1 00:00:08,440 --> 00:00:11,240 Speaker 1: All right. On today's Iron Rapp Reports Stereo podcast, we 2 00:00:11,320 --> 00:00:16,360 Speaker 1: have Detroit Piston, all Goon everything, Andre Drummond. He's talking 3 00:00:16,360 --> 00:00:19,680 Speaker 1: about Kyrie Irving's low key rap skills, playing for stan 4 00:00:19,800 --> 00:00:23,279 Speaker 1: Van Gundy and being a rebounding front court goon in 5 00:00:23,320 --> 00:00:26,239 Speaker 1: today's NBA. Then me and g Moody have a whole 6 00:00:26,239 --> 00:00:29,080 Speaker 1: bunch of sick Fox Lebron James Road, the New York 7 00:00:29,120 --> 00:00:31,800 Speaker 1: City trains like he was going to Disneyland, and a 8 00:00:31,960 --> 00:00:36,040 Speaker 1: jam packed, brand new, hard hitting Iron rapp Reports Stereo 9 00:00:36,120 --> 00:00:41,120 Speaker 1: podcast coming up next. The Iron Rapports Stereo Podcast is 10 00:00:41,159 --> 00:00:46,840 Speaker 1: proudly sponsored by Casper Mattress. 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Go to Casper dot com forward slash Rappaport. 35 00:02:16,320 --> 00:02:21,320 Speaker 1: All right, brandonwayan Rappaport stereo podcast, we're back. We're doing 36 00:02:21,320 --> 00:02:25,720 Speaker 1: the damn thing um new listeners, and there's a whole 37 00:02:25,720 --> 00:02:28,560 Speaker 1: bunch of you, because last week we were sniffing. We 38 00:02:28,560 --> 00:02:34,800 Speaker 1: were sniffing at that number one spot. We were right there, 39 00:02:35,440 --> 00:02:40,200 Speaker 1: right there, sniffing at that number one spot. My name 40 00:02:40,240 --> 00:02:42,560 Speaker 1: is Michael Rappaport a k A. The Gringo Man Dingo, 41 00:02:43,760 --> 00:02:46,919 Speaker 1: Hey k Mr White Folk a k A. Bird. I'm 42 00:02:46,960 --> 00:02:49,400 Speaker 1: here with the two thousand fifteen two thousand and sixteen 43 00:02:49,440 --> 00:02:53,200 Speaker 1: podcast co host of the Year g Moody. Last name 44 00:02:53,280 --> 00:02:57,280 Speaker 1: rhymes with duty. Yes. Yes, what's the deal yo? I 45 00:02:57,280 --> 00:02:58,760 Speaker 1: mean it's pretty clear that you're gonna be the two 46 00:02:58,760 --> 00:03:03,480 Speaker 1: thousand seventeen podcasts closed the Year. Yes, yes, this is true, 47 00:03:03,880 --> 00:03:07,200 Speaker 1: And like I said, I'm a relinquish the title once 48 00:03:07,240 --> 00:03:09,320 Speaker 1: I get this and let someone else win. Do you 49 00:03:09,320 --> 00:03:11,679 Speaker 1: think that you'll go play golf or where you continue 50 00:03:11,720 --> 00:03:14,240 Speaker 1: being the co host on the Iron Rapports stereo podcast. 51 00:03:15,040 --> 00:03:17,079 Speaker 1: I'm gonna continue to be the co host and we're 52 00:03:17,080 --> 00:03:20,160 Speaker 1: gonna get to the top. Rising to the top. Shout 53 00:03:20,160 --> 00:03:23,320 Speaker 1: out to uh Frankie Beverly. Amy's right, isn't that Frankie Beverly? 54 00:03:23,320 --> 00:03:28,679 Speaker 1: As No, Kenny Burke, Kenny Burke, sorry, sorry, classic song. 55 00:03:28,880 --> 00:03:31,120 Speaker 1: Keep rising to the top. Of course, Dougie Fresh and 56 00:03:31,160 --> 00:03:35,160 Speaker 1: the Gift Fresh Crew. They they sampled that song. Speaking 57 00:03:35,200 --> 00:03:39,280 Speaker 1: of sampled songs. A couple of days ago, twenty four 58 00:03:39,400 --> 00:03:45,720 Speaker 1: years ago, on the same day, a tribe call Quest 59 00:03:45,960 --> 00:03:49,200 Speaker 1: Best Album, I said it. I know it's like picking 60 00:03:49,200 --> 00:03:51,920 Speaker 1: your favorite child, but I will say it. A tribe 61 00:03:51,920 --> 00:03:58,640 Speaker 1: call Quest best Album, Midnight Marauders and on that same day, 62 00:03:59,040 --> 00:04:04,880 Speaker 1: Wu Tang Claim End debut album thirty six Chambers both 63 00:04:04,920 --> 00:04:07,640 Speaker 1: came out on the same day, twenty four years ago. 64 00:04:07,680 --> 00:04:11,440 Speaker 1: Can you believe that? Ship man? Wow, that was a 65 00:04:11,440 --> 00:04:16,360 Speaker 1: good time. Look at that. Two classics in music came out. 66 00:04:16,680 --> 00:04:22,200 Speaker 1: I mean two classics too, literal game changers, literal like 67 00:04:22,480 --> 00:04:28,560 Speaker 1: monumental iconic albums from two monumental iconic groups, totally different styles, 68 00:04:29,120 --> 00:04:35,560 Speaker 1: um but under the same umbrella of just true blue, soulful, 69 00:04:36,720 --> 00:04:43,640 Speaker 1: well thought out, ground shaking, groundbreaking hip hop. Twenty four 70 00:04:43,760 --> 00:04:48,279 Speaker 1: years ago, man, I mean the amount of talent these 71 00:04:48,279 --> 00:04:52,800 Speaker 1: guys had, and and the desire and the hunger, right yeah, 72 00:04:53,360 --> 00:04:57,360 Speaker 1: and two different like you said, two different sounds like 73 00:04:57,440 --> 00:05:01,200 Speaker 1: two different it's and it's the same boom Bat music, 74 00:05:01,240 --> 00:05:05,400 Speaker 1: but it's it's tropical. Quest is vastly different from Wootan, 75 00:05:05,960 --> 00:05:10,560 Speaker 1: but it's the same boom bat hardship. You know what 76 00:05:10,640 --> 00:05:13,159 Speaker 1: I'm saying, and it's it was. It was great. Those 77 00:05:13,160 --> 00:05:16,640 Speaker 1: cats were great. Yeah, I mean I mean man and 78 00:05:16,640 --> 00:05:18,839 Speaker 1: and and and the production on both of those albums 79 00:05:18,920 --> 00:05:22,880 Speaker 1: is still timeless. Um. Still makes your head bob. There's 80 00:05:22,920 --> 00:05:26,839 Speaker 1: no explanation, um. And just the the artistry and the 81 00:05:26,880 --> 00:05:31,640 Speaker 1: amount of the amount of care uh each song, each 82 00:05:31,720 --> 00:05:34,920 Speaker 1: break on each song, each Uh what do they call 83 00:05:35,000 --> 00:05:38,600 Speaker 1: what are the things in between the songs? G the 84 00:05:38,720 --> 00:05:41,200 Speaker 1: little bit Yeah, the little skits and the little the 85 00:05:41,200 --> 00:05:44,840 Speaker 1: little gestures in between with so much care. Each one 86 00:05:44,920 --> 00:05:47,960 Speaker 1: was like birthing a baby. It was treated with such 87 00:05:48,240 --> 00:05:52,520 Speaker 1: such care because the artistry is so apparent, um, because 88 00:05:52,680 --> 00:05:56,440 Speaker 1: it's it's art, and the delivery of the rhymes, every word, 89 00:05:56,720 --> 00:06:01,320 Speaker 1: the addiction was crisp every word you can understand in Uh. 90 00:06:01,360 --> 00:06:04,760 Speaker 1: That's a different type of hip hop music than what's 91 00:06:04,760 --> 00:06:07,560 Speaker 1: heard today. So I'm glad that it came out and 92 00:06:07,600 --> 00:06:11,720 Speaker 1: we experienced it. Yeah, man, And for them to both 93 00:06:11,760 --> 00:06:13,560 Speaker 1: come out on the same day, I mean that's like, 94 00:06:14,440 --> 00:06:16,920 Speaker 1: that's crazy, man, that both of those records came out 95 00:06:16,960 --> 00:06:21,920 Speaker 1: on the same day. Um. So the Big Homie Shaquille 96 00:06:21,920 --> 00:06:26,240 Speaker 1: O'Neill you know he has the big podcast. Yeah, obviously 97 00:06:26,400 --> 00:06:29,320 Speaker 1: Shock is a friend of mine, a friend of this podcast. 98 00:06:29,400 --> 00:06:31,520 Speaker 1: He's been on the podcast. We never did the full 99 00:06:32,760 --> 00:06:37,200 Speaker 1: big Shaquille O'Neil, the big uh Shack Diesel podcast. We 100 00:06:37,200 --> 00:06:40,159 Speaker 1: we will do it, but that's my dude. So we 101 00:06:40,240 --> 00:06:44,279 Speaker 1: got hip to this uh through uh our our sources. 102 00:06:44,320 --> 00:06:48,200 Speaker 1: We have people in the streets. So the Dust Brothers, 103 00:06:48,279 --> 00:06:51,960 Speaker 1: Jordan Winter and Miles davis Um hit me up and 104 00:06:52,000 --> 00:06:56,880 Speaker 1: they said that Dan Lebertard's little flunky, his fun boy flunky, 105 00:06:57,600 --> 00:07:07,000 Speaker 1: Stu gotts Um. Apparently he coaches his daughter, his eighth 106 00:07:07,040 --> 00:07:12,680 Speaker 1: grade daughter's lacrosse team down in Florida, and apparently there 107 00:07:12,760 --> 00:07:17,520 Speaker 1: was an incident with Stucts yelling at one of the 108 00:07:17,560 --> 00:07:21,040 Speaker 1: opponents of his eighth grade day. He's yelling at an 109 00:07:21,080 --> 00:07:27,080 Speaker 1: eighth grade girl girls lacrosse. I guess he says that 110 00:07:27,120 --> 00:07:30,800 Speaker 1: the girl was trash talking him. We're talking about eighth 111 00:07:30,920 --> 00:07:35,440 Speaker 1: grade lacrosse girls. And he started talking ship to the 112 00:07:35,480 --> 00:07:38,040 Speaker 1: girl and then a mom got into it, and then 113 00:07:38,040 --> 00:07:41,080 Speaker 1: the girl cried and then they found out, Yo, it's 114 00:07:41,120 --> 00:07:45,560 Speaker 1: that bozo, asked clown Stucts, who's that you know that 115 00:07:45,640 --> 00:07:49,440 Speaker 1: no lip motherfucker from the Dan Lebotard Show. Now, who's 116 00:07:49,480 --> 00:07:52,880 Speaker 1: that you mean? The father? No, the motherfucker who's always 117 00:07:52,960 --> 00:07:56,520 Speaker 1: laughing in the background when no lips. Oh him, yeah, him, 118 00:07:58,120 --> 00:08:03,640 Speaker 1: John Weener, Long Island. So not only did this happen 119 00:08:04,440 --> 00:08:07,480 Speaker 1: and did somebody reach out to Shack and his podcast 120 00:08:07,560 --> 00:08:13,560 Speaker 1: co host, but then John Weener had the audacity to 121 00:08:13,680 --> 00:08:17,360 Speaker 1: go on his show or his bullshit podcast that we 122 00:08:17,480 --> 00:08:21,640 Speaker 1: scrape every week. He's not even in our league no more. 123 00:08:21,960 --> 00:08:24,960 Speaker 1: You know that. We don't even see that podcast. We're 124 00:08:24,960 --> 00:08:28,280 Speaker 1: at the top of the top. How but he went 125 00:08:28,320 --> 00:08:31,040 Speaker 1: on there and he was talking about this incident, laughing 126 00:08:31,080 --> 00:08:35,400 Speaker 1: about making an eighth grade girl cry and threatening to 127 00:08:35,440 --> 00:08:40,080 Speaker 1: make other people cry. All the while Dan Lebotard was 128 00:08:40,160 --> 00:08:46,800 Speaker 1: giggling and laughing and egging him on. Poppy was probably 129 00:08:46,840 --> 00:08:49,480 Speaker 1: taking a nap because that old motherfucker could only stay 130 00:08:49,559 --> 00:08:53,079 Speaker 1: up three hours a day. Listen to this clip. Coach 131 00:08:53,160 --> 00:09:00,000 Speaker 1: of the opposing team, Stutsman, who made Wait a minute, 132 00:09:01,280 --> 00:09:04,960 Speaker 1: try now, I want to play the audio for you 133 00:09:05,240 --> 00:09:10,360 Speaker 1: of Stugots on the air on ESPN destroying this girl 134 00:09:10,400 --> 00:09:12,880 Speaker 1: that he made cry and the mother Okay, I want 135 00:09:12,880 --> 00:09:14,480 Speaker 1: to hear that, and then we'll get shacks response. So 136 00:09:14,520 --> 00:09:17,280 Speaker 1: here's the audio of his version of the story to 137 00:09:17,320 --> 00:09:21,560 Speaker 1: the head coach of Copper Mind two, who said, I 138 00:09:21,600 --> 00:09:24,920 Speaker 1: made her kid crying and did that, committed two penalties 139 00:09:25,320 --> 00:09:29,600 Speaker 1: and talk trash to my kids, me and my coaching 140 00:09:29,679 --> 00:09:34,600 Speaker 1: staff the entire game. Next time, don't tell me I'm 141 00:09:34,640 --> 00:09:38,640 Speaker 1: an adult and she's an eighth grader. No, you're an adult. 142 00:09:38,800 --> 00:09:42,400 Speaker 1: So to the eighth grader to stop talking trash to 143 00:09:42,559 --> 00:09:45,920 Speaker 1: the coaches on the side one, not her fault yours, 144 00:09:46,200 --> 00:09:50,280 Speaker 1: and next time I'll yell at you. First of all, 145 00:09:50,800 --> 00:09:54,720 Speaker 1: that's just an excuse. Second of all, it's just furthers 146 00:09:55,360 --> 00:09:59,959 Speaker 1: my take on Stuts being a punk. Ye. Third of all, 147 00:10:00,080 --> 00:10:01,560 Speaker 1: est that was my daughter, because I would have went 148 00:10:01,600 --> 00:10:04,840 Speaker 1: across the field, and it's something I want to do anyway, 149 00:10:04,880 --> 00:10:06,400 Speaker 1: but I know I can't because he's a punk, and 150 00:10:06,480 --> 00:10:09,920 Speaker 1: Hill sue me. I wish I was my daughter. I 151 00:10:09,920 --> 00:10:11,520 Speaker 1: would have. I would have went across that field and 152 00:10:11,559 --> 00:10:15,480 Speaker 1: puncher right in his face. You're talking ship, You're proud 153 00:10:15,480 --> 00:10:18,839 Speaker 1: about making little girls cry, and you said you'd make 154 00:10:18,920 --> 00:10:22,000 Speaker 1: the mom cry and the father cry. Shack said he 155 00:10:22,040 --> 00:10:24,360 Speaker 1: wanted to punch you in the face. Let me get 156 00:10:24,400 --> 00:10:30,280 Speaker 1: that Willie hutch Ship, oh Man, tell you something, John 157 00:10:30,320 --> 00:10:37,360 Speaker 1: we corny, motherfucker up laughing will make your motherfucking lips 158 00:10:37,360 --> 00:10:41,800 Speaker 1: come back to laughing. Don't make what you're saying funny 159 00:10:42,000 --> 00:10:44,360 Speaker 1: at all, Duke, you're laughing at your own ship. You're 160 00:10:44,400 --> 00:10:47,800 Speaker 1: not fooling me, and you're not fooling Shack Diesel, and 161 00:10:47,840 --> 00:10:52,560 Speaker 1: nobody is laughing with you. I ain't laughing with you, Gimo, 162 00:10:52,679 --> 00:10:57,559 Speaker 1: Nettie ain't laughing with you, hell and Willie hutch ain't 163 00:10:57,600 --> 00:11:02,400 Speaker 1: laughing with you. Corny asked, motherfucker. Let me tell you something. 164 00:11:03,960 --> 00:11:07,560 Speaker 1: My niece and my nephew play lacrosse. If I find 165 00:11:07,559 --> 00:11:11,000 Speaker 1: out you ever talked sideways to them or you even 166 00:11:11,040 --> 00:11:13,600 Speaker 1: make eye contact at them, aside from scaring him with 167 00:11:13,640 --> 00:11:15,680 Speaker 1: your funked up face and the fact that you got 168 00:11:15,679 --> 00:11:18,920 Speaker 1: no lips. I'm flying down to Florida. I'm gonna show 169 00:11:19,000 --> 00:11:23,800 Speaker 1: up at the studio. I'm an unfold that good wonder 170 00:11:23,840 --> 00:11:28,760 Speaker 1: bread bag. I'm gonna bring down some virgin olive oil 171 00:11:28,880 --> 00:11:33,320 Speaker 1: straight from Tuscany m hm, and I'm gonna lay you 172 00:11:33,360 --> 00:11:35,560 Speaker 1: down real proper. I'm gonna put the whole thing up 173 00:11:35,679 --> 00:11:40,600 Speaker 1: on the Graham bitch ass motherfucker, you're proud about making 174 00:11:40,640 --> 00:11:43,720 Speaker 1: an eighth grade girl crying. You're talking shit about that 175 00:11:43,840 --> 00:11:48,280 Speaker 1: on the radio. Fun point. Yeah, that's the joke. That's 176 00:11:48,320 --> 00:11:53,120 Speaker 1: the joke. And Chubby asked, Dan Lebotard is in the back, 177 00:11:53,200 --> 00:11:57,520 Speaker 1: egging you on and laughing with you. I cannot wait 178 00:11:58,840 --> 00:12:02,760 Speaker 1: until the next rounded ESPN cuts coming because you motherfucker's 179 00:12:02,800 --> 00:12:07,800 Speaker 1: he worth to pay? Oh man, that's she's coming, she's coming. 180 00:12:08,720 --> 00:12:13,559 Speaker 1: Hopefully they cut you right before the holidays. Dan, you're 181 00:12:13,559 --> 00:12:19,440 Speaker 1: hearted and motherfucking today cut that with so Lebron James 182 00:12:19,440 --> 00:12:23,679 Speaker 1: and the Cleveland Cavaliers came to New York and I 183 00:12:23,720 --> 00:12:27,880 Speaker 1: don't care about the fucking game. Okay, I've come to 184 00:12:28,040 --> 00:12:30,640 Speaker 1: terms with this g and you've told me you just 185 00:12:30,760 --> 00:12:33,320 Speaker 1: chill on. This guy leaves COLOGN. Let's tell you something 186 00:12:34,240 --> 00:12:36,720 Speaker 1: this guy. There's something wrong with this guy. He's like 187 00:12:36,760 --> 00:12:42,120 Speaker 1: a gossip or something. All right, tell me how Okay, Again, 188 00:12:42,320 --> 00:12:45,120 Speaker 1: we don't need to argue the guy's greatness. That's that's 189 00:12:45,120 --> 00:12:48,680 Speaker 1: not that's a that's a moot point. Whether he's better 190 00:12:48,679 --> 00:12:51,600 Speaker 1: than Mike, better than who cares. I'm just talking about 191 00:12:51,600 --> 00:12:54,280 Speaker 1: the way he conducts himself. So a couple of days ago, 192 00:12:54,559 --> 00:12:58,280 Speaker 1: Dennis Smith Jr. Now, those of you don't follow basketball, 193 00:12:58,679 --> 00:13:02,760 Speaker 1: you'll find this interesting. Dan Smith Jr. He's was drafted. 194 00:13:02,960 --> 00:13:04,760 Speaker 1: I don't know what number. We don't fact check at 195 00:13:04,760 --> 00:13:07,520 Speaker 1: the Iron Rapports stereo podcast and so on and so 196 00:13:07,600 --> 00:13:09,880 Speaker 1: and you know we don't fact check. Okay, we're going 197 00:13:10,400 --> 00:13:13,680 Speaker 1: We're doing this podcast raw Dog without a bag. It's 198 00:13:13,720 --> 00:13:17,959 Speaker 1: like walking on a tight rope between the World Trade 199 00:13:17,960 --> 00:13:21,040 Speaker 1: Center like Phelippe Petite did. Okay, But a couple of 200 00:13:21,120 --> 00:13:24,280 Speaker 1: days ago, Lebron James was playing the Dallas Mavericks. They 201 00:13:24,280 --> 00:13:27,880 Speaker 1: have a very good, explosive, flashy rookie on their team 202 00:13:27,960 --> 00:13:32,000 Speaker 1: named Dennis Smith Jr. During the draft, Dennis Smith Jr. 203 00:13:32,400 --> 00:13:35,520 Speaker 1: Was sort of heralded before the Knicks first round pick 204 00:13:35,600 --> 00:13:37,880 Speaker 1: a guy who I can't even say his fucking name correctly, 205 00:13:38,240 --> 00:13:40,880 Speaker 1: frank Nicolina. I actually think I did. I think I 206 00:13:40,880 --> 00:13:45,280 Speaker 1: did say his name correctly, didn't I frank Nicolina, Yeah, 207 00:13:45,600 --> 00:13:48,719 Speaker 1: I don't know, man, Frankie, Frankie and Frankie Nicotine. He 208 00:13:48,760 --> 00:13:50,480 Speaker 1: says his name different all the time anyway, But I 209 00:13:50,520 --> 00:13:52,800 Speaker 1: actually surprised myself that I said it pretty good there. 210 00:13:53,200 --> 00:13:58,000 Speaker 1: So anyway, Um, the the Knicks picked Frank Nicolina, who 211 00:13:58,080 --> 00:14:02,319 Speaker 1: was a bunch of controversy, over Dennis Smith Jr. YadA, YadA, YadA. 212 00:14:02,480 --> 00:14:05,640 Speaker 1: The Knicks are doing better than expected, and in my opinion, 213 00:14:05,679 --> 00:14:10,600 Speaker 1: Frankie Nickelina is already better than a Alonzo ball. He's 214 00:14:10,640 --> 00:14:15,360 Speaker 1: definitely uh top five rookie. He's nineteen's European. That doesn't matter. 215 00:14:15,920 --> 00:14:19,880 Speaker 1: None of that matters. The Knicks picked Frank Nicolina over 216 00:14:19,960 --> 00:14:27,200 Speaker 1: Dennis Smith Jr. But after playing Dallas Mavericks. After playing 217 00:14:27,200 --> 00:14:31,360 Speaker 1: the Dallas Mavericks and playing against Dennis Smith Jr. Lebron 218 00:14:31,440 --> 00:14:37,000 Speaker 1: the gossip. Lebron the TMZ reporter comes out and says, oh, 219 00:14:37,040 --> 00:14:39,320 Speaker 1: the Mavericks got a good one. They got a diamond 220 00:14:39,320 --> 00:14:41,800 Speaker 1: in the rough. He should have been a Nick. The 221 00:14:41,920 --> 00:14:45,360 Speaker 1: Knicks messed up by picking by not picking Dennis Smith Jr. 222 00:14:46,760 --> 00:14:49,440 Speaker 1: And I say this, my man, why the funk you 223 00:14:49,520 --> 00:14:54,560 Speaker 1: talking about the Knicks? Nobody nobody cares about your opinion, Duke, 224 00:14:56,400 --> 00:14:59,600 Speaker 1: Nobody cares about your opinion. Number one, Yo, if i'm 225 00:14:59,640 --> 00:15:02,800 Speaker 1: if I'm Nis Smith's Jr. I say this, you want 226 00:15:02,800 --> 00:15:06,360 Speaker 1: my dick? Du h? Like Yo, don't wet that? Like, 227 00:15:06,440 --> 00:15:09,000 Speaker 1: don't don't don't wet that and then I'm Frank Nicoline, 228 00:15:09,080 --> 00:15:11,920 Speaker 1: I'm like, yo, mommy, a fuck you. Like these guys 229 00:15:12,120 --> 00:15:14,200 Speaker 1: need to treat this guy like, yo, fuck you? Who 230 00:15:14,280 --> 00:15:18,880 Speaker 1: is you? Uh? So so? And his cantor new Nick 231 00:15:18,920 --> 00:15:21,560 Speaker 1: who used to play for ok C um you know, 232 00:15:21,960 --> 00:15:25,480 Speaker 1: a utility player, tough guy, um, you know, grounded pound 233 00:15:25,520 --> 00:15:27,840 Speaker 1: type of player. He came out and he said, Yo, 234 00:15:28,120 --> 00:15:32,040 Speaker 1: we're good, We're glad we picked Frank. We're happy with 235 00:15:32,080 --> 00:15:36,080 Speaker 1: our choice. Worry about yourself, dude. And then after the 236 00:15:36,240 --> 00:15:38,960 Speaker 1: Knicks shoot around in the morning because before the game, 237 00:15:39,040 --> 00:15:40,680 Speaker 1: you know, in the morning of U they have like 238 00:15:40,720 --> 00:15:43,960 Speaker 1: a mini practice. Lebron James was asked about his comment 239 00:15:44,000 --> 00:15:46,520 Speaker 1: because of course every and he's like sitting there confused, like, well, 240 00:15:46,520 --> 00:15:48,760 Speaker 1: I don't know why I said that. I just saying 241 00:15:48,800 --> 00:15:51,600 Speaker 1: what I'm saying, Why is everybody getting so upset? Blah 242 00:15:51,640 --> 00:15:53,720 Speaker 1: blah blah blah blah. And then he was like, oh 243 00:15:53,840 --> 00:15:56,280 Speaker 1: it was. It was definitely like I think Rachel Nichols 244 00:15:56,280 --> 00:15:58,160 Speaker 1: are one of the mass were you're taking a shot 245 00:15:58,160 --> 00:16:00,760 Speaker 1: at Phil Jackson. Phil Jackson ain't still with the Nicks, doke. 246 00:16:01,840 --> 00:16:03,960 Speaker 1: He's the one who picked it, but he ain't with 247 00:16:04,000 --> 00:16:05,760 Speaker 1: the knicks, Duke. So you you're you're taking shots to 248 00:16:05,800 --> 00:16:08,880 Speaker 1: Phil because he's still upset because of the Posse comment, 249 00:16:10,320 --> 00:16:13,320 Speaker 1: because I'm so offensive. Listen, we we talked about the 250 00:16:13,360 --> 00:16:17,400 Speaker 1: Posse comment, me and g Moody and anybody of a 251 00:16:17,400 --> 00:16:20,680 Speaker 1: certain age. Posse at a certain point was like saying, crew, 252 00:16:21,480 --> 00:16:24,960 Speaker 1: click all that, like that, like my posse's on Broadway 253 00:16:25,480 --> 00:16:27,680 Speaker 1: uptown posse or like that was just part of the way, 254 00:16:27,720 --> 00:16:30,000 Speaker 1: like we spoke. This guy wanted to make it into 255 00:16:30,040 --> 00:16:32,080 Speaker 1: a big racial thing, and I never thought it was. 256 00:16:32,800 --> 00:16:35,320 Speaker 1: I could say a bunch of things about Phil Jackson, 257 00:16:35,960 --> 00:16:38,440 Speaker 1: that wasn't one of the things that I thought, regardless 258 00:16:38,480 --> 00:16:41,920 Speaker 1: of the fact, regardless of the fact, why is you 259 00:16:41,960 --> 00:16:45,800 Speaker 1: talking about Frankie Nicotine a man? And why are you 260 00:16:45,880 --> 00:16:50,600 Speaker 1: jocking Dennis Smith Jr? Duke? Worry about your own crew. 261 00:16:50,600 --> 00:16:56,720 Speaker 1: Worry about the fact that your coach looks like shit, okay. 262 00:16:56,880 --> 00:17:00,000 Speaker 1: Worry about the fact that Derrick Romes is walking around 263 00:17:00,040 --> 00:17:04,040 Speaker 1: with some kind of macaroni and cheese braids hanging off 264 00:17:04,040 --> 00:17:08,440 Speaker 1: the top of his head. Yeah all right. Worry about 265 00:17:08,480 --> 00:17:11,159 Speaker 1: the fact that you got your beard processed and a 266 00:17:11,200 --> 00:17:14,240 Speaker 1: little Jerry curl in your beard. Do worry about your hairline. 267 00:17:14,359 --> 00:17:16,200 Speaker 1: There's plenty of things you could be worried about. Don't 268 00:17:16,200 --> 00:17:21,760 Speaker 1: worry about the knicks. And then after after the shoot 269 00:17:21,800 --> 00:17:25,360 Speaker 1: around and after all this, for some reason, the Cleveland 270 00:17:25,440 --> 00:17:31,080 Speaker 1: Cavaliers decided to ride the train of New York the subway, 271 00:17:31,160 --> 00:17:34,560 Speaker 1: like they were in Disneyland or there was that magic Mountain, 272 00:17:34,920 --> 00:17:39,679 Speaker 1: or they were in Egypt touring the pyramids and the 273 00:17:39,760 --> 00:17:43,880 Speaker 1: ancient ruins. And they're on the train, riding the subway, 274 00:17:43,880 --> 00:17:46,000 Speaker 1: and Lebron's like, I never rolled the subway. You never 275 00:17:46,080 --> 00:17:50,399 Speaker 1: rode the subway before do And then you're on the 276 00:17:50,520 --> 00:17:53,240 Speaker 1: You're on the train, point in your camera through the 277 00:17:53,320 --> 00:17:55,800 Speaker 1: innocent civilians, and one of the people sitting next to 278 00:17:55,840 --> 00:17:57,720 Speaker 1: you was like, Yo, my man, what the fund is 279 00:17:57,760 --> 00:18:02,520 Speaker 1: you doing? Yo? My man is on the subway. You 280 00:18:02,560 --> 00:18:04,600 Speaker 1: don't know what he's doing, Lebron. He could be out 281 00:18:04,600 --> 00:18:07,399 Speaker 1: there trying to ski. His wife might think he's at 282 00:18:07,440 --> 00:18:09,639 Speaker 1: the grocery store. He'd be he could be going to 283 00:18:09,720 --> 00:18:12,080 Speaker 1: Brooklyn to to freak off real quick. Why you got 284 00:18:12,119 --> 00:18:15,959 Speaker 1: the camera and my man's face, Duke, Yeah, yeah, you're 285 00:18:16,000 --> 00:18:18,520 Speaker 1: trying to blow him up. Hold your fucking head, man, 286 00:18:18,760 --> 00:18:22,520 Speaker 1: This guy's literally riding the subway. He's thirty something years old. 287 00:18:22,760 --> 00:18:26,440 Speaker 1: You're riding the subway like it's a small world at Disneyland. 288 00:18:26,920 --> 00:18:30,240 Speaker 1: Your corny motherfucker. You don't worry about Frankie Nicotine and 289 00:18:30,280 --> 00:18:33,800 Speaker 1: the Knicks. Do worry about your coach? All right, Just 290 00:18:34,240 --> 00:18:36,520 Speaker 1: when I thought it was over, this motherfucker's like a 291 00:18:36,640 --> 00:18:40,520 Speaker 1: TMZ gossip. We got enough gossip going on in the world. 292 00:18:41,240 --> 00:18:43,439 Speaker 1: So the NBA is underweight. So we talked about Lebron. 293 00:18:43,840 --> 00:18:46,879 Speaker 1: You know this kid, Josh Jackson. I don't know what's 294 00:18:46,920 --> 00:18:49,720 Speaker 1: wrong with these kids. This kid Josh, actually he's a rookie. 295 00:18:51,440 --> 00:18:53,640 Speaker 1: He's the one who already said like he made a little, 296 00:18:53,680 --> 00:18:57,600 Speaker 1: a little side comment about Steph Curry being little and this, 297 00:18:57,720 --> 00:19:00,560 Speaker 1: that and the other and Steph Curry, I mean Jackson, 298 00:19:00,680 --> 00:19:02,199 Speaker 1: he may or may not be a good player. That's 299 00:19:02,240 --> 00:19:05,520 Speaker 1: the thing. Like you get touted and heralded and like, yo, 300 00:19:05,600 --> 00:19:08,120 Speaker 1: you're the first pick, the second pick, the top ten pick, 301 00:19:09,200 --> 00:19:12,159 Speaker 1: year after year, draft after draft. Some dudes are just 302 00:19:12,280 --> 00:19:15,960 Speaker 1: not good enough to play in the NBA. Just because 303 00:19:16,000 --> 00:19:18,399 Speaker 1: your first round pick doesn't mean everything is going to 304 00:19:18,480 --> 00:19:22,880 Speaker 1: line up. You gotta have your mind right. I feel 305 00:19:22,920 --> 00:19:25,200 Speaker 1: like I feel like I feel like these these these 306 00:19:25,280 --> 00:19:28,159 Speaker 1: dudes are getting to the NBA um and then when 307 00:19:28,200 --> 00:19:31,919 Speaker 1: they get to the NBA, they're finally realizing that they 308 00:19:32,000 --> 00:19:34,600 Speaker 1: need some sort of game and some true blue skill set. 309 00:19:34,840 --> 00:19:38,159 Speaker 1: But this fucking guy, Josh Jackson, the fact that he 310 00:19:38,240 --> 00:19:41,520 Speaker 1: said this, he goes the physicality of the NBA game 311 00:19:41,640 --> 00:19:44,320 Speaker 1: is crazy. Duke, What the fund did you think it 312 00:19:44,400 --> 00:19:49,320 Speaker 1: was gonna be? Yeah, He's like, I'm I'm guarding Blake 313 00:19:49,400 --> 00:19:51,960 Speaker 1: Griffin and I'm barely two hundred pounds. Then Duke, you 314 00:19:51,960 --> 00:19:56,200 Speaker 1: should have stayed the fucking college. Duke, Yo, the coach 315 00:19:56,280 --> 00:19:58,119 Speaker 1: heard this. If I'm the coach and I see this 316 00:19:58,160 --> 00:20:01,400 Speaker 1: guy winding and the press, you're not getting no run. 317 00:20:01,600 --> 00:20:03,879 Speaker 1: It's over. Man. You got you How you gonna come 318 00:20:03,880 --> 00:20:07,320 Speaker 1: in the league with that mindset like you? Like motherfucker's 319 00:20:07,400 --> 00:20:09,280 Speaker 1: Kobe Bryant came in the league saying, Yo, I'm a 320 00:20:09,440 --> 00:20:12,720 Speaker 1: bus all these motherucker's and and he and Kobe Bryant 321 00:20:12,800 --> 00:20:16,560 Speaker 1: was playing against grown men since he was like twelve 322 00:20:17,080 --> 00:20:22,159 Speaker 1: over thereally with grown coons. This dude, Josh Jackson, and 323 00:20:22,200 --> 00:20:23,920 Speaker 1: I wish him all the luck. I wish all these 324 00:20:23,960 --> 00:20:27,479 Speaker 1: young dudes like Alonso Bowl, all these guys man were 325 00:20:27,560 --> 00:20:31,199 Speaker 1: misconstrued like shit talking is hating. I'm like, why are 326 00:20:31,280 --> 00:20:33,640 Speaker 1: you hating on the lines, I'm just talking my ship, man. 327 00:20:33,880 --> 00:20:35,919 Speaker 1: I'm the m v P of talking trash man. You 328 00:20:35,960 --> 00:20:38,920 Speaker 1: know the book, you know the deal, you know the pedigree, 329 00:20:38,960 --> 00:20:42,119 Speaker 1: you know what the fund. This is m h. But 330 00:20:42,400 --> 00:20:45,919 Speaker 1: these kids like Yo, they're so touted and so heralded, 331 00:20:46,160 --> 00:20:48,679 Speaker 1: so young, all of them, and they get in the 332 00:20:48,760 --> 00:20:50,960 Speaker 1: NBA and it's like, what did you think you were 333 00:20:51,000 --> 00:20:54,760 Speaker 1: signing up for? What did you think you were signing 334 00:20:54,800 --> 00:20:57,880 Speaker 1: up for? This is the NBA to You're you're guarding 335 00:20:57,880 --> 00:21:00,640 Speaker 1: Blake Griffin and he's so strong and he's so You're 336 00:21:00,680 --> 00:21:03,520 Speaker 1: lucky you're not guarding Maurice Lucas. You're lucky you're not 337 00:21:03,560 --> 00:21:06,800 Speaker 1: in there guarding fucking Charles Oakley as a nine year 338 00:21:06,840 --> 00:21:11,160 Speaker 1: old rookie who's two hundred pounds. Those the millennials, they 339 00:21:11,200 --> 00:21:15,360 Speaker 1: they're they're expecting an easy go of it. They see 340 00:21:15,560 --> 00:21:20,200 Speaker 1: so the physicality alarms them. It's like, oh, he's hitting me. 341 00:21:20,960 --> 00:21:25,399 Speaker 1: This is basketball, big, what you're talking about? Yeah? What 342 00:21:25,440 --> 00:21:27,840 Speaker 1: do you think this is? Man? I don't get this ship. 343 00:21:28,880 --> 00:21:36,040 Speaker 1: The New York Giants suck. The New York Giants. I'm embarrassed, man, 344 00:21:36,240 --> 00:21:39,800 Speaker 1: those cats, some of them cats gave up. Oh yeah, 345 00:21:39,840 --> 00:21:43,320 Speaker 1: no tackles, not going after ship. They lost to the 346 00:21:43,480 --> 00:21:49,080 Speaker 1: to the San Francisco forty Niners, who were nine windless windless. 347 00:21:50,200 --> 00:21:53,840 Speaker 1: So you lost to losers with a no frill quarterback. 348 00:21:54,000 --> 00:21:56,240 Speaker 1: This mother fucking even have a name on his jersey, 349 00:21:57,800 --> 00:22:00,840 Speaker 1: Captain Beefheart. They didn't even bring my and Garoppolo out 350 00:22:00,840 --> 00:22:04,000 Speaker 1: there to crack that ass. And Gino can't see the 351 00:22:04,080 --> 00:22:07,879 Speaker 1: light of day. You know, Eli put him? Is not 352 00:22:07,960 --> 00:22:10,560 Speaker 1: worried about like they keep saying, should they bench Eli. 353 00:22:10,680 --> 00:22:13,920 Speaker 1: Eli's like, yo, put Gino out there, go go do it. 354 00:22:14,880 --> 00:22:19,920 Speaker 1: Don't know about Gino, Duke. Nobody's worried about Gino. Eli's like, yeah, 355 00:22:19,920 --> 00:22:22,040 Speaker 1: I could throw nine interceptions. You're gonna put this bum 356 00:22:22,080 --> 00:22:25,240 Speaker 1: out there. I ain't worried about it. Save Eli. You 357 00:22:25,320 --> 00:22:27,800 Speaker 1: gotta save him though, because you're not going in no playoffs. 358 00:22:27,840 --> 00:22:31,359 Speaker 1: It's it's it's worthless to put him out there. What 359 00:22:31,480 --> 00:22:33,000 Speaker 1: what you know what I'm saying, like this guy could 360 00:22:33,000 --> 00:22:36,119 Speaker 1: get hurt and then what he elies? Like, listen, if 361 00:22:36,160 --> 00:22:38,840 Speaker 1: I get hurt, take me out of my misery. I 362 00:22:38,880 --> 00:22:41,680 Speaker 1: got these two rings. You know how I get down 363 00:22:42,200 --> 00:22:44,439 Speaker 1: like I'm eli man, and what the funk y'all gonna do? 364 00:22:44,640 --> 00:22:51,359 Speaker 1: What's really good? Yeah, this lunatic on on the Cincinnati Bengals, 365 00:22:51,440 --> 00:22:54,240 Speaker 1: Vontes Perfect got kicked out of another game. He's the 366 00:22:54,240 --> 00:22:57,239 Speaker 1: guy who gets kicked out and suspended. He's they need 367 00:22:57,280 --> 00:22:58,760 Speaker 1: to kick him out of the NFL. I think this 368 00:22:58,800 --> 00:23:02,720 Speaker 1: is his second suspension the season. The last one was bogus. 369 00:23:02,760 --> 00:23:06,160 Speaker 1: But since his reputation is that of a savage, then 370 00:23:06,760 --> 00:23:10,600 Speaker 1: the refs are always gonna cite savagery. So but the 371 00:23:10,640 --> 00:23:13,720 Speaker 1: bogus It was bogus yesterday that he got thrown out. 372 00:23:14,160 --> 00:23:16,320 Speaker 1: But but but, like you said, it's like he brought 373 00:23:16,320 --> 00:23:19,280 Speaker 1: this on him. He's not a victim. No, no, he 374 00:23:19,320 --> 00:23:21,560 Speaker 1: did it to himself. So now he has to pay 375 00:23:21,600 --> 00:23:25,680 Speaker 1: for that for the little bullshit uh contact where they say, well, 376 00:23:25,720 --> 00:23:28,480 Speaker 1: this guy's always bugging, so of course he's gonna get 377 00:23:28,520 --> 00:23:32,560 Speaker 1: thrown out. We're we're heading into week eleven of the 378 00:23:32,720 --> 00:23:37,760 Speaker 1: NFL season. Um, I know everybody heard the now five 379 00:23:37,840 --> 00:23:43,600 Speaker 1: star classic episode of the Julian Edelman podcast. He came 380 00:23:43,720 --> 00:23:47,359 Speaker 1: right into the Dingo Dome. I know I saw it. 381 00:23:48,040 --> 00:23:51,200 Speaker 1: Yo did did did you bug out when Julian said 382 00:23:51,280 --> 00:23:55,240 Speaker 1: last name rhymes with duty yo, I was, I was bugging, man, 383 00:23:55,320 --> 00:23:58,120 Speaker 1: And you know that dude is is nice man two 384 00:23:58,119 --> 00:24:00,600 Speaker 1: super Bowl fan of the show. We a fan of you, 385 00:24:00,760 --> 00:24:04,119 Speaker 1: j E. Keep doing your thing, man, so good, so cool. 386 00:24:04,160 --> 00:24:06,800 Speaker 1: Like I was tripping that Julian Edelman not only did 387 00:24:06,800 --> 00:24:08,600 Speaker 1: he do the pockets, not only was he a fan 388 00:24:08,680 --> 00:24:12,120 Speaker 1: of the pockets that he came into my turf. He 389 00:24:12,200 --> 00:24:15,000 Speaker 1: came right into the gloom to him, the original gloom 390 00:24:15,040 --> 00:24:16,680 Speaker 1: to him. And I told him, I said, I used 391 00:24:16,720 --> 00:24:21,159 Speaker 1: to scream at the TV at you, you fuck you. 392 00:24:22,720 --> 00:24:26,040 Speaker 1: He had me, he had me underneath the table during 393 00:24:26,040 --> 00:24:29,240 Speaker 1: the Super Bowl. But I like that. See, that's what 394 00:24:29,320 --> 00:24:31,760 Speaker 1: it's all about. That's what ship talking is over. That's 395 00:24:31,760 --> 00:24:34,720 Speaker 1: what people say, Well are you hating? Well? Are you hating? 396 00:24:35,119 --> 00:24:37,920 Speaker 1: Julian Edelman got it. I will continue to talk about 397 00:24:37,960 --> 00:24:39,960 Speaker 1: him because he gets it. It's sports. It's one of 398 00:24:39,960 --> 00:24:44,240 Speaker 1: the only safe havens where you can talk shit right. 399 00:24:44,600 --> 00:24:49,439 Speaker 1: Can't do it now, can't do sh it now. But 400 00:24:49,520 --> 00:24:51,280 Speaker 1: in sports, this is where you can do it and 401 00:24:51,320 --> 00:24:54,320 Speaker 1: you can express it. There's no hating. It's the thrill 402 00:24:54,400 --> 00:24:57,520 Speaker 1: of victory. It's the agony of defeat. Speaking of the 403 00:24:57,560 --> 00:25:00,440 Speaker 1: agony of defeat, your guy, O J. Sim Since I't 404 00:25:00,480 --> 00:25:04,000 Speaker 1: thrown out of a hotel, uh casino in Vegas, you 405 00:25:04,080 --> 00:25:06,879 Speaker 1: know how hard it is to get thrown out of 406 00:25:06,880 --> 00:25:16,000 Speaker 1: a place in Vegas. Yeah, man, everybody's drinking, everybody's loud, boisterous. 407 00:25:16,560 --> 00:25:19,480 Speaker 1: But this guy gets thrown out. Imagine what he was doing. 408 00:25:19,640 --> 00:25:23,159 Speaker 1: Imagine what he was doing, Like, imagine the arrogance of 409 00:25:23,200 --> 00:25:27,400 Speaker 1: this guy. Yeah, he's talking old Buffalo bill ship. Nobody 410 00:25:27,440 --> 00:25:29,719 Speaker 1: want to hear that, dude, And shame on everybody who 411 00:25:29,840 --> 00:25:34,479 Speaker 1: keeps stopping this murderer for pictures. That's like taking pictures 412 00:25:34,480 --> 00:25:36,880 Speaker 1: with fucking Jeffrey dahmod be like, oh they let him 413 00:25:36,880 --> 00:25:39,199 Speaker 1: out right? Oh, Charles Man said, yo, yo, let me 414 00:25:39,200 --> 00:25:43,960 Speaker 1: get this flick with you, same ship. Yeah, everybody is 415 00:25:43,960 --> 00:25:46,960 Speaker 1: so hyped up to get their ship on Instagram. Fuck 416 00:25:47,040 --> 00:25:52,400 Speaker 1: O J. Simpson Man, Yeah, yeah, man, he's a trash bag. 417 00:25:53,960 --> 00:25:55,919 Speaker 1: He's trying to get back in jail. Man. You know 418 00:25:55,960 --> 00:25:59,320 Speaker 1: he got institutionalized in that motherfucker now you got Now 419 00:25:59,400 --> 00:26:02,520 Speaker 1: he's like, Yo, the field right out here all right, 420 00:26:02,520 --> 00:26:05,480 Speaker 1: coming up next week? Got my man Andre Drummond, Detroit 421 00:26:05,520 --> 00:26:09,960 Speaker 1: Piston All Star plays for stan Van Gundi. He's talking 422 00:26:10,000 --> 00:26:12,520 Speaker 1: about what that's like. He's talking about what it's like 423 00:26:12,560 --> 00:26:16,359 Speaker 1: being a true blue goon in today's NBA, and a 424 00:26:16,400 --> 00:26:20,360 Speaker 1: whole bunch more. Stay tuned, my man Andre Drummond, Yo, 425 00:26:20,440 --> 00:26:23,600 Speaker 1: I gotta tell you about my Bookie. Okay, believe it 426 00:26:23,680 --> 00:26:27,160 Speaker 1: or not. The holidays are just around the corner so well. 427 00:26:27,200 --> 00:26:29,879 Speaker 1: That means plenty of parties, gifts and spending. It also 428 00:26:29,960 --> 00:26:33,080 Speaker 1: means there's lots of football, basketball, and hockey games and 429 00:26:33,119 --> 00:26:35,720 Speaker 1: you can score big on them every single day. Man 430 00:26:35,840 --> 00:26:39,280 Speaker 1: up and play like the pros on game day. Go 431 00:26:39,440 --> 00:26:44,840 Speaker 1: to my Bookie Now my Bookie dot ag You can 432 00:26:44,840 --> 00:26:48,199 Speaker 1: play the money line, slide or total. 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How are you 453 00:27:56,400 --> 00:27:59,000 Speaker 1: feeling about the response from I like your flow. I 454 00:27:59,080 --> 00:28:01,360 Speaker 1: like your flow. I was a responsive and so far 455 00:28:02,320 --> 00:28:05,440 Speaker 1: response has been great. You know, uh, let's pointing bits 456 00:28:05,480 --> 00:28:07,840 Speaker 1: and pieces out here and there, but uh, you know, 457 00:28:07,880 --> 00:28:09,840 Speaker 1: I have some of my main focuses basketball, but I 458 00:28:09,920 --> 00:28:13,480 Speaker 1: did have a passion of music too. Do people get 459 00:28:13,480 --> 00:28:15,439 Speaker 1: all bent out of shape when you when you do that, like, 460 00:28:15,440 --> 00:28:19,480 Speaker 1: because you know, like historically, I don't know, it's probably 461 00:28:19,480 --> 00:28:23,320 Speaker 1: fifty fifty, you know, athletes rhyming you know Shack was good, 462 00:28:23,359 --> 00:28:26,560 Speaker 1: but kind of not taking seriously. I think he's underrated. Obviously, 463 00:28:26,600 --> 00:28:30,040 Speaker 1: you guy Dame Dollar right now he's doing his thing. Kobe, 464 00:28:30,200 --> 00:28:32,840 Speaker 1: you know, hall of fame basketball player definitely ain't making 465 00:28:32,880 --> 00:28:36,320 Speaker 1: it to the hip hop Hall of Fame. But you know, 466 00:28:36,400 --> 00:28:38,640 Speaker 1: like the scrutiny for for for all you guys, whether 467 00:28:38,640 --> 00:28:41,280 Speaker 1: it's you know, Roy Jones, I think the I think 468 00:28:41,320 --> 00:28:43,360 Speaker 1: the way it looked at is that, uh, it's because 469 00:28:43,360 --> 00:28:45,320 Speaker 1: we're you know, athletes that we're not supposed to do 470 00:28:45,400 --> 00:28:48,400 Speaker 1: anything else. Society's basketball was supposed to be sleeping do basketball, 471 00:28:48,400 --> 00:28:51,480 Speaker 1: but we do have lives outside of basketball. And when 472 00:28:51,480 --> 00:28:53,800 Speaker 1: I and thinking about what I did, is like I've 473 00:28:53,960 --> 00:28:56,480 Speaker 1: always wanted to start to putting started putting my music out, 474 00:28:56,560 --> 00:28:58,479 Speaker 1: but you know, I kind of waited a little bit. 475 00:28:58,560 --> 00:29:00,720 Speaker 1: I was a little more established in the league, and uh, 476 00:29:00,800 --> 00:29:02,040 Speaker 1: you know, I think right now it's a good time 477 00:29:02,040 --> 00:29:04,560 Speaker 1: for you to start, you know, putting that putting that out. 478 00:29:04,720 --> 00:29:07,600 Speaker 1: I do enjoy making music. Well, I thought I thought 479 00:29:07,600 --> 00:29:09,880 Speaker 1: it was dope. I thought it was a good first showing. 480 00:29:10,840 --> 00:29:12,920 Speaker 1: I liked your flow. I like that you're kicking. It 481 00:29:13,040 --> 00:29:16,320 Speaker 1: surprised me because you're so low key. You know what 482 00:29:16,360 --> 00:29:18,240 Speaker 1: we know of you as a basketball player. You're so 483 00:29:18,360 --> 00:29:21,280 Speaker 1: low key and you're so like you're like a throwback. 484 00:29:21,320 --> 00:29:23,160 Speaker 1: You're one of my favorite players in the league because 485 00:29:23,360 --> 00:29:25,320 Speaker 1: you're like a throwback. And I'm not talking to the fifties. 486 00:29:25,320 --> 00:29:28,080 Speaker 1: I'm talking about like, you know, big Man is certainly 487 00:29:28,080 --> 00:29:30,840 Speaker 1: the kind of way that you play like. You're a bruiser, 488 00:29:31,120 --> 00:29:33,680 Speaker 1: you're a rebounder, you're low key, You're not a three 489 00:29:33,720 --> 00:29:37,120 Speaker 1: point shooting you know, giant. You know, you're kind of 490 00:29:37,120 --> 00:29:38,720 Speaker 1: a throwback soon And when I saw you rhyme and 491 00:29:38,760 --> 00:29:40,800 Speaker 1: I was like, oh ship, because you're just like about 492 00:29:40,840 --> 00:29:42,560 Speaker 1: your business on the court. So I thought it was 493 00:29:42,640 --> 00:29:45,560 Speaker 1: cool and I think you should definitely, you know, keep rocking. 494 00:29:46,080 --> 00:29:49,480 Speaker 1: Appreciate that. Thank you. So so, I've got a lot 495 00:29:49,480 --> 00:29:52,479 Speaker 1: more stuff coming so so I I gotta ask you 496 00:29:52,480 --> 00:29:56,360 Speaker 1: the obligatory hip hop questions in top five? Who are 497 00:29:56,400 --> 00:29:58,600 Speaker 1: your top five today? I know it could change, and 498 00:29:58,600 --> 00:30:01,959 Speaker 1: I know people get like, you know, uh so, so 499 00:30:02,080 --> 00:30:04,480 Speaker 1: just today when we're doing the Iron Rapports stereo podcast, 500 00:30:04,480 --> 00:30:07,120 Speaker 1: because you could ask me five today, five tomorrow, roll chance, 501 00:30:07,280 --> 00:30:11,720 Speaker 1: who would you say your top five artists? Eminem Biggie 502 00:30:12,000 --> 00:30:21,840 Speaker 1: two pack. Okay, one more uh uht Wayne Okay, okay, 503 00:30:21,840 --> 00:30:23,960 Speaker 1: that's a that's a fair crew. Have you gotten to 504 00:30:23,960 --> 00:30:26,840 Speaker 1: meet Eminem out there in Detroit? I actually did. I 505 00:30:26,840 --> 00:30:28,560 Speaker 1: met it for the first time. I opened at night, 506 00:30:29,400 --> 00:30:31,280 Speaker 1: and it was probably the first one I was ever 507 00:30:31,320 --> 00:30:33,360 Speaker 1: start struck. Now, I was really staring at him the 508 00:30:33,440 --> 00:30:37,320 Speaker 1: entire time. I got the whole plane and everything. Yeah, 509 00:30:37,360 --> 00:30:39,520 Speaker 1: I mean I would bug out for him because he's 510 00:30:39,640 --> 00:30:42,240 Speaker 1: uh you know at all the people that I've met 511 00:30:42,320 --> 00:30:44,560 Speaker 1: throughout me is I've never even seen him in real life. 512 00:30:44,600 --> 00:30:47,200 Speaker 1: Like I got a chance to. I saw Biggie, I 513 00:30:47,280 --> 00:30:50,480 Speaker 1: never met him. I met Tupac, you know a bunch 514 00:30:50,480 --> 00:30:53,440 Speaker 1: of times. Um you know what I meant, you know, 515 00:30:53,560 --> 00:30:55,560 Speaker 1: Jay z and Os. But like, I've never even seen 516 00:30:56,080 --> 00:30:58,440 Speaker 1: the two people in my life that I've that I've 517 00:30:58,440 --> 00:31:00,480 Speaker 1: never met, that that that I would like to meet. 518 00:31:00,520 --> 00:31:06,280 Speaker 1: I've never even seen a real life Larry Bird and Eminem. Now. 519 00:31:06,720 --> 00:31:08,720 Speaker 1: Stan Van Gundy is one of my favorite coaches in 520 00:31:08,760 --> 00:31:11,440 Speaker 1: all of sports. Actually, I don't know if you've ever 521 00:31:11,440 --> 00:31:14,760 Speaker 1: heard my bizarro Stan Van Gundi, but it's way out there. 522 00:31:14,760 --> 00:31:16,720 Speaker 1: It's like my uh and and you've done a stand 523 00:31:16,760 --> 00:31:19,640 Speaker 1: Van Gundi impression, And I think it's it's probably hard 524 00:31:19,680 --> 00:31:22,400 Speaker 1: to uh not be around him without doing an impression 525 00:31:22,400 --> 00:31:25,400 Speaker 1: of him, because for me, like the more stressed out 526 00:31:25,520 --> 00:31:28,840 Speaker 1: and angry he is, like and and frustrated is the 527 00:31:28,880 --> 00:31:33,520 Speaker 1: more entertaining I find him. Yeah, sing is a very 528 00:31:34,040 --> 00:31:37,520 Speaker 1: very animated man. So so what what is he like? 529 00:31:37,600 --> 00:31:40,200 Speaker 1: You know, like, is he intense? Is he I can't 530 00:31:40,200 --> 00:31:42,280 Speaker 1: really figure him out. I just love listening to him 531 00:31:42,280 --> 00:31:45,040 Speaker 1: and he always seems like he's borderline laryngitis. So so 532 00:31:45,080 --> 00:31:48,120 Speaker 1: what is your how much do you love stan Van Gundi? 533 00:31:48,640 --> 00:31:51,560 Speaker 1: I love And you know there's two types of stands 534 00:31:51,560 --> 00:31:54,200 Speaker 1: and summer standing. There is, you know NBC the stand 535 00:31:54,840 --> 00:31:56,680 Speaker 1: you know, the summer standing. Sorry, the best guy to 536 00:31:56,720 --> 00:31:58,640 Speaker 1: be around you those real nice friendly you know, says 537 00:31:58,720 --> 00:32:01,120 Speaker 1: hi to everybody, but you know when the stiff for work, 538 00:32:01,160 --> 00:32:02,600 Speaker 1: I mean he's probably the best guy to be around. 539 00:32:02,640 --> 00:32:04,520 Speaker 1: He locks in. You know, he wants to win and 540 00:32:04,520 --> 00:32:06,680 Speaker 1: he does exactly what it takes to win. And a 541 00:32:06,720 --> 00:32:08,080 Speaker 1: lot of people don't see it like that. They see 542 00:32:08,160 --> 00:32:09,920 Speaker 1: him just because he screams all the time and he's yelling, 543 00:32:10,000 --> 00:32:11,560 Speaker 1: but he just wants to win. It's like we all do, 544 00:32:11,640 --> 00:32:14,240 Speaker 1: but he shows in a different way when he's ever 545 00:32:14,320 --> 00:32:17,440 Speaker 1: had a fever pitch, probably not in the game, but 546 00:32:17,520 --> 00:32:20,160 Speaker 1: when he's ever like losing his mind. Do you ever 547 00:32:20,240 --> 00:32:22,680 Speaker 1: like just feel like not to disrespect him, Like, are 548 00:32:22,720 --> 00:32:24,880 Speaker 1: you ever just like on the borderline of laughing, Because 549 00:32:24,880 --> 00:32:28,320 Speaker 1: it's like, like I said, like the the angrier he gets, 550 00:32:28,560 --> 00:32:31,800 Speaker 1: I find it the more entertaining to watch him. So 551 00:32:31,960 --> 00:32:33,920 Speaker 1: sometimes you just gotta you just gotta smile when he 552 00:32:33,960 --> 00:32:36,480 Speaker 1: gets mad like that, because you know, he's just he's 553 00:32:36,480 --> 00:32:39,280 Speaker 1: just so animated, so it is somewhat amusing, but you know, 554 00:32:39,320 --> 00:32:40,840 Speaker 1: he's still got listen to what he's saying. He says 555 00:32:40,840 --> 00:32:42,280 Speaker 1: a lot of a lot of good things on top 556 00:32:42,320 --> 00:32:44,640 Speaker 1: of that, even though he screams a lot. Yeah, I 557 00:32:45,160 --> 00:32:47,760 Speaker 1: love him. What does it meant to you as a player? 558 00:32:47,800 --> 00:32:51,400 Speaker 1: Because I could imagine you know, having stand speak out, 559 00:32:52,240 --> 00:32:55,160 Speaker 1: you know, so to the point and so you know, 560 00:32:55,280 --> 00:32:58,320 Speaker 1: openly and so honestly about everything that's going on in 561 00:32:58,360 --> 00:33:01,160 Speaker 1: the country. What does it mean to you, like as 562 00:33:01,200 --> 00:33:04,000 Speaker 1: a player, as a man to have your coach, you know, 563 00:33:04,080 --> 00:33:07,400 Speaker 1: be on the front lines and be like him Popovich Ker, 564 00:33:07,880 --> 00:33:09,880 Speaker 1: you know, like have this guy sort of there and 565 00:33:09,920 --> 00:33:11,560 Speaker 1: like you know, like telling it like it is. I 566 00:33:11,560 --> 00:33:14,440 Speaker 1: mean it must. I think that's the best thing about 567 00:33:14,520 --> 00:33:17,480 Speaker 1: staying he Uh, he's not afraid to say whatever he feels, 568 00:33:17,960 --> 00:33:19,920 Speaker 1: and that's what that's really what I like about him. 569 00:33:19,920 --> 00:33:23,320 Speaker 1: So he's not afraid to speak about any kind of situation, 570 00:33:23,400 --> 00:33:26,600 Speaker 1: give me about politics, basstart just really by anything. So 571 00:33:27,240 --> 00:33:30,440 Speaker 1: he's a very honest man. And uh, I couldn't ask 572 00:33:30,480 --> 00:33:33,080 Speaker 1: for a better guy to be around. Yeah, I think 573 00:33:33,080 --> 00:33:35,560 Speaker 1: he's dope. I always I've always loved him. I loved 574 00:33:35,600 --> 00:33:37,840 Speaker 1: his brother when he was with the Nicks, and uh, 575 00:33:38,680 --> 00:33:40,800 Speaker 1: you know, I just I just like the Van Gundhi brothers. 576 00:33:41,320 --> 00:33:44,480 Speaker 1: Um so you said when we first started talking about 577 00:33:45,000 --> 00:33:48,280 Speaker 1: you know, people think that all you guys do pro 578 00:33:48,360 --> 00:33:52,400 Speaker 1: athletes in general, whether it's football, baseball, but obviously basketball. 579 00:33:52,840 --> 00:33:56,760 Speaker 1: You know, we think all you guys do is eat, drink, sleep, basketball, 580 00:33:56,760 --> 00:33:58,960 Speaker 1: And I'm sure that's priority number one. What is a 581 00:33:59,120 --> 00:34:02,320 Speaker 1: day in the lie of Andre Drummond on your day off? 582 00:34:02,720 --> 00:34:04,760 Speaker 1: You know, aside from practice, what are you into besides 583 00:34:04,840 --> 00:34:10,040 Speaker 1: ball and obviously now hip hop? Uh, I like read, 584 00:34:10,840 --> 00:34:12,800 Speaker 1: you know, uh do it, do a little at everything, 585 00:34:13,080 --> 00:34:15,680 Speaker 1: hang on, my family, play games, so you know, I'm 586 00:34:15,680 --> 00:34:18,919 Speaker 1: not always got things to get your mind off off 587 00:34:18,920 --> 00:34:21,919 Speaker 1: of basketball sometimes. Now you said read now. I don't 588 00:34:21,920 --> 00:34:25,040 Speaker 1: know if you're aware of this, andre. Um. I I 589 00:34:25,120 --> 00:34:27,320 Speaker 1: have a book out. It's called This Book has Balls, 590 00:34:27,719 --> 00:34:30,440 Speaker 1: Sports Ramps from the m v P of Talking Trash, 591 00:34:30,640 --> 00:34:33,439 Speaker 1: soon to be best seller on the New York Times List. 592 00:34:33,800 --> 00:34:36,959 Speaker 1: I think, oh, I'm gonna send you a copy, Okay, 593 00:34:36,960 --> 00:34:38,239 Speaker 1: I think you would get a kick out of it. 594 00:34:38,520 --> 00:34:41,359 Speaker 1: I think you would love a couple of chapters, in particular, um, 595 00:34:41,640 --> 00:34:45,120 Speaker 1: I I do the beautiful audacity of Muggsy Bogues because 596 00:34:45,120 --> 00:34:47,920 Speaker 1: in my opinion, uh, you know, there may or may 597 00:34:47,960 --> 00:34:50,520 Speaker 1: not be another Mike, but there will definitely not be 598 00:34:50,960 --> 00:34:55,400 Speaker 1: another Muggsy Bogues. And then I listed in great detail 599 00:34:55,520 --> 00:34:57,719 Speaker 1: is another chapter called the one obviously, And I had 600 00:34:57,760 --> 00:35:01,439 Speaker 1: to talk about my knicks because talk about that, because 601 00:35:01,440 --> 00:35:05,360 Speaker 1: that that's been painful. I watched you there once on 602 00:35:05,360 --> 00:35:07,719 Speaker 1: a on a quiet Tuesday night, like I think you 603 00:35:07,800 --> 00:35:10,319 Speaker 1: have like seventy four rebounds. This was this is two 604 00:35:10,320 --> 00:35:12,960 Speaker 1: seasons ago. Um. But but the other chapter that I 605 00:35:12,960 --> 00:35:14,880 Speaker 1: think you'll get a kick out of his uh, twenty 606 00:35:14,920 --> 00:35:17,640 Speaker 1: three reasons why Lebron James will never be like Mike, 607 00:35:17,840 --> 00:35:19,200 Speaker 1: I would love to for you to take a read. 608 00:35:19,200 --> 00:35:22,480 Speaker 1: These are all short hits, quick hits, and uh, I 609 00:35:22,520 --> 00:35:25,040 Speaker 1: think you get a kick out of it. I definitely 610 00:35:25,080 --> 00:35:28,040 Speaker 1: love to read it. Um. So, your free throw shooting 611 00:35:28,160 --> 00:35:32,680 Speaker 1: has improved vastly. Two questions. Number one, how big of 612 00:35:32,719 --> 00:35:35,960 Speaker 1: a burden is that to have off your back? Because 613 00:35:36,280 --> 00:35:40,920 Speaker 1: the traditionally the big man who can't shoot. You know, 614 00:35:41,000 --> 00:35:43,160 Speaker 1: you guys are like I feel like it's sometimes with 615 00:35:43,239 --> 00:35:45,920 Speaker 1: the hack a shack and the hack of andre and 616 00:35:46,560 --> 00:35:49,040 Speaker 1: you know, how happy are you to like you're shooting? 617 00:35:50,440 --> 00:35:53,800 Speaker 1: How much does it mean for you to improve that? Definitely? 618 00:35:53,840 --> 00:35:55,440 Speaker 1: You know, just just to work. I put in this 619 00:35:55,520 --> 00:35:59,120 Speaker 1: summer with think it's a mental aspect and obviously find 620 00:35:59,160 --> 00:36:02,080 Speaker 1: a routine that works to me was huge and for 621 00:36:02,120 --> 00:36:04,440 Speaker 1: it to work in games and to just have that 622 00:36:04,480 --> 00:36:06,920 Speaker 1: pressure lifted off my shoulder just makes me, you know, 623 00:36:07,239 --> 00:36:09,000 Speaker 1: she played that much more harder than I can knock 624 00:36:09,040 --> 00:36:12,040 Speaker 1: the shotdown if I get filed do what was this 625 00:36:12,080 --> 00:36:14,359 Speaker 1: sort of like the tipping point where you finally were 626 00:36:14,400 --> 00:36:15,920 Speaker 1: like I could shoot free throws and you shoot a 627 00:36:15,960 --> 00:36:19,319 Speaker 1: confidence like listen, I'm not an NBA athlete, okay, but 628 00:36:19,680 --> 00:36:24,520 Speaker 1: in practice, I could shoot no bullshit free throws, but 629 00:36:24,840 --> 00:36:27,600 Speaker 1: in the game something would happen to me. You know, 630 00:36:27,640 --> 00:36:29,920 Speaker 1: like if you get this kind of I don't know, 631 00:36:30,000 --> 00:36:31,600 Speaker 1: it's like you feel like the same that the same 632 00:36:31,600 --> 00:36:33,680 Speaker 1: thing to me. I feel like when I shot in practice, 633 00:36:33,719 --> 00:36:37,640 Speaker 1: I'd be damn, I damn it would miss. You know, 634 00:36:37,640 --> 00:36:38,960 Speaker 1: when the king of the game, I just couldn't have 635 00:36:39,040 --> 00:36:41,960 Speaker 1: that same connection. So you know, to find that, to 636 00:36:42,080 --> 00:36:44,080 Speaker 1: find that confidence and find that place in my mind 637 00:36:44,800 --> 00:36:48,440 Speaker 1: relaxed the line and shooting, you know, it's definitely an 638 00:36:48,520 --> 00:36:52,359 Speaker 1: exciting feeling. Yeah, I'm sure because the scrutiny and you 639 00:36:52,360 --> 00:36:55,120 Speaker 1: know that that that one game you were intentionally fouled 640 00:36:55,120 --> 00:36:58,319 Speaker 1: twenty one times, that probably just when you're not shooting good, 641 00:36:58,320 --> 00:37:00,239 Speaker 1: it just adds to it and adds to the dress, 642 00:37:00,600 --> 00:37:02,839 Speaker 1: adds to the nerves. So I'm happy that you you've 643 00:37:02,840 --> 00:37:04,960 Speaker 1: gotten that burden off your back. I feel like sometimes 644 00:37:05,000 --> 00:37:06,759 Speaker 1: you guys that are that big in your hands or 645 00:37:06,840 --> 00:37:09,600 Speaker 1: that that big. I feel like the ball is like 646 00:37:09,719 --> 00:37:12,200 Speaker 1: it's like shooting for a normal person, like shooting like 647 00:37:12,320 --> 00:37:14,440 Speaker 1: a softball. Like I feel like it's almost not fair 648 00:37:15,239 --> 00:37:17,120 Speaker 1: pretty much. But you know when you when when you 649 00:37:17,120 --> 00:37:21,000 Speaker 1: find a touch and you know, anything is possible. So 650 00:37:21,239 --> 00:37:23,640 Speaker 1: what was it? Was it just repetition? Was there somebody 651 00:37:23,680 --> 00:37:25,400 Speaker 1: like a shooting coach? And what was the thing that 652 00:37:25,440 --> 00:37:26,880 Speaker 1: you probably were able to get over it? You know, 653 00:37:27,120 --> 00:37:28,960 Speaker 1: I just I just took it back to the basics, man, 654 00:37:29,000 --> 00:37:31,239 Speaker 1: you know, I you know, I worked out with the guy. 655 00:37:31,320 --> 00:37:32,799 Speaker 1: I worked out with a guy who used you know, 656 00:37:32,840 --> 00:37:36,240 Speaker 1: a couple of years back coming into the league. Um, 657 00:37:36,280 --> 00:37:38,120 Speaker 1: you know down ravine that I use a guy named 658 00:37:38,160 --> 00:37:40,600 Speaker 1: Stanley Remy out of Miami. You know, you know, I 659 00:37:40,640 --> 00:37:42,799 Speaker 1: just took it back to the basics, to what was 660 00:37:42,840 --> 00:37:44,880 Speaker 1: working for me growing up in high school and college. 661 00:37:44,920 --> 00:37:47,400 Speaker 1: So you know, I found that same ar betin the 662 00:37:47,440 --> 00:37:49,560 Speaker 1: game that I used in and uh, you know, I 663 00:37:49,600 --> 00:37:51,839 Speaker 1: feel like I'm back. All right, Well good, I'm glad 664 00:37:51,880 --> 00:37:53,440 Speaker 1: you are. Do do you talk shipped to the other 665 00:37:53,480 --> 00:37:56,040 Speaker 1: big guys that haven't haven't cracked the code yet? Like DeAndre? 666 00:37:56,440 --> 00:37:58,640 Speaker 1: I love DeAndre, but like, do you snicker out of 667 00:37:58,760 --> 00:38:00,840 Speaker 1: or do you have compassion that he's still hasn't cracked 668 00:38:00,840 --> 00:38:03,839 Speaker 1: the free throw code? No? I mean everybody, everybody gotta 669 00:38:03,840 --> 00:38:05,759 Speaker 1: figured out figure out what works for them, that works 670 00:38:05,800 --> 00:38:08,480 Speaker 1: best for them. So for me, it's just and keep 671 00:38:08,480 --> 00:38:11,160 Speaker 1: plugging away and getting uh getting better at the line. 672 00:38:11,719 --> 00:38:14,279 Speaker 1: Now another big man on your team. He's one of 673 00:38:14,360 --> 00:38:17,600 Speaker 1: my favorite players in the league just because he looks crazy. 674 00:38:17,920 --> 00:38:21,680 Speaker 1: I love him on the spur. What what is the 675 00:38:21,680 --> 00:38:24,680 Speaker 1: big glue? Like? What is he like in person? And 676 00:38:24,760 --> 00:38:27,440 Speaker 1: you know, like just what's his story? I mean, he's 677 00:38:27,480 --> 00:38:30,200 Speaker 1: probably the best guy ever. I mean, he's the sweetest 678 00:38:30,280 --> 00:38:33,440 Speaker 1: dude ever. Man, He's you can never be mad at Boban, 679 00:38:33,560 --> 00:38:35,360 Speaker 1: even if he messes up a player or anything like that. 680 00:38:35,440 --> 00:38:38,839 Speaker 1: He's just just a happy person. And he's also very 681 00:38:38,880 --> 00:38:41,319 Speaker 1: talented to what makes him a uh you better play 682 00:38:41,400 --> 00:38:44,600 Speaker 1: to be around. Yeah, I love him, and I just 683 00:38:44,920 --> 00:38:49,640 Speaker 1: I sometimes like imagine like stan Van Gundy and and Boban, 684 00:38:49,840 --> 00:38:52,719 Speaker 1: like having a conversation like stan Van Gundy, like being 685 00:38:52,760 --> 00:38:55,560 Speaker 1: like Boban, what the hell are you doing? I said 686 00:38:55,600 --> 00:38:58,040 Speaker 1: pick and roll, I didn't say pick and pop and 687 00:38:58,080 --> 00:39:02,600 Speaker 1: just get he gets lost sometimes he gets lost. Well, 688 00:39:02,640 --> 00:39:05,480 Speaker 1: he's good. I'm sure he's a good teammate. Is the 689 00:39:05,520 --> 00:39:10,120 Speaker 1: excellent teammate. So you're like a machine. Did you ever 690 00:39:10,200 --> 00:39:13,920 Speaker 1: imagine how tall are you? Andre U six? Did you 691 00:39:13,960 --> 00:39:17,840 Speaker 1: ever imagine when you were growing up that the big 692 00:39:17,840 --> 00:39:20,359 Speaker 1: man like, you don't fall into this, You're like one 693 00:39:20,400 --> 00:39:23,319 Speaker 1: of the last of a dying breed. Did you ever 694 00:39:23,360 --> 00:39:26,360 Speaker 1: imagine that, like big man coming into the league younger 695 00:39:26,400 --> 00:39:28,799 Speaker 1: guys than you now, it would almost be like a 696 00:39:28,960 --> 00:39:32,080 Speaker 1: job requirement that a guy that's seven ft has to 697 00:39:32,120 --> 00:39:34,120 Speaker 1: be able to shoot threes, like when you were a kid. 698 00:39:34,480 --> 00:39:36,520 Speaker 1: Did you ever foresee that or think that that's what 699 00:39:36,560 --> 00:39:39,120 Speaker 1: the what the NBA would turn into? Not at all. 700 00:39:39,719 --> 00:39:42,239 Speaker 1: You know, the league has changed, you know, every year, 701 00:39:43,440 --> 00:39:45,680 Speaker 1: to the point now where every big man is pretty 702 00:39:45,719 --> 00:39:49,879 Speaker 1: much shooting three. So, you know, the games evolving. People 703 00:39:49,920 --> 00:39:52,320 Speaker 1: are trying to explain their games and get better. But 704 00:39:52,480 --> 00:39:53,920 Speaker 1: for me, I'm gonna I'm gonna stick to the work 705 00:39:54,000 --> 00:39:56,440 Speaker 1: to me, to me, in my opinion, I'd love to 706 00:39:56,440 --> 00:39:58,560 Speaker 1: hear what you think about this. You know, I think 707 00:39:58,600 --> 00:40:01,719 Speaker 1: that you know, obviously Russ to Westbrook is an exception 708 00:40:01,760 --> 00:40:04,040 Speaker 1: to the rule, but a whole lot of these guards, 709 00:40:04,080 --> 00:40:06,759 Speaker 1: and I think he's like a legitimate, you know, rebounding 710 00:40:06,800 --> 00:40:09,880 Speaker 1: guard just because his tenacity and his energy and his athleticism. 711 00:40:10,320 --> 00:40:13,160 Speaker 1: But I think that because the floor is so spread, 712 00:40:14,320 --> 00:40:16,920 Speaker 1: these guards with the triple doubles, triple doubles, I'm like 713 00:40:16,960 --> 00:40:19,040 Speaker 1: if there was more Andre Drummonds in the league, this 714 00:40:19,040 --> 00:40:23,160 Speaker 1: ship wouldn't be happening. Correct, not a chance, you know 715 00:40:23,200 --> 00:40:25,239 Speaker 1: what I mean. Obviously, Rus Westbrook is a hell of 716 00:40:25,239 --> 00:40:28,040 Speaker 1: a player. I mean he he was a triple double 717 00:40:28,080 --> 00:40:29,600 Speaker 1: bag man. You know, he does what he's supposed to 718 00:40:29,480 --> 00:40:31,759 Speaker 1: do to get his team in the reposition to win. Well, 719 00:40:31,800 --> 00:40:33,279 Speaker 1: you know, like I was saying earlier, with the big 720 00:40:33,320 --> 00:40:35,360 Speaker 1: man that's shooting three, the floor is so spaced, I 721 00:40:35,360 --> 00:40:37,400 Speaker 1: don't know, so it leaves it open for anybody you 722 00:40:37,440 --> 00:40:40,560 Speaker 1: get the ball. I agree, I agree. I think it's 723 00:40:40,600 --> 00:40:43,560 Speaker 1: it's very deceptive. All these triple doubles, and you know 724 00:40:43,920 --> 00:40:47,000 Speaker 1: he's the exception just because his his motor is so crazy. 725 00:40:47,160 --> 00:40:49,760 Speaker 1: He's a very very high money Yeah. I mean he's 726 00:40:49,760 --> 00:40:53,520 Speaker 1: a freak. Like he's totally a freak. You know. He's very, very, 727 00:40:53,600 --> 00:40:55,560 Speaker 1: very fun to watch. I can tell you that for sure. 728 00:40:56,560 --> 00:40:58,239 Speaker 1: Who who are the other players? Like when you're not 729 00:40:58,320 --> 00:41:01,560 Speaker 1: playing against them, when you're at home chilling, that you 730 00:41:01,719 --> 00:41:03,880 Speaker 1: that you love to watch. If I if everybody's playing 731 00:41:03,880 --> 00:41:06,080 Speaker 1: but the Detroit Pitsons are off, who will be like 732 00:41:06,200 --> 00:41:12,280 Speaker 1: the teams you love to watch? Top three? Top three? Uh, 733 00:41:12,520 --> 00:41:16,760 Speaker 1: definitely Okay, see the Warrior isn't probably Boston because Kyrie 734 00:41:16,800 --> 00:41:18,560 Speaker 1: is my best friends. I love Washing hamp Is he 735 00:41:18,680 --> 00:41:22,359 Speaker 1: your best friend? Yeah? Wow, that's dope. You know what. 736 00:41:22,520 --> 00:41:25,239 Speaker 1: That makes sense to me. That makes sense to me 737 00:41:25,280 --> 00:41:26,799 Speaker 1: now now that I'm talking to you, and I hear 738 00:41:26,920 --> 00:41:29,600 Speaker 1: because you are so low key with the press, but 739 00:41:29,680 --> 00:41:32,200 Speaker 1: just talking to you now, like that makes total sense 740 00:41:32,239 --> 00:41:38,239 Speaker 1: to me. Yeah, that's my guy. So yeah, well he's ridiculous. 741 00:41:38,280 --> 00:41:40,319 Speaker 1: And you know you're you're from Mount Vernon, you grew 742 00:41:40,360 --> 00:41:43,320 Speaker 1: up in Connecticut, so I know, you know the history 743 00:41:43,719 --> 00:41:45,520 Speaker 1: of the New York City point guards, and I know 744 00:41:46,080 --> 00:41:49,480 Speaker 1: his relationship to Rod Strickland, which and you know when 745 00:41:49,520 --> 00:41:51,360 Speaker 1: I was a kid, when I was a teenager, he was, 746 00:41:51,760 --> 00:41:54,200 Speaker 1: you know, the first one of the first editions of Kyrie. 747 00:41:54,239 --> 00:41:57,600 Speaker 1: I think Kyrie has taken everything from tiny Archibald to 748 00:41:58,280 --> 00:42:01,279 Speaker 1: Steph to Isaiah's um is to this size it and 749 00:42:01,560 --> 00:42:05,239 Speaker 1: he's like freaking he's freaked it right, Yeah, I mean, 750 00:42:05,239 --> 00:42:08,840 Speaker 1: he's he's a different piece. I mean, Kyrie's one of 751 00:42:08,880 --> 00:42:11,200 Speaker 1: the bost guards in the league. And you know, I'm 752 00:42:11,320 --> 00:42:12,920 Speaker 1: very happy for him now that he's on the Celtics 753 00:42:12,960 --> 00:42:15,640 Speaker 1: plaining the way he's players. Yeah me too. So so 754 00:42:15,800 --> 00:42:18,200 Speaker 1: now just Kyrie rhymean, can we expect him on a 755 00:42:18,280 --> 00:42:22,560 Speaker 1: guest track? Kyrie does? He does do his thing on 756 00:42:22,600 --> 00:42:25,799 Speaker 1: the microphone, but uh, who knows that's up that's up 757 00:42:25,800 --> 00:42:30,160 Speaker 1: to him. Very interesting, very interesting. So wait a minute, 758 00:42:30,160 --> 00:42:32,759 Speaker 1: now I gotta press this. Kyrie's got to look like 759 00:42:32,800 --> 00:42:34,719 Speaker 1: what like what is his flow like? Is he like 760 00:42:34,800 --> 00:42:37,560 Speaker 1: kind of like an intellectual like rapper? Is he like 761 00:42:37,600 --> 00:42:40,520 Speaker 1: on some Andre three thousand? Like? What's his style? That's 762 00:42:40,520 --> 00:42:42,759 Speaker 1: actually that's actually a great comparison. He's more of this 763 00:42:43,520 --> 00:42:47,920 Speaker 1: very intellectual with this very speaks very clear. So now 764 00:42:48,040 --> 00:42:51,200 Speaker 1: like not like the Mamble rappers, right, what do you 765 00:42:51,239 --> 00:42:54,200 Speaker 1: think of mambal rappers? That's the that's the end thing 766 00:42:54,280 --> 00:42:57,160 Speaker 1: right now. I mean it's a it's a trend, and 767 00:42:57,280 --> 00:43:00,880 Speaker 1: that's how everybody's doing so you know. So so now 768 00:43:00,880 --> 00:43:03,239 Speaker 1: I die out eventually, Yeah, I hope, I hope it 769 00:43:03,280 --> 00:43:07,160 Speaker 1: dies out. How old are you? Twenty four years old? 770 00:43:07,200 --> 00:43:10,799 Speaker 1: You're twenty four years old? Yea, God bless you man. 771 00:43:10,840 --> 00:43:14,759 Speaker 1: That is gorgeous. Man, that's crazy. You're twenty four years old. 772 00:43:14,800 --> 00:43:18,080 Speaker 1: I'm forty seven years old. Man, I'm having problems doing 773 00:43:18,120 --> 00:43:20,239 Speaker 1: fifty push ups in a row. Do you understand what 774 00:43:20,239 --> 00:43:27,560 Speaker 1: I'm saying, Andre, Yeah, yeah, I've heard it all before. Okay, listen, 775 00:43:28,239 --> 00:43:30,759 Speaker 1: I just think that that's crazy. Did you ever imagine 776 00:43:31,280 --> 00:43:34,120 Speaker 1: in your wildest dreams as a kid that you would 777 00:43:34,160 --> 00:43:37,200 Speaker 1: be in the NBA having such a successful career and 778 00:43:37,239 --> 00:43:39,160 Speaker 1: then like not at all. I mean, it's it's still 779 00:43:39,239 --> 00:43:42,479 Speaker 1: it's still a surprise, you know, just how far I've coming, 780 00:43:42,520 --> 00:43:44,840 Speaker 1: where I've where I've made it from. So you know, 781 00:43:44,880 --> 00:43:47,320 Speaker 1: I don't think anything for granted, and uh, trying to 782 00:43:47,360 --> 00:43:49,800 Speaker 1: work as hard as possible. When when you signed in 783 00:43:49,880 --> 00:43:54,279 Speaker 1: a hundred thirty million dollar contract, I could tell you're 784 00:43:54,280 --> 00:43:56,759 Speaker 1: a humble dude just from speaking to you. Just like 785 00:43:57,040 --> 00:43:59,800 Speaker 1: your your your style, you have a workman's like mentality. 786 00:44:00,040 --> 00:44:02,840 Speaker 1: You when you signed in a hundred thirty million dollar contract, 787 00:44:03,120 --> 00:44:06,279 Speaker 1: are you having an outer body experience when that's actually like, yo, 788 00:44:06,360 --> 00:44:08,200 Speaker 1: you just made a hundred thirty million dollars, Like that's 789 00:44:08,200 --> 00:44:11,480 Speaker 1: your contract for the next few years. I don't think 790 00:44:11,480 --> 00:44:13,200 Speaker 1: it really hit me till I got the first page 791 00:44:13,239 --> 00:44:17,040 Speaker 1: check and I was like, damn, I really not really 792 00:44:17,080 --> 00:44:19,840 Speaker 1: just signed for this much, you know. Definitely definitely a 793 00:44:19,840 --> 00:44:23,799 Speaker 1: blessing for my family myself. So what's your most outlandish 794 00:44:23,800 --> 00:44:27,480 Speaker 1: thing that you brought to sign your contract? I don't 795 00:44:27,480 --> 00:44:29,160 Speaker 1: really spend the more I think the crazy thing I've 796 00:44:29,200 --> 00:44:33,960 Speaker 1: watched the farifire in my sprinter. Okay, that's dope. Do 797 00:44:34,000 --> 00:44:35,600 Speaker 1: you drive it? Or you could drove around in it? 798 00:44:35,880 --> 00:44:38,279 Speaker 1: Would would driver? You know what, if you make a 799 00:44:38,360 --> 00:44:42,080 Speaker 1: hundred thirty million dollars, you should have a driver. Yeah, 800 00:44:42,120 --> 00:44:45,839 Speaker 1: you know, I don't like to drive anyway, So made 801 00:44:45,840 --> 00:44:48,600 Speaker 1: that investment. And how are you liking this? This new 802 00:44:48,640 --> 00:44:52,120 Speaker 1: stadium in Detroit? It's awesome, you know it's coming, that's 803 00:44:52,120 --> 00:44:53,719 Speaker 1: coming along you though, Still I think there's still some 804 00:44:53,800 --> 00:44:55,920 Speaker 1: things that need to be put in there, you know, 805 00:44:56,239 --> 00:44:58,439 Speaker 1: on our side. And obviously this is red Wing stuff 806 00:44:58,440 --> 00:45:01,759 Speaker 1: because they're building first. So when our stuff is starting 807 00:45:01,840 --> 00:45:03,680 Speaker 1: coming along with the same base is starting to grow. 808 00:45:03,800 --> 00:45:06,719 Speaker 1: So I think the more we win, the more you 809 00:45:06,760 --> 00:45:09,480 Speaker 1: know we're around downtown, the better it's gonna be. Well 810 00:45:09,520 --> 00:45:12,120 Speaker 1: you you guys are doing your thing, and uh, you know, 811 00:45:12,160 --> 00:45:15,680 Speaker 1: I hope you continue doing your thing. Avery Bradley, I've 812 00:45:15,680 --> 00:45:18,960 Speaker 1: always liked this kid. What is he brought to the 813 00:45:18,960 --> 00:45:23,120 Speaker 1: team so far? Every Bradley brought a lot of toughness 814 00:45:23,160 --> 00:45:25,680 Speaker 1: to our team. You know, he's a head over defense there, 815 00:45:25,680 --> 00:45:27,839 Speaker 1: and you can't you can't help yourself but to want 816 00:45:27,840 --> 00:45:29,680 Speaker 1: to play play hard defense and you're on the floor 817 00:45:29,760 --> 00:45:31,960 Speaker 1: him because he just makes it so tough for his 818 00:45:32,239 --> 00:45:34,560 Speaker 1: uh you know, for his guy to get by him. 819 00:45:34,600 --> 00:45:36,200 Speaker 1: So you know, you want to play this as hard 820 00:45:36,200 --> 00:45:38,160 Speaker 1: as he is, and it just makes it's kind of 821 00:45:38,160 --> 00:45:42,399 Speaker 1: contagious for everybody. And when you were growing up, who 822 00:45:42,400 --> 00:45:47,799 Speaker 1: are your favorite players in the league, Andre, Uh, I 823 00:45:47,840 --> 00:45:50,160 Speaker 1: definitely watched guys like, you know, like the Whight, Howard, Shack, 824 00:45:50,680 --> 00:45:54,719 Speaker 1: Mike growing up Lebron. Obviously we can go down and 825 00:45:54,760 --> 00:45:56,319 Speaker 1: listens a lot of great players that you know, I 826 00:45:56,360 --> 00:45:58,160 Speaker 1: watched growing up through our high school and uh my 827 00:45:58,200 --> 00:46:01,359 Speaker 1: middle school years. What was the first moment you had 828 00:46:01,400 --> 00:46:03,520 Speaker 1: in the NBA, Like when when you were like kind 829 00:46:03,520 --> 00:46:06,239 Speaker 1: of like, I can't believe I'm playing in the NBA? 830 00:46:06,280 --> 00:46:08,120 Speaker 1: Like was it a person, like was it a player? 831 00:46:08,200 --> 00:46:09,920 Speaker 1: Like was there ever a time where you were like, 832 00:46:11,120 --> 00:46:13,000 Speaker 1: you know, I can't believe I'm I'm about to tip 833 00:46:13,000 --> 00:46:14,920 Speaker 1: off with with this person. I just tapped up so 834 00:46:14,960 --> 00:46:16,719 Speaker 1: and so at the free throw line, Like what was 835 00:46:16,760 --> 00:46:19,919 Speaker 1: that what was that like? Definitely, think the first time 836 00:46:19,920 --> 00:46:21,920 Speaker 1: he played against the Lakers and you know, Kobe was 837 00:46:21,960 --> 00:46:25,439 Speaker 1: on the floor and then one plus I was still 838 00:46:25,440 --> 00:46:27,880 Speaker 1: there too. I think that's probably one of my moments. 839 00:46:28,960 --> 00:46:30,640 Speaker 1: I was like, damn, I'm really I'm really out here 840 00:46:30,719 --> 00:46:32,200 Speaker 1: right now with these guys and they used to watch 841 00:46:32,239 --> 00:46:34,800 Speaker 1: them as a kid. Now I'm playing against him. Is 842 00:46:34,880 --> 00:46:36,840 Speaker 1: Kobe a talker? What was he like when you played 843 00:46:36,840 --> 00:46:43,200 Speaker 1: against him? All silent? You know, just played basketball? Does 844 00:46:43,280 --> 00:46:46,520 Speaker 1: this thing? Who is the biggest trash shalkers in the league? 845 00:46:47,080 --> 00:46:48,880 Speaker 1: Is trash talking still a thing? Like? Who are the 846 00:46:48,880 --> 00:46:50,680 Speaker 1: guys that don't shut up? Like? Is there a Gary 847 00:46:50,719 --> 00:46:53,400 Speaker 1: Payton in the NBA right now? Definitely I'm one of them. 848 00:46:53,840 --> 00:46:58,000 Speaker 1: You talk, I talk a lot of ship, but you 849 00:46:58,120 --> 00:47:00,279 Speaker 1: do it like you're not like doing it across of court. 850 00:47:00,280 --> 00:47:02,440 Speaker 1: You're doing it more low key. Yeah, I'm saying it 851 00:47:02,520 --> 00:47:04,080 Speaker 1: to the person. I don't care if anybody else there. 852 00:47:04,080 --> 00:47:06,080 Speaker 1: I don't want the person i'm guard to hear. I 853 00:47:06,120 --> 00:47:08,359 Speaker 1: like that. You want to look him in the face 854 00:47:08,400 --> 00:47:11,600 Speaker 1: when you're talking shit? Absolutely? Who were some of the 855 00:47:11,600 --> 00:47:15,120 Speaker 1: other people that that'll go out of like that? Uh? Patrick? 856 00:47:16,160 --> 00:47:22,520 Speaker 1: I love him. That's baby definitely, Russ James Harden, uh, 857 00:47:22,719 --> 00:47:28,200 Speaker 1: Samond Green obviously for sure, and Patrick Beverley, in my opinion, 858 00:47:28,280 --> 00:47:31,000 Speaker 1: quickly went uh to he has to be All Star 859 00:47:31,080 --> 00:47:35,239 Speaker 1: consideration because of just the one game. First of all 860 00:47:35,239 --> 00:47:37,560 Speaker 1: his whole career and the fact that he's all about 861 00:47:37,600 --> 00:47:40,360 Speaker 1: defense and he's just like a utility duties. Fought scrap 862 00:47:40,520 --> 00:47:42,239 Speaker 1: to get in the league, fought scrap to stay in 863 00:47:42,280 --> 00:47:46,040 Speaker 1: the league. But in my opinion, the way he approached 864 00:47:46,080 --> 00:47:49,839 Speaker 1: Alonzo ball that first game, that's how you're supposed to 865 00:47:49,840 --> 00:47:52,839 Speaker 1: treat a rookie when they come into the NBA every time. 866 00:47:53,440 --> 00:47:55,400 Speaker 1: Every time, the way the way he way he played 867 00:47:55,440 --> 00:47:58,200 Speaker 1: him was you know, it was his textbook. I mean, 868 00:47:58,320 --> 00:48:01,359 Speaker 1: Rick Mahorne's your guy out there. Indeed, Troit I had 869 00:48:01,480 --> 00:48:04,960 Speaker 1: Rick morn in the summertime in the Big Three. Uh. 870 00:48:05,000 --> 00:48:07,360 Speaker 1: You know, he used to tell me stories about uh, 871 00:48:07,400 --> 00:48:10,520 Speaker 1: you know, carrying basketballs and you know, doing chores when 872 00:48:10,520 --> 00:48:13,239 Speaker 1: he was a rookie. In my opinion, listen, it doesn't 873 00:48:13,239 --> 00:48:15,320 Speaker 1: have to be like hazing, it doesn't have to be humiliating, 874 00:48:15,360 --> 00:48:17,880 Speaker 1: but it's like, yo, you're this is there's a hierarchy. 875 00:48:17,960 --> 00:48:20,319 Speaker 1: Just like in the army, there's a hierarchy. You can't 876 00:48:20,400 --> 00:48:23,200 Speaker 1: let rookies come down to paint. You can't let rookies 877 00:48:23,400 --> 00:48:25,680 Speaker 1: like you have to let rookies know, this is the NBA. 878 00:48:26,160 --> 00:48:29,960 Speaker 1: This a a AU, This at the Big Bowler Brand tournament. 879 00:48:30,360 --> 00:48:32,319 Speaker 1: This ain't any of that. This is the This is 880 00:48:32,360 --> 00:48:36,080 Speaker 1: the NBA. Absolutely, you know, you know, like I said, 881 00:48:36,120 --> 00:48:38,600 Speaker 1: the way, the way way you played him was great. 882 00:48:38,960 --> 00:48:41,279 Speaker 1: I love watching that game. Yeah, I thought it was good. 883 00:48:41,280 --> 00:48:42,880 Speaker 1: I thought it was exactly why he's supposed to be 884 00:48:42,920 --> 00:48:44,400 Speaker 1: at And you still you still you still have to 885 00:48:44,400 --> 00:48:47,000 Speaker 1: give him this credit. Me played supposed to play, but 886 00:48:47,120 --> 00:48:49,239 Speaker 1: you know it wasn't gonna be easy for him. It 887 00:48:49,239 --> 00:48:53,160 Speaker 1: shouldn't be easy. Oh all right, Yo, listen, Andre, I 888 00:48:53,200 --> 00:48:55,880 Speaker 1: appreciate you coming on the Iron Wrap or stereo podcast. 889 00:48:56,000 --> 00:48:57,759 Speaker 1: I wish you a lot of luck this season. I 890 00:48:57,800 --> 00:49:01,120 Speaker 1: think maybe eight percent free throw shooting by the end 891 00:49:01,120 --> 00:49:04,160 Speaker 1: of the season, if not next season. Um, and I 892 00:49:04,480 --> 00:49:08,680 Speaker 1: really think that the a d Kyrie joint, you just 893 00:49:08,840 --> 00:49:11,720 Speaker 1: drop it, just drop it over an easy beat. Listen, 894 00:49:11,719 --> 00:49:14,120 Speaker 1: In my opinion, if you drop it over a simple beat, 895 00:49:14,160 --> 00:49:16,360 Speaker 1: a traditional beat, maybe like you just almost do it 896 00:49:16,440 --> 00:49:19,160 Speaker 1: like a freestyle, but it's not a freestyle. I think 897 00:49:19,200 --> 00:49:23,320 Speaker 1: people would bug out consider and I'll relay that message 898 00:49:23,320 --> 00:49:25,560 Speaker 1: to him too, Yo, tell him that I said, Yo, 899 00:49:25,640 --> 00:49:27,920 Speaker 1: the people would like that man bring New York hip 900 00:49:27,960 --> 00:49:29,960 Speaker 1: hop back, because if we don't have anybody doing it, 901 00:49:30,239 --> 00:49:32,560 Speaker 1: you know, like rappers doing it, the ball players could 902 00:49:32,560 --> 00:49:34,640 Speaker 1: bring the East Coast hip hop back. Man. You guys 903 00:49:34,680 --> 00:49:37,319 Speaker 1: need to represent and like you pass the microhn maybe 904 00:49:37,320 --> 00:49:41,040 Speaker 1: you do with you Kyrie Dame Dollar, And is there 905 00:49:41,040 --> 00:49:42,920 Speaker 1: anybody else in the NBA that could spit like on 906 00:49:42,960 --> 00:49:47,120 Speaker 1: the low like that hasn't hasn't dropped anything yet. Sure 907 00:49:47,520 --> 00:49:53,279 Speaker 1: he could rhyme again, okay, but other than that, I 908 00:49:53,280 --> 00:49:56,000 Speaker 1: don't think anybody else that I know at least listen 909 00:49:56,520 --> 00:49:59,319 Speaker 1: like the posse cut used to be like like like 910 00:49:59,360 --> 00:50:01,399 Speaker 1: a part of hip hop. Man, there's been so many 911 00:50:01,440 --> 00:50:03,480 Speaker 1: dope posse cuts, and every now and then you'll get 912 00:50:03,560 --> 00:50:07,680 Speaker 1: dudes doing it. But I think you, Dame Dollar, Imon 913 00:50:07,800 --> 00:50:10,200 Speaker 1: Schumper and and you have a beat that's un argument like, 914 00:50:10,239 --> 00:50:11,920 Speaker 1: do it like an old James Brown bee and just 915 00:50:12,080 --> 00:50:15,000 Speaker 1: rock over. Everybody spits sixteen to thirty two. If you're 916 00:50:15,040 --> 00:50:18,000 Speaker 1: feeling frisky, do sixty four and then you pass the mic. 917 00:50:19,640 --> 00:50:21,319 Speaker 1: You know what I'm saying, just just put it out there. 918 00:50:21,880 --> 00:50:24,040 Speaker 1: If you put it over a simple funk beat or 919 00:50:24,080 --> 00:50:26,760 Speaker 1: like like I don't know, like rock over somebody else's 920 00:50:26,840 --> 00:50:28,600 Speaker 1: be like like how fifty Set used to do it, 921 00:50:28,600 --> 00:50:31,120 Speaker 1: how to rob at MC and you just you just 922 00:50:31,160 --> 00:50:33,000 Speaker 1: put it out there. I think people will dig it, man, 923 00:50:33,000 --> 00:50:34,799 Speaker 1: people will take you guys serious, Like, Yo, we're not 924 00:50:34,840 --> 00:50:37,440 Speaker 1: just We're not just putting out singles. We're putting out freestyles. 925 00:50:37,640 --> 00:50:40,759 Speaker 1: You're these are lost tapes that I encourage it because 926 00:50:40,760 --> 00:50:42,680 Speaker 1: you guys, you have skills. I want to see what 927 00:50:42,760 --> 00:50:45,520 Speaker 1: Kyrie does, uh, see what he could do and Dame 928 00:50:45,560 --> 00:50:48,319 Speaker 1: Dollars definitely official, maybe even bring shock out. See what 929 00:50:48,360 --> 00:50:51,239 Speaker 1: he's got left in the tank. True. You know, you 930 00:50:51,320 --> 00:50:53,799 Speaker 1: gave me a lot of good ideas that come on, man, Yo, 931 00:50:53,840 --> 00:50:56,359 Speaker 1: if you want to, you know, listening board, I'm here, man, 932 00:50:56,400 --> 00:51:01,080 Speaker 1: send me whatever. Will all right, Andre, have great healthy season. 933 00:51:01,120 --> 00:51:03,600 Speaker 1: I'm gonna send you my book and uh, you know, 934 00:51:03,640 --> 00:51:05,480 Speaker 1: tell stan Van Gunn He's got a lot of fans 935 00:51:05,480 --> 00:51:08,279 Speaker 1: out here appreciate it. Thank you, all right, Andrew, thank 936 00:51:08,280 --> 00:51:12,360 Speaker 1: you my man? All right, all I am. Wrap Reports 937 00:51:12,360 --> 00:51:15,600 Speaker 1: Stereo podcast t shirts are available at store dot Barstool 938 00:51:15,640 --> 00:51:19,000 Speaker 1: Sports dot com, including the Sucker Ship T shirt that 939 00:51:19,080 --> 00:51:23,320 Speaker 1: is sweeping the nation, also the cat Killer T shirt 940 00:51:23,480 --> 00:51:26,319 Speaker 1: that is sweeping the world. We have the you fuck 941 00:51:26,400 --> 00:51:28,680 Speaker 1: You T shirt. We actually have a T shirt that 942 00:51:28,719 --> 00:51:32,120 Speaker 1: says you fuck you. We have the world famous iron 943 00:51:32,160 --> 00:51:35,439 Speaker 1: wrap reports, Stereo podcast, American Flag t the Gringo Man 944 00:51:35,520 --> 00:51:38,200 Speaker 1: Dingo T shirt, and many many more. Go to store 945 00:51:38,520 --> 00:51:42,600 Speaker 1: dot bar stool sports dot com. All iron rapports, Stereo 946 00:51:42,680 --> 00:51:50,759 Speaker 1: podcast are butter Soft store dot barstool sports dot com. 947 00:51:50,840 --> 00:51:55,160 Speaker 1: Louis c K Now we know what c K means? 948 00:51:57,040 --> 00:52:01,040 Speaker 1: What does it mean? How do you spend loaf? How 949 00:52:01,040 --> 00:52:05,880 Speaker 1: do you spell c O? C K yo? Louis c 950 00:52:06,040 --> 00:52:08,640 Speaker 1: K is wild man. He has a problem. He has 951 00:52:08,640 --> 00:52:13,240 Speaker 1: a serious mental situation. Man to go to a meeting, 952 00:52:14,040 --> 00:52:17,839 Speaker 1: get in an elevator, ask oh, I'm going to see 953 00:52:17,840 --> 00:52:20,080 Speaker 1: Louis ki. Go like, go through the whole thing that 954 00:52:20,120 --> 00:52:21,680 Speaker 1: you you you take to get to a meeting. Then 955 00:52:21,680 --> 00:52:24,560 Speaker 1: you walk in the meeting and then go ahead. And 956 00:52:24,600 --> 00:52:28,319 Speaker 1: then you walk in the meeting and you meet this 957 00:52:28,360 --> 00:52:32,200 Speaker 1: guy and he says to you, can I pull out 958 00:52:32,520 --> 00:52:38,120 Speaker 1: my dick and masturbate yo? What kind of guy is this? 959 00:52:38,400 --> 00:52:41,480 Speaker 1: I mean? This is this is a, I like, this 960 00:52:41,520 --> 00:52:45,040 Speaker 1: guy got some serious bellevue type ship. You know you 961 00:52:45,120 --> 00:52:47,960 Speaker 1: did Louis c K Show, You did that. You know 962 00:52:48,000 --> 00:52:50,920 Speaker 1: you guys did that monumental ship with the cops and 963 00:52:50,920 --> 00:52:55,359 Speaker 1: all that. So did did you ever hear of him 964 00:52:55,400 --> 00:52:58,279 Speaker 1: bugging on his set like I read like like doing 965 00:52:58,440 --> 00:53:02,000 Speaker 1: crazy ship? Was there any room was that you heard that? 966 00:53:02,200 --> 00:53:06,360 Speaker 1: Maybe you didn't divulge. I had heard that he freaks 967 00:53:06,400 --> 00:53:09,839 Speaker 1: awf a lot oh ship. Now, now when I did 968 00:53:09,880 --> 00:53:14,120 Speaker 1: my monumental episode of the Louis Show, obviously my man 969 00:53:14,440 --> 00:53:19,560 Speaker 1: didn't get butt ass in front of me. I'm just 970 00:53:19,680 --> 00:53:21,840 Speaker 1: that's just never what happened to me, Like I'm just 971 00:53:21,920 --> 00:53:27,719 Speaker 1: nobody's type. Unfortunately, right damn. Now, I did hear an incident, 972 00:53:27,800 --> 00:53:30,920 Speaker 1: uh with Louis c kp possibly doing that with Danny Illo, 973 00:53:31,800 --> 00:53:35,040 Speaker 1: And there was recording made I guess somebody on the 974 00:53:35,120 --> 00:53:39,400 Speaker 1: set or somebody in the on the premises recorded uh 975 00:53:39,560 --> 00:53:43,880 Speaker 1: Louis c k undressed because apparently he was undressing. He 976 00:53:43,960 --> 00:53:48,920 Speaker 1: wasn't just unfolding the loaf. He would get fully naked 977 00:53:49,480 --> 00:53:51,960 Speaker 1: and didn't do his thing. But apparently he tried this 978 00:53:52,000 --> 00:53:54,680 Speaker 1: with Illo with a meeting with him and and it 979 00:53:54,719 --> 00:53:58,279 Speaker 1: went bad. Did you ever hear the audio tape? No, man, 980 00:53:58,360 --> 00:54:01,080 Speaker 1: I was calling you all day for the oh oh well, 981 00:54:01,320 --> 00:54:04,720 Speaker 1: I Miles, please play that audio team. What the fuck 982 00:54:04,760 --> 00:54:08,960 Speaker 1: are you doing? Put your fucking close now, I'll crack 983 00:54:09,080 --> 00:54:12,640 Speaker 1: your fucking it. You got your fucking little worm out, 984 00:54:13,480 --> 00:54:17,239 Speaker 1: you cock sucker, grab your fuck come here, give me 985 00:54:17,320 --> 00:54:22,719 Speaker 1: your fucking balls, you perverted motherfucker. I got your fucking balls. 986 00:54:23,160 --> 00:54:28,000 Speaker 1: I'll bite your fucking balls, you creep cock sucker. Get 987 00:54:28,000 --> 00:54:35,960 Speaker 1: this motherfucker here, oh ship. Apparently, when he tried that 988 00:54:36,040 --> 00:54:41,440 Speaker 1: with Danniello, I hello, got ahold of his balls and 989 00:54:41,520 --> 00:54:45,160 Speaker 1: didn't let go. Good. That'll teach him. But you know 990 00:54:45,200 --> 00:54:47,239 Speaker 1: what I don't like. I'm gonna tell you what I 991 00:54:47,239 --> 00:54:50,120 Speaker 1: don't like, and I don't support what he was doing. 992 00:54:50,200 --> 00:54:53,560 Speaker 1: He's wild. But the thing that I don't like. Since 993 00:54:53,600 --> 00:54:57,520 Speaker 1: it's happened, there has been a handful of his contemporaries, 994 00:54:57,920 --> 00:55:01,480 Speaker 1: his friends, people he's worked with that for some reason 995 00:55:01,600 --> 00:55:06,239 Speaker 1: or another on their own accord, have come out and 996 00:55:06,400 --> 00:55:10,840 Speaker 1: this louis c k. Yo. We know he's fucking nuts, 997 00:55:11,200 --> 00:55:15,480 Speaker 1: we know he's buckwhaw. You don't need to pile on him, 998 00:55:16,000 --> 00:55:18,120 Speaker 1: especially if he's your friend. Yo. Gee, if I ever 999 00:55:18,160 --> 00:55:20,000 Speaker 1: get into some ship, not gonna win, and hope I 1000 00:55:20,080 --> 00:55:23,120 Speaker 1: never do. I know my people are not going to 1001 00:55:23,200 --> 00:55:26,719 Speaker 1: be like, oh yeah, you're not gonna say nothing like Yo, 1002 00:55:26,760 --> 00:55:29,000 Speaker 1: you know he fucked up. You don't need to add 1003 00:55:29,160 --> 00:55:32,480 Speaker 1: like that's some that's some sucker ship. Yeah, yeah, no 1004 00:55:32,520 --> 00:55:36,560 Speaker 1: doubt that is some suckers ship. There's there's one comedian. 1005 00:55:37,920 --> 00:55:39,640 Speaker 1: I'm not gonna name him because I don't want to 1006 00:55:39,680 --> 00:55:42,920 Speaker 1: perpetuate this bullshit like he sent out a real bitch 1007 00:55:42,960 --> 00:55:45,560 Speaker 1: made tweet and I'm like, Yo, Louis c K has 1008 00:55:45,600 --> 00:55:49,719 Speaker 1: come on your show for years, tore it up. I'm 1009 00:55:49,760 --> 00:55:55,640 Speaker 1: talking about people piling on and piling on friends of his, like, Yo, 1010 00:55:56,120 --> 00:56:00,400 Speaker 1: you don't have When when did Twitter, Facebook and Instagram 1011 00:56:00,440 --> 00:56:05,480 Speaker 1: become It's like fucking they should call Twitter tattletale Yo. 1012 00:56:06,000 --> 00:56:09,759 Speaker 1: Call this man up and say it to him, text him, well, 1013 00:56:09,800 --> 00:56:12,279 Speaker 1: why is everything on social media like Oh, I'm gonna 1014 00:56:12,320 --> 00:56:14,959 Speaker 1: I'm gonna speak my piece. I'm gonna speak my piece. 1015 00:56:15,160 --> 00:56:18,120 Speaker 1: Call a person up. This is Hollywood. We could all 1016 00:56:18,120 --> 00:56:21,080 Speaker 1: get in touch with each other. Everybody knows where everybody 1017 00:56:21,160 --> 00:56:26,520 Speaker 1: is out here. This this this actor came out and 1018 00:56:26,560 --> 00:56:29,120 Speaker 1: said that bees you Phillips, a male act I can't 1019 00:56:29,120 --> 00:56:31,640 Speaker 1: remember his name. He was in Mean Girls, He was 1020 00:56:31,680 --> 00:56:33,840 Speaker 1: in that movie Bully. He came out and wrote a 1021 00:56:33,880 --> 00:56:36,520 Speaker 1: whole long post house. When he was doing the movie 1022 00:56:36,520 --> 00:56:41,480 Speaker 1: Bully with bees you Phillips, she was body shaming him 1023 00:56:41,760 --> 00:56:45,440 Speaker 1: and saying homophobic things. Call bees you up and be like, yo, 1024 00:56:45,480 --> 00:56:47,160 Speaker 1: you know what. All this stuff that's going on in 1025 00:56:47,160 --> 00:56:51,040 Speaker 1: the news. It has me thinking about when we work together. 1026 00:56:51,360 --> 00:56:54,319 Speaker 1: That was fucked up that you did that, And she 1027 00:56:54,360 --> 00:56:57,640 Speaker 1: would probably go, you're right, it was fucked up. It 1028 00:56:57,680 --> 00:56:59,799 Speaker 1: was a long time ago. I remember doing it. I 1029 00:56:59,840 --> 00:57:03,640 Speaker 1: have apologize. Why not do that? Why why does everybody 1030 00:57:03,640 --> 00:57:05,799 Speaker 1: want to put their ship on social media and put 1031 00:57:05,840 --> 00:57:09,439 Speaker 1: other people on blasts? Do that? After be like, yeall 1032 00:57:09,520 --> 00:57:11,319 Speaker 1: reached out to her three or four times. I never 1033 00:57:11,320 --> 00:57:13,480 Speaker 1: got a response, and now I'm putting her on blasts. 1034 00:57:13,600 --> 00:57:18,520 Speaker 1: Fuck you beats you Phillips, Right, m hmm, Like deal 1035 00:57:18,560 --> 00:57:22,960 Speaker 1: with the person head on, reach out to them. I 1036 00:57:23,040 --> 00:57:26,280 Speaker 1: just hope my man go to the hospital because that's 1037 00:57:26,320 --> 00:57:28,960 Speaker 1: all he talks about is and and I've checked out 1038 00:57:28,960 --> 00:57:32,479 Speaker 1: some of his routines and stuff. You see, it's all 1039 00:57:32,560 --> 00:57:36,200 Speaker 1: about some mass debate. This guy got like, uh, some 1040 00:57:36,280 --> 00:57:39,760 Speaker 1: type of sickness with yo, because that's bugged out, like 1041 00:57:40,000 --> 00:57:43,520 Speaker 1: get help, get help, everything else, get help. And I'm 1042 00:57:43,520 --> 00:57:46,320 Speaker 1: not supporting me at all. And gee, we we we 1043 00:57:46,400 --> 00:57:48,960 Speaker 1: talked about even mentioning this because you could things can 1044 00:57:49,040 --> 00:57:52,160 Speaker 1: get taken out of context and this is the worldwide phenomenon. 1045 00:57:52,280 --> 00:57:53,959 Speaker 1: I'm not supporting them at all. But I'm not gonna 1046 00:57:53,960 --> 00:57:56,200 Speaker 1: sit here in pile on top of it and make 1047 00:57:56,280 --> 00:57:59,760 Speaker 1: jokes on top of jokes on top of jokes. This dude, Like, listen, 1048 00:57:59,800 --> 00:58:03,080 Speaker 1: I'm not saying that Louis c K shouldn't be dealt with. 1049 00:58:03,240 --> 00:58:06,400 Speaker 1: He's got children, young girls. I think like teenage girls 1050 00:58:06,400 --> 00:58:10,040 Speaker 1: like you. Don't think like his daughters are reading this ship? Ye, 1051 00:58:10,480 --> 00:58:13,760 Speaker 1: but but hell yo, you're doing ship like that. He 1052 00:58:13,840 --> 00:58:17,360 Speaker 1: know he got fucking daughters. The fun Yo. I agree. 1053 00:58:17,360 --> 00:58:19,800 Speaker 1: All we got. All we gotta do is urged this 1054 00:58:19,960 --> 00:58:24,520 Speaker 1: cat hospital. I don't nobody got pylon. The behavior is 1055 00:58:24,600 --> 00:58:29,440 Speaker 1: self explanatory. This this deplorable ship. So it's just hospital, 1056 00:58:29,920 --> 00:58:32,680 Speaker 1: that's it. Get this motherfucker away from society. Put his 1057 00:58:32,760 --> 00:58:35,480 Speaker 1: ass in a hospital. All right, Let's get to it. 1058 00:58:37,840 --> 00:58:41,680 Speaker 1: The sick funk of the week. Yes, Miles, let me 1059 00:58:41,720 --> 00:58:43,760 Speaker 1: get that sick Funk of the Week music that sick 1060 00:58:43,840 --> 00:58:48,520 Speaker 1: Funk of the Week theme song. This award is earned, 1061 00:58:48,680 --> 00:58:52,320 Speaker 1: not given. It's called the sick fucking a Week. This 1062 00:58:52,400 --> 00:58:55,280 Speaker 1: guy is really sick. Lock him up? How could you 1063 00:58:55,360 --> 00:58:59,439 Speaker 1: do it? Don't let him out? Damn? Who fuck the door? 1064 00:58:59,600 --> 00:59:02,000 Speaker 1: You want? Who fuck the dog? Why woun't you fuck 1065 00:59:02,080 --> 00:59:06,560 Speaker 1: the dog? Why would you fuck your girlfriend's dog? Sick 1066 00:59:06,760 --> 00:59:10,640 Speaker 1: fuck the sick Funck of the Week. It's earned, earned, 1067 00:59:10,960 --> 00:59:21,280 Speaker 1: not giving. You didn't what no, no, no yes. For 1068 00:59:21,320 --> 00:59:23,800 Speaker 1: those who have never heard the sick Funck of the Week, 1069 00:59:23,880 --> 00:59:27,040 Speaker 1: it is an award that has earned, not given. It 1070 00:59:27,160 --> 00:59:31,480 Speaker 1: is an award that has earned, but not given. The 1071 00:59:31,560 --> 00:59:36,760 Speaker 1: Notorious cat killer in Britain Britain's most notorious cat killer. 1072 00:59:37,400 --> 00:59:40,000 Speaker 1: He has killed up to two d and fifty cats. 1073 00:59:40,080 --> 00:59:42,520 Speaker 1: They have not been able to catch this sick fuck 1074 00:59:43,240 --> 00:59:47,800 Speaker 1: apparently is moving on to other animals. Throw on the 1075 00:59:47,840 --> 00:59:52,120 Speaker 1: lookout for him because apparently he killed a bunny rabbit. 1076 00:59:52,160 --> 00:59:54,320 Speaker 1: He's sick. Fuck you, this guy is on the loose. 1077 00:59:56,840 --> 01:00:01,880 Speaker 1: God sick fun number two. In South Or Australia, a 1078 01:00:02,000 --> 01:00:08,080 Speaker 1: horse jockey caught on videotape. Now my mom, she takes 1079 01:00:08,160 --> 01:00:11,200 Speaker 1: care of horses. She rides horses. I don't like horses. 1080 01:00:11,320 --> 01:00:15,240 Speaker 1: I don't like the horse that kicked my mom. Remember 1081 01:00:15,240 --> 01:00:19,160 Speaker 1: that incident, Gimo and Eddie, remember the horse that kicked June. 1082 01:00:19,160 --> 01:00:20,720 Speaker 1: We were ready to go down there with the fucking 1083 01:00:20,720 --> 01:00:24,240 Speaker 1: baseball bat. Didn't we a yellow that horse? Yeah? We 1084 01:00:24,280 --> 01:00:26,800 Speaker 1: was there. We was on the rope, turned around. We 1085 01:00:26,960 --> 01:00:30,040 Speaker 1: I yellow that horse. Yeah, I think you got that horse. 1086 01:00:31,320 --> 01:00:33,640 Speaker 1: Fucking horse kicks my mom. My mom takes good care 1087 01:00:33,680 --> 01:00:38,320 Speaker 1: of the horse. Well. This piece of ship in Australia, 1088 01:00:38,400 --> 01:00:40,959 Speaker 1: who's a horse shockey, was caught on videotape right before 1089 01:00:40,960 --> 01:00:44,400 Speaker 1: a race. His horse was I don't know, acting up. 1090 01:00:44,400 --> 01:00:46,280 Speaker 1: I don't I don't know how horses do. He got 1091 01:00:46,280 --> 01:00:49,120 Speaker 1: off his horse and punched the horse in the stomach, 1092 01:00:49,560 --> 01:00:52,480 Speaker 1: like right in the spot where the horse like jumped back. Obviously, 1093 01:00:52,520 --> 01:00:56,200 Speaker 1: this little piece of shit, you know he's a little midget. Yeah, 1094 01:00:56,400 --> 01:01:02,160 Speaker 1: jockey's five three. He's a little fuck like you said. 1095 01:01:02,360 --> 01:01:05,600 Speaker 1: He part of the fun boy Flunkey's Yeah, funck boy 1096 01:01:05,600 --> 01:01:09,959 Speaker 1: flunky And they only suspended him for two weeks. No, no, 1097 01:01:10,240 --> 01:01:14,560 Speaker 1: take his license away. That's abusing. You can't abuse the animal. 1098 01:01:14,600 --> 01:01:18,280 Speaker 1: Man put a horse or or or set the horse 1099 01:01:18,360 --> 01:01:20,200 Speaker 1: up right in front of him, and let the like 1100 01:01:20,400 --> 01:01:22,040 Speaker 1: you know, they know how to do these things. Let 1101 01:01:22,040 --> 01:01:25,560 Speaker 1: the horse kick money in his stomach. Yeah, how about 1102 01:01:25,560 --> 01:01:27,840 Speaker 1: how about you don't get any suspension. We just have 1103 01:01:27,920 --> 01:01:31,600 Speaker 1: the horse kick in the stomach, and I'll bet you, 1104 01:01:31,640 --> 01:01:33,880 Speaker 1: I'll bet you it'll take you longer than two weeks 1105 01:01:33,920 --> 01:01:38,000 Speaker 1: to recover from that. You fuck you M speaking of 1106 01:01:38,040 --> 01:01:43,320 Speaker 1: horses in Long Island, Strong Island. Sick fund is on 1107 01:01:43,360 --> 01:01:47,160 Speaker 1: the loose. Stephen Arrante. I don't think he's Latin, and 1108 01:01:47,160 --> 01:01:49,680 Speaker 1: I don't know why I'm giving him an accented last name, 1109 01:01:50,040 --> 01:01:55,600 Speaker 1: but his name is Stephen Arrante, MHM, who was arrested 1110 01:01:55,640 --> 01:02:00,400 Speaker 1: for beating a dog in two thousand, third team with 1111 01:02:00,480 --> 01:02:03,040 Speaker 1: a bat. Somehow or another, he was still out on 1112 01:02:03,080 --> 01:02:08,280 Speaker 1: the streets. He was arrested last week for going into 1113 01:02:08,400 --> 01:02:12,120 Speaker 1: Dix Hills, Long Island and sexually abusing two horses, not 1114 01:02:12,240 --> 01:02:17,880 Speaker 1: one horse, but two horses. Damn, it's getting it's getting 1115 01:02:17,920 --> 01:02:22,120 Speaker 1: hard in him bars and online dating sites. So now 1116 01:02:22,600 --> 01:02:29,160 Speaker 1: they are perusing the stables because the horses ain't saying no. 1117 01:02:31,360 --> 01:02:37,760 Speaker 1: Another sick fuck black man in Kansas, Manhattan, Kansas. Actually, 1118 01:02:39,040 --> 01:02:42,360 Speaker 1: for some reason, this sick fuck went to the cops 1119 01:02:42,360 --> 01:02:47,120 Speaker 1: saying that his car was graffiti and racist graffiti, and 1120 01:02:47,160 --> 01:02:49,880 Speaker 1: they said, you know, and we're this and die and 1121 01:02:49,920 --> 01:02:53,360 Speaker 1: all these derogatory things. Turns out this sick fuck did 1122 01:02:53,360 --> 01:02:59,440 Speaker 1: it himself. Sick fuck you man, that's the victimization. Good. 1123 01:03:00,080 --> 01:03:03,640 Speaker 1: I'm glad. Uh it was found out that you did it, 1124 01:03:03,720 --> 01:03:06,600 Speaker 1: and you should be in prison more because you wrote, 1125 01:03:07,120 --> 01:03:10,400 Speaker 1: uh those slurs about your own people, so you should 1126 01:03:10,440 --> 01:03:14,720 Speaker 1: get more time. Possibly wonder bread bag olive wild treatment. Yes, 1127 01:03:15,160 --> 01:03:18,280 Speaker 1: at the judge's discretion. Now I have a sick funk 1128 01:03:18,360 --> 01:03:20,080 Speaker 1: for you. Oh, let me get it. Please, thank you. 1129 01:03:20,800 --> 01:03:27,600 Speaker 1: John Wayne of Oklahoma was driving naked with with a 1130 01:03:27,880 --> 01:03:32,360 Speaker 1: only a bikini throng covering his Johnson. The cop noticed 1131 01:03:32,640 --> 01:03:36,720 Speaker 1: an empty jar of vasoline. Duke was covered in vasoline 1132 01:03:37,400 --> 01:03:41,600 Speaker 1: while choking his chicken, gazing at adult magazines in the car. 1133 01:03:41,880 --> 01:03:46,280 Speaker 1: Bass salts, Yes, he was on ui. He tried to 1134 01:03:46,320 --> 01:03:52,919 Speaker 1: give the officer his seamen rag to wipe. I don't 1135 01:03:52,960 --> 01:03:56,800 Speaker 1: want the rag duke. I'm good that the officer declined 1136 01:03:57,520 --> 01:03:59,680 Speaker 1: and it was found out that he was on that 1137 01:04:00,040 --> 01:04:02,880 Speaker 1: we of course, I don't want the rag duke. My man, 1138 01:04:03,760 --> 01:04:10,320 Speaker 1: don't give me the rag duke. Apparently in Germany there's 1139 01:04:10,360 --> 01:04:14,920 Speaker 1: an undercover sting to try to catch international sick fox. 1140 01:04:16,840 --> 01:04:22,000 Speaker 1: Good okay, I seem to be the only one who 1141 01:04:22,120 --> 01:04:25,200 Speaker 1: is hass is onto this because because the way they're 1142 01:04:25,280 --> 01:04:28,400 Speaker 1: advertising it, they're making it seem like this is a 1143 01:04:28,480 --> 01:04:31,280 Speaker 1: fun thing. I know this is some sort of international 1144 01:04:31,400 --> 01:04:35,280 Speaker 1: sting to catch sick fox in Germany. In Germany, they 1145 01:04:35,280 --> 01:04:38,560 Speaker 1: are they are saying that they have set up the 1146 01:04:38,640 --> 01:04:45,880 Speaker 1: first ever sex doll brothel. Oh now, things can't be 1147 01:04:45,960 --> 01:04:49,480 Speaker 1: that bad, moody, things can't be that bad where they 1148 01:04:49,520 --> 01:04:51,840 Speaker 1: have like a where like like where you go to 1149 01:04:51,960 --> 01:04:57,240 Speaker 1: a place to pick up a sex doll and pay money. 1150 01:04:57,560 --> 01:05:00,680 Speaker 1: Things are that bad? Look what look it's happening to 1151 01:05:01,080 --> 01:05:04,320 Speaker 1: two men just being accused of from forty years ago. 1152 01:05:05,040 --> 01:05:09,440 Speaker 1: I'm gonna be at the dollhouse soon. Fuck all you 1153 01:05:10,040 --> 01:05:14,640 Speaker 1: that way. You can't get in no trouble you that. 1154 01:05:15,360 --> 01:05:18,920 Speaker 1: This is why these things are popping up, Because if 1155 01:05:18,960 --> 01:05:21,600 Speaker 1: you could be accused of something that happened forty years ago, 1156 01:05:22,080 --> 01:05:25,919 Speaker 1: and and motherfucker's take that as the truth and ruin 1157 01:05:26,040 --> 01:05:29,360 Speaker 1: your career and ruin your life, it's worth it to 1158 01:05:29,440 --> 01:05:33,720 Speaker 1: go to a fucking doll doll. You know what I 1159 01:05:33,760 --> 01:05:35,240 Speaker 1: have to I have to take what you say and 1160 01:05:35,320 --> 01:05:38,560 Speaker 1: take heed to what you're saying. I thought this was 1161 01:05:38,600 --> 01:05:41,360 Speaker 1: some sort of sting operation. As soon as you walk 1162 01:05:41,400 --> 01:05:44,760 Speaker 1: in there, you should be arrested. No, and in this 1163 01:05:44,840 --> 01:05:48,320 Speaker 1: place they charge you. It's literally like going to a 1164 01:05:48,480 --> 01:05:52,120 Speaker 1: sex doll whorehouse. They charge you for sixty dollars for 1165 01:05:52,200 --> 01:05:57,440 Speaker 1: thirty minutes, ninety dollars for an hour. We'll get you 1166 01:05:57,800 --> 01:06:00,680 Speaker 1: two hours and ten minutes they got the minutes special 1167 01:06:00,720 --> 01:06:04,240 Speaker 1: to ten minutes are free. I heard they heard they 1168 01:06:04,280 --> 01:06:06,520 Speaker 1: tear them dolls up to they like like they all 1169 01:06:06,600 --> 01:06:11,800 Speaker 1: broken up. Motherfucker's is going crazy and her business is 1170 01:06:11,880 --> 01:06:14,960 Speaker 1: booming and it will continue to boom, and you will 1171 01:06:15,000 --> 01:06:18,240 Speaker 1: see houses of dolls. I'm telling you it's gonna be 1172 01:06:18,280 --> 01:06:21,439 Speaker 1: all over because because if you can't if you say 1173 01:06:21,480 --> 01:06:23,360 Speaker 1: hello to a woman, yeah, you need to get it. 1174 01:06:23,480 --> 01:06:25,840 Speaker 1: You need to get like an approval slip. Can I 1175 01:06:25,840 --> 01:06:29,360 Speaker 1: speak to you right? Or sign language? We gotta have 1176 01:06:29,480 --> 01:06:33,800 Speaker 1: protective measures. Yo, you can't. I'm not gonna compliment you 1177 01:06:33,840 --> 01:06:37,200 Speaker 1: on your looks, your clothes, none of that. Ship straddle 1178 01:06:37,240 --> 01:06:43,360 Speaker 1: the fence, be record every conversation archive it so as 1179 01:06:43,400 --> 01:06:47,280 Speaker 1: to protect yourself because these these world class actors, Yo, 1180 01:06:47,400 --> 01:06:51,480 Speaker 1: it don't matter like fifty years ago, end of your career, YO. 1181 01:06:51,920 --> 01:06:55,160 Speaker 1: So motherfucker's gotta gotta be proactive in this this climate 1182 01:06:55,240 --> 01:07:00,360 Speaker 1: man um. Another sick fuck incident coming from the Daily Email. 1183 01:07:01,040 --> 01:07:03,440 Speaker 1: I really think that we need to get in partnership 1184 01:07:03,440 --> 01:07:06,360 Speaker 1: with the Daily Mail Dailymail dot Com a k. The 1185 01:07:06,440 --> 01:07:10,640 Speaker 1: sick Funk of the Week Manifesto. They reported the rise 1186 01:07:10,880 --> 01:07:15,440 Speaker 1: of the macho mouth surgeons in the United States. This 1187 01:07:15,480 --> 01:07:17,960 Speaker 1: isn't in any weird country. Surgeons right here in the 1188 01:07:18,080 --> 01:07:23,200 Speaker 1: United States are seeing in an increase in men getting 1189 01:07:23,280 --> 01:07:27,160 Speaker 1: lip injections to look like male celebrities. They're calling them 1190 01:07:27,160 --> 01:07:31,760 Speaker 1: macho mouths. Oh no, trying to get your ship to 1191 01:07:31,840 --> 01:07:35,360 Speaker 1: look like Brad Pitt and Channing Tatum and all of them. 1192 01:07:35,440 --> 01:07:38,280 Speaker 1: What the fund is wrong with these people, ma'am? But 1193 01:07:38,360 --> 01:07:41,120 Speaker 1: why don't you be yourself like there's only one of 1194 01:07:41,240 --> 01:07:44,840 Speaker 1: you and you have unique features? Why you copying and 1195 01:07:45,000 --> 01:07:49,080 Speaker 1: next Man and Dick Rid motherfucker's on TV? Be you 1196 01:07:51,360 --> 01:07:55,280 Speaker 1: Finally this this this again. We're coming to the end 1197 01:07:55,280 --> 01:07:58,160 Speaker 1: of the year. We're in November. At at a certain point, 1198 01:07:58,200 --> 01:08:00,800 Speaker 1: g we are gonna have to buckle down and go 1199 01:08:00,840 --> 01:08:04,640 Speaker 1: over the sick funk of the year, the veterinarian who 1200 01:08:04,640 --> 01:08:08,000 Speaker 1: did that dog? We brought him up twice. It was 1201 01:08:08,040 --> 01:08:16,280 Speaker 1: so upsetting these people, these people might have surpassed him. 1202 01:08:16,280 --> 01:08:24,320 Speaker 1: A mother and daughter reunited and hit it off and 1203 01:08:24,400 --> 01:08:31,360 Speaker 1: got married. Reportedly, Patricia and Span, forty four years old, 1204 01:08:33,120 --> 01:08:42,040 Speaker 1: married her biological daughter Misty Span after reconnecting following years apart. 1205 01:08:42,240 --> 01:08:44,520 Speaker 1: So they must have had a falling out of their relationship. 1206 01:08:44,760 --> 01:08:49,760 Speaker 1: That happens. These things happened. They hadn't spoken in years, 1207 01:08:51,520 --> 01:08:55,200 Speaker 1: and then instead of just reconciling and making up for 1208 01:08:55,320 --> 01:08:59,479 Speaker 1: lost time, these two sick fucks. And this is not 1209 01:08:59,520 --> 01:09:03,080 Speaker 1: a little This is a forty four year old and 1210 01:09:03,120 --> 01:09:06,080 Speaker 1: her twenty six year old daughter, they wound up getting 1211 01:09:06,439 --> 01:09:11,519 Speaker 1: fucking married. Man, how do you let that go? I 1212 01:09:11,680 --> 01:09:15,240 Speaker 1: don't know where that you get the license for these things? Gee, 1213 01:09:15,240 --> 01:09:18,040 Speaker 1: when I got married, it was a big fucking pain 1214 01:09:18,120 --> 01:09:21,360 Speaker 1: in the ask to get the license. You gotta go here, 1215 01:09:21,400 --> 01:09:24,720 Speaker 1: you gotta sign this. They interview you, they talk to you. 1216 01:09:24,720 --> 01:09:27,720 Speaker 1: You know this person, Are you under any drest all 1217 01:09:27,840 --> 01:09:30,200 Speaker 1: kind of shit? Wait? Wait, what town is this? It's 1218 01:09:30,240 --> 01:09:33,720 Speaker 1: some old hill billy ship. I'm telling you the truth, man, 1219 01:09:34,160 --> 01:09:36,920 Speaker 1: telling you the fucking truth in Oklahoma. Doesn't matter if 1220 01:09:36,960 --> 01:09:40,160 Speaker 1: it's Oklahoma, it doesn't matter where it is. So in 1221 01:09:40,240 --> 01:09:45,080 Speaker 1: the United States of America. M h. These two are 1222 01:09:45,160 --> 01:09:50,280 Speaker 1: fucking batshit crazy. How you marry your mom's man? Yo? 1223 01:09:50,840 --> 01:09:53,160 Speaker 1: Why don't you just go on a little tripping get 1224 01:09:53,200 --> 01:09:55,200 Speaker 1: back to going and know each other like you don't 1225 01:09:55,200 --> 01:10:02,559 Speaker 1: go apple pick? And you married your mom's she had you. Look, 1226 01:10:02,760 --> 01:10:06,680 Speaker 1: what do you think? What's your endgame? What's your fucking endgame? Yo? 1227 01:10:07,200 --> 01:10:09,360 Speaker 1: Y'all nasty man, That's all I gotta say. Man, some 1228 01:10:09,479 --> 01:10:12,679 Speaker 1: nasty motherfucker's man. And there you have it. Gmoetti says, 1229 01:10:12,760 --> 01:10:19,200 Speaker 1: y'all nasty. I say, y'all nasty. Also, y'all some nasty motherfucker's. Yeah, listen, 1230 01:10:20,160 --> 01:10:22,599 Speaker 1: what can I say? It's a jam packed I am 1231 01:10:22,680 --> 01:10:26,679 Speaker 1: Rappaport Stereo Podcast. We're gonna continue with the Dopest Guest, 1232 01:10:26,880 --> 01:10:31,320 Speaker 1: The Dopest Podcast. We're not fact checking shit. Okay, you 1233 01:10:31,320 --> 01:10:34,200 Speaker 1: want to fact check, you want fact checking, turn on 1234 01:10:34,320 --> 01:10:37,720 Speaker 1: sixty minutes. I'm sure they fact check everything they say. 1235 01:10:38,680 --> 01:10:44,280 Speaker 1: We're going raw dog without a bag as always. Okay. 1236 01:10:44,840 --> 01:10:50,640 Speaker 1: Smash Mouth Podcast and we pride ourselves on it. M hm, 1237 01:10:51,320 --> 01:10:55,720 Speaker 1: oh shit, I gotta tell you this. Two things. I've 1238 01:10:55,720 --> 01:11:00,519 Speaker 1: been reading excerpts of Ray Shell Dozed Dels members Ours. 1239 01:11:00,680 --> 01:11:06,679 Speaker 1: I've been reading it. Yeah, it's called in true color shit, 1240 01:11:08,040 --> 01:11:12,000 Speaker 1: and it's a it's a partner where she gushes about 1241 01:11:12,040 --> 01:11:15,639 Speaker 1: doing black face as a little girl. Here here check 1242 01:11:15,680 --> 01:11:18,960 Speaker 1: this out. I stir the water from the hose into 1243 01:11:19,000 --> 01:11:23,360 Speaker 1: the earth and make thin, soupy mud, which I would 1244 01:11:23,400 --> 01:11:27,719 Speaker 1: then rub on my hands, arms and feet and legs. 1245 01:11:28,520 --> 01:11:33,960 Speaker 1: Oh did you sing mammy too? This is this is 1246 01:11:34,040 --> 01:11:37,679 Speaker 1: black face. Like you're you're you're gushing about doing black 1247 01:11:37,720 --> 01:11:40,360 Speaker 1: face as a little girl. You think that's cool, You 1248 01:11:40,400 --> 01:11:42,960 Speaker 1: think that you were were Like, that's gonna make people 1249 01:11:43,000 --> 01:11:45,080 Speaker 1: have some compassion for the fact that you're a fucking 1250 01:11:45,200 --> 01:11:47,559 Speaker 1: Why didn't you mention this during the Sick Fox This 1251 01:11:47,640 --> 01:11:50,679 Speaker 1: is a sick fuck. But we already dealt with Rachel. 1252 01:11:51,320 --> 01:11:53,800 Speaker 1: She's over the sick funk of the week once. Yeah, 1253 01:11:53,880 --> 01:11:56,280 Speaker 1: she's all she's like a five time winner. Man, we 1254 01:11:56,520 --> 01:12:00,240 Speaker 1: so but this, but this, this, this should have actually 1255 01:12:00,320 --> 01:12:02,439 Speaker 1: been brought up in the sick funks. I'm not arguing 1256 01:12:02,479 --> 01:12:04,360 Speaker 1: with you the fact that you're bringing it I'm saying 1257 01:12:04,720 --> 01:12:07,160 Speaker 1: this is this should have totally matter of fact miles 1258 01:12:07,240 --> 01:12:09,639 Speaker 1: before he continues to give him a little sick funk music. 1259 01:12:09,680 --> 01:12:18,200 Speaker 1: Sorry ge, okay, please continue, She says, also, I would 1260 01:12:18,240 --> 01:12:23,080 Speaker 1: pretend to be a dark skinned princess living in the Congo. Oh. 1261 01:12:23,160 --> 01:12:26,280 Speaker 1: They love that Congo. They love that. They think it's 1262 01:12:26,280 --> 01:12:29,840 Speaker 1: cool in the Congo. They think it's like fucking Manhattan. 1263 01:12:30,520 --> 01:12:33,479 Speaker 1: Imagining I was a different person living in a different 1264 01:12:33,479 --> 01:12:35,360 Speaker 1: place was one of the few ways that I could 1265 01:12:35,479 --> 01:12:41,960 Speaker 1: escape the oppressive environment I was raised in in Whitehead, Montana. 1266 01:12:42,280 --> 01:12:48,000 Speaker 1: That that's hood. That's ratchet, white Head, Montana. That's what Yo. 1267 01:12:49,360 --> 01:12:52,240 Speaker 1: This is a crazy person. This is a nut that 1268 01:12:52,360 --> 01:12:55,120 Speaker 1: got a book out, like my man Rappaport got a 1269 01:12:55,160 --> 01:12:59,160 Speaker 1: book out. Why should why should she be on your level? 1270 01:12:59,240 --> 01:13:02,759 Speaker 1: Ha ha ha or my man Julian Edelman's book were 1271 01:13:04,120 --> 01:13:10,000 Speaker 1: Jesus Christ alright. See Iron Wrap Ports Stereo Podcast. Thank 1272 01:13:10,040 --> 01:13:13,519 Speaker 1: you so much Andre Drummond for joining the show. Great stories. 1273 01:13:14,200 --> 01:13:17,280 Speaker 1: Keep doing your thing. It's Iron Wrap Pors Stereo Podcast. 1274 01:13:17,320 --> 01:13:21,040 Speaker 1: We're coming. You know. We got dope guests lined up. Okay, 1275 01:13:21,560 --> 01:13:25,440 Speaker 1: hard hitting smash Mouth Podcast and d Iron Rapports Stereo Podcast. 1276 01:13:25,920 --> 01:13:27,880 Speaker 1: Rock with the best. We're done, we're out, see you 1277 01:13:27,960 --> 01:13:28,360 Speaker 1: next time.