1 00:00:00,720 --> 00:00:18,960 Speaker 1: I am all in. I am all in with Scott Patterson, 2 00:00:19,160 --> 00:00:24,080 Speaker 1: an I Heeart radio podcast. Hey everybody, Scott Patterson Pop Culture, 3 00:00:25,160 --> 00:00:30,720 Speaker 1: Season four, episode twenty two, the finale. I am growing 4 00:00:30,800 --> 00:00:33,960 Speaker 1: on me. Yeah it is right. I like doing it 5 00:00:34,200 --> 00:00:40,159 Speaker 1: what the culture like. I like analyzing the pop culture references. 6 00:00:40,360 --> 00:00:43,320 Speaker 1: So let's let's just stick with the same, you know, 7 00:00:43,440 --> 00:00:48,199 Speaker 1: round Robin and everybody. Uh, every start with crack staff, though, 8 00:00:48,280 --> 00:00:50,400 Speaker 1: you want to start with crackstaff. I have my crack 9 00:00:50,479 --> 00:00:53,840 Speaker 1: staff ready. I just happened to have crackstaff notes right 10 00:00:53,840 --> 00:00:56,800 Speaker 1: in front of me. It's wild go first, all right, 11 00:00:56,840 --> 00:01:00,680 Speaker 1: here we go. Here's a crack staff cold open right. 12 00:01:00,760 --> 00:01:04,920 Speaker 1: The opening scene, Laureli trying to barricade Rory's door with 13 00:01:05,120 --> 00:01:12,000 Speaker 1: a chair wouldn't work because the door opens. Yeah it does. 14 00:01:12,040 --> 00:01:17,040 Speaker 1: It opens in correct, it opens in I'll tell you, 15 00:01:17,160 --> 00:01:21,679 Speaker 1: crackstaff man, they are firing on all cylinders. Yeah, okay. 16 00:01:21,760 --> 00:01:25,840 Speaker 1: At the two minute and seven second point of the episode, 17 00:01:25,920 --> 00:01:31,280 Speaker 1: notice Laurelize black shirt has a dragonfly, and I think 18 00:01:31,319 --> 00:01:35,959 Speaker 1: we do point that out. Yeah. Um. At the four 19 00:01:36,160 --> 00:01:41,400 Speaker 1: fifty five point, the employee that walks up behind Laureli 20 00:01:41,720 --> 00:01:48,680 Speaker 1: instantaneously appears behind Michelle a split second later. Um, okay. 21 00:01:49,160 --> 00:01:53,720 Speaker 1: At dinner, at the twenty six minute ten second point, 22 00:01:53,800 --> 00:01:58,040 Speaker 1: Suki asked Taylor how Derek the Waiter is doing. Taylor 23 00:01:58,280 --> 00:02:04,400 Speaker 1: sings praises, but back at seventeen forty eight, he can 24 00:02:04,440 --> 00:02:08,000 Speaker 1: be seen licking his fingers to clean the silverware, and 25 00:02:08,160 --> 00:02:13,639 Speaker 1: also licking a towel and wiping the silver We've got 26 00:02:13,680 --> 00:02:18,560 Speaker 1: to see that, Jackie. Oh yes, can Jackie, can you 27 00:02:18,600 --> 00:02:23,320 Speaker 1: get us to seventeen forty eight in the episode because 28 00:02:23,360 --> 00:02:27,520 Speaker 1: that is actually insane. That is insanity. Um, that is 29 00:02:27,560 --> 00:02:30,280 Speaker 1: so we must see Derek licking. Okay, here we go. 30 00:02:30,520 --> 00:02:35,320 Speaker 1: Where now? Where's who's Derek behind him? Oh my god, 31 00:02:35,480 --> 00:02:38,760 Speaker 1: he's licking. He just looked the napkin. He licked the 32 00:02:38,840 --> 00:02:41,520 Speaker 1: napkin to to clean the silver one more time, one 33 00:02:41,520 --> 00:02:43,360 Speaker 1: more time, one more time. I love the walkie talkies. 34 00:02:43,400 --> 00:02:48,360 Speaker 1: By the way, Oh my god, that's like a full lick. 35 00:02:49,880 --> 00:02:55,880 Speaker 1: That's a double lick. While who's sitting there? We should 36 00:02:55,919 --> 00:02:58,799 Speaker 1: find out who was sitting there? Probably a couple of randos. 37 00:02:58,880 --> 00:03:01,799 Speaker 1: What do you think? Huh, yeah, it's a couple that 38 00:03:01,880 --> 00:03:06,079 Speaker 1: Amy pointed out. All right. Another fun fact about Derek 39 00:03:06,160 --> 00:03:10,200 Speaker 1: the Silverware Spider is that the actor that portrayed him, 40 00:03:10,320 --> 00:03:13,680 Speaker 1: Graham Norris, went on to be a writer and producer 41 00:03:13,720 --> 00:03:19,079 Speaker 1: of eighty seven episodes of New Amsterdam. That is some 42 00:03:19,160 --> 00:03:24,640 Speaker 1: impressive crackstaff research and information. Kudos to the crackstaff. Amy, 43 00:03:24,639 --> 00:03:28,160 Speaker 1: you have something to add, crackstaff. So when the guests arrive, 44 00:03:28,680 --> 00:03:32,960 Speaker 1: you go to that video the guests arrive, it says Freddie, 45 00:03:33,000 --> 00:03:36,360 Speaker 1: follow your door to number one. Who's Freddie? By the way, 46 00:03:36,360 --> 00:03:39,080 Speaker 1: I thought that was another rando? What's going on on 47 00:03:39,120 --> 00:03:44,120 Speaker 1: the wall? They hang waters on the wall? Huh, thank 48 00:03:44,120 --> 00:03:48,560 Speaker 1: you very long. There's literally some contraption hanging on the wall. 49 00:03:49,280 --> 00:03:55,840 Speaker 1: Is that water? Is that shampoo? Looks like the wall? 50 00:03:56,080 --> 00:03:57,960 Speaker 1: Grab a bottle on your way up to your rooms. 51 00:03:58,360 --> 00:04:01,880 Speaker 1: Very odd. So there you go, ready for pop culture. 52 00:04:01,880 --> 00:04:05,800 Speaker 1: It's not exactly Crackstaff. It's more like what's going on? Yeah, 53 00:04:06,000 --> 00:04:08,520 Speaker 1: I don't know if that rises to the level of 54 00:04:08,640 --> 00:04:10,960 Speaker 1: credit doesn't. I'm going to admit that it doesn't. Thank you. 55 00:04:11,400 --> 00:04:15,080 Speaker 1: It is an interesting addition though. Yeah, so maybe we 56 00:04:15,120 --> 00:04:25,040 Speaker 1: just have weird tidbits right right from the estate. Right, Okay, Scott, 57 00:04:25,080 --> 00:04:29,080 Speaker 1: you start you start us, start up. Okay. Rory is 58 00:04:29,120 --> 00:04:33,320 Speaker 1: telling Lane about the awful guy her Grandma set her 59 00:04:33,400 --> 00:04:37,280 Speaker 1: up with Lane. How is that bad? Rory? James Spader 60 00:04:38,000 --> 00:04:40,640 Speaker 1: in pretty pink, Pretty and pink? That was such a 61 00:04:41,279 --> 00:04:43,320 Speaker 1: what's wrong with James Spader? Why was it? He's an 62 00:04:43,320 --> 00:04:46,760 Speaker 1: ass and pretty in pink. He's his Blaine. I'll never 63 00:04:46,800 --> 00:04:49,200 Speaker 1: forget Blaine and pretty and pink. Let me tell you 64 00:04:49,200 --> 00:04:50,960 Speaker 1: about Blaine. No, but it was. It was a knock 65 00:04:51,000 --> 00:04:54,680 Speaker 1: against It was a line against James Spader. Correct, because 66 00:04:54,680 --> 00:04:57,200 Speaker 1: they're basically saying, the guy she went out with was 67 00:04:57,760 --> 00:05:00,960 Speaker 1: James Spader, pretty in pink. Yeah, which also the guy 68 00:05:01,120 --> 00:05:02,800 Speaker 1: she went out with was not nearly as bad as 69 00:05:02,839 --> 00:05:05,320 Speaker 1: James Spader. And all right, James, James Spader and pretty 70 00:05:05,320 --> 00:05:11,039 Speaker 1: and pink Blaine? Alright? Was he Blaine? Oh wait, pardon me. 71 00:05:11,880 --> 00:05:15,200 Speaker 1: Andrew McCarthy might have played Blaine, but Andrew McCarthy was great. 72 00:05:15,360 --> 00:05:17,760 Speaker 1: Let me let me get the correct character name for James. 73 00:05:17,800 --> 00:05:20,440 Speaker 1: It wasn't Spader like his dealer or something like that. No, 74 00:05:20,680 --> 00:05:22,760 Speaker 1: that's you're thinking of less than zero. I'm thinking of 75 00:05:22,839 --> 00:05:27,160 Speaker 1: less I'm sorry, James Spader, Steph, Steph McKee wasn't wasn't 76 00:05:27,200 --> 00:05:30,040 Speaker 1: all right? All right? Pretty Blaine? Was? Was Andrew McCarthy 77 00:05:30,080 --> 00:05:32,200 Speaker 1: who turned out to be cool but all right. Pretty 78 00:05:32,200 --> 00:05:35,880 Speaker 1: and Pink is a nineteen eighty six American team romantic 79 00:05:35,960 --> 00:05:40,000 Speaker 1: comedy drama film about love and social clicks in American 80 00:05:40,080 --> 00:05:43,840 Speaker 1: high schools in the eighties. A cult classic, it is 81 00:05:43,880 --> 00:05:48,440 Speaker 1: commonly identified as a brat pack film, borrowing from the 82 00:05:48,520 --> 00:05:51,600 Speaker 1: brat pack of Frank Sinatra, Dean Martin, Sammy Davis Junior, 83 00:05:51,640 --> 00:05:55,960 Speaker 1: et cetera. Don Reckles. James Spader plays the character Steph McKee, 84 00:05:56,839 --> 00:05:59,560 Speaker 1: who was a part of the arrogant richie kids and 85 00:06:00,120 --> 00:06:03,680 Speaker 1: harasses and bullies Andy because he finds Andy attractive and 86 00:06:03,800 --> 00:06:07,920 Speaker 1: secretly resents having been rejected by her. Do you want 87 00:06:07,960 --> 00:06:12,520 Speaker 1: to know one little funny trivia tidbit about Pretty in Pink? Yes? Okay, 88 00:06:12,560 --> 00:06:14,760 Speaker 1: So I've seen Pretty and Pink many times and I 89 00:06:14,880 --> 00:06:17,880 Speaker 1: love the scene when Ducky comes into the record store 90 00:06:18,320 --> 00:06:22,520 Speaker 1: and does the lip syncing. But at the ending they 91 00:06:22,680 --> 00:06:25,280 Speaker 1: changed the ending of the movie. There was like an 92 00:06:25,320 --> 00:06:28,679 Speaker 1: original ending, I think maybe where Andy ends up with Ducky, 93 00:06:28,800 --> 00:06:31,599 Speaker 1: but like test audiences didn't like it, so they bring 94 00:06:31,720 --> 00:06:35,720 Speaker 1: Andrew McCarthy back to play Blaine, so that Andy ends 95 00:06:35,800 --> 00:06:40,240 Speaker 1: up with Blaine. But Andrew McCarthy was already working on 96 00:06:40,520 --> 00:06:43,920 Speaker 1: another movie at the time, and his hair was different, 97 00:06:44,160 --> 00:06:46,280 Speaker 1: so they have to give him like kind of like 98 00:06:46,480 --> 00:06:49,640 Speaker 1: fake hair or a wig to shoot this scene. It 99 00:06:49,839 --> 00:06:54,719 Speaker 1: is so evident his hair is so bad in the final, 100 00:06:55,320 --> 00:06:58,920 Speaker 1: like most important scene where they end up together, that 101 00:06:59,000 --> 00:07:03,640 Speaker 1: when I watch it now, slightly jarring, I experienced something 102 00:07:03,720 --> 00:07:06,440 Speaker 1: like that. I know what that. Remember your cover of 103 00:07:06,520 --> 00:07:10,000 Speaker 1: the matter, if you want to see the worst, if 104 00:07:10,040 --> 00:07:16,640 Speaker 1: you want to see the worst ever hair wig. It 105 00:07:16,880 --> 00:07:20,400 Speaker 1: was my biggest It was the biggest piece of pr 106 00:07:20,480 --> 00:07:24,200 Speaker 1: I ever did. Was the cover of Entertainment Weekly and 107 00:07:24,400 --> 00:07:27,320 Speaker 1: they put on this dead raccoon on top of my head. 108 00:07:27,560 --> 00:07:29,680 Speaker 1: And I went to my publicist. I said, this can't 109 00:07:29,680 --> 00:07:34,000 Speaker 1: be happening. This looks like, this looks stupid. And who 110 00:07:34,160 --> 00:07:36,360 Speaker 1: did it? The Entertainment Weekly people or the Gilmore Girls 111 00:07:36,440 --> 00:07:40,920 Speaker 1: people both? Oh? No, Ever, they all agreed it was 112 00:07:41,040 --> 00:07:42,880 Speaker 1: it was. You want to make yourself feel less bad, 113 00:07:42,960 --> 00:07:45,480 Speaker 1: watch the end of Pretty in Pink because it's pretty bad, Okay, 114 00:07:45,520 --> 00:07:48,280 Speaker 1: I do need to feel less better. Waits as bad 115 00:07:48,320 --> 00:07:54,440 Speaker 1: as Taylor. It was worse. It was probably worse. It 116 00:07:54,640 --> 00:07:58,360 Speaker 1: was probably worse. If you want a good laugh, go 117 00:07:58,560 --> 00:08:01,600 Speaker 1: look at that. Go look at that we talked about 118 00:08:01,640 --> 00:08:11,400 Speaker 1: it once. You will laugh. Rory is complaining to Laura 119 00:08:11,640 --> 00:08:13,960 Speaker 1: that she did not wake her up this morning. Um. 120 00:08:14,120 --> 00:08:16,360 Speaker 1: Rory says, I only have so much time off. I 121 00:08:16,400 --> 00:08:18,400 Speaker 1: don't want to waste it sleeping. I don't want to 122 00:08:18,480 --> 00:08:21,320 Speaker 1: waste it all sleeping till noon. Laura Lai says, there 123 00:08:21,440 --> 00:08:23,520 Speaker 1: was no waking you up. You were completely out of it. 124 00:08:23,600 --> 00:08:27,880 Speaker 1: We're talking Farah on Letterman. So this is a late 125 00:08:27,920 --> 00:08:31,440 Speaker 1: show with David Letterman, and as everyone knows, it's an 126 00:08:31,480 --> 00:08:35,600 Speaker 1: all night talk show on CBS. Fara Fawcett was an 127 00:08:35,600 --> 00:08:38,360 Speaker 1: actress who rose to international fame when she got the 128 00:08:38,440 --> 00:08:41,720 Speaker 1: starring role in Charlie's Angels. Farah went on the show 129 00:08:41,800 --> 00:08:46,800 Speaker 1: in nineteen ninety nine, and she seemed very distracted and coherent, 130 00:08:47,000 --> 00:08:50,480 Speaker 1: and everybody in the studio knew it, but her people 131 00:08:50,559 --> 00:08:52,599 Speaker 1: believed she was under the influence of something as she 132 00:08:52,679 --> 00:08:56,959 Speaker 1: stumbled around and seemed extremely unaware and confused. I remember it, 133 00:08:57,040 --> 00:08:59,800 Speaker 1: and I love Fara faucets so much. I do remember that. 134 00:09:00,320 --> 00:09:03,240 Speaker 1: Oh my god, far a faucet in the Charlie's Angels 135 00:09:03,320 --> 00:09:08,280 Speaker 1: era is the coolest. Yeah, that was was that back 136 00:09:08,320 --> 00:09:11,040 Speaker 1: in the day when Letterman was just so he was 137 00:09:11,160 --> 00:09:15,000 Speaker 1: so mean to everybody. Yeah, yeah, that was kind of 138 00:09:15,040 --> 00:09:18,240 Speaker 1: a stick, right, just just abuse his guests to Howard 139 00:09:18,320 --> 00:09:22,240 Speaker 1: Stern now and then Share just told him that he 140 00:09:22,400 --> 00:09:24,920 Speaker 1: was in a hole and everybody applauded and that kind 141 00:09:24,960 --> 00:09:26,680 Speaker 1: of I don't know if it changed him. But how 142 00:09:26,800 --> 00:09:28,480 Speaker 1: much do I need to buy this sweatshirt with Fara 143 00:09:28,600 --> 00:09:32,240 Speaker 1: Faucet on? It? Is? That? Yeah? You should probably I need. 144 00:09:32,360 --> 00:09:34,120 Speaker 1: I have a couple of Farra Faucet shirts, but I 145 00:09:34,200 --> 00:09:37,200 Speaker 1: need a sweatshirt. Yeah, you need to get that. I do. Yeah, 146 00:09:37,280 --> 00:09:40,120 Speaker 1: I know, you know, get us all one? Can you 147 00:09:40,240 --> 00:09:42,679 Speaker 1: just get I'd like one too. He really crushed the 148 00:09:42,800 --> 00:09:47,280 Speaker 1: seventies track suit. Oh yeah, oh yeah. Anyway, all right, 149 00:09:47,320 --> 00:09:52,040 Speaker 1: who's up, Tara? Tara, you go, I'm shopping for fair fauxing. Yeah, 150 00:09:52,080 --> 00:09:56,240 Speaker 1: we're busy shopping, all right. Loralai is uh pushing Rory 151 00:09:56,320 --> 00:09:59,560 Speaker 1: out the diner door. After asking her if Luke seems different, 152 00:10:00,040 --> 00:10:05,600 Speaker 1: Rory says, what's your damage? Heather Heathers is a nineteen 153 00:10:05,600 --> 00:10:08,719 Speaker 1: eighty nine comedy thriller film written by Daniel Waters and 154 00:10:08,840 --> 00:10:14,280 Speaker 1: directed by Michael Lehman Layman. It's plopper trays fourteenage girls, 155 00:10:14,400 --> 00:10:16,760 Speaker 1: three of whom are named Heather in a click at 156 00:10:16,920 --> 00:10:22,199 Speaker 1: Ohio High School. Wasn't Shannon Doherty one of them? Yeah? 157 00:10:22,320 --> 00:10:25,680 Speaker 1: She was in Heathers. Yeah. Rory refers to lorelais Heather 158 00:10:25,760 --> 00:10:28,719 Speaker 1: because the school's ruthless queen Bee in the movie is 159 00:10:28,840 --> 00:10:33,400 Speaker 1: Heather Chandler. Loralai invited, Oh shoot, I skipped one. I 160 00:10:33,559 --> 00:10:35,160 Speaker 1: was hoping I was getting the Hayley Mills one. But 161 00:10:36,760 --> 00:10:38,839 Speaker 1: Lorela is explaining to Rory that Luke asked her to 162 00:10:38,920 --> 00:10:40,760 Speaker 1: the movies, but she's not sure if he considers it 163 00:10:40,800 --> 00:10:42,960 Speaker 1: a real date. But maybe he didn't mean it as 164 00:10:43,000 --> 00:10:44,520 Speaker 1: a date. Maybe he just needed to get out of 165 00:10:44,520 --> 00:10:46,240 Speaker 1: the house. And since I'm currently one of the women 166 00:10:46,280 --> 00:10:48,200 Speaker 1: sitting home thinking if only I could find a man 167 00:10:48,280 --> 00:10:51,920 Speaker 1: like Rigorn, he picked me. See, I don't even like 168 00:10:52,160 --> 00:10:54,080 Speaker 1: the Lord of the Rings. I'm getting them back. How 169 00:10:54,120 --> 00:10:56,040 Speaker 1: can you not like the Lord of the Rings? I 170 00:10:56,440 --> 00:11:00,199 Speaker 1: fell asleep during that Anne Harry Potter character and a 171 00:11:00,280 --> 00:11:03,400 Speaker 1: protagonist in J. R. R. Tolkien's The Lord of the Rings, 172 00:11:03,840 --> 00:11:06,400 Speaker 1: Aragorn was easily the best swordsman in all of Middle 173 00:11:06,440 --> 00:11:09,280 Speaker 1: Earth at the time. Lorala compares Luke to Aragon because 174 00:11:09,320 --> 00:11:10,839 Speaker 1: he is one of the most desired Lord of the 175 00:11:10,960 --> 00:11:16,760 Speaker 1: Rings characters. I mean, that's really cute. I guess I'm up. Amy, 176 00:11:16,800 --> 00:11:18,520 Speaker 1: you want to do the Haley Mills when goy do? 177 00:11:18,800 --> 00:11:21,800 Speaker 1: Thank you so much for letting me do it. Loria 178 00:11:21,920 --> 00:11:23,559 Speaker 1: invited her parents to come to the opening of the 179 00:11:23,600 --> 00:11:25,319 Speaker 1: Inn and is going to force them to stay together. 180 00:11:25,880 --> 00:11:27,439 Speaker 1: I'm going to lock those two in a room and 181 00:11:27,480 --> 00:11:29,600 Speaker 1: they are either coming out reconciled or in a bodyback. 182 00:11:29,720 --> 00:11:32,120 Speaker 1: Believe you me, I'm fine either way. Well, look who 183 00:11:32,240 --> 00:11:36,240 Speaker 1: died and made you Haley Mills. Okay, Well. The original 184 00:11:36,320 --> 00:11:39,439 Speaker 1: Parent Trap in nineteen sixty one starred Hayley Mills and 185 00:11:39,600 --> 00:11:43,760 Speaker 1: Hayley Mills. She appeared as twins Susan and Sharon. She 186 00:11:43,840 --> 00:11:48,160 Speaker 1: played both parts, which love it and then later this 187 00:11:48,320 --> 00:11:51,840 Speaker 1: became there was another Parent Trap where Lindsay Lohan played 188 00:11:52,440 --> 00:11:59,880 Speaker 1: both parts with Dennis Quaid and Oh Liam Neeson's why 189 00:12:00,120 --> 00:12:04,120 Speaker 1: that died? Oh Natasha Richardson, Yeah, that was the mom 190 00:12:04,360 --> 00:12:08,280 Speaker 1: and dad in the remake of Parent Trap. But Hayley 191 00:12:08,320 --> 00:12:12,160 Speaker 1: Mills was in the original Parent Trap which I saw 192 00:12:12,320 --> 00:12:14,280 Speaker 1: back in the day. Might have even been black and white. 193 00:12:14,559 --> 00:12:18,000 Speaker 1: I don't know who who was Lindsay Lohan and lead 194 00:12:18,040 --> 00:12:22,120 Speaker 1: to that. Lindsay Lorian was the lead remake. We have 195 00:12:22,160 --> 00:12:25,120 Speaker 1: a special announcement coming in Hot Off the Wire. Oh yeah, 196 00:12:25,200 --> 00:12:28,400 Speaker 1: that lord, Lindsay Lohan's pregnant. Okay, well, I was going 197 00:12:28,440 --> 00:12:30,400 Speaker 1: to do a whole Walter Cronkite thing, but I guess 198 00:12:30,440 --> 00:12:33,640 Speaker 1: I'm not going to do that now. It happened a 199 00:12:33,679 --> 00:12:36,040 Speaker 1: week ago, so a good track would have been funnier 200 00:12:36,200 --> 00:12:40,800 Speaker 1: if you'd just let me do it. Did you ever 201 00:12:40,840 --> 00:12:44,480 Speaker 1: watch The Parent Trap? Guys? No, it's my It's my 202 00:12:44,600 --> 00:12:46,959 Speaker 1: favorite movie and I watch it on every single plane 203 00:12:47,000 --> 00:12:50,360 Speaker 1: I take because it's the lohand one. No. I literally 204 00:12:50,440 --> 00:12:54,000 Speaker 1: eat Oreos with peanut butter because of that movie. Orehans 205 00:12:54,040 --> 00:13:02,320 Speaker 1: with peanut butter. Word from the actress is with child, 206 00:13:03,080 --> 00:13:06,280 Speaker 1: That's what they eat. That's how they realized they're sisters. 207 00:13:08,120 --> 00:13:11,760 Speaker 1: Like Oreos and peanut butter. I like Oreos and peanut butter. 208 00:13:12,559 --> 00:13:16,800 Speaker 1: I've never had Oreos and peanuts so good. It is divine. 209 00:13:17,240 --> 00:13:21,160 Speaker 1: Did you say Oreos with peanut butter? Yeah? Heavy for me. 210 00:13:21,679 --> 00:13:26,079 Speaker 1: Oh no, it's fantastic. Okay. I guess you would eat 211 00:13:26,120 --> 00:13:29,440 Speaker 1: that if you were pregnant the way I wouldn't eat 212 00:13:29,440 --> 00:13:33,160 Speaker 1: it ever, I mean, Lindsay Lohand is right now the 213 00:13:33,320 --> 00:13:37,800 Speaker 1: movie which she was like five years old, suggests suggestions. 214 00:13:38,400 --> 00:13:44,720 Speaker 1: Just okay, So all right, Danielle, I think you're up. Okay. 215 00:13:45,440 --> 00:13:48,839 Speaker 1: Taylor's telling Lorela that he already found fourteen complaints about 216 00:13:48,880 --> 00:13:52,640 Speaker 1: the inn, and Taylor goes most of them are small infractions. 217 00:13:52,720 --> 00:13:55,520 Speaker 1: But it's the little things, the details that distinguished the 218 00:13:55,559 --> 00:14:00,559 Speaker 1: barber the Barber streisands from the Rosslyn Kinds. Barbra Streisan 219 00:14:00,800 --> 00:14:04,000 Speaker 1: is a singer, actress, and director with a career spanning 220 00:14:04,040 --> 00:14:06,439 Speaker 1: over six decades. She is one of the few performers 221 00:14:06,800 --> 00:14:11,400 Speaker 1: performers awarded and e got um. Rosalin, on the other hand, 222 00:14:11,520 --> 00:14:13,760 Speaker 1: is an actress and songwriter. She is the maternal half 223 00:14:13,800 --> 00:14:16,840 Speaker 1: sister of Barbara Streistan. She has been performing on Broadway 224 00:14:16,840 --> 00:14:20,160 Speaker 1: and other venues since her teenage years. Arguably very successful 225 00:14:20,200 --> 00:14:23,760 Speaker 1: in herself um, but Barbara is significantly more successful and 226 00:14:23,840 --> 00:14:30,800 Speaker 1: popular than Rosalin, and Rosin's bio's bio names her as 227 00:14:30,880 --> 00:14:38,080 Speaker 1: Barbara Streisen's half sister. Wa that's a good, good reference though. 228 00:14:38,800 --> 00:14:42,240 Speaker 1: All right, Soa gave her parents the keys the outside 229 00:14:42,280 --> 00:14:45,680 Speaker 1: private room. Rory says, bye, you are the bad seed Laura, 230 00:14:45,800 --> 00:14:48,400 Speaker 1: I says, I have the prettiest mother. Everybody thinks so, 231 00:14:48,600 --> 00:14:56,760 Speaker 1: and she strokes Rory. That's a really great moment. So 232 00:14:57,000 --> 00:14:59,680 Speaker 1: Loralai is saying a line from the movie The Bad Seed. 233 00:15:00,080 --> 00:15:04,040 Speaker 1: Bad Seat is in nineteen fifty six American psychological thriller 234 00:15:04,120 --> 00:15:07,280 Speaker 1: film that focuses on a family with a seemingly perfect 235 00:15:07,320 --> 00:15:11,560 Speaker 1: little girl, Rhoda and her mother, Christine, who eventually realizes 236 00:15:11,600 --> 00:15:16,200 Speaker 1: that her daughter's actually a murderer. One of Rhoda's most 237 00:15:16,240 --> 00:15:18,680 Speaker 1: popular lines is, Oh, I've got the prettiest mother. I've 238 00:15:18,720 --> 00:15:21,680 Speaker 1: got the nicest mother. That's what I tell everybody. I say, 239 00:15:21,720 --> 00:15:24,040 Speaker 1: I've got the sweetest mother in the world. Do I 240 00:15:24,160 --> 00:15:27,040 Speaker 1: need to watch this movie? Yeah, I've never heard of it. 241 00:15:27,880 --> 00:15:33,320 Speaker 1: Just watch Ginny and Georgia, very similar that everyone loves 242 00:15:33,360 --> 00:15:36,200 Speaker 1: Ginny and Georgia is one of them a murderer the mom. Yeah, yes, 243 00:15:36,440 --> 00:15:38,280 Speaker 1: I'm going to need to watch that, and you would 244 00:15:38,320 --> 00:15:42,320 Speaker 1: like it's great. It's so good. Right now, I'm not 245 00:15:42,440 --> 00:15:44,680 Speaker 1: even allowed to say this, but I'm watching a show 246 00:15:44,760 --> 00:15:46,360 Speaker 1: that's coming out like a couple of weeks. I got 247 00:15:46,440 --> 00:15:48,640 Speaker 1: a sneak preview of it, and I'm scared to say 248 00:15:48,680 --> 00:15:52,160 Speaker 1: the title. It is so good you're seeing you're seeing 249 00:15:52,240 --> 00:15:56,720 Speaker 1: something that Ryan produced. Nope, I got a Netflix show 250 00:15:56,880 --> 00:16:00,920 Speaker 1: that's come that's I got it early. You approve of it? Like, 251 00:16:01,000 --> 00:16:06,040 Speaker 1: do you recommend it? Oh? My god? Clearly really good. 252 00:16:06,040 --> 00:16:07,480 Speaker 1: I'll tell you guys in a couple of weeks. Well, 253 00:16:07,480 --> 00:16:09,440 Speaker 1: I mean, if people really want to see a show, 254 00:16:09,480 --> 00:16:12,680 Speaker 1: they should tune in to Sullivan's Crossing. Well, first of all, 255 00:16:12,760 --> 00:16:14,120 Speaker 1: thank you so much. How did they do that? If 256 00:16:14,160 --> 00:16:21,960 Speaker 1: they live in America, we can't say anything yet. It's 257 00:16:22,080 --> 00:16:25,120 Speaker 1: very frustrating. Wait when does it premiere in Canada? Is 258 00:16:25,120 --> 00:16:29,320 Speaker 1: it on Sunday night? March? Wow? Nineteenth? It'll air up 259 00:16:29,360 --> 00:16:30,680 Speaker 1: there in Canada. Do you have to go all the 260 00:16:30,720 --> 00:16:32,000 Speaker 1: way back to where you film? Did you go into 261 00:16:32,000 --> 00:16:35,800 Speaker 1: a better place in Canada? Well? No, I'm going to Toronto. 262 00:16:36,320 --> 00:16:39,360 Speaker 1: To Toronto. Where did you film it? Though? Halifax? Okay? 263 00:16:39,560 --> 00:16:42,280 Speaker 1: Is Toronto on the left or the right? It's kind 264 00:16:42,320 --> 00:16:45,800 Speaker 1: of on the right ish Okay, Yeah, it's it's it's 265 00:16:45,920 --> 00:16:54,480 Speaker 1: east coast. It's considered northeast. Okay. Yeah. Emily wants a 266 00:16:54,560 --> 00:16:56,240 Speaker 1: room of her own and sees Jason sitting in the 267 00:16:56,320 --> 00:16:59,040 Speaker 1: lobby and ask him if he asked by the way, 268 00:16:59,480 --> 00:17:02,440 Speaker 1: that was very funny. Do you have a room? No, Mom, 269 00:17:02,520 --> 00:17:04,760 Speaker 1: he doesn't. He just showed up here because apparently it's 270 00:17:04,800 --> 00:17:07,639 Speaker 1: Blake Edwards night at the dragon Fly. Blake Edwards was 271 00:17:07,680 --> 00:17:11,040 Speaker 1: a film director, producer, screenwriter, actor. Edwards began his career 272 00:17:11,080 --> 00:17:12,840 Speaker 1: in the forties as an actor, but he soon began 273 00:17:12,920 --> 00:17:15,760 Speaker 1: writing screenplays and radio scripts before turning to producing and 274 00:17:15,880 --> 00:17:19,800 Speaker 1: directing and television and film. Blake was hailed as Hollywood 275 00:17:19,960 --> 00:17:23,440 Speaker 1: master of screwball farces and rude comedies like Victor Victoria 276 00:17:23,720 --> 00:17:28,280 Speaker 1: and the Pink Panther movie. Kind Of ending with a 277 00:17:28,320 --> 00:17:30,120 Speaker 1: thud there because I don't really care too much about 278 00:17:30,119 --> 00:17:33,080 Speaker 1: Blake Edwards, but whatever, he just happened to be a 279 00:17:33,160 --> 00:17:36,159 Speaker 1: comedy master who worked with the greatest comedic actress of 280 00:17:36,240 --> 00:17:39,280 Speaker 1: all time. But yeah, let's just dishim instead. Can I 281 00:17:39,359 --> 00:17:42,639 Speaker 1: ask the question about myself? Peter Sellers, Hello, I know 282 00:17:42,760 --> 00:17:45,080 Speaker 1: pink Panther, Pink Panther. I used to be able to 283 00:17:45,119 --> 00:17:47,359 Speaker 1: play that on the piano. Yeah, whatever, it was like 284 00:17:47,440 --> 00:17:50,160 Speaker 1: Jaws two notes or something. Can I ask the question 285 00:17:50,240 --> 00:17:54,320 Speaker 1: this is very self serving, total obnoxious question about me. Yes, okay, 286 00:17:55,160 --> 00:17:57,840 Speaker 1: do we feel like I can read prompter? Really well, 287 00:17:57,920 --> 00:17:59,520 Speaker 1: Like should I have been a news anchor because I 288 00:17:59,640 --> 00:18:02,080 Speaker 1: feel like I pretty much flawlessly delivered. I think you 289 00:18:02,440 --> 00:18:04,760 Speaker 1: are job. I think you do a very solid job. 290 00:18:04,920 --> 00:18:07,800 Speaker 1: Thank you. Like I agree. In my original dream of 291 00:18:07,880 --> 00:18:09,560 Speaker 1: my career, I thought I was going to be like 292 00:18:09,680 --> 00:18:13,800 Speaker 1: a news anchor. And what's the girl that they say 293 00:18:13,840 --> 00:18:17,959 Speaker 1: all the time? Christine? Oh um, I'm on, poor Christian, 294 00:18:18,040 --> 00:18:22,720 Speaker 1: I'm there you she's more of like a order. Yeah, 295 00:18:22,840 --> 00:18:25,520 Speaker 1: she's an investigator job. I wanted to be there. Have 296 00:18:25,560 --> 00:18:28,040 Speaker 1: you read off a teleprompt or Amy? No, but I 297 00:18:28,040 --> 00:18:31,200 Speaker 1: feel like I'm nail though. Yeah you would. When I 298 00:18:31,240 --> 00:18:33,480 Speaker 1: was in college, though, I took a news reporting class. 299 00:18:33,560 --> 00:18:35,399 Speaker 1: And what's cool is they can do with based on 300 00:18:35,480 --> 00:18:38,280 Speaker 1: the speed of how you read, so someone's like doing it. 301 00:18:38,400 --> 00:18:40,600 Speaker 1: So if you're a fast reader, they'll just fly through it. 302 00:18:41,119 --> 00:18:44,160 Speaker 1: And if I need to go to KTLA and practice 303 00:18:44,240 --> 00:18:46,840 Speaker 1: with the telepar there's a website that you can practice it. 304 00:18:47,400 --> 00:18:49,520 Speaker 1: Send me it. I'll find I'll find I used to 305 00:18:49,560 --> 00:18:51,639 Speaker 1: know it. I'll find it in tech. We'd love to 306 00:18:51,800 --> 00:18:55,879 Speaker 1: fly you to New York. Have you seen all expenses paid? 307 00:18:56,080 --> 00:18:58,760 Speaker 1: We'd like to come audition for us. You could appear 308 00:18:59,000 --> 00:19:03,119 Speaker 1: on the air with me, Walter nail it there, you're No, 309 00:19:03,240 --> 00:19:06,080 Speaker 1: you're definitely good at Yeah, you're good. No, No, You've 310 00:19:06,119 --> 00:19:08,879 Speaker 1: got a nice flow. It's a nice energy. You have 311 00:19:08,920 --> 00:19:11,440 Speaker 1: a pleasant speaking voice. I want to I want to 312 00:19:11,560 --> 00:19:15,600 Speaker 1: become a news anchor sometime maybe when I'm like old. Yeah, no, 313 00:19:16,200 --> 00:19:18,960 Speaker 1: like like maybe that's the next thing we do. We 314 00:19:19,080 --> 00:19:21,320 Speaker 1: have we we do and we do a news show. 315 00:19:22,040 --> 00:19:26,119 Speaker 1: We go from this separately. I'm forty nine. Is that 316 00:19:26,280 --> 00:19:30,000 Speaker 1: middle aged? Am I middle aged? You're so under middle aged? No, 317 00:19:30,160 --> 00:19:36,520 Speaker 1: that's past it. Now you're past away middle age. You're 318 00:19:36,600 --> 00:19:39,399 Speaker 1: you're pushing half a century kid, you know, Oh my, 319 00:19:39,520 --> 00:19:42,280 Speaker 1: that's middle aged. What are how old are you guys? 320 00:19:42,440 --> 00:19:48,320 Speaker 1: Danielle and Tara thirty thirty two? Young aged? Are they 321 00:19:48,520 --> 00:19:50,800 Speaker 1: young aged? What is the and then what is it 322 00:19:50,880 --> 00:19:56,200 Speaker 1: when you're old elderly? Oh my god? Sidebar? Do you 323 00:19:56,240 --> 00:19:58,640 Speaker 1: guys see that TikTok that went viral where the little 324 00:19:58,680 --> 00:20:03,440 Speaker 1: kid calls in sync and yeah yeah, and then AJ 325 00:20:03,640 --> 00:20:07,639 Speaker 1: responded to it. He's just like, really the other one 326 00:20:07,720 --> 00:20:10,680 Speaker 1: that was so funny, there's a book about murderer that 327 00:20:10,880 --> 00:20:19,280 Speaker 1: little girl goes is something that one was? Yeah, anyway, 328 00:20:20,240 --> 00:20:23,160 Speaker 1: that's gonna do it, folks. That wraps up season four 329 00:20:23,560 --> 00:20:28,560 Speaker 1: one here in Norman today. I'm such bad, but we 330 00:20:28,680 --> 00:20:31,320 Speaker 1: have we have three more seasons to do. Yeah, and 331 00:20:31,359 --> 00:20:34,480 Speaker 1: then we have four movies. Yeah. Yeah. It's like we're 332 00:20:34,600 --> 00:20:37,560 Speaker 1: kind of like, in terms of human years in this podcast, 333 00:20:37,600 --> 00:20:42,800 Speaker 1: we're forty nine. We're kind of like a little past 334 00:20:42,880 --> 00:20:47,320 Speaker 1: middle age. So so so anyway, thanks for tuning in. 335 00:20:47,400 --> 00:20:49,840 Speaker 1: Best fans on Thank you, Tar, thank you Danielle, thank 336 00:20:49,880 --> 00:20:53,320 Speaker 1: you Amy. Uh. Get it together over there, get it together. 337 00:20:54,200 --> 00:20:58,000 Speaker 1: We have big meetings. Um make some hot cocoa. Best 338 00:20:58,200 --> 00:21:02,000 Speaker 1: fans on the planet. Love to you all, and just 339 00:21:02,320 --> 00:21:06,560 Speaker 1: keep one thing in mind. I am all in. I 340 00:21:06,600 --> 00:21:08,800 Speaker 1: don't want to do a deep dramatic thing. You did 341 00:21:08,880 --> 00:21:10,840 Speaker 1: a perfect one, just doing it. I am all in. 342 00:21:11,160 --> 00:21:14,920 Speaker 1: There you go. Congrats to you all on four seasons 343 00:21:14,960 --> 00:21:19,119 Speaker 1: of this podcast. I know, right, okay, guys, ll gi 344 00:21:19,320 --> 00:21:26,000 Speaker 1: thee those are sororities. Yeah, you know, it's too bad. 345 00:21:26,000 --> 00:21:28,240 Speaker 1: We're don'na have fun when we're recording, and we gotta 346 00:21:28,280 --> 00:21:31,640 Speaker 1: work on that. We gotta work on that. We gotta 347 00:21:31,680 --> 00:21:33,800 Speaker 1: take it. I think we should take this more serious. Okay, 348 00:21:33,920 --> 00:21:35,960 Speaker 1: so we might do a little therapy. We'll do a 349 00:21:36,000 --> 00:21:38,920 Speaker 1: little therapy and then we'll start season five. Okay, let's 350 00:21:38,960 --> 00:22:12,560 Speaker 1: do it. Yes, all right, guys, thanks for everything. Hey everybody, 351 00:22:12,600 --> 00:22:15,880 Speaker 1: and don't forget follow us on Instagram at I Am 352 00:22:15,960 --> 00:22:20,880 Speaker 1: all In podcast and email us at Gilmore at iHeartRadio 353 00:22:21,240 --> 00:22:23,760 Speaker 1: dot com. Oh you're Gilmore fans. 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