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Speaker 4: What you think?

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Speaker 2: No, that's on you. I think you know.

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Speaker 4: I'm really not into fashion. I'm very cheap. So I

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Speaker 4: think it would be really cool for me to have inexpensive,

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Speaker 2: Yes, I like that.

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Speaker 4: That's a good idea.

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Speaker 1: Canelo defeats Jimi Mungia by your by unanimous decision, wasn't

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Speaker 1: I think it was unanimous decision. Great fight in the

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Speaker 1: fourth round. Uh, he got in the pocket with Canelo.

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Speaker 1: Canelo hit him with a number cut, dropped it and uh.

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Speaker 1: But also it was a big night, the Timberwolve takedown,

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Speaker 1: the Nuggets on the road, Uh, Cat Williams had.

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Speaker 2: His uh YouTube special Woke Folk.

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Speaker 1: I was in attendance at that tonight and we had

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Speaker 1: the big the big fight Canelo and Jimi Munguia. So

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Speaker 1: We're going to start with the last one, which was Canelo.

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Speaker 1: Alvarez defeated Jimi mu Mungia by decision. Great fight, Ojo.

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Speaker 1: What did you like about what you saw from Canelo tonight?

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Speaker 4: Well, before I get to Canelo, obviously from Mungia, Mungia

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Speaker 4: had a good game plan. I think at some point,

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Speaker 4: obviously you think about Mexican fighters always want to add pressure,

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Speaker 4: always want to come forward volume punching, and that's what

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Speaker 4: Magia started out doing. First round. He won first round,

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Speaker 4: Barren square. A lot of punches were thrown. Obviously, fighting

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Speaker 4: in the pocket when you're fresh in the early rounds

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Speaker 4: is okay to do. Canelo normally starts slow, he doesn't

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Speaker 4: throw as many punches. He somewhat kind of somewhat dissects

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Speaker 4: you get, gathers information, catches the rhythm, figures out your

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Speaker 4: routine and starts pouring it on in the later rounds Mungia.

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Speaker 4: Mungia got dropped. I think it was in the third round.

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Speaker 4: Canelocording with a hook quick uppercut. Yeah, it was a fourth.

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Speaker 4: It was the fourth putting with a quick hook in

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Speaker 4: the uppercut. And one of the things I would say

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Speaker 4: about when you're fighting someone like Canelo, him fighting in

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Speaker 4: the pocket, as powerful as he is, were most of

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Speaker 4: his punches out. I don't know what percentage it is

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Speaker 4: their power punches. You gotta be careful. You gotta be

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Speaker 4: careful with that. But other than that, man mcguia fought

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Speaker 4: it a good fight. But Canelo obviously, dude, his ring

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Speaker 4: IQ is phenomenal, and he just wasn't able. He wasn't

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Speaker 4: able to able to win it. I don't think Monia

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Speaker 4: had enough power also to keep Coello off of him.

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Speaker 4: So Canelo was down there walking through everything. Yeah, it

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Speaker 4: was a really good fight, really good fight.

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Speaker 1: I don't think I don't think he ever garnered Canelo's

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Speaker 1: respect because, like you said, Connelo just started walking him down.

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Speaker 1: And then when he sat in the pocket where they

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Speaker 1: me caught him with the one doing the uppercut and

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Speaker 1: put him to the turf, that was the first time

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Speaker 1: the camp.

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Speaker 2: Excuse me, that's the first time Mogia has ever been down.

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Speaker 1: I think the thing is with with with Menia, and

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Speaker 1: he's so much bigger. I mean, if you look at him,

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Speaker 1: he's so much bigger than Cannelo, and I thought he

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Speaker 1: could hurt a Canelo, but he didn't seem to really

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Speaker 1: bother him.

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Speaker 2: Canelo. Uh, yeah, he tried some.

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Speaker 1: Everything he tried to jab him, he tried to go

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Speaker 1: to the body, but everything that.

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Speaker 2: He threw seemed Canelo seemed unfazed by it. Yeah.

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Speaker 4: You know, when Canelo fights, he's so goddamn relaxed, even

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Speaker 4: when he does get hit. Mungia Manguya, mangia through through

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Speaker 4: some through some combinations, and obviously the first two or

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Speaker 4: three punches will get blocked in the fourth and get through,

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Speaker 4: and Canelo just unphased by all, right, unphased by all

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Speaker 4: you always remain relaxed even if he does get caught,

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Speaker 4: and it's so difficult. They make it look so easy,

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Speaker 4: They make it look so easy, but it's so difficult

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Speaker 4: to do to get in the ring or have punches

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Speaker 4: coming at you and someone trying to knock your head

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Speaker 4: off and just stay calm and relax the entire time,

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Speaker 4: which is why obviously they are the elites at what

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Speaker 4: they do.

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Speaker 1: Yeah, well, I think that that's the biggest thing for

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Speaker 1: any any great fighters, to remain calm. A lot of

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Speaker 1: guys like to gather the information, see what you'd like

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Speaker 1: to do, because the one thing you can do, because

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Speaker 1: unless you work up a good lab in the back,

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Speaker 1: you're kind of cold. And the one thing you don't

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Speaker 1: want to have happen to get that flash knocked down,

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Speaker 1: and now all of a sudden, it changes your It

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Speaker 1: changes your fight plan because you're down already by two

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Speaker 1: if you get unless you can knock him down or

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Speaker 1: get him out of there.

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Speaker 2: So a lot of times guys, especially like.

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Speaker 1: A Canelo, like a Floyd, the really really great punchers

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Speaker 1: counter puncher. Now Canelo has a little bit more power,

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Speaker 1: but he's still trying to gather information. Okay, this is

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Speaker 1: what he's trying to do. Lead here, Okay, he's gonna

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Speaker 1: try to count on some of our things. And so okay,

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Speaker 1: let me let me, let me get into the third, fourth, fifth, rounds,

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Speaker 1: normally middle rounds. He starts picking up, picking it up.

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Speaker 1: He's gathered all the data that he needs and so

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Speaker 1: now it's time for him to put his plan into place.

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Speaker 4: You know, you know who else starts like that that

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Speaker 4: they starts slow and gather information.

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Speaker 2: Tank?

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Speaker 4: Yeah, you ever noticed that Tank? Always the first one

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Speaker 4: or two, three, three, right, the first first one through

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Speaker 4: first one, two or three rounds he'll let you throw.

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Speaker 4: He'll let you throw, and if I mean if if

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Speaker 4: you if you're in distance, he'll let some off.

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Speaker 2: Yeah.

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Speaker 4: Then as as as a round progress, round four or five,

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Speaker 4: he started to turn it up. And then you know

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Speaker 4: by the time you hit six or seven, now if

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Speaker 4: you haven't punched yourself out, but you know you've already

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Speaker 4: slowed down a little bit.

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Speaker 1: Yeah, he started to ramp it up. Yes, that's one

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Speaker 1: thing he had great. You know, Mexican fighters normally have

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Speaker 1: great endurance. They can pressure there. Hey, if they gonna

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Speaker 1: they're down the shield, they got no, they got.

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Speaker 4: No problem with that on yalls most definitely.

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Speaker 1: They got no problem putting punches together and going if

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Speaker 1: it if necessary, a if we got to slug it

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Speaker 1: out for twelve, well it is what it is where

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Speaker 1: it is yet. But Canelo is a guy that he

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Speaker 1: doesn't do He's not gonna punch himself out. He don't

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Speaker 1: gather that information. And then he'll slowly start to methodically

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Speaker 1: walk you down. But I was surprised with how well

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Speaker 1: he took the punches that did get through the guard

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Speaker 1: from Mngia. I thought, I thought mong Guiel could really

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Speaker 1: hurt it.

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Speaker 2: But I didn't.

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Speaker 1: I didn't get the sense that he did any damage

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Speaker 1: to Canelo. Canelo seemed really unfazed by that, and the

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Speaker 1: score cards one seventeen to one ten, one sixteen to

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Speaker 1: one eleven, one fifteen to one twelve, all in favor

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Speaker 1: of Canelo.

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Speaker 2: But I thought Canelo, uh, he looked, he looked.

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Speaker 4: Good and exactly. But this is the thing I'm excited, obviously,

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Speaker 4: Canelo said in the press conference when someone asked him

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Speaker 4: a question about fighting Benavidez. So I'm hoping Benavidez is

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Speaker 4: the next fight coming up in September for Canelo. If

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Speaker 4: it's not Benavidez, I think Berlanga. Berlanga is another one

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Speaker 4: who could be a potential fight for him as well.

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Speaker 4: I think he might say Benavidez for maybe the latter

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Speaker 4: n when he's maybe ready to call it quits and

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Speaker 4: in summer retire and finish off, finish it off like

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Speaker 4: that and give the fight fans with. Obviously, what we've

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Speaker 4: all been waiting for is the fight between him and Benavidez,

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Speaker 4: and I'm hoping it happens soon. Maybe it happens in September.

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Speaker 4: If it's not Benavidez, I'm sure, Berlanga will probably be

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Speaker 4: the next opponent. But Canelo man, real deal, real deal,

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Speaker 4: Holy field man, all the way across the board.

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Speaker 1: Yeah, you look at Mugaiel threw one hundred and twenty

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Speaker 1: seven more punches than Canelo, but Canelo landed sixty four

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Speaker 1: more punches. Gil was active. I mean there look running in.

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Speaker 1: That don't mean you're going anywhere. So you ACTI if

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Speaker 1: you ain't landing no punches, I mean that's that's that's

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Speaker 1: kind of how to fight materialized.

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Speaker 2: Yeah, he was active. Yeah he was throwing, but what

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Speaker 2: that I'm landing?

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Speaker 4: Well, you know it's funny. You know what what happened

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Speaker 4: is I think after Canelo fort Floyd, he became a

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Speaker 4: defensive mastermind. He became a defensive mastermind that worked on

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Speaker 4: a defense to the point. Oh he always kept a

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Speaker 4: high guard. He's been very good at slipping his head

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Speaker 4: moving has been phenomenal. And you pair all that with

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Speaker 4: his ring, IQ is you get you get stats like

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Speaker 4: you just got tonight. It's someone you have a volume

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Speaker 4: puncher adding pressure and he's throwing. He's volume punching, but

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Speaker 4: most of the punches are landing. Canelo defense has improved

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Speaker 4: so much throughout.

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Speaker 1: The years they have, Canelo landed forty four percent of

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Speaker 1: his shots. He landed fifty of his pole puncher. Well,

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Speaker 1: I think the thing is that Canelo used to be

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Speaker 1: a little bit more aggressive. Lloyd broke him out of

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Speaker 1: that habit. He might not stop him, but he broke

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Speaker 1: him with a habit. You know, my girl said, hey boy,

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Speaker 1: you got that Okay, I might not stop you, but

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Speaker 1: I break you the habit. And that's what happened Floyd.

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Speaker 1: After he you know, Floyd would a pull counter everything

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Speaker 1: he did. Man, I'm tired of getting hit upside my

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Speaker 1: head every time I throw something, something coming back in

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Speaker 1: my kitchen.

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Speaker 2: And so he became a defensive fighter.

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Speaker 1: But he still has dynamite and so as like I said,

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Speaker 1: he starts start slow, slow, slow, slow, and then he

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Speaker 1: starts to pick it up after he thinks that you've.

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Speaker 2: Tired it out, tired out. But like I said, I didn't.

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Speaker 1: I just didn't think mogill uh uh possessed the arsenal

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Speaker 1: the skill or the or the power, the power, the skill,

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Speaker 1: the skill level is I mean, this is you're talking

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Speaker 1: about a master, yeah fighting a student, and that that's

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Speaker 1: not the same mo Guil won't get better, but he's

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Speaker 1: just not at the level that he needed to be

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Speaker 1: in order to phase Canelo or let alone beat him.

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Speaker 2: Right.

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Speaker 1: So Canelo was Canelo for the good fight he won.

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Speaker 1: I won't get I won't bore you guys with uh

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Speaker 1: huh the coffee box number, but Canelo beat the breaks off.

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Speaker 1: Also with you. I went to the Cat Williams woke folks.

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Speaker 1: He had a net Netflix Live special.

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Speaker 4: I thought, I asked you to see if I can

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Speaker 4: get a ticket to come to I would have flew

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Speaker 4: to l A and you ain't even called me a

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Speaker 4: text me back of nothing. I would have liked to

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Speaker 4: go see the special as well, but.

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Speaker 2: Yeah, go ahead. It was good.

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Speaker 1: Well, you know, while we were close to the stage,

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Speaker 1: uh you know, he shot the board. I told me

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Speaker 1: he liked to be incognito into that big manshare on

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Speaker 1: the shark.

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Speaker 2: Ready to be out. And so it was a great

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Speaker 2: It was a great Cat's Cat.

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Speaker 1: Yeah, I mean, you know what you're gonna get with

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Speaker 1: Cat went backstage, hollered at him for a little while,

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Speaker 1: talked to Mark Curry. Uh saw Monique gave her a hug,

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Speaker 1: and then I had to come home and watch the

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Speaker 1: fight and get ready for nightcap.

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Speaker 2: But Cat's cat. It's it's unbelievable. He's unbelievable. Again. I

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Speaker 2: can't thank him enough.

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Speaker 1: We're less then, I think, two hundred thousand away from

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Speaker 1: being the all time the biggest interview on YouTube history.

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Speaker 4: You're gonna get that. You're gonna get that.

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Speaker 1: But that that interview is five years old. Mine is

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Speaker 1: four months old.

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Speaker 4: Right, yeah, you're gonna you're gonna you're gonna get that.

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Speaker 4: But he gave me the fact. I got one. I

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Speaker 4: got one that would beat the cat interview. I got

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Speaker 4: two people you can get and sit down. You know

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Speaker 4: right now they're in a civil war, beef rat beef.

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Speaker 2: And if you can get them to drake and k listen.

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Speaker 4: You, you'll do a hundred You'll do one hundred million

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Speaker 4: views in a day, in a day. And I can

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Speaker 4: make it happen. I can make it happen. You just

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Speaker 4: tell me to make the call. I can make it happen.

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Speaker 1: Well, that that would be unbelievable. Yes, I mean they

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Speaker 1: got we're gonna get into that a little bit.

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Speaker 4: Oh yeah, yeah, yeah, my bad, my bad. I ain't

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Speaker 4: mean to jump the gun.

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Speaker 2: No, no, no, we're gon, We're gonna get definitely gettingto that.

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Speaker 1: But Cat Walke for his Netflix special, Our special was unbelievable.

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Speaker 2: They got a h Netflix has this thing going on.

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Speaker 2: What is it? What is it called?

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Speaker 1: Netflix as a joke would have three hundred hours at

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Speaker 1: thirty five different events, different comedians doing doing that thing

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Speaker 1: is from May second to May twelfth. Obviously Kat had

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Speaker 1: had a big headline. He had a big special to

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Speaker 1: night that stream live on Netflix. That was unbelievable. So

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Speaker 1: thanks Kat, thanks for taking care of me and my

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Speaker 1: boy CJ, who's the produced EP of a Club Shaysha.

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Speaker 2: He and I went took checked it out. It was unbelievable.

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Speaker 2: It was great to catch that.

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Speaker 1: The timber Wolves going to Denver beat the Nuggets and

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Speaker 1: still game one, so they've stolen home court. Early Anthony

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Speaker 1: Edwards was sensational forty three points. He was seventeen or

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Speaker 1: twenty nine, three of seven from the three, six and six. Yeah,

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Speaker 1: twenty three points, seven rebounds, three assists, are still in,

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Speaker 1: two blocks and only one turnover.

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Speaker 2: He was plus ten and go ahead.

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Speaker 4: I have a question. Yeah, is it safe to say?

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Speaker 4: Michael Jordan, Kobe Bryant and Anthony Edwards all had that

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Speaker 4: mamba mentality. The difference is is Anthony Edwards has that

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Speaker 4: mamba mentality with a smile in his face as opposed

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Speaker 4: to Kobe took everything serious?

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Speaker 2: Right?

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Speaker 4: Is it safe to say that?

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Speaker 2: Yeah?

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Speaker 1: They definitely still the personalities are basically a kill mindset.

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Speaker 2: We know Mike had that kill mindset es.

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Speaker 1: Yeah, but he's from the outside. He seems more charismatic.

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Speaker 1: He's smile, smile, talking shit.

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Speaker 2: Yeah. Yeah, but he's something special. Uh.

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Speaker 1: He has now sixteen playoff games and he has three

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Speaker 1: games of at least forty points in his young playoff career.

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Speaker 1: At twenty two years, two hundred and seventy three days,

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Speaker 1: Edward become the second youngest player with consecutive forty point

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Speaker 1: playoff games after scoring forty versus the Phoenix Sons. Only

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Speaker 1: Kobe Bryant, who was four days younger, did so at.

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Speaker 2: A younger age.

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Speaker 4: That's crazy, man.

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Speaker 1: Anytime, anytime you're you could say, you know what, I

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Speaker 1: did something and I'm in the same breath as Kobe,

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Speaker 1: I'm in the same breath as Jordan, I'm in the

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Speaker 1: chamber or Lebron.

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Speaker 4: Yeah, especially this early. So another I have another question

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Speaker 4: for you, Yes, now you know, my basketball knowledge and

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Speaker 4: my basketball prowess is nowhere near as in depth and

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Speaker 4: deep as yours.

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Speaker 2: Yeah, but you're improving. You work it.

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Speaker 4: I'm improved. I'm getting better. I'm getting better. Is it

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Speaker 4: safe to say that brother Anthony Edwards is top three

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Speaker 4: in the NBA right now and has a but to

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Speaker 4: be the face of the league when Lebron is done playing.

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Speaker 4: I think we're gonna have or or am I off?

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Speaker 4: Am I off track?

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Speaker 1: You're not far off one of the three best players

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Speaker 1: that's currently playing. I don't think anybody's taking it. If

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Speaker 1: I got a team, I don't think anybody's taking them

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Speaker 1: over Luca. I don't think anybody's taking them over Yoke

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Speaker 1: now currently playing that's in the playoffs.

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Speaker 2: Yeah, he and.

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Speaker 1: Jason Tatum probably fighting it out. Jalen Bronson is in

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Speaker 1: that mix.

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Speaker 4: Also, Uh, that's oh wait, So you're said Jason Tatum

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Speaker 4: is okay, now you got me, Now you got me?

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Speaker 4: So are you saying Jason Tatum is better than Anthony Edwards.

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Speaker 1: No, I'm saying that they're they're They're in that because

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Speaker 1: I think j T is gonna be first team All NBA,

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Speaker 1: and I think man he might, but I'm thinking more

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Speaker 1: second team.

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Speaker 2: But it's close. I think the two.

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Speaker 1: Guys right now, Luca and you're not taking you're not

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Speaker 1: taking an over Luca and you're not taking them over Yoke.

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Speaker 1: So now if a if you fighting it out him

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Speaker 1: j T and Jalen Brunson.

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Speaker 2: But mm hmm, and.

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Speaker 4: That's that's a good one. And we talked about two

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Speaker 4: different positions now, you know, I mean we talked Yo

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Speaker 4: yo Yoga is the four, right, he played the four?

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Speaker 2: Five?

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Speaker 4: Okay, that's right. I'm still tripping Luca. Luca plays the

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Speaker 4: four unless he played the two.

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Speaker 2: He's a point. He plays, he's the one. He's a

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Speaker 2: good point.

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Speaker 4: Goddamn one.

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Speaker 1: Got damn b exactly. And then you still got shade.

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Speaker 1: So if if you.

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Speaker 2: Be first, he nice, Yeah.

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Speaker 4: He got that same killer mentality too.

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Speaker 2: Yes, and he got a smile. He got a smile

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Speaker 2: in his face. Obviously.

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Speaker 1: We know Man is the most athletic of that group, right,

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Speaker 1: but he put them on show today.

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Speaker 2: He had it all.

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Speaker 1: He had all finishing at the rim with both hands,

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Speaker 1: he had the three ball going, he had to turn

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Speaker 1: around going, he had everything.

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Speaker 2: He was blocking shots.

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Speaker 1: He's sensational and I think the thing is, like I

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Speaker 1: said before, you let him get the taste in his

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Speaker 1: mouths of blood of what it's like. And he here,

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Speaker 1: he understands that it to be what I want to become.

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Speaker 1: I've got to do this in the playoffs, and I'm

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Speaker 1: in the playoffs. Let me make him remember your name, son. Yeah,

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Speaker 1: And Denzel said, when Denzel said, and remember the Titans,

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Speaker 1: make him remember the Titans. Yeah, and uh he Hey,

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Speaker 1: you gonna, you gonna, you can remember the timber Wolves

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Speaker 1: forty three point I mean a sensational performance forty two minutes,

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Speaker 1: seventeen and twenty nine, three of seven, six and six,

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Speaker 1: forty three big big points.

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Speaker 2: Uh.

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Speaker 1: And I thought, I thought the big yoke Rudy Gobert.

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Speaker 1: I thought they did an incredible job on that.

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Speaker 4: Crazy in the fourth quarter.

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Speaker 2: Yeah he did, he did.

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Speaker 1: He gave them. I think he gave him. He probably

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Speaker 1: gave him like thirteen points eleven, like thirteen.

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Speaker 4: Dropped, he dropped fourteen, he dropped fourteen in the four

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Speaker 4: like it was nothing.

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Speaker 2: Yeah, they needed all that.

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Speaker 1: But I thought Rudy Gobert and I thought Carl Anthony

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Speaker 1: Towns did a great job. Yoke shot nine threes you

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Speaker 1: can live with that. That means he's not close to

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Speaker 1: the basket exactly. They keeping him out there. They keeping

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Speaker 1: him out there, and he was he was he he

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Speaker 1: yoke is normally really really efficient.

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Speaker 2: He was leven of twenty five two or nine. He

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Speaker 2: was thirty two points a nine assists, uh and what

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Speaker 2: eight eight rebounds.

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Speaker 1: He's normally you don't get very many playoff games where

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Speaker 1: he doesn't give you at least a double double. Now

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Speaker 1: he's gonna we know he's gonna give you the double

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Speaker 1: double in points, but it's normally a rebounds in a sense,

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Speaker 1: a lot of times he's gonna give you a triple double.

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Speaker 1: But I thought their size, I thought they did a

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Speaker 1: great job and mix it up. And they started calling

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Speaker 1: Anthony Towns on him. They put Rudy Gobert on Gordon.

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Speaker 4: Wear him down a little bit. No, Gordon called him

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Speaker 4: to wear him down a little bit.

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Speaker 1: That I think the thing is, Look, Gordon is not

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Speaker 1: the threat Rudy Gobert, and so now look for Rudy

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Speaker 1: Gobert to come help.

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Speaker 2: And he just Rudy blocked a couple of.

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Speaker 1: Shots coming from the weak side, right, and so that's

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Speaker 1: what that's what you need because we've seen Yo do

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Speaker 1: a demolition job of Rudy called Anthony Towns a little

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Speaker 1: bit more athletic, a little bit more physical. Hey, but

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Speaker 1: he got him in foul trouble. That was a really

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00:21:30,880 --> 00:21:33,879
Speaker 1: good job. That was a really big win for the Timberwolves.

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Speaker 1: Concerning call, Anthony picked up his fifth file early in

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Speaker 1: the fourth and had to go to the bench. But

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Speaker 1: Anthony Edwards and nod reed, like you said, nov Read's

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Speaker 1: coming in and get him fourteen points and ant Man

436
00:21:44,880 --> 00:21:47,840
Speaker 1: doing a demolition job the entirety of the game. That

437
00:21:48,000 --> 00:21:50,560
Speaker 1: was really really they needed that. They needed that. So

438
00:21:50,600 --> 00:21:54,520
Speaker 1: they've stolen home court. Yeah, they've stolen home court from

439
00:21:54,560 --> 00:21:55,119
Speaker 1: him early on.

440
00:21:55,800 --> 00:21:59,280
Speaker 4: Go ahead, you heard you heard the media ad joke it.

441
00:22:00,240 --> 00:22:04,679
Speaker 4: What can he do against the against the Wolves? Three

442
00:22:04,760 --> 00:22:08,200
Speaker 4: three big car Anthony Towns, Rudy, Gobert and Noads.

443
00:22:08,320 --> 00:22:09,439
Speaker 2: Yeah.

444
00:22:09,880 --> 00:22:12,960
Speaker 4: Yeah, And he's said about maybe you need a duplicate

445
00:22:13,000 --> 00:22:18,399
Speaker 4: of himself out there or a clone. You know what,

446
00:22:18,480 --> 00:22:21,879
Speaker 4: he's a comedian. He has not dry humor. That's what

447
00:22:21,960 --> 00:22:22,479
Speaker 4: I'm looking for.

448
00:22:22,680 --> 00:22:23,800
Speaker 2: Yeah, he got he got.

449
00:22:23,840 --> 00:22:26,040
Speaker 4: He got dry humor. The fact that he can laugh,

450
00:22:26,359 --> 00:22:28,800
Speaker 4: the fact that he's still in good spirits and laugh

451
00:22:28,840 --> 00:22:31,840
Speaker 4: about it after losing game one. It lets me know

452
00:22:32,400 --> 00:22:35,359
Speaker 4: whenever they have game two, which I'm assuming is what Monday,

453
00:22:35,359 --> 00:22:38,560
Speaker 4: by Monday or Tuesday, Monday, Monday, he's finna go out

454
00:22:38,560 --> 00:22:42,200
Speaker 4: there and have a goddamn game. Oh, lets you know,

455
00:22:42,240 --> 00:22:43,760
Speaker 4: you can go out there and have a goddamn game.

456
00:22:44,000 --> 00:22:48,280
Speaker 1: But here's the thing, Jamal can't continuously start slow. Now

457
00:22:48,280 --> 00:22:50,359
Speaker 1: he got it going a little bit, but if you

458
00:22:50,400 --> 00:22:52,600
Speaker 1: remember the first half, he has zero points.

459
00:22:52,920 --> 00:22:57,720
Speaker 4: Right, I see, here we go again with me not understanding.

460
00:23:00,320 --> 00:23:03,000
Speaker 4: He want to get your players in rhythm. The head coach,

461
00:23:03,040 --> 00:23:05,280
Speaker 4: whoever the head coach is, you want to get your

462
00:23:05,280 --> 00:23:09,280
Speaker 4: players in the rhythm. Call plays for those players, those individuals.

463
00:23:09,800 --> 00:23:12,480
Speaker 4: You got to shoot the ball early. The earlier you

464
00:23:12,520 --> 00:23:14,520
Speaker 4: shoot the ball, even if you do miss, if you

465
00:23:14,560 --> 00:23:17,240
Speaker 4: do hit them, you get in rhythm a little bit faster.

466
00:23:17,480 --> 00:23:19,040
Speaker 4: If you get in rhythm a little bit faster. There's

467
00:23:19,080 --> 00:23:21,480
Speaker 4: no different than when when you out there playing you

468
00:23:21,560 --> 00:23:23,720
Speaker 4: catch a ball. If you catch a ball, you know

469
00:23:23,800 --> 00:23:25,680
Speaker 4: what that does for you inside and what it does

470
00:23:25,680 --> 00:23:29,920
Speaker 4: for you mentally. The confidence it shoots out the roof.

471
00:23:30,640 --> 00:23:32,439
Speaker 4: You get you you hit a layup, you hit you

472
00:23:32,520 --> 00:23:35,680
Speaker 4: hit something you hit some mid range boom. Now you're

473
00:23:35,680 --> 00:23:37,879
Speaker 4: competent out the roof. Now you get into a rhythm

474
00:23:37,880 --> 00:23:39,960
Speaker 4: of the game. They don't have the game don have to.

475
00:23:39,880 --> 00:23:40,440
Speaker 2: Go through you.

476
00:23:41,240 --> 00:23:44,560
Speaker 4: But you feel that much more comfortable shooting, and from that,

477
00:23:44,800 --> 00:23:47,119
Speaker 4: I'm assuming you would be efficient. I mean that's just

478
00:23:47,200 --> 00:23:48,000
Speaker 4: my thought process.

479
00:23:48,040 --> 00:23:49,720
Speaker 2: Well, he just missed some shots early. I mean he

480
00:23:49,800 --> 00:23:50,240
Speaker 2: shot great.

481
00:23:50,280 --> 00:23:51,800
Speaker 1: I mean, he's the point, so he has the ball

482
00:23:51,840 --> 00:23:53,919
Speaker 1: in his hands, he can take he can take the

483
00:23:53,920 --> 00:23:54,800
Speaker 1: guys off the dribble.

484
00:23:54,840 --> 00:23:55,960
Speaker 2: He just missed those shots.

485
00:23:56,200 --> 00:23:58,439
Speaker 1: The shots that were going in against the Lakers, they

486
00:23:58,440 --> 00:24:00,840
Speaker 1: didn't fall today. They didn't fall day and fault today

487
00:24:01,000 --> 00:24:02,600
Speaker 1: a lot of guys. I mean, you look at some

488
00:24:02,640 --> 00:24:05,160
Speaker 1: of the shots that Yok was missing, they went in

489
00:24:05,760 --> 00:24:09,040
Speaker 1: some of the So so I thought, maybe played Reggie

490
00:24:09,119 --> 00:24:11,560
Speaker 1: Jackson a little more. Reggie Jackson played really well in

491
00:24:11,560 --> 00:24:13,040
Speaker 1: a little fourteen minutes that he played.

492
00:24:13,040 --> 00:24:13,760
Speaker 2: He had five.

493
00:24:13,800 --> 00:24:16,480
Speaker 1: He was plus fifteen while he was out there. I

494
00:24:16,480 --> 00:24:18,879
Speaker 1: think he should have played a little bit more. But

495
00:24:18,960 --> 00:24:21,120
Speaker 1: I think Murray Hall turning a round. But he They're

496
00:24:21,119 --> 00:24:23,640
Speaker 1: gonna have to be on their best behavior now, they're

497
00:24:23,640 --> 00:24:26,359
Speaker 1: gonna have to be on their best behavior. This Minnesota team.

498
00:24:26,440 --> 00:24:29,760
Speaker 1: They really believe that they can beat the Nuggets. They

499
00:24:29,800 --> 00:24:32,280
Speaker 1: played them tough. The Nuggets beat them last year in

500
00:24:32,359 --> 00:24:37,359
Speaker 1: the in the semi finals, right, but each game really

501
00:24:37,400 --> 00:24:40,399
Speaker 1: came down to the wire and they executed. This was

502
00:24:40,720 --> 00:24:43,440
Speaker 1: in this game here was nip and tough, and I thought,

503
00:24:43,480 --> 00:24:46,240
Speaker 1: I was like, Okay, they're gonna give them the Nuggets.

504
00:24:46,280 --> 00:24:47,959
Speaker 1: You know how to win games like this. They've been

505
00:24:47,960 --> 00:24:50,720
Speaker 1: in battle tested. To give the Timberwood was a lot

506
00:24:50,720 --> 00:24:53,360
Speaker 1: of credit. The team was did an unbelievable job of

507
00:24:53,400 --> 00:24:56,919
Speaker 1: every possession, maximizing every possession, did a great job of

508
00:24:56,960 --> 00:25:00,000
Speaker 1: forcing a couple of turnovers to create, you know, extra persent.

509
00:25:00,720 --> 00:25:04,520
Speaker 1: So the Timberwolves they're not in awe, they're not fearful

510
00:25:05,240 --> 00:25:07,920
Speaker 1: of the defending champs, and they got their work cut

511
00:25:07,960 --> 00:25:08,440
Speaker 1: off for him.

512
00:25:08,600 --> 00:25:12,440
Speaker 2: Trust me, they got their work Cutoutah oh chow.

513
00:25:12,560 --> 00:25:14,920
Speaker 1: The moment every Rap fan has been waiting for its

514
00:25:14,920 --> 00:25:19,480
Speaker 1: finally happened. Frieda k doc, Kendrick, Lamar and Drake battle

515
00:25:19,720 --> 00:25:22,400
Speaker 1: came to a climax and explosion of song. The day

516
00:25:22,400 --> 00:25:27,040
Speaker 1: started with Kendricks six sixteen in LA, which followed drake

517
00:25:27,160 --> 00:25:30,640
Speaker 1: seven minute barrage of family matters on Searing seven minute

518
00:25:30,680 --> 00:25:34,040
Speaker 1: Deaths track, Drake unloaded on everyone from Rick Ross to

519
00:25:34,119 --> 00:25:38,320
Speaker 1: the Weekend to Asap Rocky. Drake used family Matters to

520
00:25:38,520 --> 00:25:41,720
Speaker 1: Levy some major accusations that Kendrick law, namely that he

521
00:25:41,760 --> 00:25:44,960
Speaker 1: abuses his partner and that the child's father supposedly is

522
00:25:45,040 --> 00:25:49,760
Speaker 1: Kendrick longtime collaborator business partner David Free. The song should

523
00:25:49,800 --> 00:25:52,560
Speaker 1: have been in the talk all weekend, but kay dot

524
00:25:53,080 --> 00:25:54,680
Speaker 1: was like a two minute drill. You know, in the

525
00:25:54,680 --> 00:25:56,680
Speaker 1: two minute drill, Oh show what you do? You call

526
00:25:56,760 --> 00:25:59,239
Speaker 1: two plays? You call what and you ate one. We're

527
00:25:59,280 --> 00:26:01,119
Speaker 1: gonna call this and we will go right back up

528
00:26:01,160 --> 00:26:03,520
Speaker 1: to the line first one on one second.

529
00:26:04,200 --> 00:26:06,040
Speaker 2: That's what we got to play. Call so what.

530
00:26:06,200 --> 00:26:08,640
Speaker 1: Drake didn't realize that when he came out with six

531
00:26:08,720 --> 00:26:12,080
Speaker 1: one six, he already had something in the chamber knowing.

532
00:26:11,880 --> 00:26:12,920
Speaker 2: That you was gonna respond.

533
00:26:13,240 --> 00:26:15,040
Speaker 1: So by the time we listened to that, be like,

534
00:26:15,040 --> 00:26:18,120
Speaker 1: oh yeah, that Drake going at.

535
00:26:17,920 --> 00:26:23,200
Speaker 2: This in jumping yeah, Hello, hello, holo, oh Joe, oh Joe.

536
00:26:23,880 --> 00:26:28,520
Speaker 4: He doesn't drop drop that, he doesn't drop drop that. Listen,

537
00:26:29,680 --> 00:26:34,560
Speaker 4: hardcore hip hop fans. I think this is something that

538
00:26:34,640 --> 00:26:37,480
Speaker 4: they've all needed. I think this is this is good

539
00:26:37,480 --> 00:26:41,000
Speaker 4: for hip hop, two of the best in the game

540
00:26:44,760 --> 00:26:49,440
Speaker 4: allowing their beef to show and display through penmanship even

541
00:26:49,480 --> 00:26:51,800
Speaker 4: though they hate. Even though they hate each other, I

542
00:26:51,800 --> 00:26:55,240
Speaker 4: think it's great. Drake is good at what he does.

543
00:26:57,200 --> 00:27:01,200
Speaker 4: Kendrick lamar a lyricists. There's so many late to dissect.

544
00:27:01,200 --> 00:27:04,760
Speaker 4: When you listen to what he's saying, it's dope. I

545
00:27:04,880 --> 00:27:07,399
Speaker 4: like it. I'm I'm thoroughly enjoying it. I'm not a

546
00:27:07,440 --> 00:27:10,760
Speaker 4: hardcore hip hop fan, but remember when Jordan used to

547
00:27:10,760 --> 00:27:13,160
Speaker 4: release and the line used to be around the block,

548
00:27:13,200 --> 00:27:16,679
Speaker 4: around the corner because everybody waiting that. That's how I

549
00:27:16,720 --> 00:27:20,679
Speaker 4: am right now. When it comes to the choral behind

550
00:27:21,240 --> 00:27:25,320
Speaker 4: the qrawl between Drake and goddamn Kendrick, I don't I

551
00:27:25,320 --> 00:27:28,439
Speaker 4: don't follow. I don't follow their careers and know the

552
00:27:28,560 --> 00:27:30,760
Speaker 4: ends and ends and outs of all the insults and

553
00:27:30,800 --> 00:27:33,600
Speaker 4: allegations that are being said. So I'm learning everything on

554
00:27:33,640 --> 00:27:36,399
Speaker 4: the run as the albums are releasing, and I'm not

555
00:27:36,480 --> 00:27:40,119
Speaker 4: really jumping and jumping and dissecting it and trying to

556
00:27:40,119 --> 00:27:42,159
Speaker 4: find out did he do this or did he do that.

557
00:27:42,680 --> 00:27:46,960
Speaker 4: I'm just I'm just enjoying it because as a fan

558
00:27:47,080 --> 00:27:50,400
Speaker 4: of rapp in general, I think it's something that that

559
00:27:50,600 --> 00:27:52,600
Speaker 4: I think it is something that we need. Is exciting

560
00:27:52,880 --> 00:27:54,880
Speaker 4: and it has me on the edge of my seat obviously.

561
00:27:55,480 --> 00:27:59,240
Speaker 4: God damn Kendrick dropped the dropped again of the day,

562
00:28:00,240 --> 00:28:03,960
Speaker 4: and Drake dropped yesterday which was really really dope, very very.

563
00:28:03,800 --> 00:28:10,560
Speaker 2: Crazy than you.

564
00:28:10,640 --> 00:28:14,920
Speaker 4: Yeah, listen the fact that Drake added the visuals to it.

565
00:28:15,359 --> 00:28:17,920
Speaker 4: He added the visuals to it. I mean, listen the

566
00:28:18,240 --> 00:28:23,879
Speaker 4: creative aspect and just they just just the stabbing and

567
00:28:23,880 --> 00:28:27,080
Speaker 4: the poking at each other. Is I I like it?

568
00:28:27,160 --> 00:28:29,760
Speaker 4: I love it now. I can't dive deep into it

569
00:28:29,840 --> 00:28:32,520
Speaker 4: and dissect it like a Joe Budden can or some

570
00:28:32,560 --> 00:28:35,520
Speaker 4: of the people that are really embedded into into hip hop.

571
00:28:35,560 --> 00:28:37,960
Speaker 4: I can't do that. All I can do is sit

572
00:28:38,000 --> 00:28:41,560
Speaker 4: here and tell you I'm enjoying I'm enjoying it from

573
00:28:41,600 --> 00:28:44,160
Speaker 4: both sides of the spectrum as a fan from the

574
00:28:44,160 --> 00:28:47,719
Speaker 4: outside looking in, and the fact that they're getting it

575
00:28:47,760 --> 00:28:50,479
Speaker 4: done with the pen and not the bull and it

576
00:28:50,480 --> 00:28:53,200
Speaker 4: ain't going no further than that. They're getting and doing

577
00:28:53,200 --> 00:28:55,520
Speaker 4: it in the studio. We ain't talk about no gun play,

578
00:28:55,560 --> 00:28:56,800
Speaker 4: we ain't talk about no fighting.

579
00:28:57,320 --> 00:28:58,720
Speaker 2: We doing we do best.

580
00:28:59,400 --> 00:29:02,200
Speaker 4: That's getting this studio behind the mic and using the

581
00:29:02,240 --> 00:29:02,880
Speaker 4: god damn pen.

582
00:29:03,320 --> 00:29:05,320
Speaker 2: I like it, oh man. I mean the way he

583
00:29:05,400 --> 00:29:08,040
Speaker 2: hit a faun. He's like, oh yeah, you.

584
00:29:10,040 --> 00:29:14,040
Speaker 4: Check the time he went at my cousin because listen,

585
00:29:14,320 --> 00:29:16,440
Speaker 4: I was, I was Finnah jump in. I was Finnah

586
00:29:16,480 --> 00:29:19,479
Speaker 4: jump in. I talked ay sap yesterday. I say, bro,

587
00:29:20,760 --> 00:29:23,320
Speaker 4: just just let me know. But I didn't want to

588
00:29:23,360 --> 00:29:25,600
Speaker 4: do that. He went at yad, did you hit? You

589
00:29:25,640 --> 00:29:28,440
Speaker 4: hit a line of yay? Like, oh man, they are

590
00:29:28,480 --> 00:29:31,760
Speaker 4: so strategic and if you don't listen, you miss it.

591
00:29:32,560 --> 00:29:34,240
Speaker 4: If you don't if you don't listen, you'll miss it.

592
00:29:34,560 --> 00:29:36,880
Speaker 4: And like, dude, that's the elite of the elite when

593
00:29:36,880 --> 00:29:41,280
Speaker 4: it comes to to to writing and creativity and and

594
00:29:41,280 --> 00:29:44,600
Speaker 4: and the art that goes into I and the making

595
00:29:44,600 --> 00:29:48,880
Speaker 4: the beef. Man, listen, I'm waiting. I like the fact

596
00:29:48,880 --> 00:29:52,840
Speaker 4: that Drake is like twenty verses one. Oh yeah, hey,

597
00:29:52,880 --> 00:29:54,600
Speaker 4: he's shooting at every goddamn body.

598
00:29:54,880 --> 00:29:57,680
Speaker 1: But here's the thing right now, he's the top dog.

599
00:29:58,720 --> 00:30:02,600
Speaker 1: So yeah, if a let's take your enemy is the

600
00:30:02,760 --> 00:30:08,520
Speaker 1: enemy to me too. So let's get him. Forget fighting

601
00:30:08,720 --> 00:30:13,560
Speaker 1: up amongst ourselves. Let's go get him. Let's knock him off.

602
00:30:13,800 --> 00:30:17,680
Speaker 1: He fanos right now mm hms.

603
00:30:18,200 --> 00:30:20,240
Speaker 4: But you know, when I think about it, you know, Drake,

604
00:30:20,360 --> 00:30:25,440
Speaker 4: the fame, the money, Kendrick. Kendrick is the type where

605
00:30:25,440 --> 00:30:27,480
Speaker 4: it's not even about the money. It ain't even bout

606
00:30:27,480 --> 00:30:32,360
Speaker 4: the fame. He's releasing. He's releasing music in a disc

607
00:30:32,440 --> 00:30:39,400
Speaker 4: track wholeheartedly with a dislike for Drake, like from head

608
00:30:39,440 --> 00:30:43,320
Speaker 4: to toe, his essence, everything about him. You can tell

609
00:30:43,560 --> 00:30:46,240
Speaker 4: by the things that he's saying, in the way it's written,

610
00:30:46,360 --> 00:30:50,520
Speaker 4: the passion behind it. He literally dislikes this individual. And

611
00:30:50,560 --> 00:30:52,800
Speaker 4: this is this, this spans now that I've done the

612
00:30:52,800 --> 00:30:55,400
Speaker 4: little bit of homework I have done, his spans from

613
00:30:55,440 --> 00:30:56,760
Speaker 4: way back almost a decade.

614
00:30:57,040 --> 00:30:58,800
Speaker 2: Yeah, I mean almost a decade.

615
00:30:59,120 --> 00:31:02,160
Speaker 4: I'm like, but god damn. I thought everybody in the

616
00:31:02,200 --> 00:31:05,800
Speaker 4: industry got along because obviously it's like football. Everybody knows

617
00:31:05,800 --> 00:31:08,800
Speaker 4: each other. Think about it. Everybody knows each other. It

618
00:31:08,840 --> 00:31:11,440
Speaker 4: don't matter what team you play for. We know we

619
00:31:11,760 --> 00:31:14,280
Speaker 4: all know each other. And if there already, if there are,

620
00:31:14,400 --> 00:31:18,640
Speaker 4: there are very few cases of people that generally dislike

621
00:31:18,720 --> 00:31:20,920
Speaker 4: each other that plays in the NFL.

622
00:31:21,600 --> 00:31:23,520
Speaker 2: Well, because here's the thing, so I.

623
00:31:23,480 --> 00:31:25,440
Speaker 4: Thought the same. I thought it was the same when

624
00:31:25,480 --> 00:31:28,760
Speaker 4: it came to came to rap okay jar rule. Uh

625
00:31:28,800 --> 00:31:31,520
Speaker 4: there have been some other beefs l L who's you said,

626
00:31:31,600 --> 00:31:36,440
Speaker 4: ll cool J and m O n d n LLL,

627
00:31:37,120 --> 00:31:40,400
Speaker 4: jay Z and nas. I mean it happens seldom, biginn Park.

628
00:31:40,640 --> 00:31:43,520
Speaker 4: I mean, it's not like reoccurring every single year.

629
00:31:43,920 --> 00:31:46,640
Speaker 2: So it's like ice q n w A.

630
00:31:47,680 --> 00:31:50,560
Speaker 1: Yeah, you had Remy mard going and Niki Uh there

631
00:31:50,640 --> 00:31:52,040
Speaker 1: was a couple of bars between.

632
00:31:51,800 --> 00:31:56,080
Speaker 2: Nikki and uh yeah and uh Meg earlier this year.

633
00:32:04,600 --> 00:32:07,480
Speaker 4: So is this rap beef? Is this the significance of

634
00:32:07,520 --> 00:32:10,760
Speaker 4: it as big as j and Noads was or is

635
00:32:10,760 --> 00:32:12,720
Speaker 4: it bigger being at the time.

636
00:32:12,560 --> 00:32:16,320
Speaker 1: To more people involved. This is like World War three there.

637
00:32:16,320 --> 00:32:18,040
Speaker 1: You know, you can have a war going on between

638
00:32:18,080 --> 00:32:20,760
Speaker 1: two countries, but when you have the entire world going

639
00:32:20,800 --> 00:32:23,640
Speaker 1: at it, now, this is what makes it bigger. Because

640
00:32:23,640 --> 00:32:26,360
Speaker 1: this was just jay Z and nods. But now you

641
00:32:26,480 --> 00:32:28,760
Speaker 1: got so now you got some of the biggest You

642
00:32:28,800 --> 00:32:31,440
Speaker 1: had J Cole that was involved. J Cole like, hey man,

643
00:32:31,480 --> 00:32:34,360
Speaker 1: I can I can see where this thing hide. I'm

644
00:32:34,400 --> 00:32:37,160
Speaker 1: about to stage left. So you had J Cole in it,

645
00:32:37,480 --> 00:32:41,680
Speaker 1: you had you got Drake, you got k doc uh first.

646
00:32:41,520 --> 00:32:44,080
Speaker 2: And then now you got Chris Brown and Quabo going

647
00:32:44,080 --> 00:32:45,840
Speaker 2: at it, right, Oh.

648
00:32:45,760 --> 00:32:49,160
Speaker 4: Yeah, yeah, yeah, yeah, yeah, I forgot that. I ain't

649
00:32:49,200 --> 00:32:50,800
Speaker 4: know Chris Brown know how to rap like that?

650
00:32:51,360 --> 00:32:52,080
Speaker 2: Yeah for sure.

651
00:32:52,760 --> 00:32:56,400
Speaker 4: Yeah, okay, yeah, Christy. Chris is one of the most

652
00:32:56,480 --> 00:32:59,840
Speaker 4: talented individuals that I ain't nobody.

653
00:33:00,200 --> 00:33:00,760
Speaker 2: All like that.

654
00:33:01,520 --> 00:33:05,560
Speaker 1: Uh. They talk about Eminem and ben Zito, they went

655
00:33:05,640 --> 00:33:08,200
Speaker 1: at it. Oh they've been they've been beefing back and forth.

656
00:33:08,720 --> 00:33:15,080
Speaker 1: Who had somebody else? Uh uh uh going back Eminem?

657
00:33:15,200 --> 00:33:18,920
Speaker 4: Oh, Mariah Carey, Mariah Carey. That's not even wrap though

658
00:33:20,360 --> 00:33:23,640
Speaker 4: with you. Remember Mariah Carrey was going at it.

659
00:33:23,680 --> 00:33:25,600
Speaker 1: Oh yeah, yeah, yeah, well that's what you know, they

660
00:33:25,680 --> 00:33:27,680
Speaker 1: supposed to have a relationship, you know, try you know.

661
00:33:27,800 --> 00:33:30,480
Speaker 2: Yeah, yeah yeah, I'm supposed to have you know. Yeah

662
00:33:30,640 --> 00:33:31,880
Speaker 2: yeah yeah.

663
00:33:32,000 --> 00:33:32,480
Speaker 4: I don't know.

664
00:33:32,520 --> 00:33:32,720
Speaker 1: Man.

665
00:33:32,880 --> 00:33:33,520
Speaker 2: I like it.

666
00:33:33,560 --> 00:33:36,360
Speaker 4: I I just like, like you said, this is this

667
00:33:36,400 --> 00:33:39,640
Speaker 4: is would be the World War Three of rap beef

668
00:33:39,760 --> 00:33:41,320
Speaker 4: and this I like it.

669
00:33:41,600 --> 00:33:42,080
Speaker 2: I like it.

670
00:33:42,080 --> 00:33:44,760
Speaker 4: It is dope, you know. I I again, like I said,

671
00:33:44,800 --> 00:33:47,640
Speaker 4: I can't dive in and dissect it the way some

672
00:33:47,680 --> 00:33:50,120
Speaker 4: of the people that are really good at it. Obviously

673
00:33:50,280 --> 00:33:52,440
Speaker 4: I mentioned Joe Budden's name. He's really good at it

674
00:33:52,480 --> 00:33:54,160
Speaker 4: because this is this is what he does. This is

675
00:33:54,200 --> 00:33:57,320
Speaker 4: a part of his his craft and his art. But dog,

676
00:33:57,720 --> 00:33:59,640
Speaker 4: I'm sitting. I'm waiting on Drake to drop. I don't

677
00:33:59,640 --> 00:34:01,720
Speaker 4: know if it's gonna drop the night. I don't know

678
00:34:01,720 --> 00:34:04,560
Speaker 4: if it's gonna drop in the morning. But I'm just waiting.

679
00:34:04,880 --> 00:34:07,680
Speaker 1: Kendrick opens his song talking to Drake's son, The Donna's

680
00:34:07,680 --> 00:34:09,760
Speaker 1: tell him the six year old, Dear Donna's, I'm sorry

681
00:34:09,760 --> 00:34:12,040
Speaker 1: that the man in your father. Let's be honest. It

682
00:34:12,080 --> 00:34:13,840
Speaker 1: takes a man to be a man. Your dad is

683
00:34:13,840 --> 00:34:18,040
Speaker 1: not responsible. Ken your father's moore revelation, claiming that Drake

684
00:34:18,120 --> 00:34:21,840
Speaker 1: had and his label Ovo Sound are involved in sex trafficking,

685
00:34:22,160 --> 00:34:26,280
Speaker 1: even compares Drake to Harvey Weinstein share power and visiousness.

686
00:34:26,320 --> 00:34:28,840
Speaker 1: Meet the graunds and the timing, adding the to the

687
00:34:28,880 --> 00:34:32,560
Speaker 1: belief that Kendrick had access to people in Drake's camp

688
00:34:32,640 --> 00:34:37,919
Speaker 1: overshadows Drake's release. Usual gotten personal anticipated Kendrick's execution, feel

689
00:34:38,000 --> 00:34:40,000
Speaker 1: like it landed the most impactful blow.

690
00:34:40,239 --> 00:34:42,520
Speaker 2: Well that's what you do. Look if we beef and we.

691
00:34:42,600 --> 00:34:46,839
Speaker 4: Beefing, everything everything green light. Everything is a green light.

692
00:34:47,080 --> 00:34:49,960
Speaker 4: But I thought when you thought, I thought the key,

693
00:34:50,000 --> 00:34:52,479
Speaker 4: I thought the kids are limits. I thought the kids

694
00:34:52,520 --> 00:34:53,399
Speaker 4: was off the park.

695
00:34:53,480 --> 00:34:58,120
Speaker 1: Say, if you and the click you claim webside, we

696
00:34:58,160 --> 00:35:00,600
Speaker 1: come equipped with game. You claimed the be a player.

697
00:35:02,280 --> 00:35:06,160
Speaker 1: We bustle, bad boy, y'all stuck for life. So I

698
00:35:06,200 --> 00:35:10,279
Speaker 1: ain't no, ain't nothing. But you take it there once

699
00:35:10,360 --> 00:35:13,160
Speaker 1: you take it there. Yeah, what did I tell you, Joe?

700
00:35:13,600 --> 00:35:15,960
Speaker 1: When they go low, I go to the basement.

701
00:35:16,000 --> 00:35:16,480
Speaker 4: I go to hell.

702
00:35:16,760 --> 00:35:18,719
Speaker 2: If they join them in the basement, I'm going to hell.

703
00:35:19,080 --> 00:35:21,239
Speaker 2: So don't be talking about oh we're no kid none

704
00:35:21,239 --> 00:35:25,400
Speaker 2: of hell. Now, I just I just thought this.

705
00:35:25,400 --> 00:35:28,200
Speaker 4: This is when I when I heard the line and

706
00:35:28,239 --> 00:35:31,640
Speaker 4: the message and he used the Donna sent it, I said, Okay,

707
00:35:32,880 --> 00:35:36,920
Speaker 4: this is serious. Yeah, this is serious, like they're not bullshit.

708
00:35:37,120 --> 00:35:39,480
Speaker 4: And I didn't think. I thought there was always some

709
00:35:39,520 --> 00:35:41,480
Speaker 4: type of decorum to have when you do have BEEP

710
00:35:41,480 --> 00:35:47,080
Speaker 4: for somebody with certain individuals off limits, mothers, kids, spouses.

711
00:35:47,840 --> 00:35:50,480
Speaker 1: But man, the drive by what they do they wear

712
00:35:50,520 --> 00:35:52,839
Speaker 1: a mama graand my everybody else on the pool if

713
00:35:52,880 --> 00:35:55,799
Speaker 1: I got beat, so all that stuff that used to

714
00:35:55,800 --> 00:35:58,560
Speaker 1: be maybe that was the old the old guard like

715
00:35:58,719 --> 00:36:02,920
Speaker 1: kids I think of that was the scarface no kids involved.

716
00:36:02,920 --> 00:36:05,880
Speaker 4: Oh yeah, never, never never never never yet never never.

717
00:36:05,840 --> 00:36:08,080
Speaker 2: Once once you, once you, once you come at me.

718
00:36:09,000 --> 00:36:10,400
Speaker 4: Hm, I got, everything is on.

719
00:36:10,680 --> 00:36:13,920
Speaker 2: I'm gonna let the hammer go. I'll get I'm getting everybody.

720
00:36:14,400 --> 00:36:18,480
Speaker 4: Listen the letting. They letting it go on both sides,

721
00:36:19,040 --> 00:36:19,719
Speaker 4: they letting it go.

722
00:36:20,280 --> 00:36:24,399
Speaker 2: Hey. So that's a matter of fact.

723
00:36:24,440 --> 00:36:27,520
Speaker 4: It's so funny when I think about it, right, Kendrick

724
00:36:28,239 --> 00:36:30,719
Speaker 4: and God damn Drake going back and forth is no

725
00:36:30,840 --> 00:36:34,719
Speaker 4: different than the seven seven game NBA series because that's

726
00:36:34,760 --> 00:36:38,080
Speaker 4: what it's like. Yeah, they're going back and forth, back

727
00:36:38,120 --> 00:36:40,480
Speaker 4: and forth, back and forth. And when you really listen

728
00:36:40,520 --> 00:36:43,239
Speaker 4: to it, despite the things that are being said, and

729
00:36:43,280 --> 00:36:45,560
Speaker 4: I know the allegations and all that stuff that's being said,

730
00:36:46,200 --> 00:36:49,040
Speaker 4: I know that that stuff is serious or whatever. But

731
00:36:49,920 --> 00:36:53,080
Speaker 4: just the excitement for me as a fan on the

732
00:36:53,080 --> 00:36:57,040
Speaker 4: eyes outside looking in, you know, I'm not on nobody's side.

733
00:36:57,080 --> 00:37:00,879
Speaker 4: I'm not cheering, and I'm just enjoying the beef back

734
00:37:00,920 --> 00:37:03,200
Speaker 4: and forth. I'm enjoying it. Once you join it.

735
00:37:03,600 --> 00:37:06,319
Speaker 1: If you come for me and I didn't sing for you,

736
00:37:06,719 --> 00:37:07,839
Speaker 1: I got to send your way.

737
00:37:09,000 --> 00:37:13,919
Speaker 2: Hey, But man, how your wife and my kids do it? Oh? Yeah,

738
00:37:13,960 --> 00:37:15,960
Speaker 2: I'm coming, I'm coming.

739
00:37:16,920 --> 00:37:18,319
Speaker 4: Hey, that hurt in.

740
00:37:19,960 --> 00:37:24,879
Speaker 2: What is what you want it? Don't? Hey? Who?

741
00:37:27,480 --> 00:37:30,120
Speaker 4: Man, just just this is just the thought of it,

742
00:37:30,360 --> 00:37:33,000
Speaker 4: Like I'm not a rapper, but just the thought of

743
00:37:33,040 --> 00:37:35,880
Speaker 4: someone taking shots at the kids and taking shots at

744
00:37:35,920 --> 00:37:39,920
Speaker 4: real like that that just like just the thought like

745
00:37:40,040 --> 00:37:40,879
Speaker 4: I don't, I don't.

746
00:37:41,200 --> 00:37:44,960
Speaker 1: You showed them, You showed them your kids. See what

747
00:37:45,000 --> 00:37:46,640
Speaker 1: I got to do. Now I got to put that.

748
00:37:46,880 --> 00:37:48,160
Speaker 1: I got to put that thought in your hair.

749
00:37:48,960 --> 00:37:52,239
Speaker 4: Huh. Hey, now now I got to go. Now I

750
00:37:52,280 --> 00:37:53,680
Speaker 4: got to go get a DNA test.

751
00:37:53,840 --> 00:37:58,799
Speaker 1: Now you talking, I got you looking at your people sideways, right, hey,

752
00:37:58,840 --> 00:38:03,319
Speaker 1: but man to ask your question, who number is this.

753
00:38:07,560 --> 00:38:07,920
Speaker 2: Is that you?

754
00:38:09,320 --> 00:38:09,520
Speaker 4: Oh?

755
00:38:09,719 --> 00:38:11,480
Speaker 1: You you paid a note over there such and such,

756
00:38:11,520 --> 00:38:15,200
Speaker 1: such and such, right, my bad, bro, Hey, I just

757
00:38:15,200 --> 00:38:22,160
Speaker 1: happened to be in the neighborhood. Oh, don't play, don't play, okay,

758
00:38:23,239 --> 00:38:27,399
Speaker 1: And that's thing now and that that's hey, that's that's

759
00:38:27,440 --> 00:38:31,000
Speaker 1: going to hell and all all gloves off at that point,

760
00:38:31,160 --> 00:38:33,160
Speaker 1: Oh what you be all gloves If I never had

761
00:38:33,200 --> 00:38:39,320
Speaker 1: gloves on, I've been dirty. I talk about y'all. Y'all playing, Hey,

762
00:38:39,320 --> 00:38:41,879
Speaker 1: don't play, Like I said, don't play. If you want

763
00:38:41,880 --> 00:38:43,359
Speaker 1: to play, we're gonna play.

764
00:38:44,160 --> 00:38:50,440
Speaker 4: Listen, not just the thought of that. Man, Hey, just

765
00:38:50,440 --> 00:38:50,959
Speaker 4: just the thought.

766
00:38:51,840 --> 00:38:53,879
Speaker 1: Hey, I've been sitting on the age I keep telling

767
00:38:53,920 --> 00:38:55,759
Speaker 1: about you, I've been sitting on these I got a

768
00:38:55,840 --> 00:38:57,840
Speaker 1: five the number I'm on number twelve.

769
00:38:58,680 --> 00:39:00,520
Speaker 2: How we gonna do this? I gotta all day?

770
00:39:01,440 --> 00:39:04,920
Speaker 4: Oh man, how does that who you got winning? I mean,

771
00:39:04,920 --> 00:39:07,440
Speaker 4: if you had to, if you had to pick, I

772
00:39:07,440 --> 00:39:09,920
Speaker 4: think it's all on preference, on on on who and.

773
00:39:09,880 --> 00:39:10,319
Speaker 2: Which you like.

774
00:39:10,600 --> 00:39:14,120
Speaker 1: Yeah, it's just like anything. If you if you like

775
00:39:14,160 --> 00:39:16,880
Speaker 1: a guy, you're gonna believe he's winning. If you like

776
00:39:17,000 --> 00:39:19,160
Speaker 1: the other guy, you're gonna be believe he's winning.

777
00:39:19,680 --> 00:39:19,879
Speaker 2: Right.

778
00:39:20,120 --> 00:39:20,239
Speaker 1: Uh.

779
00:39:20,480 --> 00:39:22,160
Speaker 2: I just want to just leave my guy to them,

780
00:39:22,160 --> 00:39:23,680
Speaker 2: you know, right now? For me?

781
00:39:24,480 --> 00:39:27,400
Speaker 1: Uh, for the longest time, I always Park was my favorite.

782
00:39:27,760 --> 00:39:33,680
Speaker 1: Oh yeah, but that weezy baby, Yeah, that little n

783
00:39:33,800 --> 00:39:34,720
Speaker 1: ain't to be upwhere.

784
00:39:35,280 --> 00:39:39,040
Speaker 4: Yeah, you know, not very many people. Not very many

785
00:39:39,040 --> 00:39:43,600
Speaker 4: people go at Wheezy, you know. Withey, No, not very

786
00:39:43,640 --> 00:39:46,000
Speaker 4: many people are because all you're gonna hear is that

787
00:39:46,080 --> 00:39:50,200
Speaker 4: lighter flick. And when that lighter flick, you know what

788
00:39:50,239 --> 00:39:50,759
Speaker 4: time it is.

789
00:39:51,840 --> 00:39:52,719
Speaker 2: You know the thing.

790
00:39:52,840 --> 00:39:54,880
Speaker 1: If I ain't got no ghost riders though, Joe, I

791
00:39:54,880 --> 00:39:56,879
Speaker 1: ain't got no goal riding I'm coming straight man.

792
00:39:57,160 --> 00:40:00,960
Speaker 4: You know Wayne, Wayne from right here now, Wayne from

793
00:40:01,040 --> 00:40:03,080
Speaker 4: right here, him and him and jay Z. I'm sure

794
00:40:03,080 --> 00:40:04,120
Speaker 4: there are other artists.

795
00:40:03,840 --> 00:40:04,359
Speaker 2: That can do it.

796
00:40:05,120 --> 00:40:09,360
Speaker 4: Jay Z right here. Yeah, off the top of the head.

797
00:40:10,880 --> 00:40:13,000
Speaker 4: So how does it end? Though, if you don't have

798
00:40:13,040 --> 00:40:16,160
Speaker 4: a favorite right now between Kendrick and Drake, how does

799
00:40:16,160 --> 00:40:18,319
Speaker 4: something like this end? Do you see them making up

800
00:40:18,400 --> 00:40:20,799
Speaker 4: years from now, simlar to how jay Z and Nas did?

801
00:40:21,160 --> 00:40:23,719
Speaker 4: Or is this something that's gonna be on running since

802
00:40:23,719 --> 00:40:27,200
Speaker 4: the since the the hatred has been almost a decade long,

803
00:40:27,560 --> 00:40:29,320
Speaker 4: and now it's just boiled over to this point.

804
00:40:29,800 --> 00:40:32,239
Speaker 2: I think that, Yeah, I think it. You know, all

805
00:40:32,280 --> 00:40:33,120
Speaker 2: can be forgiven.

806
00:40:34,640 --> 00:40:38,880
Speaker 1: You look, you brought my you brought my wife into it,

807
00:40:39,120 --> 00:40:40,840
Speaker 1: I brought your kids into it.

808
00:40:40,840 --> 00:40:43,319
Speaker 2: It is what it is. A we're gonna put We're

809
00:40:43,320 --> 00:40:45,600
Speaker 2: gonna put it down, and we're gonna move on.

810
00:40:46,480 --> 00:40:49,360
Speaker 4: Yeah, but that's gonna be a that's gonna be a

811
00:40:49,360 --> 00:40:50,160
Speaker 4: while from now though.

812
00:40:51,040 --> 00:40:57,200
Speaker 1: Don't think now, Hey, I'm still in the lamb in case,

813
00:40:57,719 --> 00:41:00,920
Speaker 1: just the case. You know what I'm saying, Yeah, I

814
00:41:01,000 --> 00:41:02,439
Speaker 1: put it, you know what I'm saying a lot of times.

815
00:41:02,440 --> 00:41:04,239
Speaker 1: You know, my grandma used to cook stuff and put

816
00:41:04,239 --> 00:41:08,719
Speaker 1: it in the freezer right just in case I let

817
00:41:08,800 --> 00:41:14,600
Speaker 1: it fall out and tell your answer up again. Oh

818
00:41:15,200 --> 00:41:19,400
Speaker 1: but that's how that's like I said me personally, I

819
00:41:19,440 --> 00:41:23,160
Speaker 1: do think it's manufactured. I think because we haven't talked

820
00:41:23,160 --> 00:41:25,520
Speaker 1: about the rap game. We haven't talked to hip hop

821
00:41:25,560 --> 00:41:28,799
Speaker 1: game like we talked about it in the four to

822
00:41:28,880 --> 00:41:29,600
Speaker 1: five weeks.

823
00:41:30,160 --> 00:41:32,480
Speaker 4: Yeah, in a very very long time.

824
00:41:32,680 --> 00:41:34,680
Speaker 1: You know, we kept asking is hip hop dead? Is

825
00:41:34,719 --> 00:41:38,880
Speaker 1: this genre music dead? Well, based on what we're seeing

826
00:41:38,920 --> 00:41:41,759
Speaker 1: over the last six to eight weeks, it seems like

827
00:41:41,880 --> 00:41:44,760
Speaker 1: this genre, hip hop rap, is very much alive.

828
00:41:45,560 --> 00:41:47,799
Speaker 4: But but this is the thing. Now, we have a

829
00:41:47,800 --> 00:41:50,480
Speaker 4: beef going on now. Who I feel sorry for right

830
00:41:50,480 --> 00:41:53,839
Speaker 4: now or other artists right now in the rap game

831
00:41:54,200 --> 00:41:57,520
Speaker 4: that have projects they want to release. I think this

832
00:41:57,680 --> 00:42:00,239
Speaker 4: hurts the timing of their projects because the beat is

833
00:42:00,280 --> 00:42:02,960
Speaker 4: going on and everybody talking about Kendrick and Goddamn Drake,

834
00:42:03,320 --> 00:42:06,000
Speaker 4: they can't release their music. I don't think it would

835
00:42:06,040 --> 00:42:09,160
Speaker 4: do as well as far as numbers and dreams are concerned,

836
00:42:09,480 --> 00:42:11,800
Speaker 4: because Kendrick and Goddamn Drake a going back.

837
00:42:11,680 --> 00:42:14,799
Speaker 1: And forth, right, And but all it does, all this does,

838
00:42:15,080 --> 00:42:18,879
Speaker 1: all it's doing is helping Drakes because what Drake's done

839
00:42:18,880 --> 00:42:22,200
Speaker 1: ten billion streams now is gonna help Kendrick all the

840
00:42:22,239 --> 00:42:23,240
Speaker 1: guys that's beefing.

841
00:42:23,239 --> 00:42:24,200
Speaker 2: People are gonna go back and.

842
00:42:24,120 --> 00:42:26,800
Speaker 1: Listen to their music and see how close the disc

843
00:42:27,120 --> 00:42:29,400
Speaker 1: tracks are to what they like some of their stuff.

844
00:42:29,480 --> 00:42:32,560
Speaker 1: Because Drake always been sneaky k dot, you know, he

845
00:42:32,600 --> 00:42:35,040
Speaker 1: calls say k dot. He always rap it like he

846
00:42:35,120 --> 00:42:37,320
Speaker 1: tried to save the slaves, so you know, free the slave.

847
00:42:37,840 --> 00:42:42,280
Speaker 1: So but I mean, they they're clever.

848
00:42:42,560 --> 00:42:47,400
Speaker 4: They clever with that very very strategic, very strategic and

849
00:42:47,480 --> 00:42:50,600
Speaker 4: all that they're doing. It's specially Kendrick. It's like Kendrick

850
00:42:50,800 --> 00:42:53,600
Speaker 4: knows the moves he's gonna make, but he's anticipating, right,

851
00:42:54,080 --> 00:42:57,000
Speaker 4: and so far, if I'm not mistaken, he's been damned

852
00:42:57,040 --> 00:42:58,520
Speaker 4: near right or damn they're close.

853
00:43:01,440 --> 00:43:04,440
Speaker 2: But I like it. I mean I like listening. Like

854
00:43:04,480 --> 00:43:05,680
Speaker 2: I said, I don't really.

855
00:43:07,560 --> 00:43:09,960
Speaker 1: I don't spend an enormous amount of my time during

856
00:43:09,960 --> 00:43:13,960
Speaker 1: the course of the day listening to rap. But you know,

857
00:43:14,000 --> 00:43:18,040
Speaker 1: I find myself listening to site that was talking about Okay, Kendrick,

858
00:43:18,120 --> 00:43:18,520
Speaker 1: drop this.

859
00:43:18,640 --> 00:43:20,440
Speaker 2: Okay, I'm listening to that. I'm like, Okay, I gotta

860
00:43:20,520 --> 00:43:20,799
Speaker 2: like this.

861
00:43:21,080 --> 00:43:23,359
Speaker 1: I listened to Drake. I was like, okay, okay, nice

862
00:43:23,360 --> 00:43:25,759
Speaker 1: come back, nice come back. Then Kate Don did what

863
00:43:25,840 --> 00:43:28,080
Speaker 1: he did. I was like okay, but I'm like, okay,

864
00:43:28,280 --> 00:43:29,680
Speaker 1: how long were we going to continue this?

865
00:43:30,440 --> 00:43:30,640
Speaker 2: Right?

866
00:43:31,719 --> 00:43:34,799
Speaker 4: And listen the funny thing. How long we can continue this?

867
00:43:35,360 --> 00:43:38,120
Speaker 4: They're so good with the pen. This can go on

868
00:43:38,239 --> 00:43:41,839
Speaker 4: for a very very long time. For a very long time,

869
00:43:41,880 --> 00:43:45,279
Speaker 4: they can continue going. Or I can make that call

870
00:43:45,440 --> 00:43:47,480
Speaker 4: and you can be the mediator and we can have

871
00:43:47,520 --> 00:43:51,680
Speaker 4: a club Shay shade and have them squash things right

872
00:43:51,680 --> 00:43:54,319
Speaker 4: there on the show. Hey, right there on the show.

873
00:43:54,760 --> 00:43:56,759
Speaker 4: You know, it might be a situation. Oh, Joe I

874
00:43:56,800 --> 00:43:58,440
Speaker 4: was sitting down one time. I was talking to this Joe.

875
00:43:58,480 --> 00:44:01,040
Speaker 1: I was talking to this young lady and uh, she

876
00:44:01,200 --> 00:44:03,640
Speaker 1: was like, Shannon, how long is this gonna go on?

877
00:44:04,880 --> 00:44:09,319
Speaker 1: I say forever? And I say what forever ends? So

878
00:44:09,360 --> 00:44:12,560
Speaker 1: this might be a situation. Yeah, somebody gonna have to

879
00:44:12,560 --> 00:44:13,120
Speaker 1: call the truth.

880
00:44:13,800 --> 00:44:16,520
Speaker 4: Yeah yeah, And I think what didn't CARDI be have

881
00:44:16,560 --> 00:44:20,080
Speaker 4: a saying when we beef, we beef whatever.

882
00:44:21,760 --> 00:44:23,839
Speaker 1: It might be in No, I don't believe it's gonna

883
00:44:23,840 --> 00:44:26,520
Speaker 1: be any general leads going to the Apromatics courthouse with

884
00:44:26,640 --> 00:44:28,960
Speaker 1: the white flag said Okay, we done have a.

885
00:44:30,440 --> 00:44:34,920
Speaker 2: Nah, no it happened, but uh, it's been. It's been

886
00:44:34,960 --> 00:44:35,640
Speaker 2: a hey.

887
00:44:36,040 --> 00:44:39,440
Speaker 1: Like I said, I think it's gotten people back into

888
00:44:39,520 --> 00:44:42,760
Speaker 1: listening to rap listing. People are staying by, like, Okay,

889
00:44:43,000 --> 00:44:43,759
Speaker 1: is he gonna drop?

890
00:44:43,920 --> 00:44:44,960
Speaker 2: When is it? When it's such and.

891
00:44:44,960 --> 00:44:50,719
Speaker 1: Such is everybody that Drake touchdown? Are they gonna have

892
00:44:50,800 --> 00:44:54,239
Speaker 1: something to say about Drake and anybody Kendrick touched on?

893
00:44:54,440 --> 00:44:56,680
Speaker 1: Is they gonna have something to say? Are they just

894
00:44:56,680 --> 00:44:58,960
Speaker 1: gonna let hey? Are they just gonna be like, hey,

895
00:44:59,200 --> 00:45:00,800
Speaker 1: move to the signe.

896
00:45:01,360 --> 00:45:06,560
Speaker 4: Let them go out, letting go? Yeah?

897
00:45:06,719 --> 00:45:07,359
Speaker 2: I like it.

898
00:45:07,480 --> 00:45:10,319
Speaker 4: But you know what, it's so funny they're they're in

899
00:45:10,560 --> 00:45:13,960
Speaker 4: such a what's the word I'm looking for? Both of

900
00:45:14,000 --> 00:45:18,000
Speaker 4: them are in demon time right now going at each other.

901
00:45:18,120 --> 00:45:20,000
Speaker 4: I don't think any of the people that they're calling

902
00:45:20,000 --> 00:45:24,000
Speaker 4: out can release anything that would be as good as

903
00:45:25,560 --> 00:45:28,080
Speaker 4: the tracks that we've heard so far. I don't know

904
00:45:28,080 --> 00:45:30,000
Speaker 4: if I'm saying that the right way, it won't hit

905
00:45:30,040 --> 00:45:33,960
Speaker 4: the same. Not that I'm saying that they can't do it,

906
00:45:34,000 --> 00:45:39,120
Speaker 4: but I'm just saying the work and the craftsmanship of

907
00:45:39,200 --> 00:45:42,799
Speaker 4: what's been released on both sides has been so good.

908
00:45:43,719 --> 00:45:48,000
Speaker 4: I think it just it wouldn't be smart for anyone

909
00:45:48,080 --> 00:45:50,640
Speaker 4: else that's been called out to say anything right now,

910
00:45:50,760 --> 00:45:52,040
Speaker 4: just let those two just go at it.

911
00:45:52,280 --> 00:45:55,480
Speaker 1: Yeah, I think the thing is but the question when

912
00:45:55,520 --> 00:45:57,600
Speaker 1: it's all said and done, we look back on this,

913
00:45:58,600 --> 00:46:03,000
Speaker 1: anything that they release, will it rival get them up? Tupac?

914
00:46:03,440 --> 00:46:07,160
Speaker 1: Will it rival no vassaline? Will it ride? Will it

915
00:46:07,320 --> 00:46:11,920
Speaker 1: rival ether or noads.

916
00:46:10,960 --> 00:46:12,000
Speaker 2: Revi Ma Sheather.

917
00:46:13,360 --> 00:46:15,960
Speaker 1: Well, when we look back, let's say ten fifteen years

918
00:46:16,000 --> 00:46:19,239
Speaker 1: from now, right, Well, in it chat, what do you

919
00:46:19,280 --> 00:46:22,719
Speaker 1: think when we look back on this, will we think

920
00:46:22,800 --> 00:46:26,400
Speaker 1: when we think about the beefs, rap beefs, do we

921
00:46:26,480 --> 00:46:29,880
Speaker 1: feel any of these will be mentioned? Like now, obviously

922
00:46:29,920 --> 00:46:32,080
Speaker 1: they're gonna be mentioned because we got two heavyweights going

923
00:46:32,120 --> 00:46:35,280
Speaker 1: at it. But will when you think beef you automatic

924
00:46:35,320 --> 00:46:38,440
Speaker 1: hit him up? No vascaline? Ether, just up?

925
00:46:40,280 --> 00:46:42,040
Speaker 4: When I think, you know what's funny? When I think

926
00:46:42,040 --> 00:46:45,799
Speaker 4: about all the beasts that that have come out, I

927
00:46:45,840 --> 00:46:50,880
Speaker 4: think Kendris his aspect in his delivery is so fucking

928
00:46:51,000 --> 00:46:53,840
Speaker 4: complex that you have to sit there and you have

929
00:46:53,960 --> 00:46:57,680
Speaker 4: to dissect and actually think and use your brain to

930
00:46:57,760 --> 00:47:00,480
Speaker 4: really put the pieces to the puzzle together the understand

931
00:47:00,480 --> 00:47:03,759
Speaker 4: what he's talking about. If you don't know everything in

932
00:47:03,800 --> 00:47:06,400
Speaker 4: its entirety on what he's talking, on what he's saying.

933
00:47:06,880 --> 00:47:08,840
Speaker 4: I think that's I think that's what I like about

934
00:47:09,280 --> 00:47:11,759
Speaker 4: Kendrick when he is obviously Drake is straight to the

935
00:47:11,800 --> 00:47:14,000
Speaker 4: point and you understand exactly who and what he's talking

936
00:47:14,040 --> 00:47:16,320
Speaker 4: about because he delivers in such a way where you

937
00:47:16,360 --> 00:47:18,960
Speaker 4: can got them understanding the right way. And with Kendrick

938
00:47:19,160 --> 00:47:21,280
Speaker 4: there's so many different layers that you have to fucking

939
00:47:21,320 --> 00:47:26,359
Speaker 4: peel back and put togethery like, oh shit, okay, yeah, yeah,

940
00:47:26,400 --> 00:47:28,239
Speaker 4: that's what he meant, I don't know, and it makes

941
00:47:28,280 --> 00:47:29,360
Speaker 4: it that much more interesting.

942
00:47:29,400 --> 00:47:30,880
Speaker 2: The thing is here is the thing.

943
00:47:32,719 --> 00:47:35,279
Speaker 1: I think most people think Drake, whether you like him

944
00:47:35,360 --> 00:47:38,560
Speaker 1: or not, I think right now, commercially he might be

945
00:47:38,640 --> 00:47:42,120
Speaker 1: one or two the thing that made Biggie and Park

946
00:47:42,600 --> 00:47:46,400
Speaker 1: they were universally regarded as the one and two. Now whatever,

947
00:47:46,480 --> 00:47:48,799
Speaker 1: whatever whatever space you want to put him in, you

948
00:47:48,880 --> 00:47:51,640
Speaker 1: want part one and Biggie two, you want Biggie one

949
00:47:51,960 --> 00:47:55,640
Speaker 1: part two. And so when them two titans came together,

950
00:47:56,360 --> 00:47:58,520
Speaker 1: Park would hit him up and then then then Bigger

951
00:47:58,600 --> 00:48:00,000
Speaker 1: came back with who shot you?

952
00:48:00,440 --> 00:48:05,040
Speaker 2: Mm hmm, and then what it's probably what.

953
00:48:05,040 --> 00:48:07,879
Speaker 1: About three four years later I think Nods came out

954
00:48:07,880 --> 00:48:08,640
Speaker 1: with Ethan.

955
00:48:10,200 --> 00:48:13,279
Speaker 2: No Ma Seline. I mean hey Q and Q saying hey,

956
00:48:13,520 --> 00:48:14,120
Speaker 2: I had something.

957
00:48:14,160 --> 00:48:16,680
Speaker 1: If they was gonna respond, I had something already recorded

958
00:48:16,680 --> 00:48:17,240
Speaker 1: in the chamber.

959
00:48:17,360 --> 00:48:19,800
Speaker 2: Yeah, I ready to unloaded again.

960
00:48:22,520 --> 00:48:26,319
Speaker 4: That's crazy. Ah, that's crazy. I'm enjoying it. I'm just

961
00:48:26,360 --> 00:48:27,880
Speaker 4: I'm just waiting to see who dropped next.

962
00:48:29,560 --> 00:48:33,000
Speaker 1: But you know what I'm saying. You know, I done

963
00:48:33,040 --> 00:48:35,319
Speaker 1: got to we don't. We done got too old. We

964
00:48:35,400 --> 00:48:37,560
Speaker 1: done got too old? A battle to be old? Chill,

965
00:48:37,600 --> 00:48:41,640
Speaker 1: I'm fifty about fifty six. Oh no, it ain't never

966
00:48:41,719 --> 00:48:42,160
Speaker 1: too old.

967
00:48:42,760 --> 00:48:46,400
Speaker 4: We got a problem. So if somebody's slapping, you're gonna.

968
00:48:46,160 --> 00:48:49,400
Speaker 2: Turn out whoa, whoa, Okay.

969
00:48:49,400 --> 00:48:51,400
Speaker 4: There you go. You ain't you ain't too old, You

970
00:48:51,440 --> 00:48:52,040
Speaker 4: ain't too old.

971
00:48:52,080 --> 00:48:53,040
Speaker 2: No, no, no, no, no nothing.

972
00:48:53,520 --> 00:48:53,600
Speaker 4: No.

973
00:48:53,680 --> 00:48:56,799
Speaker 2: I'm just saying, look, the thing is with me.

974
00:48:56,920 --> 00:48:59,920
Speaker 1: Look, I kind of felt like Drake because there was

975
00:48:59,920 --> 00:49:02,040
Speaker 1: a period that when everybody seemed to be coming for

976
00:49:02,160 --> 00:49:06,359
Speaker 1: me right and I was like, bro, all that others,

977
00:49:06,400 --> 00:49:09,040
Speaker 1: y'all can say all the stuff. I got fifteen baby

978
00:49:09,080 --> 00:49:11,080
Speaker 1: mamas and I got all this stuff. But there's a

979
00:49:11,080 --> 00:49:14,279
Speaker 1: certain jacket I don't wear that size don't fit me, So,

980
00:49:14,320 --> 00:49:16,680
Speaker 1: don't play with don't play with my name. I got kids,

981
00:49:16,880 --> 00:49:20,120
Speaker 1: I got grandkids. Now we want to hit you want

982
00:49:20,120 --> 00:49:22,400
Speaker 1: to call me up, Let's have a conversation. Let me

983
00:49:23,239 --> 00:49:25,919
Speaker 1: explain to me why you feel the need to say that,

984
00:49:26,440 --> 00:49:28,319
Speaker 1: and what what made you say that.

985
00:49:28,560 --> 00:49:31,279
Speaker 2: Did somebody tell you that I ain't talk about know.

986
00:49:31,320 --> 00:49:33,520
Speaker 1: Well well the way he acts, and he had an

987
00:49:33,520 --> 00:49:37,040
Speaker 1: orange purse and he had this, he had that. No, no, no, no, no,

988
00:49:37,440 --> 00:49:40,560
Speaker 1: everybody knows at this point in time when you somebody.

989
00:49:41,400 --> 00:49:42,279
Speaker 2: Oh it's coming out.

990
00:49:43,160 --> 00:49:43,640
Speaker 4: Yeah.

991
00:49:43,800 --> 00:49:46,440
Speaker 1: As much money as Drake had, he couldn't hide. He

992
00:49:46,480 --> 00:49:49,920
Speaker 1: couldn't hide that he had a kid. Right, So you

993
00:49:49,960 --> 00:49:54,680
Speaker 1: mean to tell me somebody in my position he can

994
00:49:54,800 --> 00:49:55,359
Speaker 1: hide that.

995
00:49:56,320 --> 00:50:00,000
Speaker 4: Come on now, right right, right, right right? Are you right?

996
00:50:00,160 --> 00:50:02,400
Speaker 2: So that was my thing? I'm like, hey, bro, come on,

997
00:50:02,480 --> 00:50:03,680
Speaker 2: I don't play with me like that.

998
00:50:04,480 --> 00:50:07,399
Speaker 4: But sometimes sometimes you gotta tussle. Man. Ain't they ain't

999
00:50:07,400 --> 00:50:07,719
Speaker 4: not wrong.

1000
00:50:08,480 --> 00:50:10,200
Speaker 2: I ain't trying to. I ain't trying. I ain't trying to.

1001
00:50:10,320 --> 00:50:12,520
Speaker 2: I ain't trying to mess up my money.

1002
00:50:12,520 --> 00:50:14,120
Speaker 4: You ain't gonna mess up your money. Ain't nothing wrong

1003
00:50:14,160 --> 00:50:16,480
Speaker 4: with Listen you in La. So you have to take

1004
00:50:16,520 --> 00:50:19,480
Speaker 4: you have to you have to become part of the culture.

1005
00:50:19,640 --> 00:50:21,799
Speaker 4: If somebody says something to you, you got to tell

1006
00:50:21,880 --> 00:50:24,959
Speaker 4: them to run you a fade, you know, matter of fact.

1007
00:50:24,960 --> 00:50:26,880
Speaker 4: Your name, your name, I'm gonna give you a I

1008
00:50:26,920 --> 00:50:29,840
Speaker 4: got a nickname for you. I got a nickname for you.

1009
00:50:29,840 --> 00:50:33,960
Speaker 4: Your name is Big Squabbles. You your name is Big Squabbles.

1010
00:50:34,000 --> 00:50:36,720
Speaker 2: I ain't trying to tussle like that no more, o Joe.

1011
00:50:36,920 --> 00:50:38,960
Speaker 4: It ain't. Oh your hip's gonna be all right.

1012
00:50:38,960 --> 00:50:43,040
Speaker 1: All the ninja that was talking ain't trying to see

1013
00:50:43,080 --> 00:50:44,040
Speaker 1: me like that anyway.

1014
00:50:44,280 --> 00:50:46,320
Speaker 2: They just took me from a distance.

1015
00:50:46,520 --> 00:50:47,799
Speaker 4: Right right right, right right right.

1016
00:50:47,840 --> 00:50:49,400
Speaker 1: Ain't nobody's gonna run up on me and say what

1017
00:50:49,440 --> 00:50:51,759
Speaker 1: they were saying. What they were saying on the own

1018
00:50:51,840 --> 00:50:52,480
Speaker 1: social media?

1019
00:50:52,520 --> 00:50:55,200
Speaker 4: Man stopping Now, you and you and you swole?

1020
00:50:55,360 --> 00:50:58,439
Speaker 2: Now are you read a game?

1021
00:50:59,160 --> 00:51:01,680
Speaker 4: Were you grat? Grabbed with him board and shake if

1022
00:51:01,680 --> 00:51:02,480
Speaker 4: you ain't even got to hear it.

1023
00:51:02,520 --> 00:51:04,960
Speaker 1: We just shake him up, shake all the change out

1024
00:51:04,960 --> 00:51:09,319
Speaker 1: of his pocket. So that's all I'm saying, because see me,

1025
00:51:09,400 --> 00:51:11,120
Speaker 1: That's why, that's why don't I don't play with people

1026
00:51:11,239 --> 00:51:14,440
Speaker 1: name I don't call people out there name right because

1027
00:51:15,000 --> 00:51:18,640
Speaker 1: everybody don't everybody don't joke the same and don't play.

1028
00:51:18,680 --> 00:51:21,400
Speaker 4: They don't, they don't. That's why. That's why I be

1029
00:51:21,520 --> 00:51:23,560
Speaker 4: nice to everybody. That's why when I see people, I

1030
00:51:23,600 --> 00:51:26,000
Speaker 4: tell everybody I love you. I greet them with a hug,

1031
00:51:26,239 --> 00:51:28,560
Speaker 4: a smile, and I asked them how their day is

1032
00:51:28,640 --> 00:51:32,800
Speaker 4: going and how life is going. Because like I love everybody,

1033
00:51:33,120 --> 00:51:35,000
Speaker 4: I don't. I don't want to beef for nobody. I

1034
00:51:35,000 --> 00:51:36,480
Speaker 4: don't want to beef. I just I just want to

1035
00:51:36,680 --> 00:51:38,880
Speaker 4: I want to eat McDonald's, I want to smoke my cigars,

1036
00:51:38,920 --> 00:51:40,320
Speaker 4: I want to drink my coffee, and I want to

1037
00:51:40,320 --> 00:51:42,359
Speaker 4: play video games. And that's it.

1038
00:51:43,000 --> 00:51:47,480
Speaker 1: That's what I do. I don't bother nobody. Yeah, I'll

1039
00:51:47,480 --> 00:51:48,120
Speaker 1: bother nobody.

1040
00:51:48,160 --> 00:51:50,480
Speaker 2: Oh. I go to my saying, I got to boring life.

1041
00:51:51,400 --> 00:51:54,120
Speaker 4: No, no, no, I got no, I got it. I got

1042
00:51:54,120 --> 00:51:54,680
Speaker 4: a boring life.

1043
00:51:54,680 --> 00:51:56,799
Speaker 2: Oh, Joe, I ain't been on vacation since ninety six.

1044
00:52:00,040 --> 00:52:02,880
Speaker 4: Okay, okay, you got life.

1045
00:52:03,080 --> 00:52:04,839
Speaker 1: Yeah, do nothing on Joe. I go to the movie.

1046
00:52:04,920 --> 00:52:06,960
Speaker 1: I just to go to the movies. That was that

1047
00:52:07,080 --> 00:52:09,920
Speaker 1: was my excitement, was going to the movies.

1048
00:52:10,440 --> 00:52:10,600
Speaker 2: Right.

1049
00:52:10,960 --> 00:52:13,399
Speaker 1: I stated to myself, I don't bother nobody. I don't

1050
00:52:13,400 --> 00:52:15,680
Speaker 1: talk about nobody when people come to me. Hey, man,

1051
00:52:15,719 --> 00:52:17,640
Speaker 1: you heard about this. I'm let me make you a question.

1052
00:52:18,000 --> 00:52:21,439
Speaker 1: Oh Joe, man, pearant let me tell you something. I said,

1053
00:52:21,440 --> 00:52:22,279
Speaker 1: who else did you tell?

1054
00:52:22,920 --> 00:52:23,760
Speaker 2: Man? I ain't tolbo?

1055
00:52:23,960 --> 00:52:25,960
Speaker 1: I said, if you don'e told somebody, don't tell me

1056
00:52:26,520 --> 00:52:28,359
Speaker 1: because I see what's gonna happen. It's gonna get out

1057
00:52:28,520 --> 00:52:30,959
Speaker 1: and you're gonna run back to me. So don't tell

1058
00:52:31,040 --> 00:52:33,040
Speaker 1: me because you already told somebody else.

1059
00:52:33,640 --> 00:52:34,280
Speaker 4: Mm hmm.

1060
00:52:36,080 --> 00:52:38,560
Speaker 1: Dang, I'm good. I'm good with that. I don't I

1061
00:52:38,560 --> 00:52:40,560
Speaker 1: don't want to hear it. I don't want that negativity

1062
00:52:40,560 --> 00:52:42,359
Speaker 1: because I ain't got nothing to do with me. I say, well,

1063
00:52:42,360 --> 00:52:44,279
Speaker 1: I'm gonna ask your question before you tell me. Is

1064
00:52:44,280 --> 00:52:48,600
Speaker 1: it gonna impact my bottom line? My kids, my finances,

1065
00:52:49,280 --> 00:52:49,960
Speaker 1: my family?

1066
00:52:50,719 --> 00:52:54,160
Speaker 2: Right? I don't care. I don't give care. Man, I

1067
00:52:54,200 --> 00:52:56,160
Speaker 2: heard such and such talking. I said, what that? Brother?

1068
00:52:56,640 --> 00:52:59,719
Speaker 2: I just told you. I didn't care. Right, what do

1069
00:52:59,760 --> 00:53:00,200
Speaker 2: you do? Why?

1070
00:53:00,280 --> 00:53:02,839
Speaker 1: What? Who he's sleeping with? And who got a baby by?

1071
00:53:03,040 --> 00:53:06,080
Speaker 1: And it's gonna come out. I don't care what they

1072
00:53:06,120 --> 00:53:11,560
Speaker 1: gotta do with me. Hey, is Kayla Shawn pregnant? If

1073
00:53:11,600 --> 00:53:13,759
Speaker 1: poo pregnant? My son got another kid on the way.

1074
00:53:13,760 --> 00:53:16,520
Speaker 1: Somebody tell me about whoa whoa whoa whoa whoa whoa

1075
00:53:16,520 --> 00:53:17,160
Speaker 1: whoa whoa whoa.

1076
00:53:17,360 --> 00:53:18,279
Speaker 2: Boy, just.

1077
00:53:19,760 --> 00:53:24,000
Speaker 4: Drake just dropped again, just now, did he Well that's

1078
00:53:24,000 --> 00:53:26,080
Speaker 4: what the chat saying. Maybe maybe they're wrong.

1079
00:53:27,719 --> 00:53:28,280
Speaker 2: Is it trending?

1080
00:53:29,000 --> 00:53:37,560
Speaker 4: Yeah? Yeah, yeah, he just well did he come on? Chat?

1081
00:53:37,640 --> 00:53:42,319
Speaker 4: Y'all get it right, Stop playing or they might be

1082
00:53:42,360 --> 00:53:43,000
Speaker 4: playing around.

1083
00:53:43,520 --> 00:53:47,280
Speaker 2: He gonna come with something. He's gonna come with something

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Speaker 4: Over somebody said, did you know this chat