1
00:00:04,080 --> 00:00:12,720
Speaker 1: It's dynamic, it's cutting edge, it's inspirational. It's uh, it's now,

2
00:00:12,760 --> 00:00:19,160
Speaker 1: it's next. It's three dimensions, it's three dimensional, it's four quadrant.

3
00:00:19,960 --> 00:00:23,680
Speaker 1: This fall, it's time to get busy. Richard Scary's busy

4
00:00:23,720 --> 00:00:31,280
Speaker 1: Town the immersive experience mm hmm only on binocular rift

5
00:00:32,000 --> 00:00:36,239
Speaker 1: and so you put on the goggles. Yeah, you're inside

6
00:00:36,280 --> 00:00:36,920
Speaker 1: busy town.

7
00:00:38,200 --> 00:00:39,360
Speaker 2: I was going, so, like.

8
00:00:40,840 --> 00:00:44,880
Speaker 1: The meta like the meta like server is like very

9
00:00:44,960 --> 00:00:50,080
Speaker 1: expensive for like the air for like their metaverse, and.

10
00:00:50,960 --> 00:00:55,440
Speaker 3: It's it's yeah, I've seen criticism about the price point

11
00:00:55,680 --> 00:01:01,000
Speaker 3: of the meta uh server experience, and I'm like, if

12
00:01:01,040 --> 00:01:05,080
Speaker 3: you want it to be cheaper, it'll feel cheaper because

13
00:01:05,319 --> 00:01:07,639
Speaker 3: my experience and guys will be with you in a minute,

14
00:01:08,040 --> 00:01:09,880
Speaker 3: my experience, we have, guess.

15
00:01:09,640 --> 00:01:11,840
Speaker 2: But will be with you if you could relax, if

16
00:01:11,880 --> 00:01:13,360
Speaker 2: you could just relax, cool it.

17
00:01:14,640 --> 00:01:20,760
Speaker 3: So my experience, the immersive sort of as you said,

18
00:01:20,800 --> 00:01:28,200
Speaker 3: three dimensional, four quadrant getting busy experience, having you know,

19
00:01:29,840 --> 00:01:34,160
Speaker 3: biting into an apple, pulling up with lowly Worm's hat

20
00:01:34,280 --> 00:01:38,960
Speaker 3: in between my teeth and realizing that I had ingested

21
00:01:39,040 --> 00:01:43,240
Speaker 3: part of his head, the blood shooting out of yeah,

22
00:01:43,440 --> 00:01:49,200
Speaker 3: lowly Worm's neck area and the wet feeling across my

23
00:01:49,360 --> 00:01:54,920
Speaker 3: chin from that, there's no substitute for the thrill. I

24
00:01:55,000 --> 00:01:57,120
Speaker 3: just would not I would not want to cut corners

25
00:01:57,200 --> 00:01:57,680
Speaker 3: in that area.

26
00:01:57,760 --> 00:02:00,680
Speaker 1: Well, so we were unable to. So I think this

27
00:02:00,800 --> 00:02:03,640
Speaker 1: ended up being for the best. We were like, what

28
00:02:03,800 --> 00:02:08,080
Speaker 1: is metaverse not bringing? When we were first devising this

29
00:02:08,200 --> 00:02:10,519
Speaker 1: number one? They don't have the IP the busy town EP,

30
00:02:10,800 --> 00:02:12,880
Speaker 1: so you can't be the different Like, yeah, I suppose

31
00:02:12,919 --> 00:02:17,640
Speaker 1: it wasn't It wasn't lowly worm, it was wowly worm. Yeah,

32
00:02:17,680 --> 00:02:20,480
Speaker 1: I can't remember what you guys called it. And they

33
00:02:20,600 --> 00:02:23,760
Speaker 1: have at least for a while, they were only doing

34
00:02:23,840 --> 00:02:30,560
Speaker 1: tops no legs, right, so what do we have bottoms only?

35
00:02:31,200 --> 00:02:34,959
Speaker 2: Yeah? So in this metaverse all the characters are waist

36
00:02:35,080 --> 00:02:36,400
Speaker 2: down only.

37
00:02:37,240 --> 00:02:40,080
Speaker 3: But such a but such a clever trick that so

38
00:02:40,240 --> 00:02:43,480
Speaker 3: many of the experiences that you have when the character

39
00:02:43,560 --> 00:02:47,519
Speaker 3: is revealed, it is as if you have decapitated them

40
00:02:47,880 --> 00:02:52,200
Speaker 3: exactly or somehow removed them at at the waste. So

41
00:02:52,480 --> 00:02:55,480
Speaker 3: it's a lot of like here, try out your new saw,

42
00:02:55,600 --> 00:02:57,480
Speaker 3: and then as you're sawing through a tree, when the

43
00:02:57,520 --> 00:03:00,960
Speaker 3: tree falls down all of a sudden, it's like, you know,

44
00:03:01,120 --> 00:03:03,840
Speaker 3: fucking mama, pig or whatever, exactly.

45
00:03:03,600 --> 00:03:06,720
Speaker 1: Just blood shooting from where we're so used to be exactly.

46
00:03:07,320 --> 00:03:10,560
Speaker 1: So it's like it's story. It's like it's canon. It's

47
00:03:10,560 --> 00:03:11,600
Speaker 1: all canon. It's fine.

48
00:03:11,800 --> 00:03:14,080
Speaker 2: Well it's not random, not exactly.

49
00:03:14,520 --> 00:03:17,360
Speaker 1: But the just the issue we're running into in beta

50
00:03:17,560 --> 00:03:19,560
Speaker 1: is that I think the this fall it's time to

51
00:03:19,600 --> 00:03:22,600
Speaker 1: get busy thing, the like the way people are using

52
00:03:22,680 --> 00:03:24,000
Speaker 1: the server.

53
00:03:23,880 --> 00:03:25,400
Speaker 2: It's not really as it was intended.

54
00:03:25,919 --> 00:03:28,240
Speaker 1: And so it's like it's all you know, all these

55
00:03:28,280 --> 00:03:32,800
Speaker 1: like detached bottoms just going around just like Yes, and

56
00:03:32,840 --> 00:03:36,400
Speaker 1: you've created a course, an additional sort of moist yeah.

57
00:03:38,200 --> 00:03:43,000
Speaker 3: Hole. Anyway, we should talk to our guests. I mean,

58
00:03:43,040 --> 00:03:45,200
Speaker 3: you guys might want to chime in on this as well.

59
00:03:45,280 --> 00:03:49,080
Speaker 3: I don't know exactly what your experience is or whatever whatever,

60
00:03:49,200 --> 00:03:50,720
Speaker 3: but we can talk about anything on this.

61
00:03:50,800 --> 00:03:53,840
Speaker 2: We can talk. That's what's so funny cool about our show.

62
00:03:53,680 --> 00:03:59,880
Speaker 3: Yes, is that anywhere it goes like nothing's out of bounds,

63
00:04:00,120 --> 00:04:04,880
Speaker 3: nothing's off limits, like say your most fucked up controversial take,

64
00:04:06,960 --> 00:04:09,840
Speaker 3: you know, come. We like to say, Kevin O'll email

65
00:04:09,840 --> 00:04:13,440
Speaker 3: people who say come, get canceled, And it's tongue in cheek,

66
00:04:13,480 --> 00:04:16,560
Speaker 3: but honestly, you could we would, we wouldn't give a fuck.

67
00:04:18,120 --> 00:04:21,200
Speaker 4: Yeah, it's it's no yeah, it's no sweat for y'all, right.

68
00:04:21,200 --> 00:04:22,040
Speaker 3: Doesn't matter for me.

69
00:04:22,920 --> 00:04:25,279
Speaker 2: For us, it's actually good press for us.

70
00:04:25,560 --> 00:04:28,320
Speaker 3: Yeah, because we'll stitch in after the fact that we

71
00:04:28,320 --> 00:04:31,719
Speaker 3: were going like, hey, stop saying this stuffy, but while

72
00:04:31,760 --> 00:04:33,960
Speaker 3: you're doing it, will be kind of egging you on.

73
00:04:34,680 --> 00:04:36,720
Speaker 4: Yeah, solid journalistic integrity.

74
00:04:36,839 --> 00:04:42,400
Speaker 1: Yeah, yeah, it's the Yeah, it's the It's sorry, it's

75
00:04:42,400 --> 00:04:47,279
Speaker 1: the guys. It's people know, it's Whitney Boys, It's the

76
00:04:47,440 --> 00:04:48,760
Speaker 1: it's the band Whitney.

77
00:04:49,160 --> 00:04:49,640
Speaker 3: Mm hmmm.

78
00:04:49,720 --> 00:04:51,839
Speaker 1: We've got to start to like, you know, like the

79
00:04:51,920 --> 00:04:56,719
Speaker 1: band Perry. That works, right, you all know the band Parry.

80
00:04:57,760 --> 00:05:02,159
Speaker 3: No, well it doesn't work for that.

81
00:05:02,160 --> 00:05:05,280
Speaker 2: Wow, you're entering this space and you don't know.

82
00:05:06,080 --> 00:05:08,240
Speaker 4: We've been playing a lot of Harry and yeah, the

83
00:05:08,279 --> 00:05:10,040
Speaker 4: only thing we know about Perry is in video games.

84
00:05:10,040 --> 00:05:12,880
Speaker 4: We've been doing a perfect block.

85
00:05:13,960 --> 00:05:17,880
Speaker 2: Well you've been and you know Perry Farrell. Yeah, you're

86
00:05:17,920 --> 00:05:19,480
Speaker 2: friends with friends with Perry Farrell.

87
00:05:20,279 --> 00:05:27,560
Speaker 4: He is Oh that's you know yeah, yeah, yeah, I

88
00:05:27,640 --> 00:05:30,240
Speaker 4: never met him. It's respect, respect.

89
00:05:30,720 --> 00:05:34,000
Speaker 2: Much respect to Perry Farrell. And you can feel the

90
00:05:34,120 --> 00:05:36,000
Speaker 2: aggregators grabbing.

91
00:05:35,560 --> 00:05:38,800
Speaker 4: This the only song I know has been caught steeling.

92
00:05:39,320 --> 00:05:40,920
Speaker 2: You only know been caught stealing.

93
00:05:41,400 --> 00:05:42,480
Speaker 4: I feel, how old are you?

94
00:05:45,960 --> 00:05:51,120
Speaker 3: That's not old enough, that's wrong, not old enough, it's

95
00:05:51,160 --> 00:05:54,839
Speaker 3: it's the wrong answer, friend. Yeah, just at the same

96
00:05:54,920 --> 00:05:57,000
Speaker 3: time that it's not old enough, it's also a little

97
00:05:57,040 --> 00:05:57,880
Speaker 3: too old.

98
00:05:59,320 --> 00:06:07,800
Speaker 1: Harry is a group of siblings who helpfully say what

99
00:06:07,880 --> 00:06:11,160
Speaker 1: they are in their name, and so their their Their

100
00:06:11,240 --> 00:06:14,280
Speaker 1: name is the band Perry like Chance the rapper, like

101
00:06:14,440 --> 00:06:16,800
Speaker 1: Chance the rapper. So I think it should be just

102
00:06:16,800 --> 00:06:18,359
Speaker 1: put it first. I think it should be the rapper,

103
00:06:18,440 --> 00:06:21,800
Speaker 1: change the rapper Chance. I agree, Yes, the movie three hundred.

104
00:06:22,360 --> 00:06:27,159
Speaker 1: It shouldn't be with all movies, it's all bands, all performers.

105
00:06:27,200 --> 00:06:28,320
Speaker 2: Just say what you are.

106
00:06:28,880 --> 00:06:30,800
Speaker 5: Why don't you the podcast.

107
00:06:30,480 --> 00:06:36,240
Speaker 2: Podcast Kevin, because we are Hollywood handbook. Yeah, forget that

108
00:06:37,040 --> 00:06:37,840
Speaker 2: next question.

109
00:06:39,279 --> 00:06:44,080
Speaker 3: The fucking guy got smoked. I smoked myself, thought he

110
00:06:44,200 --> 00:06:46,080
Speaker 3: was coming, thought he was covered with something that I

111
00:06:46,080 --> 00:06:47,320
Speaker 3: haven't thought about already.

112
00:06:48,960 --> 00:06:54,080
Speaker 1: It's a band, it's an album, new album.

113
00:06:54,120 --> 00:06:57,680
Speaker 3: It's it's a sound, new sound. Talk about the new album.

114
00:06:57,880 --> 00:06:59,320
Speaker 3: The sounds changed a bit.

115
00:07:01,120 --> 00:07:04,599
Speaker 4: Yeah, you disagree, that's a that's a smart observation. It

116
00:07:04,640 --> 00:07:11,880
Speaker 4: definitely sounds different. Yeah, like new, a little a little updated,

117
00:07:11,920 --> 00:07:12,120
Speaker 4: you know.

118
00:07:13,240 --> 00:07:14,760
Speaker 5: Yes, it's forward.

119
00:07:14,600 --> 00:07:18,120
Speaker 3: Forward, but it sounds a little more classic, so it's updated.

120
00:07:18,960 --> 00:07:21,040
Speaker 3: It's a new sound for you, but it's sort of

121
00:07:21,040 --> 00:07:24,560
Speaker 3: everything old is new again, isn't it. We're rediscovering some

122
00:07:24,640 --> 00:07:29,640
Speaker 3: classic pop sounds on this. I think I am I detecting.

123
00:07:30,160 --> 00:07:34,400
Speaker 3: Do you think there's some what? No? Go ahead, Hey,

124
00:07:34,480 --> 00:07:36,960
Speaker 3: it's your it's your music. You tell me.

125
00:07:38,400 --> 00:07:38,840
Speaker 5: I don't know.

126
00:07:39,360 --> 00:07:40,960
Speaker 3: You think there's some No, you were going to say

127
00:07:40,960 --> 00:07:42,680
Speaker 3: you think there's somewhat.

128
00:07:43,320 --> 00:07:44,600
Speaker 5: You know, there's there's some some.

129
00:07:46,600 --> 00:07:50,680
Speaker 3: Some news some were you disagreeing with the sort of

130
00:07:50,720 --> 00:07:53,280
Speaker 3: classic inspiration?

131
00:07:54,040 --> 00:07:54,200
Speaker 6: You know?

132
00:07:54,320 --> 00:07:56,120
Speaker 7: I think that that's I think it's all up to

133
00:07:56,200 --> 00:07:59,400
Speaker 7: the that the sound is in the the ear of

134
00:07:59,440 --> 00:07:59,960
Speaker 7: the beholder.

135
00:08:00,720 --> 00:08:04,480
Speaker 3: Oh but we can do you. But do you disagree

136
00:08:04,520 --> 00:08:09,559
Speaker 3: with me? Because look, I'll just tell you what I read.

137
00:08:10,560 --> 00:08:12,320
Speaker 2: Please do and he reads a lot?

138
00:08:12,800 --> 00:08:17,080
Speaker 8: Yeah, how often do you read the Chicago Excuse me,

139
00:08:18,320 --> 00:08:23,560
Speaker 8: I'm reading the Chicago based duo strives to recenter their

140
00:08:23,680 --> 00:08:26,280
Speaker 8: sound on classic pop.

141
00:08:26,400 --> 00:08:29,160
Speaker 3: And that's in quotes. Who are they quoting? Apparently it's

142
00:08:29,200 --> 00:08:35,480
Speaker 3: not you who said that? Who said that? You said quote?

143
00:08:35,480 --> 00:08:36,640
Speaker 3: Someone said it?

144
00:08:36,640 --> 00:08:42,280
Speaker 7: It was probably Grayson who didn't buy you. Honestly, it

145
00:08:43,640 --> 00:08:49,160
Speaker 7: depends on what's classic, Like what, yeah, Grayson, get it here?

146
00:08:49,920 --> 00:08:52,480
Speaker 3: So I thought, I thought, let me take them at

147
00:08:52,480 --> 00:08:56,760
Speaker 3: their word. They've recentered their sound on classic pop. But

148
00:08:56,800 --> 00:08:59,440
Speaker 3: what you're telling me is, actually, no, you didn't do that.

149
00:08:59,520 --> 00:09:02,120
Speaker 3: So let's say the record straight. Where'd you recenter your

150
00:09:02,200 --> 00:09:03,760
Speaker 3: sound more like.

151
00:09:03,720 --> 00:09:04,720
Speaker 5: Early two thousands pop?

152
00:09:04,760 --> 00:09:07,800
Speaker 7: Classic pops makes me think of like Fleetwood Mac which

153
00:09:07,880 --> 00:09:12,000
Speaker 7: is two and there's there's too much of them around.

154
00:09:13,160 --> 00:09:17,040
Speaker 1: They did drugs and so they can no longer be

155
00:09:17,120 --> 00:09:17,760
Speaker 1: an inspiration.

156
00:09:19,720 --> 00:09:20,440
Speaker 4: I'm sure.

157
00:09:20,960 --> 00:09:22,320
Speaker 2: I mean that's true.

158
00:09:22,360 --> 00:09:24,800
Speaker 1: We got to talk about this, well, every single one

159
00:09:24,800 --> 00:09:28,280
Speaker 1: of them, every single one of them did drugs.

160
00:09:27,760 --> 00:09:30,120
Speaker 2: They were on fucking drugs.

161
00:09:30,640 --> 00:09:32,920
Speaker 4: It depends I think that. You know, the way that

162
00:09:33,440 --> 00:09:35,720
Speaker 4: it is rumored some of them ingested drugs is an

163
00:09:35,760 --> 00:09:40,240
Speaker 4: inspiration to all to you know that try said new

164
00:09:40,360 --> 00:09:41,240
Speaker 4: way of using.

165
00:09:41,160 --> 00:09:44,800
Speaker 1: That was that that was rumors and that's the secret

166
00:09:44,800 --> 00:09:48,520
Speaker 1: thing that like they called it rumors because of there

167
00:09:48,600 --> 00:09:50,720
Speaker 1: was a rumors that poke up their ass.

168
00:09:50,960 --> 00:09:53,200
Speaker 4: Yeah, you know, I think that's inspirational.

169
00:09:53,840 --> 00:09:59,240
Speaker 3: Mm hmmm, same, that's a that's a cool rumor to

170
00:09:59,320 --> 00:10:01,600
Speaker 3: spread about yourself, whether you've done it or.

171
00:10:01,640 --> 00:10:03,960
Speaker 4: Not, So you don't they're cool enough for that. You

172
00:10:03,960 --> 00:10:07,080
Speaker 4: think that they're kind of like they decide to tell

173
00:10:07,080 --> 00:10:08,280
Speaker 4: people that that's.

174
00:10:08,200 --> 00:10:11,520
Speaker 2: Not cool anymore. Let's not do it. Just eat it.

175
00:10:11,960 --> 00:10:16,520
Speaker 3: Just eat the drugs, just fucking a piece of bread.

176
00:10:18,679 --> 00:10:22,280
Speaker 4: I think, I think I have a Yeah, I'm at

177
00:10:22,320 --> 00:10:24,040
Speaker 4: a point in my life where I said, buy them,

178
00:10:24,280 --> 00:10:24,880
Speaker 4: and that's it.

179
00:10:25,840 --> 00:10:33,480
Speaker 2: Yes, just by taking the formative thing of like jesting it.

180
00:10:33,720 --> 00:10:38,559
Speaker 3: Oh, I feel weird now, yes, hey man.

181
00:10:39,240 --> 00:10:41,760
Speaker 2: Yeah, you're all blurry or.

182
00:10:41,600 --> 00:10:45,640
Speaker 3: Whatever, like do we have to go through this pageantry?

183
00:10:46,280 --> 00:10:49,800
Speaker 3: Put them in a drawer. You gotta spend your money

184
00:10:49,840 --> 00:10:51,280
Speaker 3: on something. It's an investment.

185
00:10:51,720 --> 00:10:54,000
Speaker 4: It's an invest financial instrument, you know.

186
00:10:54,320 --> 00:10:54,760
Speaker 3: Mm hmmm.

187
00:10:55,120 --> 00:10:57,440
Speaker 2: Well it'll you know, and and it'll come back around.

188
00:10:57,480 --> 00:10:59,520
Speaker 3: It'll be cool to do them again, just like how

189
00:10:59,559 --> 00:11:03,400
Speaker 3: classic pomp has become cool again. People will recenter their

190
00:11:03,440 --> 00:11:11,440
Speaker 3: sound around doing drugs. The tour, The tour dates dates, What.

191
00:11:11,320 --> 00:11:11,800
Speaker 2: Are we doing?

192
00:11:12,160 --> 00:11:14,520
Speaker 4: December A December, December.

193
00:11:14,240 --> 00:11:19,960
Speaker 1: All December, the whole month of December until December is crazy.

194
00:11:20,200 --> 00:11:21,440
Speaker 2: December is crazy, y'all.

195
00:11:21,520 --> 00:11:22,200
Speaker 4: Y'all don't like it?

196
00:11:22,200 --> 00:11:22,480
Speaker 2: For me?

197
00:11:23,600 --> 00:11:27,320
Speaker 3: Oh, it's so crazy. I have to deliver toys to

198
00:11:27,320 --> 00:11:34,320
Speaker 3: all the children in the world. No, I'm messing around, kid, Yeah, no,

199
00:11:34,400 --> 00:11:36,320
Speaker 3: but it is. It is actually a really bad month

200
00:11:36,320 --> 00:11:38,160
Speaker 3: for me. It's busy.

201
00:11:38,360 --> 00:11:41,920
Speaker 4: Yeah, but you are a Santa Truther. You're Santa Truther.

202
00:11:42,920 --> 00:11:47,560
Speaker 1: You believe he's Yeah, he's kidding, because obviously that is fake.

203
00:11:47,920 --> 00:11:55,079
Speaker 1: Like the entire idea is so whole contruct like so stupid,

204
00:11:55,160 --> 00:12:00,160
Speaker 1: so so patronizing, it's so phony, and it's so condescending.

205
00:12:00,400 --> 00:12:05,240
Speaker 4: Yes, yeah, Holiday cheer in general, Conna, I find it

206
00:12:05,320 --> 00:12:06,719
Speaker 4: quite infantilizing.

207
00:12:06,880 --> 00:12:13,319
Speaker 3: Actually, the suggestion that Santa is delivering my gifts. Sorry,

208
00:12:14,559 --> 00:12:19,160
Speaker 3: I find that entire construct to be quite infantilizing. And

209
00:12:19,240 --> 00:12:21,160
Speaker 3: today is the day that I put my foot down

210
00:12:21,200 --> 00:12:26,960
Speaker 3: and say, Whitney, the band, the band Whitney. Enough already,

211
00:12:27,280 --> 00:12:32,280
Speaker 3: let's stop the band Whitney. Excuse me? Are you named

212
00:12:32,280 --> 00:12:33,440
Speaker 3: after Eli Whitney?

213
00:12:34,600 --> 00:12:35,560
Speaker 5: I don't know that is.

214
00:12:37,440 --> 00:12:37,840
Speaker 3: Okay?

215
00:12:37,920 --> 00:12:42,120
Speaker 1: You know Harry Farrell or Eli Whitney, Perry Ferrell.

216
00:12:42,720 --> 00:12:44,760
Speaker 3: We got to crack a book at some point.

217
00:12:45,240 --> 00:12:45,880
Speaker 5: Who is Eli?

218
00:12:46,200 --> 00:12:46,360
Speaker 3: Oh?

219
00:12:46,400 --> 00:12:47,320
Speaker 5: Wait, is that he knows?

220
00:12:47,360 --> 00:12:51,000
Speaker 3: Ben caught stealing doesn't know, Jane says, doesn't know. The

221
00:12:51,440 --> 00:12:54,839
Speaker 3: day Jane never listened to three days.

222
00:12:55,760 --> 00:12:58,200
Speaker 4: Wait isn't pull it up, Kevin.

223
00:13:00,200 --> 00:13:02,480
Speaker 3: We're gonna listen to this entire seven and a half

224
00:13:02,559 --> 00:13:08,760
Speaker 3: minute this rock song, and then we're gonna listen to

225
00:13:08,800 --> 00:13:11,000
Speaker 3: the Disco Biscuits play it live. That's gonna be twenty

226
00:13:11,040 --> 00:13:14,240
Speaker 3: four minutes, and then maybe you'll have a little respect

227
00:13:14,240 --> 00:13:16,080
Speaker 3: for what Perry Farrell was working.

228
00:13:15,760 --> 00:13:22,680
Speaker 1: With the Okay, so December, December not helpful for a fan.

229
00:13:22,920 --> 00:13:25,040
Speaker 1: I just got to say, they don't know where to go.

230
00:13:25,600 --> 00:13:27,839
Speaker 1: They know travel takes become more expensive.

231
00:13:28,840 --> 00:13:32,920
Speaker 3: Huh. Travel tickets are more expensive because you're paying Christmas prices.

232
00:13:33,160 --> 00:13:35,959
Speaker 1: But I'm just saying at Christmas event, like to describe

233
00:13:36,000 --> 00:13:41,360
Speaker 1: your tour, your dates is just December. They're probably gonna

234
00:13:41,360 --> 00:13:42,760
Speaker 1: show up in the wrong place.

235
00:13:43,240 --> 00:13:45,319
Speaker 4: Well, the cool thing, the cool thing about the idea

236
00:13:45,360 --> 00:13:47,160
Speaker 4: of a tour here is like we come to them,

237
00:13:47,280 --> 00:13:49,600
Speaker 4: so there's a travel expenses for the people coming to

238
00:13:49,640 --> 00:13:49,920
Speaker 4: the show.

239
00:13:50,160 --> 00:13:54,200
Speaker 1: You are, they take to them as the show and

240
00:13:54,240 --> 00:13:56,200
Speaker 1: then we in December.

241
00:13:55,880 --> 00:13:59,959
Speaker 4: We show up to their town and that's really nice. Yeah,

242
00:14:00,040 --> 00:14:01,760
Speaker 4: it's it's it's this new idea.

243
00:14:01,760 --> 00:14:05,640
Speaker 3: That can't be profitable for you though, because you're paying

244
00:14:05,640 --> 00:14:09,800
Speaker 3: Because now you're paying Christmas prices for a single date.

245
00:14:10,559 --> 00:14:14,160
Speaker 2: It's like the freaking uber of tour.

246
00:14:15,440 --> 00:14:17,720
Speaker 4: Yeah, we're basically Yeah, that's a great way to put it.

247
00:14:18,320 --> 00:14:22,800
Speaker 3: What's the lounge, nich, what's the lounge situation?

248
00:14:24,080 --> 00:14:24,240
Speaker 5: Fan?

249
00:14:24,440 --> 00:14:24,880
Speaker 2: Lounge?

250
00:14:24,920 --> 00:14:27,720
Speaker 3: Fanoun fans own lounge experience.

251
00:14:28,560 --> 00:14:30,600
Speaker 4: You're talking about backstage or the.

252
00:14:31,400 --> 00:14:35,120
Speaker 1: It should feel like backdoor fans, it should feel like backstage.

253
00:14:35,320 --> 00:14:37,160
Speaker 2: Obviously we can't locate it backstage.

254
00:14:37,200 --> 00:14:41,440
Speaker 1: It is actually accessible to the casual fan who pays

255
00:14:41,520 --> 00:14:43,040
Speaker 1: one hundred and ninety dollars on top.

256
00:14:43,560 --> 00:14:43,960
Speaker 3: Mm hmm.

257
00:14:44,480 --> 00:14:46,320
Speaker 4: We haven't gotten to that point though, But I've been

258
00:14:46,320 --> 00:14:48,840
Speaker 4: in one of those before, waiting to thank God your

259
00:14:49,360 --> 00:14:53,680
Speaker 4: rose or something when I was much younger. I've been

260
00:14:53,720 --> 00:14:56,280
Speaker 4: in like the waiting center in All State Arena. I

261
00:14:56,280 --> 00:14:59,000
Speaker 4: think you were there too. Jewels only saw guns and roses.

262
00:14:59,160 --> 00:15:03,680
Speaker 4: You're like twenty one. And the meet and greet, Yeah, I.

263
00:15:03,600 --> 00:15:06,240
Speaker 7: Would say that that does align with the holiday spirit.

264
00:15:06,360 --> 00:15:08,560
Speaker 2: But we're not talking about a meet and Greek. Well yeah,

265
00:15:08,600 --> 00:15:09,880
Speaker 2: well on your lab.

266
00:15:09,960 --> 00:15:12,240
Speaker 3: Oh oh that's the holiday nature?

267
00:15:12,240 --> 00:15:12,400
Speaker 5: Have it?

268
00:15:12,440 --> 00:15:14,560
Speaker 1: They staid in your lab and they take a picture

269
00:15:14,600 --> 00:15:18,720
Speaker 1: with you on the bus. It could be a meet

270
00:15:18,720 --> 00:15:21,000
Speaker 1: and Greek component. What was the lounge like at All

271
00:15:21,040 --> 00:15:21,720
Speaker 1: State Arena.

272
00:15:22,480 --> 00:15:24,200
Speaker 4: M hm, well, I mean it was kind of. It

273
00:15:24,280 --> 00:15:25,960
Speaker 4: was one of the situations where we had a buddy

274
00:15:26,000 --> 00:15:28,200
Speaker 4: who is like the tour manager of the basis or something.

275
00:15:28,240 --> 00:15:30,080
Speaker 4: He's like, I'm gonna hook you up. You're gonna meet

276
00:15:30,120 --> 00:15:32,360
Speaker 4: like Axle or some shit. We're like, let's go, let's

277
00:15:32,400 --> 00:15:34,160
Speaker 4: check this out, and then we just end up in

278
00:15:34,280 --> 00:15:36,200
Speaker 4: like the meet and Greek section with like a bunch

279
00:15:36,240 --> 00:15:37,840
Speaker 4: of like fifty other people.

280
00:15:39,000 --> 00:15:40,480
Speaker 2: I didn't answer my question at all.

281
00:15:40,520 --> 00:15:42,240
Speaker 4: We pieced that, yeah, true.

282
00:15:42,520 --> 00:15:46,480
Speaker 3: So they so it was a fifty fifty person capacity

283
00:15:46,600 --> 00:15:47,560
Speaker 3: at least fifty two.

284
00:15:47,600 --> 00:15:50,560
Speaker 4: I suppose it's in the basement boardroom.

285
00:15:50,680 --> 00:15:54,760
Speaker 5: And if it was, it was probably like it was probably.

286
00:15:54,440 --> 00:15:59,000
Speaker 7: Lit like a Target store and like kind of dirty

287
00:15:59,000 --> 00:15:59,440
Speaker 7: but clean.

288
00:15:59,480 --> 00:16:01,280
Speaker 4: It the same mm hmm.

289
00:16:02,480 --> 00:16:05,600
Speaker 1: That's the opposite of the vibe that we're not doing that.

290
00:16:05,680 --> 00:16:08,040
Speaker 1: We're looking we're not doing that for you guys.

291
00:16:08,240 --> 00:16:11,280
Speaker 3: We need to step it up because we got to

292
00:16:11,320 --> 00:16:13,080
Speaker 3: sell these VIP passes.

293
00:16:13,200 --> 00:16:16,640
Speaker 2: We're gonna need to pack the fan lounge.

294
00:16:17,360 --> 00:16:21,080
Speaker 3: And my feeling is for you to go with your sound,

295
00:16:22,200 --> 00:16:25,760
Speaker 3: which you've been unable to describe.

296
00:16:25,880 --> 00:16:28,040
Speaker 2: You only know it's not what I said it was.

297
00:16:31,240 --> 00:16:37,680
Speaker 3: You probably are gonna want to pin down some sort

298
00:16:37,680 --> 00:16:44,040
Speaker 3: of esthetic, whether it's the inside of a submarine, the

299
00:16:44,160 --> 00:16:48,760
Speaker 3: outside of a submarine, right, it could it could be

300
00:16:51,200 --> 00:16:54,440
Speaker 3: on top of an aircraft carrier, you know what I mean.

301
00:16:55,280 --> 00:16:57,160
Speaker 5: Yeah, we could go like military with it.

302
00:16:57,760 --> 00:17:04,520
Speaker 3: Coastal a mill terry is interesting to me, especially today.

303
00:17:05,119 --> 00:17:06,840
Speaker 2: Yeah, right, mm.

304
00:17:06,720 --> 00:17:10,919
Speaker 1: Hmm, with everything, with all of this a lot and

305
00:17:11,000 --> 00:17:15,720
Speaker 1: so yeah, it's kind of in the news.

306
00:17:15,920 --> 00:17:17,800
Speaker 4: Is something happened in your life that's causing me to

307
00:17:17,800 --> 00:17:20,480
Speaker 4: do so much reading? Are you liking? Are you okay?

308
00:17:20,600 --> 00:17:21,040
Speaker 5: Spiral?

309
00:17:21,440 --> 00:17:26,800
Speaker 1: I learned how it out man Dick. Yeah, I guess

310
00:17:26,800 --> 00:17:29,960
Speaker 1: a little stuff that happened. Yeah, it just freaking clicked.

311
00:17:30,680 --> 00:17:35,000
Speaker 3: Yeah. I saw looking at these I saw swirlies of

312
00:17:35,119 --> 00:17:41,240
Speaker 3: these lines and these stripees, and I've been just right

313
00:17:41,240 --> 00:17:44,480
Speaker 3: there for so long where I'm like, this is trying

314
00:17:44,520 --> 00:17:45,680
Speaker 3: to tell me something.

315
00:17:46,200 --> 00:17:49,120
Speaker 1: And then I saw him looking at one day, yes,

316
00:17:49,400 --> 00:17:52,320
Speaker 1: and his eyes kind of narrow. He gives a little smile,

317
00:17:53,560 --> 00:17:57,640
Speaker 1: He's like bango.

318
00:17:58,560 --> 00:18:00,320
Speaker 3: And then I was in it, and I've and I

319
00:18:00,400 --> 00:18:03,520
Speaker 3: got you first, and I got in the world of words.

320
00:18:03,840 --> 00:18:11,359
Speaker 3: It's been absolutely thrilling. Start figured it out in the life.

321
00:18:13,800 --> 00:18:16,720
Speaker 5: Yeah, but like a goosebumps kind of thing.

322
00:18:17,359 --> 00:18:26,240
Speaker 3: Grisham. It's all Grisham right now, you know, uh, red Wall,

323
00:18:26,520 --> 00:18:27,399
Speaker 3: best to ever do it?

324
00:18:27,840 --> 00:18:28,040
Speaker 8: Wall?

325
00:18:28,320 --> 00:18:28,840
Speaker 3: I don't know.

326
00:18:30,680 --> 00:18:32,320
Speaker 4: Okay, let's talk about records.

327
00:18:34,880 --> 00:18:36,600
Speaker 3: I said off limits.

328
00:18:36,840 --> 00:18:39,320
Speaker 2: You can do that in any book. Yeah, that is.

329
00:18:39,960 --> 00:18:42,040
Speaker 2: I'm always it's always free for me to choose my

330
00:18:42,040 --> 00:18:44,720
Speaker 2: own adventure. Yes, that's at the.

331
00:18:44,640 --> 00:18:47,000
Speaker 3: Bottom of any page. I'm just I can go to

332
00:18:47,160 --> 00:18:51,040
Speaker 3: I can go to page sixty four, or I can

333
00:18:51,080 --> 00:18:55,640
Speaker 3: go to page or I can just do that at

334
00:18:55,680 --> 00:18:59,000
Speaker 3: any moment. That's free to you. I think those that

335
00:18:59,119 --> 00:19:02,800
Speaker 3: choose your own venture book or a ripoff. You wanted

336
00:19:02,840 --> 00:19:04,200
Speaker 3: to talk about red Wall.

337
00:19:04,480 --> 00:19:06,840
Speaker 4: Yeah, yeah, I'll talk about I remember the one thing.

338
00:19:08,440 --> 00:19:09,360
Speaker 2: That's what I call it.

339
00:19:09,800 --> 00:19:10,200
Speaker 3: Mm hmm.

340
00:19:10,800 --> 00:19:13,280
Speaker 4: Really once you guys, when'd you read red Ball? I

341
00:19:13,320 --> 00:19:15,680
Speaker 4: think I was like fifth grade. It's fourth grade some

342
00:19:15,680 --> 00:19:18,280
Speaker 4: shit like that. It's a young man.

343
00:19:19,000 --> 00:19:21,600
Speaker 2: Uh yeah, and what I don't really want to be.

344
00:19:22,119 --> 00:19:24,320
Speaker 1: You don't want to dox myself like that. I mean

345
00:19:24,400 --> 00:19:27,280
Speaker 1: you can go out here and just like grown giving out.

346
00:19:27,400 --> 00:19:29,720
Speaker 1: You can promote it for personal information. Maybe it's good

347
00:19:29,760 --> 00:19:31,679
Speaker 1: for like building a fan base, but I actually have

348
00:19:31,720 --> 00:19:32,240
Speaker 1: a family.

349
00:19:32,840 --> 00:19:34,720
Speaker 3: We told you nothing was off limits. So if you

350
00:19:34,720 --> 00:19:37,119
Speaker 3: guys want to talk about Red, well, what what attracted you?

351
00:19:37,280 --> 00:19:45,000
Speaker 3: Was it the sort of subtle racism that pervades the

352
00:19:45,160 --> 00:19:52,960
Speaker 3: entire series. Certain types of animals are always evil, always bad.

353
00:19:53,119 --> 00:19:55,240
Speaker 3: Certain types are inherently good.

354
00:19:56,280 --> 00:19:58,160
Speaker 4: That's not how I was reading books when I was younger,

355
00:19:58,160 --> 00:19:59,160
Speaker 4: and now I feel.

356
00:19:59,480 --> 00:19:59,959
Speaker 3: I don't know.

357
00:20:00,119 --> 00:20:03,400
Speaker 4: I'm just asking you've you've really got this. Somebody picked

358
00:20:03,480 --> 00:20:04,760
Speaker 4: up man, you've figured it.

359
00:20:04,720 --> 00:20:09,840
Speaker 1: Out, Like as a new.

360
00:20:09,760 --> 00:20:15,320
Speaker 3: Reader, you really don't want to be a weasel or

361
00:20:15,320 --> 00:20:19,240
Speaker 3: a stoap, you know what I mean? Got to help you.

362
00:20:19,280 --> 00:20:23,399
Speaker 3: If you're a ferret, it's not it's never going to

363
00:20:23,480 --> 00:20:24,320
Speaker 3: work out for you.

364
00:20:26,800 --> 00:20:30,080
Speaker 6: This week on the Patreon, Carl Andissan discussed the Grammy nominations,

365
00:20:30,160 --> 00:20:33,439
Speaker 6: The Boys make a funky factable calendar on the pro Version,

366
00:20:33,680 --> 00:20:37,119
Speaker 6: and The Flagrant Ones are mostly talking all things basketball.

367
00:20:37,520 --> 00:20:39,840
Speaker 6: Check out all these shows and the video for today's

368
00:20:39,880 --> 00:20:44,119
Speaker 6: episode with Whitney at patreon dot com. Slash the Flagrant Ones.

369
00:20:50,000 --> 00:20:55,280
Speaker 1: Lounge experience. What are we thinking for the gas bar?

370
00:20:57,920 --> 00:21:02,359
Speaker 5: I like like Nitress, like fish and Fish.

371
00:21:02,560 --> 00:21:04,360
Speaker 2: You could do Nightris. You can do Nightress.

372
00:21:04,560 --> 00:21:11,200
Speaker 1: It's a little little warn played what's the l A.

373
00:21:11,320 --> 00:21:12,760
Speaker 4: What's the cool thing in l A right now? What's

374
00:21:12,800 --> 00:21:19,960
Speaker 4: the guess bar gold gas, gold gas.

375
00:21:18,280 --> 00:21:27,199
Speaker 1: Pure gold papers gold augur. Yes, the hmhm for you,

376
00:21:27,280 --> 00:21:31,439
Speaker 1: I think it's do you consider your fan Is it

377
00:21:31,480 --> 00:21:34,960
Speaker 1: a two pipett fan base and so it's like one.

378
00:21:34,880 --> 00:21:38,680
Speaker 2: Per nostril or is it split pipette? You know what

379
00:21:38,720 --> 00:21:39,040
Speaker 2: I mean?

380
00:21:39,119 --> 00:21:44,040
Speaker 3: Are we shape.

381
00:21:44,200 --> 00:21:49,320
Speaker 1: This community gas that was my each side and then

382
00:21:49,359 --> 00:21:51,520
Speaker 1: you get down and you guys kind of meet in

383
00:21:51,560 --> 00:21:51,960
Speaker 1: the middle.

384
00:21:53,320 --> 00:21:55,960
Speaker 3: I love that, I mean, such a sense of community.

385
00:21:56,000 --> 00:21:59,639
Speaker 3: Obviously you're gonna bok heads sometimes, but that's also like

386
00:21:59,800 --> 00:22:02,360
Speaker 3: part of the fun, and yeah, helps medicate.

387
00:22:02,560 --> 00:22:04,560
Speaker 1: I think it's fun. People are like, why aren't these longer?

388
00:22:04,560 --> 00:22:06,520
Speaker 1: Why can't I just pull this up to my nose?

389
00:22:07,080 --> 00:22:08,960
Speaker 1: It's like, no, you gotta get down.

390
00:22:09,760 --> 00:22:12,680
Speaker 2: It's stuck. It's welded to the table. Mm hmm.

391
00:22:13,960 --> 00:22:16,439
Speaker 3: I mean, do you want to have just sorry? I

392
00:22:16,480 --> 00:22:19,800
Speaker 3: know you guys are kind of obsessed with red wall,

393
00:22:20,240 --> 00:22:26,000
Speaker 3: you know, uh, kind of like public opinion be damned.

394
00:22:26,480 --> 00:22:29,720
Speaker 3: Do you want to set up a feast that takes

395
00:22:30,760 --> 00:22:35,520
Speaker 3: yeah pages to describe a gas feast for the holidays

396
00:22:35,520 --> 00:22:39,040
Speaker 3: to a gaseous turkey acorn pudding.

397
00:22:38,920 --> 00:22:39,800
Speaker 2: Or whatever.

398
00:22:40,960 --> 00:22:43,520
Speaker 4: They drank though, they had that a specific drink that

399
00:22:43,520 --> 00:22:45,240
Speaker 4: they all got drink off of the I can't remember

400
00:22:45,280 --> 00:22:45,760
Speaker 4: what it was.

401
00:22:46,960 --> 00:22:48,639
Speaker 3: Hmmm, it wasn't me.

402
00:22:49,000 --> 00:22:52,119
Speaker 2: There was something with currants in it, I remember it was.

403
00:22:52,359 --> 00:22:55,480
Speaker 4: Yeah, I just remember the drinking.

404
00:22:55,800 --> 00:22:58,440
Speaker 7: Do you remember from like last week they would get

405
00:22:58,480 --> 00:22:59,680
Speaker 7: it up.

406
00:23:01,040 --> 00:23:04,960
Speaker 3: The fucking Red Wall party, man.

407
00:23:05,119 --> 00:23:08,280
Speaker 4: Yeah, looking at like moss.

408
00:23:07,880 --> 00:23:14,800
Speaker 3: Flower, I'm smoking that moss Flower. Take me to fucking

409
00:23:14,880 --> 00:23:17,080
Speaker 3: salamandstron Right.

410
00:23:17,480 --> 00:23:19,040
Speaker 4: You really remember this ship, dude?

411
00:23:19,080 --> 00:23:22,360
Speaker 3: Only come on, bitch, pretty easy.

412
00:23:23,560 --> 00:23:28,679
Speaker 1: Man, Not super hard to vaporize the turkey. It's just

413
00:23:28,720 --> 00:23:32,080
Speaker 1: the dosage that we have to kind of think about,

414
00:23:32,080 --> 00:23:39,040
Speaker 1: where like basically one serving of turkey gas is gonna

415
00:23:39,040 --> 00:23:42,840
Speaker 1: require an entire like that's a bird, you know, you

416
00:23:42,960 --> 00:23:45,600
Speaker 1: just like pull up to the gas bar and take

417
00:23:45,680 --> 00:23:50,480
Speaker 1: like a couple puffs, getting like a couple puffs of

418
00:23:50,480 --> 00:23:53,800
Speaker 1: of like extracting a couple puffs with like pure vapor

419
00:23:53,920 --> 00:23:55,280
Speaker 1: is like that's a bird.

420
00:23:55,359 --> 00:23:56,320
Speaker 2: So we're gonna need like.

421
00:23:57,960 --> 00:24:00,600
Speaker 1: We're gonna essentially need to like buy a farm or

422
00:24:00,600 --> 00:24:03,800
Speaker 1: like reserve of farms, like entire seasonal product.

423
00:24:05,000 --> 00:24:08,760
Speaker 3: Yeah, it's gonna be it's gonna be a bear, But

424
00:24:08,840 --> 00:24:12,960
Speaker 3: I think you guys are worth it. What if I mean,

425
00:24:13,000 --> 00:24:16,600
Speaker 3: this is crazy, but what if the pie pet looks

426
00:24:16,680 --> 00:24:19,879
Speaker 3: like a sword and it's being held by like a

427
00:24:19,960 --> 00:24:29,240
Speaker 3: life size Mattameo or Martin the Warrior figurye, you know,

428
00:24:29,359 --> 00:24:29,679
Speaker 3: so that.

429
00:24:29,880 --> 00:24:32,959
Speaker 1: He's it's like he's killing you. It's like he's like

430
00:24:33,400 --> 00:24:34,200
Speaker 1: goring you.

431
00:24:34,760 --> 00:24:37,800
Speaker 4: I feel like smacking smacking some turkey vapor from a

432
00:24:38,240 --> 00:24:42,920
Speaker 4: Matteo's sword would cause some serious damage to my brand.

433
00:24:42,960 --> 00:24:45,320
Speaker 4: I think it'd like be a PTSD such like I'd

434
00:24:45,320 --> 00:24:46,320
Speaker 4: never come back from that.

435
00:24:47,359 --> 00:24:51,960
Speaker 3: Okay, you can create sort of an experience that is

436
00:24:52,480 --> 00:24:55,720
Speaker 3: permanently imprinted on your audience's life.

437
00:24:55,440 --> 00:24:58,920
Speaker 2: Because do you understand that this is like.

438
00:24:58,920 --> 00:24:59,960
Speaker 4: This is the job. This is the job.

439
00:25:00,080 --> 00:25:03,680
Speaker 1: The fan lounge experience is not I'm happy to hear

440
00:25:03,680 --> 00:25:09,840
Speaker 1: your music, but lounge experience. This is the fan zone.

441
00:25:10,080 --> 00:25:12,600
Speaker 1: So it's like for them to go to while you

442
00:25:12,720 --> 00:25:13,520
Speaker 1: are performing.

443
00:25:13,840 --> 00:25:14,720
Speaker 2: Hey, I'm a fan of.

444
00:25:15,280 --> 00:25:17,520
Speaker 3: Too, you know, I think it's a funny podcast. I

445
00:25:17,600 --> 00:25:20,320
Speaker 3: listened to it sometimes. But you know, if we had

446
00:25:20,320 --> 00:25:23,439
Speaker 3: a fan lounge where there was like a meet and greet, like,

447
00:25:23,480 --> 00:25:26,639
Speaker 3: I wouldn't be I probably would have been taking of

448
00:25:26,680 --> 00:25:30,879
Speaker 3: a lot of yea, the public use areas.

449
00:25:32,080 --> 00:25:33,080
Speaker 2: To me, that's a bad.

450
00:25:33,160 --> 00:25:35,520
Speaker 5: Look, what's the turkey? Gus?

451
00:25:35,560 --> 00:25:36,840
Speaker 3: Like turkey?

452
00:25:37,480 --> 00:25:38,800
Speaker 5: Does it just make you tired?

453
00:25:39,680 --> 00:25:43,720
Speaker 3: Like the the trip to fan Yeah, it's not bad

454
00:25:43,760 --> 00:25:45,160
Speaker 3: to take a nap afterwards.

455
00:25:46,240 --> 00:25:48,760
Speaker 5: Yeah, but when it's so concentrated, it's kind.

456
00:25:48,640 --> 00:25:51,080
Speaker 1: Of so afterwards is even like kind of a stretch.

457
00:25:51,119 --> 00:25:54,399
Speaker 1: It's like an instant nap situation, and the naw.

458
00:25:54,400 --> 00:25:56,959
Speaker 2: It'll put you out, it'll put Yeah. It's also not

459
00:25:57,040 --> 00:25:59,840
Speaker 2: really the word not really.

460
00:25:59,800 --> 00:26:03,879
Speaker 3: It's coma. Yeah, it's a medically induced coma.

461
00:26:04,000 --> 00:26:10,680
Speaker 1: Essentially, non medically induced coma is what we are supposed.

462
00:26:10,320 --> 00:26:15,000
Speaker 3: To right, Yes, there there's no medical professionals involved.

463
00:26:15,320 --> 00:26:18,680
Speaker 5: So what Well, my question, how do you come back?

464
00:26:19,240 --> 00:26:25,680
Speaker 1: Yeah, Cranberry sauce, cranberry sauce, infusion bags, so tart.

465
00:26:26,480 --> 00:26:28,920
Speaker 7: And where are you when you come back? I feel

466
00:26:28,960 --> 00:26:31,679
Speaker 7: like that's the end of the grave experience. Are you

467
00:26:31,760 --> 00:26:35,080
Speaker 7: on the ground, are you in the yeah, the venue

468
00:26:35,160 --> 00:26:36,119
Speaker 7: still or.

469
00:26:37,840 --> 00:26:40,359
Speaker 3: You know, well, let's talk about this. There's been some

470
00:26:40,400 --> 00:26:43,439
Speaker 3: insurance issues with the venues we've spoken with, and so

471
00:26:43,480 --> 00:26:47,919
Speaker 3: it does have to be located off premises. Uh, you know,

472
00:26:48,320 --> 00:26:51,679
Speaker 3: not all of them will require transportation from the venue

473
00:26:51,800 --> 00:26:59,080
Speaker 3: to the fan lounge. Yeah, but not none of them.

474
00:27:01,040 --> 00:27:04,720
Speaker 3: We'll require it if you take my meeting. So that

475
00:27:04,920 --> 00:27:08,160
Speaker 3: is going to be something of a challenge. How are

476
00:27:08,240 --> 00:27:10,520
Speaker 3: you traveling to these bad birds?

477
00:27:10,560 --> 00:27:13,520
Speaker 1: You get in a transfer transportation. We just want to

478
00:27:13,520 --> 00:27:18,120
Speaker 1: talk about the transportation to the fan lounge. There are

479
00:27:19,400 --> 00:27:22,200
Speaker 1: if you can transport like a very long conveyor belt

480
00:27:22,280 --> 00:27:27,240
Speaker 1: from show to show, like that can like effectively like

481
00:27:27,280 --> 00:27:30,840
Speaker 1: the fan is just like standing like in one place,

482
00:27:30,920 --> 00:27:34,320
Speaker 1: it can actually like run from anywhere at the in

483
00:27:34,400 --> 00:27:34,960
Speaker 1: the venue.

484
00:27:35,359 --> 00:27:38,240
Speaker 3: So like you know, the belt, a belt rolls up.

485
00:27:38,560 --> 00:27:42,360
Speaker 3: You guys know this, You can all that thing.

486
00:27:42,600 --> 00:27:43,800
Speaker 5: It's just one extra trailer.

487
00:27:44,359 --> 00:27:46,000
Speaker 4: I mean what we could do, we could we could

488
00:27:46,000 --> 00:27:48,600
Speaker 4: have them hoof the Turkey Gas. Then they just kind

489
00:27:48,600 --> 00:27:50,200
Speaker 4: of become kumin to us and we carved them off

490
00:27:50,200 --> 00:27:51,040
Speaker 4: to the next show.

491
00:27:52,720 --> 00:27:53,840
Speaker 2: Can't be located in the menu.

492
00:27:54,320 --> 00:27:56,200
Speaker 3: So yes, if they if you want to have them

493
00:27:56,320 --> 00:28:01,920
Speaker 3: park at the lounge then the Turkey Gas, then transport

494
00:28:02,080 --> 00:28:02,800
Speaker 3: to the.

495
00:28:02,800 --> 00:28:06,040
Speaker 1: Show on a different conveyor belt to the next show,

496
00:28:06,600 --> 00:28:06,960
Speaker 1: to the.

497
00:28:06,920 --> 00:28:09,440
Speaker 4: Next show, and then they wake up there and then

498
00:28:10,000 --> 00:28:12,880
Speaker 4: just repeat and use your own adventure.

499
00:28:13,480 --> 00:28:16,159
Speaker 5: How long are we thinking between which city do you

500
00:28:16,200 --> 00:28:16,679
Speaker 5: want to go to?

501
00:28:16,800 --> 00:28:19,359
Speaker 2: Neck right, that's good.

502
00:28:19,480 --> 00:28:23,200
Speaker 1: Each Turkey gas pipe atte is labeled with a city.

503
00:28:24,280 --> 00:28:24,720
Speaker 2: M hm.

504
00:28:27,240 --> 00:28:30,000
Speaker 3: Oh, well this is even better. We can centralize this

505
00:28:30,160 --> 00:28:33,480
Speaker 3: where there's now just a single fan lounge and you

506
00:28:33,600 --> 00:28:36,399
Speaker 3: kind of select which show you want to attend and

507
00:28:36,520 --> 00:28:42,520
Speaker 3: we'll concentrate the Turkey gas. Well, yes, yes, that will

508
00:28:42,560 --> 00:28:45,800
Speaker 3: take you out of commission until the date of the

509
00:28:45,840 --> 00:28:48,840
Speaker 3: show which you've selected.

510
00:28:49,400 --> 00:28:51,400
Speaker 4: So you might just be asleep in the fan line

511
00:28:51,440 --> 00:28:54,080
Speaker 4: for two or three days, depending on if you need.

512
00:28:55,880 --> 00:28:56,200
Speaker 2: Least.

513
00:28:56,280 --> 00:28:58,640
Speaker 3: I'm assuming that there's gonna be it's more than a

514
00:28:58,680 --> 00:29:04,480
Speaker 3: three day tour. Like you may you may take a

515
00:29:04,560 --> 00:29:07,280
Speaker 3: hit at Turkey Gas that puts you out for most

516
00:29:07,320 --> 00:29:11,400
Speaker 3: of the month, so you're missing the holidays with your family,

517
00:29:13,000 --> 00:29:16,440
Speaker 3: but you get to hear a Whitney play in and

518
00:29:16,680 --> 00:29:19,280
Speaker 3: have to wait, you'd have to sit.

519
00:29:19,160 --> 00:29:22,040
Speaker 2: Around twiddling your thumbs all this time.

520
00:29:22,800 --> 00:29:26,160
Speaker 3: No, because experience, I just want to and then you're

521
00:29:26,200 --> 00:29:27,120
Speaker 3: just freaking out.

522
00:29:27,600 --> 00:29:28,680
Speaker 2: Yeah, yeah, exactly.

523
00:29:28,680 --> 00:29:32,920
Speaker 1: I want to clarify that that like you're you're like

524
00:29:33,040 --> 00:29:36,480
Speaker 1: not conscious, but you are like awake in there.

525
00:29:36,520 --> 00:29:37,480
Speaker 2: You're like locked in.

526
00:29:39,640 --> 00:29:43,240
Speaker 1: And yeah, no, you're a prisoner in your own like

527
00:29:43,280 --> 00:29:46,080
Speaker 1: the experience of the experience of time is.

528
00:29:46,280 --> 00:29:49,000
Speaker 2: Way longer than when.

529
00:29:50,040 --> 00:29:53,960
Speaker 3: So what you experience, well, it's dream consciousness in a way.

530
00:29:54,120 --> 00:29:58,160
Speaker 3: I mean not as you don't have as much fluidity

531
00:29:58,160 --> 00:29:59,520
Speaker 3: as you do in a dream, or in a dream

532
00:29:59,560 --> 00:30:02,280
Speaker 3: you could really do anything. You can only sort of

533
00:30:02,360 --> 00:30:06,479
Speaker 3: hear and uh and see and experience what is happening

534
00:30:06,480 --> 00:30:08,400
Speaker 3: in the room around you, which will be a bunch

535
00:30:08,440 --> 00:30:11,240
Speaker 3: of other people passed out, some of them being transported

536
00:30:11,280 --> 00:30:15,040
Speaker 3: to conveyor belts. But the time feels as it does

537
00:30:15,080 --> 00:30:17,800
Speaker 3: in a dream. You ever hit the snooze button, you

538
00:30:17,880 --> 00:30:20,240
Speaker 3: have a dream that seems to take hours or even

539
00:30:20,240 --> 00:30:20,880
Speaker 3: a full day.

540
00:30:21,000 --> 00:30:22,959
Speaker 2: You wake up and it's only been ten minutes.

541
00:30:24,960 --> 00:30:28,840
Speaker 3: There's just that feeling, but you're you're just hearing and

542
00:30:28,880 --> 00:30:35,360
Speaker 3: seeing other people hitting the turkey gas, probably some like roadies,

543
00:30:35,440 --> 00:30:37,280
Speaker 3: moving around, some discussion.

544
00:30:36,840 --> 00:30:37,400
Speaker 2: Of the setlist.

545
00:30:37,480 --> 00:30:42,840
Speaker 3: Maybe could be good for them to have going opening kind.

546
00:30:42,760 --> 00:30:47,320
Speaker 7: Of building vacation, sort of boomy opening band audio.

547
00:30:47,320 --> 00:30:51,280
Speaker 3: Who's Who's opening? Yeah? Who we bringing in our friend?

548
00:30:51,320 --> 00:30:56,160
Speaker 5: Ella squirrel Flower is the project name, the brand, the.

549
00:30:56,160 --> 00:31:01,280
Speaker 3: Band, the band squirrel Flower, girl Flower. Yeah, the band

550
00:31:01,360 --> 00:31:02,520
Speaker 3: Squirrelflower by Ella.

551
00:31:03,120 --> 00:31:03,360
Speaker 5: Yeah.

552
00:31:04,040 --> 00:31:06,240
Speaker 1: It could be interesting to have instead of a band

553
00:31:06,280 --> 00:31:11,560
Speaker 1: opening for you, like a like a chef mhmm yeah,

554
00:31:11,560 --> 00:31:13,440
Speaker 1: and it could be Ella. I don't care. I don't

555
00:31:13,440 --> 00:31:13,680
Speaker 1: know this.

556
00:31:13,920 --> 00:31:17,920
Speaker 3: We're going to get our fill of music hopefully with

557
00:31:18,000 --> 00:31:18,880
Speaker 3: you guys.

558
00:31:19,080 --> 00:31:21,640
Speaker 4: Only if it's that weird, creepy like what's his name

559
00:31:21,720 --> 00:31:24,680
Speaker 4: liver King where he only eats like disgusting things.

560
00:31:24,440 --> 00:31:26,880
Speaker 2: On in think of Salt King, you're thinking of salt

561
00:31:26,920 --> 00:31:27,680
Speaker 2: that you.

562
00:31:27,800 --> 00:31:30,920
Speaker 4: Like, salt your Yeah, that's an old reference here. That's

563
00:31:31,160 --> 00:31:34,800
Speaker 4: it's a little dated man. I'm that's like five years old.

564
00:31:35,520 --> 00:31:37,400
Speaker 2: That's it's your reference, man, that's what you're.

565
00:31:40,920 --> 00:31:41,240
Speaker 3: Uh.

566
00:31:41,280 --> 00:31:46,800
Speaker 1: It's not Saltpet, it's not uh like, it's it's chef

567
00:31:46,840 --> 00:31:47,920
Speaker 1: Antonio Lafasso.

568
00:31:49,040 --> 00:31:52,200
Speaker 2: That's who it is. Top Chef All Star.

569
00:31:52,800 --> 00:31:58,800
Speaker 1: And uh, I want to say like season five, not finalists,

570
00:31:58,800 --> 00:32:03,360
Speaker 1: but like final four or something like that. Uh yeah,

571
00:32:03,440 --> 00:32:07,680
Speaker 1: Chef Antonio Lafasso, New American with you know, lots of

572
00:32:07,760 --> 00:32:16,360
Speaker 1: like traditional uh like twists on traditional stuff. Yeah, that's

573
00:32:16,600 --> 00:32:17,120
Speaker 1: opening for.

574
00:32:17,080 --> 00:32:19,520
Speaker 3: You, which is pretty big. Gad. I mean the guy

575
00:32:19,640 --> 00:32:22,040
Speaker 3: was on multiple scenes of Top Chef.

576
00:32:22,320 --> 00:32:23,600
Speaker 5: Yeah, all over the web.

577
00:32:24,040 --> 00:32:27,000
Speaker 4: Yeah, mm hmmm, I feel like you know, it's one

578
00:32:27,000 --> 00:32:30,080
Speaker 4: of those things where we the opener is a challenge

579
00:32:30,080 --> 00:32:33,000
Speaker 4: for him to wake up one of the comatose fans

580
00:32:33,000 --> 00:32:33,760
Speaker 4: with his cooking.

581
00:32:34,000 --> 00:32:38,560
Speaker 1: Yeah, Antonio Lafasso, I don't. I don't like we we could?

582
00:32:38,680 --> 00:32:39,040
Speaker 2: We could?

583
00:32:39,880 --> 00:32:44,040
Speaker 1: I guess call her a guy. If you're talking about

584
00:32:44,040 --> 00:32:47,680
Speaker 1: Antonio Antonio? Is Antonio the guy?

585
00:32:48,600 --> 00:32:48,959
Speaker 2: What?

586
00:32:48,760 --> 00:32:48,800
Speaker 3: What?

587
00:32:48,960 --> 00:32:51,520
Speaker 1: What did he talk about? He has that one line,

588
00:32:51,560 --> 00:32:57,080
Speaker 1: that classic line, that's Fabio, Fabio he said, is not

589
00:32:57,200 --> 00:32:58,000
Speaker 1: top scallop?

590
00:32:58,480 --> 00:32:59,160
Speaker 2: Yes, that's right.

591
00:32:59,240 --> 00:33:09,720
Speaker 3: Antoni Chef, described in Max Silvestri's legendary Tom Chef Recaps

592
00:33:09,800 --> 00:33:16,000
Speaker 3: as Antonio the Spy, seem to have something going on.

593
00:33:16,080 --> 00:33:20,000
Speaker 3: He would talk about I think his his wife, but

594
00:33:20,120 --> 00:33:21,920
Speaker 3: I didn't know his last name, and I was just

595
00:33:21,960 --> 00:33:29,800
Speaker 3: assuming that you did. But also described Antonio right up

596
00:33:29,800 --> 00:33:30,360
Speaker 3: in the valley.

597
00:33:30,520 --> 00:33:32,640
Speaker 2: Yeah, yess.

598
00:33:32,800 --> 00:33:38,000
Speaker 3: Yeah. She's incredible. No, she is so charming. I think

599
00:33:38,040 --> 00:33:40,520
Speaker 3: that your audience is going to love the experience. She

600
00:33:40,560 --> 00:33:44,600
Speaker 3: could tell Tom Calichio's stories. Right, there's probably some little

601
00:33:44,600 --> 00:33:49,920
Speaker 3: filming mishaps, and then there's also just the opportunity to

602
00:33:49,960 --> 00:33:53,240
Speaker 3: eat some delicious food and maybe to learn some technique

603
00:33:53,320 --> 00:33:58,040
Speaker 3: as well. And it might be that your audience is

604
00:33:58,240 --> 00:34:01,240
Speaker 3: leaving with something other than.

605
00:34:03,040 --> 00:34:04,200
Speaker 2: Nothing hearing you.

606
00:34:04,240 --> 00:34:06,920
Speaker 3: Play some music that you don't really even know how

607
00:34:06,920 --> 00:34:09,520
Speaker 3: to describe what the sound is, or you're too shy

608
00:34:09,680 --> 00:34:10,280
Speaker 3: or whatever.

609
00:34:10,640 --> 00:34:13,120
Speaker 1: So it's something they heard, but they're not leaving like

610
00:34:13,360 --> 00:34:15,000
Speaker 1: holding anything.

611
00:34:16,320 --> 00:34:17,920
Speaker 2: In their like in their hands.

612
00:34:18,000 --> 00:34:23,440
Speaker 3: You know, they can't eat the songs, you know what

613
00:34:23,480 --> 00:34:28,280
Speaker 3: I mean? Unfortunately, Well, you guys probably know better than anyone.

614
00:34:29,080 --> 00:34:31,440
Speaker 5: Someone's probably making working on the edible violence.

615
00:34:32,000 --> 00:34:36,520
Speaker 2: Oh that'd be you bring a nice lady friend home

616
00:34:37,320 --> 00:34:41,240
Speaker 2: mm hmm, listen to a record and then pull it,

617
00:34:41,600 --> 00:34:45,360
Speaker 2: pull it off the pull up the needle and start

618
00:34:45,440 --> 00:34:47,000
Speaker 2: carving it into slices for.

619
00:34:51,480 --> 00:34:52,680
Speaker 3: Sign that show.

620
00:34:53,960 --> 00:34:54,240
Speaker 5: Sign.

621
00:34:55,880 --> 00:35:02,120
Speaker 1: Okay, we got the opener, we have the lounge. Uh,

622
00:35:02,200 --> 00:35:04,200
Speaker 1: and so I guess it's just like the main you know,

623
00:35:04,440 --> 00:35:09,759
Speaker 1: the main. Yeah, what's the show going to be? I

624
00:35:09,800 --> 00:35:11,640
Speaker 1: know you're not planning and just stand there and play

625
00:35:11,640 --> 00:35:15,319
Speaker 1: your instruments, But tell me what is the idea of

626
00:35:15,520 --> 00:35:19,040
Speaker 1: kind of like the interactive experience that fans will be

627
00:35:19,520 --> 00:35:23,200
Speaker 1: partaking in. What are some of the trippy visuals that

628
00:35:23,239 --> 00:35:24,560
Speaker 1: you have planned?

629
00:35:25,840 --> 00:35:26,200
Speaker 2: What's it?

630
00:35:26,320 --> 00:35:28,080
Speaker 3: You know, pretend I'm an audience member.

631
00:35:28,360 --> 00:35:29,640
Speaker 2: What's a phone smell? Like?

632
00:35:30,880 --> 00:35:33,279
Speaker 3: What's the phone gonna smell like, what's the foam scent?

633
00:35:34,280 --> 00:35:34,960
Speaker 5: Like the bubbles?

634
00:35:36,120 --> 00:35:36,480
Speaker 3: Mmmm?

635
00:35:37,160 --> 00:35:42,360
Speaker 1: I guess it's kind of bubbles, Yeah, sensor version of bubbles.

636
00:35:42,719 --> 00:35:47,040
Speaker 1: Millions maybe even billions of bubbles, just like kind of

637
00:35:47,680 --> 00:35:49,280
Speaker 1: concentrated into foam.

638
00:35:49,600 --> 00:35:53,200
Speaker 3: Yeah, yeah, which I which will serve as something of

639
00:35:53,200 --> 00:35:55,680
Speaker 3: a lubricant as I go down the giant twisty slide.

640
00:35:57,400 --> 00:36:01,840
Speaker 1: And that should like like freak of we can't do

641
00:36:01,920 --> 00:36:02,600
Speaker 1: turkey again.

642
00:36:02,719 --> 00:36:05,560
Speaker 2: We don't have it. We already have the high the

643
00:36:05,600 --> 00:36:08,560
Speaker 2: idea of stuff.

644
00:36:08,760 --> 00:36:13,759
Speaker 3: It's stuffing the people if they smell turkey again, stuffing,

645
00:36:14,280 --> 00:36:21,640
Speaker 3: stuffing scented foam. Okay, being piped out of it out

646
00:36:21,640 --> 00:36:25,400
Speaker 3: of a giant fan in the ceiling. That's like spinning

647
00:36:25,400 --> 00:36:29,200
Speaker 3: and spraying it everywhere. The whole floor is trampolines.

648
00:36:29,120 --> 00:36:38,080
Speaker 1: Trapped bread, big golden raisins celery, all the ship that

649
00:36:38,120 --> 00:36:42,080
Speaker 1: people love stuff, all the stuff that we all eat

650
00:36:42,120 --> 00:36:43,560
Speaker 1: it individually all the time.

651
00:36:45,280 --> 00:36:48,920
Speaker 4: But it's whoever just behind it.

652
00:36:49,000 --> 00:36:53,960
Speaker 3: Yeah, it's just the one when we slorp it all.

653
00:36:53,840 --> 00:36:56,560
Speaker 5: Together, slurp it.

654
00:36:58,600 --> 00:36:59,560
Speaker 2: Okay, that ship.

655
00:36:59,719 --> 00:37:02,600
Speaker 3: Yeah, well you gotta know it on flor are you

656
00:37:02,719 --> 00:37:07,200
Speaker 3: enjoying it or are you criticizing it? I can't tell

657
00:37:07,200 --> 00:37:10,920
Speaker 3: with you, Jules, I don't think, no, Doc.

658
00:37:11,200 --> 00:37:12,440
Speaker 5: I think we're all enjoying it.

659
00:37:12,520 --> 00:37:12,800
Speaker 2: Dude.

660
00:37:12,840 --> 00:37:15,839
Speaker 4: I think I think it's we don't really we don't

661
00:37:15,840 --> 00:37:18,600
Speaker 4: really understand because we don't read as much as you do.

662
00:37:18,640 --> 00:37:21,160
Speaker 4: I know, it's like a big it's a literacy thing

663
00:37:21,480 --> 00:37:25,480
Speaker 4: happening here. Schlorp is a high class word.

664
00:37:26,320 --> 00:37:29,359
Speaker 3: The sexy lawyer sped his way into the prison cell

665
00:37:29,440 --> 00:37:32,360
Speaker 3: to talk to his client. That's a that's a Grisham sentence.

666
00:37:34,400 --> 00:37:36,840
Speaker 1: Sean was able to change his business card after this

667
00:37:36,880 --> 00:37:40,360
Speaker 1: past week. This is really exciting, from the part that

668
00:37:40,400 --> 00:37:47,959
Speaker 1: said illiterate to now it says ill comma literate. Yeah,

669
00:37:48,120 --> 00:37:49,799
Speaker 1: oh I'm both.

670
00:37:49,640 --> 00:37:53,399
Speaker 4: Right, Yeah yeah, down down with the sickness.

671
00:37:53,680 --> 00:37:57,840
Speaker 2: Yeah, Kevin, Hi, let's play one song.

672
00:37:58,360 --> 00:38:00,520
Speaker 3: Yeah, let's play. I just want to play it, and

673
00:38:00,520 --> 00:38:04,960
Speaker 3: you guys can kind of tell me what I'll be seeing. I'm,

674
00:38:05,000 --> 00:38:09,719
Speaker 3: you know, smearing the foam away from my band issued goggles,

675
00:38:10,760 --> 00:38:14,520
Speaker 3: and I'm and I'm looking at the stage and what

676
00:38:14,640 --> 00:38:17,240
Speaker 3: are you doing while this is playing?

677
00:38:18,719 --> 00:38:22,360
Speaker 7: Well, first of all, your best friend has been missing

678
00:38:22,400 --> 00:38:23,360
Speaker 7: for fifteen minutes.

679
00:38:24,280 --> 00:38:24,680
Speaker 5: Because the.

680
00:38:26,280 --> 00:38:36,600
Speaker 3: Lounge, as we well, look perfect science. Obviously, some people

681
00:38:36,640 --> 00:38:41,680
Speaker 3: will be transported to the incorrect show are the correct day.

682
00:38:42,719 --> 00:38:46,640
Speaker 3: I would encourage people to attend the lounge and the

683
00:38:46,680 --> 00:38:50,400
Speaker 3: concert as individuals. I think if we have groups going

684
00:38:50,440 --> 00:38:54,319
Speaker 3: who intend to like see the show together, that's just

685
00:38:55,719 --> 00:38:58,520
Speaker 3: that's legally, it'll be very sticky. It'll be the stuff

686
00:38:58,520 --> 00:39:03,920
Speaker 3: OF's of what we end up having to unpack later

687
00:39:04,000 --> 00:39:10,600
Speaker 3: on because it's a class action nightmare. I think we

688
00:39:10,640 --> 00:39:12,480
Speaker 3: should say go alone.

689
00:39:12,560 --> 00:39:15,160
Speaker 1: And I believe that you have cultivated a fan base

690
00:39:15,280 --> 00:39:19,239
Speaker 1: of loaners, right does it not feel that way? I

691
00:39:19,280 --> 00:39:21,440
Speaker 1: know we got way to do it. What do they

692
00:39:21,440 --> 00:39:24,160
Speaker 1: need with like a bunch of friends? They got, They

693
00:39:24,239 --> 00:39:25,799
Speaker 1: got you guys.

694
00:39:25,520 --> 00:39:28,799
Speaker 3: They've got the band Whitney mm hmm. So you're not

695
00:39:28,880 --> 00:39:33,920
Speaker 3: named after Eli Whitney named after Whitney A Brown, A

696
00:39:34,040 --> 00:39:35,480
Speaker 3: Whitney Brown, Whitney.

697
00:39:35,840 --> 00:39:40,160
Speaker 1: Which guy was he's like that he uses the same

698
00:39:40,200 --> 00:39:47,840
Speaker 1: convention as the band. He's a Whitney Brown. He was

699
00:39:47,880 --> 00:39:51,680
Speaker 1: sort of the nebish. He's in there mixing it up

700
00:39:51,680 --> 00:39:52,759
Speaker 1: with Beth Littleford.

701
00:39:53,640 --> 00:39:57,879
Speaker 3: Mm hmmm, so what what?

702
00:39:57,880 --> 00:39:58,239
Speaker 2: What? Like?

703
00:39:59,000 --> 00:40:00,560
Speaker 3: What? What's the inspiration?

704
00:40:01,000 --> 00:40:01,640
Speaker 2: Is it a chick?

705
00:40:01,719 --> 00:40:06,480
Speaker 3: You dig y'all hung up on some chick named a

706
00:40:06,600 --> 00:40:13,799
Speaker 3: band after simple This whole band a fucking simp project.

707
00:40:14,360 --> 00:40:17,239
Speaker 1: It's just gotta look, it's just the fellas in here.

708
00:40:17,360 --> 00:40:19,480
Speaker 1: Give me the hey, it's just as fellas.

709
00:40:21,160 --> 00:40:23,600
Speaker 3: What do we uh? What are we working with here?

710
00:40:24,000 --> 00:40:24,640
Speaker 2: I'm a man, I.

711
00:40:27,840 --> 00:40:31,120
Speaker 3: Mean, come on, we're all a little curious. What's Whitney

712
00:40:31,200 --> 00:40:35,680
Speaker 3: look like? You know what I mean?

713
00:40:36,200 --> 00:40:38,759
Speaker 2: I'm just is he not making? Is he not making this? Face?

714
00:40:38,840 --> 00:40:38,920
Speaker 3: Like?

715
00:40:38,960 --> 00:40:41,240
Speaker 2: Hard enough for you to do it a little bit harder?

716
00:40:42,680 --> 00:40:47,920
Speaker 3: What do we what do we work with it?

717
00:40:50,239 --> 00:40:54,040
Speaker 1: Don't skip anything? I have to downstairs. I want the

718
00:40:54,040 --> 00:41:00,360
Speaker 1: full blueprint. Two questions? What's you sipping on? You're both sipping?

719
00:41:01,400 --> 00:41:02,640
Speaker 1: And who you simping on?

720
00:41:03,719 --> 00:41:05,239
Speaker 3: What you're sipping on? Who you simp and on?

721
00:41:06,560 --> 00:41:09,239
Speaker 4: I was I think coffee is the day. It's coffee dead.

722
00:41:09,600 --> 00:41:14,600
Speaker 2: Coffee is the move. Coffee is the vibe, bro.

723
00:41:16,040 --> 00:41:17,680
Speaker 4: Guy, You guys are coffee? Coffee over?

724
00:41:17,880 --> 00:41:24,080
Speaker 3: My brother in Christ is the truth? My brother in Christ,

725
00:41:24,800 --> 00:41:28,640
Speaker 3: that's right. I simp for coffee for real, for real,

726
00:41:28,719 --> 00:41:29,560
Speaker 3: Coffee's busting.

727
00:41:34,760 --> 00:41:37,680
Speaker 2: I am a bean juice feed.

728
00:41:39,160 --> 00:41:44,360
Speaker 3: Gimme, gimme, gimme what is that? No? What is coffee?

729
00:41:44,400 --> 00:41:44,960
Speaker 3: How does it work?

730
00:41:47,160 --> 00:41:48,319
Speaker 4: Are you asking us?

731
00:41:49,760 --> 00:41:52,480
Speaker 3: What's going you you brought it up. Yeah, you brought

732
00:41:52,520 --> 00:41:53,560
Speaker 3: it up. We're finding.

733
00:41:56,000 --> 00:41:58,360
Speaker 4: I don't I don't know how coffee works. I just

734
00:41:59,120 --> 00:42:05,680
Speaker 4: it's just say whatever. I just yeah, it does exactly.

735
00:42:06,960 --> 00:42:09,680
Speaker 2: What's in the uh? What's coming on of that?

736
00:42:10,160 --> 00:42:10,200
Speaker 4: That?

737
00:42:10,440 --> 00:42:14,000
Speaker 2: No? Doggie dog? What are you nose him on?

738
00:42:14,719 --> 00:42:15,880
Speaker 5: It's classic? H two?

739
00:42:15,960 --> 00:42:20,040
Speaker 2: Oh yeah that's what.

740
00:42:20,320 --> 00:42:21,160
Speaker 5: That's what I'm saying.

741
00:42:21,400 --> 00:42:23,640
Speaker 4: Hey, wait, wait, since you since you're like a you're

742
00:42:23,760 --> 00:42:26,320
Speaker 4: you're like a smart do you know who means?

743
00:42:26,880 --> 00:42:27,120
Speaker 2: Do you know?

744
00:42:27,320 --> 00:42:28,320
Speaker 4: H two means that?

745
00:42:28,440 --> 00:42:30,160
Speaker 2: What's who? What is Wait?

746
00:42:30,320 --> 00:42:32,279
Speaker 3: Who's the smarter dude? You?

747
00:42:33,840 --> 00:42:34,000
Speaker 4: Nah?

748
00:42:35,120 --> 00:42:35,440
Speaker 2: Come on?

749
00:42:38,360 --> 00:42:38,640
Speaker 1: H two?

750
00:42:38,760 --> 00:42:41,680
Speaker 3: Well m h yeah, it's like a it's like a

751
00:42:41,800 --> 00:42:50,440
Speaker 3: serial number effectively. Yeah, it's like a bark. How you

752
00:42:50,520 --> 00:42:54,759
Speaker 3: know how much it costs? I mean, it's it's a

753
00:42:54,800 --> 00:42:58,600
Speaker 3: capitalist society, you know, I'm the first two minutes. Not

754
00:42:58,680 --> 00:43:01,279
Speaker 3: a perfect system, but the damn good one.

755
00:43:01,280 --> 00:43:03,680
Speaker 2: It's the best one we've got. Yeah, unless you got

756
00:43:03,680 --> 00:43:05,760
Speaker 2: another idea, No, no, no, it's.

757
00:43:05,920 --> 00:43:09,279
Speaker 3: Yeah, it's it's actually the worst system except for all

758
00:43:09,320 --> 00:43:14,480
Speaker 3: the others. Yeah, so uh no, it's commerce drives so

759
00:43:14,719 --> 00:43:17,040
Speaker 3: much of what we do. And if you're going to

760
00:43:17,120 --> 00:43:20,480
Speaker 3: have a drink, you know, coffee, water, you're gonna have

761
00:43:20,600 --> 00:43:23,920
Speaker 3: to have something in place where we could determine like

762
00:43:24,160 --> 00:43:24,960
Speaker 3: how to ring it up.

763
00:43:25,640 --> 00:43:29,320
Speaker 2: So H two O is that one? How are we

764
00:43:29,920 --> 00:43:31,040
Speaker 2: processing payments?

765
00:43:33,280 --> 00:43:33,800
Speaker 3: What's going on?

766
00:43:33,920 --> 00:43:35,160
Speaker 2: You want to drop the venmo here?

767
00:43:35,360 --> 00:43:36,720
Speaker 3: Cash h Venmo?

768
00:43:36,920 --> 00:43:38,640
Speaker 4: Yeah, we all got a venmo?

769
00:43:38,840 --> 00:43:39,120
Speaker 5: H too?

770
00:43:39,480 --> 00:43:42,000
Speaker 1: You drop your Venmo to your fan, Like if fan

771
00:43:42,080 --> 00:43:45,040
Speaker 1: wants to buy a ticket, you just drop the venmo just.

772
00:43:45,080 --> 00:43:45,920
Speaker 3: A personal Venmo.

773
00:43:46,640 --> 00:43:48,200
Speaker 2: They could do it right now. Would it be easy

774
00:43:48,280 --> 00:43:49,680
Speaker 2: if you want to drop it or you want to

775
00:43:49,760 --> 00:43:50,560
Speaker 2: drop that on here?

776
00:43:50,600 --> 00:43:52,520
Speaker 3: You guys want to give your your Venmo or your

777
00:43:52,600 --> 00:43:55,320
Speaker 3: cash app and then and they can just Hollywood Handbook

778
00:43:55,320 --> 00:43:56,000
Speaker 3: listeners can.

779
00:43:56,000 --> 00:43:56,480
Speaker 2: Do like a.

780
00:43:58,440 --> 00:44:02,160
Speaker 1: Emoji or whatever of an album or a ticket or

781
00:44:02,320 --> 00:44:04,040
Speaker 1: just like to say, like which the thing is that

782
00:44:04,120 --> 00:44:04,680
Speaker 1: they want to.

783
00:44:06,800 --> 00:44:07,360
Speaker 2: But they want to.

784
00:44:07,320 --> 00:44:11,640
Speaker 5: Buy the Santa emoji preferably if.

785
00:44:11,640 --> 00:44:13,440
Speaker 3: If you want that, If someone did that to me,

786
00:44:13,680 --> 00:44:17,480
Speaker 3: I would incredibly infantalizing. That would show me a lot

787
00:44:17,560 --> 00:44:19,200
Speaker 3: about who tested your manhood.

788
00:44:19,680 --> 00:44:22,040
Speaker 5: Yeah, we're trying to test people's man.

789
00:44:21,920 --> 00:44:22,920
Speaker 2: I would have to respond.

790
00:44:22,960 --> 00:44:25,399
Speaker 3: I would be there'd be an emoji coming back their way,

791
00:44:25,480 --> 00:44:27,560
Speaker 3: and the one that they'd be very happy to see

792
00:44:30,000 --> 00:44:34,959
Speaker 3: Kevin play the song again for a second. Take a plan.

793
00:44:36,000 --> 00:44:36,560
Speaker 5: I've heard that.

794
00:44:38,680 --> 00:44:43,040
Speaker 3: Jewels I had Who's singing?

795
00:44:44,000 --> 00:44:44,520
Speaker 2: Who did that?

796
00:44:45,120 --> 00:44:45,880
Speaker 3: Who's doing this.

797
00:44:50,000 --> 00:44:50,839
Speaker 2: Jewels on the mic?

798
00:44:50,960 --> 00:44:53,960
Speaker 3: Why don't you sound like that. I've been talking to

799
00:44:54,000 --> 00:44:59,360
Speaker 3: you all fucking day. Just do that?

800
00:44:59,680 --> 00:45:00,960
Speaker 4: Is that pro Jewels?

801
00:45:01,160 --> 00:45:02,800
Speaker 2: That's so much better jewels?

802
00:45:04,120 --> 00:45:06,759
Speaker 3: Jewels sounds like this is not good.

803
00:45:06,960 --> 00:45:08,480
Speaker 2: This, this right now is not.

804
00:45:10,040 --> 00:45:13,360
Speaker 3: My brother in Christ. You have sounded like ship on

805
00:45:13,480 --> 00:45:16,480
Speaker 3: the podcast. I want people to listen to your music.

806
00:45:16,960 --> 00:45:19,680
Speaker 3: The music sounds great, It's beautiful.

807
00:45:21,200 --> 00:45:22,719
Speaker 5: I know, I think, I do think I gotta work

808
00:45:22,760 --> 00:45:25,879
Speaker 5: on the podcast. Shit, I'm sorry, guys.

809
00:45:27,239 --> 00:45:28,800
Speaker 2: Fuck it man, it's for you.

810
00:45:29,280 --> 00:45:32,880
Speaker 3: You know, I don't care. I don't care about anything.

811
00:45:34,320 --> 00:45:37,960
Speaker 3: I shut this off, I huff some turkey gas, and

812
00:45:38,040 --> 00:45:39,840
Speaker 3: I go to sleep until the next episode.

813
00:45:40,040 --> 00:45:42,480
Speaker 2: Never gonna I'm not I'm never experienced.

814
00:45:42,600 --> 00:45:44,879
Speaker 1: This is gone as like as soon as the zoom

815
00:45:44,920 --> 00:45:47,879
Speaker 1: window closes, it's over, instantly done.

816
00:45:49,080 --> 00:45:54,240
Speaker 3: You never think about it again. And then if he's singing, Max,

817
00:45:55,160 --> 00:45:56,160
Speaker 3: the fuck are you doing?

818
00:45:56,280 --> 00:45:56,480
Speaker 2: Dog?

819
00:45:57,760 --> 00:45:58,400
Speaker 3: I didn't hear you.

820
00:45:58,680 --> 00:46:02,480
Speaker 4: I'm listening, you know, I'm just chilling there. That's cool, man,

821
00:46:02,640 --> 00:46:06,600
Speaker 4: that's I'm huffing turkey. Guys sitting in there checked out.

822
00:46:07,000 --> 00:46:11,560
Speaker 2: You know that's loyalty. Yeah, that's where do you guys?

823
00:46:11,680 --> 00:46:14,759
Speaker 3: Living is going? I'm just chilling out. Yeah, where the

824
00:46:14,800 --> 00:46:15,320
Speaker 3: street are you on?

825
00:46:16,280 --> 00:46:18,440
Speaker 2: What street? What street do you live on?

826
00:46:18,719 --> 00:46:19,360
Speaker 3: Street are you on?

827
00:46:19,960 --> 00:46:20,840
Speaker 5: It starts with a D.

828
00:46:25,160 --> 00:46:28,960
Speaker 3: Between the egg plant emoji and Okay, we're done.

829
00:46:29,120 --> 00:46:30,120
Speaker 2: We're done. We're done.

830
00:46:30,920 --> 00:46:32,000
Speaker 3: We don't need to get in here.

831
00:46:32,960 --> 00:46:33,200
Speaker 4: Bye,