WEBVTT - How WarnerMedia Built HBO Max

0:00:00.360 --> 0:00:04.280
<v Speaker 1>Huntsville, Alabama in nineteen forty six, a city that was

0:00:04.320 --> 0:00:09.119
<v Speaker 1>as American as Apple Strudel. From l A Times Studios

0:00:09.200 --> 0:00:13.560
<v Speaker 1>comes paper Clip, a podcast sponsored by Amazon Studios and

0:00:13.640 --> 0:00:18.160
<v Speaker 1>inspired by its Emmy eligible dramatic series Hunters, starring Al

0:00:18.200 --> 0:00:22.440
<v Speaker 1>Pacino and Logan Leharman. Join host Michael ian Black as

0:00:22.480 --> 0:00:25.120
<v Speaker 1>he teams up with a Cold War scholar to explore

0:00:25.200 --> 0:00:29.240
<v Speaker 1>Operation paper Clip, a real life top secret program that

0:00:29.320 --> 0:00:33.040
<v Speaker 1>brought Nazi scientists to the American heartland to work on

0:00:33.120 --> 0:00:37.880
<v Speaker 1>government aerospace and medical research projects. Available now on Apple

0:00:37.960 --> 0:00:48.879
<v Speaker 1>Podcasts and all other platforms. Welcome to Strictly Business Varieties,

0:00:48.880 --> 0:00:52.800
<v Speaker 1>weekly podcast featuring conversations with industry leaders about the business

0:00:52.800 --> 0:00:56.840
<v Speaker 1>of media and entertainment. I'm Cynthia Littleton, business editor for

0:00:56.960 --> 0:01:00.960
<v Speaker 1>Variety Today. My guest is Bob Greenblatt, chairman of Warner

0:01:01.000 --> 0:01:04.680
<v Speaker 1>Media Entertainment and Direct to Consumer. Greenblatt has a long

0:01:04.760 --> 0:01:08.120
<v Speaker 1>resume in the television business. He's known for turning around

0:01:08.160 --> 0:01:12.400
<v Speaker 1>the fortunes of Showtime and NBC. Since March of last year,

0:01:12.440 --> 0:01:15.600
<v Speaker 1>he's been the executive leading the charge behind HBO Max,

0:01:15.959 --> 0:01:18.800
<v Speaker 1>the streaming service from Warner Media that makes its debut

0:01:18.920 --> 0:01:22.240
<v Speaker 1>today it's a four billion dollar bet for a T

0:01:22.400 --> 0:01:25.319
<v Speaker 1>and T that's streaming is the future profit engine for

0:01:25.360 --> 0:01:29.640
<v Speaker 1>its media businesses. Greenblatton I spoke on May eleventh, is

0:01:29.680 --> 0:01:36.720
<v Speaker 1>the two week countdown to launch began. Hello Bob, good

0:01:36.760 --> 0:01:38.760
<v Speaker 1>to see you again. Thanks for taking time out to

0:01:38.800 --> 0:01:42.800
<v Speaker 1>join us my pleasure. You're two weeks and three days

0:01:42.880 --> 0:01:48.520
<v Speaker 1>from launch. Yeah, counting right, HBO Max you might have

0:01:48.520 --> 0:01:52.120
<v Speaker 1>heard something about it. Tell us kind of at this stage,

0:01:52.360 --> 0:01:56.360
<v Speaker 1>where are you in terms of putting final bells and whistles?

0:01:56.400 --> 0:01:59.480
<v Speaker 1>Are you looking at programming? What? What kind of stuff

0:01:59.480 --> 0:02:03.560
<v Speaker 1>are you doing as the two week countdown begins? Well, honestly,

0:02:03.560 --> 0:02:07.960
<v Speaker 1>we're in the final stages on everything relating to the platform,

0:02:08.080 --> 0:02:11.720
<v Speaker 1>the app, the content, and you know, once we get

0:02:11.760 --> 0:02:14.919
<v Speaker 1>to May, which is the launch date, it won't be

0:02:15.400 --> 0:02:17.720
<v Speaker 1>really the end of the process. It really is just

0:02:17.840 --> 0:02:21.480
<v Speaker 1>the beginning. But I will say, um, in these last

0:02:21.639 --> 0:02:25.520
<v Speaker 1>eight weeks we've been doing all of this largely from home,

0:02:25.800 --> 0:02:29.799
<v Speaker 1>and it's quite remarkable the degree to which everyone has

0:02:29.840 --> 0:02:34.639
<v Speaker 1>been able to deliver um. But the you know, the technology,

0:02:34.840 --> 0:02:38.920
<v Speaker 1>the platform, everything has uh you know, an up to

0:02:38.960 --> 0:02:44.760
<v Speaker 1>the last deadline sort of delivery on it. So everyone's

0:02:44.800 --> 0:02:48.320
<v Speaker 1>working away around the clock, putting a finishing touches on

0:02:48.440 --> 0:02:52.760
<v Speaker 1>original content, look at everything. But you know, we're in

0:02:52.880 --> 0:02:57.040
<v Speaker 1>really really good shape. I know that you've been test

0:02:57.120 --> 0:03:01.560
<v Speaker 1>driving this, test driving HBO Max with internal users. What

0:03:01.560 --> 0:03:04.880
<v Speaker 1>what kind of feedback have you gotten? Yes, I mean

0:03:04.880 --> 0:03:06.760
<v Speaker 1>this is a process. When you take something like this

0:03:06.880 --> 0:03:10.080
<v Speaker 1>to market, you really want to show it to you know,

0:03:10.480 --> 0:03:14.000
<v Speaker 1>certain groups of people internally, and you know, we call

0:03:14.080 --> 0:03:17.880
<v Speaker 1>that the beta phase and really just tested. A lot

0:03:17.919 --> 0:03:22.280
<v Speaker 1>of the bugs will present themselves in the technology. Those

0:03:22.280 --> 0:03:25.400
<v Speaker 1>will get worked out. But it's really exciting to actually

0:03:25.560 --> 0:03:28.160
<v Speaker 1>see it up and running. Something that has been on

0:03:28.200 --> 0:03:30.959
<v Speaker 1>a drawing board for you know, so long. You actually

0:03:30.960 --> 0:03:33.200
<v Speaker 1>get to see with it and and see it and

0:03:33.280 --> 0:03:36.080
<v Speaker 1>play with it. And uh, it's not all in there

0:03:36.160 --> 0:03:38.960
<v Speaker 1>yet because as I said, everything is being delivered, you know,

0:03:39.080 --> 0:03:41.880
<v Speaker 1>right up for the last minute. But we've gotten great,

0:03:41.960 --> 0:03:46.880
<v Speaker 1>great feedback, um, some really good constructive comments from people. Um.

0:03:47.000 --> 0:03:49.840
<v Speaker 1>And you know, again the tech teams have just been

0:03:50.600 --> 0:03:55.080
<v Speaker 1>so on it in terms of making sure this platform

0:03:55.200 --> 0:03:58.600
<v Speaker 1>runs seamlessly. And I mean that's what you know the

0:03:58.680 --> 0:04:04.560
<v Speaker 1>customer expects. Are there elements to the navigation or to

0:04:04.640 --> 0:04:07.120
<v Speaker 1>the interface that you think are going to wow people.

0:04:07.200 --> 0:04:09.400
<v Speaker 1>Can you give us any flavor of what that's gonna

0:04:09.400 --> 0:04:12.640
<v Speaker 1>look like? You know, we will have UM I think

0:04:13.000 --> 0:04:17.880
<v Speaker 1>just overall, it looks beautiful and it will run, you know, perfectly.

0:04:18.440 --> 0:04:21.000
<v Speaker 1>There are some things we've talked about over the last

0:04:21.000 --> 0:04:23.720
<v Speaker 1>few months that some will be available at day one,

0:04:23.800 --> 0:04:26.440
<v Speaker 1>some will be rolled out in the months thereafter. But

0:04:26.480 --> 0:04:30.240
<v Speaker 1>we're gonna do some some interesting curation UM down the road.

0:04:30.320 --> 0:04:34.080
<v Speaker 1>What what you will see at launch are UM something

0:04:34.120 --> 0:04:37.359
<v Speaker 1>we call programming hubs content hubs, which I think is

0:04:37.560 --> 0:04:41.640
<v Speaker 1>new UM in the world of streaming platforms, and that is,

0:04:41.680 --> 0:04:45.840
<v Speaker 1>once you scroll down beyond some of the top carousels,

0:04:46.279 --> 0:04:51.120
<v Speaker 1>you will see groupings of programs of programming according to

0:04:51.160 --> 0:04:53.800
<v Speaker 1>their brands. For instance, you know there'll be a big

0:04:54.000 --> 0:04:56.400
<v Speaker 1>HBO hubs. So when you go on to the HBO

0:04:56.440 --> 0:05:00.000
<v Speaker 1>Max platform, which has HBO as well as so much more,

0:05:00.000 --> 0:05:02.200
<v Speaker 1>you could just roll right down to the HBO hub,

0:05:02.520 --> 0:05:05.480
<v Speaker 1>you hit that button and then you are immediately into

0:05:05.680 --> 0:05:08.240
<v Speaker 1>sort of an HBO created world. But there will be

0:05:08.279 --> 0:05:11.560
<v Speaker 1>other brands that you can do that with as well, UM,

0:05:11.640 --> 0:05:18.520
<v Speaker 1>such as UM you know, adult swim Turner, classic movies, UM, anime,

0:05:18.760 --> 0:05:23.520
<v Speaker 1>different different kinds of programming and I think that's unique UM.

0:05:23.560 --> 0:05:26.280
<v Speaker 1>And you know, we're just trying to find new ways

0:05:26.600 --> 0:05:32.320
<v Speaker 1>for people to UM navigate through a platform. I think

0:05:32.360 --> 0:05:35.960
<v Speaker 1>we're all frustrated to some degree with the volume of

0:05:36.000 --> 0:05:39.120
<v Speaker 1>these platforms, and you know, you can scroll this way,

0:05:39.120 --> 0:05:41.680
<v Speaker 1>that way, up and down and be frustrated at not

0:05:41.800 --> 0:05:45.560
<v Speaker 1>finding something unless you search for it. UM. And we're

0:05:45.560 --> 0:05:49.159
<v Speaker 1>trying to do some things organizationally which I think will

0:05:49.480 --> 0:05:52.680
<v Speaker 1>make a difference. And you know, there's a lot more

0:05:52.720 --> 0:05:55.880
<v Speaker 1>to talk about there, but I really look forward to

0:05:55.920 --> 0:05:59.359
<v Speaker 1>you experiencing it for the first time. And you know

0:05:59.360 --> 0:06:02.640
<v Speaker 1>you'll see care cells where we group friends episodes according

0:06:02.680 --> 0:06:06.320
<v Speaker 1>to certain you know, funny and interesting sort of themes,

0:06:06.480 --> 0:06:10.520
<v Speaker 1>and lots of really fun curation things which we're excited about.

0:06:11.120 --> 0:06:14.440
<v Speaker 1>I know from talking to you and your team that curation, curation,

0:06:14.480 --> 0:06:17.400
<v Speaker 1>curation is such a big part of that. Is some

0:06:17.520 --> 0:06:20.200
<v Speaker 1>of that in response to what we're hearing from the

0:06:20.240 --> 0:06:23.159
<v Speaker 1>industry about feeling like some service, some of the larger

0:06:23.160 --> 0:06:26.599
<v Speaker 1>services can just be like a warehouse where it's not

0:06:27.120 --> 0:06:30.000
<v Speaker 1>is conducive for people to you know, people to find

0:06:30.200 --> 0:06:34.200
<v Speaker 1>find their shows, yes, and you know it's not really

0:06:34.240 --> 0:06:38.520
<v Speaker 1>for me to denigrate any of the existing services, because

0:06:38.839 --> 0:06:43.520
<v Speaker 1>we all use them and enjoy them, um, but we

0:06:43.640 --> 0:06:47.560
<v Speaker 1>really uh, you know thematically for this this new product,

0:06:48.040 --> 0:06:52.480
<v Speaker 1>we wanted to go with the basic sort of underlying

0:06:52.520 --> 0:06:56.200
<v Speaker 1>principles of what HBO is, and an HBO we know

0:06:57.120 --> 0:07:00.039
<v Speaker 1>is not only high quality, but it's one of the

0:07:00.080 --> 0:07:03.520
<v Speaker 1>best curated systems in the world. Right. They don't make

0:07:04.480 --> 0:07:09.479
<v Speaker 1>hundreds and hundreds and hundreds of original shows, UM, but

0:07:10.120 --> 0:07:13.679
<v Speaker 1>the shows they make are really at the highest quality,

0:07:13.720 --> 0:07:16.400
<v Speaker 1>and so you come to expect that you go to HBO,

0:07:16.720 --> 0:07:19.240
<v Speaker 1>even if it's not your personal taste, you're going to

0:07:19.360 --> 0:07:25.560
<v Speaker 1>see nothing but high level quality program So in that way,

0:07:25.560 --> 0:07:29.120
<v Speaker 1>we're trying to curate that throughout the entire platform UM

0:07:29.240 --> 0:07:32.400
<v Speaker 1>and all the new Max originals, and even the library content.

0:07:32.600 --> 0:07:35.240
<v Speaker 1>You know, we have thousands of hours of movies from

0:07:35.240 --> 0:07:38.840
<v Speaker 1>the great Warner Brothers film library and television shows UM

0:07:38.880 --> 0:07:41.800
<v Speaker 1>as well. And yet we didn't put everything in we

0:07:41.840 --> 0:07:45.080
<v Speaker 1>could have, but we decided to really go through those

0:07:45.120 --> 0:07:48.600
<v Speaker 1>libraries and eliminate a lot of the stuff that we

0:07:48.720 --> 0:07:52.720
<v Speaker 1>knew you would never want to watch. So overall, I think,

0:07:53.000 --> 0:07:56.800
<v Speaker 1>you know, one of the distinguishing factors of our platform.

0:07:56.920 --> 0:07:59.680
<v Speaker 1>Is that we're really trying to make it, you know.

0:08:00.080 --> 0:08:03.160
<v Speaker 1>Rated I know the word is overused, but I haven't

0:08:03.160 --> 0:08:05.320
<v Speaker 1>done a better one yet, But we really are, you know,

0:08:05.400 --> 0:08:10.320
<v Speaker 1>trying to adhere to that. UM. Let me ask a

0:08:10.360 --> 0:08:13.920
<v Speaker 1>specific question on HBO when you go to HBO Max

0:08:14.000 --> 0:08:16.960
<v Speaker 1>on the HBO hub, when you pull that up, will

0:08:17.080 --> 0:08:21.680
<v Speaker 1>it look like what HBO now looks like? Will it be?

0:08:21.720 --> 0:08:23.080
<v Speaker 1>Will you go to that? It will be it? Will

0:08:23.120 --> 0:08:25.760
<v Speaker 1>it be a different environment for HBO that we've seen before?

0:08:26.120 --> 0:08:29.320
<v Speaker 1>Good question. It's a it's a different environment because it's

0:08:30.240 --> 0:08:33.079
<v Speaker 1>it's along the lines of what the new HBO Max

0:08:33.120 --> 0:08:37.640
<v Speaker 1>app is overall, which visually is is more arresting and

0:08:37.679 --> 0:08:42.280
<v Speaker 1>different than what the current HBO Now service is. UM. Also,

0:08:42.320 --> 0:08:46.200
<v Speaker 1>in HBO Now, I think, you know, programming is mostly

0:08:46.280 --> 0:08:51.559
<v Speaker 1>organized alphabetically. You know, we've built off the Now platform technically,

0:08:51.559 --> 0:08:54.600
<v Speaker 1>and we have extertise with the Now product that's been

0:08:54.600 --> 0:08:56.760
<v Speaker 1>in the market for the last you know, four or

0:08:56.760 --> 0:09:00.439
<v Speaker 1>five years. UM. But it was a simpler product, right

0:09:00.600 --> 0:09:04.840
<v Speaker 1>and and didn't scale in terms of users, So there

0:09:04.840 --> 0:09:08.120
<v Speaker 1>were things that we just never did. UM. Those are

0:09:08.160 --> 0:09:11.160
<v Speaker 1>all now going to be available in hbox. And when

0:09:11.160 --> 0:09:14.000
<v Speaker 1>you go into the HBO Hub. There is so much

0:09:14.040 --> 0:09:18.680
<v Speaker 1>more to be offered UM in the hub itself. Do

0:09:18.800 --> 0:09:23.480
<v Speaker 1>you feel any new programming venture, especially on this scale

0:09:23.520 --> 0:09:26.280
<v Speaker 1>with this company is going to be very high stakes?

0:09:26.600 --> 0:09:29.480
<v Speaker 1>Does it feel more so because the HBO brand is

0:09:29.520 --> 0:09:33.959
<v Speaker 1>imbued in this product. Yes, I mean anything you bring

0:09:34.000 --> 0:09:36.360
<v Speaker 1>to market in this space is high stakes. I mean,

0:09:36.400 --> 0:09:40.040
<v Speaker 1>we just uh Disney transform their entire company to bring

0:09:40.160 --> 0:09:43.560
<v Speaker 1>you know, plus to market and what a stunning success

0:09:43.600 --> 0:09:48.080
<v Speaker 1>that is. UM. So Yes, the stakes are really high.

0:09:48.200 --> 0:09:54.320
<v Speaker 1>And we knew that HBO, being fundamental to the platform UM,

0:09:54.880 --> 0:09:58.600
<v Speaker 1>was gonna keep the stakes really high for us as well. UM.

0:09:58.679 --> 0:10:01.960
<v Speaker 1>And yet we also knew that that brand means something

0:10:02.040 --> 0:10:06.040
<v Speaker 1>to the audience not only here domestically, but around the world.

0:10:06.160 --> 0:10:11.840
<v Speaker 1>And we felt that, UM, we wanted to assign ourselves

0:10:11.920 --> 0:10:15.319
<v Speaker 1>the task of any of the programming that we add

0:10:15.360 --> 0:10:18.520
<v Speaker 1>to this service, to this to this platform alongside the

0:10:18.640 --> 0:10:21.680
<v Speaker 1>HBO service has got to be at that kind of

0:10:21.800 --> 0:10:26.040
<v Speaker 1>quality level. And as I said, the libraries have the

0:10:26.120 --> 0:10:31.480
<v Speaker 1>high quality. Whatever we are acquiring, UM, the doctor Who Library,

0:10:31.640 --> 0:10:35.240
<v Speaker 1>you know, UM, the Studio Ghibli Library. I mean, we're

0:10:35.280 --> 0:10:37.120
<v Speaker 1>really trying to go for things that are of the

0:10:37.200 --> 0:10:42.040
<v Speaker 1>highest quality Sesame Street, which was also in HBO originally

0:10:42.120 --> 0:10:45.320
<v Speaker 1>but kind of an island in in that you know,

0:10:45.440 --> 0:10:49.000
<v Speaker 1>in that service, UM really bringing back to the four

0:10:49.160 --> 0:10:52.040
<v Speaker 1>and you know, Sesame Street is arguably one of the

0:10:52.080 --> 0:10:56.679
<v Speaker 1>greatest brands for children and educational television. So we tasked

0:10:56.679 --> 0:11:01.280
<v Speaker 1>ourselves with UM rising to the level of HBO for

0:11:01.480 --> 0:11:04.079
<v Speaker 1>anything that's in the service. Of course that's going to

0:11:04.120 --> 0:11:07.440
<v Speaker 1>be subjective to a certain degree, but we really are

0:11:08.160 --> 0:11:11.959
<v Speaker 1>serious about putting this out as the highest quality service

0:11:12.080 --> 0:11:15.520
<v Speaker 1>that you know, a platform that you can get and

0:11:15.559 --> 0:11:18.559
<v Speaker 1>I know you have. The company has stated a goal

0:11:18.960 --> 0:11:25.640
<v Speaker 1>excuse me, of fifty million domestic subscribers by I know.

0:11:25.800 --> 0:11:28.280
<v Speaker 1>Part of the impetus for all of this has been

0:11:28.320 --> 0:11:33.560
<v Speaker 1>to grow to give the mothership HBO a bigger platform.

0:11:33.640 --> 0:11:37.200
<v Speaker 1>Do you feel that you know that the rising tide

0:11:37.280 --> 0:11:39.360
<v Speaker 1>year is going to lift all boats that HBO Max

0:11:39.400 --> 0:11:41.960
<v Speaker 1>will be a very nice engine for Warner Media and

0:11:42.000 --> 0:11:45.720
<v Speaker 1>a very nice engine for HBO, which has been despite

0:11:45.760 --> 0:11:49.280
<v Speaker 1>the digital gains, it has been relatively stagnanted around thirty

0:11:49.280 --> 0:11:53.280
<v Speaker 1>three million subscribers for the last you know, five to

0:11:53.320 --> 0:11:56.760
<v Speaker 1>eight years. I believe, yes, I think you've put your

0:11:56.760 --> 0:12:01.080
<v Speaker 1>finger on it exactly right. Um, HBO is a phenomenal product,

0:12:01.160 --> 0:12:04.600
<v Speaker 1>but um, there's a ceiling to it, and as you said,

0:12:04.679 --> 0:12:07.640
<v Speaker 1>it's sort of been at that ceiling for a few

0:12:07.760 --> 0:12:10.440
<v Speaker 1>years as the rest of the world has gone much

0:12:10.480 --> 0:12:16.280
<v Speaker 1>more aggressively to these larger streaming platforms. And so I

0:12:16.320 --> 0:12:18.840
<v Speaker 1>think not only will we be able to bring all

0:12:18.920 --> 0:12:23.520
<v Speaker 1>of the Warner Media assets together in this platform, um,

0:12:23.600 --> 0:12:26.280
<v Speaker 1>but one of the benefits of doing it, if we

0:12:26.400 --> 0:12:30.440
<v Speaker 1>if we do it correctly, is HBO, the great HBO service,

0:12:30.440 --> 0:12:34.320
<v Speaker 1>which is now fifty years old, right, will be exposed

0:12:34.320 --> 0:12:37.920
<v Speaker 1>to many, many more people. UM, some of whom you

0:12:37.920 --> 0:12:40.600
<v Speaker 1>know probably think HBO is not for me. You know,

0:12:41.000 --> 0:12:44.880
<v Speaker 1>it's the programming is mostly adult programming. You know, it's

0:12:44.880 --> 0:12:49.360
<v Speaker 1>a certain kind of uh programming. They don't do much

0:12:49.440 --> 0:12:53.719
<v Speaker 1>reality shows, much on scripted outside from you documentaries, So

0:12:54.240 --> 0:12:57.560
<v Speaker 1>there are things not in HBO that people you know,

0:12:57.640 --> 0:13:00.920
<v Speaker 1>I thought, well, it's not for me. I hope we

0:13:00.960 --> 0:13:04.960
<v Speaker 1>can expose a lot of those people to this product.

0:13:05.080 --> 0:13:08.320
<v Speaker 1>I mean this this service by virtue of it being

0:13:08.679 --> 0:13:12.439
<v Speaker 1>part of the overall platform, and then you know, all

0:13:12.520 --> 0:13:15.800
<v Speaker 1>the content will be there together and and I hope

0:13:15.840 --> 0:13:22.080
<v Speaker 1>will increase the you know, the the exposure for for

0:13:22.240 --> 0:13:26.960
<v Speaker 1>HBO in general. UM, I know, obviously you must be

0:13:27.000 --> 0:13:30.440
<v Speaker 1>somewhat disappointed. You must be disappointed that they you had

0:13:30.480 --> 0:13:34.360
<v Speaker 1>plans to launch with some fanfare and the reunion of friends,

0:13:34.920 --> 0:13:39.319
<v Speaker 1>six actors that aren't in the same place together very often. UM.

0:13:39.480 --> 0:13:42.320
<v Speaker 1>Is that did you feel like when it became clear

0:13:42.360 --> 0:13:45.600
<v Speaker 1>that in pandemic conditions that that that reunion special was

0:13:45.640 --> 0:13:48.560
<v Speaker 1>not going to happen? Did you did you scramble at

0:13:48.559 --> 0:13:50.679
<v Speaker 1>all to try something, to try to find some kind

0:13:50.679 --> 0:13:53.280
<v Speaker 1>of a replacement event or how did how did you

0:13:53.320 --> 0:13:56.480
<v Speaker 1>grapple with that curveball? Well, at first we were in

0:13:56.520 --> 0:14:00.240
<v Speaker 1>denial right that it would be um delayed that long,

0:14:00.280 --> 0:14:02.959
<v Speaker 1>as I think we all were when this started. At

0:14:03.000 --> 0:14:06.120
<v Speaker 1>first we thought, oh, shows will be you know, delayed

0:14:06.160 --> 0:14:08.520
<v Speaker 1>for a month or or two at the most. And

0:14:09.000 --> 0:14:10.960
<v Speaker 1>now it seems like it's going to be you know,

0:14:11.000 --> 0:14:15.360
<v Speaker 1>far longer than that. Um. And uh, we're holding out

0:14:15.559 --> 0:14:20.440
<v Speaker 1>for being able to get this special done hopefully by

0:14:20.440 --> 0:14:22.680
<v Speaker 1>the end of the summer, if if the stars aligned

0:14:22.680 --> 0:14:25.360
<v Speaker 1>and we can get back into production. UM. We do

0:14:25.440 --> 0:14:28.680
<v Speaker 1>think there's a value to having a big, raucous live

0:14:28.720 --> 0:14:33.480
<v Speaker 1>audience to experience these six great friends coming back together,

0:14:33.800 --> 0:14:36.280
<v Speaker 1>and you know, we didn't want to just suddenly do

0:14:36.400 --> 0:14:39.640
<v Speaker 1>it on a web call with you know, six squares

0:14:39.760 --> 0:14:44.800
<v Speaker 1>and you know people shooting from their kitchens and their bedrooms. UM.

0:14:44.840 --> 0:14:47.800
<v Speaker 1>Now I reserve the right to say, if this goes on,

0:14:48.480 --> 0:14:52.640
<v Speaker 1>you know, indefinitely, we may you know go more to

0:14:52.640 --> 0:14:55.720
<v Speaker 1>to a virtual route if if it is delayed too long.

0:14:56.200 --> 0:14:59.520
<v Speaker 1>But at the moment, we're trying to you know, look

0:14:59.560 --> 0:15:02.360
<v Speaker 1>to the few you and get this thing done, um

0:15:02.400 --> 0:15:05.160
<v Speaker 1>in a more conventional way. And UM, I think it's

0:15:05.160 --> 0:15:07.280
<v Speaker 1>worth waiting for we were we would have loved to

0:15:07.280 --> 0:15:09.840
<v Speaker 1>have had it on day one. But at the same time,

0:15:10.160 --> 0:15:14.080
<v Speaker 1>if we can get it watched in the fall, um,

0:15:14.120 --> 0:15:15.840
<v Speaker 1>I think it'll be something that we can you know,

0:15:16.000 --> 0:15:19.160
<v Speaker 1>have the audience really looking forward to as well. You

0:15:19.240 --> 0:15:22.840
<v Speaker 1>could almost you know, a second wave of another wave

0:15:22.880 --> 0:15:26.640
<v Speaker 1>of marketing around it. Well, like I said at the beginning,

0:15:28.080 --> 0:15:31.640
<v Speaker 1>is just the start of the marathon, and we need

0:15:31.680 --> 0:15:35.920
<v Speaker 1>to have you know, events like the Friends reunion every

0:15:36.080 --> 0:15:39.120
<v Speaker 1>several months, if not you know, longer, now we'll never

0:15:39.160 --> 0:15:43.960
<v Speaker 1>have that you know, that perfect storm again. But it's

0:15:44.000 --> 0:15:47.120
<v Speaker 1>incumbent on us to you know, have one thing after

0:15:47.160 --> 0:15:54.360
<v Speaker 1>another that keeps the audience really really adage. We'll be

0:15:54.480 --> 0:16:00.720
<v Speaker 1>right back Huntsville, Alabama, in a d that was as

0:16:00.760 --> 0:16:05.800
<v Speaker 1>American as Apple Strudle. From l A Times Studios comes

0:16:06.040 --> 0:16:10.520
<v Speaker 1>paper Clip, a podcast sponsored by Amazon Studios and inspired

0:16:10.560 --> 0:16:14.920
<v Speaker 1>by its Emmy eligible dramatic series Hunters, starring Al Pacino

0:16:15.000 --> 0:16:18.800
<v Speaker 1>and Logan Lehman joint host Michael Ian Black as he

0:16:18.880 --> 0:16:22.000
<v Speaker 1>teams up with a Cold War scholar to explore Operation

0:16:22.080 --> 0:16:25.840
<v Speaker 1>paper Clip, a real life, top secret program that brought

0:16:25.920 --> 0:16:29.840
<v Speaker 1>Nazi scientists to the American heartland to work on government

0:16:29.880 --> 0:16:34.920
<v Speaker 1>aerospace and medical research projects. Available now on Apple Podcasts

0:16:34.960 --> 0:16:43.960
<v Speaker 1>and all other platforms. Welcome back to Strictly Business. Here's

0:16:44.000 --> 0:16:47.480
<v Speaker 1>more of my conversation with Warner Media's Bob Green Black.

0:16:48.080 --> 0:16:51.360
<v Speaker 1>You've had obviously the pandemic conditions have have thrown a

0:16:51.360 --> 0:16:54.400
<v Speaker 1>wrench into into some of your original programming plans, but

0:16:54.520 --> 0:16:57.600
<v Speaker 1>you didn't have a ton beyond the Friend especially, you

0:16:57.600 --> 0:16:59.280
<v Speaker 1>didn't have a ton that was going to be on

0:16:59.400 --> 0:17:02.520
<v Speaker 1>at launch. You really are so much of the HBO

0:17:02.640 --> 0:17:06.639
<v Speaker 1>Max sort of selling proposition to the public is the

0:17:06.720 --> 0:17:11.639
<v Speaker 1>depth of this library incredible movies and incredible shows. Do

0:17:11.680 --> 0:17:14.960
<v Speaker 1>you feel like that's a competitive differentiator for you because

0:17:14.960 --> 0:17:19.400
<v Speaker 1>it is so deep, especially with adult programming. M Yes,

0:17:20.240 --> 0:17:24.440
<v Speaker 1>I agree with that, but I would also just say that, um,

0:17:24.480 --> 0:17:27.399
<v Speaker 1>you know, when you look at the original programming of

0:17:28.119 --> 0:17:31.399
<v Speaker 1>HBO again, since the service is part of HBO Max,

0:17:31.600 --> 0:17:36.040
<v Speaker 1>all of the new HBO original programming from Perry Mason

0:17:36.080 --> 0:17:39.720
<v Speaker 1>which is coming up this summer, you know, to Lovecraft Country, Um,

0:17:39.840 --> 0:17:42.600
<v Speaker 1>all those shows, the Undoing and the Fall with Nicole

0:17:42.680 --> 0:17:46.520
<v Speaker 1>Kidman and you Grant will be part of you know,

0:17:46.960 --> 0:17:51.160
<v Speaker 1>HBO Max. And then there's actually quite a lot of

0:17:52.000 --> 0:17:55.560
<v Speaker 1>Max originals, which is the additional original content that we're

0:17:55.560 --> 0:17:59.720
<v Speaker 1>building around the HBO shows. Um. We're launching with six

0:17:59.720 --> 0:18:02.760
<v Speaker 1>shows those on day one, including a show you know,

0:18:02.800 --> 0:18:06.119
<v Speaker 1>starting the wonderful Anna Kendrick called love Life. We have

0:18:06.200 --> 0:18:09.000
<v Speaker 1>the Elmo talk show for kids. We have a great

0:18:09.320 --> 0:18:13.440
<v Speaker 1>reality show called Legendary. UM, we have a really searing

0:18:13.520 --> 0:18:17.960
<v Speaker 1>documentary called On the Record. We're gonna have a lot

0:18:18.000 --> 0:18:21.360
<v Speaker 1>of original programming on the Max side of things as well. UM,

0:18:21.400 --> 0:18:24.200
<v Speaker 1>and then it's our job to keep those coming as

0:18:24.240 --> 0:18:27.359
<v Speaker 1>the summer you know rolls on. But but yes, the

0:18:28.560 --> 0:18:32.320
<v Speaker 1>libraries and the acquisitions that we've made friends South Park,

0:18:32.720 --> 0:18:35.280
<v Speaker 1>you know, Big Bang theory. Um, the list goes on

0:18:35.320 --> 0:18:37.760
<v Speaker 1>and on the west wing will be there. Those really

0:18:37.800 --> 0:18:41.439
<v Speaker 1>are also I think differentiators for us, And when you

0:18:41.520 --> 0:18:46.480
<v Speaker 1>put it all together, I think it's a really extraordinary value.

0:18:47.400 --> 0:18:49.879
<v Speaker 1>Let me ask you, you know, um, Bob, you've been

0:18:50.160 --> 0:18:52.720
<v Speaker 1>you've been involved with a lot of networks over the years.

0:18:52.800 --> 0:18:55.399
<v Speaker 1>You've you've helped you know, you've come into networks, but

0:18:55.480 --> 0:18:57.919
<v Speaker 1>we're in a in a bad place and lifted them up.

0:18:57.960 --> 0:19:00.400
<v Speaker 1>You brought you know, during your time at show time,

0:19:00.440 --> 0:19:03.600
<v Speaker 1>you really brought that company into the original series business.

0:19:04.400 --> 0:19:07.919
<v Speaker 1>What what is different about doing this kind of a

0:19:08.040 --> 0:19:12.000
<v Speaker 1>launch for something for a channel that is not a

0:19:12.040 --> 0:19:15.840
<v Speaker 1>linear channel but but an on demand collection. Does it

0:19:16.000 --> 0:19:20.040
<v Speaker 1>change the way you think about the positioning, the marketing,

0:19:20.200 --> 0:19:24.520
<v Speaker 1>how you go about bringing an audience two an on

0:19:24.680 --> 0:19:28.120
<v Speaker 1>demand network versus versus a linear network where you can

0:19:28.160 --> 0:19:33.680
<v Speaker 1>say tune in Sunday night at nine. Yes, Um, honestly, yes,

0:19:33.840 --> 0:19:36.679
<v Speaker 1>I mean I think there's a real uh, you know

0:19:36.840 --> 0:19:40.760
<v Speaker 1>goal too. And it's familiar to us to bringing an

0:19:40.760 --> 0:19:43.960
<v Speaker 1>audience to something new, a brand new platform in which

0:19:43.960 --> 0:19:48.320
<v Speaker 1>we are you know, branding the new service and getting

0:19:48.320 --> 0:19:51.560
<v Speaker 1>it out into you know, the world at large and

0:19:51.920 --> 0:19:54.199
<v Speaker 1>you know, by and large, we're doing you know, the

0:19:54.240 --> 0:19:57.240
<v Speaker 1>marketing outreach in the same way we would do a

0:19:57.359 --> 0:19:59.960
<v Speaker 1>launch you know, on on any you know sort of

0:20:00.080 --> 0:20:05.560
<v Speaker 1>big network. UM. However, once you get the platform up

0:20:05.560 --> 0:20:08.879
<v Speaker 1>and running and the customers start coming, then you have

0:20:09.600 --> 0:20:12.679
<v Speaker 1>data and insights that it come directly from the viewing

0:20:12.680 --> 0:20:16.119
<v Speaker 1>patterns of these audiences, and they start telling you in

0:20:16.119 --> 0:20:18.720
<v Speaker 1>a much more sophisticated and I would say maybe accurate

0:20:18.760 --> 0:20:22.520
<v Speaker 1>way than Nielsen does UM what people are watching and

0:20:22.560 --> 0:20:25.240
<v Speaker 1>what they want to watch, and and then we start

0:20:25.320 --> 0:20:30.359
<v Speaker 1>to UM adjust the programming accordingly UM and at the

0:20:30.359 --> 0:20:33.640
<v Speaker 1>same time market to them in a growth and subscription way,

0:20:34.080 --> 0:20:37.520
<v Speaker 1>very differently than you know, taking a thirty second spot

0:20:37.600 --> 0:20:42.600
<v Speaker 1>somewhere or an outdoor billboard. Those UM marketing plans, which

0:20:42.640 --> 0:20:47.480
<v Speaker 1>are very complex and strategic, you know, go right to

0:20:47.560 --> 0:20:53.480
<v Speaker 1>the audience, the customer themselves, UM and in different demos

0:20:53.560 --> 0:20:57.600
<v Speaker 1>and you know groups of how people watch certain shows,

0:20:58.119 --> 0:21:01.400
<v Speaker 1>and the sophistication of that is really what I think

0:21:01.440 --> 0:21:07.280
<v Speaker 1>will UM you know, differentiate us from our competitors as

0:21:07.320 --> 0:21:10.440
<v Speaker 1>well as all of our all of the streaming platforms

0:21:10.480 --> 0:21:13.760
<v Speaker 1>from traditional media. And it really is a whole new

0:21:13.800 --> 0:21:18.880
<v Speaker 1>way of speaking directly to you know, the customer. And

0:21:19.000 --> 0:21:22.160
<v Speaker 1>you must already, as you've said, this is day one,

0:21:22.280 --> 0:21:24.680
<v Speaker 1>is day one. You you've said that you've had you

0:21:24.800 --> 0:21:28.240
<v Speaker 1>plan to have iterations every eight weeks or so. Are

0:21:28.320 --> 0:21:31.400
<v Speaker 1>you already looking down the road to a time when

0:21:31.400 --> 0:21:34.119
<v Speaker 1>you might have more, you know, some form of CNN

0:21:34.240 --> 0:21:36.960
<v Speaker 1>on HBO act, you might have other elements from the

0:21:37.000 --> 0:21:42.040
<v Speaker 1>Warner Media world adding you know, flowing into that hub.

0:21:42.880 --> 0:21:46.320
<v Speaker 1>You mean sort of as a as a standalone service

0:21:46.400 --> 0:21:48.640
<v Speaker 1>that we add to the platform or do you mean

0:21:48.680 --> 0:21:52.800
<v Speaker 1>programming from those more more programming coming in from Yes,

0:21:52.840 --> 0:21:56.119
<v Speaker 1>in fact, we are you know, CNN. I think people

0:21:56.160 --> 0:21:59.479
<v Speaker 1>know this have an incredible movie division and they make

0:21:59.600 --> 0:22:03.320
<v Speaker 1>sclose and in films, they make documentaries, um. And we

0:22:03.400 --> 0:22:07.120
<v Speaker 1>are ordering several new documentaries from them as well as

0:22:07.680 --> 0:22:11.760
<v Speaker 1>um many things from their library. Um saying with other

0:22:12.440 --> 0:22:16.120
<v Speaker 1>networks and services across the Warner Brothers portfolio, whether it's

0:22:16.880 --> 0:22:19.840
<v Speaker 1>Adult Swim or the cartoon network. We have all the

0:22:19.880 --> 0:22:23.200
<v Speaker 1>Hanna Bear hand of Barbara cartoons and you know, all

0:22:23.200 --> 0:22:25.919
<v Speaker 1>the great Warner Brothers animation and we've just ordered you know,

0:22:26.080 --> 0:22:29.600
<v Speaker 1>eighty new Loony tunes, um, you know, to go along

0:22:29.640 --> 0:22:32.240
<v Speaker 1>with the loom this library that we have, so there's

0:22:32.240 --> 0:22:35.919
<v Speaker 1>gonna be a lot of things from the Warner Brothers assets,

0:22:36.240 --> 0:22:39.560
<v Speaker 1>new versions of them, on the on the on the

0:22:39.560 --> 0:22:44.040
<v Speaker 1>service and the platform. Um. And you know, at the

0:22:44.080 --> 0:22:47.680
<v Speaker 1>same time, we're also acquiring things outside the company, So

0:22:48.119 --> 0:22:50.480
<v Speaker 1>there's a voracious appetite you know, that needs to be

0:22:50.560 --> 0:22:54.639
<v Speaker 1>fed on this platform. Um. But I will say Warner

0:22:54.640 --> 0:22:57.080
<v Speaker 1>Brothers brings us so many things right from the get go,

0:22:57.600 --> 0:23:00.479
<v Speaker 1>and we've spent the last year mining through what all

0:23:00.520 --> 0:23:03.400
<v Speaker 1>those are and how can we do you know, new

0:23:03.480 --> 0:23:05.760
<v Speaker 1>and updated regions of The Gossip Girl, you know, is

0:23:06.119 --> 0:23:08.360
<v Speaker 1>a good example from Warner by this television which will

0:23:08.400 --> 0:23:11.399
<v Speaker 1>be coming later in the year. Um, and you know,

0:23:11.440 --> 0:23:14.399
<v Speaker 1>we're thrilled to have it. So we were really in

0:23:14.400 --> 0:23:18.480
<v Speaker 1>a great position with the assets we already own. Um.

0:23:18.480 --> 0:23:20.760
<v Speaker 1>But we're really not stopping there. It goes, it goes

0:23:20.800 --> 0:23:25.840
<v Speaker 1>well beyond that. M Um. Bob, you came into Warner

0:23:25.880 --> 0:23:29.800
<v Speaker 1>Media in March of nineteen, so you came in fairly

0:23:29.920 --> 0:23:32.160
<v Speaker 1>fairly early on, but you came into a situation where

0:23:32.160 --> 0:23:36.359
<v Speaker 1>people were already working on the thing that would become HBO. Max.

0:23:36.760 --> 0:23:40.160
<v Speaker 1>What was challenging for you as a leader coming into

0:23:40.200 --> 0:23:44.000
<v Speaker 1>something that was sort of already sort of already moving

0:23:44.040 --> 0:23:46.600
<v Speaker 1>in one direction, but you were tasked with bringing it

0:23:46.640 --> 0:23:48.600
<v Speaker 1>all together. What would you say were some of the

0:23:48.720 --> 0:23:52.440
<v Speaker 1>challenges especially early on. Well, the good news is that

0:23:52.440 --> 0:23:55.040
<v Speaker 1>it wasn't that far along UM. There were only a

0:23:55.080 --> 0:23:58.680
<v Speaker 1>couple of key people that were starting to work on

0:23:59.000 --> 0:24:04.800
<v Speaker 1>the tech platform and very early stages of new content. UM.

0:24:04.880 --> 0:24:07.840
<v Speaker 1>So I did have the ability to get in there

0:24:07.920 --> 0:24:11.119
<v Speaker 1>really at the beginning of it all. But it was

0:24:11.200 --> 0:24:16.840
<v Speaker 1>like inventing, not inventing, but setting up almost an entirely

0:24:16.840 --> 0:24:18.719
<v Speaker 1>new network. And I know network is sort of an

0:24:18.720 --> 0:24:22.560
<v Speaker 1>old fashioned UM comparison, but for me, having come from

0:24:22.640 --> 0:24:26.360
<v Speaker 1>various networks, it was appropriate because we had to come

0:24:26.440 --> 0:24:30.240
<v Speaker 1>up with, you know, a content group and an acquisitions

0:24:30.280 --> 0:24:33.280
<v Speaker 1>group and a scheduling group. I mean, we are going

0:24:33.320 --> 0:24:37.040
<v Speaker 1>to schedule HBO Max in a way that is done

0:24:37.160 --> 0:24:39.960
<v Speaker 1>with some of the old fashioned way, with people coming

0:24:40.040 --> 0:24:42.400
<v Speaker 1>up with what shows are delivered when and what shows

0:24:42.440 --> 0:24:45.960
<v Speaker 1>they should go with. And um, obviously the technical side

0:24:45.960 --> 0:24:49.200
<v Speaker 1>of it that the development of product was an enormous undertaking.

0:24:49.680 --> 0:24:52.560
<v Speaker 1>We have great assets in the overall a T and

0:24:52.600 --> 0:24:55.320
<v Speaker 1>T world. Otter Media was already at the company. So

0:24:55.800 --> 0:24:59.200
<v Speaker 1>we had the ability to draft Tony Consalvas and Andy

0:24:59.240 --> 0:25:03.320
<v Speaker 1>Forcell over to the Max side of the company. And

0:25:03.520 --> 0:25:06.040
<v Speaker 1>he was at Kulu at the beginning. And Tony has

0:25:06.040 --> 0:25:08.800
<v Speaker 1>been involved in many of the digital enterprises at A

0:25:08.880 --> 0:25:12.159
<v Speaker 1>T and T. So UM, I really just tried to

0:25:12.200 --> 0:25:17.359
<v Speaker 1>assemble all the right people and try to organize it um.

0:25:17.400 --> 0:25:20.960
<v Speaker 1>And I will say it was done quickly. Um. And

0:25:21.440 --> 0:25:24.720
<v Speaker 1>it's remarkable to me that only fourteen or fifteen months

0:25:25.000 --> 0:25:30.560
<v Speaker 1>after almost the original inception of this new business, it's

0:25:30.600 --> 0:25:33.560
<v Speaker 1>going to be launched. UM. And we're really proud of

0:25:33.560 --> 0:25:36.120
<v Speaker 1>where we are. I say that, you know, with with

0:25:36.160 --> 0:25:41.440
<v Speaker 1>all due uh you know, sort of humility. Where will

0:25:41.560 --> 0:25:45.720
<v Speaker 1>you be on the I guess I should ask where where?

0:25:45.720 --> 0:25:48.400
<v Speaker 1>Where had you plan to be? If the situation had

0:25:48.440 --> 0:25:51.280
<v Speaker 1>been normal, would you have all been together? Probably? And

0:25:51.320 --> 0:25:54.320
<v Speaker 1>you know we were we were playing an enormous launch

0:25:54.480 --> 0:25:57.880
<v Speaker 1>party that everyone was going to come to. And um,

0:25:57.920 --> 0:25:59.760
<v Speaker 1>you know, Hollywood loves the launch party, so we were

0:25:59.800 --> 0:26:04.159
<v Speaker 1>all excited about that a lot. Probably you know, we

0:26:04.160 --> 0:26:06.359
<v Speaker 1>hadn't even gotten that far into planning. But but most

0:26:06.400 --> 0:26:09.919
<v Speaker 1>likely we did redirect all of our pr efforts in

0:26:09.960 --> 0:26:13.520
<v Speaker 1>the last you know, eight weeks into either virtual events,

0:26:13.560 --> 0:26:16.560
<v Speaker 1>and we've had a number of them online with people. UM,

0:26:16.600 --> 0:26:19.040
<v Speaker 1>but uh, you know we all would have been together

0:26:19.160 --> 0:26:22.639
<v Speaker 1>in some former fashion. I think in this case, I

0:26:22.640 --> 0:26:24.640
<v Speaker 1>will just probably tick to my bed on the twenty

0:26:24.720 --> 0:26:27.879
<v Speaker 1>seven and I want to get up because it's really

0:26:27.920 --> 0:26:32.880
<v Speaker 1>been you know, a long haul for the past year. Um,

0:26:32.960 --> 0:26:36.119
<v Speaker 1>and uh, you know, we all feel we're feeling on

0:26:36.240 --> 0:26:37.919
<v Speaker 1>this relief of it. And then of course, like I

0:26:38.000 --> 0:26:40.800
<v Speaker 1>keep saying the broken record, it ain't over. We just

0:26:40.840 --> 0:26:44.080
<v Speaker 1>have to then, you know, go go go, you know,

0:26:44.320 --> 0:26:48.760
<v Speaker 1>until you know time runs out. Basically, So much for

0:26:48.840 --> 0:26:51.240
<v Speaker 1>taking the time out, good luck with everything. Is great

0:26:51.280 --> 0:26:54.600
<v Speaker 1>to speak with you as always, greatly appreciate it. Thank you,

0:26:54.960 --> 0:27:00.840
<v Speaker 1>love to see you to be m Thanks for listening.

0:27:01.119 --> 0:27:03.840
<v Speaker 1>Be sure to tune in next week for another episode

0:27:03.880 --> 0:27:15.359
<v Speaker 1>of Strictly Business. Huntsville, Alabama, in a city that was

0:27:15.400 --> 0:27:20.159
<v Speaker 1>as American as Apple Strudel. From l A Times Studios

0:27:20.240 --> 0:27:24.600
<v Speaker 1>comes paper Clip, a podcast sponsored by Amazon Studios and

0:27:24.720 --> 0:27:29.200
<v Speaker 1>inspired by its Emmy eligible dramatic series Hunters starring Al

0:27:29.280 --> 0:27:33.520
<v Speaker 1>Pacino and Logan Leharman, join host Michael Ian Black as

0:27:33.520 --> 0:27:36.200
<v Speaker 1>he teams up with a Cold War scholar to explore

0:27:36.280 --> 0:27:40.320
<v Speaker 1>Operation paper Clip, a real life, top secret program that

0:27:40.400 --> 0:27:44.080
<v Speaker 1>brought Nazi scientists to the American heartland to work on

0:27:44.200 --> 0:27:48.919
<v Speaker 1>government aerospace and medical research projects. Available now on Apple

0:27:49.000 --> 0:27:51.200
<v Speaker 1>Podcasts and all other platforms.