1 00:00:01,720 --> 00:00:04,720 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:05,960 Speaker 1: just to touch. 3 00:00:05,840 --> 00:00:08,000 Speaker 2: To get you through. Yeah, me too. 4 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 5 00:00:11,960 --> 00:00:30,360 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 6 00:00:30,520 --> 00:00:33,000 Speaker 1: a little thing we like to call the after party. 7 00:00:33,479 --> 00:00:36,120 Speaker 1: This is the show after the show, the party after 8 00:00:36,159 --> 00:00:38,280 Speaker 1: the party, the bridge to get from one full episode 9 00:00:38,320 --> 00:00:41,800 Speaker 1: of Disgraceland to the other, the backyard to dig into 10 00:00:41,840 --> 00:00:45,560 Speaker 1: the dirt. On this episode, we are talking about, among 11 00:00:45,680 --> 00:00:48,839 Speaker 1: other things, the epic twenty twenty four that we have 12 00:00:48,920 --> 00:00:51,599 Speaker 1: in store for you guys here in Disgraceland, and of 13 00:00:51,600 --> 00:00:55,040 Speaker 1: course your voicemails, text, dms and more, and as always, 14 00:00:55,200 --> 00:00:56,320 Speaker 1: a whole lot of rosie. 15 00:00:56,400 --> 00:00:58,760 Speaker 2: All right, discos, let's get a. 16 00:00:58,960 --> 00:01:14,040 Speaker 1: Joint, all right this week and Disgraceland as promised a 17 00:01:14,200 --> 00:01:17,960 Speaker 1: double dose of after parties, because damn, after the year 18 00:01:18,000 --> 00:01:19,679 Speaker 1: we just had, in the year we're about to have, 19 00:01:20,319 --> 00:01:22,240 Speaker 1: we got a lot to process here with this show. 20 00:01:22,600 --> 00:01:25,680 Speaker 1: Told John Tuesday's after Party that this year, in twenty 21 00:01:25,760 --> 00:01:28,640 Speaker 1: twenty four, we're going to be branching out in Disgraceland 22 00:01:28,680 --> 00:01:30,720 Speaker 1: and that we're going to start telling stories about not 23 00:01:30,760 --> 00:01:34,479 Speaker 1: only musicians and rock stars, but lots of fascinating people 24 00:01:34,560 --> 00:01:38,320 Speaker 1: who are rock stars in their respective fields. I've been 25 00:01:38,360 --> 00:01:42,000 Speaker 1: teasing this out and frankly asking for your advice on 26 00:01:42,040 --> 00:01:44,440 Speaker 1: this for the last couple of months. As you know, 27 00:01:44,680 --> 00:01:49,440 Speaker 1: I have long harbored desires to expand beyond just Disgraceland 28 00:01:49,600 --> 00:01:52,480 Speaker 1: and bad Lands and how to try to figure out 29 00:01:52,560 --> 00:01:55,880 Speaker 1: how to juggle this whole thing, this whole enterprise that 30 00:01:55,920 --> 00:02:00,120 Speaker 1: we're doing here with all of these fascinating, extraordinary subjects 31 00:02:00,480 --> 00:02:04,080 Speaker 1: that we're interested in. And I'm sort of looking at 32 00:02:04,120 --> 00:02:06,240 Speaker 1: it as, Okay, how do I tell these stories about 33 00:02:06,240 --> 00:02:10,239 Speaker 1: these icons that aren't necessarily from music. These whether they're 34 00:02:10,240 --> 00:02:12,160 Speaker 1: you know, we've talked about this, whether they're poets, whether 35 00:02:12,160 --> 00:02:16,520 Speaker 1: they're artists, whether they're they're athletes, And I'm trying to 36 00:02:16,520 --> 00:02:19,079 Speaker 1: go at it from the point of view of which 37 00:02:19,320 --> 00:02:23,880 Speaker 1: among these subjects, even if they weren't musicians, were rock 38 00:02:23,919 --> 00:02:28,840 Speaker 1: stars Anthony Bourdain, Hunter s Thompson. The way they approached 39 00:02:28,880 --> 00:02:32,960 Speaker 1: their craft, the way they approached their lifestyles very similar 40 00:02:33,000 --> 00:02:35,600 Speaker 1: to a rock star. Same thing with Andy Warhol. And 41 00:02:35,639 --> 00:02:37,919 Speaker 1: I can make the case for Kobe Bryant, Michael Jordan 42 00:02:38,040 --> 00:02:42,280 Speaker 1: as well, so ultimately, yes, you heard it here. First, 43 00:02:42,400 --> 00:02:45,400 Speaker 1: we are bringing all of the bad Land subjects under 44 00:02:45,560 --> 00:02:49,600 Speaker 1: the Disgraceland umbrella. It's not going to happen overnight. The 45 00:02:49,680 --> 00:02:53,600 Speaker 1: subjects will start to populate in Disgraceland. I'm not exactly 46 00:02:53,600 --> 00:02:55,760 Speaker 1: sure what the plan is for the bad Lands Feed yet, 47 00:02:55,880 --> 00:02:58,960 Speaker 1: how we're going to actually technically merge these But as 48 00:02:58,960 --> 00:03:01,800 Speaker 1: a creator from here on out, what I will be 49 00:03:01,880 --> 00:03:06,560 Speaker 1: creating is dark stories about icons, no matter whether they're 50 00:03:06,560 --> 00:03:11,480 Speaker 1: from the music industry, the world of sports, Hollywood, whatever. Okay, 51 00:03:11,720 --> 00:03:14,200 Speaker 1: it's all gonna happen in the disgrace Sland Feed. Perhaps 52 00:03:14,200 --> 00:03:16,120 Speaker 1: it'll happen elsewhere in the beginning until we get things 53 00:03:16,160 --> 00:03:18,840 Speaker 1: straightened out. But just so you know, we have an 54 00:03:18,840 --> 00:03:23,640 Speaker 1: insane amount of insane stories about legendary artists, athletes, writers, poets, chefs, 55 00:03:23,680 --> 00:03:26,640 Speaker 1: and of course musicians. Bands are bread and butter. It's 56 00:03:26,680 --> 00:03:29,679 Speaker 1: all coming your way in twenty twenty four and as 57 00:03:29,720 --> 00:03:33,280 Speaker 1: we broaden our scope. As I mentioned the last after party, 58 00:03:33,320 --> 00:03:35,960 Speaker 1: I want to hear from you guys who you want 59 00:03:36,000 --> 00:03:40,320 Speaker 1: to hear stories about Tuesday's episode. Yes, should have included 60 00:03:40,400 --> 00:03:45,120 Speaker 1: van Halen sorry admitted that by accident, not on purpose, 61 00:03:45,360 --> 00:03:48,920 Speaker 1: we're finalizing the second half of the year's subjects. So 62 00:03:49,280 --> 00:03:52,880 Speaker 1: speak now or forever hold your piece. Think big, think iconic, 63 00:03:52,960 --> 00:03:56,640 Speaker 1: Think the biggest names, the biggest crimes, the biggest scandals, 64 00:03:56,720 --> 00:03:59,640 Speaker 1: the biggest stories, and get at me. Six one seven 65 00:03:59,720 --> 00:04:04,640 Speaker 1: nine six, six, six three eight. First up in Disgraceland 66 00:04:04,760 --> 00:04:08,240 Speaker 1: this year in twenty twenty four. Our next episode is 67 00:04:08,320 --> 00:04:12,440 Speaker 1: on Surge Gainsburg. This has been a long time in 68 00:04:12,480 --> 00:04:16,719 Speaker 1: the works. And here's the sort of long, strange backstory 69 00:04:17,000 --> 00:04:19,040 Speaker 1: on the production side of this for us getting this 70 00:04:19,160 --> 00:04:24,279 Speaker 1: episode together. I spent the better part of four to 71 00:04:24,360 --> 00:04:28,520 Speaker 1: six weeks, not this past summer, the summer prior, so 72 00:04:28,560 --> 00:04:33,640 Speaker 1: summer twenty twenty two researching Surge Gainsburg, with the intent 73 00:04:33,960 --> 00:04:38,520 Speaker 1: of doing a full season on Surge Gainsburg that would 74 00:04:38,520 --> 00:04:41,839 Speaker 1: come out in France. It would be our first Disgraceland 75 00:04:41,920 --> 00:04:47,080 Speaker 1: international release in a foreign language. That was the plan. 76 00:04:47,320 --> 00:04:49,600 Speaker 1: Then the business side of it broke down and it 77 00:04:49,640 --> 00:04:53,120 Speaker 1: didn't happen. And this is the first time this happened 78 00:04:53,160 --> 00:04:55,480 Speaker 1: to me where I had all this sort of wasted 79 00:04:55,560 --> 00:04:59,159 Speaker 1: time and energy into one subject and nothing to really 80 00:04:59,200 --> 00:05:01,119 Speaker 1: show for it. And when it came time to write 81 00:05:01,120 --> 00:05:04,440 Speaker 1: the Surge Gainsburg episode single episode here for Disgrace Lam 82 00:05:04,440 --> 00:05:05,159 Speaker 1: that's coming at. 83 00:05:05,000 --> 00:05:05,679 Speaker 2: You next week. 84 00:05:06,520 --> 00:05:08,840 Speaker 1: I had just lost my stomach for it. I didn't 85 00:05:08,880 --> 00:05:10,920 Speaker 1: want to do it. I felt I felt spurned. I 86 00:05:10,960 --> 00:05:12,720 Speaker 1: felt like I felt like I was left at the 87 00:05:12,760 --> 00:05:15,320 Speaker 1: altar by Serge Gainsburg. Wasn't his fault, but you know 88 00:05:15,360 --> 00:05:18,080 Speaker 1: what I mean. So we handed it off to our 89 00:05:18,080 --> 00:05:21,320 Speaker 1: guys Zeth, who wrote this episode, and he crushed it 90 00:05:21,440 --> 00:05:25,039 Speaker 1: as usual. One of the things that I wanted to 91 00:05:25,040 --> 00:05:27,720 Speaker 1: make sure we achieved with the Surge Gainsburg episode that 92 00:05:27,920 --> 00:05:29,320 Speaker 1: again you're going to hear in a couple of days, 93 00:05:29,880 --> 00:05:33,599 Speaker 1: is you know. I have a very mixed take, very 94 00:05:33,680 --> 00:05:37,960 Speaker 1: love hate relationship with music biopics. I find some of 95 00:05:38,000 --> 00:05:41,400 Speaker 1: them to be just incredible. Recently saw The Maestro by 96 00:05:41,400 --> 00:05:44,560 Speaker 1: the Way with Bradley Cooper, and that's definitely falls in 97 00:05:44,600 --> 00:05:47,359 Speaker 1: the incredible camp. And some of them I find to 98 00:05:47,400 --> 00:05:50,760 Speaker 1: be just god awful. And even even ones that are 99 00:05:50,800 --> 00:05:54,760 Speaker 1: celebrated and loved by by most people, there's a lot 100 00:05:54,760 --> 00:05:55,800 Speaker 1: of them that I just don't like. 101 00:05:57,320 --> 00:05:58,480 Speaker 2: They try to do too much. 102 00:05:58,720 --> 00:06:02,280 Speaker 1: They tried to at times, They try to be too conventional, 103 00:06:02,320 --> 00:06:05,919 Speaker 1: and I feel like it hurts the drama of the 104 00:06:06,000 --> 00:06:08,240 Speaker 1: stories and these subjects. So I don't I don't want 105 00:06:08,240 --> 00:06:09,800 Speaker 1: to get into it. I've talked about this before, but 106 00:06:09,839 --> 00:06:14,560 Speaker 1: I found that the Surge Gainsburg biopic is one of 107 00:06:14,600 --> 00:06:17,600 Speaker 1: the best I've ever seen. It's called a Heroic Life, 108 00:06:18,279 --> 00:06:21,120 Speaker 1: and like I said, one of the best music biopicks 109 00:06:21,160 --> 00:06:22,320 Speaker 1: that I've ever seen. 110 00:06:22,360 --> 00:06:23,120 Speaker 2: It's incredible. 111 00:06:23,760 --> 00:06:26,040 Speaker 1: So I wanted to kind of do something that would 112 00:06:26,040 --> 00:06:27,800 Speaker 1: be in conversation. If we were going to do an 113 00:06:27,839 --> 00:06:30,359 Speaker 1: episode of disgracing on Surge Gainsburg, I wanted it to 114 00:06:30,400 --> 00:06:34,200 Speaker 1: be in conversation with that that biopick and this here 115 00:06:34,680 --> 00:06:38,040 Speaker 1: episode that we've produced certainly is I think so anyways, 116 00:06:38,080 --> 00:06:39,440 Speaker 1: and I hope you dig it. And if you don't 117 00:06:39,440 --> 00:06:42,159 Speaker 1: know who Surge Gainsburg is, well, you know, I kind 118 00:06:42,160 --> 00:06:42,920 Speaker 1: of I'm envious. 119 00:06:43,000 --> 00:06:43,840 Speaker 2: I wish I were you. 120 00:06:43,960 --> 00:06:46,800 Speaker 1: I wish I was getting introduced to Serge Gainsburg for 121 00:06:46,800 --> 00:06:50,680 Speaker 1: the first time. His music is going to blow your mind. French. 122 00:06:50,920 --> 00:06:53,200 Speaker 1: I don't even know how to explain who Surge Gainsburg 123 00:06:53,320 --> 00:06:59,840 Speaker 1: is in one brief sentence. French, krooner, eccentric, just no one, 124 00:07:00,440 --> 00:07:05,120 Speaker 1: great songwriter, incredible, Yeah, there's no real comp I want 125 00:07:05,120 --> 00:07:07,320 Speaker 1: to say, like the French Frank Sinatra, but that's not 126 00:07:07,400 --> 00:07:11,920 Speaker 1: even close. Just google Surge Gainsburg get into it. Lots 127 00:07:11,920 --> 00:07:14,960 Speaker 1: of controversy as well, lots of drama to his life, 128 00:07:15,000 --> 00:07:18,240 Speaker 1: and again just incredible music, great music. As we say, 129 00:07:19,040 --> 00:07:21,760 Speaker 1: after the Surge Gainsburg episode, we've got another episode coming 130 00:07:21,800 --> 00:07:23,680 Speaker 1: your way, another new episode, I should say, coming your 131 00:07:23,680 --> 00:07:28,000 Speaker 1: way on Stu Suckcliffe, Chapter nine in our Beatles series 132 00:07:28,040 --> 00:07:30,800 Speaker 1: here that we're informal series that we've got going Intosgrace 133 00:07:30,800 --> 00:07:34,200 Speaker 1: sand This will be the ninth episode we've done on 134 00:07:34,280 --> 00:07:39,000 Speaker 1: the Beatles. I joked in the last after party that 135 00:07:39,040 --> 00:07:41,320 Speaker 1: we were gonna stop after this because there was nowhere 136 00:07:41,400 --> 00:07:44,520 Speaker 1: left to go. And I got a great message from 137 00:07:44,560 --> 00:07:46,760 Speaker 1: from one of you listeners telling me that I in 138 00:07:46,800 --> 00:07:48,840 Speaker 1: no way should I stop. There's there's plenty of more 139 00:07:48,880 --> 00:07:51,040 Speaker 1: material to mine here. Maybe you're right. I don't know, 140 00:07:52,000 --> 00:07:57,400 Speaker 1: but Stu Suckcliffe, he was a monumental influence on the 141 00:07:57,400 --> 00:08:02,400 Speaker 1: Beatles and therefore on popular culture. And yeah, he was 142 00:08:02,440 --> 00:08:04,000 Speaker 1: one of the og members of the band for those 143 00:08:04,000 --> 00:08:06,280 Speaker 1: of you who don't know, and you're going to hear 144 00:08:06,640 --> 00:08:09,600 Speaker 1: his influence in this episode, and I think you're gonna 145 00:08:09,600 --> 00:08:11,040 Speaker 1: dig it. I think this is going to be a 146 00:08:11,080 --> 00:08:15,160 Speaker 1: great bookend to the episodes we've produced already. Obviously multiple 147 00:08:15,240 --> 00:08:17,640 Speaker 1: episodes on John Lennon. I think we did three on John. 148 00:08:18,480 --> 00:08:22,480 Speaker 1: We did one on Paul right, one on Paul, two 149 00:08:22,160 --> 00:08:25,720 Speaker 1: on the actual band from the early days and then 150 00:08:25,760 --> 00:08:28,280 Speaker 1: from the drug days, and then one on George, one 151 00:08:28,360 --> 00:08:31,760 Speaker 1: on Ringo, and damn, maybe we did two on Paul. 152 00:08:31,800 --> 00:08:35,120 Speaker 1: Because I'm coming up short here anyways, Stu Suckcliffe coming 153 00:08:35,120 --> 00:08:36,719 Speaker 1: your way. Can't wait for you to hear that. Then 154 00:08:36,760 --> 00:08:39,040 Speaker 1: We've also got a rewind episode coming that I've been 155 00:08:39,080 --> 00:08:41,280 Speaker 1: teasing for a couple of weeks now on Johnny Cash 156 00:08:41,320 --> 00:08:44,079 Speaker 1: coming your way tomorrow. That takes care of the programming 157 00:08:44,160 --> 00:08:47,720 Speaker 1: segment of this bonus episode. I will be back in 158 00:08:47,920 --> 00:08:52,079 Speaker 1: just a flash with some voicemails from you guys, some texts, 159 00:08:52,480 --> 00:08:55,080 Speaker 1: and yeah, maybe some emails as well. 160 00:08:55,640 --> 00:09:18,200 Speaker 3: Back in the flash. 161 00:09:18,280 --> 00:09:21,160 Speaker 1: Hey, we are back. Let's dive right into some voicemails. 162 00:09:21,200 --> 00:09:24,880 Speaker 1: Put the call out last week on some recommendation requests 163 00:09:24,880 --> 00:09:26,280 Speaker 1: from you guys. I want to know what you guys 164 00:09:26,280 --> 00:09:28,560 Speaker 1: want to hear for the new year. Six one seven, 165 00:09:28,640 --> 00:09:31,480 Speaker 1: nine oh six sixty six three eight. I'm still listening. 166 00:09:31,640 --> 00:09:33,800 Speaker 1: Let's check in with Ish here from the seven eighty one. 167 00:09:34,520 --> 00:09:39,000 Speaker 4: Jake, what up? It's your boy? Is what's happening? Happy 168 00:09:39,080 --> 00:09:44,640 Speaker 4: New Year? Some topics on some disgraceful people. I got 169 00:09:45,000 --> 00:09:51,520 Speaker 4: Marv Albert, I got run our test aka Meadow World Peace, 170 00:09:52,240 --> 00:09:56,880 Speaker 4: and maybe there's something there with David Blaine. Not quite 171 00:09:56,960 --> 00:10:00,720 Speaker 4: sure anyways, stay up homing it. 172 00:10:01,720 --> 00:10:05,560 Speaker 1: Ish, love it man. I specific I particularly like the 173 00:10:05,559 --> 00:10:09,600 Speaker 1: meta world Peace one, the Marv Albert perhaps at some point, 174 00:10:09,640 --> 00:10:11,880 Speaker 1: and David Blaine. I'm excited to look into this. And 175 00:10:11,920 --> 00:10:14,080 Speaker 1: I don't know anything about David Blaine, dude, but thanks 176 00:10:14,080 --> 00:10:16,760 Speaker 1: for putting it to the top of the list here. 177 00:10:16,880 --> 00:10:17,560 Speaker 2: I'll get into it. 178 00:10:17,679 --> 00:10:20,360 Speaker 1: Check it out all right, thanks for the voicemail, and 179 00:10:20,440 --> 00:10:22,440 Speaker 1: Happy New Year to you as well, my man. Let's 180 00:10:22,520 --> 00:10:24,640 Speaker 1: check out this one from the five a week. 181 00:10:25,440 --> 00:10:30,120 Speaker 5: Heyja, it's Mike from the five aweight, Long long, long 182 00:10:30,240 --> 00:10:34,880 Speaker 5: time listener from episode one. I am so excited to 183 00:10:35,240 --> 00:10:40,520 Speaker 5: hear grind Out for the next season. I'm wondering if 184 00:10:41,000 --> 00:10:45,000 Speaker 5: either in the latter half of this year or sometime 185 00:10:45,320 --> 00:10:49,400 Speaker 5: next year you can finally get around to doing an 186 00:10:49,440 --> 00:10:53,600 Speaker 5: episode on the day. Kennedys wish I have been requesting 187 00:10:53,679 --> 00:10:59,079 Speaker 5: for a while. Also, I'm wondering if now that disgrace 188 00:10:59,160 --> 00:11:02,600 Speaker 5: land bad lands are collapsing into one, I'm wondering about 189 00:11:03,000 --> 00:11:07,840 Speaker 5: doing special episodes on people who are have such outside 190 00:11:07,840 --> 00:11:12,520 Speaker 5: as egos that they've attempted sports and acting and music 191 00:11:14,080 --> 00:11:19,000 Speaker 5: ultra varying levels of success and disgrace. I'm thinking of, 192 00:11:19,920 --> 00:11:24,600 Speaker 5: let's say, check, I'm thinking of Marshall Man, Brandy Savage. 193 00:11:24,720 --> 00:11:29,160 Speaker 5: I'm thinking of Hulk Hogan, and what about Dennis Rodman, 194 00:11:29,240 --> 00:11:33,839 Speaker 5: who's even crazier than him, just saying, just floating it 195 00:11:33,880 --> 00:11:37,920 Speaker 5: out there, rock and ROLLA thanks by all right? 196 00:11:38,040 --> 00:11:42,480 Speaker 1: Five? Oh wait, love it man, good stuff. Specifically, really 197 00:11:42,600 --> 00:11:45,079 Speaker 1: like the Dennis Rodman recommendation. I think we can do 198 00:11:45,080 --> 00:11:47,240 Speaker 1: an episode on him, for sure. I even like the 199 00:11:47,320 --> 00:11:49,480 Speaker 1: Hulk Hogan one. I like it because of the whole 200 00:11:49,720 --> 00:11:51,640 Speaker 1: lawsuit thing that happened there a couple of years ago. 201 00:11:52,640 --> 00:11:56,560 Speaker 1: So great, Rex here, appreciate it. Keep them coming, all right, 202 00:11:56,600 --> 00:11:58,680 Speaker 1: Let's hear this voicemail from the five to. 203 00:11:58,679 --> 00:11:59,120 Speaker 2: Four to zero. 204 00:12:00,040 --> 00:12:01,599 Speaker 1: Okay, dude, I got one for you. 205 00:12:02,040 --> 00:12:06,480 Speaker 4: I got one for you. Jim Croche. He needs to 206 00:12:06,520 --> 00:12:09,679 Speaker 4: do him, at least tell the story. I mean, I 207 00:12:09,760 --> 00:12:13,839 Speaker 4: don't know what terrible join mothers goad. I believe that. 208 00:12:14,600 --> 00:12:16,120 Speaker 1: But anyway, so there you go. 209 00:12:16,200 --> 00:12:20,400 Speaker 4: There's nother one. Jim, oh yeah, don't bring Jack daitya. 210 00:12:20,960 --> 00:12:27,120 Speaker 1: Thank Jim Crochy. You know, great, great idea, great idea. 211 00:12:27,240 --> 00:12:29,040 Speaker 1: And by the way, have you seen that Jim Croche's kid. 212 00:12:29,040 --> 00:12:29,599 Speaker 2: I can't think of it. 213 00:12:29,640 --> 00:12:31,680 Speaker 1: I don't know his first name, but he's been touring, 214 00:12:32,520 --> 00:12:35,600 Speaker 1: uh the last couple of years, and he's been doing 215 00:12:35,640 --> 00:12:37,880 Speaker 1: his dad songs. I think that's all he does. And 216 00:12:38,240 --> 00:12:41,160 Speaker 1: hot damn does he look and sound exactly like his father. 217 00:12:41,240 --> 00:12:44,760 Speaker 1: It's really fucking eerie. So good the stuff I've heard 218 00:12:44,800 --> 00:12:46,920 Speaker 1: and seen is so good. I'd actually go see him, 219 00:12:47,000 --> 00:12:50,839 Speaker 1: I think. Anyways, I'm getting getting sidetracked. I love the 220 00:12:50,920 --> 00:12:53,319 Speaker 1: idea of Jim Crochey episode. I believe he died on 221 00:12:53,360 --> 00:12:57,000 Speaker 1: the same day Graham Parsons did, though I'm not totally sure. Actually, 222 00:12:57,600 --> 00:12:59,160 Speaker 1: I don't think it was the same exact day, but 223 00:12:59,240 --> 00:13:00,839 Speaker 1: it was right around the same time. And I know 224 00:13:00,920 --> 00:13:03,480 Speaker 1: it was around the same time because Rolling Stone ran 225 00:13:03,640 --> 00:13:07,880 Speaker 1: two obituaries side by side, Jim Crochy and Graham Parsons. 226 00:13:08,040 --> 00:13:10,120 Speaker 1: Not that I was alive to read Rolling Stone when 227 00:13:10,160 --> 00:13:12,400 Speaker 1: it came out when Jim Croce died. But I did 228 00:13:12,480 --> 00:13:16,560 Speaker 1: stay in the Joshua Tree in where Graham Parsons died 229 00:13:17,240 --> 00:13:20,040 Speaker 1: about ten years ago, actually more than that, probably about 230 00:13:20,040 --> 00:13:21,920 Speaker 1: twelve years ago now, and they had on the wall 231 00:13:22,040 --> 00:13:25,160 Speaker 1: the framed obituary from Rolling Stone with Graham Parsons and 232 00:13:25,320 --> 00:13:28,080 Speaker 1: Jim Crochy. So there's that, all right? Six one seven, 233 00:13:28,200 --> 00:13:30,320 Speaker 1: nine oh six, six sixty three eight. Hit me up 234 00:13:30,320 --> 00:13:32,320 Speaker 1: with your voicemails on which artists you want to hear 235 00:13:32,400 --> 00:13:34,599 Speaker 1: me cover next year. Let's do some texts, get a 236 00:13:34,640 --> 00:13:36,880 Speaker 1: lot of texts, and I still I just realized I 237 00:13:36,920 --> 00:13:38,760 Speaker 1: didn't hit any emails in that last block, and I 238 00:13:38,840 --> 00:13:40,600 Speaker 1: want to take care of that as well. All right, 239 00:13:40,640 --> 00:13:42,600 Speaker 1: six three al rights in, Hey, Jake, been listening since 240 00:13:42,640 --> 00:13:44,400 Speaker 1: the start, Giant fan. I hear you're doing a van 241 00:13:44,480 --> 00:13:46,840 Speaker 1: Halen episode. In an earlier episode, you broke my heart 242 00:13:47,160 --> 00:13:49,440 Speaker 1: saying you aren't a Sammy Hagar fan. I won't hold 243 00:13:49,440 --> 00:13:52,240 Speaker 1: it against you. I've seen over two hundred Hagar concerts, 244 00:13:52,280 --> 00:13:54,880 Speaker 1: whether it was Van Halen solo with the Wabbos, Chicken Foot, 245 00:13:54,880 --> 00:13:56,719 Speaker 1: et cetera. I've met him numerous times, and let's just 246 00:13:56,760 --> 00:13:59,800 Speaker 1: say he's my number one music guy. Yes, I'm a 247 00:14:00,040 --> 00:14:02,720 Speaker 1: i'd had Diehard super fan. Please be nice to Sammy 248 00:14:02,760 --> 00:14:04,920 Speaker 1: in the upcoming episode. I will continue to listen to 249 00:14:05,000 --> 00:14:07,720 Speaker 1: be nervously awaiting the Van Halen at Thanks for all 250 00:14:07,800 --> 00:14:10,559 Speaker 1: you do, rock a rolla and horns up bitches, Doctor 251 00:14:10,679 --> 00:14:14,959 Speaker 1: Sarah aka doctor Cabo, Well, doctor Cabo aka doctor Sarah. 252 00:14:16,400 --> 00:14:20,480 Speaker 1: I don't actively dislike Sammy Hagar. I just prefer Van 253 00:14:20,600 --> 00:14:23,400 Speaker 1: Halen to Van Hagar. But I do, I do, I do. 254 00:14:23,560 --> 00:14:26,560 Speaker 1: I do find myself as I get older. You know, 255 00:14:26,800 --> 00:14:29,120 Speaker 1: if one of those Van Halen songs with Sammy Hagar 256 00:14:29,240 --> 00:14:31,520 Speaker 1: comes on, I find myself turning it up and getting 257 00:14:31,560 --> 00:14:33,000 Speaker 1: into it in a way that I never did before. 258 00:14:33,120 --> 00:14:36,920 Speaker 1: I promise you I won't be completely neutral, but I 259 00:14:37,560 --> 00:14:40,880 Speaker 1: won't be excessively harsh on Sammy Hagar. All right, and 260 00:14:40,920 --> 00:14:43,120 Speaker 1: I appreciate your passion for him. Plus everything I've seen 261 00:14:43,160 --> 00:14:44,560 Speaker 1: with Sammy Hagar, I heard of him. I don't know 262 00:14:44,640 --> 00:14:46,200 Speaker 1: much about the guy, but every time I hear him talk, 263 00:14:46,200 --> 00:14:47,840 Speaker 1: I'm like, oh, this guy seems like a good dude. 264 00:14:48,080 --> 00:14:51,240 Speaker 1: All right, let's move on here. Three oh four rights in, sir, 265 00:14:51,400 --> 00:14:54,040 Speaker 1: I am honored. This is the Milkman. Jared Murray. I 266 00:14:54,120 --> 00:14:56,520 Speaker 1: sent the Jake motherfucking Brennan Land text in I'm glad 267 00:14:56,560 --> 00:14:58,400 Speaker 1: you liked it and chose to share it on the podcast. 268 00:14:58,680 --> 00:15:01,560 Speaker 1: I'm now immortalized one of the greatest podcasts ever made. 269 00:15:01,680 --> 00:15:04,680 Speaker 1: Thank you well, Jared the Milk Man, you are welcome. 270 00:15:04,840 --> 00:15:05,640 Speaker 2: Appreciate it all. 271 00:15:05,720 --> 00:15:09,000 Speaker 1: Right, let's see here the nine oh one rights in 272 00:15:09,280 --> 00:15:13,160 Speaker 1: just the Clintons, and you know, I think I'm going 273 00:15:13,200 --> 00:15:14,480 Speaker 1: to say this, and I think I mean what I'm 274 00:15:14,480 --> 00:15:18,520 Speaker 1: gonna say. I'm not going to cover any politics, any politicians, 275 00:15:18,760 --> 00:15:23,280 Speaker 1: just not going to do it. Maybe maybe going like 276 00:15:23,520 --> 00:15:26,560 Speaker 1: way way way way way, way, way, way way back, 277 00:15:27,080 --> 00:15:30,560 Speaker 1: but I'm not stepping into this line lions. Then it's 278 00:15:30,640 --> 00:15:33,320 Speaker 1: too gross and I'm too smart to do it. You 279 00:15:33,360 --> 00:15:35,400 Speaker 1: can get plenty of that Clinton stuff elsewhere, as you 280 00:15:35,440 --> 00:15:38,000 Speaker 1: can get the Kennedy stuff elsewhere, and the Bush stuff elsewhere, 281 00:15:38,080 --> 00:15:40,480 Speaker 1: and the Trump stuff elsewhere, and the fucking Biden stuff. 282 00:15:40,480 --> 00:15:42,480 Speaker 1: You can get it all. It's everywhere, man, it's everywhere. 283 00:15:42,680 --> 00:15:44,560 Speaker 1: I try to avoid that shit in my life. I 284 00:15:44,560 --> 00:15:45,840 Speaker 1: don't want to start trafficking in it. 285 00:15:46,720 --> 00:15:49,560 Speaker 2: But you know, I appreciate your text anyway. 286 00:15:49,600 --> 00:15:51,760 Speaker 1: Six to one nine rights in, Dude, Jake, been listening 287 00:15:51,840 --> 00:15:53,840 Speaker 1: since the start, and I love all your work. Never 288 00:15:53,880 --> 00:15:56,320 Speaker 1: recommended anyone, but I just realized one of my favorite 289 00:15:56,360 --> 00:15:58,800 Speaker 1: hip hop artists would be a perfect episode. Mac Dre 290 00:15:59,280 --> 00:16:01,960 Speaker 1: bank robbery beef with the Bay Area cops and Murder. 291 00:16:02,280 --> 00:16:05,120 Speaker 1: Keep up the great work, rock a rolla mac Dre. 292 00:16:05,280 --> 00:16:07,200 Speaker 1: I think I got a slot from mac Dre. I 293 00:16:07,280 --> 00:16:08,760 Speaker 1: think I do. Has been a lot of people who 294 00:16:08,800 --> 00:16:10,680 Speaker 1: have recommended mac Dre, and it's got to happen at 295 00:16:10,720 --> 00:16:13,600 Speaker 1: some point, all right. This one comes from the eight 296 00:16:13,720 --> 00:16:17,680 Speaker 1: six to two. Hey, Jake, LP. Also let me Killmeister? 297 00:16:18,040 --> 00:16:20,640 Speaker 1: Was their roadie Elp? Excuse me not LP? 298 00:16:22,280 --> 00:16:22,880 Speaker 2: That would be weird? 299 00:16:23,320 --> 00:16:24,200 Speaker 1: Uh Elp? 300 00:16:24,800 --> 00:16:27,760 Speaker 2: Who the fuck is Elp? I don't know this is this? 301 00:16:28,040 --> 00:16:31,200 Speaker 1: This goes in in a weird direction. Frankie Lineman, Okay, 302 00:16:31,200 --> 00:16:33,480 Speaker 1: I can get with that. Uh yeah, there's a lot here, 303 00:16:33,600 --> 00:16:35,920 Speaker 1: a lot here eight six to two. Appreciate it. I'll 304 00:16:35,960 --> 00:16:39,080 Speaker 1: get back to you. Offline nine oh six rites in 305 00:16:39,240 --> 00:16:42,840 Speaker 1: please Dave Mustang love Janet cross check from God's Area 306 00:16:42,920 --> 00:16:45,520 Speaker 1: Code the nine oh six. I don't understand half the text, 307 00:16:45,720 --> 00:16:49,560 Speaker 1: Dave Mustang, I understand, perhaps someday. Where's God's area code? 308 00:16:49,640 --> 00:16:50,120 Speaker 2: I want to know. 309 00:16:50,320 --> 00:16:52,360 Speaker 1: Let me know six one seven nine oh six six 310 00:16:52,520 --> 00:16:55,160 Speaker 1: six three eight voicemail text. Guys, let me know what 311 00:16:55,240 --> 00:16:57,600 Speaker 1: you want to hear in twenty twenty four, Which non 312 00:16:57,720 --> 00:17:00,560 Speaker 1: musical artists specifically you want me to cover. Also, you 313 00:17:00,680 --> 00:17:03,280 Speaker 1: got musicians, rock stars you're dying for me to get into. 314 00:17:03,600 --> 00:17:06,120 Speaker 1: Let us know, got half the year to program. We're 315 00:17:06,119 --> 00:17:09,520 Speaker 1: getting close. Dennis Rodman, though, love that one. I was 316 00:17:09,560 --> 00:17:12,040 Speaker 1: a damn good recommendation. All right, let's take a break. 317 00:17:12,040 --> 00:17:13,880 Speaker 1: We'll be back in a flash to do some emails. 318 00:17:28,720 --> 00:17:32,880 Speaker 1: All right, Let's check out this email from Joseph Rue 319 00:17:32,920 --> 00:17:36,800 Speaker 1: Jerry Rue, Jerry, I apologize Joseph if I'm pronouncing your 320 00:17:36,960 --> 00:17:40,520 Speaker 1: last name wrong, which I most certainly am. Subject says 321 00:17:40,600 --> 00:17:43,480 Speaker 1: reco message. If you're going beyond music and movies, how 322 00:17:43,520 --> 00:17:47,040 Speaker 1: about how about Sonny Barger, founder of the Hell's Angels. 323 00:17:47,080 --> 00:17:49,639 Speaker 1: How about I like being above ground there, Joseph and 324 00:17:49,680 --> 00:17:52,600 Speaker 1: I don't want to die? How about that? I don't 325 00:17:52,600 --> 00:17:54,280 Speaker 1: think we'll be covering Sonny. We got into him in 326 00:17:54,320 --> 00:17:58,320 Speaker 1: the Altemon episode in all seriousness, and we're actually writing 327 00:17:58,359 --> 00:18:01,480 Speaker 1: an episode right now where he's gonna make another appearance. 328 00:18:02,880 --> 00:18:06,320 Speaker 1: Hell's Angels are a complicated subject, as you know. But 329 00:18:06,400 --> 00:18:08,120 Speaker 1: there's a lot to dig into there, and I'd rather 330 00:18:08,160 --> 00:18:11,680 Speaker 1: do it tangentially than directly. Let's see it to another 331 00:18:11,720 --> 00:18:15,359 Speaker 1: email here, this one from Howard Cantoff, who writes in 332 00:18:15,560 --> 00:18:19,480 Speaker 1: subject Imagine drummer message, love the show. Just listen to 333 00:18:19,560 --> 00:18:23,440 Speaker 1: the Derek and the Dominoes slash Jim Gordon episode. Jim 334 00:18:23,600 --> 00:18:26,159 Speaker 1: was truly great and truly troubled. But the drummer on 335 00:18:26,320 --> 00:18:32,199 Speaker 1: Imagine is also great. Alan White later of, yes, Howard, 336 00:18:32,480 --> 00:18:35,159 Speaker 1: did I say that Jim Gordon was the drummer on Imagine. 337 00:18:35,200 --> 00:18:37,280 Speaker 1: If I did and I was wrong, then I apologize. 338 00:18:37,760 --> 00:18:39,640 Speaker 1: If I did and I was right, and you're wrong, 339 00:18:39,760 --> 00:18:42,159 Speaker 1: then you know whatever, Man, shit happens. 340 00:18:42,240 --> 00:18:42,600 Speaker 2: I get it. 341 00:18:43,720 --> 00:18:45,640 Speaker 1: More likely than not, it was probably me who made 342 00:18:45,680 --> 00:18:50,560 Speaker 1: the mistake. This happens, So yeah, appreciate the correction. We'll 343 00:18:50,600 --> 00:18:52,840 Speaker 1: figure this out. I'm doing this obviously in real time. 344 00:18:52,880 --> 00:18:55,320 Speaker 1: We'll figure out whether or not I misspoke, and we 345 00:18:55,480 --> 00:18:59,280 Speaker 1: will correct the record. If so, back at you soon, Howard. 346 00:18:59,320 --> 00:18:59,919 Speaker 2: Appreciate the tech. 347 00:19:00,000 --> 00:19:00,200 Speaker 3: Next. 348 00:19:01,080 --> 00:19:03,639 Speaker 1: Patrick Duncan writes in looking forward to the new season. 349 00:19:03,760 --> 00:19:05,879 Speaker 1: Fairly new to the podcast, So I've been playing ketchup, 350 00:19:05,920 --> 00:19:07,760 Speaker 1: which is a good thing, because hey, it's like having 351 00:19:07,760 --> 00:19:10,520 Speaker 1: one hundred new episodes all at once. Really excited to 352 00:19:10,600 --> 00:19:13,840 Speaker 1: hear your Lane and Chris episodes. Patrick's talking about Lane 353 00:19:13,880 --> 00:19:17,680 Speaker 1: Staley and Chris Cornell with Alison Chains and Soundgarden. Being 354 00:19:17,720 --> 00:19:21,360 Speaker 1: a Seattle music scene fan who lived the nineties, it's 355 00:19:21,440 --> 00:19:23,639 Speaker 1: always nice to take a trip down memory. Lane might 356 00:19:23,680 --> 00:19:25,720 Speaker 1: be a little bit of a deep cut or maybe 357 00:19:25,760 --> 00:19:28,560 Speaker 1: a Seattle episode, but Andrew Wood from Mother Love Bone 358 00:19:28,560 --> 00:19:30,679 Speaker 1: and Me as a Potter from the Gets might make 359 00:19:30,760 --> 00:19:32,320 Speaker 1: a good episode. Me as a pot has been on 360 00:19:32,440 --> 00:19:35,399 Speaker 1: the list Patrick since the very beginning, and I have 361 00:19:35,880 --> 00:19:38,639 Speaker 1: uh man, I just you know, I gotta do it. 362 00:19:38,720 --> 00:19:41,520 Speaker 1: I gotta do it. At some point it'll happen. Lance 363 00:19:41,560 --> 00:19:44,280 Speaker 1: Boardman writes in great podcast, keep them coming. Love the 364 00:19:44,359 --> 00:19:47,720 Speaker 1: expansion to non music stories. Check out the history of 365 00:19:47,760 --> 00:19:51,520 Speaker 1: the TV show Heaw Really the band? Oh I knew this. 366 00:19:51,640 --> 00:19:53,919 Speaker 1: The banjo player string Bean was killed by a hammer 367 00:19:53,960 --> 00:19:55,800 Speaker 1: and the skull. I didn't know that string Bean. I know, 368 00:19:55,920 --> 00:20:00,000 Speaker 1: I know of the string Bean story. I didn't associate 369 00:20:00,280 --> 00:20:01,879 Speaker 1: him with he Haw, though I thought he was earlier 370 00:20:01,920 --> 00:20:06,400 Speaker 1: than that. Uh yeah, this is this is interesting. Thanks 371 00:20:06,440 --> 00:20:09,639 Speaker 1: appreciate this, Lance appreciate it. Lance Boardman emailing us up. 372 00:20:09,680 --> 00:20:13,360 Speaker 1: Thanks dude, Moe writes in, Hey, just a suggestion, Banksy, 373 00:20:13,680 --> 00:20:15,639 Speaker 1: love the show, thank you for the content. And the 374 00:20:15,720 --> 00:20:18,560 Speaker 1: email is the email address is pretty mysterious. So maybe 375 00:20:18,600 --> 00:20:22,439 Speaker 1: this is actually maybe this is actually Banksy emailing us. 376 00:20:23,119 --> 00:20:25,680 Speaker 1: You know, his ego striking out. He wants he wants 377 00:20:25,720 --> 00:20:28,840 Speaker 1: to disgrace Slagne episode. You know, we could just do 378 00:20:28,920 --> 00:20:32,040 Speaker 1: a massive attack episode Banksy, you know, might cover you 379 00:20:32,160 --> 00:20:35,000 Speaker 1: that way. Hint, hint, Guys, pick up what I'm putting 380 00:20:35,040 --> 00:20:38,560 Speaker 1: down there, all right, disgracelaandpod at gmail dot com. That's 381 00:20:38,600 --> 00:20:40,760 Speaker 1: how you get at me. We're in recommendations mode here. 382 00:20:41,480 --> 00:20:45,439 Speaker 1: We're taking recommendations for this upcoming second half of our 383 00:20:45,520 --> 00:20:48,240 Speaker 1: programming slate, so definitely want to hear from you guys, 384 00:20:49,240 --> 00:20:51,439 Speaker 1: but also want to do some recommendations myself. All right, 385 00:20:51,520 --> 00:20:54,199 Speaker 1: This is, as you know, the recommendations part, the part 386 00:20:54,240 --> 00:20:56,520 Speaker 1: of the show where we recommend the things that need recommending, 387 00:20:56,840 --> 00:20:58,640 Speaker 1: specifically on the music front. 388 00:20:58,760 --> 00:20:59,080 Speaker 2: All right. 389 00:20:59,280 --> 00:21:01,840 Speaker 1: During the last episode, we talked about Fred Neil in 390 00:21:01,920 --> 00:21:04,359 Speaker 1: his song The Dolphins. I want to give you some 391 00:21:04,520 --> 00:21:06,560 Speaker 1: more songs. I want to give you some more songs 392 00:21:06,680 --> 00:21:10,040 Speaker 1: that are in the same space that I've been listening 393 00:21:10,080 --> 00:21:12,320 Speaker 1: to throughout the week. There's a great song by an 394 00:21:12,359 --> 00:21:14,240 Speaker 1: artist that I know nothing about called f J. 395 00:21:14,359 --> 00:21:16,680 Speaker 2: McMahon. It's called Early Blue. Check that out. 396 00:21:17,320 --> 00:21:21,199 Speaker 1: This next song. I don't really know how to pronounce 397 00:21:21,240 --> 00:21:23,560 Speaker 1: the artist's name, but I've been listening to this song. 398 00:21:24,160 --> 00:21:27,080 Speaker 1: It's in the same vibe as the Fred Neil tune. 399 00:21:27,200 --> 00:21:29,120 Speaker 1: I've been listening to this for about five years now. 400 00:21:30,000 --> 00:21:31,679 Speaker 1: It's a much older song, but I got to hit 401 00:21:31,680 --> 00:21:34,119 Speaker 1: to it about five years ago. It's called Kala My 402 00:21:34,320 --> 00:21:37,920 Speaker 1: Friend by amanas Ama and A Z. You might know 403 00:21:38,040 --> 00:21:40,960 Speaker 1: this when you hear it, all right. Also, we talked 404 00:21:40,960 --> 00:21:43,639 Speaker 1: a little bit a couple of weeks ago about Jjkale 405 00:21:44,040 --> 00:21:47,920 Speaker 1: and I solicited some Jjkal info from you guys, and 406 00:21:48,160 --> 00:21:50,440 Speaker 1: someone was nice enough to write in sort of a 407 00:21:50,480 --> 00:21:56,000 Speaker 1: list of recommendations from Jjkal and this album particularly Naturally 408 00:21:56,160 --> 00:21:58,440 Speaker 1: Jjkal has a lot of material, but this record Naturally 409 00:21:58,720 --> 00:22:01,159 Speaker 1: by Jjkale, this has on it. You'll recognize. You might 410 00:22:01,200 --> 00:22:03,720 Speaker 1: not recognize the original JJ Kale versions that are on it, 411 00:22:03,840 --> 00:22:06,760 Speaker 1: but call Me the Breeze, which was covered by Leonard Skinner. 412 00:22:07,000 --> 00:22:10,000 Speaker 1: You're going to recognize that After Midnight, which was covered 413 00:22:10,040 --> 00:22:12,760 Speaker 1: by of course Eric Clapton. You'll recognize that as well. 414 00:22:12,840 --> 00:22:15,200 Speaker 1: And the vibe on this record, the feel is just 415 00:22:16,200 --> 00:22:23,280 Speaker 1: it's incredible. It's just it's totally totally, totally unique. Also 416 00:22:23,400 --> 00:22:26,600 Speaker 1: because it seems that I'm in this heavy, sort of seventies, 417 00:22:28,960 --> 00:22:33,400 Speaker 1: seventies mellow kind of inspirational vibe right now, spiritual vibe 418 00:22:33,400 --> 00:22:35,679 Speaker 1: when it comes to listening to music. My wife has 419 00:22:35,720 --> 00:22:39,280 Speaker 1: got me listening to the great sugy Otis Inspiration Information, 420 00:22:39,560 --> 00:22:42,200 Speaker 1: amazing album. Check that out if you have not heard it, 421 00:22:42,320 --> 00:22:45,760 Speaker 1: you will love it. Also, another great record by sugary 422 00:22:45,760 --> 00:22:46,920 Speaker 1: Otis called Freedom Fight. 423 00:22:47,680 --> 00:22:48,280 Speaker 2: Check that out. 424 00:22:48,560 --> 00:22:51,680 Speaker 1: Just amazing stuff, amazing vibe. It's all about the vibe 425 00:22:51,720 --> 00:22:54,480 Speaker 1: for me lately. I might have mentioned a couple weeks 426 00:22:54,520 --> 00:22:57,119 Speaker 1: ago that I've been struggling with what to show my 427 00:22:57,840 --> 00:23:01,119 Speaker 1: nine year old for films that appropriate, but just not 428 00:23:01,280 --> 00:23:03,040 Speaker 1: kid films, you know what I mean, some adult stuff 429 00:23:03,040 --> 00:23:03,399 Speaker 1: that I like. 430 00:23:03,480 --> 00:23:04,120 Speaker 2: So we broke down. 431 00:23:04,160 --> 00:23:07,119 Speaker 1: We showed them Rushmore, how to fast forward through a 432 00:23:07,160 --> 00:23:12,800 Speaker 1: couple parts that led me down the Rushmore soundtrack rabbit Hole, 433 00:23:12,960 --> 00:23:15,840 Speaker 1: which I'm sure most of you know, and just get 434 00:23:15,880 --> 00:23:18,840 Speaker 1: me into a heavy Kinks phase. And you know, the 435 00:23:18,960 --> 00:23:21,840 Speaker 1: Kinks have so much stuff from so many different eras, 436 00:23:22,440 --> 00:23:24,879 Speaker 1: and I'm here for all of it. I love all 437 00:23:24,960 --> 00:23:29,359 Speaker 1: of it. Hit me with some weird Kinks recommendations, though, Okay, 438 00:23:29,480 --> 00:23:30,840 Speaker 1: I know this is kind of a deep cut for 439 00:23:30,920 --> 00:23:32,800 Speaker 1: you guys. Six one seven nine oh six sixty six 440 00:23:32,920 --> 00:23:34,879 Speaker 1: three eight. I want the weirdo Kink stuff because I 441 00:23:34,880 --> 00:23:36,480 Speaker 1: feel like I'm a little too basic when it comes 442 00:23:36,520 --> 00:23:38,960 Speaker 1: to the Kink's repertoire. Six one seven nine oh six 443 00:23:39,080 --> 00:23:42,960 Speaker 1: six six three eight. Appreciate you, guys, and appreciate your recommendations. 444 00:23:43,080 --> 00:23:44,640 Speaker 1: Keep them coming. I'm going to take a quick break 445 00:23:44,680 --> 00:24:02,840 Speaker 1: back in a flash wrap this up, all right, welcome back. 446 00:24:02,960 --> 00:24:06,080 Speaker 1: We are here at six one seven nine oh six 447 00:24:06,200 --> 00:24:09,080 Speaker 1: six six three eight. Hit us up on text and voicemail. 448 00:24:09,160 --> 00:24:13,879 Speaker 1: Also disgracelampod at gmail dot com. Hit us up on email. Okay, 449 00:24:14,000 --> 00:24:16,800 Speaker 1: and you can hit us at disgracelampod on any of 450 00:24:16,880 --> 00:24:21,480 Speaker 1: the socials Instagram, X, Facebook, TikTok YouTube, you got it, 451 00:24:21,640 --> 00:24:24,919 Speaker 1: I'm there. Hit me up. I will respond. Let's recap 452 00:24:24,960 --> 00:24:26,800 Speaker 1: those shall we? Number one right now on your feed? 453 00:24:26,840 --> 00:24:29,919 Speaker 1: Two brand new afterparty episodes okay, Number two coming tomorrow 454 00:24:29,960 --> 00:24:32,720 Speaker 1: a rewind episode on Johnny Cash number three over in 455 00:24:32,760 --> 00:24:34,639 Speaker 1: the Badlands. Feed you got a new episode on Sharon 456 00:24:34,720 --> 00:24:37,720 Speaker 1: Stone number four. Next week in the Disgraceland Feed a 457 00:24:37,920 --> 00:24:42,480 Speaker 1: brand new episode on Surge Gainsburg five My number six 458 00:24:42,560 --> 00:24:44,800 Speaker 1: one seven nine oh six six six three eight call 459 00:24:44,880 --> 00:24:47,240 Speaker 1: me on the telephone or text me number six. Remember 460 00:24:47,240 --> 00:24:48,639 Speaker 1: that no one cares about the music you love more 461 00:24:48,680 --> 00:24:50,719 Speaker 1: than you're doing. Well, that's just a disgrace. All right, 462 00:24:51,200 --> 00:24:53,520 Speaker 1: all right, my moment of blisten honor, this moment in time. 463 00:24:53,640 --> 00:24:56,520 Speaker 1: January twenty twenty four, as we move from one huge 464 00:24:56,680 --> 00:24:59,639 Speaker 1: year of Disgraceland to another. This is me reading you 465 00:25:00,080 --> 00:25:03,800 Speaker 1: the Billboard Hot one hundred chart from this week in 466 00:25:03,920 --> 00:25:09,520 Speaker 1: the Here and Now. Number one, Loving on Me Jack 467 00:25:09,600 --> 00:25:15,800 Speaker 1: Carlow last week nine, peak position one weeks on chart eight. 468 00:25:16,840 --> 00:25:22,840 Speaker 1: Number two, Cruel Summer Taylor Swift last week nineteen, peak 469 00:25:22,880 --> 00:25:29,200 Speaker 1: position one weeks on chart thirty five. Number three, Greedy 470 00:25:29,720 --> 00:25:35,439 Speaker 1: Tate McCrae last week twenty four, peak position three weeks 471 00:25:35,480 --> 00:25:41,119 Speaker 1: on chart sixteen. Number four, Paint the Town Red Joja 472 00:25:41,240 --> 00:25:45,680 Speaker 1: Cat number last week twenty nine, peak position last one 473 00:25:46,240 --> 00:25:46,720 Speaker 1: week's on. 474 00:25:46,840 --> 00:25:49,200 Speaker 2: Chart, peak two weeks on chart. 475 00:25:49,080 --> 00:25:52,360 Speaker 1: Number five I Remember Everything. Number three Zach. 476 00:25:52,240 --> 00:25:57,280 Speaker 2: Bryan feature Jack her last last week twas thirty peak 477 00:25:59,080 --> 00:25:59,840 Speaker 2: weeks on chart. 478 00:26:05,560 --> 00:26:08,040 Speaker 1: Quit talking and start mixing. 479 00:26:11,800 --> 00:26:11,840 Speaker 4: H