WEBVTT - The Marvelous MCU TV Shows of Disney+

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<v Speaker 1>This podcast contains spoilers about the series WandaVision, Falcon in

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<v Speaker 1>the Winter, Soldier Loki, and the film Black Widow, and

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<v Speaker 1>only wat to the Watcher knows what else. We're gonna

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<v Speaker 1>be talking about a lot of stuff, so you have

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<v Speaker 1>been warned. And Nowlex re Vision, Hello and welcome to

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<v Speaker 1>the debut episode of expert Vision, the Crooked Podcast, where

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<v Speaker 1>we discuss all the happenings in the various nooks and

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<v Speaker 1>Cranny's nerd culture joining me today. He's a writer on

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<v Speaker 1>Rick and Morty on the upcoming She Hulk Show. He's

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<v Speaker 1>one of our regular rotating hosts and incredible flex for

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<v Speaker 1>My Guy on Amazing Spider Man issues seventy nine to eighty.

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<v Speaker 1>Find them at your local comic shop in a month

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<v Speaker 1>and a half. The great and talented Cody Zigler. Zigler,

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<v Speaker 1>how are you?

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<v Speaker 2>I am great? First of all, thank you King for

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<v Speaker 2>that intro. I'd love to hear it. I'd love to

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<v Speaker 2>see it. I love when I get gassed up at

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<v Speaker 2>twelve thirty on a on a Thursday afternoon.

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<v Speaker 3>I love I love all of it. Man. How are

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<v Speaker 3>we doing? How are we living over here?

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<v Speaker 4>We're living pretty well.

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<v Speaker 1>I gotta say, and just to gas you up even further,

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<v Speaker 1>the apartment is coming together, not just from the content

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<v Speaker 1>that you're putting out on the social media feeds, but

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<v Speaker 1>I can see it live and the zoom behind you.

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<v Speaker 4>It's looking great, and it's looking thank you.

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<v Speaker 3>Thank you.

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<v Speaker 2>I got this here, couch set up, I got my

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<v Speaker 2>little bar cart. Yeah all right here. You know, it's

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<v Speaker 2>slowly becoming from a dirt bag bachelor pad to just

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<v Speaker 2>a normal bachelor pad. So like we're thriving over here

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<v Speaker 2>in a storic Filipino town.

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<v Speaker 1>I absolutely love it, and the people love it, and

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<v Speaker 1>the community is happy to have you as part of

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<v Speaker 1>as their neighbors.

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<v Speaker 2>Yeah, the skunks have welcomed me and now one of

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<v Speaker 2>them at one of their own.

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<v Speaker 1>Let's go to previously on our news segment. First up,

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<v Speaker 1>the good people at Disney and Lucasfilm announced Star Wars

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<v Speaker 1>Visions and dropped the trailer for Star Wars Visions and

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<v Speaker 1>anthology series featuring nine short films produced by seven of

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<v Speaker 1>the top Japanese anime studios around, including production ig of

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<v Speaker 1>Ghosts in the Shell Fame. It arrives on Disney Plus

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<v Speaker 1>September twenty second. This trailer had me so unbelievably excited.

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<v Speaker 3>I was so hyphed.

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<v Speaker 2>It's like if you could distill down every single thing

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<v Speaker 2>that I love that brings joy in my heart. It's

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<v Speaker 2>lightsabers and like fast paced, nigh incomprehensible anime showed in

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<v Speaker 2>fight scenes. I want all of it injected directly into

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<v Speaker 2>my vein.

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<v Speaker 1>I also love that they were like, you know what, actually,

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<v Speaker 1>Grievous was kind of an anime character. Now let's actually

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<v Speaker 1>do it with this multi armed lightsaber wielding Jedi person.

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<v Speaker 4>I am.

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<v Speaker 1>It looks so unbelievably good and as Lucasfilm producer Josh

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<v Speaker 1>Rhyme said, each studio has different styles and different tones,

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<v Speaker 1>and that really came through in the trailer, like, yeah, Settle,

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<v Speaker 1>each little snippet from each little short film has its

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<v Speaker 1>own vibe.

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<v Speaker 2>It's it's it's one of my favorite. I mean, they

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<v Speaker 2>haven't done those in a while, Like I always love those,

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<v Speaker 2>like like like Anthology animated series used to watch, Like

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<v Speaker 2>I think Something Circus was one I remember watching the eighties,

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<v Speaker 2>but it was like just a like four or five

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<v Speaker 2>different shorts off from like the top directors at the

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<v Speaker 2>time doing stuff, and like this is something that I

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<v Speaker 2>haven't seen in a very long time, and I'm so

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<v Speaker 2>stoked that they're just like taking these giant swings on

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<v Speaker 2>Disney or I guess Disney Plus. But like Lucasfilm was like, yeah,

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<v Speaker 2>we're gonna like this were based off Samurai film. Yeah,

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<v Speaker 2>let's go back to like Tuitar, like the thing that

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<v Speaker 2>that sort of kicked out all this stuff, and like,

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<v Speaker 2>just give Studio trigger Blanche to make the wildest thing

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<v Speaker 2>they want to possibly make.

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<v Speaker 1>It's so so fun. Asian representation immediately increases by about

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<v Speaker 1>thirty in.

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<v Speaker 4>The Star Wars.

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<v Speaker 3>Yeah, and it.

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<v Speaker 1>Honestly looks so like you're the I mean, you know

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<v Speaker 1>a lot more about anime than I do. What are

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<v Speaker 1>your like, what are your touchstone pieces of of.

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<v Speaker 2>Oh Boys story? I mean, hope you have forty forty

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<v Speaker 2>five minutes. I'm gonna yell directly about them. Uh uh

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<v Speaker 2>Astas I mean that's the ago, that's the one that

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<v Speaker 2>got me into it. As soon as as Tunami dropped

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<v Speaker 2>when I was like twelve, I was like, all right,

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<v Speaker 2>this is gonna be my personality for the rest of

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<v Speaker 2>my life.

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<v Speaker 3>All Right, this is it. It's done.

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<v Speaker 2>Uh, you know, I got that, you know, Cowboy Bebop

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<v Speaker 2>just a great mix of like all the weird genre

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<v Speaker 2>stuff and then just like oh they also are like

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<v Speaker 2>it's like an X file and every people they do

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<v Speaker 2>it do a weird thing. And and and then I

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<v Speaker 2>got I gotta hold it down for Mobile Studit Gundam,

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<v Speaker 2>I cannot. I would be remissed if I didn't mention

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<v Speaker 2>my giant love for Mechs if I've asked about the anime.

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<v Speaker 2>So like there's like my three favorite series, but like

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<v Speaker 2>like just the animation, Like I just like I loved Eva,

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<v Speaker 2>Like I just watched the last Ava and like no

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<v Speaker 2>spoils about the movie, but like the animation is fantastic,

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<v Speaker 2>and like one of my favorite things about animation is

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<v Speaker 2>that like you can do so much with it, Like

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<v Speaker 2>they have like the two D stuff they have, the

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<v Speaker 2>three D stuff they have like live action with like

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<v Speaker 2>animation mixed over it. And like I love when like

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<v Speaker 2>studios get to like let lose because I think from

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<v Speaker 2>the West, from a Western perspective, we're used to like

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<v Speaker 2>you know, Bob's Burgers, Simpson's like very like stripped down

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<v Speaker 2>and like so you see when you get things like

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<v Speaker 2>primal or even like two d original Clone Wars series

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<v Speaker 2>and they just fucking go all out for animation. You're like, oh, wow, yeah,

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<v Speaker 2>this is it, this is what I want. This is interesting.

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<v Speaker 2>It's nice getting that that that the you know, that

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<v Speaker 2>shot of nitrous and into like our our cinematic viewing

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<v Speaker 2>when it comes to animations. I'm so I'm so over

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<v Speaker 2>the moon for this. I cannot wait. I hope they

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<v Speaker 2>get eight hundred million seasons of this, and this is

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<v Speaker 2>something that comes out every year.

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<v Speaker 1>It feels like a thing that kind of obviously it's

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<v Speaker 1>in some form of fashion like a test run, but.

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<v Speaker 4>Like, yeah, this is gonna hit.

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<v Speaker 1>Yeah, Like I've never been more convinced that a thing

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<v Speaker 1>will hit, Like there will be there's a built in

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<v Speaker 1>audience that is gonna snort this.

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<v Speaker 3>Yeah.

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<v Speaker 2>Stock is at an all time high for weeb nonsense,

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<v Speaker 2>and this is exactly what what we need right now.

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<v Speaker 4>Yeah.

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<v Speaker 1>The Spider Man trailer dropped after twenty four hours in

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<v Speaker 1>which someone associated with the VFX production maybe leaked a

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<v Speaker 1>video of.

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<v Speaker 4>A phone that was playing the trailer.

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<v Speaker 1>That person has probably been sniped by Kevin Feigey and

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<v Speaker 1>their body has been shipped to a black site somewhere,

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<v Speaker 1>but let's talk about it, because the trailer was super

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<v Speaker 1>exciting and has a lot of people talking, and man,

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<v Speaker 1>I just can't believe like the audacity to be like,

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<v Speaker 1>let's do one More Day.

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<v Speaker 2>Yeah, Yeah, enormous swing on their part. No one's coming,

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<v Speaker 2>Like I'd been in that building and like I didn't

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<v Speaker 2>see that one coming. I was like, this stuff great.

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<v Speaker 2>I'd not say they picked the one the most divisive

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<v Speaker 2>Spider Man story. You'd be like, you know what, We're

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<v Speaker 2>gonna make this great.

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<v Speaker 4>So let's say so let me add some context here.

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<v Speaker 4>One More Day in the wake of Civil War.

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<v Speaker 1>Civil War the storyline in which Spider Man's identity is

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<v Speaker 1>revealed in one of the great like shock cliffhanger pages,

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<v Speaker 1>like in recent Marvel history, He's a Spider Man, unmasks

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<v Speaker 1>Tony Stark standing behind him.

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<v Speaker 4>Uh and one More Day?

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<v Speaker 1>Was it like kind of attempt to deal with the

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<v Speaker 1>fallout from that. Obviously Spider Man had guarded his secret

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<v Speaker 1>identity quite closely, and all his enemies are like, oh,

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<v Speaker 1>it's open season on Peter Parker now, so how do we.

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<v Speaker 4>Deal with this?

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<v Speaker 1>So one way they dealt with it was make a

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<v Speaker 1>deal with Mephisto. Literally the Devil, the Marvel's version of

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<v Speaker 1>the Devil to erase this from happening in exchange for

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<v Speaker 1>Peter and Mary Jane's marriage breaking up.

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<v Speaker 4>Yeah.

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<v Speaker 1>This was then recontextualized again by Joe Cassada as kind

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<v Speaker 1>of like doctor Strange getting involved and making everybody forget

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<v Speaker 1>and they're just doing it. Man, it's wild. They're doing

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<v Speaker 1>this shit, as you mentioned, extremely divisive.

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<v Speaker 3>Yeah, I love that one.

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<v Speaker 2>This is the one, Like this is the character that

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<v Speaker 2>they got back, probably the latest, I'd say, like, I mean,

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<v Speaker 2>I guess Fantastic four, but like in the cultural like

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<v Speaker 2>Phase three and four, like Spidy is the last one

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<v Speaker 2>they got back. And not only is it the one

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<v Speaker 2>that they got back, they're beating everyone to the punch

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<v Speaker 2>with doing the first multiverse movie, like Justice League attempted it,

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<v Speaker 2>and I'm sure they feel a little undercut now that

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<v Speaker 2>they know that they're doing the flash one that has

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<v Speaker 2>all the different Batman's. But like this is the one

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<v Speaker 2>that I'm personally most stoked about. Like I love that

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<v Speaker 2>they were finally being like all right, it opens up

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<v Speaker 2>so many doors. It's like, all right, besides, just like

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<v Speaker 2>Sony shit, like does it mean that like Fox stuff

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<v Speaker 2>that they now have. Can they get in like can

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<v Speaker 2>the Netflix people like is punched. We're gonna show up

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<v Speaker 2>in court, like what's gonna happen?

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<v Speaker 1>I mean it feels like, you know, X Men on deck,

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<v Speaker 1>but so pretty much this is confirmed. Right, We're going

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<v Speaker 1>to see Alfred Molinas in the trailer, so he's there,

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<v Speaker 1>major villain from the original Spider Man movies. We're gonna

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<v Speaker 1>see the Green Goblin. We see a pumpkin bomb in there,

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<v Speaker 1>we see the fallout for what we imagine as an

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<v Speaker 1>attack by Electro, and we see like the silhouette of

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<v Speaker 1>the Sandman seeming like he's protecting Peter. Actually yeah, and

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<v Speaker 1>then of course Vulture already in the movies. So we've

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<v Speaker 1>basically got the Sinister Six on deck.

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<v Speaker 4>This is wild. Now.

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<v Speaker 1>In the comics, Peter only beats the Sinister Six two ways.

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<v Speaker 1>The first way is the Sinister Six are legitimately fucking

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<v Speaker 1>morons and they're like, yo, let's I know we got together,

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<v Speaker 1>all six of us, but let's attack Peter one by one.

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<v Speaker 2>Yeah, yeah, yeah's a big final kung fu fight energy, Like,

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<v Speaker 2>all right, we're gonna take this guy on one at

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<v Speaker 2>a time. He's gonna kick us in the face, and

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<v Speaker 2>then then we're gonna be defeated. Yeah, it's they never

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<v Speaker 2>really stick the landing when it comes to beating Peter Parker.

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<v Speaker 4>So that's the one way.

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<v Speaker 1>And then the second way is he gets back up

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<v Speaker 1>now strange doctor Strange in the movie doing doctor Strange shit,

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<v Speaker 1>doing typical doctor Strange.

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<v Speaker 4>I'm kind of a scumbag ego maniac.

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<v Speaker 1>Me flick up the whole status quote for you real quick, right,

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<v Speaker 1>And it's not even like I'm helping Peter.

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<v Speaker 4>It's more like Wong told me not to do it,

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<v Speaker 4>so I'm fuck do it.

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<v Speaker 2>Yeah, yeah, like all right, I'm all right, I give

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<v Speaker 2>you a mulligan on the time. Fool me once I

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<v Speaker 2>messed up with the timestone right right, second time, I

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<v Speaker 2>can do the multiverse that I got locked in the back.

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<v Speaker 3>I got it.

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<v Speaker 4>King.

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<v Speaker 1>They must like divert him somehow, right like sea way

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<v Speaker 1>through the movie, he has to go away because he's

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<v Speaker 1>too op like as well, like he would just like

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<v Speaker 1>snap his fingers and then all of Sudder's six just

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<v Speaker 1>go to like some hell dimension.

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<v Speaker 3>Yeah.

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<v Speaker 2>I imagining like he's gonna get sucked aside pretty quickly.

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<v Speaker 2>He's like he's a guy that can like do his

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<v Speaker 2>little gang signs and just makes dock Hawk's arms disappear.

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<v Speaker 2>Like I'm imagining he's gonna get sucked away and then

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<v Speaker 2>like we'll see what happens with him in the Multiverse

0:10:44.960 --> 0:10:48.480
<v Speaker 2>of Madness Doctor Strange's second movie, and like that'll explain everything,

0:10:48.480 --> 0:10:50.720
<v Speaker 2>because yeah, he embarrassing everybody in that center to sticks

0:10:50.800 --> 0:10:52.640
<v Speaker 2>real quick. It'd be a one act movie. It'd be

0:10:52.679 --> 0:10:54.080
<v Speaker 2>in and out. You know, it'd be very short.

0:10:54.640 --> 0:10:56.560
<v Speaker 1>Let me ask you, people, like, there's a lot of

0:10:56.679 --> 0:10:57.679
<v Speaker 1>everys's wander vision.

0:10:57.760 --> 0:10:59.360
<v Speaker 4>It's a lot of like Mephisto.

0:11:00.520 --> 0:11:01.240
<v Speaker 3>Uh, I'm a.

0:11:01.160 --> 0:11:03.559
<v Speaker 1>Fystem, a fystem I don't And people are like, man,

0:11:03.640 --> 0:11:04.680
<v Speaker 1>is this the real Strange?

0:11:04.760 --> 0:11:07.960
<v Speaker 4>Is he Mephisto? He's why would he be this reckless?

0:11:08.440 --> 0:11:11.720
<v Speaker 1>Yeah, like doctor Strange, not in the comics, is a

0:11:11.760 --> 0:11:16.280
<v Speaker 1>reckless guy. His character loop is basically, oh, let me

0:11:16.360 --> 0:11:19.520
<v Speaker 1>fool with this demonic shit to get something done, and

0:11:19.559 --> 0:11:22.360
<v Speaker 1>then oh no, the fallout from the demonic shit, and

0:11:22.400 --> 0:11:26.440
<v Speaker 1>then finally I've learned my lesson. I'm not gonna fuck

0:11:26.440 --> 0:11:29.640
<v Speaker 1>with the demonic shit anymore, and then the cycle begins again.

0:11:30.080 --> 0:11:34.560
<v Speaker 1>But unless right, notably, you know, in World War Hulk,

0:11:34.679 --> 0:11:37.640
<v Speaker 1>he like drinks the vial of Zomb in order to

0:11:37.679 --> 0:11:39.839
<v Speaker 1>deal with the Lulk and then has to deal with

0:11:39.880 --> 0:11:42.319
<v Speaker 1>the old fallout from like being possessed by Zomb.

0:11:42.080 --> 0:11:42.560
<v Speaker 4>For a while.

0:11:43.120 --> 0:11:46.520
<v Speaker 1>But like in the movies, the ancient one is like Stephen,

0:11:47.000 --> 0:11:50.800
<v Speaker 1>don't like steal books, don't fuck with time, don't do

0:11:50.920 --> 0:11:53.400
<v Speaker 1>all that shit. And then Steven's like, I'm gonna do

0:11:53.480 --> 0:11:56.760
<v Speaker 1>it anyway, and then succeeds like he learned the.

0:11:56.800 --> 0:11:59.000
<v Speaker 4>Exact opposite lesson of what everybody told him to.

0:11:59.520 --> 0:12:02.040
<v Speaker 1>So now when it comes time to push the envelope,

0:12:02.520 --> 0:12:06.079
<v Speaker 1>Doctor Stranger one hundred gonna push the envelope and and

0:12:06.600 --> 0:12:09.920
<v Speaker 1>Wong's warning not to do it is anything.

0:12:10.600 --> 0:12:13.080
<v Speaker 2>Yeah, like his biggest, biggest character with this, Thus Fards

0:12:13.120 --> 0:12:15.920
<v Speaker 2>giving Denos the timestone, It's like, hey, trust me, it's

0:12:15.920 --> 0:12:17.400
<v Speaker 2>gonna work out in the end. It's gonna take a

0:12:17.400 --> 0:12:18.800
<v Speaker 2>couple of years to get there, but trust me, we're

0:12:18.800 --> 0:12:20.559
<v Speaker 2>going to take the landing even though everyone told him

0:12:20.600 --> 0:12:22.720
<v Speaker 2>not to do it. So like that's that's really built

0:12:22.720 --> 0:12:24.839
<v Speaker 2>into his cinematic character quality, Like that's his arc is

0:12:24.880 --> 0:12:25.800
<v Speaker 2>being an ericon ansehole.

0:12:26.360 --> 0:12:31.680
<v Speaker 1>Now, some fun little tidbits from the trailer as Peter

0:12:31.840 --> 0:12:34.760
<v Speaker 1>is being interrogated by Stewie from Succession.

0:12:35.080 --> 0:12:38.080
<v Speaker 2>Yeah, yeah, yeah, you don't see the bottle of coke

0:12:38.160 --> 0:12:39.880
<v Speaker 2>right under his gun holster.

0:12:41.040 --> 0:12:44.200
<v Speaker 1>We see that Stewie belongs to an agency called the DODC,

0:12:44.360 --> 0:12:48.120
<v Speaker 1>the Department of Damage CROLL, which is a public private

0:12:48.320 --> 0:12:52.120
<v Speaker 1>partnership between Stark Industries and the government to basically like

0:12:52.640 --> 0:12:56.400
<v Speaker 1>clean up damage. It's one of the great Like Tony

0:12:56.480 --> 0:12:58.719
<v Speaker 1>Stark is actually one of the biggest pieces of shit

0:12:58.800 --> 0:13:01.319
<v Speaker 1>in the Marvel University. He has figured out a way

0:13:01.480 --> 0:13:05.280
<v Speaker 1>to monetize the destruction that he himself is responsible for.

0:13:06.360 --> 0:13:08.160
<v Speaker 3>He puts money back in his own pocket whenever he

0:13:08.200 --> 0:13:10.000
<v Speaker 3>boots up a new Iron Man. So it's great. Yeah,

0:13:10.080 --> 0:13:10.520
<v Speaker 3>I love it.

0:13:10.600 --> 0:13:14.120
<v Speaker 4>You know, no notes, it's no notes at all. It's

0:13:14.160 --> 0:13:15.480
<v Speaker 4>absolutely unbelievable.

0:13:15.840 --> 0:13:20.040
<v Speaker 1>Let's see what else we have MJ and Peter chilling

0:13:20.080 --> 0:13:23.040
<v Speaker 1>on the roof of Midtown School of Science and Technology

0:13:23.080 --> 0:13:25.800
<v Speaker 1>with MJ, which is with MJ kind of making a

0:13:25.840 --> 0:13:28.720
<v Speaker 1>reference to Jessica Drew aka Spider Woman, who will be

0:13:28.960 --> 0:13:31.640
<v Speaker 1>in into the Spider Verse two played by Isa Ray

0:13:31.720 --> 0:13:33.560
<v Speaker 1>of course not a Marvel movie.

0:13:33.720 --> 0:13:33.880
<v Speaker 3>Yep.

0:13:34.200 --> 0:13:37.760
<v Speaker 1>We see the Black Spider Man uniform which uh is,

0:13:38.679 --> 0:13:40.480
<v Speaker 1>how did I can't wait for him to pop this

0:13:40.520 --> 0:13:40.960
<v Speaker 1>one out?

0:13:41.240 --> 0:13:42.400
<v Speaker 3>Yeah? Yeah?

0:13:42.480 --> 0:13:45.040
<v Speaker 2>I Also I can never trust these trailers because with

0:13:45.160 --> 0:13:47.080
<v Speaker 2>the remember what the in game trailers like, they just

0:13:47.120 --> 0:13:49.760
<v Speaker 2>fully threw in characters that just weren't not dressed the same.

0:13:49.800 --> 0:13:51.720
<v Speaker 2>So like, I'm like, is that actually in the movie?

0:13:51.720 --> 0:13:53.120
<v Speaker 2>Is it gonna be something different? Like are they just

0:13:53.160 --> 0:13:55.600
<v Speaker 2>gonna use their crack VFX team to put another suit

0:13:55.640 --> 0:13:56.640
<v Speaker 2>on them or what the deal is?

0:13:56.720 --> 0:13:57.480
<v Speaker 4>One hundred percent?

0:13:57.520 --> 0:13:59.480
<v Speaker 1>Like, there's a there's a part of this trailer where

0:14:00.280 --> 0:14:02.800
<v Speaker 1>is talking to someone who is in a car. That

0:14:02.880 --> 0:14:08.280
<v Speaker 1>person looks to be completely like photoshopped in over somebody else.

0:14:09.000 --> 0:14:12.520
<v Speaker 4>Like who is Peter actually talking to?

0:14:13.320 --> 0:14:15.600
<v Speaker 1>That is the question because that is one hundred percent

0:14:15.720 --> 0:14:19.000
<v Speaker 1>not gonna be who he's talking to. The big theory

0:14:19.160 --> 0:14:24.640
<v Speaker 1>is that, in addition to the Sony villains definitely being

0:14:24.680 --> 0:14:31.160
<v Speaker 1>in this, will we see the previous Spider dudes? Will

0:14:31.200 --> 0:14:35.720
<v Speaker 1>we see Andrew Garfield? Could we also possibly see Charlie

0:14:35.760 --> 0:14:41.840
<v Speaker 1>Cox from Daredevil aligning the Netflix Marvel multi versus. That

0:14:41.920 --> 0:14:45.640
<v Speaker 1>has not been confirmed at all, But what do you

0:14:45.680 --> 0:14:48.200
<v Speaker 1>think Spider Ham? Could we see Spider Could we see

0:14:48.360 --> 0:14:49.400
<v Speaker 1>Spider Ham in here?

0:14:49.880 --> 0:14:52.520
<v Speaker 2>Yeah, we're gonna see nor Spider Man. He's gonna swing through,

0:14:52.840 --> 0:14:55.160
<v Speaker 2>deliver a couple of downbeat jokes, then swing out.

0:14:55.240 --> 0:14:56.480
<v Speaker 3>Uh, I don't know.

0:14:56.680 --> 0:14:59.080
<v Speaker 2>I can only guess with the multiverse have carte blanche,

0:14:59.120 --> 0:15:03.120
<v Speaker 2>and it seems like they basically own everything Marvel side

0:15:03.280 --> 0:15:06.160
<v Speaker 2>except for Sony stuff, you know, outside of the deal

0:15:06.240 --> 0:15:08.200
<v Speaker 2>they just worked out with them. I feel like you

0:15:08.200 --> 0:15:09.800
<v Speaker 2>can do anything, like I would love to mean, they're

0:15:09.800 --> 0:15:11.800
<v Speaker 2>in New York, like I'm I'm part of me is

0:15:11.800 --> 0:15:14.240
<v Speaker 2>wondering if like they're gonna use this as like, you know,

0:15:14.280 --> 0:15:17.080
<v Speaker 2>our universe, like, oh, we have depowered Jessica Jones, we

0:15:17.080 --> 0:15:20.480
<v Speaker 2>have depowered power Man, and maybe we'll maybe in this

0:15:20.600 --> 0:15:22.880
<v Speaker 2>universe that we go to with Andrew Garfield will see

0:15:22.880 --> 0:15:25.960
<v Speaker 2>Oh there's like the actual powered version of of you know,

0:15:25.960 --> 0:15:28.080
<v Speaker 2>whoever character is in it. Like maybe that's how they're

0:15:28.080 --> 0:15:31.000
<v Speaker 2>getting around loophole because it seems like a true combic fashion.

0:15:31.000 --> 0:15:32.960
<v Speaker 2>Now they have an infinite blake check with an infinite

0:15:33.000 --> 0:15:34.840
<v Speaker 2>mountain of zeros that they can cash whenever they want to.

0:15:35.520 --> 0:15:37.840
<v Speaker 4>Uh, yeah, this was super fun.

0:15:38.560 --> 0:15:42.160
<v Speaker 1>What is your wildless theory of what might possibly happen

0:15:42.160 --> 0:15:42.760
<v Speaker 1>in this movie?

0:15:42.880 --> 0:15:44.200
<v Speaker 3>Oh boy, okay.

0:15:44.480 --> 0:15:48.000
<v Speaker 2>I think, uh, Peter is gonna get stuck in the

0:15:48.080 --> 0:15:50.600
<v Speaker 2>Sony verse, like he's gonna be completely cut out from

0:15:50.600 --> 0:15:51.160
<v Speaker 2>the mc years.

0:15:51.200 --> 0:15:53.040
<v Speaker 3>He's gonna be sticking. He's gonna drop in. It's like

0:15:53.000 --> 0:15:54.000
<v Speaker 3>a porter's gonna open up.

0:15:54.040 --> 0:15:56.640
<v Speaker 2>He's gonna fall into like a crab shack outside of

0:15:56.680 --> 0:15:59.320
<v Speaker 2>San Francisco and see Eddie Brock Pulp and a Mercy.

0:15:59.320 --> 0:16:00.960
<v Speaker 2>I be like you would have come with us, and

0:16:00.960 --> 0:16:03.080
<v Speaker 2>then like they're gonna ride off into like the sunset.

0:16:03.160 --> 0:16:06.040
<v Speaker 2>That's my That's my wildest big swing pitch for like

0:16:06.280 --> 0:16:09.200
<v Speaker 2>how they get around getting Peter back into the MCU.

0:16:09.960 --> 0:16:15.520
<v Speaker 1>My wildest big swing pitch is Ultimate Universe, Ultimate spier

0:16:15.560 --> 0:16:21.960
<v Speaker 1>Man Peter Parker spoiler like is grievously wounded taking out

0:16:21.960 --> 0:16:25.840
<v Speaker 1>the Sinister Six, and in the kind of like converging

0:16:25.880 --> 0:16:29.560
<v Speaker 1>of multi verses, we get Miles Morales introduced into the MCU.

0:16:30.320 --> 0:16:33.480
<v Speaker 3>Boy Boy.

0:16:33.520 --> 0:16:35.800
<v Speaker 2>At the last fifteen minutes, I see a fucking black

0:16:35.840 --> 0:16:38.640
<v Speaker 2>Puerto Rican kid pull up the last game over. I'm

0:16:38.680 --> 0:16:41.000
<v Speaker 2>doing three laps around that theater. It's game over. B

0:16:41.400 --> 0:16:44.560
<v Speaker 2>You're never seeing me again. I'm done. I'm just gonna

0:16:44.600 --> 0:16:46.520
<v Speaker 2>be living that. I'm gonna live at the Vista. It's

0:16:46.520 --> 0:16:47.240
<v Speaker 2>gonna be game over.

0:16:48.200 --> 0:16:52.520
<v Speaker 1>I cannot wait for this movie will be released December seventeenth,

0:16:52.840 --> 0:16:56.720
<v Speaker 1>twenty twenty one. See y' all there, and then finally

0:16:57.400 --> 0:17:02.680
<v Speaker 1>seemingly responded to Bob Jpex's y Chi's an interesting experiment comment,

0:17:02.720 --> 0:17:06.120
<v Speaker 1>The Disney CEO revealed on an investor call that hunk

0:17:06.160 --> 0:17:09.560
<v Speaker 1>Chi would only appear in theaters, it was not going

0:17:09.600 --> 0:17:12.439
<v Speaker 1>to be streaming, much like the Black Widow strategy of

0:17:12.480 --> 0:17:16.320
<v Speaker 1>a few weeks back, and then he characterized that kind

0:17:16.320 --> 0:17:19.360
<v Speaker 1>of rollout as an interesting experiment. The shunk Chi star

0:17:19.440 --> 0:17:21.639
<v Speaker 1>fired back on social media, writing in part quote, we

0:17:21.680 --> 0:17:22.520
<v Speaker 1>are not an experiment.

0:17:22.560 --> 0:17:24.560
<v Speaker 4>We are the underdog. We are underestimated. We are the

0:17:24.600 --> 0:17:25.360
<v Speaker 4>ceiling breakers.

0:17:25.640 --> 0:17:29.600
<v Speaker 1>It ended there clearly, like all sides decided, Okay, that's enough,

0:17:29.920 --> 0:17:32.000
<v Speaker 1>go to your corners and let's launch this movie.

0:17:32.359 --> 0:17:34.919
<v Speaker 4>Yeah.

0:17:35.160 --> 0:17:37.240
<v Speaker 2>That screams like one of those things where like, even

0:17:37.240 --> 0:17:39.240
<v Speaker 2>with the best context, it's one of the things you like,

0:17:39.440 --> 0:17:41.439
<v Speaker 2>maybe you just shouldn't have said that out louder. You

0:17:41.440 --> 0:17:43.840
<v Speaker 2>should not have left the confines of whatever zoom call

0:17:43.920 --> 0:17:46.080
<v Speaker 2>you had. He's not going to do anything but poison

0:17:46.240 --> 0:17:47.040
<v Speaker 2>the good will.

0:17:48.400 --> 0:17:51.680
<v Speaker 1>Just like, let's be as careful as we can as

0:17:51.680 --> 0:17:56.840
<v Speaker 1>we launched this film speaking of shang Chi. So the

0:17:56.880 --> 0:18:00.719
<v Speaker 1>premiere was here in Hollywood at the you know, up

0:18:00.720 --> 0:18:04.159
<v Speaker 1>on Hollywood Boulevard, at the l CAPI ten and the

0:18:04.200 --> 0:18:09.680
<v Speaker 1>famous Manchinese Theater. And okay, so this is a story

0:18:09.720 --> 0:18:11.520
<v Speaker 1>I told on social media and I'm gonna tell it

0:18:11.520 --> 0:18:13.320
<v Speaker 1>here now to give it the full context.

0:18:13.359 --> 0:18:13.679
<v Speaker 4>Okay.

0:18:14.520 --> 0:18:18.600
<v Speaker 1>I received an email saying, hey, you've been confirmed invited

0:18:18.720 --> 0:18:21.080
<v Speaker 1>for and I'll admit it does say in the subject

0:18:21.160 --> 0:18:24.280
<v Speaker 1>line the shan Chep Premiere.

0:18:24.560 --> 0:18:24.919
<v Speaker 4>Okay.

0:18:24.960 --> 0:18:26.760
<v Speaker 1>And then it was a whole lot of text about

0:18:26.760 --> 0:18:29.359
<v Speaker 1>stuff with like and it's one of those pr emails

0:18:29.359 --> 0:18:31.960
<v Speaker 1>where like certain things are highlighted to let you know

0:18:32.000 --> 0:18:34.359
<v Speaker 1>it's important cause there's so much text. And most of

0:18:34.400 --> 0:18:37.119
<v Speaker 1>the stuff those highlighted was like what time to arrive,

0:18:37.280 --> 0:18:40.960
<v Speaker 1>where to go so that you can check in? I thought,

0:18:41.840 --> 0:18:43.399
<v Speaker 1>and again I just scanned the email. This is a

0:18:43.480 --> 0:18:46.439
<v Speaker 1>hundred present my fault. I thought, Okay, this is just

0:18:46.480 --> 0:18:49.919
<v Speaker 1>like a screening or it's one of those screenings that

0:18:49.960 --> 0:18:53.919
<v Speaker 1>happens in parallel with the premiere. When Rise of Skywalker launched,

0:18:54.000 --> 0:18:59.080
<v Speaker 1>right there was like the premiere and they had screenings

0:18:59.080 --> 0:19:01.960
<v Speaker 1>that were going on at the same time across the street,

0:19:02.000 --> 0:19:04.600
<v Speaker 1>and you didn't have to walk the red carpet to

0:19:04.680 --> 0:19:07.719
<v Speaker 1>get your credential to go into like the press screening

0:19:07.800 --> 0:19:10.440
<v Speaker 1>all that stuff and just knee jerk.

0:19:10.480 --> 0:19:11.280
<v Speaker 4>I assumed it was that.

0:19:11.400 --> 0:19:14.040
<v Speaker 1>And then I invited my friend Sean right and I

0:19:14.480 --> 0:19:16.159
<v Speaker 1>forwarded him the email here's where.

0:19:16.040 --> 0:19:18.480
<v Speaker 4>You got to go. He didn't flag anything.

0:19:18.880 --> 0:19:24.120
<v Speaker 1>So I show up at Hollywood and Orange and I'm

0:19:24.200 --> 0:19:31.960
<v Speaker 1>in black workout shorts, a black hard Boiled T shirt

0:19:32.200 --> 0:19:38.600
<v Speaker 1>the John Woo movie Hard Boiled, a black like baseball cap.

0:19:39.240 --> 0:19:42.119
<v Speaker 1>I got a little Man Bagget's from Tomorrowlan, who's a

0:19:42.200 --> 0:19:44.679
<v Speaker 1>Japanese brand. And then I'm wearing and this is the

0:19:44.720 --> 0:19:49.760
<v Speaker 1>toughest part, admittedly, and I'm wearing Adidas slides, no socks, and.

0:19:50.800 --> 0:19:52.920
<v Speaker 2>Go ahead, I just I mean, I said this under

0:19:52.920 --> 0:19:56.120
<v Speaker 2>the tweet. But drip God, drip god, Jason came through.

0:19:56.160 --> 0:19:57.800
<v Speaker 2>You killed that game. I love it like I love

0:19:58.080 --> 0:19:59.399
<v Speaker 2>I love the cadsun and stuff it. I love that

0:19:59.400 --> 0:20:01.120
<v Speaker 2>you made a statement. I got no notes I would

0:20:01.440 --> 0:20:02.560
<v Speaker 2>think ELD be this.

0:20:03.440 --> 0:20:04.399
<v Speaker 4>I appreciate it.

0:20:05.160 --> 0:20:07.360
<v Speaker 1>And then the slides are the toughest part, not only

0:20:07.359 --> 0:20:10.800
<v Speaker 1>because it's like no socks on the red carpet and slides.

0:20:11.080 --> 0:20:13.359
<v Speaker 1>But it was like these are the slides I wear

0:20:13.480 --> 0:20:15.520
<v Speaker 1>to like go run get the mail. Like they're not

0:20:16.400 --> 0:20:18.760
<v Speaker 1>they're not in good shape, you know what I mean,

0:20:18.840 --> 0:20:20.200
<v Speaker 1>Like they're not doing great.

0:20:20.280 --> 0:20:21.840
<v Speaker 3>They seen some miles, they've seen some stuff.

0:20:22.560 --> 0:20:25.119
<v Speaker 4>The shread is worn down on those.

0:20:25.600 --> 0:20:28.320
<v Speaker 1>And then my friend Sean was in like bur like

0:20:28.359 --> 0:20:31.920
<v Speaker 1>birkenstock clogs, white socks.

0:20:32.280 --> 0:20:33.600
<v Speaker 4>This is actually kind.

0:20:33.400 --> 0:20:38.600
<v Speaker 1>Of very comfortable, like Uniclo like wool blend cotton. Oh yes,

0:20:38.800 --> 0:20:41.359
<v Speaker 1>yeah yeah, and then an a twenty four T shirt

0:20:41.440 --> 0:20:44.280
<v Speaker 1>like a studio not the studio releasing a movie that

0:20:45.760 --> 0:20:48.080
<v Speaker 1>we get there, and so we're waiting at will call

0:20:48.840 --> 0:20:52.600
<v Speaker 1>and we go in and we got you know, presented

0:20:52.600 --> 0:20:55.000
<v Speaker 1>our credentials, got all our stuff, showed our vaccination status,

0:20:55.000 --> 0:20:58.000
<v Speaker 1>et cetera. I got our things and then realized that

0:20:58.280 --> 0:21:02.240
<v Speaker 1>the only way to go, like security was set up

0:21:02.280 --> 0:21:04.240
<v Speaker 1>in such a way that we had to walk the

0:21:04.280 --> 0:21:08.040
<v Speaker 1>red carpet to get to the movie. And so I

0:21:08.119 --> 0:21:10.080
<v Speaker 1>got in and the first person like right to my

0:21:10.200 --> 0:21:11.359
<v Speaker 1>left is like Benedict Wong.

0:21:11.440 --> 0:21:13.480
<v Speaker 4>People are taking pictures of him. He's right there.

0:21:13.720 --> 0:21:16.440
<v Speaker 1>I look up on the platform like maybe twenty feet

0:21:16.440 --> 0:21:20.520
<v Speaker 1>away is Simoulu being interviewed, Like we're walking there and

0:21:20.680 --> 0:21:25.320
<v Speaker 1>we look like dog shit. Now I want to say

0:21:25.320 --> 0:21:29.119
<v Speaker 1>that it was both not as bad and kind of

0:21:29.160 --> 0:21:32.040
<v Speaker 1>worse than it seems through social media. In the sense

0:21:32.080 --> 0:21:33.520
<v Speaker 1>that it was not as bad. It was not as

0:21:33.520 --> 0:21:36.879
<v Speaker 1>bad because nobody paid any attention. Nobody'd like notice there

0:21:36.880 --> 0:21:38.080
<v Speaker 1>were cause players there.

0:21:38.160 --> 0:21:38.720
<v Speaker 4>Nobody cared.

0:21:38.760 --> 0:21:40.880
<v Speaker 1>And also, like you know how it is like la

0:21:41.400 --> 0:21:44.560
<v Speaker 1>fashion rules are that the person who's dressed down the

0:21:44.560 --> 0:21:47.480
<v Speaker 1>most is like the richest person, the most important person.

0:21:47.359 --> 0:21:49.760
<v Speaker 2>About to say yeah, so you lucked out because of streetwear,

0:21:49.840 --> 0:21:52.840
<v Speaker 2>Like he came through like when I'm I'm looking at

0:21:52.880 --> 0:21:55.040
<v Speaker 2>the picture like right now on my giant widescreen, and

0:21:55.080 --> 0:21:57.359
<v Speaker 2>I'm like, oh, this guy is so comfortable. He's his

0:21:57.480 --> 0:21:59.560
<v Speaker 2>What the subtext is like, this ain't no big deal

0:21:59.560 --> 0:22:01.359
<v Speaker 2>because we get six more of these beautiful movies some

0:22:01.359 --> 0:22:02.640
<v Speaker 2>shang cheap babies, so it's all good.

0:22:02.760 --> 0:22:04.199
<v Speaker 3>We're just rolling through and I love it. I love

0:22:04.240 --> 0:22:05.080
<v Speaker 3>the casual energy.

0:22:05.840 --> 0:22:06.360
<v Speaker 4>That's right.

0:22:06.480 --> 0:22:09.720
<v Speaker 1>So but on the other hand, it was worse in

0:22:09.840 --> 0:22:12.119
<v Speaker 1>that I mean we were right there, like I walked

0:22:12.119 --> 0:22:14.920
<v Speaker 1>by Ben Kingsley like it was and then we get

0:22:14.960 --> 0:22:20.199
<v Speaker 1>inside the theater and they're streaming the presentation, like you know,

0:22:20.280 --> 0:22:23.760
<v Speaker 1>the red carpet stuff, directly to the screen, so I

0:22:23.760 --> 0:22:27.680
<v Speaker 1>could see, I could imagine what we looked like walking

0:22:28.440 --> 0:22:31.120
<v Speaker 1>in the background of like these shots, and I was like, Yo, this.

0:22:31.160 --> 0:22:35.439
<v Speaker 2>Was someone would definitely Oh, that's got to be the director.

0:22:35.480 --> 0:22:37.199
<v Speaker 2>He's like a tike. He's got like a chill, like

0:22:37.280 --> 0:22:40.240
<v Speaker 2>low key vibe like that someone was you. You probably

0:22:40.240 --> 0:22:41.920
<v Speaker 2>got some brownie points in that or in that end.

0:22:41.920 --> 0:22:44.159
<v Speaker 2>So like glass half full, I think I think I

0:22:44.160 --> 0:22:46.240
<v Speaker 2>think you played the right card. Honestly, I would have

0:22:46.240 --> 0:22:47.800
<v Speaker 2>pulled up in the exact same fit. To be honest

0:22:47.840 --> 0:22:51.560
<v Speaker 2>with you, like short, short sides out maybe as you know,

0:22:52.240 --> 0:22:54.480
<v Speaker 2>let's go, let's let's let's let's go take it on an adventure.

0:22:55.119 --> 0:22:59.160
<v Speaker 1>Well, the lesson is, folks, just read your emails. That's all,

0:23:00.119 --> 0:23:09.959
<v Speaker 1>read them all the way through. Yeah, okay, Welcome to

0:23:10.080 --> 0:23:12.640
<v Speaker 1>the air lock. This is the segment where we discuss

0:23:13.600 --> 0:23:17.439
<v Speaker 1>whatever it is the subjects that we are exploring in

0:23:17.480 --> 0:23:19.960
<v Speaker 1>this particular episode. For this episode, the debut episode of

0:23:19.960 --> 0:23:23.720
<v Speaker 1>Extra Vision, we're talking about the Disney Plus shows and

0:23:23.760 --> 0:23:26.080
<v Speaker 1>how they kind of like set the stage for what

0:23:26.119 --> 0:23:28.880
<v Speaker 1>Phase four is going to be looking over this stuff.

0:23:29.280 --> 0:23:33.320
<v Speaker 1>Wanna vision Falcon in the Winter, Soldier and Loki. There

0:23:33.320 --> 0:23:38.680
<v Speaker 1>were some really earth shaking, cannon shaking reveals and changes

0:23:38.720 --> 0:23:42.840
<v Speaker 1>in all of these stories that if people didn't check

0:23:42.880 --> 0:23:46.320
<v Speaker 1>in to those stories on Disney Plus, as my friend

0:23:46.359 --> 0:23:49.920
<v Speaker 1>Andy Greenwell says, then they're going to be like, wait,

0:23:49.960 --> 0:23:53.199
<v Speaker 1>why so there's a multiverse now? Wait hold on, Like

0:23:53.280 --> 0:23:57.719
<v Speaker 1>the Super Soldier program was bad. Actually, so let's unpack

0:23:57.760 --> 0:24:00.800
<v Speaker 1>that stuff and just talk about what are our favorite

0:24:00.840 --> 0:24:03.679
<v Speaker 1>and we think most earthshaking changes are And I think

0:24:03.720 --> 0:24:08.159
<v Speaker 1>this is just like really smart strategic storytelling on the

0:24:08.240 --> 0:24:13.679
<v Speaker 1>part of these showrunners, which is there's no kind of

0:24:14.880 --> 0:24:19.280
<v Speaker 1>there's none of these stories are gonna are something you

0:24:19.280 --> 0:24:20.840
<v Speaker 1>can check out on if you want to stay up

0:24:20.880 --> 0:24:22.560
<v Speaker 1>to date on the stuff, because everything is going to

0:24:22.640 --> 0:24:25.920
<v Speaker 1>have something in it that really changes the paradigm.

0:24:26.119 --> 0:24:29.040
<v Speaker 2>Yeah, you know, we're obviously about to get into it,

0:24:29.040 --> 0:24:31.920
<v Speaker 2>but like it's what they have captured. I mean, I'm look,

0:24:31.960 --> 0:24:33.600
<v Speaker 2>the calls come from outside the house. I'm in a

0:24:33.680 --> 0:24:36.639
<v Speaker 2>huge stand. I love I love all this shit. I'm

0:24:36.680 --> 0:24:38.879
<v Speaker 2>a company man through and through, so like I'm very biased,

0:24:38.920 --> 0:24:41.200
<v Speaker 2>but like what I love that they've been able to capture,

0:24:41.240 --> 0:24:43.640
<v Speaker 2>particularly with Phase four, is the like whenever you read

0:24:43.640 --> 0:24:45.760
<v Speaker 2>a comic, if you're a combook fan, like the status

0:24:45.840 --> 0:24:48.600
<v Speaker 2>quo is reset often and with great temerity. And I

0:24:48.600 --> 0:24:51.000
<v Speaker 2>think something that's really captured with this is like you're saying, like,

0:24:51.400 --> 0:24:53.680
<v Speaker 2>all right, yeah, everything that we knew about the Super

0:24:53.680 --> 0:24:56.600
<v Speaker 2>Soldiar program is actually bad. It's not a good thing.

0:24:56.840 --> 0:24:59.320
<v Speaker 2>It's caused a lot of pain and suffering people across

0:24:59.359 --> 0:25:02.640
<v Speaker 2>the world. Also, the big reveal is that like, hey,

0:25:02.680 --> 0:25:05.080
<v Speaker 2>the multiverse exists, baby, so like we can have stories.

0:25:05.280 --> 0:25:07.040
<v Speaker 2>We can have any story that we want to tell,

0:25:07.080 --> 0:25:10.040
<v Speaker 2>we can now tell, and anything that we want to retcon,

0:25:10.200 --> 0:25:11.800
<v Speaker 2>we can retconn or we can put things into it.

0:25:11.840 --> 0:25:14.440
<v Speaker 2>And like now, if you want to see like Alligator Loki, no,

0:25:14.560 --> 0:25:16.320
<v Speaker 2>let's pop in for an episode of Allegator Loki. It's

0:25:16.320 --> 0:25:18.359
<v Speaker 2>gonna completely fine because we have a infinite number of

0:25:18.440 --> 0:25:20.120
<v Speaker 2>universes to dive through into.

0:25:19.920 --> 0:25:22.760
<v Speaker 4>That Alligator Loki will be back. I've never been more

0:25:22.800 --> 0:25:24.520
<v Speaker 4>sure of anything that Allgator Loki.

0:25:24.560 --> 0:25:27.920
<v Speaker 1>Well, we're gonna get pet Avengers at some point, Lockjaw

0:25:27.960 --> 0:25:31.879
<v Speaker 1>and Alligator Loki and the other four frog Yeah, yes,

0:25:32.080 --> 0:25:35.040
<v Speaker 1>all of them are going to be here Rocket Raccoon,

0:25:35.280 --> 0:25:38.000
<v Speaker 1>that's kind of below him. I guess let's start with

0:25:38.040 --> 0:25:41.600
<v Speaker 1>Wana Vision, which came out in January of twenty twenty one.

0:25:41.680 --> 0:25:45.560
<v Speaker 1>Strange things afoot in Westview, New Jersey, an idyllic suburban

0:25:45.640 --> 0:25:47.639
<v Speaker 1>town where a Vision and want to maxim Off have

0:25:48.160 --> 0:25:50.520
<v Speaker 1>made their home. But of course everything is not as

0:25:50.560 --> 0:25:54.879
<v Speaker 1>it seems. Their family grows quickly as Tommy and Billy

0:25:54.960 --> 0:25:59.119
<v Speaker 1>are born, but there are a lot of other weird

0:25:59.160 --> 0:26:02.399
<v Speaker 1>and mysterious and magical events that are taking place. This

0:26:02.560 --> 0:26:05.280
<v Speaker 1>was based on Vision in The Scarlet Witch Volumes one

0:26:05.400 --> 0:26:08.800
<v Speaker 1>and two from the eighties, which is a four issue

0:26:08.800 --> 0:26:11.280
<v Speaker 1>and a twelve issue limited series, respectively. In West Coast

0:26:11.280 --> 0:26:14.320
<v Speaker 1>Avengers forty five to fifty two, which is first appearance

0:26:14.359 --> 0:26:19.359
<v Speaker 1>of the White Vision and the revelation that spoiler Wanda's

0:26:19.440 --> 0:26:25.359
<v Speaker 1>kids are not real big air quotes there. So, you know,

0:26:25.400 --> 0:26:29.080
<v Speaker 1>the biggest thing for me with how this show changed

0:26:29.119 --> 0:26:35.480
<v Speaker 1>the Marvel universe is we've with Disney's acquisition of twentieth

0:26:35.480 --> 0:26:37.800
<v Speaker 1>Century Fox, has been a lot of like, how will

0:26:37.840 --> 0:26:39.119
<v Speaker 1>the Mutants happen?

0:26:40.119 --> 0:26:41.520
<v Speaker 4>How will the X Men happen?

0:26:41.640 --> 0:26:44.280
<v Speaker 1>I think that you know, the recent Eternals trailer gives

0:26:44.359 --> 0:26:47.000
<v Speaker 1>us yet another avenue for how the X Men might happen.

0:26:47.040 --> 0:26:51.160
<v Speaker 1>But this was, you know, in the Marvel universe to date,

0:26:51.560 --> 0:26:57.200
<v Speaker 1>you got powers either by science, experiment, science accident.

0:26:57.440 --> 0:27:04.800
<v Speaker 4>Yep, you are a god and you know basically that's it.

0:27:05.440 --> 0:27:12.800
<v Speaker 1>Yeah, what we got here in WandaVision is the seeming

0:27:12.920 --> 0:27:16.680
<v Speaker 1>hint that Wanda was born with her powers. Now could

0:27:16.720 --> 0:27:18.040
<v Speaker 1>does that make her a mutant?

0:27:18.160 --> 0:27:20.560
<v Speaker 4>Does? Is that a magical thing? We don't know?

0:27:20.600 --> 0:27:24.280
<v Speaker 1>But in that flashback where we saw her parents' apartment

0:27:24.320 --> 0:27:27.680
<v Speaker 1>get bombed, it is heavily suggested that she used tex

0:27:27.800 --> 0:27:29.080
<v Speaker 1>powers in that moment. M.

0:27:29.880 --> 0:27:33.439
<v Speaker 2>Yeah, it was all these three shows hit three different,

0:27:33.560 --> 0:27:37.080
<v Speaker 2>very slight different slices of the Marvel the Marvel over

0:27:37.160 --> 0:27:40.600
<v Speaker 2>arching universe. We have Mystic high Strangeness Marvel, we have

0:27:40.960 --> 0:27:44.240
<v Speaker 2>Espionage Military Marvel, and then my personal favorite cosmic Marble.

0:27:44.440 --> 0:27:47.120
<v Speaker 2>And what really, what I really loved most about WandaVision,

0:27:47.160 --> 0:27:49.080
<v Speaker 2>like you're saying, is that like it's sort of a

0:27:49.119 --> 0:27:51.760
<v Speaker 2>mix of all three in a very fun, organic way,

0:27:51.840 --> 0:27:53.959
<v Speaker 2>like I think you want to It was originally supposed

0:27:53.960 --> 0:27:55.679
<v Speaker 2>to come out second from what I remember, is like

0:27:55.680 --> 0:27:57.080
<v Speaker 2>it could being the first out of the gate where

0:27:57.119 --> 0:27:59.960
<v Speaker 2>we have like we have like we have a deep

0:28:00.080 --> 0:28:02.320
<v Speaker 2>dive into like what the sort of what the rules

0:28:02.359 --> 0:28:04.040
<v Speaker 2>of like magic are in this universe because we didn't

0:28:04.040 --> 0:28:05.800
<v Speaker 2>really get it that much in Doctor Strange, just like

0:28:06.000 --> 0:28:07.960
<v Speaker 2>he does his hand things and whatever. It seems like

0:28:08.000 --> 0:28:10.280
<v Speaker 2>only one it seems like really only one sect of

0:28:10.320 --> 0:28:12.560
<v Speaker 2>people can learn magic in that sting. But then you're like, oh,

0:28:12.560 --> 0:28:15.960
<v Speaker 2>there's there's different there's different gangs. There's different magic gangs

0:28:16.000 --> 0:28:16.760
<v Speaker 2>running through these streets.

0:28:16.840 --> 0:28:17.840
<v Speaker 3>Right now. We gotta act with the.

0:28:18.680 --> 0:28:20.240
<v Speaker 2>We got lot of and I love that, but I

0:28:20.240 --> 0:28:22.239
<v Speaker 2>also love the intredation of like you know, we have

0:28:22.680 --> 0:28:25.600
<v Speaker 2>sword is like said on screen, like physically it's not

0:28:25.680 --> 0:28:27.840
<v Speaker 2>just like Nick for You're hanging out with scrolls and

0:28:27.880 --> 0:28:30.439
<v Speaker 2>space assumingly like it's we get all that, and then

0:28:30.480 --> 0:28:32.679
<v Speaker 2>we have like the cosmic era, the cosmic of it

0:28:32.720 --> 0:28:35.680
<v Speaker 2>all with like she's like actual projecting towards the end

0:28:35.760 --> 0:28:37.600
<v Speaker 2>and like she's like gearing up and all that fun

0:28:37.640 --> 0:28:40.400
<v Speaker 2>weird stuff that like, to me, it's the perfect distillation

0:28:40.520 --> 0:28:42.680
<v Speaker 2>of like what a straight up comic book is and

0:28:42.720 --> 0:28:45.400
<v Speaker 2>what it feels like. We're like we have this weird

0:28:45.680 --> 0:28:49.040
<v Speaker 2>high concept premise. All right, we have vision and want

0:28:49.080 --> 0:28:51.640
<v Speaker 2>to have a family. Uh, and we're gonna inject that

0:28:51.720 --> 0:28:53.520
<v Speaker 2>with like some TV version of it by Heavy get

0:28:53.560 --> 0:28:55.640
<v Speaker 2>met it, Like well, they take place in different sitcoms

0:28:55.640 --> 0:28:57.640
<v Speaker 2>throughout every I love all that, and I also love

0:28:57.720 --> 0:28:59.880
<v Speaker 2>that like they really held out for like the big

0:29:00.040 --> 0:29:01.720
<v Speaker 2>marble of it all, like the big you know set

0:29:01.760 --> 0:29:03.920
<v Speaker 2>piece fights towards the end, and like by that point,

0:29:03.920 --> 0:29:06.000
<v Speaker 2>like we actually care about these characters, like you know,

0:29:06.000 --> 0:29:07.959
<v Speaker 2>they've been in like six movies or whatever, but like

0:29:08.160 --> 0:29:11.040
<v Speaker 2>we didn't really sit down and be like, oh, I

0:29:11.280 --> 0:29:13.160
<v Speaker 2>like that Vision has a sense of humor, Like I

0:29:13.240 --> 0:29:14.960
<v Speaker 2>like that he's funny, Like we don't get to see

0:29:15.000 --> 0:29:16.440
<v Speaker 2>that side of it in most of these movies. And

0:29:16.480 --> 0:29:18.680
<v Speaker 2>like I like that Wanda has a personalty, like she's

0:29:18.680 --> 0:29:20.680
<v Speaker 2>funny in her own unique way. I and like I

0:29:20.800 --> 0:29:22.960
<v Speaker 2>buy their love like I would like they end when

0:29:23.000 --> 0:29:26.040
<v Speaker 2>like you know, she's erasing, resetting reality or whatever, sending

0:29:26.080 --> 0:29:27.760
<v Speaker 2>it back to a road, and like like they had

0:29:27.800 --> 0:29:30.239
<v Speaker 2>that that final kiss, I'm like, oh I get this.

0:29:30.400 --> 0:29:33.760
<v Speaker 2>I I'm completely invested in the Vision, which is something

0:29:33.800 --> 0:29:36.000
<v Speaker 2>I never would have said if I like halfway through

0:29:36.000 --> 0:29:38.280
<v Speaker 2>a Silver War, We've like you're gonna cry when Vision

0:29:38.320 --> 0:29:38.760
<v Speaker 2>dies again?

0:29:38.800 --> 0:29:42.520
<v Speaker 3>I like, yeah that way, Yeah, then get out of here. Uh.

0:29:42.560 --> 0:29:44.320
<v Speaker 4>There's also like a really.

0:29:45.840 --> 0:29:50.600
<v Speaker 1>There's something really interesting about the way it the statement

0:29:50.600 --> 0:29:53.360
<v Speaker 1>it kind of makes about like how powerful certain like

0:29:53.560 --> 0:29:57.040
<v Speaker 1>desires are in the American subconscious, Like they're like so

0:29:57.320 --> 0:30:01.240
<v Speaker 1>usually a superhero story is some one gets powers or

0:30:01.240 --> 0:30:03.800
<v Speaker 1>their powers awaken and they step into this new world

0:30:03.840 --> 0:30:07.120
<v Speaker 1>and have these amazing adventures out in this strange place,

0:30:08.000 --> 0:30:11.680
<v Speaker 1>like Vision and Wanda have done that. They have their powers,

0:30:12.120 --> 0:30:14.400
<v Speaker 1>but what they want is just like be normal. Like

0:30:14.440 --> 0:30:17.440
<v Speaker 1>the next adventure to them is a house in the

0:30:17.480 --> 0:30:19.840
<v Speaker 1>suburbs and let's have a family. And it speaks to

0:30:19.920 --> 0:30:25.520
<v Speaker 1>the power of that desire and how universal it is,

0:30:25.640 --> 0:30:28.480
<v Speaker 1>Like it's on every sitcom, as you noted, Like it's

0:30:28.480 --> 0:30:30.880
<v Speaker 1>on every it's in every movie. Every story you read

0:30:30.960 --> 0:30:34.840
<v Speaker 1>is some version of this kind of let's go out

0:30:35.040 --> 0:30:38.200
<v Speaker 1>someplace and get like a one and a half you know,

0:30:38.360 --> 0:30:40.680
<v Speaker 1>baths and three bedroom house and like have a family.

0:30:40.840 --> 0:30:41.040
<v Speaker 3>Yeah.

0:30:42.040 --> 0:30:44.800
<v Speaker 1>And the other part of it is we also learned

0:30:44.800 --> 0:30:47.680
<v Speaker 1>like a really cool secret power that Vision had is

0:30:47.720 --> 0:30:50.920
<v Speaker 1>an ability to buy a house without anybody.

0:30:51.840 --> 0:30:52.840
<v Speaker 4>Having any idea.

0:30:52.920 --> 0:30:55.680
<v Speaker 1>Like this guy, I don't know where he got the money,

0:30:55.960 --> 0:30:58.600
<v Speaker 1>Like did he sell a piece of his fingernail like

0:30:58.720 --> 0:31:01.840
<v Speaker 1>vibrate and get like two million dollars in money, like

0:31:01.880 --> 0:31:03.360
<v Speaker 1>for vibrated, Like how did.

0:31:03.280 --> 0:31:03.800
<v Speaker 4>You do this?

0:31:03.880 --> 0:31:05.480
<v Speaker 3>I love the idea of him going to a bank

0:31:05.520 --> 0:31:07.400
<v Speaker 3>to get a loan and then entering into escrow to

0:31:07.400 --> 0:31:10.400
<v Speaker 3>buy a house in New Jersey and no one's like, hey,

0:31:10.480 --> 0:31:12.720
<v Speaker 3>remember that time that giant dude floated down from on

0:31:12.840 --> 0:31:14.520
<v Speaker 3>high to like buy a lot of land.

0:31:15.440 --> 0:31:19.320
<v Speaker 1>He had no id, he was like apparently he was

0:31:19.360 --> 0:31:21.960
<v Speaker 1>born three and a half years ago, but appear to

0:31:22.000 --> 0:31:23.080
<v Speaker 1>be like a middle aged man.

0:31:23.640 --> 0:31:23.760
<v Speaker 5>Uh.

0:31:24.800 --> 0:31:27.880
<v Speaker 1>It was absolutely bizarre. But he had the money. Yeah,

0:31:27.920 --> 0:31:30.040
<v Speaker 1>like that was he.

0:31:30.040 --> 0:31:31.680
<v Speaker 2>Was the only dude that Tony was paying when they

0:31:31.680 --> 0:31:34.320
<v Speaker 2>were on the New Avengers. That's the only one. There's

0:31:34.360 --> 0:31:37.200
<v Speaker 2>like either you were or you you were or Falcon.

0:31:37.200 --> 0:31:39.040
<v Speaker 2>It's like, I'm sorry, I gotta go with you man.

0:31:39.160 --> 0:31:40.240
<v Speaker 4>Yeah, sorry, you no money for you?

0:31:40.320 --> 0:31:40.520
<v Speaker 2>Yeah.

0:31:40.560 --> 0:31:42.320
<v Speaker 4>But like but but vision can buy a house.

0:31:42.400 --> 0:31:44.320
<v Speaker 1>Yeah, I guess like when you don't have to eat

0:31:44.920 --> 0:31:47.880
<v Speaker 1>or buy cars like you do you save a lot.

0:31:47.960 --> 0:31:50.360
<v Speaker 2>Yeah, he's not paying for gas, he ain't nothing. He

0:31:50.360 --> 0:31:52.760
<v Speaker 2>can fly, he float where he needs to. Yeah, he's good.

0:31:52.800 --> 0:31:54.479
<v Speaker 2>He's probably got no doors. On the house too, so

0:31:54.560 --> 0:31:56.760
<v Speaker 2>like before, because he could just like step through things

0:31:56.800 --> 0:31:58.440
<v Speaker 2>and like you know, we got a lot of entry ways.

0:31:58.480 --> 0:31:59.680
<v Speaker 3>Yeah, he's got he's got it.

0:31:59.760 --> 0:32:05.080
<v Speaker 1>Some other things we learned are that something about Wanda's powers.

0:32:05.120 --> 0:32:08.840
<v Speaker 1>She creates this hex sphere that changes the reality of

0:32:08.840 --> 0:32:13.320
<v Speaker 1>everything that's happening inside, and Monica Rambeau goes inside of

0:32:13.360 --> 0:32:18.160
<v Speaker 1>it and comes out with the powers that we think

0:32:18.280 --> 0:32:19.480
<v Speaker 1>will lead to her.

0:32:19.440 --> 0:32:21.440
<v Speaker 4>Becoming a spectrum.

0:32:21.720 --> 0:32:25.960
<v Speaker 1>And so this raises the possibility that now we have,

0:32:26.720 --> 0:32:29.239
<v Speaker 1>along with being born with powers, yet another way that

0:32:29.280 --> 0:32:31.560
<v Speaker 1>you can be powered up, which is you come into

0:32:31.600 --> 0:32:32.840
<v Speaker 1>contact with Wanda's magic.

0:32:32.920 --> 0:32:34.320
<v Speaker 4>Yeah, and all of a sudden.

0:32:34.200 --> 0:32:37.280
<v Speaker 1>You have these abilities, which is a tremendous thing. They

0:32:37.280 --> 0:32:40.320
<v Speaker 1>also used Wanda's energies to power up Vision in his

0:32:40.480 --> 0:32:41.720
<v Speaker 1>in his white vision form.

0:32:42.160 --> 0:32:43.800
<v Speaker 2>Yeah, I'm very curious to see what comes out of

0:32:43.800 --> 0:32:46.600
<v Speaker 2>this if we do get some like tertiary characters that like, yeah,

0:32:46.640 --> 0:32:49.160
<v Speaker 2>maybe they're not mutants or that in humans, but like

0:32:49.200 --> 0:32:51.680
<v Speaker 2>this is like the their version of what that would be.

0:32:52.480 --> 0:32:54.560
<v Speaker 1>Right, all those people that were inside, like what happened

0:32:54.560 --> 0:32:57.160
<v Speaker 1>to them did did they were their cells mutated as well?

0:32:57.200 --> 0:33:01.040
<v Speaker 1>It's like it is it's certainly on the table. Also, Sword,

0:33:01.520 --> 0:33:04.360
<v Speaker 1>we get our first glimpse of Sword and we get

0:33:04.400 --> 0:33:07.200
<v Speaker 1>to see how they work. They are the sentient I

0:33:07.360 --> 0:33:12.000
<v Speaker 1>love Marble acronyms, so the freaking best, honestly, Yeah, they

0:33:12.000 --> 0:33:16.280
<v Speaker 1>are the sentient Weapons Observation and Response Division. How long

0:33:16.320 --> 0:33:18.840
<v Speaker 1>did it take them, by the way, just to sit there? Okay,

0:33:18.880 --> 0:33:19.480
<v Speaker 1>Like how do we.

0:33:21.520 --> 0:33:22.000
<v Speaker 4>Love it?

0:33:22.320 --> 0:33:22.520
<v Speaker 3>Yeah?

0:33:22.520 --> 0:33:24.640
<v Speaker 2>I love it because they have Hammer too in the comics,

0:33:24.640 --> 0:33:26.880
<v Speaker 2>and like they just just never address what hammer is,

0:33:26.920 --> 0:33:30.360
<v Speaker 2>like whatever, we're gonna fix this later, and they just

0:33:30.400 --> 0:33:32.520
<v Speaker 2>never address what hammer could possibly stand for.

0:33:34.000 --> 0:33:36.000
<v Speaker 1>My favorite thing also like is post Like I don't

0:33:36.000 --> 0:33:38.000
<v Speaker 1>know if you read Nick Furyver Shield. It's like an

0:33:38.040 --> 0:33:42.400
<v Speaker 1>eighties limited series where Nick finds out that like a

0:33:42.600 --> 0:33:45.240
<v Speaker 1>shield is basically all a hydroplot like a lot of

0:33:45.280 --> 0:33:48.320
<v Speaker 1>Captain America Winter Soldiers was based on this, and and

0:33:48.440 --> 0:33:51.400
<v Speaker 1>so they just they dismantle Shield and then they rebuild

0:33:51.400 --> 0:33:54.760
<v Speaker 1>it but also as Shield. But then they just change,

0:33:54.840 --> 0:33:59.680
<v Speaker 1>like what all the what all that acronyms. They're like, now,

0:34:00.200 --> 0:34:03.120
<v Speaker 1>let's turn the page at a new start, where what

0:34:03.160 --> 0:34:04.480
<v Speaker 1>are we going to call it? We're also going to

0:34:04.560 --> 0:34:06.560
<v Speaker 1>call it shield, but like they're just gonna change the

0:34:06.680 --> 0:34:07.280
<v Speaker 1>entire agronum.

0:34:07.480 --> 0:34:09.319
<v Speaker 3>We already have the shirt, so like there's a pre

0:34:09.480 --> 0:34:10.800
<v Speaker 3>lock were.

0:34:11.280 --> 0:34:12.600
<v Speaker 4>I got the pens. I don't want to get a

0:34:12.640 --> 0:34:14.520
<v Speaker 4>new mouse path. Yeah.

0:34:14.600 --> 0:34:17.239
<v Speaker 3>Yeah, it's a rebranding. Will be good Chield two point zero.

0:34:18.040 --> 0:34:19.000
<v Speaker 4>But I think one of the.

0:34:20.520 --> 0:34:23.480
<v Speaker 1>A thing that I am really interested in is so

0:34:23.920 --> 0:34:26.000
<v Speaker 1>sentient weapons observation and response to vision.

0:34:26.400 --> 0:34:29.880
<v Speaker 4>Obviously, like the director h H.

0:34:30.400 --> 0:34:35.640
<v Speaker 1>Tyler Hayward was like super invested in examining vision his body,

0:34:35.680 --> 0:34:38.200
<v Speaker 1>understanding how it works. I think that there's a world

0:34:38.239 --> 0:34:41.480
<v Speaker 1>in which this is like the MCU precursor to the

0:34:41.520 --> 0:34:44.680
<v Speaker 1>Sentinel program, Like this is the start of the Wow.

0:34:44.800 --> 0:34:47.279
<v Speaker 3>Yeah yeah, yeah, I could see this.

0:34:47.400 --> 0:34:50.560
<v Speaker 1>Is how this is how it begins. And then Hayward

0:34:50.600 --> 0:34:54.640
<v Speaker 1>loses control of white vision. But like all the data

0:34:54.680 --> 0:34:58.080
<v Speaker 1>that they got from examining him leads them to like

0:34:58.280 --> 0:35:02.880
<v Speaker 1>kickstart the actual sentiment. That's a I don't know if

0:35:02.880 --> 0:35:07.120
<v Speaker 1>it's a theory or something that seems pretty obvious or whatever,

0:35:07.200 --> 0:35:08.279
<v Speaker 1>but that's the thing that I've been saying.

0:35:08.480 --> 0:35:09.719
<v Speaker 3>You know, A good thing that.

0:35:09.680 --> 0:35:12.040
<v Speaker 2>I also love about Marvel is that, like you can

0:35:12.200 --> 0:35:15.160
<v Speaker 2>they will leave uh they only something dangling for years

0:35:15.160 --> 0:35:15.799
<v Speaker 2>and never pick it.

0:35:15.840 --> 0:35:17.120
<v Speaker 3>Up for years and years and years.

0:35:17.200 --> 0:35:19.719
<v Speaker 2>Yes, Like I think everything is an offering to them,

0:35:19.920 --> 0:35:23.440
<v Speaker 2>Like I would be super into that's how they backdoor

0:35:23.480 --> 0:35:26.960
<v Speaker 2>into the Sentinel program and like that's like, you know,

0:35:27.040 --> 0:35:29.120
<v Speaker 2>if Wanda is the original mutant or like she's like

0:35:29.160 --> 0:35:31.080
<v Speaker 2>the precursor for certainly mbidence, it seems like an easy

0:35:31.160 --> 0:35:33.840
<v Speaker 2>end for how we get get those guys set up

0:35:33.880 --> 0:35:34.600
<v Speaker 2>to fight each other.

0:35:35.160 --> 0:35:36.960
<v Speaker 4>Yeah, it's you mentioned that.

0:35:37.000 --> 0:35:39.840
<v Speaker 1>It's something I've noticed too, and as I've seen like

0:35:39.960 --> 0:35:43.960
<v Speaker 1>more people writers with like improv backgrounds go into comics,

0:35:45.040 --> 0:35:47.439
<v Speaker 1>it kind of like philosophically makes sense because a lot

0:35:47.440 --> 0:35:51.520
<v Speaker 1>of it is this like oh there's this like yes

0:35:51.640 --> 0:35:54.200
<v Speaker 1>that has been dangled for years and now someone comes

0:35:54.239 --> 0:35:55.360
<v Speaker 1>in and just goes, I'm gonna take that.

0:35:55.400 --> 0:35:57.400
<v Speaker 4>I'm an run with it, like another thing off that.

0:35:57.560 --> 0:36:00.319
<v Speaker 2>Yeah, that's the truly freeing thing about comics is I mean,

0:36:00.440 --> 0:36:02.719
<v Speaker 2>it is daunting in that you have sixty years of

0:36:02.800 --> 0:36:06.120
<v Speaker 2>sixty seventy years like Lord to deal from, but it's

0:36:06.120 --> 0:36:08.520
<v Speaker 2>also like, yeah, this issue this person said he duck

0:36:08.600 --> 0:36:10.319
<v Speaker 2>left under a fight, and then like you know what,

0:36:10.360 --> 0:36:11.920
<v Speaker 2>six years later, I'm gonna pay that off and tell

0:36:11.920 --> 0:36:13.600
<v Speaker 2>you exactly why he always Ducks left.

0:36:13.719 --> 0:36:14.640
<v Speaker 3>We Heed's into a fight.

0:36:17.920 --> 0:36:21.160
<v Speaker 1>Let's see, we got our first appearance of Agatha Harkness

0:36:21.200 --> 0:36:25.160
<v Speaker 1>in WandaVision Ni Immortal Witch, Powerful Magic User. She tells

0:36:25.239 --> 0:36:31.640
<v Speaker 1>us that Wanda is this fabled and previously thought to

0:36:31.680 --> 0:36:37.719
<v Speaker 1>be legendary super uber ultra witch names Scarlet Witch, and

0:36:37.760 --> 0:36:41.239
<v Speaker 1>we get that. Yeah, we get that first first mention

0:36:41.320 --> 0:36:43.520
<v Speaker 1>of her actual code name, Scarlet Witch. And then of

0:36:43.560 --> 0:36:47.719
<v Speaker 1>course we get the appearances of Billy and Tommy in

0:36:47.760 --> 0:36:51.440
<v Speaker 1>the comics as Wicked and Speed. They're in WandaVision in

0:36:51.520 --> 0:36:56.040
<v Speaker 1>their Wicked and Speed costumes, which was absolutely thrilling. Yeah,

0:36:56.080 --> 0:36:59.840
<v Speaker 1>setting the stage for we can only assume the appearance

0:36:59.840 --> 0:37:01.400
<v Speaker 1>of Young Avengers at some point.

0:37:01.600 --> 0:37:03.080
<v Speaker 2>I mean, they're all there, They're all like, they're all

0:37:03.160 --> 0:37:05.479
<v Speaker 2>later out there. Yeah, yeah, they're the only person they're missing.

0:37:05.520 --> 0:37:07.399
<v Speaker 2>Is I think, is Hopling right? And I'm sure there

0:37:07.520 --> 0:37:09.319
<v Speaker 2>there's gotta be a scroll hanging out there somewhere they

0:37:09.320 --> 0:37:10.360
<v Speaker 2>can they can Hulkling.

0:37:10.440 --> 0:37:10.640
<v Speaker 3>Is it.

0:37:10.640 --> 0:37:13.320
<v Speaker 4>They've already got Kate Bishop we know is coming?

0:37:13.640 --> 0:37:17.680
<v Speaker 1>Uh stature uh stature, is there is like already in

0:37:17.719 --> 0:37:22.840
<v Speaker 1>the universe. Kid Loki like just appeared in the in

0:37:22.880 --> 0:37:26.640
<v Speaker 1>the Loki series and then uh, Miss America, Yeah, we

0:37:27.040 --> 0:37:29.560
<v Speaker 1>understand is going to be in Doctor. So that team

0:37:29.600 --> 0:37:33.680
<v Speaker 1>is there, Uh super excited about that. Let's move on

0:37:33.719 --> 0:37:36.239
<v Speaker 1>to Falcon and Winter Soldier, which I thought, this is

0:37:36.360 --> 0:37:41.480
<v Speaker 1>so for me, the the least satisfying in terms of

0:37:41.520 --> 0:37:45.360
<v Speaker 1>like execution as a story. But I give them heavy, heavy,

0:37:45.680 --> 0:37:50.360
<v Speaker 1>a heavy pass because COVID like absolutely wrecked their production schedule.

0:37:51.080 --> 0:37:53.759
<v Speaker 1>You could tell that Julia Louis Dreyfus was on set

0:37:53.840 --> 0:37:56.200
<v Speaker 1>for an hour and that she might have done her

0:37:56.239 --> 0:37:57.160
<v Speaker 1>own makeup.

0:37:56.840 --> 0:37:59.480
<v Speaker 4>And hair, like it might have come in her own clothes.

0:37:59.719 --> 0:38:01.680
<v Speaker 2>Yeah, this is the one that screamed the most, Like

0:38:01.960 --> 0:38:04.640
<v Speaker 2>we were supposed to be led up by Black Widow

0:38:04.719 --> 0:38:06.359
<v Speaker 2>and then that just did not happen for a year

0:38:06.360 --> 0:38:08.000
<v Speaker 2>and a half. So like she shows up, You're like,

0:38:08.200 --> 0:38:09.840
<v Speaker 2>I feel like there was a scene in another movie

0:38:09.880 --> 0:38:12.200
<v Speaker 2>that gave me context like what this person, because she

0:38:12.239 --> 0:38:14.960
<v Speaker 2>had like in Falcon Winnisoda, she had like ticks and

0:38:15.000 --> 0:38:16.719
<v Speaker 2>stuff that she was doing, like here's like my car

0:38:16.920 --> 0:38:18.880
<v Speaker 2>just the car s blink or whatever. I'm like that

0:38:18.920 --> 0:38:20.720
<v Speaker 2>seems like a joke that was set up in something

0:38:20.719 --> 0:38:22.319
<v Speaker 2>else that was supposed to come out that did not

0:38:22.400 --> 0:38:26.239
<v Speaker 2>quite pay off for this, I sort of have the

0:38:26.239 --> 0:38:29.080
<v Speaker 2>same thoughts. I also will say that espionage Marvel is

0:38:29.080 --> 0:38:30.480
<v Speaker 2>the one that I am the least. I've always been

0:38:30.520 --> 0:38:32.480
<v Speaker 2>the least like super tapped into. But like, yeah, I've

0:38:32.680 --> 0:38:34.880
<v Speaker 2>I've never been super inspiced. I've always been like give me,

0:38:35.160 --> 0:38:37.400
<v Speaker 2>give me big cosmic gods, or give me give me

0:38:37.440 --> 0:38:39.120
<v Speaker 2>someone green, Like that's always been a thing that've been

0:38:39.120 --> 0:38:39.640
<v Speaker 2>super into.

0:38:39.880 --> 0:38:41.080
<v Speaker 3>Give me give me.

0:38:41.000 --> 0:38:44.720
<v Speaker 2>Someone green, good, more goodmore, she hulked drags. I'll take anyone.

0:38:45.040 --> 0:38:47.720
<v Speaker 2>I'm open to all of them. But I do enjoy

0:38:47.760 --> 0:38:51.680
<v Speaker 2>what they did status quo wise, I'm a huge fan

0:38:51.880 --> 0:38:54.040
<v Speaker 2>of Isaiah Bradley. Have always been a huge stand of

0:38:54.080 --> 0:38:57.000
<v Speaker 2>Patriot as well, two of my favorite characters, and I

0:38:57.040 --> 0:38:59.080
<v Speaker 2>love that they worked him into this, and I love

0:38:59.120 --> 0:39:03.239
<v Speaker 2>that they also again set up for young Avengers, and

0:39:03.280 --> 0:39:05.359
<v Speaker 2>I love that as I love that this is also

0:39:05.400 --> 0:39:07.279
<v Speaker 2>this is the first show that's introduced the concept of

0:39:07.280 --> 0:39:09.880
<v Speaker 2>like legacy characters in Marvel as far as I know,

0:39:09.960 --> 0:39:12.239
<v Speaker 2>we're like all right, there were literal passing of the

0:39:12.239 --> 0:39:16.239
<v Speaker 2>shield to to to Falcon and then like course, and

0:39:17.040 --> 0:39:19.080
<v Speaker 2>you know it's gonna set up for all these other things,

0:39:19.160 --> 0:39:20.040
<v Speaker 2>like we have to reset.

0:39:20.080 --> 0:39:22.280
<v Speaker 3>We can't do Old Hawkeye anymore.

0:39:22.280 --> 0:39:23.880
<v Speaker 2>We need to have Young Hawkey, and I'm assuming the

0:39:23.880 --> 0:39:25.640
<v Speaker 2>same thing's gonna be happening to the rest of these series.

0:39:25.680 --> 0:39:28.279
<v Speaker 2>Like that was my big takeaway that I'm like, oh great,

0:39:28.360 --> 0:39:31.480
<v Speaker 2>now we're fully cocked into eighth gear, running running head

0:39:31.480 --> 0:39:33.640
<v Speaker 2>first into like comic book fille, which I'm all for.

0:39:34.480 --> 0:39:37.080
<v Speaker 4>I am all for it as well, So quick recap.

0:39:37.080 --> 0:39:40.040
<v Speaker 1>In the aftermath of the Blip, Sam Wilson, the Falcon,

0:39:40.040 --> 0:39:42.600
<v Speaker 1>and Buckie Barnes aka the Winter Soldier face off against

0:39:42.680 --> 0:39:47.480
<v Speaker 1>a super soldier serum enhanced terrorist group led by the

0:39:47.560 --> 0:39:53.400
<v Speaker 1>passionate flag smasher Karl Morgenthau. Sam rejects Captain America's shield

0:39:53.440 --> 0:39:56.120
<v Speaker 1>think he should stand in a museum, only to find

0:39:56.120 --> 0:40:01.480
<v Speaker 1>it into the hands of the very aggressive John Walker,

0:40:02.400 --> 0:40:03.839
<v Speaker 1>who quickly becomes.

0:40:03.520 --> 0:40:05.120
<v Speaker 4>Powered up on his own.

0:40:05.560 --> 0:40:09.200
<v Speaker 1>And really the big paradigm shift and is a massive, massive,

0:40:10.160 --> 0:40:16.960
<v Speaker 1>massive recontextualization of marvelore is we get the storyline based

0:40:17.000 --> 0:40:19.040
<v Speaker 1>on truth, Red, White, and Black by Robert Morales and

0:40:19.080 --> 0:40:22.360
<v Speaker 1>Kyle Baker, in which we discovered that the super soldier

0:40:22.360 --> 0:40:25.000
<v Speaker 1>program did not stop with Captain America, did not stop

0:40:25.080 --> 0:40:29.799
<v Speaker 1>with the destruction of all the serum. It in fact continued,

0:40:30.440 --> 0:40:36.080
<v Speaker 1>and that various black soldiers, Black American soldiers were injected

0:40:36.160 --> 0:40:40.440
<v Speaker 1>with various experimental forms of the super Soldiers super Soldier serum.

0:40:41.040 --> 0:40:43.360
<v Speaker 1>Many of them, if not hundreds of them, died in

0:40:43.400 --> 0:40:46.680
<v Speaker 1>horrific fashion as a direct result of that serum, and

0:40:46.760 --> 0:40:49.799
<v Speaker 1>that the one success story, if you could call it, that,

0:40:49.840 --> 0:40:55.920
<v Speaker 1>the Black Captain America. Isaiah Bradley was then court martialed

0:40:56.560 --> 0:40:59.919
<v Speaker 1>and imprisoned after doing the exact same thing that Steve

0:41:00.040 --> 0:41:03.239
<v Speaker 1>Rogers does in Captain America. The first renders his his

0:41:04.080 --> 0:41:08.839
<v Speaker 1>friends unit gets captured, and he knows that the army

0:41:08.960 --> 0:41:11.560
<v Speaker 1>just plans to like bomb the base, so he goes

0:41:11.600 --> 0:41:14.680
<v Speaker 1>in on his own rogue mission and rescues all of them.

0:41:14.920 --> 0:41:18.480
<v Speaker 1>Steve Rogers became Captain America and became like the paragon

0:41:18.760 --> 0:41:23.400
<v Speaker 1>of American virtue and strength. And Isaiah Bradley was thrown

0:41:23.520 --> 0:41:28.239
<v Speaker 1>into like a dark cell and some military black sites

0:41:28.280 --> 0:41:31.759
<v Speaker 1>somewhere where he was kept for decades and tortured and

0:41:31.800 --> 0:41:32.560
<v Speaker 1>experimented on.

0:41:32.640 --> 0:41:35.960
<v Speaker 4>This is a I mean, it's it's a huge thing.

0:41:36.080 --> 0:41:40.960
<v Speaker 1>And yeah, shouts to Carl Lumbley, who is just you

0:41:41.000 --> 0:41:41.960
<v Speaker 1>can't take your eyes off.

0:41:42.120 --> 0:41:43.319
<v Speaker 3>Yeah, he's captivating.

0:41:43.760 --> 0:41:46.040
<v Speaker 2>He's captivating, and like he's like one of those like

0:41:46.080 --> 0:41:48.160
<v Speaker 2>he sort of got from the same school like Viola datis,

0:41:48.320 --> 0:41:49.920
<v Speaker 2>like you want to see them in pain, Like I

0:41:49.920 --> 0:41:53.799
<v Speaker 2>think when character they do pain so well. I one

0:41:53.800 --> 0:41:55.520
<v Speaker 2>of the This is just like a side from that.

0:41:55.640 --> 0:41:57.719
<v Speaker 2>But like what I do like about them introducing the

0:41:57.719 --> 0:42:00.160
<v Speaker 2>content of like imprisoning these you know black supers or

0:42:00.239 --> 0:42:02.120
<v Speaker 2>is that like for it opens Like one of my

0:42:02.160 --> 0:42:04.239
<v Speaker 2>personal favorite characters is like Blue Marvel, and like his

0:42:04.320 --> 0:42:06.800
<v Speaker 2>whole thing was like like he was he was asked

0:42:06.840 --> 0:42:08.960
<v Speaker 2>like he was like one of the first like super superpowers,

0:42:08.960 --> 0:42:10.359
<v Speaker 2>like guys like you know I can I can wreck

0:42:10.440 --> 0:42:12.280
<v Speaker 2>everything if you guys look at me the wrong way,

0:42:12.440 --> 0:42:13.800
<v Speaker 2>And they're like, you know what, we don't need a

0:42:13.840 --> 0:42:15.799
<v Speaker 2>black superman, so like we're just gonna like make you

0:42:15.880 --> 0:42:18.880
<v Speaker 2>like basically retire and in the sixties. And like I

0:42:18.920 --> 0:42:21.080
<v Speaker 2>love that opened ups the door for that character because

0:42:21.120 --> 0:42:23.319
<v Speaker 2>I'm a super huge fan of Blue Marvel. Like I

0:42:23.360 --> 0:42:25.560
<v Speaker 2>love that this would possibly will be a back door

0:42:25.680 --> 0:42:27.359
<v Speaker 2>like was he one of those super soldier guys too

0:42:27.360 --> 0:42:29.400
<v Speaker 2>that like he was asked to like step down or

0:42:29.440 --> 0:42:31.800
<v Speaker 2>he was the nuclear thing fell into the toaster and

0:42:31.800 --> 0:42:33.000
<v Speaker 2>he got zapped into the negative zone.

0:42:33.040 --> 0:42:33.080
<v Speaker 1>No.

0:42:33.239 --> 0:42:35.240
<v Speaker 2>Ever, like I love that what it sets up status

0:42:35.320 --> 0:42:37.320
<v Speaker 2>quo wise for going for when it comes to Marvel.

0:42:38.120 --> 0:42:40.680
<v Speaker 1>Same and as a layer of complexity too, because that's

0:42:40.760 --> 0:42:42.680
<v Speaker 1>kind of like I want to say.

0:42:42.560 --> 0:42:45.919
<v Speaker 4>More of a uh, I guess, more of a DC thing.

0:42:46.000 --> 0:42:49.719
<v Speaker 1>This this idea of actually the government in the military

0:42:49.960 --> 0:42:51.719
<v Speaker 1>are like unambiguously bad.

0:42:51.880 --> 0:42:53.040
<v Speaker 4>They're doing bad.

0:42:52.840 --> 0:42:56.960
<v Speaker 1>Shit all the time, and Superman either doesn't know about

0:42:56.960 --> 0:42:59.319
<v Speaker 1>it or like is kept in the dark about it.

0:42:59.320 --> 0:43:04.400
<v Speaker 1>And it's only through the actions of like quasi criminal

0:43:04.520 --> 0:43:08.000
<v Speaker 1>heroes that like any of this stuff gets exposed. Marvel

0:43:08.239 --> 0:43:10.439
<v Speaker 1>kind of like toes that line where it's like, yes,

0:43:11.040 --> 0:43:14.400
<v Speaker 1>the Sentinel program was supported by the US military and

0:43:14.440 --> 0:43:17.400
<v Speaker 1>it is an absolute project of the United States government.

0:43:17.800 --> 0:43:21.360
<v Speaker 1>But also and yes, like the Sentinels wiped out like

0:43:21.520 --> 0:43:25.239
<v Speaker 1>several million mutants on the island of Genosha. But also

0:43:25.360 --> 0:43:28.560
<v Speaker 1>like Captain America was not involved in that PERSI didn't

0:43:28.640 --> 0:43:31.520
<v Speaker 1>know and the Secret of Defense probably didn't know.

0:43:33.040 --> 0:43:34.920
<v Speaker 3>Rogue operations, Yeah, they're never explicit.

0:43:35.000 --> 0:43:37.400
<v Speaker 2>Like the most explicitive is like you know, winners holdiers,

0:43:37.440 --> 0:43:39.239
<v Speaker 2>like you know what show was actually full of Nazi

0:43:39.320 --> 0:43:41.359
<v Speaker 2>the entire time, and we do have a master kill

0:43:41.400 --> 0:43:45.239
<v Speaker 2>list that from Tony start to just like regular surgeons

0:43:45.440 --> 0:43:47.560
<v Speaker 2>that's on ours but like, I like this the first

0:43:47.560 --> 0:43:49.200
<v Speaker 2>time they were they're like, you know what, the government

0:43:49.239 --> 0:43:51.120
<v Speaker 2>actually a cab, Like maybe they are a little bit

0:43:51.120 --> 0:43:52.279
<v Speaker 2>of a cab and they're not.

0:43:52.719 --> 0:43:53.799
<v Speaker 4>Guess what, guess what?

0:43:54.040 --> 0:43:59.040
<v Speaker 1>It wasn't good like Erskine was was definitely an outlier

0:43:59.320 --> 0:44:07.440
<v Speaker 1>in that room. And we get our first appearance of Madrapoor,

0:44:07.640 --> 0:44:10.960
<v Speaker 1>which is the oligarchical, quasi lawless Asian city state which

0:44:10.960 --> 0:44:14.480
<v Speaker 1>is based on Singapore, which, despite its location, curiously devoid

0:44:14.520 --> 0:44:19.000
<v Speaker 1>of Asians in this storytelling, but that's fine. We find

0:44:19.040 --> 0:44:23.520
<v Speaker 1>out that Sharon Carter, agent thirteen in the comics, a

0:44:23.719 --> 0:44:28.960
<v Speaker 1>quite often a love interest of Steve Rogers, has remade

0:44:29.000 --> 0:44:35.560
<v Speaker 1>herself as the Power Broker, a basically criminal mastermind who

0:44:35.600 --> 0:44:38.920
<v Speaker 1>is going to deal super soldier serum on the black market.

0:44:39.600 --> 0:44:41.480
<v Speaker 1>We get the first appearance of John Walker, a k

0:44:42.320 --> 0:44:46.960
<v Speaker 1>US agent boy created the fascist Captain of America named

0:44:47.000 --> 0:44:49.880
<v Speaker 1>is Steve Rodgers official replacement. Of course, He takes a

0:44:49.920 --> 0:44:52.080
<v Speaker 1>super soldier serum just like on his own, just like

0:44:52.200 --> 0:44:54.640
<v Speaker 1>injects it into his own button, and then we get

0:44:54.640 --> 0:44:58.839
<v Speaker 1>the first appearance of the Contessa Valentina Legradfontaine Julie Luis

0:44:58.920 --> 0:45:03.480
<v Speaker 1>s Treyfus again on set for an hour, and she

0:45:03.520 --> 0:45:07.040
<v Speaker 1>appears to be I would you know at the events

0:45:07.040 --> 0:45:09.120
<v Speaker 1>of Black Widow show The Stinger at the end of

0:45:09.120 --> 0:45:12.719
<v Speaker 1>Black Widow suggests that she's putting together like a Thunderbolt

0:45:13.040 --> 0:45:17.399
<v Speaker 1>style Yeah, yeah, Dark Avengers squad with US agent, with

0:45:17.719 --> 0:45:21.880
<v Speaker 1>Yolena and who knows who else, And of course we

0:45:21.960 --> 0:45:25.239
<v Speaker 1>get our first glimpse of Elijah Bradley, who in the

0:45:25.239 --> 0:45:30.680
<v Speaker 1>comics is the Patriot Isaiah, Isaiah Bradley's grandson and another

0:45:30.760 --> 0:45:32.960
<v Speaker 1>member of the Young Avengers.

0:45:33.560 --> 0:45:35.520
<v Speaker 2>This is the show I think that I'm it's sort

0:45:35.520 --> 0:45:37.359
<v Speaker 2>of like that connected tissue in like Phase two where

0:45:37.360 --> 0:45:39.560
<v Speaker 2>it's like we got to get the Avengers together. It's

0:45:39.560 --> 0:45:42.120
<v Speaker 2>basically what I sort of felt from this for I

0:45:42.160 --> 0:45:44.960
<v Speaker 2>mean whatever, Like that's not a condemnation or anything, but

0:45:45.080 --> 0:45:47.560
<v Speaker 2>like I'm most excited about, like you said, like what

0:45:47.719 --> 0:45:49.520
<v Speaker 2>this Thunderbolts is going to look like. That was my

0:45:49.560 --> 0:45:52.280
<v Speaker 2>big takeaway from this, Like I love what they possibly

0:45:52.320 --> 0:45:54.920
<v Speaker 2>do with Thunderbolts. I also want to just I want

0:45:54.960 --> 0:45:56.279
<v Speaker 2>to honestly just want to see more of like what

0:45:56.480 --> 0:45:59.239
<v Speaker 2>Isaiah Bradley is doing, like in Patriot Sure that to

0:45:59.280 --> 0:46:02.000
<v Speaker 2>me is like the most mostly rich soil that like,

0:46:02.040 --> 0:46:04.000
<v Speaker 2>I want to plan a little little nerd tree in

0:46:04.040 --> 0:46:05.279
<v Speaker 2>and see what's brought side of it.

0:46:06.280 --> 0:46:10.120
<v Speaker 1>They So that's episode five of this series is where

0:46:10.160 --> 0:46:14.399
<v Speaker 1>you get the whole download on on what was going

0:46:14.440 --> 0:46:20.120
<v Speaker 1>on with the Super Social Program post Captain America, uh

0:46:20.160 --> 0:46:26.439
<v Speaker 1>and what happened with Isaiah Bradley. They went extremely hard

0:46:26.440 --> 0:46:28.680
<v Speaker 1>in the paint. Like I did not think that they

0:46:28.680 --> 0:46:31.880
<v Speaker 1>were going to go that hard, and I was actually like,

0:46:32.040 --> 0:46:35.600
<v Speaker 1>fuck yeah they would shouts to Malcolm Smellman, showrunner, but

0:46:35.719 --> 0:46:41.960
<v Speaker 1>it was like straight up like like Isaiah Bradley says, like,

0:46:42.080 --> 0:46:45.080
<v Speaker 1>no self respecting black man would not would the shield.

0:46:45.080 --> 0:46:46.880
<v Speaker 4>It was like, holy ship, we're doing it.

0:46:46.960 --> 0:46:47.600
<v Speaker 3>Yeah, we're going.

0:46:48.040 --> 0:46:51.239
<v Speaker 2>He basically called him a cornball brother and he did.

0:46:51.320 --> 0:46:52.080
<v Speaker 2>How you feel about that?

0:46:52.160 --> 0:46:53.160
<v Speaker 4>King?

0:46:54.480 --> 0:46:54.840
<v Speaker 3>I was?

0:46:55.080 --> 0:46:55.520
<v Speaker 4>I was.

0:46:56.920 --> 0:47:01.040
<v Speaker 1>I was surprised, and I was really kind of proud

0:47:01.120 --> 0:47:03.799
<v Speaker 1>of of Marvel for going, Yeah, Darren going that hard

0:47:03.840 --> 0:47:06.680
<v Speaker 1>with it, having that kind of conversation in that context

0:47:06.680 --> 0:47:09.319
<v Speaker 1>on a Disney Plus show, Because if you're gonna if

0:47:09.320 --> 0:47:11.320
<v Speaker 1>you're gonna explore that kind of subject matter in that

0:47:11.400 --> 0:47:11.759
<v Speaker 1>kind of way.

0:47:11.800 --> 0:47:13.239
<v Speaker 4>You kind of have to have that. Somebody has to

0:47:13.280 --> 0:47:13.920
<v Speaker 4>have that conversation.

0:47:14.080 --> 0:47:16.160
<v Speaker 2>Yeah, I mean everyone's been thinking, well, everyone that's you know,

0:47:16.200 --> 0:47:17.880
<v Speaker 2>not a straight white guy has been thinking that the

0:47:18.000 --> 0:47:19.600
<v Speaker 2>entire time. You're like, you're really gonna put the stars

0:47:19.600 --> 0:47:21.439
<v Speaker 2>and bars across your chest? Like that seems a little

0:47:21.440 --> 0:47:22.680
<v Speaker 2>I don't know about that one. King, Like I don't

0:47:22.680 --> 0:47:24.560
<v Speaker 2>know about that one. Let's run the tape back and

0:47:24.600 --> 0:47:30.000
<v Speaker 2>see how the US government clocks on that one. I

0:47:30.080 --> 0:47:31.759
<v Speaker 2>like that they called it out, but I'm also very

0:47:31.760 --> 0:47:34.879
<v Speaker 2>curious to see, like what what what Roady, what what

0:47:34.920 --> 0:47:37.960
<v Speaker 2>Wilson Sam's gonna be doing now that like he's like

0:47:38.320 --> 0:47:41.480
<v Speaker 2>he sort of seems that he's like pulled himself up

0:47:41.520 --> 0:47:43.440
<v Speaker 2>by his bootstraps to use a very bad in and

0:47:43.480 --> 0:47:45.239
<v Speaker 2>in but like his whole thing was like I'm I'm

0:47:45.280 --> 0:47:46.960
<v Speaker 2>just doing it for family, Like I'm doing this like

0:47:47.000 --> 0:47:48.799
<v Speaker 2>get back on my own. So like I'm wondering if,

0:47:48.840 --> 0:47:51.200
<v Speaker 2>like going forward, if it's going to be like you know,

0:47:51.360 --> 0:47:53.839
<v Speaker 2>like you know, Winter social where Steve learns it, he's

0:47:53.880 --> 0:47:55.840
<v Speaker 2>just been a tool for the government, Like now that

0:47:55.880 --> 0:47:57.319
<v Speaker 2>he's free of that, like what's he going to be doing.

0:47:57.480 --> 0:48:00.680
<v Speaker 2>Is he gonna be like forming his own sort of team,

0:48:01.000 --> 0:48:02.560
<v Speaker 2>or what's he going to be doing, Like how's he

0:48:02.560 --> 0:48:04.479
<v Speaker 2>going to be saving the world or putting like who's

0:48:04.480 --> 0:48:05.040
<v Speaker 2>he gonna be fighting?

0:48:05.080 --> 0:48:06.520
<v Speaker 3>I'm very curious to see like what he's doing.

0:48:06.800 --> 0:48:10.400
<v Speaker 1>Say, absolutely the same kind of vibe. Also, it's like,

0:48:10.480 --> 0:48:15.399
<v Speaker 1>you know, Steve, we're out of our heroes now will

0:48:15.440 --> 0:48:20.400
<v Speaker 1>be operating we might assume out from under the umbrella

0:48:20.480 --> 0:48:25.200
<v Speaker 1>of Tony Stark's incredible wealth. Yeah, so like like in

0:48:25.239 --> 0:48:27.719
<v Speaker 1>the comics, like in the in the Sam Wilson Captain

0:48:27.760 --> 0:48:30.919
<v Speaker 1>America comics where Sam's out there and he like sets

0:48:31.000 --> 0:48:33.200
<v Speaker 1>up a one eight hundred number and he's doing stuff

0:48:33.239 --> 0:48:35.600
<v Speaker 1>like on it, it's much more ground level, like he's

0:48:35.600 --> 0:48:37.359
<v Speaker 1>not sure where the money's coming from. Like he has

0:48:37.400 --> 0:48:39.680
<v Speaker 1>a you know, he has like the Marvel version of

0:48:39.680 --> 0:48:43.799
<v Speaker 1>like a Patreon like Captain Verica. You know, like, are

0:48:43.840 --> 0:48:47.560
<v Speaker 1>we gonna see Sam doing stuff independently on his own?

0:48:47.600 --> 0:48:50.680
<v Speaker 1>And what does that mean in terms of like you know,

0:48:50.920 --> 0:48:53.920
<v Speaker 1>like his ability to get you know, take care of

0:48:53.960 --> 0:48:56.600
<v Speaker 1>his his weaponry, his suits, all that stuff, Like is

0:48:56.600 --> 0:48:58.520
<v Speaker 1>he just going to be doing it on his own

0:48:58.560 --> 0:49:00.879
<v Speaker 1>dime or how that is fascinating to me. And that's

0:49:00.920 --> 0:49:03.600
<v Speaker 1>kind of like Marvel DNA too, is like, you know,

0:49:03.680 --> 0:49:05.799
<v Speaker 1>Marvel Heroes worrying about where the red's gonna come from.

0:49:05.880 --> 0:49:07.560
<v Speaker 3>Yeah, you know that bikes me curious.

0:49:07.800 --> 0:49:09.560
<v Speaker 2>This is a complete wild pitch, but I wondered if

0:49:09.560 --> 0:49:11.680
<v Speaker 2>that becomes like their version of Heroes for Hire. It's

0:49:11.760 --> 0:49:14.400
<v Speaker 2>him and Bucky, yeah whoever, like getting a call on

0:49:14.480 --> 0:49:17.279
<v Speaker 2>like the Falcon phone and being like, all right, we

0:49:17.320 --> 0:49:19.520
<v Speaker 2>need to go bust up some guys in Lower East

0:49:19.520 --> 0:49:21.840
<v Speaker 2>Manhattan or whatever. And that's how we're taking care of

0:49:21.880 --> 0:49:23.799
<v Speaker 2>the boat this week maybe.

0:49:25.719 --> 0:49:29.280
<v Speaker 4>And next up most recently is Loki. The series Loki.

0:49:30.120 --> 0:49:32.120
<v Speaker 1>After the events of the Avengers and the Time Heist

0:49:32.160 --> 0:49:36.920
<v Speaker 1>in spring twenty twelve, Loki is he escapes into the timeline,

0:49:37.000 --> 0:49:41.560
<v Speaker 1>he is captured by the TVA, and there he discovers

0:49:41.640 --> 0:49:44.719
<v Speaker 1>that not only are there multiple versions of himself through

0:49:44.800 --> 0:49:48.400
<v Speaker 1>multiple versions of the Timeline that he knows, but reality

0:49:48.440 --> 0:49:51.480
<v Speaker 1>and time itself are just like way way, way, way,

0:49:51.520 --> 0:49:56.319
<v Speaker 1>way way way weird than he could have ever imagined.

0:49:56.840 --> 0:50:00.520
<v Speaker 1>And this one it is like a colossal fl that

0:50:00.640 --> 0:50:03.640
<v Speaker 1>just like on the final episode of like Loki, on

0:50:03.680 --> 0:50:08.879
<v Speaker 1>Disney plus Marvel's just like, Okay, we've changed the universe completely. Yeah,

0:50:08.960 --> 0:50:10.879
<v Speaker 1>all the stuff that happened in phase one, two three

0:50:11.040 --> 0:50:15.600
<v Speaker 1>actually like was kind of had maybe theoretically have happened

0:50:15.640 --> 0:50:19.000
<v Speaker 1>like countless times before, and it kind of was like

0:50:19.040 --> 0:50:21.680
<v Speaker 1>the outcome was never in doubt, and now the real

0:50:21.719 --> 0:50:24.120
<v Speaker 1>shit starts, Like now is when the actual stuff is.

0:50:24.360 --> 0:50:26.520
<v Speaker 2>Yeah, now the stakes a right, I mean Waltrin put

0:50:26.560 --> 0:50:27.480
<v Speaker 2>his foot all up in this thing.

0:50:27.840 --> 0:50:29.360
<v Speaker 3>Is that. I love that.

0:50:29.560 --> 0:50:31.600
<v Speaker 2>Like you're saying, like the final episode, like we're not

0:50:31.640 --> 0:50:34.200
<v Speaker 2>going to get people fighting, It's gonna it's gonna be

0:50:34.280 --> 0:50:38.040
<v Speaker 2>twenty five minutes of three classically trained, fantastic actors acting

0:50:38.080 --> 0:50:40.239
<v Speaker 2>the shit out of a scene, and the blocking is

0:50:40.440 --> 0:50:42.560
<v Speaker 2>Jonathan Majors eats an apple and sits weird on a

0:50:42.640 --> 0:50:44.760
<v Speaker 2>chair Like that's it. That's the most action that happens.

0:50:45.440 --> 0:50:47.520
<v Speaker 2>As you give a huge download and red conn of

0:50:47.600 --> 0:50:49.440
<v Speaker 2>like everything you've experienced up at this point for the

0:50:49.480 --> 0:50:52.480
<v Speaker 2>past twenty something movies of Marvel. I love it, like

0:50:52.719 --> 0:50:55.200
<v Speaker 2>they stuck the landing. This has everything that I love

0:50:55.280 --> 0:50:58.560
<v Speaker 2>about Cosmic Marvel. It's weird out the gate ye you

0:50:58.600 --> 0:51:01.560
<v Speaker 2>can see the DNA of of Rick and Morty, Mike Walter,

0:51:01.640 --> 0:51:04.000
<v Speaker 2>and the showrunner was a Rick and Mordy described forever

0:51:05.080 --> 0:51:06.720
<v Speaker 2>and I think it is like number two. Tom Coffin

0:51:06.760 --> 0:51:08.600
<v Speaker 2>was another Rick and Morty person. So like when you

0:51:08.640 --> 0:51:10.719
<v Speaker 2>see these weird things, like when they have like, oh,

0:51:10.760 --> 0:51:14.440
<v Speaker 2>here's ice giant Loki, here's twe de France Loki, here's whatever,

0:51:14.440 --> 0:51:16.440
<v Speaker 2>like all that weird stuff that you would see in

0:51:16.520 --> 0:51:19.800
<v Speaker 2>like reading those like big galactic cosmic comic books.

0:51:19.800 --> 0:51:21.239
<v Speaker 3>They captured that beautifully.

0:51:21.800 --> 0:51:23.719
<v Speaker 2>And this is just another small detail that also made

0:51:23.800 --> 0:51:25.520
<v Speaker 2>me love it, Like where they're stuck on like the

0:51:25.719 --> 0:51:27.759
<v Speaker 2>at the end of Existence whatever, and they're in like

0:51:27.800 --> 0:51:30.200
<v Speaker 2>the low key base and they're pinning down to the dirt.

0:51:30.239 --> 0:51:32.359
<v Speaker 2>It's like a little Loki trapped in like a little jar.

0:51:32.480 --> 0:51:35.640
<v Speaker 2>I'm like, that's one hundred percent weird comic book that

0:51:35.719 --> 0:51:39.320
<v Speaker 2>someone draws in like one panel that like yeah, people

0:51:39.320 --> 0:51:41.080
<v Speaker 2>will take a screencap on and then like it never

0:51:41.120 --> 0:51:43.680
<v Speaker 2>referenced again. Like this show for me is like the

0:51:43.719 --> 0:51:47.160
<v Speaker 2>perfect distillation of like what weird fun comic book TV

0:51:47.200 --> 0:51:48.400
<v Speaker 2>show adaptation should be.

0:51:48.480 --> 0:51:49.120
<v Speaker 3>And like I.

0:51:49.080 --> 0:51:52.080
<v Speaker 2>Cannot wait to see more more of this because now

0:51:52.080 --> 0:51:54.000
<v Speaker 2>there's stakes, Like like you say, like they reset the

0:51:54.000 --> 0:51:56.040
<v Speaker 2>new status quote like what's going to be happening and

0:51:56.080 --> 0:51:58.080
<v Speaker 2>then're all with universes going forward.

0:51:59.080 --> 0:51:59.279
<v Speaker 4>Yeah.

0:51:59.440 --> 0:52:03.719
<v Speaker 1>The thing, the thing that has always like gripped me

0:52:03.800 --> 0:52:05.879
<v Speaker 1>about comics from the first time I started reading them

0:52:06.600 --> 0:52:13.400
<v Speaker 1>was just like the complete boundless energy of the things

0:52:13.400 --> 0:52:16.520
<v Speaker 1>that you could see, like crazy aliens that you would

0:52:16.560 --> 0:52:20.120
<v Speaker 1>never expect, like weird world stuff happening on like in

0:52:20.160 --> 0:52:23.280
<v Speaker 1>the past that's also happening in the future, like huge

0:52:23.280 --> 0:52:25.640
<v Speaker 1>monsters that live under the ocean, Like there's there was

0:52:25.719 --> 0:52:29.799
<v Speaker 1>no limit to it. And this Loki really it went

0:52:29.840 --> 0:52:32.040
<v Speaker 1>there like as much as you could go there on

0:52:32.080 --> 0:52:36.000
<v Speaker 1>television you mentioned Michael Waldron and the connections to Rereco Morni.

0:52:36.040 --> 0:52:38.440
<v Speaker 1>There was like some fun, some real fun, Like it

0:52:38.480 --> 0:52:44.239
<v Speaker 1>felt like direct references. There's in the finale, Jonathan Majors

0:52:44.040 --> 0:52:47.120
<v Speaker 1>as Kang Slash a Mortists whoever.

0:52:47.520 --> 0:52:49.759
<v Speaker 4>Says something like what does he say?

0:52:49.800 --> 0:52:53.319
<v Speaker 1>He says like, oh, yes, you know, we're supposed to

0:52:53.880 --> 0:52:57.600
<v Speaker 1>enter into an adventure and emerge forever change, Yeah, which

0:52:57.680 --> 0:53:00.560
<v Speaker 1>is like a direct reference to the know the fame

0:53:00.680 --> 0:53:03.799
<v Speaker 1>Dan Harmon story circle, which is how he designs many

0:53:03.840 --> 0:53:07.440
<v Speaker 1>of his stories about a hero like entering a new world,

0:53:07.520 --> 0:53:07.960
<v Speaker 1>et cetera.

0:53:08.520 --> 0:53:09.560
<v Speaker 4>And it felt like a call that.

0:53:09.800 --> 0:53:12.040
<v Speaker 2>Yeah, it felt like it had to shout out my

0:53:12.040 --> 0:53:14.160
<v Speaker 2>favorite line and that it's also the exact same scene

0:53:14.239 --> 0:53:16.760
<v Speaker 2>is like we're crossing the threshold, like he just blatantly

0:53:16.840 --> 0:53:18.640
<v Speaker 2>says it. I'm like, oh, you can just say that,

0:53:18.680 --> 0:53:20.319
<v Speaker 2>Like that's how you can like get that in front

0:53:20.360 --> 0:53:22.359
<v Speaker 2>of that, Like he just blatly says it. As they're

0:53:22.400 --> 0:53:24.719
<v Speaker 2>like discovering that, like the universe has now entered the

0:53:24.760 --> 0:53:27.080
<v Speaker 2>point where he doesn't know what's gonna happen. Like I

0:53:27.120 --> 0:53:29.480
<v Speaker 2>loved all that stuff. It's the most fun to me.

0:53:29.520 --> 0:53:32.879
<v Speaker 2>It's like the most fun a fun show I've seen

0:53:32.960 --> 0:53:35.000
<v Speaker 2>from Marvel. And like I think that is what the

0:53:35.000 --> 0:53:36.399
<v Speaker 2>bar has been said at and like I think that's

0:53:36.400 --> 0:53:38.759
<v Speaker 2>what everyone should be. Like pacing the out match like

0:53:38.800 --> 0:53:40.799
<v Speaker 2>it had to like hit the same beats obviously, but

0:53:40.920 --> 0:53:43.840
<v Speaker 2>like something new and weird to like keep you refreshing.

0:53:43.840 --> 0:53:45.280
<v Speaker 2>It felt like a very it felt like a nice,

0:53:45.880 --> 0:53:49.080
<v Speaker 2>a nice refreshing spritzer. And what in the Superhero world.

0:53:49.920 --> 0:53:53.200
<v Speaker 1>Yeah, and it's so the big setup is the multiverse

0:53:53.239 --> 0:53:58.600
<v Speaker 1>exists now, and so while in the TVA era there

0:53:58.800 --> 0:54:02.720
<v Speaker 1>was essentially one kind of big outcome that was cycling

0:54:02.760 --> 0:54:05.480
<v Speaker 1>all the time. And while there were many, many, many

0:54:06.040 --> 0:54:10.359
<v Speaker 1>we should assume different timelines. They weren't technically infinite because

0:54:10.400 --> 0:54:13.680
<v Speaker 1>they were always pruning these wild timelines that diverged too

0:54:13.800 --> 0:54:16.719
<v Speaker 1>much from the kind of central quote unquote six one

0:54:16.680 --> 0:54:19.879
<v Speaker 1>sixth timeline. Now it's all fractured. There's stuff all over

0:54:19.920 --> 0:54:23.480
<v Speaker 1>the place. You have like Peggy Carter as Captain America.

0:54:23.600 --> 0:54:29.080
<v Speaker 1>You have T'shalla is is picked up by ya because yeah,

0:54:29.120 --> 0:54:31.680
<v Speaker 1>it becomes it becomes the leader of the Guardian's Galaxy.

0:54:31.680 --> 0:54:36.440
<v Speaker 1>There's like all these kind of true multiversal worlds now,

0:54:36.520 --> 0:54:41.359
<v Speaker 1>and that is you mentioned it previously. It's just it's

0:54:41.400 --> 0:54:45.239
<v Speaker 1>given Marvel like the most powerful tool that you can

0:54:45.320 --> 0:54:48.279
<v Speaker 1>have as a storyteller, which is like we can just

0:54:48.320 --> 0:54:51.720
<v Speaker 1>bring anything we want in from any other world. Zombies,

0:54:51.760 --> 0:54:54.080
<v Speaker 1>we got it. Like you you want to do mutants

0:54:54.080 --> 0:54:55.719
<v Speaker 1>this way, we can do it this way. We bring them,

0:54:55.760 --> 0:54:58.360
<v Speaker 1>bring them right in. What about a clash of worlds

0:54:58.360 --> 0:55:00.320
<v Speaker 1>where like two worlds actually smashed together.

0:55:00.920 --> 0:55:02.880
<v Speaker 3>They didn't courage, they didn'courage.

0:55:03.840 --> 0:55:05.400
<v Speaker 1>It feels like they're going to do it right because

0:55:06.400 --> 0:55:09.719
<v Speaker 1>so Incursions is for those that don't know, is a

0:55:10.040 --> 0:55:15.799
<v Speaker 1>sprawling Jonathan Hickman storyline about the collapse of the multiverse

0:55:16.000 --> 0:55:21.440
<v Speaker 1>and the kind of desperate fight by a select and

0:55:21.680 --> 0:55:26.320
<v Speaker 1>secret group of heroes on Earth to allow Earth to

0:55:26.440 --> 0:55:30.480
<v Speaker 1>survive by destroying every other Earth that crashes into it.

0:55:30.560 --> 0:55:33.600
<v Speaker 4>That means they're destroying entire realities of other people.

0:55:34.120 --> 0:55:37.400
<v Speaker 1>And you know, in the in the opening uh cinematic

0:55:37.800 --> 0:55:40.279
<v Speaker 1>of the finale of Loki, you see like these two

0:55:40.400 --> 0:55:42.760
<v Speaker 1>worlds kind of crashing, and man if they did it, yeah.

0:55:43.080 --> 0:55:45.920
<v Speaker 2>Oh boy, I'm I'm literally getting goose pumps right now.

0:55:45.960 --> 0:55:47.759
<v Speaker 2>It's like that's one of my I mean, Hickman is

0:55:48.080 --> 0:55:50.120
<v Speaker 2>a comic writing god, but like that to me is

0:55:50.160 --> 0:55:52.360
<v Speaker 2>like one of my absolute favorite series. I hope that

0:55:52.440 --> 0:55:55.040
<v Speaker 2>that's what the building towards, because they will have absolutely

0:55:55.080 --> 0:55:58.279
<v Speaker 2>every single one of my sense for the next three

0:55:58.320 --> 0:55:59.800
<v Speaker 2>phases if that's what they're building towards.

0:56:00.800 --> 0:56:04.440
<v Speaker 1>Uh So, this series introduced the TVA, which is the

0:56:04.560 --> 0:56:11.239
<v Speaker 1>kind of like bureaucratic governmental agency that manages the timeline

0:56:11.360 --> 0:56:14.879
<v Speaker 1>this is this comes directly from the pages of Walt

0:56:14.960 --> 0:56:20.800
<v Speaker 1>Simons's Run on Thour. Mobius was based on you know,

0:56:21.040 --> 0:56:26.840
<v Speaker 1>beloved Marvel editor and writer Mark Grunwald, who also wrote

0:56:28.160 --> 0:56:30.440
<v Speaker 1>a lot of the material that ended up in Fulcon

0:56:30.480 --> 0:56:33.840
<v Speaker 1>and The Winter Soldier, and Mark as an editor, was

0:56:34.000 --> 0:56:36.960
<v Speaker 1>known as like the lore guy. Like if if you

0:56:37.040 --> 0:56:39.160
<v Speaker 1>were a writer, you're writing something like, hey, can I make?

0:56:39.560 --> 0:56:42.480
<v Speaker 1>Can can I make? Like a spider man lose his job,

0:56:42.640 --> 0:56:46.040
<v Speaker 1>and then you know, Markugo, you can't do that because like, yeah,

0:56:47.520 --> 0:56:50.360
<v Speaker 1>fifteen years ago, Steve Ditko did this, and YadA YadA.

0:56:50.239 --> 0:56:53.080
<v Speaker 3>Those the glue guys of the comic book world, the glue.

0:56:52.840 --> 0:56:53.959
<v Speaker 4>Guys of the comic book world.

0:56:54.239 --> 0:56:56.759
<v Speaker 1>And so it was a fun little homage to him

0:56:56.920 --> 0:56:59.359
<v Speaker 1>that he then becomes Mobius in the comics, and then

0:56:59.560 --> 0:57:03.520
<v Speaker 1>that carearacter is now on TV doing that exact same thing.

0:57:03.920 --> 0:57:06.360
<v Speaker 1>We get the first appearance of Ravona Renslayer, who is

0:57:06.800 --> 0:57:09.359
<v Speaker 1>in the comics a love interest of Kang. We get

0:57:09.360 --> 0:57:13.040
<v Speaker 1>the first appearance of Sylvie, a Loki variant whose nexus

0:57:13.080 --> 0:57:17.000
<v Speaker 1>event still remains unknown, and then of course we get Kang.

0:57:17.320 --> 0:57:20.880
<v Speaker 1>My boy is gonna be basically like the Thanos of

0:57:22.400 --> 0:57:24.760
<v Speaker 1>I don't know, Phase four, Like, so Thanos was the

0:57:24.920 --> 0:57:28.560
<v Speaker 1>Thanos of Phase one, two three, So will will Kang

0:57:28.680 --> 0:57:31.680
<v Speaker 1>be like four, five, six, We don't know, but like

0:57:31.800 --> 0:57:33.360
<v Speaker 1>he's the big bad right, now.

0:57:33.360 --> 0:57:35.440
<v Speaker 2>Yeah, I mean, I mean, I mean, I don't know

0:57:35.480 --> 0:57:37.160
<v Speaker 2>if they're how close a sticking in the comics, but

0:57:37.280 --> 0:57:40.160
<v Speaker 2>like you know, the Fantastic Four is coming out at

0:57:40.200 --> 0:57:43.080
<v Speaker 2>some point, Like I'm assuming he's I mean, part of

0:57:43.120 --> 0:57:44.400
<v Speaker 2>me is just like, I mean, we're gonna have a

0:57:44.440 --> 0:57:44.840
<v Speaker 2>black read.

0:57:44.920 --> 0:57:47.480
<v Speaker 3>Richard's like, that's that's honestly what I what I I'm

0:57:47.520 --> 0:57:47.800
<v Speaker 3>opening to.

0:57:47.960 --> 0:57:50.200
<v Speaker 4>I think so like that's on the that's heavily on

0:57:50.280 --> 0:57:50.560
<v Speaker 4>the table.

0:57:50.600 --> 0:57:53.960
<v Speaker 3>So we should let's quickly Oh sorry, I got tunnel vision.

0:57:54.920 --> 0:57:55.640
<v Speaker 4>We got on back it.

0:57:55.760 --> 0:58:00.400
<v Speaker 1>So Kang So the Kang the Conqueror is actually several

0:58:00.720 --> 0:58:03.640
<v Speaker 1>discreet characters. They're all the same person at different stages

0:58:03.720 --> 0:58:05.680
<v Speaker 1>of this person's extremely long life.

0:58:06.160 --> 0:58:07.880
<v Speaker 4>They were born Nathaniel.

0:58:07.440 --> 0:58:11.680
<v Speaker 1>Richards Okay, who is read Richard's father from another timeline,

0:58:12.280 --> 0:58:16.280
<v Speaker 1>who gets bored with how like peaceful everything is in

0:58:16.400 --> 0:58:18.920
<v Speaker 1>his timeline. He finds a time machine. He goes off.

0:58:18.960 --> 0:58:23.160
<v Speaker 1>He becomes the King of the Pharaoh of Egypt, and

0:58:23.320 --> 0:58:27.320
<v Speaker 1>that's his Rama tut kind of personality. The Fantastic Four

0:58:27.360 --> 0:58:30.560
<v Speaker 1>tussle with him there. He goes back into the timeline decides,

0:58:30.600 --> 0:58:32.400
<v Speaker 1>you know what, like Egypt is not enough. I want

0:58:32.440 --> 0:58:34.960
<v Speaker 1>to conquer like all of time, he becomes Kang the Conqueror.

0:58:35.480 --> 0:58:39.880
<v Speaker 1>Now Kang the Conqueror who manages to conquer all of

0:58:40.000 --> 0:58:42.400
<v Speaker 1>the timelines and kill all the various versions of himself

0:58:42.440 --> 0:58:46.040
<v Speaker 1>that he doesn't like, then gets like tired and kind

0:58:46.080 --> 0:58:49.440
<v Speaker 1>of old and becomes this character Immortis, who is more

0:58:49.600 --> 0:58:53.880
<v Speaker 1>like a managerial type who like outsources the management of

0:58:54.000 --> 0:58:57.600
<v Speaker 1>the timeline to like these various subcontractors, including the TVA.

0:58:58.280 --> 0:59:01.560
<v Speaker 4>So really who we saw was immortals yea.

0:59:01.840 --> 0:59:05.480
<v Speaker 1>But yes, as you noted, this raises the possibility that

0:59:05.560 --> 0:59:08.920
<v Speaker 1>this character is Read Richard's dad. We could have a

0:59:09.040 --> 0:59:12.640
<v Speaker 1>black Read Richards, which fantastic, I love it. Yeah, we could,

0:59:12.720 --> 0:59:17.600
<v Speaker 1>And I should add that means potentially like a black

0:59:17.640 --> 0:59:21.000
<v Speaker 1>Doctor Doom as well, because there is also the suggestion

0:59:21.200 --> 0:59:23.360
<v Speaker 1>that like doctor Doom is.

0:59:23.400 --> 0:59:27.720
<v Speaker 4>A variant of one of the Kang variants.

0:59:28.240 --> 0:59:30.800
<v Speaker 2>I think he's that's a long way of us saying

0:59:30.840 --> 0:59:32.680
<v Speaker 2>that I think he's gonna be here for a while,

0:59:32.800 --> 0:59:36.040
<v Speaker 2>Like Jonathan Major when he's like young, you know, so

0:59:36.200 --> 0:59:38.840
<v Speaker 2>like he his face screams, I got ten of these

0:59:38.880 --> 0:59:41.480
<v Speaker 2>in me, So I feel like I feel like he's

0:59:41.520 --> 0:59:41.880
<v Speaker 2>going to be.

0:59:41.880 --> 0:59:42.600
<v Speaker 3>Here for a minute.

0:59:43.120 --> 0:59:45.360
<v Speaker 1>And none of this works, by the way, if he's not, yeah,

0:59:45.640 --> 0:59:49.280
<v Speaker 1>like go like putting up like fifty points, twenty rebounds

0:59:49.360 --> 0:59:53.640
<v Speaker 1>and twenty assists. Yeah, like it in forty eight minutes

0:59:53.800 --> 0:59:58.080
<v Speaker 1>of like like he just like absolutely destroyed it. I'm

0:59:58.120 --> 1:00:01.080
<v Speaker 1>really excited. And I will say that you know, I

1:00:01.200 --> 1:00:04.760
<v Speaker 1>was talking with our producer Chris before this, and you know,

1:00:05.720 --> 1:00:09.200
<v Speaker 1>there is that there was a little bit he was

1:00:09.960 --> 1:00:13.640
<v Speaker 1>expressing a little bit of like feeling of dissatisfaction because

1:00:13.640 --> 1:00:16.600
<v Speaker 1>it's like it's it's a it doesn't close, like it

1:00:16.720 --> 1:00:19.160
<v Speaker 1>keeps going like there's this is like really this is

1:00:19.240 --> 1:00:21.840
<v Speaker 1>like the one shot before Secret Wars, like the Road

1:00:21.880 --> 1:00:25.400
<v Speaker 1>to Secret Wars of comic book. But I guess you

1:00:25.480 --> 1:00:28.080
<v Speaker 1>know this is just again like you you laid out

1:00:28.080 --> 1:00:30.680
<v Speaker 1>your bias a layout mine. I'm a lifelong comic book

1:00:30.760 --> 1:00:33.080
<v Speaker 1>fan at whose brain has been melted by all of

1:00:33.160 --> 1:00:36.080
<v Speaker 1>this stuff for years and years and years. It that

1:00:36.280 --> 1:00:38.240
<v Speaker 1>is just like a storytelling format that makes a lot

1:00:38.280 --> 1:00:40.200
<v Speaker 1>of sense to me. That is like, oh, yeah, of

1:00:40.240 --> 1:00:42.400
<v Speaker 1>course it doesn't end here. Like we I turned the page,

1:00:42.640 --> 1:00:45.120
<v Speaker 1>they're on the last page. The person rips off the

1:00:45.160 --> 1:00:47.720
<v Speaker 1>hood and it's kang or it's Ultron or it's whoever,

1:00:48.040 --> 1:00:49.120
<v Speaker 1>and now it's like, well I.

1:00:49.160 --> 1:00:50.720
<v Speaker 2>Go, now I gotta buy like yeah, and then you

1:00:50.760 --> 1:00:54.400
<v Speaker 2>see like check out King continues and Masters of the

1:00:54.480 --> 1:00:55.800
<v Speaker 2>Universe numbers tventy four or whatever.

1:00:55.920 --> 1:01:02.400
<v Speaker 1>Yeah, I'm excited about that. Welcome to the Omnibus. This

1:01:02.640 --> 1:01:07.440
<v Speaker 1>is the segment where I will give us some historical contexts,

1:01:07.680 --> 1:01:11.520
<v Speaker 1>some pop cultural context to the subjects that we are

1:01:11.960 --> 1:01:15.760
<v Speaker 1>discussing during the episode. And for this episode, let's talk

1:01:15.800 --> 1:01:19.600
<v Speaker 1>about Loki's history, both as a comic book character and

1:01:19.920 --> 1:01:23.200
<v Speaker 1>as a figure in Norse myth. Loki on Disney Plus

1:01:23.360 --> 1:01:26.360
<v Speaker 1>represents the continuation of a tale that has existed in

1:01:26.480 --> 1:01:30.520
<v Speaker 1>popular storytelling traditions for over a thousand years, which is

1:01:30.640 --> 1:01:35.080
<v Speaker 1>incredibly cool, right. That's a super super wild that we

1:01:35.280 --> 1:01:38.120
<v Speaker 1>have currently in our pop culture, a character who has

1:01:38.400 --> 1:01:42.200
<v Speaker 1>just been running around for over a millennium. So, as

1:01:42.240 --> 1:01:46.400
<v Speaker 1>we think about Loki's evolution from bad guy to antihero

1:01:46.640 --> 1:01:49.960
<v Speaker 1>and to perhaps by the time Phase four really gets

1:01:50.040 --> 1:01:52.520
<v Speaker 1>going a flat out good guy, we should remember that

1:01:52.640 --> 1:01:56.640
<v Speaker 1>the beginning of this tale isn't twenty eleven's four or

1:01:56.760 --> 1:02:00.120
<v Speaker 1>even nineteen sixty two's Journey into Mystery. Eighty five of

1:02:00.680 --> 1:02:04.080
<v Speaker 1>his official marvel debut. It begins with poems composed as

1:02:04.160 --> 1:02:08.360
<v Speaker 1>far back as the mid eight hundred's AD. The events

1:02:08.360 --> 1:02:11.400
<v Speaker 1>of Thor, The Dark World, Thor, Ragnarok, and Infinity War

1:02:11.560 --> 1:02:14.640
<v Speaker 1>established that Loki is capable of evolving for the better.

1:02:15.320 --> 1:02:17.720
<v Speaker 1>But of course, the Loki of this show is not

1:02:18.680 --> 1:02:23.640
<v Speaker 1>that Loki, As the events of Loki on Disney Plus

1:02:23.720 --> 1:02:26.920
<v Speaker 1>have shown us, the multiverse exists, and there are various

1:02:27.000 --> 1:02:30.400
<v Speaker 1>versions of the characters that we know and love inhabiting

1:02:30.440 --> 1:02:34.680
<v Speaker 1>those various worlds. This Loki hasn't experienced his mother Frigga's

1:02:34.680 --> 1:02:36.760
<v Speaker 1>death at the hands of Malachith and the Dark Elves.

1:02:36.800 --> 1:02:40.000
<v Speaker 1>He never experienced the death of his father Odin fighting

1:02:40.040 --> 1:02:42.680
<v Speaker 1>side by side with his brother against Hella. He hasn't

1:02:42.800 --> 1:02:46.040
<v Speaker 1>witnessed the destruction of Asgard by Serder, or the scattering

1:02:46.120 --> 1:02:49.160
<v Speaker 1>of the Asgardian people, their near destruction at the hands

1:02:49.200 --> 1:02:51.720
<v Speaker 1>of Thanos, nor his own death by the hands of

1:02:51.800 --> 1:02:54.960
<v Speaker 1>that man Titan. Making a hero out of this Loki

1:02:55.240 --> 1:02:59.400
<v Speaker 1>is or was an audacious task. Marvel's The Avengers is

1:02:59.480 --> 1:03:01.640
<v Speaker 1>nearly a deck old now, so you'd be forgiven for

1:03:01.760 --> 1:03:05.600
<v Speaker 1>forgetting how evil Loki, charmingly portrayed by Tom Hittleston is

1:03:05.840 --> 1:03:10.240
<v Speaker 1>in that film. He commits roughly a half dozen murderers,

1:03:10.320 --> 1:03:12.360
<v Speaker 1>give or take within the first few minutes of appearing

1:03:12.400 --> 1:03:16.760
<v Speaker 1>on screen. And when Loki takes Hostages and Stuttgart, a

1:03:16.880 --> 1:03:18.720
<v Speaker 1>German Man who is old enough to have lived through

1:03:18.720 --> 1:03:22.600
<v Speaker 1>World War two compares Loki to Hitler. So basically a

1:03:22.640 --> 1:03:27.480
<v Speaker 1>guy stands up and says, from my personal experience with Hitler,

1:03:28.200 --> 1:03:29.280
<v Speaker 1>you are Hitler.

1:03:30.600 --> 1:03:31.280
<v Speaker 4>In that film.

1:03:31.560 --> 1:03:34.200
<v Speaker 1>Loki then straight up stabs Phil Colson in the back

1:03:34.720 --> 1:03:39.000
<v Speaker 1>and okay, he didn't die then, as Agents of Shields

1:03:39.080 --> 1:03:41.760
<v Speaker 1>fans know. And of course the last half hour of

1:03:41.800 --> 1:03:45.040
<v Speaker 1>the Avengers movie is an extended reference to nine to eleven,

1:03:45.280 --> 1:03:49.560
<v Speaker 1>with various buildings in Manhattan getting destroyed once again. The Avengers,

1:03:49.600 --> 1:03:52.320
<v Speaker 1>which pulled in a billion and a half dollars, compares

1:03:52.400 --> 1:03:55.680
<v Speaker 1>Loki to Hitler and bin Laden. And now we watched

1:03:55.800 --> 1:03:58.480
<v Speaker 1>Loki in Loki's very own show, and we're like, yeah,

1:03:58.520 --> 1:04:02.680
<v Speaker 1>this guy's great, we like him, he's hero ps. Somehow,

1:04:02.760 --> 1:04:05.920
<v Speaker 1>only seventy four people were killed during Loki's Tritari invasion.

1:04:06.040 --> 1:04:09.200
<v Speaker 1>Per Colonel Thunderbolt Ross's briefing in Captain America Civil War.

1:04:09.400 --> 1:04:13.520
<v Speaker 1>That is hard to believe, but shouts the Avengers. They

1:04:13.840 --> 1:04:18.520
<v Speaker 1>obviously did an incredible job. Loki, the show with less runway,

1:04:18.640 --> 1:04:23.080
<v Speaker 1>sparks this turn from villain to hero or at least

1:04:23.120 --> 1:04:27.680
<v Speaker 1>anti hero, by returning Loki to his folk mythology roots.

1:04:28.120 --> 1:04:31.120
<v Speaker 1>The Loki of Norse mythology is a trickster, a prankster

1:04:31.320 --> 1:04:35.560
<v Speaker 1>who galvanizes the gods with his scheming, criticizes and sometimes

1:04:35.640 --> 1:04:37.560
<v Speaker 1>mocks them with his words, and who is as much

1:04:37.600 --> 1:04:41.680
<v Speaker 1>a force for progress and renewal as destruction. The Asgardians

1:04:41.720 --> 1:04:45.160
<v Speaker 1>of Marvel comics and films, including Odin Frigga Thorn, Loki

1:04:45.680 --> 1:04:48.720
<v Speaker 1>come to us from Norse mythology, the pre Christian belief

1:04:48.760 --> 1:04:51.800
<v Speaker 1>system of the North Germanic peoples who came from Scandinavia

1:04:52.240 --> 1:04:55.160
<v Speaker 1>between the ninth and eleventh centuries a day, including the

1:04:55.240 --> 1:04:57.920
<v Speaker 1>famed raiders who we all know known as the Vikings.

1:04:59.080 --> 1:05:03.160
<v Speaker 1>Loki's historic origins are mysterious. The definitive source of the

1:05:03.240 --> 1:05:07.560
<v Speaker 1>name Loki is elusive, but recent etymological research showing that

1:05:07.720 --> 1:05:10.760
<v Speaker 1>Loki in medieval Iceland was used interchangeably with the old

1:05:10.880 --> 1:05:14.400
<v Speaker 1>word for not seems to suggest that the meaning of

1:05:14.480 --> 1:05:18.200
<v Speaker 1>Loki's name was not or tangle. This theory would seem

1:05:18.200 --> 1:05:20.520
<v Speaker 1>to fit with Loki's role in Norse myth as the

1:05:20.640 --> 1:05:25.520
<v Speaker 1>inventor of fishnets. A fascinating commonality of the trickster god

1:05:25.640 --> 1:05:27.960
<v Speaker 1>myths from around the world is their link to fishing.

1:05:28.520 --> 1:05:31.640
<v Speaker 1>In many Native American creation stories, it's the coyote who

1:05:31.720 --> 1:05:34.640
<v Speaker 1>teaches humans how to catch salmon by making traps out

1:05:34.680 --> 1:05:37.880
<v Speaker 1>of logs and branches. The raven in North Pacific Coast

1:05:37.960 --> 1:05:41.000
<v Speaker 1>mythology created the fish hook and taught humans and spiders

1:05:41.520 --> 1:05:44.400
<v Speaker 1>how to craft nets. As Lewis Hyde notes in his

1:05:44.480 --> 1:05:48.440
<v Speaker 1>overview of the Trickster archetype, trickster makes this world quote

1:05:48.880 --> 1:05:50.880
<v Speaker 1>east and west, north and south. This is the oldest

1:05:50.880 --> 1:05:53.240
<v Speaker 1>trick in the book. No trickster has ever been credited

1:05:53.320 --> 1:05:57.000
<v Speaker 1>with inventing the potato peeler, the gas meter, or tuning fork,

1:05:57.440 --> 1:06:00.480
<v Speaker 1>but trickster invents the fish trap. What we know of

1:06:00.560 --> 1:06:03.680
<v Speaker 1>Norse mythology comes from the prose Eda and the poetic Eta.

1:06:04.200 --> 1:06:06.160
<v Speaker 1>The first is a collection of Norse poems that were

1:06:06.200 --> 1:06:09.800
<v Speaker 1>compiled and probably to some extent written or adapted by

1:06:09.880 --> 1:06:13.400
<v Speaker 1>an Icelandic politician, lawmaker, and history nerd with the delightful

1:06:13.480 --> 1:06:19.840
<v Speaker 1>name Snorri Stirlerson Snorri Sturlison in or around the year

1:06:19.920 --> 1:06:23.320
<v Speaker 1>twelve twenty. The second is a collection of Icelandic poems. However,

1:06:23.720 --> 1:06:28.000
<v Speaker 1>these are of unknown authorship. The prose Eda is thought

1:06:28.040 --> 1:06:31.720
<v Speaker 1>to contain the oldest Norse poems, some possibly dating back

1:06:31.760 --> 1:06:35.800
<v Speaker 1>to before the tenth century. Loki is nowhere to be

1:06:35.880 --> 1:06:39.480
<v Speaker 1>found in two of the oldest sources in the poetic Eda. Likewise,

1:06:40.360 --> 1:06:44.240
<v Speaker 1>Loki is absent from the early thirteenth century historian Saxo

1:06:44.360 --> 1:06:49.760
<v Speaker 1>Grammaticus's work Deeds of the Danes, which extensively discusses Norse mythology.

1:06:50.280 --> 1:06:54.640
<v Speaker 1>Historian Emma Grunfeld writes on worldhistory dot Org that quote

1:06:55.120 --> 1:06:57.840
<v Speaker 1>this might indicate that Loki was more of a regional feature,

1:06:57.920 --> 1:07:01.840
<v Speaker 1>rather than being omnipresent throughout the Germanic world. Indeed, sources

1:07:01.880 --> 1:07:04.480
<v Speaker 1>on Loki are limited to the northern Germanic regions, and

1:07:04.520 --> 1:07:08.440
<v Speaker 1>Loki himself has no direct parallel in broader Germanic mythology.

1:07:09.080 --> 1:07:13.080
<v Speaker 1>In other words, Loki might be, I don't know, like

1:07:13.280 --> 1:07:16.840
<v Speaker 1>puetine or something like that, a local delicacy, but one

1:07:16.920 --> 1:07:22.000
<v Speaker 1>that is renowned. Loki's role within Norse mythology is likewise unique.

1:07:22.040 --> 1:07:24.000
<v Speaker 4>He is a trickster. He's fond of pranks.

1:07:24.000 --> 1:07:28.640
<v Speaker 1>He creates mischief by reacting creatively to happenstance and fate.

1:07:29.240 --> 1:07:32.400
<v Speaker 1>Not a hero, he's also not necessarily a bad guy.

1:07:32.520 --> 1:07:35.320
<v Speaker 1>He is a foil, a kind of arch nemesis for

1:07:35.360 --> 1:07:38.040
<v Speaker 1>the Norse gods and a reason for them to use

1:07:38.160 --> 1:07:41.360
<v Speaker 1>their godly powers. He plays, of course, a similar role

1:07:41.400 --> 1:07:43.840
<v Speaker 1>in the MCU, providing the catalyst for the avengers to

1:07:44.040 --> 1:07:47.320
<v Speaker 1>assemble sometimes though the gods need to be taken down

1:07:47.360 --> 1:07:51.000
<v Speaker 1>a peg. Loki plays a subversive role in this belief

1:07:51.080 --> 1:07:54.240
<v Speaker 1>system by openly criticizing, even mocking, the gods for their

1:07:54.320 --> 1:07:58.600
<v Speaker 1>various indiscretions, their moral failings, in their hypocrisies. He's able

1:07:58.680 --> 1:08:01.160
<v Speaker 1>to criticize in part because of his essential nature, the

1:08:01.280 --> 1:08:04.240
<v Speaker 1>child of a yotan, a giant, the enemies of the gods.

1:08:04.840 --> 1:08:07.880
<v Speaker 1>As part god and part giant, yet belonged to neither culture,

1:08:08.000 --> 1:08:10.840
<v Speaker 1>Loki acts as a bridge, a point of convergence between

1:08:10.880 --> 1:08:14.200
<v Speaker 1>two opposite and opposing worldviews. Loki is what happens when

1:08:14.240 --> 1:08:17.120
<v Speaker 1>someone is made to feel that they don't belong. In

1:08:17.240 --> 1:08:19.360
<v Speaker 1>the prose Etta, when Loki, after making a promise to

1:08:19.439 --> 1:08:23.400
<v Speaker 1>a giant disguised as an eagle lures Eden, the keeper

1:08:23.479 --> 1:08:26.040
<v Speaker 1>of the Fruits of Immortality, out of Asgard. The gods

1:08:26.080 --> 1:08:28.519
<v Speaker 1>begin to age and their power is going to decline.

1:08:28.960 --> 1:08:31.680
<v Speaker 1>But before the gods pass away Grain wrinkled, bringing it

1:08:31.760 --> 1:08:35.479
<v Speaker 1>into the entire world. Loki rescues Eden and turns her

1:08:35.520 --> 1:08:37.639
<v Speaker 1>to as God, repairing the problem. And this is kind

1:08:37.640 --> 1:08:40.040
<v Speaker 1>of like the essence of Loki's particular brand of mischief.

1:08:40.439 --> 1:08:45.280
<v Speaker 1>He creates traps which can often threaten existence itself. He

1:08:45.439 --> 1:08:48.880
<v Speaker 1>then falls into the trap that he created, and then

1:08:48.920 --> 1:08:52.160
<v Speaker 1>he solves them before too much harm is done. As

1:08:52.240 --> 1:08:54.800
<v Speaker 1>Lewis Hyde points out and his book Trickster Makes This World,

1:08:55.400 --> 1:08:58.000
<v Speaker 1>despite the fact that Loki managed to avert his self

1:08:58.080 --> 1:09:02.720
<v Speaker 1>made crises, they quote nonetheless indicate Loki's potential as a

1:09:02.800 --> 1:09:06.320
<v Speaker 1>cataclysmic change agent. We should do well to remember this,

1:09:06.439 --> 1:09:09.280
<v Speaker 1>as Loki is basically a good guy now, but he

1:09:09.800 --> 1:09:13.519
<v Speaker 1>always retains this potential to blow up everything we know.

1:09:14.200 --> 1:09:17.480
<v Speaker 1>Many researchers have noted that the Loki of Snorri Stirlison's

1:09:17.520 --> 1:09:19.840
<v Speaker 1>prose Eta is more evil than his depiction in the

1:09:19.880 --> 1:09:23.280
<v Speaker 1>poetic Eta. Snorri, a learned man of his time, was

1:09:23.320 --> 1:09:26.120
<v Speaker 1>a Christian, and his ata strives to bring the Norse

1:09:26.200 --> 1:09:28.880
<v Speaker 1>myths into the context of a world in which Christianity

1:09:29.080 --> 1:09:32.439
<v Speaker 1>is the one true religion. There's nobody in the Christian

1:09:32.520 --> 1:09:34.800
<v Speaker 1>canon that really goes out of their way to roast

1:09:35.080 --> 1:09:37.800
<v Speaker 1>Jesus Christ in the way that Loki roast Thor and

1:09:37.960 --> 1:09:41.479
<v Speaker 1>Odin in the Norse poems. Snorri's Loki becomes then Loki

1:09:41.560 --> 1:09:44.439
<v Speaker 1>the Liar, a stand in for the Antichrist in the

1:09:44.520 --> 1:09:49.160
<v Speaker 1>prose at A, Loki fulfills his apocalyptic potential by murdering Balder.

1:09:49.280 --> 1:09:53.400
<v Speaker 1>The brave Balder, the beloved son of Odin, the pure

1:09:53.439 --> 1:09:55.719
<v Speaker 1>and good God of Light, the son of Odin and Friga,

1:09:55.800 --> 1:09:59.000
<v Speaker 1>and the brother of Thor. Balder is handsome and heroic

1:09:59.160 --> 1:10:02.120
<v Speaker 1>and bright, And one day Balder wakes up haunted by

1:10:02.200 --> 1:10:04.920
<v Speaker 1>dreams that he will come to harm. He shares these

1:10:05.000 --> 1:10:08.959
<v Speaker 1>fears with his mother and alarmed Frigure then travels everywhere

1:10:09.479 --> 1:10:15.799
<v Speaker 1>across the heavens and the earths to ask literally everything, animals, humans, rocks, water, air, everything,

1:10:16.120 --> 1:10:19.040
<v Speaker 1>to swear not to harm her son Balder. Once these

1:10:19.120 --> 1:10:22.200
<v Speaker 1>promises are extracted, the gods have a party where they

1:10:22.320 --> 1:10:25.320
<v Speaker 1>hurl various things at Balder and watch with delight as

1:10:25.560 --> 1:10:29.559
<v Speaker 1>each projectile falls harmlessly at his feet, and Loki watches

1:10:29.600 --> 1:10:30.639
<v Speaker 1>this and he's annoyed.

1:10:30.680 --> 1:10:31.160
<v Speaker 4>He hates it.

1:10:31.520 --> 1:10:35.840
<v Speaker 1>It infuriates him, which I find quite relatable. Right, Balder

1:10:36.000 --> 1:10:42.760
<v Speaker 1>is this beautiful, powerful god. He is now totally invulnerable

1:10:42.880 --> 1:10:46.240
<v Speaker 1>because his mother couldn't bear the thought of any harm

1:10:46.439 --> 1:10:49.360
<v Speaker 1>possibly coming to him, And Loki is like, this guy

1:10:49.400 --> 1:10:51.080
<v Speaker 1>has everything, and now he has this too.

1:10:51.680 --> 1:10:52.679
<v Speaker 4>Ah but wait.

1:10:53.960 --> 1:10:58.960
<v Speaker 1>Driven by this annoyance and curiosity, Loki, disguised as an

1:10:59.000 --> 1:11:01.800
<v Speaker 1>old woman, chats with again discovers that Friga cut a

1:11:01.880 --> 1:11:05.639
<v Speaker 1>corner she didn't get an oath from a certain species

1:11:05.680 --> 1:11:08.240
<v Speaker 1>of bush which attaches itself to trees and retains its

1:11:08.280 --> 1:11:12.000
<v Speaker 1>green throughout the winter, called mistletoe. Loki runs off and

1:11:12.040 --> 1:11:14.479
<v Speaker 1>finds some. He makes a little dart out of a

1:11:14.520 --> 1:11:18.040
<v Speaker 1>sprig of mistletoe and convinces the god Hod to throw

1:11:18.080 --> 1:11:20.000
<v Speaker 1>it at Balder, and Hod does and baldered eyes.

1:11:20.600 --> 1:11:21.080
<v Speaker 4>A lot of.

1:11:21.439 --> 1:11:25.639
<v Speaker 1>Terrible things happen after this, including the gods in their wrath,

1:11:25.880 --> 1:11:29.880
<v Speaker 1>tying up Loki with one of his children's intestines, which

1:11:30.000 --> 1:11:33.680
<v Speaker 1>is aggressive, and eventually Ragnarok. Of course, the death of

1:11:33.720 --> 1:11:36.040
<v Speaker 1>the gods followed in good time by the rebirth of

1:11:36.160 --> 1:11:39.840
<v Speaker 1>the world. Marvel's decision to clothe Loki in green ever

1:11:39.920 --> 1:11:42.360
<v Speaker 1>since his debut in nineteen sixty two is probably a

1:11:42.479 --> 1:11:45.519
<v Speaker 1>function of the limited color palette available at the time

1:11:46.160 --> 1:11:48.519
<v Speaker 1>of his debut and journey into Mystery number eighty five,

1:11:49.080 --> 1:11:51.479
<v Speaker 1>But whether by accident or not, the color was the

1:11:51.560 --> 1:11:55.000
<v Speaker 1>perfect choice. Green evokes jealousy, one of the defining traits

1:11:55.040 --> 1:11:59.560
<v Speaker 1>of Marvel's Loki's always annoyed at how bloved Thor is.

1:12:00.280 --> 1:12:03.599
<v Speaker 1>But on a deeper mythical level, the color calls back

1:12:03.640 --> 1:12:06.719
<v Speaker 1>to Loki's most infamous weapon, the missletoe. Just as Loki

1:12:07.000 --> 1:12:10.160
<v Speaker 1>is the bridge linking the gods and the giants, missletoe

1:12:10.280 --> 1:12:14.000
<v Speaker 1>and evergreen links summer and winter, growth and desolation, life

1:12:14.040 --> 1:12:14.360
<v Speaker 1>and death.

1:12:22.280 --> 1:12:22.840
<v Speaker 4>Welcome to the.

1:12:22.880 --> 1:12:25.439
<v Speaker 1>Hive Mind, our panel segment where we bring in some

1:12:25.560 --> 1:12:29.240
<v Speaker 1>special guests to discuss a particular subject from this conversation

1:12:29.760 --> 1:12:32.519
<v Speaker 1>now so that we can dive deeper into the worlds

1:12:32.560 --> 1:12:36.400
<v Speaker 1>of Phase four and other places and other universes. Export

1:12:36.439 --> 1:12:39.040
<v Speaker 1>Vision welcomes its very first guest panelist for turning from

1:12:39.080 --> 1:12:42.360
<v Speaker 1>a recent visit to the void. He is my variant

1:12:42.479 --> 1:12:47.160
<v Speaker 1>from the Greek multiverse. The co host of How did

1:12:47.200 --> 1:12:50.599
<v Speaker 1>This get made? Please welcome Jason Manzucas. Jason's great to say,

1:12:52.680 --> 1:12:53.320
<v Speaker 1>let's do.

1:12:53.640 --> 1:12:54.519
<v Speaker 2>This, do this.

1:12:55.680 --> 1:12:58.240
<v Speaker 1>I last saw you on the dough Boys twenty four

1:12:58.360 --> 1:13:02.120
<v Speaker 1>hour stream in which I showed feet and we broke

1:13:02.800 --> 1:13:05.160
<v Speaker 1>and we broke their their payment platform.

1:13:05.240 --> 1:13:07.519
<v Speaker 6>But they had a they had a they were raising

1:13:07.600 --> 1:13:08.439
<v Speaker 6>money for charity.

1:13:08.560 --> 1:13:13.200
<v Speaker 5>We went on together and we we demanded that the

1:13:13.280 --> 1:13:16.600
<v Speaker 5>audience give money so much and they they listened and

1:13:16.720 --> 1:13:17.880
<v Speaker 5>they they they did it.

1:13:18.200 --> 1:13:21.280
<v Speaker 6>They they contributed in such large amounts they crashed the

1:13:21.400 --> 1:13:24.120
<v Speaker 6>PayPal system for that charity fundraiser.

1:13:24.160 --> 1:13:24.639
<v Speaker 3>It was awesome.

1:13:24.680 --> 1:13:27.559
<v Speaker 6>It was an amazing and we raised so much money.

1:13:27.720 --> 1:13:28.920
<v Speaker 6>You showed your feet I did.

1:13:29.640 --> 1:13:30.920
<v Speaker 1>Those are out there if you want to if you

1:13:30.920 --> 1:13:31.599
<v Speaker 1>want to see him.

1:13:31.840 --> 1:13:33.160
<v Speaker 6>Feet, they're on Wiki Feet.

1:13:33.439 --> 1:13:34.000
<v Speaker 3>Check it out.

1:13:34.200 --> 1:13:35.320
<v Speaker 6>You've all got a subscription.

1:13:36.120 --> 1:13:38.559
<v Speaker 1>So the thing I wanted to talk to y'all about

1:13:38.640 --> 1:13:41.840
<v Speaker 1>today is has is is what we are seeing in

1:13:41.920 --> 1:13:46.960
<v Speaker 1>these Disney Plus shows a kind of uh new kind

1:13:47.040 --> 1:13:50.400
<v Speaker 1>of storytelling. So in the finale of Loki, the final

1:13:50.479 --> 1:13:53.000
<v Speaker 1>thirty minutes is the introduction of this character Kang slash

1:13:53.120 --> 1:13:54.400
<v Speaker 1>Mortis slash whoever.

1:13:55.000 --> 1:13:57.680
<v Speaker 4>They don't tell you even the character's.

1:13:57.320 --> 1:14:01.200
<v Speaker 1>Name, tell you basically nothing about him, accept some exposition

1:14:01.240 --> 1:14:03.960
<v Speaker 1>about how he came to be in this place, and

1:14:04.400 --> 1:14:09.479
<v Speaker 1>it's and much like the way Thanos was introduced at

1:14:09.520 --> 1:14:12.160
<v Speaker 1>the end of Marvel's The Avengers, where it was just like,

1:14:12.240 --> 1:14:16.920
<v Speaker 1>who's that Loki the finale just kind of said, here's

1:14:16.960 --> 1:14:19.040
<v Speaker 1>this character. If you want to know more about him,

1:14:19.080 --> 1:14:23.439
<v Speaker 1>please ask your nerd friends, or read like screen rants

1:14:23.880 --> 1:14:27.439
<v Speaker 1>easter eggs you didn't notice from Loki's finale, or go

1:14:27.720 --> 1:14:30.840
<v Speaker 1>on YouTube and watch any number of YouTube explainers, or

1:14:30.920 --> 1:14:33.600
<v Speaker 1>go on wherever you get your podcasts and listen to

1:14:33.680 --> 1:14:34.320
<v Speaker 1>this podcast.

1:14:34.840 --> 1:14:36.479
<v Speaker 4>People will explain it to you. We're not going to

1:14:36.560 --> 1:14:36.720
<v Speaker 4>do that.

1:14:36.880 --> 1:14:39.479
<v Speaker 1>We understand that, and we're just going to get on

1:14:39.600 --> 1:14:44.560
<v Speaker 1>with the show. That was like a wild move and

1:14:44.720 --> 1:14:46.360
<v Speaker 1>flex to me, and it worked.

1:14:46.560 --> 1:14:49.280
<v Speaker 5>Yo. When you consider I mean to me, it is

1:14:49.400 --> 1:14:51.519
<v Speaker 5>absolutely bananas. And I think we talked about this on

1:14:51.600 --> 1:14:55.000
<v Speaker 5>a text chain we're on, Jason, It's absolutely bananas to me.

1:14:55.080 --> 1:14:58.520
<v Speaker 5>That one of the most significant moves, yeah, in the MCU,

1:14:59.040 --> 1:15:04.160
<v Speaker 5>which is one of the largest, most significant, like IP

1:15:04.960 --> 1:15:11.400
<v Speaker 5>kind of existing franchise monoliths like the MCU is so

1:15:11.600 --> 1:15:14.719
<v Speaker 5>big and so important and so significant and so woven

1:15:14.760 --> 1:15:17.320
<v Speaker 5>into the fabric of pop culture at this point that

1:15:17.520 --> 1:15:23.000
<v Speaker 5>they made a move that is so titanically significant and

1:15:23.160 --> 1:15:27.400
<v Speaker 5>they made it in episode six and he'son one of

1:15:27.560 --> 1:15:33.840
<v Speaker 5>the TV show Like that is absolute lunacy. And it's

1:15:33.960 --> 1:15:36.960
<v Speaker 5>so exciting to me because I feel like we were

1:15:37.000 --> 1:15:39.599
<v Speaker 5>talking about this. There was a lot of like inside

1:15:39.680 --> 1:15:45.520
<v Speaker 5>of the conversations around Wanda Vision, a lot of conversations

1:15:45.560 --> 1:15:48.479
<v Speaker 5>about like, oh, is Nightmare going to show up? Or

1:15:48.680 --> 1:15:52.479
<v Speaker 5>is this person, yeah, Mephisto going to show up or

1:15:52.520 --> 1:15:56.479
<v Speaker 5>any of these like big kind of really villains of

1:15:56.600 --> 1:15:56.960
<v Speaker 5>that of.

1:15:57.040 --> 1:15:58.920
<v Speaker 6>The magic world? Are they going to show up in that?

1:15:59.479 --> 1:16:01.200
<v Speaker 5>And I feel like they really kind of gave us

1:16:01.200 --> 1:16:03.639
<v Speaker 5>a good example of like, oh no, that's not happening,

1:16:03.720 --> 1:16:04.799
<v Speaker 5>this is the TV shows.

1:16:04.800 --> 1:16:06.200
<v Speaker 6>And then they did it.

1:16:06.479 --> 1:16:11.680
<v Speaker 5>It was almost like they lulled us security because to

1:16:12.000 --> 1:16:15.800
<v Speaker 5>put to put Kang in not just any because you say,

1:16:16.400 --> 1:16:20.200
<v Speaker 5>you know, like yes, the fan of teaser is just that,

1:16:20.400 --> 1:16:23.400
<v Speaker 5>it's like a post credit to teaser.

1:16:23.880 --> 1:16:24.880
<v Speaker 4>This is you.

1:16:25.120 --> 1:16:28.760
<v Speaker 5>They give Jonathan Majors a like thirty minutes and just

1:16:28.800 --> 1:16:30.640
<v Speaker 5>are like, Okay, go do it.

1:16:31.960 --> 1:16:32.240
<v Speaker 1>And he.

1:16:35.280 --> 1:16:37.240
<v Speaker 6>It was electric to watch him.

1:16:37.439 --> 1:16:40.920
<v Speaker 5>It was so exciting and I say that as a fan,

1:16:41.200 --> 1:16:43.240
<v Speaker 5>you know, as a fan of Kang and as a

1:16:43.320 --> 1:16:45.320
<v Speaker 5>fan of this kind of storytelling and all of that.

1:16:45.680 --> 1:16:48.000
<v Speaker 5>But even still I was like, even to me, I

1:16:48.120 --> 1:16:51.439
<v Speaker 5>was like, I cannot believe they're doing this. I cannot

1:16:51.479 --> 1:16:54.160
<v Speaker 5>believe this. This is exciting that.

1:16:54.240 --> 1:16:59.519
<v Speaker 6>They're doing such a huge move buried into this TV show.

1:17:00.160 --> 1:17:02.880
<v Speaker 2>It works because like my mom knows who Thanos is.

1:17:03.040 --> 1:17:06.360
<v Speaker 2>Like my sixty three year old black Southern mom from

1:17:06.360 --> 1:17:10.000
<v Speaker 2>North Kronta knows what the Infinity gyms are strictly because

1:17:10.320 --> 1:17:12.880
<v Speaker 2>of Marvel. So like the fact that like, like you know,

1:17:13.120 --> 1:17:14.680
<v Speaker 2>parents are like two years behind. So the fact in

1:17:14.720 --> 1:17:16.519
<v Speaker 2>two years she can be like that Kang fella is

1:17:16.600 --> 1:17:19.000
<v Speaker 2>so handsome like that is a mind boggling to me.

1:17:19.120 --> 1:17:21.640
<v Speaker 2>But speaking to Jason's point, I think another thing that

1:17:21.640 --> 1:17:23.559
<v Speaker 2>they've really cracked, that Marvel is cracked is like they

1:17:23.640 --> 1:17:26.400
<v Speaker 2>have a viewer to comic book reader pipeline now just

1:17:26.479 --> 1:17:28.439
<v Speaker 2>like piped in, Like you're saying, like you wake up,

1:17:28.479 --> 1:17:30.320
<v Speaker 2>you see the thing on comic book resources, you see

1:17:30.320 --> 1:17:33.000
<v Speaker 2>the tweets on whatever, like you read these top five

1:17:33.080 --> 1:17:34.960
<v Speaker 2>issues to see what prayings go about to crack them

1:17:34.960 --> 1:17:37.559
<v Speaker 2>wide open, like and now like you're gonna go download

1:17:37.600 --> 1:17:39.400
<v Speaker 2>the app, or you're gonna go to Comicxology and like

1:17:39.400 --> 1:17:41.479
<v Speaker 2>you're gonna buy them because they're always like half off

1:17:41.520 --> 1:17:44.200
<v Speaker 2>because no one's reading Kane comics until like he appears.

1:17:44.200 --> 1:17:46.760
<v Speaker 2>So like you're you're just like building like this, Like

1:17:46.800 --> 1:17:48.880
<v Speaker 2>it's like an an infinite energy machine. Like you're just

1:17:48.920 --> 1:17:51.560
<v Speaker 2>building like fans by putting like weird swings like this

1:17:51.680 --> 1:17:53.360
<v Speaker 2>in the TV shows, and like, I personally love it

1:17:53.400 --> 1:17:55.800
<v Speaker 2>because like I'm a huge nerd for life, and I

1:17:55.880 --> 1:17:57.920
<v Speaker 2>love that there are more being fucking sucked into it.

1:17:57.960 --> 1:18:00.000
<v Speaker 2>So I'm like I'm like star, like I'm throwing out

1:18:00.080 --> 1:18:02.479
<v Speaker 2>like more little mini nerds to them Adam to Mike Lex.

1:18:03.640 --> 1:18:06.439
<v Speaker 6>Just shooting them out of your out of your Yeah, yeah,

1:18:08.240 --> 1:18:08.719
<v Speaker 6>that's why.

1:18:08.560 --> 1:18:08.800
<v Speaker 3>I got this.

1:18:10.640 --> 1:18:14.200
<v Speaker 1>It really does feel like a new potentially a new

1:18:14.280 --> 1:18:16.760
<v Speaker 1>kind of format because Okay, you mentioned like that the

1:18:16.960 --> 1:18:19.160
<v Speaker 1>previous shows like Lulled Us to Sleep a little bit,

1:18:19.200 --> 1:18:20.040
<v Speaker 1>and I agree.

1:18:19.880 --> 1:18:23.439
<v Speaker 4>Like for Wanda Vision, it was like, oh, who is

1:18:23.680 --> 1:18:25.160
<v Speaker 4>is it gonna be? Is it gonna be a fisto?

1:18:25.160 --> 1:18:26.479
<v Speaker 1>Who's gonna be And then it turned out to be

1:18:26.920 --> 1:18:30.479
<v Speaker 1>Aga though, who's legitimately the third character after Wanda and

1:18:30.600 --> 1:18:33.400
<v Speaker 1>the vision that is introduced in the like but one

1:18:33.479 --> 1:18:36.679
<v Speaker 1>of the first characters that is on the screen.

1:18:37.120 --> 1:18:39.320
<v Speaker 4>And then for a Falcon, the Winter Soldier.

1:18:39.400 --> 1:18:41.040
<v Speaker 1>The power Broker turned out to be Sharon, who was

1:18:41.080 --> 1:18:44.519
<v Speaker 1>there all the time and was so obviously shady that

1:18:44.680 --> 1:18:46.439
<v Speaker 1>it almost felt like a red herring.

1:18:46.560 --> 1:18:48.160
<v Speaker 4>How obviously shady she was.

1:18:48.280 --> 1:18:50.080
<v Speaker 1>Yeah, yeah, yeah, she would just be like, hold on,

1:18:50.200 --> 1:18:52.280
<v Speaker 1>let me shoot these guys just as they're about to

1:18:52.320 --> 1:18:52.960
<v Speaker 1>tell you the secret.

1:18:53.040 --> 1:18:54.120
<v Speaker 3>Ye, who's theer?

1:18:54.200 --> 1:18:54.599
<v Speaker 4>I'm not sure.

1:18:54.800 --> 1:18:56.120
<v Speaker 3>Let me put on my leather jacket and bring some

1:18:56.240 --> 1:18:57.280
<v Speaker 3>dark liquor. That's so you know that.

1:19:00.360 --> 1:19:03.160
<v Speaker 1>Uh? And then and then that was you know, a

1:19:03.240 --> 1:19:06.120
<v Speaker 1>lot of as as the kind of speculation kicked into

1:19:06.160 --> 1:19:09.400
<v Speaker 1>high gear as we ended, as we like came towards

1:19:09.479 --> 1:19:11.400
<v Speaker 1>the finale of Loki and people like, oh, who's you know,

1:19:11.479 --> 1:19:13.880
<v Speaker 1>who's who's ultimately behind the Timekeepers? Who is it is

1:19:13.960 --> 1:19:16.479
<v Speaker 1>gonna be another ary of Loki? Is like gonna be Friga,

1:19:16.520 --> 1:19:18.240
<v Speaker 1>which is my personal theory, Who's it gonna be?

1:19:18.880 --> 1:19:19.519
<v Speaker 4>And uh?

1:19:20.439 --> 1:19:22.439
<v Speaker 1>And I kept coming to well, there's no way it's

1:19:22.479 --> 1:19:26.360
<v Speaker 1>gonna be Kang because you don't introduce you don't do that. Yeah,

1:19:26.560 --> 1:19:29.439
<v Speaker 1>you like there's no hints that it's him, Like there's

1:19:29.479 --> 1:19:32.439
<v Speaker 1>no suspicion that it's him. There's no you don't see

1:19:32.479 --> 1:19:34.640
<v Speaker 1>his picture on the back of a screen somewhere.

1:19:34.479 --> 1:19:38.760
<v Speaker 6>Like they don't it's he. There is no they don't

1:19:38.960 --> 1:19:40.960
<v Speaker 6>seed it at all, which is.

1:19:41.560 --> 1:19:43.720
<v Speaker 2>There's where someone's like to do that, you have to

1:19:43.760 --> 1:19:46.559
<v Speaker 2>be some sort of conqueror, Like there's just like nothing

1:19:47.080 --> 1:19:49.680
<v Speaker 2>that pipeline is. Lady just pops up. It's like, Yo,

1:19:49.880 --> 1:19:51.400
<v Speaker 2>we're about to act for thirty minutes. I hope you

1:19:51.439 --> 1:19:51.960
<v Speaker 2>guys are ready.

1:19:52.200 --> 1:19:54.160
<v Speaker 5>And what I think what I loved about it was

1:19:54.240 --> 1:19:57.080
<v Speaker 5>because and and yeah, zag I think you're right, like yes,

1:19:57.280 --> 1:20:00.479
<v Speaker 5>this is turning on a lot, like how pop these

1:20:00.520 --> 1:20:03.880
<v Speaker 5>things are are kind of it's so weird, you know,

1:20:04.000 --> 1:20:07.360
<v Speaker 5>like I grew up, you know where nerd culture was

1:20:07.479 --> 1:20:09.920
<v Speaker 5>for nerds and you were bullied for liking these things.

1:20:09.960 --> 1:20:13.360
<v Speaker 5>And now nerd culture obviously is culture, which is all

1:20:13.439 --> 1:20:15.719
<v Speaker 5>of pop culture, which is you know, great and exciting.

1:20:15.720 --> 1:20:16.560
<v Speaker 6>And I love that.

1:20:16.640 --> 1:20:19.479
<v Speaker 5>It means I get more Marvel stuff and more Star

1:20:19.560 --> 1:20:21.479
<v Speaker 5>Wars and all and more of all the stuff. I have,

1:20:21.600 --> 1:20:23.880
<v Speaker 5>more sci fi, more fantasy, more like I get it.

1:20:24.000 --> 1:20:26.840
<v Speaker 5>Like I'm like so excited, but it's I'm I'd be

1:20:26.960 --> 1:20:31.799
<v Speaker 5>curious because there it's such a Marvel now, the mcu

1:20:32.080 --> 1:20:35.880
<v Speaker 5>is is so big that yes, I'm certain there are

1:20:35.880 --> 1:20:37.679
<v Speaker 5>a lot of people who are getting turned onto the comics.

1:20:37.720 --> 1:20:42.519
<v Speaker 6>But I really wonder for casual Marvel fans, what does

1:20:42.640 --> 1:20:43.519
<v Speaker 6>this feel like?

1:20:43.840 --> 1:20:43.880
<v Speaker 1>Like?

1:20:44.000 --> 1:20:47.160
<v Speaker 6>What does this like like like when they're watching that

1:20:47.280 --> 1:20:48.320
<v Speaker 6>Loki season finale.

1:20:48.400 --> 1:20:52.000
<v Speaker 5>Obviously it's enjoyable, and do you get the same out

1:20:52.040 --> 1:20:54.519
<v Speaker 5>of it if you have no idea that that's Kang

1:20:54.960 --> 1:20:55.840
<v Speaker 5>or who Kang is?

1:20:56.120 --> 1:20:56.160
<v Speaker 1>Like?

1:20:56.479 --> 1:20:59.880
<v Speaker 5>They have to be threading the needle of giving the

1:21:00.120 --> 1:21:05.519
<v Speaker 5>casual viewer a satisfying experience and a satisfying, frankly season finale,

1:21:06.280 --> 1:21:08.720
<v Speaker 5>even if you're like I don't know who Immortis is,

1:21:08.840 --> 1:21:10.760
<v Speaker 5>or I don't know who Kang is, or I don't

1:21:10.840 --> 1:21:13.680
<v Speaker 5>know about the multiverse or I don't know I'm a

1:21:13.880 --> 1:21:16.519
<v Speaker 5>casual fan. So I think that the fact that it

1:21:16.600 --> 1:21:19.560
<v Speaker 5>even worked for those people is testament to like what

1:21:19.760 --> 1:21:22.000
<v Speaker 5>a good job they did with this show, you know,

1:21:22.200 --> 1:21:25.400
<v Speaker 5>like Loki to me is and I enjoyed WandaVision. I

1:21:25.479 --> 1:21:28.439
<v Speaker 5>mean I really enjoyed WandaVision. I liked Falcon and Winter

1:21:28.560 --> 1:21:31.960
<v Speaker 5>Soldier but Loki to me was like playing on a

1:21:32.040 --> 1:21:35.360
<v Speaker 5>different level mostly I think mostly because it really is

1:21:35.439 --> 1:21:38.920
<v Speaker 5>the tipping point for the future of the MCU, and

1:21:39.000 --> 1:21:39.360
<v Speaker 5>they knew.

1:21:39.439 --> 1:21:41.880
<v Speaker 2>Yeah, I mean we've been we've just yelled about this

1:21:41.960 --> 1:21:45.040
<v Speaker 2>for the past hour. But like it's the most distilled

1:21:45.120 --> 1:21:47.280
<v Speaker 2>version of what a comic book gets. It's big, it's weird,

1:21:47.320 --> 1:21:49.840
<v Speaker 2>it's cosmic. You're talking about like ends of time. You're

1:21:49.840 --> 1:21:53.120
<v Speaker 2>talking about these abstract entities and deities that you know.

1:21:53.240 --> 1:21:55.200
<v Speaker 2>It's like we fight a giant cloud monster like that

1:21:55.479 --> 1:21:58.040
<v Speaker 2>represents the end of time, and like that's what this

1:21:58.120 --> 1:22:00.280
<v Speaker 2>show does, and it sticks to landing in it will

1:22:00.280 --> 1:22:02.360
<v Speaker 2>be so to the point where like we can introduce

1:22:02.479 --> 1:22:04.960
<v Speaker 2>the concept of like, oh this is uh, this has

1:22:05.000 --> 1:22:08.400
<v Speaker 2>been happening across infinite number of universes, all within the background.

1:22:08.920 --> 1:22:10.080
<v Speaker 3>Thanos wasn't even like that.

1:22:10.200 --> 1:22:12.160
<v Speaker 2>He was just some dude, like you want some vinity zones,

1:22:12.160 --> 1:22:14.080
<v Speaker 2>We got a whole fucking drawer full of them. Like, well,

1:22:14.479 --> 1:22:16.080
<v Speaker 2>let's move on to the next thing. So, like what

1:22:16.240 --> 1:22:18.400
<v Speaker 2>I love is that it's setting up a completely new

1:22:18.439 --> 1:22:20.599
<v Speaker 2>status quote, which is also my favorite thing about comics

1:22:20.680 --> 1:22:22.720
<v Speaker 2>is that like we're gonna reset this after that we

1:22:22.800 --> 1:22:24.559
<v Speaker 2>do like a twenty issue run and now it's done,

1:22:24.560 --> 1:22:25.800
<v Speaker 2>and now we're gonna move on to the next thing.

1:22:26.120 --> 1:22:28.280
<v Speaker 2>And I love that what this means going forward, like

1:22:28.360 --> 1:22:31.160
<v Speaker 2>any story that you want narrative wise, like Marvel wrote

1:22:31.160 --> 1:22:33.600
<v Speaker 2>themselves an infinite check for rope when it comes to

1:22:33.720 --> 1:22:35.200
<v Speaker 2>like what they need to do, and like, I love

1:22:35.280 --> 1:22:37.519
<v Speaker 2>what it opens up story wise, narrative wise, it's gonna

1:22:37.520 --> 1:22:38.120
<v Speaker 2>be fantastic.

1:22:38.520 --> 1:22:40.720
<v Speaker 6>And I think it's really exciting that they did it

1:22:40.880 --> 1:22:41.439
<v Speaker 6>with Loki.

1:22:42.080 --> 1:22:45.040
<v Speaker 5>You know, Loki is like the MCU's closest thing to

1:22:45.120 --> 1:22:49.360
<v Speaker 5>like a Jamie Lee, Yes, yeah, yeah, like a character

1:22:49.479 --> 1:22:52.160
<v Speaker 5>who is beloved and charming but has gone from a

1:22:52.280 --> 1:22:55.400
<v Speaker 5>villain to a good guy to existing in the gray area.

1:22:55.720 --> 1:22:58.280
<v Speaker 6>They both are obsessed romantically with their twin.

1:22:59.160 --> 1:23:03.960
<v Speaker 5>They both fall in love with a with an identical

1:23:04.080 --> 1:23:06.240
<v Speaker 5>twin of their of themselves.

1:23:06.080 --> 1:23:10.200
<v Speaker 1>I mean they unambiguously in Marvels the Avengers compared him

1:23:10.240 --> 1:23:15.519
<v Speaker 1>to Hitler, like a and a Holocaust survivor in Germany

1:23:15.680 --> 1:23:18.479
<v Speaker 1>stands up and says, they have always been met like

1:23:18.600 --> 1:23:22.200
<v Speaker 1>you and by which I mean Hitler, who, by the

1:23:22.280 --> 1:23:26.519
<v Speaker 1>way I experience firsthand, you are Hitler's And now they

1:23:26.560 --> 1:23:28.600
<v Speaker 1>have managed to turn that character into like.

1:23:28.800 --> 1:23:31.840
<v Speaker 5>Somebody that we like, that is, and not only like,

1:23:32.120 --> 1:23:34.639
<v Speaker 5>not only like, but this season of television we got

1:23:34.680 --> 1:23:39.280
<v Speaker 5>like a before Sunrise rom com. We not only do

1:23:39.400 --> 1:23:41.320
<v Speaker 5>we like him, but like we're rooting for him to

1:23:41.400 --> 1:23:44.000
<v Speaker 5>have like a walk and talk with a beautiful woman

1:23:44.080 --> 1:23:44.719
<v Speaker 5>and try.

1:23:44.600 --> 1:23:45.200
<v Speaker 6>And kiss her.

1:23:45.640 --> 1:23:49.400
<v Speaker 5>I mean, you're like, this was a genocidal lunatic some

1:23:49.760 --> 1:23:53.439
<v Speaker 5>years ago, and that I think is a pretty cool feat. Yeah,

1:23:53.439 --> 1:23:54.960
<v Speaker 5>And the fact that they were able to do it,

1:23:55.080 --> 1:23:57.120
<v Speaker 5>I think I think they were very smart to use

1:23:57.240 --> 1:24:00.880
<v Speaker 5>Loki as the pivot point because he's beloved, people want

1:24:00.920 --> 1:24:03.280
<v Speaker 5>to watch Loki. It wasn't I don't think they could

1:24:03.320 --> 1:24:09.600
<v Speaker 5>have done this introduction of the multiverse inside of a story.

1:24:10.240 --> 1:24:12.760
<v Speaker 2>With other characters, and you know benefit of that's also

1:24:12.840 --> 1:24:15.519
<v Speaker 2>like it's a new Loki a variant obviously, so look,

1:24:15.720 --> 1:24:17.280
<v Speaker 2>you get to hit all it's like the greatest hits

1:24:17.280 --> 1:24:19.240
<v Speaker 2>with this beats Like you get to see him go

1:24:19.400 --> 1:24:21.800
<v Speaker 2>from bad to good within an episode, and then like

1:24:22.000 --> 1:24:23.960
<v Speaker 2>it catches up anyone else who has not seen all

1:24:24.040 --> 1:24:26.439
<v Speaker 2>the Thor movies who like necessarily isn't caught up on

1:24:26.560 --> 1:24:29.200
<v Speaker 2>like Thor lore or Loki lore and like you see

1:24:29.240 --> 1:24:31.960
<v Speaker 2>who this character is. And it's also it's a classic myth,

1:24:32.120 --> 1:24:34.360
<v Speaker 2>like everyone has been reading these types of stories for

1:24:34.880 --> 1:24:38.639
<v Speaker 2>since humans could could could share speech, and like it's

1:24:38.640 --> 1:24:41.040
<v Speaker 2>a perfect encapsulation of like how that stuff works out

1:24:41.040 --> 1:24:43.080
<v Speaker 2>with like, all right, we have their journey's gonna be

1:24:43.479 --> 1:24:45.360
<v Speaker 2>a bad guy going on like basically like a road

1:24:45.400 --> 1:24:48.840
<v Speaker 2>trip with himself, a cosmic road trip, and they fucking

1:24:48.920 --> 1:24:49.240
<v Speaker 2>killed it.

1:24:50.000 --> 1:24:53.760
<v Speaker 1>They did a great job too, just like grounding all

1:24:53.800 --> 1:24:56.360
<v Speaker 1>of these shows actually, but like Loki in particular, grounding

1:24:56.439 --> 1:25:00.040
<v Speaker 1>it in a real, like deep like emotional question, and

1:25:00.200 --> 1:25:02.560
<v Speaker 1>like what does it mean to try and be a

1:25:02.680 --> 1:25:07.800
<v Speaker 1>better person in a world in which your specific role

1:25:08.040 --> 1:25:11.559
<v Speaker 1>requires you to never become a better person? And if

1:25:11.640 --> 1:25:15.639
<v Speaker 1>you ever actually make any headway in accepting the pain

1:25:15.760 --> 1:25:19.680
<v Speaker 1>that you've caused others, in trying to better yourself, in

1:25:19.800 --> 1:25:23.320
<v Speaker 1>trying to be empathic and understand other people's situations, we

1:25:23.520 --> 1:25:26.160
<v Speaker 1>will cull you from that. We will erase you, we

1:25:26.240 --> 1:25:28.800
<v Speaker 1>will throw you into the void, and you will never

1:25:28.960 --> 1:25:33.040
<v Speaker 1>be seen again. That was That's a really dark and

1:25:33.200 --> 1:25:36.000
<v Speaker 1>kind of I think meaningful question for anybody who's like, man,

1:25:36.040 --> 1:25:37.240
<v Speaker 1>how do I not be an asshole?

1:25:37.280 --> 1:25:39.439
<v Speaker 4>All the time, What is there a way to not

1:25:39.600 --> 1:25:39.840
<v Speaker 4>do that?

1:25:40.120 --> 1:25:44.240
<v Speaker 5>This show is the inverse of the good perty yeah yeah, yeah,

1:25:44.320 --> 1:25:47.680
<v Speaker 5>yeah yeah, where people are encouraged to get better and

1:25:47.840 --> 1:25:51.439
<v Speaker 5>evolve and become more empathic and become better people. This

1:25:51.640 --> 1:25:55.320
<v Speaker 5>storyline is if you diverge and you try and be

1:25:55.439 --> 1:25:57.360
<v Speaker 5>a better person or try and change the way a

1:25:57.439 --> 1:25:59.920
<v Speaker 5>loki is a loki, You're gonna get prune.

1:26:00.360 --> 1:26:01.800
<v Speaker 6>You know, you're gonna it's over.

1:26:02.800 --> 1:26:05.479
<v Speaker 1>You were talking about Jason how like that. You're just

1:26:05.520 --> 1:26:07.200
<v Speaker 1>like a fan of this stuff, so of course you're biased.

1:26:07.479 --> 1:26:10.080
<v Speaker 1>I am too, Like I've acknowledged my bias many times,

1:26:10.120 --> 1:26:12.160
<v Speaker 1>and I think part of that is, like, and the

1:26:12.240 --> 1:26:16.080
<v Speaker 1>thing that fascinates me about this question is this idea

1:26:16.200 --> 1:26:21.240
<v Speaker 1>that like serialized storytelling through comics, that kind of style

1:26:21.320 --> 1:26:23.960
<v Speaker 1>of storytelling is like merging with TV in interesting ways.

1:26:24.000 --> 1:26:26.360
<v Speaker 1>And what I mean by that is like, if I'm

1:26:26.400 --> 1:26:29.559
<v Speaker 1>reading a comic book and I am turning the page,

1:26:29.560 --> 1:26:30.559
<v Speaker 1>I'm like, who is this villain?

1:26:30.600 --> 1:26:31.920
<v Speaker 4>Who is this hooded villain whatever?

1:26:32.000 --> 1:26:33.720
<v Speaker 1>And then at the end they take off their hood

1:26:33.840 --> 1:26:36.960
<v Speaker 1>and it's like Ultron or someone I never expected in

1:26:37.040 --> 1:26:39.760
<v Speaker 1>the comic books. I'm like, yo, I get that that

1:26:40.320 --> 1:26:42.720
<v Speaker 1>I'm buying the next issue. I understand this, this is

1:26:42.880 --> 1:26:47.200
<v Speaker 1>set up. This is fine in television that never really happens,

1:26:47.240 --> 1:26:52.400
<v Speaker 1>and we're so programmed by the various structures of storytelling

1:26:52.520 --> 1:26:55.280
<v Speaker 1>that are very common, that stuff that, when you really

1:26:55.320 --> 1:26:57.559
<v Speaker 1>think about it, that is actually kind of weird and strange,

1:26:57.640 --> 1:26:58.400
<v Speaker 1>feels very normal.

1:26:58.479 --> 1:26:59.519
<v Speaker 4>For instance, like.

1:26:59.600 --> 1:27:03.080
<v Speaker 1>If you watch a Marvel movie with a kid and

1:27:03.280 --> 1:27:05.599
<v Speaker 1>there's that opening scene where it's like, you know, there's

1:27:05.640 --> 1:27:08.680
<v Speaker 1>some heist going on, and then like somebody says, mysteriously, hey,

1:27:08.720 --> 1:27:09.400
<v Speaker 1>do you have the thing?

1:27:09.720 --> 1:27:12.920
<v Speaker 4>Yes, I have it. I'll inform the master. Does he know? Yes,

1:27:13.000 --> 1:27:14.680
<v Speaker 4>he knows. Like if you watch all with the kid,

1:27:14.760 --> 1:27:17.559
<v Speaker 4>the kid's like, what what's happening? What are they taught?

1:27:17.720 --> 1:27:20.880
<v Speaker 1>Whereas you understand they're gonna tell me what this is.

1:27:21.080 --> 1:27:23.360
<v Speaker 1>I don't need to know anything about this. I understand

1:27:23.400 --> 1:27:25.040
<v Speaker 1>that this is set up for a thing that happens later.

1:27:25.400 --> 1:27:29.280
<v Speaker 1>So it really feels like they're through these various flexes

1:27:29.360 --> 1:27:32.479
<v Speaker 1>of we are the biggest like storytelling engine in entertainment

1:27:32.560 --> 1:27:36.439
<v Speaker 1>right now, they're actually creating these weird new pockets and

1:27:36.720 --> 1:27:38.120
<v Speaker 1>styles of storytelling.

1:27:38.520 --> 1:27:40.640
<v Speaker 5>What here's what they're doing. I think this is and

1:27:40.760 --> 1:27:43.080
<v Speaker 5>which is interesting. I wonder if this is purposeful or

1:27:43.120 --> 1:27:47.280
<v Speaker 5>if this is just kind of how they run, which

1:27:47.400 --> 1:27:51.040
<v Speaker 5>is they have successfully Kevin Figy, I'll put this at

1:27:51.080 --> 1:27:55.400
<v Speaker 5>Kevin Figy's feet. I think Kevin Figy has successfully trained

1:27:56.040 --> 1:28:01.040
<v Speaker 5>the public to watch Marvel movies to at the very

1:28:01.120 --> 1:28:04.639
<v Speaker 5>beginning was they were comic book movies, but they didn't

1:28:04.720 --> 1:28:08.320
<v Speaker 5>operate like comic books, right. They were just the characters

1:28:08.360 --> 1:28:11.960
<v Speaker 5>from your comics in a story. Sometimes those stories were

1:28:12.160 --> 1:28:15.600
<v Speaker 5>pulled loosely from comic book arcs or something like that,

1:28:16.160 --> 1:28:20.400
<v Speaker 5>but really they stood alone, unto themselves until they were connected,

1:28:20.479 --> 1:28:23.120
<v Speaker 5>and they connected in very clean ways, right for that

1:28:23.240 --> 1:28:26.519
<v Speaker 5>first ten years, for phase one, phase two, that's what

1:28:26.640 --> 1:28:31.280
<v Speaker 5>it is. Phase three, and now especially phase four, the

1:28:31.520 --> 1:28:35.400
<v Speaker 5>MCU and comics movies are feeling more like comics.

1:28:35.520 --> 1:28:35.600
<v Speaker 1>Ye.

1:28:35.880 --> 1:28:38.600
<v Speaker 5>So like when sometimes you know, you'll pick up a

1:28:38.680 --> 1:28:41.800
<v Speaker 5>comic I'll read I'll pick up a Spider Man at

1:28:41.840 --> 1:28:45.439
<v Speaker 5>you and I'll be like, suddenly he's wearing like a

1:28:45.560 --> 1:28:51.080
<v Speaker 5>different suit and he has like and someone's dead and

1:28:51.200 --> 1:28:53.479
<v Speaker 5>I'm like, wait, what did I miss? I've read this

1:28:53.800 --> 1:28:55.040
<v Speaker 5>every month and.

1:28:55.120 --> 1:28:55.920
<v Speaker 6>Someone is like, oh.

1:28:56.280 --> 1:29:01.519
<v Speaker 5>There was a six issue mini series in which in

1:29:01.720 --> 1:29:04.280
<v Speaker 5>which Aunt May died and something.

1:29:04.360 --> 1:29:05.560
<v Speaker 6>You have to go read that.

1:29:06.200 --> 1:29:11.280
<v Speaker 5>And that's what they're doing now in their properties over

1:29:11.360 --> 1:29:15.200
<v Speaker 5>across platforms. So if when we come back and ant

1:29:15.280 --> 1:29:18.280
<v Speaker 5>Man in the Wasp, or when King variants Yeah starts

1:29:18.320 --> 1:29:22.080
<v Speaker 5>showing up in Doctor Strange and and ant Man in

1:29:22.120 --> 1:29:24.040
<v Speaker 5>the Wasp, when Kang starts shout up, there's gonna be

1:29:24.040 --> 1:29:26.360
<v Speaker 5>a lot of people who didn't watch Loki, but who

1:29:26.479 --> 1:29:29.400
<v Speaker 5>watched but who watch all the movies, who are like,

1:29:29.680 --> 1:29:30.439
<v Speaker 5>who's that guy?

1:29:30.920 --> 1:29:32.880
<v Speaker 6>And people are gonna have to be like, oh, he

1:29:33.080 --> 1:29:35.120
<v Speaker 6>was introduced in Logi ba ba bah.

1:29:35.160 --> 1:29:38.680
<v Speaker 5>And that's comics. That is the that is how we

1:29:38.880 --> 1:29:44.400
<v Speaker 5>process comics. Important things happen not always in the mainline book.

1:29:44.760 --> 1:29:47.840
<v Speaker 5>Sometimes it happens in the offshoots or one offs or

1:29:47.920 --> 1:29:50.479
<v Speaker 5>in an annual you might not have read all sorts

1:29:50.479 --> 1:29:50.880
<v Speaker 5>of stuff.

1:29:51.439 --> 1:29:54.639
<v Speaker 2>Yeah, that's that's absolutely one d percent how it works.

1:29:54.680 --> 1:29:56.400
<v Speaker 2>And like I love that they're at this, I mean,

1:29:56.439 --> 1:29:58.160
<v Speaker 2>for better or for worse. Like I know people have

1:29:58.240 --> 1:30:00.280
<v Speaker 2>thoughts about that, especially if you're reading a bunch of

1:30:00.320 --> 1:30:02.240
<v Speaker 2>books at the same time a month, but like I

1:30:02.439 --> 1:30:04.880
<v Speaker 2>do love to thrill the page turn like and this

1:30:05.000 --> 1:30:06.519
<v Speaker 2>is exactly what it captures like the end of a

1:30:06.840 --> 1:30:08.640
<v Speaker 2>after end of like you know, a run on Spider Man,

1:30:08.680 --> 1:30:10.760
<v Speaker 2>You're like, all right, see, like they'll have like oh

1:30:10.840 --> 1:30:13.640
<v Speaker 2>doc option, you'll see like a caw and like in Silhouette,

1:30:13.640 --> 1:30:15.040
<v Speaker 2>you're like, oh, is he gonna be like the next

1:30:15.040 --> 1:30:17.479
<v Speaker 2>big bat that shows up in the mix running Spider Man?

1:30:17.520 --> 1:30:20.680
<v Speaker 2>Like that's exactly what's capturing with with the DMCU shows.

1:30:20.840 --> 1:30:26.160
<v Speaker 5>And they're they're just constantly making it possible so smartly

1:30:26.680 --> 1:30:29.920
<v Speaker 5>in a way that I think the DC films have failed.

1:30:30.280 --> 1:30:35.000
<v Speaker 5>They've smartly, like they're walking their audience into more and

1:30:35.160 --> 1:30:38.599
<v Speaker 5>more complex storytelling and bringing them along for the ride.

1:30:38.680 --> 1:30:42.000
<v Speaker 5>They're not just dumping this huge audience into the deep

1:30:42.120 --> 1:30:44.320
<v Speaker 5>end like they're on you know, this has been going

1:30:44.360 --> 1:30:46.600
<v Speaker 5>on since you know, so this is twenty years in.

1:30:47.240 --> 1:30:49.679
<v Speaker 5>You know, like you couldn't have done Loki the TV

1:30:49.800 --> 1:30:52.200
<v Speaker 5>show in twenty twelve. You couldn't have done you know

1:30:52.240 --> 1:30:55.320
<v Speaker 5>what I mean, Like you couldn't have you couldn't have introduced.

1:30:54.880 --> 1:30:55.800
<v Speaker 6>Kang at the end.

1:30:55.880 --> 1:30:59.479
<v Speaker 5>It wouldn't work really, you know, to have such an

1:30:59.479 --> 1:31:02.840
<v Speaker 5>important you're a cur in movie five or something like that.

1:31:03.000 --> 1:31:06.200
<v Speaker 5>This is to introduce the multiverse. You needed twenty years

1:31:06.240 --> 1:31:10.479
<v Speaker 5>of runway to be like, now everything is possible, and.

1:31:10.560 --> 1:31:13.479
<v Speaker 1>This is really what sets up What If, which is

1:31:13.600 --> 1:31:16.320
<v Speaker 1>the animated anthology series currently wearing on Disney Plus.

1:31:16.520 --> 1:31:19.519
<v Speaker 5>Which I want to say, if there are people out

1:31:19.560 --> 1:31:23.640
<v Speaker 5>there who are thinking I don't love cartoons or cartoons

1:31:23.720 --> 1:31:26.920
<v Speaker 5>feel like the they sometimes people think like, oh, those

1:31:27.040 --> 1:31:29.599
<v Speaker 5>must be for kids, those must be like the Marvel

1:31:29.720 --> 1:31:32.639
<v Speaker 5>kid like, and I'm telling you watch What If.

1:31:32.960 --> 1:31:33.840
<v Speaker 3>It's so good.

1:31:34.400 --> 1:31:36.240
<v Speaker 4>The action is so good.

1:31:36.560 --> 1:31:40.880
<v Speaker 1>First of all, the animation style is it's gorgeous, beautiful,

1:31:41.040 --> 1:31:46.080
<v Speaker 1>like I want to watto fall into every single pan.

1:31:46.280 --> 1:31:46.400
<v Speaker 3>Oh.

1:31:47.160 --> 1:31:50.439
<v Speaker 1>On top of that, like the animation of the action

1:31:50.920 --> 1:31:52.519
<v Speaker 1>is so seamless and smooth.

1:31:52.600 --> 1:31:54.120
<v Speaker 4>I don't it is.

1:31:54.360 --> 1:31:57.080
<v Speaker 1>There's one scene in the in the first episode where

1:31:57.960 --> 1:32:02.240
<v Speaker 1>Peggy Carter becomes you know, infused with the super Soldier

1:32:02.280 --> 1:32:06.240
<v Speaker 1>serum and she becomes Captain Peggy Carter where she like

1:32:07.560 --> 1:32:12.120
<v Speaker 1>jumps through the canopy of a German bomber using the

1:32:12.240 --> 1:32:16.000
<v Speaker 1>shield and it is like pulse found it stuff.

1:32:16.600 --> 1:32:20.800
<v Speaker 5>Yeah, Oh yeah, it's great that that episode and the

1:32:21.040 --> 1:32:24.880
<v Speaker 5>second episode that Chadwick Boseman What If T'Challa was star

1:32:25.000 --> 1:32:29.400
<v Speaker 5>Lord episode incredible, incredible fight sequences.

1:32:29.800 --> 1:32:33.160
<v Speaker 6>The Yeah, the animation is like straight.

1:32:32.960 --> 1:32:35.479
<v Speaker 5>Out of the gate, incredible, I think, Yeah, I know,

1:32:35.600 --> 1:32:37.560
<v Speaker 5>I've read other places that people don't love it.

1:32:37.720 --> 1:32:43.080
<v Speaker 6>I don't know why. I'm totally into it. I really am.

1:32:43.320 --> 1:32:43.599
<v Speaker 6>I think.

1:32:43.720 --> 1:32:46.680
<v Speaker 5>I mean, I have a few little nitpicks here and there,

1:32:47.080 --> 1:32:50.040
<v Speaker 5>but most of those are because again, I think the

1:32:50.160 --> 1:32:53.559
<v Speaker 5>things that I'm nitpicking are the things that I'm nitpicking

1:32:53.600 --> 1:32:56.479
<v Speaker 5>because I'm a super fan. But I suspect for a

1:32:56.800 --> 1:33:00.200
<v Speaker 5>casual fan, it has to run this way, you know

1:33:00.240 --> 1:33:02.200
<v Speaker 5>what I mean? Like and and I understand that. I

1:33:02.280 --> 1:33:06.400
<v Speaker 5>think I think for such again again, for what could

1:33:06.439 --> 1:33:09.840
<v Speaker 5>have been a toss off animated show for kids, like

1:33:10.360 --> 1:33:10.760
<v Speaker 5>what If?

1:33:11.200 --> 1:33:11.800
<v Speaker 6>Because what If?

1:33:11.880 --> 1:33:13.240
<v Speaker 5>We should say, I don't know if you've already talked

1:33:13.240 --> 1:33:15.920
<v Speaker 5>about it, forgive me if this is repeat information, but

1:33:16.080 --> 1:33:16.519
<v Speaker 5>what If.

1:33:16.520 --> 1:33:17.320
<v Speaker 6>Is based on the.

1:33:18.800 --> 1:33:21.519
<v Speaker 5>It's based on the comics what If, in which they

1:33:21.640 --> 1:33:26.639
<v Speaker 5>take traditional Marvel storylines and flip it on its head.

1:33:26.840 --> 1:33:29.080
<v Speaker 6>So what if Gwen's Stacy had lived?

1:33:29.360 --> 1:33:31.000
<v Speaker 4>Or what you know, like what If?

1:33:31.120 --> 1:33:33.560
<v Speaker 5>And so they'll basically use it as an opportunity to

1:33:33.640 --> 1:33:36.880
<v Speaker 5>tell a one off story or a or a little

1:33:37.120 --> 1:33:39.519
<v Speaker 5>chunk of a story in a world in which the

1:33:39.680 --> 1:33:44.400
<v Speaker 5>circumstances were totally different, right, and those are they're fun.

1:33:44.640 --> 1:33:48.040
<v Speaker 6>They're like Twilight Zone episodes of the MCU kind of.

1:33:48.240 --> 1:33:52.000
<v Speaker 1>Is that Yes, I think that's exactly correct, exactly yeah,

1:33:52.240 --> 1:33:55.160
<v Speaker 1>And so the TV show is uses that as a

1:33:55.240 --> 1:33:59.000
<v Speaker 1>jumping off point, but they're they're wetting it to their

1:33:59.320 --> 1:34:01.960
<v Speaker 1>new introduction of the multiverse at the end of Loki.

1:34:02.080 --> 1:34:05.760
<v Speaker 5>So so these aren't just kind of fantastical hypothetical like

1:34:05.840 --> 1:34:06.639
<v Speaker 5>what if this happened.

1:34:07.000 --> 1:34:10.760
<v Speaker 6>They're saying, these are the events of the multiverse.

1:34:10.840 --> 1:34:14.240
<v Speaker 5>So there is a universe in which Ta'chala has taken

1:34:14.360 --> 1:34:17.639
<v Speaker 5>not Peter Quill or Peggy Carter was turned into Captain

1:34:17.720 --> 1:34:21.800
<v Speaker 5>Carter instead of Steve Rogers. Like, so they're saying, through

1:34:22.000 --> 1:34:25.040
<v Speaker 5>the character of Uwatu the Watcher played by Jeffrey Right,

1:34:25.080 --> 1:34:27.840
<v Speaker 5>they're saying, all of the multiverse is now available to us,

1:34:27.920 --> 1:34:31.240
<v Speaker 5>let's tell stories inside of That's cool.

1:34:31.479 --> 1:34:33.720
<v Speaker 2>It's dope as fucking Also, it gives you like the

1:34:33.800 --> 1:34:36.640
<v Speaker 2>possibility of like, yeah, maybe we loved maybe want to

1:34:36.640 --> 1:34:38.439
<v Speaker 2>see more of Captain Carter, so we're just gon spin

1:34:38.479 --> 1:34:41.439
<v Speaker 2>out to like her own TV show or like yeah.

1:34:41.439 --> 1:34:42.559
<v Speaker 6>Well you know what they said.

1:34:42.960 --> 1:34:46.640
<v Speaker 5>They said that every season of What If will have

1:34:47.000 --> 1:34:48.840
<v Speaker 5>another installment of oh.

1:34:49.360 --> 1:34:52.479
<v Speaker 1>Really, Oh wow, that's actually great because I was like,

1:34:52.560 --> 1:34:54.760
<v Speaker 1>where's so that for the other seventy minutes of this

1:34:54.840 --> 1:34:56.000
<v Speaker 1>show when she popped.

1:34:55.760 --> 1:34:58.960
<v Speaker 6>Out exactly because that, I will say that is my

1:34:59.120 --> 1:34:59.839
<v Speaker 6>only complaint.

1:35:00.280 --> 1:35:03.040
<v Speaker 5>My only complaint is there I feel like they're trying

1:35:03.080 --> 1:35:08.120
<v Speaker 5>to fit move length plots into thirty minute shows, and

1:35:08.320 --> 1:35:10.760
<v Speaker 5>my feeling is no, no, no, don't don't think you

1:35:10.880 --> 1:35:13.479
<v Speaker 5>need to adhere so much to the But this, again,

1:35:13.560 --> 1:35:18.280
<v Speaker 5>I think, is them walking their audience into that more

1:35:18.479 --> 1:35:20.439
<v Speaker 5>complex idea because I think there's a lot of people

1:35:20.520 --> 1:35:22.320
<v Speaker 5>probably being like, what the fuck's going on?

1:35:22.640 --> 1:35:22.840
<v Speaker 3>Yeah?

1:35:22.960 --> 1:35:27.040
<v Speaker 1>You know, well, Jason Manzucus, thank you for walking into

1:35:27.240 --> 1:35:29.280
<v Speaker 1>the debut episode of Extra Vision.

1:35:29.800 --> 1:35:30.559
<v Speaker 4>It has been a pleasure.

1:35:30.640 --> 1:35:31.160
<v Speaker 1>I have you.

1:35:31.920 --> 1:35:35.439
<v Speaker 5>Thrilled to Jason, There's nothing I want more in the

1:35:35.520 --> 1:35:38.599
<v Speaker 5>world than listening to you. I've missed it in my life,

1:35:39.000 --> 1:35:41.760
<v Speaker 5>talking about pop culture, talking about the stuff that we

1:35:41.880 --> 1:35:42.320
<v Speaker 5>both love.

1:35:42.800 --> 1:35:44.479
<v Speaker 6>Yes, I get to text with you and rant and

1:35:44.600 --> 1:35:45.880
<v Speaker 6>rave about it, which I adore.

1:35:46.600 --> 1:35:49.479
<v Speaker 5>But it makes me so happy that you're doing the show,

1:35:49.520 --> 1:35:53.360
<v Speaker 5>and I cannot wait to smash the subscribe buttons and

1:35:53.840 --> 1:35:54.880
<v Speaker 5>listen to it every week.

1:35:54.960 --> 1:35:57.040
<v Speaker 4>Can't wait to Gig and Zig.

1:35:57.280 --> 1:35:58.760
<v Speaker 3>What a what a delightless of you.

1:36:00.000 --> 1:36:01.840
<v Speaker 6>It's so fun so great, so funny.

1:36:02.040 --> 1:36:02.439
<v Speaker 3>I love it.

1:36:02.640 --> 1:36:03.320
<v Speaker 6>Thanks for having me.

1:36:05.760 --> 1:36:09.200
<v Speaker 1>Welcome to our endgame segment where we play a game

1:36:10.320 --> 1:36:12.760
<v Speaker 1>at the end of the episode. That's right, it's a

1:36:12.840 --> 1:36:17.800
<v Speaker 1>very clever title. Today's game is Who's Your Neville or

1:36:17.840 --> 1:36:21.360
<v Speaker 1>Who's Your Gollum? This is a reference to Nevill Longbottom

1:36:21.400 --> 1:36:24.639
<v Speaker 1>from Harry Potter and Gollum from Lord of the Rings.

1:36:25.000 --> 1:36:29.040
<v Speaker 4>Who is the character that is seemingly on the outside,

1:36:29.160 --> 1:36:29.840
<v Speaker 4>not really that.

1:36:29.960 --> 1:36:32.400
<v Speaker 1>Important, kind of like on the edge of the story,

1:36:32.760 --> 1:36:34.680
<v Speaker 1>but then all of a sudden at the very end,

1:36:35.640 --> 1:36:39.080
<v Speaker 1>they take the sword of Gryffindor and they slay the

1:36:39.200 --> 1:36:42.040
<v Speaker 1>snake or they become the only way that Frodo can

1:36:42.080 --> 1:36:45.000
<v Speaker 1>get away from the ring, like they become vital in

1:36:45.120 --> 1:36:48.439
<v Speaker 1>the final moment in that final fight when everybody steps

1:36:48.479 --> 1:36:51.639
<v Speaker 1>out of the portals against Kang. So the characters will

1:36:51.680 --> 1:36:54.439
<v Speaker 1>be from only these Disney Plus shows that we've talked

1:36:54.439 --> 1:36:56.600
<v Speaker 1>about today, WandaVision Falcon in the Winter Soldier and.

1:36:56.640 --> 1:37:01.680
<v Speaker 4>Loki and Zig. Who is your Neville or who is

1:37:01.760 --> 1:37:02.600
<v Speaker 4>your golle I?

1:37:03.479 --> 1:37:06.880
<v Speaker 2>It is a hard decision. I Ye, I think I

1:37:07.080 --> 1:37:10.679
<v Speaker 2>think I'm gonna put my money on Wickan. I think,

1:37:11.080 --> 1:37:13.360
<v Speaker 2>oh this is good. I think it's gonna be all.

1:37:13.400 --> 1:37:15.080
<v Speaker 2>It's gonna be a long walk to get there. It's

1:37:15.200 --> 1:37:16.960
<v Speaker 2>long payoff. It's gonna take a couple of movies and

1:37:16.960 --> 1:37:19.680
<v Speaker 2>a couple of TV shows. But I think I think

1:37:19.720 --> 1:37:21.800
<v Speaker 2>they're gonna be like Wicked, You're the only you and

1:37:22.080 --> 1:37:24.400
<v Speaker 2>and kid Loki, They're gonna come together and like you're

1:37:24.400 --> 1:37:25.880
<v Speaker 2>the one that's gonna defeat him through the power of

1:37:25.920 --> 1:37:28.040
<v Speaker 2>friendship or love. I'm putting it on him because we

1:37:28.120 --> 1:37:31.040
<v Speaker 2>haven't had a big magical, a big magical fight yet,

1:37:31.040 --> 1:37:32.320
<v Speaker 2>a big magical like sind Depth.

1:37:32.360 --> 1:37:35.400
<v Speaker 3>So like, I'm money's all on Wicked. Baby, I'm going

1:37:35.439 --> 1:37:35.680
<v Speaker 3>all in.

1:37:36.000 --> 1:37:36.439
<v Speaker 4>I love that.

1:37:36.600 --> 1:37:39.960
<v Speaker 1>I'm gonna I'm going to uh man, I'm gonna use

1:37:40.200 --> 1:37:43.800
<v Speaker 1>I'm just gonna repurpose my Tyler Hayward is the progenitor

1:37:44.000 --> 1:37:47.360
<v Speaker 1>of the Sentinels theory, and I'm gonna say it is

1:37:47.600 --> 1:37:53.040
<v Speaker 1>Director Tyler Hayward of Sword the Sentient Weapon observation and

1:37:53.160 --> 1:37:58.360
<v Speaker 1>response to vision. His interest in thinking machines that are

1:37:58.400 --> 1:38:00.920
<v Speaker 1>also weapons leads me to believe that maybe he will

1:38:01.080 --> 1:38:05.200
<v Speaker 1>create a program of thinking robots that whose only mission

1:38:05.280 --> 1:38:08.600
<v Speaker 1>is to kill people with powers. In that case, he

1:38:08.640 --> 1:38:12.519
<v Speaker 1>would be my Gollum, and hopefully he is also the

1:38:12.600 --> 1:38:14.920
<v Speaker 1>key to dismantling those robots too in the future if

1:38:14.960 --> 1:38:18.679
<v Speaker 1>should they come to a rise. Those are our answers.

1:38:18.760 --> 1:38:21.120
<v Speaker 1>Who are your answers? Feel free to hit us up

1:38:21.200 --> 1:38:23.479
<v Speaker 1>on social media and watch this space.

1:38:25.600 --> 1:38:28.160
<v Speaker 4>That's it for today. Thank you for listening to the

1:38:28.280 --> 1:38:30.120
<v Speaker 4>debut episode of X ray Vision.

1:38:30.840 --> 1:38:34.040
<v Speaker 1>Check us out wherever you get your podcast zig It's

1:38:34.080 --> 1:38:35.320
<v Speaker 1>been fantastic hang out with you.

1:38:35.400 --> 1:38:36.880
<v Speaker 2>Thanks for having me brother, always a fan, love that

1:38:36.880 --> 1:38:38.880
<v Speaker 2>you're back in the nerd game. That you ever really left,

1:38:38.960 --> 1:38:41.240
<v Speaker 2>but I'm stoked. Thanks for having me man.

1:38:41.439 --> 1:38:41.720
<v Speaker 4>Let's go.

1:38:46.280 --> 1:38:48.280
<v Speaker 1>X ray Vision is a Crooked Media production. The show

1:38:48.360 --> 1:38:50.960
<v Speaker 1>is produced by Chris Lord and Saul Rubin. The show

1:38:51.040 --> 1:38:54.160
<v Speaker 1>is executive produced by myself, Tason Cantepsiona and Sandy Gerard.

1:38:54.520 --> 1:38:58.080
<v Speaker 1>Caroline rest and Rest in Peace and Carlton Gillespie are

1:38:58.240 --> 1:39:01.080
<v Speaker 1>our consulting producers, and our editing and sound design is

1:39:01.120 --> 1:39:03.360
<v Speaker 1>by Sarah Gibblaska and the good Folks.

1:39:03.400 --> 1:39:06.160
<v Speaker 4>At chapter four. Thank you to Brian Vasquez for our

1:39:06.240 --> 1:39:06.719
<v Speaker 4>theme music.