1 00:00:03,760 --> 00:00:10,480 Speaker 1: Hello, Hey, yes, Hey, this is Io Rebecca Wrights kid. Wow. 2 00:00:10,760 --> 00:00:14,280 Speaker 1: I can't believe you called just one second. Basically, they 3 00:00:14,280 --> 00:00:16,840 Speaker 1: could have been here from like September. For the past 4 00:00:16,880 --> 00:00:20,360 Speaker 1: few months, I've been looking into the murder of Billy Balls, 5 00:00:20,400 --> 00:00:23,479 Speaker 1: the love of my mom's life. I've nailed down some 6 00:00:23,560 --> 00:00:26,240 Speaker 1: of his history, and I've heard my mom's version of 7 00:00:26,280 --> 00:00:29,160 Speaker 1: what happened to him. But I want some more perspectives, 8 00:00:29,600 --> 00:00:31,720 Speaker 1: so I'm getting in touch with other people who were 9 00:00:31,760 --> 00:00:34,199 Speaker 1: close to that. I gotta take this phone call. I 10 00:00:34,240 --> 00:00:37,600 Speaker 1: can't believe it. How are you? I'm really good, I'm 11 00:00:37,640 --> 00:00:40,800 Speaker 1: really good. How are you? I'm really bad. This is 12 00:00:40,840 --> 00:00:44,360 Speaker 1: an old friend of my mom's. We're calling her Natasha. 13 00:00:44,600 --> 00:00:46,559 Speaker 1: We haven't spoken since I was a little kid. I 14 00:00:46,560 --> 00:00:51,240 Speaker 1: hope you're not calling it that Rebecca. No, no, okay, 15 00:00:51,479 --> 00:00:55,520 Speaker 1: she's fine, she's fine. Yeah, yeah, you know I'm I'm 16 00:00:55,600 --> 00:00:59,800 Speaker 1: calling because I'm making a podcast trying to figure out 17 00:01:00,080 --> 00:01:05,039 Speaker 1: what the funk happened to Billy Balls. Oh really, Okay. 18 00:01:05,080 --> 00:01:07,480 Speaker 1: I have a theory on it because I was around 19 00:01:07,560 --> 00:01:10,680 Speaker 1: at that time, and I don't know if I really 20 00:01:10,720 --> 00:01:18,880 Speaker 1: want to say that. I mean, basically, but wait, this 21 00:01:18,920 --> 00:01:24,480 Speaker 1: is not Oh my God, she didn't hang up fuck me. 22 00:01:26,240 --> 00:01:30,000 Speaker 1: It's like a moment in a movie where like the 23 00:01:30,080 --> 00:01:38,800 Speaker 1: person who did it was hello, Hey, sorry, I don't 24 00:01:38,840 --> 00:01:43,120 Speaker 1: know what happened. Um See, I don't know if I 25 00:01:43,240 --> 00:01:47,720 Speaker 1: really feel comfortable telling the story, like I don't think 26 00:01:47,720 --> 00:01:51,880 Speaker 1: I mean my version of the story. I don't know. 27 00:01:52,080 --> 00:01:54,480 Speaker 1: It's may be different than my back us, but I 28 00:01:54,520 --> 00:01:59,480 Speaker 1: would rather do it in person. He wasn't innocent. He 29 00:01:59,640 --> 00:02:05,760 Speaker 1: was not innocent. Today on the show a few theories 30 00:02:05,800 --> 00:02:08,200 Speaker 1: about how a darker side of Billy may have led 31 00:02:08,240 --> 00:02:13,760 Speaker 1: to his death from Crimetown. I'm io till it right, 32 00:02:14,360 --> 00:02:22,200 Speaker 1: and this is the ballad of Billy balls, they says. 33 00:02:23,040 --> 00:02:29,720 Speaker 1: William Heinzman is shot five times. Any impression of who 34 00:02:29,800 --> 00:02:37,000 Speaker 1: had shot him undercover car The dude that shot him 35 00:02:37,240 --> 00:02:41,120 Speaker 1: came to the hospital and said to him, if it 36 00:02:41,280 --> 00:02:53,400 Speaker 1: was up to me, you wouldn't be in here. Chapter four, 37 00:02:54,160 --> 00:03:09,240 Speaker 1: Get in the Wind. How Natasha left us with a 38 00:03:09,280 --> 00:03:12,440 Speaker 1: cliffhanger that she wanted to discuss in person. So my 39 00:03:12,520 --> 00:03:15,080 Speaker 1: producer Austin and I went up to her apartment on 40 00:03:15,120 --> 00:03:20,240 Speaker 1: the Upper East Side. So, uh, my first question is 41 00:03:20,720 --> 00:03:23,440 Speaker 1: like kind of when you met Billy, like described Billy 42 00:03:23,520 --> 00:03:27,679 Speaker 1: for me as a person, well, it was an original 43 00:03:27,840 --> 00:03:32,080 Speaker 1: for sure. He wore a hat, usually a black hat, 44 00:03:32,840 --> 00:03:36,240 Speaker 1: and he wore white socks with black shoes, and uh, 45 00:03:36,320 --> 00:03:39,320 Speaker 1: he was skinning. I had a lot of energy. He 46 00:03:39,400 --> 00:03:45,440 Speaker 1: had a great voice, and I thought he wrote amazing 47 00:03:45,720 --> 00:03:48,680 Speaker 1: lyrics like I'd rather have a bottle in front of 48 00:03:48,720 --> 00:03:51,760 Speaker 1: me than a front of the bottomy, rather have a 49 00:03:51,800 --> 00:03:57,480 Speaker 1: bottom of the bottom. That he had a sense of 50 00:03:57,560 --> 00:04:00,520 Speaker 1: humor to him. And I also know he really loved 51 00:04:01,160 --> 00:04:06,640 Speaker 1: Rebecca that I could tap. Natasha remembers Billy's tenderness towards 52 00:04:06,680 --> 00:04:11,320 Speaker 1: my mom when she would be doing her exercises back, 53 00:04:11,560 --> 00:04:13,720 Speaker 1: like where her abdomen was stretched out and she was 54 00:04:14,000 --> 00:04:17,200 Speaker 1: she was weightlifting. He would like go after her stomach 55 00:04:17,279 --> 00:04:20,200 Speaker 1: like a career, you know, like cut that out. You know. 56 00:04:20,360 --> 00:04:23,120 Speaker 1: He would always like he was like a prankster. He 57 00:04:23,240 --> 00:04:25,840 Speaker 1: was like a dark haired Dennis the Menace in a way. 58 00:04:27,080 --> 00:04:31,800 Speaker 1: And I thought Billy was extremely talented. In the early eighties, 59 00:04:32,080 --> 00:04:36,560 Speaker 1: Natasha was experimenting with a music career and I was 60 00:04:36,600 --> 00:04:39,720 Speaker 1: working with Billy. I used to pay him to work 61 00:04:39,760 --> 00:04:42,920 Speaker 1: with him. I would go to the basement and he 62 00:04:42,960 --> 00:04:45,479 Speaker 1: would play the piano and I would do some singing 63 00:04:45,560 --> 00:04:48,600 Speaker 1: and try to write songs with him the basement of 64 00:04:48,640 --> 00:04:54,160 Speaker 1: the storefront. But Natasha didn't have a ton of musical experience. 65 00:04:54,279 --> 00:04:56,720 Speaker 1: I didn't even know where what's called one is, like 66 00:04:56,720 --> 00:05:00,600 Speaker 1: like when you're supposed to start a song like And 67 00:05:00,680 --> 00:05:03,520 Speaker 1: when he tried to create songs with me, he couldn't 68 00:05:03,600 --> 00:05:08,599 Speaker 1: understand why I didn't know where one was. You got 69 00:05:08,600 --> 00:05:20,240 Speaker 1: to learn account man, walk me through that whole situation. 70 00:05:20,960 --> 00:05:24,200 Speaker 1: And then Natasha started to tell us her theory about 71 00:05:24,240 --> 00:05:28,559 Speaker 1: why Billy was killed. It's a crazy saga that she says, 72 00:05:28,720 --> 00:05:34,240 Speaker 1: began with a wealthy international diplomat. I was asked to 73 00:05:34,320 --> 00:05:40,039 Speaker 1: get dope for a very wealthy politician. You know, politicians 74 00:05:40,080 --> 00:05:42,800 Speaker 1: and princes and all those people did drugs like anybody 75 00:05:42,800 --> 00:05:46,400 Speaker 1: else did. This person was a very heavy partier and 76 00:05:46,960 --> 00:05:51,480 Speaker 1: would have these really big, extravagant orgies and nothing like 77 00:05:51,600 --> 00:05:54,880 Speaker 1: dropping a hundred thousand dollars in one night. This person 78 00:05:54,960 --> 00:05:59,840 Speaker 1: was a cocaine um freak, and they wanted to try 79 00:05:59,839 --> 00:06:08,280 Speaker 1: some thing different. So I recommended heroin, and and that's 80 00:06:08,320 --> 00:06:12,960 Speaker 1: how I got Billy to score for me. So it 81 00:06:13,120 --> 00:06:16,880 Speaker 1: was more like a Christian So Billy and Natasha met 82 00:06:16,960 --> 00:06:19,719 Speaker 1: up to go buy the drugs. But the only problem 83 00:06:19,800 --> 00:06:23,400 Speaker 1: was she showed up in a fur coat coat. I 84 00:06:23,440 --> 00:06:26,479 Speaker 1: mean thember Billy is saying, rolling his eyes, I'm going 85 00:06:26,480 --> 00:06:29,320 Speaker 1: I can't believe you. I guess I looked suspicious that 86 00:06:29,360 --> 00:06:33,320 Speaker 1: they thought I was on the cover. Cop Billy took 87 00:06:33,320 --> 00:06:36,880 Speaker 1: her anyway. They went to Alphabet City where they got 88 00:06:36,880 --> 00:06:41,480 Speaker 1: in line, an actual line of people to buy heroin. 89 00:06:42,360 --> 00:06:46,880 Speaker 1: Then drugs in hand, she headed to the airport. So 90 00:06:47,160 --> 00:06:52,200 Speaker 1: I went on a plane and I, you know, I 91 00:06:52,240 --> 00:06:56,800 Speaker 1: went to a foreign country to meet that diplomat who 92 00:06:56,880 --> 00:07:03,279 Speaker 1: was planning an international orgy. And Natasha says, when you 93 00:07:03,320 --> 00:07:09,200 Speaker 1: get invited to an international orgy, you go. It was 94 00:07:09,240 --> 00:07:18,440 Speaker 1: sort of like Caligula. People having sex men and women, 95 00:07:18,720 --> 00:07:25,640 Speaker 1: gay straight, you know, using various toys to have sex 96 00:07:25,680 --> 00:07:31,440 Speaker 1: with and you know, dildos and chains and just everything 97 00:07:31,480 --> 00:07:37,240 Speaker 1: you can imagine. I mean, there would be amazing spreads 98 00:07:37,280 --> 00:07:41,280 Speaker 1: of like caviare and you know, all kinds of exotic food, um, 99 00:07:41,320 --> 00:07:44,200 Speaker 1: and there would be you know, people snort and cocaine, 100 00:07:48,320 --> 00:07:53,040 Speaker 1: and also on the menu that heroine she brought. Ironically, 101 00:07:53,760 --> 00:07:58,480 Speaker 1: the person who I got the drugs for he almost 102 00:07:58,560 --> 00:08:03,600 Speaker 1: odeed on the heroine that night. That I got from Billy, 103 00:08:03,680 --> 00:08:07,760 Speaker 1: and he got very, very sick, and then I came 104 00:08:07,800 --> 00:08:11,920 Speaker 1: back to the United States. So she says she took 105 00:08:11,960 --> 00:08:15,400 Speaker 1: the drugs back to Billy, and I knew he needed money, 106 00:08:15,720 --> 00:08:23,200 Speaker 1: and I basically gave him the heroine back and as payment, 107 00:08:23,240 --> 00:08:25,360 Speaker 1: you know, for whatever he was working on with me, 108 00:08:26,760 --> 00:08:33,480 Speaker 1: which I think, in retrospect was a huge mistake, a 109 00:08:33,640 --> 00:08:38,840 Speaker 1: mistake Natasha thinks might have cost Billy his life. Something 110 00:08:38,880 --> 00:08:41,680 Speaker 1: went wrong with whoever he was exchanging the dope with, 111 00:08:42,240 --> 00:08:46,600 Speaker 1: because I actually saw him afterwards, and I remember coming 112 00:08:46,640 --> 00:08:52,120 Speaker 1: down stairs and he was just very frantic and he 113 00:08:52,280 --> 00:08:58,040 Speaker 1: was mad at me for some reason, and he had 114 00:08:58,040 --> 00:09:04,760 Speaker 1: a gun and he was waving the gun around down 115 00:09:04,800 --> 00:09:07,200 Speaker 1: the basement, and he was really strung out, and he 116 00:09:07,280 --> 00:09:11,880 Speaker 1: was very nervous and very neurotic. He was very paranoid 117 00:09:11,960 --> 00:09:18,280 Speaker 1: because he was afraid something had gone wrong. And he said, 118 00:09:18,320 --> 00:09:21,360 Speaker 1: there's a dead rat under the piano, or there's going 119 00:09:21,400 --> 00:09:25,000 Speaker 1: to be a dead rat under the piano. I got 120 00:09:25,080 --> 00:09:30,920 Speaker 1: the impression that he that he had possibly killed somebody, 121 00:09:31,920 --> 00:09:41,559 Speaker 1: and he was like dead with him a week. Natasha 122 00:09:41,600 --> 00:09:44,640 Speaker 1: thought that somebody might have ratted Billy out, so he 123 00:09:44,760 --> 00:09:47,480 Speaker 1: killed them, which had something to do with why he died. 124 00:09:48,840 --> 00:09:54,160 Speaker 1: Did you hear anything about who killed him or what happened? Yeah, 125 00:09:54,200 --> 00:09:58,160 Speaker 1: I was told um that Rebecca had come home and 126 00:09:58,920 --> 00:10:01,960 Speaker 1: the place was flagged off with please tape, and then 127 00:10:02,000 --> 00:10:06,280 Speaker 1: she wasn't allowed in. And I had heard that undercover 128 00:10:06,600 --> 00:10:13,200 Speaker 1: cop had been in the house. But the undercover cop 129 00:10:13,320 --> 00:10:17,000 Speaker 1: was there to investigate, you know, the murder and basically said, 130 00:10:17,080 --> 00:10:19,680 Speaker 1: you know, you know, I'm here, like where is the 131 00:10:19,720 --> 00:10:23,760 Speaker 1: body or you know or something like that. Uh. The 132 00:10:23,800 --> 00:10:25,520 Speaker 1: story was that he went to go get a gun 133 00:10:26,160 --> 00:10:30,240 Speaker 1: and the guy undercover cop pulled a gun out and 134 00:10:31,320 --> 00:10:36,200 Speaker 1: shot him. I really don't know the answer to it, 135 00:10:36,280 --> 00:10:40,680 Speaker 1: but I know that he was not completely innocent. Something 136 00:10:40,840 --> 00:10:49,400 Speaker 1: had to have happened. So was Billy shot by the 137 00:10:49,480 --> 00:10:57,920 Speaker 1: cops because he had killed someone? Coming up a completely 138 00:10:57,960 --> 00:11:02,880 Speaker 1: different theory from one of Billy's best friends. That's after 139 00:11:02,960 --> 00:11:16,640 Speaker 1: the break. Talk to me for a second. Okay, we're good. Yeah, 140 00:11:16,760 --> 00:11:25,120 Speaker 1: hello Mr Chrome? Yell, Hey, Cheetah's io. How are you good? 141 00:11:25,120 --> 00:11:27,560 Speaker 1: How are you doing? I'm good, I'm here with This 142 00:11:27,640 --> 00:11:31,080 Speaker 1: is Cheetah Chrome. He was the guitarist for the Dead Boys, 143 00:11:31,360 --> 00:11:34,760 Speaker 1: an important early punk band. Him and Billy were close. 144 00:11:35,400 --> 00:11:38,360 Speaker 1: You know, Jilly usually one of the best friends. Ben said, 145 00:11:38,400 --> 00:11:41,319 Speaker 1: I love you guys. They had their own band together, 146 00:11:41,880 --> 00:11:45,520 Speaker 1: and Cheetah says, Billy did things his way. At some 147 00:11:45,640 --> 00:11:50,800 Speaker 1: point he acquired a white Davy Graham Chanel and he 148 00:11:50,880 --> 00:11:53,120 Speaker 1: decided he wanted to use it a suit of Jesus, 149 00:11:54,960 --> 00:12:00,160 Speaker 1: and so we all ended up getting the fucking him 150 00:12:00,320 --> 00:12:05,240 Speaker 1: Chanel onto a Dolly and walking it down to Superzis 151 00:12:05,240 --> 00:12:07,080 Speaker 1: from his place. You know, oh my god, it was 152 00:12:07,160 --> 00:12:09,800 Speaker 1: hilarious because I mean it was literally four guys like 153 00:12:10,120 --> 00:12:12,600 Speaker 1: pushing the channel on a Dolly down third having you 154 00:12:13,320 --> 00:12:16,319 Speaker 1: and I mean didn't make a difference, was it didn't? Didn't? 155 00:12:16,600 --> 00:12:18,280 Speaker 1: Of course I made it, Jeffer. It's not a great 156 00:12:18,520 --> 00:12:22,959 Speaker 1: Billy bows on keyboards all right, sticks out drugs like 157 00:12:23,080 --> 00:12:35,480 Speaker 1: a time. Yeah, it was great. It was a great, 158 00:12:35,559 --> 00:12:39,360 Speaker 1: you know thing experience to have and Billy was really challenging. 159 00:12:40,240 --> 00:12:43,480 Speaker 1: But you know, we didn't do that many shows. You know, Billy, 160 00:12:44,040 --> 00:12:45,880 Speaker 1: I don't know if maybe he was afraid of making 161 00:12:45,920 --> 00:12:48,160 Speaker 1: it or if he just was, you know, at stage 162 00:12:48,200 --> 00:12:52,440 Speaker 1: fright or didn't like playing live. Plus he was going 163 00:12:52,520 --> 00:12:54,600 Speaker 1: to sub subsidize in like this band was you know 164 00:12:54,640 --> 00:12:58,960 Speaker 1: something pills and s side. You know, this isn't the 165 00:12:59,000 --> 00:13:02,840 Speaker 1: first time we've heard it. Billy might have been dealing drugs, 166 00:13:02,840 --> 00:13:05,480 Speaker 1: but I'm hoping Cheetah can shed some more light on it. 167 00:13:07,800 --> 00:13:12,160 Speaker 1: What can you tell us a little more about that? Well, yeah, 168 00:13:12,200 --> 00:13:15,400 Speaker 1: I mean you just had a good supply pretty much, 169 00:13:15,400 --> 00:13:18,920 Speaker 1: you know, to an alls and reds and things like that, 170 00:13:19,080 --> 00:13:22,839 Speaker 1: you know how stuff if you wanted it. Um, I 171 00:13:22,880 --> 00:13:25,440 Speaker 1: wouldn't call him a real drug dealer. I mean the 172 00:13:25,480 --> 00:13:27,880 Speaker 1: only customers they had were like those friends of guys 173 00:13:27,880 --> 00:13:33,640 Speaker 1: who played with you know. And he says that the 174 00:13:33,720 --> 00:13:38,160 Speaker 1: drug Billy liked to take the most with speed, in particular, 175 00:13:38,520 --> 00:13:41,800 Speaker 1: a prescription drug called the sox. In the sox which 176 00:13:41,840 --> 00:13:48,640 Speaker 1: is like pure speed, really good pure speed pill, like 177 00:13:48,720 --> 00:13:50,520 Speaker 1: one of one of those if you up twenty four 178 00:13:50,520 --> 00:13:54,280 Speaker 1: hours to shot at. You know, Billy was you know, 179 00:13:54,520 --> 00:13:57,959 Speaker 1: into pretty much everything like that. You know. Fact then 180 00:13:57,960 --> 00:14:00,760 Speaker 1: we all it wasn't like unusual. Oh, it wasn't like 181 00:14:00,840 --> 00:14:04,760 Speaker 1: he was any any criminal element or anything. It was 182 00:14:04,800 --> 00:14:06,880 Speaker 1: just like a normal We all did that straight. You know. 183 00:14:08,320 --> 00:14:10,560 Speaker 1: Around that time, I was on a steady diet of 184 00:14:10,600 --> 00:14:14,880 Speaker 1: heroin and cocaine. You know, you're doing a recording studio 185 00:14:15,000 --> 00:14:18,200 Speaker 1: or just to blow until you were done and do 186 00:14:18,320 --> 00:14:26,000 Speaker 1: heroin to come down. You know, can you tell me 187 00:14:26,120 --> 00:14:29,920 Speaker 1: about the day that you found out Billy was shot 188 00:14:31,600 --> 00:14:33,440 Speaker 1: since to me, like I went down to sue your 189 00:14:33,440 --> 00:14:40,400 Speaker 1: mom and obviously she was extremely upset because it was 190 00:14:40,400 --> 00:14:42,800 Speaker 1: just unbelievable. I mean, we were all in shock. I mean, 191 00:14:42,840 --> 00:14:46,880 Speaker 1: it wasn't like, oh we saw this coming or anything 192 00:14:46,920 --> 00:14:48,640 Speaker 1: I had. We weren't, and you know, it was just 193 00:14:48,640 --> 00:14:51,480 Speaker 1: all of a sudden, out of nowhere. You know, one 194 00:14:51,520 --> 00:14:54,800 Speaker 1: of our best friends was all of a sudden murdered dead. 195 00:14:55,360 --> 00:15:00,280 Speaker 1: You know, do you have any theories on why that 196 00:15:00,360 --> 00:15:03,440 Speaker 1: might have happened? Billy? Did you have a couple of 197 00:15:03,480 --> 00:15:08,960 Speaker 1: guns and supposedly like he had sold a gun to 198 00:15:09,040 --> 00:15:13,160 Speaker 1: somebody and the gun had been used to shoot a cop. 199 00:15:15,560 --> 00:15:18,120 Speaker 1: So they when they found out where he got the gun, 200 00:15:18,240 --> 00:15:21,800 Speaker 1: but the way the guy got the gun from there 201 00:15:21,880 --> 00:15:24,000 Speaker 1: was like a kind of a revenge thing going on 202 00:15:24,120 --> 00:15:27,160 Speaker 1: where they went in there and with the intentions of 203 00:15:27,520 --> 00:15:33,200 Speaker 1: what happened happening. So Cheatah suspects that Billy sold a 204 00:15:33,240 --> 00:15:36,360 Speaker 1: gun that someone then used to shoot a cop, and 205 00:15:36,440 --> 00:15:40,400 Speaker 1: that's why the cops targeted Billy and there's you know, 206 00:15:40,680 --> 00:15:44,600 Speaker 1: they claimed that he went for a gun. I don't know. 207 00:15:44,680 --> 00:15:46,840 Speaker 1: I was not there. I don't know what happened. But 208 00:15:46,960 --> 00:15:50,200 Speaker 1: Billy did take a lot of steed um. You could 209 00:15:50,240 --> 00:15:53,120 Speaker 1: get pretty you know, whacked out there sometimes to weaken on. 210 00:15:53,240 --> 00:15:57,920 Speaker 1: It starts hallucinating thinking the government's after you know, ship 211 00:15:58,000 --> 00:16:01,520 Speaker 1: like that. But I don't see him going for a gun. 212 00:16:01,560 --> 00:16:06,320 Speaker 1: An say cops. You know, there was a revenge thing 213 00:16:06,360 --> 00:16:13,160 Speaker 1: from the cops. So we've heard from Natasha that Billy 214 00:16:13,240 --> 00:16:16,440 Speaker 1: may have killed someone, and we've heard from Cheetah Chrome 215 00:16:16,840 --> 00:16:19,040 Speaker 1: that Billy may have sold a gun that was used 216 00:16:19,040 --> 00:16:27,960 Speaker 1: to kill someone else. Your mom, Hi, Mama, Hey, Hi Hi. 217 00:16:28,560 --> 00:16:31,320 Speaker 1: So we went back to my mom to ask what 218 00:16:31,400 --> 00:16:35,320 Speaker 1: was happening with guns in their home. I slept at 219 00:16:35,360 --> 00:16:38,920 Speaker 1: one point with the little Colt Pearl Handled twenty two 220 00:16:38,960 --> 00:16:42,480 Speaker 1: under my pillow, which he gave to me because I 221 00:16:42,600 --> 00:16:46,760 Speaker 1: needed it. You needed it. You know, it's for protection. 222 00:16:48,160 --> 00:16:51,080 Speaker 1: Where was the twenty two on the day that the 223 00:16:51,160 --> 00:16:56,520 Speaker 1: Long Long Gone. There was no guns in the apartment. 224 00:16:57,800 --> 00:17:01,000 Speaker 1: My mom says that Billy did have guns for protection, 225 00:17:01,560 --> 00:17:03,560 Speaker 1: but that he'd gotten rid of them just before he 226 00:17:03,600 --> 00:17:07,879 Speaker 1: was shot because he felt like something bad was coming. 227 00:17:09,520 --> 00:17:14,200 Speaker 1: He sold everything, he was preparing for us to move 228 00:17:14,720 --> 00:17:19,640 Speaker 1: because it was the vibe. He had a feeling. I mean, 229 00:17:19,680 --> 00:17:22,960 Speaker 1: he's sensitive person. You know, he knows you know, the 230 00:17:23,040 --> 00:17:27,880 Speaker 1: word on his tweets and all that, and he said them, 231 00:17:28,040 --> 00:17:33,239 Speaker 1: baby girl, I'm gonna get in the wind. Could this 232 00:17:33,280 --> 00:17:36,679 Speaker 1: be because of the rat flipping on him or because 233 00:17:36,680 --> 00:17:39,280 Speaker 1: of the gun he sold to a cop killer coming 234 00:17:39,320 --> 00:17:43,160 Speaker 1: back to haunt him. Something big had to be going down. 235 00:17:43,960 --> 00:17:46,959 Speaker 1: He wanted to get in the wind to quote unquote 236 00:17:47,560 --> 00:17:56,000 Speaker 1: and move like things are really changing and in our 237 00:17:56,640 --> 00:18:01,600 Speaker 1: immediate world. She was hitting the fan for him in 238 00:18:01,640 --> 00:18:06,160 Speaker 1: some kind of way, which he would never tell me anything. 239 00:18:07,040 --> 00:18:10,480 Speaker 1: That would be like if you don't know, it won't 240 00:18:10,600 --> 00:18:18,639 Speaker 1: hurt you kind of thing. Yeah, what I don't understand 241 00:18:18,800 --> 00:18:22,879 Speaker 1: is why. And I'm not not in any kind of 242 00:18:22,920 --> 00:18:25,280 Speaker 1: suspicious way. But what I'm really trying to understand and 243 00:18:25,320 --> 00:18:29,680 Speaker 1: get to the bottom of is what was the motivation 244 00:18:30,520 --> 00:18:34,840 Speaker 1: for the guy to shoot him? Why did they want 245 00:18:34,840 --> 00:18:39,280 Speaker 1: to kill him? That's what I don't have any idea, 246 00:18:39,640 --> 00:18:45,919 Speaker 1: and that's I don't know. I don't know. You know, 247 00:18:46,280 --> 00:18:50,600 Speaker 1: you're asking me to add words. I'm not adding words 248 00:18:50,640 --> 00:18:54,720 Speaker 1: because there's no words to be added, I am the 249 00:18:54,760 --> 00:18:58,280 Speaker 1: only arbitor of the words, so you gotta respect that. 250 00:19:06,760 --> 00:19:10,320 Speaker 1: After we leave, I start to ask myself a bigger question. 251 00:19:11,880 --> 00:19:13,520 Speaker 1: I have to say, there's a little part of me 252 00:19:13,600 --> 00:19:18,840 Speaker 1: now that I'm discovering that maybe Billy wasn't such a 253 00:19:18,880 --> 00:19:21,880 Speaker 1: good guy, that a little part of me is like, 254 00:19:23,080 --> 00:19:28,280 Speaker 1: why are you doing this to your mom? But at 255 00:19:28,280 --> 00:19:30,720 Speaker 1: the same time, she's in so much pain and has 256 00:19:30,760 --> 00:19:38,240 Speaker 1: been for thirty five years. Do you think that you know, 257 00:19:38,320 --> 00:19:40,240 Speaker 1: if Billy was not a great guy, giving her the 258 00:19:40,280 --> 00:19:47,160 Speaker 1: truth will help her. I don't know. Yeah, I love 259 00:19:47,480 --> 00:19:52,960 Speaker 1: my mom a lot, but I know that people construct 260 00:19:54,720 --> 00:19:59,439 Speaker 1: fragile mental houses for themselves to live in that can 261 00:19:59,480 --> 00:20:03,320 Speaker 1: be built with toothpicks that keep them alive and make 262 00:20:03,400 --> 00:20:10,639 Speaker 1: life survivable and make pain and loss manageable. And I 263 00:20:10,760 --> 00:20:16,760 Speaker 1: wonder if I am stronger in the sense that I 264 00:20:16,840 --> 00:20:20,000 Speaker 1: can handle the truth about people and about things. And 265 00:20:20,040 --> 00:20:24,240 Speaker 1: I don't want to burn her toothpick house down by 266 00:20:24,280 --> 00:20:32,119 Speaker 1: being bullheaded and wanting the truth. But the truth is 267 00:20:33,359 --> 00:20:37,439 Speaker 1: I do want the truth. I mean, if we're making 268 00:20:37,600 --> 00:20:42,119 Speaker 1: ship up based on no evidence, we can make up 269 00:20:42,119 --> 00:20:45,439 Speaker 1: any ship we want, and it's all consistent with the 270 00:20:45,640 --> 00:20:50,680 Speaker 1: no evidence that we have. There are answers that are attainable. 271 00:20:51,359 --> 00:20:55,000 Speaker 1: There are files out there that at least give the 272 00:20:55,200 --> 00:21:00,920 Speaker 1: police and witness narrative of what they claim aim happened. 273 00:21:03,200 --> 00:21:06,080 Speaker 1: That's in two weeks. In the next chapter of the 274 00:21:06,160 --> 00:21:16,680 Speaker 1: Ballad of Billy Balls, Crime Town is Zack Stewart Pontier 275 00:21:16,880 --> 00:21:20,160 Speaker 1: and Mark Smirling. The Ballad of Billy Balls is hosted 276 00:21:20,160 --> 00:21:22,920 Speaker 1: by me Io till It Right and made in partnership 277 00:21:22,920 --> 00:21:26,200 Speaker 1: with Cadence thirteen. You can find me on the internet. 278 00:21:26,359 --> 00:21:29,040 Speaker 1: Um Io loves you on everything and if you want 279 00:21:29,080 --> 00:21:30,919 Speaker 1: to know more about my story, you can pick up 280 00:21:30,920 --> 00:21:35,040 Speaker 1: my memoir Darling Days. We also want to hear from you. 281 00:21:35,600 --> 00:21:37,760 Speaker 1: We have a voicemail set up for you to call us. 282 00:21:38,240 --> 00:21:42,240 Speaker 1: Here's Dom from California. I just want to say this, 283 00:21:42,240 --> 00:21:46,080 Speaker 1: This podcast making me feel all kinds of stuff, specifically 284 00:21:46,080 --> 00:21:48,720 Speaker 1: about my friend Gregory, who seemed to have a kind 285 00:21:48,720 --> 00:21:51,399 Speaker 1: of a death wish like Billy did. Um just a 286 00:21:51,520 --> 00:21:57,760 Speaker 1: really wild soul, an amazing soul who got taken and 287 00:21:57,840 --> 00:22:01,359 Speaker 1: I think of Billy and Gregory are somewhere special together. 288 00:22:06,000 --> 00:22:08,440 Speaker 1: I hope Billy and Gregory you're tearing up the afterlife 289 00:22:08,480 --> 00:22:11,840 Speaker 1: if there is one if there's somebody Billy reminds you of, 290 00:22:12,200 --> 00:22:13,960 Speaker 1: or you have a theory on what could have happened, 291 00:22:14,440 --> 00:22:16,680 Speaker 1: call us and leave us a voicemail at five seven 292 00:22:16,720 --> 00:22:21,560 Speaker 1: oh three, nine to zero. You can also get into 293 00:22:21,560 --> 00:22:24,480 Speaker 1: our discussion forum on our website, The Ballad of Billie 294 00:22:24,520 --> 00:22:29,320 Speaker 1: Balls dot com. The show is produced by Me, Kevin Sheppard, 295 00:22:29,480 --> 00:22:34,760 Speaker 1: and Ryan Swigert. Our senior producer is the Inimissible Austin Mitchell. 296 00:22:38,359 --> 00:22:42,240 Speaker 1: Editing by Zach Stewart Pontier and Mark Smirling. Fact checking 297 00:22:42,280 --> 00:22:46,120 Speaker 1: by Jennifer Blackman. This episode was mixed and sound designed 298 00:22:46,160 --> 00:22:51,160 Speaker 1: by Kenny Qcack. Music by Kenny Qcak. Our title track 299 00:22:51,240 --> 00:23:01,320 Speaker 1: is Dark Allies by Light Asylum. Archival searched by Brennan Reese. 300 00:23:02,240 --> 00:23:06,440 Speaker 1: Special thanks to Danielle Aria, rachel Leie Wright, Emily Wiedemann. 301 00:23:06,600 --> 00:23:11,160 Speaker 1: Those are our girlfriends and wives, Green card pictures, Alessandro Santairo, 302 00:23:11,520 --> 00:23:15,200 Speaker 1: Bill Clegg, Ben Davis, or In Rosenbaum and the team 303 00:23:15,200 --> 00:23:20,440 Speaker 1: at Caden's thirteen, And of course, my Mom, without whom 304 00:23:20,520 --> 00:23:21,800 Speaker 1: none of this would be possible