1 00:00:00,120 --> 00:00:07,080 Speaker 1: M HM episode two thirty six, it's remembering Kenny Rogers 2 00:00:07,240 --> 00:00:11,959 Speaker 1: and we'll talk to Matt Ramsey of Old Dominion, lead 3 00:00:12,000 --> 00:00:15,000 Speaker 1: singer of That Grew. Kenny Rodgers died over the weekend. 4 00:00:15,480 --> 00:00:20,000 Speaker 1: I guess I saw a Saturday morning um and crazy 5 00:00:20,040 --> 00:00:22,360 Speaker 1: because I just looked at Kenny Rodgers and in newest 6 00:00:22,400 --> 00:00:24,840 Speaker 1: songs and obviously was a fan like everybody else. My 7 00:00:24,880 --> 00:00:27,240 Speaker 1: grandma was a fan, so made me a fan. And 8 00:00:27,440 --> 00:00:30,400 Speaker 1: then later on in his life and early on in 9 00:00:30,480 --> 00:00:32,960 Speaker 1: my career in Nashville, we got to be I wouldn't 10 00:00:32,960 --> 00:00:36,440 Speaker 1: say friends, but definitely friendly acquaintances where we would make 11 00:00:36,440 --> 00:00:38,760 Speaker 1: a point to see each other or talk to each other. 12 00:00:39,120 --> 00:00:42,639 Speaker 1: And so yeah, woke up Saturday and saw the day 13 00:00:42,640 --> 00:00:44,080 Speaker 1: passed away was eighty one years old, and so I 14 00:00:44,159 --> 00:00:46,760 Speaker 1: kind of wanted to talk about that for a minute, which, 15 00:00:46,800 --> 00:00:49,080 Speaker 1: by the way, I did talk to Lionel Ritchie today 16 00:00:49,600 --> 00:00:50,919 Speaker 1: and the next couple of days will have him he's 17 00:00:50,920 --> 00:00:53,239 Speaker 1: gonna do the radio show, I'll talk about Kenny. But 18 00:00:53,560 --> 00:00:55,440 Speaker 1: he was like, hey, man, I'll do whatever, and so 19 00:00:55,480 --> 00:00:56,880 Speaker 1: it's just weird that I can just call line. I 20 00:00:56,920 --> 00:00:59,360 Speaker 1: was kind of well, because I never want to hit 21 00:00:59,400 --> 00:01:03,959 Speaker 1: up my friend ends to do my work stuff. It's 22 00:01:04,000 --> 00:01:06,360 Speaker 1: why I think Luke Brian comes on the show far 23 00:01:06,440 --> 00:01:10,360 Speaker 1: less now than he ever did before, because again, I 24 00:01:10,360 --> 00:01:13,360 Speaker 1: don't ask my friends to do much. You know. I'd 25 00:01:13,360 --> 00:01:15,640 Speaker 1: love to have Darius on the podcast. And last night 26 00:01:16,280 --> 00:01:17,960 Speaker 1: Darius and I were texting for like fifteen minutes. He 27 00:01:18,040 --> 00:01:20,120 Speaker 1: was sending me demos because he's he's recording songs and 28 00:01:20,120 --> 00:01:22,440 Speaker 1: he's like, man, I'm trapped in the house. I'm doing 29 00:01:23,560 --> 00:01:25,480 Speaker 1: all this quarantining, so I'm just writing and he's like, 30 00:01:25,520 --> 00:01:26,759 Speaker 1: what do you think about this song? And I normally 31 00:01:26,760 --> 00:01:29,840 Speaker 1: don't listen to demos, but I'm listening to this, going, well, 32 00:01:29,920 --> 00:01:31,560 Speaker 1: first of all, what weird life is this that you're 33 00:01:31,560 --> 00:01:33,160 Speaker 1: sending me demos and going what does this make you 34 00:01:33,160 --> 00:01:34,720 Speaker 1: think about? You know, what do you think about this? 35 00:01:35,480 --> 00:01:37,319 Speaker 1: But then I would never be like, hey, dude, come 36 00:01:37,360 --> 00:01:39,080 Speaker 1: on the Bobby. I don't know. It's just a weird 37 00:01:39,120 --> 00:01:40,520 Speaker 1: line to walk. So it's gonna be cool to have 38 00:01:40,760 --> 00:01:43,760 Speaker 1: Lion alone. That's awesome because he Lna. Richie really is 39 00:01:43,760 --> 00:01:45,360 Speaker 1: the greatest guy. And we'll talk about him coming up 40 00:01:45,360 --> 00:01:46,759 Speaker 1: in a second, because he wrote one of Keny Rogers 41 00:01:46,800 --> 00:01:49,880 Speaker 1: the biggest songs, so Kenny Rogers died at at eighty 42 00:01:50,000 --> 00:01:54,080 Speaker 1: one years old. By the numbers, he had twenty four 43 00:01:54,200 --> 00:01:58,280 Speaker 1: number one hits, sold over fifty million albums in the 44 00:01:58,400 --> 00:02:04,480 Speaker 1: US alone, six C M A S, three Grammys. The Gambler, 45 00:02:04,520 --> 00:02:06,360 Speaker 1: which I've mentioned on the show, I think is one 46 00:02:06,360 --> 00:02:10,960 Speaker 1: of the biggest songs of all time because massive song 47 00:02:11,280 --> 00:02:17,320 Speaker 1: many charts, multiple movies. He played the character in a 48 00:02:17,360 --> 00:02:22,560 Speaker 1: bunch of the movies. And this song isn't just about gambling. 49 00:02:22,680 --> 00:02:24,080 Speaker 1: I mean it really is a kind of a metaphor 50 00:02:24,080 --> 00:02:27,240 Speaker 1: for life. Like think about that. You gotta no one 51 00:02:27,320 --> 00:02:30,040 Speaker 1: to hold them, like stay in, stay in the fight, 52 00:02:30,440 --> 00:02:32,680 Speaker 1: no one to fold him when to go all right, 53 00:02:33,280 --> 00:02:36,040 Speaker 1: I'm not gonna win this, so I'll put energy somewhere else, 54 00:02:36,600 --> 00:02:38,320 Speaker 1: no one to walk away going on, and then no 55 00:02:38,360 --> 00:02:40,000 Speaker 1: where to run would just get get the crab out 56 00:02:40,000 --> 00:02:42,560 Speaker 1: of there. Like sure, it's about gambling, but that's like 57 00:02:42,560 --> 00:02:46,160 Speaker 1: a metaphor for life. You never count your money when 58 00:02:46,160 --> 00:02:48,680 Speaker 1: you're sitting at the table. You never count your chickens 59 00:02:48,720 --> 00:02:53,960 Speaker 1: before they hatch. So the Gambler comes out massive song, 60 00:02:55,520 --> 00:02:57,520 Speaker 1: And I talked to him about this in the interview 61 00:02:57,520 --> 00:03:00,079 Speaker 1: of the show. He was in the original record of 62 00:03:00,160 --> 00:03:04,520 Speaker 1: we all the world where they're all alright, Michael Jackson, 63 00:03:04,800 --> 00:03:07,960 Speaker 1: did Michael look this stuff for me? Did the Lionel 64 00:03:08,040 --> 00:03:13,720 Speaker 1: Richie right, we are the world? Good question because maybe 65 00:03:13,800 --> 00:03:17,920 Speaker 1: Michael and Steve, I don't know. You tell me. If 66 00:03:17,960 --> 00:03:20,120 Speaker 1: you were going to ask me in trivia, I would say, 67 00:03:20,160 --> 00:03:23,960 Speaker 1: Michael Jackson and Lionel Richie, you're correct. Written by Michael 68 00:03:24,040 --> 00:03:28,120 Speaker 1: Jackson and Lionel Richie, produced by Quincy Jones. Abody got 69 00:03:28,120 --> 00:03:29,600 Speaker 1: that right, and I wouldn't know where it comes from 70 00:03:29,639 --> 00:03:32,600 Speaker 1: because sometimes I'll just recall, well, I'll recall thinks and 71 00:03:32,680 --> 00:03:36,280 Speaker 1: start questioning myself. You always do that, so it's always 72 00:03:36,280 --> 00:03:38,880 Speaker 1: easily right in trivia. I just I just jump at 73 00:03:38,880 --> 00:03:41,760 Speaker 1: it and I missed quick, but also get right quick. 74 00:03:41,800 --> 00:03:45,440 Speaker 1: But yeah, Lionel Richie wrote, we have the world crazy? Huh. 75 00:03:45,480 --> 00:03:49,480 Speaker 1: He co chaired Kenny Hands Across America, a campaign which 76 00:03:49,480 --> 00:03:51,320 Speaker 1: thought to raise awareness about homeless and hungary in the 77 00:03:51,400 --> 00:03:52,960 Speaker 1: U S. But if you it was that logo of 78 00:03:53,000 --> 00:03:57,400 Speaker 1: all those hands holding a bit before you, a bit 79 00:03:57,440 --> 00:04:01,720 Speaker 1: before me, Like I fucking vaguely remember it. I think 80 00:04:01,960 --> 00:04:03,880 Speaker 1: I remember the pop culture references to it, but not 81 00:04:04,040 --> 00:04:09,520 Speaker 1: its actually happening. And in the horror movie. Yeah, and 82 00:04:10,360 --> 00:04:12,920 Speaker 1: Kenny Rodgers announce his retirement. So this is by the numbers. 83 00:04:13,440 --> 00:04:18,320 Speaker 1: He did, you know, retired to spend time with his family. 84 00:04:19,800 --> 00:04:22,279 Speaker 1: Here's a quote. There are a lot of things that 85 00:04:22,360 --> 00:04:24,400 Speaker 1: I wanted you together, and I want to create some 86 00:04:24,440 --> 00:04:26,440 Speaker 1: special memories. Have a bucket list of my own. I 87 00:04:26,440 --> 00:04:28,720 Speaker 1: have a bucket list I want to do with them. 88 00:04:28,760 --> 00:04:30,760 Speaker 1: And when he was on the show in two thousand 89 00:04:30,760 --> 00:04:34,559 Speaker 1: and thirteen, he talked about his his young kids because 90 00:04:34,560 --> 00:04:38,920 Speaker 1: he had kids again. Later. His name is Kenneth Rogers, 91 00:04:39,480 --> 00:04:41,920 Speaker 1: and we'll talk about why he changed from Kenneth to Kenny, 92 00:04:41,960 --> 00:04:43,760 Speaker 1: because he was going by Kenneth for a long time 93 00:04:43,960 --> 00:04:47,320 Speaker 1: as a stage name. He was born eight He's a Texan. 94 00:04:48,360 --> 00:04:51,800 Speaker 1: While his name was Kenneth Donald on his birth certificate, 95 00:04:52,680 --> 00:04:56,080 Speaker 1: his family always called him Kenneth Ray. He grew up 96 00:04:56,120 --> 00:05:00,600 Speaker 1: super poor. He lived with his parents. He had six siblings. 97 00:05:00,880 --> 00:05:04,360 Speaker 1: They lived in the projects, and it took him a 98 00:05:04,360 --> 00:05:05,960 Speaker 1: while to figure out what he wanted to do because 99 00:05:06,000 --> 00:05:09,400 Speaker 1: he was a star athlete too. But by high school 100 00:05:09,440 --> 00:05:11,640 Speaker 1: he thought, I think I'm gonna doom music. So he 101 00:05:11,680 --> 00:05:14,080 Speaker 1: bought himself a guitar and he started a group called 102 00:05:14,120 --> 00:05:17,760 Speaker 1: the Scholars and what you're gonna hear about Kenny. What 103 00:05:18,120 --> 00:05:21,440 Speaker 1: is interesting is the country was later on for him. 104 00:05:21,560 --> 00:05:25,159 Speaker 1: He was in jazz and rock. He did all this 105 00:05:25,200 --> 00:05:28,000 Speaker 1: stuff and then moved to country. Or if that happened today, 106 00:05:28,120 --> 00:05:30,719 Speaker 1: which it does happen today, people would go eating the country, 107 00:05:31,440 --> 00:05:34,640 Speaker 1: and he's one of the most country. It's kind of 108 00:05:34,640 --> 00:05:38,480 Speaker 1: a rockabilly band called the Scholars. Then he moved over 109 00:05:38,520 --> 00:05:44,000 Speaker 1: to a kind of folk style and he joined New 110 00:05:44,120 --> 00:05:47,800 Speaker 1: Christie Minstrels in nineteen sixty six. Let me know if 111 00:05:47,800 --> 00:05:49,880 Speaker 1: you have any clips of this stuff. I know where 112 00:05:49,880 --> 00:05:51,240 Speaker 1: so are. Some of this stuff is so right now 113 00:05:52,120 --> 00:05:53,520 Speaker 1: because I look for some of the early stuff to 114 00:05:53,520 --> 00:05:55,320 Speaker 1: when I couldn't find any of the music except really 115 00:05:55,320 --> 00:05:59,920 Speaker 1: bad versions. So he left and did a group called 116 00:06:00,040 --> 00:06:03,600 Speaker 1: First Edition, and it was kind of folk and rock 117 00:06:03,680 --> 00:06:06,599 Speaker 1: and a little bit of country. Now I know this song. 118 00:06:07,600 --> 00:06:11,040 Speaker 1: I just dropped in to see what condition my condition 119 00:06:11,200 --> 00:06:15,240 Speaker 1: was in on a jagged sky. I just dropped in 120 00:06:15,920 --> 00:06:20,320 Speaker 1: to see what condition my condition was in gray that's 121 00:06:20,320 --> 00:06:25,400 Speaker 1: a that's a that's Kenny Rogers condition, condition, wasn't it. 122 00:06:26,080 --> 00:06:28,240 Speaker 1: I would hear this on the oldie station, and I 123 00:06:28,320 --> 00:06:31,760 Speaker 1: never knew that that was Kenny Rogers. I knew the song, 124 00:06:33,640 --> 00:06:39,239 Speaker 1: but they were for um first edition and then they 125 00:06:39,520 --> 00:06:43,400 Speaker 1: ended up being Kenny Roder Kenny. I don't know if 126 00:06:43,400 --> 00:06:45,520 Speaker 1: it's Kenny or Kenneth at this point, but it was. 127 00:06:45,839 --> 00:06:47,479 Speaker 1: They put his name on the front of it too. 128 00:06:49,560 --> 00:06:52,920 Speaker 1: Uh So, in nineteen seventy four, before We were born, 129 00:06:53,000 --> 00:06:56,080 Speaker 1: he left the group, went solo and decided to focus 130 00:06:56,080 --> 00:06:57,920 Speaker 1: his energy on country music. So at this point it's 131 00:06:57,960 --> 00:07:00,919 Speaker 1: been psychedelic rock. He did folk rock. He was he 132 00:07:01,160 --> 00:07:05,000 Speaker 1: played bass, stand up bass in a jazz band, and 133 00:07:05,360 --> 00:07:08,440 Speaker 1: he goes solo and Love Lifted Me became his first 134 00:07:08,440 --> 00:07:23,360 Speaker 1: solo Top twenty. Come on. A couple of years later, 135 00:07:24,000 --> 00:07:25,560 Speaker 1: h Kenny hit the top of the charts. Here you go. 136 00:07:25,640 --> 00:07:30,000 Speaker 1: You may know this one. This is Loocilli to Leave Me, 137 00:07:30,200 --> 00:07:33,120 Speaker 1: Lucy Mans and my Grandma all over it. It's about 138 00:07:33,120 --> 00:07:35,360 Speaker 1: a guy being left by his wife. And this song 139 00:07:35,400 --> 00:07:37,760 Speaker 1: did well in the pop charts too. It was a 140 00:07:37,800 --> 00:07:40,680 Speaker 1: top five pop song, got him a Grammy Best Country Vocal. 141 00:07:41,480 --> 00:07:43,240 Speaker 1: I mean he was basically Dan and Jay before Dan 142 00:07:43,320 --> 00:07:46,040 Speaker 1: and Jay existed, and I mean that in the most loving, 143 00:07:47,360 --> 00:07:51,800 Speaker 1: like complimentary way. So Lucille was really the first song 144 00:07:51,920 --> 00:07:58,280 Speaker 1: to pop him and you know, he was super poor 145 00:07:58,560 --> 00:08:01,559 Speaker 1: still before lo still, but this hit him and actually 146 00:08:01,600 --> 00:08:03,800 Speaker 1: made him a little bit of money. And when the 147 00:08:03,880 --> 00:08:08,440 Speaker 1: song started to hit, he went from broke to being 148 00:08:08,480 --> 00:08:11,760 Speaker 1: able to buy his own jet pretty quick. Like it 149 00:08:11,840 --> 00:08:14,720 Speaker 1: was like poor, poor, poor, poor, well bam in like 150 00:08:14,720 --> 00:08:17,280 Speaker 1: two or three months. I mean buying a jet. That's 151 00:08:17,320 --> 00:08:20,240 Speaker 1: money money. That's not a little bit of money, that's 152 00:08:20,280 --> 00:08:23,760 Speaker 1: money money. So then we go up to seventy eight 153 00:08:24,920 --> 00:08:29,280 Speaker 1: and he released The Gambler, got a Grammy for that, 154 00:08:29,840 --> 00:08:38,560 Speaker 1: No Win the Fold No Win obviously one of his 155 00:08:38,559 --> 00:08:41,640 Speaker 1: biggest hits. And again, if you ask me which one 156 00:08:41,679 --> 00:08:47,439 Speaker 1: is bigger between The Gambler and Islands and the Stream, 157 00:08:47,480 --> 00:08:57,720 Speaker 1: I don't know. They're both ubiquitous in music. So what 158 00:08:57,760 --> 00:09:00,160 Speaker 1: would you say, Mike, I would probably say I was 159 00:09:00,240 --> 00:09:01,880 Speaker 1: in the Stream. I think that's the song. Given my 160 00:09:01,920 --> 00:09:05,000 Speaker 1: mom would know. You don't think she would know they 161 00:09:05,120 --> 00:09:08,840 Speaker 1: gamble or just from not even music. I think more 162 00:09:08,840 --> 00:09:13,160 Speaker 1: so Islands in the show. I'm not arguing, I like, 163 00:09:13,320 --> 00:09:17,200 Speaker 1: maybe it depends on who you talk to, because Islands 164 00:09:17,200 --> 00:09:19,040 Speaker 1: and Stream and have five movies made about it. It's true. 165 00:09:20,600 --> 00:09:22,320 Speaker 1: By the way, this song was written by the Begs 166 00:09:23,480 --> 00:09:25,199 Speaker 1: one of the Bejes, and the Bejes was supposed to 167 00:09:25,200 --> 00:09:26,839 Speaker 1: they were gonna They did cut a version of it, 168 00:09:26,880 --> 00:09:29,000 Speaker 1: but it was after right later on, like almost in 169 00:09:29,080 --> 00:09:35,480 Speaker 1: two tribute. So it was written by the Begs. Um 170 00:09:35,600 --> 00:09:38,800 Speaker 1: Dolly and Kenny cut it. It's massive. Those are the 171 00:09:38,840 --> 00:09:44,239 Speaker 1: two biggest songs, you know. He also it was a photographer. 172 00:09:44,280 --> 00:09:45,559 Speaker 1: You know, what I find is a lot of these 173 00:09:45,559 --> 00:09:48,400 Speaker 1: guys are just out on the road a lot, seeing 174 00:09:48,400 --> 00:09:49,560 Speaker 1: a lot of stuff, and like, what do I do 175 00:09:49,600 --> 00:09:51,439 Speaker 1: to fill the time? While I can do drugs or 176 00:09:51,520 --> 00:09:56,400 Speaker 1: drink or run or photography, A lot of them will 177 00:09:56,440 --> 00:10:01,240 Speaker 1: do photographer Ronni Dundust photography. And so he went all 178 00:10:01,280 --> 00:10:04,080 Speaker 1: around the country and he did a book called Kenny 179 00:10:04,160 --> 00:10:08,840 Speaker 1: Rogers America, and it was a bunch of a bunch 180 00:10:08,880 --> 00:10:10,520 Speaker 1: of stuff that he had seen. They did another book 181 00:10:10,520 --> 00:10:12,800 Speaker 1: called Your Friends of Mine, which was a picture book. 182 00:10:13,840 --> 00:10:16,640 Speaker 1: He did a bunch of movies, a bunch of TV 183 00:10:16,760 --> 00:10:18,360 Speaker 1: movies because back in the day those were bigger than 184 00:10:18,400 --> 00:10:20,959 Speaker 1: they are now. You don't see those much now. Now 185 00:10:21,000 --> 00:10:22,839 Speaker 1: you see Netflix movies, which I guess would kind of 186 00:10:22,840 --> 00:10:25,959 Speaker 1: be the new the reinvention of that. He had his 187 00:10:26,000 --> 00:10:29,960 Speaker 1: own record label. He did the deal Man in which 188 00:10:29,960 --> 00:10:31,439 Speaker 1: is why I got to meet him and spent time 189 00:10:31,480 --> 00:10:33,360 Speaker 1: with him. Was when he kind of started coming back 190 00:10:33,360 --> 00:10:36,040 Speaker 1: around again because he released the album you Can't Make 191 00:10:36,040 --> 00:10:39,440 Speaker 1: Old Friends, and that song I thought was great they 192 00:10:39,440 --> 00:10:45,520 Speaker 1: performed that. I think it's a c m as seven 193 00:10:45,559 --> 00:11:03,920 Speaker 1: dollar since way back you Can Free. He pulled out 194 00:11:03,960 --> 00:11:07,640 Speaker 1: of a performance in North Carolina in the casino and 195 00:11:07,679 --> 00:11:10,240 Speaker 1: they say, hey, we're gonna canceled the final dates of 196 00:11:10,280 --> 00:11:14,240 Speaker 1: the tour because of a series of health challenges. He said, 197 00:11:14,240 --> 00:11:16,520 Speaker 1: I've thoroughly enjoyed this opportunity to say farewell to the 198 00:11:16,520 --> 00:11:18,640 Speaker 1: fans over the course of the last two years on 199 00:11:18,679 --> 00:11:22,640 Speaker 1: the Gambler's Last Deal Tour. I could never properly thank 200 00:11:22,720 --> 00:11:24,679 Speaker 1: them for the encouragement and support they've given me throughout 201 00:11:24,679 --> 00:11:27,080 Speaker 1: my career and the happiness that I've experienced as a 202 00:11:27,120 --> 00:11:32,240 Speaker 1: result of that. You know, a lot of celebrities have reacted. 203 00:11:33,600 --> 00:11:36,160 Speaker 1: Lionel Ritchie wrote, today I lost one of my closest friends. 204 00:11:37,120 --> 00:11:39,440 Speaker 1: So much laughter, so many adventures to remember. My heart 205 00:11:39,480 --> 00:11:49,280 Speaker 1: is broken. He wrote this break Anny Lady, and by 206 00:11:49,280 --> 00:11:50,800 Speaker 1: the way, we play a lot of Kenny's other songs. 207 00:11:50,840 --> 00:11:53,720 Speaker 1: He has a ton of number one we'll be here 208 00:11:53,760 --> 00:12:00,000 Speaker 1: all day on this wall. Dolly Parton remembered our partner quote, 209 00:12:00,040 --> 00:12:02,120 Speaker 1: you never know how much you love somebody until they're gone. 210 00:12:02,640 --> 00:12:05,199 Speaker 1: I've had so many wonderful years and wonderful times with 211 00:12:05,280 --> 00:12:07,880 Speaker 1: my friend Kenny. But about all the music and success, 212 00:12:07,960 --> 00:12:10,240 Speaker 1: I loved him as a wonderful man and a true friend. 213 00:12:10,800 --> 00:12:14,040 Speaker 1: Here's the clip of Dolly talking about Kenny from her Twitter. 214 00:12:14,200 --> 00:12:17,160 Speaker 1: I loved Kenny with all my heart. My heart's broken, 215 00:12:17,600 --> 00:12:20,520 Speaker 1: and a legal chunk of it has gone with him today. 216 00:12:20,880 --> 00:12:24,160 Speaker 1: And I think that I can speak for all his family, 217 00:12:24,640 --> 00:12:28,320 Speaker 1: his friends, and fans when I say that I will 218 00:12:28,360 --> 00:12:32,079 Speaker 1: always love you. God bless Kenny. Fly straight to your 219 00:12:32,080 --> 00:12:37,719 Speaker 1: own from God. Here's Kenny Rodgers talking about how he 220 00:12:37,720 --> 00:12:40,520 Speaker 1: found his own niche after he knew he couldn't with 221 00:12:40,559 --> 00:12:43,760 Speaker 1: the younger artists. Basically, I'm a guy who's had enough experience, 222 00:12:43,960 --> 00:12:46,120 Speaker 1: enough age to tell stories, and a lot of the 223 00:12:46,160 --> 00:12:48,320 Speaker 1: young kids can't do that because they don't have the 224 00:12:48,400 --> 00:12:51,079 Speaker 1: age and the history. So I think that's my niche 225 00:12:51,160 --> 00:12:53,559 Speaker 1: is finding songs like the greatest Buy Me a Rose, 226 00:12:54,000 --> 00:12:56,120 Speaker 1: I Can't I Love You, songs that maybe some of 227 00:12:56,200 --> 00:12:58,319 Speaker 1: these young guys can't do, because I certainly can't compete 228 00:12:58,320 --> 00:13:00,160 Speaker 1: with them in what they do, and I would or 229 00:13:00,160 --> 00:13:01,880 Speaker 1: try that. I learned a long time ago that you 230 00:13:01,960 --> 00:13:04,240 Speaker 1: find your own niche and stay there, and then you try. 231 00:13:04,280 --> 00:13:06,480 Speaker 1: Once you get in, you try to expand that envelope. 232 00:13:07,040 --> 00:13:08,600 Speaker 1: He was inducted in the country was a Call of 233 00:13:08,600 --> 00:13:11,640 Speaker 1: Fame in This is him on getting inducted into the 234 00:13:11,640 --> 00:13:13,360 Speaker 1: Hall of Fame. He said, you know, I have good 235 00:13:13,360 --> 00:13:15,840 Speaker 1: news and bad news. And the good news is we're 236 00:13:15,840 --> 00:13:18,800 Speaker 1: inducting you into the Hall of Fame. The bad news 237 00:13:18,880 --> 00:13:22,320 Speaker 1: is you can't tell anybody. I said, Can I tell 238 00:13:22,400 --> 00:13:25,360 Speaker 1: my wife? He said, if she's like any wife I've 239 00:13:25,400 --> 00:13:31,040 Speaker 1: ever known, don't tell her. So we started with that biography. 240 00:13:31,080 --> 00:13:35,280 Speaker 1: Kenny Rodgers is premiering Monday, April, and this is a 241 00:13:35,360 --> 00:13:38,680 Speaker 1: chronicle of Kenny Rogers life from childhood through the first 242 00:13:38,800 --> 00:13:42,040 Speaker 1: edition when they blew up and they fell the gambler, 243 00:13:43,000 --> 00:13:47,679 Speaker 1: pop Eye got pardon me my icon and because of coronavirus, 244 00:13:47,760 --> 00:13:50,679 Speaker 1: they're not doing a big service quite yet, they say 245 00:13:50,720 --> 00:13:55,760 Speaker 1: at a later date he was married five times. A 246 00:13:55,760 --> 00:14:00,439 Speaker 1: lot of money going out, that's who you think of. Yeah, 247 00:14:00,800 --> 00:14:02,640 Speaker 1: he was married five times over the course of his life. 248 00:14:03,000 --> 00:14:05,320 Speaker 1: With his first wedding taking place in nineteen fifty eight. 249 00:14:06,160 --> 00:14:09,120 Speaker 1: In June, married first, fifth and final time to Wander 250 00:14:09,160 --> 00:14:12,720 Speaker 1: Miller when he died in a couple of the married 251 00:14:12,720 --> 00:14:16,200 Speaker 1: for twenty three years, Kenny had five children. He had 252 00:14:16,280 --> 00:14:18,520 Speaker 1: wanted to share identical twin boys, which were born in 253 00:14:18,520 --> 00:14:23,600 Speaker 1: two thousand and four. The odd thing is, you know, 254 00:14:24,040 --> 00:14:27,200 Speaker 1: despite his most popular song being about gambling, he really 255 00:14:27,200 --> 00:14:29,920 Speaker 1: wasn't a gambler. I mean he told me on the 256 00:14:30,000 --> 00:14:34,040 Speaker 1: radio show that he couldn't win enough to excite him, 257 00:14:34,080 --> 00:14:35,680 Speaker 1: but he could lose enough to piss him off, or 258 00:14:35,680 --> 00:14:40,400 Speaker 1: something like that. And so he lived with Don Henley 259 00:14:40,400 --> 00:14:45,040 Speaker 1: for a while from the Eagles in nineteen seventy Kenney 260 00:14:45,120 --> 00:14:47,600 Speaker 1: Rogers produced record for Don Henley before he was in 261 00:14:47,600 --> 00:14:52,520 Speaker 1: the Eagles, and uh, Don Heley was in a band 262 00:14:52,520 --> 00:14:56,760 Speaker 1: called Shiloh I think right, and so Kenny Rogers lived 263 00:14:56,800 --> 00:15:00,960 Speaker 1: with him. He was a really good tennis player, and 264 00:15:01,080 --> 00:15:03,360 Speaker 1: that says he was a professional tennis player. I'm not 265 00:15:03,400 --> 00:15:05,800 Speaker 1: sure what that means, because it would be professional you 266 00:15:05,880 --> 00:15:07,560 Speaker 1: have to go and play for money. Because he would 267 00:15:07,560 --> 00:15:11,120 Speaker 1: play with professionals at that level. He said that for 268 00:15:11,160 --> 00:15:13,040 Speaker 1: a period of tenures he was playing tennis for about 269 00:15:13,080 --> 00:15:14,960 Speaker 1: eight hours a day, and he was even on the 270 00:15:15,040 --> 00:15:18,120 Speaker 1: road with Wimbledon champions. If you're doing anything, I bet 271 00:15:18,200 --> 00:15:21,520 Speaker 1: he was ripped. If you're doing anything athletic for eight 272 00:15:21,520 --> 00:15:27,400 Speaker 1: hours a day, Holy crap. He's a talented interior designer 273 00:15:29,040 --> 00:15:33,560 Speaker 1: and he had a mantra. He said to have coined 274 00:15:33,600 --> 00:15:37,960 Speaker 1: the phrase success is no reason to quit, and he 275 00:15:38,000 --> 00:15:42,840 Speaker 1: truly believed it. Kenny Rodgers was one years old. Rest 276 00:15:42,840 --> 00:15:45,760 Speaker 1: in peace, Kenny Rogers. Holy moly, you gave us a 277 00:15:45,800 --> 00:15:55,760 Speaker 1: bunch of good music and we appreciate that. Hey. So, 278 00:15:55,800 --> 00:15:57,440 Speaker 1: I was just talking about Lionel Richie in the last 279 00:15:57,480 --> 00:16:00,440 Speaker 1: segment and how he wrote Lady for Kenny Rodgers, and 280 00:16:00,520 --> 00:16:02,440 Speaker 1: so I wanted to get him on the phone later 281 00:16:02,440 --> 00:16:03,720 Speaker 1: in the week, but he just so happened to text 282 00:16:03,760 --> 00:16:05,960 Speaker 1: me and go, Hey, what's up. And I was like, 283 00:16:05,960 --> 00:16:08,120 Speaker 1: we're in the studio right now. So it's not every 284 00:16:08,160 --> 00:16:10,600 Speaker 1: day you get a call from Lionel Richie. So I 285 00:16:10,640 --> 00:16:13,000 Speaker 1: talked to him. And you'll hear it right here about 286 00:16:13,080 --> 00:16:15,600 Speaker 1: Kenny Rodgers, who he was great friends with. You're gonna 287 00:16:15,600 --> 00:16:17,960 Speaker 1: hear that. The story behind Lady a low American idol, 288 00:16:18,040 --> 00:16:20,640 Speaker 1: so a real treat a guy that I love being 289 00:16:20,680 --> 00:16:22,680 Speaker 1: around and has been so cool to me. Here is 290 00:16:22,760 --> 00:16:28,760 Speaker 1: Lionel Richie. Hello, Hello, Lionel. Yeah, hey, it's Bobby. Well. 291 00:16:28,920 --> 00:16:31,359 Speaker 1: How you doing, man? How are you holding up? Oh? 292 00:16:31,400 --> 00:16:33,880 Speaker 1: You know, health wise? Like I'm good? How what are 293 00:16:33,920 --> 00:16:35,720 Speaker 1: you doing right now? And are you just locked in 294 00:16:35,720 --> 00:16:39,400 Speaker 1: the house? Listen? Man, I am Listen. I have boulders 295 00:16:39,440 --> 00:16:44,480 Speaker 1: against the gate, I have I have a mask on 296 00:16:44,600 --> 00:16:46,320 Speaker 1: my cell phone. What are you talking about? I don't 297 00:16:46,320 --> 00:16:50,400 Speaker 1: trust me. Yeah, it's wild, especially where you are. Oh please, 298 00:16:50,760 --> 00:16:52,960 Speaker 1: I'm in ground zero of it on the west coast. 299 00:16:53,000 --> 00:16:54,720 Speaker 1: What are you talking about? Luke and I? I mean, 300 00:16:54,720 --> 00:16:57,200 Speaker 1: we're in Nashville and it's here, but it's not like 301 00:16:57,280 --> 00:16:59,600 Speaker 1: it is out there. No, no, no, let's see. But 302 00:16:59,800 --> 00:17:05,000 Speaker 1: the trick is is that anything coastal, you know, like 303 00:17:05,119 --> 00:17:10,320 Speaker 1: East coast, West coast, that's where it comes in. Well, 304 00:17:10,440 --> 00:17:13,000 Speaker 1: I'm thinking about you. I miss you. Hey man. Listen. 305 00:17:13,080 --> 00:17:15,720 Speaker 1: All I told Bruce is you know you don't think 306 00:17:15,760 --> 00:17:18,760 Speaker 1: that God's gonna make all this happen for us and 307 00:17:18,800 --> 00:17:20,920 Speaker 1: then all of a sudden, you know, they take us out. 308 00:17:21,960 --> 00:17:24,680 Speaker 1: That's not what I want to do. Well, I'm glad 309 00:17:24,680 --> 00:17:26,520 Speaker 1: to hear you. Healthy, and you're good. You know I was, 310 00:17:27,520 --> 00:17:28,680 Speaker 1: And I want to talk to you about Kenny a 311 00:17:28,680 --> 00:17:30,439 Speaker 1: little bit because I got to know Kenny later, and 312 00:17:30,520 --> 00:17:32,880 Speaker 1: Kenny and I became really friendly in the later part 313 00:17:32,880 --> 00:17:35,359 Speaker 1: of his life, and I know you and him were 314 00:17:35,400 --> 00:17:37,919 Speaker 1: close for years. Well, you know, let me, let me, 315 00:17:38,080 --> 00:17:41,040 Speaker 1: let me be very honest with you. I just lost 316 00:17:41,119 --> 00:17:44,879 Speaker 1: one of my heroes. That is the best way I 317 00:17:44,880 --> 00:17:49,359 Speaker 1: can describe Kenny because of the fact that, you know, 318 00:17:49,480 --> 00:17:51,440 Speaker 1: I met him at a time in my life when 319 00:17:51,960 --> 00:17:54,840 Speaker 1: I was trying to figure out, like, you know, transitioning 320 00:17:54,840 --> 00:17:59,239 Speaker 1: from the Commodores into my solo career. And you know, 321 00:17:59,480 --> 00:18:04,159 Speaker 1: God said me an angel, because this guy was probably 322 00:18:04,400 --> 00:18:08,160 Speaker 1: one of the nicest guys I've ever met in my life, 323 00:18:09,119 --> 00:18:13,040 Speaker 1: and full of knowledge, full of life knowledge, and he 324 00:18:13,119 --> 00:18:15,200 Speaker 1: was able to you know, he was in a group 325 00:18:15,200 --> 00:18:20,159 Speaker 1: called the First Edition, and everything I was about to 326 00:18:20,240 --> 00:18:23,959 Speaker 1: experience as a young kid, he had already been through it. 327 00:18:25,280 --> 00:18:29,119 Speaker 1: And so it was just a beautiful relationship that blossomed 328 00:18:29,160 --> 00:18:32,880 Speaker 1: into something called the friendship forever. We have lived a 329 00:18:32,920 --> 00:18:38,840 Speaker 1: lot of life together. So when you write, lady, how 330 00:18:38,880 --> 00:18:41,400 Speaker 1: long did you have that? Or use was that meant 331 00:18:41,440 --> 00:18:43,600 Speaker 1: to get to him? It was that for you. Like, 332 00:18:43,640 --> 00:18:46,600 Speaker 1: what was the story between you writing it and him 333 00:18:46,680 --> 00:18:50,320 Speaker 1: recording it? Well, it's all about I think it's about 334 00:18:50,359 --> 00:18:55,119 Speaker 1: God's plan because it was actually designed, the melody of 335 00:18:55,160 --> 00:18:59,840 Speaker 1: it was supposed to be for the Commodores. And at 336 00:19:00,080 --> 00:19:02,760 Speaker 1: particular time I had written you know, three Times a 337 00:19:02,840 --> 00:19:05,560 Speaker 1: Lady and all these other songs, and so the guy said, 338 00:19:05,600 --> 00:19:08,400 Speaker 1: you know what mineld. Do you have anything else besides 339 00:19:08,480 --> 00:19:11,880 Speaker 1: another love song? I said, well, I wrote a religious 340 00:19:11,880 --> 00:19:15,000 Speaker 1: song that Jesus is love. He said, we'll take that. 341 00:19:15,320 --> 00:19:18,240 Speaker 1: We like that. That's a good that's a good transition 342 00:19:18,280 --> 00:19:21,680 Speaker 1: from what we're doing. So now I went from having 343 00:19:23,200 --> 00:19:27,240 Speaker 1: another ballad to now having this thing sitting around. Well, 344 00:19:27,280 --> 00:19:30,159 Speaker 1: I got a call from Kenny rogers Is saying do 345 00:19:30,280 --> 00:19:32,600 Speaker 1: you have a song for me? And I said, Kenny, 346 00:19:32,600 --> 00:19:36,520 Speaker 1: I quite honest with you. I I have a song, 347 00:19:36,600 --> 00:19:40,640 Speaker 1: but I don't have time to do it because we're 348 00:19:40,840 --> 00:19:43,240 Speaker 1: the Commodorees are going on tour in about two weeks 349 00:19:43,800 --> 00:19:45,040 Speaker 1: and I'm not going to be able to do it. 350 00:19:45,080 --> 00:19:47,199 Speaker 1: But I'll do it when I come back. I hung 351 00:19:47,280 --> 00:19:51,360 Speaker 1: up with the phone. About three days later, the drummer 352 00:19:51,760 --> 00:19:55,800 Speaker 1: for the Commodore's fell off his motorcycle, and I had 353 00:19:55,880 --> 00:20:01,320 Speaker 1: two months free time because he was the bree And 354 00:20:01,400 --> 00:20:03,560 Speaker 1: I called Kenny back and said, are you interested in 355 00:20:03,600 --> 00:20:07,000 Speaker 1: that song? He said absolutely. Well, the funny part about 356 00:20:07,080 --> 00:20:11,560 Speaker 1: this story is my mumbles. I don't write the words 357 00:20:11,640 --> 00:20:13,280 Speaker 1: because if you know anything about writing a song with 358 00:20:13,359 --> 00:20:16,480 Speaker 1: the commodos, for God's sakes, you don't finish the song 359 00:20:16,640 --> 00:20:19,840 Speaker 1: because in two seconds they will say, we don't like it? 360 00:20:19,880 --> 00:20:22,919 Speaker 1: What else do you have? So I always would have 361 00:20:23,119 --> 00:20:27,160 Speaker 1: basically the first verse of it all and nothing else. Well, 362 00:20:27,160 --> 00:20:30,560 Speaker 1: the song was called Baby just Baby Bay bah bah 363 00:20:30,560 --> 00:20:33,480 Speaker 1: blah blah blah blah blah blah blah blah blah. Right, 364 00:20:34,520 --> 00:20:37,959 Speaker 1: and I now go to meet Kenny and he had 365 00:20:38,040 --> 00:20:40,120 Speaker 1: never heard a song pitched like this before because I've 366 00:20:40,119 --> 00:20:42,720 Speaker 1: never pitched the song to anyone. So I walked in 367 00:20:42,800 --> 00:20:46,879 Speaker 1: his in his backstage area of his show, and he said, okay, 368 00:20:46,880 --> 00:20:48,920 Speaker 1: what's the song? And I said what he was telling 369 00:20:48,920 --> 00:20:51,040 Speaker 1: me about? He had just got married and he's never 370 00:20:51,080 --> 00:20:55,119 Speaker 1: in his life ever, he's never married. He married a lady, 371 00:20:55,280 --> 00:20:58,159 Speaker 1: a real lady like Lionel. I mean, what am I 372 00:20:58,240 --> 00:21:01,359 Speaker 1: doing with a lady me of all people? You know? 373 00:21:01,480 --> 00:21:03,199 Speaker 1: So he said, oh yeah, By the way, what's the 374 00:21:03,240 --> 00:21:07,439 Speaker 1: name of the song? I said, lady, I'm no fool. 375 00:21:09,400 --> 00:21:14,520 Speaker 1: And then from there, of course, I said, lady, I'm 376 00:21:14,560 --> 00:21:17,200 Speaker 1: your night, ain't shining armor and I love you bah 377 00:21:17,280 --> 00:21:20,399 Speaker 1: bah blah blah blah blah blah blah blah blah blah. 378 00:21:20,560 --> 00:21:24,520 Speaker 1: He said, well, I said, do you like it? He said, well, 379 00:21:24,520 --> 00:21:26,119 Speaker 1: where is the rest of the song? I said, well, no, 380 00:21:26,440 --> 00:21:30,639 Speaker 1: I'll finish it if you like it, so he trusted me. 381 00:21:31,200 --> 00:21:33,439 Speaker 1: Of course, he tells that story. You'll hear this story. 382 00:21:33,840 --> 00:21:35,919 Speaker 1: He'll repeat the story back. He said. I couldn't believe 383 00:21:36,320 --> 00:21:39,240 Speaker 1: that's all he played for me, And of course we 384 00:21:39,280 --> 00:21:42,919 Speaker 1: went in the studio and a massive hit. But he 385 00:21:43,000 --> 00:21:47,080 Speaker 1: always teases me because while we were recording that song, 386 00:21:48,359 --> 00:21:50,399 Speaker 1: I wrote two songs for him. The first song was 387 00:21:50,440 --> 00:21:53,480 Speaker 1: called Going Back to Alabama and the second song was 388 00:21:53,560 --> 00:21:57,600 Speaker 1: Lady Well. I thought, just to warm up with Kenny, 389 00:21:58,000 --> 00:22:00,720 Speaker 1: I will do I'll do Going back to Our Bama first, 390 00:22:00,800 --> 00:22:03,120 Speaker 1: just to get used to recording with him, and then 391 00:22:03,119 --> 00:22:07,760 Speaker 1: we'll knock out Lady Well. We get halfway through Going 392 00:22:07,800 --> 00:22:09,480 Speaker 1: back to Alabama, he said, I don't I don't really 393 00:22:09,480 --> 00:22:13,360 Speaker 1: want to sing the song, but let's just sing lady. Well, 394 00:22:13,400 --> 00:22:15,280 Speaker 1: I didn't want to tell him I had only written 395 00:22:15,280 --> 00:22:20,960 Speaker 1: the first verse, so so he sang the first verse, 396 00:22:21,040 --> 00:22:22,960 Speaker 1: and then I said, you know, I'll be right back. 397 00:22:22,960 --> 00:22:25,680 Speaker 1: I have to go to the bathroom. And so I'm 398 00:22:25,760 --> 00:22:32,520 Speaker 1: now in the bathroom writing the second verse, two lady. 399 00:22:32,720 --> 00:22:35,080 Speaker 1: And of course the joke with Kenny was, if you 400 00:22:35,119 --> 00:22:37,399 Speaker 1: want to get a great hit record from Lionel Richie, 401 00:22:37,960 --> 00:22:42,000 Speaker 1: make sure he writes the second verse in the bathroom. 402 00:22:42,040 --> 00:22:43,679 Speaker 1: But of course that was the story. But I mean, 403 00:22:43,680 --> 00:22:46,600 Speaker 1: it's it's all true, as crazy as it sounds, but 404 00:22:46,680 --> 00:22:49,520 Speaker 1: it was just a massive, massive record for both of us, 405 00:22:49,880 --> 00:22:51,320 Speaker 1: you know, until I was kind of looking back at 406 00:22:51,320 --> 00:22:54,120 Speaker 1: some old old Kenney stuff. Um, you know he's sang 407 00:22:54,119 --> 00:22:58,240 Speaker 1: on a weird the world which you wrote, Yeah, you 408 00:22:58,280 --> 00:23:02,120 Speaker 1: know that was you what that. I was very fortunate 409 00:23:02,200 --> 00:23:05,720 Speaker 1: too at the particular time when I went into my 410 00:23:05,760 --> 00:23:10,680 Speaker 1: solo career, I also had Kenny there as my advisor. 411 00:23:10,760 --> 00:23:14,400 Speaker 1: And the joke was I was hanging out with Kenny's manager, 412 00:23:14,480 --> 00:23:18,120 Speaker 1: Ken Craigan, and so when I was looking for a manager, 413 00:23:18,240 --> 00:23:21,440 Speaker 1: Ken said, well, Kenny said, well I got Ken right here. 414 00:23:21,480 --> 00:23:24,359 Speaker 1: What do you think about that? And I just segued 415 00:23:24,440 --> 00:23:28,280 Speaker 1: right to we had the same manager. So of course 416 00:23:28,280 --> 00:23:33,040 Speaker 1: when I did We Are the World naturally with Michael, naturally, 417 00:23:33,119 --> 00:23:34,440 Speaker 1: Kenny is going to be a part of that no 418 00:23:34,440 --> 00:23:36,600 Speaker 1: matter what, because I just had to have him in there. 419 00:23:37,080 --> 00:23:39,280 Speaker 1: And by that time, we were just we were just 420 00:23:39,400 --> 00:23:42,239 Speaker 1: two peas in a pot by that time. And of 421 00:23:42,280 --> 00:23:44,639 Speaker 1: course We Are the World was just one of those 422 00:23:46,320 --> 00:23:49,160 Speaker 1: um you know, I think every once in a while, 423 00:23:49,240 --> 00:23:52,400 Speaker 1: God kind of possesses you and says, this is what 424 00:23:52,600 --> 00:23:54,800 Speaker 1: you're really here to do, and the world needs to 425 00:23:54,840 --> 00:23:58,840 Speaker 1: hear this song, and you need to deliver this message. 426 00:23:59,200 --> 00:24:02,879 Speaker 1: And of course, you know, even to this day, someone 427 00:24:02,920 --> 00:24:05,200 Speaker 1: asked me of the day, am I going to write 428 00:24:05,200 --> 00:24:06,880 Speaker 1: another Wee of the World? And I said, no, I'm 429 00:24:06,920 --> 00:24:10,120 Speaker 1: just going to play We Are the World again, because 430 00:24:10,280 --> 00:24:12,040 Speaker 1: every time I try to write a new we of 431 00:24:12,119 --> 00:24:15,320 Speaker 1: the World, I keep writing the same lyrics that I 432 00:24:15,359 --> 00:24:18,480 Speaker 1: wrote for We Are the World. The message is the same. 433 00:24:18,600 --> 00:24:22,679 Speaker 1: Right now, we are challenged, but we are our brother's 434 00:24:22,760 --> 00:24:26,119 Speaker 1: keeper right now, and we have to make sure that 435 00:24:26,240 --> 00:24:29,280 Speaker 1: we are taking care of each other because that's what 436 00:24:29,400 --> 00:24:34,240 Speaker 1: God planned and not to be, you know, a tribe 437 00:24:34,240 --> 00:24:37,480 Speaker 1: and a tribe and a tribe. But we keep being 438 00:24:37,520 --> 00:24:41,199 Speaker 1: forced to do something together. And right now, this is 439 00:24:41,280 --> 00:24:44,600 Speaker 1: that time in life to hear those words again. And 440 00:24:44,640 --> 00:24:48,200 Speaker 1: I must admit that that song resonates today like it did, 441 00:24:48,440 --> 00:24:50,280 Speaker 1: you know with thirty some five years ago, thirty five 442 00:24:50,320 --> 00:24:54,040 Speaker 1: years ago. Well, I know that you and Kenny were 443 00:24:54,080 --> 00:24:57,200 Speaker 1: dear friends, and I appreciate your sharing the stories about them, 444 00:24:57,240 --> 00:25:01,200 Speaker 1: and I appreciate you being oh friendly and so kind 445 00:25:01,240 --> 00:25:03,840 Speaker 1: to me like I love you too. You just have 446 00:25:03,920 --> 00:25:05,560 Speaker 1: been You just have been the best to me. You 447 00:25:05,600 --> 00:25:07,639 Speaker 1: haven't you didn't need to be, but you just have 448 00:25:07,680 --> 00:25:09,879 Speaker 1: been the best to me. Well, you know what I 449 00:25:10,960 --> 00:25:12,960 Speaker 1: have to tell you something. I've been trained by some 450 00:25:13,240 --> 00:25:16,520 Speaker 1: very famous people. And when I say that, you know, 451 00:25:16,560 --> 00:25:19,480 Speaker 1: when I met Kenny Rogers, you couldn't get any bigger 452 00:25:19,520 --> 00:25:22,560 Speaker 1: than Kenny Rogers. You know that was the gambler I 453 00:25:22,640 --> 00:25:26,120 Speaker 1: walked in on, and I must tell you, in less 454 00:25:26,119 --> 00:25:28,360 Speaker 1: than fifteen seconds, he made me feel like we grew 455 00:25:28,400 --> 00:25:31,720 Speaker 1: up together back in Houston, Texas. You'd follow him on saying, 456 00:25:32,680 --> 00:25:36,440 Speaker 1: and I learned a big trick, and that is, if 457 00:25:36,440 --> 00:25:40,480 Speaker 1: you're famous, if you're really famous, you don't have to 458 00:25:40,480 --> 00:25:44,520 Speaker 1: scare anybody to death. You just have to be as 459 00:25:44,720 --> 00:25:49,560 Speaker 1: nice as you possibly can, because that's they're already uncomfortable 460 00:25:49,560 --> 00:25:52,240 Speaker 1: when they first meet you. And I must admit, you 461 00:25:52,280 --> 00:25:54,600 Speaker 1: were so quiet when I first met you. I figured 462 00:25:55,200 --> 00:26:00,640 Speaker 1: I gotta cheer you up around you didn't that much 463 00:26:00,680 --> 00:26:03,720 Speaker 1: noise at all. But you know, I kind of thought, 464 00:26:03,760 --> 00:26:06,760 Speaker 1: maybe maybe he doesn't want to talk to me. But 465 00:26:06,760 --> 00:26:09,399 Speaker 1: but you are the sweetest guy. And I'm telling you 466 00:26:09,520 --> 00:26:11,280 Speaker 1: now that we were with the show together, I mean, 467 00:26:11,320 --> 00:26:14,200 Speaker 1: this is just a too much fun and we were 468 00:26:14,240 --> 00:26:17,400 Speaker 1: meant to be together. But don't worry. I think we've 469 00:26:17,400 --> 00:26:19,240 Speaker 1: got a lot of more life to go. Bobby, I 470 00:26:19,240 --> 00:26:21,280 Speaker 1: think so too. And and you know I love you. 471 00:26:21,400 --> 00:26:25,480 Speaker 1: You're you're so good on American Idol, and you still 472 00:26:25,520 --> 00:26:27,119 Speaker 1: like doing the show. You still love doing the show. 473 00:26:27,240 --> 00:26:30,239 Speaker 1: Can I tell you something? I am having, truthfully, the 474 00:26:30,280 --> 00:26:34,200 Speaker 1: best time ever in my life. I when I first started, 475 00:26:34,240 --> 00:26:37,600 Speaker 1: I kept thinking, Okay, now what am I doing? Because 476 00:26:37,600 --> 00:26:39,320 Speaker 1: I've got Luke at the other end of the table, 477 00:26:39,440 --> 00:26:42,560 Speaker 1: and I'm not quite sure what Luke's gonna say, And 478 00:26:42,560 --> 00:26:45,160 Speaker 1: and Luke scares me, but he's so funny, and we've 479 00:26:45,200 --> 00:26:49,439 Speaker 1: become the best of friends. I'm actually, you know, I 480 00:26:49,440 --> 00:26:52,880 Speaker 1: feel like Lucan and Lionel like Kenny and in line 481 00:26:52,920 --> 00:26:55,480 Speaker 1: on you know it's so crazy, and then of course Katie, 482 00:26:56,160 --> 00:26:59,160 Speaker 1: when Katie scares the two of us, you know we're 483 00:26:59,160 --> 00:27:03,119 Speaker 1: in trouble. But you know what I must say, I 484 00:27:03,240 --> 00:27:07,760 Speaker 1: think about your job. You have the tough job because 485 00:27:07,800 --> 00:27:10,919 Speaker 1: after we deal with them in front of us, we 486 00:27:11,040 --> 00:27:13,840 Speaker 1: hand them back to you and they're a nervous wreck. 487 00:27:14,480 --> 00:27:18,240 Speaker 1: They're nervous going in, nervous coming out. Oh my god. 488 00:27:18,800 --> 00:27:20,760 Speaker 1: I mean, I don't know. I don't know if I 489 00:27:20,760 --> 00:27:23,199 Speaker 1: could do your job. Your job is you have to 490 00:27:23,280 --> 00:27:26,880 Speaker 1: put them together to face us and then pull them 491 00:27:26,920 --> 00:27:31,520 Speaker 1: back together. But we I must tell you, I'm enjoying 492 00:27:31,560 --> 00:27:34,280 Speaker 1: the show. It is a delight and the most part, 493 00:27:34,320 --> 00:27:37,159 Speaker 1: I think that the world needs a little compassion when 494 00:27:37,200 --> 00:27:40,120 Speaker 1: they see us on that show. Those kids are very 495 00:27:40,160 --> 00:27:44,359 Speaker 1: brave and uh and I just love kind of being 496 00:27:44,359 --> 00:27:47,440 Speaker 1: the mentor for them. I'm gonna play us out here. 497 00:27:47,560 --> 00:27:50,520 Speaker 1: What's your one line? You have one song? The crowd 498 00:27:50,600 --> 00:27:52,640 Speaker 1: you it's a it's a stadium. They say you only 499 00:27:52,640 --> 00:27:56,840 Speaker 1: get to play one song line? What are you gonna play? Um? 500 00:27:56,880 --> 00:27:58,879 Speaker 1: If I had to play one song, it would be 501 00:27:59,040 --> 00:28:01,879 Speaker 1: my my theme song, which is easy, like Sunday Morning 502 00:28:01,960 --> 00:28:05,480 Speaker 1: I just I think that's just the way I feel. Man, listen, 503 00:28:05,520 --> 00:28:07,720 Speaker 1: I love you, I'll see you soon. Be safe, my friend. 504 00:28:07,840 --> 00:28:09,960 Speaker 1: All right, my friend, And tell everyone all the listeners 505 00:28:09,960 --> 00:28:11,720 Speaker 1: out there hanging there. This is going to be a 506 00:28:11,800 --> 00:28:14,199 Speaker 1: rough ride, but but God will get us through this. 507 00:28:14,320 --> 00:28:16,200 Speaker 1: All right, line, I'll see letter friend alright. Brother,