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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I heart radio and it's drinks motherfucking podcast. He's

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Speaker 1: a legendary queen's rapper. He's agree, it's your boy in

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Speaker 1: O R E. He's a Miami hippoper pioneer up d

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Speaker 1: J e f N. Together they drinking up with some

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Speaker 1: of the biggest players in the most professional unprofessional podcast.

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Speaker 1: And your number one sorts for drunk drink is new

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Speaker 1: year Z that time for Drink Champs, Drink Up? Would

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Speaker 1: you good be hoping this should be this boy and

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Speaker 1: R UP was d J e f N And this

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Speaker 1: is Drink Champs. Happy all. But I'm gonna be honest,

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Speaker 1: this is about to be one of our biggest episodes ever.

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Speaker 1: We got the new or maybe the original Michael Jackson

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Speaker 1: and the motherfucking building. This man, I can't tell you.

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Speaker 1: He got hits. He got more than hits, more than hits.

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Speaker 1: This could be dropping hours with twenty two songs on it.

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Speaker 1: Hell of songs. This nigga keep going. He don't want

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Speaker 1: to stop. And you guess what, I'm gonna be honest

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Speaker 1: if I might come out of the time because I

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Speaker 1: need to look. Let's go, let's go what we're doing.

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Speaker 1: But in case these people don't know what I'm talking about,

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Speaker 1: the pace keep people don't know who this man has destroyed,

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Speaker 1: the whole era. He continue to make hits after hits

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Speaker 1: after hits. I put a playlist together and there was

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Speaker 1: three thousand songs stuff two days. In case you don't

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Speaker 1: know the funk we're talking about, talking about the one,

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Speaker 1: the only motherfucker Chris bron Thank y'all, Chris, let me

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Speaker 1: just thank you. The introduction was amazing. That was amazing.

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Speaker 1: Appreciate that. But let me just tell yourself, but do

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Speaker 1: you because I actually our fans are fucking great fans, right,

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Speaker 1: so they're saying, we know Chris Brown is coming out

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Speaker 1: with an album, Do you guys have a And then

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Speaker 1: we were talking to you here's the deal, And I

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Speaker 1: don't think anybody's ever watched, ever asked you this question.

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Speaker 1: Do you feel like that, know, Michael Jackson, damn uh.

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Speaker 1: Personally my real honest opinion, no, you know, I feel

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Speaker 1: like nobody can replace that man. That man kind of

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Speaker 1: like he's still the end all be all when he

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Speaker 1: comes to entertainment, even subject matter of songs. How are

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Speaker 1: you spoke. You know, I like your stuff immediately, but

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Speaker 1: I'm gonna be scary. But I just feel like he's

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Speaker 1: He's like Jesus to me, you know. So I feel

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Speaker 1: like I could never be in his his shoes. I

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Speaker 1: can only like be inspired by him, you know, and

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Speaker 1: and try to I don't want to imitate him because

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Speaker 1: his magic and his magic, So me being able to

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Speaker 1: even have that conversation, I'm flattered, But I'm also like

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Speaker 1: honest with myself, like, hey, no, you ain't sucking Michael Jackson.

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Speaker 1: No they didn't say better, they said the New. Okay, cool, Well,

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Speaker 1: I ain't gonna say I'm the new. I ain't gonna

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Speaker 1: say I just say. I just say I'm Chris Brown.

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Speaker 1: I think, uh he's a real, real, uh impactful person

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Speaker 1: in the reason why I do this, you know what

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Speaker 1: I'm saying, So I could It's like Jordan and Lebron,

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Speaker 1: Jordan and Kobe, like it's two different errors, so you

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Speaker 1: never really get to see what it what it could

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Speaker 1: have been, or what it is. But I feel like

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Speaker 1: he Without him, I wouldn't even know what to do,

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Speaker 1: like i'd be really I love the humble answer. Now

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Speaker 1: that's really though about that situation. Now you talk about

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Speaker 1: somebody else, I'm like, now I'm flaming them, which is

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Speaker 1: something you smoking anybody there, Nobody don't want to smoke

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Speaker 1: with you with versus should nobody? Let's just give me here,

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Speaker 1: you know, my brother, Like, I don't even my whole

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Speaker 1: position on the on the versus thing. It's like, it's cool,

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Speaker 1: it's dope what it's doing with the culture. But I

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Speaker 1: feel like where I'm at in my in my quarter

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Speaker 1: or my game, like I'm not down twenty points. You're

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Speaker 1: feeling me Like, so I feel like me doing that

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Speaker 1: would be like, Okay, you know, I'm about to hang

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Speaker 1: it up. So that's the real you know, you basically

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Speaker 1: saying you're smoking. I'm smoking you hold I'm not gonna

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Speaker 1: That's been like a debate who Chris Brown com battle

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Speaker 1: on versus? Don't get me wrong, And I'm like, I

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Speaker 1: know what the consensus is. But because I'm a fan

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Speaker 1: of their music too, So when I hear some of this,

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Speaker 1: I'm like, oh, so when you say they, who are

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Speaker 1: you talking about? Because the only well it's only the

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Speaker 1: it's not even the uh. I would just say they

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Speaker 1: want me us you to do it? You know, you

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Speaker 1: get what I'm saying, like it only makes sense, but

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Speaker 1: it gotta make more sense. Like I would want to

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Speaker 1: celebrate him and his life just as much as celebrating

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Speaker 1: my stuff. So because both of us, I can't. I

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Speaker 1: can't act like he ain't a pioneer as well. That's

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Speaker 1: just that's what we love about you. So you know

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Speaker 1: what I'm saying. I think it would be it would

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Speaker 1: be something good for the fans, but it would have

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Speaker 1: to just make sense for both of us. You know

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Speaker 1: what I'm saying, because I got a hell of songs.

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Speaker 1: That's all I can say. I just got what you saying.

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Speaker 1: When it boils down to it, Oh, I ain't Yeah,

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Speaker 1: yea not Chris. I'm not gonna I'm not gonna lie

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Speaker 1: to you, Bro. I might have been one person who

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Speaker 1: seemed the beginning of your growth. Fact David's days, I

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Speaker 1: remember man like fourteen. Yeah, remember damn, I'm good. I'm

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Speaker 1: good at my job. Listen. I remember one night I

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Speaker 1: was in the studio, was in Criteria studio. I was

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Speaker 1: mixing a song. I'm like kind of Miami, No, Miami, Miami.

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Speaker 1: I'm kind of finished mixing Tina. David steps to me, says,

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Speaker 1: I got this new artist, he needs this studio. I

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Speaker 1: switched studios with what you do you remember? I remember

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Speaker 1: I was. I was nervous to him, like, man, what

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Speaker 1: then I'm not nobody, don't need you. We're about to

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Speaker 1: ask this gangster. But I can't lie. That might have

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Speaker 1: been the best move I ever made in my life

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Speaker 1: because as I did this, I said, Tina Davis asked me,

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Speaker 1: can you switch studios with this new artist? No, one

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Speaker 1: never heard of you at the time. I think it's running.

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Speaker 1: I'm not sure. Yeah, I think it was like right

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Speaker 1: before we dropped, right before we were going, like we

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Speaker 1: were running because Scott starts produced Running, and I believe

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Speaker 1: it was a session. What you want to see it? Diego?

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Speaker 1: You was there for short recording. Man, I was high

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Speaker 1: after that. I don't know what it was. I was

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Speaker 1: just hord doing dumb shit. And and then Tina Davis says, says, yo,

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Speaker 1: and it wind up being you. And it's a story

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Speaker 1: I love. I love because I got to see your beginning. Yeah,

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Speaker 1: to where we at right now, your beautiful, gorgeous, goddamn house.

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Speaker 1: I'm not gonna I think I want you to design

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Speaker 1: my carib Can you tell me because my ship is

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Speaker 1: a lot of chaos, you know what I'm saying. That's

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Speaker 1: like you can see it's a lot of ship that's

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Speaker 1: going on in my head. Did you do any of

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Speaker 1: this art? Yeah, yeah, so's it's one of my homies

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Speaker 1: is here to His name is Dee Cozy, But me

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Speaker 1: and him consistently probably did that. We did this wall.

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Speaker 1: We did this wall together. A lot of these different canvases,

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Speaker 1: like certain certain stuff is uh individual pieces, but a

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Speaker 1: lot of the artists like by the Way home especially,

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Speaker 1: I've never seen somebody art on the refrigerator. Yeah. I

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Speaker 1: was bored one night, you know what I'm saying, and

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Speaker 1: it was like that usly I put the Supreme shine

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Speaker 1: over the tit. My kids is coming in here, and

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Speaker 1: I was like, oh, she forgot. I just gotta thinking that.

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Speaker 1: I gotta tell you yourself a little bit. But yeah,

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Speaker 1: you got the Supreme More. This is not from the

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Speaker 1: sus the red Flaghorn when ship go down, so you're

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Speaker 1: rolling up, okay, So we established that you think anybody

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Speaker 1: nobody can battle you in versus We established that, right.

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Speaker 1: I mean I would just be mobest and say, hey man,

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Speaker 1: it's a lot of great talent out there. But I'm

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Speaker 1: like to, okay, but let me ask you something. When

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Speaker 1: a person like Jock Quis says he's the king of

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Speaker 1: that's my little bro man. I know what he means.

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Speaker 1: You know what I'm saying, like it's gonna get them

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Speaker 1: talking like you feel me and I know that me

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Speaker 1: knowing him, and it's the vocal of business in his time.

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Speaker 1: He's he's been with me since I'm talking about Jacquistion

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Speaker 1: when he had braces, like I'm talking about when he

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Speaker 1: was he was having a call his mom. Can I

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Speaker 1: just stay over here for the weekend now you gott

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Speaker 1: school tomorrow? Lu So me seeing his his progress and

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Speaker 1: getting in the studios. Not a lot of motherfucker's that

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Speaker 1: can get in the studio with me or with certain

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Speaker 1: and just pick up the flow like I don't sit

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Speaker 1: there and write the lyrics down and sit with it.

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Speaker 1: I'm fast, like my A D D gonna make me

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Speaker 1: get it done. So him him, he was able to

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Speaker 1: like consistently keep up with me on a lot of

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Speaker 1: songs and actually play me some stuff that he had wrote.

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Speaker 1: And then I wrote some stuff with him too, So

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Speaker 1: I respect his gangster when he says it on the

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Speaker 1: R and B side, But I know what he means.

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Speaker 1: He just means, Hey, I'm I'm the younger, younger thing

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Speaker 1: out here right now with it that can do this.

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Speaker 1: Ain't nobody else trying to sing like this, So I

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Speaker 1: give him the respect on that end. It's just it's

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Speaker 1: just a different type of conversation with me him. You

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Speaker 1: know what I'm saying That different different. Ain't nobody you

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Speaker 1: come on and just ain't white with you. I'm just

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Speaker 1: thankful that I'm I'm able to be consistent to an

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Speaker 1: audience who doesn't uh, who doesn't kind of change their

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Speaker 1: perspective on me due to my music. Like my music

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Speaker 1: I always kind of shines through. So that's what I

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Speaker 1: really like. I'm thirty three. I'm appreciative being able to

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Speaker 1: sit over there and like, Yo, we got this going on.

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Speaker 1: I gotta video. I'm starting. It's crazy. I'm a legend, yea.

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Speaker 1: So let's let's let's let's take it from the beginning, right,

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Speaker 1: because we just had Juel Santana on and Juel said,

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Speaker 1: I thought I was the first person. Don't run it.

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Speaker 1: But then bow Wow said on the Soldier Boy Battle

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Speaker 1: that he was the first person on running can we

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Speaker 1: eliminate this rumor right now? So so you know, Shot

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Speaker 1: is my brother then, but Sholly caps sometime. But I

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Speaker 1: love Shot, but now he was asking you talking about cool?

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Speaker 1: That's not cool, but so right, so he definitely was

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Speaker 1: the first I'm talking about person who was, look, you

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Speaker 1: want to get on tour? You wanna, I'm gonna show

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Speaker 1: you how to do this? Like he was not I

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Speaker 1: hate it was a lot of singers out there, a

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Speaker 1: lot of other people that was kind of a little

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Speaker 1: a little bit I don't with him, like so I

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Speaker 1: used to be like sh Boo was like the first one.

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Speaker 1: But when we did run it, it was like we

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Speaker 1: did run it, like I said in Hit Factor in Miami,

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Speaker 1: but I was like fourteen, and he's like, well, who

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Speaker 1: you want the feature? I said, man, Juel Sintena like

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Speaker 1: and we had already we already solidified that, like before

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Speaker 1: we even put the video out, we had his version

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Speaker 1: but bow and in the months of that time, and

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Speaker 1: he did do about this. Jamaine there did the remake.

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Speaker 1: He did it after the Yeah, it was it was.

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Speaker 1: It wasn't the first like him, but was the first

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Speaker 1: person to take me on tour. Like, look, all right,

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Speaker 1: I funk with you. You know what I'm saying. So

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Speaker 1: hey man, that is a legendary story. Holy Shi'm gonna

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Speaker 1: pop me some Ace Space Champagne. You know what I'm saying.

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Speaker 1: Um this shit, I always look at this ship with

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Speaker 1: this logo on it. I'm like, oh, I'm somebody casting. Yeah. Yeah,

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Speaker 1: it's definitely a lotminaty. Yeah, that's definitely. Come on, you

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Speaker 1: want to join it. Let's gonna take a shot. I

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Speaker 1: want the shot to Mama wanted to you got him.

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Speaker 1: They thought I was behind it, so I'm like, okay,

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Speaker 1: let me take a shot. But I have to want

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Speaker 1: my face never changed. If it's nasty, it's nasty, So

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Speaker 1: my face. It's like a mechanism. I don't know what

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Speaker 1: type of challenge to challenging us. We are. Who's my shirt?

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Speaker 1: See I didn't hear right, are you working on? We

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Speaker 1: ain't got no biggie da all. You know what? We

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Speaker 1: got to rock passion a right, So let's ask you

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Speaker 1: right coming from Virginia, Virginia by the way, Yeah, big up.

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Speaker 1: We're going to Virginia tomorrow. A word. Um uh, we're

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Speaker 1: doing something in the water, can't ye that's that's gonna

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Speaker 1: be amazing, bro. So let's describe us. For a person

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Speaker 1: that never been to Virginia, describe Virginia and how it

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Speaker 1: was like your childhood. Virginia is tricky. I can't say

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Speaker 1: nothing that correct somewhat. But I'm from Tapahanick, so it's

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Speaker 1: just that's like the Sticks. My like high school class

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Speaker 1: was like my graduating classes maybe like twenty six people

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Speaker 1: you know, hold like six D seven single A schools.

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Speaker 1: So that's different than my cousins and different family members.

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Speaker 1: They're from different parts of Richmond, like you know what

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Speaker 1: I'm saying, your south Side you got uh. It's just

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Speaker 1: so many different like hoods and clicks, but there's different

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Speaker 1: type of signs. It's weird, like you might be from

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Speaker 1: one part and then you sound like you from Philly

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Speaker 1: and then you from the Sticks and be like man,

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Speaker 1: what did he going on side of Like it'll be

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Speaker 1: totally opposite. Mine was really the Sticks for me. So

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Speaker 1: then as I started doing music, like for real, way

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Speaker 1: they from that's like Long Beach in l a W

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Speaker 1: from like Hampton, like you know what I'm saying, so

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Speaker 1: like Northfolk basically, so there we would never run into

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Speaker 1: them really like trade. He's Petersburg day, like thirty minutes

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Speaker 1: from so, so like I kind of know his people.

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Speaker 1: You say, yeah, so yeah, so like Virginia. For me,

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Speaker 1: I would just say it's it's they don't be playing

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Speaker 1: out that eiven. Like as much as you know what

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Speaker 1: I'm saying, we don't try to boost boost the gangster

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Speaker 1: ship up and all that. Man, everybody who knows about

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Speaker 1: Virginia know about Virginia just like you feel me. So

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Speaker 1: it's just like two of my favorite players is from Virginia. Ivison, Man,

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Speaker 1: here are you? And I'm going to see Mike Vick

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Speaker 1: for his tendant anniversary in Vegas. That's hard. Me and

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Speaker 1: my wife were going out there. That's because you know

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Speaker 1: why we're Virginia niggasi yo. But we got you coming

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Speaker 1: from Virginia. You got Mike Vick, you got Alan's coming

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Speaker 1: out of from the n V area. Uh damn. There's

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Speaker 1: so many people lady or age no lady rags from

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Speaker 1: Virginia and someone sitting on brilli she's definitely Holy moly.

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Speaker 1: But but he said, I think about not saying, but

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Speaker 1: how is it transition? And coming from Virginia, you're getting

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Speaker 1: a record label and and a record deal, and your

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Speaker 1: first label was job Yeah my first year. Uh, but

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Speaker 1: you know, how do you get the record deal to

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Speaker 1: start with? Man? This ship was a miracle. I know

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Speaker 1: everybody probably looking at my old like discography and be like, yeah,

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Speaker 1: I got picked up at the gas station and but no,

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Speaker 1: my daddy worked out the gas station and any time.

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Speaker 1: So basically what happened with me is I would hang

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Speaker 1: with a certain group of people that wouldn't be particularly

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Speaker 1: like you know, but I would. I would also tell

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Speaker 1: me like, hey, mom, I'm working with these people were

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Speaker 1: doing some music, so I would, you know, be able

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Speaker 1: to get out of school earlier or go to certain

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Speaker 1: places and always record songs. But they'd be like the

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Speaker 1: people I live with, some real some gangsters. So I

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Speaker 1: imagine older than you because he was a kid, definitely me.

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Speaker 1: So from there I would go from Man Richmond the

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Speaker 1: d C all the way to Pennsylvania and then we'll

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Speaker 1: get to go to New York. But I'm thirteen to

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Speaker 1: have thirteen at this time, and I would I would

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Speaker 1: still doing my schooling and stuff like that. But I

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00:17:12,400 --> 00:17:15,119
Speaker 1: was basically I got heard from Tina Davis on a

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Speaker 1: CD of of about thirteen artists. So so it was like,

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Speaker 1: you know, how you seen your demo as a as

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Speaker 1: a group. So I was number seven on that on

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00:17:23,600 --> 00:17:28,520
Speaker 1: that song and it was just one time art This

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00:17:28,680 --> 00:17:33,040
Speaker 1: is so good, this is crazy. So you sent in

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Speaker 1: a CD, but not even me. The people I was with,

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Speaker 1: like you, obviously I was working to becoming an artist.

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Speaker 1: I wanted to do it, but uh I was. I

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Speaker 1: was just I was under a conglomerate. And you know

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Speaker 1: what I'm saying, like you gotta murder inc and you

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Speaker 1: got Gene or whatever, you got a gang of artists.

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Speaker 1: I was in that congarment. I just was the only

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Speaker 1: kid that sent so I think they only had one

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Speaker 1: or two demos from me, you know, and then from

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00:17:55,720 --> 00:17:59,160
Speaker 1: there it was everybody else was either girl groups, rappers

301
00:17:59,240 --> 00:18:02,040
Speaker 1: and different stuff. So just so you're saying, this CD

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Speaker 1: was delivered to whoever was on the thirteen other artists,

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00:18:07,359 --> 00:18:09,680
Speaker 1: we sent it to Death Jim, like we said, it's

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Speaker 1: Jef Jim and Tina was at Death Gym and she

305
00:18:12,640 --> 00:18:15,240
Speaker 1: heard it. Thirteen other artists on this ship. Yeah, and

306
00:18:15,359 --> 00:18:21,919
Speaker 1: she picked you. That's amazing. Let's make do you remember

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00:18:21,960 --> 00:18:23,919
Speaker 1: the name of the song that she picked and then

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Speaker 1: I want to take a shot because this great. Come

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00:18:26,440 --> 00:18:29,800
Speaker 1: on you, it's it's gonna be funny. It's here. I'll

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Speaker 1: be cringing when I watched this damn video because my

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00:18:32,000 --> 00:18:33,760
Speaker 1: my fans be sending it to him. It's called whose girl?

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Speaker 1: Is that right? I'm like thirteen in the video, but

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Speaker 1: it's like my back girls. At thirteen, I was bad atten,

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Speaker 1: come on, I was, I was. I was trouble at thirteen.

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Speaker 1: I did not think it was gonna be drinking brown.

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Speaker 1: You're bringing brown my last name for god. Damn, that

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00:18:57,840 --> 00:19:01,439
Speaker 1: passion is great. Yeah, you've been missing out. I forgot.

318
00:19:02,400 --> 00:19:08,399
Speaker 1: We're still on commercial. So okay, so how does this happen?

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Speaker 1: Tina Davis? Here's the record, and she calls your management.

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Speaker 1: She calls because you're thirteen at the time. I imagine

321
00:19:14,920 --> 00:19:17,800
Speaker 1: it's probably your parents is involved. My mom. Anyway, it

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00:19:17,840 --> 00:19:20,200
Speaker 1: was in Virginia, okay, you know what. So but I

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00:19:20,280 --> 00:19:22,639
Speaker 1: was with my production team at the time, so like

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Speaker 1: back in the fourth day, I was you know what

325
00:19:24,200 --> 00:19:26,080
Speaker 1: I'm saying. They were like big brothers to me, so

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00:19:26,680 --> 00:19:29,080
Speaker 1: I was comfortable around them. So I wasn't like nervous

327
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Speaker 1: going in the offices and you know, being there be like,

328
00:19:31,320 --> 00:19:33,359
Speaker 1: look what's up. I want to do this and at

329
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Speaker 1: eleven that's well. And then the funniest part, like a

330
00:19:38,160 --> 00:19:41,639
Speaker 1: lot of people on did he turn me down? I

331
00:19:41,800 --> 00:19:45,920
Speaker 1: was that's that's that's that's all about him. No, but no,

332
00:19:46,080 --> 00:19:48,600
Speaker 1: but but it's love. Now that's like my family, my brother.

333
00:19:49,040 --> 00:19:50,720
Speaker 1: Let's get to the point. But it was a win

334
00:19:50,880 --> 00:19:55,040
Speaker 1: to see him. Yeah, you dancing, So basically it came

335
00:19:55,080 --> 00:20:01,840
Speaker 1: at you did he definitely would have signed. You know,

336
00:20:01,960 --> 00:20:03,920
Speaker 1: I don't keep to hunting. So I was like til

337
00:20:04,000 --> 00:20:06,920
Speaker 1: at this time, this is before I didn't when I

338
00:20:07,040 --> 00:20:10,040
Speaker 1: linked to Death Jam Ship. But it was me and

339
00:20:10,880 --> 00:20:13,720
Speaker 1: one of my production manager's son named t J is

340
00:20:13,760 --> 00:20:15,879
Speaker 1: my brother to this day. But me and him were

341
00:20:15,920 --> 00:20:17,600
Speaker 1: like a group, you know what I'm saying. So he

342
00:20:17,680 --> 00:20:20,119
Speaker 1: wasn't name of group man, we had on name just

343
00:20:20,320 --> 00:20:27,760
Speaker 1: this is why he signed. Just so it was like,

344
00:20:28,359 --> 00:20:36,359
Speaker 1: so I think we talked to talent with yeah. But anyway,

345
00:20:36,400 --> 00:20:39,200
Speaker 1: so when we get in there, uh, we do two

346
00:20:39,320 --> 00:20:40,960
Speaker 1: songs and this is a song I'm just on the

347
00:20:41,040 --> 00:20:43,480
Speaker 1: chorus parts and then it's one song that I sing

348
00:20:43,600 --> 00:20:46,080
Speaker 1: like the bridge and back then my voice said that

349
00:20:46,200 --> 00:20:49,000
Speaker 1: I was like high pitched Michael Jackson tone like I

350
00:20:49,080 --> 00:20:50,720
Speaker 1: could when he was a kid. I could really sing

351
00:20:50,800 --> 00:20:54,399
Speaker 1: sing sing Jackson Jackson. Yeah, so you're flossen right now.

352
00:20:54,480 --> 00:20:56,600
Speaker 1: We like that back then, so it's not like that now.

353
00:20:56,680 --> 00:20:59,720
Speaker 1: I just kind of see I didn't like. Yeah, but

354
00:21:00,280 --> 00:21:03,080
Speaker 1: we get into the office, so we do the performance

355
00:21:03,320 --> 00:21:05,280
Speaker 1: like we're nervous, but we just do the ship. Oh mir,

356
00:21:06,520 --> 00:21:10,399
Speaker 1: he said, yeah, I like this cool. I don't like

357
00:21:10,480 --> 00:21:12,119
Speaker 1: this light skin. They go, man, just let it go.

358
00:21:13,640 --> 00:21:20,600
Speaker 1: I don't. I said, that's just Melton and that's got

359
00:21:20,680 --> 00:21:24,440
Speaker 1: them office at twel I mean, and you're twelve years old. Yeah,

360
00:21:24,880 --> 00:21:29,800
Speaker 1: but so I gotta ask, Yeah, your partner was dark skinned.

361
00:21:33,240 --> 00:21:38,000
Speaker 1: I got he could have said this is like the

362
00:21:38,080 --> 00:21:43,800
Speaker 1: new Soul on Pepper and it's not. I'm sorry what

363
00:21:44,280 --> 00:21:48,200
Speaker 1: I'm gonna be real about him doing that motivated. It

364
00:21:48,320 --> 00:21:52,320
Speaker 1: motivated motivated me to be more secure in myself, like

365
00:21:52,440 --> 00:21:54,280
Speaker 1: to be like, you know what, I don't try to

366
00:21:54,800 --> 00:21:57,639
Speaker 1: just do you. You feel me? And so at twelve

367
00:21:57,720 --> 00:22:00,080
Speaker 1: you mad at but look, but I think in for

368
00:22:00,160 --> 00:22:06,119
Speaker 1: that now, like I don't thank you. I need to learn.

369
00:22:06,240 --> 00:22:08,680
Speaker 1: I need to learn that it ain't olha, Yes, that's real.

370
00:22:08,720 --> 00:22:11,440
Speaker 1: Ship like you don't think I'm gonna be honest, I

371
00:22:11,480 --> 00:22:14,080
Speaker 1: would have been still mad at the nigger. I'm a

372
00:22:14,160 --> 00:22:27,480
Speaker 1: foul nigga. I see you taking to the showers. I

373
00:22:27,560 --> 00:22:30,280
Speaker 1: got you. I ain't see. My time is a little high. Okay,

374
00:22:30,880 --> 00:22:34,520
Speaker 1: you're gonna do. That's what he's taking with. That's my

375
00:22:34,640 --> 00:22:39,560
Speaker 1: third A little bit like Salu salu? Now, how how

376
00:22:39,960 --> 00:22:45,680
Speaker 1: as we drinking? Du say salus? With this ship with

377
00:22:45,760 --> 00:22:49,560
Speaker 1: jay Z, I don't really have one. I've never had.

378
00:22:49,720 --> 00:22:51,440
Speaker 1: I mean every time I've been around him and shout

379
00:22:51,440 --> 00:22:53,359
Speaker 1: around him has always been cool. It's never been like

380
00:22:54,680 --> 00:22:57,680
Speaker 1: and he hate ilsup. Bro, you're good and just keep it,

381
00:22:57,800 --> 00:22:59,680
Speaker 1: keep it moving. I don't. I really just don't have

382
00:22:59,760 --> 00:23:02,000
Speaker 1: a I don't. I don't have a What is it

383
00:23:02,119 --> 00:23:05,880
Speaker 1: like a path that with me and him cross we're like, hey,

384
00:23:06,000 --> 00:23:08,160
Speaker 1: we're doing this, so we gotta but it's no, it's

385
00:23:08,200 --> 00:23:11,760
Speaker 1: no issue. It's just like that's a beautiful thing. All

386
00:23:11,800 --> 00:23:15,840
Speaker 1: of y'all get together at light skinned class. I know

387
00:23:15,960 --> 00:23:19,160
Speaker 1: they kicked me out of that karate class. I feel

388
00:23:19,160 --> 00:23:26,560
Speaker 1: like they say I'm too crazy. Okay, well let's make

389
00:23:26,640 --> 00:23:32,440
Speaker 1: some But do you realize you to go? You you

390
00:23:33,240 --> 00:23:37,120
Speaker 1: go look at that. Oh yeah, on time, that's tight. Lean,

391
00:23:37,520 --> 00:23:41,080
Speaker 1: You're embarrassing us right now. Girls, she didn't pop that

392
00:23:41,200 --> 00:23:50,480
Speaker 1: at all the correct way. But because I mean looking

393
00:23:51,160 --> 00:23:55,000
Speaker 1: from the beginning and look into now, I'm so proud

394
00:23:55,040 --> 00:24:00,600
Speaker 1: of you. Thank you, man, I really, um, I know

395
00:24:00,680 --> 00:24:04,280
Speaker 1: I'm standing in front the goat right now. I gotta

396
00:24:04,359 --> 00:24:07,560
Speaker 1: keep my humble humble. I'm not gonna be humble for you.

397
00:24:08,119 --> 00:24:10,040
Speaker 1: Be humble, but let me let me flow off for you.

398
00:24:11,960 --> 00:24:15,440
Speaker 1: You're a cup. Ain't nobody can funk with you? Right now?

399
00:24:16,320 --> 00:24:19,320
Speaker 1: If anybody does a record with Chris Brown, they go

400
00:24:19,480 --> 00:24:22,399
Speaker 1: through the roof. Do you realize that? Yeah? But they

401
00:24:22,480 --> 00:24:32,120
Speaker 1: records be hard. I think it's you, sir. Yeah. I'm

402
00:24:32,160 --> 00:24:35,240
Speaker 1: happy to be like you know, able to do it.

403
00:24:35,359 --> 00:24:37,440
Speaker 1: You know. I'm happy that people want to actually have

404
00:24:37,520 --> 00:24:41,080
Speaker 1: consistency or whatever I'm hearing in my head. Ain't freaking lane,

405
00:24:41,320 --> 00:24:44,920
Speaker 1: like you know is everybody's personal opinion to funk with

406
00:24:45,000 --> 00:24:46,919
Speaker 1: me or not fu with me. But the response has

407
00:24:46,960 --> 00:24:49,719
Speaker 1: been amazing, so I don't really can I don't got

408
00:24:49,800 --> 00:24:52,000
Speaker 1: no complaints. I'm still an amazed man. I know where

409
00:24:52,000 --> 00:24:54,119
Speaker 1: I'm at. I'm just I don't know. I don't know

410
00:24:54,160 --> 00:24:56,800
Speaker 1: if I'm in just an abundance of accepting who I

411
00:24:56,840 --> 00:25:00,560
Speaker 1: am or just appreciative of it at home. But no,

412
00:25:00,680 --> 00:25:03,000
Speaker 1: but it doesn't go unnoticed. Like you know what I'm saying.

413
00:25:03,040 --> 00:25:05,280
Speaker 1: The reason why I have sleepless nicest because I'm trying

414
00:25:05,280 --> 00:25:08,359
Speaker 1: to figure out how to make this ship matter for people.

415
00:25:08,520 --> 00:25:11,639
Speaker 1: You know what I'm saying. So that's that's all. We

416
00:25:11,680 --> 00:25:15,040
Speaker 1: gotta give him as roses right now? Yes, definitely, when

417
00:25:15,119 --> 00:25:19,000
Speaker 1: the flowers, baby, we want you to know that you

418
00:25:19,160 --> 00:25:22,640
Speaker 1: are to go and were give me you your motherfucking flowers.

419
00:25:23,400 --> 00:25:26,080
Speaker 1: Snoop Dogg told us this is better than getting the

420
00:25:26,119 --> 00:25:29,280
Speaker 1: Grammy because it's from his pears and were real niggas

421
00:25:29,560 --> 00:25:32,159
Speaker 1: and Chris is. In case you don't know, we love you,

422
00:25:32,920 --> 00:25:35,800
Speaker 1: we respect you, and we know who you are out

423
00:25:35,880 --> 00:25:39,440
Speaker 1: here and do that, nigga. I appreciate you'll. I'm sorry

424
00:25:45,600 --> 00:25:48,600
Speaker 1: over there. Let's get let's get out light together. We

425
00:25:48,680 --> 00:25:52,120
Speaker 1: gotta punching the building. What the is going on? Geez, Louise,

426
00:25:52,160 --> 00:25:53,920
Speaker 1: whop and cheese. Let me let me ask you a

427
00:25:54,080 --> 00:26:03,399
Speaker 1: question right moving to l A. Yeah, is it is? It?

428
00:26:03,640 --> 00:26:08,080
Speaker 1: Is it a culture? Thank you? We've been hanging out

429
00:26:08,119 --> 00:26:11,639
Speaker 1: too much, you know, I think you just gotta just

430
00:26:13,160 --> 00:26:14,840
Speaker 1: I don't want to sound cliche, but you gotta just

431
00:26:14,880 --> 00:26:18,440
Speaker 1: stay dangerous. Like I feel like I'll hear it's it's

432
00:26:18,520 --> 00:26:21,679
Speaker 1: it's very very uh influential. It's very grabbing out here

433
00:26:21,680 --> 00:26:27,280
Speaker 1: since I was fifteen, Like you know, yeah, so politics

434
00:26:27,359 --> 00:26:30,119
Speaker 1: that come with certain ships, like I understand. But at

435
00:26:30,160 --> 00:26:33,400
Speaker 1: the same time, it's like you you get a long

436
00:26:33,640 --> 00:26:37,280
Speaker 1: way by having respect and respecting where you at, Like

437
00:26:37,440 --> 00:26:40,080
Speaker 1: you know what I'm saying. So I feel like I've

438
00:26:40,119 --> 00:26:41,440
Speaker 1: been out here. This is like a home to me

439
00:26:41,640 --> 00:26:43,680
Speaker 1: on the West Coast, So you know, I might have

440
00:26:44,280 --> 00:26:47,200
Speaker 1: best friends, blood best friends. You know what I'm saying.

441
00:26:47,280 --> 00:26:49,320
Speaker 1: So I don't I don't draw the line and I

442
00:26:49,359 --> 00:26:52,040
Speaker 1: don't I don't. I'm not out here in the extortion

443
00:26:52,280 --> 00:26:58,080
Speaker 1: uh conversation. It's none of that, not what you feel me.

444
00:26:58,160 --> 00:27:00,320
Speaker 1: I think l A is just in itself, just gotta

445
00:27:00,320 --> 00:27:04,320
Speaker 1: standing your toes anyway you anyway you as hungry, you

446
00:27:05,200 --> 00:27:07,879
Speaker 1: gotta understand where they're coming from, like to understand the

447
00:27:07,960 --> 00:27:10,560
Speaker 1: hunger part. But I don't understand a senseless, stupid ship.

448
00:27:10,920 --> 00:27:12,640
Speaker 1: The big thing about l A is when you come

449
00:27:12,640 --> 00:27:18,160
Speaker 1: out here, um, you you you you fall into hood politics. Yeah,

450
00:27:18,320 --> 00:27:20,320
Speaker 1: you don't have to. You stay away from your ship,

451
00:27:21,680 --> 00:27:23,040
Speaker 1: like and then if you want to play with that,

452
00:27:23,280 --> 00:27:25,000
Speaker 1: just know what it is and then at the end

453
00:27:25,040 --> 00:27:27,720
Speaker 1: of the day, don't complain when that becomes the problem.

454
00:27:29,040 --> 00:27:31,520
Speaker 1: Can we see Soldier boy out there, he put his

455
00:27:31,600 --> 00:27:35,200
Speaker 1: shipped up. It didn't work out for him. I even

456
00:27:35,240 --> 00:27:37,920
Speaker 1: look at that situation. It's like some funny kiddy ship

457
00:27:38,040 --> 00:27:42,000
Speaker 1: that Niggers was going through and he was like and honestly,

458
00:27:42,160 --> 00:27:43,920
Speaker 1: it just made that It made the hood look bad,

459
00:27:44,200 --> 00:27:47,239
Speaker 1: just just just even doing something weird on corny as

460
00:27:48,000 --> 00:27:49,840
Speaker 1: some real lights and corny ship to be doing so,

461
00:27:50,000 --> 00:27:52,040
Speaker 1: like did you say that some real lights and ship facts?

462
00:27:54,920 --> 00:27:57,639
Speaker 1: So for me, I was just like, man, all that

463
00:27:57,680 --> 00:27:59,680
Speaker 1: ship is diad. Ain't anybody tripping out that ship? And

464
00:27:59,720 --> 00:28:02,680
Speaker 1: then and then it was just you know, so just

465
00:28:02,800 --> 00:28:05,080
Speaker 1: as a character, man. But once you get to know

466
00:28:05,200 --> 00:28:07,480
Speaker 1: it and know that it's it's really all you just

467
00:28:07,560 --> 00:28:10,040
Speaker 1: be like, but he's straight, like you know, so so

468
00:28:10,480 --> 00:28:12,000
Speaker 1: all that ship, I looking at that on there like,

469
00:28:12,040 --> 00:28:16,119
Speaker 1: damn I really find a fire bush it up. It

470
00:28:16,280 --> 00:28:18,280
Speaker 1: ain't ain't even worth it. That's just stupid then, so

471
00:28:18,480 --> 00:28:21,440
Speaker 1: but it's cool, everything all good, you know, would you

472
00:28:21,520 --> 00:28:24,160
Speaker 1: like some ace Spade. Now, I'm cool. You're cool. You're

473
00:28:24,160 --> 00:28:25,719
Speaker 1: gonna stick what to do? So I guy, Yeah, you're

474
00:28:25,720 --> 00:28:28,680
Speaker 1: trying to have me throw you drink. I ain't go

475
00:28:28,720 --> 00:28:30,359
Speaker 1: a lot of you. You want to drink calfs. Right now,

476
00:28:33,600 --> 00:28:35,320
Speaker 1: I'm gonna try, you know what I'm saying. I'm gonna

477
00:28:35,320 --> 00:28:37,399
Speaker 1: look at flustered and pass out in the corner and

478
00:28:37,440 --> 00:28:40,920
Speaker 1: ship just keep it recording until I wake up. But

479
00:28:41,920 --> 00:28:44,360
Speaker 1: let me ask you because right now, and I think

480
00:28:44,400 --> 00:28:47,360
Speaker 1: you got records for both of them, young Dog and

481
00:28:47,680 --> 00:28:51,640
Speaker 1: Gunna caught in the worst situation I've ever seen in

482
00:28:51,680 --> 00:28:55,840
Speaker 1: the hip hop freedom actually basically on the text message

483
00:28:55,920 --> 00:29:00,040
Speaker 1: saying word. That's all they're saying, like it's one to

484
00:29:00,160 --> 00:29:03,080
Speaker 1: do it, saying yo, yo, do this and want to

485
00:29:03,080 --> 00:29:07,200
Speaker 1: do the same word. What do you feel about that?

486
00:29:08,080 --> 00:29:10,040
Speaker 1: I mean, I can't speak to my brothers in them

487
00:29:10,120 --> 00:29:12,200
Speaker 1: case and what they're going on. I can only be

488
00:29:12,600 --> 00:29:14,760
Speaker 1: who I've always been their brother. You know, I'm a

489
00:29:14,920 --> 00:29:17,560
Speaker 1: rock with them for life. It's us, It's us, never them.

490
00:29:18,240 --> 00:29:21,720
Speaker 1: So that's how that's what I'm standing on, how our rockets.

491
00:29:22,360 --> 00:29:24,880
Speaker 1: I'm trying. I'm trying. My heart is just like you know,

492
00:29:25,040 --> 00:29:27,840
Speaker 1: they these famili I don't look at it like, oh damn,

493
00:29:27,960 --> 00:29:30,440
Speaker 1: some entertainers in the way, like the pandemic and she

494
00:29:30,640 --> 00:29:33,680
Speaker 1: was real and these was out here starving doing different

495
00:29:33,680 --> 00:29:35,920
Speaker 1: ship and they did. They was with my real family.

496
00:29:36,080 --> 00:29:39,040
Speaker 1: It was like every day we made that that mixtape

497
00:29:39,040 --> 00:29:40,760
Speaker 1: and the whole album just off a vibe. They won't

498
00:29:40,800 --> 00:29:43,280
Speaker 1: offer Let's see how the work gonna react. We just say, look,

499
00:29:43,760 --> 00:29:45,560
Speaker 1: we we really funk with each other. We all we

500
00:29:45,680 --> 00:29:48,440
Speaker 1: all family. You know what I'm saying, Like everybody speaks

501
00:29:48,480 --> 00:29:51,920
Speaker 1: same lingo. We understand it. It's just you gotta thank

502
00:29:52,680 --> 00:29:54,920
Speaker 1: the top of the food chain. That's what That's what

503
00:29:55,160 --> 00:29:57,520
Speaker 1: they're looking at with us. You know, I've been shut

504
00:29:57,560 --> 00:30:00,440
Speaker 1: the funk up of our ship as they check me early.

505
00:30:00,560 --> 00:30:05,960
Speaker 1: So I'm cool man, fun down, my boys, free, free

506
00:30:06,080 --> 00:30:13,000
Speaker 1: rides out. But yeah, that's that's some real ship. That's

507
00:30:13,040 --> 00:30:24,600
Speaker 1: some real ship. So I was watching Takers the other night.

508
00:30:26,440 --> 00:30:30,000
Speaker 1: Well you'll make us laughing that I creeze that watching

509
00:30:30,000 --> 00:30:33,480
Speaker 1: ship like that then what I mean? The Scensons though fun,

510
00:30:33,640 --> 00:30:36,920
Speaker 1: but I'd be like, oh damn, Nick, you look, why

511
00:30:36,920 --> 00:30:38,760
Speaker 1: do you do that? Why do you move like that?

512
00:30:40,520 --> 00:30:43,239
Speaker 1: Tak this is all you don't like it. Now, I'm

513
00:30:43,280 --> 00:30:46,840
Speaker 1: gonna take us take You're gonna do more movies. Um,

514
00:30:47,120 --> 00:30:50,800
Speaker 1: I've been behind the scenes like development. We're producing, but

515
00:30:50,840 --> 00:30:54,360
Speaker 1: at the same time developing content like actual visual stuff

516
00:30:54,400 --> 00:30:57,400
Speaker 1: like anime and different, uh, different series of things I'm

517
00:30:57,400 --> 00:30:59,200
Speaker 1: trying to do, y'all see it. I just I just

518
00:30:59,320 --> 00:31:03,040
Speaker 1: hate spelling. What's what's what? What's? The possibility is strong

519
00:31:03,120 --> 00:31:05,080
Speaker 1: and not a fact, you know what I'm saying. But

520
00:31:05,160 --> 00:31:06,880
Speaker 1: this is the stuff I'm working towards, like the act

521
00:31:06,960 --> 00:31:08,800
Speaker 1: and stuff is. It's something that I want to do,

522
00:31:09,240 --> 00:31:11,400
Speaker 1: you know. But I feel like while I had the

523
00:31:11,440 --> 00:31:14,160
Speaker 1: time to while I'm shooting visuals, I can showcase that

524
00:31:14,240 --> 00:31:16,560
Speaker 1: ability as well. Like when my videos, a lot of

525
00:31:16,600 --> 00:31:18,320
Speaker 1: people don't know I'm in the editing room. I'm the

526
00:31:18,360 --> 00:31:20,160
Speaker 1: one we're coming up with it. If I do allow

527
00:31:20,280 --> 00:31:23,680
Speaker 1: somebody's idea to be the narrative, I'm still hands on

528
00:31:24,000 --> 00:31:26,360
Speaker 1: with them to show them how to make it move visually,

529
00:31:26,640 --> 00:31:28,360
Speaker 1: you know what I'm saying. So the stuff that I

530
00:31:28,440 --> 00:31:30,560
Speaker 1: do do and then I show people, they're like, Okay,

531
00:31:32,040 --> 00:31:34,040
Speaker 1: that's dope, but you don't realize that I really did

532
00:31:34,080 --> 00:31:37,720
Speaker 1: it myself. So that I'm always gonna be on that

533
00:31:37,760 --> 00:31:41,040
Speaker 1: type of time. Who your favorite director, my favorite directors

534
00:31:41,120 --> 00:31:45,280
Speaker 1: right now or favorite person to work with? For you?

535
00:31:45,640 --> 00:31:49,800
Speaker 1: I mean Stanley Kubrick obviously, but uh, Steven Spielberg, you know,

536
00:31:50,360 --> 00:31:57,040
Speaker 1: come out and Steven Spielberg food. Do you say an yeah?

537
00:31:57,520 --> 00:31:59,680
Speaker 1: My bad? You You are definitely not on my level.

538
00:31:59,720 --> 00:32:02,400
Speaker 1: You on cinematics, I'm thinking I think gonna say a

539
00:32:02,400 --> 00:32:06,800
Speaker 1: little x. Oh you you talk about movies or big

540
00:32:06,880 --> 00:32:15,040
Speaker 1: music videos. I love that even better. I love that Chrissy,

541
00:32:15,320 --> 00:32:19,880
Speaker 1: you know, did you say James Cameron? Yeah? Yeah, I

542
00:32:20,040 --> 00:32:22,120
Speaker 1: like I like their their bodies of work. I like

543
00:32:22,200 --> 00:32:23,480
Speaker 1: it with how they shoot. And there's a lot of

544
00:32:23,520 --> 00:32:27,200
Speaker 1: new directors to um, it's the Asian Catherine New New

545
00:32:27,280 --> 00:32:29,840
Speaker 1: Zealand who did like? Um oh, I know who's talking about.

546
00:32:30,440 --> 00:32:32,320
Speaker 1: I'm sorry, I forget your name, bro, but your ship

547
00:32:32,440 --> 00:32:37,240
Speaker 1: is tight. He got long here short? No, that was

548
00:32:37,320 --> 00:32:39,320
Speaker 1: like racist a little bit. Yeah, and you look at

549
00:32:39,360 --> 00:32:42,080
Speaker 1: butch Rock foul I kind of did you know? Butch

550
00:32:42,160 --> 00:32:47,800
Speaker 1: Rock that's that's my DJ. Bush Rock. That means a

551
00:32:47,880 --> 00:32:50,640
Speaker 1: B boy. But let me just tell you something. We

552
00:32:50,800 --> 00:32:53,360
Speaker 1: go on tour every night. He has rights in his room.

553
00:32:53,480 --> 00:33:00,720
Speaker 1: It's very racist. Here's a christ you gotta show some

554
00:33:00,800 --> 00:33:02,320
Speaker 1: of your movie. He said. He wanted to show his moves.

555
00:33:05,240 --> 00:33:07,760
Speaker 1: Who could be? Who? Whooho could Battle? Chris Bound the

556
00:33:07,920 --> 00:33:11,160
Speaker 1: dance Battle. You know what's crazy? I gotta I gotta

557
00:33:11,200 --> 00:33:13,360
Speaker 1: get right here, he said, right here. I hear that.

558
00:33:13,880 --> 00:33:17,400
Speaker 1: But the craziest part is like, because I guess I'm

559
00:33:17,400 --> 00:33:20,800
Speaker 1: on the platform and I actually dance freely that you

560
00:33:20,840 --> 00:33:22,360
Speaker 1: know what I'm saying, it kind of takes away and

561
00:33:22,440 --> 00:33:24,240
Speaker 1: kind of puts me in that. Oh he's the best.

562
00:33:24,760 --> 00:33:27,640
Speaker 1: When reality like they have dance competitions every week they have.

563
00:33:27,760 --> 00:33:30,400
Speaker 1: I watched all them. Man, there's some talented motherfucker's in

564
00:33:30,440 --> 00:33:33,600
Speaker 1: the world. But I'm talking about cold and I'm like,

565
00:33:33,680 --> 00:33:36,320
Speaker 1: oh so I want at least want to showcase that.

566
00:33:36,440 --> 00:33:38,440
Speaker 1: But I can still get down, um as far as

567
00:33:38,520 --> 00:33:40,240
Speaker 1: what I do, as far as if you say, okay,

568
00:33:40,280 --> 00:33:42,960
Speaker 1: get out there and sing for two hours, flip dance

569
00:33:43,080 --> 00:33:46,040
Speaker 1: and go to the club after that and then go

570
00:33:46,160 --> 00:33:49,080
Speaker 1: do the same thing. Ain't nobody done that. It's not one.

571
00:33:49,520 --> 00:33:56,400
Speaker 1: But I love Marian his code like that what you're saying,

572
00:33:56,920 --> 00:34:00,480
Speaker 1: he's okay, No, he's great. His stolids and I'll be

573
00:34:00,560 --> 00:34:06,240
Speaker 1: real ice box back in the day, touch out when

574
00:34:06,440 --> 00:34:09,360
Speaker 1: my heart used to be. Yeah, that was the I

575
00:34:09,400 --> 00:34:12,759
Speaker 1: think it was. That was what he was. That boy

576
00:34:12,840 --> 00:34:15,800
Speaker 1: was bad. Don't play him that time. Yeah, you know,

577
00:34:17,480 --> 00:34:20,320
Speaker 1: but not still because you'll be doing the kid and

578
00:34:20,360 --> 00:34:24,440
Speaker 1: play ship. I seen you, I see you've been. It

579
00:34:24,520 --> 00:34:27,640
Speaker 1: was a lot of dance videos lately. Yeah, yeah, because

580
00:34:27,760 --> 00:34:30,080
Speaker 1: you want that small I'm gonna all the smoke. I

581
00:34:30,239 --> 00:34:32,080
Speaker 1: like the fact that people dancing again, like you know,

582
00:34:32,160 --> 00:34:34,239
Speaker 1: how fucking first thing it is going to a club

583
00:34:34,880 --> 00:34:39,400
Speaker 1: and the nigs want to stand around be gangsters. I'm like, bro,

584
00:34:41,040 --> 00:34:44,160
Speaker 1: and my whole outfit is sweaty, like everything done because

585
00:34:44,160 --> 00:34:45,880
Speaker 1: you're like that who I had so much fun like

586
00:34:46,400 --> 00:34:54,200
Speaker 1: when Yeah, even when dancing on girls like like bro,

587
00:34:54,680 --> 00:34:56,839
Speaker 1: I don't know if my aerage is differing, Like as

588
00:34:56,880 --> 00:34:58,600
Speaker 1: soon as they started shaking you for us, get up,

589
00:34:59,440 --> 00:35:02,439
Speaker 1: Yeah huh, girl will be shaking as in the club

590
00:35:02,520 --> 00:35:04,440
Speaker 1: and do to be like this right, worry about the

591
00:35:04,600 --> 00:35:07,959
Speaker 1: hole what I don't like. We here because we wanted

592
00:35:08,000 --> 00:35:11,759
Speaker 1: to see that. That's right, stupid, that's right out of

593
00:35:11,800 --> 00:35:16,319
Speaker 1: the club. Get him the funk out of them. Only

594
00:35:16,680 --> 00:35:19,200
Speaker 1: are we taking the shot he's doing like that, Christie,

595
00:35:21,640 --> 00:35:24,319
Speaker 1: he ain't, no sucker, Chris want a little shot, don't.

596
00:35:25,120 --> 00:35:27,560
Speaker 1: I don't know what I'm drinking, and I'm disappointing your butcher.

597
00:35:28,239 --> 00:35:34,000
Speaker 1: You said he was gonna dance. No, no, no, not yeah. Listen, listen.

598
00:35:34,400 --> 00:35:38,040
Speaker 1: We went to every night and my Filipino, he was

599
00:35:38,120 --> 00:35:43,280
Speaker 1: raised Filipino, lived out. He lived out the Filipino racistness,

600
00:35:44,480 --> 00:35:48,160
Speaker 1: and he had rice every night in his room. But driving,

601
00:35:48,239 --> 00:35:57,560
Speaker 1: I'm like he had a crop. He said, are you

602
00:35:57,640 --> 00:36:03,160
Speaker 1: just your shot already? Come on up in my back? So?

603
00:36:03,280 --> 00:36:05,279
Speaker 1: What the fund is next for Chris Brown? What the what?

604
00:36:05,680 --> 00:36:08,600
Speaker 1: What else can you do? Man? Like you said the

605
00:36:08,719 --> 00:36:10,960
Speaker 1: film's high, I'm trying to do that, but as well,

606
00:36:11,040 --> 00:36:13,080
Speaker 1: like I want to create ship. I want to I

607
00:36:13,160 --> 00:36:17,000
Speaker 1: want the generational wealth to be able to like speak

608
00:36:17,080 --> 00:36:19,960
Speaker 1: for itself, but in a good way. Like you know

609
00:36:19,960 --> 00:36:21,560
Speaker 1: what I'm saying. There's so many places I'll be driving.

610
00:36:21,600 --> 00:36:24,520
Speaker 1: In certain places, I'm like, how the hell is they

611
00:36:24,640 --> 00:36:27,080
Speaker 1: making so much money right here? And then it's all

612
00:36:27,160 --> 00:36:29,239
Speaker 1: these tents lines them right here, and you can't for

613
00:36:29,719 --> 00:36:31,719
Speaker 1: so she like that, don't ship with me when I'm

614
00:36:31,800 --> 00:36:35,080
Speaker 1: driving buying ship a car that I don't give a

615
00:36:35,360 --> 00:36:37,800
Speaker 1: about cracking the then on it, or get a scratch

616
00:36:37,840 --> 00:36:40,480
Speaker 1: in that car worth half a million dollars. So just

617
00:36:40,640 --> 00:36:43,000
Speaker 1: the necessity part for me, like I don't want to

618
00:36:43,280 --> 00:36:45,799
Speaker 1: get so far gone to where I don't I don't

619
00:36:45,840 --> 00:36:47,920
Speaker 1: have empathy for what the real ship going on, like

620
00:36:48,000 --> 00:36:50,120
Speaker 1: you know what I'm saying. So that's what I'm trying

621
00:36:50,160 --> 00:36:53,359
Speaker 1: to figure out. How I can uh navigate this music

622
00:36:53,480 --> 00:36:56,240
Speaker 1: part that's influenial without me having to have a fucking

623
00:36:56,600 --> 00:36:59,200
Speaker 1: candidate speech or me trying to be elected for some bullshit.

624
00:36:59,520 --> 00:37:02,279
Speaker 1: Didn't really just help people out. It's not that hard

625
00:37:02,320 --> 00:37:05,160
Speaker 1: to help people out. Like all these rich as I'm

626
00:37:05,160 --> 00:37:07,400
Speaker 1: talking about, they're rich and then I'll never see that

627
00:37:07,480 --> 00:37:09,880
Speaker 1: type of money, right And they asked with it, man,

628
00:37:09,960 --> 00:37:11,719
Speaker 1: just help this, help this little block out right here,

629
00:37:11,800 --> 00:37:14,000
Speaker 1: help that right there. It ain't gonna kill you, stupid

630
00:37:14,880 --> 00:37:16,759
Speaker 1: feel But I can't spend all my money to do it,

631
00:37:16,800 --> 00:37:18,319
Speaker 1: because then I'm gonna be broke out here with them.

632
00:37:19,440 --> 00:37:21,880
Speaker 1: You got to be a collective, Chris, let me just

633
00:37:21,920 --> 00:37:23,759
Speaker 1: tell you something. You're not gonna be broke. Sure, yeah,

634
00:37:23,800 --> 00:37:26,399
Speaker 1: you said, but it's it's just the effort. I guess,

635
00:37:26,600 --> 00:37:29,719
Speaker 1: the tenacity, the same the same feeling that you feel

636
00:37:29,719 --> 00:37:31,799
Speaker 1: if it, if it funks with you, or don't sunk

637
00:37:31,840 --> 00:37:33,080
Speaker 1: with you. If you don't sunk with you a piece

638
00:37:33,080 --> 00:37:36,640
Speaker 1: of ship. So let me ask you what is? What is?

639
00:37:36,760 --> 00:37:39,120
Speaker 1: What is? What do you prefer more making the music

640
00:37:39,480 --> 00:37:42,320
Speaker 1: or performing the music? Because me listening to your playlist,

641
00:37:43,120 --> 00:37:45,399
Speaker 1: I couldn't. I couldn't come up with the answer every

642
00:37:45,440 --> 00:37:50,719
Speaker 1: time I interviewed somebody who think about this, when you particular,

643
00:37:52,080 --> 00:37:55,640
Speaker 1: I can't answer it because your your music is just

644
00:37:55,800 --> 00:37:59,160
Speaker 1: as good as when I hear your records. I think

645
00:37:59,200 --> 00:38:03,719
Speaker 1: you're performing or I think that's a good ass question.

646
00:38:04,400 --> 00:38:06,480
Speaker 1: I'm good, Yeah, that was a great I do a

647
00:38:06,560 --> 00:38:12,120
Speaker 1: good y'all. Alright, at some point you've got to give

648
00:38:12,160 --> 00:38:15,879
Speaker 1: it up. I think. I think, um, both of those

649
00:38:16,280 --> 00:38:18,680
Speaker 1: processes like they go hand in hand. I don't think

650
00:38:18,960 --> 00:38:21,319
Speaker 1: I can a little more than the other, because um,

651
00:38:21,719 --> 00:38:23,759
Speaker 1: I receive different energy from both. Like you know what

652
00:38:23,800 --> 00:38:26,319
Speaker 1: I'm saying. If I'm in the studio and I can

653
00:38:26,360 --> 00:38:28,600
Speaker 1: feel a vibe in the mode, I mean, I can't

654
00:38:28,640 --> 00:38:30,960
Speaker 1: wait for people to hear it, whether when I go

655
00:38:31,120 --> 00:38:34,879
Speaker 1: whether I go to a club, but whether I'm on stage, Like, okay,

656
00:38:34,960 --> 00:38:36,520
Speaker 1: they like it, they like it as much as I

657
00:38:36,560 --> 00:38:38,600
Speaker 1: thought I liked it, you know, so I think it

658
00:38:38,680 --> 00:38:40,839
Speaker 1: goes hand to hand. I think I think I get

659
00:38:40,880 --> 00:38:42,960
Speaker 1: the energy from the crowd and and I've always been

660
00:38:42,960 --> 00:38:45,040
Speaker 1: able to kind of like navigate that and like play

661
00:38:45,080 --> 00:38:47,000
Speaker 1: it by ear like I might teach the son and

662
00:38:47,160 --> 00:38:51,080
Speaker 1: like that. Or they're like, oh, drop, that got you

663
00:38:51,560 --> 00:38:56,120
Speaker 1: you energy toxic? This new album? What's the name of

664
00:38:56,200 --> 00:39:06,319
Speaker 1: this new album? It's my temph album. Man, this is congratulations. Ye,

665
00:39:07,560 --> 00:39:10,080
Speaker 1: but you're right here though. That's good. I'm glad I

666
00:39:12,800 --> 00:39:27,279
Speaker 1: forgot you that Santa Claus for temp album. Yeah, rich

667
00:39:27,400 --> 00:39:31,800
Speaker 1: as fuck? Why the fund are you still making music?

668
00:39:32,480 --> 00:39:38,080
Speaker 1: Why how aren't you like seeing art in mallible? I

669
00:39:38,120 --> 00:39:43,880
Speaker 1: don't know the inspiration coming from well that that's my inspiration.

670
00:39:43,920 --> 00:39:47,520
Speaker 1: I guess I just never lost that hunger like you

671
00:39:47,920 --> 00:39:50,640
Speaker 1: not not not for money, like not. I don't care

672
00:39:50,680 --> 00:39:53,120
Speaker 1: about the financial aspect, you know what I'm saying. It's

673
00:39:53,200 --> 00:39:54,879
Speaker 1: it's a it's a great plus for me to take

674
00:39:54,920 --> 00:39:56,920
Speaker 1: care of my kids, take care of my family. But

675
00:39:58,360 --> 00:40:00,440
Speaker 1: me getting up, I'm like, oh, this don't made me

676
00:40:00,480 --> 00:40:02,680
Speaker 1: feel like this, like or I feel like this about

677
00:40:02,680 --> 00:40:04,920
Speaker 1: this something. And I see the impact that it has

678
00:40:05,000 --> 00:40:07,160
Speaker 1: on certain fans like they don't have to be the

679
00:40:07,239 --> 00:40:09,520
Speaker 1: mainstreaming fans. That can be those cool people that show

680
00:40:09,600 --> 00:40:12,880
Speaker 1: up that we send the projecting there too, And in

681
00:40:13,000 --> 00:40:15,120
Speaker 1: my concert they'd be like, you know what, could you

682
00:40:15,160 --> 00:40:17,000
Speaker 1: read this note real fast? Or that show me something

683
00:40:17,000 --> 00:40:19,120
Speaker 1: like I used to cut myself and they'll show me

684
00:40:19,320 --> 00:40:21,799
Speaker 1: thirteen lashes and ship and I'm like, what the funk

685
00:40:21,840 --> 00:40:24,600
Speaker 1: your music helped me get to? So the perspective on

686
00:40:24,880 --> 00:40:27,000
Speaker 1: why I started doing the music kind of changed when

687
00:40:27,040 --> 00:40:29,920
Speaker 1: I seen like that was real, real motherfucker's that I

688
00:40:30,040 --> 00:40:33,000
Speaker 1: might have just overlooked because the song was where is that?

689
00:40:33,200 --> 00:40:37,000
Speaker 1: But it really somebody? So I'd rather just take this

690
00:40:37,960 --> 00:40:40,200
Speaker 1: like whether they call it alien power or whatever the

691
00:40:40,280 --> 00:40:42,439
Speaker 1: funk it is, I'm not gonna use it for the bad,

692
00:40:42,640 --> 00:40:48,360
Speaker 1: Like I don't. I want to keep You're making me emotional.

693
00:40:50,120 --> 00:40:52,400
Speaker 1: You killed that? That was That was the probably one

694
00:40:52,440 --> 00:40:58,279
Speaker 1: of the best answers ever solo Jesus, don't don't drink

695
00:40:58,320 --> 00:41:02,880
Speaker 1: what he drinking. I'm just keeping it with you. But

696
00:41:03,000 --> 00:41:05,160
Speaker 1: how long did it take you to find that place? Like?

697
00:41:05,280 --> 00:41:08,560
Speaker 1: Did it take your while to the music? I had

698
00:41:08,600 --> 00:41:12,040
Speaker 1: to get out of my way I think early twenties.

699
00:41:12,040 --> 00:41:13,920
Speaker 1: I was just like, oh, this is fun. Then I

700
00:41:13,960 --> 00:41:16,359
Speaker 1: went to jail and then like, you know what I'm saying,

701
00:41:16,360 --> 00:41:18,840
Speaker 1: a lot of ships, what's fun? You say that? No? No, no,

702
00:41:25,840 --> 00:41:28,480
Speaker 1: I really kind of like started like listening to my

703
00:41:28,600 --> 00:41:31,960
Speaker 1: perspective when people were showing up to my shows with

704
00:41:32,160 --> 00:41:34,880
Speaker 1: like you know, no promotion, no this showed out here,

705
00:41:35,080 --> 00:41:37,959
Speaker 1: or we're doing this, and then my children. So I'm like, damn,

706
00:41:38,280 --> 00:41:39,680
Speaker 1: I really got to be the person I know I

707
00:41:39,760 --> 00:41:42,319
Speaker 1: am instead of trying to run or be somebody I'm

708
00:41:42,360 --> 00:41:44,840
Speaker 1: not like trying to over compensate for my hurt or

709
00:41:44,880 --> 00:41:46,160
Speaker 1: whatever it is, you know what I'm saying. So I

710
00:41:46,239 --> 00:41:49,640
Speaker 1: feel like I just like, you know what, it gotta

711
00:41:49,680 --> 00:41:51,279
Speaker 1: be bigger than me when it comes to you. I

712
00:41:51,280 --> 00:41:53,400
Speaker 1: can easily go into studio and be like, girl, take

713
00:41:53,440 --> 00:41:55,560
Speaker 1: your pants off, take your shirt off. Hey, let's have it.

714
00:41:55,840 --> 00:41:58,600
Speaker 1: Let's talk about it, Chris. But sometimes you need bigger

715
00:41:58,600 --> 00:42:01,720
Speaker 1: records or suffance something because you never know who it impacts.

716
00:42:01,800 --> 00:42:06,040
Speaker 1: You know, you think you took it for granted before that. Yeah, really,

717
00:42:06,480 --> 00:42:11,239
Speaker 1: everybody do everybody everybody has is gonna have some what

718
00:42:11,400 --> 00:42:13,400
Speaker 1: of a chip on their shoulder. It's just I just

719
00:42:13,880 --> 00:42:16,360
Speaker 1: I think I kind of like caught onto it early before.

720
00:42:16,400 --> 00:42:18,919
Speaker 1: It was like me saying, Okay, I'm done in my career, y'all,

721
00:42:19,040 --> 00:42:23,439
Speaker 1: So I want to tell you how a person. I'm like, nah, ship,

722
00:42:23,840 --> 00:42:26,560
Speaker 1: do it what you be? Be what you're here for.

723
00:42:27,719 --> 00:42:30,120
Speaker 1: Let's let's talk about Tina Davis for a second. Fact

724
00:42:30,239 --> 00:42:34,960
Speaker 1: because um, that's how I met you, right, Um, Tina,

725
00:42:35,000 --> 00:42:37,239
Speaker 1: they I was on Depth Jam but the game and

726
00:42:38,880 --> 00:42:41,560
Speaker 1: I don't remember what the screpancy was from your studio,

727
00:42:41,680 --> 00:42:45,080
Speaker 1: but we swap studios. I believe you may run it

728
00:42:45,160 --> 00:42:47,680
Speaker 1: that night. I'm not sure, but I claimed that story

729
00:42:47,800 --> 00:42:49,480
Speaker 1: just so you know facts you gotta I'll be I'll

730
00:42:49,480 --> 00:42:59,560
Speaker 1: be talking about it, but you so, So what is

731
00:42:59,640 --> 00:43:02,600
Speaker 1: y'all want lationship now to this day because we just

732
00:43:02,880 --> 00:43:07,960
Speaker 1: established that you got that CD CD what's your relationship now?

733
00:43:08,120 --> 00:43:10,920
Speaker 1: We're cool like like um as far as like business

734
00:43:11,000 --> 00:43:12,880
Speaker 1: and working, we don't. We don't work. I know she

735
00:43:13,000 --> 00:43:16,480
Speaker 1: has a job another label doing her thing, so but

736
00:43:16,600 --> 00:43:19,560
Speaker 1: it's always love. I see her at different like restaurants.

737
00:43:19,600 --> 00:43:21,879
Speaker 1: We always speak is no, it's no ill will, It's

738
00:43:21,880 --> 00:43:24,359
Speaker 1: always love. You know what I'm saying. So I'll never cud.

739
00:43:24,440 --> 00:43:26,680
Speaker 1: I owe a lot to that woman. So that's beautiful.

740
00:43:26,719 --> 00:43:28,680
Speaker 1: I could never love me, I would never be on

741
00:43:28,800 --> 00:43:32,000
Speaker 1: the ill hardest ship. No, No, we're just doing different

742
00:43:32,040 --> 00:43:35,960
Speaker 1: things in our careers. Still love the same, so we

743
00:43:36,040 --> 00:43:42,560
Speaker 1: can make some noise for that for sure. Goddamn, I'm

744
00:43:42,560 --> 00:43:46,880
Speaker 1: gonna taking another shot. Christ I'm sorry, get do we

745
00:43:46,920 --> 00:43:55,080
Speaker 1: got quick time? You said? Okay, where's my phone? I'm

746
00:43:55,160 --> 00:43:56,840
Speaker 1: just I'm just I'm just so happy. I'm that we

747
00:43:56,960 --> 00:43:58,800
Speaker 1: in Chris brown House. I ain't even looking at me,

748
00:43:58,840 --> 00:44:01,080
Speaker 1: I ain't even doing my job. It all right, Chris,

749
00:44:02,120 --> 00:44:05,040
Speaker 1: you ready? This is a This is a part of

750
00:44:05,080 --> 00:44:09,480
Speaker 1: the segment that we do with every artist. Huh. And

751
00:44:09,960 --> 00:44:15,759
Speaker 1: it's it's either or you take a shot, correct if

752
00:44:16,480 --> 00:44:22,200
Speaker 1: the politically correct. I gotta I gotta answer, yeah, I

753
00:44:22,280 --> 00:44:25,880
Speaker 1: gotta get in trouble, Chris. If you say both are

754
00:44:25,920 --> 00:44:28,000
Speaker 1: neither is a shot. But we're drinking with you. Drink

755
00:44:28,080 --> 00:44:33,080
Speaker 1: with you though we get up. Ain't got this first one.

756
00:44:33,160 --> 00:44:36,799
Speaker 1: You're gonna drink. Let me get you get your shot ready,

757
00:44:36,800 --> 00:44:42,320
Speaker 1: just got my shot ready. I'm so ready for this

758
00:44:45,719 --> 00:44:56,440
Speaker 1: the game or fifty cent. I can't answer it. If

759
00:44:56,440 --> 00:45:06,479
Speaker 1: you sa I told you getting ready, Chris. By the way, Chris,

760
00:45:07,000 --> 00:45:10,239
Speaker 1: I'm taking a shot too, because, by the way, I

761
00:45:10,360 --> 00:45:14,879
Speaker 1: wish Game and fifty getting together, bro, But I understand. Look,

762
00:45:18,680 --> 00:45:21,680
Speaker 1: we have some East coast West coast right now. I'm

763
00:45:21,680 --> 00:45:25,080
Speaker 1: gonna be honest with you. That might have been the

764
00:45:25,360 --> 00:45:29,280
Speaker 1: worst disconnect that we ever had would have been because

765
00:45:29,320 --> 00:45:33,800
Speaker 1: if they were to get up game that really second

766
00:45:35,040 --> 00:45:39,120
Speaker 1: was looking at me crazy right now. But I promise

767
00:45:39,160 --> 00:45:42,480
Speaker 1: you that I wanted to see that. I'm sorry, that's me.

768
00:45:42,840 --> 00:45:48,000
Speaker 1: I'm it's probably damn you got another shot right? Yeah,

769
00:45:48,040 --> 00:45:52,000
Speaker 1: I think I said I said. I said it's Chris

770
00:45:52,120 --> 00:45:58,800
Speaker 1: Brown drinking. Maybe not, they were wrong, Snooper, jay Z

771
00:46:00,920 --> 00:46:02,800
Speaker 1: I'm gonna go. I'm gonna goad, get my shot ready,

772
00:46:03,040 --> 00:46:06,319
Speaker 1: and I'm gonna go on. Snooper wait, wait, wait, wait,

773
00:46:06,400 --> 00:46:10,200
Speaker 1: wait minute, wait happened? No? This is read to blood.

774
00:46:10,239 --> 00:46:13,800
Speaker 1: I'm just you know, Snoop, what's up? You see? I

775
00:46:13,880 --> 00:46:27,720
Speaker 1: did wear red. I was trying. I was trying to comply. Okay,

776
00:46:28,120 --> 00:46:31,600
Speaker 1: next one, if they're going to third one, trade songs, Jeremiah,

777
00:46:32,760 --> 00:46:35,319
Speaker 1: take a shot. No, I'm gonna go Tray because that's

778
00:46:35,360 --> 00:46:38,120
Speaker 1: my brother from the v A. So I got from

779
00:46:38,360 --> 00:46:44,680
Speaker 1: A too. Oh that's right, but I m motte brod

780
00:46:44,840 --> 00:46:47,799
Speaker 1: check my brother though, Damn, I want to take a shot,

781
00:46:48,120 --> 00:46:52,000
Speaker 1: but funk, we can't go ahead. Next one, big el

782
00:46:52,120 --> 00:46:55,200
Speaker 1: or big pun. Oh, I'm taking a shot. Let's go

783
00:46:55,640 --> 00:47:03,400
Speaker 1: wait wait wait, I'm blood because just popping. So you

784
00:47:03,480 --> 00:47:07,799
Speaker 1: can't just say na, but show them they hard bigger Man. Yeah, yeah,

785
00:47:07,840 --> 00:47:12,640
Speaker 1: I'm taking that because Bro, I'll be doing the show

786
00:47:12,719 --> 00:47:15,239
Speaker 1: for six years. I've never seen him to take a

787
00:47:15,280 --> 00:47:17,600
Speaker 1: shot like that. Like what, I don't know what you

788
00:47:17,719 --> 00:47:21,200
Speaker 1: just did drunk? That's your fast. You drunk it like

789
00:47:21,320 --> 00:47:31,400
Speaker 1: Michael Jackson, like you was changing that. You had to

790
00:47:31,440 --> 00:47:36,640
Speaker 1: get it gone. Man. The next one, yeah, man, you've

791
00:47:36,680 --> 00:47:38,480
Speaker 1: got quick time slide this time. Now you're not doing

792
00:47:38,520 --> 00:47:43,799
Speaker 1: cooling podcasts of radio. You had big Boy here all

793
00:47:43,800 --> 00:47:48,399
Speaker 1: the day. We understand, but it was not this fun.

794
00:47:48,560 --> 00:47:54,080
Speaker 1: I'm gonna be honest. I'm just thinking about what a

795
00:47:54,200 --> 00:47:57,879
Speaker 1: podcast is. Difference from I love the factors grabbing the shot.

796
00:47:58,719 --> 00:48:03,320
Speaker 1: He even just I'm saying, yeah, I'm gonna grabbed people like,

797
00:48:03,400 --> 00:48:06,839
Speaker 1: oh you're like radio, Yeah, you like do you need radio?

798
00:48:06,880 --> 00:48:12,120
Speaker 1: You need you ain't got to go through this, ain't

799
00:48:12,120 --> 00:48:16,160
Speaker 1: gonna lie, I ain't gonna and I thank you so much.

800
00:48:17,440 --> 00:48:19,000
Speaker 1: I can see you in the room. I can feel

801
00:48:19,000 --> 00:48:22,680
Speaker 1: your president real niggas. He only fun with toil y'all.

802
00:48:22,719 --> 00:48:24,480
Speaker 1: You know that right, you were fifty that's it. You

803
00:48:24,680 --> 00:48:27,960
Speaker 1: got my brother. Do you realize solid? Do you realize

804
00:48:28,000 --> 00:48:35,359
Speaker 1: how solid that is? First? Crazy? Two? Real niggas? Fact?

805
00:48:35,719 --> 00:48:39,600
Speaker 1: Holy shit? Next one? Oh, happy birthday? Ain't he get

806
00:48:39,640 --> 00:48:51,319
Speaker 1: his birthday? Just passed? Two? Yeah, I ain't know if

807
00:48:51,320 --> 00:48:55,040
Speaker 1: you realized my job. Okay, okay, are you ready? Drake

808
00:48:55,120 --> 00:49:01,160
Speaker 1: of Wayne? Damn Well, it's I'm biased, bro. I funk

809
00:49:01,239 --> 00:49:05,680
Speaker 1: with Drake, nigga coldest, one of the main goats right now.

810
00:49:05,800 --> 00:49:09,279
Speaker 1: But Wayne is altmate. I'm gonning a little in all right,

811
00:49:09,360 --> 00:49:12,000
Speaker 1: But I gotta ask y'all because this this was I

812
00:49:12,120 --> 00:49:16,040
Speaker 1: used to go to light skinned nigga meetings. They never

813
00:49:16,160 --> 00:49:19,719
Speaker 1: left me in that. Yeah. But when you and Drake

814
00:49:19,800 --> 00:49:27,439
Speaker 1: caught light skin beef. Yeah, that's in New York, York.

815
00:49:27,520 --> 00:49:32,120
Speaker 1: So we all found it out. Yeah, don't bother ship

816
00:49:32,920 --> 00:49:36,360
Speaker 1: one thing I respect about you. You're gonna go in

817
00:49:36,480 --> 00:49:39,640
Speaker 1: if you go in. Oh yeah, yeah. I love combativeness though,

818
00:49:39,760 --> 00:49:41,640
Speaker 1: that's the thing, Like, I don't know what that word mean,

819
00:49:41,719 --> 00:49:44,800
Speaker 1: but I love it combativeness. Like I don't know what

820
00:49:44,840 --> 00:49:46,799
Speaker 1: I'm not. I'm not saying that that I wilcome all

821
00:49:46,840 --> 00:49:48,640
Speaker 1: the smoke, but I don't really don't have no problem

822
00:49:48,719 --> 00:49:51,000
Speaker 1: with all the smoke come to you. Yeah, I love it.

823
00:49:51,600 --> 00:49:53,480
Speaker 1: It ain't it ain't. I ain't trying to be tough,

824
00:49:53,600 --> 00:49:55,680
Speaker 1: none of that. It would be the most of the

825
00:49:55,760 --> 00:49:59,279
Speaker 1: time for giving presentives. But the niggas that I end

826
00:49:59,360 --> 00:50:05,640
Speaker 1: up knocking out or beating up worse because they beat

827
00:50:05,719 --> 00:50:15,239
Speaker 1: up by saying that's like, man, man, you don't want

828
00:50:15,239 --> 00:50:18,000
Speaker 1: to through this story, know what's gonna happen, like a

829
00:50:18,120 --> 00:50:21,520
Speaker 1: pride for to be hurt. But never been this in

830
00:50:21,600 --> 00:50:24,279
Speaker 1: my life. But you got too, man, show you you

831
00:50:24,600 --> 00:50:26,920
Speaker 1: running down on neg see me, I'm a little bit

832
00:50:27,000 --> 00:50:30,120
Speaker 1: more cunning about mind at the same time, just like

833
00:50:30,239 --> 00:50:32,440
Speaker 1: you know what, I'm chill, I don't even welcome I

834
00:50:32,480 --> 00:50:34,200
Speaker 1: don't really have no beef and no issue with nobody

835
00:50:34,719 --> 00:50:37,960
Speaker 1: squad this night, oh that night that night then that

836
00:50:38,080 --> 00:50:40,759
Speaker 1: was that was that won't even between me and him,

837
00:50:41,040 --> 00:50:42,879
Speaker 1: to be real, we won't know where need each other.

838
00:50:43,239 --> 00:50:44,719
Speaker 1: When a shop, it was just a whole bunch of

839
00:50:44,800 --> 00:50:47,880
Speaker 1: extra commotion on God. So it was never no like hey, bro,

840
00:50:47,960 --> 00:50:50,719
Speaker 1: meet me outside like it's none of that. It was

841
00:50:50,760 --> 00:50:53,719
Speaker 1: never in my mind. Yeah you thought it was. It

842
00:50:53,840 --> 00:51:01,360
Speaker 1: was like, what's like like what you woke up to

843
00:51:01,480 --> 00:51:05,160
Speaker 1: him and said, Yo, y'all that's how I thought they happened.

844
00:51:05,800 --> 00:51:09,000
Speaker 1: I was wrong. Yeah, it was just a misunderstanding on

845
00:51:09,120 --> 00:51:11,640
Speaker 1: both as they won't know. I ain't gonna, ain't gona

846
00:51:11,640 --> 00:51:14,640
Speaker 1: get in too many details. You know. It's funny that, Yeah,

847
00:51:14,640 --> 00:51:17,120
Speaker 1: it's funny. It's here that I'm gonna take a shot

848
00:51:17,160 --> 00:51:19,839
Speaker 1: for it. Yeah, but like he good though he keep

849
00:51:19,840 --> 00:51:24,520
Speaker 1: calling everybody blood. I'm into it. I mean, so if

850
00:51:24,560 --> 00:51:27,200
Speaker 1: I listen, please, I don't want to be last one

851
00:51:27,320 --> 00:51:29,440
Speaker 1: right here if I don't have to take all right,

852
00:51:29,840 --> 00:51:31,600
Speaker 1: by the way, no one asked you to take that shot.

853
00:51:33,239 --> 00:51:34,759
Speaker 1: We're not doing a quick time, so we might have

854
00:51:34,840 --> 00:51:39,480
Speaker 1: to tell I'm ready. But but that that that was

855
00:51:39,560 --> 00:51:41,279
Speaker 1: the That was the best light skinned beef I've ever

856
00:51:41,360 --> 00:51:45,399
Speaker 1: heard funny. It was it was funny. And then when

857
00:51:45,440 --> 00:51:48,160
Speaker 1: we actually said and talked about it afterwards afterwards, it

858
00:51:48,280 --> 00:51:50,960
Speaker 1: was just like what the fun was he doing? Like, bro,

859
00:51:51,080 --> 00:51:53,719
Speaker 1: that's it was funny. He said, you know, ship, I'm

860
00:51:53,719 --> 00:51:56,719
Speaker 1: an RB nigger, you know, don't be getty body by

861
00:51:56,880 --> 00:51:58,520
Speaker 1: R and B nigger. You know, I'm just you know,

862
00:51:58,760 --> 00:52:01,160
Speaker 1: I'll be I'll be in love were women and stuff.

863
00:52:01,200 --> 00:52:05,120
Speaker 1: So my emotion. No, I love that your love with women.

864
00:52:05,360 --> 00:52:10,600
Speaker 1: I'll be honest with you. Your love for women. It's great.

865
00:52:11,600 --> 00:52:19,760
Speaker 1: That got weird, got a little over. I'm sorry because

866
00:52:19,800 --> 00:52:27,640
Speaker 1: you know what. I love your love. You know I

867
00:52:27,800 --> 00:52:31,000
Speaker 1: love love. No, listen, it's be clear. I love love,

868
00:52:31,120 --> 00:52:34,520
Speaker 1: love love. I love love fat. A lot of your

869
00:52:34,600 --> 00:52:37,160
Speaker 1: niggas isn't getting it because a lot of your niggas

870
00:52:37,239 --> 00:52:41,120
Speaker 1: don't love love, and a lot of y'all haven't been loved.

871
00:52:42,600 --> 00:52:45,279
Speaker 1: Y'all need to be loved. I'm here with my wife

872
00:52:45,320 --> 00:52:48,319
Speaker 1: and I love my life. Sounds perfect. It's a love

873
00:52:48,400 --> 00:52:51,880
Speaker 1: of my life, Chrick Brown, and I love my wife. Facts.

874
00:52:55,480 --> 00:53:00,719
Speaker 1: But I also love light skin beef facts. It's the best.

875
00:53:00,960 --> 00:53:03,400
Speaker 1: So yeah, but how did y'all squash it? How? What

876
00:53:03,600 --> 00:53:05,200
Speaker 1: was it? What was it? Y'all? When I think just

877
00:53:05,320 --> 00:53:07,840
Speaker 1: some years when past like this is malleible involved, I

878
00:53:07,880 --> 00:53:11,960
Speaker 1: don't know he actually had a show. I'll here, but

879
00:53:12,880 --> 00:53:14,520
Speaker 1: out did he brought me out to the show. But

880
00:53:14,920 --> 00:53:17,560
Speaker 1: before they like a lot abouts to have mutual friends.

881
00:53:17,600 --> 00:53:19,560
Speaker 1: So you know, hey, bro, they want to swatch they

882
00:53:19,600 --> 00:53:21,719
Speaker 1: want to talk, Bro, I ain't really tripping like that.

883
00:53:21,920 --> 00:53:24,279
Speaker 1: So then I got on the phone like it was cool,

884
00:53:24,400 --> 00:53:26,160
Speaker 1: and I came out and did the show and it

885
00:53:26,280 --> 00:53:28,640
Speaker 1: was straight like My thing is like I don't have

886
00:53:28,800 --> 00:53:31,440
Speaker 1: to be engulfed in that nigger world or anybody's world

887
00:53:31,520 --> 00:53:33,719
Speaker 1: like and accept them who for who they is, like

888
00:53:33,840 --> 00:53:37,320
Speaker 1: whatever beef if it's not impacting me directly like that

889
00:53:37,360 --> 00:53:40,439
Speaker 1: ship ain't hit like I don't care, like I don't

890
00:53:40,480 --> 00:53:43,960
Speaker 1: even want to be for nobody. So I just looked

891
00:53:44,000 --> 00:53:46,439
Speaker 1: at it as a alright, cool, well ship. I'm glad

892
00:53:46,880 --> 00:53:48,480
Speaker 1: we got past it because it was a time on

893
00:53:48,640 --> 00:53:52,400
Speaker 1: to kill you. But when you kept him out past

894
00:53:53,239 --> 00:53:57,239
Speaker 1: you know, but one of that shot is fied, Bro,

895
00:53:58,920 --> 00:54:01,160
Speaker 1: I wanted to kill your I didn't know. He will

896
00:54:01,200 --> 00:54:06,719
Speaker 1: say that it's just facts, Swiss Speeds and Timberland call

897
00:54:06,760 --> 00:54:10,560
Speaker 1: you tomorrow. Facts. I'm there, Damn. I don't even tell

898
00:54:10,560 --> 00:54:13,279
Speaker 1: you your op pony yet. Obviously you know I'm to

899
00:54:13,320 --> 00:54:15,359
Speaker 1: do that. You just said the heavy hit us fast.

900
00:54:15,480 --> 00:54:19,040
Speaker 1: It was like, all right, cool if they say we

901
00:54:19,200 --> 00:54:26,080
Speaker 1: got Drazzy Drake in cancer to Randy took a one

902
00:54:26,400 --> 00:54:32,080
Speaker 1: on one with CD talking about versus. I mean you

903
00:54:32,160 --> 00:54:37,359
Speaker 1: know what, that would be a formidable champion. I would,

904
00:54:37,680 --> 00:54:39,920
Speaker 1: But you gotta think when when we go back to

905
00:54:40,000 --> 00:54:42,520
Speaker 1: his genres, you know, the consiserus, well not they don't

906
00:54:42,520 --> 00:54:46,719
Speaker 1: do the same music, right, you know, because you gotta

907
00:54:46,760 --> 00:54:50,120
Speaker 1: understand I sing, I'm not presenting my stuff, and you

908
00:54:50,239 --> 00:54:53,120
Speaker 1: might hear a scratch of a scribble of rap from

909
00:54:53,120 --> 00:54:54,759
Speaker 1: me every now and then you don't hear it as like,

910
00:54:55,040 --> 00:54:57,200
Speaker 1: oh yeah, he his single coming out. He's rapping all

911
00:54:57,200 --> 00:54:59,800
Speaker 1: the time you're hearing me. So it's two different genres.

912
00:54:59,840 --> 00:55:01,480
Speaker 1: I even looked at some of the commers of what

913
00:55:01,560 --> 00:55:04,040
Speaker 1: they were thinking about that. I mean, I ain't done smoke.

914
00:55:04,160 --> 00:55:07,600
Speaker 1: But at the same time, he's a formidable opponent. I

915
00:55:07,719 --> 00:55:10,880
Speaker 1: know he I think he got hits just like just

916
00:55:11,000 --> 00:55:14,279
Speaker 1: like you've been contemplating this. No, I didn't do something

917
00:55:14,320 --> 00:55:17,600
Speaker 1: like I don't I don't know what that word is.

918
00:55:18,640 --> 00:55:22,080
Speaker 1: It's not something I do that like, But but what

919
00:55:22,239 --> 00:55:24,960
Speaker 1: that's that? Listen because as a person that tried to

920
00:55:25,000 --> 00:55:27,600
Speaker 1: be in the light skin Maya and they never let

921
00:55:27,640 --> 00:55:36,600
Speaker 1: me a sin. Yeah you did an application application, I'm

922
00:55:36,640 --> 00:55:40,719
Speaker 1: in the brow they I can't get to the dog

923
00:55:40,760 --> 00:55:43,920
Speaker 1: skin nicking ship trying to beat in the skin they

924
00:55:44,000 --> 00:55:51,359
Speaker 1: calling them denied me. I'm I'm putoregan and blackness it. Yeah,

925
00:55:52,840 --> 00:56:00,239
Speaker 1: and the light skinned mafia karate meetings that y'all go to. Yah,

926
00:56:02,320 --> 00:56:09,040
Speaker 1: is the self defence classes. That's the best battle I

927
00:56:09,120 --> 00:56:12,239
Speaker 1: could ever think of. Now, that would be dope. I

928
00:56:12,320 --> 00:56:14,279
Speaker 1: ain't ducking a smoke with that. But at the same time,

929
00:56:14,840 --> 00:56:17,680
Speaker 1: you know it'll be dope. He got he got a cattle.

930
00:56:17,920 --> 00:56:20,239
Speaker 1: I got a cattle. Did you hear this new album?

931
00:56:20,280 --> 00:56:23,440
Speaker 1: I just drop? Yeah? He married twenty four bitches in

932
00:56:23,480 --> 00:56:28,360
Speaker 1: one day. Word, that's that's hard. I mean I already

933
00:56:28,400 --> 00:56:30,600
Speaker 1: liked the song with him in twenty one Savage. That

934
00:56:32,600 --> 00:56:35,480
Speaker 1: is that the video he married twenty four bitches? They

935
00:56:35,520 --> 00:56:38,280
Speaker 1: can married twenty four bitches. I couldn't believe it. That's crazy.

936
00:56:38,680 --> 00:56:40,640
Speaker 1: I looked and I said, I'm not sure this is

937
00:56:41,000 --> 00:56:43,880
Speaker 1: good or bad. I mean, let him live it like

938
00:56:44,200 --> 00:56:47,360
Speaker 1: a video, let him do his thing. Yeah, he got it.

939
00:56:50,440 --> 00:57:01,120
Speaker 1: Just Chris Browns, go up, turn up, it's your fire.

940
00:57:01,400 --> 00:57:08,000
Speaker 1: Do you believe in marriage? Yeah? I understand what marriage is. Chris.

941
00:57:08,160 --> 00:57:12,880
Speaker 1: This is the only time I'm not with you. That

942
00:57:13,080 --> 00:57:17,760
Speaker 1: was not a good answer, Chris, I'm with you. Old

943
00:57:18,560 --> 00:57:21,320
Speaker 1: since she was sixteen years old? Fourteen years but what

944
00:57:21,520 --> 00:57:23,560
Speaker 1: the fund did you just say? Now, I understand it.

945
00:57:23,760 --> 00:57:26,560
Speaker 1: I understand what marriage, but he wants you to believe

946
00:57:26,600 --> 00:57:29,000
Speaker 1: in it and you just want to fingu apout for

947
00:57:29,040 --> 00:57:31,960
Speaker 1: you the rest of your life. I just look at

948
00:57:32,000 --> 00:57:38,680
Speaker 1: it like being in love is a lot. I feel

949
00:57:38,720 --> 00:57:41,760
Speaker 1: like you. I feel like I witnessed you in love. Yeah,

950
00:57:42,400 --> 00:57:44,280
Speaker 1: I feel like I witnessed you in love. Yeah. I

951
00:57:44,440 --> 00:57:47,000
Speaker 1: kind of like I'm I'm at like a place in

952
00:57:47,080 --> 00:57:48,720
Speaker 1: my life now. No, I'm like, look, my kids are

953
00:57:48,760 --> 00:57:51,600
Speaker 1: gonna make sure they're happy when focus on them, and

954
00:57:51,680 --> 00:57:54,880
Speaker 1: then I'm to like I'm out shot. So I ain't

955
00:57:54,880 --> 00:57:57,080
Speaker 1: got to you well on it, right man, I ain't

956
00:57:57,080 --> 00:57:59,440
Speaker 1: got to be like, hey, this has to happen. I'm

957
00:57:59,480 --> 00:58:12,080
Speaker 1: out shoe. I'm with you, my nigger. That's a man.

958
00:58:12,200 --> 00:58:15,760
Speaker 1: I gotta just ribe with you facts fact but ship. Yeah,

959
00:58:16,080 --> 00:58:19,440
Speaker 1: but I like that, nigga. No, I don't don't get

960
00:58:19,440 --> 00:58:22,760
Speaker 1: me wrong, like I don't underestimate what love is. I

961
00:58:22,880 --> 00:58:26,360
Speaker 1: just you know you're still looking. I'm a student right now.

962
00:58:26,600 --> 00:58:30,320
Speaker 1: That's all I can say. I'm being a student love. Yeah.

963
00:58:30,880 --> 00:58:33,520
Speaker 1: Like that? That is that our song together, Student of

964
00:58:33,600 --> 00:58:38,360
Speaker 1: Love doing that song. No like you trying to sing

965
00:58:38,400 --> 00:58:49,000
Speaker 1: and ship. I got you, bro. You listen, I'm gonna

966
00:58:49,240 --> 00:58:53,760
Speaker 1: this is all but but you'll see be I'm gonna

967
00:58:53,760 --> 00:58:58,240
Speaker 1: be honest with you. Bro. When my man aunt hit

968
00:58:58,320 --> 00:59:03,040
Speaker 1: me up, I said, Yo, I think I could deliver this.

969
00:59:03,960 --> 00:59:06,840
Speaker 1: We were so happy and we are still so happy.

970
00:59:07,560 --> 00:59:09,600
Speaker 1: We want to give you your flowers to your face.

971
00:59:10,120 --> 00:59:13,200
Speaker 1: We want to tell you how much we appreciate you,

972
00:59:14,160 --> 00:59:19,520
Speaker 1: to your face. I don't want this bullshit. We at

973
00:59:19,600 --> 00:59:26,360
Speaker 1: drink Champs. We love you, we respect you, and we

974
00:59:26,640 --> 00:59:30,040
Speaker 1: honor you. And guess what, we're gonna keep it going

975
00:59:30,640 --> 00:59:32,959
Speaker 1: and we're gonna take more shots to let's be clear.

976
00:59:35,400 --> 00:59:39,000
Speaker 1: But Chris, Chris, let me tell you, tell you you

977
00:59:39,080 --> 00:59:42,040
Speaker 1: could be at Oprah. You could have Oprah right here

978
00:59:42,080 --> 00:59:47,320
Speaker 1: at your house, but you picked the yallers. You know

979
00:59:47,400 --> 00:59:49,560
Speaker 1: what the y'alls is gonna do. We're gonna have more

980
00:59:49,640 --> 00:59:55,560
Speaker 1: fun with you, motherfucker. But don't you ever not know

981
00:59:56,000 --> 01:00:04,880
Speaker 1: that we appreciate you. Thank you, c B and c B.

982
01:00:05,120 --> 01:00:07,640
Speaker 1: I don't know. I don't know what kind of passion

983
01:00:07,720 --> 01:00:16,439
Speaker 1: I'm drinking this, but this is crazy. That's for sure.

984
01:00:16,520 --> 01:00:27,720
Speaker 1: That it works. You're falling alone and that's it. So

985
01:00:31,840 --> 01:00:37,880
Speaker 1: we talked about diversity, We talked about everybody. We talked

986
01:00:37,960 --> 01:00:41,240
Speaker 1: even about Michael Jackson. But go back to Michael. Let's

987
01:00:41,240 --> 01:00:43,200
Speaker 1: go back to Michael a little bit because I want

988
01:00:43,200 --> 01:00:46,880
Speaker 1: to know, do you ever go back and watching stuff? Yeah,

989
01:00:47,000 --> 01:00:48,600
Speaker 1: like do you of course do you use that as

990
01:00:48,800 --> 01:00:51,800
Speaker 1: my daughter template? Yeah, that's like my daughter loves all

991
01:00:51,840 --> 01:00:54,560
Speaker 1: this stuff too, so we'll just be watching it always.

992
01:00:54,560 --> 01:00:58,040
Speaker 1: That must be dope to like introduce if I run

993
01:00:58,120 --> 01:01:01,480
Speaker 1: out of inspiration, Like sometimes my every day life might

994
01:01:01,480 --> 01:01:04,080
Speaker 1: be convoluted with other ship that's going on, so the

995
01:01:04,200 --> 01:01:06,560
Speaker 1: creative side might be blocked for maybe like damn, what's

996
01:01:06,560 --> 01:01:09,160
Speaker 1: going on? So I'll just go back to that or

997
01:01:09,240 --> 01:01:11,280
Speaker 1: certain videos that I've seen as a child, like just

998
01:01:11,720 --> 01:01:14,080
Speaker 1: to reunite the spark again, you know what I'm saying.

999
01:01:14,160 --> 01:01:16,920
Speaker 1: So a lot of times I use that as a

1000
01:01:17,360 --> 01:01:21,520
Speaker 1: good template, especially with like transitioning with films, like how

1001
01:01:21,640 --> 01:01:23,680
Speaker 1: hard it was for them to do certain moves or

1002
01:01:24,120 --> 01:01:26,480
Speaker 1: certain ship And that's that's what makes me kind of

1003
01:01:26,560 --> 01:01:28,840
Speaker 1: like push it when I start shooting ship. Okay, don't

1004
01:01:28,840 --> 01:01:31,680
Speaker 1: slack up just because you can just smile and look

1005
01:01:31,760 --> 01:01:35,360
Speaker 1: cool in the camera. Not go hard now, on the

1006
01:01:35,440 --> 01:01:38,920
Speaker 1: creative side. You're saying that, are there anything any takeaways

1007
01:01:38,960 --> 01:01:42,360
Speaker 1: from everything he went through in his career and his

1008
01:01:42,480 --> 01:01:45,960
Speaker 1: personal life? You know, Mike Jack, is it? I mean,

1009
01:01:46,080 --> 01:01:48,800
Speaker 1: I just feel I just feel like whatever, whatever, Yeah,

1010
01:01:48,840 --> 01:01:51,280
Speaker 1: whatever he was going through this personal life like ship.

1011
01:01:51,480 --> 01:01:54,480
Speaker 1: There's people right now that don't agree with me personally

1012
01:01:54,600 --> 01:01:56,320
Speaker 1: or don't like funk with me, or they think I

1013
01:01:56,400 --> 01:01:59,080
Speaker 1: stand for something else right now, you give what I'm saying,

1014
01:01:59,160 --> 01:02:01,920
Speaker 1: so like, I can't. I can't dwell on that like

1015
01:02:02,200 --> 01:02:04,800
Speaker 1: I and I and I wouldn't. I wouldn't want him

1016
01:02:04,840 --> 01:02:06,680
Speaker 1: to dwell on that. You know what I'm saying. This

1017
01:02:06,720 --> 01:02:08,240
Speaker 1: ship to eat you up. You know what I'm saying,

1018
01:02:08,440 --> 01:02:11,160
Speaker 1: especially this whatever it is a cancel culture of media.

1019
01:02:11,760 --> 01:02:13,680
Speaker 1: If you're not as strong or you ain't coming from

1020
01:02:13,760 --> 01:02:16,760
Speaker 1: a struggle background, like you, ain't gonna be able to

1021
01:02:16,760 --> 01:02:21,040
Speaker 1: survive a ship. You're gonna start looking crazy. Oh he okay, tweaking.

1022
01:02:21,120 --> 01:02:24,280
Speaker 1: They're doing this. I don't know where I come from.

1023
01:02:24,480 --> 01:02:27,280
Speaker 1: So it's like all that ship is fake anyway, every

1024
01:02:27,360 --> 01:02:29,640
Speaker 1: you know what I'm saying, everything else said. The only

1025
01:02:29,720 --> 01:02:32,640
Speaker 1: thing I got is the product I'm gonna show you. Hey,

1026
01:02:32,800 --> 01:02:34,320
Speaker 1: this is how I do it, and this is what

1027
01:02:34,400 --> 01:02:37,640
Speaker 1: I'm putting off. You fear me, like, so that's all

1028
01:02:37,720 --> 01:02:39,720
Speaker 1: it is with me. It's just about being my ship.

1029
01:02:40,520 --> 01:02:43,120
Speaker 1: And I think Mike he was himself and tell the

1030
01:02:44,400 --> 01:02:48,720
Speaker 1: crazy and that's my mother. I ain't gonna I'm with Mike.

1031
01:02:49,240 --> 01:02:56,280
Speaker 1: With Mike, how about O j Jesus transition. I think

1032
01:02:56,320 --> 01:03:01,040
Speaker 1: he was going to print. Listen, Oh Jane, you would

1033
01:03:01,120 --> 01:03:09,040
Speaker 1: neither black. Oh Jane did nothing? Yeah? Got damn you

1034
01:03:09,160 --> 01:03:15,520
Speaker 1: want me? Holy shit? J't do it? Why you're not clapping?

1035
01:03:17,760 --> 01:03:23,720
Speaker 1: Remember he lives in kindle. No, no, CB, I ain't

1036
01:03:23,760 --> 01:03:27,240
Speaker 1: gonna lie. Man, thank you. I appreciate you, man, I

1037
01:03:27,280 --> 01:03:31,840
Speaker 1: appreciate you coming through. No, no, we're not We're not

1038
01:03:31,920 --> 01:03:34,520
Speaker 1: in there. No, no, we're not in it. We just

1039
01:03:34,640 --> 01:03:36,720
Speaker 1: drink your pemfortable. I'm like, I ain't got me like

1040
01:03:38,200 --> 01:03:40,200
Speaker 1: you know, listen, we're not in it. We just make

1041
01:03:40,240 --> 01:03:45,800
Speaker 1: you feel comfortable, trick, make you feel comfortable. At this point,

1042
01:03:46,000 --> 01:03:50,960
Speaker 1: I can't give him a shot. He did you talk

1043
01:03:51,000 --> 01:03:59,720
Speaker 1: to right now? In my mind? Somebody? Ye? All right? Next? No,

1044
01:04:00,240 --> 01:04:04,280
Speaker 1: your phone was gone? O what's the next question? Next questions? Uh?

1045
01:04:05,720 --> 01:04:13,240
Speaker 1: Take it. It's not at the play. No, no, no, no,

1046
01:04:13,680 --> 01:04:21,520
Speaker 1: you know Neils in there? Yeah, which one? There you go?

1047
01:04:21,760 --> 01:04:28,640
Speaker 1: You said it or Neil and with aspect though it's

1048
01:04:28,680 --> 01:04:33,120
Speaker 1: whatever that actually whatever. We're just trying to drink. Yeah, whatever,

1049
01:04:33,480 --> 01:04:36,600
Speaker 1: whatever you're gonna drink to. What should I can't say both,

1050
01:04:36,720 --> 01:04:42,520
Speaker 1: but don't say you've been talking about performance artists the

1051
01:04:42,600 --> 01:04:45,680
Speaker 1: whole nine, who's like, yeah, boom, but Neio has written

1052
01:04:46,000 --> 01:04:49,240
Speaker 1: so much amazing ship and a great artist. But I

1053
01:04:49,280 --> 01:04:52,160
Speaker 1: let me just go as far as entertainer. Okay, let

1054
01:04:52,200 --> 01:04:55,800
Speaker 1: me ask you this though, because you said something that's very,

1055
01:04:56,040 --> 01:05:01,840
Speaker 1: very vital to wrap us. Right. You just said part

1056
01:05:02,600 --> 01:05:05,320
Speaker 1: you said, I sure forgive a part you said, but

1057
01:05:05,360 --> 01:05:10,520
Speaker 1: then you said Neo has broken so much? Why in

1058
01:05:10,720 --> 01:05:15,000
Speaker 1: hip hop that is frowned upon? Because if I was

1059
01:05:15,080 --> 01:05:17,400
Speaker 1: the writer song for you, right, Like if Chris Brown

1060
01:05:17,480 --> 01:05:19,439
Speaker 1: has come to me and say, y'all want to write

1061
01:05:19,480 --> 01:05:22,800
Speaker 1: a song about Queens, New York, and then you say

1062
01:05:22,880 --> 01:05:25,080
Speaker 1: to me, nor I want you to write it, and

1063
01:05:25,160 --> 01:05:29,840
Speaker 1: I write it, it's frowned upon. Yeah, but you know

1064
01:05:29,920 --> 01:05:33,440
Speaker 1: what it is because it depends on the artists the

1065
01:05:33,560 --> 01:05:36,800
Speaker 1: hip hop. In the hip hop standpoint, if you stand

1066
01:05:36,840 --> 01:05:39,080
Speaker 1: on your business, so if you how you wrapping and

1067
01:05:39,240 --> 01:05:41,360
Speaker 1: doing your sheet. We don't want to hear about some

1068
01:05:41,560 --> 01:05:46,720
Speaker 1: somebody else's Robert, so we're not gonna respect from a

1069
01:05:46,800 --> 01:05:49,600
Speaker 1: hip hop coster to be like, man, that's hard that

1070
01:05:49,720 --> 01:05:51,800
Speaker 1: nigga wrote it for him, like like, well, then what

1071
01:05:51,880 --> 01:05:54,560
Speaker 1: are we listening to you for it? Listen to this nigga?

1072
01:05:55,280 --> 01:05:58,120
Speaker 1: Why did that? Accepting the R and B because everybody

1073
01:05:58,200 --> 01:06:01,800
Speaker 1: can't see it. I can't sing, so guess what, No

1074
01:06:01,960 --> 01:06:04,120
Speaker 1: matter who, I always say like this right because I

1075
01:06:04,280 --> 01:06:06,360
Speaker 1: never discredit writers who right on my album. I got

1076
01:06:06,480 --> 01:06:09,480
Speaker 1: hellic writers and we do certain ship right describe. But

1077
01:06:11,120 --> 01:06:13,960
Speaker 1: it's just like this, they can write it, who's gonna

1078
01:06:13,960 --> 01:06:18,280
Speaker 1: sing it? Like me? So the day you might can

1079
01:06:18,320 --> 01:06:21,840
Speaker 1: write some beautiful ship that it gets overlooked because it

1080
01:06:22,000 --> 01:06:27,480
Speaker 1: don't sound good. What percentage to be like you know what?

1081
01:06:27,640 --> 01:06:31,640
Speaker 1: Hey like this motherfucker mind? You know? So it's different.

1082
01:06:31,720 --> 01:06:33,720
Speaker 1: And then and with me, I always give credit to

1083
01:06:33,880 --> 01:06:36,360
Speaker 1: my co writers and co producers and ship. I don't

1084
01:06:36,400 --> 01:06:39,880
Speaker 1: see that as but it would be so lame with

1085
01:06:40,000 --> 01:06:42,360
Speaker 1: me to be like, well I was going through this

1086
01:06:42,560 --> 01:06:45,160
Speaker 1: or that's capital hill man, like hey, you gotta I

1087
01:06:45,160 --> 01:06:48,640
Speaker 1: gotta collective dope group of young individuals and we always

1088
01:06:48,680 --> 01:06:50,680
Speaker 1: write some ship the same amount of people that can

1089
01:06:50,720 --> 01:06:53,040
Speaker 1: see the song. That's like, okay, they wrote the majority

1090
01:06:53,040 --> 01:06:55,120
Speaker 1: of that, but then they'll see me see that. They

1091
01:06:55,200 --> 01:06:57,000
Speaker 1: want up me on that and like watch this day

1092
01:06:57,280 --> 01:06:59,080
Speaker 1: and I go and then I give him a song privacy.

1093
01:06:59,120 --> 01:07:00,720
Speaker 1: I'll give him a song that I would by myself.

1094
01:07:00,760 --> 01:07:02,760
Speaker 1: And so he told you I could do it. So

1095
01:07:02,920 --> 01:07:06,440
Speaker 1: it's different in the singing aspect, rappers, you better learning ship.

1096
01:07:06,520 --> 01:07:09,560
Speaker 1: Ain't no nigga ever wrote a rappers from me, ain't

1097
01:07:09,640 --> 01:07:12,560
Speaker 1: no okay wrap this and sing this. No, I don't

1098
01:07:12,640 --> 01:07:14,720
Speaker 1: see it. I ain't wrap. I write my own rap.

1099
01:07:15,640 --> 01:07:17,960
Speaker 1: I feel it's just a different not even tip. Ain't

1100
01:07:18,000 --> 01:07:20,720
Speaker 1: when you and te paying this my nigga t paining.

1101
01:07:20,760 --> 01:07:22,520
Speaker 1: We didn't. We hen did kiss kids with me and

1102
01:07:22,560 --> 01:07:25,160
Speaker 1: all that. But as far as like, okay, we want

1103
01:07:25,160 --> 01:07:27,600
Speaker 1: to hear you rapping no melody, you just get off

1104
01:07:27,840 --> 01:07:30,680
Speaker 1: because you begin you be getting down because but that's

1105
01:07:30,760 --> 01:07:32,920
Speaker 1: me that ain't like okay, cool, my homie wrote this

1106
01:07:32,960 --> 01:07:35,160
Speaker 1: to the call from me five minutes ago. That's what

1107
01:07:35,320 --> 01:07:38,280
Speaker 1: we thought. No, never, they don't know I wouldn't even

1108
01:07:38,280 --> 01:07:41,600
Speaker 1: do it. Then I don't even gonna touch it. Funk

1109
01:07:41,640 --> 01:07:43,120
Speaker 1: I'm like, like, you know what, let's just do a

1110
01:07:43,160 --> 01:07:45,400
Speaker 1: regular interview. Let's time to reno and you wrap this time.

1111
01:07:45,480 --> 01:07:47,960
Speaker 1: You know, like that's the case. I ain't working with

1112
01:07:48,080 --> 01:07:54,640
Speaker 1: that with SO, but yeah, I feel like rappers need

1113
01:07:54,720 --> 01:07:59,240
Speaker 1: to Rappers need that, Like, if you're gonna sing, let

1114
01:07:59,280 --> 01:08:02,680
Speaker 1: me ask you something. But why is it it accepting

1115
01:08:02,920 --> 01:08:05,040
Speaker 1: R and B And it's not accepted, he said, because

1116
01:08:05,160 --> 01:08:08,880
Speaker 1: not everybody could sing every not everybody could sing. I

1117
01:08:08,960 --> 01:08:11,400
Speaker 1: just feel like the rappers too, Like, don't get me wrong,

1118
01:08:11,440 --> 01:08:13,760
Speaker 1: it's hell of motherfucker's that wrote for girl rappers or

1119
01:08:14,000 --> 01:08:18,320
Speaker 1: guy rappers and everybody. Yeah, but if there's a hook

1120
01:08:18,520 --> 01:08:21,040
Speaker 1: like the chorus right and somebody wrote the hook, I'm

1121
01:08:21,080 --> 01:08:23,680
Speaker 1: not judging the fucking artists that wrapped on the st

1122
01:08:24,200 --> 01:08:27,960
Speaker 1: the hook R and B ship. But if you get

1123
01:08:28,040 --> 01:08:30,160
Speaker 1: up there you start talking about some ship that you're

1124
01:08:30,200 --> 01:08:33,240
Speaker 1: trying to sell yourself, rappers, different than singing, you're trying

1125
01:08:33,240 --> 01:08:35,679
Speaker 1: to sell you. I can sell the dreams with music,

1126
01:08:36,040 --> 01:08:38,720
Speaker 1: you with with my with with vocals, with a with

1127
01:08:38,840 --> 01:08:41,080
Speaker 1: a voice. You gotta be the one unique voice out

1128
01:08:41,160 --> 01:08:43,160
Speaker 1: the bunch that we need want to hear, so we

1129
01:08:43,200 --> 01:08:46,360
Speaker 1: don't hear the wise in between that ship. That's just

1130
01:08:46,479 --> 01:08:50,800
Speaker 1: my take on. I just love your honesty, Bro. I

1131
01:08:50,920 --> 01:08:54,920
Speaker 1: love your honesty. But you did say dream Yeah, if

1132
01:08:54,960 --> 01:08:58,360
Speaker 1: you and dream go versus, you're smoking dreams as well. Right,

1133
01:08:59,240 --> 01:09:02,639
Speaker 1: sure it's dream dreamers as cool as fun. I ain't

1134
01:09:02,680 --> 01:09:07,360
Speaker 1: hating Bro's great writer, but hey, nah, come on he

1135
01:09:07,800 --> 01:09:21,640
Speaker 1: Na next question? Oh Thomas or Eve? Oh Missy? I

1136
01:09:21,680 --> 01:09:26,599
Speaker 1: gotta go Missy. That's Virginia and she produced raping everything.

1137
01:09:27,120 --> 01:09:28,920
Speaker 1: People don't know how great that woman is. That woman

1138
01:09:29,040 --> 01:09:34,680
Speaker 1: is from Yeah, Mrs Great dream Chance brother way she

1139
01:09:34,880 --> 01:09:42,600
Speaker 1: cold Scott start Timberland ship. I'm gonna drink. Yeah, I

1140
01:09:42,800 --> 01:09:49,120
Speaker 1: love your style. I've seen Scotti still do some amazing

1141
01:09:49,240 --> 01:09:56,920
Speaker 1: fucking ship me to a keyboard, some amazing studio, just

1142
01:09:57,040 --> 01:09:59,960
Speaker 1: doing something. We love Scott Stars, So yeah, I love

1143
01:10:00,120 --> 01:10:05,280
Speaker 1: that you're drinking. In fact, by the way, can we

1144
01:10:05,680 --> 01:10:08,160
Speaker 1: I just want to I'm gonna be honest. Every time

1145
01:10:08,200 --> 01:10:15,840
Speaker 1: you took a shot, it's different. It's my shop. You're

1146
01:10:15,840 --> 01:10:18,800
Speaker 1: doing dance moves. Was just convinced myself that it's cool.

1147
01:10:21,439 --> 01:10:31,320
Speaker 1: And guess what he swear, Johnny Gil have you taking

1148
01:10:31,360 --> 01:10:38,080
Speaker 1: the shot? Okay? Sweat okay, John Gills dope, But yeah,

1149
01:10:39,520 --> 01:10:43,479
Speaker 1: I wrote an olevator with sweat, I wrote an ovator

1150
01:10:44,560 --> 01:10:48,240
Speaker 1: is right now right he does female? I'm sorry ladies,

1151
01:10:49,040 --> 01:10:56,160
Speaker 1: yeah yeah, women right now? All right, farrella, Kanye did

1152
01:10:56,240 --> 01:11:01,280
Speaker 1: that quick. You already said personal him for just to go.

1153
01:11:02,160 --> 01:11:05,040
Speaker 1: He is to go, He's to go. Yeah, everybody want

1154
01:11:05,040 --> 01:11:08,960
Speaker 1: to be like forever. We all have something in the

1155
01:11:09,040 --> 01:11:12,120
Speaker 1: water them all. Yeah, I'm not sure if you're gonna

1156
01:11:12,120 --> 01:11:18,400
Speaker 1: maybe you're making. It's sucking me up right now. You're

1157
01:11:18,400 --> 01:11:27,920
Speaker 1: definitely smoking right now because Brown is the goat. Brown,

1158
01:11:28,320 --> 01:11:33,120
Speaker 1: keep kiss with the fuck. I'm taking a shot. I'm

1159
01:11:33,160 --> 01:11:37,519
Speaker 1: not playing my brother. Can I pull your shot? You

1160
01:11:37,600 --> 01:11:42,439
Speaker 1: pulled mynes I'm trying to pull a little bit of time.

1161
01:11:42,520 --> 01:11:46,240
Speaker 1: I knew, I knew, I knew where you're going with it.

1162
01:11:46,880 --> 01:11:49,439
Speaker 1: But you know, he's just a smoothing shot. Take it

1163
01:11:49,520 --> 01:11:52,240
Speaker 1: in the world. This is to take a Shot'll be honest.

1164
01:11:52,240 --> 01:12:00,960
Speaker 1: I'm gonna try to Chris Brown, Brown, shot taker. What

1165
01:12:01,080 --> 01:12:07,960
Speaker 1: did you do? It's man more smooth. I can't tim

1166
01:12:08,320 --> 01:12:12,400
Speaker 1: I can't. What is it called imitate? Invitate what you do?

1167
01:12:12,560 --> 01:12:16,080
Speaker 1: But you ain't timidating. I'm gonna take one more shot

1168
01:12:16,200 --> 01:12:30,200
Speaker 1: just because just more more again. Baber or timber Lake.

1169
01:12:31,160 --> 01:12:35,320
Speaker 1: Tim'sla like as far as I don't know, just whatever

1170
01:12:35,400 --> 01:12:38,280
Speaker 1: you wanted to be. Beaver is my brother, but timber

1171
01:12:38,360 --> 01:12:40,560
Speaker 1: Lake is like do you know them both? He's a

1172
01:12:40,640 --> 01:12:45,799
Speaker 1: goat boys in the world. We love these people besides

1173
01:12:45,840 --> 01:12:50,479
Speaker 1: Diego and Eric? Is it Eric here? I'm just talking

1174
01:12:50,479 --> 01:12:53,519
Speaker 1: about I just do that because I'm a great person.

1175
01:12:53,840 --> 01:13:02,719
Speaker 1: Mariah Janet Janney. I like that Buster mainem Buster eminem

1176
01:13:02,760 --> 01:13:09,040
Speaker 1: but Buster, that nigga killed your ship. His runs are

1177
01:13:09,080 --> 01:13:20,720
Speaker 1: way better than that. Crazy and he stills killing king about.

1178
01:13:20,720 --> 01:13:30,840
Speaker 1: He's a problem. Yeah, we got some too, different, a

1179
01:13:30,840 --> 01:13:32,920
Speaker 1: little vivy on his different bag. I funk with it.

1180
01:13:33,960 --> 01:13:37,519
Speaker 1: Monica or Brandy. Oh, I'm gonna tell you right now.

1181
01:13:37,640 --> 01:13:40,439
Speaker 1: I always say my favorite female vocalist is Brandy. So

1182
01:13:40,920 --> 01:13:44,120
Speaker 1: I gotta go with Brandy. Monica's family for real though,

1183
01:13:44,200 --> 01:13:46,519
Speaker 1: So she's gonna cut me out later and I'm sorry, baby,

1184
01:13:47,080 --> 01:13:50,679
Speaker 1: but yeah, Brandy for sure didn't Brandy just she beef

1185
01:13:50,760 --> 01:13:53,560
Speaker 1: with somebody. She was battling somebody recently. I don't know.

1186
01:13:53,840 --> 01:13:56,559
Speaker 1: It was like I got a call right now, Oh yeah,

1187
01:14:01,080 --> 01:14:02,920
Speaker 1: just take a shot. Let me just let me just

1188
01:14:04,360 --> 01:14:07,679
Speaker 1: Jack Harlow. Oh no, the Brandy beef with Jack Harlow.

1189
01:14:07,760 --> 01:14:13,880
Speaker 1: That's hello, no, no, no. What happened was what happened

1190
01:14:15,280 --> 01:14:19,240
Speaker 1: was Jack Harlow didn't didn't know that Brandy and ray

1191
01:14:19,320 --> 01:14:27,360
Speaker 1: Jay was brother. But Jack Carlo is a white person

1192
01:14:27,479 --> 01:14:33,720
Speaker 1: that's down with us. Yeah, we love man. He can

1193
01:14:33,760 --> 01:14:36,920
Speaker 1: come to the cookout the show, Come to the cook

1194
01:14:37,080 --> 01:14:42,600
Speaker 1: my everybody to the cook I just want to go

1195
01:14:42,640 --> 01:14:50,440
Speaker 1: to the good. Let honest be seeing your house online.

1196
01:14:51,439 --> 01:14:55,040
Speaker 1: Do y'all don't cookouts here? Ship now eat the part

1197
01:14:55,080 --> 01:14:56,840
Speaker 1: of the ship. What do you'a thought? We just be

1198
01:14:56,920 --> 01:15:00,240
Speaker 1: having vibes like I'm a married man, but it's like

1199
01:15:00,360 --> 01:15:03,240
Speaker 1: something married man, you know, like talking about two days

1200
01:15:03,640 --> 01:15:06,920
Speaker 1: just this title Tuesday, so the movie did I did

1201
01:15:07,280 --> 01:15:09,439
Speaker 1: we have food? And then just be like me and

1202
01:15:09,479 --> 01:15:13,519
Speaker 1: saying he's like twenty girls. Yeah, I don't need to

1203
01:15:13,520 --> 01:15:18,320
Speaker 1: be a part of that part. And then you're like

1204
01:15:18,479 --> 01:15:30,320
Speaker 1: it ain't no like slipt party, no crazy girl a girl.

1205
01:15:30,400 --> 01:15:33,280
Speaker 1: Now they just free to do what they want to

1206
01:15:33,320 --> 01:15:39,160
Speaker 1: do it They just might say naked girls passion. Just

1207
01:15:40,000 --> 01:15:41,160
Speaker 1: I don't want to be a part of that. You

1208
01:15:41,160 --> 01:15:43,640
Speaker 1: don't have to be. I was just like I was

1209
01:15:43,680 --> 01:15:50,759
Speaker 1: just a good part and side listen listen. Bray J said,

1210
01:15:50,880 --> 01:15:54,439
Speaker 1: I'm his married friend, but then he didn't listen to

1211
01:15:54,640 --> 01:15:58,840
Speaker 1: none of my advice, so I didn't even want to

1212
01:15:58,880 --> 01:16:01,720
Speaker 1: be his married friend. Jam me for life. He would

1213
01:16:01,760 --> 01:16:04,880
Speaker 1: and talk to the police for me. I don't even don't.

1214
01:16:04,920 --> 01:16:07,320
Speaker 1: I don't know what I'm gonna let you. Yeah, I'll

1215
01:16:07,320 --> 01:16:10,080
Speaker 1: tell you. This story is funny. Remember years ago when

1216
01:16:10,120 --> 01:16:11,840
Speaker 1: the girl claimed that I pulled a gun on here.

1217
01:16:12,000 --> 01:16:15,479
Speaker 1: Mounth like was out here and all kind of crazy ship,

1218
01:16:16,120 --> 01:16:18,120
Speaker 1: the crazy ship that was ray J, and it was here.

1219
01:16:18,120 --> 01:16:22,160
Speaker 1: I would sleep the majority of that incident. Yi, they

1220
01:16:22,160 --> 01:16:24,240
Speaker 1: had a tattoo party here, so ray J up be here.

1221
01:16:24,240 --> 01:16:26,720
Speaker 1: Boom boom, I wake up. The tattoo party. Yeah, so

1222
01:16:26,880 --> 01:16:29,040
Speaker 1: so certain people having tattooed. But I'm saying it was

1223
01:16:29,120 --> 01:16:31,760
Speaker 1: hell of people, hell of girls are here, so I

1224
01:16:31,840 --> 01:16:34,200
Speaker 1: guess whatever. When damn happened, the police just came in

1225
01:16:34,400 --> 01:16:37,480
Speaker 1: here and I'm like, what the fund is all this side.

1226
01:16:38,240 --> 01:16:40,040
Speaker 1: They're like, bro, I don't know what I'm gonna talk

1227
01:16:40,040 --> 01:16:42,800
Speaker 1: to him? I said, no, ray telling you man what

1228
01:16:42,960 --> 01:16:45,240
Speaker 1: I said, don't go outside. I'm looking. I was watching this,

1229
01:16:45,960 --> 01:16:47,680
Speaker 1: but I'm talking about in the morning time before that

1230
01:16:47,720 --> 01:16:50,040
Speaker 1: ship happened, Like I didn't watch that. He go outside.

1231
01:16:50,160 --> 01:16:52,120
Speaker 1: I'm like, bro, I can't believe they even tripping. What

1232
01:16:52,200 --> 01:16:55,240
Speaker 1: the he go outside? Look? We turned all the music

1233
01:16:55,479 --> 01:16:57,680
Speaker 1: and I was like, yeah, just sitting the owner out

1234
01:16:57,720 --> 01:16:59,439
Speaker 1: here and let's just talk to him a right quick.

1235
01:16:59,520 --> 01:17:02,800
Speaker 1: He's like, doner sleep. Yeah, we're gonna bed. Y'all have

1236
01:17:02,880 --> 01:17:08,200
Speaker 1: a good night. I'm talking about other mother, I'm talking

1237
01:17:08,200 --> 01:17:16,120
Speaker 1: about niggas that we know rappers all time. But ray

1238
01:17:16,439 --> 01:17:18,000
Speaker 1: was a real was a real one and went out there.

1239
01:17:18,360 --> 01:17:20,160
Speaker 1: You know what I'm saying. After everybody's seen that the

1240
01:17:20,200 --> 01:17:23,479
Speaker 1: month was actually lying. It was bullshit. Everybody don't want

1241
01:17:23,479 --> 01:17:25,680
Speaker 1: to say nothing about it. It just went quiet, like

1242
01:17:26,320 --> 01:17:27,640
Speaker 1: come on, you know what I'm saying. But ray J

1243
01:17:27,840 --> 01:17:30,640
Speaker 1: was the first one jump out the portion like you bro, No,

1244
01:17:31,920 --> 01:17:33,719
Speaker 1: you didn't have to do that. So I'm being famous

1245
01:17:33,760 --> 01:17:37,360
Speaker 1: for a long time. But brothers, I think you've been

1246
01:17:37,400 --> 01:17:48,720
Speaker 1: on living single. It was in the Superman Ship, not

1247
01:17:48,920 --> 01:17:54,280
Speaker 1: not Sam, the other one. Still he and that that Yeah. Wait,

1248
01:17:54,320 --> 01:17:55,920
Speaker 1: I don't know what we're talked about, but I love it,

1249
01:17:57,200 --> 01:18:03,679
Speaker 1: you know what. I'm shot, No, but you know you're something.

1250
01:18:03,840 --> 01:18:06,400
Speaker 1: It's two pirs in there. I feel like we should

1251
01:18:06,400 --> 01:18:09,840
Speaker 1: take a shot for right now, the shot I'm gonna

1252
01:18:09,840 --> 01:18:13,080
Speaker 1: load up. I'm not gonna take this shot. I'm just

1253
01:18:13,160 --> 01:18:16,000
Speaker 1: gonna load up because, bro, I see you drink more

1254
01:18:16,000 --> 01:18:18,800
Speaker 1: than you're scared of the weed or something. Oh no,

1255
01:18:18,840 --> 01:18:28,320
Speaker 1: you're definitely not scared of the weak. I'm outside. He

1256
01:18:28,520 --> 01:18:32,840
Speaker 1: tested me. I'm good. Are you ready sold you about? Well? Uh,

1257
01:18:36,160 --> 01:18:38,439
Speaker 1: I would have to say bad, because, like I said, bout,

1258
01:18:38,520 --> 01:18:40,360
Speaker 1: it's like the real pioneer to show me how to

1259
01:18:40,439 --> 01:18:43,400
Speaker 1: be a already show me shift stage president. You know

1260
01:18:43,400 --> 01:18:46,600
Speaker 1: what I'm saying, show back, I'm going going about it?

1261
01:18:46,680 --> 01:18:50,240
Speaker 1: Went back. I told you, my homie, But you're about

1262
01:18:51,240 --> 01:18:55,600
Speaker 1: Thriller or off the Wall depends on what type of

1263
01:18:55,640 --> 01:19:00,080
Speaker 1: Michael Jackson you like? You like? Yeah, I got like

1264
01:19:00,240 --> 01:19:01,960
Speaker 1: this is the last I'm gonna say off the Wall.

1265
01:19:05,120 --> 01:19:06,599
Speaker 1: I don't know why I thought you would have said

1266
01:19:06,600 --> 01:19:10,080
Speaker 1: the thriller because once you once you know that that

1267
01:19:10,240 --> 01:19:12,080
Speaker 1: was some ship that when he first broke out, when

1268
01:19:12,120 --> 01:19:15,080
Speaker 1: he was getting this essence from like, people weren't ready

1269
01:19:15,120 --> 01:19:17,800
Speaker 1: for that sound. So by the time his other ship came,

1270
01:19:17,880 --> 01:19:20,280
Speaker 1: they was already yearning for some other ship. So that's

1271
01:19:20,280 --> 01:19:22,400
Speaker 1: why they went back and listened to it after that,

1272
01:19:22,479 --> 01:19:28,160
Speaker 1: and so Off the Walls was, yeah, mhm, Drere puff,

1273
01:19:32,320 --> 01:19:34,439
Speaker 1: I'm gonna go out of my relationships. I'll say puff

1274
01:19:35,600 --> 01:19:38,439
Speaker 1: Dre Dre. I know d Drake Coop all respect, West

1275
01:19:38,479 --> 01:19:41,760
Speaker 1: Coast all that, but I really I'm like family were

1276
01:19:41,800 --> 01:19:44,280
Speaker 1: puffing them. So I feel like we should still take

1277
01:19:44,320 --> 01:19:46,120
Speaker 1: a shot for that. If you can take this out,

1278
01:19:46,160 --> 01:19:49,880
Speaker 1: I'm just taking the show without. That's you know, when

1279
01:19:49,880 --> 01:19:51,880
Speaker 1: they'd be like, yo, I'm nice. That's how I feel.

1280
01:19:52,120 --> 01:19:54,559
Speaker 1: I'm nice you right there, sir. Yeah, I don't want

1281
01:19:54,600 --> 01:19:59,040
Speaker 1: to be like you can rules of the game. He wanted.

1282
01:19:59,160 --> 01:20:03,800
Speaker 1: He wanted to drink. Make him drink. You can drink.

1283
01:20:03,960 --> 01:20:09,519
Speaker 1: Look full last covering ship, first kick. I'm gonna feel

1284
01:20:09,520 --> 01:20:12,400
Speaker 1: a glass something. Kids, I gotta have to drink. Listen

1285
01:20:12,439 --> 01:20:19,559
Speaker 1: to wait in the game. Marvin Gaye or Spokey Robinson,

1286
01:20:19,760 --> 01:20:25,519
Speaker 1: Mary he said that quick Al Green or Teddy Pendergrass. Jeez,

1287
01:20:27,160 --> 01:20:32,200
Speaker 1: I know that, m J. Prince Ship, no Prince interactions.

1288
01:20:32,280 --> 01:20:34,439
Speaker 1: Prince is amazing. I ain't. Hey, do you have a

1289
01:20:34,479 --> 01:20:38,360
Speaker 1: print story? Print stories? Okay? Cool? So I got a

1290
01:20:38,400 --> 01:20:42,920
Speaker 1: Prince story. I got a Princh story. Prince story. This

1291
01:20:43,000 --> 01:20:44,720
Speaker 1: is this is This is like probably one of my

1292
01:20:44,880 --> 01:20:50,160
Speaker 1: most influentialship with my shaded ship, Um Mike, I called

1293
01:20:50,320 --> 01:20:53,120
Speaker 1: I called a case right and uh in DC at

1294
01:20:53,200 --> 01:20:59,800
Speaker 1: one point, Prince, No, that would have been though, Like

1295
01:21:03,960 --> 01:21:06,240
Speaker 1: so I called a case in d C a fighting case.

1296
01:21:06,680 --> 01:21:10,840
Speaker 1: So when instead of me like turning myself in for

1297
01:21:10,960 --> 01:21:14,439
Speaker 1: violating probation, I turned myself into a rehab so it'll

1298
01:21:14,479 --> 01:21:16,720
Speaker 1: look you know what I'm saying, like, damn well, I

1299
01:21:16,840 --> 01:21:18,640
Speaker 1: got the problems on these things, so they wouldn't put

1300
01:21:18,640 --> 01:21:20,560
Speaker 1: me in jail. Just I ain't never told them about that.

1301
01:21:20,800 --> 01:21:23,479
Speaker 1: But on the way, literally on the way to go

1302
01:21:23,640 --> 01:21:26,320
Speaker 1: check myself into the spot, you know what I'm saying,

1303
01:21:26,320 --> 01:21:31,880
Speaker 1: it was emotional. Nah, hell no listen. Yeah, So on

1304
01:21:31,960 --> 01:21:33,519
Speaker 1: the way to the spot, I want Prince to be

1305
01:21:33,600 --> 01:21:37,960
Speaker 1: everywhere like to the spot, like mind you, like I've

1306
01:21:38,000 --> 01:21:40,920
Speaker 1: never really been around bro, been like in a setting.

1307
01:21:41,400 --> 01:21:44,240
Speaker 1: So then literally in the car getting there, I get

1308
01:21:44,280 --> 01:21:47,360
Speaker 1: a call and I'm like, I'm like, what's up? Like hello,

1309
01:21:48,160 --> 01:21:50,679
Speaker 1: like his voice deepest head in the car you gotta

1310
01:21:50,720 --> 01:21:53,840
Speaker 1: call yeah from him from Prince And I was like, yo,

1311
01:21:54,120 --> 01:21:55,920
Speaker 1: He's like I just want to be able to show

1312
01:21:55,960 --> 01:21:58,360
Speaker 1: you how to navigate through this stuff and like I'm

1313
01:21:58,400 --> 01:22:01,520
Speaker 1: here for you, bro, but y'all never had a relationship

1314
01:22:01,680 --> 01:22:05,280
Speaker 1: never now, Like he reached out, like honestly, like because

1315
01:22:05,320 --> 01:22:07,120
Speaker 1: I guess you could see what what type of shot

1316
01:22:07,240 --> 01:22:10,280
Speaker 1: was going to, so he reached out. So the difference

1317
01:22:10,479 --> 01:22:14,280
Speaker 1: was throughout that time I went. I got incarcerated after that,

1318
01:22:14,640 --> 01:22:17,280
Speaker 1: so by the time I got out, and it really

1319
01:22:17,360 --> 01:22:19,600
Speaker 1: kind of shook back like he had died, you know

1320
01:22:19,680 --> 01:22:21,840
Speaker 1: what I'm saying, So I really never got to got

1321
01:22:21,880 --> 01:22:24,280
Speaker 1: a chance to kind of like he wouldn't tell you

1322
01:22:24,520 --> 01:22:27,080
Speaker 1: what like if you could, if you could say not basically,

1323
01:22:27,200 --> 01:22:30,559
Speaker 1: but basically was just saying, like, you know, don't lose focus.

1324
01:22:30,640 --> 01:22:33,120
Speaker 1: She's like whatever, You're just trying to like uplift you

1325
01:22:33,160 --> 01:22:35,479
Speaker 1: at the moment. Yeah, but he was saying it's more

1326
01:22:35,640 --> 01:22:38,240
Speaker 1: like a he wanted to have a conversation about about

1327
01:22:38,439 --> 01:22:42,280
Speaker 1: being special. You get what I'm saying. So I feel

1328
01:22:42,280 --> 01:22:43,640
Speaker 1: like I didn't get all the knowledge that I was

1329
01:22:43,640 --> 01:22:45,559
Speaker 1: supposed to get from him. But at the same time,

1330
01:22:45,640 --> 01:22:48,160
Speaker 1: I like I was appreciative that even somebody in my

1331
01:22:48,240 --> 01:22:51,080
Speaker 1: worst time like called me with no with no tie

1332
01:22:51,120 --> 01:22:54,280
Speaker 1: to me to be like I understand, we got We're

1333
01:22:54,320 --> 01:22:55,920
Speaker 1: just going through or whatever. So I just need you

1334
01:22:55,960 --> 01:22:59,240
Speaker 1: to understand your power or your life. So that right,

1335
01:22:59,320 --> 01:23:01,720
Speaker 1: They're kind of like made me ask the question more

1336
01:23:01,800 --> 01:23:04,160
Speaker 1: like what what am I doing this for? You know

1337
01:23:04,200 --> 01:23:06,920
Speaker 1: what I'm saying? So yeah, that that's I already told

1338
01:23:07,000 --> 01:23:10,040
Speaker 1: him about that story. But it's a true story. That's dupe.

1339
01:23:11,360 --> 01:23:15,599
Speaker 1: That's probably my best story I ever heard. You met

1340
01:23:15,920 --> 01:23:19,519
Speaker 1: Prince met him. I met him once and it was

1341
01:23:19,560 --> 01:23:23,160
Speaker 1: just like el sh, I don't know. You don't remember

1342
01:23:23,320 --> 01:23:28,360
Speaker 1: ship who used to ask out? That would be something

1343
01:23:28,400 --> 01:23:31,200
Speaker 1: that you don't remember that I was. I didn't want

1344
01:23:31,240 --> 01:23:36,160
Speaker 1: to be. I'm cool. But now because first of all,

1345
01:23:36,240 --> 01:23:38,920
Speaker 1: let's but let's clarify some ship. He the only nigger

1346
01:23:38,960 --> 01:23:41,040
Speaker 1: that can go ash out and then fuck your mom,

1347
01:23:42,040 --> 01:23:45,880
Speaker 1: your mama's mom, and come on, we'll go get that

1348
01:23:45,960 --> 01:23:48,920
Speaker 1: has done at the same time, and she gonna still

1349
01:23:48,960 --> 01:23:57,200
Speaker 1: be on my pay roll. He Prince is not printing, man,

1350
01:23:57,400 --> 01:24:01,560
Speaker 1: he was paying But what's TV. I'm so sorry to

1351
01:24:01,760 --> 01:24:06,719
Speaker 1: put this pressure on you, but that's who you are, Prince.

1352
01:24:07,400 --> 01:24:16,400
Speaker 1: I ain't Prince Prince listen to. First of all, let's

1353
01:24:16,479 --> 01:24:20,200
Speaker 1: let's just give the other day flowers to my ship.

1354
01:24:20,320 --> 01:24:24,040
Speaker 1: But Prince played every instrument. Listen, Chris Brown, can I

1355
01:24:24,120 --> 01:24:29,600
Speaker 1: tell you who he broke away from the Prince and

1356
01:24:29,720 --> 01:24:36,519
Speaker 1: Michael Jackson had a baby? Yeah, No, you're making some

1357
01:24:36,720 --> 01:24:39,479
Speaker 1: crazy I ain't. I ain't walk on my ass out.

1358
01:24:39,560 --> 01:24:48,200
Speaker 1: I don't know what are you talking about. But Chris Brown,

1359
01:24:48,640 --> 01:24:57,280
Speaker 1: in case you don't know, you are the ultimate. No

1360
01:24:57,600 --> 01:25:02,960
Speaker 1: no skin, this gotta do light skin, no more are errors.

1361
01:25:04,080 --> 01:25:07,479
Speaker 1: When you drop an album, we stand around and we wait.

1362
01:25:07,920 --> 01:25:10,920
Speaker 1: I appreciate that. And you drop a single, we stand

1363
01:25:11,000 --> 01:25:14,840
Speaker 1: around and we listened. In the case you don't know,

1364
01:25:16,800 --> 01:25:21,400
Speaker 1: we know exactly who the funk you are. I appreciate that.

1365
01:25:22,000 --> 01:25:24,720
Speaker 1: We're gonna honor it. It's gonna salute it and won't

1366
01:25:24,800 --> 01:25:28,400
Speaker 1: respect you that way. In the case you don't know

1367
01:25:28,640 --> 01:25:34,040
Speaker 1: if Michael Jackson and Prince had a baby, it's you, nigga.

1368
01:25:37,680 --> 01:25:39,880
Speaker 1: I'm sorry I went to I guess we just got

1369
01:25:40,000 --> 01:25:48,120
Speaker 1: a hard I mean, I mean, they're they're great, man.

1370
01:25:48,240 --> 01:25:51,000
Speaker 1: I know. I just painted. I painted a spot downtown

1371
01:25:51,200 --> 01:25:54,280
Speaker 1: and uh so the Grammy Organization, we did so, but

1372
01:25:54,400 --> 01:25:56,479
Speaker 1: I paid just let me do a mirror. So I

1373
01:25:56,560 --> 01:26:00,280
Speaker 1: put James Brown, Princeton and Michael and then me. Yeah,

1374
01:26:00,439 --> 01:26:02,639
Speaker 1: and inside. But after a couple of years, I forgot

1375
01:26:02,680 --> 01:26:04,679
Speaker 1: the other thing, but to the point where they can't

1376
01:26:04,680 --> 01:26:08,360
Speaker 1: put it off. So if they wanted to reachry, it's hard. Like, yeah,

1377
01:26:08,400 --> 01:26:10,559
Speaker 1: I kind of made my ship forever. But that's that's

1378
01:26:10,560 --> 01:26:12,400
Speaker 1: who you are, sir. I'm gonna be honest because I

1379
01:26:12,479 --> 01:26:14,519
Speaker 1: see you being so humble because me in your your

1380
01:26:14,520 --> 01:26:19,360
Speaker 1: beautiful house by the way, you had beautiful everything. Thank you.

1381
01:26:19,720 --> 01:26:22,479
Speaker 1: But I just wanted to tell you case you're trying

1382
01:26:22,520 --> 01:26:25,800
Speaker 1: to be too humble man, that I'm being real. I

1383
01:26:25,880 --> 01:26:30,200
Speaker 1: think it's just me. It's just I don't get yeah,

1384
01:26:30,240 --> 01:26:33,640
Speaker 1: I appreciate it. I don't want you to say you

1385
01:26:33,720 --> 01:26:41,160
Speaker 1: appreciate I want you to say yes. Listen, let me

1386
01:26:41,240 --> 01:26:46,719
Speaker 1: just tell you something. Oh, every time I introduced somebody,

1387
01:26:46,800 --> 01:26:51,040
Speaker 1: I go to Twitter, but this time I didn't because

1388
01:26:51,040 --> 01:26:53,600
Speaker 1: I wanted to be like I wanted this to be secretive.

1389
01:26:55,200 --> 01:26:57,160
Speaker 1: So we looked on Twitter, and you know what everyone

1390
01:26:57,280 --> 01:27:00,320
Speaker 1: told me, Chris Brown is dropping the album on Yeah

1391
01:27:00,320 --> 01:27:07,880
Speaker 1: it was. It was talking about Chris Brown. Though no, no,

1392
01:27:08,000 --> 01:27:12,719
Speaker 1: I've spreenshot everyone of them to feel good yea later, Yeah,

1393
01:27:13,120 --> 01:27:15,080
Speaker 1: you gotta give him that shot out because they requested it.

1394
01:27:16,400 --> 01:27:18,479
Speaker 1: A lot of people don't I don't do interviews because

1395
01:27:18,760 --> 01:27:20,120
Speaker 1: I'll be really a lot of times I don't do

1396
01:27:20,160 --> 01:27:29,439
Speaker 1: interviews because it's just the wrong narrative. It's not want this.

1397
01:27:29,720 --> 01:27:32,799
Speaker 1: This is your brother having fun with you. I appreciate

1398
01:27:32,840 --> 01:27:39,920
Speaker 1: your motherfucker's bigger, but look, guess what it's about giving

1399
01:27:39,960 --> 01:27:43,120
Speaker 1: you your flowers. Appreciate that, and we're gonna because you

1400
01:27:43,200 --> 01:27:46,719
Speaker 1: know why, I felt like you ain't accept your flowers

1401
01:27:46,760 --> 01:27:49,679
Speaker 1: for a long time. I felt like when the industry

1402
01:27:49,800 --> 01:27:52,400
Speaker 1: was telling you how great you were, you didn't actually

1403
01:27:53,800 --> 01:27:56,439
Speaker 1: maybe I mean, but I feel like I got a

1404
01:27:56,479 --> 01:27:58,880
Speaker 1: lot of work to do, Like I don't feel like

1405
01:27:59,640 --> 01:28:01,720
Speaker 1: I don't even if my father is not giving that,

1406
01:28:01,760 --> 01:28:04,680
Speaker 1: ain't gonna really kind of like stop my objective. So

1407
01:28:04,800 --> 01:28:09,400
Speaker 1: I'm like ship the fire, lets the flowers, Polo. If

1408
01:28:09,439 --> 01:28:12,400
Speaker 1: I don't see him, I'm pol right now because I'm

1409
01:28:12,400 --> 01:28:14,800
Speaker 1: gonna just keep the work at the same level. You know,

1410
01:28:14,880 --> 01:28:18,800
Speaker 1: I'm gonna work like, ain't no flowers, Like, hey, cool,

1411
01:28:18,800 --> 01:28:21,200
Speaker 1: I gotta make you make flowers, you know what I'm saying.

1412
01:28:21,280 --> 01:28:23,960
Speaker 1: So I don't think the drive for me like dissipate

1413
01:28:24,080 --> 01:28:26,960
Speaker 1: so goes away. It's just a different outlook, you know,

1414
01:28:27,600 --> 01:28:32,840
Speaker 1: And it's crazy the catalog like kids from the career,

1415
01:28:32,960 --> 01:28:35,479
Speaker 1: from the age he started to still have that drive

1416
01:28:35,600 --> 01:28:39,519
Speaker 1: is incredible. Yeah, and as we're hitting too, though I

1417
01:28:39,520 --> 01:28:43,400
Speaker 1: ain't please please hold more of our we please as

1418
01:28:43,439 --> 01:28:46,720
Speaker 1: we call your West gave me the bag, so you

1419
01:28:46,800 --> 01:28:51,080
Speaker 1: know we got the go about two weeks. So how

1420
01:28:51,120 --> 01:28:55,760
Speaker 1: about how about um? That was? That was a relationship?

1421
01:28:55,800 --> 01:28:58,320
Speaker 1: You want call ye? How about you want call yet

1422
01:29:00,400 --> 01:29:03,200
Speaker 1: I'm cool, like like even with me, Like you know,

1423
01:29:03,240 --> 01:29:06,040
Speaker 1: I'm goofy, so I'm gonna roast the hello whoever? So

1424
01:29:07,479 --> 01:29:09,719
Speaker 1: so I know he was americause I wrote Somebody's heircut

1425
01:29:10,880 --> 01:29:15,479
Speaker 1: I did too. The whole world is man but everything

1426
01:29:15,560 --> 01:29:20,400
Speaker 1: else but yeah, wasn't right now but broke good men

1427
01:29:20,680 --> 01:29:24,040
Speaker 1: like even like there's no issue. I understand his madness

1428
01:29:24,479 --> 01:29:27,120
Speaker 1: and and and genius at the same time. So like

1429
01:29:27,400 --> 01:29:29,120
Speaker 1: I would never I would never even get on the

1430
01:29:29,200 --> 01:29:31,720
Speaker 1: platform and try to Dido'll be like, man, he's doing

1431
01:29:31,760 --> 01:29:34,120
Speaker 1: a lot for black people. Man Like as far as

1432
01:29:34,200 --> 01:29:36,439
Speaker 1: being the first, it don't even matter. As long as

1433
01:29:36,439 --> 01:29:38,920
Speaker 1: you pioneer some ship, you're the first to do. So

1434
01:29:39,080 --> 01:29:42,040
Speaker 1: we're gonna respect it. And anybody don't respect it, it's lame.

1435
01:29:42,080 --> 01:29:47,240
Speaker 1: As take a shot. You know, I do it. I

1436
01:29:47,400 --> 01:29:49,680
Speaker 1: take a shot for you, take a shot, but you

1437
01:29:49,880 --> 01:29:53,840
Speaker 1: don't get the haircut no more. Look, yeah he does

1438
01:29:53,920 --> 01:29:58,439
Speaker 1: what the funk? Yea he wants to do? Right? How

1439
01:29:58,439 --> 01:30:00,599
Speaker 1: about more customers? You got? You got? Now, let's see

1440
01:30:00,600 --> 01:30:08,759
Speaker 1: your think was like today's Quick Time with Al Greener.

1441
01:30:08,840 --> 01:30:11,400
Speaker 1: Don't know we said that already. Bobby Brown or I'll

1442
01:30:11,439 --> 01:30:16,200
Speaker 1: be sure Bobby Brown he would go to man, shout

1443
01:30:16,200 --> 01:30:18,840
Speaker 1: out to Bobby Man all that. I'll be sure to

1444
01:30:19,040 --> 01:30:22,720
Speaker 1: Let's just be clear how we sr cool? No, I'm

1445
01:30:22,880 --> 01:30:35,600
Speaker 1: sure Bobby Brown is Bobby Brown was thin Brown And

1446
01:30:35,960 --> 01:30:38,160
Speaker 1: do you know I Bobby Brown Cook checking with cocaine.

1447
01:30:38,920 --> 01:30:41,800
Speaker 1: You can't always just bring that up. That can't be

1448
01:30:41,920 --> 01:30:44,360
Speaker 1: the only thing about Bobby browner you want to bring up.

1449
01:30:44,960 --> 01:30:47,880
Speaker 1: It was a fun time by Brown had every female

1450
01:30:47,960 --> 01:30:53,200
Speaker 1: in the world and his co Bobby is Bobby and

1451
01:30:53,320 --> 01:30:55,400
Speaker 1: his last name Brown. So I'm never hating on it.

1452
01:30:55,600 --> 01:31:00,240
Speaker 1: You got to you got Terry Modus. I respect you. Yeah,

1453
01:31:00,439 --> 01:31:05,360
Speaker 1: all right, let's go. You know what I'm saying. Okay,

1454
01:31:05,760 --> 01:31:08,439
Speaker 1: let's go. Oh this reading or Sam Cook, Sam Cook,

1455
01:31:10,120 --> 01:31:13,439
Speaker 1: Erica Badou or a Lesia Keys. I focus this, but

1456
01:31:13,680 --> 01:31:19,360
Speaker 1: Erica Bado started all that Stevie, Wonder, Luther andros Stevie,

1457
01:31:21,200 --> 01:31:27,080
Speaker 1: New edition of Jackson five TLC, s w V, WV,

1458
01:31:28,640 --> 01:31:31,040
Speaker 1: and then you want to see the last one. No,

1459
01:31:31,360 --> 01:31:36,439
Speaker 1: I feel like you gotta keep it going. This is

1460
01:31:36,520 --> 01:31:40,439
Speaker 1: the last one that we say in every episode, loyalty

1461
01:31:40,680 --> 01:31:48,960
Speaker 1: or respect. Let's take a shot. I can't go right

1462
01:31:49,000 --> 01:31:58,320
Speaker 1: to the shot. Yeah, I would say loyalty because you

1463
01:31:58,400 --> 01:32:01,640
Speaker 1: loyal to me. You are already respected. You know what

1464
01:32:01,680 --> 01:32:03,439
Speaker 1: I'm saying. So I go, I go with Lord. You

1465
01:32:04,800 --> 01:32:08,800
Speaker 1: can fear me and still respect. If you're scared say something.

1466
01:32:09,400 --> 01:32:12,920
Speaker 1: I don't want to bring fear out. I'm seeing something

1467
01:32:12,960 --> 01:32:17,519
Speaker 1: more with Yeah, I just want to make some noise

1468
01:32:17,560 --> 01:32:22,000
Speaker 1: for that. Keep taking shot thought, I want to take

1469
01:32:22,040 --> 01:32:24,559
Speaker 1: a shot, just say take a shot, to take a shot. Listen,

1470
01:32:24,840 --> 01:32:28,320
Speaker 1: we are celebrating your album. I'm not trying to celebrate

1471
01:32:28,880 --> 01:32:35,040
Speaker 1: in the motherfucker's to celebrate celebrate, but we're celebrating your

1472
01:32:35,080 --> 01:32:37,920
Speaker 1: new album. But not just your new album. We celebrate

1473
01:32:37,920 --> 01:32:42,240
Speaker 1: your whole career. Your whole career, your whole life. And

1474
01:32:42,520 --> 01:32:46,320
Speaker 1: how that I kind of I put you on like

1475
01:32:46,479 --> 01:32:53,760
Speaker 1: you know what I mean. He's like, let's be clear.

1476
01:32:53,800 --> 01:32:56,120
Speaker 1: I do need a hook. I don't even make music

1477
01:32:56,200 --> 01:32:59,599
Speaker 1: no more. So how I've seen it, let me would

1478
01:32:59,600 --> 01:33:03,320
Speaker 1: it sounds like I'm gonna keep it a thousand you

1479
01:33:03,400 --> 01:33:06,840
Speaker 1: see what the real why we do drink so he

1480
01:33:06,840 --> 01:33:10,360
Speaker 1: could do it? Drink you know this week this this

1481
01:33:10,400 --> 01:33:14,400
Speaker 1: will be drink Champs. But you should make everything you

1482
01:33:14,600 --> 01:33:17,200
Speaker 1: imagine I could do. You gotta pull that. I can

1483
01:33:17,320 --> 01:33:20,439
Speaker 1: do that. I'm gonna do. Yeah, you're going viral. I'm

1484
01:33:20,479 --> 01:33:23,320
Speaker 1: going but but we could do. But we keep the

1485
01:33:23,479 --> 01:33:37,200
Speaker 1: biggest episode this year. You I appreciate, will take your shots,

1486
01:33:37,439 --> 01:33:43,400
Speaker 1: take shot y. I see it. So y'all gonna see me.

1487
01:33:44,320 --> 01:33:50,960
Speaker 1: You know you you were here, Let's go. I'm not

1488
01:33:51,040 --> 01:33:54,280
Speaker 1: gonna line. I'm really really, really proud of you. I

1489
01:33:54,320 --> 01:33:59,120
Speaker 1: appreciate that. Thanks. Why why why why at some point

1490
01:33:59,200 --> 01:34:01,600
Speaker 1: you didn't we the level that you was at and

1491
01:34:01,720 --> 01:34:05,400
Speaker 1: just quit and just say, you know, because I've been

1492
01:34:05,439 --> 01:34:07,960
Speaker 1: there where the level where I've been, like, all right, cool,

1493
01:34:08,120 --> 01:34:11,760
Speaker 1: I got everything. I could just leave. Why you didn't

1494
01:34:11,800 --> 01:34:14,519
Speaker 1: never do that? I think that was just the easy

1495
01:34:14,640 --> 01:34:16,559
Speaker 1: thing to do, Like I think that would have been

1496
01:34:16,640 --> 01:34:19,400
Speaker 1: like the easy route. And you know what I'm saying,

1497
01:34:19,439 --> 01:34:23,400
Speaker 1: even my struggle before that whatever. My whole life, I've

1498
01:34:24,080 --> 01:34:27,400
Speaker 1: been able to uh be creative in chaos. So it's

1499
01:34:27,479 --> 01:34:30,880
Speaker 1: like regardless of whatever's going on, Like I understand the

1500
01:34:31,000 --> 01:34:32,760
Speaker 1: end goal and where I was trying to be and

1501
01:34:32,840 --> 01:34:35,200
Speaker 1: what I wanted to do. So when I when I

1502
01:34:35,479 --> 01:34:37,880
Speaker 1: even got a little bit of success, if some some

1503
01:34:38,080 --> 01:34:40,080
Speaker 1: certain fans little my song where they heard some ship,

1504
01:34:40,120 --> 01:34:43,400
Speaker 1: I'd be like, okay, cool. So where I'm at one

1505
01:34:43,439 --> 01:34:45,880
Speaker 1: the frequency the pocket I'm in is good, like so

1506
01:34:46,400 --> 01:34:48,280
Speaker 1: the people are going to do the same ship. So

1507
01:34:48,400 --> 01:34:51,400
Speaker 1: I think the transition was me understanding and then actually

1508
01:34:51,960 --> 01:34:55,400
Speaker 1: uh building a bigger audience, not based off of just looks.

1509
01:34:55,439 --> 01:34:59,160
Speaker 1: So me's just trying to make ship on on on

1510
01:34:59,200 --> 01:35:01,400
Speaker 1: a weird scale, like it was more shows, Like I

1511
01:35:01,479 --> 01:35:05,600
Speaker 1: can see that they really appreciated the music. He just

1512
01:35:05,640 --> 01:35:08,720
Speaker 1: wants support the shot. Yeah, he ship. He don't have

1513
01:35:08,800 --> 01:35:12,360
Speaker 1: to drink. My phone were at his house. We already

1514
01:35:12,439 --> 01:35:18,439
Speaker 1: we get beautiful day. There's not a beautiful day. We ah,

1515
01:35:18,720 --> 01:35:23,200
Speaker 1: Chris Brown smoking smoke, Champs Chaps. He's smoking smoke, Champs

1516
01:35:25,640 --> 01:35:37,760
Speaker 1: smoke everything gumbo and drink smoking gumbo. I think it's

1517
01:35:37,800 --> 01:35:40,120
Speaker 1: really smoke right that Like, so that's that's like my

1518
01:35:41,160 --> 01:35:44,160
Speaker 1: I'm sorry. I just want to take a shot. You do.

1519
01:35:45,040 --> 01:35:48,240
Speaker 1: I'm gonna let you take the shot for me take if.

1520
01:35:48,280 --> 01:35:52,519
Speaker 1: I don't know what that meant, he said yourself, my friends,

1521
01:35:55,520 --> 01:35:59,880
Speaker 1: you got it, I got you. I got when we going,

1522
01:36:00,080 --> 01:36:06,200
Speaker 1: the Halco is thirteen steps away. You know, No, I

1523
01:36:06,240 --> 01:36:09,679
Speaker 1: don't think you're but it's a lie. Listen, we're gonna

1524
01:36:09,680 --> 01:36:12,120
Speaker 1: go half and half. I'm like already feeling it, my

1525
01:36:12,200 --> 01:36:15,439
Speaker 1: eyes going upshot down. No, you could be saying shot that.

1526
01:36:16,720 --> 01:36:18,960
Speaker 1: Don't don't just don't deal with the peer pressure. Bro.

1527
01:36:19,320 --> 01:36:21,960
Speaker 1: He ain't gotta deal with the peer pressure. So we

1528
01:36:22,080 --> 01:36:35,160
Speaker 1: already established that. You said you'll smoke anybody in versus everybody. Ushaw, Oh,

1529
01:36:36,760 --> 01:36:43,559
Speaker 1: you don't want Cisco. Cisco. It's like I don't want people. Yeah,

1530
01:36:43,680 --> 01:36:47,160
Speaker 1: Cisco is amazing, but Cisco the man at one point,

1531
01:36:47,240 --> 01:36:54,599
Speaker 1: that's what you mean? Yeah, like you, but they can't

1532
01:36:54,640 --> 01:36:58,800
Speaker 1: hate on that. You can't Cisco. Still, you know what

1533
01:36:58,840 --> 01:37:03,320
Speaker 1: I'm saying, folk, clee all that too. Look, I'm gonna

1534
01:37:03,360 --> 01:37:08,080
Speaker 1: be here. Mario probably was Mario code Mario like Mother's

1535
01:37:08,080 --> 01:37:10,880
Speaker 1: got give him. Mr Flowers like Mario Roth we love

1536
01:37:11,000 --> 01:37:16,880
Speaker 1: Maris singing like yeah, that boy can Shane. Sure, we

1537
01:37:16,960 --> 01:37:19,240
Speaker 1: don't want him against you though, that's not what we're saying.

1538
01:37:20,640 --> 01:37:23,000
Speaker 1: It's like we famil it ain't even know no versions.

1539
01:37:23,040 --> 01:37:26,240
Speaker 1: I can appreciate his talent and say, look, boys, I

1540
01:37:26,320 --> 01:37:28,720
Speaker 1: love about Chris Brown. What I'm saying like he does

1541
01:37:28,840 --> 01:37:32,160
Speaker 1: not this anybody now I can't because I love how

1542
01:37:32,280 --> 01:37:37,680
Speaker 1: you doing. Anybody. This album was bring my hair. NI

1543
01:37:37,840 --> 01:37:39,840
Speaker 1: grew here just so I can see break my hair.

1544
01:37:41,280 --> 01:37:44,680
Speaker 1: You feel me? So you got said. I used to

1545
01:37:44,720 --> 01:37:47,240
Speaker 1: grow hair just so I can have a song on

1546
01:37:47,360 --> 01:37:49,040
Speaker 1: the braave my hair, ship my sheet. I used to

1547
01:37:49,080 --> 01:37:52,040
Speaker 1: have mom here and be able to see Mario ship.

1548
01:37:52,439 --> 01:37:55,880
Speaker 1: Everybody know that I'm Samy Mario. All young nigs that

1549
01:37:55,920 --> 01:38:00,599
Speaker 1: were seeing like that was hard. So I'm not no Haden.

1550
01:38:01,560 --> 01:38:09,160
Speaker 1: You don't focus Champagne? Correct? Who is that? A new artist?

1551
01:38:10,840 --> 01:38:15,720
Speaker 1: R and b artists called Champagne. It's just so I

1552
01:38:15,840 --> 01:38:18,080
Speaker 1: can't pass out on that. So I'm gonna just smote

1553
01:38:18,120 --> 01:38:20,160
Speaker 1: this week. But but you don't want you don't want

1554
01:38:20,200 --> 01:38:23,280
Speaker 1: one more shot? Now you're working with that up right now?

1555
01:38:23,360 --> 01:38:26,960
Speaker 1: You got it? How how old are your kids? My

1556
01:38:27,040 --> 01:38:29,760
Speaker 1: daughters eight, and my son is too, and then my

1557
01:38:29,920 --> 01:38:33,400
Speaker 1: youngest is six months having kids change anything in the

1558
01:38:33,520 --> 01:38:38,600
Speaker 1: way that you operate with music or anything. No, not

1559
01:38:38,720 --> 01:38:41,120
Speaker 1: to say it like that, but my kids, I think

1560
01:38:41,200 --> 01:38:43,240
Speaker 1: I think the balance is equal out for me. Like

1561
01:38:43,360 --> 01:38:44,960
Speaker 1: when I want I'm around my kids, I'm able to

1562
01:38:45,040 --> 01:38:49,080
Speaker 1: be like still myself in fun but the same person

1563
01:38:49,120 --> 01:38:52,360
Speaker 1: who had songs that might have explicit theory song before

1564
01:38:52,439 --> 01:38:55,759
Speaker 1: or whatever. It's called parental you know, advisory for reasons.

1565
01:38:56,760 --> 01:38:58,519
Speaker 1: I don't shot away from more. I still am, like,

1566
01:38:58,680 --> 01:39:00,599
Speaker 1: I haven't changed who I am. I just I think

1567
01:39:00,640 --> 01:39:03,280
Speaker 1: I'm just better at my patience, you know what I'm saying.

1568
01:39:03,400 --> 01:39:05,720
Speaker 1: And at the same time, I'm like, I think for

1569
01:39:05,840 --> 01:39:07,320
Speaker 1: them as well. You know what I'm and I have

1570
01:39:07,439 --> 01:39:09,080
Speaker 1: to think for them. But it seems like there's an

1571
01:39:09,120 --> 01:39:12,880
Speaker 1: inspiration to you said generational wealth. So in that sense

1572
01:39:12,960 --> 01:39:16,080
Speaker 1: they did change you. It did, yeah, But as far

1573
01:39:16,160 --> 01:39:19,040
Speaker 1: as like the talent aspect, like my daughters or my kids,

1574
01:39:19,400 --> 01:39:22,000
Speaker 1: like I see my kids and they got the identical

1575
01:39:22,080 --> 01:39:25,880
Speaker 1: talent is me like early, But I don't course you

1576
01:39:26,000 --> 01:39:27,840
Speaker 1: want them in this business now, see I don't. I

1577
01:39:27,840 --> 01:39:30,200
Speaker 1: don't course it meaning I don't I don't try to.

1578
01:39:30,320 --> 01:39:31,920
Speaker 1: Like I'm the saying what you know, I don't try

1579
01:39:31,960 --> 01:39:33,760
Speaker 1: to be like, hey, you have to do this coming

1580
01:39:33,800 --> 01:39:37,080
Speaker 1: here in the studio. I won't force it because like

1581
01:39:37,200 --> 01:39:39,479
Speaker 1: there are might be more beautiful than mine, you know

1582
01:39:39,520 --> 01:39:42,439
Speaker 1: what I'm saying. So like you can come on this side,

1583
01:39:42,479 --> 01:39:44,000
Speaker 1: and so I'll show you what it is if you

1584
01:39:44,080 --> 01:39:46,360
Speaker 1: want to. But I'm not gonna force you. Just because

1585
01:39:46,400 --> 01:39:48,360
Speaker 1: you're my kid. You probably can saint way better than me.

1586
01:39:48,640 --> 01:39:50,640
Speaker 1: I'm not gonna exploit that. I'm not you know what

1587
01:39:50,680 --> 01:39:52,840
Speaker 1: I'm saying. If you you might not you might want

1588
01:39:52,880 --> 01:39:55,920
Speaker 1: to be a veterinarian, like you know what I'm saying. So, yeah,

1589
01:39:56,439 --> 01:39:59,479
Speaker 1: let's fix the Let's fix the pats. Yeah, so let's

1590
01:39:59,520 --> 01:40:07,720
Speaker 1: fix the like just treat them in it and whatever. Yeah,

1591
01:40:07,840 --> 01:40:11,000
Speaker 1: let's fix the pets. But I never I never try

1592
01:40:11,040 --> 01:40:12,600
Speaker 1: to instill that they have to do what I do

1593
01:40:13,040 --> 01:40:15,200
Speaker 1: or father like my life path, Like you know what

1594
01:40:15,200 --> 01:40:17,880
Speaker 1: I'm saying, that's my chapter. So whatever they want to do,

1595
01:40:18,040 --> 01:40:20,560
Speaker 1: like then have fun with it, Like just just be

1596
01:40:20,640 --> 01:40:23,240
Speaker 1: a good person while you're doing it. And that's the

1597
01:40:23,280 --> 01:40:25,080
Speaker 1: only thing I can learn from just being a dad

1598
01:40:25,160 --> 01:40:28,000
Speaker 1: trying to like it's still something of my kids. I

1599
01:40:28,120 --> 01:40:30,840
Speaker 1: can't make them do anything. I can only try to

1600
01:40:30,920 --> 01:40:33,960
Speaker 1: instill like purity or goodness, and like, ain't trying to

1601
01:40:34,040 --> 01:40:35,960
Speaker 1: be nice? Man? Why you gotta be me? You don't

1602
01:40:35,960 --> 01:40:39,280
Speaker 1: have to just take a shot. You feel you got it?

1603
01:40:39,360 --> 01:40:46,720
Speaker 1: I ain't taking them on. I got it. We got Chris.

1604
01:40:47,240 --> 01:40:51,599
Speaker 1: We got Chris smoking blunts, taking shots, pets atttle little

1605
01:40:52,120 --> 01:41:00,040
Speaker 1: a little nit. Sure how this goal work? You're it?

1606
01:41:01,640 --> 01:41:07,479
Speaker 1: We in your house. Ye. Literally, we're not gonna make you.

1607
01:41:09,760 --> 01:41:14,240
Speaker 1: We got the album dri next week. Looks like just that,

1608
01:41:14,360 --> 01:41:18,160
Speaker 1: look like that you picked the draper. I mean, I

1609
01:41:18,280 --> 01:41:22,080
Speaker 1: see monster. You you sound me like you're about to

1610
01:41:22,120 --> 01:41:29,880
Speaker 1: fall out. You better relax. No, Yeah, one more shot,

1611
01:41:30,040 --> 01:41:35,760
Speaker 1: Christ and that's it. That's it. It's like, oh what

1612
01:41:35,960 --> 01:41:39,760
Speaker 1: question it is? Yeah, we don't want to Thomas live. Yeah,

1613
01:41:40,240 --> 01:41:43,439
Speaker 1: we went to done. You know what, Christ, there's no

1614
01:41:43,560 --> 01:41:49,439
Speaker 1: more questions, the questions. Thank you for being who you are.

1615
01:41:50,040 --> 01:41:53,560
Speaker 1: Thank you for dominating this music world. Thank you for

1616
01:41:53,720 --> 01:41:58,840
Speaker 1: being the music that we listened to when we on

1617
01:41:58,960 --> 01:42:02,200
Speaker 1: the dance floor here. We like that like that, like

1618
01:42:02,320 --> 01:42:05,519
Speaker 1: we do do we just like that. We just like that.

1619
01:42:06,800 --> 01:42:20,400
Speaker 1: I don't want can you get can you take your

1620
01:42:20,400 --> 01:42:24,080
Speaker 1: flowers right now? I appreciate them. I'm taking them. Accept

1621
01:42:24,280 --> 01:42:27,479
Speaker 1: Chris bro, I appreciate you, guys man, we appreciate, we

1622
01:42:27,560 --> 01:42:32,479
Speaker 1: appreciate you, and we appreciate what you dominated gave to

1623
01:42:32,600 --> 01:42:35,599
Speaker 1: this this game and continue to give them to this game.

1624
01:42:36,680 --> 01:42:44,800
Speaker 1: And we respect, love and appreciate you. Thank you. In

1625
01:42:44,920 --> 01:42:48,320
Speaker 1: case you don't know, everybody isn't too. I appreciate you.

1626
01:42:48,520 --> 01:42:49,960
Speaker 1: You know. I don't do interviews all the time, but

1627
01:42:50,400 --> 01:42:59,880
Speaker 1: I appreciate you are. We did feel different. Mother nig

1628
01:43:00,240 --> 01:43:05,680
Speaker 1: you down, but I'm on. I want to. I want

1629
01:43:05,680 --> 01:43:10,960
Speaker 1: to honor you, Bro. You could have did Oprah, you

1630
01:43:11,080 --> 01:43:17,719
Speaker 1: could have did you chose us? Ain't know we're choosing,

1631
01:43:19,360 --> 01:43:24,240
Speaker 1: were choosing you more so this album that you're about

1632
01:43:24,240 --> 01:43:30,920
Speaker 1: to drop, we already downloaded. You got bootlegs now, I

1633
01:43:31,000 --> 01:43:34,479
Speaker 1: got something early ship anyway, we might just boleg your ship,

1634
01:43:46,120 --> 01:43:48,360
Speaker 1: but by one of them. But come on, Chris Brown.

1635
01:43:48,439 --> 01:43:50,240
Speaker 1: We just want you to know, face to face man,

1636
01:43:50,439 --> 01:43:55,599
Speaker 1: man ah, we love you, brother, Thank you man. Everything

1637
01:43:55,720 --> 01:43:58,960
Speaker 1: that you did to this game and everything you continue

1638
01:43:59,000 --> 01:44:03,800
Speaker 1: to do, we love it and we're gonna continue to

1639
01:44:03,960 --> 01:44:10,200
Speaker 1: honor it over here on this side what we do. So,

1640
01:44:10,880 --> 01:44:13,560
Speaker 1: we just want you to know that my brother asked me,

1641
01:44:13,680 --> 01:44:17,320
Speaker 1: my brother slim man when facts. And you know I

1642
01:44:17,400 --> 01:44:19,080
Speaker 1: made up the worst line right here. I don't know

1643
01:44:19,120 --> 01:44:21,880
Speaker 1: if you knew that where you made that how I

1644
01:44:22,120 --> 01:44:25,439
Speaker 1: just think it don't even sticking up playing now he

1645
01:44:25,520 --> 01:44:31,200
Speaker 1: might be telling some ship two th one. Okay, so

1646
01:44:31,880 --> 01:44:35,120
Speaker 1: it wasn't it wasn't gang It wasn't gang ship. Just

1647
01:44:35,240 --> 01:44:40,280
Speaker 1: how you speaking your lingos? My my brother Dawn Lazy

1648
01:44:40,400 --> 01:44:43,360
Speaker 1: went to the store to get U turkey and cheese sandwich.

1649
01:44:44,000 --> 01:44:47,040
Speaker 1: And when he came back, I said, I want a

1650
01:44:47,120 --> 01:44:50,000
Speaker 1: piece and he said, damn, you're a slim nigger. That's

1651
01:44:50,040 --> 01:44:55,200
Speaker 1: it and that's hard. And then all the gang niggers

1652
01:44:55,920 --> 01:45:05,439
Speaker 1: he said, sign turkey and cheese sandwich. Shure, that's you'll

1653
01:45:05,479 --> 01:45:09,519
Speaker 1: see be Thank you so much, thank you for inviting

1654
01:45:09,640 --> 01:45:12,200
Speaker 1: us to your career. But do you got your Grammy award?

1655
01:45:12,280 --> 01:45:14,639
Speaker 1: Look at your Grammar award? Now that's just fine. I'm

1656
01:45:14,640 --> 01:45:17,240
Speaker 1: gonna hanging up and gonna bullshit say I got the

1657
01:45:17,280 --> 01:45:19,400
Speaker 1: little basketball a little ship up there too. But I

1658
01:45:20,640 --> 01:45:24,519
Speaker 1: don't die. By the way, they don't die. I amostraid anyway.

1659
01:45:24,720 --> 01:45:26,800
Speaker 1: Even if they do that, we're gonna try to bring

1660
01:45:26,880 --> 01:45:29,639
Speaker 1: them back. But let's just be clear. Your first session

1661
01:45:30,680 --> 01:45:34,320
Speaker 1: I was there for you right, Yeah, did you sign him?

1662
01:45:34,520 --> 01:45:38,640
Speaker 1: I think you discovered him. Know if mom you was

1663
01:45:38,680 --> 01:45:44,040
Speaker 1: there in Virginia. Just let me ride with this corner.

1664
01:45:45,560 --> 01:45:50,840
Speaker 1: But CB, we love you, my brother, Thank you, bro,

1665
01:45:51,040 --> 01:45:59,120
Speaker 1: thank you. This album is dropping. Man. How many songs

1666
01:45:59,200 --> 01:46:01,560
Speaker 1: is on this album? I didn't want to kill it,

1667
01:46:01,880 --> 01:46:07,880
Speaker 1: kill everybody I had on so it's like everybody's like,

1668
01:46:07,960 --> 01:46:11,160
Speaker 1: don't give me all that long ship was like, it's

1669
01:46:11,200 --> 01:46:15,599
Speaker 1: gonna be good. I think y'all. I differentiated the songs

1670
01:46:15,680 --> 01:46:18,479
Speaker 1: and thank everybody's gonna sunk with it. Okay, last question,

1671
01:46:20,520 --> 01:46:26,839
Speaker 1: did you um word? Yeah? Be worried? You you bootleg

1672
01:46:26,920 --> 01:46:29,760
Speaker 1: your own um total picture when you was in the

1673
01:46:31,479 --> 01:46:34,559
Speaker 1: what what? What? How did that come out? What did

1674
01:46:34,600 --> 01:46:36,519
Speaker 1: you do? Though? I didn't get he had a picture.

1675
01:46:36,600 --> 01:46:42,320
Speaker 1: He had a picture. Nobody you were like, y'all, you're

1676
01:46:42,320 --> 01:46:52,200
Speaker 1: talking about naked? What the question? Come on, man, girl

1677
01:46:52,280 --> 01:46:57,400
Speaker 1: follow us, we need to we go. We gotta girl

1678
01:46:58,479 --> 01:47:04,080
Speaker 1: like you. I'm just saying to he definitely ill. Yeah, definitely.

1679
01:47:04,360 --> 01:47:10,479
Speaker 1: I don't know what that means, but I'm with it. Yeah. Yeah,

1680
01:47:11,200 --> 01:47:21,840
Speaker 1: are we good? Man? We're good? My brother. Yeah, let's

1681
01:47:21,880 --> 01:47:29,680
Speaker 1: take a let's and a promo that Yeah, thanks for

1682
01:47:29,760 --> 01:47:32,280
Speaker 1: joining us for another episode of Drink Champs, hosted by

1683
01:47:32,320 --> 01:47:34,519
Speaker 1: Yours Truly, d j e f N and n O

1684
01:47:34,680 --> 01:47:36,680
Speaker 1: r E. Please make sure to follow us on all

1685
01:47:36,760 --> 01:47:40,400
Speaker 1: our socials. Let's add drink Champs across all platforms at

1686
01:47:40,479 --> 01:47:44,400
Speaker 1: the Real Noriegan I g at Noriega on Twitter, mine

1687
01:47:44,479 --> 01:47:47,320
Speaker 1: is at Who's Crazy on I g at d J

1688
01:47:47,479 --> 01:47:50,000
Speaker 1: e f N on Twitter, and most importantly, stay up

1689
01:47:50,040 --> 01:47:53,200
Speaker 1: to date with the latest releases, news and merch by

1690
01:47:53,280 --> 01:48:02,120
Speaker 1: going to drink Champs dot com. Mm hmm. For more

1691
01:48:02,200 --> 01:48:05,599
Speaker 1: podcasts from My Heart Radio, visit the iHeart Radio app,

1692
01:48:06,080 --> 01:48:09,160
Speaker 1: Apple podcast, or wherever you listen to your favorite shows.

1693
01:48:45,439 --> 01:48:45,479
Speaker 1: M