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Speaker 1: The Nikki Glaser Podcast.

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Speaker 2: Glaser, Hello here, I am welcome to the show. It's

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Speaker 2: Nicky Laser Podcast. I am in Los Angeles once again.

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Speaker 2: I'm gonna be here for a little bit because I'm

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Speaker 2: hosting the Golden Globe January fifth. Check it out on

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Speaker 2: CBS Live and then it'll be streaming on Paramount Plus

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Speaker 2: after that. But you better watch it live. I'm coming

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Speaker 2: in hot, I'm coming in I know it really did.

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Speaker 2: I did a promo shoot day. I will say, oh, wait,

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Speaker 2: by the way, Brian Frandi's here, Sean O'Connor's here, and

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Speaker 2: Andrew Collin is here. We did a promo shoot day.

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Speaker 2: We did a promo shoot on early November. I want

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Speaker 2: to say, was that I don't even know. But it's

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Speaker 2: like so weird because those days you just like we

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Speaker 2: wrote like Brian me and Sean wrote like an n

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Speaker 2: JP wrote a bunch of jokes for it, and then

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Speaker 2: it like then you get there and Sean, you were

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Speaker 2: like somewhere you couldn't be on set.

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Speaker 1: Yeah, I was in Utah.

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Speaker 3: Yeah, yeah, you're a cliff hanging.

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Speaker 1: I was cliff hanging in Utah with Ali and her parents,

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Speaker 1: which is really fun. Wait, you literally Cliff no, no, no,

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Speaker 1: I scrambled, but I don't cliffhang. I think it's crazy.

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Speaker 2: To scrambled is the funniest thing to picture someone doing.

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Speaker 1: It's just like.

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Speaker 2: It doesn't look it doesn't look like you're falling. It

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Speaker 2: just being like you're just skittish and you're running from something.

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Speaker 2: Have you ever seen that lizard being chased or a

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Speaker 2: lizard chasing a No, a lizard is being chased by

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Speaker 2: komodo dragon.

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Speaker 1: Have you ever seen that? Oh no, it's like an epic.

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Speaker 2: Saga that someone captured, like a David Attenborough. But it's

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Speaker 2: like a lizard running from like I think, a Komodo dragon,

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Speaker 2: and you're like rooting for the lizard and then you're

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Speaker 2: rooting for the dragon and then it's like it's one

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Speaker 2: of the best chasing.

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Speaker 1: On a cliff, right, isn't there a moment where they

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Speaker 1: got on a cliff?

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Speaker 2: Then both possibly, but it looks it's cinematic shot cinematically

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Speaker 2: and it's just like this clip that was circulating. Well anyway,

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Speaker 2: they were scrambling everywhere. I'm glad both those guys are

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Speaker 2: dead and all of their families and we'll never know

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Speaker 2: anything about them, even though I just did listen to

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Speaker 2: a podcast or at least five minutes of it with

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Speaker 2: Sam Harris talking to a guy who's trying to bring

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Speaker 2: back the wooly mammoth because he wants biodiversity and it

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Speaker 2: could like save the world to bring back the wooly

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Speaker 2: mammoth until everyone starts shooting at all the trumps.

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Speaker 1: You have to try to get the tusks.

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Speaker 4: You got to put it in your interesting.

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Speaker 1: Learning why that would save the planet.

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Speaker 2: But I I wish I could tell you, but I

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Speaker 2: fell asleep.

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Speaker 1: Sam Harris's dulcin tones.

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Speaker 4: Were like really good at math.

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Speaker 2: Oh, yeah, they'll literally save the planet by coming up

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Speaker 2: with the equation by I love that there's the easiest

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Speaker 2: way to save the planet is.

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Speaker 3: To abolish the fossil fuel industry.

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Speaker 5: And we're like, no, let's bring back the math and

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Speaker 5: see if that were just we can't get we can't

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Speaker 5: around who means my dad?

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Speaker 2: Still I still get triggered because my dad, every single

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Speaker 2: time I would leave a light on in the house,

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Speaker 2: he was like, there is a big plant somewhere with

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Speaker 2: a smoke sack billowing out some and part of that

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Speaker 2: smoke is because you left on this light. Like a

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Speaker 2: bird is choking on smoke right now, the smoke your

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Speaker 2: light that you left on because you didn't even need

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Speaker 2: it while we're out to dinner and it's just in

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Speaker 2: your bedroom. Because those smoke sacks, Like when you're a kid,

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Speaker 2: at least when I was just was so sensitive to

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Speaker 2: like why are we ruining this beautiful planet? Like smoke sacks.

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Speaker 6: Are just are so ominous looking.

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Speaker 1: Yeah, I mean it's like instinctually you know this is

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Speaker 1: a bad thing when you're a little kid.

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Speaker 4: Yes, I do love you turning your light off though,

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Speaker 4: and the plants like math, fuck gotta shut down. Yeah,

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Speaker 4: you did it this tonight.

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Speaker 6: It is true.

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Speaker 2: Like we all like think, well it's not true because

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Speaker 2: we I mean, I don't know.

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Speaker 1: I it's no. Putting it on the individual consumer is

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Speaker 1: a failure.

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Speaker 5: Yeah, it's a move from Exxon Exon created in nineteen seventy.

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Speaker 2: Yeah, will you tell us about that?

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Speaker 1: That's like opening so basically that.

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Speaker 5: They've known about how like the industrial revolution is the

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Speaker 5: whole cause of the destruction of this planet since the

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Speaker 5: seventies at least, but in the seventies they put.

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Speaker 3: It all on the consumer.

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Speaker 5: And that's where like car footprint comes from, and like

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Speaker 5: recycling is all to put it on you so they

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Speaker 5: don't have to change a single.

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Speaker 2: Thing, right, and it gives you a false sense of

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Speaker 2: control that you're.

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Speaker 3: Doing something yeah, good for the planet.

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Speaker 5: And then that's why, like any celebrity if you look

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Speaker 5: on their instagram, like anytime they go political, it's like,

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Speaker 5: but you fly a private jet and it's like, yet, honestly,

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Speaker 5: they could stop that for the rest of their lives

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Speaker 5: and if fossil fuel ended tomorrow, it were.

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Speaker 1: Fine, Yeah, God, we didn't. Adam ruins everything on that

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Speaker 1: on that same thing, like the commercialization of your individual

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Speaker 1: responsibility for saving this planet and the Earth Day and

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Speaker 1: recycling in general, which is.

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Speaker 5: A scam, like everything from the eighties and nineties that

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Speaker 5: were like about like raw raw rah, no litter, and

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Speaker 5: then all that stuff all to just make us feel

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Speaker 5: like we can have some control over.

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Speaker 2: What would happen if they stopped doing the fossil fuel

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Speaker 2: industry stopped.

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Speaker 1: Like, how would it affect our lives?

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Speaker 5: I mean immediately it would be bad for us. I

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Speaker 5: think we have to we have to ease out of it.

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Speaker 1: But right, but what if they if they turned off

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Speaker 1: the fossil fuel industry today, we wouldn't be able to

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Speaker 1: drive or turn on lights or.

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Speaker 5: We need like we need like you know, like to

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Speaker 5: just start finding alternative fuel sources.

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Speaker 2: But that's but that's why, like Trump is constantly making

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Speaker 2: fun of windmills because it's a threat to fossil fuel industry.

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Speaker 2: So we're trying to find we're trying to find alternative sources,

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Speaker 2: but they're just bullying them and like making fun of

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Speaker 2: them and saying they're gay.

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Speaker 1: Yes, exactly, like a windmill sounds okay, is like.

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Speaker 3: We're not Dutch, we're playing. Yeah.

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Speaker 1: I saw Twisters recently, and man, the windmills really took

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Speaker 1: a beating in that movie. Oh yeah, it was like,

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Speaker 1: you know what, movies aren't good? Okay.

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Speaker 5: Solar energy, I think is kind of probably the future.

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Speaker 5: Like there's something that solar farm as you're driving to

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Speaker 5: Vegas that's like so big that could like power Vegas

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Speaker 5: for a month every day, like it generates enough.

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Speaker 1: I talked to the person who was an engineer on

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Speaker 1: that very solar farm, and I asked the question, if

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Speaker 1: you if you ever drove from La to Vegas, you're

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Speaker 1: gonna drive in through the desert, and you're gonna see

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Speaker 1: two towers that are glowing like the Eye of Sourn

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Speaker 1: in the in the distance, and you're like, what the

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Speaker 1: fuck is that? And then around it are all these

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Speaker 1: things that look like solar panels. And what I learned

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Speaker 1: is that the fuel source is not what's on the ground.

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Speaker 1: Those are not solar panels.

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Speaker 3: The solar farm. Those aren't solar panels.

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Speaker 1: They're mirrors, and the fuel source is the eye of Sourn.

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Speaker 1: The sun is going down onto the mirrors, and the

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Speaker 1: mirrors are all reflecting up to the eye, and that's

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Speaker 1: where the power is.

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Speaker 3: That's awesome.

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Speaker 6: Oh my god, it is right. Well, did that just

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Speaker 6: like drain you.

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Speaker 2: You're not gonna be scrambling anytime soon after that sense.

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Speaker 1: But let's get back to what you were talk about.

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Speaker 1: This the probos.

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Speaker 2: Oh, some of them are so funny. They're like some

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Speaker 2: of them are just like missus. But some of them

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Speaker 2: I was watching yesterday are really funny, and I'm excited

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Speaker 2: because they're like really weird, like the Jeff Bridges one

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Speaker 2: was there's there was something I was like really proud of,

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Speaker 2: and then others I said, you have to kill that.

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Speaker 1: That makes no sense.

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Speaker 2: There's one where I'm like, like they wanted to have

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Speaker 2: us to do something about how like the Golden Globes

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Speaker 2: are like a party night and like it's off the

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Speaker 2: rails and people are drinking. But like this this is

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Speaker 2: a lesson in comedy. Everyone listening, Like so that's the premise, right,

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Speaker 2: Like we want a joke that talks about how everyone's partying.

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Speaker 6: And it's like I think the line was like.

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Speaker 2: It'll be a night, uh a little bit of night

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Speaker 2: you remember forever, except any of the celebrities in the

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Speaker 2: audience because they're gonna be blackout.

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Speaker 1: Uh, because they'll be blackout.

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Speaker 2: So but that doesn't work because I have to establish

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Speaker 2: that people are drinking first, like just coming out hot

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Speaker 2: to an audience at CBS who are watching like Matt Lock,

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Speaker 2: and then all of a sudden, I'm like, and everyone's

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Speaker 2: gonna be black out. They're gonna be like what is

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Speaker 2: I mean? I guess it'll get eyes on it, but

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Speaker 2: it doesn't make any sense contextually, Like it's yeah, like

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Speaker 2: I need to set up the fact that people are drinking,

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Speaker 2: and so I'm and the problem is I'm like writing

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Speaker 2: in like this needs a set up, and they're like, yeah,

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Speaker 2: why did you write.

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Speaker 1: It that's enough? Oh my god, that's a good point.

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Speaker 4: The same time you took writing thisney to set up.

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Speaker 2: Yeah, well, I can't shoot it like it's not there's

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Speaker 2: nowhere in the edited footage that it's like exists.

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Speaker 5: So there should be at least three pickup days for

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Speaker 5: all promo shoots, and we could.

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Speaker 2: Figure promos are just a humiliating thing, like you. I

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Speaker 2: think when they first started coming in, I was like,

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Speaker 2: these are embarrassing, and then you guys all reminded me

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Speaker 2: like no one's ever looked cool in a promo ever.

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Speaker 6: Yeah, ever, they're so they're awful.

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Speaker 5: There's a reason why they stopped doing promos for like

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Speaker 5: that stretch where like they would do the lower third walk.

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Speaker 2: On and go okay and point to the like Thursday

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Speaker 2: night at night, it's.

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Speaker 5: Like this is it's just as embarrassing as having you

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Speaker 5: talk to camera. Yes, like yeah, Sheldon post.

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Speaker 2: Leaning up against the CBS logo. Oh my god, you're

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Speaker 2: so right.

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Speaker 1: But I've been enjoying watching CBS. Football games are on

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Speaker 1: CBS and then you pop up probably like two or

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Speaker 1: three times a day on when you're watching football, and

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Speaker 1: I haven't seen any of the quote unquote funny promos.

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Speaker 1: Yet it's always just like Nikki Glazer hosts the Golden

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Speaker 1: Globes on January fifth, then it's just you like going.

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Speaker 2: All right, well, I'll take that over something confusing.

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Speaker 5: I guess I just want the Nicole Kidman one to

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Speaker 5: air because I feel.

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Speaker 3: Like that one is going to go down in history.

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Speaker 4: What is that one?

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Speaker 2: I wonder if they'll even air it and if someone is,

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Speaker 2: if someone sees it, will you please record it and

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Speaker 2: send it to us, because that's the thing, Like no

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Speaker 2: one I've said this before, when you have stuff that airs,

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Speaker 2: like no one in your life records it or tells

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Speaker 2: you about it because they like they know it's airing,

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Speaker 2: And I'm like, no, I don't. I don't know when

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Speaker 2: I'm on TV, record it for me, send it to

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Speaker 2: me on Instagram.

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Speaker 3: Please tell us because if they don't air that, we

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Speaker 3: could use that in the show.

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Speaker 4: Yeah.

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Speaker 2: Okay, So if you see the Nicole Kidman comment about

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Speaker 2: her at the Golden Globes, we're not gonna give it away.

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Speaker 1: We can say that it's a seating one, right, is that?

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Speaker 3: What was? Oh?

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Speaker 2: Yeah, it's about like me talking about the seating arrangement.

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Speaker 2: I don't even think it made the cut.

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Speaker 6: Do you remember?

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Speaker 3: Did it?

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Speaker 5: Just it was it was like that we saw like

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Speaker 5: after Okay, Black Friday, like.

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Speaker 2: You know me, there was but I think I talked

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Speaker 2: about before there was one joke in there that would

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Speaker 2: have made me lose the show because we were so.

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Speaker 3: Hard it is so it's like the most aggressive.

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Speaker 6: Wait, can I just whisper to Andrew?

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Speaker 2: Okay, it was like like it was me. It was

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Speaker 2: about me, like roasting. Am I going to roast? Or

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Speaker 2: am I going to toast? Like no, I should have

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Speaker 2: roast people. I'm gonna toast And it's like here's blah

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Speaker 2: blah blah, and then I would I would roast, you know,

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Speaker 2: but it sounds like I'm being nice.

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Speaker 6: But it was like it's too harsh.

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Speaker 2: There's a word in there that's but that would be

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Speaker 2: maybe good also to like there's a lot of jokes

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Speaker 2: we wrote for that were like, oh, I like that

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Speaker 2: on that.

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Speaker 5: Joke's very funny, and I feel like that would work

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Speaker 5: in the show. But you know, like a promo that's

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Speaker 5: airing during like fb I Los Angeles.

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Speaker 2: Yeah, well not even. But I think the problem is

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Speaker 2: is that it says it people would misconstrue it. And

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Speaker 2: I know this is annoying to the listener who's like, well,

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Speaker 2: we don't know what you're talking about. It implies it

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Speaker 2: has like a man who's dated famous women and then

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Speaker 2: it's talking about how he's kind of been not great

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Speaker 2: to these women. That's like the gist of the joke

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Speaker 2: is it's talking about that, and it sounds a little

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Speaker 2: bit like I'm throwing the women under the bus. But

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Speaker 2: if you're not listening closely, I'm absolutely not.

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Speaker 1: It also empowers and empowers the man to have the

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Speaker 1: ability to defile something. Woman should have control over whether

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Speaker 1: or not she's been defiled. Right, But it's just a joke.

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Speaker 1: It's just a joke. It's a hilarious joke. Well, well

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Speaker 1: you know what you know? Yeah, no, sorry, go ahead,

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Speaker 1: you know what you should do. Go ahead, and you

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Speaker 1: know what you should do. Though, you should try it.

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Speaker 4: I don't know if they were sold panel.

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Speaker 1: You should try it on stage and see what happens, right,

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Speaker 1: because we don't know, we don't know what if it bombs.

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Speaker 6: Well, none of those three people are going to be

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Speaker 6: in the audience.

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Speaker 1: Oh yeah, I think still just try it on stage once. Yeah, yeah, yeah, yeah,

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Speaker 1: I do like that hat a lot. It's a great

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Speaker 1: the great height. I want to get a cold set

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Speaker 1: that's like that.

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Speaker 2: Maybe you can do it on Kimmel, like maybe talk

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Speaker 2: about like that might be a place for because if

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Speaker 2: I'm commenting on the fact that it's a crazy joke

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Speaker 2: and then I tell the joke, it's like I'm so

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Speaker 2: glad I've got this pulled from you know, or something

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Speaker 2: like that.

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Speaker 1: It could be interesting because the people listening to this

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Speaker 1: will have seen Kimmel last.

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Speaker 2: Night and so they know possibly, but I doubt I will.

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Speaker 2: I don't know, well it oh yeah, yeah, yeah, that's

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Speaker 2: the best one.

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Speaker 3: He'll love it. Yeah.

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Speaker 2: I'm doing Howard Stern the day after the Golden Globes

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Speaker 2: the morning after, so I.

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Speaker 6: Will not have slept the night.

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Speaker 4: We'll do it on here after.

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Speaker 6: Oh yeah that I could do that.

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Speaker 2: Also doing this podcast the day after as well. Those

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Speaker 2: are my own only two things that I'm doing.

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Speaker 4: Remember me, there was a joke about James Cameron that

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Speaker 4: the same vein and everyone loved. Everyone was like, I mean,

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Speaker 4: it was a shocker.

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Speaker 1: What's a word show? Do you remember? Wasn't it wasn't.

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Speaker 4: Always about how the woman got away from him, like

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Speaker 4: was in a relationship for like three years and.

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Speaker 3: Yeah, annoying.

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Speaker 4: Yeah yeah, yeah, I.

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Speaker 1: Recall this now now you say that.

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Speaker 4: Yeah, it's a similar vein, And that joke was great.

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Speaker 4: I don't know, it got it did get up. But

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Speaker 4: I don't know if that's such a bad thing.

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Speaker 5: I feel like with James Cameron that was on the show,

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Speaker 5: it wasn't a promo.

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Speaker 3: She was there and he was there.

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Speaker 4: I don't I don't know if he was.

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Speaker 2: I haven't been following the controversy surrounding Zero Dark thirty,

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Speaker 2: But when it comes to torture, I trust the woman

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Speaker 2: who spent three years married to James Cameron. Sure that

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Speaker 2: was good, Yeah, yeah, right, yeah, I wrote Tina Amy. Yeah.

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Speaker 5: But like James Cameron isn't like, you know, like struggling

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Speaker 5: with like mental health and addiction.

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Speaker 3: Yeah.

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Speaker 2: That's the thing, is like the punchline of our joke

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Speaker 2: is a guy who's very publicly Yeah, but he James

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Speaker 2: Cameron is probably just a psychopath, you know, like he's

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Speaker 2: probably just has some kind of personality disorder.

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Speaker 1: That we can have sympathy.

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Speaker 5: Here spent six months of the year underwater, like tried

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Speaker 5: to find new OCTOPI.

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Speaker 2: Like what people that are like. I was watching a

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Speaker 2: clip on Kimmel last night. It was Jeremy Strong was

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Speaker 2: on last night talking about, you know, how he thinks

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Speaker 2: takes things seriously, but he was, you know, kim Will

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Speaker 2: set him up to tell like a story, and then

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Speaker 2: he just started talking about, you know, someone who did

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Speaker 2: The granddaughter of Julius and Ethel Rosenberg, who were executed unfairly,

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Speaker 2: did a documentary about Roy Kohne, who he plays and

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Speaker 2: Roy Cohne was the guy who sent his grand her

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Speaker 2: grandparents to the electric chair, and she did a really

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Speaker 2: empathetic documentary about them, even though they obviously killed her grandparents,

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Speaker 2: but she was able to see him as a complex

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Speaker 2: character and hold him detest but also have empathy. And

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Speaker 2: he said, and it made me realize, you know what

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Speaker 2: I do. I take very seriously because the people there

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Speaker 2: are people on the other end of it, watching it

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Speaker 2: in theaters and watching it at home, and I take

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Speaker 2: them very seriously. And I've been accused of taking things

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Speaker 2: very seriously, but I do take them seriously. And he

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Speaker 2: just like stuck it like, I'm sorry, this is just

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Speaker 2: who I am. And I just love it. I can't

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Speaker 2: even make fun of it. I love it so much.

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Speaker 2: And so I commented, I take Jeremy Strong taking things seriously,

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Speaker 2: very seriously, because I do. And now I'm like, I'm

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Speaker 2: on board. And the still image that they used, you know,

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Speaker 2: like when you see a reel and it's like locked

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Speaker 2: on an image, it's of him kind of smirking, and

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Speaker 2: you watch the whole clip, and they it was a

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Speaker 2: millisecond that they found of his lip going up to

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Speaker 2: look like he was having a good time or like

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Speaker 2: you know, yeah, they found the only like it was

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Speaker 2: like a flash, you know how people have like flashes

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Speaker 2: of like emotions.

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Speaker 6: They found the millisecond. It was really funny.

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Speaker 5: I think people love making fun of him because they

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Speaker 5: themselves wish they could take what they do seriously. Yeah,

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Speaker 5: And like seeing somebody work really hard on something that

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Speaker 5: you find like frivolous is like you're like have some shame.

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Speaker 1: Yes, that's how I feel when someone does a puzzle. Yeah,

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Speaker 1: what are you?

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Speaker 6: Oh, puzzle confound me?

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Speaker 3: Yeah, I'm not a puzzle person. I'm not.

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Speaker 2: It seems like a real Like I'm like, was that

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Speaker 2: earning you anything? In this world? Like and puzzles don't

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Speaker 2: to me mean and I'm a three, so they don't

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Speaker 2: like prove your intelligence and any.

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Speaker 1: You glued it together and framed it and then put

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Speaker 1: it up on the wall.

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Speaker 2: Then I'm guessing COVID had it just happened again or

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Speaker 2: something like what? Why would I ever do it? Like

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Speaker 2: sometimes I'm with people that want to do puzzles and

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Speaker 2: it's it's it. I have anxiety over it because it's

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Speaker 2: so boring.

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Speaker 5: Yes, I don't like self satisfaction. I like external validation.

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Speaker 5: So like a puzzle, like if you did a puzzle

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Speaker 5: and like waiting for somebody say, great job, you did

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Speaker 5: it right, Like, that's not gonna happen. It's not gonna

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Speaker 5: feel totally like I need. I need to create something

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Speaker 5: that people are like, that's really great.

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Speaker 3: Well I'm a.

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Speaker 6: Perfect example of this.

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Speaker 2: There's a thing on the New York Times Crossword app

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Speaker 2: that's like a mini daily crossword and it's just like,

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Speaker 2: you know, it's a mini one it it could take

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Speaker 2: under a minute, and it could take under fifteen seconds

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Speaker 2: if you're super good at it. And I used to

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Speaker 2: I never was interested in doing it, because why would

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Speaker 2: you do it just so you can be like I'm fast,

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Speaker 2: but like then they created this thing called leaderboard and

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Speaker 2: you can invite your friends and then you compete every

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Speaker 2: day against your friends. I am so competitive. I like

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Speaker 2: before I even pull it up, I like take a

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Speaker 2: deep breath because you can't have one typo like yes, yeah,

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00:17:38,440 --> 00:17:42,040
Speaker 2: I'm against Anya's sister is like changed our game because

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Speaker 2: I am against my sister, Emily, Anya, Chris.

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Speaker 6: I forget who else is on it, but like, send

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Speaker 6: me a request.

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Speaker 2: If you want to compete with me on it, even

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Speaker 2: though I don't think you can because you have my number.

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Speaker 2: But but Anya's sister is so good that I'm like

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Speaker 2: almost like she cheating, like how could this be? But

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Speaker 2: she's just like so fast, and it's like it's it's

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Speaker 2: changed my life, like it's made me so I'm so

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Speaker 2: into it every day.

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Speaker 6: I wouldn't care at all unless it was competitive at all.

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Speaker 3: I got twenty seven seconds on Tuesday.

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Speaker 1: You're on Oh my god, I know Sean, And.

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Speaker 5: I like brought it up to my wife when I

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Speaker 5: got home last night and like, did you do the many?

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Speaker 3: I got it in twenty seconds?

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Speaker 2: Yeah, yeah, yeah, come on, I want to look up

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Speaker 2: my time.

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Speaker 6: I'm already competitive with you.

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Speaker 1: I have a complaint I about this. I had the

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Speaker 1: New York Times Crossword games app and I was paying

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Speaker 1: for it, and I was like, oh, I love this,

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Speaker 1: And then New York Times advertised to me that you

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Speaker 1: can buy the New York Times app, which includes the

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Speaker 1: newspaper end games right.

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Speaker 2: Oh and then sorry, it just opened the crossword and

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Speaker 2: the time start. Oh no, no, no no, I can't.

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Speaker 3: I can't just burn.

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Speaker 1: I'm never gonna catch up. That was so scary, sister.

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Speaker 6: Now, oh, Tuesday, I bombed. You had twenty seven seconds

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Speaker 6: on Tuesday.

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Speaker 3: As soon as I there was a lot of exit.

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Speaker 2: You beat you beat the girl Maya's you beat Maya

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Speaker 2: Anya sister who has four I'm beaming right now. I

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00:19:09,880 --> 00:19:13,680
Speaker 2: got one minute and thirty eight seconds. Chris got two

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Speaker 2: twenty one and he's really fast. That's amazing, Sean.

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Speaker 5: Yeah, but I struggle every other day for some reason,

442
00:19:19,160 --> 00:19:20,600
Speaker 5: Like I was like, lock is.

443
00:19:20,800 --> 00:19:21,560
Speaker 1: It's so fun.

444
00:19:21,560 --> 00:19:23,800
Speaker 2: I really recommend people get at the mini. But and

445
00:19:23,840 --> 00:19:26,360
Speaker 2: it's free. I think, wait, so you got this app.

446
00:19:26,119 --> 00:19:28,800
Speaker 1: And so now they advertised me the New York Times app,

447
00:19:28,800 --> 00:19:30,720
Speaker 1: which is a separate app. Yeah, you can buy. And

448
00:19:30,720 --> 00:19:33,480
Speaker 1: then you get like the newspaper, you get access to

449
00:19:33,520 --> 00:19:34,159
Speaker 1: the newspaper.

450
00:19:34,240 --> 00:19:35,919
Speaker 6: Sure I have that one too, yeah, right.

451
00:19:36,040 --> 00:19:38,280
Speaker 1: So but it also said you get access to the

452
00:19:38,359 --> 00:19:42,320
Speaker 1: games and the crossword puzzles. And so I was canceled

453
00:19:42,480 --> 00:19:45,159
Speaker 1: my crossword Puzzle New York Times app and I just

454
00:19:45,240 --> 00:19:47,040
Speaker 1: kept this one, like why would I have both? And

455
00:19:47,080 --> 00:19:50,000
Speaker 1: then and then I see that in the New York

456
00:19:50,040 --> 00:19:53,520
Speaker 1: Times app you can only play the crossword from that day,

457
00:19:54,240 --> 00:19:56,560
Speaker 1: so if you miss it, you can't go back to

458
00:19:56,680 --> 00:19:59,199
Speaker 1: like Mondays where you can actually finish it. And so

459
00:19:59,280 --> 00:20:00,800
Speaker 1: I was like, this is so now I'm going to

460
00:20:00,840 --> 00:20:03,480
Speaker 1: cancel my New York Times app just so you know,

461
00:20:03,760 --> 00:20:05,960
Speaker 1: if you're going to download that and pay for you're

462
00:20:06,000 --> 00:20:09,000
Speaker 1: not getting the full catalog of crossword puzzle.

463
00:20:09,119 --> 00:20:11,160
Speaker 2: No, you need the catalog. I have never done September

464
00:20:11,200 --> 00:20:13,439
Speaker 2: eleventh one or September twelfth. Like sometimes I go back

465
00:20:13,440 --> 00:20:15,160
Speaker 2: to two thousand and one and I'm like, or big

466
00:20:15,280 --> 00:20:17,280
Speaker 2: days of news things, and I'm like someone like did

467
00:20:17,280 --> 00:20:20,840
Speaker 2: the crossword the day after September eleventh? Yea, and like

468
00:20:20,880 --> 00:20:23,239
Speaker 2: are there any clues that have anything in it? It

469
00:20:23,280 --> 00:20:24,720
Speaker 2: was it's really fun to go at in time.

470
00:20:25,560 --> 00:20:25,919
Speaker 4: Wow.

471
00:20:26,040 --> 00:20:28,320
Speaker 5: I mean there was probably somebody like sitting at their

472
00:20:28,359 --> 00:20:29,920
Speaker 5: desk doing that exactly.

473
00:20:29,920 --> 00:20:33,359
Speaker 1: There was no computers either, one hundred percent. I would

474
00:20:33,359 --> 00:20:33,720
Speaker 1: think at.

475
00:20:33,720 --> 00:20:36,240
Speaker 5: Least nineteenth po like I don't my brain doesn't turn

476
00:20:36,280 --> 00:20:36,800
Speaker 5: on till ten.

477
00:20:36,920 --> 00:20:39,080
Speaker 2: Yeah, and they didn't have phone smartphones back then that

478
00:20:39,160 --> 00:20:40,680
Speaker 2: all they had was crossword puzzles.

479
00:20:40,760 --> 00:20:43,400
Speaker 3: Yeah, like pen in their mouths, like thing.

480
00:20:43,400 --> 00:20:44,960
Speaker 6: Oh no, what was that?

481
00:20:45,200 --> 00:20:45,560
Speaker 3: What's that?

482
00:20:46,560 --> 00:20:47,960
Speaker 6: What's that thing coming at?

483
00:20:48,880 --> 00:20:49,080
Speaker 1: Oh?

484
00:20:49,119 --> 00:20:50,000
Speaker 6: That's flying low?

485
00:20:50,040 --> 00:20:50,880
Speaker 4: Oh god, I.

486
00:20:50,840 --> 00:20:54,480
Speaker 1: Get a five letter word for about to die, a

487
00:20:54,560 --> 00:20:59,680
Speaker 1: thing that's about to kill us? Play yeah, plane, it's.

488
00:20:59,480 --> 00:21:01,200
Speaker 4: Got to be a I know, with the Jeremy Strong

489
00:21:01,240 --> 00:21:04,800
Speaker 4: guy to sit there like all day in the in

490
00:21:04,840 --> 00:21:07,879
Speaker 4: the trailer and for because you're only acting for an

491
00:21:07,920 --> 00:21:08,680
Speaker 4: hour to.

492
00:21:09,960 --> 00:21:12,400
Speaker 6: Roy Cone inside trailer.

493
00:21:12,119 --> 00:21:14,240
Speaker 4: Oh, and you're like sitting next to him and you're like,

494
00:21:14,280 --> 00:21:17,240
Speaker 4: so how about the you know, the Jets today or whatever?

495
00:21:17,680 --> 00:21:20,520
Speaker 1: And he's just like and I have so much fun

496
00:21:20,560 --> 00:21:23,320
Speaker 1: with it. I'd be like like, yeah, but I can

497
00:21:23,359 --> 00:21:23,720
Speaker 1: see why.

498
00:21:23,760 --> 00:21:26,200
Speaker 4: Brian Brian Cox was the one that got annoyed, right,

499
00:21:26,280 --> 00:21:29,240
Speaker 4: because he's been acting for one hundred years and he's like, Okay,

500
00:21:29,280 --> 00:21:30,119
Speaker 4: it's not that series.

501
00:21:30,320 --> 00:21:32,320
Speaker 5: People like they go to school and they're like, will

502
00:21:32,400 --> 00:21:35,280
Speaker 5: you act and it's a job, and like here, like

503
00:21:35,320 --> 00:21:38,240
Speaker 5: a method acting is such an American thing where it's

504
00:21:38,280 --> 00:21:40,960
Speaker 5: like if you have to like live the part, and

505
00:21:41,000 --> 00:21:44,360
Speaker 5: it's so foreign to them, being like you just go

506
00:21:44,440 --> 00:21:46,520
Speaker 5: and do it and then you leave and go home

507
00:21:46,600 --> 00:21:47,080
Speaker 5: and have like.

508
00:21:47,080 --> 00:21:47,920
Speaker 3: A nice cottage.

509
00:21:48,119 --> 00:21:50,840
Speaker 5: Yeah, Jeremy Strong is like, no, I'm living as a

510
00:21:50,920 --> 00:21:53,200
Speaker 5: gay lawyer in nineteen seventy three.

511
00:21:54,480 --> 00:21:57,320
Speaker 1: Yeah, that's why method actors go nuts. That's why Daniel

512
00:21:57,359 --> 00:21:59,600
Speaker 1: day Lewis retired, even though he's the greatest actor of

513
00:21:59,640 --> 00:22:02,520
Speaker 1: all time. Yeah, he was method, and he just like,

514
00:22:02,560 --> 00:22:04,400
Speaker 1: I can't do this. I can't just do this every

515
00:22:04,480 --> 00:22:06,240
Speaker 1: day of my life. It's become someone else.

516
00:22:06,280 --> 00:22:08,040
Speaker 5: It's so weird too, because like when you watch like

517
00:22:08,119 --> 00:22:10,560
Speaker 5: Robert de Niro on a talk show, he's like just

518
00:22:10,600 --> 00:22:13,879
Speaker 5: a husk of a person because like he you know,

519
00:22:14,000 --> 00:22:16,080
Speaker 5: like he puts everything into the character. But then he

520
00:22:16,119 --> 00:22:18,720
Speaker 5: has like nothing to talk about because he has not

521
00:22:18,960 --> 00:22:19,600
Speaker 5: lived a life.

522
00:22:19,680 --> 00:22:21,720
Speaker 1: He has strong opinions about Kamala.

523
00:22:21,920 --> 00:22:23,080
Speaker 3: He loves Trump.

524
00:22:23,440 --> 00:22:26,399
Speaker 5: He hates Trump so much so much turns everything to do

525
00:22:26,480 --> 00:22:27,320
Speaker 5: with Trump.

526
00:22:27,160 --> 00:22:28,920
Speaker 3: Like, yeah, he really At the beginning.

527
00:22:28,600 --> 00:22:31,919
Speaker 5: Of Megapolis, there was a like a talk about what

528
00:22:31,960 --> 00:22:34,480
Speaker 5: this movie is, and Robert de Niro's one quote is

529
00:22:34,800 --> 00:22:36,400
Speaker 5: Donald Trump could never make Meg.

530
00:22:39,680 --> 00:22:42,240
Speaker 4: Something must have happened in New York City with them too,

531
00:22:42,280 --> 00:22:42,640
Speaker 4: at like.

532
00:22:42,600 --> 00:22:44,440
Speaker 1: A bar, at a fishing restaurant.

533
00:22:44,520 --> 00:22:48,080
Speaker 4: Yeah, yeah, and Big timed him or his wife or something.

534
00:22:48,080 --> 00:22:48,840
Speaker 4: I don't know today.

535
00:22:49,240 --> 00:22:51,600
Speaker 3: Donald Trump could absolutely make Megalappel.

536
00:22:55,119 --> 00:22:55,719
Speaker 1: You saw it, right?

537
00:22:56,400 --> 00:22:57,520
Speaker 2: Wait, I watched Amelia.

538
00:22:57,560 --> 00:22:59,680
Speaker 1: We would probably have to go to break right, Oh

539
00:22:59,680 --> 00:23:01,199
Speaker 1: my god, I stopped saying attention.

540
00:23:01,600 --> 00:23:03,040
Speaker 6: Yeah, let's do, we'll go to break.

541
00:23:03,080 --> 00:23:05,600
Speaker 1: I'll tell you what I watched last night, after break.

542
00:23:05,400 --> 00:23:06,480
Speaker 6: Yeah, seven minutes ago.

543
00:23:06,600 --> 00:23:08,040
Speaker 1: Okay, we'll be back after that.

544
00:23:11,280 --> 00:23:16,760
Speaker 2: Last night I watched half of Amelia Perez so so

545
00:23:16,880 --> 00:23:20,760
Speaker 2: two hours? No no, I yeah, it was so long.

546
00:23:21,240 --> 00:23:23,480
Speaker 1: It's it's a musical, so there are allowed to be

547
00:23:23,520 --> 00:23:24,080
Speaker 1: a little longer.

548
00:23:24,080 --> 00:23:28,199
Speaker 2: I guess I cannot believe this movie. And I'm guessing

549
00:23:28,440 --> 00:23:31,000
Speaker 2: ninety nine percent of our listeners have no idea what

550
00:23:31,000 --> 00:23:31,560
Speaker 2: I'm talking about.

551
00:23:31,560 --> 00:23:32,159
Speaker 1: Have you heard of it?

552
00:23:32,240 --> 00:23:36,800
Speaker 4: I tried, I started it. I can't read that much

553
00:23:36,840 --> 00:23:38,919
Speaker 4: and it's all Spanish. There's no English.

554
00:23:39,080 --> 00:23:40,520
Speaker 6: No, there's somethingland it gets it.

555
00:23:40,800 --> 00:23:45,680
Speaker 2: Oh yeah, it gets yeah, that's awlish. Campaign it gets

556
00:23:45,680 --> 00:23:47,800
Speaker 2: in English for people struggling.

557
00:23:48,000 --> 00:23:48,320
Speaker 5: Let me know.

558
00:23:49,720 --> 00:23:51,959
Speaker 1: It's interesting because when they go to China, the Chinese

559
00:23:52,040 --> 00:23:53,280
Speaker 1: doctor speaks at English.

560
00:23:54,520 --> 00:23:57,920
Speaker 2: Oh right, yeah, I just here's my thing is that I,

561
00:23:58,040 --> 00:24:00,399
Speaker 2: Chris and I were confounded because we're like, is this

562
00:24:00,520 --> 00:24:05,359
Speaker 2: the way musicals are in Mexico, Like, because none of

563
00:24:05,400 --> 00:24:08,680
Speaker 2: the songs really sound like songs. They're just talking like this,

564
00:24:09,080 --> 00:24:11,280
Speaker 2: and then they took like this it says like doesn't

565
00:24:11,320 --> 00:24:14,160
Speaker 2: ever break into like a chorus, or it just seems

566
00:24:14,160 --> 00:24:15,760
Speaker 2: to all be versus.

567
00:24:15,880 --> 00:24:18,240
Speaker 1: This movie has nothing to do with Mexico. In fact,

568
00:24:18,240 --> 00:24:20,919
Speaker 1: Mexicans hate French. Yeah, it's a French movie.

569
00:24:21,080 --> 00:24:22,480
Speaker 6: Oh that explains ever.

570
00:24:22,840 --> 00:24:26,840
Speaker 5: That is how French musicals are, Like, there's like it

571
00:24:26,920 --> 00:24:32,280
Speaker 5: explains everything, like them umbrellas of Schomberg and like a Girl,

572
00:24:32,400 --> 00:24:35,320
Speaker 5: the young girls of Rochefort like, which are amazing.

573
00:24:35,440 --> 00:24:38,680
Speaker 2: It's even giving Omily, even though Omily is not a musical.

574
00:24:38,800 --> 00:24:42,359
Speaker 5: Yeah, French, Like French movies always feel very French, Like

575
00:24:42,400 --> 00:24:43,840
Speaker 5: the substance feels French.

576
00:24:44,119 --> 00:24:46,240
Speaker 2: That's as soon as you said that, I go, oh,

577
00:24:46,280 --> 00:24:47,919
Speaker 2: that's the thing Chris and I could not put our

578
00:24:47,920 --> 00:24:52,080
Speaker 2: finger on last night, was it's it's French. Yeah, because

579
00:24:52,119 --> 00:24:53,919
Speaker 2: it's it's okay, it's so if you don't know what

580
00:24:53,960 --> 00:24:58,960
Speaker 2: it is. It's about a drug cartel mob boss, got

581
00:24:59,200 --> 00:25:04,120
Speaker 2: guy in Mexico who hires a lawyer. Why I don't know,

582
00:25:04,760 --> 00:25:07,600
Speaker 2: because he wants to hire a lawyer. Zoey's al Donna

583
00:25:07,840 --> 00:25:10,840
Speaker 2: to find he wants to become a woman and he's

584
00:25:10,960 --> 00:25:15,080
Speaker 2: transgendered and he's desired. He's like this really gruff, terrifying

585
00:25:15,880 --> 00:25:18,840
Speaker 2: cartel leader and he kidnaps her and he's like, ye,

586
00:25:18,920 --> 00:25:22,280
Speaker 2: I want you to find me a doctor to perform

587
00:25:22,400 --> 00:25:25,359
Speaker 2: a sex change or you know, everything operation so I

588
00:25:25,359 --> 00:25:29,240
Speaker 2: can be a woman and then and then ever ever

589
00:25:29,400 --> 00:25:32,200
Speaker 2: you know, and then it happens, and then we see

590
00:25:32,240 --> 00:25:34,600
Speaker 2: their lives like play out after that. And it's a

591
00:25:34,720 --> 00:25:37,040
Speaker 2: musical also, and they break into song all every single

592
00:25:37,040 --> 00:25:39,280
Speaker 2: time they break into song, I forget it's a musical. Yeah,

593
00:25:39,400 --> 00:25:41,800
Speaker 2: there's never It's always jarring to me because they'll be

594
00:25:41,800 --> 00:25:42,560
Speaker 2: talking like this, and.

595
00:25:42,480 --> 00:25:45,720
Speaker 6: Then they'll go but then this this, and then they'll start.

596
00:25:45,560 --> 00:25:47,000
Speaker 2: And I go, what is why are they talking like that?

597
00:25:47,040 --> 00:25:48,359
Speaker 2: And I'm like, it's a musical.

598
00:25:48,680 --> 00:25:51,719
Speaker 1: Like when they're in when Zoe Saldana is interviewing one

599
00:25:51,720 --> 00:25:56,000
Speaker 1: of the doctors that is so mad he starts singing singer. Yeah,

600
00:25:56,000 --> 00:25:58,520
Speaker 1: I just I always wanted Zoe to be like, why

601
00:25:58,560 --> 00:25:59,400
Speaker 1: are you talking like that?

602
00:25:59,520 --> 00:26:02,160
Speaker 2: Yes? Yes, because what is this thing about?

603
00:26:02,200 --> 00:26:04,639
Speaker 6: Like let's just put your lady like.

604
00:26:05,560 --> 00:26:07,359
Speaker 2: Actually, I really ended up liking the doctor because it

605
00:26:07,359 --> 00:26:08,640
Speaker 2: seemed like a choice that he's not.

606
00:26:08,600 --> 00:26:09,600
Speaker 6: A good singer.

607
00:26:10,119 --> 00:26:12,800
Speaker 2: But why does every woman in a musical have to

608
00:26:12,840 --> 00:26:16,159
Speaker 2: be a good singer but every man can just be

609
00:26:16,359 --> 00:26:17,480
Speaker 2: shit wicked?

610
00:26:17,560 --> 00:26:17,840
Speaker 3: Did that?

611
00:26:17,960 --> 00:26:18,160
Speaker 5: Dude?

612
00:26:18,200 --> 00:26:18,840
Speaker 1: That's what I'm saying.

613
00:26:18,880 --> 00:26:20,800
Speaker 2: I'm like, I'm kind of tired of this, Like the

614
00:26:20,840 --> 00:26:24,520
Speaker 2: women have to be these operatic superstars and then the

615
00:26:24,560 --> 00:26:26,400
Speaker 2: men can literally be bad singer.

616
00:26:26,480 --> 00:26:28,119
Speaker 1: You're just thankful that the men agreed to be in

617
00:26:28,160 --> 00:26:28,680
Speaker 1: a musical.

618
00:26:28,920 --> 00:26:30,880
Speaker 5: But no, I mean like even like La La Land,

619
00:26:30,920 --> 00:26:34,119
Speaker 5: like Ryan Gosling is bad and Emma Stone is like

620
00:26:34,320 --> 00:26:35,840
Speaker 5: she's got like the voice of an angel.

621
00:26:36,080 --> 00:26:36,959
Speaker 6: Yeah, I don't get it.

622
00:26:37,000 --> 00:26:40,160
Speaker 2: And also, when are we going to see Marie Collis

623
00:26:40,680 --> 00:26:43,760
Speaker 2: Angela Jolie singing opera? I'm dying to see this. Why

624
00:26:43,800 --> 00:26:47,120
Speaker 2: and why is everyone a good singer? How is everyone?

625
00:26:47,560 --> 00:26:50,320
Speaker 2: I'm serious, singing is really hard, Like we need to

626
00:26:50,320 --> 00:26:52,760
Speaker 2: give credit to actors who are suddenly good singers and

627
00:26:52,800 --> 00:26:57,040
Speaker 2: we didn't know about it because that shit's fucking hard

628
00:26:55,119 --> 00:26:59,520
Speaker 2: and acting.

629
00:26:57,520 --> 00:26:59,359
Speaker 1: Growing up also took singing.

630
00:26:59,600 --> 00:27:00,879
Speaker 6: Yes, makes sense to me.

631
00:27:01,040 --> 00:27:03,200
Speaker 1: Do you ever know you might become either an actor

632
00:27:03,200 --> 00:27:05,320
Speaker 1: a serious actor, you might become a musical person.

633
00:27:05,200 --> 00:27:07,600
Speaker 6: Ye kind of Okay, that makes sense.

634
00:27:07,680 --> 00:27:09,280
Speaker 1: That's so I can't explain why I was a lawyer

635
00:27:09,280 --> 00:27:11,639
Speaker 1: that he chose because he needed an executor for the

636
00:27:11,760 --> 00:27:14,280
Speaker 1: estate because he was going to provide a trust to

637
00:27:14,320 --> 00:27:16,320
Speaker 1: his children after he disappeared.

638
00:27:16,480 --> 00:27:18,879
Speaker 6: Okay, well, then riddle me this.

639
00:27:19,119 --> 00:27:22,639
Speaker 2: Why why Sorry to everyone listening that hasn't seen this,

640
00:27:22,720 --> 00:27:25,480
Speaker 2: but you will also be confused by this. Why did

641
00:27:25,480 --> 00:27:27,920
Speaker 2: Selena Gomez straight up move in with this ant when

642
00:27:27,960 --> 00:27:29,640
Speaker 2: she has no idea? Like how did that happen? Where

643
00:27:29,640 --> 00:27:31,080
Speaker 2: he's always held on is just like you're moving in

644
00:27:31,200 --> 00:27:33,840
Speaker 2: with the ant and like Chelena Gomas just has.

645
00:27:33,800 --> 00:27:35,560
Speaker 1: To I didn't get that far, so I don't know.

646
00:27:35,760 --> 00:27:36,640
Speaker 6: Oh damn.

647
00:27:40,280 --> 00:27:40,560
Speaker 5: Finish.

648
00:27:40,680 --> 00:27:42,280
Speaker 2: Didn't you try watching it in your car when you

649
00:27:42,320 --> 00:27:43,560
Speaker 2: were driving and almost die?

650
00:27:44,880 --> 00:27:46,679
Speaker 1: I was like, I started watching it in my car

651
00:27:46,800 --> 00:27:48,480
Speaker 1: to save time because I had a thirty minute drive

652
00:27:48,600 --> 00:27:50,399
Speaker 1: and not that I'm gonna be like paying attention to it,

653
00:27:50,440 --> 00:27:52,880
Speaker 1: but yeah, I didn't realize there was a subtitles movie.

654
00:27:52,960 --> 00:27:54,200
Speaker 1: I was like, I can't even watch this all.

655
00:27:54,400 --> 00:27:57,440
Speaker 4: Watching that movie while driving impossible.

656
00:27:57,840 --> 00:28:01,000
Speaker 6: Yeah, but even in a hands free car, it's possible.

657
00:28:01,359 --> 00:28:03,320
Speaker 5: If you got into a car accident, the cop was

658
00:28:03,400 --> 00:28:06,199
Speaker 5: pick up your phone and like he killed himself.

659
00:28:09,160 --> 00:28:13,439
Speaker 2: I just can't believe this got made and like anyone

660
00:28:13,560 --> 00:28:14,399
Speaker 2: signed on for it.

661
00:28:14,560 --> 00:28:15,760
Speaker 1: It's just like it is.

662
00:28:16,040 --> 00:28:19,520
Speaker 2: I'm compelled by it. I like it, but I'm I'm

663
00:28:19,600 --> 00:28:21,160
Speaker 2: just confused how things get made?

664
00:28:21,400 --> 00:28:22,960
Speaker 1: Well, you know, I mean never mind.

665
00:28:23,280 --> 00:28:27,440
Speaker 5: Definitely, it does feel like you're gonna say, now everything's

666
00:28:27,480 --> 00:28:31,760
Speaker 5: coming from like, uh, international funding, so you got that,

667
00:28:32,160 --> 00:28:35,360
Speaker 5: and like fr France is like, whatever is the most artistic,

668
00:28:35,480 --> 00:28:35,960
Speaker 5: let's do it.

669
00:28:36,800 --> 00:28:39,000
Speaker 2: And then like it does feel like the opening ceremony

670
00:28:39,120 --> 00:28:43,200
Speaker 2: of movies. Yeah, like the Paris opening ceremony. Everyone's just like,

671
00:28:43,320 --> 00:28:46,160
Speaker 2: what's happening? Why are there jugglers on a quoat in

672
00:28:46,280 --> 00:28:48,080
Speaker 2: the sun with Sele?

673
00:28:48,560 --> 00:28:49,080
Speaker 1: Yeah there was.

674
00:28:49,480 --> 00:28:51,360
Speaker 5: But also it feels like for a movie to stand

675
00:28:51,400 --> 00:28:55,400
Speaker 5: out now, it has to be fucking batshit insane, right

676
00:28:55,640 --> 00:28:58,600
Speaker 5: to like, like I mean like this people stand out

677
00:28:58,920 --> 00:29:02,560
Speaker 5: like yeah, like for like a small movie that like

678
00:29:02,840 --> 00:29:05,280
Speaker 5: based on reading the premise, you're like, I'm never going

679
00:29:05,360 --> 00:29:05,920
Speaker 5: to watch.

680
00:29:05,760 --> 00:29:09,400
Speaker 2: That, right, Like, but the conclave, they're picking a new pope.

681
00:29:09,480 --> 00:29:12,480
Speaker 2: That's very simple and that good luck getting through that movie.

682
00:29:12,520 --> 00:29:15,040
Speaker 2: And it's it's a great movie. I loved it, but

683
00:29:15,160 --> 00:29:17,360
Speaker 2: it you will fall asleep because it's so it's you're

684
00:29:17,440 --> 00:29:19,560
Speaker 2: in a Catholic church the whole time, and it's dark.

685
00:29:19,560 --> 00:29:22,320
Speaker 2: You're in you're sequestered with a bunch of popes, and

686
00:29:22,440 --> 00:29:26,400
Speaker 2: it's low tones, really dark. I kind of like, I'm

687
00:29:26,440 --> 00:29:28,480
Speaker 2: like into the Catholic Church now because of this movie.

688
00:29:28,560 --> 00:29:30,560
Speaker 2: Like I think it's good propaganda for them, because I like,

689
00:29:30,720 --> 00:29:31,960
Speaker 2: I like love.

690
00:29:31,960 --> 00:29:34,680
Speaker 3: Rape Fine is the greatest actor.

691
00:29:34,840 --> 00:29:37,480
Speaker 2: Like, he's just so amazing. And by the way, if

692
00:29:37,520 --> 00:29:39,560
Speaker 2: you're confused, maybe he ends up being evil in it.

693
00:29:39,640 --> 00:29:41,480
Speaker 2: I don't know because I haven't seen the last fifteen minutes.

694
00:29:41,520 --> 00:29:43,040
Speaker 2: But so if you're like, why do you love them?

695
00:29:43,160 --> 00:29:44,760
Speaker 1: Watch so many movies, It's like, okay, I'll time to

696
00:29:44,800 --> 00:29:45,239
Speaker 1: finish them.

697
00:29:45,360 --> 00:29:49,160
Speaker 6: I can't finish anything. I mean, yeah, but I did Challengers.

698
00:29:49,400 --> 00:29:51,680
Speaker 1: I loved Yeah. Challengers was good.

699
00:29:51,880 --> 00:29:53,240
Speaker 6: It was a fun romp.

700
00:29:53,440 --> 00:29:57,920
Speaker 1: It was it going is uh remember the movie Whiplash? Yeah,

701
00:29:58,080 --> 00:29:59,920
Speaker 1: Challenges is Whiplash for women.

702
00:30:00,680 --> 00:30:04,520
Speaker 5: You know, I saw Whiplash, but I know that I loved,

703
00:30:05,320 --> 00:30:08,760
Speaker 5: loved Whiblash. I love Challengers as well, but Whipblash JK.

704
00:30:08,840 --> 00:30:10,080
Speaker 1: Simmons one of my favorite movies.

705
00:30:10,400 --> 00:30:14,040
Speaker 3: JK. Simmons and Miles Teller and a drum Kit and

706
00:30:14,120 --> 00:30:14,720
Speaker 3: a drum Kid.

707
00:30:15,280 --> 00:30:19,160
Speaker 1: Similar ending, Oh, the ending of Whiplash in fact similar

708
00:30:19,360 --> 00:30:21,920
Speaker 1: overall overall plot.

709
00:30:22,080 --> 00:30:25,440
Speaker 5: No, it truly feels like the feeling I got from that.

710
00:30:25,520 --> 00:30:29,080
Speaker 5: I got goosebumps, but it felt like you come, like

711
00:30:29,400 --> 00:30:30,840
Speaker 5: and it just feels like you come.

712
00:30:31,320 --> 00:30:32,880
Speaker 2: I love that. You know what I love in a

713
00:30:32,960 --> 00:30:35,920
Speaker 2: movie more than anything that I was realizing when I

714
00:30:36,000 --> 00:30:39,360
Speaker 2: was reading about I guess I think it was reading

715
00:30:39,520 --> 00:30:41,560
Speaker 2: Anthony jessel Nicks like some kind of piece on him

716
00:30:41,880 --> 00:30:44,440
Speaker 2: because he likes dark stuff and I've always and I'm like, yeah,

717
00:30:44,520 --> 00:30:45,959
Speaker 2: like I think I like that kind of stuff too.

718
00:30:46,000 --> 00:30:48,960
Speaker 2: But it was I love movies that don't have happy endings.

719
00:30:49,480 --> 00:30:52,120
Speaker 2: I the first time it started happening in my childhood

720
00:30:52,120 --> 00:30:55,120
Speaker 2: that I'm seeing movies that didn't have like Titanic. Titanic

721
00:30:56,360 --> 00:30:59,120
Speaker 2: was blue my mind that they don't get to be

722
00:30:59,200 --> 00:31:02,200
Speaker 2: together spoiler alert. It was like I loved it because

723
00:31:02,240 --> 00:31:04,400
Speaker 2: it felt so real and it felt like they It

724
00:31:04,560 --> 00:31:07,040
Speaker 2: just stuck with me. I love a movie that doesn't

725
00:31:07,200 --> 00:31:09,720
Speaker 2: resolve the way you wanted to. I hate going to movies.

726
00:31:09,840 --> 00:31:12,960
Speaker 2: That's why I loved Wicked because I was like looking

727
00:31:13,040 --> 00:31:14,680
Speaker 2: at my like I wasn't really looking at my watch

728
00:31:14,680 --> 00:31:16,200
Speaker 2: a little time because I didn't I don't want to

729
00:31:16,240 --> 00:31:16,800
Speaker 2: watch who does?

730
00:31:16,840 --> 00:31:18,440
Speaker 6: But I wasn't checking the time that much.

731
00:31:18,480 --> 00:31:20,160
Speaker 1: But I liked it.

732
00:31:20,240 --> 00:31:22,160
Speaker 2: It was there's a part two coming because all the

733
00:31:22,240 --> 00:31:24,640
Speaker 2: things that seemed unresolved, I wasn't like, Okay, so they

734
00:31:24,720 --> 00:31:26,760
Speaker 2: got to make up again, and then we got to

735
00:31:26,840 --> 00:31:27,560
Speaker 2: see them fight.

736
00:31:27,680 --> 00:31:30,200
Speaker 6: Like anytime a rom com, you're like, okay, they're happy.

737
00:31:30,280 --> 00:31:31,880
Speaker 2: Wait, so I got to see them fight and then

738
00:31:31,880 --> 00:31:34,480
Speaker 2: I'm gonna see them make up, Like let's just get like,

739
00:31:34,960 --> 00:31:37,800
Speaker 2: let's just skip. I don't nothing interesting ever happens. It's

740
00:31:37,800 --> 00:31:40,240
Speaker 2: always the same formula. I hate when you like know

741
00:31:40,360 --> 00:31:41,800
Speaker 2: what you have to get through to get to the end.

742
00:31:41,960 --> 00:31:42,720
Speaker 3: Yes, I want.

743
00:31:42,800 --> 00:31:45,640
Speaker 5: I kind of want either no resolution or just like

744
00:31:45,880 --> 00:31:48,160
Speaker 5: a misdounter ending lost in translation.

745
00:31:48,360 --> 00:31:49,520
Speaker 3: Yeah, Like I love.

746
00:31:50,280 --> 00:31:52,920
Speaker 5: My favorite feeling after a movie is having to go

747
00:31:53,040 --> 00:31:55,800
Speaker 5: outside to like smoke a cigarette and like process what.

748
00:31:55,880 --> 00:31:57,160
Speaker 1: I just say yes like that.

749
00:31:58,120 --> 00:31:59,000
Speaker 4: I want to feel.

750
00:31:59,080 --> 00:32:00,800
Speaker 3: I want movies to make me feel bad.

751
00:32:00,920 --> 00:32:06,560
Speaker 1: That's how I felt after a Birdman. Yes, like what

752
00:32:06,720 --> 00:32:07,120
Speaker 1: the fuck?

753
00:32:07,880 --> 00:32:12,960
Speaker 4: I mean like Bronx Tale, I felt that this Field Juliet.

754
00:32:12,800 --> 00:32:13,640
Speaker 1: Oh my god.

755
00:32:14,680 --> 00:32:16,840
Speaker 2: Oh because I was too young to have known like

756
00:32:16,920 --> 00:32:19,200
Speaker 2: what really happened in that play at the time. But

757
00:32:19,320 --> 00:32:23,040
Speaker 2: when she fucking when they when she shoots herself, Oh

758
00:32:23,080 --> 00:32:24,080
Speaker 2: my god, it's so good.

759
00:32:24,240 --> 00:32:26,760
Speaker 3: I love the Leo Claire Dance.

760
00:32:26,880 --> 00:32:29,360
Speaker 2: I think it's one of the best movies. Like maybe

761
00:32:29,360 --> 00:32:31,880
Speaker 2: I was so young and naive, but it was so good.

762
00:32:32,240 --> 00:32:37,120
Speaker 2: The way she sobs when she he's dead. He is

763
00:32:37,160 --> 00:32:37,920
Speaker 2: one of the best ever.

764
00:32:38,200 --> 00:32:39,880
Speaker 3: It's like looks awesome.

765
00:32:40,080 --> 00:32:42,320
Speaker 5: It just like looks like you're in like this heat

766
00:32:42,440 --> 00:32:45,760
Speaker 5: wave like in Florida. Yes, everything's yellow.

767
00:32:45,800 --> 00:32:49,840
Speaker 3: T Jamie Kennedy's cool in It's amazing.

768
00:32:50,760 --> 00:32:54,000
Speaker 1: What the hell man The Little Mermaid when Ursula loses,

769
00:32:54,120 --> 00:32:54,840
Speaker 1: it's so sad.

770
00:32:55,360 --> 00:32:57,040
Speaker 6: Oh yeah, yeah, I'm just.

771
00:32:57,120 --> 00:32:59,520
Speaker 1: Like a movie. I gotta recommend it. You must have

772
00:32:59,600 --> 00:33:02,360
Speaker 1: seen this movie is Cicario? Have you ever seen that?

773
00:33:02,840 --> 00:33:05,320
Speaker 1: I bet you Chris loves Cecario. I guarantee you go

774
00:33:05,680 --> 00:33:08,840
Speaker 1: to Chris and say, what do you think it's Ccario, Yes,

775
00:33:09,160 --> 00:33:11,160
Speaker 1: right now. So Cicario is a great movie that kind

776
00:33:11,160 --> 00:33:12,920
Speaker 1: of I don't want to say what happens at all,

777
00:33:13,000 --> 00:33:15,040
Speaker 1: but it's the verse expectations and that's why it's a

778
00:33:15,040 --> 00:33:17,800
Speaker 1: brilliant movie. And Thatscario. Two Day of the Soul of

779
00:33:17,840 --> 00:33:20,040
Speaker 1: DoD does the exact opposite, and it is not a

780
00:33:20,080 --> 00:33:20,520
Speaker 1: good movie.

781
00:33:20,640 --> 00:33:24,120
Speaker 3: Yeah. I really did not like that one. I loved Caio, Emily.

782
00:33:23,960 --> 00:33:27,000
Speaker 1: Emily Blunts the lead, and Benicio del Toro.

783
00:33:27,240 --> 00:33:30,680
Speaker 3: Okay, but I loved and Noora really made me feel

784
00:33:30,800 --> 00:33:32,560
Speaker 3: like it was like a punch in the guy.

785
00:33:33,240 --> 00:33:33,400
Speaker 5: Yeah.

786
00:33:33,480 --> 00:33:34,200
Speaker 3: Yeah, yeah.

787
00:33:34,840 --> 00:33:36,840
Speaker 4: In theater it was great. Yeah, so good.

788
00:33:37,000 --> 00:33:38,360
Speaker 3: And it's really funny too.

789
00:33:39,400 --> 00:33:42,120
Speaker 4: The bad guys when they would get hurt and they

790
00:33:42,200 --> 00:33:45,840
Speaker 4: felt human, Oh yeah, made it so fucking comical and

791
00:33:45,920 --> 00:33:47,320
Speaker 4: you're not expecting the comedy.

792
00:33:47,640 --> 00:33:49,240
Speaker 3: Got some of the subtitle of.

793
00:33:49,280 --> 00:33:51,520
Speaker 5: It when they're speaking our meeting, where it's like, God,

794
00:33:51,600 --> 00:33:53,760
Speaker 5: America sucks, I want to move back to our media.

795
00:33:54,520 --> 00:33:56,280
Speaker 3: Yeah, I love it.

796
00:33:56,520 --> 00:33:58,720
Speaker 1: I can't wait to see that. I'm glad I live

797
00:33:58,760 --> 00:34:01,640
Speaker 1: in I've lived in La because I really related to

798
00:34:01,800 --> 00:34:05,000
Speaker 1: the Armenians. I never knew any Armenians in New York.

799
00:34:05,080 --> 00:34:08,920
Speaker 1: When I moved to LA every single doctor or dentist

800
00:34:09,160 --> 00:34:11,480
Speaker 1: that I have is Armenian. And then when I was

801
00:34:11,560 --> 00:34:14,560
Speaker 1: in Glendale, everybody that went to the gym was Armenian.

802
00:34:14,600 --> 00:34:17,239
Speaker 1: I just feel like I intimately know Armenians.

803
00:34:17,320 --> 00:34:20,560
Speaker 2: Now, yes, I love I'm That's why it's important to

804
00:34:20,719 --> 00:34:24,399
Speaker 2: be multicultural, to like, you have empathy when you're around people,

805
00:34:24,840 --> 00:34:27,440
Speaker 2: even if you think, oh, I would empathize even if

806
00:34:27,480 --> 00:34:28,080
Speaker 2: I don't know them.

807
00:34:28,360 --> 00:34:31,640
Speaker 6: When you know people, no, it makes it easier to.

808
00:34:31,800 --> 00:34:33,920
Speaker 5: For some people from my small town in New Jersey

809
00:34:34,040 --> 00:34:39,279
Speaker 5: do not empathize with anyone that isn't like white working class. Yeah,

810
00:34:39,520 --> 00:34:42,400
Speaker 5: and like I think, like yeah, like I'm like, uh,

811
00:34:43,480 --> 00:34:45,640
Speaker 5: I'm like a many United Nations.

812
00:34:45,320 --> 00:34:46,160
Speaker 3: In my phone book.

813
00:34:47,239 --> 00:34:49,800
Speaker 2: Oh I just got a call from rosean'ce podcast booker.

814
00:34:50,160 --> 00:34:51,280
Speaker 2: So that's happening.

815
00:34:51,600 --> 00:34:55,719
Speaker 1: Yeah, oh wait, she called you. I thought it was

816
00:34:56,480 --> 00:34:57,400
Speaker 1: you contacting her.

817
00:34:57,760 --> 00:35:00,160
Speaker 2: I think it was supposed to be I told or

818
00:35:00,239 --> 00:35:03,439
Speaker 2: don't don't expect me to respond until after the cour.

819
00:35:03,400 --> 00:35:05,880
Speaker 1: Right because you're really busy. Right now, you said she

820
00:35:05,920 --> 00:35:09,160
Speaker 1: wanted to get into this morning Roseanne.

821
00:35:09,360 --> 00:35:12,719
Speaker 6: Yeah, Roseanne, Yeah was Oh my god.

822
00:35:12,800 --> 00:35:14,319
Speaker 2: During my set, it was the first time I ever

823
00:35:14,360 --> 00:35:16,400
Speaker 2: met Roseanne and she comes up to me from behind

824
00:35:16,480 --> 00:35:18,799
Speaker 2: and sees like the detail on my jacket and goes,

825
00:35:19,200 --> 00:35:20,040
Speaker 2: I want this.

826
00:35:21,280 --> 00:35:22,080
Speaker 1: I want to do this.

827
00:35:22,520 --> 00:35:23,320
Speaker 6: Did you do this?

828
00:35:23,560 --> 00:35:25,680
Speaker 2: And I'm like, no, I am not crafty. She goes,

829
00:35:25,760 --> 00:35:27,480
Speaker 2: I want and she said to her friend, she goes,

830
00:35:27,600 --> 00:35:29,600
Speaker 2: I want this, and I was like, oh, you should

831
00:35:29,640 --> 00:35:31,279
Speaker 2: do it. It would look awesome when you're jacket and

832
00:35:31,600 --> 00:35:32,560
Speaker 2: Roseanne looks good.

833
00:35:32,800 --> 00:35:35,920
Speaker 3: She looks good like and I like, it was very

834
00:35:36,080 --> 00:35:38,800
Speaker 3: interesting to see Roseanne in She's.

835
00:35:38,600 --> 00:35:41,280
Speaker 6: An icon no matter what's going on with her today,

836
00:35:41,560 --> 00:35:42,719
Speaker 6: she's like.

837
00:35:43,080 --> 00:35:46,640
Speaker 1: One of just the She's really nice, happy. Yeah. She

838
00:35:46,920 --> 00:35:49,239
Speaker 1: introduced herself to me and she had no reason to nice.

839
00:35:49,320 --> 00:35:50,400
Speaker 1: You said, are you going up?

840
00:35:50,800 --> 00:35:53,520
Speaker 6: And I said no, Oh she's so cute.

841
00:35:53,960 --> 00:35:54,160
Speaker 2: Yeah.

842
00:35:54,239 --> 00:35:55,399
Speaker 3: No, Roseanne was cool.

843
00:35:55,560 --> 00:35:58,480
Speaker 5: She was. I saw her like smoking a bone outside

844
00:35:59,239 --> 00:36:02,480
Speaker 5: a cigarette yeah, and like she was smoking like she

845
00:36:02,600 --> 00:36:05,719
Speaker 5: had the vibe of somebody who like owns a casino floor.

846
00:36:06,000 --> 00:36:10,880
Speaker 4: Yeah, but it's falling apart, yeah, like this rocks.

847
00:36:11,120 --> 00:36:13,560
Speaker 2: And I heard her laughing during my set very loudly,

848
00:36:13,760 --> 00:36:15,120
Speaker 2: like distractingly loud.

849
00:36:15,320 --> 00:36:17,960
Speaker 3: I think people in Glendale heard her.

850
00:36:20,360 --> 00:36:23,480
Speaker 1: She's having a good time. I it must be interesting

851
00:36:23,560 --> 00:36:26,279
Speaker 1: being Roseanne. Like being Roseanne is like being like Shack

852
00:36:26,400 --> 00:36:28,760
Speaker 1: or something. We're just everywhere you go, every single person

853
00:36:28,880 --> 00:36:32,000
Speaker 1: is like, is that you're constantly being pointed at? Probably? Yeah,

854
00:36:32,160 --> 00:36:35,400
Speaker 1: it's like a different level than like than like Nikki.

855
00:36:35,480 --> 00:36:38,000
Speaker 1: It's like, yeah, we walk into a room and every

856
00:36:38,040 --> 00:36:40,759
Speaker 1: single person is like, oh my god, that's blah blah blah,

857
00:36:40,760 --> 00:36:42,200
Speaker 1: and there's like they're not even a person anymore.

858
00:36:42,400 --> 00:36:44,759
Speaker 2: I always think that I was watching Jennifer Lawrence through

859
00:36:44,800 --> 00:36:47,160
Speaker 2: the curtain at that women's event I did last week,

860
00:36:47,560 --> 00:36:49,680
Speaker 2: like because I was backstage waiting for everyone to sit down,

861
00:36:49,719 --> 00:36:52,000
Speaker 2: which they would not fucking sit down, like all.

862
00:36:51,920 --> 00:36:52,880
Speaker 6: These women at this luncheon.

863
00:36:52,920 --> 00:36:54,480
Speaker 2: I had to like go out and open the show,

864
00:36:54,640 --> 00:36:57,040
Speaker 2: and they keep saying telling them, please take your seats.

865
00:36:57,040 --> 00:36:58,959
Speaker 2: It will be beginning soon. It's an half hour after's

866
00:36:58,960 --> 00:37:01,440
Speaker 2: supposed to start. No one's hearing the voice, and then

867
00:37:01,440 --> 00:37:04,560
Speaker 2: the boy starts getting like please please take your seats,

868
00:37:04,560 --> 00:37:06,080
Speaker 2: and then they just start playing the music and going

869
00:37:06,160 --> 00:37:09,239
Speaker 2: Nicky Glazer everyone and I walk out and I'm like, no, no,

870
00:37:09,400 --> 00:37:11,080
Speaker 2: I'm not looking out. It's first of all, they didn't

871
00:37:11,080 --> 00:37:14,440
Speaker 2: dim the lights and everyone's still standing. Yeah, like literally

872
00:37:14,560 --> 00:37:18,240
Speaker 2: and right, Nicole Kidman, Jennifer Lawrence, and uh Ani Kendrick

873
00:37:18,280 --> 00:37:20,160
Speaker 2: are all taking pictures right in front of the podium,

874
00:37:20,280 --> 00:37:22,640
Speaker 2: standing up and having a conversation when I'm supposed to

875
00:37:22,760 --> 00:37:23,360
Speaker 2: stay my opening.

876
00:37:23,600 --> 00:37:27,920
Speaker 6: Yeah, yes, because it said welcome Nicki Glazer.

877
00:37:27,719 --> 00:37:31,360
Speaker 1: I was like, oh God, you should watch. John mulaney

878
00:37:31,440 --> 00:37:33,400
Speaker 1: had to do the same thing. I forgot what the awards.

879
00:37:33,800 --> 00:37:35,400
Speaker 1: Was it the DGA or something, Yeah it was, I

880
00:37:35,520 --> 00:37:37,359
Speaker 1: remember it was last week. Came out and he had

881
00:37:37,400 --> 00:37:39,399
Speaker 1: to tell people to sit down for like a good

882
00:37:39,719 --> 00:37:41,600
Speaker 1: three minutes and that's all on tape.

883
00:37:41,760 --> 00:37:42,320
Speaker 6: Hilarious.

884
00:37:42,600 --> 00:37:43,879
Speaker 1: He did do it in a funny way.

885
00:37:44,040 --> 00:37:44,480
Speaker 3: I forgot it.

886
00:37:44,719 --> 00:37:47,440
Speaker 6: I just can't be funny when I'm angry.

887
00:37:47,600 --> 00:37:49,719
Speaker 1: We haven't talked about this on the podcast. You have

888
00:37:50,280 --> 00:37:51,480
Speaker 1: maybe not? Yeah, what did you do?

889
00:37:51,760 --> 00:37:55,719
Speaker 2: It was called the Hollywood Reporters Power one hundred Women's

890
00:37:56,120 --> 00:38:01,440
Speaker 2: Breakfast Luncheon, Breakfast Sure Breakfast Gala, the Search for Curly's

891
00:38:01,480 --> 00:38:02,080
Speaker 2: Gold part.

892
00:38:03,560 --> 00:38:04,200
Speaker 1: That was my joke.

893
00:38:04,239 --> 00:38:05,560
Speaker 6: It was like the longest thing and it was at

894
00:38:05,600 --> 00:38:06,040
Speaker 6: eight am.

895
00:38:06,680 --> 00:38:08,120
Speaker 1: God, that's the biggest crime.

896
00:38:08,239 --> 00:38:09,600
Speaker 2: I'm not even kidding you. I think I would have

897
00:38:09,680 --> 00:38:11,880
Speaker 2: turned it down, I know. And that was the time like,

898
00:38:12,040 --> 00:38:14,080
Speaker 2: you just would you agree to a gala? And he

899
00:38:14,160 --> 00:38:17,560
Speaker 2: says breakfast. You assume maybe eleven or something like it

900
00:38:17,760 --> 00:38:21,319
Speaker 2: was being there at eight and then openings. Then they asked,

901
00:38:21,440 --> 00:38:24,040
Speaker 2: so they tell you you're a Women's Hunt, You're a

902
00:38:24,080 --> 00:38:26,600
Speaker 2: part of the one of the hundred. Yes, that's the

903
00:38:26,640 --> 00:38:28,480
Speaker 2: first thing I got, and I go, oh, very cool. Great,

904
00:38:28,520 --> 00:38:29,880
Speaker 2: that'll be a cool event to go do there, Like

905
00:38:29,920 --> 00:38:32,160
Speaker 2: it's a big press event every lots of famous people.

906
00:38:32,440 --> 00:38:33,480
Speaker 6: Great, I'm so honored.

907
00:38:33,960 --> 00:38:37,560
Speaker 2: Then a week before because they definitely asked, Chris Conby,

908
00:38:37,640 --> 00:38:41,080
Speaker 2: who produces things, uh you know, confirmed that they definitely

909
00:38:41,120 --> 00:38:42,879
Speaker 2: went out to other people when they got turned down.

910
00:38:42,960 --> 00:38:45,279
Speaker 2: So then they finally went to you and asked if

911
00:38:45,280 --> 00:38:47,560
Speaker 2: you would do the opening remarks. Chelsea Handler had done it,

912
00:38:47,600 --> 00:38:51,279
Speaker 2: Will Ferrell had done it for some reason. Who else

913
00:38:51,320 --> 00:38:54,600
Speaker 2: had done it? Yeah, it was Molly Shannon did it.

914
00:38:55,160 --> 00:38:55,440
Speaker 1: Instead.

915
00:38:55,480 --> 00:38:57,960
Speaker 2: They sent me all yeah, so they sent me all

916
00:38:58,000 --> 00:38:59,600
Speaker 2: their monologues. They go, you need to do ten minute

917
00:38:59,680 --> 00:39:02,719
Speaker 2: or two minutes. And I looked and everyone's done like

918
00:39:02,840 --> 00:39:05,000
Speaker 2: eight to eleven minutes. Yeah, And I'm like, oh god.

919
00:39:05,080 --> 00:39:06,160
Speaker 1: And then so then I.

920
00:39:06,200 --> 00:39:09,719
Speaker 2: Wait till you know, Bob, Bob and Sean helped me

921
00:39:10,040 --> 00:39:13,080
Speaker 2: write it, and it's you know, we're bogged down with

922
00:39:13,160 --> 00:39:15,680
Speaker 2: golden globe stuff and like everything else, and so it

923
00:39:15,800 --> 00:39:18,640
Speaker 2: was just waited until the last night to really start

924
00:39:18,680 --> 00:39:21,399
Speaker 2: working on it. And it was like eight o'clock at night,

925
00:39:21,520 --> 00:39:23,440
Speaker 2: and then I also had to do four s.

926
00:39:24,000 --> 00:39:26,719
Speaker 1: That's doing golden globe stuff. You helped as well. Yeah,

927
00:39:26,760 --> 00:39:28,040
Speaker 1: you didn't help with that, but no, you.

928
00:39:28,080 --> 00:39:28,719
Speaker 6: Were weighing in on it.

929
00:39:28,920 --> 00:39:31,640
Speaker 1: I was around, we were doing golden globe stuff, and then.

930
00:39:31,640 --> 00:39:34,400
Speaker 6: I was also like, guys, I gotta work on this speech.

931
00:39:34,440 --> 00:39:36,400
Speaker 2: I have to give in four hours and then you

932
00:39:36,640 --> 00:39:38,960
Speaker 2: because I have to read the prompter at seven.

933
00:39:39,440 --> 00:39:42,320
Speaker 6: I had to be there at the Beverly Hills Hotel.

934
00:39:42,480 --> 00:39:44,960
Speaker 2: Is that where I was at seven to run prompter,

935
00:39:45,480 --> 00:39:46,920
Speaker 2: which means I have to be in here and make

936
00:39:46,960 --> 00:39:49,759
Speaker 2: up at four thirty. And I went to bed I

937
00:39:49,800 --> 00:39:53,520
Speaker 2: think at three after staying up after the sets all

938
00:39:53,600 --> 00:39:56,080
Speaker 2: night to like work on the monologue. And then I'm

939
00:39:56,120 --> 00:39:58,120
Speaker 2: in hair makeup with my laptop working on it. And

940
00:39:58,800 --> 00:40:00,800
Speaker 2: it ended up being good, but it was just like

941
00:40:01,920 --> 00:40:04,480
Speaker 2: you get there. At my table was Pam Anderson, Julia Fox,

942
00:40:04,640 --> 00:40:09,120
Speaker 2: Anna Kendrick, Kathy Bates, Kathy Bates was I didn't and

943
00:40:09,239 --> 00:40:12,320
Speaker 2: Emily was my plus one. Gen ZM cool and she

944
00:40:12,400 --> 00:40:15,279
Speaker 2: told me afterwards that and gen ZM got killed by

945
00:40:15,320 --> 00:40:19,120
Speaker 2: one of the waiters at seven. Why he was just

946
00:40:19,200 --> 00:40:21,080
Speaker 2: like he was like a very friendly guy and he

947
00:40:21,239 --> 00:40:22,160
Speaker 2: wasn't bad looking.

948
00:40:22,680 --> 00:40:24,200
Speaker 6: She was like, that waiter just ask for my number.

949
00:40:24,239 --> 00:40:26,400
Speaker 1: I was like no, she was like not no.

950
00:40:27,040 --> 00:40:29,440
Speaker 2: But then I realized he was just his energy was weird.

951
00:40:33,560 --> 00:40:33,759
Speaker 3: Yeah.

952
00:40:34,960 --> 00:40:36,080
Speaker 6: I gave the opening remarks.

953
00:40:36,120 --> 00:40:37,680
Speaker 2: It went well, but it felt to me like a

954
00:40:37,760 --> 00:40:41,000
Speaker 2: C minus because it just felt like I stumbled over

955
00:40:41,080 --> 00:40:43,560
Speaker 2: some of the lines. I just even though I rehearsed

956
00:40:43,640 --> 00:40:45,719
Speaker 2: a million times, and like, you know, instead of getting

957
00:40:45,719 --> 00:40:47,560
Speaker 2: a picture with Jennifer Lawrence, I'm back reading the prompter

958
00:40:47,760 --> 00:40:49,640
Speaker 2: like I could have mingled, Like I didn't get I

959
00:40:49,680 --> 00:40:52,000
Speaker 2: didn't get any like pictures with famous people, and like

960
00:40:52,239 --> 00:40:54,000
Speaker 2: because I did opening remarks, I didn't get to have

961
00:40:54,160 --> 00:40:56,400
Speaker 2: any of like the the glitz and glamour of it.

962
00:40:56,440 --> 00:40:57,759
Speaker 2: I mean, I did the red carpet, but I was

963
00:40:57,800 --> 00:41:00,080
Speaker 2: like I missed out on some stuff. But anyway, and

964
00:41:00,120 --> 00:41:02,399
Speaker 2: then after I give the speech, I was like, it's

965
00:41:02,440 --> 00:41:04,440
Speaker 2: this weird thing when you have to like open something

966
00:41:04,840 --> 00:41:06,879
Speaker 2: and then you have to hang out. Like I love.

967
00:41:07,040 --> 00:41:08,279
Speaker 2: If I'm doing meet and greets, I like to do

968
00:41:08,360 --> 00:41:09,960
Speaker 2: them before the show in case I bomb. I don't

969
00:41:09,960 --> 00:41:11,400
Speaker 2: have to like see anyone. I don't want to like

970
00:41:11,520 --> 00:41:13,960
Speaker 2: sit down after I do something and have people have

971
00:41:14,080 --> 00:41:15,759
Speaker 2: to like tell me good job when I didn't do

972
00:41:15,800 --> 00:41:17,719
Speaker 2: a good job. And so I felt like I bombed.

973
00:41:17,719 --> 00:41:19,200
Speaker 2: But Anna Kendrick was next to me and was like,

974
00:41:19,280 --> 00:41:21,359
Speaker 2: how does it feel to have just killed in this room?

975
00:41:21,360 --> 00:41:23,399
Speaker 2: And I was like, really, like, she's just being nice.

976
00:41:23,400 --> 00:41:25,920
Speaker 2: And then and I'm sitting there just like wanting to

977
00:41:26,200 --> 00:41:28,360
Speaker 2: shove all the avocado toast at the table down my

978
00:41:28,400 --> 00:41:30,600
Speaker 2: throat because I'm just like nervous and like anxious, and

979
00:41:30,640 --> 00:41:31,560
Speaker 2: I'm like I want to binge.

980
00:41:31,960 --> 00:41:33,600
Speaker 6: And no one's eating their avocado toast.

981
00:41:33,680 --> 00:41:34,120
Speaker 1: It's crazy.

982
00:41:34,960 --> 00:41:36,320
Speaker 6: No one's touching at any of it.

983
00:41:36,719 --> 00:41:39,080
Speaker 2: It's the biggest ways of avocado toast in the history

984
00:41:39,360 --> 00:41:41,560
Speaker 2: of of avocados.

985
00:41:41,640 --> 00:41:44,200
Speaker 1: It was crazy. Even avocado toast, you think that would

986
00:41:44,200 --> 00:41:44,520
Speaker 1: be something.

987
00:41:44,560 --> 00:41:46,279
Speaker 6: It's just an awkward thing to eat because you have

988
00:41:46,280 --> 00:41:47,000
Speaker 6: to pick up the whole thing.

989
00:41:47,400 --> 00:41:50,319
Speaker 2: I love a phone to cut it with a knife,

990
00:41:50,320 --> 00:41:53,200
Speaker 2: and then you're like the woman cutting avocado toast with knife.

991
00:41:54,160 --> 00:41:56,360
Speaker 1: Everyone's taking pictures of you. You gotta be careful.

992
00:41:56,080 --> 00:41:59,960
Speaker 2: Avoca, and people are crying about women leadership and wrapper

993
00:42:00,719 --> 00:42:04,800
Speaker 2: and ethnicity and in film, and you're like like it,

994
00:42:05,120 --> 00:42:08,040
Speaker 2: like it's not the everyone's quiet and then there's applause,

995
00:42:08,040 --> 00:42:10,160
Speaker 2: but when it's applause, you have to stand up and applaud.

996
00:42:10,200 --> 00:42:11,920
Speaker 2: You can't be eating the toast, so anytime there's a

997
00:42:11,960 --> 00:42:14,799
Speaker 2: loud moment, you can't even eat. So anyway, but I'm

998
00:42:14,880 --> 00:42:16,800
Speaker 2: like kind of like ough, I kind of just bombed,

999
00:42:16,960 --> 00:42:19,080
Speaker 2: like not bombed, but I just like it wasn't what

1000
00:42:19,160 --> 00:42:21,399
Speaker 2: I wanted it to be. And and I'm not really

1001
00:42:21,440 --> 00:42:23,560
Speaker 2: paying attention. I'm kind of just like trying to text

1002
00:42:23,600 --> 00:42:26,040
Speaker 2: on my phone to Chris, like that was really awkward.

1003
00:42:26,160 --> 00:42:27,600
Speaker 2: I just want to get out of here, like I

1004
00:42:27,680 --> 00:42:30,080
Speaker 2: feel so embarrassed. And the woman that's like runs the

1005
00:42:30,120 --> 00:42:32,080
Speaker 2: event or is like she kind of looks at me

1006
00:42:32,120 --> 00:42:33,880
Speaker 2: and smiles, and I'm like, oh, does she like me?

1007
00:42:34,000 --> 00:42:35,520
Speaker 2: Like I was trying not to make eye contact with her.

1008
00:42:35,600 --> 00:42:37,000
Speaker 2: She was like an older woman that I'm like, she

1009
00:42:37,120 --> 00:42:39,880
Speaker 2: probably like is disgusted that I said anal bleaching like

1010
00:42:39,960 --> 00:42:43,200
Speaker 2: at her lunch, her cruncheon, and she kind of like

1011
00:42:43,320 --> 00:42:45,480
Speaker 2: smiled at me, and I'm like, oh, maybe she doesn't

1012
00:42:45,520 --> 00:42:47,400
Speaker 2: hate me, like or maybe that was a sympathy. But

1013
00:42:47,480 --> 00:42:49,480
Speaker 2: then first of all, Julia Fox at her table, I

1014
00:42:49,520 --> 00:42:51,920
Speaker 2: did see this. She is filming everyone that gets up

1015
00:42:51,960 --> 00:42:54,479
Speaker 2: to speak like a proud mom, like holding the phone

1016
00:42:54,600 --> 00:42:57,080
Speaker 2: like I'm like suming in and like so excited and

1017
00:42:57,239 --> 00:43:01,560
Speaker 2: just like perfect, you know, and just cheering everyone on.

1018
00:43:01,680 --> 00:43:02,719
Speaker 1: It was really really cute.

1019
00:43:02,760 --> 00:43:05,360
Speaker 2: She was adorable and I got to meet her beforehand

1020
00:43:05,440 --> 00:43:06,960
Speaker 2: and got to tell her how much she means to me.

1021
00:43:07,120 --> 00:43:08,200
Speaker 1: I think I love her.

1022
00:43:08,320 --> 00:43:10,719
Speaker 2: She's I think very inspiring to someone who's just like

1023
00:43:10,800 --> 00:43:12,520
Speaker 2: being She's very very Jeremy strong.

1024
00:43:12,880 --> 00:43:17,200
Speaker 5: The world needs Julia Fox's yes, like you need somebody

1025
00:43:17,719 --> 00:43:20,520
Speaker 5: please who were like it's like she kind of has

1026
00:43:20,600 --> 00:43:22,800
Speaker 5: her hand in every little pot, but like she doesn't

1027
00:43:22,840 --> 00:43:23,560
Speaker 5: have like a thing.

1028
00:43:23,719 --> 00:43:25,480
Speaker 3: She's just Julia Fox.

1029
00:43:25,600 --> 00:43:28,439
Speaker 2: Yes, And she's just like I feel like she's she's

1030
00:43:28,600 --> 00:43:30,520
Speaker 2: there's there's a lot of effort going in in terms

1031
00:43:30,560 --> 00:43:34,319
Speaker 2: of fashion and like, uh, her her appearance, and I guess,

1032
00:43:34,400 --> 00:43:36,160
Speaker 2: but it's like it also is like she's doing it

1033
00:43:36,239 --> 00:43:38,640
Speaker 2: for her, Like she even said she bleached her eyebrows

1034
00:43:38,680 --> 00:43:40,520
Speaker 2: because she realized it was the one thing men like

1035
00:43:40,640 --> 00:43:43,480
Speaker 2: are disgusted by when they see a woman without eyebrows.

1036
00:43:43,520 --> 00:43:45,480
Speaker 2: So she did it on purpose to have men be

1037
00:43:45,640 --> 00:43:48,200
Speaker 2: like repulse byra. And I kind of loved that, yeah,

1038
00:43:48,440 --> 00:43:50,840
Speaker 2: because she's just been you know, hurt too many times or.

1039
00:43:50,800 --> 00:43:51,239
Speaker 6: Whatever it was.

1040
00:43:51,320 --> 00:43:53,160
Speaker 2: But she was like, I just make and then she

1041
00:43:53,280 --> 00:43:55,840
Speaker 2: realized like being skinny is something that men desire. She

1042
00:43:55,920 --> 00:43:57,960
Speaker 2: she's like, I wanted to get fat because I just want,

1043
00:43:58,080 --> 00:44:01,200
Speaker 2: like I mean, obviously you know this probably trauma response,

1044
00:44:01,239 --> 00:44:03,239
Speaker 2: but I just kind of liked that whole She's just

1045
00:44:03,280 --> 00:44:05,640
Speaker 2: like badass. Anyway, Emily was sitting between me and Kathy

1046
00:44:05,719 --> 00:44:09,440
Speaker 2: Bates and she who Bates was no, she said that

1047
00:44:09,560 --> 00:44:15,080
Speaker 2: woman that ranting up, Yeah, she was.

1048
00:44:17,600 --> 00:44:20,719
Speaker 6: In misery at the stable to she couldn't believe it.

1049
00:44:20,880 --> 00:44:22,000
Speaker 1: What was the result of this?

1050
00:44:22,320 --> 00:44:24,359
Speaker 2: So then I got up front. So then the event

1051
00:44:24,480 --> 00:44:27,800
Speaker 2: ends after Nicole Kidman speaks to Selena Gomez speaks, Jennifer

1052
00:44:27,880 --> 00:44:32,399
Speaker 2: Lawrence speaks, and I got up and it so many

1053
00:44:32,440 --> 00:44:34,640
Speaker 2: people come up to me and was like that was incredible,

1054
00:44:34,760 --> 00:44:36,360
Speaker 2: like in a way that I couldn't deny that it

1055
00:44:36,440 --> 00:44:36,719
Speaker 2: was good.

1056
00:44:36,760 --> 00:44:38,800
Speaker 6: So it was felt I felt good that because I

1057
00:44:38,840 --> 00:44:39,080
Speaker 6: was like, I.

1058
00:44:39,080 --> 00:44:40,239
Speaker 2: Want to be Lyne out of here. I don't want

1059
00:44:40,239 --> 00:44:42,239
Speaker 2: to talk to anyone, like I'm so embarrassed. Like it

1060
00:44:42,360 --> 00:44:43,600
Speaker 2: wasn't that I didn't want to talk to anyone. I

1061
00:44:43,600 --> 00:44:44,799
Speaker 2: didn't want anyone to feel like.

1062
00:44:44,800 --> 00:44:45,920
Speaker 6: They had to be nice to me.

1063
00:44:46,280 --> 00:44:48,000
Speaker 2: So I was kind of like walking with my head

1064
00:44:48,040 --> 00:44:50,560
Speaker 2: down like Emily just follow behind quickly, and then people

1065
00:44:50,600 --> 00:44:52,400
Speaker 2: were stopping, like Molly Simms came up to me and

1066
00:44:52,480 --> 00:44:54,279
Speaker 2: was like, that was insane. I'm obsessed with you. There

1067
00:44:54,280 --> 00:44:56,200
Speaker 2: were so many like I'm obsessed with you moments like

1068
00:44:56,280 --> 00:44:57,080
Speaker 2: that was amazing.

1069
00:44:57,239 --> 00:44:58,040
Speaker 6: You had me dying.

1070
00:44:58,160 --> 00:45:00,920
Speaker 2: And apparently I made Nicole I had been laughed really hard,

1071
00:45:02,040 --> 00:45:06,799
Speaker 2: and oh, I made a joke that you know, I'm

1072
00:45:06,800 --> 00:45:10,960
Speaker 2: in the Hollywood one hundred and I said, oh, what

1073
00:45:11,120 --> 00:45:13,160
Speaker 2: ranking are mine? They're like, that's it's not a ranking.

1074
00:45:13,360 --> 00:45:15,000
Speaker 2: You guys are all equal, and I go, oh, in

1075
00:45:15,040 --> 00:45:16,560
Speaker 2: that case, can I said in Nicole Covin's table, And

1076
00:45:16,600 --> 00:45:19,120
Speaker 2: that's when the correspondence ended. It was something and she

1077
00:45:19,239 --> 00:45:20,759
Speaker 2: really loved it, even though I was right next to

1078
00:45:20,840 --> 00:45:23,279
Speaker 2: her table and I got to I think she did

1079
00:45:23,400 --> 00:45:24,640
Speaker 2: eat her avocado toast, which I.

1080
00:45:24,600 --> 00:45:26,680
Speaker 1: Thought was fucking bad ass, this is an amazing honor.

1081
00:45:26,719 --> 00:45:30,320
Speaker 1: And also it's really good because now you're gonna have

1082
00:45:30,320 --> 00:45:34,000
Speaker 1: some really solid good will at the Golden Globes in

1083
00:45:34,080 --> 00:45:35,040
Speaker 1: the right move.

1084
00:45:35,440 --> 00:45:37,719
Speaker 2: Even though I like wish I wouldn't have said yes

1085
00:45:37,760 --> 00:45:40,080
Speaker 2: to it because I was I didn't sleep for like

1086
00:45:40,239 --> 00:45:43,400
Speaker 2: three days and I felt insane, and that meant I

1087
00:45:43,480 --> 00:45:45,719
Speaker 2: cried in a photo shoot later that day because I

1088
00:45:45,920 --> 00:45:48,120
Speaker 2: just like couldn't handle it anymore. I was just like

1089
00:45:48,200 --> 00:45:50,799
Speaker 2: I can't, Like I was just weakened, you know, when

1090
00:45:50,840 --> 00:45:53,560
Speaker 2: you like haven't slept her, just insane. But but in

1091
00:45:53,640 --> 00:45:55,359
Speaker 2: the end it was good because now at the Golden

1092
00:45:55,360 --> 00:45:58,840
Speaker 2: Globes there will be smattering of people know.

1093
00:45:59,040 --> 00:46:01,560
Speaker 6: What I'm capable of, are rooting for me and or

1094
00:46:01,719 --> 00:46:02,319
Speaker 6: yeah it'll be.

1095
00:46:02,360 --> 00:46:04,440
Speaker 1: Yeah Nicole Kivin may laugh again.

1096
00:46:04,640 --> 00:46:06,560
Speaker 2: And like that.

1097
00:46:06,880 --> 00:46:09,120
Speaker 4: And you only had two minutes, so you didn't have time.

1098
00:46:09,000 --> 00:46:12,279
Speaker 6: To and I did like seven yeah, yeah, yeah, because

1099
00:46:12,360 --> 00:46:13,080
Speaker 6: you end up doing.

1100
00:46:13,040 --> 00:46:15,200
Speaker 3: More the videos online you crushed.

1101
00:46:14,920 --> 00:46:17,359
Speaker 1: Like that's so nice, but yeah, where can you find

1102
00:46:17,360 --> 00:46:17,759
Speaker 1: the video?

1103
00:46:17,960 --> 00:46:21,520
Speaker 2: You just like googled Nicky Glazer speech Hollywood Women's one hundred.

1104
00:46:21,520 --> 00:46:23,040
Speaker 1: Oh, google all that and it comes up.

1105
00:46:23,400 --> 00:46:26,759
Speaker 2: Yeah, thhr is a good Yeah, nicky speech.

1106
00:46:28,239 --> 00:46:29,120
Speaker 3: H slash.

1107
00:46:29,600 --> 00:46:31,680
Speaker 6: Yeah you can find it if you really want it,

1108
00:46:31,719 --> 00:46:32,320
Speaker 6: you can find it.

1109
00:46:32,440 --> 00:46:34,480
Speaker 5: But it's great, Like you did such a great job

1110
00:46:34,600 --> 00:46:37,520
Speaker 5: and thank you. I'm not just saying this because you said.

1111
00:46:37,400 --> 00:46:39,920
Speaker 1: Thank you for your help on it.

1112
00:46:40,120 --> 00:46:42,799
Speaker 2: Oh my god, I like, I am so grateful too,

1113
00:46:43,239 --> 00:46:45,719
Speaker 2: because I was when we were at the improv working

1114
00:46:45,760 --> 00:46:47,200
Speaker 2: on it and I was about to go on stage

1115
00:46:47,200 --> 00:46:49,160
Speaker 2: and do golden globes jokes, but like we're I was

1116
00:46:49,280 --> 00:46:50,840
Speaker 2: just what did I didn't I say to you I

1117
00:46:50,960 --> 00:46:51,520
Speaker 2: want to die?

1118
00:46:51,920 --> 00:46:52,120
Speaker 3: Yeah?

1119
00:46:52,200 --> 00:46:54,000
Speaker 1: You said right before you went on stage, you said

1120
00:46:54,520 --> 00:46:56,160
Speaker 1: either I want to die or want to kill myself.

1121
00:46:56,200 --> 00:46:57,640
Speaker 6: And I think I said I want to die. It

1122
00:46:57,760 --> 00:46:59,239
Speaker 6: was more of like I wanted something else.

1123
00:46:59,360 --> 00:47:01,080
Speaker 1: I don't think you heard what I was like, don't

1124
00:47:01,120 --> 00:47:02,680
Speaker 1: do it. Until January sixth.

1125
00:47:05,280 --> 00:47:07,360
Speaker 2: I was really so tired and I just saw the

1126
00:47:07,400 --> 00:47:10,360
Speaker 2: amount like it's like it's like it honestly was like

1127
00:47:10,719 --> 00:47:12,759
Speaker 2: do you ever have nightmares that papers are due or

1128
00:47:12,840 --> 00:47:14,880
Speaker 2: tests are due or something like? It felt like a

1129
00:47:15,000 --> 00:47:17,040
Speaker 2: nightmare of like I have to get this thing done

1130
00:47:17,080 --> 00:47:18,400
Speaker 2: by the morning. I don't see how.

1131
00:47:18,480 --> 00:47:20,600
Speaker 6: I'm just not When I don't see sleep ahead of me.

1132
00:47:20,640 --> 00:47:23,759
Speaker 2: I start getting really angry and sad, but we got

1133
00:47:23,760 --> 00:47:26,399
Speaker 2: it done and it's over, and and I can't wait

1134
00:47:26,440 --> 00:47:28,279
Speaker 2: for Kimmel to be over because I'm feeling that same

1135
00:47:28,440 --> 00:47:30,600
Speaker 2: thing of like, I have a lot of work ahead

1136
00:47:30,600 --> 00:47:32,080
Speaker 2: of me today to figure out what I'm gonna do,

1137
00:47:32,520 --> 00:47:35,759
Speaker 2: but it'll all be okay. And then tomorrow I get

1138
00:47:35,800 --> 00:47:39,640
Speaker 2: to go to New Hampshire. Amazing And honestly, I told

1139
00:47:39,760 --> 00:47:42,719
Speaker 2: Chris today, I was like, this weekend is like days off.

1140
00:47:42,840 --> 00:47:45,520
Speaker 2: Even though I'm traveling and dorm shows, it feels like

1141
00:47:45,640 --> 00:47:46,360
Speaker 2: completely like.

1142
00:47:46,840 --> 00:47:49,319
Speaker 6: I have shows on the I get to get out

1143
00:47:49,320 --> 00:47:49,480
Speaker 6: of the.

1144
00:47:51,360 --> 00:47:53,400
Speaker 2: And every photo shoot and every glam sash.

1145
00:47:53,440 --> 00:47:56,359
Speaker 6: It's gonna be great. Okay, we'll take a break.

1146
00:47:56,360 --> 00:47:57,040
Speaker 2: We'll come back to this.

1147
00:48:00,120 --> 00:48:02,200
Speaker 6: Final thought. Did you guys see that I was New

1148
00:48:02,280 --> 00:48:03,399
Speaker 6: York Times Comedian.

1149
00:48:03,120 --> 00:48:06,000
Speaker 1: Of the Year. Yes, Oh that's what that was of

1150
00:48:06,120 --> 00:48:09,480
Speaker 1: the year. Yes, whoa thing?

1151
00:48:09,880 --> 00:48:12,399
Speaker 2: Because people keep saying I didn't. I don't read things

1152
00:48:12,400 --> 00:48:14,160
Speaker 2: about me, so I just see the press. Emily's like

1153
00:48:14,320 --> 00:48:16,560
Speaker 2: girl slay queen. Look what just came through?

1154
00:48:16,719 --> 00:48:19,560
Speaker 1: Wait a second at this And I posted blindly at

1155
00:48:19,600 --> 00:48:22,239
Speaker 1: the store last night, one of the comedians said, how

1156
00:48:22,280 --> 00:48:23,759
Speaker 1: does it feel to be Comedian of the year.

1157
00:48:23,920 --> 00:48:24,960
Speaker 6: Yes, that's a literal thing.

1158
00:48:25,080 --> 00:48:26,719
Speaker 1: I thought they were just saying that because you really

1159
00:48:26,800 --> 00:48:30,279
Speaker 1: did like win the year. No, but they met literally New.

1160
00:48:30,320 --> 00:48:31,759
Speaker 6: York Times Comedian of the Year.

1161
00:48:31,840 --> 00:48:33,680
Speaker 2: And I go, because I said to Emily this morning,

1162
00:48:33,680 --> 00:48:34,759
Speaker 2: I was like, I feel like we need to make

1163
00:48:34,800 --> 00:48:37,000
Speaker 2: a post about this because it's like I want to

1164
00:48:37,080 --> 00:48:39,279
Speaker 2: just it's not even to be like, look what I am.

1165
00:48:39,360 --> 00:48:41,759
Speaker 2: I like the guy who wrote it like put a

1166
00:48:41,800 --> 00:48:43,400
Speaker 2: lot of effort into it, and it's like it is

1167
00:48:43,520 --> 00:48:46,000
Speaker 2: a big honor that I need to like acknowledge the

1168
00:48:46,040 --> 00:48:48,160
Speaker 2: people that gave it to me. And I go, but

1169
00:48:48,239 --> 00:48:49,759
Speaker 2: where does it say Comedian of the Year. And she's

1170
00:48:49,840 --> 00:48:52,200
Speaker 2: like right below your name? And I'm like, why is

1171
00:48:52,280 --> 00:48:54,560
Speaker 2: this even a I didn't even was this a thing.

1172
00:48:54,760 --> 00:48:56,120
Speaker 1: I'm gonna look it up. I want to see who

1173
00:48:56,160 --> 00:48:58,840
Speaker 1: else was it must be No, in.

1174
00:48:58,920 --> 00:49:01,279
Speaker 6: The past, there's other people that are like kind of

1175
00:49:01,360 --> 00:49:02,920
Speaker 6: talked about this year is that.

1176
00:49:03,000 --> 00:49:05,600
Speaker 1: I could have possibly been a Comedian of the Year.

1177
00:49:05,640 --> 00:49:09,080
Speaker 1: But they make special yeah, special of the year.

1178
00:49:09,280 --> 00:49:09,480
Speaker 3: Yeah.

1179
00:49:09,680 --> 00:49:12,160
Speaker 1: Like yeah, So since I have the New York Times

1180
00:49:12,200 --> 00:49:14,000
Speaker 1: app that I pay for, I can see all the

1181
00:49:14,120 --> 00:49:14,920
Speaker 1: history of New York.

1182
00:49:15,080 --> 00:49:18,200
Speaker 2: Oh my god, amazing because I don't recall this being

1183
00:49:18,239 --> 00:49:20,400
Speaker 2: a thing that because I would have obviously been jealous

1184
00:49:20,440 --> 00:49:22,120
Speaker 2: of whoever had been crowned it before, and.

1185
00:49:22,480 --> 00:49:25,520
Speaker 1: I will be. They have a December fifth, twenty twenty

1186
00:49:25,600 --> 00:49:30,520
Speaker 1: three Best Comedy. It seems like maybe Jim Gaffigain was

1187
00:49:30,560 --> 00:49:33,960
Speaker 1: Comedian of the Year in twenty three, but they just

1188
00:49:34,320 --> 00:49:36,680
Speaker 1: list them as best special. They don't say Comedian of

1189
00:49:36,719 --> 00:49:37,000
Speaker 1: the Year.

1190
00:49:38,000 --> 00:49:39,279
Speaker 6: Yeah, I think this is a new thing.

1191
00:49:39,440 --> 00:49:41,440
Speaker 3: Yeah, this is kind of the year. You're the first

1192
00:49:41,520 --> 00:49:42,520
Speaker 3: comedian of the year.

1193
00:49:43,360 --> 00:49:47,520
Speaker 2: That's so nice, and it immediately I'm sad because I

1194
00:49:47,600 --> 00:49:48,440
Speaker 2: can't be next year.

1195
00:49:48,760 --> 00:49:48,960
Speaker 5: Is that?

1196
00:49:49,120 --> 00:49:49,960
Speaker 6: Does that ever heard of it?

1197
00:49:50,160 --> 00:49:50,520
Speaker 4: Anyone?

1198
00:49:50,680 --> 00:49:53,040
Speaker 2: Like that? Like I can't like I hate the day

1199
00:49:53,040 --> 00:49:55,719
Speaker 2: after my birthday. I hate the day after Christmas, Like

1200
00:49:55,880 --> 00:49:58,960
Speaker 2: I hate that. It's like I don't like getting things

1201
00:49:58,960 --> 00:50:00,319
Speaker 2: because it means I can't get them.

1202
00:50:00,560 --> 00:50:00,759
Speaker 3: Yeah.

1203
00:50:00,840 --> 00:50:02,800
Speaker 5: No, my son just dealt with this, like for the

1204
00:50:02,840 --> 00:50:05,719
Speaker 5: first time a choir class, he got star student and

1205
00:50:05,840 --> 00:50:06,880
Speaker 5: then the next week I.

1206
00:50:06,960 --> 00:50:08,880
Speaker 3: Was like, he was like, I'm not going to be

1207
00:50:08,880 --> 00:50:11,320
Speaker 3: a star student this week, and it's like it's.

1208
00:50:13,160 --> 00:50:16,440
Speaker 2: Three it works, like sorry, I can't stand it. Like,

1209
00:50:16,719 --> 00:50:18,279
Speaker 2: and the thing is, I would never have dreamed of

1210
00:50:18,320 --> 00:50:20,600
Speaker 2: being Comedian of the Year. Like in the years past,

1211
00:50:20,640 --> 00:50:22,839
Speaker 2: if I would have seen that, I would have been like, man,

1212
00:50:22,960 --> 00:50:24,960
Speaker 2: that just sucks that I'm just not talented enough to

1213
00:50:25,040 --> 00:50:27,120
Speaker 2: ever even be considered. Like it wouldn't have even been

1214
00:50:27,200 --> 00:50:28,800
Speaker 2: a thought of mine that I could have it, Like

1215
00:50:28,880 --> 00:50:30,640
Speaker 2: I'm not like, man, I want that to be me.

1216
00:50:30,760 --> 00:50:32,759
Speaker 2: It's just like, man, I wish I was born more

1217
00:50:32,800 --> 00:50:35,400
Speaker 2: talented that even could be considered that. That's what my

1218
00:50:35,520 --> 00:50:37,120
Speaker 2: thought would have been. There are some things that I

1219
00:50:37,160 --> 00:50:38,680
Speaker 2: look at and I go, why did they get that?

1220
00:50:38,840 --> 00:50:41,279
Speaker 2: I want that, I deserve that, But this title I

1221
00:50:41,280 --> 00:50:42,160
Speaker 2: would have never thought.

1222
00:50:42,480 --> 00:50:43,080
Speaker 1: But it is.

1223
00:50:43,280 --> 00:50:46,200
Speaker 2: It's very nice, but it immediately I'm like, next year,

1224
00:50:46,239 --> 00:50:47,680
Speaker 2: it's going to be someone else because it can't be

1225
00:50:47,800 --> 00:50:50,080
Speaker 2: me again, And what's the point of keeping trying?

1226
00:50:50,200 --> 00:50:52,680
Speaker 5: And isn't this the beauty of just being alive? Is

1227
00:50:52,760 --> 00:50:56,720
Speaker 5: getting like honored, bestowed this honor of being the comedian

1228
00:50:56,719 --> 00:50:59,239
Speaker 5: of the Year, and like you can't truly enjoy it

1229
00:50:59,320 --> 00:51:01,160
Speaker 5: because you're just looking ahead.

1230
00:51:01,280 --> 00:51:03,359
Speaker 2: But does it does other pep to other people feel

1231
00:51:03,400 --> 00:51:05,239
Speaker 2: this way about like when you find let's say, like

1232
00:51:05,640 --> 00:51:08,239
Speaker 2: you know, one big pursuit in life is finding your

1233
00:51:08,520 --> 00:51:11,640
Speaker 2: forever person. So like after you get married, is there

1234
00:51:11,680 --> 00:51:14,560
Speaker 2: a little bit of like I can't find my forever

1235
00:51:14,640 --> 00:51:16,480
Speaker 2: person again, like I'll never get married again.

1236
00:51:16,600 --> 00:51:17,399
Speaker 6: I mean like you could.

1237
00:51:17,600 --> 00:51:19,560
Speaker 1: I mean I didn't feel that. I just felt relief.

1238
00:51:20,000 --> 00:51:22,520
Speaker 3: Yeah. Really that's.

1239
00:51:24,280 --> 00:51:24,800
Speaker 6: Interesting.

1240
00:51:24,960 --> 00:51:27,239
Speaker 2: I guess I do start now feel that way about Chris,

1241
00:51:27,400 --> 00:51:28,920
Speaker 2: like and I think before I was a little bit

1242
00:51:29,000 --> 00:51:30,840
Speaker 2: like scared of like I'll never have a crush on

1243
00:51:30,920 --> 00:51:33,200
Speaker 2: anyone again or like you're not that crushes Yeah, but

1244
00:51:33,239 --> 00:51:34,920
Speaker 2: I mean like not one that I can act on,

1245
00:51:35,080 --> 00:51:37,840
Speaker 2: because that's like that's what causes you to feel excitement,

1246
00:51:37,960 --> 00:51:39,799
Speaker 2: is like oh my god, our hands are touching weight?

1247
00:51:39,840 --> 00:51:41,600
Speaker 2: Are we gonna kiss later? Like that's all the thing

1248
00:51:41,719 --> 00:51:44,440
Speaker 2: that and you kind of just close that chapter. But like,

1249
00:51:44,880 --> 00:51:48,640
Speaker 2: I don't know, there's I think that it's not just

1250
00:51:49,239 --> 00:51:51,560
Speaker 2: me in this position of like this kind of a

1251
00:51:51,680 --> 00:51:53,640
Speaker 2: ward feeling that I think I feel this all the time,

1252
00:51:53,719 --> 00:51:56,799
Speaker 2: of like oh I can't get that again.

1253
00:51:56,880 --> 00:52:00,279
Speaker 1: Yeah, well you could. I mean you said top this year, No,

1254
00:52:00,360 --> 00:52:01,040
Speaker 1: I have to go away.

1255
00:52:01,080 --> 00:52:03,040
Speaker 2: I have to be like canceled or something that when

1256
00:52:03,040 --> 00:52:04,440
Speaker 2: I'm like seventy two, I can get that.

1257
00:52:04,640 --> 00:52:05,759
Speaker 3: Yeah, And then I just.

1258
00:52:05,800 --> 00:52:09,040
Speaker 1: Did some very basic research, but it does seem like

1259
00:52:09,560 --> 00:52:12,319
Speaker 1: this was the first ever Comedian of the Year, which

1260
00:52:12,440 --> 00:52:14,120
Speaker 1: means that you were the first one to get it.

1261
00:52:14,400 --> 00:52:17,960
Speaker 1: And to quote Lebron James, who the Lakers last, You

1262
00:52:18,000 --> 00:52:21,200
Speaker 1: know what I'm gonna say, No, you just heard Lebron James.

1263
00:52:22,800 --> 00:52:23,720
Speaker 1: I love Lebron.

1264
00:52:24,040 --> 00:52:24,239
Speaker 3: Yes.

1265
00:52:25,120 --> 00:52:27,120
Speaker 1: So, last year in the NBA they did the first

1266
00:52:27,160 --> 00:52:29,400
Speaker 1: ever in season tournament where they give out a trophy

1267
00:52:29,440 --> 00:52:31,560
Speaker 1: and then a lot of the players get money that

1268
00:52:31,640 --> 00:52:34,880
Speaker 1: don't normally get money, and even coaches, and the Lakers won.

1269
00:52:34,960 --> 00:52:37,960
Speaker 1: Lebron James is on the Lakers and he said, records

1270
00:52:38,000 --> 00:52:39,919
Speaker 1: can be broken. Any of my records can be broken.

1271
00:52:39,960 --> 00:52:42,520
Speaker 1: There's only one thing that you can never break, and

1272
00:52:42,640 --> 00:52:45,480
Speaker 1: that's being first. And they were the first ones to win,

1273
00:52:45,600 --> 00:52:47,759
Speaker 1: and that will never be taken away from Oh, and

1274
00:52:47,880 --> 00:52:49,160
Speaker 1: you're the first one to everyone.

1275
00:52:49,200 --> 00:52:50,880
Speaker 6: I really like that that no one will ever be

1276
00:52:50,920 --> 00:52:51,400
Speaker 6: able to get that.

1277
00:52:51,760 --> 00:52:52,719
Speaker 1: No, you're the first.

1278
00:52:52,880 --> 00:52:53,680
Speaker 6: Oh that's good.

1279
00:52:53,840 --> 00:52:57,000
Speaker 2: I'm also the first solo woman to host the Golden Globes,

1280
00:52:57,040 --> 00:52:59,239
Speaker 2: which is I think really funny. Yeah, first I do

1281
00:52:59,400 --> 00:53:02,960
Speaker 2: get alone, like she'd be Okay, I'm gonna talk about

1282
00:53:02,960 --> 00:53:03,640
Speaker 2: it on a Kimmel tonight.

1283
00:53:03,680 --> 00:53:06,280
Speaker 1: I think that's just so funny to be like, yeah.

1284
00:53:06,160 --> 00:53:08,960
Speaker 2: Why is that even accomplishment? Like it seems like something

1285
00:53:09,000 --> 00:53:10,840
Speaker 2: in like the nineteen twenty eight so they first like

1286
00:53:11,480 --> 00:53:13,719
Speaker 2: things alone? Yeah, well think about the first woman to

1287
00:53:13,800 --> 00:53:15,440
Speaker 2: ever fly cross.

1288
00:53:18,520 --> 00:53:20,960
Speaker 6: Oh my god, I'm gonna be eating by coconut crabs.

1289
00:53:21,040 --> 00:53:22,080
Speaker 1: I think that's what happens to me.

1290
00:53:23,160 --> 00:53:25,600
Speaker 6: But yeah, I'm I'm trying to think of like things.

1291
00:53:25,640 --> 00:53:27,880
Speaker 1: Maybe you come out with a life preserver or like

1292
00:53:28,040 --> 00:53:28,560
Speaker 1: I want to just.

1293
00:53:28,560 --> 00:53:30,920
Speaker 2: Come out with like my keys between my fingers, like

1294
00:53:31,000 --> 00:53:33,520
Speaker 2: you know, like walking to your car alone, like as

1295
00:53:33,560 --> 00:53:34,200
Speaker 2: a woman, like.

1296
00:53:34,360 --> 00:53:38,759
Speaker 4: Yeah, what what do you do with cardboard cutout? There's

1297
00:53:38,800 --> 00:53:40,560
Speaker 4: something maybe you're holding another woman?

1298
00:53:40,880 --> 00:53:42,920
Speaker 2: And there are there are some times where I look

1299
00:53:42,960 --> 00:53:44,960
Speaker 2: at Tina Namy's monologue and I'm like, man, it would

1300
00:53:44,960 --> 00:53:46,600
Speaker 2: be nice to have another person because there's that that

1301
00:53:46,719 --> 00:53:49,240
Speaker 2: it's just a fun device to who would.

1302
00:53:49,000 --> 00:53:54,239
Speaker 1: Be who is Nikky's amy to Tina? Mm, it would

1303
00:53:54,280 --> 00:53:55,319
Speaker 1: be Rachel Feinstein.

1304
00:53:55,680 --> 00:53:57,560
Speaker 6: Yeah, that would be fun. That would be fun. I

1305
00:53:58,120 --> 00:53:59,800
Speaker 6: trying to think. I mean, I would take anyone.

1306
00:54:00,239 --> 00:54:02,200
Speaker 2: Jennifer Lawrence would be a really fun one, I think

1307
00:54:02,239 --> 00:54:04,400
Speaker 2: because she is already like looked at as like a

1308
00:54:04,440 --> 00:54:05,800
Speaker 2: comedic figure.

1309
00:54:06,040 --> 00:54:07,879
Speaker 6: I think that would be so fun.

1310
00:54:08,120 --> 00:54:10,239
Speaker 4: Yes, I would feel like that would be harder to

1311
00:54:10,320 --> 00:54:11,440
Speaker 4: write for a too.

1312
00:54:11,560 --> 00:54:14,360
Speaker 2: Prov It would be harder because I would have to

1313
00:54:14,920 --> 00:54:17,640
Speaker 2: deal with her, like her team and what like. I

1314
00:54:17,680 --> 00:54:18,879
Speaker 2: would just want to write it and be like, Jen,

1315
00:54:18,960 --> 00:54:19,560
Speaker 2: will you just breathe?

1316
00:54:20,400 --> 00:54:21,040
Speaker 3: I don't want to.

1317
00:54:21,160 --> 00:54:22,320
Speaker 1: I don't want to work with you on this.

1318
00:54:24,080 --> 00:54:25,920
Speaker 2: No, she I would, but I think that would be

1319
00:54:25,960 --> 00:54:28,160
Speaker 2: an interesting But now that I'm doing it, soul, I

1320
00:54:28,200 --> 00:54:28,680
Speaker 2: don't want.

1321
00:54:28,560 --> 00:54:30,680
Speaker 1: What about you? And like James Franco, would you do that?

1322
00:54:31,520 --> 00:54:33,239
Speaker 2: I can't believe they did that one year.

1323
00:54:34,239 --> 00:54:36,120
Speaker 3: It was fun that they met for the first time

1324
00:54:36,239 --> 00:54:37,120
Speaker 3: on stage.

1325
00:54:41,360 --> 00:54:43,960
Speaker 6: All right, five minutes? Anything else to discuss?

1326
00:54:44,920 --> 00:54:48,080
Speaker 1: Well you, uh, well, I'm I'm going to go to

1327
00:54:48,160 --> 00:54:52,960
Speaker 1: hypnotherapy to mine. So that's good. Stay tune. This working.

1328
00:54:53,760 --> 00:54:58,879
Speaker 1: I hope it works. My only hope for clenching a night.

1329
00:54:59,080 --> 00:54:59,400
Speaker 4: Okay.

1330
00:54:59,560 --> 00:55:02,880
Speaker 1: I ever, one who talks to me about hypnotizing myself

1331
00:55:02,880 --> 00:55:04,640
Speaker 1: says that it worked for them or their friend or

1332
00:55:04,680 --> 00:55:05,040
Speaker 1: their aunt.

1333
00:55:05,200 --> 00:55:08,600
Speaker 5: I've never heard somebody say hypnosis didn't work on them,

1334
00:55:08,920 --> 00:55:12,279
Speaker 5: like yeah, but I guess yeah, Like so it's it

1335
00:55:12,360 --> 00:55:13,920
Speaker 5: seems like it has one hundred percent success.

1336
00:55:14,760 --> 00:55:16,520
Speaker 2: Yeah, and that's what I have to believe work and

1337
00:55:16,719 --> 00:55:18,560
Speaker 2: if it doesn't, just go to a different one.

1338
00:55:18,840 --> 00:55:19,040
Speaker 3: Yeah.

1339
00:55:19,400 --> 00:55:23,480
Speaker 1: So my my hypno therapist. I am very hopeful, but

1340
00:55:23,600 --> 00:55:26,120
Speaker 1: they have an accent that is I don't know if

1341
00:55:26,160 --> 00:55:31,279
Speaker 1: it's like Austrian or something, but for whatever reason, I

1342
00:55:31,680 --> 00:55:35,080
Speaker 1: feel like hypnot therapists should have like a soothing voice

1343
00:55:35,120 --> 00:55:37,359
Speaker 1: that gets you like sleepy, like a Sam Harris type

1344
00:55:37,440 --> 00:55:41,000
Speaker 1: or something, and this person's voice, it just like doesn't

1345
00:55:41,480 --> 00:55:44,160
Speaker 1: soothe me to my core. And I'm a little worried

1346
00:55:44,160 --> 00:55:44,480
Speaker 1: about that.

1347
00:55:44,640 --> 00:55:46,520
Speaker 6: When I got hypnotized and did that like did she

1348
00:55:46,680 --> 00:55:47,520
Speaker 6: did that past life?

1349
00:55:47,560 --> 00:55:48,319
Speaker 1: Bullshit? Yeah?

1350
00:55:48,360 --> 00:55:51,279
Speaker 2: She literally had the spinning a wheel spinning that I

1351
00:55:51,360 --> 00:55:54,000
Speaker 2: had to look at like, yeah, I just felt my

1352
00:55:54,160 --> 00:55:57,880
Speaker 2: struggle was like giving in to that, like believing that

1353
00:55:58,040 --> 00:56:00,400
Speaker 2: this is a thing, and like you're you feel the

1354
00:56:00,440 --> 00:56:03,120
Speaker 2: struggle in your mind of like like buy into it

1355
00:56:03,880 --> 00:56:06,680
Speaker 2: or like or be cynical of it. Yeah, And I

1356
00:56:06,800 --> 00:56:09,719
Speaker 2: kept trying not to be cynical, but then I felt

1357
00:56:09,840 --> 00:56:12,239
Speaker 2: stupid whenever I wouldn't be. But I think it was

1358
00:56:12,320 --> 00:56:14,560
Speaker 2: because this woman was so wacky. Because I went in

1359
00:56:14,719 --> 00:56:16,200
Speaker 2: being like I want this to work so bad, but

1360
00:56:16,239 --> 00:56:18,719
Speaker 2: I just couldn't let go because she was just she's

1361
00:56:19,200 --> 00:56:21,880
Speaker 2: she just seemed so she's digging through her purse.

1362
00:56:22,280 --> 00:56:23,960
Speaker 6: She like can't get things going.

1363
00:56:24,080 --> 00:56:25,440
Speaker 2: She puts the wheel right in front of me and

1364
00:56:25,480 --> 00:56:27,000
Speaker 2: then she goes, that's too close, and then she's putting

1365
00:56:27,120 --> 00:56:28,880
Speaker 2: she's propping it up on bull cooks like.

1366
00:56:29,000 --> 00:56:31,080
Speaker 1: It was just yeah, and so I just put it

1367
00:56:31,160 --> 00:56:33,200
Speaker 1: like that subconscious.

1368
00:56:32,719 --> 00:56:34,200
Speaker 2: Yeah, and because I was like, I don't want to

1369
00:56:34,239 --> 00:56:37,879
Speaker 2: be like, I don't want to be defenseless with this woman. Yeah,

1370
00:56:37,880 --> 00:56:39,360
Speaker 2: you didn't feel like I don't feel comfortable.

1371
00:56:39,480 --> 00:56:42,000
Speaker 1: Yeah, I have to say I had a consultation with

1372
00:56:42,120 --> 00:56:45,600
Speaker 1: this woman and she she was very comforting and I

1373
00:56:45,840 --> 00:56:48,120
Speaker 1: do trust her. Just the voice. I'm like, I think

1374
00:56:48,680 --> 00:56:51,440
Speaker 1: my subconscious is going to reject it because it's like, no,

1375
00:56:51,480 --> 00:56:51,960
Speaker 1: I don't say that.

1376
00:56:52,080 --> 00:56:56,640
Speaker 3: Yeah, when in history has an Austrian person done.

1377
00:56:57,520 --> 00:57:01,000
Speaker 1: Yeah, you know she's Austrian.

1378
00:57:03,160 --> 00:57:04,320
Speaker 6: What time tomorrow are you doing this?

1379
00:57:04,719 --> 00:57:06,759
Speaker 1: Actually it's not tomorrow. What it is tomorrow if you're

1380
00:57:06,840 --> 00:57:10,960
Speaker 1: listening to Friday, Yes, is on Friday. That's but yeah,

1381
00:57:11,040 --> 00:57:14,839
Speaker 1: I mean her name is very strange. I don't want

1382
00:57:14,840 --> 00:57:18,160
Speaker 1: to say it on on the podcast until she's not good,

1383
00:57:19,480 --> 00:57:21,760
Speaker 1: but her name is very strange, and that to me,

1384
00:57:21,920 --> 00:57:23,400
Speaker 1: makes me think that she might be good at this.

1385
00:57:23,520 --> 00:57:24,480
Speaker 6: Wait can I see her name?

1386
00:57:24,680 --> 00:57:24,880
Speaker 3: Yeah?

1387
00:57:24,960 --> 00:57:26,600
Speaker 1: You don't even know. I'm going to show you my phone.

1388
00:57:26,640 --> 00:57:28,240
Speaker 1: It has a bunch of words on it. You're not

1389
00:57:28,280 --> 00:57:30,200
Speaker 1: even to know which of those words is her name?

1390
00:57:31,760 --> 00:57:33,320
Speaker 4: Is there like a Yelp kind of review?

1391
00:57:33,400 --> 00:57:33,440
Speaker 2: Like?

1392
00:57:33,520 --> 00:57:35,800
Speaker 4: Are there reviews that you can see for her?

1393
00:57:36,240 --> 00:57:39,760
Speaker 2: I'm looking at Okay, what that is a crazy name? Yeah?

1394
00:57:39,880 --> 00:57:40,680
Speaker 1: I have to alm.

1395
00:57:41,240 --> 00:57:43,480
Speaker 6: It sounds like a prostate medicine.

1396
00:57:44,200 --> 00:57:48,280
Speaker 4: Yeah, I like a sound that you would relax to.

1397
00:57:49,640 --> 00:57:50,320
Speaker 6: Sounds like a mon.

1398
00:57:52,840 --> 00:57:53,439
Speaker 4: Whatever works.

1399
00:57:53,480 --> 00:57:54,760
Speaker 1: I'm a very impressionable person.

1400
00:57:54,840 --> 00:57:58,600
Speaker 2: But this is the thing I learned last night that

1401
00:57:59,440 --> 00:58:01,440
Speaker 2: perhaps because he gets really can I say that you

1402
00:58:01,480 --> 00:58:04,479
Speaker 2: get depressed if you he wears a mouth guard because

1403
00:58:04,480 --> 00:58:07,200
Speaker 2: he has to wear a mouthguard, and if he wears

1404
00:58:07,240 --> 00:58:10,320
Speaker 2: a mouthguard to stop the grinding, which the grinding causes

1405
00:58:10,680 --> 00:58:12,680
Speaker 2: insane pain for him, so he has to wear a mouthguard.

1406
00:58:12,680 --> 00:58:16,120
Speaker 2: But if he wears a mouthguard, he wakes up insanely depressed.

1407
00:58:17,360 --> 00:58:20,240
Speaker 2: Everyone knows why this would be. And he he thinks

1408
00:58:20,280 --> 00:58:23,400
Speaker 2: that maybe grinding your teeth is a thing that we

1409
00:58:23,640 --> 00:58:27,360
Speaker 2: do to release dopamine throughout the low and.

1410
00:58:27,440 --> 00:58:28,280
Speaker 6: To lower cortisols.

1411
00:58:28,320 --> 00:58:32,720
Speaker 2: So when he's not grinding, he is insanely like the

1412
00:58:32,920 --> 00:58:34,800
Speaker 2: wildly depths of depressed, depressed.

1413
00:58:34,800 --> 00:58:36,160
Speaker 1: When he wakes up in it like in a man

1414
00:58:36,240 --> 00:58:39,560
Speaker 1: almost manics, that's all day. Yeah, and yeah, it's all this.

1415
00:58:39,800 --> 00:58:41,680
Speaker 1: I have all the symptoms of low dopamine.

1416
00:58:41,920 --> 00:58:45,400
Speaker 2: So he's either in extreme pain from grinding or he's

1417
00:58:45,520 --> 00:58:47,280
Speaker 2: in extreme pain from low dopamine.

1418
00:58:47,360 --> 00:58:49,440
Speaker 6: So he's has to stop grinding.

1419
00:58:49,560 --> 00:58:51,520
Speaker 1: I have to stop. It's clenching. Really, it's not even

1420
00:58:51,560 --> 00:58:52,040
Speaker 1: the grinding.

1421
00:58:52,400 --> 00:58:55,120
Speaker 2: So if anyone has any insight into that, yeah, because

1422
00:58:55,160 --> 00:58:58,000
Speaker 2: that's crazy to like a mouthguard would cause depression.

1423
00:58:58,320 --> 00:59:02,040
Speaker 1: It makes sense, I mean, but it could also All

1424
00:59:02,080 --> 00:59:04,560
Speaker 1: my psychosomatic tools that have worked for every single other

1425
00:59:04,640 --> 00:59:08,360
Speaker 1: thing I've ever had, don't work for this, for this problem.

1426
00:59:08,400 --> 00:59:10,160
Speaker 6: I wonder if there's an Alan carrbook, if you.

1427
00:59:10,200 --> 00:59:12,760
Speaker 4: Tried using the mouthpieces, like maybe during the day, maybe

1428
00:59:12,840 --> 00:59:14,280
Speaker 4: you get used to it so it's not.

1429
00:59:14,400 --> 00:59:16,520
Speaker 1: Just yeah a little bit. Yeah, No, I've I've tried.

1430
00:59:16,640 --> 00:59:18,800
Speaker 2: He's tried like seven different mouth guards, seven.

1431
00:59:18,840 --> 00:59:21,520
Speaker 1: Mouth guards, and I forced myself to you. And the

1432
00:59:21,640 --> 00:59:23,800
Speaker 1: thing about it is the last mouthguard I had, especially,

1433
00:59:24,280 --> 00:59:26,800
Speaker 1: is incredibly comfortable. It's like the most comfortable mouthguard I've

1434
00:59:26,840 --> 00:59:29,160
Speaker 1: ever had. I can sleep in it, fine, I fall

1435
00:59:29,320 --> 00:59:31,680
Speaker 1: right asleep. I liked it. But then I would wake

1436
00:59:31,760 --> 00:59:32,840
Speaker 1: up and I would have all of these.

1437
00:59:32,720 --> 00:59:34,920
Speaker 6: Hard how the mattress going? Is that saga?

1438
00:59:35,120 --> 00:59:38,920
Speaker 1: The mattress was definitely a similar issue where I have

1439
00:59:39,000 --> 00:59:41,280
Speaker 1: a psychosomatic obsession with.

1440
00:59:41,360 --> 00:59:43,080
Speaker 4: This agency every time.

1441
00:59:43,600 --> 00:59:45,959
Speaker 1: Yeah, but no, I just decided the way I solve

1442
00:59:46,000 --> 00:59:47,720
Speaker 1: that problem was I just was like, I need to

1443
00:59:47,760 --> 00:59:50,000
Speaker 1: buy the most normal mattress I can find. And then

1444
00:59:50,040 --> 00:59:52,360
Speaker 1: to say, everybody is fine with this mattress.

1445
00:59:52,600 --> 00:59:54,960
Speaker 2: You can't, right, you can't complain about this because of

1446
00:59:55,120 --> 00:59:56,160
Speaker 2: so many people being fired.

1447
00:59:56,200 --> 00:59:58,520
Speaker 1: Everyone is fine, this is in hotels, this is people

1448
00:59:58,640 --> 01:00:00,600
Speaker 1: just this is fine. If you can't get used to this.

1449
01:00:00,640 --> 01:00:03,960
Speaker 6: Mattress, that's a really good device to do to normalize

1450
01:00:04,080 --> 01:00:04,240
Speaker 6: for it.

1451
01:00:04,320 --> 01:00:05,959
Speaker 1: And then the second thing I did was I said,

1452
01:00:06,080 --> 01:00:08,960
Speaker 1: and you're not buying another one, so this is it.

1453
01:00:09,400 --> 01:00:10,440
Speaker 1: This is a good mattress.

1454
01:00:10,440 --> 01:00:12,520
Speaker 6: You're on the right path. Yeah, Brian, I feel like

1455
01:00:12,600 --> 01:00:13,280
Speaker 6: this is gonna work.

1456
01:00:13,480 --> 01:00:14,760
Speaker 3: Yeah. Yeah, me too.

1457
01:00:14,880 --> 01:00:16,160
Speaker 6: Oh my god, it has to.

1458
01:00:16,280 --> 01:00:17,680
Speaker 1: It's going to do.

1459
01:00:17,840 --> 01:00:20,200
Speaker 2: Not get held up by her name and her accents.

1460
01:00:20,240 --> 01:00:23,040
Speaker 2: Oh no, just trust no, no, I feel because I actually,

1461
01:00:23,200 --> 01:00:25,360
Speaker 2: that's the name of a hypnotist. That's right, that's a

1462
01:00:25,520 --> 01:00:26,120
Speaker 2: crazy name.

1463
01:00:26,200 --> 01:00:32,120
Speaker 5: That's right, that's she learns she went to university.

1464
01:00:33,400 --> 01:00:37,240
Speaker 2: That is the name of a professor. All Right, we

1465
01:00:37,320 --> 01:00:37,640
Speaker 2: gotta go.

1466
01:00:37,760 --> 01:00:39,360
Speaker 6: Thank you guys so much for listening to the podcast.

1467
01:00:39,360 --> 01:00:42,960
Speaker 2: I'll see you in New Hampshire and Vermont this weekend

1468
01:00:43,440 --> 01:00:46,080
Speaker 2: and then tour dates resume again. That will be my

1469
01:00:46,160 --> 01:00:49,200
Speaker 2: last tour dates of twenty twenty four. It's been a

1470
01:00:49,200 --> 01:00:51,000
Speaker 2: great tour. Thank you all the besties for coming out.

1471
01:00:51,360 --> 01:00:53,480
Speaker 2: And then I'll see you again in twenty twenty five

1472
01:00:54,080 --> 01:00:56,360
Speaker 2: on that epic tour that you need a magnifying glass

1473
01:00:56,440 --> 01:00:58,320
Speaker 2: to like read any of the dates, so check that

1474
01:00:58,360 --> 01:00:59,040
Speaker 2: out Nikki.

1475
01:00:58,800 --> 01:00:59,440
Speaker 1: Glazer dot com.

1476
01:01:00,400 --> 01:01:05,360
Speaker 2: Thank you, Brian, Sorry yik, Brian, Sean and Andrew. Thank

1477
01:01:05,360 --> 01:01:07,120
Speaker 2: you for being here and we'll see you next time.

1478
01:01:07,160 --> 01:01:08,040
Speaker 6: We'll be to bye.

1479
01:01:08,880 --> 01:01:11,760
Speaker 2: The Nicki Glazer Podcast is a production by Will Ferrell's

1480
01:01:11,760 --> 01:01:15,120
Speaker 2: Big Money Players and iHeart Podcasts. Created and hosted by

1481
01:01:15,200 --> 01:01:18,760
Speaker 2: me Nicki Glazer, co hosted by Brian Frangie, Executive produced

1482
01:01:18,800 --> 01:01:22,080
Speaker 2: by Will Ferrell, Hans Sonny and Noah Avior. Edited it

1483
01:01:22,160 --> 01:01:26,400
Speaker 2: engineered by Lean and Loaf video production Mark Canton and

1484
01:01:26,600 --> 01:01:29,680
Speaker 2: music by Anya Marina. You can now watch full episodes

1485
01:01:29,720 --> 01:01:33,080
Speaker 2: of the Nicki Glazer podcast on YouTube, follow at Nicki

1486
01:01:33,120 --> 01:01:35,080
Speaker 2: Glazer pod and subscribe to our channel