1 00:00:01,080 --> 00:00:04,880 Speaker 1: Look man, oh I see you? Why oh? And look 2 00:00:04,880 --> 00:00:11,719 Speaker 1: over there? How is that? Culture? Yeah? Goodness, ding dong les, 3 00:00:11,880 --> 00:00:15,440 Speaker 1: Culture rises calling, and we thank you so much for 4 00:00:15,520 --> 00:00:18,360 Speaker 1: bearing with us as we go on day four of 5 00:00:18,360 --> 00:00:21,240 Speaker 1: our twelve days of culture. And how are you feeling 6 00:00:21,239 --> 00:00:25,000 Speaker 1: about about our endeavor? Well, now we're officially crossing into 7 00:00:25,040 --> 00:00:30,720 Speaker 1: the second quarter, Yes, days of Culture. Day four, it's 8 00:00:30,800 --> 00:00:34,080 Speaker 1: very like you know, April vibes not April of this year, 9 00:00:34,080 --> 00:00:36,360 Speaker 1: but it's it's very like, um, you know it's April 10 00:00:36,400 --> 00:00:38,360 Speaker 1: of the year we're in, and so we're it's we're 11 00:00:38,400 --> 00:00:40,800 Speaker 1: just now like starting to write the right year on 12 00:00:40,840 --> 00:00:47,320 Speaker 1: our fresh and actually, um, this day of culture is 13 00:00:47,400 --> 00:00:52,120 Speaker 1: very important because a new day has come. You might say, hush, 14 00:00:52,200 --> 00:00:57,800 Speaker 1: nowhe sky is that how it goes? I see a 15 00:00:57,880 --> 00:01:01,200 Speaker 1: light in your eye. It's almost blind in your eyes. 16 00:01:02,240 --> 00:01:14,720 Speaker 1: He's almost blinding me. I can't believe very good. Selene 17 00:01:14,800 --> 00:01:17,880 Speaker 1: was really good, and that's why I'm saying, you're Selene 18 00:01:17,920 --> 00:01:21,320 Speaker 1: was really good, and then impression was good. Well, that's 19 00:01:21,480 --> 00:01:24,839 Speaker 1: you should talk stupid because you just did an amazing 20 00:01:24,920 --> 00:01:30,039 Speaker 1: impression of Selton John. We're no, we can't do that. 21 00:01:30,160 --> 00:01:33,759 Speaker 1: Oh you're gonna tell me what we can't do. Yeah, okay, 22 00:01:33,959 --> 00:01:36,160 Speaker 1: well I just wanted to compliment you on your impression. 23 00:01:36,280 --> 00:01:41,640 Speaker 1: Thank you, queen, thank you. Now Selene is so important 24 00:01:41,720 --> 00:01:43,319 Speaker 1: and well we haven't even shared the day yet, but 25 00:01:43,560 --> 00:01:47,160 Speaker 1: we're just telling you already. The reader revolves around it 26 00:01:47,240 --> 00:01:51,640 Speaker 1: revolves around Selene. Yes, But the day of culture, um, 27 00:01:51,720 --> 00:02:00,800 Speaker 1: let's just say um. On the fourth day of it 28 00:02:00,960 --> 00:02:09,680 Speaker 1: was March fifteen, two thousand eleven. Selene Dion makes Vegas 29 00:02:09,720 --> 00:02:14,240 Speaker 1: a thing. Vegas before this day not a thing. Then 30 00:02:14,440 --> 00:02:17,920 Speaker 1: Selene started her Vegas residency, it became a thing. Matt. 31 00:02:17,960 --> 00:02:19,960 Speaker 1: You might have to be the full authority on this, 32 00:02:20,080 --> 00:02:22,440 Speaker 1: because while I can be I can be someone of 33 00:02:22,440 --> 00:02:24,800 Speaker 1: an authority on this on the Selene part, but you 34 00:02:24,880 --> 00:02:27,200 Speaker 1: might be the Vegas authority between the two of us. 35 00:02:27,240 --> 00:02:30,840 Speaker 1: Because I have not been to Las Vegas since two 36 00:02:30,840 --> 00:02:33,440 Speaker 1: thousand seven. I want to say so. I haven't even 37 00:02:33,440 --> 00:02:36,480 Speaker 1: been there for Selene. So wow, you've never seen like 38 00:02:36,560 --> 00:02:40,440 Speaker 1: a big pop star Vegas show. Never, I gotta tell you, 39 00:02:40,480 --> 00:02:45,400 Speaker 1: I've actually only seen one. I haven't even seen ves 40 00:02:45,760 --> 00:02:49,200 Speaker 1: Aguilera the most blackout I've ever been in my life. 41 00:02:49,840 --> 00:02:52,440 Speaker 1: I want to go Seecristina Aguilera's tour. The way I 42 00:02:52,480 --> 00:02:54,360 Speaker 1: like to sum it up is me and Dave went 43 00:02:55,000 --> 00:02:57,640 Speaker 1: and as we're leaving, I said, I wish she had 44 00:02:57,680 --> 00:03:00,239 Speaker 1: done candy Man. And he turned to me and said, 45 00:03:00,360 --> 00:03:03,000 Speaker 1: she did candy Man. She did a whole outfit change 46 00:03:03,040 --> 00:03:06,400 Speaker 1: for candy Man. Candy Man was an entire set piece. 47 00:03:07,120 --> 00:03:09,400 Speaker 1: And I said, okay, And then we went to p F. 48 00:03:09,480 --> 00:03:13,120 Speaker 1: Chang's and I don't remember being there. Um, but that's 49 00:03:13,160 --> 00:03:17,920 Speaker 1: like the kind of spirit I appreciate about Vegas. And 50 00:03:18,000 --> 00:03:20,960 Speaker 1: to think that you could throw Marquis pop star in there, 51 00:03:21,200 --> 00:03:25,119 Speaker 1: one that's things like a motherfucker. M hmm. That's a night. 52 00:03:25,480 --> 00:03:27,960 Speaker 1: That's a night. I just want to really quickly shout 53 00:03:27,960 --> 00:03:32,040 Speaker 1: out my sister, biological sister, Yang Yang, who when she 54 00:03:32,120 --> 00:03:34,200 Speaker 1: was in college, I think her sophomore year of college, 55 00:03:34,240 --> 00:03:39,160 Speaker 1: she saved up money to buy her and my mom 56 00:03:39,200 --> 00:03:41,080 Speaker 1: a plane ticket to Vegas in a room at the 57 00:03:41,080 --> 00:03:45,000 Speaker 1: Excalibur and ce Selene and she surprised her with that. 58 00:03:45,120 --> 00:03:47,160 Speaker 1: But like, that's a hard gift to pull off, even 59 00:03:47,200 --> 00:03:50,720 Speaker 1: in college, especially in college, like it's it's hard to 60 00:03:50,720 --> 00:03:53,160 Speaker 1: put any real big secret off, And so she kept 61 00:03:53,160 --> 00:03:54,880 Speaker 1: it a secret the whole time until they were going 62 00:03:55,480 --> 00:03:57,440 Speaker 1: I think she kept it a secret. And but they 63 00:03:57,440 --> 00:04:01,160 Speaker 1: went with um my sister's best friend Roheeny and her mother. 64 00:04:01,240 --> 00:04:03,360 Speaker 1: I believe what. They both went with their mothers, the 65 00:04:03,400 --> 00:04:05,320 Speaker 1: four of them. What did they say? They said it 66 00:04:05,360 --> 00:04:10,200 Speaker 1: was wonderful. Oh my gosh, I'm so sad I never 67 00:04:10,240 --> 00:04:12,520 Speaker 1: got to see her. Well, remember we had tickets to 68 00:04:12,560 --> 00:04:15,840 Speaker 1: go see her in Manhattan. It was Madison Square Garden. 69 00:04:16,000 --> 00:04:19,400 Speaker 1: We did, and then we was a cousk of COVID. 70 00:04:19,720 --> 00:04:22,880 Speaker 1: It was because we just our schedules weren't working. Oh right, right, 71 00:04:23,000 --> 00:04:26,000 Speaker 1: But it was like late it was like late February, right, Well, 72 00:04:26,120 --> 00:04:28,479 Speaker 1: I think it was late January because we bought the 73 00:04:28,480 --> 00:04:31,760 Speaker 1: tickets truly a year and a half before me if 74 00:04:31,800 --> 00:04:34,400 Speaker 1: I'm wrong, it was like inside to me, it's all 75 00:04:34,440 --> 00:04:38,520 Speaker 1: coming back to me. Hello, like that? Like that? Okay, 76 00:04:38,760 --> 00:04:41,039 Speaker 1: Anna says in the chat, I have seen the Celndon 77 00:04:41,080 --> 00:04:44,080 Speaker 1: show four times in Vegas because my dad and his 78 00:04:44,160 --> 00:04:49,039 Speaker 1: best friend love her. Okay, that's gay man. I got 79 00:04:49,040 --> 00:04:51,359 Speaker 1: a gay dad, I know. Okay, let's just say that 80 00:04:51,960 --> 00:04:55,280 Speaker 1: her dad and his male friend loved Celendon took their 81 00:04:55,360 --> 00:04:59,240 Speaker 1: daughter to go see Selene. She's gay. Father, Stop this, 82 00:04:59,560 --> 00:05:04,320 Speaker 1: they're out there why are you making fires? They're out 83 00:05:04,320 --> 00:05:06,919 Speaker 1: there and they're liars. And can you do you have 84 00:05:06,920 --> 00:05:09,680 Speaker 1: any comment on me thinking your dad is gay? This 85 00:05:09,800 --> 00:05:17,480 Speaker 1: is so disrespectful. You are being well I can't wait 86 00:05:17,520 --> 00:05:20,320 Speaker 1: to follow this rad But the beauty of Selene is 87 00:05:20,360 --> 00:05:23,400 Speaker 1: that she's universal. Everyone loves her. You you did not 88 00:05:23,440 --> 00:05:27,479 Speaker 1: grow see, you're being blind to being blind to me. 89 00:05:27,560 --> 00:05:29,680 Speaker 1: You're being blind to me growing up in Montreal and 90 00:05:29,720 --> 00:05:35,039 Speaker 1: literally transcended every any demographic. You loved Selene no matter what, especially, 91 00:05:35,360 --> 00:05:38,159 Speaker 1: I mean, you can't deny that. After my heart will 92 00:05:38,200 --> 00:05:41,840 Speaker 1: go on. She was not like four quadrants like appeal, 93 00:05:42,040 --> 00:05:45,279 Speaker 1: like she was top of mind. Yeah, absolutely, she became 94 00:05:45,520 --> 00:05:49,279 Speaker 1: the superstar. It's actually she was the Rihanna of her time. 95 00:05:49,560 --> 00:05:53,840 Speaker 1: She Rina of her time. And that's not that doesn't 96 00:05:53,880 --> 00:05:55,680 Speaker 1: get said enough. And that's a rule of culture. That's 97 00:05:55,680 --> 00:06:00,480 Speaker 1: from real culture. Number seventy. Selene was the Anna of 98 00:06:00,600 --> 00:06:03,560 Speaker 1: her time. You know what, Selene song I Love that 99 00:06:03,600 --> 00:06:05,520 Speaker 1: came out recently and no one really talked about it, 100 00:06:05,560 --> 00:06:11,000 Speaker 1: you know, taking Chances. No, that wasn't recent. Oh um, 101 00:06:11,080 --> 00:06:12,839 Speaker 1: you know what's that? No? No, wait, let me guess, 102 00:06:12,920 --> 00:06:15,680 Speaker 1: let me guess it. Um, it's a noun and it 103 00:06:15,800 --> 00:06:20,440 Speaker 1: ends its s it's yeah, what's it called? It's really good. 104 00:06:20,680 --> 00:06:25,520 Speaker 1: It goes like this, I got my own imperfections, perfections, 105 00:06:25,600 --> 00:06:30,840 Speaker 1: and I got my own set discostudde. I got my 106 00:06:30,920 --> 00:06:35,680 Speaker 1: own imperfections. I can't hold you a hot when I'm 107 00:06:35,760 --> 00:06:40,320 Speaker 1: fixing mine. And then she goes so she says, give 108 00:06:40,360 --> 00:06:42,960 Speaker 1: it up, give it up. I don't want to same. 109 00:06:43,120 --> 00:06:46,640 Speaker 1: It's so good. You have to listen to imperfections, imperfections 110 00:06:46,880 --> 00:06:50,120 Speaker 1: like when you're driving in the car, imperfections. H it's 111 00:06:50,200 --> 00:06:54,679 Speaker 1: hard every Selene, I really need to take a moment 112 00:06:54,760 --> 00:06:59,000 Speaker 1: to reconnect with her. I have not really appreciated her 113 00:06:59,400 --> 00:07:01,760 Speaker 1: the impact of her music in my life. You know, 114 00:07:01,839 --> 00:07:03,680 Speaker 1: I had this I had this thing too with Brittany 115 00:07:03,680 --> 00:07:05,400 Speaker 1: the other day where I was like, wait a minute, 116 00:07:05,560 --> 00:07:09,120 Speaker 1: I we have been raised by these women, as our 117 00:07:09,160 --> 00:07:13,000 Speaker 1: friend Dave Mazzone says. She says that Brittany, Brittany raised us, 118 00:07:13,480 --> 00:07:17,680 Speaker 1: but Selene too, really, really, really in a very big way. Selene, 119 00:07:18,200 --> 00:07:21,000 Speaker 1: it's because she probably was the same age as our 120 00:07:21,120 --> 00:07:27,040 Speaker 1: mother's when she was huge. Honestly, say say your mother's 121 00:07:27,080 --> 00:07:31,920 Speaker 1: age on the podcast. Let me do the math. Okay, yes, yes, 122 00:07:32,480 --> 00:07:38,280 Speaker 1: you don't want um, why, yes, my mom is just 123 00:07:38,360 --> 00:07:42,360 Speaker 1: getting done. This feels this feels like this honestly feels 124 00:07:42,400 --> 00:07:44,560 Speaker 1: like a bridge too far, even for this podcast. Last 125 00:07:44,560 --> 00:07:46,800 Speaker 1: culture raised is to say the age of our mothers 126 00:07:46,840 --> 00:07:48,760 Speaker 1: on this podcast, but I don't want to explain. I 127 00:07:48,800 --> 00:07:50,680 Speaker 1: don't think we should explain why. I don't want to 128 00:07:50,720 --> 00:07:53,840 Speaker 1: get into it just feels like this whole territory is 129 00:07:53,880 --> 00:07:56,320 Speaker 1: not something we should touch. Bowen. We have to respect 130 00:07:56,360 --> 00:07:58,760 Speaker 1: our mother's, yeah, we have to respect them. But I 131 00:07:58,800 --> 00:08:02,280 Speaker 1: will say that makes sense to me that Celine Dion 132 00:08:02,360 --> 00:08:04,520 Speaker 1: probably was a little bit younger than my mother, and 133 00:08:04,560 --> 00:08:08,280 Speaker 1: therefore she at our age we imprinted on her and 134 00:08:08,320 --> 00:08:10,920 Speaker 1: she was doing a very mom thing by singing the 135 00:08:10,920 --> 00:08:14,280 Speaker 1: theme song to Titanic. Well, I'm telling you, it wasn't 136 00:08:14,280 --> 00:08:16,480 Speaker 1: even a mom thing. It's not even a mom thing. 137 00:08:16,680 --> 00:08:21,880 Speaker 1: My heart will go on. Was was a gravitational like center. 138 00:08:22,200 --> 00:08:26,160 Speaker 1: She's brought everyone together. I agree, No, I agree with you. 139 00:08:26,240 --> 00:08:27,920 Speaker 1: It's just crazy And I don't know why I can't 140 00:08:27,920 --> 00:08:29,800 Speaker 1: get out of my own way and thinking this, but 141 00:08:30,320 --> 00:08:33,839 Speaker 1: I just can't see a world where the toxic masculinity 142 00:08:33,920 --> 00:08:36,160 Speaker 1: was put to the side enough for straight man to 143 00:08:36,240 --> 00:08:38,440 Speaker 1: be like I like my Heart Will go On? Like, 144 00:08:38,679 --> 00:08:40,840 Speaker 1: I feel like we are living in such a time 145 00:08:40,960 --> 00:08:44,360 Speaker 1: right now where the master of the toxic masculinity, and 146 00:08:44,400 --> 00:08:47,480 Speaker 1: we're so divided. And that's really what I wanted to 147 00:08:47,480 --> 00:08:49,960 Speaker 1: talk about, is that we are so divided right now 148 00:08:50,320 --> 00:08:52,320 Speaker 1: that can't we all just remember a time we all 149 00:08:52,320 --> 00:08:54,080 Speaker 1: just like Celine Dion and shut the funk up and 150 00:08:54,080 --> 00:08:56,560 Speaker 1: we're centrist. Oh my god, we need to go back. 151 00:08:57,000 --> 00:09:00,600 Speaker 1: Let's go back, Okay, hot head of content Hans says, 152 00:09:00,640 --> 00:09:02,319 Speaker 1: My first dance with the girl was to my Heart 153 00:09:02,360 --> 00:09:07,320 Speaker 1: Will Go On? School? Third grade? Okay? And what happened? 154 00:09:07,600 --> 00:09:11,199 Speaker 1: Anything didn't move forward? Was this was the tension thick 155 00:09:11,480 --> 00:09:19,920 Speaker 1: gone Hans? Something moved? Oh no, he made a joke 156 00:09:19,960 --> 00:09:22,600 Speaker 1: about his little third grade self getting the peepee pop 157 00:09:22,920 --> 00:09:30,400 Speaker 1: to a girl while the th was playing My Heart 158 00:09:30,400 --> 00:09:33,280 Speaker 1: Will Go On. That's how Wait? How old is Hans? 159 00:09:33,679 --> 00:09:35,040 Speaker 1: Because I was in the third grade. I was in 160 00:09:35,080 --> 00:09:37,839 Speaker 1: the second or the third grade when Titanic came out. 161 00:09:39,040 --> 00:09:41,160 Speaker 1: We can't know. He's a man. We can say his age. 162 00:09:42,160 --> 00:09:44,520 Speaker 1: It would be wrong, what would be wrong about grade? 163 00:09:44,559 --> 00:09:48,120 Speaker 1: So he could be wrong about the grade? Alright, So 164 00:09:48,480 --> 00:09:51,120 Speaker 1: I think that he know we were in second grade 165 00:09:51,120 --> 00:09:53,520 Speaker 1: when Titanic came out, so I think Hans was like 166 00:09:53,559 --> 00:09:58,240 Speaker 1: in middle school. To be honest, Hans, Hans, you were 167 00:09:58,280 --> 00:10:00,640 Speaker 1: in middle school when you popped a And let me 168 00:10:00,679 --> 00:10:03,120 Speaker 1: just say something, third grader popping a boner. It's like 169 00:10:03,240 --> 00:10:07,880 Speaker 1: a cute seventh grader popping a boner discussed fifth you 170 00:10:07,920 --> 00:10:14,439 Speaker 1: know better eighth grade. He says, Oh, wait a minute, 171 00:10:15,320 --> 00:10:18,760 Speaker 1: do I mean? Those are all great stories? But you 172 00:10:18,840 --> 00:10:22,080 Speaker 1: might know someone that worked on a Selean Dion song. Doug, 173 00:10:22,240 --> 00:10:25,000 Speaker 1: which Selene song? Did you? What Selen song did you 174 00:10:25,040 --> 00:10:28,840 Speaker 1: work on? We have to know this is imagine He says, 175 00:10:28,880 --> 00:10:33,200 Speaker 1: something iconic. What if we argue our engineer has what 176 00:10:33,280 --> 00:10:38,480 Speaker 1: if he engineered taking chances that iconic? I love taking 177 00:10:38,559 --> 00:10:43,120 Speaker 1: chances so much. Grammy, I didn't know Doug as a 178 00:10:43,160 --> 00:10:46,840 Speaker 1: Grammy He's mentioned it. Doug said, doesn't look at it 179 00:10:46,920 --> 00:10:51,800 Speaker 1: was early. Wait, Doug, Grammy, our engineer, Doug has a 180 00:10:51,800 --> 00:10:56,880 Speaker 1: Grammy award already, steal one from Steely Dan freak, Oh 181 00:10:56,920 --> 00:11:00,800 Speaker 1: my god? Are you? Are you ready for it? Taylor 182 00:11:01,000 --> 00:11:06,119 Speaker 1: Swift hold on me, tell me, okay, give the Douglas 183 00:11:06,240 --> 00:11:14,680 Speaker 1: bab was an assistant engineer on the album Let's Talk 184 00:11:14,720 --> 00:11:19,680 Speaker 1: About Love yees. So the album that had and when 185 00:11:19,840 --> 00:11:22,560 Speaker 1: the title track My Heart Will Go On and Oh 186 00:11:22,600 --> 00:11:27,720 Speaker 1: my God, one of Selene's hugest albums. I think it 187 00:11:27,800 --> 00:11:30,760 Speaker 1: was the defining Selene album. Doug, can you come in, Doug, 188 00:11:30,760 --> 00:11:34,400 Speaker 1: please come? Immortality with the bgs? Yes, she tell him 189 00:11:34,400 --> 00:11:37,080 Speaker 1: with Barbara, I believe, tell him with Barbara was on 190 00:11:37,120 --> 00:11:40,440 Speaker 1: this album. What can you tell us about working with Selene? Well, 191 00:11:40,960 --> 00:11:44,680 Speaker 1: Corey Hart wrote the song. Do you remember Corey Hart? Yeah, 192 00:11:44,720 --> 00:11:49,719 Speaker 1: Corey Hart. Oh no, never mind, that's Corey Hame. I'm 193 00:11:49,760 --> 00:11:52,240 Speaker 1: thinking of Corey Hame, Corey Hart, and he was the 194 00:11:52,280 --> 00:11:56,480 Speaker 1: producer and Selene came into like shing and got the 195 00:11:56,520 --> 00:11:59,360 Speaker 1: hell out. That was I met her once really quick. 196 00:11:59,559 --> 00:12:02,360 Speaker 1: But you did get to hear her sing oh yeah, yeah, yeah. 197 00:12:02,480 --> 00:12:04,560 Speaker 1: She was great. She would come in and nail at 198 00:12:04,559 --> 00:12:07,600 Speaker 1: the first try and leave. She sang it maybe three 199 00:12:07,640 --> 00:12:10,880 Speaker 1: times down and wait, what what song was this though? 200 00:12:10,880 --> 00:12:14,960 Speaker 1: I'm gonna look it up. Corey Hart, Selene Dion, Let's 201 00:12:15,000 --> 00:12:17,000 Speaker 1: talk about love. I'm just I'm just looking at the 202 00:12:17,040 --> 00:12:21,080 Speaker 1: credits on Let's talk about Love. This is incredible dog wow. Okay. 203 00:12:21,120 --> 00:12:24,520 Speaker 1: So in the Heart wrote and produced Miles to Go 204 00:12:24,640 --> 00:12:26,920 Speaker 1: before I Sleep and Where Is the Love for Selene 205 00:12:26,960 --> 00:12:29,280 Speaker 1: Dion's multi platinum album Let's Talk About Love. So it 206 00:12:29,320 --> 00:12:33,000 Speaker 1: was obviously one of those two songs. Wow, this is 207 00:12:33,320 --> 00:12:35,600 Speaker 1: kind of excited about him. He was cool. I mean 208 00:12:35,600 --> 00:12:39,280 Speaker 1: that was I loved Sunglasses at Night. So you were 209 00:12:39,320 --> 00:12:41,959 Speaker 1: more psyched about the guy that wrote and performed Sunglasses 210 00:12:42,000 --> 00:12:45,520 Speaker 1: at Night than Selen. But I didn't really know. I 211 00:12:45,600 --> 00:12:48,440 Speaker 1: didn't know her yet, so that was what do you 212 00:12:48,480 --> 00:12:53,160 Speaker 1: mean had already cared out? Well? I mean, I it 213 00:12:53,280 --> 00:12:56,160 Speaker 1: wasn't really in my scope of things. I see, And 214 00:12:56,320 --> 00:13:01,120 Speaker 1: this is what I'm talking about. This is that toxic patriarchy. 215 00:13:01,200 --> 00:13:04,840 Speaker 1: And they say, Selene Dion quote unquote wasn't in my scope. 216 00:13:04,960 --> 00:13:07,679 Speaker 1: Thank you, Doug. We have heard enough. You've contributed in 217 00:13:07,720 --> 00:13:12,040 Speaker 1: the in the ways we needed you to thank you. No, no, no, 218 00:13:12,320 --> 00:13:16,559 Speaker 1: dog no, you're back. So this is what I'm saying. 219 00:13:16,600 --> 00:13:18,960 Speaker 1: So don't tell me that she was for a quadrants. 220 00:13:19,120 --> 00:13:22,080 Speaker 1: We got this fool who worked on the Damn album 221 00:13:22,840 --> 00:13:26,320 Speaker 1: and he still I didn't know her. He said he's 222 00:13:26,360 --> 00:13:32,760 Speaker 1: Mariah Carry So I guess not. There's still such can 223 00:13:32,800 --> 00:13:34,800 Speaker 1: I tell you there's still such a long way to go? 224 00:13:35,200 --> 00:13:38,839 Speaker 1: We Oh my god, I think every single day when 225 00:13:38,880 --> 00:13:41,120 Speaker 1: I watched the news and hear about what's happening in 226 00:13:41,160 --> 00:13:44,080 Speaker 1: the world. I think all the time we have such 227 00:13:46,480 --> 00:13:51,079 Speaker 1: with every just in general, oh my god, in the world. 228 00:13:51,160 --> 00:13:53,360 Speaker 1: We have such a long way to go, and so 229 00:13:53,720 --> 00:13:56,319 Speaker 1: and so we can just have you know, engineer or 230 00:13:56,480 --> 00:13:59,920 Speaker 1: Grammy winning engineers who work on Selene Dion albums Karen 231 00:14:00,080 --> 00:14:03,240 Speaker 1: enough to know what the title of the track was 232 00:14:03,360 --> 00:14:06,520 Speaker 1: and not just remember that the guy that did Sunglasses 233 00:14:06,559 --> 00:14:10,400 Speaker 1: at Night wrote it, this is heterosexual and it's and 234 00:14:10,440 --> 00:14:12,720 Speaker 1: I say that with all the malice in my heart. 235 00:14:13,040 --> 00:14:19,040 Speaker 1: It's heterosexual. Nothing can take away with Selene has given me, though, No, 236 00:14:19,320 --> 00:14:22,400 Speaker 1: and and the thing is he really just tried. He did, 237 00:14:22,480 --> 00:14:25,520 Speaker 1: indeed try, and he did not succeed. No, he did not. 238 00:14:25,960 --> 00:14:28,440 Speaker 1: What is your favorite Selene Dion song that you are 239 00:14:28,800 --> 00:14:32,280 Speaker 1: so fucking mad you couldn't see her perform live in 240 00:14:32,360 --> 00:14:36,080 Speaker 1: all the vaguest splendor. It's really hard. I mean, it's 241 00:14:36,120 --> 00:14:37,960 Speaker 1: I mean, I mean, I have my my answers, the 242 00:14:38,000 --> 00:14:41,280 Speaker 1: easy one, which is it's all coming back to me now. 243 00:14:41,440 --> 00:14:43,800 Speaker 1: I was gonna say it would be tough to go 244 00:14:43,960 --> 00:14:47,280 Speaker 1: an entire gay life and never have them seen that 245 00:14:47,320 --> 00:14:49,600 Speaker 1: perform live like that makes me feel like maybe we 246 00:14:49,600 --> 00:14:51,520 Speaker 1: should have tried to make it work that last jan 247 00:14:51,800 --> 00:14:54,800 Speaker 1: I know, I like, for some reason could not. I 248 00:14:54,840 --> 00:14:56,960 Speaker 1: couldn't have done it, Yeah, because you probably were working, 249 00:14:57,000 --> 00:14:58,440 Speaker 1: and I think I was working at the time too, 250 00:14:58,440 --> 00:14:59,880 Speaker 1: and it wouldn't have made sense for me to fly 251 00:15:00,000 --> 00:15:02,080 Speaker 1: act for like a Friday night show, which I believe 252 00:15:02,120 --> 00:15:04,640 Speaker 1: it was. But it was like a decision. It was 253 00:15:04,680 --> 00:15:07,680 Speaker 1: a decision because I was so excited to go God, 254 00:15:07,720 --> 00:15:14,800 Speaker 1: I mean that all by myself, Beauty, beauty and the beast. Wow. Also, honestly, 255 00:15:15,440 --> 00:15:17,680 Speaker 1: I would kill to just see her like sort of 256 00:15:18,040 --> 00:15:25,760 Speaker 1: goose around the stage singing Drove all Night liked is 257 00:15:25,800 --> 00:15:28,760 Speaker 1: that all right? I was like thirteen years old when 258 00:15:28,760 --> 00:15:31,440 Speaker 1: it came out, and the lyric of well, First of all, 259 00:15:31,600 --> 00:15:34,720 Speaker 1: my sister bought the CD from Costco or Sam Goody 260 00:15:34,800 --> 00:15:36,400 Speaker 1: or wherever, and she would play it in the car 261 00:15:36,520 --> 00:15:38,680 Speaker 1: on like you know, drives to Chinese school or violent 262 00:15:38,880 --> 00:15:41,320 Speaker 1: or piano lessons. My mom would want to listen to 263 00:15:41,320 --> 00:15:46,000 Speaker 1: sleep because Mom's love Selene Doug, but so does everybody. 264 00:15:46,240 --> 00:15:48,960 Speaker 1: But I Drove all Night would come on, and then 265 00:15:49,000 --> 00:15:51,280 Speaker 1: the lyric woke you from your sleep to make love 266 00:15:51,320 --> 00:15:55,240 Speaker 1: to you made me made me feel a little uncomfortable 267 00:15:55,280 --> 00:15:57,880 Speaker 1: around my mother at the age of little hans Ish. 268 00:15:58,080 --> 00:16:01,520 Speaker 1: Little Hans is a little things while something moved while 269 00:16:01,640 --> 00:16:05,640 Speaker 1: dancing to um, my heart will go on crazy. Um. 270 00:16:05,680 --> 00:16:09,720 Speaker 1: I think that another bop that you never know when 271 00:16:09,720 --> 00:16:12,280 Speaker 1: this song is going to come on and slay you, 272 00:16:12,840 --> 00:16:17,440 Speaker 1: but it is. And that's no way. This is the 273 00:16:17,760 --> 00:16:19,360 Speaker 1: one of the greatest hits of all one of the 274 00:16:19,400 --> 00:16:23,040 Speaker 1: greatest songs. Can I tell you some little bats? Yes 275 00:16:23,480 --> 00:16:25,640 Speaker 1: at s n L. Well this isn't really bats, but 276 00:16:25,920 --> 00:16:27,760 Speaker 1: we were always going to close bunch or high with 277 00:16:27,960 --> 00:16:31,120 Speaker 1: That's the way it is genius. Anytime we would run it, 278 00:16:31,160 --> 00:16:34,120 Speaker 1: anytime we would read it, anytime we would you know, 279 00:16:34,280 --> 00:16:37,160 Speaker 1: just like see what it felt like. It always was 280 00:16:37,280 --> 00:16:40,480 Speaker 1: thrilling to like people were thrilled. It's it's a it's 281 00:16:40,520 --> 00:16:43,280 Speaker 1: a it's an energizing song. Everyone's just like, oh my god, 282 00:16:43,320 --> 00:16:53,280 Speaker 1: what is this magic? It's a magical song. It is 283 00:16:53,320 --> 00:16:55,920 Speaker 1: a magical song. And I've told you my sense memory 284 00:16:55,920 --> 00:16:59,040 Speaker 1: with this song, right maybe what is it? So at 285 00:16:59,080 --> 00:17:01,200 Speaker 1: the time this song came that I was reading Harry Potter, 286 00:17:01,280 --> 00:17:04,840 Speaker 1: I was binging binge reading Harry Potter and every time 287 00:17:04,880 --> 00:17:07,160 Speaker 1: I hear this song, I think about in my mind's eye, 288 00:17:07,200 --> 00:17:10,240 Speaker 1: like thinking about Ron Hermione and Harry As drawn in 289 00:17:10,320 --> 00:17:13,920 Speaker 1: my head, like hanging around the like common room, like 290 00:17:14,000 --> 00:17:17,879 Speaker 1: sort of like when you wanted the most. They're not 291 00:17:18,119 --> 00:17:22,560 Speaker 1: easy like that being like like imagine like the credits 292 00:17:22,600 --> 00:17:26,119 Speaker 1: to Seventh Heaven, but with the characters up Ron Hermione 293 00:17:26,200 --> 00:17:28,240 Speaker 1: and Harry As drawn in my head was she'll never 294 00:17:28,280 --> 00:17:31,640 Speaker 1: know what they look like, but ultimately they look pretty 295 00:17:31,680 --> 00:17:34,240 Speaker 1: similar to how they were cast. So that's the way 296 00:17:34,280 --> 00:17:37,639 Speaker 1: it is. It's your mind telling you, like both of 297 00:17:37,680 --> 00:17:41,600 Speaker 1: these things are so important right now, Yes, latch on. 298 00:17:42,240 --> 00:17:44,280 Speaker 1: The only way we can process this at once is 299 00:17:44,280 --> 00:17:48,080 Speaker 1: to combine them together. They helped each other, I would say. Also, 300 00:17:48,400 --> 00:17:51,240 Speaker 1: more recently, I was listening. I was in a soul 301 00:17:51,280 --> 00:17:53,719 Speaker 1: cycle class taught by R. L. Dia, And you know 302 00:17:53,920 --> 00:17:55,920 Speaker 1: he has that like as one of he did I 303 00:17:56,000 --> 00:17:58,119 Speaker 1: think he did it just for me. He did since 304 00:17:58,119 --> 00:17:59,879 Speaker 1: You've been gone as the second and last song, and 305 00:18:00,000 --> 00:18:01,760 Speaker 1: then that's the way it is. Was the last song 306 00:18:01,840 --> 00:18:04,399 Speaker 1: in cell cycle. And when I tell you, like anyone 307 00:18:04,400 --> 00:18:06,280 Speaker 1: that's done cell cycle before knows, I can get a 308 00:18:06,320 --> 00:18:08,680 Speaker 1: little emotional at the end because you're like the music 309 00:18:08,760 --> 00:18:11,840 Speaker 1: and you're like going for it like whatever. I cried 310 00:18:12,760 --> 00:18:15,560 Speaker 1: riding that bike too. That's the way it is. By 311 00:18:15,600 --> 00:18:20,280 Speaker 1: Selene Beyond. I was in tears. Such a truly in 312 00:18:20,760 --> 00:18:23,000 Speaker 1: the ironic glass culture is just sense of the word 313 00:18:23,000 --> 00:18:26,320 Speaker 1: and in the literal sense of the word cathartic song. 314 00:18:26,960 --> 00:18:32,679 Speaker 1: Selene introduced me to Elton John speaking of how because 315 00:18:32,680 --> 00:18:35,479 Speaker 1: she and Elton did some TV special together when I 316 00:18:35,520 --> 00:18:38,719 Speaker 1: was a kid, and like they did some do I 317 00:18:38,760 --> 00:18:41,240 Speaker 1: forget what it was. Maybe I'm making this up, but 318 00:18:41,280 --> 00:18:43,000 Speaker 1: then it like introduced me to Elton John and then 319 00:18:43,000 --> 00:18:45,280 Speaker 1: like they did like a little like backstage feature at 320 00:18:45,320 --> 00:18:48,440 Speaker 1: where you know, Selene was in Elton's dressing room looking 321 00:18:48,440 --> 00:18:51,639 Speaker 1: at his huge collection of glasses to bring back a 322 00:18:51,760 --> 00:18:55,120 Speaker 1: Day three reference. But I was like, oh my god, 323 00:18:55,160 --> 00:18:58,520 Speaker 1: that my dream is to one day have as many 324 00:18:58,520 --> 00:19:04,040 Speaker 1: glasses as Elton John does. Oh you never will, you never, 325 00:19:04,080 --> 00:19:07,520 Speaker 1: I never will. And I here's the thing. I think 326 00:19:07,560 --> 00:19:10,720 Speaker 1: that you are going to be so successful for the 327 00:19:10,760 --> 00:19:12,560 Speaker 1: rest of your life, and I think that you're going 328 00:19:12,640 --> 00:19:17,400 Speaker 1: to have the opportunity to do many things and own 329 00:19:17,520 --> 00:19:20,159 Speaker 1: many different things and collect different sort of things. I 330 00:19:20,160 --> 00:19:23,800 Speaker 1: don't think you'll ever have as many glasses as John. However, 331 00:19:24,560 --> 00:19:27,879 Speaker 1: if it breaks my heart, I want to prepare you 332 00:19:27,960 --> 00:19:30,239 Speaker 1: for that is not that I wish it for you. 333 00:19:30,280 --> 00:19:32,320 Speaker 1: I just that's me as a friend. I have to 334 00:19:32,359 --> 00:19:35,919 Speaker 1: tell you that before you start to hope and you know, 335 00:19:36,000 --> 00:19:38,399 Speaker 1: start a collection, because you're never going to catch Elton. 336 00:19:39,119 --> 00:19:41,359 Speaker 1: He's got all the glasses in the world, I know. 337 00:19:42,520 --> 00:19:45,119 Speaker 1: Thank you for saying that. You'd ever see that clip 338 00:19:45,359 --> 00:19:48,160 Speaker 1: of um Celindian in Vegas where she points her finger 339 00:19:48,240 --> 00:19:50,400 Speaker 1: to this guy and a bolt of lightning comes out 340 00:19:50,400 --> 00:19:54,000 Speaker 1: of it. Yes, we don't have that now. There's no 341 00:19:54,040 --> 00:19:56,280 Speaker 1: one like that who will be who will do that 342 00:19:56,320 --> 00:19:59,040 Speaker 1: for us? Next, let's listen. Who's not like that? Well, 343 00:19:59,040 --> 00:20:00,800 Speaker 1: hold on before you do. I mean like I did 344 00:20:00,800 --> 00:20:03,720 Speaker 1: get some feeling of that during Mari Carrys Christmas Special 345 00:20:03,760 --> 00:20:07,080 Speaker 1: when she was like, you know, being walked down a 346 00:20:07,160 --> 00:20:11,640 Speaker 1: wintry forest by Billy Eichner. She's like, you're when Billy goes, 347 00:20:11,960 --> 00:20:14,040 Speaker 1: you're a very hard woman to find. Then she goes, 348 00:20:14,280 --> 00:20:17,359 Speaker 1: it's called elusive darling. Yes, I did love that. I 349 00:20:17,400 --> 00:20:20,440 Speaker 1: love that. I'm like, I guess like it's someone who's 350 00:20:20,480 --> 00:20:24,479 Speaker 1: like a goofy's a goofy singer tough. It's tough, too 351 00:20:24,520 --> 00:20:28,119 Speaker 1: tough to find. Now, I guess you know who tries 352 00:20:28,160 --> 00:20:32,960 Speaker 1: to be goofy and it's more silly, and it's more rehearsed. 353 00:20:33,080 --> 00:20:37,320 Speaker 1: Silly is Miss Katie. Katie is more. She's not goofy. 354 00:20:37,480 --> 00:20:40,600 Speaker 1: She's not She's not like wacky in her bones. She's like, 355 00:20:40,640 --> 00:20:44,399 Speaker 1: I'm doing a silly thing. Goofy and silly are different. 356 00:20:45,000 --> 00:20:49,680 Speaker 1: Katie will always You'll always see the giant eyelid go 357 00:20:49,800 --> 00:20:54,199 Speaker 1: down for the wink, you know, like that's exactly and 358 00:20:54,200 --> 00:20:56,080 Speaker 1: the wink is part of it, you know what I mean, 359 00:20:56,200 --> 00:20:58,879 Speaker 1: part of it. But with Silean, no wink, no wink. 360 00:20:58,920 --> 00:21:01,360 Speaker 1: It's just like, this is what's on my mind right now. 361 00:21:01,359 --> 00:21:03,440 Speaker 1: I'm going to say, even if it doesn't make any sense, 362 00:21:04,160 --> 00:21:06,280 Speaker 1: she is one of the most emotional women in show 363 00:21:06,320 --> 00:21:08,520 Speaker 1: base and you have to respect that. You the Larry 364 00:21:08,600 --> 00:21:11,320 Speaker 1: King post Katrina interview, I mean, like, you go back 365 00:21:11,359 --> 00:21:13,359 Speaker 1: and watch that and try not to cry yourself. That 366 00:21:13,480 --> 00:21:17,040 Speaker 1: is a beautiful she feels she's an EmPATH. Honey, deal 367 00:21:17,119 --> 00:21:20,800 Speaker 1: with it. She's an EmPATH, honey, deal well with it. 368 00:21:21,359 --> 00:21:25,480 Speaker 1: She's crossed, sobbing, sobbing for all these people, like in 369 00:21:25,480 --> 00:21:27,720 Speaker 1: a sort of a beautiful way. When she say, I 370 00:21:27,760 --> 00:21:33,560 Speaker 1: would say, that's really culture number forty Selene and Honey 371 00:21:33,800 --> 00:21:37,160 Speaker 1: Honey dealing with it, and there's gonna be a lot 372 00:21:37,160 --> 00:21:39,400 Speaker 1: of people out there that can't deal with it. Now 373 00:21:40,240 --> 00:21:42,919 Speaker 1: I'm gonna crazy, They're gonna go crazy, They're gonna go 374 00:21:43,240 --> 00:21:47,320 Speaker 1: so insane. Here's what I would say about Selene. She 375 00:21:48,680 --> 00:21:51,760 Speaker 1: also has the comedy chops. And that's why you want 376 00:21:51,760 --> 00:21:54,119 Speaker 1: to see her in Vegas because she she definitely holds 377 00:21:54,160 --> 00:21:57,840 Speaker 1: court and she probably feels very comfortable on stage to 378 00:21:58,040 --> 00:22:00,720 Speaker 1: just talk and say whatever the fuck. Because we've seen 379 00:22:00,800 --> 00:22:03,879 Speaker 1: her and the Ashes music video from Deadpool too, you 380 00:22:03,920 --> 00:22:07,640 Speaker 1: know what I mean. We've seen her sort of um 381 00:22:07,680 --> 00:22:10,080 Speaker 1: in the Seline Dion is a crazy Chicken or whatever 382 00:22:10,160 --> 00:22:15,119 Speaker 1: seven minute video or whatever that YouTube Seldon something. We 383 00:22:15,200 --> 00:22:18,280 Speaker 1: love her. We've seen her do River d Mountain High, 384 00:22:18,280 --> 00:22:22,680 Speaker 1: which is a comedy song. MH is actually a comedy song, 385 00:22:23,000 --> 00:22:25,080 Speaker 1: one of the funniest songs of all time, one of 386 00:22:25,160 --> 00:22:28,360 Speaker 1: the funniest songs of all time, especially when it's sung 387 00:22:28,400 --> 00:22:32,800 Speaker 1: by Selene Dion. Selene Dion is like sort of on 388 00:22:32,840 --> 00:22:34,919 Speaker 1: the same level as Share to Me, like people who 389 00:22:35,000 --> 00:22:38,760 Speaker 1: are just charming to watch on stage. You or they 390 00:22:38,800 --> 00:22:40,600 Speaker 1: can stand in one spot and you can just listen 391 00:22:40,600 --> 00:22:43,040 Speaker 1: to them talk in a way, in a way that 392 00:22:43,119 --> 00:22:46,679 Speaker 1: is distinct from like a stand up comedian. She's a singer. 393 00:22:46,800 --> 00:22:48,200 Speaker 1: What am I trying to say? I mean, like, there's 394 00:22:48,200 --> 00:22:51,399 Speaker 1: just there's just she's a consummate performer. You don't but 395 00:22:51,440 --> 00:22:54,280 Speaker 1: you don't. You don't rest your focus um at all 396 00:22:54,320 --> 00:22:56,520 Speaker 1: when you see Celine Dion on stage. It's not like 397 00:22:57,000 --> 00:23:00,160 Speaker 1: with other singers where it's like music, music, music, I'm 398 00:23:00,200 --> 00:23:02,200 Speaker 1: I'm I'm into it, I'm in and then once the 399 00:23:02,280 --> 00:23:04,840 Speaker 1: music stops and she like has to like the singer 400 00:23:04,880 --> 00:23:08,120 Speaker 1: has to shuffle around or something, you're like checked out 401 00:23:08,200 --> 00:23:10,920 Speaker 1: for even a micro second. Whenever Selena is on stage, 402 00:23:10,960 --> 00:23:13,600 Speaker 1: you are keyed in on her as an audience member 403 00:23:13,680 --> 00:23:17,080 Speaker 1: the whole time. She is the event. She is what 404 00:23:17,200 --> 00:23:21,240 Speaker 1: you came to see. I'm gonna list some young girls 405 00:23:21,440 --> 00:23:23,040 Speaker 1: and you tell me what they need to do to 406 00:23:23,080 --> 00:23:28,120 Speaker 1: become Selene. Okay, Ava Max make herself known to me 407 00:23:28,320 --> 00:23:34,199 Speaker 1: for one Okay, so all she has to do is 408 00:23:34,200 --> 00:23:37,600 Speaker 1: make herself known, to just introduce herself to me, interests 409 00:23:37,640 --> 00:23:39,640 Speaker 1: herself and then you'll be Selein level and we will 410 00:23:39,680 --> 00:23:42,560 Speaker 1: treat you like that. If avon X reaches out to Bowen, 411 00:23:43,240 --> 00:23:47,240 Speaker 1: we will treat as someone who has had the same 412 00:23:47,359 --> 00:23:51,600 Speaker 1: cultural import impacted Selene Dion. Yes, Ava Max, please reach out. 413 00:23:51,640 --> 00:23:54,639 Speaker 1: I don't know who you are, Okay, do you actually 414 00:23:54,640 --> 00:23:56,919 Speaker 1: not know AVX? I know of her, I don't know. 415 00:23:57,000 --> 00:23:58,560 Speaker 1: I can't name, I don't know what she looks like. 416 00:23:58,560 --> 00:24:00,400 Speaker 1: I don't know her. I don't know her single I will, 417 00:24:00,440 --> 00:24:04,320 Speaker 1: I'm sure in like five hours, I'll like, Well, you 418 00:24:04,359 --> 00:24:07,240 Speaker 1: know her thing is she has one hair on one 419 00:24:07,240 --> 00:24:08,960 Speaker 1: side of her hair is really short and one side 420 00:24:09,000 --> 00:24:11,120 Speaker 1: of her hair is really long. That's like her thing. 421 00:24:11,760 --> 00:24:14,679 Speaker 1: Well now you do so, can I just ask for 422 00:24:14,760 --> 00:24:19,280 Speaker 1: your cultured opinion if you heard that a singer sing 423 00:24:20,080 --> 00:24:22,000 Speaker 1: was that one side of her hair was short and 424 00:24:22,080 --> 00:24:24,959 Speaker 1: one side of her hair was long. When that impressed you, 425 00:24:25,440 --> 00:24:29,760 Speaker 1: I think it could be a nice kind of compliment 426 00:24:29,840 --> 00:24:33,080 Speaker 1: to the singing, which of the personality. But it's like, 427 00:24:33,320 --> 00:24:36,160 Speaker 1: but you saying one side of her hair is longer 428 00:24:36,200 --> 00:24:39,639 Speaker 1: than the other, it doesn't. There's still so many mental 429 00:24:39,680 --> 00:24:42,840 Speaker 1: gaps to fill. I'm like, that doesn't really communicate anything 430 00:24:42,880 --> 00:24:45,080 Speaker 1: about her that person to me, Well, you should know 431 00:24:45,160 --> 00:24:48,000 Speaker 1: that her number one sort of visual signifier is that 432 00:24:48,080 --> 00:24:50,399 Speaker 1: she has one side of her hair that's longer than 433 00:24:50,440 --> 00:24:52,760 Speaker 1: the other. I mean, I guess, okay, now I just 434 00:24:52,920 --> 00:24:57,879 Speaker 1: I have you have to look it up. You know 435 00:24:58,400 --> 00:25:01,800 Speaker 1: she had that she had that big photos. These photos 436 00:25:01,840 --> 00:25:09,119 Speaker 1: are making me laugh. Oh my god, like so ultimately, 437 00:25:10,400 --> 00:25:12,440 Speaker 1: but but you see her one side of her hair 438 00:25:12,440 --> 00:25:14,320 Speaker 1: is short and one side is really long, which to 439 00:25:14,359 --> 00:25:17,240 Speaker 1: me is so like, okay, pop star, we need a thing. 440 00:25:17,680 --> 00:25:20,159 Speaker 1: What do we do? And they just said here, I know, 441 00:25:20,240 --> 00:25:22,359 Speaker 1: I'm a genius and they caught off one side of 442 00:25:22,359 --> 00:25:24,760 Speaker 1: her hair. This is like like a joke from like 443 00:25:24,760 --> 00:25:27,840 Speaker 1: an Anna Faris character from Just Friends. You know what 444 00:25:28,640 --> 00:25:31,679 Speaker 1: character of Just Friends? Who Oh my god, maybe we 445 00:25:31,720 --> 00:25:33,720 Speaker 1: have to she she has to be on the list. 446 00:25:33,840 --> 00:25:35,520 Speaker 1: She's not the Days of Culture but on Affaris and 447 00:25:35,640 --> 00:25:38,080 Speaker 1: Just Friends. Oh she was amazing. Wait, but you do 448 00:25:38,200 --> 00:25:41,840 Speaker 1: know what the Avax song is, right? Oh she's sweet 449 00:25:41,840 --> 00:25:47,840 Speaker 1: a cycle in the middle. So I guess I mean 450 00:25:48,200 --> 00:25:50,480 Speaker 1: at this point she's Selene level. She has been known 451 00:25:50,520 --> 00:25:52,920 Speaker 1: to me and she is Selene No. But now what 452 00:25:53,040 --> 00:25:54,679 Speaker 1: she has to do was reach out and when now 453 00:25:54,720 --> 00:25:56,239 Speaker 1: all she has to do is reach out, and now 454 00:25:56,320 --> 00:25:57,879 Speaker 1: she does have to reach and the last culture assess 455 00:25:57,880 --> 00:26:01,560 Speaker 1: will treat Ava max Um like she Selen Dion. Great. 456 00:26:02,119 --> 00:26:04,159 Speaker 1: So that's the that's the only girl I wanted to 457 00:26:04,200 --> 00:26:09,359 Speaker 1: ask you about that. I'll give you a girl, can 458 00:26:09,680 --> 00:26:11,240 Speaker 1: give me a girl, and I'll tell you what she 459 00:26:11,240 --> 00:26:16,679 Speaker 1: has to do to become Celendon. Okay, Maggie Rogers, Maggie Rogers, Okay. 460 00:26:16,760 --> 00:26:19,480 Speaker 1: So in order to become Seline Dion, she's got to 461 00:26:19,640 --> 00:26:25,280 Speaker 1: stop with all this like sort of moving around the stage. 462 00:26:25,320 --> 00:26:28,160 Speaker 1: You know, she's very nymphous around the stage. She needs 463 00:26:28,200 --> 00:26:32,760 Speaker 1: to plant and stand and deliver. And Maggie, I want 464 00:26:32,800 --> 00:26:34,840 Speaker 1: you to use full voice. I want you to get 465 00:26:34,920 --> 00:26:39,159 Speaker 1: make a big sound and stand in one spot and deliver. 466 00:26:39,480 --> 00:26:42,200 Speaker 1: And I want you to record a song from a movie, 467 00:26:42,800 --> 00:26:47,360 Speaker 1: what movie? This one with the blind Side? To record 468 00:26:47,440 --> 00:26:50,640 Speaker 1: the theme song to the blind Side too, and then 469 00:26:50,640 --> 00:26:53,560 Speaker 1: you will be don't move around while you sing around, 470 00:26:53,560 --> 00:26:57,879 Speaker 1: win an oscar for it. And then and then and 471 00:26:57,960 --> 00:26:59,760 Speaker 1: only then can you become Selen. And I do think 472 00:26:59,760 --> 00:27:04,160 Speaker 1: it's you should do next, Maggie Rogers. Cousin, Maggie, cousin, Maggie, 473 00:27:04,760 --> 00:27:06,560 Speaker 1: I think she can get Maggie I believe she can 474 00:27:06,600 --> 00:27:11,840 Speaker 1: do anything. Very young, very talented, very very She's empathic. 475 00:27:11,920 --> 00:27:14,119 Speaker 1: She is as much of an EmPATH as Selene as 476 00:27:14,160 --> 00:27:18,840 Speaker 1: I believe. M HM. I can tell musical talent, musical talent, 477 00:27:19,040 --> 00:27:24,040 Speaker 1: young writer, young girl, performer, young producer, good writer, and 478 00:27:24,080 --> 00:27:29,119 Speaker 1: Sissy's baby and Sissy's baby, Maggie. That's that. That thank you, 479 00:27:29,160 --> 00:27:31,320 Speaker 1: that's actually really good. That's really good advice. I kept 480 00:27:31,359 --> 00:27:35,080 Speaker 1: my avmax thing kind of ironic and shortened dum. I 481 00:27:35,080 --> 00:27:37,359 Speaker 1: thought it was really good until you said that. And 482 00:27:37,440 --> 00:27:39,399 Speaker 1: now now I don't know how I feel about it. 483 00:27:39,400 --> 00:27:43,080 Speaker 1: You sold yourself out. No, because compared to your answer, um, 484 00:27:43,119 --> 00:27:44,919 Speaker 1: I wouldn't have thought that if it wasn't relative to 485 00:27:44,920 --> 00:27:47,399 Speaker 1: what you just did. So I don't know who's at fault. 486 00:27:48,000 --> 00:27:50,840 Speaker 1: I feel like you and I. One thing that you 487 00:27:50,920 --> 00:27:53,480 Speaker 1: connected you and I is our love for Selene. I 488 00:27:53,520 --> 00:27:56,240 Speaker 1: think early on that was established and it connects us 489 00:27:56,280 --> 00:28:00,159 Speaker 1: to this day. We went, okay that fag is so 490 00:28:00,440 --> 00:28:03,720 Speaker 1: wrapping along to Nicki Minaje at this party. If this 491 00:28:03,840 --> 00:28:08,159 Speaker 1: is true, what else is true? Very improv language. And 492 00:28:08,200 --> 00:28:11,399 Speaker 1: so I found out you like Selene, I also like Selene, 493 00:28:11,440 --> 00:28:15,480 Speaker 1: and then a friendship can start and um, I'm telling 494 00:28:15,520 --> 00:28:19,120 Speaker 1: you by saying to someone else I like Selen Dion, 495 00:28:19,320 --> 00:28:23,120 Speaker 1: you are saying I'm gay or a woman, because, as 496 00:28:23,119 --> 00:28:27,320 Speaker 1: we've seen in this very thread, straight men don't know 497 00:28:27,720 --> 00:28:32,359 Speaker 1: who Selene is, quote unquote unless you're Ana's dad. Well, 498 00:28:32,720 --> 00:28:36,600 Speaker 1: you know, you know, Isy just did the wrist flick. 499 00:28:37,680 --> 00:28:40,360 Speaker 1: You know, I'm can't These pictures of Avon Max are 500 00:28:40,360 --> 00:28:44,520 Speaker 1: still up on my browser. So funny. Well, so, Celen Dion, 501 00:28:44,840 --> 00:28:47,680 Speaker 1: thank you for making Vegas a thing. And you did 502 00:28:47,720 --> 00:28:51,000 Speaker 1: that on March twenty, two thousand three, and we just 503 00:28:51,040 --> 00:29:04,600 Speaker 1: want to say that Ah'll giving us stid of cold. 504 00:29:08,440 --> 00:29:09,280 Speaker 1: See you tomorrow