WEBVTT - Woodstock Pt. 2: A Disaster Movie (Rewind)

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<v Speaker 1>Disgraceland is a production of Double Elvis. The story about Woodstock,

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<v Speaker 1>the real story, the death, the destruction, the downright disaster

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<v Speaker 1>movie that the three days supposed festival of peace, love

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<v Speaker 1>and communalism really was is so complex that we needed

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<v Speaker 1>two episodes to properly tell it. If you're just getting

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<v Speaker 1>hip to this now, I suggest you hip pause and

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<v Speaker 1>go back to the last episode of Disgraceland, Part one

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<v Speaker 1>of the Woodstock Story, where we discuss the violent rock

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<v Speaker 1>and roll festival foundations of Woodstock, the hypocritical hippie extortion

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<v Speaker 1>that allowed the show to go on, the cunning and

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<v Speaker 1>confidence of producer Michael Lang, the surge of hundreds of

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<v Speaker 1>thousands of fans, the near immediate declaration of disaster by

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<v Speaker 1>the State of New York, and the ominous signs of

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<v Speaker 1>death and destruction on the horizon. In this episode, into

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<v Speaker 1>the deaths of two concertgoers, bad acid, near chaos, and

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<v Speaker 1>near death on an unimaginable scale. Woodstock's legacy and great

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<v Speaker 1>music the Who, Joe Cocker and Jimmy Hendricks name a few,

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<v Speaker 1>again great music, Unlike that music. I played few at

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<v Speaker 1>the top of the show that wasn't great music that

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<v Speaker 1>was a preset loop from my melotron called swatch out

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<v Speaker 1>MK one. I played you that loop because I can't

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<v Speaker 1>afford the rights in the year twenty five twenty five

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<v Speaker 1>by Zager and Evans. And why would I play you

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<v Speaker 1>that specific slice of futuro cheese? Could I afford it?

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<v Speaker 1>Because that was the number one song in America on

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<v Speaker 1>the morning of August eighteenth, nineteen sixty nine, And that

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<v Speaker 1>was the day Jimmy Hendrix took the stage at Woodstock,

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<v Speaker 1>turning in an electrifying performance that would seal Woodstock as

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<v Speaker 1>the culture defining moment that it was. On this episode

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<v Speaker 1>brown Acid, bad vibes, death, destruction, in the master movie

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<v Speaker 1>that was Woodstock. I'm Jake Brennan in this his Disgraceland

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<v Speaker 1>August fifteenth, nineteen sixty nine, Woodstock Aquarian Exposition, Bethel, New

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<v Speaker 1>York Yasger's firm peace and Love were not going to

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<v Speaker 1>save them. Smith and Wesson were Max Yasker, owner of

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<v Speaker 1>the thriving and pastoral dairy farm, Michael Lang and Woodstock

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<v Speaker 1>Ventures were hosting their three day music festival. On was

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<v Speaker 1>hiding in his farm stands office. He his son and

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<v Speaker 1>one of the workers on his dairy farm were fully

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<v Speaker 1>armed shotguns with enough shells to keep a small army

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<v Speaker 1>held at bay until hopefully this god forsaken festival mess

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<v Speaker 1>he'd gotten him and his family in two blew over.

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<v Speaker 1>They were coming to take his land, take his home,

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<v Speaker 1>using the chaos of the festival as covered a pillage,

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<v Speaker 1>and God help him rape the land and the life

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<v Speaker 1>he'd spent thirty three years building since taking over the

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<v Speaker 1>farm from his father. They were modern day vikings, set

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<v Speaker 1>to maraud and kill his family, steal the valuables in

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<v Speaker 1>cash he had on site, and make off into the night.

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<v Speaker 1>Like the low down bandits they were. Max Yasgar wasn't

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<v Speaker 1>going down without a fight. As soon as the call

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<v Speaker 1>came that a carpetbagging set of MC outlaws were making

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<v Speaker 1>their way with their bikes through the backed up festival

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<v Speaker 1>traffic to Max's home to conduct a violent raid. Max

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<v Speaker 1>went to work. He barricaded himself in with all the

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<v Speaker 1>firepower he could find in his office, with his son

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<v Speaker 1>and a local employee to beat back the violent bikers.

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<v Speaker 1>It made for a sleepless, if on eventful night, and

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<v Speaker 1>the Motorcycle Club raiders never rid It must have been

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<v Speaker 1>a prank call, a false warning, one of the many

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<v Speaker 1>forms of local harassment Max and his family had to

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<v Speaker 1>endure since agreeing to host the festival, and back at

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<v Speaker 1>the festival site, things weren't any less tense. Bad LSD

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<v Speaker 1>was making the rounds. Kids were suffering drug induced psychotic episodes.

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<v Speaker 1>So far was under control, but if word didn't spread

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<v Speaker 1>fast and not take the brown acid, then mass psychosis

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<v Speaker 1>for hundreds of thousands of teenagers and ensuing riots lay

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<v Speaker 1>on the horizon. Improbably Hugh Romney and his hippie hog

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<v Speaker 1>Farmers were enlisted to help solve this very dangerous problem.

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<v Speaker 1>A mud stained hippie kid stumbled into the hog farm

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<v Speaker 1>of special medical tent, the tent known as Big Pink

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<v Speaker 1>On Cots all around were fellow acid had psychonauts, bad

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<v Speaker 1>trippers way in outer space, some limp and catatonic, some

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<v Speaker 1>crazed and mumbling in tongues. Hog Farmers treated them as

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<v Speaker 1>only they knew how as they were expected to do,

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<v Speaker 1>as was their job, part of the reason Michael Lang

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<v Speaker 1>had hired them, and they applied cold water to the

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<v Speaker 1>heads the kids on bad acid, for others, for the

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<v Speaker 1>ones freaking the fuck out, for the ones caught in

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<v Speaker 1>some terrible time loop or a psychic pattern they couldn't break.

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<v Speaker 1>For the ones screaming and thrashing around, the hog farmers

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<v Speaker 1>provided extra attention. They held them gently and talcked them down.

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<v Speaker 1>And the mud stained kid was in a bad way.

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<v Speaker 1>He kept mumbling Miami Beach, nineteen ninety four. Joyce, Miami Beach,

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<v Speaker 1>nineteen ninety four. Choyce, Miami Beach, nineteen ninety four. Joyce.

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<v Speaker 1>He was caught in one of those bad loops, trapped

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<v Speaker 1>inside of himself, a carnival horror show of fears and regret,

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<v Speaker 1>visions of the future and not good ones. Hugh Romney,

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<v Speaker 1>head hog farmer, could see it in the kid's eyes

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<v Speaker 1>Miami Beach, nineteen ninety four. Choice. Rodney grabbed the boy

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<v Speaker 1>gently with both hands by his cheeks. Tune into your

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<v Speaker 1>third eye, man, Rodney advised him. And Romney asked his

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<v Speaker 1>where he came from, and brought the muddy tripper down

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<v Speaker 1>to earth, led him do a cot, told him to

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<v Speaker 1>sit awhile, and then when he was well, Romney pointed

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<v Speaker 1>to the next lost soul wandering through the door. See him.

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<v Speaker 1>He pointed at the new patient who just wandered in himself,

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<v Speaker 1>blitzed on acid in a bad way. Romney then looked

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<v Speaker 1>at the mud stained boy he'd successfully talked down from

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<v Speaker 1>the bad trip and applied the finishing touch he gave

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<v Speaker 1>the bad tripper purpose, gave him a distraction, gave him

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<v Speaker 1>a reason to believe in himself, and to take control

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<v Speaker 1>of a situation. Romney told the boy he was now okay.

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<v Speaker 1>He nodded again to the new patient who just wandered

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<v Speaker 1>into the medical tent, and told the mud stained boy quote,

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<v Speaker 1>now you're the doctor, take over. That was how things

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<v Speaker 1>worked in the Big Pink. The medical Tent was a

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<v Speaker 1>peace and love psychedelics mass unit, but it wasn't all bad.

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<v Speaker 1>To assist bass player Rick Danko of the band, a

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<v Speaker 1>dude who knew all about another Big Pink came through

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<v Speaker 1>and posted up with an acoustic tar. He strummed and

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<v Speaker 1>sang softly to help chill out the kids who were

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<v Speaker 1>having a tough time on their trips. It was a

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<v Speaker 1>moment of genuine goodwill, like many others from that weekend,

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<v Speaker 1>that were necessary to help offset the destruction taking place.

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<v Speaker 1>Words spread of the various disasters, most were untrue, Abby

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<v Speaker 1>Hoffman spiked the water supply with brown acid. Richard Nixon

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<v Speaker 1>called him the National Guard. The Hell's Angels have taken

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<v Speaker 1>Yasker's wife hostage, but some were true, like the story

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<v Speaker 1>about the young concertgoer who went to bed on that

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<v Speaker 1>first night of the festival in his sleeping bag and

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<v Speaker 1>awoke to the sound of a tractor inches from his

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<v Speaker 1>body that then proceeded to roll right over him, crushing him,

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<v Speaker 1>and they airlifted him by helicopter to the local hospital.

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<v Speaker 1>He died of his wounds before the chopper even landed.

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<v Speaker 1>He was seventeen years old. His name was Ray Mizick.

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<v Speaker 1>He was from Trenton, New Jersey. And then there was

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<v Speaker 1>the constant buzz about overdoses, not just bad trips from

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<v Speaker 1>acid from LSD, but also from heroin, opium, cocaine, mandricks

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<v Speaker 1>all manner of late sixties narcotics that contributed to more

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<v Speaker 1>than three thousand drug related incidents and overdoses, three most

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<v Speaker 1>seriously resulted in near death and whisked off by helicopter

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<v Speaker 1>to area hospitals where they were revived. So steady was

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<v Speaker 1>the air traffic from the concert to the area hospitals

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<v Speaker 1>and clinics that SOS messages concerning the drug wounded or

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<v Speaker 1>eventually coordinated through the United States Aerospace Command Headquarters in

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<v Speaker 1>Colorado Springs via the Pentagon, which eventually authorized US Army

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<v Speaker 1>Air Force Task Force pilots to run rescue missions in

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<v Speaker 1>and out of Woodstock with Huey helicopters, the same exact

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<v Speaker 1>kind of helicopters used to airlift the wounded out of Vietnam.

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<v Speaker 1>The drugged out and otherwise wounded Woodstock concert goers were

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<v Speaker 1>flown to an emergency medical facility set up by the

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<v Speaker 1>US government in nearby Monochello, New York, for treatment and

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<v Speaker 1>then dispatched to local facilities for further care if necessary.

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<v Speaker 1>But one Woodstock attendee was not so lucky, an eighteen

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<v Speaker 1>year old marinem on leave taking in the peace and

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<v Speaker 1>Love and a jack of illicit heroine that killed him.

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<v Speaker 1>His name was Richard Beller. He was from Holbrook, Long Island. Death, Drugs,

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<v Speaker 1>Destruction and great music Sly and the family. Stone went

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<v Speaker 1>on Wayley at three point thirty am and turned in

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<v Speaker 1>what to that point it was the best performance of

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<v Speaker 1>the concert thus far, laying waste nearly all the performers

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<v Speaker 1>who preceded them. Sly Stone was a soul assassin and

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<v Speaker 1>the land of stoned hippies. He and his band worked

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<v Speaker 1>the crowd into a delirious state with their high energy,

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<v Speaker 1>dirty funk. Everyday people danced to the music I Want

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<v Speaker 1>to Take You Higher, all infectious bangers, seemingly composed to move,

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<v Speaker 1>shaken and thraw half a million people in one sitting

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<v Speaker 1>as they just had. Steam was coming off of Slyzafro.

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<v Speaker 1>The Mammoth crowd demanded two encores, and when the band

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<v Speaker 1>left the stage at four twenty am, sly Stone had

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<v Speaker 1>one message for Pete Townsend about to go on next

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<v Speaker 1>with the Who, and the message was this follow that

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<v Speaker 1>motherfucker Pete Townsend was too annoyed to care. It was

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<v Speaker 1>late and this festival was a fucking disaster and they

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<v Speaker 1>sure as hell weren't getting paid enough for this bullshit.

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<v Speaker 1>It must be real. What this was was bullshit. This

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<v Speaker 1>wasn't a movement, This wasn't about peace and love. This

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<v Speaker 1>wasn't about a new way. This was about music for money,

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<v Speaker 1>and poorly planned at that. This was a new mob

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<v Speaker 1>trying to usurp the old mob. Meet the new boss,

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<v Speaker 1>same as the old boss. This was tie die in

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<v Speaker 1>place of starch suits. This was a new pig and

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<v Speaker 1>a new silk tie Paisley instead of pinstripes. Either way,

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<v Speaker 1>it was a lie. Might as well just call it

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<v Speaker 1>what it was, capitalism, but worse capitalism without efficiency going

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<v Speaker 1>on at five am? What the fuck was that about?

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<v Speaker 1>The Who's storm through their set with maximum power, maximum

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<v Speaker 1>rock and roll, maximum rhythm, maximum blues, maximum R and B.

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<v Speaker 1>Everything was maxed, whose volume, whose energy, to whose attitude?

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<v Speaker 1>And the thinly veiled contempt Pete Townsend had for this

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<v Speaker 1>whole fu gazy affair. The English guitarist was a tightly

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<v Speaker 1>wound ball of fairly containable violence, doing his best to

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<v Speaker 1>blow up the stage right there in front of half

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<v Speaker 1>a million confused and frightened hippies. This was not passive,

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<v Speaker 1>This was not placid. This was nothing like the previous

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<v Speaker 1>Woodstock performers. This wasn't Arlo Guthrie or Joe Bias or

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<v Speaker 1>Country Joe in the fucking Fish Country Joe. Pete Townsend

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<v Speaker 1>heard he named his son Joseph after Joseph Stalin Americans.

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<v Speaker 1>The fuck was wrong with these people, But Pete wanted

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<v Speaker 1>to get the gig over with and get the hell

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<v Speaker 1>out of there, Pete stewed while he Tunedes Gibson SG.

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<v Speaker 1>Let's get this bullshit over with, he thought. In the

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<v Speaker 1>wings at the side of the stage, cly Stone wired

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<v Speaker 1>out of his mind from either the set he'd just performed,

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<v Speaker 1>or from the white lightning acid being passed around the

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<v Speaker 1>ho Chi Minh trail, or both. Sly was there with

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<v Speaker 1>Gray Slick from Jefferson Airplane, who is set to take

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<v Speaker 1>the stage even later than the Who, And of course

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<v Speaker 1>there was that dude who wouldn't shut the fuck up,

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<v Speaker 1>the big guy with the big hair and the bigger mouth,

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<v Speaker 1>talking white panther jive, non stop Sinclair, this yippy, that steal,

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<v Speaker 1>this concert, smoked, this revolution, Brothers, Sisters, Pigs, police, blah

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<v Speaker 1>blah blah blah blah, Abbie Hoffman. He reminded Pete of

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<v Speaker 1>a less talented, less attractive, less interesting Lenny Bruce. He

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<v Speaker 1>thought about how this guy's stick would play back in London.

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<v Speaker 1>Not even Princess Margaret would fuck this guy. Why did

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<v Speaker 1>the Americans pay him any mind? Whatever, it didn't matter

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<v Speaker 1>who was ready, The set was about to start. Finally,

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<v Speaker 1>Roger looked at Pete and he nodded. Shot a look

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<v Speaker 1>at John, then peered over to Keith behind the kit,

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<v Speaker 1>and then Abby Hoffman rushed the stage. He grabbed Pete's mike.

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<v Speaker 1>Four thousand of our brothers and sisters are being persecuted

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<v Speaker 1>for no more than we're doing on this hill. It's

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<v Speaker 1>only fair that we help out. We are the Woodstock Nation,

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<v Speaker 1>We are one. What the fuck was this? Someone cut

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<v Speaker 1>the mic thankfully. Hoffman, pissed, kicked the mic stand over.

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<v Speaker 1>That did it? Fuck this guy? Pete grabbed the neck

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<v Speaker 1>of his guitar, swung it back like a tennis racket,

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<v Speaker 1>and swatted it flat into Hoffman's hairy grill. Hoffman, dazed,

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<v Speaker 1>stumbled for a step or two toward the front of

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<v Speaker 1>the stage before falling over into the crowd. He was

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<v Speaker 1>absorbed by the audience, who, a day and a half

0:13:30.600 --> 0:13:33.400
<v Speaker 1>into the festival, were too sleep deprived and blitzed on

0:13:33.520 --> 0:13:36.319
<v Speaker 1>acid to comprehend the violence that had just taken place

0:13:36.360 --> 0:13:40.760
<v Speaker 1>at this fugazy festival of peace. Pete wasted no time.

0:13:41.160 --> 0:13:44.000
<v Speaker 1>He looked again to Keith behind the kit, who quickly

0:13:44.040 --> 0:13:49.640
<v Speaker 1>counted the band off and into the racous set. The

0:13:49.679 --> 0:13:54.000
<v Speaker 1>Who's set, violent and unnatural as it was, was nothing

0:13:54.000 --> 0:14:00.240
<v Speaker 1>compared to the potential threat brewing for more natural causes.

0:14:20.360 --> 0:14:23.760
<v Speaker 1>English singer Joe Cocker in his backup group The Grease Band,

0:14:23.760 --> 0:14:26.960
<v Speaker 1>took the stage round two pm on Sunday afternoon to

0:14:27.040 --> 0:14:29.960
<v Speaker 1>open the day's festivities with his brand of blue eyed

0:14:30.000 --> 0:14:33.160
<v Speaker 1>epileptic soul and enthralled the audience who had never seen

0:14:33.200 --> 0:14:37.000
<v Speaker 1>anything like him before. The Grease Band had been touring

0:14:37.040 --> 0:14:40.040
<v Speaker 1>the US since spring, but it was as impressive an

0:14:40.040 --> 0:14:42.840
<v Speaker 1>American debut as he could have hoped for, and little

0:14:42.880 --> 0:14:44.960
<v Speaker 1>did the singer know at the time would go on

0:14:45.040 --> 0:14:49.080
<v Speaker 1>to become an iconic performance. But when his performance was done,

0:14:49.440 --> 0:14:52.400
<v Speaker 1>Joe Cocker felt it in the air, the coming rain.

0:14:52.920 --> 0:14:56.000
<v Speaker 1>The clouds moved in out of nowhere, and the temperature

0:14:56.040 --> 0:14:59.040
<v Speaker 1>took a slight, sudden drop, and the audience began to

0:14:59.080 --> 0:15:02.520
<v Speaker 1>stir uncomfortable, and Joe Cocker grabbed a bottle of something

0:15:02.600 --> 0:15:05.400
<v Speaker 1>hard and split in search of a roof in four walls.

0:15:05.960 --> 0:15:08.880
<v Speaker 1>Black clouds draped over the half a million concert goers

0:15:08.880 --> 0:15:11.720
<v Speaker 1>and gobbled up the pink afternoon sky in an instant,

0:15:12.280 --> 0:15:15.720
<v Speaker 1>and the crowd gasped on mass. No one had planned

0:15:15.760 --> 0:15:20.600
<v Speaker 1>for this for rain if festival producer Michael Lang was nervous.

0:15:20.640 --> 0:15:23.800
<v Speaker 1>He didn't show it. He suppressed a slight grin. Perhaps

0:15:23.800 --> 0:15:26.120
<v Speaker 1>he was amused that it was learned the unexpected rain

0:15:26.240 --> 0:15:28.840
<v Speaker 1>being thrown their way was courtesy of a storm moving

0:15:28.920 --> 0:15:32.000
<v Speaker 1>up the coast called Hurricane Michael. But this was no

0:15:32.160 --> 0:15:35.560
<v Speaker 1>time to be amused. A smart stage hand screamed at

0:15:35.600 --> 0:15:39.440
<v Speaker 1>everybody and nobody in particular, Hit the power. A small

0:15:39.440 --> 0:15:42.040
<v Speaker 1>battalion of backstage roadies took to the stage with the

0:15:42.120 --> 0:15:46.280
<v Speaker 1>quickness and began covering everything with slipcovers, power cables in particular,

0:15:46.480 --> 0:15:50.160
<v Speaker 1>and they all shared the same look on their faces, fear.

0:15:51.440 --> 0:15:54.840
<v Speaker 1>Another voice rang out from backstage, Kill the fucking power man,

0:15:55.000 --> 0:15:58.840
<v Speaker 1>Kill the power. Nobody was volunteering for the job. And

0:15:58.920 --> 0:16:01.880
<v Speaker 1>the wind picked up and bill in Diaskar's natural amphitheater,

0:16:02.000 --> 0:16:04.320
<v Speaker 1>lifting as much random trash as it could along the

0:16:04.360 --> 0:16:07.000
<v Speaker 1>way and sending an airborne and the strength of the

0:16:07.000 --> 0:16:10.960
<v Speaker 1>wind was sudden and intense. The clouds grew even more black.

0:16:11.280 --> 0:16:16.480
<v Speaker 1>The vibe was beyond ominous straight fear. Hanging above festival organizers'

0:16:16.520 --> 0:16:20.640
<v Speaker 1>heads the massive one hundred foot sound towers, huge metal

0:16:20.680 --> 0:16:23.800
<v Speaker 1>and plywood constructions holding the speakers that were used to

0:16:23.800 --> 0:16:27.400
<v Speaker 1>blast sound from the stage. They slowly creaked as they

0:16:27.480 --> 0:16:32.040
<v Speaker 1>swayed and the wind pressed, the towers lurched, thunder rumbled

0:16:32.080 --> 0:16:35.000
<v Speaker 1>in the distance, the clouds got even darker. Kids on

0:16:35.040 --> 0:16:37.880
<v Speaker 1>the crowd braced themselves for a torrent from the heavens,

0:16:38.040 --> 0:16:41.480
<v Speaker 1>and the towers bent a little more. Most festival organizers

0:16:41.480 --> 0:16:43.520
<v Speaker 1>feared the worst and tried to play it cool, and

0:16:43.680 --> 0:16:49.400
<v Speaker 1>one did not kill the fucking power. Power was needed

0:16:49.440 --> 0:16:52.240
<v Speaker 1>at the moment, because there up in one of the towers.

0:16:52.240 --> 0:16:54.840
<v Speaker 1>Some kids sat high above the crowd, taking in the show,

0:16:55.320 --> 0:16:58.600
<v Speaker 1>oblivious to the twin hazards of lightning and wind and

0:16:58.680 --> 0:17:01.320
<v Speaker 1>breaking with the hippie edicts. Then let live. One smart

0:17:01.360 --> 0:17:04.000
<v Speaker 1>woodstock organizer jumped on the mic and got into it

0:17:04.040 --> 0:17:06.680
<v Speaker 1>with the crowd. Do you please get away from the towers,

0:17:06.720 --> 0:17:10.119
<v Speaker 1>Please clear away before someone gets hurt. And the wind

0:17:10.240 --> 0:17:13.440
<v Speaker 1>picked up again, and the towers, all of them, swayed

0:17:13.480 --> 0:17:16.120
<v Speaker 1>a little more and more kids were situated on them

0:17:16.119 --> 0:17:19.240
<v Speaker 1>than before. How had this happened? The wind picked up again,

0:17:19.240 --> 0:17:21.080
<v Speaker 1>and when it did, the towers near the gave way

0:17:21.160 --> 0:17:23.840
<v Speaker 1>they bent even further. If they fell all the way,

0:17:23.840 --> 0:17:27.560
<v Speaker 1>it would be certain mass destruction. Hey, get off those towers.

0:17:27.600 --> 0:17:30.760
<v Speaker 1>Get off those towers, and the kids and the towers

0:17:30.800 --> 0:17:35.120
<v Speaker 1>ignored the voice, the idiocy on the mic. The organizer

0:17:35.200 --> 0:17:38.080
<v Speaker 1>pressed for calm, let's keep it nice and cool. Just

0:17:38.119 --> 0:17:41.160
<v Speaker 1>sit down and be cool. Thunder then interrupted his plea

0:17:41.280 --> 0:17:45.520
<v Speaker 1>with a loud crack. He continued, afterward, looks like we're

0:17:45.520 --> 0:17:47.280
<v Speaker 1>gonna get a little bit of rain, so you better

0:17:47.280 --> 0:17:49.520
<v Speaker 1>cover up. If it does, we should have a slight

0:17:49.600 --> 0:17:52.439
<v Speaker 1>power problem. Just cool it out. We'll sit here with you.

0:17:52.560 --> 0:17:56.720
<v Speaker 1>You'll be okay. Just then, Thunder exploded in the sky,

0:17:56.840 --> 0:17:59.160
<v Speaker 1>as if to mock the comments coming from the stage.

0:17:59.520 --> 0:18:03.640
<v Speaker 1>And that's when the organizer felt it. The stage the slip.

0:18:03.960 --> 0:18:06.959
<v Speaker 1>The whole stage had shifted under his feet. The massive

0:18:06.960 --> 0:18:10.760
<v Speaker 1>stages foundation was slipping, and forget the towers, the stage

0:18:10.800 --> 0:18:13.280
<v Speaker 1>was about to go down in front a massive kids

0:18:13.280 --> 0:18:17.040
<v Speaker 1>were oblivious to what was about to happen, the stage shifting, sliding,

0:18:17.080 --> 0:18:20.160
<v Speaker 1>potentially crashing down on top of them. The stage sholted

0:18:20.240 --> 0:18:23.960
<v Speaker 1>forward in a quick burst and then stopped. The sky

0:18:24.119 --> 0:18:26.600
<v Speaker 1>cracked open again with a massive thunderclap, and then the

0:18:26.680 --> 0:18:34.119
<v Speaker 1>rain poured down. Kids in the crowd immediately started to rejoice,

0:18:34.440 --> 0:18:37.400
<v Speaker 1>dancing in the rain, sliding in the mud, feeding off

0:18:37.400 --> 0:18:40.120
<v Speaker 1>of the chaotic energy in the most peaceful way possible.

0:18:40.440 --> 0:18:44.040
<v Speaker 1>It was borderline miraculous. But how long could it last?

0:18:44.359 --> 0:18:47.359
<v Speaker 1>How long before the kids got tired, got cold, and

0:18:47.480 --> 0:18:52.320
<v Speaker 1>bolted for the exit. Backstage A volunteers sprinted for her boss,

0:18:52.400 --> 0:18:55.200
<v Speaker 1>looking for direction. How are they going to call the crowd?

0:18:55.400 --> 0:18:57.159
<v Speaker 1>How are they going to keep them still in the

0:18:57.240 --> 0:18:59.520
<v Speaker 1>rain and not stampeding each other? In an effort to

0:18:59.560 --> 0:19:02.600
<v Speaker 1>head some for dry land, she made it past the

0:19:02.640 --> 0:19:06.360
<v Speaker 1>backstage wall of dead instrument cases. Her boss was nowhere.

0:19:06.520 --> 0:19:09.679
<v Speaker 1>She ran through the small makeshift artists VIP area, no

0:19:09.800 --> 0:19:12.760
<v Speaker 1>boss around, toward where the crew served them sells, mushy

0:19:12.760 --> 0:19:15.760
<v Speaker 1>food and warm drinks, and still no boss. Back toward

0:19:15.760 --> 0:19:18.720
<v Speaker 1>the festival command center's trailer. There in there he must

0:19:18.760 --> 0:19:21.159
<v Speaker 1>be in there. In the trailer. She ran toward it,

0:19:21.200 --> 0:19:24.160
<v Speaker 1>in and around darting staff. She reached the trailer, put

0:19:24.160 --> 0:19:26.400
<v Speaker 1>her foot in the first metal step, and was blasted

0:19:26.600 --> 0:19:28.639
<v Speaker 1>up and back and away from the trailer and onto

0:19:28.640 --> 0:19:34.040
<v Speaker 1>her ass from the electric surge. Her boss opened the

0:19:34.040 --> 0:19:36.680
<v Speaker 1>door at the moment took in the scene, barely noticing

0:19:36.680 --> 0:19:39.600
<v Speaker 1>his felt volunteer. She shouted to him, don't step on

0:19:39.640 --> 0:19:42.199
<v Speaker 1>the stairs, you'll get shocked. And he leaped over the

0:19:42.240 --> 0:19:44.959
<v Speaker 1>three stairs and down to the ground, and the ground

0:19:45.040 --> 0:19:48.840
<v Speaker 1>was softened. Trampled grass, long since reduced to dirt, was

0:19:48.880 --> 0:19:52.679
<v Speaker 1>now transforming into mud, and the mud was splashing away

0:19:52.720 --> 0:19:56.160
<v Speaker 1>and under it. The festival's main power feed cable was emerging.

0:19:56.640 --> 0:19:59.200
<v Speaker 1>As more and more people trounced over it. The more

0:19:59.240 --> 0:20:02.160
<v Speaker 1>the main power came, insulation wore away, and the more

0:20:02.200 --> 0:20:04.680
<v Speaker 1>the insulation wore away from the cable, the more it's

0:20:04.720 --> 0:20:07.879
<v Speaker 1>electrical surge escaped. And the more water the flooded the

0:20:07.880 --> 0:20:10.320
<v Speaker 1>area around the cable, the more likely the chance for

0:20:10.359 --> 0:20:14.000
<v Speaker 1>the electricity to travel. At that moment, it became very

0:20:14.040 --> 0:20:17.440
<v Speaker 1>clear that five hundred thousand people were connected by more

0:20:17.520 --> 0:20:21.000
<v Speaker 1>than peace, love and music. They were now connected by

0:20:21.040 --> 0:20:25.440
<v Speaker 1>the heavens, by rain and by water, the perfect conduit

0:20:25.840 --> 0:20:32.560
<v Speaker 1>for mass electrocution. We'll be right back after this word

0:20:32.720 --> 0:20:40.120
<v Speaker 1>word word. This was it the last straw. No one

0:20:40.160 --> 0:20:43.439
<v Speaker 1>planned for the rain, and Michael Lane couldn't really flash

0:20:43.480 --> 0:20:46.879
<v Speaker 1>a quickstone smile to stop the rain, nor could he

0:20:46.960 --> 0:20:49.720
<v Speaker 1>stop the stage from slipping. And he couldn't stop those

0:20:49.800 --> 0:20:53.280
<v Speaker 1>towers from swaying and toppling over and He especially couldn't

0:20:53.280 --> 0:20:56.560
<v Speaker 1>stop electricity from escaping the main power feed cable and

0:20:56.640 --> 0:21:00.480
<v Speaker 1>transferring itself through the wet festival grounds, in effect barbecuing

0:21:00.520 --> 0:21:03.080
<v Speaker 1>the half a million kids he'd assembled on old Man

0:21:03.200 --> 0:21:08.040
<v Speaker 1>Yasker's farm. It was all beyond his control. Planning and

0:21:08.080 --> 0:21:10.800
<v Speaker 1>producing this festival had been his life over the past

0:21:10.840 --> 0:21:14.359
<v Speaker 1>several months. His entire identity was now tied to it.

0:21:14.359 --> 0:21:16.720
<v Speaker 1>It's a glorious thing if he looked at it through

0:21:16.720 --> 0:21:20.000
<v Speaker 1>the right lens. Half a million kids getting along on

0:21:20.040 --> 0:21:23.000
<v Speaker 1>their own, a new generation doing it their own way,

0:21:23.440 --> 0:21:26.879
<v Speaker 1>the biggest cultural gathering in American history, most likely in

0:21:26.960 --> 0:21:30.400
<v Speaker 1>so far. Despite the many close calls in constant stress,

0:21:30.720 --> 0:21:34.160
<v Speaker 1>there was little incident. Sure, two kids had already died,

0:21:34.160 --> 0:21:37.040
<v Speaker 1>but that would quickly be forgotten. With the right message,

0:21:37.520 --> 0:21:39.840
<v Speaker 1>the rain would stop, the kids would settle into their

0:21:39.840 --> 0:21:42.520
<v Speaker 1>own groove. Michael knew it, and this ride he'd been

0:21:42.600 --> 0:21:45.240
<v Speaker 1>on with Woodstock from a dream to a reality, then

0:21:45.320 --> 0:21:47.600
<v Speaker 1>to having the location ripped out from under him at

0:21:47.600 --> 0:21:50.639
<v Speaker 1>the last minute, to finding Yasker's farm, just setting the

0:21:50.680 --> 0:21:54.040
<v Speaker 1>show up in under thirty days, to the extortion from Hoffman,

0:21:54.119 --> 0:21:56.320
<v Speaker 1>from the cops, from the grateful dead refusing to go

0:21:56.400 --> 0:22:00.000
<v Speaker 1>on unless they're paid in advance in cash. To Jimmy Hendrick,

0:22:00.119 --> 0:22:02.560
<v Speaker 1>so at this moment was still threatening to not perform

0:22:02.760 --> 0:22:06.080
<v Speaker 1>to the massive financial debucle that this entire event had

0:22:06.080 --> 0:22:08.960
<v Speaker 1>turned out to be. All of it, all, the problems

0:22:09.040 --> 0:22:11.480
<v Speaker 1>would find a way of working themselves out, and the

0:22:11.560 --> 0:22:14.120
<v Speaker 1>glory on the other end of this thing was immeasurable.

0:22:14.520 --> 0:22:16.720
<v Speaker 1>Michael would be the guy. Michael Lang would be the

0:22:16.720 --> 0:22:18.600
<v Speaker 1>one who did something no one else had done, and

0:22:18.680 --> 0:22:21.320
<v Speaker 1>that would be worth every ounce of energy he'd put

0:22:21.320 --> 0:22:25.280
<v Speaker 1>into this thing. His business partners, John Roberts and Joel

0:22:25.359 --> 0:22:28.119
<v Speaker 1>Rossaman did not have the same utopian view of their

0:22:28.160 --> 0:22:31.520
<v Speaker 1>shared venture with Michael Lang. Forget about the hassles and

0:22:31.560 --> 0:22:35.320
<v Speaker 1>the massive financial loss, they were concerned with something much darker.

0:22:35.760 --> 0:22:39.000
<v Speaker 1>If someone didn't get the situation with the electricity sorted out,

0:22:39.200 --> 0:22:43.119
<v Speaker 1>they'd be seen as far worse than financially failed festival producers.

0:22:45.680 --> 0:22:50.440
<v Speaker 1>Six pm Sunday night security, along with the festival organizers

0:22:50.440 --> 0:22:53.920
<v Speaker 1>who were huddled around the main feeder cable backstage. Their

0:22:53.960 --> 0:22:57.920
<v Speaker 1>worse fears, it seemed, were becoming real. The cable's insulation

0:22:58.080 --> 0:23:00.919
<v Speaker 1>had been nearly completely worn away. It was only a

0:23:00.960 --> 0:23:04.399
<v Speaker 1>matter of time, some argued, before the electricity surge beyond

0:23:04.400 --> 0:23:06.439
<v Speaker 1>the cable and was carried by the water over the

0:23:06.480 --> 0:23:10.280
<v Speaker 1>festival grounds to blast the crowd. The kids in the

0:23:10.280 --> 0:23:14.680
<v Speaker 1>crowd were jammed together, soaking wet. Mass electrocution was most

0:23:14.720 --> 0:23:17.680
<v Speaker 1>certainly an option if the cable failed and the potential

0:23:17.720 --> 0:23:22.240
<v Speaker 1>destruction and loss of human life was incalculable. The options

0:23:22.240 --> 0:23:25.560
<v Speaker 1>were this cut the power and the festival prematurely, with

0:23:25.560 --> 0:23:28.320
<v Speaker 1>at least eight of the weekend's promised performers yet to play,

0:23:28.560 --> 0:23:31.720
<v Speaker 1>including top drawing acts like Crosbie Stills, Nashing Young and

0:23:31.800 --> 0:23:35.600
<v Speaker 1>Jimmy Hendrix, in risk total mayhem, a full blown riot

0:23:35.640 --> 0:23:39.520
<v Speaker 1>by the upset crowd of five hundred thousand, or waited

0:23:39.560 --> 0:23:42.720
<v Speaker 1>out do nothing and hope that the main feeder cable

0:23:42.760 --> 0:23:45.560
<v Speaker 1>would not free any further and remain intact enough to

0:23:45.560 --> 0:23:49.880
<v Speaker 1>contain the electricity. The fear from Michael Lang's partners John

0:23:49.960 --> 0:23:53.760
<v Speaker 1>Roberts and Joel Rossaman was so intense that Roberts actually

0:23:53.800 --> 0:23:57.760
<v Speaker 1>began to whimper and Rosamond dared not speak. The two,

0:23:57.880 --> 0:24:01.160
<v Speaker 1>along with the festival's master electrician, and sat in silence

0:24:01.240 --> 0:24:04.399
<v Speaker 1>contemplating the fate of a half a million souls, and

0:24:04.480 --> 0:24:07.760
<v Speaker 1>Michael Lang was nowhere to be found. This decision was

0:24:07.840 --> 0:24:11.359
<v Speaker 1>too heavy for him anyway, but not for Joel Rosamith.

0:24:11.680 --> 0:24:13.840
<v Speaker 1>He broke the silence by grabbing the phone and the

0:24:13.840 --> 0:24:16.800
<v Speaker 1>command center trailer backstage and ordering the sound man to

0:24:16.880 --> 0:24:19.960
<v Speaker 1>keep the power on. He then ordered the master electrician

0:24:20.000 --> 0:24:22.159
<v Speaker 1>to lay out all the options for him. Was there

0:24:22.160 --> 0:24:24.840
<v Speaker 1>a way to fix this without interrupting the live performances

0:24:24.840 --> 0:24:28.480
<v Speaker 1>and risking a riot. In the meantime, they'd ride it out,

0:24:28.720 --> 0:24:30.879
<v Speaker 1>do what everyone around them had done since the beginning

0:24:30.920 --> 0:24:34.000
<v Speaker 1>with this god forsaken festival, Hold their breath and pray

0:24:34.080 --> 0:24:37.200
<v Speaker 1>that it all worked out. Their lives are on the line,

0:24:37.280 --> 0:24:39.000
<v Speaker 1>and they'd put the lives of others on the line

0:24:39.040 --> 0:24:42.200
<v Speaker 1>as well if things went horribly wrong, if hundreds of

0:24:42.280 --> 0:24:45.200
<v Speaker 1>thousands of kids ended up dead on their decision, they'd

0:24:45.240 --> 0:24:48.760
<v Speaker 1>do the honorable thing. John Roberts convinced himself in the

0:24:48.800 --> 0:24:53.280
<v Speaker 1>moment if Woodstock ended in mass destruction, he would kill himself.

0:24:54.720 --> 0:25:00.639
<v Speaker 1>But that wasn't going to happen. John Roberts and Rossamnt's

0:25:00.640 --> 0:25:03.560
<v Speaker 1>decision proved to be the right one. Rossa men hadn't

0:25:03.600 --> 0:25:05.879
<v Speaker 1>made the decision on a wing and a prayer, and

0:25:05.920 --> 0:25:08.560
<v Speaker 1>the master electrician had informed him that there was a

0:25:08.600 --> 0:25:11.320
<v Speaker 1>way they could reroute the power away from the master

0:25:11.400 --> 0:25:14.600
<v Speaker 1>feed cable without disrupting the power to the main stage.

0:25:15.040 --> 0:25:17.920
<v Speaker 1>And at long last, it seemed like the adults were

0:25:17.920 --> 0:25:21.240
<v Speaker 1>in charge. Turns out that you can't simply be cool,

0:25:21.280 --> 0:25:23.440
<v Speaker 1>improve on each other and rely on peace and love

0:25:23.520 --> 0:25:26.360
<v Speaker 1>to carry the day. At a certain point, you need

0:25:26.400 --> 0:25:29.919
<v Speaker 1>to step up and take responsibility. Jill Rossaman was the

0:25:29.920 --> 0:25:32.200
<v Speaker 1>one who made the decision to keep the show going,

0:25:32.600 --> 0:25:35.440
<v Speaker 1>not Michael lang And, as it had been happening since

0:25:35.440 --> 0:25:39.520
<v Speaker 1>the show began two days earlier, various responsibilities were assumed

0:25:39.520 --> 0:25:42.439
<v Speaker 1>and executed by those who would be considered squares as

0:25:42.600 --> 0:25:45.800
<v Speaker 1>establishment as God forbid grown ups by some of the

0:25:45.840 --> 0:25:49.879
<v Speaker 1>more idealistic festival organizers and attendees. But they were also

0:25:50.000 --> 0:25:53.520
<v Speaker 1>the people whose actions and the tangible results of said actions,

0:25:53.680 --> 0:25:56.800
<v Speaker 1>kept the festival from turning into a full blown disaster.

0:25:57.560 --> 0:26:01.040
<v Speaker 1>There was old man Yaster, himself rock ribbed Republican, offering

0:26:01.119 --> 0:26:03.439
<v Speaker 1>up his farm at the last minute, the ground on

0:26:03.480 --> 0:26:05.639
<v Speaker 1>which the whole festival was raised to a bunch of

0:26:05.680 --> 0:26:08.560
<v Speaker 1>war protesting long hairs. And there were the local radio

0:26:08.640 --> 0:26:11.160
<v Speaker 1>DJs who sent out the alarm when the festival food

0:26:11.200 --> 0:26:14.399
<v Speaker 1>began to run out, alerting the local farmers, who responded

0:26:14.440 --> 0:26:18.119
<v Speaker 1>by donating on mass canned goods and produce. Then there

0:26:18.160 --> 0:26:20.040
<v Speaker 1>were the wives of the farmers who took it a

0:26:20.080 --> 0:26:23.040
<v Speaker 1>step further and set about boiling hundreds of thousands of

0:26:23.040 --> 0:26:25.560
<v Speaker 1>eggs to keep the crowd fed with hard boiled eggs

0:26:25.560 --> 0:26:28.720
<v Speaker 1>they donate. And there were military personnel from the US

0:26:28.840 --> 0:26:33.399
<v Speaker 1>government who painstakingly coordinated the food drops and medical evacuations

0:26:33.400 --> 0:26:36.359
<v Speaker 1>behind the scenes, and the scores of area doctors and

0:26:36.440 --> 0:26:39.000
<v Speaker 1>nurses who volunteered their time to help out with the

0:26:39.119 --> 0:26:42.080
<v Speaker 1>endless stream of wounded. There was even a local small

0:26:42.119 --> 0:26:45.200
<v Speaker 1>town banker, up banker who opened up his bank in

0:26:45.240 --> 0:26:47.920
<v Speaker 1>the middle of the night on a weekend to process

0:26:47.960 --> 0:26:51.640
<v Speaker 1>alone for woodstock organizer John Roberts, so that Roberts could

0:26:51.680 --> 0:26:54.640
<v Speaker 1>pay some of the headlining acts who, devoid as it were,

0:26:54.680 --> 0:26:57.840
<v Speaker 1>of any generosity of spirit themselves, were refusing to go

0:26:57.920 --> 0:27:03.960
<v Speaker 1>on without getting paid in advance cash. A bank of FEDS, doctors, nurses, farmers' locals,

0:27:04.000 --> 0:27:07.840
<v Speaker 1>all of them quote unquote squares, who generously committed themselves

0:27:07.840 --> 0:27:11.120
<v Speaker 1>to helping the massive stoned kids on the farm. These

0:27:11.119 --> 0:27:14.480
<v Speaker 1>weren't people down with the cause. These weren't hippies, these

0:27:14.480 --> 0:27:17.560
<v Speaker 1>weren't even kids. There were good, solid, working adults who

0:27:17.600 --> 0:27:19.280
<v Speaker 1>saw a bunch of kids who were in trouble and

0:27:19.320 --> 0:27:21.560
<v Speaker 1>a bunch of young adult concert organizers who were in

0:27:21.640 --> 0:27:24.040
<v Speaker 1>over their heads and decided to help out out of

0:27:24.040 --> 0:27:27.480
<v Speaker 1>the goodness of their hearts for no other reason. None

0:27:27.480 --> 0:27:30.320
<v Speaker 1>of these people had any invested interests in Woodstock's success

0:27:30.359 --> 0:27:32.680
<v Speaker 1>other than simply caring about the well being of their

0:27:32.680 --> 0:27:37.280
<v Speaker 1>fellow Americans, their fellow young Americans. These people weren't counterculture

0:27:37.359 --> 0:27:40.639
<v Speaker 1>anti establishment types who came to the rescue. They were

0:27:40.680 --> 0:27:44.960
<v Speaker 1>the establishment. But without these people, without these squares, without

0:27:44.960 --> 0:27:48.359
<v Speaker 1>the establishment, Woodstock, a three day festival of peace and

0:27:48.480 --> 0:27:52.320
<v Speaker 1>music and unofficial rally against the establishment, never would have

0:27:52.359 --> 0:27:56.320
<v Speaker 1>survived itself or its organizers. Which isn't to say Woodstock

0:27:56.480 --> 0:28:00.280
<v Speaker 1>wasn't supported by intensely hard working staff and volunteers years

0:28:00.840 --> 0:28:04.560
<v Speaker 1>young people in working touring music industry, adults and professionals

0:28:04.720 --> 0:28:07.479
<v Speaker 1>who believed deeply in their mission to create a one

0:28:07.520 --> 0:28:10.080
<v Speaker 1>of a kind music festival that showcased the best their

0:28:10.080 --> 0:28:13.600
<v Speaker 1>generation had to offer. Because it was but hard work

0:28:13.600 --> 0:28:17.240
<v Speaker 1>and good intentions aside. Every organization is a product of

0:28:17.280 --> 0:28:21.200
<v Speaker 1>its leadership. When lives are on the line. Haphazard hippie confidence,

0:28:21.200 --> 0:28:24.000
<v Speaker 1>men ramblings about peace love in a new utopian way

0:28:24.119 --> 0:28:27.560
<v Speaker 1>only go so far. It was a miracle Woodstock didn't

0:28:27.680 --> 0:28:32.760
<v Speaker 1>end in total disaster. Mercifully, the show approached its end

0:28:32.800 --> 0:28:37.680
<v Speaker 1>by Monday morning, but not without some final fireworks. At

0:28:37.760 --> 0:28:40.840
<v Speaker 1>nine am, as concertgoers slowly began to dwindle lot of

0:28:40.880 --> 0:28:44.080
<v Speaker 1>the festival grounds to make their way home, Jimmy Hendrix

0:28:44.520 --> 0:29:08.200
<v Speaker 1>finally took the stage. Jimmy Hendrix is said at Woodstock

0:29:08.480 --> 0:29:12.280
<v Speaker 1>ended the festival In the nineteen seventy documentary on Woodstock,

0:29:12.320 --> 0:29:16.240
<v Speaker 1>directed by Michael Wadley, the festival ends with Hendricks's version

0:29:16.280 --> 0:29:19.840
<v Speaker 1>of the Star Spangled Banner. It's an iconic moment, Jimmy

0:29:19.880 --> 0:29:23.280
<v Speaker 1>Hendrix on stage in the early morning hours, garbed in

0:29:23.280 --> 0:29:26.400
<v Speaker 1>the hippie fashion of the day, his sole power afro

0:29:26.560 --> 0:29:29.560
<v Speaker 1>barely contained by his headband, and he's playing the country's

0:29:29.680 --> 0:29:33.560
<v Speaker 1>rallying cry. But it's clearly not your father's national anthem.

0:29:34.120 --> 0:29:39.560
<v Speaker 1>This is something new, something exciting, something decidedly subversive. Hendrix's

0:29:39.640 --> 0:29:43.000
<v Speaker 1>excellent feedback driven, bombastic take on the song under the

0:29:43.000 --> 0:29:45.840
<v Speaker 1>New Morning Sun at Woodstock can help but give the

0:29:45.840 --> 0:29:49.360
<v Speaker 1>impression that Woodstock was about a new day, a new way.

0:29:50.040 --> 0:29:53.720
<v Speaker 1>The imagery on screen Hammer's Home the significance of the festival,

0:29:54.520 --> 0:29:57.920
<v Speaker 1>except it didn't really happen that way. Jimmy Hendrix played

0:29:57.960 --> 0:30:00.400
<v Speaker 1>the star Spangled banner, and then he can continued to

0:30:00.480 --> 0:30:02.560
<v Speaker 1>muddle through the rest of his set with his less

0:30:02.600 --> 0:30:05.640
<v Speaker 1>in stellar band at the time, Gypsy's Sun and Rainbows

0:30:05.680 --> 0:30:09.120
<v Speaker 1>the experience or band of Gypsies they were not, and

0:30:09.240 --> 0:30:11.920
<v Speaker 1>finished his set and the Festival of Peace and Love

0:30:12.080 --> 0:30:21.719
<v Speaker 1>unceremoniously with Hey Joe, A Song about Murder. July twenty fourth,

0:30:21.960 --> 0:30:25.360
<v Speaker 1>nineteen ninety nine, Rome, New York, one hundred and forty

0:30:25.440 --> 0:30:29.280
<v Speaker 1>miles from Bethel and thirty years removed a new Woodstock

0:30:29.760 --> 0:30:34.600
<v Speaker 1>Griffiths Air Force Base, two hundred and twenty thousand Kids Hot,

0:30:34.880 --> 0:30:37.680
<v Speaker 1>Red Hot Chili, Pepper's Ice Cube Corn Rage against the

0:30:37.680 --> 0:30:40.040
<v Speaker 1>Machine in Limp Biscuit topped the bill of the new

0:30:40.040 --> 0:30:44.920
<v Speaker 1>Woodstock Venture by Michael Lang Woodstock ninety nine. Musically, it

0:30:44.960 --> 0:30:47.800
<v Speaker 1>has little to do with the original festival from nineteen

0:30:47.880 --> 0:30:51.680
<v Speaker 1>sixty nine. The passive folk stylings of Joan bias, Arlo

0:30:51.800 --> 0:30:54.800
<v Speaker 1>Guthrie and Richie Havens would be booed off stage instantly

0:30:54.840 --> 0:30:57.760
<v Speaker 1>at the festival. Yet the ethos of peace and love

0:30:58.160 --> 0:31:01.240
<v Speaker 1>still exists, at least in the marketing at the Festival

0:31:01.280 --> 0:31:05.560
<v Speaker 1>of nowhere else. But on stage, bare chested macho aggression

0:31:05.640 --> 0:31:08.760
<v Speaker 1>leads the day and you can feel it in the crowd.

0:31:09.720 --> 0:31:13.040
<v Speaker 1>At an MTV crew stand up, Carson Daley is getting heckled.

0:31:13.160 --> 0:31:15.400
<v Speaker 1>I could fuck Jennifer Love Hughett better than you could.

0:31:15.720 --> 0:31:19.080
<v Speaker 1>Someone throws water in the vj's face. He sheepishly pleads,

0:31:19.200 --> 0:31:21.760
<v Speaker 1>just tell me that wasn't your piss man. And near

0:31:21.800 --> 0:31:24.160
<v Speaker 1>the east stage, hundreds of people roll in the mud

0:31:24.200 --> 0:31:26.960
<v Speaker 1>behind a row of portable toilets to cool off, even

0:31:26.960 --> 0:31:30.120
<v Speaker 1>if it means writhing in human filth. And by this

0:31:30.280 --> 0:31:34.160
<v Speaker 1>point one hundred guards the Peace Patrol had quit, leaving

0:31:34.200 --> 0:31:38.680
<v Speaker 1>little internal security. Gangs of so called mud people have formed,

0:31:38.880 --> 0:31:41.840
<v Speaker 1>dripping in the stuff. They roam the grounds and supposedly

0:31:42.040 --> 0:31:46.440
<v Speaker 1>guard the scattered public water fountains, which barely work. Unlike

0:31:46.480 --> 0:31:50.440
<v Speaker 1>the original Woodstock, Woodstock ninety nine is blatantly commercial, with

0:31:50.560 --> 0:31:53.479
<v Speaker 1>four dollars bottles of water and twelve dollars pizzas on

0:31:53.520 --> 0:31:55.960
<v Speaker 1>top of a whopping one hundred and fifty dollars ticket

0:31:56.000 --> 0:31:59.520
<v Speaker 1>price that seems normalist today in twenty twenty one, but

0:31:59.600 --> 0:32:02.160
<v Speaker 1>at night teen ninety nine, all it was seen is

0:32:02.240 --> 0:32:06.840
<v Speaker 1>exorbitant by fans in the pit body thrash, mud flies.

0:32:06.920 --> 0:32:09.000
<v Speaker 1>A dozen or so college dudes sit above on a

0:32:09.000 --> 0:32:12.000
<v Speaker 1>production trailer, more concerned with the thrashing crowd than the

0:32:12.040 --> 0:32:14.760
<v Speaker 1>band on stage, which seems as though it's a mile

0:32:14.800 --> 0:32:19.720
<v Speaker 1>away and they're chanting, show us here, tits, show us here, tits.

0:32:20.200 --> 0:32:22.040
<v Speaker 1>Dudes in the crowd get all horned up and begin

0:32:22.160 --> 0:32:24.360
<v Speaker 1>man handling the girls in the crowd, lifting them up

0:32:24.400 --> 0:32:27.240
<v Speaker 1>as human trophies to signal their obedience to their chanting

0:32:27.280 --> 0:32:31.480
<v Speaker 1>brethren on the trailers. The women are understandably horrified. Some

0:32:31.560 --> 0:32:34.320
<v Speaker 1>oblige and lift their shirts and bras the dudes are

0:32:34.360 --> 0:32:37.280
<v Speaker 1>erupted in approval. The girls are dropped and scurry away.

0:32:37.520 --> 0:32:40.960
<v Speaker 1>At limp Biscuit plays, the crowd goes fucking bananas for

0:32:41.000 --> 0:32:44.600
<v Speaker 1>the nookie and especially literally for the song break. Stuff

0:32:45.080 --> 0:32:48.040
<v Speaker 1>in the pit, ribs are cracked, wrists or snap more.

0:32:48.040 --> 0:32:51.160
<v Speaker 1>Women are harassed, their clothes torn off by force. A

0:32:51.200 --> 0:32:54.480
<v Speaker 1>crowd surfer is raped all over. Glass bottles fly through

0:32:54.480 --> 0:32:57.360
<v Speaker 1>the air and shatter against skulls. The crowd turned mob

0:32:57.440 --> 0:33:00.000
<v Speaker 1>tears a siding off the media towers and camera platform,

0:33:00.520 --> 0:33:02.800
<v Speaker 1>but MTV has already abandoned the show to cover the

0:33:02.840 --> 0:33:07.000
<v Speaker 1>medical tent. It's overflowing with serious injuries, broken arms and legs,

0:33:07.000 --> 0:33:10.320
<v Speaker 1>a fractured spine. Rage against the Machine takes the stage

0:33:10.320 --> 0:33:14.080
<v Speaker 1>and figuratively proclaims to Michael Lang's Woodstock generation that subtlety

0:33:14.200 --> 0:33:17.560
<v Speaker 1>is dead. With pummeling beats and heavy rifts, they work

0:33:17.640 --> 0:33:20.680
<v Speaker 1>the crowd into an orgy of aggression. They lyrically rail

0:33:20.720 --> 0:33:23.560
<v Speaker 1>against capitalism while playing for a hefty paycheck for what

0:33:23.600 --> 0:33:26.400
<v Speaker 1>amounts to little over an hour's worth of work only

0:33:26.440 --> 0:33:29.160
<v Speaker 1>in America, and before they leave the stage, they burned

0:33:29.200 --> 0:33:33.800
<v Speaker 1>the American flag. Perfect Woodstock ninety nine is more of

0:33:33.800 --> 0:33:37.720
<v Speaker 1>a destructive mess than its original predecessor. One person died

0:33:37.800 --> 0:33:42.040
<v Speaker 1>after overheating and collapsing during Metallica set. Police launched four

0:33:42.120 --> 0:33:46.360
<v Speaker 1>rape investigations officially, and many sexual assaults are also reported

0:33:46.680 --> 0:33:50.640
<v Speaker 1>and beyond the police record. Concertgoers reported witnessing multiple gang rapes,

0:33:51.240 --> 0:33:54.160
<v Speaker 1>fires destroyed or damaged a dozen trailers, in a bus,

0:33:54.200 --> 0:33:56.520
<v Speaker 1>not to mention many of the overpriced booths and filthy

0:33:56.520 --> 0:34:00.480
<v Speaker 1>porter bodies. The booths and ATMs that weren't destroyed broken

0:34:00.480 --> 0:34:04.760
<v Speaker 1>into how could this happen? Not at Woodstock, the entire

0:34:04.840 --> 0:34:10.480
<v Speaker 1>media gasped as it collectively clutched its pearls. The stories

0:34:10.520 --> 0:34:13.240
<v Speaker 1>from the mainstream, non rock and roll press were typically

0:34:13.239 --> 0:34:16.240
<v Speaker 1>simple minded and played off the contrast between the peace

0:34:16.280 --> 0:34:19.320
<v Speaker 1>and love success of the original Woodstock with the destructive

0:34:19.360 --> 0:34:23.319
<v Speaker 1>failure of Woodstock ninety nine, But in reality, the two

0:34:23.400 --> 0:34:28.360
<v Speaker 1>festivals were very similar Woodstock. The original Woodstock was a

0:34:28.440 --> 0:34:32.000
<v Speaker 1>literal disaster, declared so on its first day by the

0:34:32.040 --> 0:34:34.960
<v Speaker 1>State of New York. Yet the lasting image of Woodstock

0:34:35.040 --> 0:34:38.320
<v Speaker 1>is one of idyllic harmony. Woodstock was born of violence,

0:34:38.360 --> 0:34:41.560
<v Speaker 1>sparked into existence out of Michael Lang's Mexican standoff with

0:34:41.680 --> 0:34:44.799
<v Speaker 1>hillbilly armed guards and cops from down in Florida, and

0:34:44.840 --> 0:34:48.600
<v Speaker 1>there were fights on stage, armed black shirted Hippi Gestapo

0:34:48.680 --> 0:34:52.320
<v Speaker 1>on patrol, and most notably, two dead kids on record.

0:34:52.920 --> 0:34:55.439
<v Speaker 1>Yet the word on Woodstock was it was born out

0:34:55.440 --> 0:34:59.440
<v Speaker 1>of and demonstrative of, an ethos of peace. Woodstock's organizers,

0:34:59.440 --> 0:35:02.759
<v Speaker 1>even Michael, were from the beginning driven by profit. Yet

0:35:02.800 --> 0:35:05.200
<v Speaker 1>the word on Woodstock was it was an anti commercial

0:35:05.280 --> 0:35:08.800
<v Speaker 1>venture conceived out of communalism. But hell, even the nineteen

0:35:08.880 --> 0:35:13.000
<v Speaker 1>sixties counterculture radicals, the most anti commercial among the hippie movement,

0:35:13.200 --> 0:35:17.520
<v Speaker 1>avowed Marxist led by Abby Hoffman, extorted Woodstock organizers for

0:35:17.600 --> 0:35:20.960
<v Speaker 1>tens of thousands of dollars in cash. Woodstock is hailed

0:35:21.000 --> 0:35:24.400
<v Speaker 1>as an improbable organizational achievement that showed the power of

0:35:24.440 --> 0:35:27.040
<v Speaker 1>young people coming together on mass in service of a

0:35:27.120 --> 0:35:31.520
<v Speaker 1>higher ideal, a common good. Yet festival organizers nearly mass

0:35:31.560 --> 0:35:34.800
<v Speaker 1>electrocuted hundreds of thousands of kids due to their poor planning.

0:35:35.360 --> 0:35:38.600
<v Speaker 1>So strong was their fear of this possible deadly outcome

0:35:38.800 --> 0:35:41.520
<v Speaker 1>that one organizer broke down on the scene and pledged

0:35:41.560 --> 0:35:44.840
<v Speaker 1>to kill himself. So how then did we end up

0:35:44.920 --> 0:35:49.080
<v Speaker 1>with this accepted narrative that Woodstock sixty nine was vastly

0:35:49.200 --> 0:35:52.359
<v Speaker 1>different than Woodstock ninety nine? How then did we wind

0:35:52.440 --> 0:35:55.040
<v Speaker 1>up believing all these years in the hippie dream in

0:35:55.160 --> 0:35:59.160
<v Speaker 1>sixties idealism. It's permeated our cultural power centers ever since

0:35:59.560 --> 0:36:06.680
<v Speaker 1>sixty Idealism, since Woodstock, has transcended politics, sports, art, academia, film, television, media,

0:36:06.960 --> 0:36:11.239
<v Speaker 1>and of course music. But why if Woodstock was such

0:36:11.239 --> 0:36:14.959
<v Speaker 1>a disaster, why is its legacy so strong? Something else,

0:36:15.000 --> 0:36:19.959
<v Speaker 1>something good, something ideal, Simple because, unlike Woodstock ninety nine,

0:36:20.400 --> 0:36:25.240
<v Speaker 1>the original Woodstock had a better movie. Concert films don't sell,

0:36:25.600 --> 0:36:29.560
<v Speaker 1>but Woodstock the movie sold, grossing fifty million dollars in

0:36:29.600 --> 0:36:33.080
<v Speaker 1>its original box office run and earning universal critical acclaim.

0:36:33.719 --> 0:36:37.560
<v Speaker 1>Why Because Woodstock the movie isn't a concert film. It's

0:36:37.600 --> 0:36:42.799
<v Speaker 1>a love story. Actually, it's a love letter to the

0:36:42.880 --> 0:36:46.719
<v Speaker 1>sixties generation. At every turn, the film highlights the good

0:36:46.760 --> 0:36:49.520
<v Speaker 1>from the festival and ignores the bad or should I

0:36:49.560 --> 0:36:53.040
<v Speaker 1>say the reality. Creatively, there is no shame in that.

0:36:53.080 --> 0:36:55.160
<v Speaker 1>The director, Michael Wadley, had a point of view, and

0:36:55.200 --> 0:36:57.799
<v Speaker 1>he expressed it in the editing room, going so far

0:36:57.840 --> 0:37:01.040
<v Speaker 1>as to say so himself, saying in nineteen nine tinety four, quote,

0:37:01.160 --> 0:37:03.440
<v Speaker 1>I saw this as a sort of back to the land,

0:37:03.560 --> 0:37:06.480
<v Speaker 1>back to the garden, beautiful event. If you look at

0:37:06.520 --> 0:37:09.240
<v Speaker 1>the film that I edited, the whole film then created

0:37:09.239 --> 0:37:12.759
<v Speaker 1>this kind of mythology. What was the real Woodstock and

0:37:12.880 --> 0:37:17.320
<v Speaker 1>what was the mythological unquote? The film is an idealized

0:37:17.400 --> 0:37:19.800
<v Speaker 1>version of the events that took place that weekend. In Bethel,

0:37:19.880 --> 0:37:22.839
<v Speaker 1>New York, in August of nineteen sixty nine. It is

0:37:22.920 --> 0:37:25.560
<v Speaker 1>not what really happened. If the director were to make

0:37:25.600 --> 0:37:28.359
<v Speaker 1>a realistic movie about Woodstock, the film would have been

0:37:28.400 --> 0:37:32.719
<v Speaker 1>a disaster movie, because the entire weekend, on balance, was

0:37:32.800 --> 0:37:36.960
<v Speaker 1>fraught with tension, violence, near death, actual death, chaos and

0:37:37.040 --> 0:37:40.400
<v Speaker 1>destruction peppered in. There was, of course, some great music,

0:37:40.440 --> 0:37:43.200
<v Speaker 1>and I'm sure some good times. But this notion that

0:37:43.320 --> 0:37:47.040
<v Speaker 1>Woodstock was a generation defining moment, so significant that it

0:37:47.080 --> 0:37:51.520
<v Speaker 1>marked actual, real change for generations to come is complete,

0:37:51.680 --> 0:37:56.680
<v Speaker 1>in total bullshit. Nothing changed. Soldiers remained in Vietnam for

0:37:56.760 --> 0:38:01.000
<v Speaker 1>another six years. In the next presidential election, Republican Richard

0:38:01.040 --> 0:38:04.120
<v Speaker 1>Nixon's scourge of the hippie generation was elected in the

0:38:04.160 --> 0:38:08.040
<v Speaker 1>biggest presidential landslide in modern times, winning forty nine of

0:38:08.120 --> 0:38:11.839
<v Speaker 1>fifty states, declaring with authority what the majority of Americans

0:38:12.000 --> 0:38:14.880
<v Speaker 1>actually felt about peace, love, and the vaunted ideals of

0:38:14.960 --> 0:38:19.480
<v Speaker 1>the sixties. Nixon later resigned in disgrace. In his Republican replacement,

0:38:19.520 --> 0:38:22.640
<v Speaker 1>Gerald Ford, was defeated in nineteen seventy six by Democrat

0:38:22.719 --> 0:38:24.920
<v Speaker 1>Jimmy Carter in what was no doubt a rebuke of

0:38:25.000 --> 0:38:29.120
<v Speaker 1>Nixon's Party, but twelve years of Republican rule followed after Carter,

0:38:29.480 --> 0:38:33.480
<v Speaker 1>the first quote unquote rock and roll President. Numbers don't lie,

0:38:33.719 --> 0:38:37.160
<v Speaker 1>but films do, which is why the legacy of Woodstock

0:38:37.280 --> 0:38:40.640
<v Speaker 1>the baby Boomers the sixties is so strong. It's why

0:38:40.680 --> 0:38:44.520
<v Speaker 1>after two disastrous festivals Woodstock sixty nine and ninety nine,

0:38:44.840 --> 0:38:47.200
<v Speaker 1>not to even mention the rainy blip on the cultural

0:38:47.280 --> 0:38:50.200
<v Speaker 1>radar that was Woodstock ninety four, which was essentially Allowa

0:38:50.239 --> 0:38:53.279
<v Speaker 1>to loose a knockoff. Michael Lang was once again given

0:38:53.320 --> 0:38:57.240
<v Speaker 1>the opportunity to produce yet another Woodstock in twenty nineteen,

0:38:57.680 --> 0:39:02.000
<v Speaker 1>but alas that effort completely failed, good old hippie planning

0:39:02.080 --> 0:39:05.880
<v Speaker 1>finally caught up to Woodstock, which is a shame. It

0:39:05.880 --> 0:39:07.720
<v Speaker 1>would have been great to go on up to the country,

0:39:07.800 --> 0:39:10.080
<v Speaker 1>pay two hundred and fifty dollars for a ticket, six

0:39:10.120 --> 0:39:12.240
<v Speaker 1>bucks for a bottle of water in a twenty spot

0:39:12.239 --> 0:39:14.960
<v Speaker 1>for some shitty pizza to see. Imagine dragons and the

0:39:15.000 --> 0:39:18.120
<v Speaker 1>lumineers pump out some uninspired nowhere rock jams on a

0:39:18.160 --> 0:39:23.520
<v Speaker 1>stage a million miles away under the blistering sun. I'm joking,

0:39:23.560 --> 0:39:27.040
<v Speaker 1>of course, festivals don't interest me. I'm a bigger fan

0:39:27.080 --> 0:39:32.640
<v Speaker 1>of the movies, not love stories, disaster movies. The bigger,

0:39:32.880 --> 0:39:37.160
<v Speaker 1>more violent, destructive and disgraceful, the better, you know. Kind

0:39:37.160 --> 0:39:43.040
<v Speaker 1>of like Woodstock. I'm Jake Brennan and this is Disgraceland,

0:39:49.040 --> 0:39:57.880
<v Speaker 1>they would. Disgraceland was created by Yours Truly and is

0:39:57.880 --> 0:40:01.520
<v Speaker 1>produced in partnership with Double Elvis. Credits for this episode

0:40:01.560 --> 0:40:04.360
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