1 00:00:00,760 --> 00:00:04,520 Speaker 1: Hello everyone. Al Madrigal from the All Things Comedy Network 2 00:00:05,080 --> 00:00:07,760 Speaker 1: quick message about fundraising. Thank you so much for listening 3 00:00:07,800 --> 00:00:10,600 Speaker 1: to an All Things Comedy podcast that you are supporting. 4 00:00:10,640 --> 00:00:12,920 Speaker 1: Here we have a sticker on that you can buy 5 00:00:13,000 --> 00:00:15,960 Speaker 1: for five bucks that says I support All Things Comedy. 6 00:00:16,040 --> 00:00:18,400 Speaker 1: If you can go to tubestart dot com. We have 7 00:00:18,440 --> 00:00:21,800 Speaker 1: a brief campaign going to support our news studio. No 8 00:00:21,800 --> 00:00:24,880 Speaker 1: one's making money off of this. We're hoping to just 9 00:00:25,280 --> 00:00:28,040 Speaker 1: have this studio support the comics and make sure they 10 00:00:28,080 --> 00:00:30,479 Speaker 1: can record in a great place at no charge. 11 00:00:30,680 --> 00:00:31,800 Speaker 2: And thanks to you all. 12 00:00:31,760 --> 00:00:36,080 Speaker 1: Right, appreciate it. Allthingscomedy dot com, tuobstart dot com. 13 00:00:36,120 --> 00:00:38,800 Speaker 3: Thank you very much, Ali than a. 14 00:00:39,120 --> 00:00:45,000 Speaker 4: You wanna way back either way, we want to be there. 15 00:00:45,760 --> 00:00:49,680 Speaker 5: Doesn't matter how much baggage you claim. Give us time 16 00:00:49,880 --> 00:00:53,400 Speaker 5: and they turning on engage. 17 00:00:53,920 --> 00:00:56,520 Speaker 4: We want to send you us inside. 18 00:00:57,880 --> 00:01:03,600 Speaker 5: Leanna welcome you back, tell us all about it. We 19 00:01:03,840 --> 00:01:25,200 Speaker 5: scared her? Was it fine? Malborn? Do you need to ride? 20 00:01:25,880 --> 00:01:29,160 Speaker 5: Do you need to ride? Do you need to ride? 21 00:01:29,800 --> 00:01:31,040 Speaker 5: Do you need to ride? 22 00:01:31,760 --> 00:01:33,120 Speaker 6: Do you need to ride? 23 00:01:33,720 --> 00:01:35,600 Speaker 5: Do you need ride? 24 00:01:35,760 --> 00:01:37,080 Speaker 6: Do you need to ride? 25 00:01:37,680 --> 00:01:38,600 Speaker 5: Do you need. 26 00:01:44,920 --> 00:01:51,320 Speaker 4: With Karen and Chris welcome to Do you need to ride. 27 00:01:51,560 --> 00:01:52,640 Speaker 4: This is Chris Fairbanks. 28 00:01:52,680 --> 00:01:52,960 Speaker 7: This is. 29 00:01:54,440 --> 00:01:57,280 Speaker 4: Karen and Chris. Uh, I'm the second one. Karen and 30 00:01:57,360 --> 00:01:59,920 Speaker 4: I are leaving Michae O'Connell's house. 31 00:02:00,600 --> 00:02:01,960 Speaker 7: Mike with him in the car. 32 00:02:02,080 --> 00:02:03,040 Speaker 4: He's in the backseat. 33 00:02:03,120 --> 00:02:05,040 Speaker 2: Mike, Hello, how are you today? 34 00:02:05,120 --> 00:02:05,720 Speaker 4: I'm terrific? 35 00:02:05,800 --> 00:02:07,080 Speaker 2: How are you grand? 36 00:02:08,000 --> 00:02:12,160 Speaker 4: We are going to attend a comedy concert. 37 00:02:12,000 --> 00:02:14,440 Speaker 5: At the Monty, my favorite bar in Los Angeles. 38 00:02:14,520 --> 00:02:17,600 Speaker 4: It's beautiful inside the Monty. It's the best. You don't 39 00:02:17,639 --> 00:02:19,920 Speaker 4: expect it when you first see that front door. 40 00:02:20,200 --> 00:02:23,800 Speaker 7: In that neighborhood, and yeah, ai is the look of 41 00:02:23,840 --> 00:02:24,520 Speaker 7: the inside. 42 00:02:24,639 --> 00:02:27,520 Speaker 5: That's right. It's it's like a treat. It's a secret. 43 00:02:28,360 --> 00:02:29,280 Speaker 5: It's like Narnia. 44 00:02:29,800 --> 00:02:30,200 Speaker 4: It is. 45 00:02:30,600 --> 00:02:32,640 Speaker 5: You walk in those swinging doors and you're like, what's 46 00:02:32,680 --> 00:02:34,800 Speaker 5: this piece of shippool haul gonna look like? 47 00:02:35,000 --> 00:02:37,040 Speaker 4: I expect to go into a cloak room? And then 48 00:02:37,400 --> 00:02:41,040 Speaker 4: an adventure would end, Sue, And it does. If I 49 00:02:41,040 --> 00:02:42,840 Speaker 4: could say it, it would do you know what. 50 00:02:42,760 --> 00:02:45,440 Speaker 5: It was before? It was the bar? It is right now, Mike. 51 00:02:46,720 --> 00:02:52,040 Speaker 7: They said that it was in a bunch of what's 52 00:02:52,080 --> 00:02:54,720 Speaker 7: his name movie? It was like a set. It was 53 00:02:54,760 --> 00:02:57,120 Speaker 7: like it was like a junkie bar that they would 54 00:02:57,120 --> 00:03:00,640 Speaker 7: sometimes use as a junkie bar in Starsky and Oh, 55 00:03:01,320 --> 00:03:04,720 Speaker 7: and they claim that there were like it was a 56 00:03:04,720 --> 00:03:07,400 Speaker 7: bookie bar and there were knees broken in the back 57 00:03:07,440 --> 00:03:08,480 Speaker 7: alley and stuff like that. 58 00:03:08,520 --> 00:03:11,360 Speaker 4: But you never know, You never really know when people 59 00:03:11,440 --> 00:03:12,919 Speaker 4: start talking about broken knees. 60 00:03:13,040 --> 00:03:15,359 Speaker 7: Yeah, and they say that like it's the coolest thing ever, 61 00:03:15,400 --> 00:03:17,280 Speaker 7: and you're like, I think that's not that cool. 62 00:03:17,639 --> 00:03:23,120 Speaker 4: Yeah, and didn't happen, yeah, right, Yeah. Violence is the 63 00:03:23,160 --> 00:03:24,120 Speaker 4: worst folklore. 64 00:03:24,520 --> 00:03:28,560 Speaker 5: Yes, well, it's not that hard you can break people's knees, 65 00:03:28,600 --> 00:03:29,240 Speaker 5: it's not like. 66 00:03:30,639 --> 00:03:31,160 Speaker 2: For years. 67 00:03:31,280 --> 00:03:34,560 Speaker 4: Yes, yeah, well, it's nothing to brag about or ride 68 00:03:34,560 --> 00:03:36,680 Speaker 4: home about unless you're threatening your parents. 69 00:03:37,320 --> 00:03:39,160 Speaker 7: That's right, this is true. 70 00:03:39,680 --> 00:03:42,240 Speaker 4: We are doing tonight. What's the full title of your show? 71 00:03:42,320 --> 00:03:45,040 Speaker 4: Drunk Drunken Stories of Glory. 72 00:03:44,840 --> 00:03:50,200 Speaker 7: Drunken Tales of Glory and Shame stand up comedy spectacular. 73 00:03:50,480 --> 00:03:53,839 Speaker 4: And Karen and I are both doing the show. We're 74 00:03:53,880 --> 00:03:55,600 Speaker 4: all doing the show, all making the show. 75 00:03:55,640 --> 00:03:56,600 Speaker 2: It's going to be some show. 76 00:03:56,840 --> 00:03:58,880 Speaker 4: It makes it a special episode that we're all on 77 00:03:58,960 --> 00:03:59,280 Speaker 4: the show. 78 00:03:59,360 --> 00:03:59,920 Speaker 5: That's true. 79 00:04:00,160 --> 00:04:01,520 Speaker 4: It doesn't happen that often. 80 00:04:01,880 --> 00:04:04,280 Speaker 2: And thank you for the ride. Do you take do 81 00:04:04,320 --> 00:04:05,840 Speaker 2: you take people all over the place? 82 00:04:06,120 --> 00:04:12,920 Speaker 4: Yes, I work for uber. When you say wabba, and 83 00:04:13,000 --> 00:04:16,279 Speaker 4: I believe it's a word that you conjured, But does 84 00:04:16,279 --> 00:04:19,679 Speaker 4: it not also make you think of Sammy Hagar? 85 00:04:20,520 --> 00:04:22,040 Speaker 2: What Cabo Wabbo? 86 00:04:22,240 --> 00:04:23,800 Speaker 4: Yeah he has, he has. 87 00:04:24,800 --> 00:04:29,400 Speaker 5: You said that like it was ludicrous because of Cobbo Wabbo. 88 00:04:29,480 --> 00:04:33,039 Speaker 4: For god, I don't think the place, isn't it. It's 89 00:04:33,120 --> 00:04:38,000 Speaker 4: taken over. Your word has taken over Wabbo. Even the place. 90 00:04:39,480 --> 00:04:41,440 Speaker 4: It's Cobobo San Lucas. 91 00:04:41,160 --> 00:04:46,640 Speaker 7: Right, yeah, Waba, I mean soon it will be adapted 92 00:04:46,680 --> 00:04:47,159 Speaker 7: by many. 93 00:04:47,360 --> 00:04:51,080 Speaker 4: The story goes he was sitting on a stool in 94 00:04:51,480 --> 00:04:55,719 Speaker 4: Cabo San Lucas and someone walked in and said, Van 95 00:04:55,760 --> 00:04:59,600 Speaker 4: Hagar sucks. I'm a David Lee Rothman. And he immediately 96 00:04:59,680 --> 00:05:03,400 Speaker 4: fell off the stool and vomited. And that's and then 97 00:05:03,440 --> 00:05:06,599 Speaker 4: an idea was born. That's the way that story goes. 98 00:05:07,000 --> 00:05:10,960 Speaker 5: The guy that didn't like Van Hagar fell off the 99 00:05:10,960 --> 00:05:11,640 Speaker 5: stool or. 100 00:05:11,600 --> 00:05:14,800 Speaker 4: Something, Sammy Hagar himself. He hit his head at a premonition. 101 00:05:14,960 --> 00:05:16,960 Speaker 4: He said, I'm gonna make whiskey. That guy's right, I 102 00:05:17,160 --> 00:05:20,880 Speaker 4: like I like David Lee roth better. Also, that's how 103 00:05:21,080 --> 00:05:25,760 Speaker 4: that's how the story goes intriguing. Uh huh tonight, Mike, 104 00:05:25,800 --> 00:05:28,000 Speaker 4: are you doing a new drunken story? 105 00:05:28,200 --> 00:05:31,760 Speaker 7: I well, actually, like it's just it's stand up or 106 00:05:31,800 --> 00:05:33,960 Speaker 7: drunk tales, like whatever you want to do. So I 107 00:05:33,960 --> 00:05:37,520 Speaker 7: think I'm gonna do some songs, some poetry, and maybe 108 00:05:37,600 --> 00:05:41,560 Speaker 7: tell some drunk jokes tonight. I'm changing up the format. 109 00:05:41,279 --> 00:05:44,000 Speaker 4: Good so I there's no pressure for me to then, 110 00:05:44,160 --> 00:05:47,559 Speaker 4: because I may have spent my drunk stories on the past. 111 00:05:47,680 --> 00:05:49,080 Speaker 2: You can do as you wish. 112 00:05:49,240 --> 00:05:49,919 Speaker 4: Oh, terrific. 113 00:05:50,080 --> 00:05:52,039 Speaker 5: It's really just an excuse for people to get together 114 00:05:52,080 --> 00:05:52,840 Speaker 5: and have a great time. 115 00:05:53,200 --> 00:05:56,720 Speaker 2: I think that you should work for a morning zoo. 116 00:05:57,680 --> 00:06:01,600 Speaker 5: That was like the most insulting thing you could say. 117 00:06:01,640 --> 00:06:03,440 Speaker 2: Oh no, I was in a lovely way. 118 00:06:04,920 --> 00:06:09,000 Speaker 4: We've addressed it in the past. Evan Karen tags certain 119 00:06:09,560 --> 00:06:13,360 Speaker 4: comments when when it's it's you have to take on 120 00:06:13,400 --> 00:06:17,800 Speaker 4: that role being the being, the kiss of estrogen up front, 121 00:06:18,960 --> 00:06:23,760 Speaker 4: the what a kiss of estrogen? That's what I call it, lady, 122 00:06:23,960 --> 00:06:26,000 Speaker 4: just a weely. 123 00:06:26,279 --> 00:06:30,240 Speaker 5: None of those syllables together formed anything I could recognize 124 00:06:30,279 --> 00:06:33,680 Speaker 5: as a phrase, kiss of estrogen. I've never heard or 125 00:06:33,800 --> 00:06:35,039 Speaker 5: imagine that phrase before. 126 00:06:35,160 --> 00:06:43,839 Speaker 4: I don't think that it is one that is common or. 127 00:06:41,480 --> 00:06:46,160 Speaker 5: It's your waba really, I think we've found your waba finally, 128 00:06:46,360 --> 00:06:49,160 Speaker 5: when where's mine? I think by the end of the ride, 129 00:06:50,279 --> 00:06:51,480 Speaker 5: we're all going to have our own waba. 130 00:06:51,640 --> 00:06:52,800 Speaker 7: We'll all have our own. 131 00:06:54,920 --> 00:06:56,160 Speaker 5: What's been going on lately, Mike? 132 00:06:56,200 --> 00:06:56,360 Speaker 7: Now? 133 00:06:56,360 --> 00:06:58,360 Speaker 5: Do you still work at the Monty? 134 00:06:58,600 --> 00:07:00,600 Speaker 7: I no longer work at the Monty. I just do 135 00:07:00,640 --> 00:07:02,160 Speaker 7: the show every third Monday. 136 00:07:02,400 --> 00:07:04,599 Speaker 4: He doesn't need to work at the Monty anymore. Were 137 00:07:04,600 --> 00:07:05,799 Speaker 4: you in Transparent? 138 00:07:06,760 --> 00:07:06,880 Speaker 7: No? 139 00:07:07,040 --> 00:07:08,880 Speaker 2: Why does somebody else ask me? 140 00:07:08,960 --> 00:07:13,000 Speaker 4: Oh, I don't know why. In a picture with Jeffrey Tambour. 141 00:07:12,880 --> 00:07:15,720 Speaker 2: That would be I would be telling you all about that. 142 00:07:15,720 --> 00:07:17,120 Speaker 5: That would be a practy. 143 00:07:17,160 --> 00:07:19,960 Speaker 4: Well. I combine your photo with mister Tambour with the 144 00:07:20,000 --> 00:07:23,760 Speaker 4: fact that I know that in real life your genitals 145 00:07:23,800 --> 00:07:24,720 Speaker 4: are a mess. 146 00:07:26,080 --> 00:07:28,560 Speaker 2: That you just can't tell which ones they are. 147 00:07:28,600 --> 00:07:31,520 Speaker 5: They're just pixelated. It's not they're fine once. 148 00:07:31,320 --> 00:07:34,520 Speaker 4: You all meat grinders should come with directions. 149 00:07:34,880 --> 00:07:37,560 Speaker 7: Nonetheless, I feel that someday I'll find someone who will 150 00:07:37,560 --> 00:07:38,280 Speaker 7: tolerate them. 151 00:07:39,440 --> 00:07:46,160 Speaker 5: Someday that's your next romantic song. Yeah, tolerate my genital 152 00:07:47,120 --> 00:07:48,640 Speaker 5: for six to nine months. 153 00:07:49,400 --> 00:07:51,160 Speaker 2: Wow, that's you. 154 00:07:51,680 --> 00:07:55,360 Speaker 7: That's that's how how long it usually last. 155 00:07:55,680 --> 00:08:01,040 Speaker 4: Karon is a professional singer as are you. 156 00:08:00,400 --> 00:08:03,520 Speaker 2: But she just professionally sang and make them up. I 157 00:08:03,560 --> 00:08:06,120 Speaker 2: know that was really awesome. 158 00:08:07,800 --> 00:08:09,040 Speaker 5: And I like to spring among people. 159 00:08:09,120 --> 00:08:12,000 Speaker 4: Yeah, I like it when they're sprung. I like it 160 00:08:12,040 --> 00:08:12,680 Speaker 4: when you do that. 161 00:08:12,680 --> 00:08:15,400 Speaker 2: That's why you are a match made in heavy. 162 00:08:15,360 --> 00:08:18,320 Speaker 5: Mike and I were actually gonna we we probably still will. 163 00:08:18,360 --> 00:08:19,920 Speaker 5: We were gonna work on music together. 164 00:08:20,000 --> 00:08:20,600 Speaker 2: Oh we must. 165 00:08:21,040 --> 00:08:23,400 Speaker 5: But I think we're both exactly alike where we were 166 00:08:23,400 --> 00:08:25,800 Speaker 5: both like the other person will get it together and 167 00:08:25,880 --> 00:08:28,160 Speaker 5: I'll just show up and we're both so that way 168 00:08:28,160 --> 00:08:29,120 Speaker 5: that it never happened. 169 00:08:29,160 --> 00:08:32,000 Speaker 4: And I show up while you guys are recording because 170 00:08:32,000 --> 00:08:33,680 Speaker 4: I have a song idea that I want to do 171 00:08:33,720 --> 00:08:35,720 Speaker 4: it with both of you. Because I can sing reggae 172 00:08:35,800 --> 00:08:38,160 Speaker 4: pretty good. I want to do a reggae song about 173 00:08:38,160 --> 00:08:41,199 Speaker 4: white people with corn rows, okay or dreadlocks. 174 00:08:41,280 --> 00:08:43,760 Speaker 7: That sounds like a very viable comedy song. 175 00:08:44,080 --> 00:08:46,800 Speaker 5: Yeah. Are you sure that weird All hasn't done? 176 00:08:47,360 --> 00:08:49,959 Speaker 7: Oh? Have you done your research? That's the most important 177 00:08:49,960 --> 00:08:51,200 Speaker 7: thing about comedy songwriting. 178 00:08:51,400 --> 00:08:52,160 Speaker 5: It's all research. 179 00:08:53,000 --> 00:08:54,720 Speaker 7: Basically, it's rhyming and research. 180 00:08:54,880 --> 00:08:55,640 Speaker 2: The two ares. 181 00:08:56,840 --> 00:08:59,200 Speaker 4: I forgot that he did do that to the sound 182 00:08:59,240 --> 00:09:05,160 Speaker 4: of I get knocked down by Chumbawamba. What was it 183 00:09:05,160 --> 00:09:09,080 Speaker 4: this corn rough song? It's just I wish. 184 00:09:09,240 --> 00:09:12,719 Speaker 2: But now he's trying to create some perfect world where 185 00:09:14,800 --> 00:09:17,440 Speaker 2: where everything's been covered, where his whims occur. 186 00:09:17,880 --> 00:09:21,160 Speaker 4: See. I've found that with the show format, Mike. I, 187 00:09:21,640 --> 00:09:26,600 Speaker 4: because I, in reality do drink, possibly to access or 188 00:09:26,640 --> 00:09:30,560 Speaker 4: have in the past, a lot of the stories just 189 00:09:30,600 --> 00:09:34,080 Speaker 4: don't come to me because I've forgotten them because of 190 00:09:34,200 --> 00:09:35,040 Speaker 4: the alcohol. 191 00:09:35,080 --> 00:09:37,760 Speaker 7: Beast. Do you have many stories that other friends, like 192 00:09:37,760 --> 00:09:40,360 Speaker 7: from Montana or something? Just tell you back? 193 00:09:40,440 --> 00:09:43,520 Speaker 4: Can remind me of you do some texting? Yeah, maybe 194 00:09:43,559 --> 00:09:46,079 Speaker 4: I should. Can you guys remind me of my worst moment? 195 00:09:46,960 --> 00:09:48,559 Speaker 4: I'm sure so. Yeah. 196 00:09:48,559 --> 00:09:51,040 Speaker 7: It's a fine line between a dark story and a 197 00:09:51,080 --> 00:09:52,200 Speaker 7: funny dark story. 198 00:09:52,320 --> 00:09:52,520 Speaker 2: You know. 199 00:09:52,840 --> 00:09:56,720 Speaker 4: Yeah, I think that last time. My instinct was to 200 00:09:56,800 --> 00:10:02,000 Speaker 4: do a montage of moments, so I like, there's five 201 00:10:02,040 --> 00:10:04,360 Speaker 4: of them by mentioning them, but I could elaborate on 202 00:10:04,440 --> 00:10:07,040 Speaker 4: any of them, like the stolen. 203 00:10:07,360 --> 00:10:09,400 Speaker 2: I really enjoyed your montash. 204 00:10:09,480 --> 00:10:11,120 Speaker 4: Oh, thank you, thank you. 205 00:10:11,840 --> 00:10:12,800 Speaker 2: That was a good one. 206 00:10:12,920 --> 00:10:15,600 Speaker 4: Karen, Will you be doing a drunken story? Yeah? 207 00:10:15,760 --> 00:10:19,360 Speaker 5: I to be totally honest, I haven't thought about this 208 00:10:19,480 --> 00:10:23,120 Speaker 5: part of it at all. Today. I knew we were 209 00:10:23,120 --> 00:10:26,640 Speaker 5: going to be podcasting and picking up Mike, if you 210 00:10:26,720 --> 00:10:32,040 Speaker 5: want to playing your guitar. I love that guitar is 211 00:10:32,040 --> 00:10:38,280 Speaker 5: a gentle is a gentle lady. 212 00:10:39,000 --> 00:10:40,360 Speaker 4: I'm not the kids. 213 00:10:41,400 --> 00:10:43,400 Speaker 7: Have you ever had to borrow a guitar from somebody 214 00:10:43,440 --> 00:10:46,680 Speaker 7: who's obviously not excited about it? Yes, I love that 215 00:10:46,960 --> 00:10:48,800 Speaker 7: somebody's very like nobody can. 216 00:10:48,679 --> 00:10:49,480 Speaker 2: Play my guitar. 217 00:10:49,720 --> 00:10:53,880 Speaker 5: And also I'm kind of intermediate lower intermediate, so I 218 00:10:54,040 --> 00:10:58,199 Speaker 5: kind of play it pretty hard as I don't really know. 219 00:10:59,720 --> 00:11:03,160 Speaker 4: I sorry, Sure, I'll take that, Perry, I thank you 220 00:11:03,200 --> 00:11:03,920 Speaker 4: for providing it. 221 00:11:04,000 --> 00:11:06,400 Speaker 5: Mike drinks for us. 222 00:11:06,280 --> 00:11:08,520 Speaker 4: Yeah, that never has happened. In the beginning, when we 223 00:11:08,520 --> 00:11:12,719 Speaker 4: were all excited, we provided drinks for the guests, glad. 224 00:11:12,480 --> 00:11:14,320 Speaker 2: To be here. When the passion is worn. 225 00:11:14,120 --> 00:11:20,080 Speaker 4: Off, that is the audio of a classic spit take, 226 00:11:20,600 --> 00:11:26,600 Speaker 4: right if anyone loves, If anyone needs any genuine fully work, 227 00:11:27,679 --> 00:11:33,040 Speaker 4: that was a spit take, landing exactly on the Zoom six. Well, 228 00:11:33,120 --> 00:11:38,640 Speaker 4: that's okay, takes a licking. Oh that was funny. I 229 00:11:38,640 --> 00:11:41,079 Speaker 4: hope more moments like that happened and make up for 230 00:11:41,200 --> 00:11:43,920 Speaker 4: my fake story about weird now. 231 00:11:45,480 --> 00:11:50,000 Speaker 7: And then your accusation that I stole something from Sammy Hagar. 232 00:11:51,880 --> 00:11:53,240 Speaker 2: Open with an accusation. 233 00:11:54,640 --> 00:11:59,480 Speaker 4: I'm simply asked in a non passive aggressive way, if 234 00:11:59,520 --> 00:12:05,920 Speaker 4: Waba reminded you of Wabbo. 235 00:12:03,920 --> 00:12:04,280 Speaker 2: I did it. 236 00:12:04,360 --> 00:12:06,720 Speaker 7: There's so many things with Wabbo. It's like Wabba grill 237 00:12:06,960 --> 00:12:09,280 Speaker 7: is now a thing. Oh yeah, you know, it's like 238 00:12:09,440 --> 00:12:11,920 Speaker 7: I don't. It's not like something that I've copywritten. 239 00:12:12,160 --> 00:12:12,560 Speaker 4: It is. 240 00:12:12,880 --> 00:12:14,319 Speaker 2: I've possibly stolen. 241 00:12:13,960 --> 00:12:18,640 Speaker 4: It from some Can you copyright a tauretzi like outburst? 242 00:12:19,120 --> 00:12:21,600 Speaker 2: I've copy written Wabbacore, which is my corporation. 243 00:12:22,200 --> 00:12:22,640 Speaker 5: That's good. 244 00:12:22,880 --> 00:12:25,960 Speaker 4: Oh yeah, wabacre. 245 00:12:24,960 --> 00:12:27,000 Speaker 2: Like really is getting it done these days now? 246 00:12:27,160 --> 00:12:29,280 Speaker 5: Really? How many please do you have? 247 00:12:29,640 --> 00:12:31,560 Speaker 7: Well, I'm the only employee. I have seven. I have 248 00:12:31,600 --> 00:12:32,959 Speaker 7: nine cabbage batch kids. 249 00:12:32,679 --> 00:12:38,360 Speaker 4: Working right, He's not kidding, and they all reside in 250 00:12:38,440 --> 00:12:39,679 Speaker 4: a large chair together. 251 00:12:39,800 --> 00:12:42,960 Speaker 5: I was at their birthday. 252 00:12:43,120 --> 00:12:44,600 Speaker 4: There's a beautiful photo of that. 253 00:12:45,720 --> 00:12:48,120 Speaker 2: Oh yes, we are all. It was like, it looks 254 00:12:48,280 --> 00:12:49,320 Speaker 2: that's my favorite picture. 255 00:12:49,720 --> 00:12:53,800 Speaker 4: It's the best picture. It's beautiful. But I can't. I 256 00:12:54,320 --> 00:12:56,679 Speaker 4: was in the left turn line. It's okay, I can 257 00:12:56,840 --> 00:12:58,480 Speaker 4: just do some other stuff. 258 00:12:58,559 --> 00:13:05,080 Speaker 7: Okay, sorry, I don't think Melrose actually goes all the way. 259 00:13:05,280 --> 00:13:06,480 Speaker 2: That's what I'm just remembering. 260 00:13:06,840 --> 00:13:10,640 Speaker 7: Yes, yes, Now we're on a podcast. What I'm telling you, 261 00:13:10,880 --> 00:13:12,640 Speaker 7: I don't know. Should I put it in the machine? 262 00:13:12,760 --> 00:13:16,160 Speaker 4: Absolutely. There's always a segment on the podcast called backstaed driver, 263 00:13:16,280 --> 00:13:18,840 Speaker 4: and it shouldn't happen because I'm a horrible front seat 264 00:13:18,920 --> 00:13:21,320 Speaker 4: driver and I need all the help I can get, 265 00:13:21,760 --> 00:13:25,680 Speaker 4: and anytime Karen offers it, I am appreciative. I hope 266 00:13:25,679 --> 00:13:26,720 Speaker 4: it didn't see him otherwise. 267 00:13:26,920 --> 00:13:29,040 Speaker 5: No, no, no, I didn't realize you were in a lane. 268 00:13:30,160 --> 00:13:32,040 Speaker 5: And you're right that I was heading us right into 269 00:13:32,080 --> 00:13:33,200 Speaker 5: that weird dead end area. 270 00:13:33,720 --> 00:13:36,760 Speaker 4: Yeah, by the Virgil. Yeah, I've had a bad taste 271 00:13:36,800 --> 00:13:38,760 Speaker 4: in my mouth ever since I've yelled at those people 272 00:13:38,800 --> 00:13:39,400 Speaker 4: in line there. 273 00:13:39,559 --> 00:13:40,160 Speaker 5: Oh that's right. 274 00:13:40,280 --> 00:13:43,240 Speaker 4: During the you got beef over at the Virgil. 275 00:13:43,400 --> 00:13:46,199 Speaker 5: Chris heckled a line full of people for a show 276 00:13:46,320 --> 00:13:46,960 Speaker 5: I don't like. 277 00:13:47,040 --> 00:13:49,880 Speaker 4: When there's a comedian I've never heard of that's gross, 278 00:13:50,040 --> 00:13:53,800 Speaker 4: way more popular than me. He's young and handsome and 279 00:13:53,880 --> 00:13:55,080 Speaker 4: been doing it six years. 280 00:13:55,200 --> 00:13:56,120 Speaker 2: That is upsetting. 281 00:13:56,360 --> 00:13:57,600 Speaker 4: It is upsetting, isn't it. 282 00:13:57,960 --> 00:14:00,640 Speaker 5: I think it's good to express those feelings, don't keep 283 00:14:00,679 --> 00:14:01,319 Speaker 5: them pent up. 284 00:14:01,520 --> 00:14:03,800 Speaker 4: But Mike, you have been up. Please tell me for 285 00:14:03,880 --> 00:14:06,959 Speaker 4: reals what you've been up to lately, because I go, oh, 286 00:14:07,400 --> 00:14:10,280 Speaker 4: I have it in my head that you're just doing terrifically. 287 00:14:12,480 --> 00:14:14,240 Speaker 4: I don't know, and my head never lies. 288 00:14:14,360 --> 00:14:17,679 Speaker 7: Oh yeah, I was trying to figure this out, this 289 00:14:17,679 --> 00:14:24,000 Speaker 7: this route out. Sorry, Okay, now I feel like a 290 00:14:24,040 --> 00:14:24,960 Speaker 7: total asshole. 291 00:14:25,160 --> 00:14:27,960 Speaker 5: No, no, oh, because you're looking at your phone. The 292 00:14:28,040 --> 00:14:30,560 Speaker 5: last time, Mike, I saw you. The last time I 293 00:14:30,600 --> 00:14:34,800 Speaker 5: saw you, I can hold it was on the WB 294 00:14:34,960 --> 00:14:36,960 Speaker 5: lot when you were doing Sullivan and some Oh. 295 00:14:37,040 --> 00:14:39,960 Speaker 7: Yes, I had a television program. 296 00:14:40,240 --> 00:14:41,200 Speaker 5: You wearing a nice suit. 297 00:14:41,400 --> 00:14:43,160 Speaker 2: Yes I know they let me be. Uh. 298 00:14:43,840 --> 00:14:45,600 Speaker 7: A man who came out of the closet. 299 00:14:45,280 --> 00:14:47,640 Speaker 2: On the show was refreshing. 300 00:14:47,720 --> 00:14:48,960 Speaker 5: Do you still remember your lines? 301 00:14:49,920 --> 00:14:50,040 Speaker 7: Uh? 302 00:14:50,600 --> 00:14:54,280 Speaker 2: My mother died and well I was like, all, my 303 00:14:54,280 --> 00:14:55,080 Speaker 2: mother's in the hospital. 304 00:14:55,160 --> 00:14:57,840 Speaker 7: He's like, that's too bad, that's not good luck. And 305 00:14:57,880 --> 00:14:59,520 Speaker 7: then I was like and then I get a call 306 00:14:59,560 --> 00:15:02,880 Speaker 7: and she died and I say like, oh my god, 307 00:15:02,960 --> 00:15:03,480 Speaker 7: she's dead. 308 00:15:03,560 --> 00:15:08,480 Speaker 2: I can finally come out. I'm free and free. 309 00:15:09,560 --> 00:15:10,640 Speaker 4: Is that how you read it? 310 00:15:11,040 --> 00:15:13,440 Speaker 2: Of course I love it. And then I think, take 311 00:15:13,440 --> 00:15:15,480 Speaker 2: a right onto Virgil. 312 00:15:16,080 --> 00:15:17,880 Speaker 5: Oh oh yeah, he hates Virgil. 313 00:15:18,080 --> 00:15:20,080 Speaker 4: Okay, I will do it. 314 00:15:20,240 --> 00:15:22,240 Speaker 7: Oh but I thought you hated the Virgil, which is 315 00:15:22,240 --> 00:15:24,600 Speaker 7: an establishment the whole street. 316 00:15:25,520 --> 00:15:26,240 Speaker 2: That's crazy. 317 00:15:26,640 --> 00:15:29,040 Speaker 4: I drove by it anyway. There you are, you motherfucker. 318 00:15:29,640 --> 00:15:30,800 Speaker 4: That's what I call that building. 319 00:15:30,880 --> 00:15:32,040 Speaker 5: It looks closed. 320 00:15:32,320 --> 00:15:34,560 Speaker 4: I'm sorry, Karen. We've made an effort not to drop 321 00:15:34,600 --> 00:15:35,840 Speaker 4: the f bomb, and there I went. 322 00:15:38,080 --> 00:15:40,960 Speaker 5: I know, I just I swear like a cross country 323 00:15:40,960 --> 00:15:42,000 Speaker 5: trucker and it's sad. 324 00:15:42,120 --> 00:15:44,960 Speaker 4: That's why we have a jar up here filled with pennies. 325 00:15:45,640 --> 00:15:49,120 Speaker 4: Every time she curses, you hear a jingle, and that's 326 00:15:49,400 --> 00:15:50,960 Speaker 4: when an angel gets insulted. 327 00:15:51,480 --> 00:15:54,880 Speaker 5: Soon we'll have enough to go to Cabo Wabo. 328 00:15:54,600 --> 00:15:59,400 Speaker 7: Yeah, and like validate your story, prove it. 329 00:16:00,400 --> 00:16:03,400 Speaker 5: Yes, I also saw you by the fountain. 330 00:16:03,840 --> 00:16:06,000 Speaker 7: Oh, I love that fountain. I like to walk around 331 00:16:06,080 --> 00:16:09,000 Speaker 7: Hollywood quite a bit. That's why getting this ride has been. 332 00:16:09,120 --> 00:16:11,480 Speaker 7: It's just majestic because you're a big walker. 333 00:16:11,520 --> 00:16:13,280 Speaker 4: Big walker, not a big driver. 334 00:16:13,640 --> 00:16:14,560 Speaker 2: Not a big driver. 335 00:16:15,120 --> 00:16:17,320 Speaker 4: Why don't you drive? 336 00:16:16,840 --> 00:16:20,360 Speaker 2: I have a car right now. I drive it about, 337 00:16:21,000 --> 00:16:22,320 Speaker 2: but I don't like driving it. 338 00:16:22,560 --> 00:16:23,480 Speaker 5: Yeah, it's horrible. 339 00:16:23,640 --> 00:16:26,040 Speaker 7: You get to see a lot more when you're walking, 340 00:16:26,560 --> 00:16:32,800 Speaker 7: and everybody's so grumpy in the car. So true. When 341 00:16:32,840 --> 00:16:34,520 Speaker 7: I first got the car and I had to sit 342 00:16:34,560 --> 00:16:37,800 Speaker 7: in traffic. For the first time, I was like, wow, 343 00:16:37,920 --> 00:16:41,800 Speaker 7: you can feel the and demon energy floating above the 344 00:16:41,920 --> 00:16:44,200 Speaker 7: highways coming. 345 00:16:45,960 --> 00:16:49,000 Speaker 2: This is really how everybody deals with the day. Yeah, 346 00:16:49,280 --> 00:16:50,920 Speaker 2: it's really amazing. 347 00:16:51,160 --> 00:16:53,320 Speaker 4: It is when I am at my worst and you've 348 00:16:53,320 --> 00:16:54,800 Speaker 4: seen me filled with ridge. 349 00:16:56,800 --> 00:16:59,840 Speaker 5: Every time I come over Burrom because it's the only 350 00:16:59,840 --> 00:17:03,760 Speaker 5: way to get from my house to Hollywood. If you 351 00:17:03,880 --> 00:17:07,000 Speaker 5: leave any time after four point thirty, it's bumper to 352 00:17:07,000 --> 00:17:09,480 Speaker 5: bumper traffic, and it takes twenty five minutes to get 353 00:17:09,480 --> 00:17:13,040 Speaker 5: over what normally takes four minutes a hill to get 354 00:17:13,480 --> 00:17:16,280 Speaker 5: It's just infuriating by the time, and I'm mad at 355 00:17:16,280 --> 00:17:19,800 Speaker 5: myself because I never add the additional time, right, I 356 00:17:19,880 --> 00:17:22,280 Speaker 5: never do the correct traffic math, even though I've lived 357 00:17:22,280 --> 00:17:22,960 Speaker 5: there for ten years. 358 00:17:23,040 --> 00:17:25,760 Speaker 4: Yeah, you just can you time it by as the 359 00:17:25,800 --> 00:17:26,520 Speaker 4: crow flies? 360 00:17:27,000 --> 00:17:28,040 Speaker 5: As I want it to be? 361 00:17:28,160 --> 00:17:29,520 Speaker 7: Yeah, I know as I want it to be is 362 00:17:29,560 --> 00:17:32,160 Speaker 7: the best way to because like a whole city where 363 00:17:32,240 --> 00:17:36,440 Speaker 7: the people are just expecting it to be okay, Yeah, 364 00:17:36,480 --> 00:17:40,400 Speaker 7: and like that causes this great philosophical problem and traffic problem. 365 00:17:40,480 --> 00:17:44,560 Speaker 5: Yes, because they're like, I'm an executive at Paramount. I 366 00:17:44,600 --> 00:17:47,280 Speaker 5: should get there when I want to. Why should I 367 00:17:47,280 --> 00:17:49,240 Speaker 5: have to wait behind this peasant. 368 00:17:49,400 --> 00:17:52,560 Speaker 4: Exactly, and then that makes people drive crazy and they're 369 00:17:52,640 --> 00:17:57,000 Speaker 4: usually in a BMW. Yeah, the people you're talking about, 370 00:17:57,240 --> 00:17:59,800 Speaker 4: you know who you are out there. All you executives 371 00:18:00,160 --> 00:18:02,320 Speaker 4: constantly listen to the podcast. By the way, thank you 372 00:18:02,320 --> 00:18:02,520 Speaker 4: for this. 373 00:18:03,680 --> 00:18:06,840 Speaker 5: I'd love to talk to you about some ideas about traffic. 374 00:18:07,119 --> 00:18:10,720 Speaker 4: Yeah. Yeah, we're pitching a show about executives and we'd 375 00:18:10,760 --> 00:18:11,640 Speaker 4: like to pitch it to you. 376 00:18:12,400 --> 00:18:15,040 Speaker 7: And we're fine with you being grumpy in your cars 377 00:18:15,359 --> 00:18:16,359 Speaker 7: and we totally get it. 378 00:18:16,359 --> 00:18:19,520 Speaker 5: It's basically about how what assholes executives are. You'll love it. 379 00:18:19,680 --> 00:18:21,840 Speaker 4: Try not to get insulted. But I think you'll like 380 00:18:21,920 --> 00:18:23,479 Speaker 4: the story arch or arc. 381 00:18:24,600 --> 00:18:25,520 Speaker 2: The story arch. 382 00:18:25,720 --> 00:18:28,000 Speaker 5: It's a fallen arch of a story. 383 00:18:29,520 --> 00:18:32,439 Speaker 4: Oh, we just cursed Saint Louis. 384 00:18:33,280 --> 00:18:33,480 Speaker 2: Oh. 385 00:18:33,560 --> 00:18:35,480 Speaker 7: The other thing, that one thing I was doing, I 386 00:18:35,520 --> 00:18:37,600 Speaker 7: got a song that I wrote is going to be 387 00:18:37,600 --> 00:18:39,400 Speaker 7: in a movie with David Hasselhoff. 388 00:18:39,440 --> 00:18:41,880 Speaker 4: That that's amazing. 389 00:18:41,960 --> 00:18:45,000 Speaker 7: What So I wrote this song because I was helping 390 00:18:45,040 --> 00:18:47,199 Speaker 7: out on this movie. I was an associate producer on 391 00:18:47,200 --> 00:18:51,000 Speaker 7: this movie. My friend Ken Jong's in with David Hasselhoff 392 00:18:51,000 --> 00:18:52,560 Speaker 7: and like Hulk Hogan and stuff. 393 00:18:52,840 --> 00:18:53,800 Speaker 4: Oh that sounds. 394 00:18:55,520 --> 00:18:56,960 Speaker 7: They are trying to kind of come up with the 395 00:18:57,040 --> 00:18:59,919 Speaker 7: last song that they could do, and look, you know 396 00:19:00,160 --> 00:19:01,840 Speaker 7: a song I could do in the movie. And I 397 00:19:01,880 --> 00:19:05,680 Speaker 7: wrote some song and they were like, okay. I gave 398 00:19:05,720 --> 00:19:08,080 Speaker 7: it to David hassel Off and he was like, Mike, 399 00:19:08,160 --> 00:19:09,440 Speaker 7: I don't want to like it. 400 00:19:10,000 --> 00:19:13,439 Speaker 2: I didn't want to like it, but I do. I 401 00:19:13,560 --> 00:19:16,240 Speaker 2: was like, all right, So we recorded. 402 00:19:15,800 --> 00:19:17,560 Speaker 5: It and can you give us a teaser. 403 00:19:18,720 --> 00:19:21,639 Speaker 7: It's about like rule in the world. It's kind of 404 00:19:21,680 --> 00:19:25,240 Speaker 7: like a really positive it's almost like a Katie Perry 405 00:19:25,320 --> 00:19:26,040 Speaker 7: song or something. 406 00:19:26,480 --> 00:19:29,400 Speaker 4: For David hassel Off, that's amazing. 407 00:19:29,480 --> 00:19:31,800 Speaker 7: So that was like, and he's one of my big 408 00:19:32,200 --> 00:19:37,399 Speaker 7: childhood heroes. So because of night Rider, it was a 409 00:19:37,400 --> 00:19:43,800 Speaker 7: big deal to me and my brother and so and 410 00:19:43,880 --> 00:19:46,720 Speaker 7: so should I turn I think you can keep going. 411 00:19:46,760 --> 00:19:48,400 Speaker 7: The machine says you can continue. 412 00:19:48,520 --> 00:19:51,040 Speaker 4: Oh, listen to the machine. Do not rage against it. 413 00:19:52,680 --> 00:19:55,280 Speaker 4: When I'm around Mike, I accidentally talk like him. 414 00:19:55,359 --> 00:19:56,280 Speaker 5: I think that's the idea. 415 00:19:56,359 --> 00:19:59,320 Speaker 4: I'm really sorry. No, Mike, I'm sorry that I always 416 00:19:59,359 --> 00:20:01,800 Speaker 4: do that. No, You're an influence on me. That's good, 417 00:20:01,920 --> 00:20:05,560 Speaker 4: right or bad, especially in the moment. Well, according to 418 00:20:05,640 --> 00:20:11,280 Speaker 4: David Hasselhoff, it's bad, but he likes it. Anyway say that. 419 00:20:11,400 --> 00:20:13,159 Speaker 7: Oh no, no, I think he just it was just 420 00:20:13,200 --> 00:20:14,119 Speaker 7: like he was. 421 00:20:14,640 --> 00:20:16,040 Speaker 5: He doesn't understand comedy. 422 00:20:16,119 --> 00:20:18,840 Speaker 2: He didn't, he didn't expect to enjoy it, but he did. 423 00:20:19,400 --> 00:20:22,840 Speaker 5: And that's great, My guy, get confused. Are supposed to 424 00:20:22,880 --> 00:20:26,480 Speaker 5: be satirical? Yeah, but you know what I like it? 425 00:20:26,560 --> 00:20:30,080 Speaker 4: Oh, clearly a man who's done the videos, he's done 426 00:20:30,119 --> 00:20:30,879 Speaker 4: and everything like. 427 00:20:30,960 --> 00:20:34,880 Speaker 7: I don't think he's embrace Oh he absolutely embraces the whole. 428 00:20:35,160 --> 00:20:38,919 Speaker 4: Yeah. Time, how about here? Left? 429 00:20:39,280 --> 00:20:41,760 Speaker 7: It says left on Wilshire, but let's do it. Oh 430 00:20:41,960 --> 00:20:44,119 Speaker 7: is seventh? Why would you take a left on it? 431 00:20:44,440 --> 00:20:47,000 Speaker 4: Well, probably because of some one way situation. Once you 432 00:20:47,040 --> 00:20:49,720 Speaker 4: get downtown, boy, do I sweat like I'm at La X. 433 00:20:51,200 --> 00:20:52,760 Speaker 4: So it's gonna work out perfect. 434 00:20:52,480 --> 00:20:54,280 Speaker 5: To the airport, but it's not all the way downtown 435 00:20:54,720 --> 00:20:56,919 Speaker 5: where it's like right before. So we don't have to 436 00:20:56,920 --> 00:20:57,960 Speaker 5: get to the crazy part. 437 00:20:58,320 --> 00:21:04,840 Speaker 4: No, just the scary part. Yes, we'll push past that, I'm. 438 00:21:04,560 --> 00:21:07,080 Speaker 2: And we'll get in the bar park, which is very safe. 439 00:21:07,160 --> 00:21:08,080 Speaker 5: That's the rad part. 440 00:21:08,200 --> 00:21:10,119 Speaker 2: That's the rad part. 441 00:21:10,440 --> 00:21:13,000 Speaker 4: I think I wish that you had your guitar strapped 442 00:21:13,000 --> 00:21:15,120 Speaker 4: to your shoulder right now because I want to hear 443 00:21:15,160 --> 00:21:18,280 Speaker 4: your pop song. Maybe you can't deliver it until it's 444 00:21:18,320 --> 00:21:20,199 Speaker 4: been Yeah, I got to wait on that. 445 00:21:20,280 --> 00:21:22,400 Speaker 5: I think, well, then sing something else. 446 00:21:24,200 --> 00:21:27,000 Speaker 4: Tell me yeah that we just became the guy on 447 00:21:27,040 --> 00:21:29,320 Speaker 4: the airplane that says, oh, you don't seem funny? 448 00:21:29,320 --> 00:21:29,680 Speaker 3: May Yeah. 449 00:21:30,960 --> 00:21:32,159 Speaker 2: Do you want to hear the song I wrote for 450 00:21:32,280 --> 00:21:33,439 Speaker 2: my upstair and his neighbor. 451 00:21:33,560 --> 00:21:37,119 Speaker 7: Yes, take off your hall boots, take off your hall boots, 452 00:21:37,160 --> 00:21:38,360 Speaker 7: take off your whole boots. 453 00:21:38,480 --> 00:21:41,960 Speaker 5: No, that's all a big pomper. 454 00:21:42,080 --> 00:21:45,199 Speaker 7: She's a clumpsy lady. 455 00:21:45,880 --> 00:21:48,920 Speaker 5: It's so funny because those shoes are very trendy right now, 456 00:21:49,040 --> 00:21:51,760 Speaker 5: and I would say only thirty percent of the women 457 00:21:51,760 --> 00:21:54,280 Speaker 5: that wear those shoes know how to walk in them. Yes, 458 00:21:54,359 --> 00:21:56,040 Speaker 5: so it's just all you hear. 459 00:21:56,800 --> 00:21:58,719 Speaker 7: I am not the rude to call them that, but 460 00:21:58,960 --> 00:22:01,399 Speaker 7: it was. It's just like, at a certain point, I'm like, 461 00:22:01,680 --> 00:22:04,840 Speaker 7: are you just doing laps up there? 462 00:22:05,200 --> 00:22:08,600 Speaker 5: I like to call them Judy loud shoes, that's my 463 00:22:08,800 --> 00:22:09,600 Speaker 5: nickname for them. 464 00:22:11,080 --> 00:22:13,800 Speaker 7: It's almost like you're in some sort of psychological experiment 465 00:22:13,840 --> 00:22:15,480 Speaker 7: where they ring a bell on one side of the 466 00:22:15,480 --> 00:22:18,080 Speaker 7: apartment and then like cheese is produced at the other 467 00:22:18,119 --> 00:22:20,760 Speaker 7: side of the apartment, and they're going back and full 468 00:22:20,800 --> 00:22:21,600 Speaker 7: cl clump clamp. 469 00:22:22,880 --> 00:22:24,720 Speaker 5: Also, why can't they take them off if they're in 470 00:22:24,760 --> 00:22:27,000 Speaker 5: their own or they feel. 471 00:22:26,800 --> 00:22:28,240 Speaker 2: So good, or they gives them power. 472 00:22:28,760 --> 00:22:31,359 Speaker 7: I feel like those, don't You feel like the gate 473 00:22:31,560 --> 00:22:34,959 Speaker 7: of people improves with these. It's like men and men 474 00:22:35,080 --> 00:22:38,040 Speaker 7: in cowboy boots, you know, it's just their gate changes. 475 00:22:38,080 --> 00:22:39,879 Speaker 7: And you're like, I'm a little more coxtuals. 476 00:22:40,000 --> 00:22:42,400 Speaker 5: Yeah, but those things are well, at least to me anyway, 477 00:22:42,800 --> 00:22:45,600 Speaker 5: are truly like torture. I don't understand being in your 478 00:22:45,640 --> 00:22:48,560 Speaker 5: apartment and wearing Yeah, that's I mean, if you need 479 00:22:48,600 --> 00:22:50,520 Speaker 5: that much confidence, go to therapy. 480 00:22:50,640 --> 00:22:52,360 Speaker 2: Yeah, you've really bought into the whole. 481 00:22:52,200 --> 00:22:53,720 Speaker 5: Thing big time. 482 00:22:54,119 --> 00:22:56,959 Speaker 4: Yeah, aren'gue? I buy into the commercial where you kick 483 00:22:57,040 --> 00:22:59,360 Speaker 4: them off and put on a pair of chick jeans 484 00:22:59,400 --> 00:23:00,040 Speaker 4: and lay. 485 00:23:00,119 --> 00:23:04,720 Speaker 5: Back and take a cowg You buy into nineteen seventy eight. 486 00:23:06,400 --> 00:23:09,720 Speaker 7: She has an image to maintain, though, even in her apartment. 487 00:23:09,720 --> 00:23:15,000 Speaker 4: Image and it's just the auditory experience of a Clyde 488 00:23:15,040 --> 00:23:15,679 Speaker 4: Stale horse. 489 00:23:16,720 --> 00:23:19,000 Speaker 2: And then I think you have to take I'm so. 490 00:23:18,840 --> 00:23:24,080 Speaker 4: Sorry, it's okay, what do I take? 491 00:23:24,640 --> 00:23:29,920 Speaker 2: You take a left on Union Avenue? 492 00:23:30,160 --> 00:23:32,360 Speaker 7: Oh, okay, we have a little time or no, wait 493 00:23:32,480 --> 00:23:34,720 Speaker 7: is it right, I think it might be right, okay, 494 00:23:35,119 --> 00:23:36,520 Speaker 7: because the right will go to seventh. 495 00:23:36,600 --> 00:23:40,520 Speaker 4: Right, Yes, let us stick to right. 496 00:23:40,920 --> 00:23:43,159 Speaker 5: Is this macar the parks smells? 497 00:23:44,160 --> 00:23:46,000 Speaker 7: And that's the best song ever? 498 00:23:46,040 --> 00:23:47,920 Speaker 4: That the best song. 499 00:23:48,080 --> 00:23:48,880 Speaker 2: It's so beautiful. 500 00:23:49,200 --> 00:23:51,800 Speaker 5: I just thought Donna Summer's Greatest Hits and that I 501 00:23:51,840 --> 00:23:53,200 Speaker 5: can't stop listening to that song. 502 00:23:54,000 --> 00:23:56,480 Speaker 7: It's written, it's really long as many parts and it's 503 00:23:56,520 --> 00:23:58,440 Speaker 7: just like so beautiful and you don't know if it's 504 00:23:58,440 --> 00:23:59,280 Speaker 7: about love or what. 505 00:23:59,680 --> 00:24:02,200 Speaker 5: Yeah, it's about whatever you bring to it. 506 00:24:02,520 --> 00:24:07,280 Speaker 4: Yeah, because a lot happens in that park sometimes. 507 00:24:07,320 --> 00:24:11,119 Speaker 7: And not one mention of the junkies, this whole seven 508 00:24:11,160 --> 00:24:14,720 Speaker 7: minutes song with like five different parts, and not one 509 00:24:14,840 --> 00:24:16,440 Speaker 7: mention of the drug abules, and. 510 00:24:16,359 --> 00:24:20,639 Speaker 4: Not one mention of that trembling bush that says unspeakable requests. 511 00:24:22,520 --> 00:24:22,919 Speaker 5: Leave me. 512 00:24:23,359 --> 00:24:26,200 Speaker 2: I think I get in the right lane, all right? 513 00:24:26,800 --> 00:24:30,040 Speaker 2: And then uh up on the right it says Union. 514 00:24:31,960 --> 00:24:33,160 Speaker 7: Yeah. 515 00:24:33,200 --> 00:24:34,440 Speaker 5: Are you using Ways? 516 00:24:34,800 --> 00:24:36,680 Speaker 2: No? I was just using them? 517 00:24:36,840 --> 00:24:37,199 Speaker 7: Google? 518 00:24:37,880 --> 00:24:39,880 Speaker 5: Yes, Google it. 519 00:24:39,960 --> 00:24:43,440 Speaker 4: Do you need a ride sponsored by Ways? And Google? 520 00:24:44,200 --> 00:24:47,679 Speaker 5: Whatever gets you there? It's none of our business, Ways 521 00:24:47,680 --> 00:24:48,199 Speaker 5: and Google? 522 00:24:48,640 --> 00:24:51,320 Speaker 4: Or is it our business? That depends on whether or 523 00:24:51,320 --> 00:24:52,560 Speaker 4: not they answer our letters? 524 00:24:53,000 --> 00:24:55,720 Speaker 5: Did you see the chillmeister. But he took he took 525 00:24:55,760 --> 00:25:00,320 Speaker 5: all of his time crossing the street. Yeah, us the 526 00:25:00,400 --> 00:25:01,640 Speaker 5: chillist brow of. 527 00:25:01,600 --> 00:25:05,000 Speaker 2: The Judy Cloppers and a chill bro or they should 528 00:25:05,000 --> 00:25:05,560 Speaker 2: get married. 529 00:25:07,080 --> 00:25:09,040 Speaker 5: You just wander around in circles. 530 00:25:11,720 --> 00:25:14,200 Speaker 7: I walk, I slowly walk the streets as my lover 531 00:25:14,680 --> 00:25:16,520 Speaker 7: was slowly walks above Mike. 532 00:25:16,760 --> 00:25:19,160 Speaker 4: She walks like she's in the streets, whereas I walk 533 00:25:19,280 --> 00:25:21,360 Speaker 4: like I'm in her apartment because she kicked me out 534 00:25:21,400 --> 00:25:23,199 Speaker 4: and I long for her. 535 00:25:23,359 --> 00:25:26,639 Speaker 7: Now there's a deep backstory to the duo. Oh and 536 00:25:26,680 --> 00:25:27,840 Speaker 7: then was seventh. 537 00:25:28,160 --> 00:25:29,800 Speaker 2: Oh shit, well you. 538 00:25:29,800 --> 00:25:33,440 Speaker 7: Just go yeah, it's okay, not go on, chargret. 539 00:25:34,920 --> 00:25:38,159 Speaker 5: Now we are This is a gorgeous part of is 540 00:25:38,200 --> 00:25:39,960 Speaker 5: this Korea Town? Would you say? 541 00:25:40,280 --> 00:25:41,920 Speaker 7: I think this is? 542 00:25:41,920 --> 00:25:42,720 Speaker 5: Is it? MacArthur Park? 543 00:25:42,880 --> 00:25:43,320 Speaker 2: Arthur Park. 544 00:25:44,320 --> 00:25:49,160 Speaker 4: I am a fan of that white building that I've 545 00:25:49,200 --> 00:25:51,800 Speaker 4: never seen bricks be so shiny, And she'll act. 546 00:25:51,680 --> 00:25:55,720 Speaker 5: Yeah, that looks nice, it's beautiful. That could be some kind. 547 00:25:55,560 --> 00:25:59,040 Speaker 4: Of you would never know someone was currently being murdered. 548 00:26:00,480 --> 00:26:01,560 Speaker 5: That's the old murder building. 549 00:26:01,800 --> 00:26:02,000 Speaker 4: Yeah. 550 00:26:02,040 --> 00:26:03,960 Speaker 7: Oh, that's where they won one a week at least 551 00:26:04,680 --> 00:26:05,879 Speaker 7: guarantee Mondays. 552 00:26:05,960 --> 00:26:07,760 Speaker 2: And they want to start the week off right with 553 00:26:07,880 --> 00:26:09,680 Speaker 2: the fresh with a freshet. 554 00:26:10,200 --> 00:26:14,080 Speaker 5: Down the basement. It does look like they just painted it. 555 00:26:15,520 --> 00:26:17,440 Speaker 7: I know that hotel is around here where they found 556 00:26:17,440 --> 00:26:21,399 Speaker 7: the woman in like the water, so every building like that. 557 00:26:21,520 --> 00:26:23,639 Speaker 7: I look at him like probably a body in the 558 00:26:24,800 --> 00:26:25,640 Speaker 7: don't drink the water. 559 00:26:25,800 --> 00:26:28,240 Speaker 4: Can you remind me of that story? 560 00:26:28,320 --> 00:26:32,679 Speaker 5: It's very upsetting. It's a yeah. I think she was 561 00:26:32,680 --> 00:26:35,719 Speaker 5: was she an exchange student or she was Asian, and 562 00:26:35,760 --> 00:26:38,479 Speaker 5: I think she was here either visiting or like as 563 00:26:38,520 --> 00:26:41,160 Speaker 5: a student, but she was staying in this really shitty 564 00:26:41,640 --> 00:26:44,440 Speaker 5: what is it? It's the hotel I forget the name. 565 00:26:44,960 --> 00:26:47,040 Speaker 7: Yeah, maybe we shouldn't say, but it's all yeah, it's 566 00:26:47,119 --> 00:26:48,880 Speaker 7: just like one of those hotels that there's one right 567 00:26:49,000 --> 00:26:51,760 Speaker 7: down here that just kind of sells it like it's 568 00:26:51,760 --> 00:26:54,800 Speaker 7: a Hollywood in Hollywood, and it's like not in Hollywood, 569 00:26:54,800 --> 00:26:57,000 Speaker 7: even though Hollywood is interesting, it's not. 570 00:26:56,920 --> 00:26:58,760 Speaker 5: In Hollywood and people kind of live there. It's almost 571 00:26:58,800 --> 00:27:02,320 Speaker 5: like a transient hotel. So she was there. The last 572 00:27:02,359 --> 00:27:05,159 Speaker 5: video they have of hers in the elevator pressing the buttons, 573 00:27:05,200 --> 00:27:09,600 Speaker 5: all panicky, wandering, uh huh, and then she ended up 574 00:27:09,720 --> 00:27:11,960 Speaker 5: dead in the cistern on the roof, which is where 575 00:27:11,960 --> 00:27:15,600 Speaker 5: they hold all the water that everybody uses that it stays. 576 00:27:15,359 --> 00:27:15,840 Speaker 4: In the hotel. 577 00:27:15,880 --> 00:27:18,760 Speaker 5: People were kind of drinking her drinking and showering and 578 00:27:18,840 --> 00:27:20,560 Speaker 5: all the things you would not want to do with. 579 00:27:21,440 --> 00:27:25,119 Speaker 4: Why up in there though? Was there foul play or drugs? 580 00:27:25,480 --> 00:27:29,320 Speaker 5: I believe it was you could right there, okay or 581 00:27:29,359 --> 00:27:32,480 Speaker 5: your soonest left? Was it foul play? I mean think 582 00:27:32,480 --> 00:27:33,040 Speaker 5: it really was. 583 00:27:33,440 --> 00:27:35,879 Speaker 7: I think there was something super suspicious going on. But 584 00:27:35,920 --> 00:27:37,760 Speaker 7: the fact that she wasn't found for I think it 585 00:27:37,760 --> 00:27:39,600 Speaker 7: took a while to figure that out because. 586 00:27:39,359 --> 00:27:43,280 Speaker 4: It was even in a drug state. Wouldn't you know, 587 00:27:43,520 --> 00:27:46,360 Speaker 4: Oh my gosh, I'm climbing into a cistern. 588 00:27:46,840 --> 00:27:48,840 Speaker 5: No, she didn't climb in there. That's where they put 589 00:27:48,880 --> 00:27:49,240 Speaker 5: the body. 590 00:27:49,320 --> 00:27:50,320 Speaker 7: I believe she. 591 00:27:50,280 --> 00:27:51,200 Speaker 4: Was murdered for sure. 592 00:27:51,560 --> 00:27:52,040 Speaker 7: Yeah. 593 00:27:52,680 --> 00:27:56,600 Speaker 5: It's really dark, different. 594 00:27:56,320 --> 00:27:58,960 Speaker 4: Levels, Okay, now I know that. I thought, Well, then 595 00:27:59,000 --> 00:28:02,480 Speaker 4: of course there was foul Yeah. 596 00:28:01,880 --> 00:28:04,080 Speaker 5: Nuts, I mean, because you can't really wander into a 597 00:28:04,119 --> 00:28:06,359 Speaker 5: cistern or get up into it. I don't think. 598 00:28:07,640 --> 00:28:10,119 Speaker 4: I'm sorry that I made it even talk about it, 599 00:28:10,119 --> 00:28:13,359 Speaker 4: but it is Halloween, and also I could talk about that. 600 00:28:13,560 --> 00:28:16,080 Speaker 7: I know you like she watched the dayline on it. 601 00:28:16,160 --> 00:28:18,879 Speaker 5: Oh, yes, I've watched them all forty eight hours on 602 00:28:19,040 --> 00:28:21,240 Speaker 5: ID forty eight hours regular. 603 00:28:21,480 --> 00:28:22,360 Speaker 7: It is, it is. 604 00:28:22,480 --> 00:28:23,120 Speaker 5: We're right here. 605 00:28:23,280 --> 00:28:24,960 Speaker 7: Oh my lord, we're so good at this. 606 00:28:27,080 --> 00:28:30,440 Speaker 4: Are you feeling Mike an urgency to get in there? 607 00:28:30,960 --> 00:28:32,360 Speaker 4: You can totally say yes. 608 00:28:32,760 --> 00:28:35,760 Speaker 7: Oh, I mean I no, I don't have to, oh shadows, 609 00:28:35,800 --> 00:28:42,160 Speaker 7: it's okay, lady, okay, lady lady. Please, we will have arrived. 610 00:28:42,680 --> 00:28:43,800 Speaker 2: But whatever you want to do. 611 00:28:44,000 --> 00:28:46,760 Speaker 5: Well, where are we at there, Karen with the time, Oh, 612 00:28:46,880 --> 00:28:50,400 Speaker 5: let me tell you we're twenty seven minutes. 613 00:28:50,520 --> 00:28:56,920 Speaker 4: Oh, well, perhaps we can what if we recorded some 614 00:28:56,960 --> 00:29:00,200 Speaker 4: of the show. Well, is that a hair brained idea 615 00:29:00,400 --> 00:29:00,560 Speaker 4: or what? 616 00:29:00,840 --> 00:29:02,640 Speaker 7: I don't think so, No, I love that. 617 00:29:02,720 --> 00:29:04,720 Speaker 4: Let's do that and then we'll all be at ease. 618 00:29:05,720 --> 00:29:06,200 Speaker 4: We can hear. 619 00:29:06,360 --> 00:29:08,400 Speaker 2: Oh, and that's you can park. Oh there should be 620 00:29:08,400 --> 00:29:09,320 Speaker 2: parking on this dream. 621 00:29:09,440 --> 00:29:09,640 Speaker 7: Yeah. 622 00:29:10,320 --> 00:29:12,280 Speaker 4: It's so hard for me to do things and also 623 00:29:12,400 --> 00:29:13,360 Speaker 4: drive and also talk. 624 00:29:13,400 --> 00:29:15,200 Speaker 7: And I think that's why you're the perfect guy for 625 00:29:15,280 --> 00:29:18,120 Speaker 7: this podcast with me. 626 00:29:18,560 --> 00:29:21,520 Speaker 4: But I will bring us back to where we need 627 00:29:21,520 --> 00:29:23,760 Speaker 4: to be in a moment. I just wanted to prolong 628 00:29:23,840 --> 00:29:24,520 Speaker 4: our time together. 629 00:29:24,680 --> 00:29:26,880 Speaker 2: No, it was, it's been it's been joyous so far. 630 00:29:27,680 --> 00:29:30,400 Speaker 4: Oh, this is always This is one of those blind benders. 631 00:29:32,680 --> 00:29:36,680 Speaker 7: A lot of those since that guy, since I had 632 00:29:36,880 --> 00:29:39,720 Speaker 7: since I've been driving for the first time in a 633 00:29:39,800 --> 00:29:43,120 Speaker 7: very long time, I've had my car toad and someone 634 00:29:43,160 --> 00:29:46,440 Speaker 7: knock off license plates and you're like, this is why 635 00:29:46,480 --> 00:29:48,240 Speaker 7: everyone's so stressed out every day. 636 00:29:48,440 --> 00:29:50,640 Speaker 2: If a bad car thing happens, it fucks you up 637 00:29:50,680 --> 00:29:51,200 Speaker 2: so bad. 638 00:29:51,360 --> 00:29:53,840 Speaker 4: Yeah, I think that is how a lot of people 639 00:29:53,920 --> 00:29:56,800 Speaker 4: move here with these hopes and dreams, and then something 640 00:29:57,040 --> 00:29:59,160 Speaker 4: that has to do with the vehicle happens to them 641 00:29:59,160 --> 00:30:01,480 Speaker 4: and they go back to At. 642 00:30:00,800 --> 00:30:03,880 Speaker 7: Any moment, you could be like, there's most likely at 643 00:30:03,960 --> 00:30:07,200 Speaker 7: least twenty seven people crying about their cars. 644 00:30:07,800 --> 00:30:09,560 Speaker 5: And crying inside their car, and. 645 00:30:09,440 --> 00:30:11,560 Speaker 7: Crying inside their cars because it won't start or just 646 00:30:11,680 --> 00:30:12,480 Speaker 7: for whatever reason. 647 00:30:12,520 --> 00:30:14,160 Speaker 5: There's just was this the spot right here? 648 00:30:14,800 --> 00:30:17,200 Speaker 4: Perhaps an look at that. 649 00:30:17,320 --> 00:30:20,080 Speaker 2: So many bad things can come of the car shadow. 650 00:30:20,080 --> 00:30:23,080 Speaker 4: Can we just acknowledge how sweet of it? In my 651 00:30:23,200 --> 00:30:27,200 Speaker 4: time visiting you at the Monte we're doing your concerts there, 652 00:30:27,320 --> 00:30:28,440 Speaker 4: I've never parked this. 653 00:30:28,480 --> 00:30:29,880 Speaker 2: Close my comedy concerts. 654 00:30:29,960 --> 00:30:33,400 Speaker 4: Yeah, you have a lot of concerts there and I've 655 00:30:33,440 --> 00:30:35,640 Speaker 4: never parked right in front. This feels terrific and I 656 00:30:35,680 --> 00:30:37,960 Speaker 4: think it's a good omen for the night. 657 00:30:38,040 --> 00:30:40,120 Speaker 7: And the show is going to be the Cat's pja 658 00:30:41,240 --> 00:30:41,800 Speaker 7: big time. 659 00:30:42,120 --> 00:30:48,479 Speaker 4: The cat will slumber welt comefully. So should we just 660 00:30:48,480 --> 00:30:52,760 Speaker 4: go in and yeah, experience can you this is portable? 661 00:30:52,800 --> 00:30:55,560 Speaker 4: We have some time to come in. From this point 662 00:30:55,000 --> 00:30:55,960 Speaker 4: we begin. 663 00:30:56,240 --> 00:30:58,479 Speaker 5: Should we all say one goal that we hope we 664 00:30:58,560 --> 00:30:59,520 Speaker 5: reached during this show? 665 00:30:59,760 --> 00:31:01,520 Speaker 4: Yeah? I think that's a good way. It's a good 666 00:31:01,560 --> 00:31:04,120 Speaker 4: way to close things out. 667 00:31:04,760 --> 00:31:05,480 Speaker 7: We just. 668 00:31:08,520 --> 00:31:10,480 Speaker 4: It's just we're dead. I don't know why. 669 00:31:10,960 --> 00:31:13,000 Speaker 5: Hello, can you hear me? 670 00:31:13,240 --> 00:31:17,640 Speaker 4: Nope? Nope, everything went down. Oh oh you know what, 671 00:31:18,160 --> 00:31:22,160 Speaker 4: the head my headphone. So the what you just experienced 672 00:31:22,160 --> 00:31:25,400 Speaker 4: for me was panic. I also put in another spit 673 00:31:25,480 --> 00:31:28,000 Speaker 4: take in there. I don't know if you heard that, But. 674 00:31:28,480 --> 00:31:29,680 Speaker 5: Here we go from the panic. 675 00:31:30,240 --> 00:31:33,920 Speaker 4: Yes, yes, I often vomit when I'm nervous. I know 676 00:31:33,960 --> 00:31:39,160 Speaker 4: it sounded silent, but sitting here is not silent at all. 677 00:31:39,920 --> 00:31:43,080 Speaker 4: What so can you repose your question? 678 00:31:43,440 --> 00:31:46,720 Speaker 5: Yes, I'll say we should all say a thing that 679 00:31:46,760 --> 00:31:48,920 Speaker 5: we hope a goal that we hope to achieve in 680 00:31:49,040 --> 00:31:52,080 Speaker 5: doing the show tonight. Okay, so I'll give my example one. 681 00:31:52,200 --> 00:31:55,120 Speaker 5: I'll give one. I'll go first as the example. Okay, 682 00:31:56,160 --> 00:31:59,000 Speaker 5: since I don't have anything planned, I hope to not 683 00:31:59,160 --> 00:32:03,920 Speaker 5: shut down on stage based on reaction and instead think 684 00:32:03,960 --> 00:32:06,400 Speaker 5: of a good story and just enjoy the telling of it. 685 00:32:07,120 --> 00:32:09,840 Speaker 4: I think that's I. I almost want to say dido, 686 00:32:09,960 --> 00:32:13,400 Speaker 4: but yeah, but no, beautifully put. It was beautifully put. 687 00:32:13,520 --> 00:32:16,680 Speaker 4: I think I'm excited if I could speak for you 688 00:32:16,760 --> 00:32:18,680 Speaker 4: to see you fly by the seat of your pants. 689 00:32:19,360 --> 00:32:22,120 Speaker 4: I rely on it too much, So tonight I'm going 690 00:32:22,200 --> 00:32:26,120 Speaker 4: to do something scripted, oh, which I have not yet written. 691 00:32:26,160 --> 00:32:28,360 Speaker 4: So I've really made a bed for myself. 692 00:32:29,840 --> 00:32:32,120 Speaker 5: A scripted thing that you have seven minutes to write. 693 00:32:32,320 --> 00:32:35,920 Speaker 4: I actually haven't. Can I change mine? I do want 694 00:32:35,960 --> 00:32:37,600 Speaker 4: to go back to it being just like yours. I 695 00:32:37,640 --> 00:32:41,240 Speaker 4: hope that I do a few jokes to spice things 696 00:32:41,360 --> 00:32:43,680 Speaker 4: up and then follow it up with a with a 697 00:32:43,760 --> 00:32:46,880 Speaker 4: drunken story about a car I stole once. 698 00:32:47,120 --> 00:32:50,440 Speaker 5: Mike sounds lovely, Yeah, Mike, yours your goal would be 699 00:32:50,480 --> 00:32:51,360 Speaker 5: the most important thing is. 700 00:32:52,840 --> 00:32:54,240 Speaker 2: To run a tight ship. 701 00:32:54,600 --> 00:32:58,960 Speaker 7: Oh shit, and just really you know, be uh to 702 00:32:59,120 --> 00:33:01,320 Speaker 7: somebody that the other performers can look up to. 703 00:33:01,400 --> 00:33:06,960 Speaker 2: Its first punctuality is concerned. I also long for the gafas. 704 00:33:07,040 --> 00:33:11,920 Speaker 7: To thunder through the bar for each performer as if 705 00:33:11,960 --> 00:33:17,760 Speaker 7: they were the bulls of Pamplona, and for all that 706 00:33:18,040 --> 00:33:23,040 Speaker 7: come in the math perform. I wish upon them at 707 00:33:23,040 --> 00:33:24,120 Speaker 7: the time of their. 708 00:33:24,040 --> 00:33:26,280 Speaker 2: Lives because they're the audience. 709 00:33:26,440 --> 00:33:26,600 Speaker 7: Right. 710 00:33:27,560 --> 00:33:29,720 Speaker 5: That went from a Native American. 711 00:33:29,560 --> 00:33:32,400 Speaker 4: Like I love all the people that was. 712 00:33:33,160 --> 00:33:37,840 Speaker 5: It was a rainbow, the rainbow of Americans, all of us. 713 00:33:39,120 --> 00:33:41,000 Speaker 4: I want to talk to Mike Moore. 714 00:33:42,880 --> 00:33:44,880 Speaker 2: And right there in the bar too. 715 00:33:44,760 --> 00:33:47,080 Speaker 4: Okay, terrific, Okay, good, well, let's go in and have 716 00:33:47,120 --> 00:33:47,960 Speaker 4: a comedy concert. 717 00:33:48,080 --> 00:33:48,440 Speaker 2: Wow. 718 00:33:51,040 --> 00:33:58,400 Speaker 3: For many years arrived the existential found is only accessible. 719 00:34:01,240 --> 00:34:04,280 Speaker 6: I admittedly have never been a fan of the holiday. 720 00:34:04,080 --> 00:34:06,720 Speaker 3: As it causes me great concern when those who lack 721 00:34:06,800 --> 00:34:10,000 Speaker 3: personalities during the rest of the year decide to show 722 00:34:10,160 --> 00:34:13,200 Speaker 3: the sexy, scandalist, oscillacious side of themselves. 723 00:34:15,000 --> 00:34:16,920 Speaker 6: Why would you reserve and then. 724 00:34:16,840 --> 00:34:20,359 Speaker 3: Relegate your fun and all wild nature traverse forth on 725 00:34:20,360 --> 00:34:22,759 Speaker 3: only one day of the year. Has always been a 726 00:34:22,800 --> 00:34:25,440 Speaker 3: mystery more intriguing to me than that even of the 727 00:34:25,560 --> 00:34:27,640 Speaker 3: Yetti or the monster of luck NaNs. 728 00:34:29,400 --> 00:34:31,399 Speaker 6: As far as I am concerned, if you. 729 00:34:31,400 --> 00:34:33,600 Speaker 3: Are only having fun and out love, if you are 730 00:34:33,640 --> 00:34:36,960 Speaker 3: only fun and outgoing one time a year, then you 731 00:34:37,040 --> 00:34:40,160 Speaker 3: have fallen prey to the greatest of societal I dear pressures, 732 00:34:40,200 --> 00:34:43,040 Speaker 3: the pressure to live a moderate and mildlife. 733 00:34:43,960 --> 00:34:46,000 Speaker 8: That being said, I do appreciate how. 734 00:34:45,840 --> 00:34:49,120 Speaker 3: This one's vagan ceremony has been commandeered and turned into 735 00:34:49,120 --> 00:34:51,880 Speaker 3: a holiday on which one gets brazenly drugged in the 736 00:34:51,960 --> 00:34:53,080 Speaker 3: name of demons. 737 00:34:58,320 --> 00:35:03,360 Speaker 8: Not wanting to be the drama with me dicatifon, not 738 00:35:03,560 --> 00:35:06,719 Speaker 8: wanting to be the garambis without a costume, I pulled 739 00:35:06,719 --> 00:35:10,200 Speaker 8: out my unitarts from the closet, trying each of them 740 00:35:10,239 --> 00:35:12,040 Speaker 8: on and deciding that I would. 741 00:35:11,800 --> 00:35:14,040 Speaker 3: Be terribly fool hardy were I not to employ a 742 00:35:14,080 --> 00:35:17,200 Speaker 3: silver little the Lure number that I recently purchased at 743 00:35:17,239 --> 00:35:18,120 Speaker 3: a thrift store. 744 00:35:18,560 --> 00:35:21,240 Speaker 6: It made me look stupid, it made me look fat. 745 00:35:21,440 --> 00:35:25,200 Speaker 3: But not content with just looking stupid and fat, I 746 00:35:25,280 --> 00:35:29,239 Speaker 3: downed them all away in My costume was complete, and 747 00:35:29,280 --> 00:35:30,920 Speaker 3: so I said at the back of my unitar and 748 00:35:30,920 --> 00:35:33,240 Speaker 3: I gave myself a high five and the beer and said, 749 00:35:33,280 --> 00:35:36,160 Speaker 3: this is probably going to be the dumbest Halloween ever 750 00:35:37,200 --> 00:35:38,200 Speaker 3: and down laughs. 751 00:35:39,280 --> 00:35:41,080 Speaker 6: Oh so down a. 752 00:35:41,200 --> 00:35:46,839 Speaker 3: Wave some friends and izing karaoke in the long gone place, 753 00:35:46,880 --> 00:35:48,600 Speaker 3: and Cente Monica called the Bit of Redhead. 754 00:35:48,880 --> 00:35:50,320 Speaker 6: There were about ten people. 755 00:35:50,120 --> 00:35:52,680 Speaker 3: And quickly everyone became quite oppressed that they had gone 756 00:35:52,680 --> 00:35:54,960 Speaker 3: through the trouble to even dress up for such a 757 00:35:55,040 --> 00:35:58,920 Speaker 3: lackluster affair. We had many shots through down the boardroom, 758 00:35:59,000 --> 00:36:01,840 Speaker 3: not even got back at a moon. Not even my 759 00:36:02,000 --> 00:36:04,759 Speaker 3: rousing version of Tom Jones Delightla could grace the poor 760 00:36:04,760 --> 00:36:08,920 Speaker 3: along experience of my compatriots. I felt the demons, somehow 761 00:36:08,960 --> 00:36:12,640 Speaker 3: displeased with our sacrifice, were conspiring to ruin a knight 762 00:36:12,680 --> 00:36:18,080 Speaker 3: that should have possessed so much levity, so much joy 763 00:36:19,440 --> 00:36:22,520 Speaker 3: at all. Always point that being when a local drum 764 00:36:22,560 --> 00:36:25,640 Speaker 3: singer got wrenching spree laven version of John Lennon's mother 765 00:36:26,600 --> 00:36:30,920 Speaker 3: that would have haunted mister Lennon himself. An event occurred 766 00:36:30,960 --> 00:36:33,480 Speaker 3: that would change such a directory of our evening, made 767 00:36:33,480 --> 00:36:36,800 Speaker 3: the judatijectory of our lives. 768 00:36:37,520 --> 00:36:37,839 Speaker 7: I thought. 769 00:36:37,880 --> 00:36:40,640 Speaker 3: It was then that three women of profoundly obese kurth 770 00:36:40,840 --> 00:36:41,200 Speaker 3: entered the. 771 00:36:41,280 --> 00:36:44,400 Speaker 6: Establishedy just as a devon a noon and what looked 772 00:36:44,440 --> 00:36:45,600 Speaker 6: to be a lumjack. 773 00:36:47,120 --> 00:36:50,360 Speaker 3: They came straight from my friend Nathan Patrick and myself. 774 00:36:50,880 --> 00:36:52,080 Speaker 5: What do we have here? 775 00:36:52,400 --> 00:36:56,040 Speaker 3: I said, it seems to be a devon and Anon, 776 00:36:56,920 --> 00:36:57,960 Speaker 3: and judging. 777 00:36:57,680 --> 00:37:00,399 Speaker 6: From your flan only you are either a male Tom or. 778 00:37:00,360 --> 00:37:07,160 Speaker 3: A Lumberjack, to which the lumberjack looking lady replied, I'm 779 00:37:07,200 --> 00:37:12,800 Speaker 3: not wearing a costall home. Well, I said, honest mistake 780 00:37:14,040 --> 00:37:14,680 Speaker 3: for reasons. 781 00:37:14,680 --> 00:37:15,799 Speaker 6: It's still misted by me. 782 00:37:16,360 --> 00:37:19,320 Speaker 3: My insult must have been deserved or miss understood. For 783 00:37:19,320 --> 00:37:21,759 Speaker 3: the next thing I know, she grabbed me by hate 784 00:37:21,800 --> 00:37:24,440 Speaker 3: the unitard and said to me drunkenly. 785 00:37:24,600 --> 00:37:26,799 Speaker 6: Oh you you're coming. 786 00:37:26,600 --> 00:37:31,799 Speaker 3: With me, and me, lacking self control and free will, said, 787 00:37:31,840 --> 00:37:36,000 Speaker 3: of course, darling, of course I'm coming with you. We 788 00:37:36,040 --> 00:37:40,080 Speaker 3: all jumped into the Lumberjack's truck. Nathan quickly began to 789 00:37:40,160 --> 00:37:42,080 Speaker 3: make out with the nun and in the back seat as 790 00:37:42,080 --> 00:37:45,440 Speaker 3: Patrick John easily John demon and I was and I 791 00:37:45,480 --> 00:37:48,640 Speaker 3: was in the front seat with the Lumberjack, drunkenly embracing 792 00:37:48,680 --> 00:37:51,360 Speaker 3: an awkward silence that was nearly as large as a 793 00:37:51,440 --> 00:37:55,680 Speaker 3: rubinous pray. We arrived at their friend's party and continue 794 00:37:55,719 --> 00:37:58,920 Speaker 3: to drink as irresponsibly as we could for some time. 795 00:38:00,200 --> 00:38:03,040 Speaker 6: Everything was going quite swimmingly until around two thirty in 796 00:38:03,080 --> 00:38:03,640 Speaker 6: the morning, when. 797 00:38:03,560 --> 00:38:07,920 Speaker 3: It began circulating the around the party that our friend Nathan, 798 00:38:07,960 --> 00:38:10,880 Speaker 3: in a frenzy makeout session, had bitten the nun in 799 00:38:10,960 --> 00:38:16,080 Speaker 3: a manner she found unpleasurable. Patrick and I tried to 800 00:38:16,120 --> 00:38:17,160 Speaker 3: assure the demon and the. 801 00:38:17,160 --> 00:38:20,000 Speaker 7: Love of Jack that we were not at all like God. 802 00:38:19,920 --> 00:38:23,000 Speaker 3: Like that, as Patrick had not been anyone in the years, 803 00:38:23,400 --> 00:38:26,280 Speaker 3: and I myself not in over two and a half months, 804 00:38:26,880 --> 00:38:31,239 Speaker 3: a new record for me, they required no reassurance, and 805 00:38:31,440 --> 00:38:34,000 Speaker 3: we soon realized that these girls would have fucked us 806 00:38:34,280 --> 00:38:35,840 Speaker 3: if we were a pull, pop and stuff. 807 00:38:38,200 --> 00:38:40,840 Speaker 6: The lover Jack and the Demon became sufficiently drawn to 808 00:38:40,880 --> 00:38:44,160 Speaker 6: take us back to their place. When we arrived at 809 00:38:44,160 --> 00:38:46,399 Speaker 6: her about and she turned on a right leg in her. 810 00:38:46,280 --> 00:38:49,520 Speaker 3: Bedroom that revealed to me the greatest boundary of the evening, 811 00:38:49,960 --> 00:38:54,320 Speaker 3: that sufficient light throughout the night I had been dealing 812 00:38:54,400 --> 00:38:56,600 Speaker 3: our combum, unable. 813 00:38:56,160 --> 00:39:00,920 Speaker 6: To discern their ethnicity. At times she looked at but 814 00:39:01,040 --> 00:39:02,560 Speaker 6: at others she loved Korean, and. 815 00:39:02,680 --> 00:39:06,800 Speaker 3: Even others mildly Chinese, and still others possibly prove it. 816 00:39:08,480 --> 00:39:10,200 Speaker 6: I drunkenly convinced. 817 00:39:09,840 --> 00:39:13,480 Speaker 3: Myself that I need not know her ethnicity, as it 818 00:39:13,640 --> 00:39:17,239 Speaker 3: was possible that she was all woman at once, and 819 00:39:17,360 --> 00:39:20,000 Speaker 3: to make love to her was to make love to 820 00:39:20,160 --> 00:39:21,359 Speaker 3: all femininity. 821 00:39:24,640 --> 00:39:26,040 Speaker 6: The best and the worst thing. 822 00:39:25,920 --> 00:39:29,120 Speaker 3: About beverages of the booze written kind is that they 823 00:39:29,160 --> 00:39:30,719 Speaker 3: will allow me to justify. 824 00:39:30,560 --> 00:39:32,000 Speaker 2: N behavior, no matter how. 825 00:39:32,080 --> 00:39:35,040 Speaker 3: Logical or reprehensible. She took out a small box. It 826 00:39:35,120 --> 00:39:38,880 Speaker 3: off and be cocaine. Don't give me no cocaine, I 827 00:39:39,000 --> 00:39:41,120 Speaker 3: said I. She'd go to me and tell O RELENTI 828 00:39:43,640 --> 00:39:46,560 Speaker 3: now Jans, don't not stress her struck eye and as 829 00:39:46,719 --> 00:39:48,560 Speaker 3: face as a hobo, she began to. 830 00:39:48,560 --> 00:39:50,680 Speaker 6: Make out with me and I started off. She initially 831 00:39:50,760 --> 00:39:53,520 Speaker 6: then announced to myself, in my mind, fuck it. If 832 00:39:53,560 --> 00:39:56,040 Speaker 6: you're in this tap, you might as well do it right. 833 00:39:57,360 --> 00:39:59,919 Speaker 6: I began to her eternity and turned up the past. 834 00:40:00,160 --> 00:40:02,919 Speaker 6: It was then when she abruptly slapped my wandering hand 835 00:40:02,960 --> 00:40:07,640 Speaker 6: and proclaimed, yully into aggressive. I'm going to sleep. I said, great, 836 00:40:09,560 --> 00:40:12,320 Speaker 6: So what am I supposed to do with this raging pope. 837 00:40:13,680 --> 00:40:15,440 Speaker 6: I don't care what you do with that boner as 838 00:40:15,480 --> 00:40:17,279 Speaker 6: long as it doesn't bother me, because I'm going to 839 00:40:17,320 --> 00:40:17,879 Speaker 6: fuck the bed. 840 00:40:19,400 --> 00:40:23,000 Speaker 3: I lay next to her, and she somehow conquered the 841 00:40:23,080 --> 00:40:25,279 Speaker 3: cocaine and entered the dream world. 842 00:40:26,360 --> 00:40:30,440 Speaker 6: My boner would not flee, and soon I found myself 843 00:40:30,520 --> 00:40:31,560 Speaker 6: furiously master me. 844 00:40:32,840 --> 00:40:34,000 Speaker 7: Where do I ejaculate? 845 00:40:34,080 --> 00:40:34,479 Speaker 2: I thought? 846 00:40:35,600 --> 00:40:37,320 Speaker 3: She said she didn't care what I did with my 847 00:40:37,400 --> 00:40:40,000 Speaker 3: boner as long as it didn't bother, so I decided 848 00:40:40,080 --> 00:40:41,400 Speaker 3: there was only one thing I could do. 849 00:40:41,880 --> 00:40:44,280 Speaker 6: I would masturbate into her hammer. 850 00:40:46,960 --> 00:40:47,560 Speaker 2: It seemed to me. 851 00:40:47,600 --> 00:40:50,560 Speaker 6: Even to be and any gentleman to her main scenario. 852 00:40:51,520 --> 00:40:54,239 Speaker 3: I spent the next three hours alternating between staring at 853 00:40:54,280 --> 00:40:56,799 Speaker 3: the ceiling and masturbating into her hander as I ran 854 00:40:56,880 --> 00:41:00,120 Speaker 3: her and away. When she did, she was hungover, she 855 00:41:00,320 --> 00:41:03,480 Speaker 3: was grumpy, and she was infinitely more unpleasant than I. 856 00:41:03,600 --> 00:41:08,680 Speaker 6: Remember, Hippy, we're going to Norms and you're buying me 857 00:41:08,960 --> 00:41:10,000 Speaker 6: steaking agg. 858 00:41:10,880 --> 00:41:12,000 Speaker 7: Yes, ma'am, I said. 859 00:41:13,640 --> 00:41:15,920 Speaker 6: I sat in that Norms in my silver unitar, and 860 00:41:16,000 --> 00:41:16,480 Speaker 6: my mother. 861 00:41:16,480 --> 00:41:21,400 Speaker 3: Wave nursing a diet with this glorinous woman, and she 862 00:41:21,800 --> 00:41:23,440 Speaker 3: the grizzly steak and eggs. 863 00:41:23,200 --> 00:41:26,080 Speaker 6: Like it was Ambrosien stolen from the Mount Olippus. 864 00:41:28,480 --> 00:41:33,720 Speaker 3: We were getting looks from the patience patrons. Sorry, it's Norms, 865 00:41:34,200 --> 00:41:38,080 Speaker 3: might be patience. We were getting looks from the patrons 866 00:41:38,120 --> 00:41:40,120 Speaker 3: that are usually reserved for death row inmates. 867 00:41:40,160 --> 00:41:41,880 Speaker 6: You know, I would admit we who at least I 868 00:41:42,080 --> 00:41:47,120 Speaker 6: deserved it. She drove me home to enhance the horror, 869 00:41:47,480 --> 00:41:50,400 Speaker 6: simply to amuse myself. I said to her, that was 870 00:41:50,640 --> 00:41:53,640 Speaker 6: a lot of fun last night. Can I get your 871 00:41:53,760 --> 00:41:58,320 Speaker 6: number in your fucking dream, she said. 872 00:42:00,040 --> 00:42:02,120 Speaker 9: Get in a car and then stuff my head back 873 00:42:02,160 --> 00:42:06,239 Speaker 9: in the window and told her, I wait, if I 874 00:42:06,360 --> 00:42:09,640 Speaker 9: were you, I probably spend doing laundry. 875 00:42:10,719 --> 00:42:13,040 Speaker 3: I'm gonna sleep from the cocaine, and I spend and 876 00:42:13,320 --> 00:42:20,440 Speaker 3: keep masturbating in the append my lady, Halloween, and that's 877 00:42:20,480 --> 00:42:27,520 Speaker 3: all to sleep. 878 00:42:29,440 --> 00:42:30,759 Speaker 6: Most telling you that we. 879 00:42:35,160 --> 00:42:38,919 Speaker 5: Are you leaving? I you wanna way back home? 880 00:42:39,280 --> 00:42:44,359 Speaker 4: Either way we want to be there, doesn't matter how 881 00:42:44,520 --> 00:42:45,760 Speaker 4: much baggage. 882 00:42:45,360 --> 00:42:49,480 Speaker 5: You clay give us time and they turn and al 883 00:42:49,560 --> 00:42:50,000 Speaker 5: and gay. 884 00:42:51,480 --> 00:42:54,080 Speaker 9: We want to send you off insil. 885 00:42:55,440 --> 00:43:00,279 Speaker 5: We want to welcome you back home. Tell us all 886 00:43:00,360 --> 00:43:05,440 Speaker 5: about it. We scared? He was it fine? Now porn? 887 00:43:21,400 --> 00:43:24,680 Speaker 5: Do you need to ride? Do you need to ride? 888 00:43:25,400 --> 00:43:28,560 Speaker 5: Do you need to ride? Do you need to ride? 889 00:43:29,320 --> 00:43:30,600 Speaker 6: Do you need to ride? 890 00:43:31,239 --> 00:43:33,080 Speaker 5: Do you need ride? 891 00:43:33,320 --> 00:43:34,560 Speaker 4: Do you need to ride? 892 00:43:35,239 --> 00:43:35,920 Speaker 5: Do you need 893 00:43:42,440 --> 00:43:43,440 Speaker 4: With Karen and Chriss