.640
<v Speaker 2>where the dilemma is. My position would be is, yeah,

0:22:25.680 --> 0:22:29.960
<v Speaker 2>I think it is more favorable to pull in law

0:22:30.040 --> 0:22:33.520
<v Speaker 2>enforcement up front than to try to handle this situation

0:22:34.119 --> 0:22:35.000
<v Speaker 2>just as a family.

0:22:35.440 --> 0:22:38.160
<v Speaker 1>Well that's what Ron wants to do. So they called

0:22:38.200 --> 0:22:41.880
<v Speaker 1>the police. They start working with the family. The officers

0:22:41.880 --> 0:22:44.800
<v Speaker 1>don't find very much physical evidence at all. They think

0:22:44.840 --> 0:22:48.080
<v Speaker 1>that Leslie was basically taken right from her bedroom, and

0:22:48.119 --> 0:22:51.399
<v Speaker 1>they said the only items that Dorothy say are missing

0:22:51.440 --> 0:22:55.160
<v Speaker 1>from the room were Leslie's blue robe and her pair

0:22:55.160 --> 0:22:58.600
<v Speaker 1>of slippers. It's the dead of winter, it's very very cold,

0:22:58.680 --> 0:23:00.800
<v Speaker 1>so they said she didn't even have a She is

0:23:00.840 --> 0:23:04.120
<v Speaker 1>not willingly leaving the house with a boyfriend or some

0:23:04.280 --> 0:23:07.359
<v Speaker 1>you know anything. She was taken. They really feel pretty

0:23:07.359 --> 0:23:11.800
<v Speaker 1>strongly about that. There's no substantial clothing taken along. So

0:23:12.400 --> 0:23:16.360
<v Speaker 1>once the police become involved, then the press becomes involved.

0:23:16.400 --> 0:23:18.919
<v Speaker 1>And this is the big problem. And we've seen this

0:23:18.960 --> 0:23:22.200
<v Speaker 1>with other stories too. There is a leak somewhere. Somebody

0:23:22.280 --> 0:23:24.639
<v Speaker 1>is leaking in all of our stories. Somebody leaks to

0:23:24.680 --> 0:23:29.359
<v Speaker 1>the press just hours after she's discovered missing. Paul, listen

0:23:29.400 --> 0:23:32.320
<v Speaker 1>to this. The BBC breaks in on the evening news

0:23:32.720 --> 0:23:38.040
<v Speaker 1>because she's an heiress, very wealthy, young teenage girl, an heiress,

0:23:38.480 --> 0:23:41.560
<v Speaker 1>and she is missing, and the BBC breaks in and

0:23:41.600 --> 0:23:45.240
<v Speaker 1>the police freak out, as would anybody, and they say,

0:23:45.560 --> 0:23:48.080
<v Speaker 1>this obviously is going to spook the kidnapper, and they

0:23:48.119 --> 0:23:51.439
<v Speaker 1>call off the plan to have Ron wait at this

0:23:51.560 --> 0:23:55.480
<v Speaker 1>designated payphone with the ransom money. So you know, the

0:23:55.560 --> 0:23:58.360
<v Speaker 1>kidnappers had given him specific instructions, and the police say,

0:23:58.480 --> 0:24:00.720
<v Speaker 1>we're not going to do that. I'm not sure that's

0:24:00.760 --> 0:24:02.359
<v Speaker 1>a great idea, But what do you think.

0:24:02.640 --> 0:24:04.760
<v Speaker 2>Yeah, I'm not sure why they would have him not

0:24:04.880 --> 0:24:08.679
<v Speaker 2>do it unless the media got a hold of the

0:24:08.720 --> 0:24:12.199
<v Speaker 2>information as to which telephone booth and that window of

0:24:12.320 --> 0:24:14.760
<v Speaker 2>time that he was supposed to receive a phone call.

0:24:15.040 --> 0:24:19.080
<v Speaker 2>I would imagine with the high profile nature of this

0:24:19.240 --> 0:24:24.520
<v Speaker 2>family that now you know what we've seen over there

0:24:24.680 --> 0:24:28.720
<v Speaker 2>in Britain with the paparazzi. You know, they're very, very aggressive.

0:24:29.200 --> 0:24:32.400
<v Speaker 2>So I imagine you possibly have media that's following we're

0:24:32.400 --> 0:24:34.879
<v Speaker 2>on around you now that they know about it, and

0:24:34.920 --> 0:24:37.280
<v Speaker 2>that maybe why law enforcement is saying, okay, hold on,

0:24:37.640 --> 0:24:40.600
<v Speaker 2>you know, we can't have this. This just isn't going

0:24:40.640 --> 0:24:42.560
<v Speaker 2>to work because the media is going to see what

0:24:42.640 --> 0:24:44.879
<v Speaker 2>telephone booth we're on is going to and that he

0:24:44.920 --> 0:24:47.679
<v Speaker 2>has I mean, the kidnappers said anywhere. I think he

0:24:47.720 --> 0:24:51.000
<v Speaker 2>said like from six pm to one am, like some

0:24:51.160 --> 0:24:54.480
<v Speaker 2>huge window of time that they might be calling within

0:24:54.880 --> 0:24:58.640
<v Speaker 2>that whole plan is shot. I'm now understanding why law

0:24:58.680 --> 0:24:59.960
<v Speaker 2>enforcement would call this off.

0:25:00.520 --> 0:25:03.080
<v Speaker 1>Okay, so now we kind of have to deviate into

0:25:03.320 --> 0:25:06.119
<v Speaker 1>a little bit of a different storyline that works with

0:25:06.280 --> 0:25:10.560
<v Speaker 1>the main storyline. So Ron does not call one am

0:25:10.720 --> 0:25:14.200
<v Speaker 1>passes A few hours after that, in the very early

0:25:14.320 --> 0:25:17.880
<v Speaker 1>hours of January fifteenth, there is a security guard named

0:25:17.920 --> 0:25:21.560
<v Speaker 1>Gerald Smith. He's on shift at a rail yard in Dudley,

0:25:21.600 --> 0:25:24.040
<v Speaker 1>which is about twenty five miles east of highly He's

0:25:24.040 --> 0:25:28.359
<v Speaker 1>forty four, and during his shift he sees a man

0:25:28.480 --> 0:25:32.240
<v Speaker 1>driving around the property and he approaches this guy. He

0:25:32.520 --> 0:25:35.359
<v Speaker 1>doesn't belong here. It's unclear if at this point the

0:25:35.400 --> 0:25:37.360
<v Speaker 1>man is in the vehicle or if he's outside of it,

0:25:37.480 --> 0:25:41.080
<v Speaker 1>but Gerald confronts him, says, you're not supposed to be here,

0:25:41.160 --> 0:25:44.560
<v Speaker 1>it's late, and he is shot six times. The gunman

0:25:44.600 --> 0:25:47.800
<v Speaker 1>then flees on foot, leaving the car that he was

0:25:47.880 --> 0:25:50.160
<v Speaker 1>driving behind, and I have a picture of that car.

0:25:50.320 --> 0:25:54.600
<v Speaker 1>It is related to this case. Gerald survives, He makes

0:25:54.640 --> 0:25:58.879
<v Speaker 1>it back to his office and he calls for help,

0:25:59.560 --> 0:26:03.920
<v Speaker 1>and the newspaper reports say that what the gunman wanted

0:26:03.960 --> 0:26:08.159
<v Speaker 1>and why he acted with such ferocity when challenged is

0:26:08.160 --> 0:26:11.160
<v Speaker 1>puzzling to police. And then they start searching for this,

0:26:11.760 --> 0:26:15.400
<v Speaker 1>you know, countrywide hunt for this man. Of course, they're

0:26:15.440 --> 0:26:17.880
<v Speaker 1>not quite connecting it. I know they're connected, but they're

0:26:17.920 --> 0:26:21.200
<v Speaker 1>not quite connecting this yet. So we have had some

0:26:21.280 --> 0:26:24.240
<v Speaker 1>really dumb kidnappers, you know, where things have happened and

0:26:24.280 --> 0:26:26.680
<v Speaker 1>it's they've been sort of not accidental, but they're kind

0:26:26.680 --> 0:26:31.080
<v Speaker 1>of bumbling kidnappers. These are connected, and this is violent.

0:26:31.240 --> 0:26:33.479
<v Speaker 1>So this is somebody who is using a gun and

0:26:33.520 --> 0:26:34.480
<v Speaker 1>almost killed someone.

0:26:34.960 --> 0:26:38.119
<v Speaker 2>Well, I think it's you know, we're talking over there

0:26:38.480 --> 0:26:41.840
<v Speaker 2>in Britain where there aren't a lot of guns. Right,

0:26:41.880 --> 0:26:44.119
<v Speaker 2>of course, I'm kind of curious if the security guard

0:26:44.240 --> 0:26:46.560
<v Speaker 2>got a description of the type of firearm, description of

0:26:46.560 --> 0:26:48.639
<v Speaker 2>the offender who shot him. You said, you have a

0:26:48.640 --> 0:26:52.800
<v Speaker 2>photograph of the car, you know, so this is in

0:26:52.840 --> 0:26:55.800
<v Speaker 2>many ways. Of course, you know, law enforcements treated it

0:26:55.880 --> 0:27:00.400
<v Speaker 2>as a standalone seeing a standalone case and know it's

0:27:00.440 --> 0:27:04.520
<v Speaker 2>related to Leslie's subduction, But there could be a lot

0:27:04.640 --> 0:27:09.280
<v Speaker 2>of evidence that could help solve who this offender was

0:27:09.359 --> 0:27:10.640
<v Speaker 2>in the security guard shooting.

0:27:11.240 --> 0:27:13.000
<v Speaker 1>I'll show you the car in a second, because I

0:27:13.040 --> 0:27:15.480
<v Speaker 1>have a second photo that goes with the car that

0:27:15.760 --> 0:27:19.159
<v Speaker 1>makes the connection for us between Leslie's kidnapping and this

0:27:19.280 --> 0:27:23.800
<v Speaker 1>shooting of this guard at this freightline yard. Okay, so

0:27:24.280 --> 0:27:28.760
<v Speaker 1>the kidnapper does not apparently know that the police are

0:27:28.800 --> 0:27:32.560
<v Speaker 1>working with this family, so he connects with the family.

0:27:32.880 --> 0:27:37.800
<v Speaker 1>So he kidnaps her on the fourteenth of January. Two

0:27:37.880 --> 0:27:40.399
<v Speaker 1>days later, he gets in touch with the family with

0:27:40.480 --> 0:27:43.120
<v Speaker 1>a phone call to her house. You know, he cut

0:27:43.200 --> 0:27:45.720
<v Speaker 1>their phone lines. We're assuming so I guess he thought

0:27:45.760 --> 0:27:48.879
<v Speaker 1>they were getting him fixed. He calls Dorothy's house and instead,

0:27:48.960 --> 0:27:52.520
<v Speaker 1>so listen to this instead of talking to the family.

0:27:52.920 --> 0:27:55.480
<v Speaker 1>He when they pick up, he plays a tape recording

0:27:55.600 --> 0:27:59.240
<v Speaker 1>of Leslie's voice, which must have just been terrifying. Sure,

0:28:00.080 --> 0:28:01.479
<v Speaker 1>I'll tell you what she said, but you tell me

0:28:01.480 --> 0:28:02.280
<v Speaker 1>what you think first.

0:28:02.600 --> 0:28:07.600
<v Speaker 2>Well. I think using the victim's voice in part is

0:28:07.640 --> 0:28:11.720
<v Speaker 2>to try to convince the family that Leslie is still

0:28:11.720 --> 0:28:17.240
<v Speaker 2>alive and is still cognisant. However, by using a tape recording,

0:28:18.000 --> 0:28:20.359
<v Speaker 2>you know, that is something that could have been recorded

0:28:20.480 --> 0:28:25.280
<v Speaker 2>earlier and Leslie could have suffered harm where she is

0:28:25.359 --> 0:28:30.639
<v Speaker 2>no longer alive, you know, Yet the offender can utilize

0:28:30.640 --> 0:28:33.359
<v Speaker 2>that recording to convince the family to move forward with

0:28:33.480 --> 0:28:36.920
<v Speaker 2>the ransom aspect. Of course, you know, the offender is

0:28:36.960 --> 0:28:41.680
<v Speaker 2>also using Leslie's voice to pull out the heartstrings. You know. Okay,

0:28:41.840 --> 0:28:44.920
<v Speaker 2>there's my loved one is on the other end, and

0:28:45.160 --> 0:28:47.560
<v Speaker 2>I have to double down and get the money out

0:28:47.600 --> 0:28:50.440
<v Speaker 2>so I can get Leslie back. Is probably part of

0:28:50.480 --> 0:28:53.840
<v Speaker 2>the reason to use her voice and the offender. By

0:28:53.880 --> 0:28:59.200
<v Speaker 2>recording Leslie as opposed to having Leslie just talk on

0:28:59.280 --> 0:29:02.880
<v Speaker 2>the phone, the defender has absolute control over what is

0:29:02.960 --> 0:29:07.200
<v Speaker 2>said over that phone call, versus Leslie blurting something out

0:29:07.720 --> 0:29:10.880
<v Speaker 2>that the offender doesn't want blurted out during let's say

0:29:10.920 --> 0:29:12.200
<v Speaker 2>a live phone call.

0:29:13.960 --> 0:29:17.640
<v Speaker 1>Well, this is terrifying, I'm sure to her mother. This

0:29:17.800 --> 0:29:22.280
<v Speaker 1>is what the taped message says in Leslie's voice, Mum,

0:29:22.680 --> 0:29:27.800
<v Speaker 1>you are to go to the Kidsgrove Post office telephone box.

0:29:27.840 --> 0:29:32.040
<v Speaker 1>That's another town. The instructions are inside behind the backboard.

0:29:32.480 --> 0:29:37.040
<v Speaker 1>I'm okay, but there's to be no police and no tricks. Okay.

0:29:37.720 --> 0:29:40.240
<v Speaker 1>And he plays it twice. So what do you think

0:29:40.240 --> 0:29:40.680
<v Speaker 1>about that?

0:29:41.280 --> 0:29:45.880
<v Speaker 2>It's completely in line with the first instructions that had

0:29:45.880 --> 0:29:50.520
<v Speaker 2>been left that weren't followed through on. This appears to

0:29:50.560 --> 0:29:54.600
<v Speaker 2>be a process that the offender has got worked out

0:29:54.640 --> 0:29:57.600
<v Speaker 2>in his head that he's comfortable with. And I wonder,

0:29:58.080 --> 0:30:02.880
<v Speaker 2>you know, the these telephone booth they have a they're

0:30:02.920 --> 0:30:06.920
<v Speaker 2>somewhat spread out, right, you know, because they're they're standalone.

0:30:06.960 --> 0:30:09.520
<v Speaker 2>You don't have like a cluster of these where you

0:30:09.560 --> 0:30:11.600
<v Speaker 2>have a bunch of people, you know, like we'll see

0:30:11.640 --> 0:30:14.360
<v Speaker 2>like banks of payphones back in the day here in

0:30:14.360 --> 0:30:16.280
<v Speaker 2>the United States, and so you have people that are

0:30:16.320 --> 0:30:20.640
<v Speaker 2>just constantly flowing up to these payphones. These telephone booths

0:30:20.680 --> 0:30:26.200
<v Speaker 2>are stand alone, and I would imagine that he's selecting

0:30:26.520 --> 0:30:32.080
<v Speaker 2>telephone boosts that he can observe without being seen himself,

0:30:33.160 --> 0:30:37.320
<v Speaker 2>just to see is let's say Dorothy alone and if

0:30:37.320 --> 0:30:39.960
<v Speaker 2>it's not him, you know, do we have do we

0:30:40.000 --> 0:30:42.400
<v Speaker 2>have a group that's involved with this? Is is there

0:30:42.440 --> 0:30:44.280
<v Speaker 2>a member of the group that would be able to

0:30:44.320 --> 0:30:49.240
<v Speaker 2>observe this telephone booth from afar and see and evaluate

0:30:49.360 --> 0:30:52.360
<v Speaker 2>whether or not Dorothy's following instructions and doesn't appear that

0:30:52.400 --> 0:30:55.760
<v Speaker 2>there's any law enforcement or any any shenanigans going on

0:30:55.440 --> 0:30:56.920
<v Speaker 2>on Dorothy's.

0:30:56.440 --> 0:31:00.640
<v Speaker 1>Part, Well, let's continue on. They put a wae him,

0:31:01.120 --> 0:31:03.680
<v Speaker 1>which I'm not sure in seventy five, what do you

0:31:03.720 --> 0:31:05.920
<v Speaker 1>think that would have been, Like, what's a wire from

0:31:05.960 --> 0:31:08.680
<v Speaker 1>the police in seventy five, Well.

0:31:08.520 --> 0:31:12.080
<v Speaker 2>You know, it would be a microphone that would feed

0:31:12.240 --> 0:31:16.160
<v Speaker 2>into a recording device. And back in the seventies, likely

0:31:16.400 --> 0:31:19.840
<v Speaker 2>some sort of cassette tape. And I'm not sure if

0:31:19.840 --> 0:31:24.240
<v Speaker 2>this would have been you know, the standard size cassettes

0:31:24.280 --> 0:31:27.160
<v Speaker 2>that we used to buy our music on, or they

0:31:27.320 --> 0:31:30.720
<v Speaker 2>actually had microcassettes. You know that they could at least

0:31:30.760 --> 0:31:33.960
<v Speaker 2>have a smaller device on there, but I don't think

0:31:33.960 --> 0:31:37.320
<v Speaker 2>they had anything more sophisticated than that. In the mid seventies.

0:31:37.800 --> 0:31:40.280
<v Speaker 1>Well, Ron must be petrified. Also, they put a wire

0:31:40.320 --> 0:31:42.440
<v Speaker 1>on him and he has to drive to this payphone

0:31:42.480 --> 0:31:47.000
<v Speaker 1>in kids Grove as instructed and according to the Stoke

0:31:47.080 --> 0:31:50.320
<v Speaker 1>on Trent Live news website, this is sixty miles away.

0:31:50.600 --> 0:31:54.600
<v Speaker 1>Police discreetly, I mean discreetly. I have no idea if

0:31:54.600 --> 0:31:57.040
<v Speaker 1>they're really doing that. They discreetly follow him as he

0:31:57.080 --> 0:32:01.280
<v Speaker 1>goes along and Ron gets lost. He doesn't get there

0:32:01.360 --> 0:32:05.240
<v Speaker 1>until three am, and then it takes him another half

0:32:05.280 --> 0:32:08.840
<v Speaker 1>an hour to find the instructions behind this you know,

0:32:08.960 --> 0:32:13.400
<v Speaker 1>phones backboard. When he finds him, he's directed to another location.

0:32:14.200 --> 0:32:18.320
<v Speaker 1>It's a really pretty spot in Bathpool Park and the

0:32:18.400 --> 0:32:23.000
<v Speaker 1>kidnapper leaves this message for Ron. So he finds this message.

0:32:23.160 --> 0:32:26.200
<v Speaker 1>Go to the top of the lane and turn into

0:32:26.840 --> 0:32:31.000
<v Speaker 1>no entry, so I'm assuming the lane that says no intrigue.

0:32:31.120 --> 0:32:35.120
<v Speaker 1>Go to the wall and flashlights. Look for torch. Run

0:32:35.360 --> 0:32:40.080
<v Speaker 1>to torch. Further instructions on torch is a flashlight in

0:32:40.160 --> 0:32:43.160
<v Speaker 1>the UK. Ron is totally confused by this and I'll

0:32:43.160 --> 0:32:46.080
<v Speaker 1>just stop here. He does not know and it's not

0:32:46.160 --> 0:32:48.960
<v Speaker 1>just you. Ron is also confused by this message.

0:32:49.160 --> 0:32:52.959
<v Speaker 2>Yeah I'm not sure. So Ron is to drive basically

0:32:53.560 --> 0:32:56.480
<v Speaker 2>down this what we would say here in the United States,

0:32:56.560 --> 0:33:00.880
<v Speaker 2>you know, wrong way road, and then come to a

0:33:00.920 --> 0:33:06.160
<v Speaker 2>dead end and flash his headlights. If flashlights would be

0:33:06.240 --> 0:33:10.440
<v Speaker 2>signaling him back by being turned on and off, I mean,

0:33:10.440 --> 0:33:12.880
<v Speaker 2>that's kind of what I gathered, but then there would

0:33:12.880 --> 0:33:16.400
<v Speaker 2>be further instructions after those flashlights.

0:33:17.320 --> 0:33:19.920
<v Speaker 1>That's what Ron thinks. But nothing happens when he does

0:33:19.960 --> 0:33:22.400
<v Speaker 1>exactly what she just said. He doesn't see one. He's

0:33:22.480 --> 0:33:26.520
<v Speaker 1>very frustrated, and after about an hour of flashing his

0:33:26.640 --> 0:33:29.800
<v Speaker 1>lights and waiting for a signal, which I mean, I

0:33:29.840 --> 0:33:32.880
<v Speaker 1>know he's in a more isolated area, but flashing your

0:33:32.920 --> 0:33:34.440
<v Speaker 1>lights at three in the morning is going to get

0:33:34.440 --> 0:33:38.760
<v Speaker 1>somebody's attention. No response. He says that he gets out

0:33:38.800 --> 0:33:40.479
<v Speaker 1>of the car. The police watch him do this, and

0:33:40.520 --> 0:33:44.280
<v Speaker 1>he screams, this is Ron Whittle. Is anybody there? And

0:33:44.320 --> 0:33:48.960
<v Speaker 1>nobody responds smartly, He eventually leaves without dropping the ransom

0:33:49.040 --> 0:33:53.760
<v Speaker 1>money or obviously finding Leslie. So this has become a mess,

0:33:54.000 --> 0:33:58.000
<v Speaker 1>what the police involved and this kidnapper, These kidnappers who

0:33:58.040 --> 0:33:59.960
<v Speaker 1>don't know what they're doing obviously, I mean, they're making

0:34:00.120 --> 0:34:01.920
<v Speaker 1>it difficult for him to find the message in the

0:34:01.920 --> 0:34:04.440
<v Speaker 1>phone booth to begin with, and then they leave behind

0:34:04.680 --> 0:34:07.480
<v Speaker 1>a confusing message. It's like cloak and Dagger, but sort

0:34:07.520 --> 0:34:09.320
<v Speaker 1>of the stupid version. I guess.

0:34:09.680 --> 0:34:11.880
<v Speaker 2>Well, that's kind of what I'm debating in my head

0:34:12.000 --> 0:34:18.520
<v Speaker 2>is you know, how incompetent are these kidnappers? You know,

0:34:18.760 --> 0:34:22.200
<v Speaker 2>on one hand, you know, the way that they are

0:34:22.239 --> 0:34:25.960
<v Speaker 2>having Ron take these steps obviously is they're not getting

0:34:25.960 --> 0:34:28.640
<v Speaker 2>what they're after. The money isn't showing up because they're

0:34:28.680 --> 0:34:31.480
<v Speaker 2>making it too hard, and Ron getting lost on the

0:34:31.520 --> 0:34:35.239
<v Speaker 2>way to you know that one location with the telephone booth. Well,

0:34:35.480 --> 0:34:38.720
<v Speaker 2>I mean, yeah, you know, you think about before Google

0:34:38.800 --> 0:34:40.720
<v Speaker 2>Maps and if he had just as a paper map,

0:34:40.800 --> 0:34:42.640
<v Speaker 2>and you know the types of roads that are out

0:34:42.680 --> 0:34:45.239
<v Speaker 2>there in England. You know, I think it would be

0:34:45.280 --> 0:34:49.320
<v Speaker 2>expected that he would struggle to find the right location. However,

0:34:49.600 --> 0:34:54.520
<v Speaker 2>you know, something that I'm chewing on is this this

0:34:54.920 --> 0:34:57.839
<v Speaker 2>kind of this wrong way road that they have Ron

0:34:57.960 --> 0:35:03.760
<v Speaker 2>turned down. Was this a counter surveillance move that they're doing?

0:35:04.080 --> 0:35:07.600
<v Speaker 2>You know? Was the configuration of where Ron had to

0:35:07.680 --> 0:35:11.080
<v Speaker 2>drive to get to that road and then go onto

0:35:11.160 --> 0:35:14.920
<v Speaker 2>that road such that if there had been you know,

0:35:15.000 --> 0:35:20.040
<v Speaker 2>law enforcement somewhat tailing him from Afar, that it would

0:35:20.200 --> 0:35:23.879
<v Speaker 2>kind of expose that that tale was present, that there

0:35:23.960 --> 0:35:27.719
<v Speaker 2>was some active surveillance of Ron occurring by law enforcement,

0:35:27.800 --> 0:35:30.080
<v Speaker 2>you know. So that would tend to suggest that the

0:35:30.120 --> 0:35:33.759
<v Speaker 2>offenders are are thinking, Okay, hold on, we got we

0:35:33.840 --> 0:35:37.920
<v Speaker 2>got some issues with this whole kidnapping and the ransom demands.

0:35:38.760 --> 0:35:43.120
<v Speaker 2>What is going on with the family, Let's do something

0:35:43.160 --> 0:35:47.160
<v Speaker 2>to see if we can expose is law enforcement involved

0:35:47.280 --> 0:35:47.480
<v Speaker 2>or not?

0:35:48.239 --> 0:35:50.680
<v Speaker 1>Yeah, and this is turned into a nightmare. I feel

0:35:50.680 --> 0:35:53.920
<v Speaker 1>like the police are making questionable decisions. Let me tell

0:35:53.920 --> 0:35:55.480
<v Speaker 1>you what they do next, and you tell me what

0:35:55.520 --> 0:35:59.320
<v Speaker 1>you think. So they feel like this place, Bathpool Park,

0:35:59.440 --> 0:36:02.480
<v Speaker 1>where they were directed, is a hotspot. They feel like

0:36:02.560 --> 0:36:05.319
<v Speaker 1>Leslie could be here or there is a big clue here.

0:36:05.440 --> 0:36:08.640
<v Speaker 1>They were drawn here and the police have a discussion

0:36:08.880 --> 0:36:11.920
<v Speaker 1>with the family, and the police decide they're going to

0:36:12.000 --> 0:36:16.600
<v Speaker 1>do a discrete sweep of Bathpool Park the next morning.

0:36:16.880 --> 0:36:19.880
<v Speaker 1>So this is probably four hours, seven maybe five hours

0:36:20.000 --> 0:36:23.880
<v Speaker 1>after the family goes home. They don't find anything useful.

0:36:24.320 --> 0:36:26.600
<v Speaker 1>So when we say discrete, we mean they are not

0:36:26.719 --> 0:36:29.279
<v Speaker 1>doing a full on search, you know, for this young

0:36:29.320 --> 0:36:32.919
<v Speaker 1>woman in the park. They are concerned that a big,

0:36:33.000 --> 0:36:36.880
<v Speaker 1>high profile operation like that would make the kidnapper aware

0:36:36.960 --> 0:36:39.839
<v Speaker 1>of their involvement. On the other hand, if she's there

0:36:40.000 --> 0:36:43.839
<v Speaker 1>and alive, wouldn't a full scale search maybe find her.

0:36:44.239 --> 0:36:46.840
<v Speaker 2>We would discover her, you know, I think, you know,

0:36:46.880 --> 0:36:51.680
<v Speaker 2>if it is a full scale search, the concern would

0:36:51.760 --> 0:36:55.600
<v Speaker 2>be they don't know where she's at. They make their

0:36:55.600 --> 0:37:00.879
<v Speaker 2>presence obvious. Now the offenders have the advantage going up

0:37:01.000 --> 0:37:04.640
<v Speaker 2>law enforcements here, and now you know, Leslie could be

0:37:04.719 --> 0:37:07.480
<v Speaker 2>killed and the offenders you know, run off. So I

0:37:07.480 --> 0:37:14.719
<v Speaker 2>can understand where using a more discrete option might be preferable,

0:37:14.800 --> 0:37:20.120
<v Speaker 2>though obviously you can't be as thorough in any location.

0:37:20.800 --> 0:37:23.400
<v Speaker 2>I just kind of question when they say discrete, you know,

0:37:23.480 --> 0:37:26.600
<v Speaker 2>I is this you know, where they just have a

0:37:26.640 --> 0:37:29.960
<v Speaker 2>few people that are milling about and kind of you know,

0:37:30.280 --> 0:37:35.120
<v Speaker 2>knocking on some doors. Are we talking about full blown

0:37:35.200 --> 0:37:38.440
<v Speaker 2>spy versus spy where now you have what appears to

0:37:38.480 --> 0:37:41.719
<v Speaker 2>be utility work going on with men in uniforms, and

0:37:41.760 --> 0:37:44.800
<v Speaker 2>they're having to notify all the neighbors, Hey, we're about

0:37:44.840 --> 0:37:48.240
<v Speaker 2>to shut down your electrical or your phone lines, whatever else.

0:37:48.840 --> 0:37:53.200
<v Speaker 2>And now they can actually be much more aggressive in

0:37:53.280 --> 0:37:57.239
<v Speaker 2>terms of thoroughness by contacting all these places because they're

0:37:57.320 --> 0:38:00.640
<v Speaker 2>using a full blown ruse that might throw off the

0:38:00.680 --> 0:38:03.600
<v Speaker 2>offenders from suspecting this is a law enforcement operation.

0:38:04.800 --> 0:38:08.399
<v Speaker 1>Let's go with option number one, okay, which is men

0:38:08.480 --> 0:38:11.920
<v Speaker 1>in playing clothes, probably with sticks, poking around at bushes.

0:38:12.040 --> 0:38:14.040
<v Speaker 1>I do not think that is the kind of operation

0:38:14.200 --> 0:38:19.279
<v Speaker 1>that this police force is unfortunately operating under, because you know,

0:38:19.480 --> 0:38:21.640
<v Speaker 1>they are trying to be discreete they're scared. They don't

0:38:21.680 --> 0:38:24.239
<v Speaker 1>know what they're doing. I don't know why. You know,

0:38:24.360 --> 0:38:28.000
<v Speaker 1>Scotland Yard or someone bigger is not involved. But let's

0:38:28.080 --> 0:38:32.640
<v Speaker 1>keep going. So Dorothy and Ron are really really, of

0:38:32.680 --> 0:38:35.279
<v Speaker 1>course upset, and they're getting desperate, so they turn to

0:38:35.320 --> 0:38:40.920
<v Speaker 1>the media, hoping to issue a plea to the kidnappers directly. Unfortunately,

0:38:41.040 --> 0:38:44.000
<v Speaker 1>what happens is, you know, they say, of course we've

0:38:44.040 --> 0:38:46.560
<v Speaker 1>got you know, we've got ransom money here for you.

0:38:46.719 --> 0:38:50.920
<v Speaker 1>What ends up happening is scammers and hoaxers and they

0:38:50.960 --> 0:38:53.440
<v Speaker 1>are derailed because of this situation. And I know you're

0:38:53.480 --> 0:38:55.879
<v Speaker 1>nodding your head. And that is the risk with going

0:38:55.920 --> 0:38:57.360
<v Speaker 1>to the media sometimes, isn't it.

0:38:58.000 --> 0:39:00.640
<v Speaker 2>No, Yeah, you know, And now this is where the

0:39:00.800 --> 0:39:05.600
<v Speaker 2>general population nut jobs who want to have some notoriety

0:39:05.680 --> 0:39:10.320
<v Speaker 2>because they inserted themselves into the investigation just can cause

0:39:10.440 --> 0:39:12.920
<v Speaker 2>this case to go off the complete rails, you know.

0:39:13.640 --> 0:39:15.920
<v Speaker 2>You know, the complexity in this case, of course, is

0:39:16.000 --> 0:39:20.200
<v Speaker 2>early on the media got a hold of this, and now,

0:39:20.520 --> 0:39:23.560
<v Speaker 2>you know, law enforcement is trying to work behind the

0:39:23.600 --> 0:39:26.839
<v Speaker 2>scenes without alerting the media of what their operations are

0:39:27.520 --> 0:39:31.319
<v Speaker 2>and work with the family, and then family gets frustrated

0:39:31.360 --> 0:39:34.799
<v Speaker 2>with however, how these things are turning out, and now

0:39:34.840 --> 0:39:37.920
<v Speaker 2>it's just like, okay, you know, poor Leslie. At this point,

0:39:38.200 --> 0:39:40.239
<v Speaker 2>I think the killers, you know, this is where they

0:39:40.640 --> 0:39:43.319
<v Speaker 2>should be cutting bait and running. You know, they just

0:39:43.440 --> 0:39:47.319
<v Speaker 2>either leave Leslie or probably kill her to eliminate her

0:39:47.320 --> 0:39:49.960
<v Speaker 2>as a witness and get the hell out of Dodge.

0:39:50.000 --> 0:39:54.520
<v Speaker 1>Basically, well, that's not what happens with these guys. So

0:39:54.920 --> 0:39:57.720
<v Speaker 1>let's move forward. We're going to go back to Gerald Smith,

0:39:57.800 --> 0:40:00.960
<v Speaker 1>poor Gerald who was shot. So no idea why this

0:40:01.000 --> 0:40:03.120
<v Speaker 1>is happening, I guess you know, they have not made

0:40:03.160 --> 0:40:07.160
<v Speaker 1>this connection yet between the man who shot Gerald Smith

0:40:07.280 --> 0:40:11.319
<v Speaker 1>the guard at the railroad yard. They have not made

0:40:11.320 --> 0:40:14.760
<v Speaker 1>that connection yet. They have not searched this stolen car

0:40:15.040 --> 0:40:18.319
<v Speaker 1>that had been abandoned. The man who shot Gerald had

0:40:18.320 --> 0:40:21.360
<v Speaker 1>a car there. They finally searched it eight days later,

0:40:21.560 --> 0:40:24.480
<v Speaker 1>and listened to what they found. There's a gun that

0:40:24.840 --> 0:40:27.600
<v Speaker 1>was used to shoot Gerald, There's a box of bullets,

0:40:27.960 --> 0:40:34.440
<v Speaker 1>a foam mattress, a flashlight, several unused Dimo labels, a

0:40:34.480 --> 0:40:39.880
<v Speaker 1>tape recorder with cassettes, and her parents confirmed Leslie's slippers.

0:40:40.320 --> 0:40:43.040
<v Speaker 1>So now they've made the connection eight days later, and

0:40:43.080 --> 0:40:46.640
<v Speaker 1>I have photos of the car and of the tape recorder.

0:40:46.800 --> 0:40:49.840
<v Speaker 2>Is this the same law enforcement jurisdiction handling both Leslie's

0:40:49.880 --> 0:40:51.880
<v Speaker 2>abduction as well as this shooting.

0:40:52.280 --> 0:40:53.479
<v Speaker 1>That's the impression I'm getting.

0:40:53.520 --> 0:40:58.560
<v Speaker 2>Yes, Okay, yeah, I'm surprised, you know, I mean, especially

0:40:58.960 --> 0:41:01.720
<v Speaker 2>in Britain, when you have a shooting of a security guard,

0:41:01.880 --> 0:41:04.480
<v Speaker 2>I would have thought that that would be a high

0:41:04.480 --> 0:41:09.759
<v Speaker 2>priority case. And they don't pursue the evidence, you know,

0:41:10.160 --> 0:41:14.880
<v Speaker 2>search the offender's car for eight days. It's like, Okay,

0:41:14.960 --> 0:41:19.319
<v Speaker 2>either they really drop the ball on that inexcusably, or

0:41:19.880 --> 0:41:22.400
<v Speaker 2>is so much law enforcement resources being tied up with

0:41:22.480 --> 0:41:26.160
<v Speaker 2>Leslie's abduction that they don't have the manpower to do

0:41:26.280 --> 0:41:29.759
<v Speaker 2>some of what should be timely and routine tasks in

0:41:29.800 --> 0:41:32.160
<v Speaker 2>the investigation of the security guard shooting.

0:41:32.400 --> 0:41:34.799
<v Speaker 1>And keep in mind, this is not London, I mean,

0:41:34.840 --> 0:41:37.760
<v Speaker 1>and this is not a major city. This is a

0:41:37.800 --> 0:41:41.719
<v Speaker 1>series of small towns with I don't know how experienced

0:41:41.800 --> 0:41:45.480
<v Speaker 1>these folks are. I'm not reading the description Scotland yard

0:41:45.560 --> 0:41:49.279
<v Speaker 1>anywhere on this document, so you know this is not

0:41:49.320 --> 0:41:52.239
<v Speaker 1>as sophisticated I think as we think it could be,

0:41:52.560 --> 0:41:53.560
<v Speaker 1>or we wish it could be.

0:41:53.960 --> 0:41:57.800
<v Speaker 2>Yeah, and that's my guess. And I mean both types

0:41:57.840 --> 0:42:00.000
<v Speaker 2>of cases, the abduction of a seventeen year old girl

0:42:00.320 --> 0:42:03.960
<v Speaker 2>and a shooting, particularly a shooting in Britain, these are

0:42:04.000 --> 0:42:07.440
<v Speaker 2>cases that would be probably once in a career for

0:42:07.600 --> 0:42:13.839
<v Speaker 2>most of these investigators for this small department, So you know,

0:42:13.920 --> 0:42:16.520
<v Speaker 2>they may be just kind of fumbling around because they've

0:42:16.520 --> 0:42:20.439
<v Speaker 2>never experienced anything any one of these cases at a time,

0:42:20.680 --> 0:42:24.279
<v Speaker 2>let alone both of these types of cases. Kind of concurrently.

0:42:25.480 --> 0:42:27.360
<v Speaker 1>Let me show you the car. It's kind of a

0:42:27.360 --> 0:42:30.400
<v Speaker 1>cool little car. So there's the kidnappers car. It's stolen.

0:42:30.680 --> 0:42:32.160
<v Speaker 1>You know, he left it there, He shot the guard

0:42:32.200 --> 0:42:33.759
<v Speaker 1>and left it there. We don't know why he was

0:42:33.840 --> 0:42:36.839
<v Speaker 1>at this railway yard to begin with. We don't know.

0:42:37.239 --> 0:42:39.680
<v Speaker 2>Okay, well I'm you know right now, I'm just seeing

0:42:39.680 --> 0:42:42.759
<v Speaker 2>a picture of a looks like an old style four

0:42:42.800 --> 0:42:46.279
<v Speaker 2>doors at Anne that has the brand Morris on the

0:42:46.320 --> 0:42:49.799
<v Speaker 2>front grill. I just see the headlights, the bumper, the windshield,

0:42:49.920 --> 0:42:53.480
<v Speaker 2>The windows are rolled up. I was half expecting to

0:42:53.640 --> 0:42:57.680
<v Speaker 2>see some damage from bullets passing out of the vehicle

0:42:57.760 --> 0:43:01.320
<v Speaker 2>at the security guard. So maybe you know, a window

0:43:01.400 --> 0:43:04.200
<v Speaker 2>was down or the door was open. I don't know,

0:43:04.520 --> 0:43:06.560
<v Speaker 2>you know, but this is just its nondescript to me.

0:43:06.760 --> 0:43:09.440
<v Speaker 2>It just looks like a car that's just sitting, you know,

0:43:09.480 --> 0:43:10.360
<v Speaker 2>in a parking lot.

0:43:10.840 --> 0:43:14.359
<v Speaker 1>Yeah. So here down here is the tape recorder. You'll

0:43:14.360 --> 0:43:16.240
<v Speaker 1>probably recognize this type of tape recorder.

0:43:17.239 --> 0:43:20.799
<v Speaker 2>I had one pretty close to that, you know, when

0:43:20.840 --> 0:43:21.480
<v Speaker 2>I was younger.

0:43:21.640 --> 0:43:25.160
<v Speaker 1>This does date you, yes, So this is.

0:43:25.320 --> 0:43:30.720
<v Speaker 2>A photograph of a standard cassette player from from back

0:43:30.719 --> 0:43:32.600
<v Speaker 2>in the day. Yeah. I can't tell if there's a

0:43:32.600 --> 0:43:35.919
<v Speaker 2>cassette in there. Maybe there is a cassette. Yeah, in fact,

0:43:35.920 --> 0:43:38.440
<v Speaker 2>I think there is a cassette in that photograph, but

0:43:38.480 --> 0:43:42.640
<v Speaker 2>I'm not entirely sure, you know. So, this obviously would

0:43:42.680 --> 0:43:46.560
<v Speaker 2>be how they could record Leslie's voice to say that

0:43:46.640 --> 0:43:50.319
<v Speaker 2>message and then replay it several times during the phone call. Yep,

0:43:50.480 --> 0:43:55.080
<v Speaker 2>obviously they found, you know, evidence that's tying this car

0:43:56.040 --> 0:43:59.680
<v Speaker 2>to the abduction. But I mean in terms of the

0:43:59.719 --> 0:44:03.360
<v Speaker 2>evidents to identify the offender who's involved in the shooting,

0:44:03.480 --> 0:44:06.479
<v Speaker 2>you know, from Layton print processing on and inside the car,

0:44:06.760 --> 0:44:10.399
<v Speaker 2>Layton print processing on that cassette recorder. You know, there's

0:44:11.360 --> 0:44:15.120
<v Speaker 2>scores of evidence, you know that could be pursued, you know,

0:44:15.280 --> 0:44:19.759
<v Speaker 2>using the technologies of the mid nineteen seventies. And is

0:44:19.800 --> 0:44:24.360
<v Speaker 2>this car even registered to the person that's that abducted

0:44:24.480 --> 0:44:26.840
<v Speaker 2>Leslie or is it a stolen vehicle?

0:44:27.239 --> 0:44:29.799
<v Speaker 1>Yeah, I mean, this is really it gets so convoluted.

0:44:29.880 --> 0:44:32.239
<v Speaker 1>Now you know why this is a double episode. I

0:44:32.440 --> 0:44:35.640
<v Speaker 1>have a confusing thing piece of evidence here. Remember I

0:44:35.719 --> 0:44:38.040
<v Speaker 1>told you there are cassettes in this car, So they

0:44:38.280 --> 0:44:41.280
<v Speaker 1>did not discover anything inside this car until eight days

0:44:41.360 --> 0:44:44.960
<v Speaker 1>after Gerald was shot. They find the cassettes in the car.

0:44:45.520 --> 0:44:49.320
<v Speaker 1>The cassettes play more messages in Leslie's voice, which instruct

0:44:49.360 --> 0:44:52.320
<v Speaker 1>the family to head to a specific payphone in another

0:44:52.360 --> 0:44:56.920
<v Speaker 1>English town. One says this, please, Mum, go onto the

0:44:57.080 --> 0:45:00.880
<v Speaker 1>M six north to junction ten and onto the A

0:45:01.160 --> 0:45:06.120
<v Speaker 1>five four five towards Walsall instructions are taped under the

0:45:06.160 --> 0:45:09.120
<v Speaker 1>shelf of a telephone box. There's no need to worry, Mom,

0:45:09.160 --> 0:45:12.560
<v Speaker 1>I'm okay. I got a bit wet, but I'm quite

0:45:12.719 --> 0:45:16.759
<v Speaker 1>dry now. I'm being treated very well. Okay. So one,

0:45:16.840 --> 0:45:21.040
<v Speaker 1>I need your reaction to the reassurance he's obviously trying

0:45:21.080 --> 0:45:23.719
<v Speaker 1>to make her say to her mother. But number two,

0:45:24.640 --> 0:45:26.880
<v Speaker 1>I'm not quite sure what the point of these cassettes

0:45:26.920 --> 0:45:29.359
<v Speaker 1>are because they're laying. I know they were recorded, they're

0:45:29.440 --> 0:45:32.920
<v Speaker 1>laying in this car. They haven't been delivered. These are

0:45:33.040 --> 0:45:35.440
<v Speaker 1>undelivered instructions essentially.

0:45:35.760 --> 0:45:39.520
<v Speaker 2>Well, it sounds like the offenders had several different plans

0:45:39.560 --> 0:45:42.759
<v Speaker 2>depending on the circumstances that they were going to be

0:45:42.760 --> 0:45:47.120
<v Speaker 2>confronted with as the days went on. So they had

0:45:47.280 --> 0:45:52.760
<v Speaker 2>Leslie pre record Plan A, Plan B, Plan C, whatever

0:45:53.400 --> 0:45:57.759
<v Speaker 2>it was, and then implemented one of those plans with

0:45:58.000 --> 0:46:02.640
<v Speaker 2>the actual phone call with Leslie's voice telling Dorothy, this

0:46:02.680 --> 0:46:05.560
<v Speaker 2>is what I want you to do now right now.

0:46:05.560 --> 0:46:08.120
<v Speaker 2>Of course, we don't know why they chose that particular

0:46:08.280 --> 0:46:12.080
<v Speaker 2>plan over the others, but this gives me a little

0:46:12.080 --> 0:46:15.640
<v Speaker 2>bit of concern, you know, I know Leslie's voice is

0:46:15.640 --> 0:46:18.160
<v Speaker 2>saying that she's being treated well. That only she got

0:46:18.200 --> 0:46:21.520
<v Speaker 2>a little bit wet, which I'm assuming is during the abduction.

0:46:21.600 --> 0:46:24.440
<v Speaker 2>Maybe it was raining that night or something. No, it

0:46:24.480 --> 0:46:28.759
<v Speaker 2>was winter, Okay, yeah, January. But to record these plans,

0:46:28.920 --> 0:46:31.280
<v Speaker 2>all these plans ahead of time and right now, maybe

0:46:31.320 --> 0:46:34.680
<v Speaker 2>I'm exaggerating in terms of the number of plans that

0:46:34.680 --> 0:46:40.040
<v Speaker 2>they recorded, But are they capturing Leslie's voice because their

0:46:40.120 --> 0:46:42.799
<v Speaker 2>plan was that she was going to be dead very

0:46:42.840 --> 0:46:46.560
<v Speaker 2>shortly afterwards. You know, That's where I'm getting a little

0:46:46.600 --> 0:46:48.080
<v Speaker 2>bit concerned about that.

0:46:48.719 --> 0:46:52.080
<v Speaker 1>Well, there's even more to be concerned about. So there

0:46:52.200 --> 0:46:56.320
<v Speaker 1>are some fingerprints that they are able to match from

0:46:56.800 --> 0:47:01.040
<v Speaker 1>Jerald's crime scene where he has been shot, to a

0:47:01.080 --> 0:47:06.200
<v Speaker 1>series of violent robberies that include murders starting in nineteen

0:47:06.280 --> 0:47:10.200
<v Speaker 1>seventy four. These are all postal workers. These are all

0:47:10.280 --> 0:47:13.560
<v Speaker 1>murders that were connected, like I said, through fingerprints and

0:47:13.600 --> 0:47:19.160
<v Speaker 1>some ballistics. They said, so the last postal worker who

0:47:19.239 --> 0:47:22.359
<v Speaker 1>was murdered, robbed and murdered was killed in November of

0:47:22.440 --> 0:47:27.600
<v Speaker 1>seventy four, and that's just two months before Leslie was kidnapped.

0:47:27.960 --> 0:47:31.000
<v Speaker 1>So these are really, I mean, it sounds like just

0:47:31.040 --> 0:47:35.640
<v Speaker 1>like awful violent robberies. And because these have all been

0:47:35.680 --> 0:47:39.960
<v Speaker 1>nearly identical and there are at different locations across the country,

0:47:40.160 --> 0:47:43.120
<v Speaker 1>the investigators believe the perpetrator is the same man they're

0:47:43.160 --> 0:47:45.399
<v Speaker 1>just they all feel the same, and of course now

0:47:45.400 --> 0:47:49.440
<v Speaker 1>they have these fingerprints. He's eventually dubbed the Black Panther

0:47:49.800 --> 0:47:52.680
<v Speaker 1>by the press because of his knack for wearing all black,

0:47:52.880 --> 0:47:56.040
<v Speaker 1>including a you know, like a head covering that covers

0:47:56.160 --> 0:47:58.960
<v Speaker 1>you know, his entire head except from two eye holes,

0:47:59.080 --> 0:48:02.840
<v Speaker 1>and witnesses he says he moves very swiftly during the robberies.

0:48:03.000 --> 0:48:06.560
<v Speaker 1>You know, the press loves a good moniker. So the

0:48:06.600 --> 0:48:10.720
<v Speaker 1>bottom line is now the main suspect here, who's connected

0:48:10.760 --> 0:48:13.919
<v Speaker 1>to the car, who's connected to Gerald, who is still

0:48:13.920 --> 0:48:19.000
<v Speaker 1>in critical condition but awake, connected to the kidnapping of Leslie.

0:48:19.040 --> 0:48:21.560
<v Speaker 1>All of these surround this one man that they've dubbed

0:48:21.640 --> 0:48:22.680
<v Speaker 1>the Black Panther.

0:48:23.200 --> 0:48:27.920
<v Speaker 2>Yeah, so they're finding Layton's from these various robbery scenes

0:48:28.000 --> 0:48:33.920
<v Speaker 2>and homicide scenes of postal workers that they are able

0:48:33.960 --> 0:48:37.520
<v Speaker 2>to interconnect. They don't know who this man is, this

0:48:37.640 --> 0:48:42.320
<v Speaker 2>black Panther man. And then now with the security guard shooting,

0:48:42.440 --> 0:48:45.920
<v Speaker 2>they get latens I'm assuming either from the car or

0:48:45.960 --> 0:48:48.759
<v Speaker 2>from objects that they collect out of the car that

0:48:48.920 --> 0:48:52.400
<v Speaker 2>have that they're able to connect to these prior robberies

0:48:52.480 --> 0:48:56.280
<v Speaker 2>and homicides of the postal workers. So now black Panther

0:48:56.480 --> 0:48:59.640
<v Speaker 2>is suspect number one. They just don't know who black

0:48:59.680 --> 0:49:04.080
<v Speaker 2>panther there is. When you think about these robberies, you know,

0:49:04.440 --> 0:49:08.359
<v Speaker 2>robbery is typically a financially motivated crime, you know, And

0:49:08.400 --> 0:49:11.920
<v Speaker 2>why go after postal workers? Are you going after you know,

0:49:12.040 --> 0:49:15.080
<v Speaker 2>paychecks that are in the mail? Are you going after

0:49:15.320 --> 0:49:19.480
<v Speaker 2>other items of value that these postal workers would have

0:49:19.640 --> 0:49:21.440
<v Speaker 2>had in on their routes?

0:49:21.760 --> 0:49:22.000
<v Speaker 1>You know?

0:49:22.120 --> 0:49:25.000
<v Speaker 2>But typically it's a financially motivated crime, and of course

0:49:25.040 --> 0:49:28.759
<v Speaker 2>this kidnapping if Leslie, is a financially motivated crime, even

0:49:28.800 --> 0:49:32.040
<v Speaker 2>though it's a it's a very different type of financially

0:49:32.040 --> 0:49:35.799
<v Speaker 2>motivated crime, but the fundamental motive is there, you know.

0:49:35.880 --> 0:49:38.880
<v Speaker 2>And now you have you have fingerprints that are are

0:49:38.920 --> 0:49:39.960
<v Speaker 2>matching everything up.

0:49:40.239 --> 0:49:40.479
<v Speaker 1>Yep.

0:49:40.719 --> 0:49:42.840
<v Speaker 2>It's just who is it? Who is this black panther?

0:49:43.480 --> 0:49:45.840
<v Speaker 1>That's what we're going to have to find out next week, Paul,

0:49:46.239 --> 0:49:49.080
<v Speaker 1>Who is it? And where is Leslie? Where is she?

0:49:49.280 --> 0:49:52.960
<v Speaker 1>What happened? Does he ever make a connection with the family. Again,

0:49:53.200 --> 0:49:57.359
<v Speaker 1>Ron and Dorothy are just beside themselves. The police are

0:49:57.400 --> 0:50:00.560
<v Speaker 1>not doing a great job. It sounds like I things

0:50:00.640 --> 0:50:02.440
<v Speaker 1>are going to get better, but we're going to have

0:50:02.480 --> 0:50:03.520
<v Speaker 1>to find out next week.

0:50:03.800 --> 0:50:06.560
<v Speaker 2>Yeah, things are not looking good for Leslie because you

0:50:06.640 --> 0:50:09.080
<v Speaker 2>have the black panther who is willing to kill prior

0:50:10.160 --> 0:50:14.280
<v Speaker 2>is he willing to kill her? So I will wait

0:50:14.600 --> 0:50:16.800
<v Speaker 2>and hear the rest of the story.

0:50:17.400 --> 0:50:19.240
<v Speaker 1>Okay, I'll be back with you in a week.

0:50:19.800 --> 0:50:20.759
<v Speaker 2>Sounds good.

0:50:24.520 --> 0:50:27.840
<v Speaker 1>This has been an exactly right production for our sources

0:50:27.840 --> 0:50:31.400
<v Speaker 1>and show notes go to exactlyrightmedia dot com slash Buried

0:50:31.400 --> 0:50:35.000
<v Speaker 1>Bones sources. Our senior producer is Alexis Emosi.

0:50:35.320 --> 0:50:39.520
<v Speaker 2>Research by Maren mcclashan, Ali Elkin, and Kate Winkler Dawson.

0:50:39.800 --> 0:50:42.080
<v Speaker 1>Our mixing engineer is Ben Tolliday.

0:50:42.360 --> 0:50:44.640
<v Speaker 2>Our theme song is by Tom Bryfogel.

0:50:44.920 --> 0:50:46.920
<v Speaker 1>Our artwork is by Vanessa Lilac.

0:50:47.200 --> 0:50:51.360
<v Speaker 2>Executive produced by Karen Kilgarriff, Georgia hard Stark, and Danielle Kramer.

0:50:51.600 --> 0:50:55.000
<v Speaker 1>You can follow Buried Bones on Instagram and Facebook at

0:50:55.080 --> 0:50:56.240
<v Speaker 1>Barry Bones Pod.

0:50:56.680 --> 0:50:59.240
<v Speaker 2>Kate's most recent book, All That Is Wicked, a Gilded

0:50:59.239 --> 0:51:01.960
<v Speaker 2>Age story of and the race to decote the criminal mind,

0:51:02.120 --> 0:51:03.040
<v Speaker 2>is available now

0:51:03.400 --> 0:51:07.680
<v Speaker 1>And Paul's best selling memoir Unmasked, My life Solving America's

0:51:07.680 --> 0:51:09.719
<v Speaker 1>Cold Cases is also available now