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Speaker 1: Those flowers would indicate to me that tag you're it,

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Speaker 1: now's your turn. Cannot say that all of every celebrity

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Speaker 1: cars is on the table? Did it in a weird way?

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Speaker 1: Has an advantage now, especially at the level he's on. Hey,

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Speaker 1: I'm the only one of my kind that all my

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Speaker 1: cards are on the table. They've took me to town

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Speaker 1: about what I quote unquote have done. I've came back

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Speaker 1: with five years and now fifty you standing over there

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Speaker 1: working with them people trying to steal all right, my turn.

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Speaker 1: But if you pay attention, even when they intro the video,

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Speaker 1: even when they intro the interview, how does the mainstream

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Speaker 1: platforms intro the interview with fifty cent about the Diddy documentary?

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Speaker 2: They always speak to his long term fuel.

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Speaker 1: This is corporate America effectively throwing fifty under the bus.

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Speaker 1: Now we the kind of take limit and make lemonade,

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Speaker 1: that'll take the scraps and make soul food. So they

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Speaker 1: gotta be careful because he may know what he's trying

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Speaker 1: to do with it. But I'm telling you they throwing

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Speaker 1: him under the bus. There's no reason for them to

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Speaker 1: speak on any kind of backlash. It's been going on

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Speaker 1: on Twitter and Instagram went on mainstream media, but there's

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Speaker 1: an agenda attached to it because that footage that they

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Speaker 1: got was because they had a working relationship with Diddy.

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Speaker 1: Always told that I'm the one made the biscuits from battle.

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Speaker 1: I'm the one done it from scratch and to God

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Speaker 1: be the glory around now looking at the new bens

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Speaker 1: without the bells and whistles, God was just on pins

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Speaker 1: and needles.

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Speaker 2: Ya ya, y'all.

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Speaker 1: Welcome to us up There podcast. I am your active

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Speaker 1: and attractive host Big Loan. You already know hit that

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Speaker 1: like hit shall let somebody know I was there. I

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Speaker 1: beall witness to the game. If you're here, come toopatreon

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Speaker 1: dot com. It's up There podcast. That's what my congregation is.

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Speaker 1: That's what my sanctuary is. We come to put the

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Speaker 1: game down. I hope you guys enjoy every time we

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Speaker 1: do these solo episodes. I do see the growth and

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Speaker 1: I do want to thank y'all from the center of

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Speaker 1: my soul. It's nothing like this show. Let's just be clear.

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Speaker 1: Let's just set the reconstrate, because you know, I don't

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Speaker 1: want to sound arrogant. I had a long conversation with

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Speaker 1: some of my loved ones about yo. Never I never

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Speaker 1: want to come off arrogant, but I'm always gonna come

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Speaker 1: off truthful. And sometimes the truth can feel like disrespect

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Speaker 1: when I'm reaching for the same goal that you're reaching for,

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Speaker 1: when people didn't expect you to get as far as

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Speaker 1: you got. Sometimes it can feel disrespectful when you say

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Speaker 1: I've encountered things, I've overcame. I've been faced with things

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Speaker 1: that I have conquered. And so it's important for me

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Speaker 1: to stand up and let my children know. If nothing else,

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Speaker 1: my audience know, the people that believe in me know, Yo,

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Speaker 1: I'm a warrior.

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Speaker 2: Don't cry for me. Pray for me.

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Speaker 1: Pray for visibility, don't pray it don't rain for me,

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Speaker 1: Pray for when she'll wipe us. Pray for umbrolla, don't

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Speaker 1: pray it, don't get cold for me. Pray for cold,

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Speaker 1: Pray for he, Pray for understanding. I'm moving in a

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Speaker 1: way that I don't give a fool in a way.

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Speaker 1: They got to get out the way, or they get

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Speaker 1: rolled over. And that don't exclude anyone, because God has

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Speaker 1: placed me on a mission, and only a few men

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Speaker 1: can hit me and feel me. Only a few women

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Speaker 1: can identify with what's coming out of my mouth.

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Speaker 2: I'm on a mission. It's a different level.

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Speaker 1: And so while I'm in that pocket, let me speak

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Speaker 1: with clarity for people out there, because sometimes it's just

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Speaker 1: important to recalibrate. And first of all, let me give

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Speaker 1: God the glory. But there's no solo show anywhere on

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Speaker 1: YouTube in our niche, and I feel that matters to

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Speaker 1: our culture that's doing the numbers I'm doing alone. I'm

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Speaker 1: speaking about solo episodes. I want to be clear about that,

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Speaker 1: and not because I'm arrogant. It's because I'm noticing that

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Speaker 1: some of these people are withholding my name in some

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Speaker 1: of these conversations, in which is warranted. They should be

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Speaker 1: mentioned in my name, but they're hiding the results. And

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Speaker 1: so pretty soon I'm gonna have to go on my

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Speaker 1: Trump campaign and let you know they rig in the election.

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Speaker 1: And so when I speak about these numbers, I'm not

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Speaker 1: talking about something that I'm just pulling out of osmosis.

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Speaker 1: And this ain't arrogance talking, it's arithmetic. This is numbers speaking.

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Speaker 1: And there's so many conversations, even with people that I

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Speaker 1: think is we're pretty cool, they don't mention my name

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Speaker 1: they don't say yo, man, like how loan is done man?

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Speaker 1: And I've done bigger things than everyone that they mentioned.

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Speaker 1: And I always take that and wonder it's that hate

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Speaker 1: or are they trying to bury the bone? So many

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Speaker 1: times I feel like an invisible giant. Some of the

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Speaker 1: things I'm able to do. With God's grace, I'll be

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Speaker 1: able to do even more and feed my families, which

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Speaker 1: I'll support.

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Speaker 2: But yeah, this game gets sticky, bro.

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Speaker 1: But a lot of these individuals, they don't withhold my

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Speaker 1: name because they don't know who I am. Because I'm

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Speaker 1: starting to be uncomfortable with the amount of people that

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Speaker 1: know who I am. I'll be com letely honest. But

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Speaker 1: it ain't because they don't know who I am that

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Speaker 1: they withhold my name. Is because if they say my name,

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Speaker 1: they feel as though it cost them some social currency.

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Speaker 1: And we're living in an atmosphere, in a culture, in

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Speaker 1: an environment where all of these individuals are trying to

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Speaker 1: guard their social spot, their social currency. Notice, how if

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Speaker 1: black podcasters really could work together, we'll run the market.

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Speaker 1: But we're too busy competing with one another because there's

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Speaker 1: too many suckers. That's at the forefront and I'll say

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Speaker 1: it plainly, but we'll get more into that on Patreon. Man,

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Speaker 1: I see that I talked about the didd It documentary

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Speaker 1: last week. We had some audio issues in which we

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Speaker 1: had to drop it in two parts. I didn't appreciate that,

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Speaker 1: and we're gonna make sure that that doesn't happen again.

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Speaker 1: We put in checks and balances, so y'all bet with

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Speaker 1: us again. We've been dropping a lot of content, so

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Speaker 1: hopefully you guys appreciate that. But that did It documentary,

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Speaker 1: you know, I've seen a bunch of things in that

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Speaker 1: stuck out to me, in particular the mother part. I

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Speaker 1: didn't feel as though when they spoke about how did

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Speaker 1: he approached his mom after that catastrophic event took place

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Speaker 1: in which some people died, and he said, yo, man,

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Speaker 1: the guy's mom came up to him and she was

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Speaker 1: concerned with, YO, did you make the right decision you

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Speaker 1: left college? And he smacked his mom, and man, I

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Speaker 1: just I couldn't believe that I even spoke with my mom.

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Speaker 1: And I just don't think black boys do that. Black

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Speaker 1: boys to their mother, they don't do that. Now, can

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Speaker 1: they be raised into doing some stupid shit?

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Speaker 2: Yeah?

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Speaker 1: Can they get extremely upset or something provoked them. But

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Speaker 1: for his mom to be approaching him out of concern

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Speaker 1: and for them to say that he smacked her, that

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Speaker 1: right there struck me as odd. On top of that,

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Speaker 1: I feel as though the documentary didn't focus and beam

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Speaker 1: in on the sex capades. I thought we was really

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Speaker 1: gonna get into, like, yo, this is what he was

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Speaker 1: charged with. We're gonna outline some of this. We're gonna

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Speaker 1: go into the hotels. We're gonna go and get some

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Speaker 1: of the participants. Were really gonna break down how Diddy

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Speaker 1: got away with doing this for twenty five years. Again,

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Speaker 1: I still shot a opinion that they were working on

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Speaker 1: two separate documentaries. They massed them together and used fifty

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Speaker 1: cent as a cultural shield because they were doing business

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Speaker 1: with Diddy and they didn't want to be perceived as

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Speaker 1: sleeves balls, and so they used fifty to be perceived

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Speaker 1: as the quote unquote sleeves ball in its move. But

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Speaker 1: I feel as though they was working on two documentaries.

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Speaker 1: It felt like a smash together project. It felt like

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Speaker 1: there was a TUPAC documentary going on, maybe with Keefy

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Speaker 1: D and Diddy was involved, and then there was a

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Speaker 1: documentary going on about the trial, but the documentary going

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Speaker 1: on about the trial was the B option. I feel

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Speaker 1: as though the documentary with Diddy was the A option.

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Speaker 1: When he bagged out, it left them already invested in

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Speaker 1: a Diddy type of documentary, and so they wanted to

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Speaker 1: recoup some of the money. We put both of these together,

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Speaker 1: put fifty cent involved for the extra marketing and the

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Speaker 1: high behind some of the ethic behavior that some people

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Speaker 1: are pointing out, and we'll be able to position it

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Speaker 1: in the market. Now, fifty cent did come out a

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Speaker 1: few days ago after the release of Diddy's documentary on

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Speaker 1: Netflix called The Reckoning and said that Yo I received

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Speaker 1: some flowers and he said they were from Diddy. Let's

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Speaker 1: look at what fifty cent said. Pay attention to this. So,

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Speaker 1: according to this, Diddy sent them some flowers, and he says,

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Speaker 1: what kind of shit is this? Did he send me

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Speaker 1: some flowers to Club eleven? While all the four play

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Speaker 1: get busy? You know I'm stupid or warning I'm nineties grinding?

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Speaker 1: You don't warn me. Now, let's zoom in on this.

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Speaker 1: So it says fifty cents name and he says, did

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Speaker 1: he send him those flowers? If I'm gonna take that

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Speaker 1: at face value and believe Didd he sent flowers or

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Speaker 1: someone on Diddy's team sent flowers. What I would say

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Speaker 1: to fifty cent is this, I believe Diddy to be

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Speaker 1: sitting in jail. He's passed the upset mode at this point.

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Speaker 1: He's now gonna get strategic on fifty. And I think

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Speaker 1: fifty has to be careful because now those flowers would

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Speaker 1: indicate to me that tag you're it.

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Speaker 2: Now it's your turn.

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Speaker 1: So when I do get out, I'm gonna throw all

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Speaker 1: my financial mic behind trying to figure out what it

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Speaker 1: is you've been involved in, because you now have established

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Speaker 1: that it ain't no cod right. We use our money,

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Speaker 1: we use our resources, We work with white people, We

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Speaker 1: do documentaries, we do books, we post about it, nigga,

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Speaker 1: we do interview like y'all an established now in this

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Speaker 1: new age, ain't no cold. If that's an isshoe, it's

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Speaker 1: wide open with it. We see these young that'll FaceTime,

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Speaker 1: they opposition and say I Love you and all kind

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Speaker 1: of shit like they just on some other shit nowaday.

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Speaker 1: So if I'm gonna take fifty at face value and

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Speaker 1: thinking Diddy sent these flowers, he's basically saying, Yo, you

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Speaker 1: be prepared, son, because when I get out of this jail, cell,

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Speaker 1: I'm gonna use all my money in influence and hope

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Speaker 1: you don't got nothing in your closet, because if I'm Diddy,

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Speaker 1: they've already did everything they can do to me. They

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Speaker 1: threw a life sentence at me and try to take

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Speaker 1: my entire fortune. I end up with five years. All

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Speaker 1: of my cars are on the table. You cannot say

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Speaker 1: that all of every celebrity cars is on the table. Diddy,

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Speaker 1: in a weird way, has an advantage now, especially at

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Speaker 1: the level he's on. Hey, I'm the only one of

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Speaker 1: my kind and all my cars are on the table,

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Speaker 1: and I know the places y'all do everything. Yet because

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Speaker 1: all of us go to the same spots, because there's

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Speaker 1: this secret society that's what they call the Illuminati. It's

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Speaker 1: because every one of a certain magnitude and of a

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Speaker 1: certain stature goes to certain places and does things a

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Speaker 1: certain way. And so Diddy would be the only one

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Speaker 1: in that fold or has been in that fold. All

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Speaker 1: of his chips are on the table. They've took me

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Speaker 1: to town about what I quote unquote have done. I've

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Speaker 1: came back with five years and now fifty you standing

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Speaker 1: over there working with them, people trying to steal All right,

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Speaker 1: my turn, all this fan love and war.

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Speaker 2: I've done my time. I get out.

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Speaker 1: I'm still rich, I'm still connected, I'm still diddy.

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Speaker 2: We gonna see what this is. Let's figure it out.

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Speaker 1: Talking to one of my guys the other day, he'd

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Speaker 1: done made it to account, you know, he on his

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Speaker 1: last stretch to get out from the fist, and I

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Speaker 1: was communicating with him, and I was telling them, I'm

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Speaker 1: out here trying to save lives. I'm out here really

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Speaker 1: a part of the culture, pushing the right message. And

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Speaker 1: I'm having trouble with some of these forefathers, some of

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Speaker 1: these people that's been in position for a while. They

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Speaker 1: ain't passing the information around. It ain't the money we need,

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Speaker 1: it's to technique, where to go, where to spend the money,

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Speaker 1: Who to hit up, who to make this happen? And

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Speaker 1: no one is communicating in black culture, right, And so

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Speaker 1: I'm speaking to him about you know, I'm still trying

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Speaker 1: to save lives. I'm putting it all in the content, right.

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Speaker 1: Young come up to me, old men, come up to me.

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Speaker 1: People trying to start shows come up to me say, bruh,

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Speaker 1: any advice you can give me? I get asked that

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Speaker 1: at least five times a day when I go out

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Speaker 1: at least five times a day, and that's within the

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Speaker 1: span of a couple hours that I'm out, just out,

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Speaker 1: and about five people are ask me, is that any

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Speaker 1: advice you can give me? And always trying to tell

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Speaker 1: him be patient and try to arrive alive. And I

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Speaker 1: was building on that message because I seen it on

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Speaker 1: Instagram and I was like, Yo, that's such a great idea, right,

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Speaker 1: black men, sometimes we have trouble just trying to arrive alive.

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Speaker 1: And people didn't understand, and so I went to explaining

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Speaker 1: and breaking it down, and then Yo, I was saying,

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Speaker 1: it ain't even about getting to your goals. It's about

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Speaker 1: the condition you're in when you finally get there, because

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Speaker 1: the distance is more dangerous than the destination. So it's

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Speaker 1: about how you arrive, what condition you're going to be

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Speaker 1: in when you arrive mentally, physically, emotionally, financially, spiritually. You

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Speaker 1: can get caught up and work so hard for something

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Speaker 1: that by the time you get it, you ain't worth shit.

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Speaker 1: Now you've caught fatigue you've burnt out right when it's

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Speaker 1: time for you to shine, right, when the lights are bright,

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Speaker 1: right when they need you to come through, you can

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Speaker 1: no longer get it done. You ever seen a rapper

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Speaker 1: that was on fire in the street. Soon he signed

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Speaker 1: a deal, he can't produce.

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Speaker 2: There's nothing no more.

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Speaker 1: There's a number of reasons why, one of those being

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Speaker 1: the journey is mentally taxing. I notice amongst my peers too,

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Speaker 1: right when you look at the game, or you look

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Speaker 1: at the youngsters, all they don't convince is a get

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Speaker 1: rich quick scheme. Everybody think you can just flip over

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Speaker 1: and get the money real fast. It take a long

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Speaker 1: time to get a lot of money. I've heard that

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Speaker 1: from some people with a whole lot of money, and

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Speaker 1: so because they think there's this get rich quick scheme,

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Speaker 1: that expectations lead to that disappointment.

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Speaker 2: You can't be so quick to want to hit cruise control.

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Speaker 1: See, people don't even understand cruise control is a luxury

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Speaker 1: in life to be able to put your business on

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Speaker 1: auto pilot. Oftentimes you'll hear people working for a company. Man,

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Speaker 1: I gotta work on Christmas Eve, and I bet you

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Speaker 1: the CEO is at home with his family. They really

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Speaker 1: are not understanding that cruise control is a luxury that

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Speaker 1: only work can provide. You can't just jump to be

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Speaker 1: the CEO and don't work on Christmas Eve there was

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Speaker 1: probably fifteen Christmas. Is that you work prior to these

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Speaker 1: that they see. And so you can't just hit auto

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Speaker 1: pilot as soon as you get on the road. You

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Speaker 1: gotta build up. You gotta shift through the gears and

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Speaker 1: be a thousand people that just started and want to

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Speaker 1: go get the rolls Russ and go live in the

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Speaker 1: bed building and get the big boy condo and the

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Speaker 1: two three hundred thousand dollars set up.

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Speaker 2: But it's unrealistic.

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Speaker 1: You gotta know, homie, don't nothing start with momentum that

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Speaker 1: ain't even a law of physics. And so before you

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Speaker 1: can even put your life on cruise control, before you

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Speaker 1: can even compare yourself to somebody that been hustling fifteen

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Speaker 1: to twenty years, you gotta put it in a proper perspective.

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Speaker 1: You gotta remember this shit start on foot, this shit

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Speaker 1: started on fumes. Then you shift through the gears, then

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Speaker 1: you able to put it in cruise controlling auto pilot.

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Speaker 1: After you don't put the work in but you can't

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Speaker 1: skip the work. You gotta have endurance with elevation, and

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Speaker 1: so if somebody just take you to the top of

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Speaker 1: the mountain, you'll dis as soon as you get there,

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Speaker 1: because the climb develops the lungs. And so in the

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Speaker 1: journeys where you get the tools and the techniques, and

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Speaker 1: that's why they ain't fuck with you. You pick up

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Speaker 1: things along the way that you will use when you

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Speaker 1: get there. You can't be so quick to put your

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Speaker 1: life on auto pilot. You gotta know what's work to

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Speaker 1: be done. Even though I'm getting money, I gotta get

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Speaker 1: information because people is fail from higher than this because

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Speaker 1: they didn't develop the lungs on the climb. The shit

306
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Speaker 1: is like, the further you get in the video game,

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Speaker 1: the better weapons selection you get. You ever notice when

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Speaker 1: you play a video game, they start you off with

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Speaker 1: the little nine millimeter. Once you get three or four

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Speaker 1: hours into the game, and then you got an SMG

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Speaker 1: with a scope of silencer and full metal jacket on it. Right,

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Speaker 1: You get better selection the further you go in the journey.

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Speaker 1: And some of these suckers are things just because we

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Speaker 1: both got guns were the same, just because we both

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Speaker 1: talking were the same man. Listen, man, that ain't what separators,

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Speaker 1: young blood. See, we both got weapons. We're separated by

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Speaker 1: our attachments. I'm separated from most of these my technique,

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Speaker 1: and so I'm one of the few that didn't just

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Speaker 1: make it out. I made it out with life hit me.

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Speaker 1: I made it out with my morals intact. That's a

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Speaker 1: totally different bracket of blessing. I made it out without

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Speaker 1: a scratch on me. I sit back and I watch

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Speaker 1: people lose themselves. And the older you get, the more

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Speaker 1: information you get, you see how life can swallow you hold.

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Speaker 1: I see individuals they shape shift depending on the room

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Speaker 1: now in and that's why along the way they lose

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Speaker 1: themselves and you running the people that knew you and

328
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Speaker 1: they don't know you. It's on some get out kind

329
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Speaker 1: of shit. You shape shifted to get in so many

330
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Speaker 1: different rooms and do with so many different things that

331
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Speaker 1: you no longer have any fingerprint on any identity. And

332
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Speaker 1: so my flex was never look where I am on it.

333
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Speaker 1: My flex is always look what I didn't lose getting here.

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Speaker 1: You know, there's a skill that required to decode some

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Speaker 1: of these things just happening in culture, and I think

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00:17:04,560 --> 00:17:06,800
Speaker 1: that a lot of the people that's communicating on behalf

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00:17:06,800 --> 00:17:10,159
Speaker 1: of what's going on or what you're seeing from the

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00:17:10,160 --> 00:17:14,520
Speaker 1: advantage point, they're incorrect. I see this age old situation

339
00:17:14,640 --> 00:17:18,120
Speaker 1: in conversation going along or going around about trap Lord Ross.

340
00:17:18,119 --> 00:17:21,880
Speaker 1: I've had him on the platform. He's negated to come

341
00:17:21,920 --> 00:17:24,040
Speaker 1: back on the platform because when he came on the

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Speaker 1: platform that was conversation had that I'm not sure he

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00:17:26,720 --> 00:17:28,720
Speaker 1: was able to wiggle his way out of like you

344
00:17:28,760 --> 00:17:31,440
Speaker 1: see him doing a lot of these platforms. He did

345
00:17:31,480 --> 00:17:35,120
Speaker 1: another documentary about Young Boy and Something with nineteen bodies.

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00:17:35,200 --> 00:17:38,960
Speaker 1: Interesting documentary, interesting piece. I didn't even watch it. I'm

347
00:17:38,960 --> 00:17:41,760
Speaker 1: no longer interested in diving deep into some of these

348
00:17:42,240 --> 00:17:46,920
Speaker 1: cultural documentaries told from people who I'm sure their understanding

349
00:17:47,040 --> 00:17:50,879
Speaker 1: is off. Their understanding is often this is no disrespect

350
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Speaker 1: to trap Lord Ross, but you have no understanding. You

351
00:17:53,520 --> 00:17:56,960
Speaker 1: have to decode the culture. We intentionally put it in

352
00:17:57,119 --> 00:18:00,679
Speaker 1: coded language and there's reason behind that, and get into

353
00:18:00,760 --> 00:18:04,800
Speaker 1: that today. I'm gonna unpack that on a major platform

354
00:18:04,840 --> 00:18:07,520
Speaker 1: at some point. But I watch people like trap Loo

355
00:18:07,680 --> 00:18:11,480
Speaker 1: Ross and other people that operated media move around with

356
00:18:11,560 --> 00:18:14,199
Speaker 1: a limited understanding and the rest of development as it

357
00:18:14,200 --> 00:18:17,080
Speaker 1: pertains to understanding culture. And all I think about is

358
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Speaker 1: it's not necessarily all their fault. They do have to

359
00:18:20,560 --> 00:18:23,960
Speaker 1: share some of the blame that grown men. But I

360
00:18:24,040 --> 00:18:26,640
Speaker 1: even look at our children. I even look at the youngsters,

361
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Speaker 1: and I said, we've also confused them because we haven't

362
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Speaker 1: decoded our culture enough. Right, we talk with this high

363
00:18:35,400 --> 00:18:39,560
Speaker 1: level slick talk. Right, we talked in a certain way

364
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Speaker 1: that you have to have a certain understanding in vocabulary

365
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Speaker 1: to even keep up with it.

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Speaker 2: Right.

367
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Speaker 1: If you notice they even in Atlanta at this point,

368
00:18:48,800 --> 00:18:51,720
Speaker 1: I am, they ain't even saying the word, but everybody

369
00:18:51,720 --> 00:18:54,239
Speaker 1: in Atlanta know what's going on. There's a reason, like

370
00:18:54,280 --> 00:18:57,240
Speaker 1: you did, we haven't done a great job at decoding

371
00:18:57,240 --> 00:18:59,920
Speaker 1: the culture, and so sometimes our babies are even lost.

372
00:19:00,440 --> 00:19:02,720
Speaker 1: There's a message in particular that I don't agree with.

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Speaker 1: I don't think we should have pushed on the babies,

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Speaker 1: on the teenagers, or even on the youngsters. In the

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00:19:08,359 --> 00:19:11,600
Speaker 1: entertainment business, you will hear people always say you gotta

376
00:19:11,680 --> 00:19:15,119
Speaker 1: have the streets. That's too confused, and we should have

377
00:19:15,200 --> 00:19:18,399
Speaker 1: decoded that years ago for our youngsters. I think that

378
00:19:18,600 --> 00:19:22,159
Speaker 1: has led us to a lot of violence as it

379
00:19:22,200 --> 00:19:25,560
Speaker 1: pertains to our culture, because people has mishandled this term

380
00:19:25,720 --> 00:19:29,639
Speaker 1: streets like you gotta have the streets. A lot of

381
00:19:29,800 --> 00:19:32,160
Speaker 1: kids and a lot of young rappers took that as yo,

382
00:19:32,200 --> 00:19:34,560
Speaker 1: you gotta have a criminal background, you gotta have some

383
00:19:34,720 --> 00:19:37,480
Speaker 1: kind of stripes in culture to even be speaking this

384
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Speaker 1: kind of way, And that's not what that meant. What

385
00:19:40,119 --> 00:19:42,359
Speaker 1: they're saying is you have to have people that enjoy

386
00:19:42,400 --> 00:19:45,440
Speaker 1: your music in your city. But because we have been

387
00:19:45,600 --> 00:19:49,040
Speaker 1: very lazy with our communication and we've been intentional with

388
00:19:49,200 --> 00:19:54,200
Speaker 1: keeping it slick, that's with intention This is our hustle

389
00:19:54,240 --> 00:19:57,280
Speaker 1: we're using, so when we communicate it, we can't right.

390
00:19:58,080 --> 00:20:00,840
Speaker 1: It's a reason for that. But at the the same time,

391
00:20:01,119 --> 00:20:03,840
Speaker 1: our babies are now trying to understand what we're saying,

392
00:20:04,000 --> 00:20:06,520
Speaker 1: and something as small lass you gotta have the streets

393
00:20:06,600 --> 00:20:09,920
Speaker 1: behind you can lead a young black boy into criminal

394
00:20:09,920 --> 00:20:12,560
Speaker 1: culture thinking I can't rap without some kind of stripes

395
00:20:12,560 --> 00:20:14,640
Speaker 1: on my back. I can't even be talking like that.

396
00:20:16,000 --> 00:20:18,840
Speaker 1: Like I've saw this new culture of rap make children

397
00:20:18,960 --> 00:20:22,399
Speaker 1: cars play like they're depressed because some of these rappers

398
00:20:22,400 --> 00:20:25,640
Speaker 1: have a close relationship with their grandmother, and that grandmother

399
00:20:25,800 --> 00:20:28,280
Speaker 1: raised them because their mother wasn't in their life. I've

400
00:20:28,320 --> 00:20:31,520
Speaker 1: saw children whose mother's been there from day one ignore

401
00:20:31,560 --> 00:20:34,320
Speaker 1: that fact because their favorite rapper grew up with their

402
00:20:34,400 --> 00:20:39,040
Speaker 1: grandmother in thew They I missmiss my grandmama. My grandmama

403
00:20:39,080 --> 00:20:42,320
Speaker 1: the only one loved me, right. It's like they're trying

404
00:20:42,359 --> 00:20:44,000
Speaker 1: so hard to relate to the rapper.

405
00:20:44,280 --> 00:20:44,560
Speaker 2: Again.

406
00:20:44,880 --> 00:20:46,879
Speaker 1: Us, as the OG's and the culture, we got to

407
00:20:46,920 --> 00:20:49,840
Speaker 1: decode some of it for our babies, not all of it,

408
00:20:50,440 --> 00:20:52,399
Speaker 1: like for things of that nature. Like when we say, yo,

409
00:20:52,520 --> 00:20:54,960
Speaker 1: get the streets, we ain't talking nothing about no criminal thing.

410
00:20:55,040 --> 00:20:56,160
Speaker 2: Go just get people that.

411
00:20:56,080 --> 00:20:59,199
Speaker 1: Believe in your music around your way, like let us

412
00:20:59,240 --> 00:21:02,480
Speaker 1: see them believe in it. And I also disagree with that.

413
00:21:02,560 --> 00:21:05,600
Speaker 1: I think in twenty twenty six that's a feel so

414
00:21:05,800 --> 00:21:07,919
Speaker 1: I'm not even sure I agree with none of that.

415
00:21:08,359 --> 00:21:11,399
Speaker 1: But at the same time, I do want to clarify

416
00:21:11,440 --> 00:21:14,960
Speaker 1: that if somebody entertainment business tell you to go get

417
00:21:15,000 --> 00:21:18,080
Speaker 1: the streets, they better clarify that they talking about music.

418
00:21:18,359 --> 00:21:20,320
Speaker 2: Don't let these sitting in these.

419
00:21:20,280 --> 00:21:23,359
Speaker 1: Million dollar cars and shit send you on no crash mission.

420
00:21:23,560 --> 00:21:26,439
Speaker 1: You understand me, But it's good we got shows like

421
00:21:26,560 --> 00:21:29,040
Speaker 1: mine now because I understand the young black boys of

422
00:21:29,119 --> 00:21:31,639
Speaker 1: watching I'm a d Coode. Some of it for you, youngster.

423
00:21:32,560 --> 00:21:34,399
Speaker 1: Just pick up what I'm putting on the ground for

424
00:21:34,440 --> 00:21:37,240
Speaker 1: the hungry hound and stay around. I'm gonna make sure

425
00:21:37,280 --> 00:21:39,680
Speaker 1: you eat. You hear me. And that's why we don't

426
00:21:39,680 --> 00:21:42,160
Speaker 1: listen to these old guys running around. Time were giving

427
00:21:42,240 --> 00:21:46,040
Speaker 1: game we give y'all ain't giving no game. Y'all, ain't

428
00:21:46,119 --> 00:21:48,840
Speaker 1: hitping nobody in y'all, ain't putting nobody on their feet.

429
00:21:49,880 --> 00:21:52,320
Speaker 1: Y'all really putting folks on their back. A lot of

430
00:21:52,359 --> 00:21:57,560
Speaker 1: these people are not influencers. They defluence us. A defluencer

431
00:21:57,840 --> 00:22:00,400
Speaker 1: is not the same as an influencer. But because we're

432
00:22:00,400 --> 00:22:03,600
Speaker 1: in a new age, nobody has categorized it. But you

433
00:22:03,600 --> 00:22:06,639
Speaker 1: will have a lot of these old running around talking

434
00:22:06,680 --> 00:22:10,199
Speaker 1: about Yo, you ain't gotta choose that life, youngster. That

435
00:22:10,240 --> 00:22:13,119
Speaker 1: ain't the message that you should be given. But you's

436
00:22:13,160 --> 00:22:15,920
Speaker 1: so far removed. You just running around getting the checks

437
00:22:15,960 --> 00:22:18,680
Speaker 1: on behalf of the culture. You ain't really tapped in

438
00:22:18,880 --> 00:22:21,359
Speaker 1: the message. Ain't you ain't gotta choose that life. The

439
00:22:21,480 --> 00:22:25,600
Speaker 1: message is young, that life to choose you. If you

440
00:22:25,640 --> 00:22:28,320
Speaker 1: play the middle for long enough, that life will choose you.

441
00:22:28,320 --> 00:22:31,080
Speaker 1: You will find yourself in a situation that'll make you

442
00:22:31,160 --> 00:22:33,200
Speaker 1: go to the streets. You know why you will find

443
00:22:33,240 --> 00:22:36,479
Speaker 1: yourself arrested. Can't get a job now, you gotta hustle

444
00:22:36,560 --> 00:22:38,760
Speaker 1: when you had an opportunity to go the other way.

445
00:22:39,400 --> 00:22:42,080
Speaker 1: Because what I find in our young people nowadays is

446
00:22:42,080 --> 00:22:44,560
Speaker 1: they play in the middle of the street. They got

447
00:22:44,560 --> 00:22:47,800
Speaker 1: on the shisty mask, but they work at Krogus, and

448
00:22:47,880 --> 00:22:49,719
Speaker 1: so I don't want to play that game with them.

449
00:22:49,760 --> 00:22:51,680
Speaker 1: I want to let them know that you're doing the

450
00:22:51,760 --> 00:22:53,919
Speaker 1: right thing when you going to work. But your cars

451
00:22:53,960 --> 00:22:56,239
Speaker 1: playing as a gangster, and it come with things that

452
00:22:56,280 --> 00:22:58,040
Speaker 1: you ain't gonna be able to shake. When you take

453
00:22:58,080 --> 00:23:01,159
Speaker 1: that mask off, you hit me. So you gotta choose

454
00:23:01,200 --> 00:23:03,639
Speaker 1: to go the other way. Get out the middle of

455
00:23:03,640 --> 00:23:07,840
Speaker 1: the street. The cars belong there, And so we got

456
00:23:07,840 --> 00:23:11,640
Speaker 1: far too many young people that's in the middle. They

457
00:23:11,720 --> 00:23:14,520
Speaker 1: cars playing is rappers and gangster us, and the rappers

458
00:23:14,560 --> 00:23:17,200
Speaker 1: ain't decoding the message because a lot of them don't

459
00:23:17,240 --> 00:23:19,359
Speaker 1: know what we told them. A lot of them is

460
00:23:19,440 --> 00:23:21,960
Speaker 1: just going on. Some of the game we donne lay down,

461
00:23:22,000 --> 00:23:25,080
Speaker 1: but they can't break it down. That's why I'm so important.

462
00:23:25,680 --> 00:23:27,560
Speaker 1: That's why I be wondering why they ain't big in

463
00:23:27,640 --> 00:23:30,399
Speaker 1: this shit up When they know they can't break it down.

464
00:23:30,600 --> 00:23:32,920
Speaker 2: When they know they can't decode the culture.

465
00:23:35,320 --> 00:23:39,960
Speaker 1: We've been intentional with hiding it from you suckers, so

466
00:23:40,160 --> 00:23:42,800
Speaker 1: damn right, we get upset when y'all try sitting and

467
00:23:42,880 --> 00:23:45,159
Speaker 1: got it wrong. You don't know what you're speaking about,

468
00:23:45,840 --> 00:23:47,400
Speaker 1: and it's not criminal culture.

469
00:23:48,040 --> 00:23:50,199
Speaker 2: You gotta really listen to people that did it.

470
00:23:51,880 --> 00:23:54,399
Speaker 1: All of these you see hiding in the house and

471
00:23:54,480 --> 00:23:56,840
Speaker 1: sitting with celebrities, and they out the way, and you

472
00:23:56,880 --> 00:24:01,240
Speaker 1: ain't never seen them help nobody, not even they. They

473
00:24:01,240 --> 00:24:05,959
Speaker 1: won't even invite other podcasters in the atmosphere. Black Podcast

474
00:24:06,040 --> 00:24:10,399
Speaker 1: is in shambles and all these clapping, but I feel safe.

475
00:24:10,440 --> 00:24:13,119
Speaker 1: Guess why, I understand they gonna listen to the people

476
00:24:13,119 --> 00:24:16,959
Speaker 1: they know done it. It's unfortunate, but see, I'm still alive.

477
00:24:17,080 --> 00:24:19,800
Speaker 1: I arrived alive, I'm okay. I ain't like these other

478
00:24:20,119 --> 00:24:25,680
Speaker 1: that arrived bid up, beat up, broke. I arrived alive,

479
00:24:26,720 --> 00:24:30,320
Speaker 1: and so we ain't on shaky grounds. Ain't nobody man

480
00:24:30,400 --> 00:24:34,240
Speaker 1: but them. Don't think I don't see them, and it

481
00:24:34,280 --> 00:24:37,359
Speaker 1: don't hurt my feelings. I've always told them I'm the

482
00:24:37,400 --> 00:24:40,800
Speaker 1: one made the biscuits from better. I'm the one done

483
00:24:40,840 --> 00:24:43,840
Speaker 1: it from scratch, and to God be the glory around

484
00:24:43,840 --> 00:24:46,560
Speaker 1: now looking at the new Bens without the bells and whistles,

485
00:24:47,200 --> 00:24:51,840
Speaker 1: was just on pins and needles. I was just on

486
00:24:51,920 --> 00:24:54,080
Speaker 1: pins and needles. Now I'm looking at the new Bens

487
00:24:54,119 --> 00:24:56,760
Speaker 1: without a bells and whistles. Ain't God good? Won't he

488
00:24:56,880 --> 00:25:00,000
Speaker 1: do it? But they gotta listen to people who's done it,

489
00:25:00,640 --> 00:25:03,240
Speaker 1: people who's experienced. They know they can feel it. You

490
00:25:03,240 --> 00:25:05,680
Speaker 1: ain't got to say nothing. They know the texture. You

491
00:25:05,800 --> 00:25:08,280
Speaker 1: know the different kind of hoodies. I know that ain't Gucci.

492
00:25:08,359 --> 00:25:11,320
Speaker 1: That hood it too light. I know that ain't one

493
00:25:11,359 --> 00:25:14,720
Speaker 1: of them. Boy, you ain't even really got to say it.

494
00:25:14,880 --> 00:25:17,520
Speaker 1: But in the entertainment industry you gotta beat your chest

495
00:25:17,720 --> 00:25:23,760
Speaker 1: because they'll bury you up under bullshit accolades and bullshit connections.

496
00:25:23,880 --> 00:25:25,760
Speaker 1: So you gotta be loud and say that I did

497
00:25:25,800 --> 00:25:26,480
Speaker 1: it without them.

498
00:25:26,520 --> 00:25:27,160
Speaker 2: Folks.

499
00:25:27,800 --> 00:25:30,159
Speaker 1: God made sure to touch and blessed this thing in

500
00:25:30,200 --> 00:25:32,920
Speaker 1: a way where they couldn't interfere with it. And Lord

501
00:25:33,040 --> 00:25:36,000
Speaker 1: knows the audience can feel when you relatable. You can't

502
00:25:36,040 --> 00:25:41,000
Speaker 1: cars play up close. You can't cars play up close.

503
00:25:41,880 --> 00:25:44,600
Speaker 1: One of the few people that actually arrived alive. I

504
00:25:44,680 --> 00:25:47,560
Speaker 1: was watching The other day a video went out of

505
00:25:47,720 --> 00:25:52,600
Speaker 1: John Cena and Big Show. They're legendary wrestlers, and the

506
00:25:52,680 --> 00:25:56,520
Speaker 1: way that they walked told the story. You see John Cen,

507
00:25:56,600 --> 00:26:00,600
Speaker 1: he walked and hunched over Big Show, you are the same.

508
00:26:00,760 --> 00:26:04,560
Speaker 1: Hunched over seem like they're hurting their wrestlers. They made

509
00:26:04,640 --> 00:26:08,800
Speaker 1: their money using their bodies, sacrificing that by the time

510
00:26:08,880 --> 00:26:10,960
Speaker 1: you even get the belt, you can't even walk and

511
00:26:11,000 --> 00:26:13,960
Speaker 1: hold it up. You can't even enjoy the fruits of

512
00:26:14,040 --> 00:26:16,400
Speaker 1: your labor. You've beat your body up to get everything

513
00:26:16,480 --> 00:26:20,439
Speaker 1: to feed your people. And most people get here like that,

514
00:26:20,640 --> 00:26:23,840
Speaker 1: but they need to hear from people that's actually been

515
00:26:23,880 --> 00:26:27,160
Speaker 1: through the journey because you only get the lungs on

516
00:26:27,240 --> 00:26:32,639
Speaker 1: the climb. It's confusing because a lot of people are

517
00:26:32,640 --> 00:26:34,760
Speaker 1: at the top of the mountain. Some people been brought

518
00:26:34,800 --> 00:26:38,520
Speaker 1: there baby, other people have climbed there. You need to

519
00:26:38,520 --> 00:26:41,560
Speaker 1: speak with the climbers. That's what I tell my children.

520
00:26:43,840 --> 00:26:46,240
Speaker 1: If I can tell you something that's just in a parable,

521
00:26:47,080 --> 00:26:50,560
Speaker 1: only talk to the climbers because they the only people

522
00:26:50,560 --> 00:26:52,760
Speaker 1: that know how to maneuver. When the kitchen get hot.

523
00:26:53,920 --> 00:26:57,119
Speaker 1: They say, pressure bus pipes and see when the kitchen

524
00:26:57,119 --> 00:26:59,520
Speaker 1: get hot and the temperature rise. If you've never been there,

525
00:26:59,520 --> 00:27:01,600
Speaker 1: you don't know how to react. You'll grab that same

526
00:27:01,640 --> 00:27:04,600
Speaker 1: skill it that used to save you, and it escorts you.

527
00:27:05,320 --> 00:27:07,639
Speaker 1: Because the temperature has risen. You need a glove to

528
00:27:07,640 --> 00:27:10,400
Speaker 1: carry that skillet. Now just to feed yourself, you've now

529
00:27:10,440 --> 00:27:13,920
Speaker 1: harmed yourself. Also, let me say this about the did

530
00:27:13,920 --> 00:27:16,480
Speaker 1: It documentary. I've been paying attention to fifty cent during

531
00:27:16,520 --> 00:27:19,840
Speaker 1: a couple of interviews and I have some questions. So

532
00:27:19,960 --> 00:27:21,440
Speaker 1: before we get out of here, I also want to

533
00:27:21,480 --> 00:27:24,760
Speaker 1: speak about this. Fifty cent went and done an interview.

534
00:27:25,560 --> 00:27:26,160
Speaker 2: What I believe.

535
00:27:26,240 --> 00:27:29,560
Speaker 1: This is NBC ABC, one of the major news outlets,

536
00:27:30,560 --> 00:27:32,600
Speaker 1: and we're going to react to some of what he said,

537
00:27:32,880 --> 00:27:37,240
Speaker 1: and I'm going to try to contextualize what I feel,

538
00:27:37,320 --> 00:27:40,520
Speaker 1: my opinion, my thought process. Pay attention to fifty cent

539
00:27:40,600 --> 00:27:42,199
Speaker 1: on ABC here it is.

540
00:27:42,520 --> 00:27:45,240
Speaker 3: She's the recent trial which saw him acquitted on the

541
00:27:45,240 --> 00:27:49,399
Speaker 3: most serious charges, including RICO, but convicted for prostitution crimes

542
00:27:49,400 --> 00:27:51,800
Speaker 3: that landed him in prison for about two more years.

543
00:27:52,280 --> 00:27:55,760
Speaker 3: Didy's team is also rebutting this project as a quote

544
00:27:55,960 --> 00:27:59,760
Speaker 3: shameful hit piece. They note the obtained footage was not

545
00:28:00,119 --> 00:28:05,960
Speaker 3: authorized for release. Netflix says they legally obtained the videos.

546
00:28:06,520 --> 00:28:07,080
Speaker 2: In addition to.

547
00:28:07,119 --> 00:28:10,439
Speaker 3: Night, another dynamic here is that another famous rapper is

548
00:28:10,480 --> 00:28:14,040
Speaker 3: of course behind this film, fifty Cent, who has long

549
00:28:14,119 --> 00:28:16,800
Speaker 3: publicly clashed with Diddy and has recently expanded into a

550
00:28:16,840 --> 00:28:20,800
Speaker 3: wide range of film and TV projects. He has plenty

551
00:28:20,840 --> 00:28:24,399
Speaker 3: to say about Comb's record. A rapper, actor, and producer,

552
00:28:24,480 --> 00:28:27,520
Speaker 3: joins me now he's sold over thirty million albums one

553
00:28:27,680 --> 00:28:30,080
Speaker 3: all kinds of awards and accolades along the way, and

554
00:28:30,200 --> 00:28:32,680
Speaker 3: is now a successful film and TV producer. And we're

555
00:28:32,680 --> 00:28:36,480
Speaker 3: also joined by his colleague on the project, Alexandris Tapleton,

556
00:28:36,680 --> 00:28:39,760
Speaker 3: an Emmy winning showrunner and director of this series.

557
00:28:39,760 --> 00:28:42,239
Speaker 4: Welcome to both of you, ah man, thanks for having us.

558
00:28:42,280 --> 00:28:43,760
Speaker 3: Always great to have a fifty day.

559
00:28:44,040 --> 00:28:45,320
Speaker 4: Yeah, it's always going to be good.

560
00:28:46,240 --> 00:28:47,680
Speaker 2: Great for me. There we go.

561
00:28:48,840 --> 00:28:51,960
Speaker 3: It's an important project, clearly the question for both of

562
00:28:51,960 --> 00:28:54,360
Speaker 3: you fifty first, why this project?

563
00:28:54,360 --> 00:28:54,840
Speaker 2: Why now?

564
00:28:55,440 --> 00:28:58,160
Speaker 4: Well, we waited until after the results of the trial

565
00:28:58,440 --> 00:29:01,760
Speaker 4: to release the project, but out of almost five months

566
00:29:01,800 --> 00:29:04,520
Speaker 4: before I was able to find Alex and finding an

567
00:29:04,520 --> 00:29:09,000
Speaker 4: Emmy Award winning show runner and director is detrimental to

568
00:29:09,040 --> 00:29:11,920
Speaker 4: the project being really well put together, so you know,

569
00:29:12,360 --> 00:29:15,640
Speaker 4: they should expect it to perform like Reggie Jackson's dip.

570
00:29:17,320 --> 00:29:17,680
Speaker 2: Thank you.

571
00:29:19,720 --> 00:29:19,960
Speaker 3: Yeah.

572
00:29:20,040 --> 00:29:20,440
Speaker 2: I think.

573
00:29:21,800 --> 00:29:24,320
Speaker 5: Why it's coming out now is we wanted to wait,

574
00:29:24,400 --> 00:29:26,560
Speaker 5: you know, to get through all of the legal proceedings.

575
00:29:27,080 --> 00:29:29,800
Speaker 1: All right, we're going high level. We're going high level.

576
00:29:29,800 --> 00:29:31,840
Speaker 1: It's up there. So if you ain't, if you ain't

577
00:29:31,880 --> 00:29:34,880
Speaker 1: high level, tune out now. I want you guy to

578
00:29:34,920 --> 00:29:37,320
Speaker 1: pay attention to just this first part. Listen, we in

579
00:29:37,360 --> 00:29:39,600
Speaker 1: the first minute of it. I've already picked something up

580
00:29:39,600 --> 00:29:43,760
Speaker 1: that he's putting down. Fifty cent is a well rounded individual.

581
00:29:44,120 --> 00:29:47,280
Speaker 1: When I'm being critical of fifty cient being used by Netflix,

582
00:29:47,320 --> 00:29:50,080
Speaker 1: I'm not necessarily even saying it's a bad move. I'm

583
00:29:50,200 --> 00:29:53,160
Speaker 1: just letting you identify what's going on in real time.

584
00:29:53,920 --> 00:29:56,560
Speaker 1: And so when I look at fifty right, he's dealing

585
00:29:56,560 --> 00:30:00,479
Speaker 1: with mainstream media, but he's smart. What their whole for

586
00:30:00,760 --> 00:30:04,200
Speaker 1: is to throw these questions out cast his wide net,

587
00:30:04,320 --> 00:30:08,240
Speaker 1: and if he's emotionally involved, he's gonna always tied back

588
00:30:08,280 --> 00:30:10,440
Speaker 1: to some kind of messy shit and try to shit

589
00:30:10,520 --> 00:30:13,760
Speaker 1: on Diddy, and they're gonna get these incredible clips in

590
00:30:13,840 --> 00:30:19,280
Speaker 1: time spots with fifty demoralizing Diddy on national TV. But

591
00:30:19,360 --> 00:30:23,480
Speaker 1: what you have to remain cognizant of is fifty cent

592
00:30:23,640 --> 00:30:28,040
Speaker 1: is constantly taking it back to what the numbers the business.

593
00:30:28,600 --> 00:30:32,360
Speaker 1: So while Netflix is trying to use fifty he's using

594
00:30:32,400 --> 00:30:34,680
Speaker 1: them too, and he's not biting a bait in a

595
00:30:34,680 --> 00:30:38,160
Speaker 1: way where they can really mend. Now, I'm gonna get

596
00:30:38,160 --> 00:30:41,120
Speaker 1: into something a little later that I think they've used

597
00:30:41,160 --> 00:30:44,360
Speaker 1: one of his superpowers against him and he's bit debate,

598
00:30:44,800 --> 00:30:47,480
Speaker 1: but in particular on these kind of scenarios when they're

599
00:30:47,480 --> 00:30:51,520
Speaker 1: putting him on these mainstream media platforms, and listen, be clear,

600
00:30:52,120 --> 00:30:55,480
Speaker 1: there's an agenda attached to them putting fifty cent on

601
00:30:55,560 --> 00:30:59,239
Speaker 1: these platforms. To speak about the documentary. Early on, when

602
00:30:59,320 --> 00:31:01,880
Speaker 1: Diddy was a ra he threw his hat in the market.

603
00:31:02,120 --> 00:31:04,880
Speaker 1: He swung his helm and said, listen, I'll swing at this.

604
00:31:06,040 --> 00:31:08,520
Speaker 1: I'll take a shot at this. He let all the

605
00:31:08,560 --> 00:31:12,320
Speaker 1: companies know, all of the studios, anyone interested, someone from

606
00:31:12,360 --> 00:31:15,280
Speaker 1: coaches powerful is me. I'll come and speak on behalf

607
00:31:15,320 --> 00:31:17,959
Speaker 1: of what we feel and give you that notoriety from

608
00:31:18,040 --> 00:31:22,480
Speaker 1: hip hop culture that y'all always fiend for. Now they're

609
00:31:22,600 --> 00:31:24,680
Speaker 1: hoping to get a crash out fitty in front of

610
00:31:24,680 --> 00:31:26,840
Speaker 1: these cameras. That's why some of these questions are like

611
00:31:27,640 --> 00:31:30,640
Speaker 1: wide open. But if you pay attention, even when they

612
00:31:30,760 --> 00:31:34,200
Speaker 1: intro the video, even when they intro the interview, how

613
00:31:34,240 --> 00:31:38,640
Speaker 1: does the mainstream platforms intro the interview with fifty cent

614
00:31:38,880 --> 00:31:43,080
Speaker 1: about the Diddy documentary, they always speak to his long

615
00:31:43,200 --> 00:31:48,560
Speaker 1: term feud. This is corporate America effectively throwing fifty under

616
00:31:48,560 --> 00:31:50,760
Speaker 1: the bus. Now we the kind of that will take

617
00:31:50,840 --> 00:31:53,040
Speaker 1: limit and make lemonade, that will take the scraps and

618
00:31:53,080 --> 00:31:56,840
Speaker 1: make soul food. So they gotta be careful because he

619
00:31:56,880 --> 00:31:59,040
Speaker 1: may know what he's trying to do with it. But

620
00:31:59,120 --> 00:32:01,360
Speaker 1: I'm telling you they throwing him under the bus. There's

621
00:32:01,400 --> 00:32:03,600
Speaker 1: no reason for him to speak on any kind of

622
00:32:03,640 --> 00:32:07,040
Speaker 1: backlash that's been going on on Twitter and Instagram when

623
00:32:07,040 --> 00:32:12,120
Speaker 1: there on mainstream media. But there's an agenda attached to

624
00:32:12,200 --> 00:32:14,920
Speaker 1: it because that footage that they got was because they

625
00:32:14,920 --> 00:32:18,520
Speaker 1: had a working relationship with Diddy. They're using fifty as

626
00:32:18,560 --> 00:32:22,120
Speaker 1: a cultural shield. But you must pay attention. Fifty is

627
00:32:22,160 --> 00:32:25,400
Speaker 1: not the sword. Fifty is the shield, not the sword.

628
00:32:26,040 --> 00:32:28,600
Speaker 1: They've always told you that the line is rowing, ain't

629
00:32:28,640 --> 00:32:32,400
Speaker 1: the one that's eating. You can't roar what your mouth

630
00:32:32,440 --> 00:32:36,360
Speaker 1: for and so fifty is being used by Netflix. But

631
00:32:36,400 --> 00:32:39,880
Speaker 1: fifty is also smart enough. If you're asking me from

632
00:32:39,960 --> 00:32:42,680
Speaker 1: a distance, I believe he's smart enough to take this

633
00:32:42,800 --> 00:32:44,040
Speaker 1: and still do something with it.

634
00:32:44,360 --> 00:32:45,520
Speaker 2: Pay attention to some more.

635
00:32:45,640 --> 00:32:51,040
Speaker 5: I'm the criminal trial and it spans it's four parts,

636
00:32:51,120 --> 00:32:54,280
Speaker 5: and it spans over thirty years of you know, pop culture,

637
00:32:54,400 --> 00:32:57,840
Speaker 5: his life. So it took some time to say the least,

638
00:32:57,840 --> 00:32:58,920
Speaker 5: to put all of this together.

639
00:32:59,320 --> 00:33:02,560
Speaker 3: It's important story, and you could just tell it with

640
00:33:02,680 --> 00:33:05,640
Speaker 3: all the public material. You go further. You've got in

641
00:33:05,640 --> 00:33:08,480
Speaker 3: your hands on some extra new material people are going

642
00:33:08,520 --> 00:33:12,120
Speaker 3: to see for the first time, including this video. Any

643
00:33:12,160 --> 00:33:14,480
Speaker 3: journalists would want to know how you got it. But

644
00:33:14,600 --> 00:33:18,160
Speaker 3: it is Sean Didy Combs in the heat of this

645
00:33:18,640 --> 00:33:21,120
Speaker 3: right before the arrest for the trial. We just discussed

646
00:33:22,000 --> 00:33:24,440
Speaker 3: in private moments talking to his lawyer, cameras running.

647
00:33:24,520 --> 00:33:25,160
Speaker 2: Let's take a look.

648
00:33:25,280 --> 00:33:27,080
Speaker 5: It's the middle of this of September, and this is

649
00:33:27,080 --> 00:33:30,320
Speaker 5: still no indictment that that's do.

650
00:33:30,480 --> 00:33:32,240
Speaker 4: You have to have a spokesman, You have to have

651
00:33:32,320 --> 00:33:36,320
Speaker 4: some sort of calms to constantly be pushing that monk,

652
00:33:36,400 --> 00:33:38,240
Speaker 4: because you may just be a person that just does

653
00:33:38,440 --> 00:33:39,760
Speaker 4: you just may watch CNN.

654
00:33:39,920 --> 00:33:42,480
Speaker 2: So you had y'all you at the wrong place, looking

655
00:33:42,480 --> 00:33:45,120
Speaker 2: to see what the people with the possible jurorsy thinking

656
00:33:45,360 --> 00:33:45,880
Speaker 2: it could.

657
00:33:45,680 --> 00:33:48,480
Speaker 3: Be somebody that that that that has dealt in the

658
00:33:48,520 --> 00:33:56,440
Speaker 3: dirtiest of dirtiest dirty business of media in propaganda. Fifty

659
00:33:56,480 --> 00:33:57,120
Speaker 3: How'd you get it?

660
00:33:57,160 --> 00:33:58,520
Speaker 2: And what does that scene show?

661
00:33:59,000 --> 00:34:02,360
Speaker 4: Well, I mean, you know you're a journalist, Harvey, Harvey,

662
00:34:02,400 --> 00:34:04,080
Speaker 4: you would not disclose your sources.

663
00:34:04,280 --> 00:34:05,040
Speaker 3: We usually don't.

664
00:34:05,400 --> 00:34:07,360
Speaker 2: Yeah, but I got it.

665
00:34:09,000 --> 00:34:11,040
Speaker 5: Yeah, what do he said?

666
00:34:12,880 --> 00:34:15,200
Speaker 2: What do you think it conveys? Because we see.

667
00:34:15,560 --> 00:34:18,080
Speaker 1: Let's start right down number one. It's interesting a couple

668
00:34:18,120 --> 00:34:20,440
Speaker 1: of different things. I think this clipm in particular, will

669
00:34:20,480 --> 00:34:24,480
Speaker 1: have the federal government furious because there's a clear indication

670
00:34:24,600 --> 00:34:27,719
Speaker 1: that he was trying to affect the jervy pool. That's

671
00:34:27,800 --> 00:34:31,080
Speaker 1: dangerous to let somebody even record me saying that when

672
00:34:31,320 --> 00:34:33,400
Speaker 1: if y'all win in the trial, they get this footage,

673
00:34:33,400 --> 00:34:35,520
Speaker 1: that's probably could be a mistrial. Well, let's do this

674
00:34:35,560 --> 00:34:38,200
Speaker 1: over and let's approach it different because they might have

675
00:34:38,280 --> 00:34:40,560
Speaker 1: been beating us on that. That's why they was hitting

676
00:34:40,640 --> 00:34:42,680
Speaker 1: did it with witness Tamper in this shit because he

677
00:34:42,880 --> 00:34:46,319
Speaker 1: was trying to affect people because he understands marketing. He

678
00:34:46,360 --> 00:34:49,640
Speaker 1: comes from this world where the narrative is more important

679
00:34:49,680 --> 00:34:51,560
Speaker 1: than the truth, so he tries to get ahead of it.

680
00:34:51,680 --> 00:34:55,719
Speaker 1: He also understands how YouTube videos and low level YouTube

681
00:34:55,800 --> 00:34:57,840
Speaker 1: was for the most part, uncovered a lot of this

682
00:34:57,920 --> 00:34:59,400
Speaker 1: about his sexual background.

683
00:34:59,760 --> 00:35:01,120
Speaker 2: That's number one. Number two.

684
00:35:01,400 --> 00:35:04,200
Speaker 1: This conversation about how fifty got the footage is short

685
00:35:04,239 --> 00:35:08,160
Speaker 1: because he's some witty individual. If you're asking me, I

686
00:35:08,239 --> 00:35:10,719
Speaker 1: believe the conversation is short because Fifty isn't the one

687
00:35:10,760 --> 00:35:13,120
Speaker 1: that got the footage. Netflix had the footage because they

688
00:35:13,120 --> 00:35:16,400
Speaker 1: had a working relationship with Diddy. I think Fifty again

689
00:35:17,400 --> 00:35:19,920
Speaker 1: for the tenth time, he's the cultural shield so they

690
00:35:19,920 --> 00:35:22,560
Speaker 1: can get behind him and say he's the bad guy.

691
00:35:22,800 --> 00:35:23,040
Speaker 2: Now.

692
00:35:23,120 --> 00:35:26,040
Speaker 1: My new question is fifty gets all the backlash from it,

693
00:35:26,280 --> 00:35:29,960
Speaker 1: who gets all the accolades. It feels like fifty understands

694
00:35:29,960 --> 00:35:31,920
Speaker 1: that they're trying to put him in a blender because

695
00:35:31,920 --> 00:35:34,800
Speaker 1: he comes from the music business and it's a cutthrow business.

696
00:35:34,840 --> 00:35:38,000
Speaker 1: It feels like he understands that. That's why he's not

697
00:35:38,280 --> 00:35:41,440
Speaker 1: entertaining some of the emotional conversation when they ask him

698
00:35:41,480 --> 00:35:43,719
Speaker 1: some of these things. He's wrapping it back around to

699
00:35:43,760 --> 00:35:47,000
Speaker 1: the numbers, wrapping it back around to how it should perform.

700
00:35:47,280 --> 00:35:49,680
Speaker 1: Wrapping it a back around to how many awards it

701
00:35:49,760 --> 00:35:53,000
Speaker 1: could win, Emmys and other things, because he's trying to

702
00:35:53,040 --> 00:35:55,600
Speaker 1: stay on a business tip and they're trying to utilize

703
00:35:55,680 --> 00:35:58,520
Speaker 1: him like they utilize most of you other guys. You

704
00:35:58,600 --> 00:36:00,719
Speaker 1: other guys that get up there and really perform. As

705
00:36:00,760 --> 00:36:02,919
Speaker 1: it pertains to this footage, I believe he came from

706
00:36:02,920 --> 00:36:05,040
Speaker 1: Diddy working with them, and they knew the camera crew,

707
00:36:05,040 --> 00:36:07,319
Speaker 1: and they'll probably hide behind the excuse that, Yo, this

708
00:36:07,360 --> 00:36:09,839
Speaker 1: is a camera crew. We always work with fifty work

709
00:36:09,880 --> 00:36:12,360
Speaker 1: with them, and he negotiated something we didn't have anything

710
00:36:12,400 --> 00:36:15,560
Speaker 1: to do with it, again behind and behind fifty cent,

711
00:36:15,960 --> 00:36:18,680
Speaker 1: or it could be the truth. Either way, it's sketchy,

712
00:36:18,719 --> 00:36:21,239
Speaker 1: and so they needed to utilize fifty cent from an

713
00:36:21,239 --> 00:36:25,440
Speaker 1: ethical standpoint. Now, fifty ain't stupid, he's military minded, and

714
00:36:25,480 --> 00:36:28,560
Speaker 1: so I got new questions for him. My question is

715
00:36:29,800 --> 00:36:34,200
Speaker 1: why go so hard like this just for some documentary.

716
00:36:34,360 --> 00:36:37,719
Speaker 1: Something isn't that up. And so if you're asking me

717
00:36:37,840 --> 00:36:40,000
Speaker 1: something else is load and pay attention to a little more.

718
00:36:40,040 --> 00:36:41,480
Speaker 1: We'll come back with some more commentary.

719
00:36:41,600 --> 00:36:45,440
Speaker 3: Someone trying to pull the strings and talking about he

720
00:36:45,480 --> 00:36:48,799
Speaker 3: would say affecting, others would say manipulating, the public views

721
00:36:48,800 --> 00:36:49,880
Speaker 3: of the allegations.

722
00:36:50,239 --> 00:36:52,319
Speaker 5: I think that, you know, one big theme of the

723
00:36:52,360 --> 00:36:55,880
Speaker 5: series is to go behind the scenes to really understand

724
00:36:55,920 --> 00:36:59,200
Speaker 5: how brilliant you could say, Shaw comms is at marketing,

725
00:37:00,239 --> 00:37:05,760
Speaker 5: at owning his narrative, controlling the narrative at all times,

726
00:37:06,120 --> 00:37:08,680
Speaker 5: and so why would that stop, you know, when when

727
00:37:08,680 --> 00:37:11,719
Speaker 5: his wife is on the line. So I think that

728
00:37:12,000 --> 00:37:13,480
Speaker 5: you know, on its face, that's what it is. But

729
00:37:13,520 --> 00:37:15,960
Speaker 5: as you get deeper in the film, you start to realize,

730
00:37:16,040 --> 00:37:20,160
Speaker 5: you know, perhaps how some of these these tactics, you

731
00:37:20,200 --> 00:37:23,160
Speaker 5: know how they how they really came to present themselves.

732
00:37:23,160 --> 00:37:25,200
Speaker 2: You know, during the trial you.

733
00:37:25,080 --> 00:37:29,880
Speaker 3: Show that his abilities, his early rise, Alexandra. You also

734
00:37:30,520 --> 00:37:34,319
Speaker 3: give time to victims of the alleged abuse. Some of

735
00:37:34,360 --> 00:37:37,959
Speaker 3: the cases are in different procedural postures, and you show

736
00:37:38,120 --> 00:37:41,040
Speaker 3: victims who were women and men. Why is that important?

737
00:37:41,920 --> 00:37:46,960
Speaker 5: Because you know victims of sexual assaults, sexual violence, You

738
00:37:46,960 --> 00:37:50,239
Speaker 5: know that that should there should be gender should not

739
00:37:50,320 --> 00:37:52,360
Speaker 5: be a part of that conversation. When you are a victim,

740
00:37:52,400 --> 00:37:55,680
Speaker 5: you are a victim. And I think that you know,

741
00:37:55,840 --> 00:37:58,719
Speaker 5: this series was a platform in a way for these

742
00:37:58,800 --> 00:38:03,080
Speaker 5: alleged victims to come forward, give their truth, put context

743
00:38:03,160 --> 00:38:05,759
Speaker 5: to their situations when so much of it was ripped out,

744
00:38:05,880 --> 00:38:08,560
Speaker 5: you know, and we just went the world was going

745
00:38:08,560 --> 00:38:11,680
Speaker 5: for the salacious headlines, the study a.

746
00:38:15,680 --> 00:38:18,600
Speaker 1: Girl that's in my group, that was all my last album.

747
00:38:18,840 --> 00:38:20,160
Speaker 2: You're on my last album.

748
00:38:20,200 --> 00:38:22,360
Speaker 3: Now all of a sudden, I'm this person on this

749
00:38:22,520 --> 00:38:25,160
Speaker 3: monster that Okay.

750
00:38:29,040 --> 00:38:30,040
Speaker 2: Glove's coming off.

751
00:38:31,480 --> 00:38:33,560
Speaker 3: Alexandria, what is what is this show in the story

752
00:38:33,600 --> 00:38:34,040
Speaker 3: you're telling?

753
00:38:35,040 --> 00:38:39,319
Speaker 5: Well, this is a moment where the lawsuits, I would say,

754
00:38:39,320 --> 00:38:42,040
Speaker 5: take a turn, and they've become very personal for him.

755
00:38:42,880 --> 00:38:47,880
Speaker 5: Don Richard is one of the alleged victims who filed

756
00:38:47,880 --> 00:38:49,879
Speaker 5: a lawsuit, and I think that this is a moment

757
00:38:49,920 --> 00:38:53,000
Speaker 5: where he was nicked, you know, his armor was nicked.

758
00:38:53,000 --> 00:38:56,640
Speaker 5: I guess you could, you could say, because I think,

759
00:38:56,920 --> 00:39:01,000
Speaker 5: you know, Sean Combs is a person who probably feels like,

760
00:39:01,440 --> 00:39:04,759
Speaker 5: you know, to step to him, especially I legally, is

761
00:39:05,000 --> 00:39:07,239
Speaker 5: takes a lot of courage that I don't think he

762
00:39:07,840 --> 00:39:09,719
Speaker 5: really assumed that a lot of people were going to have,

763
00:39:10,360 --> 00:39:12,759
Speaker 5: even though the Cassie you know, lawsuit had already been out,

764
00:39:13,160 --> 00:39:16,640
Speaker 5: and so I think he was a little off balance,

765
00:39:17,160 --> 00:39:22,360
Speaker 5: but that quickly turned to anger and fifty the project.

766
00:39:22,400 --> 00:39:26,360
Speaker 3: I've seen all four episodes It doesn't feel like a

767
00:39:26,400 --> 00:39:29,640
Speaker 3: personality critique. It feels like it goes to the conduct,

768
00:39:30,200 --> 00:39:32,440
Speaker 3: the alleged abuse, some of it alleged, some of it proven.

769
00:39:34,040 --> 00:39:36,640
Speaker 1: The searching for these moments, just to be clear, is

770
00:39:37,719 --> 00:39:43,120
Speaker 1: emotional attacks. They don't want fifty to bag off the

771
00:39:43,160 --> 00:39:46,239
Speaker 1: topic like that, like I never I don't see him

772
00:39:46,280 --> 00:39:48,960
Speaker 1: that way. We haven't got there. We had real problems.

773
00:39:48,960 --> 00:39:53,439
Speaker 1: I hired his sons. They didn't want that. They put

774
00:39:53,480 --> 00:39:56,960
Speaker 1: fifty cent in the forefront of this Dinny documentary to

775
00:39:57,080 --> 00:40:02,040
Speaker 1: carry the controversy. And because there's a warrior with kancers,

776
00:40:02,280 --> 00:40:05,200
Speaker 1: we lean into the problems, we lean into the beef.

777
00:40:05,280 --> 00:40:07,480
Speaker 2: We'll lean into it. You want a problem, let's have

778
00:40:07,560 --> 00:40:08,160
Speaker 2: a problem.

779
00:40:08,360 --> 00:40:10,680
Speaker 1: Now they get to use his strength against him and

780
00:40:10,760 --> 00:40:13,359
Speaker 1: hopefully this is took and it's no disrespecting necklace, because

781
00:40:13,360 --> 00:40:16,839
Speaker 1: this is us just analyzing the game. But you tell

782
00:40:16,880 --> 00:40:21,640
Speaker 1: me another documentary that they rolled out with someone in

783
00:40:21,680 --> 00:40:23,640
Speaker 1: the way that they're rolling it out with fifty cents

784
00:40:25,880 --> 00:40:29,960
Speaker 1: framing the entire conversation around a twenty year beef that

785
00:40:30,120 --> 00:40:33,200
Speaker 1: fifty is basically on mainstream television saying.

786
00:40:34,520 --> 00:40:35,919
Speaker 2: It really was nonexistent.

787
00:40:36,000 --> 00:40:38,680
Speaker 1: Now, is there something in the backdrop of course did

788
00:40:38,760 --> 00:40:41,400
Speaker 1: he win and got his baby mama fifty hiring these kids.

789
00:40:41,400 --> 00:40:44,279
Speaker 2: They're doing little shit to each other, some industry bullshit.

790
00:40:46,960 --> 00:40:52,799
Speaker 1: But now the corporate structure has really weaponized fifty cents

791
00:40:52,840 --> 00:40:57,440
Speaker 1: strength as it pertains to controversy, and they've hired him

792
00:40:57,440 --> 00:41:00,879
Speaker 1: to carry the controversy at this documentary. I've never seen

793
00:41:00,960 --> 00:41:03,839
Speaker 1: him roll a documentary out like this. I've seen him

794
00:41:03,920 --> 00:41:08,200
Speaker 1: sit actors and other things on promo runs and then

795
00:41:08,280 --> 00:41:11,319
Speaker 1: going and do press. I've never seen him roll it

796
00:41:11,360 --> 00:41:14,200
Speaker 1: out this way. And I just think you got to

797
00:41:14,239 --> 00:41:16,400
Speaker 1: pay attention to that. And I know fifty is probably

798
00:41:16,440 --> 00:41:18,319
Speaker 1: paying attention because he's not biting the bait.

799
00:41:18,440 --> 00:41:22,320
Speaker 2: He ain't diving our way in. They'll have salava dripping

800
00:41:22,400 --> 00:41:22,959
Speaker 2: from their mouth.

801
00:41:23,000 --> 00:41:26,200
Speaker 1: If he was going straight nuclear like, if he was

802
00:41:26,239 --> 00:41:29,080
Speaker 1: starting to go mainstream media and unveil things, then just

803
00:41:29,120 --> 00:41:32,319
Speaker 1: the culture talks about and just right, they want him

804
00:41:32,360 --> 00:41:35,400
Speaker 1: to unpack it.

805
00:41:34,320 --> 00:41:35,160
Speaker 2: And he won't do it.

806
00:41:36,000 --> 00:41:38,120
Speaker 1: Now. I still believe him to be in a position

807
00:41:38,160 --> 00:41:40,799
Speaker 1: with Didi saying you've done enough, you might as well

808
00:41:41,600 --> 00:41:42,759
Speaker 1: cut me all the way down.

809
00:41:43,719 --> 00:41:46,640
Speaker 2: But for some reason, he's not going all the way

810
00:41:46,760 --> 00:41:48,000
Speaker 2: nuclear Dinny in this.

811
00:41:48,680 --> 00:41:51,520
Speaker 1: And so although he's not getting too emotional. He's still

812
00:41:51,560 --> 00:41:55,640
Speaker 1: in a scenario where he's crossed the line, but some's

813
00:41:55,680 --> 00:41:58,399
Speaker 1: not allowing him to go nuclear on him, and that's

814
00:41:58,440 --> 00:42:00,400
Speaker 1: what they're looking for. I want to be clear about that.

815
00:42:00,640 --> 00:42:04,200
Speaker 5: Pay attention now and the tragic deaths of both Tupac

816
00:42:04,239 --> 00:42:08,360
Speaker 5: and Biggie. I think that for us, it was really

817
00:42:08,400 --> 00:42:14,240
Speaker 5: important to understand some of the dynamics of those three

818
00:42:14,480 --> 00:42:17,640
Speaker 5: Sean Combs, Biggie and Tupac and what was really going

819
00:42:17,680 --> 00:42:21,480
Speaker 5: on behind the scenes. That often gets lifted because everyone

820
00:42:21,560 --> 00:42:25,120
Speaker 5: just wants to talk about, you know, the murder, you know,

821
00:42:25,320 --> 00:42:28,640
Speaker 5: and and not to really digest why.

822
00:42:29,120 --> 00:42:30,840
Speaker 3: But do you think of viewers left with the impression

823
00:42:30,880 --> 00:42:31,879
Speaker 3: that he was responsible.

824
00:42:34,239 --> 00:42:38,960
Speaker 5: I think that that's really up to the court system

825
00:42:39,000 --> 00:42:41,759
Speaker 5: and not and not to me or the or the

826
00:42:41,800 --> 00:42:44,799
Speaker 5: film we're just presenting. You know, things that have been

827
00:42:44,800 --> 00:42:48,360
Speaker 5: reported on have been said by keify D you know himself,

828
00:42:48,520 --> 00:42:53,840
Speaker 5: repeatedly and you know the LAPD love go on.

829
00:42:56,360 --> 00:42:58,600
Speaker 4: No, No, I'm just saying what he was saying.

830
00:42:58,680 --> 00:43:02,360
Speaker 3: Yeah, and you're speaking about a key person who some

831
00:43:02,400 --> 00:43:04,719
Speaker 3: people would say, oh, that's strong evidence. Other people would

832
00:43:04,760 --> 00:43:07,680
Speaker 3: say when you get into years later and people with

833
00:43:07,800 --> 00:43:09,600
Speaker 3: various agendas. You don't know.

834
00:43:10,280 --> 00:43:12,959
Speaker 1: No, let me address some of the other things before

835
00:43:13,000 --> 00:43:16,279
Speaker 1: we get out of here. My question still remains, why

836
00:43:16,360 --> 00:43:21,799
Speaker 1: is fifty cent leaning into this documentary so heavy? And

837
00:43:21,840 --> 00:43:25,520
Speaker 1: because I understand fifty cent to be someone that's military minded,

838
00:43:25,719 --> 00:43:29,040
Speaker 1: very strategic, I believe he has to have something else

839
00:43:29,080 --> 00:43:32,279
Speaker 1: loaded with Netflix. I don't see him putting all of

840
00:43:32,320 --> 00:43:37,239
Speaker 1: this force behind this one check and one opportunity with Netflix.

841
00:43:38,920 --> 00:43:41,800
Speaker 1: I'll reiterate that I believe the flyer was sent from Diddy,

842
00:43:41,960 --> 00:43:44,839
Speaker 1: was a message or from someone that works for him,

843
00:43:44,960 --> 00:43:46,840
Speaker 1: was a message that Yo, it's your turn when I

844
00:43:46,840 --> 00:43:50,160
Speaker 1: get out, gonna throw our financial mic behind trying to

845
00:43:50,160 --> 00:43:53,400
Speaker 1: figure out if you could be indicted for some charges

846
00:43:53,440 --> 00:43:57,080
Speaker 1: they've already stripped me. The Emperor now has no clothes

847
00:43:57,080 --> 00:44:00,640
Speaker 1: and it's your turn. And I think fifty cent is

848
00:44:00,680 --> 00:44:03,120
Speaker 1: from the streets. He understands that nobody is bigger than

849
00:44:03,200 --> 00:44:06,880
Speaker 1: the program, and maybe he got arrogant at this point.

850
00:44:06,920 --> 00:44:09,600
Speaker 1: I don't know, but there's an old saying that it's

851
00:44:09,640 --> 00:44:13,200
Speaker 1: been living way longer than all of us, that you're

852
00:44:13,200 --> 00:44:15,359
Speaker 1: not bigger in the program, and even if you are

853
00:44:15,400 --> 00:44:17,880
Speaker 1: bigger in the program, you ain't bigger in the handbook.

854
00:44:19,360 --> 00:44:22,960
Speaker 1: As big as the elephant is, as massive as it

855
00:44:23,120 --> 00:44:28,680
Speaker 1: is the jungle, it's still superior. You are never bigger

856
00:44:28,719 --> 00:44:31,520
Speaker 1: than the program. So again, I think he has to

857
00:44:31,560 --> 00:44:33,560
Speaker 1: watch out for that. But I would love to know

858
00:44:33,600 --> 00:44:35,719
Speaker 1: the amount of money fifty cent was paid to take

859
00:44:35,800 --> 00:44:39,120
Speaker 1: on this documentary because he's actually going back and forth

860
00:44:39,200 --> 00:44:41,560
Speaker 1: right now with Marlon Wayne's online, Right, And you don't

861
00:44:41,560 --> 00:44:43,759
Speaker 1: step in front of a firing squad like this if

862
00:44:43,800 --> 00:44:49,000
Speaker 1: you're fifty without something else in the backdrop, first look, agreement, sponsorships,

863
00:44:49,040 --> 00:44:52,480
Speaker 1: what is it? What's in the backdrop of this Diddy documentary?

864
00:44:52,560 --> 00:44:52,840
Speaker 2: Move?

865
00:44:53,880 --> 00:44:57,520
Speaker 3: You have a juror in here? What did that show

866
00:44:57,640 --> 00:45:01,640
Speaker 3: us about this case? Because there is a tension within

867
00:45:01,680 --> 00:45:05,759
Speaker 3: all this. It's no stranger to many people that the

868
00:45:05,880 --> 00:45:08,319
Speaker 3: justice system fails in all sorts of ways. You show

869
00:45:08,320 --> 00:45:13,359
Speaker 3: how it failed survivors and Cassie clearly at the same

870
00:45:13,440 --> 00:45:16,760
Speaker 3: time he beat the case of New York. I remember

871
00:45:16,800 --> 00:45:20,120
Speaker 3: the day it happened, and I looked at fifties Instagram

872
00:45:20,120 --> 00:45:23,960
Speaker 3: for ditty news, as so many Americans do. And in

873
00:45:24,040 --> 00:45:27,520
Speaker 3: all fairness, fifty said, Okay, did he beat a big

874
00:45:27,560 --> 00:45:31,319
Speaker 3: part of the case? Right? You said, many people think

875
00:45:31,320 --> 00:45:34,120
Speaker 3: that was an unjust outcome. But when talking to the jurors,

876
00:45:34,880 --> 00:45:38,960
Speaker 3: what did you find Because the film looks at all

877
00:45:39,040 --> 00:45:41,040
Speaker 3: of this horror, but then finds that a jury of

878
00:45:41,040 --> 00:45:45,760
Speaker 3: his peers in New York, ultimately in this era, said

879
00:45:46,120 --> 00:45:49,200
Speaker 3: they didn't the government did not prove the whole reco case.

880
00:45:51,320 --> 00:45:54,160
Speaker 5: Yeah, I mean, I think it's really complicated, and I

881
00:45:54,200 --> 00:45:57,000
Speaker 5: think that to break down what went right and what

882
00:45:57,080 --> 00:45:59,560
Speaker 5: maybe went and left or wrong in that trial is

883
00:45:59,600 --> 00:46:03,719
Speaker 5: a whole that's a whole other documentary. But I think that,

884
00:46:04,320 --> 00:46:06,800
Speaker 5: you know, we have two jurors, two very different types

885
00:46:06,840 --> 00:46:09,799
Speaker 5: of New Yorkers, you know that that were interviewed in

886
00:46:09,880 --> 00:46:12,640
Speaker 5: the film, and I think that when you talk to them,

887
00:46:12,680 --> 00:46:14,319
Speaker 5: I mean, it was very clear to me that they

888
00:46:14,360 --> 00:46:17,040
Speaker 5: stood behind that decision. They stood behind it one thousand

889
00:46:17,040 --> 00:46:20,200
Speaker 5: percent and because they felt it based on the charges

890
00:46:20,200 --> 00:46:26,080
Speaker 5: that were presented by the federal government, and that is

891
00:46:26,320 --> 00:46:29,439
Speaker 5: that they could not prove beyond a reasonable doubt that

892
00:46:29,520 --> 00:46:34,040
Speaker 5: Shawn Combs was guilty of you know, rico, that they overcharged,

893
00:46:34,400 --> 00:46:38,840
Speaker 5: that they overcharged. I think that when you get into

894
00:46:38,880 --> 00:46:40,719
Speaker 5: the you know, I don't know if our laws or

895
00:46:40,760 --> 00:46:44,760
Speaker 5: a legal legal system are the best when it comes

896
00:46:44,800 --> 00:46:47,520
Speaker 5: to the gray matter of sexual assaultion.

897
00:46:47,560 --> 00:46:51,600
Speaker 4: Tanks out in front of his house are like they

898
00:46:52,040 --> 00:46:56,879
Speaker 4: made a bigger, more extreme approach to the investigation.

899
00:46:57,640 --> 00:47:00,680
Speaker 3: So you think the government did basically saying what was

900
00:47:00,719 --> 00:47:01,839
Speaker 3: still strong evident.

901
00:47:01,560 --> 00:47:02,319
Speaker 4: They did overdo it.

902
00:47:02,400 --> 00:47:02,960
Speaker 3: They never did it.

903
00:47:03,080 --> 00:47:05,239
Speaker 4: They did Grady, he beat the case. To me that

904
00:47:05,680 --> 00:47:09,000
Speaker 4: what he was charged with, that that's a victory like

905
00:47:09,120 --> 00:47:13,600
Speaker 4: that to end up with fifty months when you had

906
00:47:13,719 --> 00:47:17,279
Speaker 4: your life on the line as a victory, you know.

907
00:47:17,320 --> 00:47:20,440
Speaker 4: But to be the only person that's incarcerated for hiring

908
00:47:20,480 --> 00:47:22,520
Speaker 4: and transport mail prostitutes, it's different.

909
00:47:23,160 --> 00:47:25,919
Speaker 3: Yeah, life on the line also a fifty lyric.

910
00:47:27,840 --> 00:47:30,080
Speaker 1: Again, you see fifty handle it in a way where

911
00:47:30,480 --> 00:47:33,040
Speaker 1: he doesn't just stump Hi Matt and fifty again is

912
00:47:33,040 --> 00:47:34,640
Speaker 1: a smart man. You're going to see him in the

913
00:47:34,640 --> 00:47:37,520
Speaker 1: coming days. And I've already seen him started. Now he's

914
00:47:37,560 --> 00:47:39,600
Speaker 1: doing interviews and saying, yo, I was the only one

915
00:47:39,640 --> 00:47:42,279
Speaker 1: speaking up and if nobody from hip hop comes out

916
00:47:42,320 --> 00:47:45,480
Speaker 1: and says anything, then we might co sign the behavior.

917
00:47:46,120 --> 00:47:48,080
Speaker 1: I believe fifty didn't know that. That's not the case

918
00:47:48,080 --> 00:47:50,440
Speaker 1: because in the streets, you talking to mind your business.

919
00:47:51,120 --> 00:47:53,480
Speaker 1: In the streets, things happen and he comes up in that.

920
00:47:54,800 --> 00:47:57,560
Speaker 1: And so the bigger the business is, the more of

921
00:47:57,600 --> 00:48:00,520
Speaker 1: a politician people become, and they understand the aguage in

922
00:48:00,640 --> 00:48:03,640
Speaker 1: verb is to be able to slither their way out

923
00:48:03,640 --> 00:48:06,600
Speaker 1: of some of the uncomfortable situations. I think fifty is

924
00:48:06,640 --> 00:48:09,800
Speaker 1: gonna stand on it, but I think he's driven itself

925
00:48:09,800 --> 00:48:12,600
Speaker 1: into a cave that he doesn't profit the most off of.

926
00:48:13,520 --> 00:48:17,520
Speaker 1: He's been hired by Netflix to put it in Layman's terms,

927
00:48:17,520 --> 00:48:20,040
Speaker 1: to carry the controversy of a documentary and be from

928
00:48:20,120 --> 00:48:23,759
Speaker 1: colture and hide behind a cultural shield. But he's not

929
00:48:23,840 --> 00:48:26,799
Speaker 1: the sward. And I'm seeing them post things like yo,

930
00:48:27,680 --> 00:48:31,080
Speaker 1: I want all the smoke what for? What about a documentary?

931
00:48:31,600 --> 00:48:34,920
Speaker 1: I want all the smoke about a documentary? We too

932
00:48:35,040 --> 00:48:37,560
Speaker 1: level headed to let them triggers like that love one

933
00:48:38,320 --> 00:48:40,960
Speaker 1: about a doc I want all the smoke about a

934
00:48:41,040 --> 00:48:43,760
Speaker 1: documentary that ain't no fifty action dot com.

935
00:48:43,800 --> 00:48:44,759
Speaker 2: It's on Netflix.

936
00:48:45,200 --> 00:48:48,960
Speaker 1: Netflix is cloaked behind me as fifty cent for every

937
00:48:49,000 --> 00:48:52,040
Speaker 1: piece of backlash. Now, let's see when the Emmys and

938
00:48:52,080 --> 00:48:55,160
Speaker 1: all these other awards come out, what does the accolades

939
00:48:55,239 --> 00:48:57,360
Speaker 1: go to. I would love to see the accolades go

940
00:48:57,400 --> 00:48:59,879
Speaker 1: to fifty the same way the backlash is going to fit.

941
00:49:00,440 --> 00:49:04,319
Speaker 1: Nobody saying Netflix, y'all dirty mother. Everybody's saying fifty wrong.

942
00:49:05,680 --> 00:49:09,000
Speaker 1: But y'all fed these animals for years and they didn't

943
00:49:09,080 --> 00:49:13,120
Speaker 1: have our skin color. Y'all go and sit with platforms

944
00:49:13,160 --> 00:49:15,880
Speaker 1: and run over the white people and tell these stories

945
00:49:15,960 --> 00:49:18,839
Speaker 1: and give them and break down our anacular in front

946
00:49:18,880 --> 00:49:21,600
Speaker 1: of people who don't have any real interest of understanding.

947
00:49:21,680 --> 00:49:23,560
Speaker 1: They just want to sell the story. It's hot at

948
00:49:23,600 --> 00:49:27,200
Speaker 1: the time, So we've prostituted our entire culture for the

949
00:49:27,360 --> 00:49:32,000
Speaker 1: entire duration of it. But I'm wondering, what is in

950
00:49:32,040 --> 00:49:34,360
Speaker 1: the backdrop of this deal with fifty in Netflix. It

951
00:49:34,440 --> 00:49:36,280
Speaker 1: has to be more. It has to be a multi

952
00:49:36,400 --> 00:49:39,879
Speaker 1: doc deal, it has to be first look agreements, it

953
00:49:39,920 --> 00:49:44,440
Speaker 1: has to be something else in the mix. Again, I

954
00:49:44,520 --> 00:49:47,439
Speaker 1: understand fifty is in green lid at Netflix. Everybody looks

955
00:49:47,480 --> 00:49:50,239
Speaker 1: at fifty, great business man, But when it comes to Netflix,

956
00:49:50,480 --> 00:49:52,480
Speaker 1: it ain't just like he got a green light over there,

957
00:49:52,520 --> 00:49:56,240
Speaker 1: and so he's earning his key. He's doing a business

958
00:49:56,280 --> 00:50:00,960
Speaker 1: play against someone I don't care for from our culture.

959
00:50:00,960 --> 00:50:03,959
Speaker 1: And usually you protect your own and you discipline your own.

960
00:50:04,800 --> 00:50:06,879
Speaker 1: In prison, they'll take care of one of their own

961
00:50:07,040 --> 00:50:11,359
Speaker 1: like you stole something from one of them dudes over there. Y'all,

962
00:50:11,400 --> 00:50:14,680
Speaker 1: don't do nothing, will take care of We'll discipline him.

963
00:50:15,080 --> 00:50:17,480
Speaker 1: I just think it's an interesting dynamic. At the end

964
00:50:17,520 --> 00:50:19,360
Speaker 1: of the day, man, we're gonna see if Netflix do

965
00:50:19,400 --> 00:50:22,319
Speaker 1: any more business with fifty. If they don't, then we

966
00:50:22,480 --> 00:50:27,720
Speaker 1: know that my theory was true. But I imagine they will.

967
00:50:28,080 --> 00:50:30,800
Speaker 1: And not only that, I think it opens the doors

968
00:50:30,840 --> 00:50:32,480
Speaker 1: for other people that want to take these kind of

969
00:50:32,480 --> 00:50:35,920
Speaker 1: swings in culture. There's always gonna be two sides in

970
00:50:36,080 --> 00:50:38,560
Speaker 1: hip hop, man, because it's damnar like a sport man

971
00:50:38,680 --> 00:50:43,759
Speaker 1: shirts and skins, you understand me. It's like football, basketball,

972
00:50:43,880 --> 00:50:46,880
Speaker 1: any other thing. That's gonna be teams, that's gonna be alliances,

973
00:50:46,920 --> 00:50:49,799
Speaker 1: that's gonna be cool clubs. It's gonna be people kicked out,

974
00:50:49,800 --> 00:50:54,319
Speaker 1: it's gonna be people invited in. It's just an interesting industry, man,

975
00:50:54,360 --> 00:50:56,399
Speaker 1: and I'm gonna continue to watch it. We're not gonna

976
00:50:56,400 --> 00:50:58,880
Speaker 1: have a long episode today. But I want to ask y'all,

977
00:50:59,560 --> 00:51:02,480
Speaker 1: have you paid attention to how they're handling Max b

978
00:51:03,400 --> 00:51:06,200
Speaker 1: in the media versus how they handled people from the South,

979
00:51:06,239 --> 00:51:08,840
Speaker 1: people like Young Thug and others from the South. Maighborhood

980
00:51:09,680 --> 00:51:12,440
Speaker 1: who came out of jail. When Max b has people

981
00:51:12,480 --> 00:51:15,480
Speaker 1: who actually are going around saying that he's the reason

982
00:51:15,520 --> 00:51:18,880
Speaker 1: I'm in jail. I want you guys to understand when

983
00:51:18,920 --> 00:51:22,240
Speaker 1: there's an orchestrated hit or there's a cool on people

984
00:51:22,320 --> 00:51:25,360
Speaker 1: in hip hop, and it's unfortunate that a lot of

985
00:51:25,400 --> 00:51:29,319
Speaker 1: the people that are controlling some of the conversations, they're

986
00:51:29,320 --> 00:51:30,520
Speaker 1: not even us.

987
00:51:30,840 --> 00:51:32,080
Speaker 2: They're not from the culture.

988
00:51:32,080 --> 00:51:36,480
Speaker 1: They didn't grow up playing kickball or football, or football

989
00:51:36,600 --> 00:51:39,720
Speaker 1: up the hill. They didn't grow up playing nick knock

990
00:51:39,880 --> 00:51:42,600
Speaker 1: or you know what I'm saying. In some of these neighborhoods,

991
00:51:42,600 --> 00:51:45,160
Speaker 1: they're like outsiders to the culture and they're running some

992
00:51:45,200 --> 00:51:48,239
Speaker 1: of the cultural conversations that people are bowing down to them.

993
00:51:48,280 --> 00:51:51,400
Speaker 1: It's a very interesting time. I've told people this years

994
00:51:51,400 --> 00:51:54,440
Speaker 1: ago that because some people are black, that does not

995
00:51:54,600 --> 00:51:57,640
Speaker 1: mean they identify with our experience. The Black American has

996
00:51:57,680 --> 00:52:01,160
Speaker 1: a very unique experience and it's much more complex than

997
00:52:01,200 --> 00:52:04,239
Speaker 1: the rappers are able to communicate on music and the

998
00:52:04,280 --> 00:52:07,680
Speaker 1: movies are able to illustrate to visual entertainment. And because

999
00:52:07,719 --> 00:52:10,120
Speaker 1: the labels all pump up and do business with anyone,

1000
00:52:10,160 --> 00:52:11,719
Speaker 1: they don't care if you're from the culture or not.

1001
00:52:11,800 --> 00:52:14,640
Speaker 1: If you have an audience, they'll they'll utilize you for

1002
00:52:14,680 --> 00:52:18,319
Speaker 1: your fan base. And they've actually funded a lot of

1003
00:52:18,320 --> 00:52:21,200
Speaker 1: these individuals to get them to positions to be able

1004
00:52:21,239 --> 00:52:24,279
Speaker 1: to dictate what's going on in culture in certain pockets.

1005
00:52:24,560 --> 00:52:26,719
Speaker 1: But we got to be intentional with our brands. We

1006
00:52:26,800 --> 00:52:29,480
Speaker 1: got to be intentional with our advice. I see a

1007
00:52:29,520 --> 00:52:32,400
Speaker 1: lot of these little doing things and they don't make

1008
00:52:32,440 --> 00:52:34,319
Speaker 1: sure none of the dons is in the building. I'd

1009
00:52:34,360 --> 00:52:36,560
Speaker 1: be like, it's a goofy fist. It's a bunch of

1010
00:52:36,640 --> 00:52:40,120
Speaker 1: goofballs in one spot, and they wonder where none of

1011
00:52:40,200 --> 00:52:43,359
Speaker 1: the real there're no opinions about them because they ain't

1012
00:52:43,400 --> 00:52:46,120
Speaker 1: hearing you talk, and they ain't seeing you live streams,

1013
00:52:46,200 --> 00:52:49,080
Speaker 1: or they ain't paying attention to that shit. You know

1014
00:52:49,120 --> 00:52:51,040
Speaker 1: what I'm saying. You ain't tapped in with the people.

1015
00:52:51,040 --> 00:52:54,080
Speaker 1: That's tapped in with the people. There's a very interesting

1016
00:52:54,160 --> 00:52:56,600
Speaker 1: dynamic going on. But now people are seeing like you

1017
00:52:56,719 --> 00:53:00,480
Speaker 1: go on these Twitter pages and it's from Australia, is

1018
00:53:00,680 --> 00:53:04,359
Speaker 1: from Germany and Nigeria and that Kendrick Bot pages and shit,

1019
00:53:04,400 --> 00:53:07,640
Speaker 1: and it's like I've been telling y'all this the reason

1020
00:53:07,719 --> 00:53:09,799
Speaker 1: I know that they're not one of our kindness because

1021
00:53:09,800 --> 00:53:14,279
Speaker 1: they're blatant misunderstanding of culture. I'm saying, yo, these black,

1022
00:53:14,360 --> 00:53:16,400
Speaker 1: but they ain't us. You ain't even gotta tell me

1023
00:53:16,440 --> 00:53:20,200
Speaker 1: where you're from, just your misunderstanding of what you looking at.

1024
00:53:20,239 --> 00:53:22,840
Speaker 1: I'm saying, man, some of the black talking about culture,

1025
00:53:22,840 --> 00:53:26,960
Speaker 1: but they ain't really us. They got black skin, they

1026
00:53:27,120 --> 00:53:30,719
Speaker 1: blending in. But based on what he's saying, I understand

1027
00:53:30,719 --> 00:53:33,280
Speaker 1: he don't understand, so he can't be one of us.

1028
00:53:33,760 --> 00:53:38,160
Speaker 1: Because once again, the journey gives you the understanding. When

1029
00:53:38,200 --> 00:53:41,400
Speaker 1: you've been imported and just placed in hip hop boom,

1030
00:53:41,640 --> 00:53:44,560
Speaker 1: now you part of this thing of ours. Yo, some

1031
00:53:44,680 --> 00:53:47,080
Speaker 1: of the language, you ain't gonna understand, the handshakes, the

1032
00:53:47,120 --> 00:53:49,799
Speaker 1: origin stories. You don't know what's going on. You don't, man,

1033
00:53:49,840 --> 00:53:54,000
Speaker 1: you gotta do the knowledge. Nigga was born in and

1034
00:53:54,000 --> 00:53:56,719
Speaker 1: not sworn in it. But let's talk about that, right.

1035
00:53:56,960 --> 00:53:59,080
Speaker 1: I don't really know the temperature would max me, but

1036
00:53:59,160 --> 00:54:02,120
Speaker 1: I do know there's allegations on his name, right. I

1037
00:54:02,120 --> 00:54:04,440
Speaker 1: don't really speak on it. I don't give a about it,

1038
00:54:04,480 --> 00:54:07,239
Speaker 1: but I do understand it. They're they are, and I

1039
00:54:07,280 --> 00:54:09,680
Speaker 1: just want the audience to see how they're handling that

1040
00:54:09,840 --> 00:54:13,040
Speaker 1: versus how they handle Young Thug or Gunn or some

1041
00:54:13,120 --> 00:54:16,360
Speaker 1: of the people from the South. There's vitrioll on the

1042
00:54:16,440 --> 00:54:21,399
Speaker 1: South because there's a blessing on our Southern states. That's

1043
00:54:21,400 --> 00:54:23,279
Speaker 1: not a water, that's not a beef. But some of

1044
00:54:23,280 --> 00:54:27,319
Speaker 1: these guys have cursed souls. Some of these guys have

1045
00:54:27,440 --> 00:54:31,320
Speaker 1: evil spirits. The Young Thug situation ain't even got nobody

1046
00:54:31,400 --> 00:54:35,000
Speaker 1: tied to it. It's an interrogation room video, and they

1047
00:54:35,000 --> 00:54:38,399
Speaker 1: took the Internet by storm. The Max b situation got

1048
00:54:38,440 --> 00:54:40,680
Speaker 1: people trying to do interviews and they've called me and

1049
00:54:40,719 --> 00:54:44,040
Speaker 1: I've turned it down. So I'm not interested in exposing it,

1050
00:54:44,080 --> 00:54:46,400
Speaker 1: but I want to expose the people behind some of

1051
00:54:46,440 --> 00:54:50,359
Speaker 1: the orchestrated hits, right, but pay attention to it. If

1052
00:54:50,400 --> 00:54:52,360
Speaker 1: there was a Southern artist, say that was Pooshi's to

1053
00:54:52,400 --> 00:54:55,120
Speaker 1: getting out of jail and it's two three people, it's

1054
00:54:55,120 --> 00:54:57,239
Speaker 1: a girl floating around saying he told or it's his

1055
00:54:57,320 --> 00:54:59,840
Speaker 1: brother saying y'all want to do an interview. They'll be

1056
00:54:59,880 --> 00:55:02,680
Speaker 1: a on their platforms every day speaking about that bit.

1057
00:55:02,719 --> 00:55:05,920
Speaker 1: Because it's someone from New York up north, they're gonna

1058
00:55:05,920 --> 00:55:08,680
Speaker 1: put a shield around it and they ain't gonna speak

1059
00:55:08,680 --> 00:55:10,640
Speaker 1: about it because they got to deal with running into

1060
00:55:10,640 --> 00:55:14,040
Speaker 1: some of them guys pay attention to that. Look at

1061
00:55:14,040 --> 00:55:16,880
Speaker 1: how academics even talks the main Oh, because there's a

1062
00:55:17,000 --> 00:55:19,520
Speaker 1: chance that I might run into Mayo, So he don't.

1063
00:55:19,360 --> 00:55:22,520
Speaker 2: Make no problem, Jim Jones, man, know this not this right.

1064
00:55:23,040 --> 00:55:26,799
Speaker 1: So because they're so far away from the South and

1065
00:55:26,880 --> 00:55:29,600
Speaker 1: reporting on the South, I think that also gives them

1066
00:55:29,640 --> 00:55:32,960
Speaker 1: leadway to say certain things and handle certain things certain ways.

1067
00:55:33,280 --> 00:55:35,640
Speaker 1: But if we're gonna be fair across the board, they

1068
00:55:35,640 --> 00:55:38,080
Speaker 1: would have had a conversation about the max B thing.

1069
00:55:38,320 --> 00:55:40,560
Speaker 1: I'm not interested in doing it because I don't really care.

1070
00:55:40,600 --> 00:55:42,759
Speaker 1: Who done told no more? This shit is below my

1071
00:55:42,880 --> 00:55:46,759
Speaker 1: pay grade? Yeah nah, no, No, My pay grade now

1072
00:55:46,840 --> 00:55:49,080
Speaker 1: is who don't win public? How much money these folks

1073
00:55:49,120 --> 00:55:52,080
Speaker 1: done got. Now we're still standing on integrity, but all

1074
00:55:52,120 --> 00:55:54,680
Speaker 1: that shit, who done told shit? That shit below my

1075
00:55:54,840 --> 00:55:59,000
Speaker 1: pay grade? Yeah, we're trying to take companies public, man,

1076
00:56:00,040 --> 00:56:02,480
Speaker 1: we're doing big business right. So I'm just saying, like,

1077
00:56:02,600 --> 00:56:04,960
Speaker 1: keep me out of the low level, low budget, low

1078
00:56:05,040 --> 00:56:08,479
Speaker 1: peon ad leon shit and just keep me top tier.

1079
00:56:09,480 --> 00:56:12,359
Speaker 1: You understand me. But I appreciate y'all watching to day. Man,

1080
00:56:12,440 --> 00:56:14,799
Speaker 1: y'all know what it is. It's up that podcast. Make

1081
00:56:14,840 --> 00:56:17,000
Speaker 1: sure y'all here like and shall let somebody know you

1082
00:56:17,160 --> 00:56:19,600
Speaker 1: was there. Make some clips, take me in the clips.

1083
00:56:19,600 --> 00:56:22,520
Speaker 1: I'll repost them. Let the people know. Man, we always

1084
00:56:22,560 --> 00:56:24,879
Speaker 1: listening to It's Up There podcast. That's the only place

1085
00:56:24,960 --> 00:56:26,120
Speaker 1: we get the game at. Man.

1086
00:56:26,200 --> 00:56:28,799
Speaker 2: That means something. Man, I really appreciate y'all. Love y'all.

1087
00:56:28,840 --> 00:56:31,200
Speaker 1: You know that I ain't gotta keep saying it, don't

1088
00:56:31,200 --> 00:56:33,840
Speaker 1: you know it? Tell the truth, don't you know it?

1089
00:56:33,880 --> 00:56:37,239
Speaker 2: Though? All right, then, over and night, I see y'all

1090
00:56:37,280 --> 00:56:38,600
Speaker 2: in a few days. Let's get it