1 00:00:04,364 --> 00:00:07,244 Speaker 1: Ten Takes is a production of the NFL in partnership 2 00:00:07,244 --> 00:00:25,364 Speaker 1: with iHeartRadio. 3 00:00:28,684 --> 00:00:40,924 Speaker 2: Come out play, Wio, come out to play. 4 00:00:41,404 --> 00:00:43,284 Speaker 1: But Worrior. 5 00:00:45,764 --> 00:00:46,124 Speaker 3: All right. 6 00:00:46,484 --> 00:00:49,644 Speaker 4: So this is incredible and I am so excited. That 7 00:00:49,804 --> 00:00:52,884 Speaker 4: is a picture of an actor back in the seventies. 8 00:00:52,964 --> 00:00:56,884 Speaker 4: Before that, you saw Mike Rabel and mccollins from the 9 00:00:57,004 --> 00:01:00,164 Speaker 4: AFC champion New England Patriots in the year twenty twenty six, 10 00:01:00,284 --> 00:01:03,524 Speaker 4: and it all comes together. That man you're seeing there 11 00:01:04,124 --> 00:01:06,724 Speaker 4: is sitting with me here in studio in New York 12 00:01:06,764 --> 00:01:09,524 Speaker 4: City and he is a legend ladies and gentlemen, the 13 00:01:09,564 --> 00:01:14,204 Speaker 4: inspiration to New England Patriots, David Patrick, Kelly DP. 14 00:01:14,724 --> 00:01:15,444 Speaker 3: How we doing. 15 00:01:15,844 --> 00:01:20,764 Speaker 5: I'm fantastic, Kyle, humbled to be here. Fantastic way to go. Mac. 16 00:01:21,124 --> 00:01:24,164 Speaker 5: There was you instilled fear in their hearts there. Now 17 00:01:24,204 --> 00:01:26,124 Speaker 5: we just got to make sure it comes out right 18 00:01:26,164 --> 00:01:26,444 Speaker 5: for you. 19 00:01:26,484 --> 00:01:27,964 Speaker 6: At the end, we have so. 20 00:01:28,004 --> 00:01:29,044 Speaker 3: Many things to talk about. 21 00:01:29,084 --> 00:01:31,524 Speaker 4: We can't go any further without talking about this beautiful 22 00:01:31,564 --> 00:01:32,164 Speaker 4: instrument you have. 23 00:01:32,244 --> 00:01:33,044 Speaker 3: What is this and why? 24 00:01:33,244 --> 00:01:33,404 Speaker 6: Well? 25 00:01:33,404 --> 00:01:35,484 Speaker 5: In this crazy times we're living in, I always like 26 00:01:35,524 --> 00:01:39,164 Speaker 5: to find inspiration and things way older than us. This 27 00:01:39,244 --> 00:01:42,924 Speaker 5: is from nineteen twenty two, Kyle. This is made in Philadelphia, 28 00:01:42,964 --> 00:01:44,644 Speaker 5: Pennsylvania by the Wyman Brothers. 29 00:01:44,684 --> 00:01:47,204 Speaker 3: Beautiful w E y m N. 30 00:01:47,244 --> 00:01:49,364 Speaker 5: It's older than Martin guitar. I know you got a 31 00:01:49,364 --> 00:01:53,444 Speaker 5: Martin guitar, right. This is Pennsylvania. This is Philadelphia. The 32 00:01:53,444 --> 00:01:58,244 Speaker 5: Wyman Brothers were these German luthiers that lived there in 33 00:01:58,404 --> 00:02:01,164 Speaker 5: eighteen sixty six they started this company. This is from 34 00:02:01,204 --> 00:02:04,764 Speaker 5: nineteen twenty two. So it's seen more than all. 35 00:02:04,524 --> 00:02:07,484 Speaker 6: Of us, you know, and which a lot of history. 36 00:02:07,564 --> 00:02:10,124 Speaker 6: And so I wanted to have it because here feel it, 37 00:02:10,444 --> 00:02:12,364 Speaker 6: See how heavy it is like it takes. 38 00:02:12,244 --> 00:02:13,484 Speaker 3: Right very just surprisingly. 39 00:02:13,684 --> 00:02:17,644 Speaker 5: It's an amazing so and it's a rare banjo lin 40 00:02:17,884 --> 00:02:19,364 Speaker 5: so it's a mandolin. 41 00:02:18,964 --> 00:02:20,364 Speaker 6: But it's a banjo as well. 42 00:02:20,484 --> 00:02:21,044 Speaker 3: I love that. 43 00:02:21,084 --> 00:02:23,244 Speaker 4: And you are you are an artist artist, which makes 44 00:02:23,244 --> 00:02:26,004 Speaker 4: it all the more jarring that we are sitting here, 45 00:02:26,044 --> 00:02:29,164 Speaker 4: ostensibly on a football show, talking to someone I've watched 46 00:02:29,164 --> 00:02:32,524 Speaker 4: my entire life, your entire filmography, everything on stage everywhere. 47 00:02:32,684 --> 00:02:33,924 Speaker 3: I'm a huge fan of yours. 48 00:02:34,044 --> 00:02:34,564 Speaker 6: Thank you. 49 00:02:34,604 --> 00:02:37,924 Speaker 4: So I'm thrilled when I'm watching the AFC title game, Yeah, 50 00:02:38,204 --> 00:02:41,684 Speaker 4: and players and coaches are channeling your voice from the 51 00:02:41,684 --> 00:02:43,044 Speaker 4: Warriors nineteen seventy nine. 52 00:02:43,244 --> 00:02:45,604 Speaker 3: What has this phenomenon been like for you this week. 53 00:02:46,004 --> 00:02:46,844 Speaker 6: It's pretty great. 54 00:02:47,124 --> 00:02:50,964 Speaker 5: People started to flood in my feet, as you young 55 00:02:51,044 --> 00:02:54,564 Speaker 5: people say, you know, with all the pictures and everything, 56 00:02:54,644 --> 00:02:57,844 Speaker 5: and you know, I'm just curious about. 57 00:02:57,804 --> 00:03:01,164 Speaker 6: You know, somebody so young as all you guys are, 58 00:03:01,204 --> 00:03:03,044 Speaker 6: where it came into their lives. 59 00:03:03,124 --> 00:03:06,284 Speaker 5: Where's the first son they saw that? You know, because 60 00:03:06,324 --> 00:03:08,844 Speaker 5: I love the Warriors. You know, Walter Hill, you should 61 00:03:08,884 --> 00:03:12,124 Speaker 5: have him on because he's the football guy, you know. 62 00:03:12,284 --> 00:03:17,324 Speaker 5: And his great stuntman, Alan Graf is also a fantastic 63 00:03:17,844 --> 00:03:21,444 Speaker 5: He played for USC and Walter. You know, I was 64 00:03:21,524 --> 00:03:24,444 Speaker 5: doing last match with Bruce Willing. I'm gonna get off 65 00:03:24,484 --> 00:03:26,364 Speaker 5: topic here a little bit, but you know, and I 66 00:03:26,444 --> 00:03:30,404 Speaker 5: told him. My father's name is Robert Corby Kelly. My 67 00:03:30,444 --> 00:03:33,764 Speaker 5: brother's name is Robert Corby Kelly. His son is Robert 68 00:03:33,924 --> 00:03:36,604 Speaker 5: Corby Kelly now William Corby. 69 00:03:36,284 --> 00:03:37,564 Speaker 3: Grew up in Detroit like me. 70 00:03:38,324 --> 00:03:40,924 Speaker 5: He went to be a priest at a little French 71 00:03:41,004 --> 00:03:47,084 Speaker 5: missionary school in Indiana called Notre Dame. This is eighteen sixty, 72 00:03:47,124 --> 00:03:50,284 Speaker 5: eighteen fifty something like that Civil War broke out. He 73 00:03:50,364 --> 00:03:55,204 Speaker 5: volunteered to be the chaplain for the fighting Irish in 74 00:03:55,324 --> 00:03:57,964 Speaker 5: New York city, right who we are right now? The 75 00:03:57,964 --> 00:04:01,884 Speaker 5: fighting sixty ninth he became their chaplain. He was at Gettysburg. 76 00:04:02,004 --> 00:04:04,244 Speaker 5: He stood on a rock and blessed all the true 77 00:04:04,764 --> 00:04:07,684 Speaker 5: He gave them general absolution, north and south. They could 78 00:04:07,684 --> 00:04:10,204 Speaker 5: all hear each other in those days. And they went 79 00:04:10,244 --> 00:04:13,284 Speaker 5: out and you know, it was an amazing tragedy out there, 80 00:04:13,364 --> 00:04:16,724 Speaker 5: you know. But he went back and became the third 81 00:04:16,804 --> 00:04:18,964 Speaker 5: president of Notre Dame. When I was on the set 82 00:04:19,004 --> 00:04:21,644 Speaker 5: and last man standing, I told that to Walter Hill. 83 00:04:21,684 --> 00:04:24,084 Speaker 5: He said, I would have fired you if I'd known that, 84 00:04:24,444 --> 00:04:26,004 Speaker 5: because I'm a USC guy. 85 00:04:26,084 --> 00:04:28,564 Speaker 3: Yeah, right, fight on, Yes, I do. I know all 86 00:04:28,604 --> 00:04:29,244 Speaker 3: about that. 87 00:04:29,164 --> 00:04:31,284 Speaker 6: But he didn't made a good movie. 88 00:04:31,604 --> 00:04:34,724 Speaker 4: You obviously, you're a storyteller by nature, and you've been 89 00:04:34,924 --> 00:04:38,804 Speaker 4: doing it for decades. Indulge us, dpe Indulge us as 90 00:04:38,844 --> 00:04:41,924 Speaker 4: all those who are watching and Patriots fans and football fans. 91 00:04:42,484 --> 00:04:43,084 Speaker 3: Tell us the. 92 00:04:43,044 --> 00:04:45,404 Speaker 4: Story of being in New York City in nineteen seventy eight, 93 00:04:45,444 --> 00:04:49,844 Speaker 4: when you're sitting in that hearse and somehow these end. 94 00:04:49,804 --> 00:04:52,044 Speaker 3: Up in your hands, And what was it. 95 00:04:52,004 --> 00:04:53,644 Speaker 4: Like on set that day? How did it come to 96 00:04:53,684 --> 00:04:55,564 Speaker 4: that line? And what is the legacy that for you? 97 00:04:55,604 --> 00:04:57,724 Speaker 6: Tell us the story, Well those are too big, you know. 98 00:04:57,804 --> 00:04:59,484 Speaker 3: First of all, it's difficult to do. 99 00:04:59,644 --> 00:05:02,124 Speaker 5: I can't remember what the brand was. But they had 100 00:05:02,564 --> 00:05:07,764 Speaker 5: very tiny, small, small bottles, and so there was nothing 101 00:05:07,804 --> 00:05:10,364 Speaker 5: in the script, and they just meet and fight on 102 00:05:10,404 --> 00:05:11,084 Speaker 5: the boardwalk. 103 00:05:11,124 --> 00:05:14,324 Speaker 6: And Walter said, you know, we need something more here. 104 00:05:14,404 --> 00:05:16,404 Speaker 5: I want you to taunt them a little bit more, 105 00:05:16,484 --> 00:05:18,964 Speaker 5: you know, And so he gave me a few minutes, 106 00:05:19,004 --> 00:05:21,884 Speaker 5: and I found under the boardwalk there I found the 107 00:05:22,044 --> 00:05:23,364 Speaker 5: first of all, I found pigeons. 108 00:05:23,404 --> 00:05:25,164 Speaker 6: I said, I'm gonna hold up because. 109 00:05:24,884 --> 00:05:27,804 Speaker 5: They used to sadly poison the pigeons because it was 110 00:05:28,244 --> 00:05:30,524 Speaker 5: a danger to the businesses that were out there on 111 00:05:30,564 --> 00:05:34,204 Speaker 5: the boardwalk on dead pigeons. Yeah, dead pigeons. And so 112 00:05:34,244 --> 00:05:36,244 Speaker 5: I held up three pigeons. He said, no, no, that's 113 00:05:36,284 --> 00:05:37,764 Speaker 5: not going to work it. So then I went back 114 00:05:37,804 --> 00:05:40,884 Speaker 5: and I found these three small beer bottles. And because 115 00:05:40,884 --> 00:05:45,444 Speaker 5: of my off Broadway experience being at CBGB's for seventy 116 00:05:45,484 --> 00:05:47,764 Speaker 5: four and seventy five when all the new bands were 117 00:05:47,804 --> 00:05:50,364 Speaker 5: coming through, you know, I had a great band, and. 118 00:05:51,884 --> 00:06:00,844 Speaker 6: He saw me on Broadway play. This granddad was a sailor. 119 00:06:02,044 --> 00:06:04,044 Speaker 6: He blew in off the water. 120 00:06:05,044 --> 00:06:09,524 Speaker 5: My father was a farmer and I his only daughter 121 00:06:10,924 --> 00:06:15,804 Speaker 5: took up with and no good millworking man from Massachuoset 122 00:06:16,564 --> 00:06:19,644 Speaker 5: and that's a millwork song. James Teeler Rotaval, thank you 123 00:06:19,804 --> 00:06:23,324 Speaker 5: kindly for a show called Working. The Great Stephen Schwartz 124 00:06:23,324 --> 00:06:26,004 Speaker 5: put together a show called Working, based on Stud's Tircle's 125 00:06:26,004 --> 00:06:29,204 Speaker 5: book people talking about what they do all day. That's 126 00:06:29,204 --> 00:06:32,524 Speaker 5: where Walter Hill Larry Gordon saw me. They said, we're 127 00:06:32,524 --> 00:06:34,204 Speaker 5: going to have this guy play the villain. I played 128 00:06:34,204 --> 00:06:37,084 Speaker 5: a crazy character in that play, and so I played 129 00:06:37,164 --> 00:06:38,364 Speaker 5: Luther and. 130 00:06:38,524 --> 00:06:41,804 Speaker 6: Walter wanted me to sing something to them. I said, well, 131 00:06:41,844 --> 00:06:42,284 Speaker 6: I can't. 132 00:06:42,404 --> 00:06:42,604 Speaker 3: You know. 133 00:06:42,804 --> 00:06:45,204 Speaker 6: I was at CBG that heard of these crazy. 134 00:06:44,884 --> 00:06:47,004 Speaker 5: People doing stuff. So I said I got to do 135 00:06:47,044 --> 00:06:49,204 Speaker 5: something different. And so that's the way it came out. 136 00:06:49,444 --> 00:06:53,284 Speaker 5: And I just clicked those bottles and I give it up. 137 00:06:53,204 --> 00:06:55,444 Speaker 6: To him to keep it in, you know, because you. 138 00:06:55,364 --> 00:06:58,164 Speaker 5: Know the sound crew was going to yeah, you know, 139 00:06:58,284 --> 00:07:01,004 Speaker 5: I don't know what, you know. I was really shocked 140 00:07:01,004 --> 00:07:01,844 Speaker 5: that they kept it in. 141 00:07:02,284 --> 00:07:03,524 Speaker 3: It's everywhere. It's legacy. 142 00:07:03,684 --> 00:07:06,244 Speaker 4: It's not just the Patriots, the Golden State Warriors of 143 00:07:06,324 --> 00:07:08,844 Speaker 4: Channel that people on the street. I'm sure Channel do 144 00:07:08,964 --> 00:07:11,924 Speaker 4: people still scream. That's at you and try to get 145 00:07:11,964 --> 00:07:12,644 Speaker 4: you to do it. 146 00:07:12,764 --> 00:07:15,684 Speaker 5: They do, they do, and people, you know, I like 147 00:07:15,884 --> 00:07:18,764 Speaker 5: some of the people that have taken it up. 148 00:07:18,804 --> 00:07:21,284 Speaker 6: I like the Offspring song keep Them Set Rated. 149 00:07:21,364 --> 00:07:23,004 Speaker 3: Yeah, come out and play. 150 00:07:23,164 --> 00:07:26,204 Speaker 6: Yeah, that one's great. I liked who else did? 151 00:07:26,244 --> 00:07:26,524 Speaker 3: I like? 152 00:07:27,484 --> 00:07:31,244 Speaker 5: There's a number Run the Jewels is a good The 153 00:07:31,284 --> 00:07:34,164 Speaker 5: group they did an homage to it on the cover there, 154 00:07:34,204 --> 00:07:37,004 Speaker 5: and there's a few Wutuang Clan put it in one 155 00:07:37,004 --> 00:07:39,764 Speaker 5: of their songs, you know, so I you know, it's 156 00:07:39,804 --> 00:07:42,164 Speaker 5: really cool because you know, The Warriors came out at 157 00:07:42,164 --> 00:07:44,724 Speaker 5: the same time as hip hop was coming up, you know, 158 00:07:45,284 --> 00:07:49,484 Speaker 5: becoming what it is today, you know, and so they 159 00:07:49,604 --> 00:07:52,644 Speaker 5: like that and the stylized aspect of it, the western 160 00:07:52,684 --> 00:07:55,324 Speaker 5: part of it. Walter Hill loves westerns. He calls every 161 00:07:55,324 --> 00:07:58,044 Speaker 5: movie he makes a Western. That's why I'm glad that 162 00:07:58,084 --> 00:08:01,884 Speaker 5: I saw the Star on Max Vest. Yes, because Bobby 163 00:08:01,924 --> 00:08:04,764 Speaker 5: Mannix are great to costume designer just came along and 164 00:08:04,804 --> 00:08:07,004 Speaker 5: stuck that on me, you know, so they'd know. That 165 00:08:07,324 --> 00:08:10,804 Speaker 5: was a great deal shorter than most of my She 166 00:08:10,924 --> 00:08:12,684 Speaker 5: wanted me to stick out as the leader. 167 00:08:12,844 --> 00:08:13,244 Speaker 3: I could tell. 168 00:08:13,444 --> 00:08:17,124 Speaker 4: And it works on there, bottles everythinge on that crew 169 00:08:17,164 --> 00:08:19,644 Speaker 4: obviously was all in and it looks absolutely amazing. 170 00:08:20,084 --> 00:08:24,124 Speaker 3: DP. I mentioned, I've watched my whole life. You're a 171 00:08:24,124 --> 00:08:26,284 Speaker 3: funny guy. DP. I like you, So I'm going to 172 00:08:26,324 --> 00:08:29,484 Speaker 3: ask you about Commando Last. Remember how I asked you. 173 00:08:29,724 --> 00:08:32,164 Speaker 3: I said I was gonna ask about Commando Last. I lied. 174 00:08:32,924 --> 00:08:35,564 Speaker 3: Take me back to the mid eighties. 175 00:08:35,644 --> 00:08:41,564 Speaker 4: Please, this is post Terminator Schwartzenegger, pre Predator Schwartzenegger, right, 176 00:08:41,604 --> 00:08:44,364 Speaker 4: and there he is hanging you off a cliff as Sully. 177 00:08:44,604 --> 00:08:45,724 Speaker 3: Please tell me the story. 178 00:08:45,844 --> 00:08:50,164 Speaker 5: Well, Arnold was a great comic book you know hero. 179 00:08:50,444 --> 00:08:54,164 Speaker 5: You know, he was Conan was that, and he was 180 00:08:54,644 --> 00:08:57,764 Speaker 5: you know, he was the percules you know in robots 181 00:08:57,844 --> 00:09:01,284 Speaker 5: and all kinds of people. He wanted to do something 182 00:09:01,284 --> 00:09:03,764 Speaker 5: where he was human. So he had the great Alyssa 183 00:09:03,804 --> 00:09:06,804 Speaker 5: Milano with his daughter. They had this ex. 184 00:09:06,644 --> 00:09:10,204 Speaker 6: Commando thing going on, and you know. 185 00:09:10,684 --> 00:09:13,004 Speaker 5: We were there to drive the story forward, you know, 186 00:09:13,084 --> 00:09:18,964 Speaker 5: to make sure these horrible decadent mercenaries who were working 187 00:09:19,004 --> 00:09:20,564 Speaker 5: for this would be Dictator. 188 00:09:20,804 --> 00:09:22,644 Speaker 6: You know, we're driving the story. 189 00:09:22,764 --> 00:09:25,084 Speaker 5: You know that made Arnold, you know, because if he 190 00:09:25,124 --> 00:09:27,124 Speaker 5: wasn't looking for his daughter, if he wasn't fighting for 191 00:09:27,164 --> 00:09:30,284 Speaker 5: his family, the story wouldn't have been anything, you know, 192 00:09:30,324 --> 00:09:33,844 Speaker 5: And so that's how that came about. And I used 193 00:09:33,884 --> 00:09:38,324 Speaker 5: my training with Marcel Marceau and all my silent movie 194 00:09:38,364 --> 00:09:41,804 Speaker 5: heroes to hang upside down there wearing the great Benny 195 00:09:41,924 --> 00:09:46,204 Speaker 5: Dobbins love stunt people, all props to stunt people. Benny 196 00:09:46,284 --> 00:09:49,284 Speaker 5: Dobbins was the late great guy. Worked for Walter a 197 00:09:49,284 --> 00:09:51,964 Speaker 5: lot on Red Heaton and a bunch of other things, 198 00:09:52,444 --> 00:09:55,804 Speaker 5: and he was a cowboy stunt man in the fifties. 199 00:09:56,044 --> 00:09:59,484 Speaker 6: He had this great leather tooled stuntman's belt. 200 00:09:59,644 --> 00:10:02,164 Speaker 5: When they used to play the cowboys and the Indians 201 00:10:02,204 --> 00:10:03,924 Speaker 5: back then, they would shoot them and. 202 00:10:03,884 --> 00:10:05,804 Speaker 3: Pull them the horse by they're late. 203 00:10:06,284 --> 00:10:08,884 Speaker 5: So I got to wear Benny's belt, and that's what 204 00:10:09,084 --> 00:10:12,364 Speaker 5: Arnold was holding me upside down on the cliff of 205 00:10:13,564 --> 00:10:16,764 Speaker 5: Griffith Park, you know, which I love. That's where James 206 00:10:16,804 --> 00:10:19,284 Speaker 5: Dean had his knife fight and Rebel without a Cause, 207 00:10:19,604 --> 00:10:22,724 Speaker 5: And there I was hanging upside down, imitating my silent 208 00:10:22,764 --> 00:10:25,204 Speaker 5: movie heroes, you know, being the bad guy. 209 00:10:25,084 --> 00:10:28,044 Speaker 3: Incredible and a great bad guy. You're such a nice 210 00:10:28,084 --> 00:10:30,324 Speaker 3: guy and the guy's such a stumbag. You're obviously such 211 00:10:30,324 --> 00:10:30,964 Speaker 3: a great actor. 212 00:10:31,284 --> 00:10:33,644 Speaker 6: It's insight and from Catholic education. 213 00:10:33,804 --> 00:10:37,564 Speaker 5: You know the via negativa, Kyle, the via negativa. That's 214 00:10:37,604 --> 00:10:39,364 Speaker 5: the way that you can come around to the good 215 00:10:39,364 --> 00:10:40,764 Speaker 5: from the bad, you see. 216 00:10:40,684 --> 00:10:44,284 Speaker 4: Yeah, I think Mike Rabel knows the via negativa as well. Listen, 217 00:10:44,964 --> 00:10:47,404 Speaker 4: so many other works, so many other projects. I have 218 00:10:47,444 --> 00:10:49,284 Speaker 4: to ask you about a seminal movie in the nineties 219 00:10:49,324 --> 00:10:52,524 Speaker 4: that meant a lot to me as a youth, The Crow. Yeah, 220 00:10:52,564 --> 00:10:55,404 Speaker 4: so many different reasons. Again, you played a villain, Brandon 221 00:10:55,484 --> 00:10:57,404 Speaker 4: Lee Ernie Hudson. Could you just tell us a story 222 00:10:57,404 --> 00:10:57,884 Speaker 4: from The Crow? 223 00:10:58,404 --> 00:11:02,044 Speaker 6: Oh, it can't rain all the time? 224 00:11:04,764 --> 00:11:12,324 Speaker 5: The Sky moon Fall Forever. That's James Seabury's great song 225 00:11:12,364 --> 00:11:16,284 Speaker 5: that's in. There was a great soundtrack Alex Freuees and 226 00:11:16,724 --> 00:11:19,884 Speaker 5: James O'Barr who wrote that. I loved it because there 227 00:11:19,924 --> 00:11:22,724 Speaker 5: was an emotional contact based on a true tragedy that 228 00:11:22,764 --> 00:11:24,524 Speaker 5: had occurred to James O'Barr. 229 00:11:24,404 --> 00:11:25,524 Speaker 6: Who grew up in Detroit. 230 00:11:25,844 --> 00:11:28,684 Speaker 5: I keep going back to my Detroit and that's why 231 00:11:28,724 --> 00:11:31,964 Speaker 5: I wanted to do it because one of my great heroes, 232 00:11:32,084 --> 00:11:34,564 Speaker 5: Martin Score, says, he said, you gotta do things from 233 00:11:34,604 --> 00:11:35,244 Speaker 5: where you're from. 234 00:11:35,564 --> 00:11:35,724 Speaker 3: Now. 235 00:11:35,724 --> 00:11:37,164 Speaker 6: That was a cartoon version. 236 00:11:36,924 --> 00:11:38,964 Speaker 5: Of course, but there are a lot of elements to it, 237 00:11:39,164 --> 00:11:41,644 Speaker 5: the stuff that James O'Barr wrote about Detroit in there, 238 00:11:42,044 --> 00:11:44,324 Speaker 5: and that's one of the main reasons why I wanted 239 00:11:44,364 --> 00:11:48,684 Speaker 5: to do The Crow. And so Brandon was a great guy, 240 00:11:48,924 --> 00:11:52,724 Speaker 5: wonderful guy, you know. We talked about training together, you know, 241 00:11:52,804 --> 00:11:55,764 Speaker 5: and then the tragedy occurred, and I went to visit 242 00:11:55,764 --> 00:11:58,804 Speaker 5: my brother who lived in England at the time, and 243 00:11:58,924 --> 00:12:06,564 Speaker 5: went to Shakespeare's house and found Milton's Pardi Lost, illustrated 244 00:12:06,604 --> 00:12:10,084 Speaker 5: by William Blake at a bookstore right by Shakespeare's house 245 00:12:10,084 --> 00:12:12,724 Speaker 5: where he wrote King Lear and the Tempest and everything else, 246 00:12:13,284 --> 00:12:16,724 Speaker 5: and brought that back and we had a break before 247 00:12:16,724 --> 00:12:17,404 Speaker 5: we could film it. 248 00:12:17,604 --> 00:12:18,844 Speaker 6: We didn't know if we're going to film it. 249 00:12:18,884 --> 00:12:23,644 Speaker 5: We finished it for Brandon for his legacy, and alex 250 00:12:23,684 --> 00:12:27,404 Speaker 5: freyes let me put that book into the final print 251 00:12:27,644 --> 00:12:29,324 Speaker 5: that we have and The Crow, you know, so it's 252 00:12:29,364 --> 00:12:31,844 Speaker 5: Paradise Lost and it's and. 253 00:12:32,484 --> 00:12:33,524 Speaker 6: Yeah, it means a lot. 254 00:12:34,004 --> 00:12:34,364 Speaker 3: It was. 255 00:12:34,444 --> 00:12:36,444 Speaker 5: It was kind of the rebel without a cause for 256 00:12:36,524 --> 00:12:39,724 Speaker 5: that generation of people, with those that great soundtrack, with 257 00:12:39,804 --> 00:12:42,964 Speaker 5: all those wonderful songs in there, you know, and and 258 00:12:43,844 --> 00:12:47,324 Speaker 5: Brandon's legacy, you know, about a sad story. 259 00:12:47,844 --> 00:12:49,444 Speaker 3: It's an incredible answer with song. 260 00:12:49,524 --> 00:12:51,164 Speaker 4: And I really respect you because I know that not 261 00:12:51,204 --> 00:12:52,884 Speaker 4: all the memories of that movie are pleasant because of 262 00:12:52,884 --> 00:12:53,364 Speaker 4: what happened. 263 00:12:54,284 --> 00:12:56,404 Speaker 3: You have so many things going on. Is it true? 264 00:12:56,564 --> 00:13:00,444 Speaker 4: I hope it's true that The Warriors, after all these years, 265 00:13:00,564 --> 00:13:02,084 Speaker 4: is coming to the stage in New York. 266 00:13:02,724 --> 00:13:08,404 Speaker 5: Lynn Manuel mirandam Friend and Isa Davis wrote a beautiful thing. 267 00:13:08,484 --> 00:13:09,404 Speaker 6: We made an album. 268 00:13:09,604 --> 00:13:11,724 Speaker 5: I'm on the album too, with James Remar from the 269 00:13:11,764 --> 00:13:17,804 Speaker 5: original cast of The Warriors and Shencia wonderful artist, sings 270 00:13:17,804 --> 00:13:20,644 Speaker 5: this song. It's a great, great song at the end 271 00:13:20,764 --> 00:13:22,044 Speaker 5: of the play. They're trying to. 272 00:13:21,964 --> 00:13:24,084 Speaker 6: Do it now. It's a great revision. 273 00:13:24,764 --> 00:13:28,044 Speaker 5: You know, it's totally true to the spirit of the original. 274 00:13:28,404 --> 00:13:31,044 Speaker 5: But it's like a Japanese you know, comic books at all, 275 00:13:31,404 --> 00:13:34,604 Speaker 5: a Japanese manga. It's like that, like Ghosts of the 276 00:13:34,644 --> 00:13:35,924 Speaker 5: Machine or something like that. 277 00:13:37,004 --> 00:13:39,004 Speaker 6: No, it's more science. 278 00:13:38,644 --> 00:13:45,604 Speaker 5: Fiction, crazy crazy rebels against awesome technocracy. And so it's 279 00:13:45,644 --> 00:13:47,844 Speaker 5: a really fantastic thing. And he wrote this great score. 280 00:13:48,284 --> 00:13:51,044 Speaker 5: And here's a little snippet, a little mashup of the 281 00:13:51,084 --> 00:13:53,524 Speaker 5: final song that shen Sia sings. 282 00:13:53,604 --> 00:14:06,164 Speaker 7: It goes I Yi I con d No Yo, Ghost 283 00:14:06,244 --> 00:14:07,964 Speaker 7: of the City, Live Underground. 284 00:14:11,404 --> 00:14:14,044 Speaker 5: Everyone you ever Lost is steal around. 285 00:14:15,084 --> 00:14:17,884 Speaker 6: Yes, you see them in. 286 00:14:17,884 --> 00:14:22,724 Speaker 3: The flicker of the Train for Richard Light here. 287 00:14:22,604 --> 00:14:28,844 Speaker 6: In the Night, in the night, and we're all in. 288 00:14:28,764 --> 00:14:33,444 Speaker 3: The Shame Train. We're taking the Shame train. 289 00:14:34,564 --> 00:14:37,964 Speaker 6: We're all in the Shame train home. 290 00:14:39,804 --> 00:14:40,724 Speaker 3: It's a beautiful thing. 291 00:14:41,404 --> 00:14:45,604 Speaker 5: And the songs are you know, they got wonderful people 292 00:14:45,724 --> 00:14:47,644 Speaker 5: involved in. They had a lot of the Hippi hip 293 00:14:47,644 --> 00:14:48,444 Speaker 5: hop people on it. 294 00:14:49,684 --> 00:14:52,964 Speaker 6: Uh and uh so look for that coming up in 295 00:14:53,004 --> 00:14:53,844 Speaker 6: about a year, you know. 296 00:14:53,884 --> 00:14:55,724 Speaker 3: And broad it's got goosebumps when you're playing that. 297 00:14:55,804 --> 00:14:58,524 Speaker 4: Oh fantasmic mccollins. I want you to learn this song 298 00:14:58,644 --> 00:15:01,404 Speaker 4: before the Super Bowl. I want you to learn the Banjulin, 299 00:15:01,524 --> 00:15:04,164 Speaker 4: I want you to learn all the lyrics. Mac cons DEEPK. 300 00:15:04,284 --> 00:15:06,004 Speaker 4: Do you have anything to say to the New England 301 00:15:06,044 --> 00:15:07,244 Speaker 4: Patriots before the Super Bowl? 302 00:15:08,004 --> 00:15:10,524 Speaker 5: Strike fear in their hearts, Make it come out the 303 00:15:10,524 --> 00:15:11,764 Speaker 5: way you want it to come out. 304 00:15:12,884 --> 00:15:25,564 Speaker 1: Come Ten Takes is a production of the NFL in 305 00:15:25,644 --> 00:15:29,844 Speaker 1: partnership with iHeartRadio. For more iHeartRadio pods, go to the 306 00:15:29,884 --> 00:15:34,444 Speaker 1: iHeartRadio app, go to Apple go anywhere you like, It'll 307 00:15:34,444 --> 00:15:34,804 Speaker 1: be there.