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Speaker 1: To the Black Guy Who Tips Podcast. I listen because

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Speaker 1: Rod and Karen are hot. Hey, welcome to another episode

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Speaker 1: of the Black Autie Podcast. I'm your host, Rod, joined

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Speaker 1: us always by my co host, and we are live

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Speaker 1: on a Wednesday, ready to do some recapping. That's right.

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Speaker 1: Today's episode is us recapping Lovecraft Country, the HBO original series.

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Speaker 1: You know, show runner Misha Green takes us through a

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Speaker 1: Lovecraft Country every week and we are along for the Rod.

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Speaker 1: Today's episode is the second episode of this season, season one,

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Speaker 1: and it is called the Whitest on the Moon, which

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Speaker 1: is named after Gil Scott Scott heron poem slash song

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Speaker 1: that they play in the episode. Yep, Karen, Before we

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Speaker 1: get into the breakdown and start recapping this thing, what'd

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Speaker 1: you think of this episode in general?

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Speaker 2: I enjoyed it. I enjoyed it like I had a

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Speaker 2: ball this episode.

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Speaker 3: Uh, this episode all the emotions of that makes sense

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Speaker 3: because you know, I was laughing, some parts was sad,

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Speaker 3: and some parts were scary and not scary in like

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Speaker 3: a gory scary, but scary because.

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Speaker 2: They black around these white folks. Scary like I don't

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Speaker 2: know what these white folks gonna do or may do,

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Speaker 2: or could do. And so you know, for me, that's

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Speaker 2: that underlying fear that I continually have watching the show,

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Speaker 2: which for me is I mean it's a real life fear,

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Speaker 2: but you know, at least I know these characters are fictional.

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Speaker 2: H So that's kind of the underlying fear, you know,

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Speaker 2: the suspec it's part that kind of keeps me on

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Speaker 2: the edge with not really knowing where it's going to

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Speaker 2: go with them.

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Speaker 1: Yeah, it's interesting because so much of the fear is

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Speaker 1: not about monsters or horror. It's literally just whiteness, you know,

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Speaker 1: because I would say an underlying part of this entire

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Speaker 1: episode was them being in these white people's house in

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Speaker 1: this white village as the only black people there, and

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Speaker 1: every single scene just felt like, oh, like, what could happen?

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Speaker 1: What is this a setup for? You know, you automatically

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Speaker 1: don't trust anyone that shows up for any reason. And yeah,

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Speaker 1: so for me, I liked this episode, but I think

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Speaker 1: this episode was much more like it felt like so

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Speaker 1: many coincidences and stuff. This felt more like the horror genre.

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Speaker 1: You know, I'm not a huge fan of the horror

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Speaker 1: genre to be honest, because of it is very like

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Speaker 1: coincidental you know what I mean, very much like, we

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Speaker 1: need to get from this set piece to this set piece.

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Speaker 1: How do we get there? It don't really matter. We

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Speaker 1: need to just get to you know, we need to

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Speaker 1: be into woods at night, you know, we need to

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Speaker 1: you know, I just had a vision and the ghost

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Speaker 1: is in here with us or whatever. It's like, what, how? Why?

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Speaker 1: Why did this just happen right now? You know? And

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Speaker 1: so that was it was much more like horror and

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Speaker 1: kind of in some places campy and stuff like that.

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Speaker 1: Not that that necessarily is bad, but the other part

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Speaker 1: of this is it feels like and this happens a

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Speaker 1: lot of times. I bet you this was a two

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Speaker 1: hour palette pilot episode, Like I bet you this was

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Speaker 1: what they like whenever they filmed, like what they were

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Speaker 1: gonna pitch and be like, this is what the show

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Speaker 1: is gonna be. I feel like, but I feel like

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Speaker 1: we could have gotten a two hour premiere, yes, and

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Speaker 1: it would have been like almost like a mini movie

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Speaker 1: because so much of the storyline is perfectly encapsulated into that.

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Speaker 1: I do wonder how much more they're gonna do that,

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Speaker 1: Like if if what we're gonna be looking at is

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Speaker 1: while it is an episodic through arc of a story.

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Speaker 1: If we're gonna get these kind of mini stories in

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Speaker 1: the middle of the season where it's like, these two

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Speaker 1: episodes are about this, and these two episodes are about that,

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Speaker 1: because it felt very much like self contained but at

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Speaker 1: the same time in it's fictional place that I'm very

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Speaker 1: curious of. All right, well, let's get into the breakdown

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Speaker 1: of this episode why it is on the moon, And

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Speaker 1: once again, just as a show note to everybody, we don't,

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Speaker 1: we have not and do not plan on ever reading

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Speaker 1: the book. So if we don't know some shit, let

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Speaker 1: us not know some shit. If you have read the

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Speaker 1: books and you know all the fallers and ship, leave

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Speaker 1: us alone. We don't. We don't care.

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Speaker 2: Uh.

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Speaker 1: If we're gonna just looks foolish in three weeks because

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Speaker 1: we didn't know what happened, that's.

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Speaker 2: Gonna be like, I'm okay with looking stupid.

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Speaker 1: We're okay with that. Okay, yes we are, you know,

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Speaker 1: so we we we literally discourage uh book reader feedback. Okay,

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Speaker 1: we were just let us fuck up. Okay, let us

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Speaker 1: be out.

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Speaker 2: There by ourselves. Lets let our ships sink on their own.

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Speaker 1: We're in our car trying to discover our guide book

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Speaker 1: and you just in the backseat riding with us.

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Speaker 2: Okay, yes, did we crash? Just let us crash.

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Speaker 1: It's okay. You let Roderick fucking Morrow drive a car. Okay,

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Speaker 1: So we start and this, I honestly I laughed so

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Speaker 1: hard because I did not expect this to the beginning.

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Speaker 1: This is by far one of the in a horror

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Speaker 1: series too.

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Speaker 2: Yes, and also it's one of those things I'm not

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Speaker 2: trying to be funny, I'll go, oh, y'all, let black

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Speaker 2: people touch this, like like it was one of those

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Speaker 2: things I could go, yeah, niggas thought of this.

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Speaker 1: Yeah, I mean I feel like we already knew that

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Speaker 1: that that that was happening. But yeah, it was definitely

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Speaker 1: like it just like especially I think coming off of

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Speaker 1: last week after the monsters them getting to the man,

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Speaker 1: because it took so much out of them, right, like

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Speaker 1: we had reason to believe like, yeah, this is not

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Speaker 1: gonna go out well, but yeah, it stars And you

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Speaker 1: see Uncle George in a row and he is cutting

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Speaker 1: a rug to the Jefferson's moving.

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Speaker 2: On up, putting clothes out the closet.

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Speaker 1: Leddy was pulling clothes out the cloudset, trying on new dresses,

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Speaker 1: and each dress fit better than the last one, perfectly

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Speaker 1: in her size. I thought she was gonna open and

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Speaker 1: start an Instagram account.

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Speaker 2: Come on her hell was going everywhere. Them crowns was popping.

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Speaker 1: Yeah, she was about to become the first influence and ship.

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Speaker 1: She started pulling out flat timmy tea and looking in

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Speaker 1: the mirror and shit, come on taking selfies. And then

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Speaker 1: George had every book where.

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Speaker 2: He was at the motherfucker library getting his life.

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Speaker 1: Yeah, books back then was like TV and shows now.

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Speaker 1: So like he was like these niggas got all the books.

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Speaker 1: I don't love him a nigga. And so he was

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Speaker 1: just in book.

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Speaker 2: He got the whole sets.

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Speaker 1: He could have read for hours. And they were just

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Speaker 1: and you know, they were not reacting like some people

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Speaker 1: that just saw that just had guns put in their face.

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Speaker 1: We're about to get killed in the woods. And then

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Speaker 1: monsters show goths as they were called, came and ate

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Speaker 1: the fucking sheriffs and turned the one sheriff into a vampire,

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Speaker 1: a show goth himself. And then they barely survived and

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Speaker 1: stayed up all night with lights and crashed their car

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Speaker 1: and then walked into walked into this area, this house

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Speaker 1: the next day, full buddy clothes everywhere. You would have

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Speaker 1: thought they would have woke up and been like, what

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Speaker 1: the fuck is going on? They had no clue, no

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Speaker 1: care in the world, no care in the motherfucking world.

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Speaker 1: They was like yes, and so then we cut to

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Speaker 1: ticks room and tickets up there work. Yes.

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Speaker 2: Yes, he's responding like somebody thatd just been through It's

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Speaker 2: like been through shit.

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Speaker 1: Yeah, he had flashbacks and memories of last night. He like,

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Speaker 1: they literally showed us his memory of like the sheriffs

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Speaker 1: being eaten by those fucking monsters and shit, and he

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Speaker 1: doesn't know what's going on in the other rooms, so

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Speaker 1: he don't. He basically wakes up and he's like, you know,

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Speaker 1: like like he's like, the mission is to get my

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Speaker 1: father and get the fuck out of here.

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Speaker 2: Yes, and the other two niggas in the house going

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Speaker 2: living my best life.

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Speaker 1: Right up, like they was just having a good fucking

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Speaker 1: time the whole time, and he they basically woke up like,

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Speaker 1: yes they did.

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Speaker 2: They might as well jumped up and start dances. Well,

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Speaker 2: I like to fit. I think I'm on this red And.

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Speaker 1: So they come outside into the hallway because a bell

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Speaker 1: starts ringing. It sounds like an alarm, but apparently it's

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Speaker 1: the dinner bell, so I guess a lunch bell. So

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Speaker 1: they all come into the hardway. George asked if Tick

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Speaker 1: has his own library with all his favorite books in it,

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Speaker 1: and Tick's like no, like what, and then Latitia's like,

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Speaker 1: she comes outside in the fucking riding. I feel like

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Speaker 1: they're about to go fox hunting.

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Speaker 2: Yes, where's her horse?

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Speaker 1: Right? She needs a rider? Crop Also, it's so funny,

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Speaker 1: but because you know, Latitia is like a woman that

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Speaker 1: I just feel like it's from the future but placed

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Speaker 1: into this story because it don't matter what they are,

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Speaker 1: where they're going what Latitia finds a way to get

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Speaker 1: to the tight pants? Okay, your girl, Titia just like,

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Speaker 1: I don't know, I don't give a fuck with that.

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Speaker 1: My style is a real hot girl shit.

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Speaker 2: Come on. That's probably why she follow out with everybody.

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Speaker 2: Everybody like just like a woman. She was like, fuck that,

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Speaker 2: I want the hot girl. Shit.

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Speaker 1: She's looking for pants and the tighter the better. Okay,

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Speaker 1: look at.

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Speaker 2: Them, girl, them they doupe sound.

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Speaker 1: That's what she about. She's she's on some like before

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Speaker 1: Lulu Lemon. Shit, come on, the teacher comes out there

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Speaker 1: and they're like, what's this, Like, you got on and

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Speaker 1: she's like, oh my god, I tried on so many

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Speaker 1: clothes and they all fit. And Tick is like, huh,

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Speaker 1: you got all the fucking books you can read, nothing

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Speaker 1: wrong with that. You could just try on clothes forever

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Speaker 1: in your room. This s ain't weird, do y'all? And

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Speaker 1: they're like nah, And this is the first time we

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Speaker 1: get our appearance in this episode of William. William is

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Speaker 1: the white man who answered the door last week who

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Speaker 1: was like, mister Freeman, we were come on in your

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Speaker 1: home or whatever. And so William shows up out of

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Speaker 1: nowhere and they do this several times this episode, and

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Speaker 1: each one made go laugh. Now, they weren't jump scares, like,

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Speaker 1: they didn't play like a musical cue like.

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Speaker 2: Like, but it was just you turn around that nigga

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Speaker 2: just beat there. You're be like, what the hell you

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Speaker 2: come from?

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Speaker 1: Right? And he looks like, you know, the postal boy

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Speaker 1: for the Arian Nation, so likelinde hair, blue eyed ass,

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Speaker 1: just popping out of nowhere and at the corner of

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Speaker 1: your eye, you know, it's a little bit frustrating. And

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Speaker 1: so he was like, hey, that was the lunch bell.

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Speaker 1: It's not an alarm, and uh, they're like, oh, and

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Speaker 1: you can tell that him and Tick have had some

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Speaker 1: conversation since last night, like the other two didn't really

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Speaker 1: seem to remember or no William, but Tick does. He

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Speaker 1: knows his name, and they've talked. And Tick was like, so,

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Speaker 1: Wing is my father expected to return from Boston, so

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Speaker 1: this must be where they told him. His father is like,

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Speaker 1: I said, we don't see this conversation. And then he goes, well,

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Speaker 1: your your father, I don't know when he'll tem come back.

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Speaker 1: I just had I told you all the information I'm

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Speaker 1: privy to. Your father went to Boston with miss Braithwhite.

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Speaker 4: Who is.

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Speaker 1: The blonde woman who had the car that that that

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Speaker 1: the silver Bentley that Christina Braith White is the blond,

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Speaker 1: young blonde woman who had car that saved them outside

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Speaker 1: of Simmonsville. So that's miss Braithwaite. So the cover the

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Speaker 1: story is they came all this way. His father is

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Speaker 1: went to Boston to see with a lawyer and with

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Speaker 1: Miss Braithwaite for some legal business. It has gone left

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Speaker 1: two days ago and they don't know when he's coming back.

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Speaker 1: So y'all can just stay here and wait. So that's

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Speaker 1: the cover story, okay, and Tick, you know, it's like

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Speaker 1: we have to stay here, Like my goal is to

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Speaker 1: get my father, So if y'all are telling the truth,

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Speaker 1: I had to stay here anyway. So then William says

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Speaker 1: there's no telephone lines in the mansion because Samuel Braithwaite,

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Speaker 1: who now owns this big ass house, is like he

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Speaker 1: trying to escape business. He don't want no business bothering him.

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Speaker 1: And of course Tick is like, but the business with

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Speaker 1: my father, Like what the fuck is that then? And

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Speaker 1: he's like, well, that's different business. Don't worry about that.

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Speaker 2: Uh.

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Speaker 1: They get to the main room like living room or something,

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Speaker 1: and they see or like a foyer or something. It's

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Speaker 1: a big ass house's a lot of rooms, and they

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Speaker 1: see a painting and it's a man in a cloak

240
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Speaker 1: with like this.

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Speaker 2: Uh.

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Speaker 1: I don't know what you call him, but like the

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Speaker 1: things that go, Like when you're a valedictorian, they give

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Speaker 1: those ribbons. He got some cloak ribbons. Okay, it's nigga graduah, yeah,

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Speaker 1: some sashes. He graduated number one in the he the valedictorian.

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Speaker 2: All all the boys scout badges.

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Speaker 1: Yeah, he the Colt Victorian and ship and so uh.

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Speaker 1: And he also had a ring a silver a gold

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Speaker 1: ring that's like a circle.

250
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Speaker 2: That was on his hand.

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Speaker 1: And they asked him they you know, George is curious

252
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Speaker 1: and ship and they are like, who the fuck is

253
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Speaker 1: this dude. It's like, oh, that is because he's George's like,

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Speaker 1: that's Samuel Breaks why He's like, no, that's his ancestor,

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Speaker 1: Titus Breathwhite. He built this big ass mansion. And uh,

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Speaker 1: Titus was an extraordinary man who made his wat shipping

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Speaker 1: and of course, being that these people speak black, they

258
00:14:08,160 --> 00:14:11,200
Speaker 1: was like, hold up shipping and let it goes. That

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00:14:11,320 --> 00:14:16,400
Speaker 1: means slaves, that mean slavery, slaves. And then they start

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Speaker 1: with that old chestnut, you know, the one we that

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Speaker 1: familiar song that we all know and love.

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Speaker 2: Uh.

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Speaker 1: He was exceptionally nice to his slaves, so you know,

264
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Speaker 1: other than the whole slave, he treated his slaves real,

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Speaker 1: real good. He was really kind to his slaves. Okay,

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Speaker 1: he would let him sleep at night sometimes.

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Speaker 2: You know, he wouldn't rape them as much.

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Speaker 1: He would rape from just a love it, like just

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Speaker 1: you know, rape just a love it. Saturday's you know,

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Speaker 1: was rape day. Other than that he was cool and

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Speaker 1: was free to do whatever they want to, you know,

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Speaker 1: upbeaten a month, you know what I mean, you beat

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Speaker 1: him a couple of times a month. You know, don't

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Speaker 1: want to overdo it. Just one of those real, a

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Speaker 1: real nice gush.

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Speaker 2: He took care of his slaves. You know, he didn't

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Speaker 2: lie nobody else to come and be his slaves.

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Speaker 1: He wouldn't do that, like you know, he's he loves

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Speaker 1: when they was saying a Negro spiritual okay, before he

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Speaker 1: would sell their children. But hey, hey, it is one

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Speaker 1: of them good slave owners, you know, one of the

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Speaker 1: good ones. And so apparently he died in a fire.

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Speaker 1: And so this lodge that they're in right now is

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Speaker 1: not the original lodge. It is a reconstructed replica of

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Speaker 1: the lodge that I guess Samuel oversaw or tight or

286
00:15:35,560 --> 00:15:39,280
Speaker 1: whatever the tight like. So this dude died in a

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00:15:39,360 --> 00:15:43,840
Speaker 1: fire that destroyed the original lodge and killed almost everyone

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Speaker 1: in there. And William makes a point of saying almost everyone.

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Speaker 1: And he looks at Tick when he says that important message,

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00:15:54,080 --> 00:16:03,880
Speaker 1: and so he's like it burned down in the autumnal equinox.

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Speaker 1: So uh, that's like in late November September whatever, when

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Speaker 1: you know, when the moon reaches the high peaking in

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00:16:15,320 --> 00:16:19,600
Speaker 1: the world or some ship, you know, one't the mystical things.

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Speaker 2: You know, you know what I'm saying on y'all astronomy.

295
00:16:21,960 --> 00:16:24,880
Speaker 1: Back when the days get to the shortest time and

296
00:16:24,920 --> 00:16:27,000
Speaker 1: the nights get to the longest.

297
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Speaker 2: Time, back then you had to do it with stones

298
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Speaker 2: and ship like that. I don't know.

299
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Speaker 1: I mean, that's what it is, carn equinox. Everybody knows

300
00:16:34,640 --> 00:16:37,920
Speaker 1: that it's right around my birthday September twenty this year,

301
00:16:39,520 --> 00:16:42,280
Speaker 1: and my birthday is the day after that, which is

302
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Speaker 1: why I'm such a dope person that's so balanced and

303
00:16:45,120 --> 00:16:47,720
Speaker 1: can see things from all kinds of points of view,

304
00:16:47,760 --> 00:16:49,960
Speaker 1: and why I'm such a super libra. Everybody knows that

305
00:16:50,120 --> 00:16:57,080
Speaker 1: it's because of the equinox. But yeah, at anyway, they

306
00:16:57,120 --> 00:17:02,000
Speaker 1: they end up going outside on the veranda to have

307
00:17:02,440 --> 00:17:06,760
Speaker 1: some food from some lunch, you know. William walks him

308
00:17:06,760 --> 00:17:10,120
Speaker 1: out there and says, hey, y'all hungry, y'all niggas want

309
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Speaker 1: something to eat, And he leaves him outside and says,

310
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Speaker 1: y'all got run to the lodge until later when the

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Speaker 1: guests are going to arrive and there's gonna be a

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Speaker 1: celebratory dinner for all the people that are members of

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Speaker 1: the lodge. And Tick is like, well, can we walk

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Speaker 1: around and explore this village that this place is in

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Speaker 1: the middle of And William, you know pauls for a second,

316
00:17:37,480 --> 00:17:39,560
Speaker 1: is like, yeah, as long as y'all get back before nightfall.

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Speaker 1: And then Letty thanks him, and he's like the butler

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Speaker 1: and staff will be along shortly. And he's like and

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Speaker 1: Letty like, you're not the butler and he's like, no,

320
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Speaker 1: I'm just a friend of miss Braith White.

321
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Speaker 2: Oh no. She was like, the hell, you've been here

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Speaker 2: for the whole time. Then what's your purpose?

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Speaker 1: Right He's like no, no, no, no, no, pause, we have

324
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Speaker 1: poor people for that. And so then uh, when William leaves,

325
00:18:07,359 --> 00:18:09,960
Speaker 1: and I love this part. This is so fucking good.

326
00:18:10,040 --> 00:18:13,159
Speaker 1: This is just such great writing. When he leaves is

327
00:18:13,200 --> 00:18:16,440
Speaker 1: the first time Tick reveals what the fuck wrong with y'all?

328
00:18:17,760 --> 00:18:20,600
Speaker 2: Like, I'm so like, y'all have lost y'all got them mind?

329
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Speaker 1: I really appreciate that he didn't do that shit in

330
00:18:23,880 --> 00:18:27,040
Speaker 1: front of company, because one, it would be stupid, like

331
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Speaker 1: why would you want to reveal that you're in a panic?

332
00:18:29,880 --> 00:18:31,679
Speaker 1: State the whole time, and you're like, yo, we need

333
00:18:31,720 --> 00:18:33,600
Speaker 1: to get the fuck out of here. So you wait

334
00:18:33,680 --> 00:18:35,840
Speaker 1: until this motherfucker's gone. You don't know him, we don't

335
00:18:35,840 --> 00:18:37,880
Speaker 1: trust him, we don't talk in front of the health

336
00:18:38,200 --> 00:18:40,320
Speaker 1: and so I wish you right in front of these

337
00:18:40,359 --> 00:18:44,480
Speaker 1: white folks. I love this moment because like when William leaves,

338
00:18:45,880 --> 00:18:48,840
Speaker 1: you know, George is like, why they being so nice

339
00:18:48,880 --> 00:18:51,800
Speaker 1: to us? And tickets like, you haven't met a white

340
00:18:51,800 --> 00:18:54,639
Speaker 1: person that you accidentally showed up their house and they

341
00:18:54,640 --> 00:18:56,760
Speaker 1: ain't want you out of two point five seconds, and

342
00:18:56,800 --> 00:18:59,359
Speaker 1: it's like, of course, yeah, like this is like during

343
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Speaker 1: this period of time specifically, like y'all.

344
00:19:01,560 --> 00:19:03,639
Speaker 2: Don't y'all ain't put together. Something is wrong.

345
00:19:03,800 --> 00:19:06,679
Speaker 1: And today, by the way, but during this period of

346
00:19:06,680 --> 00:19:09,840
Speaker 1: time specifically, white people wasn't just letting niggas in their

347
00:19:09,840 --> 00:19:12,160
Speaker 1: house they don't know and just chilling with them. So

348
00:19:12,200 --> 00:19:14,520
Speaker 1: he was like, what the fuck is they being too

349
00:19:14,600 --> 00:19:18,800
Speaker 1: nice to us? This feels like a motherfucking trap or

350
00:19:18,840 --> 00:19:21,639
Speaker 1: some shit, right, And to keep in mind, George and

351
00:19:21,720 --> 00:19:24,920
Speaker 1: Letty have been acting as if they don't even remember

352
00:19:24,960 --> 00:19:27,240
Speaker 1: the last night, so they just picked up on all

353
00:19:27,280 --> 00:19:29,960
Speaker 1: this offered the pure strength of Why the fuck is

354
00:19:30,000 --> 00:19:31,120
Speaker 1: this white person being some nice?

355
00:19:31,119 --> 00:19:33,080
Speaker 2: Time told you the Negro sense is tingled. It don't

356
00:19:33,080 --> 00:19:34,280
Speaker 2: matter if they got memory or not.

357
00:19:34,680 --> 00:19:35,800
Speaker 1: It really was tingling.

358
00:19:36,400 --> 00:19:38,280
Speaker 2: They was like this, don't fear right? Yes, why is

359
00:19:38,320 --> 00:19:39,280
Speaker 2: everybody acting nice?

360
00:19:39,359 --> 00:19:42,240
Speaker 1: And so while they talking, Letty rings the bell for

361
00:19:42,320 --> 00:19:44,560
Speaker 1: the butler so she can get some saltn pepper because

362
00:19:45,160 --> 00:19:46,360
Speaker 1: white people don't season their.

363
00:19:46,320 --> 00:19:50,920
Speaker 2: Food, she means. She was like, well they feeding us shit,

364
00:19:51,000 --> 00:19:52,520
Speaker 2: I'm not going out here, but y'all do on an

365
00:19:52,520 --> 00:19:53,840
Speaker 2: empty stomach? God damn no.

366
00:19:54,240 --> 00:19:56,159
Speaker 1: And Tick was me because he looked at her like,

367
00:19:56,240 --> 00:19:57,720
Speaker 1: are you out of your fucking mind?

368
00:19:59,000 --> 00:20:01,560
Speaker 2: Yes? Didn't let that mean like that? I was like, well,

369
00:20:01,840 --> 00:20:04,480
Speaker 2: can at least get some goddamn orange? You scrambling a toast?

370
00:20:04,600 --> 00:20:06,480
Speaker 2: I mean, goddamn, why we got to go out here

371
00:20:06,600 --> 00:20:08,000
Speaker 2: being on around these white folks?

372
00:20:08,080 --> 00:20:10,439
Speaker 1: And I'm like it might be poison. I don't know

373
00:20:10,480 --> 00:20:13,479
Speaker 1: what's going on. We're gonna die off with some gritch

374
00:20:13,720 --> 00:20:17,920
Speaker 1: because because you couldn't you needed some salt? But yeah,

375
00:20:18,040 --> 00:20:22,280
Speaker 1: And so that's when Tick is like, because when she

376
00:20:22,400 --> 00:20:26,320
Speaker 1: rings the bell, he's like, Okay, do y'all not even

377
00:20:26,359 --> 00:20:29,480
Speaker 1: remember what the fuck happened last night. How were y'all

378
00:20:29,480 --> 00:20:34,560
Speaker 1: not traumatized? I am fucking traumatized. And he breaks down, like, yo,

379
00:20:34,680 --> 00:20:37,440
Speaker 1: the fucking show golfs. They was vampire like creatures that

380
00:20:37,480 --> 00:20:40,040
Speaker 1: were biting people. The motherfucker got turned into one. I

381
00:20:40,119 --> 00:20:42,280
Speaker 1: killed the sheriff. And then that's when George is like,

382
00:20:42,400 --> 00:20:44,160
Speaker 1: killed sheriff. Shut up, boy, be quiet?

383
00:20:44,200 --> 00:20:46,600
Speaker 2: What's wrong with you? You're talking out loud?

384
00:20:46,600 --> 00:20:49,359
Speaker 1: You commit in grass right, killed the sheriff. Blake can't

385
00:20:49,359 --> 00:20:52,600
Speaker 1: be talking like this, and uh, Georgia and Letty can

386
00:20:52,720 --> 00:20:54,520
Speaker 1: And then he's like, y'all don't remember last night. And

387
00:20:54,520 --> 00:20:57,760
Speaker 1: that's when Letty and George realized they can't remember, right.

388
00:20:57,800 --> 00:20:59,359
Speaker 2: They was like, if you remember and we.

389
00:20:59,320 --> 00:21:03,159
Speaker 1: Don't something and then and then George tells him to

390
00:21:03,160 --> 00:21:04,920
Speaker 1: sit down there being watched, and we see in a

391
00:21:05,000 --> 00:21:07,960
Speaker 1: doorway the silhouette of someone watching them out the window.

392
00:21:08,119 --> 00:21:10,520
Speaker 1: I don't know if it was William, but it looked

393
00:21:10,520 --> 00:21:12,720
Speaker 1: like maybe it was William, but it could have also

394
00:21:12,920 --> 00:21:18,840
Speaker 1: been maybe saying your birth bathright, something like that, But

395
00:21:18,920 --> 00:21:20,720
Speaker 1: we never really see the face of who was looking

396
00:21:20,760 --> 00:21:21,640
Speaker 1: at them.

397
00:21:22,080 --> 00:21:24,399
Speaker 2: We don't want d'all suspicion out here talking all loud and.

398
00:21:24,400 --> 00:21:30,040
Speaker 1: Shit, right, so then Ticks like this, listen, it don't

399
00:21:30,119 --> 00:21:32,760
Speaker 1: matter if y'all can't remember or not. The goal is

400
00:21:32,840 --> 00:21:34,760
Speaker 1: to getting my father. And then we're getting the fuck

401
00:21:34,800 --> 00:21:38,880
Speaker 1: out of here. Now I'm gonna go search around the village, y'all.

402
00:21:38,880 --> 00:21:41,159
Speaker 1: We're gonna and y'all can do whatever y'all needed. And

403
00:21:41,200 --> 00:21:43,879
Speaker 1: then Letty's like, no, we need to stay together.

404
00:21:44,119 --> 00:21:46,640
Speaker 2: Yeah, this ha the fucking Scooby Doo Gang.

405
00:21:46,760 --> 00:21:51,520
Speaker 1: He splitting up once again, Black people in a scary movie.

406
00:21:51,760 --> 00:21:52,320
Speaker 1: Great writing.

407
00:21:52,520 --> 00:21:55,760
Speaker 2: Yeah, we walk in groups separate, Why so we all

408
00:21:55,840 --> 00:21:56,600
Speaker 2: us could be dead.

409
00:21:56,960 --> 00:21:59,320
Speaker 1: Yeah. She's like, well, whatever we're doing, we're not slitting up.

410
00:21:59,359 --> 00:22:01,280
Speaker 1: And George's like, yeah, don't slit up. That's a stupid

411
00:22:01,280 --> 00:22:04,320
Speaker 1: ass idea. And so then they go to they eat,

412
00:22:04,359 --> 00:22:11,240
Speaker 1: they go to leave, they walk past the garage and

413
00:22:11,280 --> 00:22:13,800
Speaker 1: they see all these cars that these people own, and

414
00:22:13,840 --> 00:22:17,560
Speaker 1: then they stop because Woody is in the car in there,

415
00:22:18,000 --> 00:22:21,679
Speaker 1: their car that they crashed into the fucking cabin in

416
00:22:21,720 --> 00:22:25,760
Speaker 1: the woods that no one remembers except Tick, and the

417
00:22:25,800 --> 00:22:30,560
Speaker 1: fucking car is pristine and the window is even still broken,

418
00:22:31,280 --> 00:22:35,000
Speaker 1: which which which of course freaks Tick out. And it

419
00:22:35,040 --> 00:22:37,520
Speaker 1: freaks them out because now it's like Tick, have you locked?

420
00:22:37,560 --> 00:22:40,840
Speaker 1: Did you lie? Because you told us the car was

421
00:22:40,880 --> 00:22:43,760
Speaker 1: crashed into the cabin and all the ship. The car

422
00:22:43,840 --> 00:22:46,399
Speaker 1: looks great, nothing's wrong with it. Her camera's in the

423
00:22:46,440 --> 00:22:50,720
Speaker 1: front seat, not broken, there's no damage or blood, and

424
00:22:50,760 --> 00:22:54,920
Speaker 1: the back window is still broken, which is a tiny detail,

425
00:22:54,960 --> 00:22:57,800
Speaker 1: but it's such a huge like what the fuck? How

426
00:22:57,960 --> 00:23:00,919
Speaker 1: why is that? Why didn't they just fix the window.

427
00:23:01,000 --> 00:23:03,480
Speaker 2: Because they remember that part, yes.

428
00:23:03,600 --> 00:23:06,960
Speaker 1: Or something, or maybe they use a spell or I

429
00:23:06,960 --> 00:23:10,000
Speaker 1: don't know, like but they the windows not broken and

430
00:23:10,119 --> 00:23:12,680
Speaker 1: not the windows not fixed the window that was shot

431
00:23:12,680 --> 00:23:17,479
Speaker 1: out in Simmonsville. So at any rate, the car is

432
00:23:18,040 --> 00:23:21,200
Speaker 1: you know, it makes Tick look crazy because like, Tick,

433
00:23:21,280 --> 00:23:22,960
Speaker 1: you told us that the car was crashed. He's like

434
00:23:22,960 --> 00:23:25,600
Speaker 1: it was crashing, and it's like, put the car's find

435
00:23:25,600 --> 00:23:28,840
Speaker 1: and my cameras in the front seat and once again

436
00:23:29,320 --> 00:23:31,840
Speaker 1: this nigga William pop about a Noah off screen. Yeah

437
00:23:31,880 --> 00:23:34,480
Speaker 1: he does. He's like, oh hey, y'all and it's like,

438
00:23:34,480 --> 00:23:36,600
Speaker 1: oh shit, what do you want. He's like, I just

439
00:23:36,600 --> 00:23:38,480
Speaker 1: want to get the keys to the older mister Freeman.

440
00:23:38,520 --> 00:23:40,639
Speaker 2: Here you go, yes, and he pops up like he

441
00:23:40,920 --> 00:23:43,959
Speaker 2: just in the paint of something like just floating through

442
00:23:44,000 --> 00:23:44,560
Speaker 2: the wall.

443
00:23:44,560 --> 00:23:49,480
Speaker 1: Right, pa, Am, I pop up, Like when you're doing

444
00:23:49,520 --> 00:23:52,840
Speaker 1: something you got no business doing, your mama just be there, right,

445
00:23:53,000 --> 00:23:55,760
Speaker 1: you know what I mean. You like, I'm gonna just

446
00:23:55,800 --> 00:23:58,480
Speaker 1: go out back and I'm gonna play basketball outside. She said,

447
00:23:58,520 --> 00:24:02,600
Speaker 1: not to play old shit, but yeah, so it'll be.

448
00:24:02,600 --> 00:24:03,840
Speaker 2: Like your mama and you be in the other room

449
00:24:03,840 --> 00:24:06,159
Speaker 2: and she'd be like, don't you pick that up? Ship? Right?

450
00:24:07,119 --> 00:24:10,760
Speaker 1: He pop up, Like when you playing in your good clothes,

451
00:24:11,200 --> 00:24:12,720
Speaker 1: you know what I mean, your mam would just show

452
00:24:12,800 --> 00:24:14,560
Speaker 1: up out of note Like then I tell you, like,

453
00:24:14,920 --> 00:24:17,800
Speaker 1: how the fuck did you know y'all like good clothes

454
00:24:17,800 --> 00:24:22,360
Speaker 1: since don't be playing your church clothes like how anyway,

455
00:24:23,119 --> 00:24:27,840
Speaker 1: William pops up gives the keys to Woodie to h George,

456
00:24:29,640 --> 00:24:35,040
Speaker 1: and William says the car wasn't crashed, that he found

457
00:24:35,040 --> 00:24:36,560
Speaker 1: it on the other side of the bridge like that,

458
00:24:36,960 --> 00:24:40,560
Speaker 1: and of course ticks like, nigga, you lying, I know

459
00:24:40,640 --> 00:24:42,600
Speaker 1: it was crashed. He's like, well, that's how I found it.

460
00:24:43,080 --> 00:24:45,040
Speaker 1: And not only that, it was some blood in the

461
00:24:45,080 --> 00:24:48,920
Speaker 1: front seat. We cleaned that out, but you know that's it.

462
00:24:49,760 --> 00:24:53,719
Speaker 1: And Tickets is like, fucking we out of here, like

463
00:24:54,040 --> 00:24:54,880
Speaker 1: I have time for this.

464
00:24:54,840 --> 00:24:57,320
Speaker 2: Crazy yeah, you lying to me. I know it, you

465
00:24:57,440 --> 00:24:57,800
Speaker 2: know it.

466
00:24:58,359 --> 00:25:02,480
Speaker 1: Now. What it made me is, what if William's telling

467
00:25:02,480 --> 00:25:02,879
Speaker 1: the truth.

468
00:25:03,480 --> 00:25:06,160
Speaker 2: He may have been, because because as far as he's concerned,

469
00:25:07,040 --> 00:25:08,920
Speaker 2: he was probably told to go get it and that's

470
00:25:08,920 --> 00:25:11,399
Speaker 2: the condition that he literally found the vehicle in. And

471
00:25:11,440 --> 00:25:13,560
Speaker 2: I can now not that part, I can believe. But

472
00:25:13,760 --> 00:25:16,000
Speaker 2: in TeX's mind, Tick is like, I don't trust you,

473
00:25:16,040 --> 00:25:18,760
Speaker 2: I don't believe you. But but I but he probably

474
00:25:18,800 --> 00:25:21,000
Speaker 2: could be telling the truth that that's what he literally

475
00:25:21,000 --> 00:25:23,520
Speaker 2: found the prose, that's what they They told him to

476
00:25:23,520 --> 00:25:26,880
Speaker 2: pick it up there right, Yeah, Like I wonder.

477
00:25:27,000 --> 00:25:35,960
Speaker 5: No no, no, no, no no no no no no

478
00:25:35,960 --> 00:25:39,800
Speaker 5: no no no no.

479
00:25:40,560 --> 00:25:44,280
Speaker 1: That was Tick. But but the thing I kept wondering though,

480
00:25:44,400 --> 00:25:48,159
Speaker 1: is what if William's telling the truth he doesn't know

481
00:25:48,200 --> 00:25:51,359
Speaker 1: how the car got repair Because what what it made

482
00:25:51,359 --> 00:25:54,000
Speaker 1: me think is that I don't know how big of

483
00:25:54,040 --> 00:25:57,280
Speaker 1: a cog in the will is William. Like William doesn't

484
00:25:57,320 --> 00:26:01,119
Speaker 1: necessarily seem to have a lot of power or agency.

485
00:26:01,840 --> 00:26:03,600
Speaker 1: I don't know if he's related to these people. It

486
00:26:03,680 --> 00:26:07,719
Speaker 1: doesn't seem that he is. It seems he works for

487
00:26:07,760 --> 00:26:10,840
Speaker 1: the estate in some form of fashion. But he's not

488
00:26:10,880 --> 00:26:13,680
Speaker 1: like a mastermind and whatever they're trying to hatch here.

489
00:26:14,960 --> 00:26:18,520
Speaker 1: So there was something about William that felt like, maybe like,

490
00:26:20,520 --> 00:26:25,480
Speaker 1: maybe what's my girl Christina, the one that had the

491
00:26:25,520 --> 00:26:29,000
Speaker 1: Bentley that flipped the fucking cars over, Maybe she has

492
00:26:29,119 --> 00:26:33,000
Speaker 1: some type of like ability to to do something to

493
00:26:33,040 --> 00:26:34,680
Speaker 1: the car to like get it to the state of

494
00:26:34,720 --> 00:26:37,520
Speaker 1: repair before the crash. And then it was like William

495
00:26:37,560 --> 00:26:39,240
Speaker 1: go pick up the car and bring it in and

496
00:26:39,320 --> 00:26:41,320
Speaker 1: that's how he knows. That's how it felt to me,

497
00:26:41,560 --> 00:26:44,600
Speaker 1: but you know, or maybe he's lying, but I don't know.

498
00:26:44,640 --> 00:26:50,119
Speaker 1: It didn't seem like he was lying. And so then

499
00:26:50,520 --> 00:26:53,760
Speaker 1: they go walk into the village and this is just

500
00:26:53,800 --> 00:26:58,119
Speaker 1: like a old timing village, even for when they was,

501
00:26:58,240 --> 00:27:01,119
Speaker 1: even for this time. It didn't like nobody in the village.

502
00:27:01,160 --> 00:27:04,880
Speaker 2: On the car, it looks like you remember in elementary

503
00:27:04,880 --> 00:27:06,800
Speaker 2: school where that used to make us take that field

504
00:27:06,840 --> 00:27:07,680
Speaker 2: trip up there.

505
00:27:07,520 --> 00:27:08,199
Speaker 1: To James K.

506
00:27:08,240 --> 00:27:10,800
Speaker 2: P Yes, it looked like like a James K. Pope.

507
00:27:10,840 --> 00:27:13,280
Speaker 1: Like they definitely made gridel cakes there.

508
00:27:13,160 --> 00:27:16,000
Speaker 2: Come on and make their own soap. They list soap.

509
00:27:16,320 --> 00:27:20,200
Speaker 1: They definitely put honey on griddle cakes for a treat,

510
00:27:21,520 --> 00:27:25,440
Speaker 1: and milk cows and shit and so Letty as as

511
00:27:25,640 --> 00:27:29,399
Speaker 1: George like ticks ticks on some other shit, tikets walking

512
00:27:29,480 --> 00:27:31,400
Speaker 1: through these white people. It was like where the kids

513
00:27:31,520 --> 00:27:34,280
Speaker 1: is playing this shit? He's just looking around looking for

514
00:27:34,359 --> 00:27:36,159
Speaker 1: clues and shit like what the fuck where am my

515
00:27:36,280 --> 00:27:38,320
Speaker 1: daddy at? I'm just ready to get my daddy and

516
00:27:38,400 --> 00:27:40,399
Speaker 1: get the fuck out of here because this is not

517
00:27:40,560 --> 00:27:43,400
Speaker 1: gonna end well, y'all. And that gives Letty and George

518
00:27:43,520 --> 00:27:47,760
Speaker 1: a moment to talk for a second, and Letty's like, this,

519
00:27:47,840 --> 00:27:49,920
Speaker 1: nigga got PTSD something did he like?

520
00:27:50,200 --> 00:27:52,280
Speaker 2: How does he remembering shit that we can't remember.

521
00:27:52,080 --> 00:27:54,640
Speaker 1: How many people he killed in the war? And right

522
00:27:55,240 --> 00:27:57,280
Speaker 1: like do he got shell shocked? And George like no,

523
00:27:57,400 --> 00:28:00,280
Speaker 1: he's okay, you don't got shell shocked? And then is

524
00:28:00,480 --> 00:28:03,640
Speaker 1: Tick's turn to do what William does? Tick just appears

525
00:28:03,960 --> 00:28:06,360
Speaker 1: like off screen, like the thing is when they first

526
00:28:06,359 --> 00:28:08,959
Speaker 1: started talking, Tick was like twenty yards away, but when

527
00:28:09,000 --> 00:28:11,119
Speaker 1: she said shell shock, it's only been like ten seconds.

528
00:28:11,160 --> 00:28:13,399
Speaker 1: When she brings us up, ticks like it's a shell shocked.

529
00:28:13,440 --> 00:28:15,879
Speaker 1: I'm like, where the fuck is going from? So he

530
00:28:16,000 --> 00:28:17,040
Speaker 1: definitely looked crazy.

531
00:28:17,160 --> 00:28:21,280
Speaker 2: I had had his ears was was tinking and almost

532
00:28:21,600 --> 00:28:24,879
Speaker 2: almost like they was like tweeting and all of a sudden,

533
00:28:25,080 --> 00:28:26,919
Speaker 2: they didn't even add him. He just came out. Now

534
00:28:26,960 --> 00:28:29,040
Speaker 2: y'all talk about me, Yes, where you come from? We're

535
00:28:29,119 --> 00:28:30,560
Speaker 2: not even talking? Yeah you asked.

536
00:28:30,880 --> 00:28:33,920
Speaker 1: I gotta give Jonathan Major so much props for these

537
00:28:33,960 --> 00:28:36,760
Speaker 1: scenes because he was the one who can remember, and

538
00:28:36,880 --> 00:28:38,719
Speaker 1: it made if you didn't know anything, if you never

539
00:28:38,760 --> 00:28:41,239
Speaker 1: saw episode one, you think he was one crazy But yes,

540
00:28:41,440 --> 00:28:43,240
Speaker 1: they was the ones acting crazy, but he was just

541
00:28:43,360 --> 00:28:46,800
Speaker 1: so intense. But he was just like because they were like, well, George,

542
00:28:46,880 --> 00:28:49,520
Speaker 1: I mean, I mean, well, tick, this just doesn't make sense.

543
00:28:49,760 --> 00:28:53,840
Speaker 1: He's like, doesn't make sense. What makes sense? You having

544
00:28:53,880 --> 00:28:56,840
Speaker 1: a room full of your favorite books on the shelves,

545
00:28:57,040 --> 00:28:59,120
Speaker 1: and you having all the clothes in your room that

546
00:28:59,200 --> 00:28:59,920
Speaker 1: fits you perfectly.

547
00:29:00,120 --> 00:29:00,760
Speaker 2: That makes sense?

548
00:29:01,000 --> 00:29:03,600
Speaker 1: That that like that kind of sense, like like they

549
00:29:03,640 --> 00:29:05,640
Speaker 1: want to keep us in these rooms all god damn day,

550
00:29:05,720 --> 00:29:09,600
Speaker 1: like it's a prison. And he's interrupted by the same

551
00:29:09,800 --> 00:29:12,640
Speaker 1: whistle sound that called the monsters off when they were

552
00:29:12,680 --> 00:29:15,480
Speaker 1: in the cabin, because remember that, I thought it was

553
00:29:15,560 --> 00:29:17,320
Speaker 1: like a ring leader monster or something, because it was

554
00:29:17,400 --> 00:29:19,960
Speaker 1: just like this whistle sounds like wow, do like But

555
00:29:20,080 --> 00:29:22,360
Speaker 1: it turns out it wasn't one of the ring leader monsters.

556
00:29:22,560 --> 00:29:26,360
Speaker 1: It was like this whistle sound, and so they Tick

557
00:29:26,520 --> 00:29:28,520
Speaker 1: takes off in a beeline, running towards where he heard

558
00:29:28,520 --> 00:29:30,840
Speaker 1: the whistle come from. And he runs up on this

559
00:29:30,960 --> 00:29:35,360
Speaker 1: woman that has two dogs on leashes, and white woman

560
00:29:35,760 --> 00:29:38,000
Speaker 1: and she's got that whistle and he's like, where did

561
00:29:38,000 --> 00:29:39,600
Speaker 1: you get that whistle from? What do you you know?

562
00:29:39,680 --> 00:29:41,160
Speaker 1: Why do you make that sound? Da da da da?

563
00:29:41,720 --> 00:29:44,800
Speaker 1: And what's the what's the for? And so she is

564
00:29:45,040 --> 00:29:49,280
Speaker 1: her dogs are like racist, Like these dogs they didn't

565
00:29:49,280 --> 00:29:54,640
Speaker 1: fuck with John Lewis hy No, these dogs were definitely

566
00:29:55,440 --> 00:29:59,320
Speaker 1: like some segregation now segregation forever. Ass dogs come on.

567
00:30:00,360 --> 00:30:02,640
Speaker 1: And so these dogs like nigga nigga niggas sare her

568
00:30:03,080 --> 00:30:06,120
Speaker 1: and then Tick George tells him like, hey, can you

569
00:30:06,200 --> 00:30:09,360
Speaker 1: call your dogs off? And she's like, my dogs, ain't

570
00:30:09,400 --> 00:30:11,920
Speaker 1: the ones need to be on the leash because she

571
00:30:12,120 --> 00:30:14,520
Speaker 1: was like one of those white people. I'm like, ain't

572
00:30:14,600 --> 00:30:18,000
Speaker 1: Charlie Maine. Why do all racist people have the same accent? Okay,

573
00:30:18,760 --> 00:30:20,360
Speaker 1: like you like, this is y'all supposed to be in

574
00:30:20,400 --> 00:30:23,720
Speaker 1: Connecticut or some shit, And she was like, listen, this

575
00:30:23,880 --> 00:30:26,800
Speaker 1: is the racism accent. This is how we talk. And

576
00:30:26,920 --> 00:30:30,600
Speaker 1: so she was like it sounds like my dogs ain't

577
00:30:30,640 --> 00:30:33,040
Speaker 1: the ones need to be on the leash. And then

578
00:30:33,640 --> 00:30:36,120
Speaker 1: George was like, ma'am, we are a guest of mister

579
00:30:36,240 --> 00:30:39,320
Speaker 1: Braith White because that's what black people do when we

580
00:30:39,720 --> 00:30:42,720
Speaker 1: need you to act right. It's be like, ma'am, the

581
00:30:42,880 --> 00:30:45,760
Speaker 1: white man invited us here. It's like, oh, well, why

582
00:30:45,800 --> 00:30:48,560
Speaker 1: didn't you say. She's like, y'all don't look like the type.

583
00:30:49,000 --> 00:30:50,640
Speaker 1: And then she made her dolls be quiet for a

584
00:30:50,720 --> 00:30:53,600
Speaker 1: little bit and George is like, are you the sheriff?

585
00:30:53,880 --> 00:30:56,920
Speaker 1: And she's like, sheriff, while you asked that? And he

586
00:30:57,120 --> 00:30:59,040
Speaker 1: was like, cause you stand in front of fucking jail.

587
00:31:00,120 --> 00:31:01,000
Speaker 2: That's a jaff house.

588
00:31:01,640 --> 00:31:04,560
Speaker 1: And it was like a tower that like Rapunzel would

589
00:31:04,560 --> 00:31:05,280
Speaker 1: be at the top.

590
00:31:05,160 --> 00:31:07,520
Speaker 2: Out, yes, let down your hair, honey.

591
00:31:07,720 --> 00:31:11,000
Speaker 1: It didn't look like a jail jail and uh so

592
00:31:11,160 --> 00:31:14,960
Speaker 1: they she's like, uh no, it's not the jail. You

593
00:31:15,040 --> 00:31:17,400
Speaker 1: know this like the cannon word. Keep the dogs and shit,

594
00:31:17,840 --> 00:31:22,000
Speaker 1: and then she uh they go inside. She's like, you know,

595
00:31:22,120 --> 00:31:24,640
Speaker 1: the dogs just hit the ward off the wild animals

596
00:31:24,680 --> 00:31:28,200
Speaker 1: and shit, and they go inside and there's like meat

597
00:31:28,320 --> 00:31:30,960
Speaker 1: hanging up and shit and the dogs go eat and

598
00:31:31,520 --> 00:31:33,920
Speaker 1: he's like, oh, yeah, we heard about that. Y'all got

599
00:31:33,960 --> 00:31:37,880
Speaker 1: grizzlies in the woods over here, And that's when I

600
00:31:37,960 --> 00:31:42,160
Speaker 1: put it together. I was like, oh shit, so we

601
00:31:42,320 --> 00:31:45,160
Speaker 1: knew the grizzlies in the woods were the show goths.

602
00:31:46,000 --> 00:31:48,720
Speaker 1: But I never understood, like, if these creatures exist in

603
00:31:48,800 --> 00:31:52,280
Speaker 1: these fucking woods, how the fuck do people not know

604
00:31:52,440 --> 00:31:55,960
Speaker 1: about them that live in Ardham County. Because sometimes people

605
00:31:56,000 --> 00:31:59,240
Speaker 1: would escape sometimes, you know, or your friends. People gotta

606
00:31:59,240 --> 00:32:01,520
Speaker 1: be going missing all the time and shit, and it's

607
00:32:01,600 --> 00:32:05,160
Speaker 1: gotta be that memory shit. People see the fucking they

608
00:32:05,240 --> 00:32:09,360
Speaker 1: get attacked or whatever, they escape or something, you know, whatever,

609
00:32:09,440 --> 00:32:12,840
Speaker 1: someone goes missing and they just don't remember what the

610
00:32:12,920 --> 00:32:15,800
Speaker 1: fuck happened. They must have to put the clues together, like, oh,

611
00:32:16,000 --> 00:32:17,520
Speaker 1: some bears must be killing people in the.

612
00:32:17,520 --> 00:32:19,440
Speaker 2: Woods, so that's what they tell everybody. It's just bears

613
00:32:19,480 --> 00:32:19,760
Speaker 2: out there.

614
00:32:20,120 --> 00:32:22,720
Speaker 1: Yeah, Like maybe some of the people that live in

615
00:32:22,800 --> 00:32:25,760
Speaker 1: the village know what the deal is with them creatures, yes,

616
00:32:26,000 --> 00:32:29,600
Speaker 1: but not outsider. The outsiders that aren't privy to this

617
00:32:29,680 --> 00:32:32,600
Speaker 1: shit that live in Ardham County and Simmonsville or whatever

618
00:32:32,640 --> 00:32:36,160
Speaker 1: the fuck those people don't know shit. So because I

619
00:32:36,280 --> 00:32:38,600
Speaker 1: was like, how the fuck you keeping this secret? That

620
00:32:38,640 --> 00:32:41,239
Speaker 1: would pretty much be the biggest thing ever if one

621
00:32:41,280 --> 00:32:43,920
Speaker 1: of these creatures attack somebody and they lived right right.

622
00:32:43,960 --> 00:32:46,520
Speaker 2: And they basically stay deep in the wood, so most

623
00:32:46,560 --> 00:32:48,560
Speaker 2: people don't go that far in the woods, so they right,

624
00:32:48,760 --> 00:32:50,880
Speaker 2: you know, talking about even today, like nigga, you in

625
00:32:50,920 --> 00:32:51,720
Speaker 2: the woods.

626
00:32:51,440 --> 00:32:54,280
Speaker 1: So you know, and so when you find a mutilated

627
00:32:54,320 --> 00:32:56,720
Speaker 1: body or something like that, you probably would be like, yeah,

628
00:32:56,760 --> 00:32:59,120
Speaker 1: it's bears. Must have been a bear. Look how it

629
00:32:59,200 --> 00:33:01,760
Speaker 1: bit them or whatever. Look at this arm is missing

630
00:33:01,880 --> 00:33:07,760
Speaker 1: or whatever the fuck happens like so yeah, so it

631
00:33:07,840 --> 00:33:10,320
Speaker 1: makes a lot of sense now because that made it anyway.

632
00:33:10,720 --> 00:33:14,160
Speaker 1: But of course old racy, mic racist, the dog owners,

633
00:33:14,560 --> 00:33:19,360
Speaker 1: member of Peter hater of Mike Vick come. So she

634
00:33:19,600 --> 00:33:23,080
Speaker 1: was like, it's not grizzly bears, it's black bears.

635
00:33:23,880 --> 00:33:26,640
Speaker 2: And nia difference is a goddamn bell.

636
00:33:26,880 --> 00:33:29,040
Speaker 1: Well that's when I that's when she said this line.

637
00:33:29,760 --> 00:33:34,320
Speaker 1: But the blacks are bad enough. They're smart, but they're

638
00:33:34,400 --> 00:33:40,760
Speaker 1: not smart smart the beast, but they're clever enough to

639
00:33:40,880 --> 00:33:46,840
Speaker 1: cause mischief, and they're persistent, always sticking their noses where

640
00:33:46,840 --> 00:33:49,960
Speaker 1: it don't belong. And I was like, I think this

641
00:33:50,160 --> 00:33:56,280
Speaker 1: is a subtweet, ma'am, my racism detective is going off,

642
00:33:56,640 --> 00:33:59,760
Speaker 1: and I feel like the blacks in this situation are

643
00:33:59,800 --> 00:34:00,920
Speaker 1: not the bears anymore.

644
00:34:01,400 --> 00:34:02,600
Speaker 2: I think you're talking about us.

645
00:34:02,840 --> 00:34:06,000
Speaker 1: I think you think these blacks should go mind their

646
00:34:06,080 --> 00:34:09,600
Speaker 1: business and you no longer talking about bears, okay, Like

647
00:34:09,800 --> 00:34:13,960
Speaker 1: and then they, you know, walking around and the nikes.

648
00:34:14,520 --> 00:34:16,840
Speaker 2: You know how the blacks are, like they got freedoms

649
00:34:16,920 --> 00:34:20,920
Speaker 2: and rights and ship you know, just you know, they

650
00:34:21,400 --> 00:34:21,880
Speaker 2: their place.

651
00:34:23,440 --> 00:34:26,320
Speaker 3: I mean, that's the sense of wrong to steal and

652
00:34:26,400 --> 00:34:29,040
Speaker 3: burn down a CDs and if an old person's home,

653
00:34:29,120 --> 00:34:29,720
Speaker 3: I mean, come.

654
00:34:29,600 --> 00:34:34,840
Speaker 1: On, come on. And so calling them thugs, just call

655
00:34:34,880 --> 00:34:38,280
Speaker 1: them niggas. Just call them niggas. That's how I felt

656
00:34:38,320 --> 00:34:41,160
Speaker 1: to me. Just call them niggas because that's what you're doing.

657
00:34:41,239 --> 00:34:45,719
Speaker 1: Ma'm you know what, You're not slick, You're not you

658
00:34:46,800 --> 00:34:50,480
Speaker 1: know these blacks and they come in and they big

659
00:34:50,640 --> 00:34:55,440
Speaker 1: black lips, you know, eating all of the chitlings, and

660
00:34:55,520 --> 00:34:59,960
Speaker 1: you know how they do unlike the majestic Polar Bears

661
00:35:00,200 --> 00:35:04,960
Speaker 1: that knows how to act okay around company, just not

662
00:35:05,239 --> 00:35:09,439
Speaker 1: dancing now higgety biggity everywhere? Like, what are you talking about?

663
00:35:10,960 --> 00:35:12,879
Speaker 1: This is no longer about bears, man, I don't think

664
00:35:12,920 --> 00:35:15,080
Speaker 1: this is I don't know any bears to act like this.

665
00:35:15,280 --> 00:35:16,920
Speaker 2: I think we stop talking about bears a while.

666
00:35:16,800 --> 00:35:21,520
Speaker 1: Ago having children out of wedlock, and just the black

667
00:35:21,640 --> 00:35:26,920
Speaker 1: song Blacks Bears crime is just, honestly, how you expect

668
00:35:27,040 --> 00:35:29,839
Speaker 1: us to stop killing them when they won't stop killing themselves?

669
00:35:30,640 --> 00:35:33,839
Speaker 1: What about the black bears in Chicago? What about them?

670
00:35:35,920 --> 00:35:38,600
Speaker 1: And so they do take the hent and get the

671
00:35:38,640 --> 00:35:42,040
Speaker 1: fuck out of there, and she does suggest that they

672
00:35:42,120 --> 00:35:46,000
Speaker 1: get back by sundown so they don't miss dinner. And

673
00:35:46,520 --> 00:35:50,160
Speaker 1: this is once again the theme of sundown coming into

674
00:35:50,239 --> 00:35:55,000
Speaker 1: this world of like black people in white spaces not safe.

675
00:35:55,280 --> 00:35:58,080
Speaker 1: Once the motherfucker sun goes down and they had made

676
00:35:58,080 --> 00:36:01,000
Speaker 1: it out of artumn but was still in it's best

677
00:36:01,040 --> 00:36:02,600
Speaker 1: to be back in the house for sundown.

678
00:36:03,680 --> 00:36:06,600
Speaker 2: This is like the second time and the episode they've

679
00:36:06,600 --> 00:36:08,279
Speaker 2: been told that, even when it was like, hey, y'all

680
00:36:08,320 --> 00:36:09,279
Speaker 2: need to be back by the time the.

681
00:36:09,280 --> 00:36:14,240
Speaker 1: Sun go down, right, And so they are leaving, George

682
00:36:14,360 --> 00:36:17,560
Speaker 1: is like, so you notice that that place had like

683
00:36:17,719 --> 00:36:20,919
Speaker 1: stone floor, which probably means it has a dungeon, which

684
00:36:21,000 --> 00:36:23,520
Speaker 1: is probably where they're holding your dad. And they put

685
00:36:23,560 --> 00:36:25,640
Speaker 1: it all together like, yeah, they probably holding your dad

686
00:36:25,680 --> 00:36:27,760
Speaker 1: in there. So we're gonna have to do a sneak

687
00:36:27,840 --> 00:36:31,440
Speaker 1: back on that reading get a car and wood. He

688
00:36:31,440 --> 00:36:33,319
Speaker 1: ain't fast enough, so we're gonna have to steal one

689
00:36:33,360 --> 00:36:36,520
Speaker 1: of their cars, get out, get my dad, and then

690
00:36:36,600 --> 00:36:39,719
Speaker 1: get the fuck out of here before whatever these white

691
00:36:39,760 --> 00:36:41,880
Speaker 1: folks want from us, so we can just get you know,

692
00:36:41,960 --> 00:36:46,239
Speaker 1: before we even find out. And of course, you know,

693
00:36:46,280 --> 00:36:49,359
Speaker 1: they should be nervous because if his dad went there,

694
00:36:50,320 --> 00:36:52,600
Speaker 1: his dad is missing, so it could happen to them.

695
00:36:52,640 --> 00:36:54,320
Speaker 1: Whatever they did to his dad could happen.

696
00:36:54,160 --> 00:36:55,800
Speaker 2: To them, and he might not be alive. They don't know.

697
00:36:55,880 --> 00:36:59,839
Speaker 1: They're just hoping that he is right. So and they're

698
00:36:59,880 --> 00:37:01,480
Speaker 1: like with the sound of the dogs, you wouldn't even

699
00:37:01,480 --> 00:37:03,120
Speaker 1: be able to hear him screaming down there for years

700
00:37:03,200 --> 00:37:04,719
Speaker 1: down there, stuff like that.

701
00:37:05,800 --> 00:37:06,440
Speaker 6: So then.

702
00:37:07,960 --> 00:37:10,640
Speaker 1: As they're walking back through the woods, it's getting dark,

703
00:37:11,080 --> 00:37:13,279
Speaker 1: and this is one of those like I said, this

704
00:37:13,440 --> 00:37:16,080
Speaker 1: episode is a little more campy and hokey to me,

705
00:37:16,560 --> 00:37:19,800
Speaker 1: because like it went from like super bright them walking

706
00:37:19,880 --> 00:37:21,560
Speaker 1: back to like the middle of the fucking night.

707
00:37:21,680 --> 00:37:23,960
Speaker 2: It went from like three o'clock in the afternoon to

708
00:37:24,320 --> 00:37:26,480
Speaker 2: nine o'clock at night in a matter of minutes.

709
00:37:26,719 --> 00:37:29,600
Speaker 1: Like the sun was awesome, Like it was like a

710
00:37:29,760 --> 00:37:33,400
Speaker 1: black person at five pm and the clock it was like, uh,

711
00:37:33,480 --> 00:37:36,440
Speaker 1: you know what, that's my time. I'm going home. It's like, what,

712
00:37:36,680 --> 00:37:39,120
Speaker 1: we still got more work. I'll see y'all in the morning.

713
00:37:39,800 --> 00:37:42,319
Speaker 2: They don't pay me over time, No, they don't. They

714
00:37:42,360 --> 00:37:44,879
Speaker 2: don't pay me, so I refuse. Right.

715
00:37:45,040 --> 00:37:48,040
Speaker 1: So black People was like, I'm out. Black people in

716
00:37:48,120 --> 00:37:50,960
Speaker 1: the woods not a good combination in this in this

717
00:37:51,080 --> 00:37:56,000
Speaker 1: series so far. So it gets dark extremely fucking fast,

718
00:37:57,600 --> 00:38:01,560
Speaker 1: and Uncle George suddenly has a memory in the middle

719
00:38:01,560 --> 00:38:04,759
Speaker 1: of the woods and once again kind of hokey, kind

720
00:38:04,800 --> 00:38:07,319
Speaker 1: of like felt like they couldn't find a neat way

721
00:38:07,400 --> 00:38:10,040
Speaker 1: to wedge this into the plot, but they didn't want

722
00:38:10,040 --> 00:38:12,120
Speaker 1: to have stuff come up later that would seemed like

723
00:38:12,239 --> 00:38:14,920
Speaker 1: completely out of nowhere, so they moved. They put this

724
00:38:15,040 --> 00:38:18,000
Speaker 1: line in here where George's uncle George was like, wait,

725
00:38:19,000 --> 00:38:22,600
Speaker 1: I seem to remember yo mother telling me she had

726
00:38:22,719 --> 00:38:28,280
Speaker 1: ancestors and great ancestor that was a slave that escaped

727
00:38:28,320 --> 00:38:31,600
Speaker 1: a house that was in a fire and her name

728
00:38:31,680 --> 00:38:32,120
Speaker 1: was Hannah.

729
00:38:32,640 --> 00:38:35,120
Speaker 2: Yeah, because they couldn't remember some things, but they couldn't

730
00:38:35,120 --> 00:38:35,800
Speaker 2: remember everything.

731
00:38:36,840 --> 00:38:38,920
Speaker 1: Well, it didn't have nothing to do. Well, they couldn't

732
00:38:38,920 --> 00:38:40,480
Speaker 1: remember the stuff with the show gods, but they had

733
00:38:40,520 --> 00:38:42,600
Speaker 1: nothing to do with this shit. Like they seemed to

734
00:38:42,680 --> 00:38:46,000
Speaker 1: have their long to term and short term memory functions fine,

735
00:38:46,040 --> 00:38:49,640
Speaker 1: except for anything involving that little block of time. This

736
00:38:49,920 --> 00:38:52,480
Speaker 1: was just I think the writers was like, we need

737
00:38:52,600 --> 00:38:54,520
Speaker 1: to put this in the plot so that when we

738
00:38:54,600 --> 00:38:56,480
Speaker 1: get to the end of the episode people won't be like,

739
00:38:57,239 --> 00:38:59,400
Speaker 1: this shit didn't make sense. What the fuck? Who was that?

740
00:38:59,600 --> 00:38:59,759
Speaker 2: You know?

741
00:39:00,080 --> 00:39:02,600
Speaker 1: So they just kind of wedge just in there. I

742
00:39:02,719 --> 00:39:05,080
Speaker 1: just laughed the second time. The second time I watched it,

743
00:39:05,120 --> 00:39:06,759
Speaker 1: it was more obvious than the first. The first time,

744
00:39:06,760 --> 00:39:09,600
Speaker 1: I was just so confused by so much. Shit was

745
00:39:09,600 --> 00:39:12,200
Speaker 1: happening so fast, and they all these elements were coming together.

746
00:39:12,239 --> 00:39:14,239
Speaker 1: I was like, what the fuck, what's happening. But the

747
00:39:14,320 --> 00:39:16,320
Speaker 1: second time I was like, oh, okay, I see what

748
00:39:16,400 --> 00:39:19,040
Speaker 1: you're doing. You don't want me to be mad at

749
00:39:19,320 --> 00:39:21,600
Speaker 1: you know, nine to fifty nine when the shit goes

750
00:39:21,640 --> 00:39:23,319
Speaker 1: off and be like, now what the fuck. They never

751
00:39:23,360 --> 00:39:26,960
Speaker 1: said nothing about no damn slaves, you know, so I

752
00:39:27,080 --> 00:39:30,920
Speaker 1: get it. But it was just funny. So they were like, uh,

753
00:39:31,440 --> 00:39:34,000
Speaker 1: he was like, yeah, I'll seen Tom remember yo, Mama

754
00:39:34,080 --> 00:39:37,560
Speaker 1: telling me this and then of course, uh ticks like

755
00:39:38,200 --> 00:39:40,440
Speaker 1: my mama never talked about her past. He's like, I

756
00:39:40,520 --> 00:39:43,280
Speaker 1: think it's because she was ashamed of it or something.

757
00:39:43,920 --> 00:39:46,360
Speaker 1: And then that's when Leddy chimes in, when like, wow,

758
00:39:46,480 --> 00:39:50,040
Speaker 1: she walked through these woods pregnant. And I'm like, was

759
00:39:50,120 --> 00:39:54,400
Speaker 1: there a class taught about Hannah the ancestors that we

760
00:39:54,520 --> 00:39:56,400
Speaker 1: never learned about? I don't remember them talking about her

761
00:39:56,480 --> 00:39:59,400
Speaker 1: being pregnant or any of this stuff, like how they

762
00:39:59,520 --> 00:40:02,320
Speaker 1: know all this? But I think it just was because

763
00:40:02,400 --> 00:40:03,960
Speaker 1: later some shit happens and they don't want us to

764
00:40:04,000 --> 00:40:07,839
Speaker 1: be too confused. She was like she Hannah ran through

765
00:40:07,880 --> 00:40:10,960
Speaker 1: these woods pregnant. She was a brave woman. And then

766
00:40:11,640 --> 00:40:14,440
Speaker 1: them fucking vampire demons start busting out the ground like,

767
00:40:14,560 --> 00:40:15,640
Speaker 1: oh it's time to eat.

768
00:40:16,120 --> 00:40:20,640
Speaker 2: It's after midnight, they like the gremlins, it's after me night,

769
00:40:20,920 --> 00:40:24,680
Speaker 2: come on, so they can't creeping through the woods, and

770
00:40:24,920 --> 00:40:27,600
Speaker 2: they was about to attack them, and before they could

771
00:40:27,600 --> 00:40:30,920
Speaker 2: attack them, the whistle blew and the white lady who

772
00:40:30,960 --> 00:40:33,719
Speaker 2: was driving to Bentley Christina Bathway.

773
00:40:34,040 --> 00:40:39,960
Speaker 1: But well, let me get it right, uh Christina Braith

774
00:40:40,040 --> 00:40:45,000
Speaker 1: White Bathwait. Although I did come up with a great

775
00:40:45,080 --> 00:40:48,080
Speaker 1: nickname for Jason whitlock today, and I can't believe no

776
00:40:48,120 --> 00:40:50,319
Speaker 1: one else has come up with this yet. But I'm

777
00:40:50,320 --> 00:40:52,440
Speaker 1: about to give y'all some game, and I will be

778
00:40:53,760 --> 00:40:58,360
Speaker 1: using this a lot. Jason White lick, Ain't it perfect?

779
00:40:58,719 --> 00:41:03,719
Speaker 1: Ain't it perfect? Jason? It's perfect. It's Honestly, I'm so

780
00:41:03,880 --> 00:41:06,719
Speaker 1: proud of myself. I had to tell y'all has nothing

781
00:41:06,719 --> 00:41:09,360
Speaker 1: to do with this review. I was so proud of

782
00:41:09,440 --> 00:41:11,680
Speaker 1: myself when I came up with that Jason White lick.

783
00:41:12,040 --> 00:41:16,840
Speaker 1: Oh my god, it's mhmm. Sometimes I see why we

784
00:41:16,920 --> 00:41:21,880
Speaker 1: get paid to do this, you know. Anyway, So I

785
00:41:21,960 --> 00:41:23,400
Speaker 1: can't believe no one else has come up with that.

786
00:41:24,320 --> 00:41:30,240
Speaker 1: So then the fucking things come out, the whistles blows,

787
00:41:30,360 --> 00:41:34,879
Speaker 1: and now they gotta leave, and it's uh, Braithwhite. Miss

788
00:41:35,000 --> 00:41:38,279
Speaker 1: Braith White is there and she's like, hey, you know

789
00:41:38,480 --> 00:41:41,320
Speaker 1: it's at the dark. Y'all gotta get back, like what

790
00:41:41,400 --> 00:41:44,360
Speaker 1: are y'all doing? And the woman that was holding the

791
00:41:44,480 --> 00:41:47,680
Speaker 1: dogs is there too, and she so now I'm like,

792
00:41:47,840 --> 00:41:50,960
Speaker 1: this bitch knew about them creatures the whole time. And

793
00:41:52,040 --> 00:41:55,239
Speaker 1: she got whistled. She got a whistle just like the fucking.

794
00:41:55,000 --> 00:42:00,880
Speaker 2: Dogs, you know, things that keep them away, right, and so.

795
00:42:01,280 --> 00:42:03,520
Speaker 1: Now in this case, I believe it was Christina that

796
00:42:03,680 --> 00:42:08,200
Speaker 1: blew the whistle, miss Braithwhite. But still that woman fucking

797
00:42:08,239 --> 00:42:15,719
Speaker 1: knew talking about some blacks bitch anyway, So they was like, uh, y'all.

798
00:42:17,000 --> 00:42:21,520
Speaker 1: Christina's like, dog lady, escort them back to they to

799
00:42:21,640 --> 00:42:26,239
Speaker 1: they chambers and then take Tick to my father's lab.

800
00:42:27,360 --> 00:42:30,320
Speaker 1: And she's like, come on, now, let's go, and we

801
00:42:30,480 --> 00:42:34,800
Speaker 1: see again George and Lady can't remember. They're automatical. They're like,

802
00:42:34,840 --> 00:42:36,520
Speaker 1: what were you yelling at? What happened?

803
00:42:37,280 --> 00:42:42,400
Speaker 2: So instantly they didn't remember the last few minutes and

804
00:42:42,480 --> 00:42:45,840
Speaker 2: then they was like, it happened again, right, So.

805
00:42:47,719 --> 00:42:53,640
Speaker 1: Then they go, we see in the lab Thomas Braithwhite.

806
00:42:53,800 --> 00:42:59,280
Speaker 1: Now that is the current owner of the mansion, Christina's father.

807
00:43:00,360 --> 00:43:04,680
Speaker 1: Not to be confused with their long loss ancestor. I mean,

808
00:43:04,840 --> 00:43:07,479
Speaker 1: I'm sorry, I said, Thomas. I'm in Samuel breath White.

809
00:43:07,600 --> 00:43:10,360
Speaker 1: Samuel not to be confused with the Titus, who is

810
00:43:10,400 --> 00:43:13,719
Speaker 1: their long loss ancestor that died in the first time

811
00:43:13,920 --> 00:43:16,759
Speaker 1: that you know, the house burned down. Okay, So Samuel

812
00:43:17,360 --> 00:43:21,800
Speaker 1: is screaming in the lab as he is completely awake,

813
00:43:22,000 --> 00:43:28,200
Speaker 1: no anesthetic, having an organ removed from his body like

814
00:43:28,760 --> 00:43:32,920
Speaker 1: fam and Samuel was played by my man Fits from

815
00:43:33,000 --> 00:43:37,560
Speaker 1: Scandal Now Karen and White Scandal. I did, but I

816
00:43:37,760 --> 00:43:40,560
Speaker 1: was really hoping that like Joe Morgan or Melly was

817
00:43:40,600 --> 00:43:42,879
Speaker 1: gonna just come out of somewhere and just read him

818
00:43:42,880 --> 00:43:46,200
Speaker 1: the fulfilth. But you know, this was not an episode

819
00:43:46,239 --> 00:43:47,920
Speaker 1: directed by Shonda Rohans.

820
00:43:47,680 --> 00:43:50,120
Speaker 2: Or whatever, so you didn't get it this time.

821
00:43:50,440 --> 00:43:53,120
Speaker 1: But he is so good at playing that arrogant, fucking

822
00:43:53,160 --> 00:43:57,759
Speaker 1: white man that is low ki clueless like that. That's

823
00:43:57,880 --> 00:44:02,239
Speaker 1: all Fits was on Scan and seeing him play that

824
00:44:02,400 --> 00:44:05,160
Speaker 1: role here was so it was cool. It was cool

825
00:44:05,200 --> 00:44:09,719
Speaker 1: to see him back back in the saddle. But yeah, so, uh,

826
00:44:09,920 --> 00:44:13,040
Speaker 1: he's getting this organ reommoved. Christina's taking a drink. She's

827
00:44:13,080 --> 00:44:13,560
Speaker 1: in there too.

828
00:44:14,200 --> 00:44:14,319
Speaker 2: Uh.

829
00:44:14,560 --> 00:44:19,320
Speaker 1: Some dude in a row with the same uh sash

830
00:44:19,520 --> 00:44:21,160
Speaker 1: is operating on him.

831
00:44:22,520 --> 00:44:23,399
Speaker 2: Came from the same troop.

832
00:44:23,800 --> 00:44:28,439
Speaker 1: Yeah, And then of course they don't explain anything to Tick,

833
00:44:28,520 --> 00:44:32,239
Speaker 1: who's just watching all this shit, and you know, part

834
00:44:32,280 --> 00:44:33,960
Speaker 1: of the show, I feel like they don't explain stuff

835
00:44:33,960 --> 00:44:35,759
Speaker 1: to Tick so that we won't as an audist, so

836
00:44:35,840 --> 00:44:37,680
Speaker 1: we can kind of be trying to figure it out

837
00:44:37,719 --> 00:44:40,719
Speaker 1: as we're watching it too. But also to show how

838
00:44:40,800 --> 00:44:43,320
Speaker 1: smart Tick is because he starts putting pieces together in

839
00:44:43,440 --> 00:44:44,840
Speaker 1: his head, like what the fuck is this?

840
00:44:46,480 --> 00:44:46,759
Speaker 2: And so.

841
00:44:49,600 --> 00:44:53,120
Speaker 1: George is in his room putting things together, trying to

842
00:44:53,160 --> 00:44:56,200
Speaker 1: figure out, Like he's like, no, I was talking about

843
00:44:56,360 --> 00:44:59,719
Speaker 1: Hannah and I had a memory and then I don't

844
00:44:59,719 --> 00:45:02,280
Speaker 1: remember what happened after that. So he's trying to remember

845
00:45:02,320 --> 00:45:05,239
Speaker 1: everything with those monsters made him have memory loss. So

846
00:45:05,440 --> 00:45:10,320
Speaker 1: now he's dealing with that, and he realizes that whatever

847
00:45:10,440 --> 00:45:13,279
Speaker 1: is happening at this mansion, they don't want Tick's father.

848
00:45:14,600 --> 00:45:17,360
Speaker 1: Tick's the one that has a birthright related to Hannah

849
00:45:17,440 --> 00:45:20,000
Speaker 1: in these woods and the ancestors and all this shit.

850
00:45:20,680 --> 00:45:26,399
Speaker 1: So essentially what he's saying is they took Tick's father,

851
00:45:26,520 --> 00:45:29,120
Speaker 1: who doesn't have a birthright or any connection to the

852
00:45:29,200 --> 00:45:32,719
Speaker 1: legacy that's happening here, they took him to get Tick here.

853
00:45:34,040 --> 00:45:37,439
Speaker 2: So Tick is the one reason right that was doing

854
00:45:37,520 --> 00:45:39,799
Speaker 2: that was the whole reason to get him to even

855
00:45:40,000 --> 00:45:43,040
Speaker 2: come back to the States, to even start the hunt

856
00:45:43,120 --> 00:45:43,759
Speaker 2: to find his father.

857
00:45:44,040 --> 00:45:48,040
Speaker 1: Yeah, Tick is the fucking like the key to whatever

858
00:45:48,080 --> 00:45:50,200
Speaker 1: it is they want to do here. So that's what

859
00:45:50,280 --> 00:45:51,759
Speaker 1: George is putting together in his room.

860
00:45:53,160 --> 00:45:54,360
Speaker 2: And so then.

861
00:45:55,880 --> 00:45:59,920
Speaker 1: As uh, this is happening. He pulls a book from

862
00:45:59,920 --> 00:46:02,720
Speaker 1: the shelf called The House on the Borderlands and other novels,

863
00:46:03,120 --> 00:46:05,680
Speaker 1: and the bookshelf fucking moves to reveal a hitting.

864
00:46:05,520 --> 00:46:08,719
Speaker 2: Door beyond the hitting door in this creepy as house,

865
00:46:08,960 --> 00:46:09,680
Speaker 2: of course, and of.

866
00:46:09,719 --> 00:46:11,920
Speaker 1: Course it's that book that will cause the fucking door

867
00:46:11,920 --> 00:46:13,040
Speaker 1: to open. Of course.

868
00:46:13,200 --> 00:46:16,640
Speaker 2: It's like a Scooby Doo novel, where you where you

869
00:46:16,719 --> 00:46:19,000
Speaker 2: where you twist something and turn something and then all

870
00:46:19,040 --> 00:46:20,720
Speaker 2: of a sudden, the whole room turns.

871
00:46:21,000 --> 00:46:23,000
Speaker 1: So he finds a book on a table near a

872
00:46:23,080 --> 00:46:26,600
Speaker 1: magnifying glass called Order of the Ancient Dawn. He picks

873
00:46:26,640 --> 00:46:28,880
Speaker 1: it up to read it, because this giant book, this

874
00:46:29,120 --> 00:46:30,840
Speaker 1: this doorter opens up to this room is like a

875
00:46:30,920 --> 00:46:36,040
Speaker 1: great like library, like huge library. And so he starts

876
00:46:36,080 --> 00:46:40,080
Speaker 1: reading this book, the Order of the Ancient Dawn, and

877
00:46:40,160 --> 00:46:46,280
Speaker 1: then the lab back with Tick and Samuel, Uh Braith

878
00:46:46,360 --> 00:46:48,160
Speaker 1: White and Christina Braith White.

879
00:46:50,400 --> 00:46:50,560
Speaker 6: Uh.

880
00:46:52,360 --> 00:46:56,680
Speaker 1: Samuel gets up and he doesn't talk directly to Tick.

881
00:46:56,800 --> 00:47:00,360
Speaker 1: He talks to Christina like, Uh, he's darker than I expected.

882
00:47:00,440 --> 00:47:03,360
Speaker 1: And I was like, oh, he's that kind of racist,

883
00:47:04,440 --> 00:47:06,640
Speaker 1: the ones that like, I don't call him niggers, but

884
00:47:06,719 --> 00:47:09,960
Speaker 1: I don't talk to him either, like he wasn't even

885
00:47:10,000 --> 00:47:12,920
Speaker 1: in the room. The boy came kind of late, didn't

886
00:47:12,960 --> 00:47:14,560
Speaker 1: he even like, sirn right here.

887
00:47:15,680 --> 00:47:17,640
Speaker 2: Yeah, you can talk to me directly if you like.

888
00:47:17,800 --> 00:47:20,960
Speaker 1: You'll speak when spoken to boy, tell him what I said.

889
00:47:22,280 --> 00:47:26,560
Speaker 1: So yeah, they He gets up and does some typical

890
00:47:26,680 --> 00:47:29,080
Speaker 1: rich white villain type shit, which is start looking at

891
00:47:29,120 --> 00:47:32,160
Speaker 1: the painting and pontificating. He's like, this is so and

892
00:47:32,280 --> 00:47:35,480
Speaker 1: So's painting of Genesis two nineteen. You know what that

893
00:47:35,719 --> 00:47:38,439
Speaker 1: means in the Bible, right, And then Christina's like, yeah,

894
00:47:39,719 --> 00:47:41,759
Speaker 1: this is when Adam was naming all the animals. And

895
00:47:41,800 --> 00:47:44,640
Speaker 1: then he goes through this whole thing about how that's

896
00:47:44,680 --> 00:47:48,920
Speaker 1: when everything was perfect. God created the animals, Adam named it,

897
00:47:49,080 --> 00:47:53,200
Speaker 1: put everything in this place. The humans had immortality at

898
00:47:53,239 --> 00:47:57,160
Speaker 1: the time, because you know, everything was just great. It

899
00:47:57,320 --> 00:48:00,719
Speaker 1: was on Easy Street. And then Christine comes over and

900
00:48:01,200 --> 00:48:06,960
Speaker 1: she's like, yeah, oh wait, I'm sorry he did and

901
00:48:07,080 --> 00:48:09,200
Speaker 1: he did say you know why everything was so great?

902
00:48:09,280 --> 00:48:11,520
Speaker 1: And then Tick was like because everything was in this place,

903
00:48:12,080 --> 00:48:14,319
Speaker 1: and he's like, that's right, everything was in this place

904
00:48:14,440 --> 00:48:16,799
Speaker 1: like it's supposed to be. And then Christina comes over

905
00:48:17,280 --> 00:48:19,399
Speaker 1: helping him put on like his suspenders or some shit,

906
00:48:19,440 --> 00:48:23,399
Speaker 1: and she's like, until that, you know, harlow Eve came

907
00:48:23,560 --> 00:48:25,440
Speaker 1: and ruined everything.

908
00:48:25,200 --> 00:48:25,640
Speaker 2: For the men.

909
00:48:25,840 --> 00:48:28,960
Speaker 1: Thank god none of us take the Bible literally, because

910
00:48:29,000 --> 00:48:30,480
Speaker 1: that's for stupid motherfuckers.

911
00:48:32,760 --> 00:48:34,759
Speaker 2: She was like, I'm too smart for this, and she you.

912
00:48:34,800 --> 00:48:39,200
Speaker 1: Know, and it's and that's such a sexist, misogynistic fable

913
00:48:39,360 --> 00:48:42,799
Speaker 1: in the Bible, among many, but that's that's the one

914
00:48:42,880 --> 00:48:45,480
Speaker 1: that's basically like, women ruined everything.

915
00:48:45,800 --> 00:48:46,839
Speaker 2: Rebbit, fuck it up.

916
00:48:47,000 --> 00:48:50,440
Speaker 1: Everybody, shit was fine, they started talking to fucking snakes

917
00:48:50,800 --> 00:48:53,920
Speaker 1: telling niggas to eat apples, and they ruined it up.

918
00:48:54,080 --> 00:48:56,719
Speaker 1: God got mad they knew they was naked, and then

919
00:48:57,520 --> 00:49:00,320
Speaker 1: then everything wasn't perfect, and God was like, y'all gonna

920
00:49:00,320 --> 00:49:02,279
Speaker 1: die and it's gonna hurt when you give birth and

921
00:49:02,320 --> 00:49:05,520
Speaker 1: you're gonna fucking bleed every mom because fuck you. Fuck

922
00:49:05,560 --> 00:49:08,920
Speaker 1: you people's and a lot of instructions, right, And so

923
00:49:09,120 --> 00:49:11,520
Speaker 1: she pointed out like, yeah, nigga, this is straight up

924
00:49:11,719 --> 00:49:14,840
Speaker 1: like some sexist bullshit. I'm glad you don't really believe that,

925
00:49:15,000 --> 00:49:17,160
Speaker 1: right dad. And it's like, my nigga, I am at

926
00:49:17,280 --> 00:49:21,560
Speaker 1: nineteen for this white man, of course I do ha uh.

927
00:49:21,760 --> 00:49:24,360
Speaker 1: And then Tick muses that in the metaphor, is like,

928
00:49:24,480 --> 00:49:26,520
Speaker 1: and I guess you're supposed to be God in this metaphor,

929
00:49:26,640 --> 00:49:30,080
Speaker 1: you creating everything. He's like, no, I'm actually Adam. And

930
00:49:30,560 --> 00:49:34,000
Speaker 1: Christina is the one that thinks Tick can be useful

931
00:49:34,160 --> 00:49:39,000
Speaker 1: and this undertaking that that I'm sorry, I said tommas

932
00:49:39,000 --> 00:49:42,120
Speaker 1: I'm at Samuel. Then it's undertaking that Samuel has which

933
00:49:42,239 --> 00:49:46,520
Speaker 1: is related to the Bible and the Garden of Eden

934
00:49:46,560 --> 00:49:49,319
Speaker 1: and shit. And he wants to open the world, open

935
00:49:49,440 --> 00:49:53,800
Speaker 1: up the paradise and return to paradise is how he

936
00:49:53,880 --> 00:49:57,920
Speaker 1: puts it. And then he ignores Tick again and tells

937
00:49:58,000 --> 00:49:59,680
Speaker 1: Christina I don't want to see him again into the

938
00:49:59,719 --> 00:50:04,040
Speaker 1: Sarah on your don and leaves like just such an asshole,

939
00:50:05,600 --> 00:50:07,759
Speaker 1: and then Christina wat's take back to his room. They

940
00:50:07,800 --> 00:50:09,719
Speaker 1: have a little bit of back and forth where Tick

941
00:50:09,800 --> 00:50:12,000
Speaker 1: wants to know where his dad is and she's like, oh,

942
00:50:12,040 --> 00:50:15,200
Speaker 1: this must be so confusing to you. He's like, my nigga,

943
00:50:15,239 --> 00:50:16,000
Speaker 1: where's my dad?

944
00:50:16,880 --> 00:50:18,160
Speaker 2: And I'm not confused about that.

945
00:50:18,560 --> 00:50:22,120
Speaker 1: She's like, listen, there's people coming tonight that are really

946
00:50:22,160 --> 00:50:24,840
Speaker 1: important people. The guests are gonna arrive. I suggest you

947
00:50:24,920 --> 00:50:26,759
Speaker 1: try to make friends, because you wouldn't want these people

948
00:50:26,800 --> 00:50:30,080
Speaker 1: as enemies. And he's like, I got enough friends, and

949
00:50:30,120 --> 00:50:33,600
Speaker 1: she's like, well not all white people like trying to

950
00:50:34,160 --> 00:50:36,759
Speaker 1: out to get you, you know. And he was like,

951
00:50:37,160 --> 00:50:40,880
Speaker 1: my nigga, I'm good. Where's my daddy? And she's like

952
00:50:41,520 --> 00:50:43,880
Speaker 1: we you know, we all friends. Just still don't mean

953
00:50:43,960 --> 00:50:46,600
Speaker 1: I can trust you, right, And she was like, you know,

954
00:50:46,680 --> 00:50:49,120
Speaker 1: I see Letty and George think you crazy. And he

955
00:50:49,320 --> 00:50:51,560
Speaker 1: was like, you know what, if you want to be friends, right,

956
00:50:51,600 --> 00:50:53,440
Speaker 1: you say you want to be friends, give them their

957
00:50:53,520 --> 00:50:54,480
Speaker 1: fucking memories back.

958
00:50:54,640 --> 00:50:57,000
Speaker 2: Yes, Because he put that together like this has something

959
00:50:57,080 --> 00:50:59,719
Speaker 2: to do with you. You're doing something. If it ain't you,

960
00:51:00,239 --> 00:51:02,799
Speaker 2: somebody around here is doing something to them where they

961
00:51:02,880 --> 00:51:03,759
Speaker 2: can't remember shit.

962
00:51:03,880 --> 00:51:07,759
Speaker 1: And she was acting shady, like doing something right. He

963
00:51:07,920 --> 00:51:10,000
Speaker 1: was like a spell. You put a spell on them

964
00:51:10,080 --> 00:51:10,440
Speaker 1: or something.

965
00:51:10,680 --> 00:51:13,000
Speaker 2: He was like, uh, you know what happened, And I

966
00:51:13,120 --> 00:51:14,840
Speaker 2: know what happened, Like come on now.

967
00:51:14,880 --> 00:51:16,640
Speaker 1: And she was like, but I already did you favor.

968
00:51:16,800 --> 00:51:19,360
Speaker 1: I fucking saved you at Simmonsville when I use my

969
00:51:19,480 --> 00:51:22,200
Speaker 1: car to flip over the rednecks. I took care of

970
00:51:22,239 --> 00:51:25,840
Speaker 1: the mess in Ardam County, which means she did something

971
00:51:25,960 --> 00:51:28,719
Speaker 1: to fix his car cover up the murder of the

972
00:51:28,840 --> 00:51:30,360
Speaker 1: sheriffs and their fucking monsters.

973
00:51:30,440 --> 00:51:32,720
Speaker 2: Who knows people might not even remember that man exists.

974
00:51:32,840 --> 00:51:35,120
Speaker 1: I'm also like, but you know what, that's just as

975
00:51:35,200 --> 00:51:38,360
Speaker 1: much some shit for you. So they won't be asking

976
00:51:38,400 --> 00:51:39,400
Speaker 1: no questions.

977
00:51:39,120 --> 00:51:40,680
Speaker 2: Right, so they won't trace it back to you. So

978
00:51:40,840 --> 00:51:42,359
Speaker 2: you're covering your own tracks too, now.

979
00:51:42,400 --> 00:51:44,520
Speaker 1: Yeah, yo, shuck offs out there eating people and shit.

980
00:51:44,560 --> 00:51:46,440
Speaker 1: You don't want them to ask too many questions anyway.

981
00:51:47,080 --> 00:51:50,080
Speaker 1: So then he was like, you really want to do

982
00:51:50,239 --> 00:51:52,080
Speaker 1: they helped me give them their memory back, and so

983
00:51:52,239 --> 00:51:54,880
Speaker 1: she does, and we immediately hear George and let It

984
00:51:54,920 --> 00:51:57,879
Speaker 1: start screaming as their memories return, and they both want

985
00:51:57,920 --> 00:52:00,640
Speaker 1: to be let out their room, and tries to run

986
00:52:00,680 --> 00:52:02,439
Speaker 1: out of his room to help, but there's a force

987
00:52:02,480 --> 00:52:05,560
Speaker 1: field at the door he can't leave. So it is

988
00:52:05,640 --> 00:52:08,040
Speaker 1: a very nice, pretty prison with all the books and dresses.

989
00:52:10,760 --> 00:52:14,480
Speaker 1: A kid comes and tells Ms Braithwhite it's time because

990
00:52:14,560 --> 00:52:17,239
Speaker 1: the door closes on tick and she don't. She can't

991
00:52:17,239 --> 00:52:19,880
Speaker 1: see in the room anymore, basically locking them in, and

992
00:52:20,160 --> 00:52:22,680
Speaker 1: she's like, okay. She goes outside and we see a

993
00:52:22,760 --> 00:52:26,040
Speaker 1: cow giving birth in the farm. She delivers the baby.

994
00:52:26,480 --> 00:52:29,120
Speaker 1: The baby is a fucking show goth monster. It is

995
00:52:29,320 --> 00:52:31,640
Speaker 1: not a fucking baby cow.

996
00:52:32,560 --> 00:52:34,840
Speaker 2: Now, I don't know how these things is born. I

997
00:52:34,880 --> 00:52:37,320
Speaker 2: don't know if that fucking the cows, I don't.

998
00:52:37,120 --> 00:52:40,040
Speaker 1: Know, So I don't know if they got some genetics

999
00:52:40,800 --> 00:52:44,640
Speaker 1: lab type shit happening. I don't know what kind of

1000
00:52:44,640 --> 00:52:48,640
Speaker 1: shit they have happening at this farm. That the fucking

1001
00:52:48,719 --> 00:52:52,759
Speaker 1: monsters are born from cows. But we don't really get

1002
00:52:52,840 --> 00:52:55,520
Speaker 1: much of an answer to that. We just know that

1003
00:52:55,600 --> 00:53:01,239
Speaker 1: it happened, right, so don't make no burgers out of that.

1004
00:53:04,000 --> 00:53:05,919
Speaker 1: So then it wasn't no chick fil a cow, I'll

1005
00:53:05,920 --> 00:53:10,440
Speaker 1: tell you that much. In their rooms, all three, Letty,

1006
00:53:10,520 --> 00:53:15,480
Speaker 1: Tick and George have different experiences because there's something in

1007
00:53:15,520 --> 00:53:17,000
Speaker 1: the room that's sucking with their brains.

1008
00:53:18,040 --> 00:53:19,160
Speaker 2: They don't notice at first.

1009
00:53:19,280 --> 00:53:22,080
Speaker 1: And I'll just go through what happened in each room

1010
00:53:22,120 --> 00:53:24,000
Speaker 1: because I think it's easier to do it this way

1011
00:53:24,040 --> 00:53:28,240
Speaker 1: and faster. And Letty's room, Tick comes in, she almost

1012
00:53:28,239 --> 00:53:30,799
Speaker 1: stabs them. She's and then he's like, WHOA, calm down,

1013
00:53:31,120 --> 00:53:33,279
Speaker 1: and she's like, I remember everything I thought, you know,

1014
00:53:33,320 --> 00:53:37,000
Speaker 1: I remember the monsters, and he's and she brings up like,

1015
00:53:37,080 --> 00:53:39,720
Speaker 1: oh my god, the Bible is full of demons and monsters,

1016
00:53:39,800 --> 00:53:42,480
Speaker 1: and I thought it was just stories, but it's true.

1017
00:53:42,960 --> 00:53:46,279
Speaker 1: And Tick is like, you know, you said, yay do,

1018
00:53:46,360 --> 00:53:49,600
Speaker 1: I walked through the valley, I should feel no evil

1019
00:53:49,680 --> 00:53:52,160
Speaker 1: And that was the bravest thing I ever seen anybody do.

1020
00:53:52,680 --> 00:53:54,560
Speaker 1: And She's like, you know, I used to say that

1021
00:53:54,719 --> 00:53:56,719
Speaker 1: all the time, but I haven't said that so long

1022
00:53:56,760 --> 00:53:58,600
Speaker 1: because I don't go to church and shit. But I

1023
00:53:59,000 --> 00:54:00,800
Speaker 1: used to say it, well, Blackael, when I live with

1024
00:54:00,880 --> 00:54:02,680
Speaker 1: my mom and as a little baby, a little kid,

1025
00:54:03,080 --> 00:54:05,400
Speaker 1: and my mom would leave the house and say she

1026
00:54:05,520 --> 00:54:07,480
Speaker 1: was going to church, but she never did that. She

1027
00:54:07,560 --> 00:54:09,640
Speaker 1: would come home with a new man on her arm

1028
00:54:09,680 --> 00:54:12,319
Speaker 1: every time until one day she just ain't come back

1029
00:54:12,360 --> 00:54:15,719
Speaker 1: to come back home no more. And which explains why

1030
00:54:15,800 --> 00:54:17,080
Speaker 1: she ain't go to mama funeral and.

1031
00:54:17,120 --> 00:54:21,000
Speaker 2: Shit, because you know, and and the thing with that

1032
00:54:21,360 --> 00:54:25,560
Speaker 2: is just because we were all raised in the same

1033
00:54:25,600 --> 00:54:28,320
Speaker 2: household does not mean we have the same experience with

1034
00:54:28,560 --> 00:54:31,920
Speaker 2: were they and were they raising the same right and right?

1035
00:54:31,960 --> 00:54:34,040
Speaker 2: And they may not have been like it also may

1036
00:54:34,120 --> 00:54:36,440
Speaker 2: have been the thing too where they possibility the way

1037
00:54:36,480 --> 00:54:38,680
Speaker 2: she was talking, they all may have had separate fathers.

1038
00:54:38,760 --> 00:54:41,240
Speaker 2: That has to do something with the variation of skin tones,

1039
00:54:42,800 --> 00:54:45,400
Speaker 2: you know, because black people know, we come in all

1040
00:54:45,480 --> 00:54:48,080
Speaker 2: types of colored shit skip generations and shit like that.

1041
00:54:48,560 --> 00:54:52,080
Speaker 2: So you can you can have a mom and one

1042
00:54:52,160 --> 00:54:53,879
Speaker 2: of your kids could be light, one of your kids

1043
00:54:53,960 --> 00:54:56,120
Speaker 2: could be dark. You know, we all over the place

1044
00:54:56,120 --> 00:55:00,120
Speaker 2: when it comes to generics, I mean generics, genetics, and

1045
00:55:00,239 --> 00:55:03,080
Speaker 2: so it's one of those things with her relationship with

1046
00:55:03,120 --> 00:55:06,279
Speaker 2: with with the mother is very different. And so the

1047
00:55:06,440 --> 00:55:09,200
Speaker 2: older brothers, sisters, they don't understand, like why you just

1048
00:55:09,280 --> 00:55:12,919
Speaker 2: don't respect her, and she's like the funk, I gotta

1049
00:55:12,920 --> 00:55:16,239
Speaker 2: respect her for her, And so it could be that, you.

1050
00:55:16,320 --> 00:55:19,600
Speaker 1: Know, like my experience was bad. She felt abandoned by

1051
00:55:19,680 --> 00:55:22,239
Speaker 1: her mother and the way that the other children may

1052
00:55:22,400 --> 00:55:24,680
Speaker 1: not have or maybe they even forgave. It also looked

1053
00:55:24,719 --> 00:55:26,800
Speaker 1: like maybe she might be younger than the other children.

1054
00:55:26,920 --> 00:55:28,480
Speaker 2: I think she was thinking it was a period of

1055
00:55:28,560 --> 00:55:30,640
Speaker 2: time where it was probably just them too. Wouldn't be

1056
00:55:30,680 --> 00:55:32,640
Speaker 2: surprised if the other children were.

1057
00:55:32,600 --> 00:55:37,439
Speaker 1: Grown in out the house, right, they may have different fathers. Yeah, yeah,

1058
00:55:37,440 --> 00:55:40,040
Speaker 1: I think people just immediately see people have different ranging

1059
00:55:40,080 --> 00:55:42,439
Speaker 1: skin tones in the family and the me, oh my god,

1060
00:55:42,480 --> 00:55:44,959
Speaker 1: they're doing terrible casts and I'm like, when it's black

1061
00:55:45,000 --> 00:55:47,000
Speaker 1: people doing the cast, and shut the fuck up and wait,

1062
00:55:47,760 --> 00:55:48,279
Speaker 1: you know what I mean?

1063
00:55:48,400 --> 00:55:50,719
Speaker 2: Yeah, And I've kind of heard people say that, and

1064
00:55:52,200 --> 00:55:54,759
Speaker 2: it's almost like, have you been to a black family union, y'all?

1065
00:55:54,800 --> 00:55:55,000
Speaker 1: Do know?

1066
00:55:55,080 --> 00:55:56,880
Speaker 2: We are all over the fucking well, not.

1067
00:55:57,000 --> 00:55:59,560
Speaker 1: Just that scheme, not just that, but they may actually

1068
00:55:59,680 --> 00:56:03,480
Speaker 1: have a point, right, So wait, this happened with Queen Sugar.

1069
00:56:04,040 --> 00:56:06,160
Speaker 1: I remember people why that little boy so light skin?

1070
00:56:06,200 --> 00:56:08,719
Speaker 1: I'm like, shut the fuck up, and wait, maybe they're

1071
00:56:08,760 --> 00:56:11,640
Speaker 1: gonna tell us. It might we're black. It might have

1072
00:56:11,760 --> 00:56:14,160
Speaker 1: been thought about like this is a white cast, and

1073
00:56:14,239 --> 00:56:16,399
Speaker 1: I kind of get the side eye because sometimes white

1074
00:56:16,400 --> 00:56:18,239
Speaker 1: people are like, they're all black to me, one drop,

1075
00:56:18,320 --> 00:56:20,879
Speaker 1: same family, But when it's black people doing the cast,

1076
00:56:20,920 --> 00:56:23,960
Speaker 1: and I'm like, yeah, you never know, let's wait and see. Anyway,

1077
00:56:25,360 --> 00:56:32,759
Speaker 1: So that's when Tick is basically like, listen, I would

1078
00:56:32,840 --> 00:56:36,720
Speaker 1: never abandon you. And then they start making out, okay,

1079
00:56:37,800 --> 00:56:45,719
Speaker 1: hot and heavy, all right, and then oh, and then

1080
00:56:46,080 --> 00:56:49,080
Speaker 1: they get ready to have sex or whatever, and then

1081
00:56:49,160 --> 00:56:52,400
Speaker 1: she starts feeling kind of easy about everything, and he

1082
00:56:52,560 --> 00:56:57,040
Speaker 1: goes to unbuckle his pants and she's like, no, Tick, wait,

1083
00:56:57,280 --> 00:57:02,000
Speaker 1: and then he pulls out see Umbrothers pants a fucking snake.

1084
00:57:02,360 --> 00:57:06,400
Speaker 1: Literal snake, Yeah, a literal snake is his dick, and

1085
00:57:06,520 --> 00:57:08,759
Speaker 1: it takes it snaps at her or whatever, like it

1086
00:57:08,880 --> 00:57:12,040
Speaker 1: tried to bite her. And then he grabs her on

1087
00:57:12,160 --> 00:57:14,640
Speaker 1: the bed, like pulling her to him, and she's like no,

1088
00:57:14,840 --> 00:57:18,000
Speaker 1: take no, and then she grabs a knife and cuts

1089
00:57:18,320 --> 00:57:21,960
Speaker 1: the snake penis or whatever off of him. I guess

1090
00:57:22,000 --> 00:57:25,360
Speaker 1: she didn't want none of that BBC, that big bowl

1091
00:57:25,400 --> 00:57:27,760
Speaker 1: constrictor or whatever they call it.

1092
00:57:27,840 --> 00:57:30,120
Speaker 2: Didn't want nothing, didn't want none of that black snake Moon.

1093
00:57:30,880 --> 00:57:31,479
Speaker 2: She was good.

1094
00:57:32,080 --> 00:57:35,760
Speaker 1: She was good on the snakes. So so she cuts,

1095
00:57:36,520 --> 00:57:39,120
Speaker 1: she cuts the snake and that's the end of her

1096
00:57:39,240 --> 00:57:41,680
Speaker 1: vision in her in the room. And that's when And

1097
00:57:42,080 --> 00:57:44,000
Speaker 1: but in the middle of this they cut the Ticks

1098
00:57:44,080 --> 00:57:46,120
Speaker 1: room and we see Tick is not in that room

1099
00:57:46,160 --> 00:57:48,720
Speaker 1: with her. That's when it's like, oh God, something very wrong.

1100
00:57:49,000 --> 00:57:51,360
Speaker 2: Yes, and Ticks Room.

1101
00:57:51,440 --> 00:57:54,200
Speaker 1: He knocks in morse coat on the wall and says

1102
00:57:54,560 --> 00:57:57,960
Speaker 1: and knocks taps wizards. On the other side, George is

1103
00:57:58,000 --> 00:57:59,960
Speaker 1: writing it down. You can see him write down Wizards.

1104
00:58:01,520 --> 00:58:04,520
Speaker 1: And you know, I didn't know if he was trying,

1105
00:58:04,680 --> 00:58:09,720
Speaker 1: like like KKK Grand wizards or you know, but no,

1106
00:58:09,920 --> 00:58:14,479
Speaker 1: he meant like wizards, like magical like magical spells and shit,

1107
00:58:15,800 --> 00:58:20,080
Speaker 1: and so tick hears sounds in the closet. After he

1108
00:58:20,160 --> 00:58:23,720
Speaker 1: knocks on this wall and go and out of his

1109
00:58:23,840 --> 00:58:28,439
Speaker 1: fucking like armar this Vietnamese woman that he knows named

1110
00:58:28,560 --> 00:58:32,320
Speaker 1: Jia comes out with fucking guns or blazing and they

1111
00:58:32,440 --> 00:58:34,840
Speaker 1: have a hand in hand battle to the motherfucking death.

1112
00:58:34,960 --> 00:58:38,720
Speaker 2: Come on, she's shooting up the couches. Everybody. If you

1113
00:58:39,040 --> 00:58:41,280
Speaker 2: was something in there, you was getting some of that business.

1114
00:58:41,440 --> 00:58:44,920
Speaker 1: Jia had hands, Okay, everything he tried to do, she

1115
00:58:45,160 --> 00:58:48,240
Speaker 1: was like cutting his arm with a knife, and eventually

1116
00:58:48,320 --> 00:58:51,320
Speaker 1: he has to like choke her to death. And what

1117
00:58:51,480 --> 00:58:53,600
Speaker 1: it made me think was when he made that call

1118
00:58:53,720 --> 00:58:57,680
Speaker 1: to Vietnam last week or whatever it was was career,

1119
00:58:57,760 --> 00:59:00,440
Speaker 1: I can't remember well he made that call, was that

1120
00:59:00,880 --> 00:59:02,880
Speaker 1: the person's voice on the other side of the phone

1121
00:59:03,520 --> 00:59:05,920
Speaker 1: was someone else. I don't yeah, I have no idea,

1122
00:59:06,080 --> 00:59:09,120
Speaker 1: but the way he seems so familiar, like it didn't

1123
00:59:09,120 --> 00:59:11,240
Speaker 1: seem like I'm having a flashback of the war. Some

1124
00:59:11,440 --> 00:59:13,800
Speaker 1: random person tried to kill me. It felt like, oh

1125
00:59:13,880 --> 00:59:15,840
Speaker 1: my god, this woman I don't want to fight is

1126
00:59:15,880 --> 00:59:20,080
Speaker 1: trying to kill me, and so yeah, he ends up

1127
00:59:20,120 --> 00:59:23,800
Speaker 1: having a choker to death to kill her. And then

1128
00:59:25,920 --> 00:59:28,920
Speaker 1: in the other room, George has a vision of Dora,

1129
00:59:30,080 --> 00:59:34,160
Speaker 1: who is Take's mom. Yes, I thought that's who was

1130
00:59:34,200 --> 00:59:37,080
Speaker 1: in his wallet the other day, so you know he

1131
00:59:37,240 --> 00:59:40,720
Speaker 1: keep a his brother's dead wife picture in his wallet.

1132
00:59:41,240 --> 00:59:43,920
Speaker 2: Yeah, and the you know, as the story goes on,

1133
00:59:44,080 --> 00:59:46,360
Speaker 2: I was like, it may have been something more to

1134
00:59:46,840 --> 00:59:51,880
Speaker 2: them to than just you know, m.

1135
00:59:54,000 --> 00:59:58,120
Speaker 1: And so uh she Oh, she was kind of thick

1136
00:59:58,160 --> 01:00:01,080
Speaker 1: in that dress too. I just like the on the

1137
01:00:01,120 --> 01:00:04,200
Speaker 1: record for that, Okay, definitely on the rewatch you might

1138
01:00:04,280 --> 01:00:06,800
Speaker 1: want a slow motion with it, if I'm just saying. So,

1139
01:00:07,680 --> 01:00:11,480
Speaker 1: she she's like, he's like he immediately knows. He's like

1140
01:00:12,560 --> 01:00:14,920
Speaker 1: this is not real. You're dad, And.

1141
01:00:15,040 --> 01:00:17,320
Speaker 2: She's like I know it, Like no, this is this

1142
01:00:17,760 --> 01:00:20,880
Speaker 2: right here, Like I you can't get me with this one.

1143
01:00:21,240 --> 01:00:24,520
Speaker 1: She's like, I know this isn't real, but that doesn't

1144
01:00:24,560 --> 01:00:27,360
Speaker 1: mean we can't dance anyway. And so they do that

1145
01:00:27,520 --> 01:00:31,200
Speaker 1: slow motion like old people dancing, like not the sexyicon

1146
01:00:31,880 --> 01:00:35,040
Speaker 1: and she's like, uh, you know he's just sitting there

1147
01:00:35,080 --> 01:00:38,240
Speaker 1: getting this John Gray on. You know, I'm like this

1148
01:00:38,360 --> 01:00:41,920
Speaker 1: man don't care about his wife nothing. He's gonna FaceTime

1149
01:00:42,040 --> 01:00:44,560
Speaker 1: her with his kid in the back talking about eating pizza.

1150
01:00:45,240 --> 01:00:47,920
Speaker 1: You know d only be eating pizza now, listen, Okay,

1151
01:00:48,120 --> 01:00:51,560
Speaker 1: I can't tell nothing but the truth, Ruth. But put

1152
01:00:51,640 --> 01:00:54,560
Speaker 1: on your best two piece and you got an hour

1153
01:00:54,720 --> 01:00:59,240
Speaker 1: to get on the guidebook and it's find me in Simmonsville.

1154
01:01:01,280 --> 01:01:04,760
Speaker 1: So then they dance and he talks about She's like

1155
01:01:04,880 --> 01:01:07,000
Speaker 1: what you're reading. He was like the House on the border.

1156
01:01:07,040 --> 01:01:08,920
Speaker 1: What you thinking about is like the House on the borderline.

1157
01:01:09,320 --> 01:01:11,280
Speaker 1: And the plot of the book is something like I

1158
01:01:11,320 --> 01:01:14,880
Speaker 1: can't remember exactly, but it's like a man finds a

1159
01:01:15,000 --> 01:01:17,800
Speaker 1: house on the Plane of Silence and then he fights

1160
01:01:18,400 --> 01:01:22,720
Speaker 1: pig humanoid like monsters before walking into the Sea of

1161
01:01:23,880 --> 01:01:27,440
Speaker 1: Solace or sleep or some shit, and and that's what

1162
01:01:27,560 --> 01:01:31,200
Speaker 1: He'll be reunited with his long lost love forever on something.

1163
01:01:31,720 --> 01:01:34,720
Speaker 1: And then Door talks about how magic is real and

1164
01:01:35,400 --> 01:01:38,480
Speaker 1: it's possible that you know like that, She's like, remember

1165
01:01:38,520 --> 01:01:40,720
Speaker 1: that game we used to play back in Tulsa, and

1166
01:01:40,880 --> 01:01:43,160
Speaker 1: we sit on the porch and we drink and meet

1167
01:01:43,240 --> 01:01:47,360
Speaker 1: you and Montrosse. Uh would play the what if game

1168
01:01:47,520 --> 01:01:49,960
Speaker 1: and we'd be like, what if you have superpowers and stuff.

1169
01:01:50,000 --> 01:01:51,800
Speaker 1: What if you could travel anywhere you want in the

1170
01:01:51,880 --> 01:01:54,240
Speaker 1: world And she was like and he was like, yeah,

1171
01:01:54,280 --> 01:01:57,200
Speaker 1: Mantross always said super strength. And she was like, yeah,

1172
01:01:57,280 --> 01:01:59,280
Speaker 1: you always wanted to fly. Well, what if you could fly?

1173
01:01:59,400 --> 01:02:03,400
Speaker 1: You and oldre can fly now and you can fly

1174
01:02:03,560 --> 01:02:07,760
Speaker 1: with them or whatever. And she goes to kiss him,

1175
01:02:08,400 --> 01:02:12,000
Speaker 1: and he in stead kisses her on uh, hit her

1176
01:02:12,080 --> 01:02:15,800
Speaker 1: forehead because black men don't cheat. Okay, all right, appreciate

1177
01:02:15,880 --> 01:02:19,320
Speaker 1: you brother, strong to stay strong, king. She was thick.

1178
01:02:19,880 --> 01:02:23,160
Speaker 1: I understood the temptation, but that's not your wife.

1179
01:02:24,800 --> 01:02:26,120
Speaker 2: So he was like, this ain't real.

1180
01:02:26,680 --> 01:02:28,760
Speaker 1: Well that I know, but that's almost more of a

1181
01:02:28,880 --> 01:02:31,800
Speaker 1: reason to have sex with her is that you know

1182
01:02:31,880 --> 01:02:33,520
Speaker 1: it's not real. It's like this don't even count.

1183
01:02:33,760 --> 01:02:34,320
Speaker 2: This don't count.

1184
01:02:34,480 --> 01:02:36,680
Speaker 1: This is magic. Magic is not cheating, you know me,

1185
01:02:36,760 --> 01:02:39,720
Speaker 1: and make all kinds of excuses. I mean, people wanted

1186
01:02:39,800 --> 01:02:42,280
Speaker 1: Letty to fuck Tick and we knew that wasn't real.

1187
01:02:43,160 --> 01:02:44,960
Speaker 1: Like if that snake wouldn't have came out of his pants,

1188
01:02:45,000 --> 01:02:48,000
Speaker 1: we would be like, I mean, fuck the little ghost

1189
01:02:48,080 --> 01:02:50,080
Speaker 1: tick it don't I mean, do what you gotta do

1190
01:02:50,200 --> 01:02:53,080
Speaker 1: since we see them ripples in them in them shirts.

1191
01:02:53,560 --> 01:02:56,200
Speaker 1: But no, no, this is not okay. He was a

1192
01:02:56,240 --> 01:02:59,880
Speaker 1: strong black brother, and he said, ma'am, I am a

1193
01:03:00,160 --> 01:03:00,960
Speaker 1: one woman man.

1194
01:03:02,960 --> 01:03:03,160
Speaker 6: Right.

1195
01:03:03,440 --> 01:03:05,720
Speaker 1: I don't know what you think this is, but I

1196
01:03:05,840 --> 01:03:07,800
Speaker 1: listened to Dave Hollister on repeat.

1197
01:03:08,160 --> 01:03:09,320
Speaker 2: I don't know who lied to you.

1198
01:03:11,160 --> 01:03:15,360
Speaker 1: That's back when I was wilding. Now can get less

1199
01:03:15,440 --> 01:03:18,720
Speaker 1: some bound someone getting hurt. I did my share a dirt.

1200
01:03:21,680 --> 01:03:23,800
Speaker 1: My man said, I'm faithful.

1201
01:03:24,480 --> 01:03:28,240
Speaker 2: He hit her with that. Maybe Wilsie, but the fly

1202
01:03:30,320 --> 01:03:33,000
Speaker 2: next lifetime, right, I'm good.

1203
01:03:33,400 --> 01:03:37,640
Speaker 1: So uh that's that's a strong black brother. I think honestly,

1204
01:03:38,000 --> 01:03:42,560
Speaker 1: between killing Jea or stopping that snake penis, I think

1205
01:03:42,600 --> 01:03:46,240
Speaker 1: he had the hardest task. Honestly, I think it's these

1206
01:03:46,240 --> 01:03:48,520
Speaker 1: are the comp snake penis that was the strongest, Like

1207
01:03:48,600 --> 01:03:52,400
Speaker 1: the g that was self defense killing Jia. I know

1208
01:03:52,520 --> 01:03:54,680
Speaker 1: one obviously wants to have somebody with a live snake

1209
01:03:54,760 --> 01:03:58,000
Speaker 1: penis that tried to bite you. But a woman that

1210
01:03:58,200 --> 01:04:02,240
Speaker 1: thick all up in your face talking about magic and shit,

1211
01:04:02,560 --> 01:04:04,720
Speaker 1: that was hard. That brother said no, I'm too good

1212
01:04:04,800 --> 01:04:10,400
Speaker 1: for this. So uh so then he says you're not

1213
01:04:10,600 --> 01:04:16,400
Speaker 1: real and in Letty's room, that's when the snake shit

1214
01:04:16,520 --> 01:04:18,600
Speaker 1: happens with the penis. It takes room. That's when he

1215
01:04:18,680 --> 01:04:23,040
Speaker 1: kills Jill. And then outside in the fucking lobby, Oh,

1216
01:04:23,240 --> 01:04:25,840
Speaker 1: looking through the doors of all the rooms or the

1217
01:04:26,000 --> 01:04:29,479
Speaker 1: guests for the goddamn dinner watching this shit like TV.

1218
01:04:29,800 --> 01:04:33,760
Speaker 2: And the thing is Uncle George. After he was like

1219
01:04:33,880 --> 01:04:37,040
Speaker 2: you ain't really he literally started staring right out through

1220
01:04:37,040 --> 01:04:39,920
Speaker 2: the door and looking at and like looking out like

1221
01:04:40,640 --> 01:04:44,200
Speaker 2: something is like he piece it together. Something is happening here.

1222
01:04:44,640 --> 01:04:46,120
Speaker 2: I can't put my finger on it. I don't know

1223
01:04:46,160 --> 01:04:49,480
Speaker 2: what's going on. Something is happened. So as he's kind

1224
01:04:49,520 --> 01:04:52,520
Speaker 2: of staring, it turns into them in the room, and

1225
01:04:52,760 --> 01:04:56,080
Speaker 2: and people are like staring at them all in their rooms,

1226
01:04:56,440 --> 01:04:59,960
Speaker 2: watching them go through these things, right, you just describe.

1227
01:05:00,120 --> 01:05:02,320
Speaker 1: So they've seen them go through this and not just

1228
01:05:02,560 --> 01:05:07,800
Speaker 1: any people, white people. So they was on display, white

1229
01:05:07,840 --> 01:05:11,680
Speaker 1: people looking at these black people for entertainment or some

1230
01:05:11,880 --> 01:05:14,000
Speaker 1: other purpose. It didn't really seem to be like they

1231
01:05:14,040 --> 01:05:17,360
Speaker 1: were trying to determine anything, you know, And.

1232
01:05:17,480 --> 01:05:19,760
Speaker 2: It doesn't seem like it was anything sexual or anything

1233
01:05:19,840 --> 01:05:19,960
Speaker 2: like that.

1234
01:05:20,160 --> 01:05:22,520
Speaker 1: Yeah, but just it was just creepy and weird and

1235
01:05:22,680 --> 01:05:27,520
Speaker 1: watching them react to this shit. And so then like

1236
01:05:27,720 --> 01:05:29,360
Speaker 1: maybe it'll come up that it did matter, but it

1237
01:05:29,440 --> 01:05:33,800
Speaker 1: didn't seem like they were testing them for anything valid.

1238
01:05:34,400 --> 01:05:37,640
Speaker 1: And Christina was one of the people watching and she

1239
01:05:37,960 --> 01:05:41,200
Speaker 1: kind of looks at Tick after he's killed Jia, and

1240
01:05:41,320 --> 01:05:44,680
Speaker 1: he's just kind of like on his sitting on the

1241
01:05:44,760 --> 01:05:47,720
Speaker 1: ground with his knees folded up, you know, like just

1242
01:05:48,040 --> 01:05:55,640
Speaker 1: just exhausted and traumatized. So after that, the bell rings

1243
01:05:55,680 --> 01:05:58,680
Speaker 1: again and they exit their rooms and in the hallway,

1244
01:05:58,880 --> 01:06:01,400
Speaker 1: William shows up to let them know there's a dinner

1245
01:06:01,720 --> 01:06:03,960
Speaker 1: and that it's a black tie dinner so the men

1246
01:06:04,000 --> 01:06:06,440
Speaker 1: will have to dress up and it's only for men,

1247
01:06:07,480 --> 01:06:10,800
Speaker 1: and he tells Uh. He tells Leeddy she can eat

1248
01:06:10,840 --> 01:06:15,800
Speaker 1: on the veranda or something like that. So I'm like, hmm, interesting,

1249
01:06:15,960 --> 01:06:19,280
Speaker 1: it's a man's only dinner and before these niggas showed up,

1250
01:06:19,800 --> 01:06:20,800
Speaker 1: white's only dinner.

1251
01:06:23,080 --> 01:06:23,200
Speaker 2: Uh.

1252
01:06:23,560 --> 01:06:26,760
Speaker 1: George then brings them together after williams Lee William Lee.

1253
01:06:27,280 --> 01:06:31,400
Speaker 1: Go ahead. George brings Letty and Uh and Tick together

1254
01:06:31,440 --> 01:06:34,040
Speaker 1: after William Lee's and this is a cool scene and

1255
01:06:34,120 --> 01:06:37,720
Speaker 1: he basically just calms them down because everyone's really traumatized,

1256
01:06:37,760 --> 01:06:40,200
Speaker 1: and he's like, they did it to all of us.

1257
01:06:40,320 --> 01:06:42,600
Speaker 1: They tried to break our minds and ticks, like what

1258
01:06:42,720 --> 01:06:44,920
Speaker 1: did you see? He's like, it doesn't matter, it's not important,

1259
01:06:45,360 --> 01:06:47,680
Speaker 1: and he's like, man, something happened in the war, and

1260
01:06:47,760 --> 01:06:49,919
Speaker 1: he was like, this doesn't matter. You a good boy,

1261
01:06:50,200 --> 01:06:52,600
Speaker 1: you're a better man. Don't you ever let them make

1262
01:06:52,680 --> 01:06:54,840
Speaker 1: you question yourself. That's how they win. They wanted to

1263
01:06:54,920 --> 01:06:58,280
Speaker 1: make us crazy, terrorize us, make us scared. But Laticia

1264
01:06:58,400 --> 01:07:02,880
Speaker 1: fucking Lewis don't get yeah, does she? And she's like no,

1265
01:07:03,440 --> 01:07:06,000
Speaker 1: And he's like, all right, so I think I found

1266
01:07:06,120 --> 01:07:09,280
Speaker 1: something while in my room that can help us get

1267
01:07:09,320 --> 01:07:11,800
Speaker 1: out of here. And that's when they go to dinner.

1268
01:07:13,040 --> 01:07:15,960
Speaker 1: At the dinner, it's full of white men who do

1269
01:07:16,120 --> 01:07:17,840
Speaker 1: that thing white people do, where they was having a

1270
01:07:18,000 --> 01:07:20,800
Speaker 1: decent time and then negroes into the room and all

1271
01:07:20,840 --> 01:07:22,680
Speaker 1: of a sudden, no one wants to talk about shit.

1272
01:07:23,960 --> 01:07:26,000
Speaker 2: They had this special table off to their own.

1273
01:07:27,560 --> 01:07:31,120
Speaker 1: Like y'all just literally watched us in these rooms fighting

1274
01:07:31,160 --> 01:07:35,400
Speaker 1: for our lives and shit, and but but but suddenly

1275
01:07:35,520 --> 01:07:37,760
Speaker 1: our intrusion in your space is too much for you

1276
01:07:37,840 --> 01:07:43,520
Speaker 1: to continue to talk about. Fut right, And so the

1277
01:07:43,600 --> 01:07:47,120
Speaker 1: black people walk in and William is escorting escorting them

1278
01:07:47,200 --> 01:07:50,680
Speaker 1: in George and tech botle you know, cause Letty can't come,

1279
01:07:51,000 --> 01:07:52,920
Speaker 1: and William says, just because they don't want you here,

1280
01:07:52,920 --> 01:07:54,880
Speaker 1: it doesn't mean you're not supposed to be, which is

1281
01:07:54,920 --> 01:07:56,720
Speaker 1: once again when I'm like, I don't know how much

1282
01:07:56,800 --> 01:07:57,600
Speaker 1: William's in on.

1283
01:07:57,720 --> 01:08:00,560
Speaker 2: Shit y what he knows and what he does. I

1284
01:08:00,600 --> 01:08:02,919
Speaker 2: don't think he knows everything. I just think he knows

1285
01:08:03,120 --> 01:08:03,960
Speaker 2: just what he needs to know.

1286
01:08:04,160 --> 01:08:06,280
Speaker 1: Because he didn't really seem to be rooting against him

1287
01:08:06,360 --> 01:08:08,360
Speaker 1: or trying to set them up anything, I don't think,

1288
01:08:08,720 --> 01:08:10,640
Speaker 1: which was weird, you know what I mean, because I

1289
01:08:10,680 --> 01:08:16,960
Speaker 1: thought he would be. And earlier Tick had asked Christina

1290
01:08:17,080 --> 01:08:20,120
Speaker 1: if William was her boyfriend, and she was like, he's

1291
01:08:20,160 --> 01:08:23,240
Speaker 1: a boy and sometimes a friend. So I don't know

1292
01:08:24,000 --> 01:08:28,280
Speaker 1: what's up with them, but at any rate, they end

1293
01:08:28,400 --> 01:08:34,559
Speaker 1: up at the dinner. They end up at the dinner

1294
01:08:34,960 --> 01:08:40,559
Speaker 1: and Samuel comes in wearing a role.

1295
01:08:40,680 --> 01:08:42,479
Speaker 2: Sound like somebody else was in that room too.

1296
01:08:43,360 --> 01:08:47,200
Speaker 1: What the room they was it? Oh? Yeah, sorry, our

1297
01:08:47,240 --> 01:08:49,000
Speaker 1: neighbor is yelling. I don't know if y'all can hear that.

1298
01:08:49,120 --> 01:08:53,759
Speaker 1: Hopefully not, but you know, kids. But yeah, So Samuel

1299
01:08:53,840 --> 01:08:56,160
Speaker 1: comes in wearing a robe. He gives a speech about

1300
01:08:56,880 --> 01:08:59,760
Speaker 1: giving himself to the members, in the in the same

1301
01:09:00,240 --> 01:09:05,160
Speaker 1: that Titus Braith White did. And he then serves on

1302
01:09:05,240 --> 01:09:09,120
Speaker 1: a plate to everyone whatever the fuck that organ was

1303
01:09:09,200 --> 01:09:10,880
Speaker 1: they took out of him while he was screaming with

1304
01:09:11,000 --> 01:09:14,479
Speaker 1: no anesthesia. It's been cutting the very small pieces and

1305
01:09:14,560 --> 01:09:16,760
Speaker 1: it's put on everyone's plate for them to all eat some.

1306
01:09:17,520 --> 01:09:19,720
Speaker 2: And Tick is the only one that actually knows what

1307
01:09:19,880 --> 01:09:25,840
Speaker 2: it is. And uh, here, Uncle George, like that old

1308
01:09:26,080 --> 01:09:28,000
Speaker 2: black woman does that the potluck. Don't eat that?

1309
01:09:28,439 --> 01:09:29,400
Speaker 1: Yeah, he's don't eat that.

1310
01:09:30,280 --> 01:09:30,600
Speaker 2: This is that.

1311
01:09:30,760 --> 01:09:33,439
Speaker 1: This is like every black woman in the office when

1312
01:09:33,479 --> 01:09:38,240
Speaker 1: they had that Thanksgiving pot Look, she's like she got cats.

1313
01:09:38,400 --> 01:09:42,160
Speaker 1: Don't do it. Don't do that something. You don't want

1314
01:09:42,200 --> 01:09:44,639
Speaker 1: that catt roll if you know what I mean. It's

1315
01:09:44,680 --> 01:09:45,519
Speaker 1: more of a cats.

1316
01:09:46,760 --> 01:09:48,400
Speaker 2: The dogs sit on the table, don't you eat?

1317
01:09:49,040 --> 01:09:53,840
Speaker 1: I saw licking her dog in the face on Instagram.

1318
01:09:54,040 --> 01:09:55,439
Speaker 2: Raisins in her potatoes.

1319
01:09:55,720 --> 01:09:59,120
Speaker 1: Right, that's your baby. You're gonna get sick. Okay, just

1320
01:09:59,200 --> 01:10:01,519
Speaker 1: what Just take plate, dump it all.

1321
01:10:01,439 --> 01:10:04,719
Speaker 2: Out and then just go to McDonald's, put a napkin

1322
01:10:04,800 --> 01:10:07,080
Speaker 2: over it and just be like, oh I am so full,

1323
01:10:07,200 --> 01:10:10,800
Speaker 2: and throw that shit you ate already. That was my

1324
01:10:10,880 --> 01:10:12,320
Speaker 2: go to I covered some shit up in a heart

1325
01:10:12,360 --> 01:10:13,519
Speaker 2: beat and tossed on the trash.

1326
01:10:14,040 --> 01:10:16,519
Speaker 1: But yeah, so he says, don't eat that. Then George

1327
01:10:16,560 --> 01:10:19,120
Speaker 1: makes his play. Before they can even really get the

1328
01:10:19,200 --> 01:10:22,160
Speaker 1: meeting started, he just stands up and he's like, you know,

1329
01:10:23,000 --> 01:10:25,080
Speaker 1: it was like a scene from Matt Lock when Matt

1330
01:10:25,120 --> 01:10:27,320
Speaker 1: Locke used to always be like, I'm just a whole

1331
01:10:27,439 --> 01:10:29,880
Speaker 1: country lawyer and then he went down to break down

1332
01:10:30,040 --> 01:10:33,160
Speaker 1: some case lost shit. But yeah, he was like, I'm

1333
01:10:33,360 --> 01:10:35,960
Speaker 1: just a black man. That's a know, its a little

1334
01:10:35,960 --> 01:10:40,240
Speaker 1: bit about fraternal orders. I'm a Freemason and I'm part

1335
01:10:40,280 --> 01:10:43,320
Speaker 1: of the Black Freemasons because it was started by a

1336
01:10:43,439 --> 01:10:45,600
Speaker 1: black man that was kicked, that wasn't allowed to be

1337
01:10:45,680 --> 01:10:48,640
Speaker 1: in the Freemasons after fighting in the fucking war the

1338
01:10:48,680 --> 01:10:50,799
Speaker 1: white people in the North. It was like, nah, nigga,

1339
01:10:51,280 --> 01:10:54,320
Speaker 1: you're gonna be free, but not a Freemason. So he

1340
01:10:54,400 --> 01:10:58,040
Speaker 1: started his own shit and he says, you tick, you

1341
01:10:58,120 --> 01:11:00,240
Speaker 1: know how that is like because it's color man. It's like,

1342
01:11:00,280 --> 01:11:02,600
Speaker 1: that's right, cousin. He was a colored man. So I

1343
01:11:02,720 --> 01:11:05,800
Speaker 1: read y'all little book. Okay, it was cute. This is

1344
01:11:05,920 --> 01:11:08,120
Speaker 1: about this little Adam Order of Adam.

1345
01:11:08,240 --> 01:11:10,720
Speaker 2: I read your little That's what he read where he

1346
01:11:10,920 --> 01:11:13,320
Speaker 2: had unlike that secret chamber.

1347
01:11:14,080 --> 01:11:17,559
Speaker 1: He's like, that's cute, and I noticed that black people

1348
01:11:17,680 --> 01:11:20,800
Speaker 1: not supposed to be here. We're not allowing your order either,

1349
01:11:21,160 --> 01:11:24,880
Speaker 1: unless there's a little loophole. And that loophole means if

1350
01:11:24,960 --> 01:11:27,599
Speaker 1: you're in the air in the bloodline of Titus breath White,

1351
01:11:27,960 --> 01:11:32,599
Speaker 1: which it appears, Tick is the only one here who

1352
01:11:32,800 --> 01:11:38,439
Speaker 1: is the last heir of Thomas Breithwaite, so that gives

1353
01:11:38,520 --> 01:11:42,080
Speaker 1: him certain abilities and he gets the poor rank. He

1354
01:11:42,160 --> 01:11:44,960
Speaker 1: can give orders to regular old members and they can't

1355
01:11:45,000 --> 01:11:47,320
Speaker 1: do shit about it. And that's when Tick takes his

1356
01:11:47,439 --> 01:11:50,920
Speaker 1: Q and says, all y'all except for Samuel, get the

1357
01:11:51,000 --> 01:11:53,519
Speaker 1: fuck out. And he said it like that too, get

1358
01:11:53,560 --> 01:11:59,880
Speaker 1: the fuck out, and looked like pitchposh right, and then

1359
01:12:00,000 --> 01:12:02,760
Speaker 1: and he still he got closer to the table and said,

1360
01:12:03,520 --> 01:12:06,519
Speaker 1: and that is an order, and then they left when

1361
01:12:06,560 --> 01:12:10,599
Speaker 1: he said it was an order, sam Samuel stood there.

1362
01:12:11,360 --> 01:12:14,439
Speaker 1: And this is the first time like Samuels such the

1363
01:12:14,520 --> 01:12:17,599
Speaker 1: dude that play fits played this villain so good because

1364
01:12:17,640 --> 01:12:21,280
Speaker 1: like he stops, he puts his glasses on. He's very upset.

1365
01:12:21,360 --> 01:12:23,519
Speaker 1: No one got to try to spleen and he's like, oh,

1366
01:12:23,560 --> 01:12:26,559
Speaker 1: my god, y'all really, I actually put salt and pepper

1367
01:12:26,600 --> 01:12:29,840
Speaker 1: on the spleen and y'all just not even gonna try that. Okay, cool, listen,

1368
01:12:30,040 --> 01:12:33,479
Speaker 1: I cut this out of myself for nothing, and nobody

1369
01:12:33,560 --> 01:12:35,599
Speaker 1: even tried a piece. I don't know how I taste.

1370
01:12:36,840 --> 01:12:40,680
Speaker 1: And so he was like, listen, the rest of these

1371
01:12:40,760 --> 01:12:43,759
Speaker 1: fools might believe all this bullshit. I'm not a zealous

1372
01:12:44,360 --> 01:12:47,559
Speaker 1: I don't give a fuck about these orders. I liked

1373
01:12:47,600 --> 01:12:51,080
Speaker 1: the colt as much as it allows me to try

1374
01:12:51,120 --> 01:12:54,080
Speaker 1: to get to my goals. And these motherfuckers will do

1375
01:12:54,160 --> 01:12:56,760
Speaker 1: what I tell them to do. Other than that, I

1376
01:12:56,840 --> 01:12:59,560
Speaker 1: could throw this shit, take it or leave it. And

1377
01:12:59,760 --> 01:13:04,800
Speaker 1: don't mistake being youthful for being inconstant like for being

1378
01:13:04,960 --> 01:13:08,840
Speaker 1: basically like uh like like like we can't get rid

1379
01:13:08,840 --> 01:13:12,240
Speaker 1: of you, don't like, don't don't don't do that player, Okay,

1380
01:13:12,640 --> 01:13:14,760
Speaker 1: Like I if I have to kill y'all, kill you.

1381
01:13:15,760 --> 01:13:19,120
Speaker 1: But you know right now, I have a plan, and

1382
01:13:19,200 --> 01:13:22,040
Speaker 1: you're youthful in that plan. But you know, don't fuck,

1383
01:13:22,120 --> 01:13:25,680
Speaker 1: don't fuck, don't fuck with me, okay. And of course, uh,

1384
01:13:26,000 --> 01:13:29,240
Speaker 1: that's when uh tickets like where are my daddy at?

1385
01:13:30,720 --> 01:13:34,920
Speaker 1: So they go to the dungeon to search for Montros

1386
01:13:37,120 --> 01:13:42,040
Speaker 1: and they get to that dungeon and he's not there,

1387
01:13:42,200 --> 01:13:45,920
Speaker 1: although they do find his whiskey flask because as they've

1388
01:13:46,000 --> 01:13:50,439
Speaker 1: intimated many times, he's apparently got some alcohol issues. And

1389
01:13:50,840 --> 01:13:54,479
Speaker 1: the dog leash woman comes downstairs and she's like, got a.

1390
01:13:54,560 --> 01:13:57,880
Speaker 2: Gun and she's like, oh, I knew it seen him

1391
01:13:57,880 --> 01:13:58,240
Speaker 2: go in there.

1392
01:13:58,479 --> 01:14:02,000
Speaker 1: You blacks are all ways more trouble than you were.

1393
01:14:02,800 --> 01:14:06,640
Speaker 1: I knew it. Well, I guess put you down. My

1394
01:14:06,920 --> 01:14:12,719
Speaker 1: dogs is gonna get some good old fashioned dark meat tonight,

1395
01:14:13,000 --> 01:14:17,839
Speaker 1: eating good. And she was like, and when I said blacks,

1396
01:14:17,960 --> 01:14:20,160
Speaker 1: I wasn't talking about Bess. Okay, I just want to

1397
01:14:20,160 --> 01:14:23,400
Speaker 1: make it like you I'm a racist. Okay, I don't

1398
01:14:23,439 --> 01:14:26,280
Speaker 1: know what you heard on these streets, but as all

1399
01:14:26,479 --> 01:14:29,000
Speaker 1: dog owners in the show so far have been, I'm

1400
01:14:29,040 --> 01:14:32,559
Speaker 1: a racist too. But nah, she gets knocked the fuck

1401
01:14:32,600 --> 01:14:34,760
Speaker 1: out by lady who I went to get like still

1402
01:14:34,800 --> 01:14:37,519
Speaker 1: a car for them to escape, And so she gets

1403
01:14:37,600 --> 01:14:42,200
Speaker 1: knocked out and they look for myn Tross and they

1404
01:14:42,280 --> 01:14:48,240
Speaker 1: find that he has dug a hole a tunnel like

1405
01:14:48,320 --> 01:14:50,439
Speaker 1: a hole in the brick in the wall and then

1406
01:14:50,520 --> 01:14:54,280
Speaker 1: a tunnel through the through the dirt and he's actually

1407
01:14:54,920 --> 01:14:57,000
Speaker 1: escaping as they are looking for him.

1408
01:14:58,880 --> 01:15:00,960
Speaker 2: Negros is like, I'm not gonna be He'll captain Feiler.

1409
01:15:01,000 --> 01:15:01,960
Speaker 2: I'm gonna get the fuck out of.

1410
01:15:02,000 --> 01:15:05,240
Speaker 1: Here, right. And so as he's crawling through the dirt

1411
01:15:05,400 --> 01:15:10,040
Speaker 1: and crawling out to freedom and stands up and all

1412
01:15:10,080 --> 01:15:14,080
Speaker 1: this ship, he looks behind him and of course, uh, Letty,

1413
01:15:16,400 --> 01:15:22,120
Speaker 1: George and Tick are standing behind him, and they're like, oh, Montres,

1414
01:15:22,240 --> 01:15:24,320
Speaker 1: she got out. And he's like, what are y'all even

1415
01:15:24,400 --> 01:15:27,439
Speaker 1: doing here? Like what the fuck is this? I'm like,

1416
01:15:27,640 --> 01:15:30,320
Speaker 1: we came for you where else when we be here?

1417
01:15:30,880 --> 01:15:32,639
Speaker 1: And I know he's supposed to be like an owner,

1418
01:15:32,720 --> 01:15:38,120
Speaker 1: honory person, and it's uh. Montrosse is played by Michael Williams,

1419
01:15:38,160 --> 01:15:41,880
Speaker 1: who is known as Omar from the Wire is probably

1420
01:15:41,920 --> 01:15:47,120
Speaker 1: his biggest his biggest role for for most of people,

1421
01:15:47,280 --> 01:15:51,439
Speaker 1: Michael Kay Williams, but he always playing some like honoory

1422
01:15:51,479 --> 01:15:54,240
Speaker 1: ass nigga. And he was like, what y'all even doing here?

1423
01:15:54,880 --> 01:15:58,240
Speaker 1: Like why why y'all come? Like y'all shouldn't be him.

1424
01:15:58,520 --> 01:16:00,160
Speaker 1: I was just like, we came to free you. Was

1425
01:16:00,240 --> 01:16:03,040
Speaker 1: like obviously I was about to be free myself. And

1426
01:16:03,160 --> 01:16:05,479
Speaker 1: I was like, you know, he really mad about y'all

1427
01:16:05,520 --> 01:16:07,320
Speaker 1: ain't get that twenty minutes earlier. You don't have to

1428
01:16:07,360 --> 01:16:10,960
Speaker 1: crawl through the worms and all the all them all

1429
01:16:11,040 --> 01:16:17,000
Speaker 1: them bugs and ship, you know, and so he and

1430
01:16:17,080 --> 01:16:19,719
Speaker 1: then uh so Tick is like, I got your letter.

1431
01:16:20,240 --> 01:16:22,400
Speaker 1: You told me that, like you say you need help.

1432
01:16:22,400 --> 01:16:27,280
Speaker 1: And he was like, I knew you stupid, because you

1433
01:16:27,520 --> 01:16:30,400
Speaker 1: believe this letter that was clearly written in fucking distress.

1434
01:16:31,800 --> 01:16:35,960
Speaker 1: So like why like like like you know, we ain't

1435
01:16:36,000 --> 01:16:39,360
Speaker 1: talked in five years, boy, I wouldn't write you. And

1436
01:16:41,400 --> 01:16:43,040
Speaker 1: he was like, I wrote this ship under the rest

1437
01:16:43,200 --> 01:16:47,320
Speaker 1: and your dumb ass fell for it. Okay, So he

1438
01:16:47,479 --> 01:16:49,479
Speaker 1: was not he was hot with them, and so they

1439
01:16:49,600 --> 01:16:50,920
Speaker 1: was like, well fuck it, let's just get in the

1440
01:16:50,960 --> 01:16:53,479
Speaker 1: car and drive right, And then he came with them

1441
01:16:55,000 --> 01:16:58,080
Speaker 1: and George, and George did try to stand up for Tick.

1442
01:16:58,200 --> 01:16:59,640
Speaker 1: He said, you don't need to talk to him like that.

1443
01:17:00,080 --> 01:17:02,000
Speaker 1: And Montreal's like, he my son, I talked to him.

1444
01:17:02,040 --> 01:17:05,360
Speaker 1: How if I won't. And so then George, while they're

1445
01:17:05,400 --> 01:17:09,479
Speaker 1: in the car about to leave, you know, speeding like shit,

1446
01:17:09,560 --> 01:17:11,559
Speaker 1: trying to get the fuck out of these white people's place,

1447
01:17:12,200 --> 01:17:15,840
Speaker 1: George says, this is just one of many houses. It's

1448
01:17:15,920 --> 01:17:20,160
Speaker 1: called the Sons of and Adams, founded by Titus Braithwhite,

1449
01:17:20,200 --> 01:17:23,200
Speaker 1: the guy who the ancestor who died in the fire.

1450
01:17:23,880 --> 01:17:27,360
Speaker 1: And he started after he discovered something called the Book

1451
01:17:27,400 --> 01:17:31,040
Speaker 1: of Names, and Montreal says, yeah, an necronomicon. He's like, no,

1452
01:17:31,479 --> 01:17:35,080
Speaker 1: that's the book of dead names. This is the book

1453
01:17:35,120 --> 01:17:40,920
Speaker 1: of life. It's the interpretation of Genesis. And the cause

1454
01:17:41,000 --> 01:17:44,440
Speaker 1: of the original fire was an attempt at this ceremony

1455
01:17:44,600 --> 01:17:47,920
Speaker 1: to gain immortality that went wrong and it ended up

1456
01:17:47,960 --> 01:17:51,599
Speaker 1: burning down the whole fucking mansion. And that's the one

1457
01:17:51,760 --> 01:17:56,519
Speaker 1: that William told him about the fire where almost nobody escaped.

1458
01:17:56,720 --> 01:18:00,000
Speaker 1: And then he looked at Tick and as he's expouded,

1459
01:18:00,160 --> 01:18:02,880
Speaker 1: and upon this they crashed into an invisible barrier that

1460
01:18:03,000 --> 01:18:07,720
Speaker 1: crunches up their motherfucking car like it's like just accordiating.

1461
01:18:07,960 --> 01:18:09,800
Speaker 2: I was nervous. I didn't know what was gonna happen.

1462
01:18:09,920 --> 01:18:13,200
Speaker 2: I was like, this is running too smooth, y'all get

1463
01:18:13,200 --> 01:18:16,600
Speaker 2: a flat tire, Like something gonna happen. I did not

1464
01:18:16,720 --> 01:18:18,840
Speaker 2: expect that because they were just moving all of a sudden,

1465
01:18:18,840 --> 01:18:20,160
Speaker 2: It's like boo was, oh shit, And.

1466
01:18:20,200 --> 01:18:26,120
Speaker 1: It's the same kind of barrier that is like, it's

1467
01:18:26,160 --> 01:18:27,680
Speaker 1: the same kind of barrier like they had at the

1468
01:18:27,760 --> 01:18:31,880
Speaker 1: doors for their rooms, invisible.

1469
01:18:31,400 --> 01:18:33,840
Speaker 2: Barrier, and bet it that's the one way they keep

1470
01:18:33,840 --> 01:18:36,479
Speaker 2: people out of shit. Like people get to a certain

1471
01:18:36,520 --> 01:18:38,760
Speaker 2: area all of sudden they'd be like, oh, you just

1472
01:18:38,840 --> 01:18:40,040
Speaker 2: hit something and they can't nobody.

1473
01:18:40,120 --> 01:18:41,920
Speaker 1: Well not just that, but you got the show guards.

1474
01:18:42,439 --> 01:18:44,680
Speaker 1: So if you can even get that close at night,

1475
01:18:44,840 --> 01:18:46,840
Speaker 1: like them fucking things that show up at each old ass,

1476
01:18:47,520 --> 01:18:49,160
Speaker 1: but if not, you're gonna you can't get in there

1477
01:18:49,200 --> 01:18:54,639
Speaker 1: because of the barrier. But yeah, so they fucking they

1478
01:18:55,160 --> 01:18:59,559
Speaker 1: destroyed the fucking car. The car is fucked. They get

1479
01:18:59,600 --> 01:19:02,759
Speaker 1: out of the car are and as they're just trying

1480
01:19:02,800 --> 01:19:07,200
Speaker 1: to like you know, get their bearings, Christina and her

1481
01:19:07,280 --> 01:19:11,200
Speaker 1: father Samuel pull up. Samuel has a gun, he shoots Letty.

1482
01:19:11,520 --> 01:19:14,479
Speaker 1: She dies in front of Tick like Tick is holding her.

1483
01:19:14,920 --> 01:19:17,240
Speaker 1: There's like a long scene of her dying, like she died.

1484
01:19:17,280 --> 01:19:20,240
Speaker 1: She died like one of them good like Negro acting deaths,

1485
01:19:21,000 --> 01:19:26,960
Speaker 1: you know. And then Tick is like, you know, you know,

1486
01:19:27,120 --> 01:19:30,360
Speaker 1: like stop what you're doing whatever, and he's like, because you're.

1487
01:19:30,200 --> 01:19:31,200
Speaker 2: A son of.

1488
01:19:33,000 --> 01:19:35,080
Speaker 1: A son of I forget what it's called. It's like

1489
01:19:35,120 --> 01:19:39,000
Speaker 1: a special dead designation that Tick had for being related

1490
01:19:39,080 --> 01:19:43,760
Speaker 1: to Titus. But son among Songs, that's what it is,

1491
01:19:43,840 --> 01:19:48,240
Speaker 1: son Amon's song, son Amon's Son among Sons. He was like,

1492
01:19:48,479 --> 01:19:52,280
Speaker 1: because you're a son among sons, I will let you

1493
01:19:52,400 --> 01:19:55,640
Speaker 1: pick which one of these motherfuckers I kill next, Like

1494
01:19:55,800 --> 01:19:58,759
Speaker 1: you want me to kill your uncle or your daddy?

1495
01:19:59,200 --> 01:20:02,639
Speaker 1: And Tick doesn't say, you know his uncle was the one.

1496
01:20:02,720 --> 01:20:06,120
Speaker 1: He clearly was like, you know, closer to and that's

1497
01:20:06,160 --> 01:20:08,960
Speaker 1: the one that Sam shoots and he shoots him in

1498
01:20:08,960 --> 01:20:12,000
Speaker 1: the stomach, doesn't kill him, but we just see said

1499
01:20:12,160 --> 01:20:14,400
Speaker 1: you just see him go no, I need power. And

1500
01:20:14,479 --> 01:20:18,639
Speaker 1: then the next thing we see, while Maryland Manson song

1501
01:20:18,760 --> 01:20:23,519
Speaker 1: plays about killing strangers or something he's being we see

1502
01:20:23,640 --> 01:20:27,080
Speaker 1: that take his naked being wiped down by these like

1503
01:20:27,160 --> 01:20:31,040
Speaker 1: attendants who are getting him ready for the ceremony. So

1504
01:20:32,240 --> 01:20:35,800
Speaker 1: there has been a deal struck, which is essentially, I

1505
01:20:36,640 --> 01:20:39,640
Speaker 1: you're gonna do this ceremony or the loved ones you have,

1506
01:20:39,840 --> 01:20:41,439
Speaker 1: I'm gonna fuck fucking kill him.

1507
01:20:43,240 --> 01:20:43,519
Speaker 2: And so.

1508
01:20:45,040 --> 01:20:49,200
Speaker 1: I mean, listen, this man sound like he was finally

1509
01:20:49,280 --> 01:20:52,840
Speaker 1: revealing his villain his hand. Okay, he was shooting niggas

1510
01:20:52,880 --> 01:20:55,360
Speaker 1: like Luca don Chick in the buzz Bubble. Okay, he

1511
01:20:55,520 --> 01:20:58,000
Speaker 1: was like, look, I'm not here for no fucking foolishness.

1512
01:20:58,840 --> 01:20:59,920
Speaker 2: We gotta get shit done.

1513
01:21:00,000 --> 01:21:03,559
Speaker 1: And y'all plan black, black lives don't matter to him, okay.

1514
01:21:05,120 --> 01:21:10,479
Speaker 1: And so while he's getting ready for the ceremony, Christina

1515
01:21:10,560 --> 01:21:12,679
Speaker 1: comes in and tells him that the ceremony is gonna

1516
01:21:12,680 --> 01:21:15,000
Speaker 1: be about opening the door to the garden to eat

1517
01:21:15,080 --> 01:21:20,120
Speaker 1: him eating and then uh, that's when Sam thinks he's

1518
01:21:20,160 --> 01:21:23,639
Speaker 1: gonna step through and get eternal life. And Tick brings

1519
01:21:23,760 --> 01:21:29,599
Speaker 1: up how Titus died because his shit didn't work, Like, well,

1520
01:21:29,680 --> 01:21:32,120
Speaker 1: Titus tried this and the fucking mansion blew up.

1521
01:21:32,880 --> 01:21:33,200
Speaker 2: What what?

1522
01:21:33,439 --> 01:21:35,880
Speaker 1: Why? Why is this gonna work? And she was like, well,

1523
01:21:35,960 --> 01:21:38,120
Speaker 1: the language of Atam is hard to get right, and

1524
01:21:39,040 --> 01:21:42,160
Speaker 1: her dad is gonna use Tick's blood because he's the

1525
01:21:42,600 --> 01:21:45,000
Speaker 1: last one in the bloodline of the man who did

1526
01:21:45,200 --> 01:21:49,479
Speaker 1: this originally did get the closest Titus. She's like, if

1527
01:21:49,640 --> 01:21:53,360
Speaker 1: with a new spell and the blood, we think that

1528
01:21:54,120 --> 01:21:56,640
Speaker 1: you know we can we can make it work. And

1529
01:21:57,960 --> 01:22:01,679
Speaker 1: Tik points out like, there's know we really because it's

1530
01:22:01,720 --> 01:22:05,599
Speaker 1: the sons of Adam, So it's not the daughters of Adam.

1531
01:22:06,040 --> 01:22:08,280
Speaker 1: You not even gonna get to you. The one that

1532
01:22:08,400 --> 01:22:10,519
Speaker 1: came up with this plan because she's the one that

1533
01:22:10,600 --> 01:22:13,679
Speaker 1: thinks he's important and told her father to use text

1534
01:22:13,760 --> 01:22:16,200
Speaker 1: blood and all this shit. He's like, you can't participate,

1535
01:22:16,280 --> 01:22:21,360
Speaker 1: You can't even participate, and she points out, how, you know, yeah,

1536
01:22:21,880 --> 01:22:24,160
Speaker 1: I'm doing this for my evil ass daddy, but guess

1537
01:22:24,200 --> 01:22:27,759
Speaker 1: what you here for your evil ass daddy? Like your daddy,

1538
01:22:27,760 --> 01:22:30,840
Speaker 1: don't fuck with you, y'all fight. He was abusive and

1539
01:22:31,160 --> 01:22:33,080
Speaker 1: look at both of us. We still help him? Why

1540
01:22:33,200 --> 01:22:38,639
Speaker 1: because of that coke call family? Like you know, yeah,

1541
01:22:38,680 --> 01:22:40,720
Speaker 1: these bars are so subtle, but I really fuck it.

1542
01:22:40,760 --> 01:22:42,160
Speaker 1: When I rewatched it, I was like, oh, they was

1543
01:22:42,240 --> 01:22:46,240
Speaker 1: dropping bars on each other. And he was like, well,

1544
01:22:46,280 --> 01:22:48,120
Speaker 1: you didn't have to drag them into it. And he's

1545
01:22:48,160 --> 01:22:51,479
Speaker 1: looking through that little like barrier, the invisible barrier at

1546
01:22:51,520 --> 01:22:54,639
Speaker 1: his family at UH and you can see Letty's laying

1547
01:22:54,720 --> 01:23:00,320
Speaker 1: on the couch supposedly dead, and then Uncle George laying

1548
01:23:00,360 --> 01:23:03,600
Speaker 1: on the bed nursing a gunshot wound, and Mantross is

1549
01:23:03,680 --> 01:23:07,000
Speaker 1: sitting next to him, and he's like, you didn't have

1550
01:23:07,040 --> 01:23:08,560
Speaker 1: to bring them into him and she was like, I

1551
01:23:08,680 --> 01:23:11,920
Speaker 1: didn't bring two of them, meaning you can't you showed

1552
01:23:11,960 --> 01:23:14,680
Speaker 1: up with Letty and Uncle George, I just had your

1553
01:23:14,760 --> 01:23:20,280
Speaker 1: daddy here and he's like, and that's when Letty awakens

1554
01:23:21,240 --> 01:23:25,640
Speaker 1: and she's healed, and she's now, see, my father's a

1555
01:23:25,680 --> 01:23:28,760
Speaker 1: gentleman of his word. He will heal your uncle too

1556
01:23:29,479 --> 01:23:34,000
Speaker 1: after the ceremony, And so there's some hope here because

1557
01:23:34,120 --> 01:23:37,479
Speaker 1: Letty not only does she come back, but like we

1558
01:23:37,640 --> 01:23:40,679
Speaker 1: see later, she goes into the bathroom takes off her shirt.

1559
01:23:40,760 --> 01:23:41,639
Speaker 1: The wound is gone.

1560
01:23:41,800 --> 01:23:44,200
Speaker 2: So she is hallucining because she's like, the fuck is

1561
01:23:44,240 --> 01:23:45,360
Speaker 2: she still coming in blood?

1562
01:23:45,640 --> 01:23:48,320
Speaker 1: Right now? She's obviously traumatized and maybe this will come

1563
01:23:48,400 --> 01:23:51,760
Speaker 1: up later, but by the death experience that she did have,

1564
01:23:52,040 --> 01:23:54,960
Speaker 1: she's clearly traumatized by that and there's not a lot

1565
01:23:55,000 --> 01:23:57,880
Speaker 1: of time to reconcile with that. But whatever they did

1566
01:23:58,080 --> 01:24:02,880
Speaker 1: healed the wound completely. Maybe not mind right, and so

1567
01:24:03,880 --> 01:24:07,480
Speaker 1: she's like, uh. She gives him a ring for the ceremony,

1568
01:24:08,200 --> 01:24:11,920
Speaker 1: the same one they saw on that painting of Titus,

1569
01:24:12,600 --> 01:24:16,000
Speaker 1: and she says, I could never earn this ring, no

1570
01:24:16,160 --> 01:24:18,600
Speaker 1: matter how hard I tried, And you get one for

1571
01:24:18,760 --> 01:24:22,160
Speaker 1: nothing just because you were born a man And he says,

1572
01:24:22,560 --> 01:24:25,679
Speaker 1: not even a white man at that, right, And Letty

1573
01:24:25,960 --> 01:24:28,599
Speaker 1: she looks hot and Letty goes and that's when Letty

1574
01:24:28,640 --> 01:24:30,519
Speaker 1: goes in the bathroom watching the blood off and all

1575
01:24:30,560 --> 01:24:36,760
Speaker 1: that stuff. George encourages Montross to try to break the

1576
01:24:36,840 --> 01:24:39,000
Speaker 1: window and leave and take Letty with him, and he

1577
01:24:39,160 --> 01:24:42,439
Speaker 1: was like, one, I'm not leaving you here to die. Two,

1578
01:24:43,880 --> 01:24:45,960
Speaker 1: Letty don't seem like the type to be told what

1579
01:24:46,080 --> 01:24:46,280
Speaker 1: to do.

1580
01:24:47,000 --> 01:24:49,200
Speaker 2: He be like, that is a very independent woman, and

1581
01:24:49,520 --> 01:24:50,960
Speaker 2: you will have a fight on your hands.

1582
01:24:51,280 --> 01:24:56,360
Speaker 1: And George is like kind of like he's maybe it's

1583
01:24:56,400 --> 01:24:58,840
Speaker 1: the blood loss, but he's almost like drugged up, like

1584
01:24:58,960 --> 01:25:01,240
Speaker 1: he's just kind of just saying whatever comes to his mind.

1585
01:25:01,840 --> 01:25:04,240
Speaker 1: And he's like, why don't you draw anymore? He was like,

1586
01:25:04,320 --> 01:25:06,600
Speaker 1: shut up, I ain't never draw. It's like, yes, you

1587
01:25:06,720 --> 01:25:09,320
Speaker 1: did with his kids us to draw a sign for

1588
01:25:09,439 --> 01:25:12,280
Speaker 1: the Negro League players that will come to town every

1589
01:25:12,360 --> 01:25:15,519
Speaker 1: year and the sign would welcome him, and you just stopped.

1590
01:25:15,640 --> 01:25:18,360
Speaker 1: Why did you stop? And he was like because our

1591
01:25:18,520 --> 01:25:20,720
Speaker 1: dad showed up one time he seen me with that

1592
01:25:20,880 --> 01:25:23,760
Speaker 1: sign and he beat me up. And he was like,

1593
01:25:23,960 --> 01:25:27,160
Speaker 1: after that, I never drew again. And he was like

1594
01:25:27,760 --> 01:25:31,559
Speaker 1: I'm sorry, you know, I'm sorry that I didn't stand

1595
01:25:31,680 --> 01:25:35,719
Speaker 1: up for you, and say like anything to stop my dad,

1596
01:25:36,160 --> 01:25:41,200
Speaker 1: which they talked about kind of last week, and he's like,

1597
01:25:42,800 --> 01:25:46,599
Speaker 1: don't you know, don't let anything stop you. There's nothing

1598
01:25:46,640 --> 01:25:51,680
Speaker 1: wrong with showing love. And then my trous was like, man,

1599
01:25:51,720 --> 01:25:52,800
Speaker 1: shut up or whatever.

1600
01:25:53,080 --> 01:25:53,519
Speaker 5: He was like.

1601
01:25:54,040 --> 01:25:56,760
Speaker 1: He was like, you know what, that's my problem. I've

1602
01:25:56,800 --> 01:25:58,600
Speaker 1: been shutting up too long and it's hurt all the

1603
01:25:58,640 --> 01:26:01,519
Speaker 1: people I love. It has hurt my you know, my wife,

1604
01:26:01,720 --> 01:26:06,000
Speaker 1: my daughter. Tick. And when he says tick, that's when

1605
01:26:06,040 --> 01:26:08,200
Speaker 1: myn Trials kind of like stares at him kind of

1606
01:26:08,240 --> 01:26:14,960
Speaker 1: angrily and he's like, uh, but I'm not shutting up

1607
01:26:15,040 --> 01:26:17,120
Speaker 1: no more. They need to know and all this stuff,

1608
01:26:17,320 --> 01:26:21,240
Speaker 1: and man Trials was like, look, we already settled that

1609
01:26:21,320 --> 01:26:24,200
Speaker 1: out a long time ago, so just leave it at that.

1610
01:26:24,320 --> 01:26:27,120
Speaker 1: And he was like no, uh tick, you know he

1611
01:26:27,240 --> 01:26:29,240
Speaker 1: might not be your son or whatever. He was like,

1612
01:26:29,400 --> 01:26:31,559
Speaker 1: I know you got a gunshot wound, but I will

1613
01:26:31,600 --> 01:26:35,840
Speaker 1: whoop your motherfucking ass. And then like I told you right,

1614
01:26:35,960 --> 01:26:40,760
Speaker 1: And then George is like, I know, but you might

1615
01:26:40,840 --> 01:26:43,720
Speaker 1: be all the boy has left, basically saying like if

1616
01:26:43,760 --> 01:26:47,680
Speaker 1: I die here, He's like, you now, you have to

1617
01:26:47,760 --> 01:26:49,680
Speaker 1: be a father. You gotta step up and be a

1618
01:26:49,800 --> 01:26:52,560
Speaker 1: father for real, and you gotta do more than just

1619
01:26:52,680 --> 01:26:54,320
Speaker 1: be abusive and shit, you got to learn how to

1620
01:26:54,360 --> 01:26:58,439
Speaker 1: show your son love, right, which is interesting because one

1621
01:26:58,600 --> 01:27:00,840
Speaker 1: Tick is a grown ass man. It just point so

1622
01:27:01,120 --> 01:27:02,920
Speaker 1: it might be too late for that, and you know,

1623
01:27:03,080 --> 01:27:04,720
Speaker 1: my Trials is even older. It might be too late

1624
01:27:04,720 --> 01:27:07,400
Speaker 1: for him to change his ways or not. But you know,

1625
01:27:07,520 --> 01:27:12,759
Speaker 1: that scene was kind of compelling because you know, it's

1626
01:27:12,840 --> 01:27:19,200
Speaker 1: that thing where it's like, is the damage already done?

1627
01:27:19,360 --> 01:27:19,920
Speaker 1: You know what I mean?

1628
01:27:20,160 --> 01:27:26,040
Speaker 2: Yeah, the damage is already done, but everybody's different. And

1629
01:27:27,360 --> 01:27:30,120
Speaker 2: if Tick didn't care, Tick Wolin came back for that

1630
01:27:30,280 --> 01:27:32,600
Speaker 2: letter like like, I'm not trying to be funny. He

1631
01:27:32,640 --> 01:27:34,800
Speaker 2: could have been like fuck you and stay where the

1632
01:27:34,840 --> 01:27:37,439
Speaker 2: fuck he was like, like if there was no love

1633
01:27:37,640 --> 01:27:40,920
Speaker 2: or no compassion or anything like that, because it's mama

1634
01:27:41,040 --> 01:27:42,960
Speaker 2: dad the fucking coming back for. It's not like her

1635
01:27:43,040 --> 01:27:46,519
Speaker 2: only child, Like there is literally no reason for him

1636
01:27:46,560 --> 01:27:49,439
Speaker 2: to come back. So he didn't come back for no reason,

1637
01:27:49,760 --> 01:27:53,000
Speaker 2: Like he came back to look for his daddy. And

1638
01:27:53,200 --> 01:27:56,160
Speaker 2: I don't really know if he was looking for approval

1639
01:27:56,200 --> 01:27:58,599
Speaker 2: or anything like that, but he you know, he was like, hey,

1640
01:27:58,840 --> 01:28:02,200
Speaker 2: you know that's pops, right, that's a good point, So

1641
01:28:05,000 --> 01:28:08,439
Speaker 2: I'm sorry. And so I think Georgia's thing is like, hey, Nigga,

1642
01:28:08,880 --> 01:28:11,680
Speaker 2: like you don't actually know him and he's not this

1643
01:28:12,880 --> 01:28:15,280
Speaker 2: mean and cruel person that you paint him to be

1644
01:28:15,360 --> 01:28:17,880
Speaker 2: in your mind. Like I understand y'all don't get along,

1645
01:28:18,760 --> 01:28:21,960
Speaker 2: but you know, you at least get to know him

1646
01:28:22,040 --> 01:28:25,799
Speaker 2: and you will realize that he ain't as as terrible

1647
01:28:25,920 --> 01:28:27,720
Speaker 2: and as vindictive as you paint him to be.

1648
01:28:27,880 --> 01:28:30,920
Speaker 1: Well, Georgie's seen his brother since he was a kid,

1649
01:28:31,200 --> 01:28:35,280
Speaker 1: so he's watched like he can still remember those good

1650
01:28:35,320 --> 01:28:39,639
Speaker 1: things that other people don't that honestly probably never got

1651
01:28:39,680 --> 01:28:39,920
Speaker 1: to see.

1652
01:28:40,120 --> 01:28:40,479
Speaker 2: Correct.

1653
01:28:41,640 --> 01:28:46,880
Speaker 1: So then they started the ceremony and they played why

1654
01:28:47,000 --> 01:28:49,120
Speaker 1: He's on the Moon by Gil started Hearing, which is

1655
01:28:49,200 --> 01:28:56,679
Speaker 1: a great spoken word song. And Samuel Uh is doing

1656
01:28:56,760 --> 01:29:01,759
Speaker 1: this ritual in his cloak, and he likes three weird

1657
01:29:02,160 --> 01:29:06,000
Speaker 1: electric lamp looking things that form a triangle of electricity

1658
01:29:06,600 --> 01:29:09,280
Speaker 1: with Tick in the middle, and they kind of zap

1659
01:29:09,520 --> 01:29:13,120
Speaker 1: through him and the stars, sapping some type of essence

1660
01:29:13,160 --> 01:29:16,400
Speaker 1: out of Tick as Tick screams, and it's clearly painful

1661
01:29:16,479 --> 01:29:22,720
Speaker 1: to Tick. But as Samuel is doing these words, I

1662
01:29:22,880 --> 01:29:25,439
Speaker 1: think it's called the language of Adam or something. As

1663
01:29:25,479 --> 01:29:28,920
Speaker 1: he's speaking these ancient words, he's making his spell happen

1664
01:29:29,360 --> 01:29:33,040
Speaker 1: to open this portal. The portal is starting to come

1665
01:29:33,240 --> 01:29:37,479
Speaker 1: like flowers are blooming in the room and vegetation and shit,

1666
01:29:37,560 --> 01:29:39,760
Speaker 1: and it's starting to look all like the garden of

1667
01:29:39,840 --> 01:29:43,200
Speaker 1: eating is coming into the room almost and the portal

1668
01:29:43,360 --> 01:29:47,200
Speaker 1: is opening, and like I said, you can just see

1669
01:29:47,280 --> 01:29:53,280
Speaker 1: that it's hurting tick and ticks, rings starts sprouting like this,

1670
01:29:54,000 --> 01:29:57,280
Speaker 1: Like first it starts sprouting flowers and stuff out of it,

1671
01:29:57,560 --> 01:30:00,519
Speaker 1: and then it starts sprouting like this black dark energy

1672
01:30:01,200 --> 01:30:01,759
Speaker 1: or something.

1673
01:30:02,160 --> 01:30:02,760
Speaker 2: In the.

1674
01:30:04,520 --> 01:30:07,360
Speaker 1: Juxtaposition of this scene with white He's on the Moon

1675
01:30:08,040 --> 01:30:09,960
Speaker 1: is so dope because White He's on the Moon is

1676
01:30:10,000 --> 01:30:13,760
Speaker 1: basically a poem about poor black people and how our

1677
01:30:13,880 --> 01:30:18,880
Speaker 1: dreams are not accomplished and our suffering fuels white people's

1678
01:30:19,360 --> 01:30:24,719
Speaker 1: like existence and white people can reach the highest of highs,

1679
01:30:25,000 --> 01:30:29,040
Speaker 1: as in be on the fucking moon literally, and we're

1680
01:30:29,080 --> 01:30:31,840
Speaker 1: worried about dying and our rent me and rays and

1681
01:30:31,920 --> 01:30:33,320
Speaker 1: our sister's health.

1682
01:30:33,200 --> 01:30:36,800
Speaker 2: And you know, so we could never get to the wound, right.

1683
01:30:37,040 --> 01:30:40,000
Speaker 1: And so in this room, you're looking at a black

1684
01:30:40,120 --> 01:30:44,360
Speaker 1: man whose family is on the line because they are

1685
01:30:45,200 --> 01:30:47,720
Speaker 1: have been imperiled by these white people that want to

1686
01:30:47,840 --> 01:30:52,120
Speaker 1: use his body to accomplish this goal of gaining gaining immortality.

1687
01:30:52,720 --> 01:30:55,360
Speaker 1: Tick is literally just trying to survive and keep his

1688
01:30:55,520 --> 01:30:56,080
Speaker 1: uncle alive.

1689
01:30:56,320 --> 01:30:58,120
Speaker 2: Yes he could have. He was like, let me get

1690
01:30:58,160 --> 01:31:00,439
Speaker 2: my daddy go home, and that had been then ending him.

1691
01:31:00,720 --> 01:31:04,720
Speaker 1: Right, and they and meanwhile white he's on the moon, right,

1692
01:31:05,000 --> 01:31:10,920
Speaker 1: Like his torture, his pain is fueling this ritual because

1693
01:31:10,960 --> 01:31:13,000
Speaker 1: of his you know, they want to use his blood

1694
01:31:13,040 --> 01:31:15,600
Speaker 1: and his body. None of his agency, none of his

1695
01:31:15,720 --> 01:31:18,680
Speaker 1: willingness matters. They want to use that in order to

1696
01:31:18,960 --> 01:31:24,400
Speaker 1: accomplish their goal, which is being on the moon. Basically right,

1697
01:31:24,400 --> 01:31:25,000
Speaker 1: because it's.

1698
01:31:24,880 --> 01:31:27,479
Speaker 2: One of those things, as history has shown us, either

1699
01:31:27,520 --> 01:31:32,200
Speaker 2: you're gonna do willingly unwinningly, We're gonna rob, steal, kill,

1700
01:31:32,320 --> 01:31:34,160
Speaker 2: whatever it takes to reach this goal.

1701
01:31:34,880 --> 01:31:39,120
Speaker 1: It's as foreign. It is as foreign to it is

1702
01:31:39,160 --> 01:31:43,639
Speaker 1: as far in that room takes existence, and the racism

1703
01:31:43,720 --> 01:31:46,639
Speaker 1: and stuff that happens in his life is as foreign

1704
01:31:46,680 --> 01:31:50,720
Speaker 1: to that white man trying to get immortality as Gil

1705
01:31:50,800 --> 01:31:54,679
Speaker 1: Scott Heron's family plight and poverty plight was to white

1706
01:31:54,720 --> 01:31:58,080
Speaker 1: people wanting to be on the moon like that goal,

1707
01:31:58,400 --> 01:32:00,400
Speaker 1: like y'all are on the moon and I'm in hell.

1708
01:32:01,200 --> 01:32:05,200
Speaker 1: So that was like a really dope, like poignant selection

1709
01:32:05,360 --> 01:32:07,800
Speaker 1: right there. Maybe it was a little too on the nose.

1710
01:32:07,880 --> 01:32:10,519
Speaker 1: I could see people like feeling a way about that,

1711
01:32:10,960 --> 01:32:15,280
Speaker 1: but I don't know. I liked it anyway, and and

1712
01:32:15,479 --> 01:32:21,920
Speaker 1: thought it was, you know, pretty deep or so well,

1713
01:32:22,280 --> 01:32:25,720
Speaker 1: you know what, Actually, let's pause here, all right, matter

1714
01:32:25,720 --> 01:32:27,200
Speaker 1: of fact, I'll play a little.

1715
01:32:26,920 --> 01:32:30,320
Speaker 6: Bit of it. Yeah, for poem here, it's called Whitey

1716
01:32:30,439 --> 01:32:39,560
Speaker 6: on the Moon, and it was inspired it was inspired

1717
01:32:39,720 --> 01:32:43,880
Speaker 6: by some whities on the moon. So I want to

1718
01:32:43,920 --> 01:32:45,479
Speaker 6: give credit where credit is due.

1719
01:32:49,479 --> 01:33:03,559
Speaker 1: Let's see a rat doesnet been my sister?

1720
01:33:03,680 --> 01:33:07,439
Speaker 4: Now with Whitey on the moon, her face and arms

1721
01:33:07,520 --> 01:33:10,880
Speaker 4: began to swell, and white he's on the moon. I

1722
01:33:10,960 --> 01:33:13,880
Speaker 4: can't pay no doctor bills, but white he's on the moon.

1723
01:33:15,000 --> 01:33:17,240
Speaker 4: Ten years from now, I'll be paying still wild.

1724
01:33:17,240 --> 01:33:18,240
Speaker 1: White he is on the moon.

1725
01:33:18,680 --> 01:33:21,040
Speaker 4: You know, the man jumps up my rent last night

1726
01:33:21,200 --> 01:33:24,080
Speaker 4: because white he is on the moon. No hot water,

1727
01:33:24,240 --> 01:33:26,519
Speaker 4: no toilets, no lights, but white he's on the moon.

1728
01:33:27,760 --> 01:33:32,960
Speaker 1: So yeah, that juxtaposition is so fucking perfect for this scene.

1729
01:33:33,120 --> 01:33:35,800
Speaker 1: That's real right there, right, And I know, watching it

1730
01:33:35,880 --> 01:33:37,680
Speaker 1: in real time, and there's a lot going on. You're

1731
01:33:37,680 --> 01:33:40,000
Speaker 1: trying to pay attention to the show. It's it's hard

1732
01:33:40,040 --> 01:33:42,640
Speaker 1: to really hear the lyrics and watch the show at

1733
01:33:42,640 --> 01:33:46,240
Speaker 1: the same time. Yeah, but it was so fucking great

1734
01:33:47,160 --> 01:33:50,479
Speaker 1: cause it's like, yes, this black family, this black person,

1735
01:33:50,680 --> 01:33:53,120
Speaker 1: because the only value that Tick has in that room

1736
01:33:53,479 --> 01:33:57,200
Speaker 1: is the fact that a white ancestor more than likely

1737
01:33:57,439 --> 01:33:59,880
Speaker 1: raped his great great black ancestor, come.

1738
01:33:59,800 --> 01:34:00,439
Speaker 5: On and.

1739
01:34:01,920 --> 01:34:06,040
Speaker 1: And and left him as the long, long, long, long,

1740
01:34:06,120 --> 01:34:09,280
Speaker 1: long lost legacy of that and no one in that

1741
01:34:09,439 --> 01:34:11,760
Speaker 1: room respected him. They did not have white they did

1742
01:34:11,840 --> 01:34:14,479
Speaker 1: not allow black people to be in that order of Adam.

1743
01:34:15,280 --> 01:34:18,759
Speaker 1: They did not have any black people in the fucking village.

1744
01:34:19,320 --> 01:34:21,880
Speaker 1: You know. This was not that, you know they It

1745
01:34:22,000 --> 01:34:23,840
Speaker 1: was that when he brought up earlier, he was like,

1746
01:34:24,120 --> 01:34:27,200
Speaker 1: y'all some wizards like the Ku Kluzlan, the grand Wizards,

1747
01:34:27,240 --> 01:34:30,439
Speaker 1: and she was like, no, they're too poor. And so

1748
01:34:30,520 --> 01:34:32,599
Speaker 1: it's not like these were great white people because they

1749
01:34:32,640 --> 01:34:35,840
Speaker 1: were like vigilant and they cared about no they just

1750
01:34:35,960 --> 01:34:40,720
Speaker 1: had their own selfish means and didn't really necessarily care

1751
01:34:40,840 --> 01:34:44,640
Speaker 1: about racism. It wasn't that they were not racist. They

1752
01:34:44,720 --> 01:34:47,600
Speaker 1: literally were like our concerns are different. We don't like,

1753
01:34:47,720 --> 01:34:50,439
Speaker 1: we would never help black people. We would never try

1754
01:34:50,479 --> 01:34:53,080
Speaker 1: to woo you. We would kidnap your father and force

1755
01:34:53,160 --> 01:34:55,840
Speaker 1: you to come along, but we would never try to

1756
01:34:56,280 --> 01:34:59,400
Speaker 1: incentivize you, give you something and make you a co

1757
01:34:59,520 --> 01:35:02,759
Speaker 1: conspira in this. Right, they were like, no, your body

1758
01:35:02,880 --> 01:35:07,400
Speaker 1: is here as the vehicle for my ascension into immortality.

1759
01:35:07,680 --> 01:35:11,000
Speaker 1: Didn't even promise to give Tick immortality, like it was

1760
01:35:11,120 --> 01:35:13,600
Speaker 1: simply like to put things in order. And you know,

1761
01:35:14,200 --> 01:35:16,160
Speaker 1: even though he didn't mention it when he talked about

1762
01:35:16,200 --> 01:35:19,160
Speaker 1: that genus to nineteen or whatever, you know that he

1763
01:35:19,360 --> 01:35:25,519
Speaker 1: was like, yeah, put it in order. Man, woman animal.

1764
01:35:25,960 --> 01:35:28,519
Speaker 1: He's like, black, ain't even come into that question because

1765
01:35:28,560 --> 01:35:31,920
Speaker 1: black is not to him up there with man woman,

1766
01:35:32,040 --> 01:35:36,320
Speaker 1: he means white man, white woman. You know. So it

1767
01:35:36,479 --> 01:35:38,559
Speaker 1: was just it was just beautiful, man, what a scene.

1768
01:35:39,360 --> 01:35:44,120
Speaker 1: But yeah, so, of course, as everyone who's ever watched

1769
01:35:44,120 --> 01:35:51,280
Speaker 1: Temple of Doom has experienced, the ceremony starts to go awride. Okay,

1770
01:35:51,439 --> 01:35:55,280
Speaker 1: they've given us enough foreshadowing on what originally happened in

1771
01:35:55,360 --> 01:35:59,400
Speaker 1: the ceremony. Right, because Titus tried it, it didn't work out,

1772
01:35:59,560 --> 01:36:03,400
Speaker 1: shit out on fire. Everybody died except for Hannah, who

1773
01:36:03,520 --> 01:36:06,840
Speaker 1: ran through the woods barefoot and pregnant and escaped to

1774
01:36:06,920 --> 01:36:09,599
Speaker 1: her ancestor. Her ancestors had freedom, like all.

1775
01:36:09,600 --> 01:36:12,000
Speaker 2: Kids have free and all them flowers and stuff y'all.

1776
01:36:12,280 --> 01:36:14,200
Speaker 2: It turned it started turning.

1777
01:36:14,320 --> 01:36:17,639
Speaker 1: Yeah, the flowers started turning into like dark and dust

1778
01:36:17,680 --> 01:36:21,439
Speaker 1: and ship. They was dying, right, And you know clearly

1779
01:36:21,560 --> 01:36:24,880
Speaker 1: this this this ceremony was put in tick in in

1780
01:36:25,080 --> 01:36:28,920
Speaker 1: pain and so tick less out of scream and you

1781
01:36:29,040 --> 01:36:33,320
Speaker 1: see like like the members start fleeing. The mansion starts

1782
01:36:33,320 --> 01:36:40,800
Speaker 1: shaking and breaking. Uh George and Letty and uh Montross

1783
01:36:40,840 --> 01:36:43,880
Speaker 1: start escaping, and they're like, you know he could like

1784
01:36:44,120 --> 01:36:46,040
Speaker 1: we can't take George, you could bleed out. And they're like,

1785
01:36:46,200 --> 01:36:50,000
Speaker 1: we don't have a choice, right, So they carry him

1786
01:36:50,040 --> 01:36:52,240
Speaker 1: down to the car basically with his you know, with

1787
01:36:52,360 --> 01:36:59,960
Speaker 1: his fucking gunshot wound, and then like uh, tick less

1788
01:37:00,080 --> 01:37:04,400
Speaker 1: out the scream and an energy like wave of energy

1789
01:37:04,520 --> 01:37:07,840
Speaker 1: releases from his body and it turns everyone in the

1790
01:37:07,960 --> 01:37:12,479
Speaker 1: room into like the like pillars of salt. Yep, m

1791
01:37:13,040 --> 01:37:14,679
Speaker 1: like they caught that lot's wife treatment.

1792
01:37:14,840 --> 01:37:17,599
Speaker 2: Come on, they messed around and look back.

1793
01:37:17,880 --> 01:37:19,800
Speaker 1: They might not put no salt on their clothes, on

1794
01:37:19,880 --> 01:37:23,760
Speaker 1: their food, but it was they were salty, Okay, just

1795
01:37:23,920 --> 01:37:28,000
Speaker 1: like my haters on Instagram salty. Uh. But then the

1796
01:37:28,720 --> 01:37:32,400
Speaker 1: the celing stars collapsing on top of people, and you

1797
01:37:32,439 --> 01:37:35,280
Speaker 1: can see they were clearly just all dust, like they

1798
01:37:35,400 --> 01:37:36,519
Speaker 1: just turned into dust. Yeah.

1799
01:37:36,520 --> 01:37:40,799
Speaker 2: And also while this is happening, tickets looking in the mirror,

1800
01:37:41,200 --> 01:37:44,719
Speaker 2: and he could see the ancestor, like through the mirror,

1801
01:37:44,760 --> 01:37:45,679
Speaker 2: which is really neat.

1802
01:37:45,800 --> 01:37:50,120
Speaker 1: Yeah, a pregnant black woman in what looks like colonial

1803
01:37:50,240 --> 01:37:56,559
Speaker 1: slave kutoure. She is just looking like, yeah, we can

1804
01:37:56,640 --> 01:37:58,160
Speaker 1: see each other. Yeah.

1805
01:37:58,240 --> 01:37:59,800
Speaker 2: She looked like you see me, I see you.

1806
01:38:00,120 --> 01:38:02,920
Speaker 1: And so then he realizes this shit is collapsing. I

1807
01:38:02,960 --> 01:38:07,080
Speaker 1: gotta escape, and so he runs and as he's running,

1808
01:38:07,680 --> 01:38:10,680
Speaker 1: she's running ahead of him. He is literally running in

1809
01:38:10,800 --> 01:38:16,120
Speaker 1: his ancestors footsteps out of this replica of the place

1810
01:38:16,240 --> 01:38:20,320
Speaker 1: she ran out of centuries ago or whatever. When this

1811
01:38:20,520 --> 01:38:23,680
Speaker 1: first when this ritual was first attempted by the ancestor

1812
01:38:23,680 --> 01:38:25,320
Speaker 1: of the white man who tried to do this shit

1813
01:38:25,360 --> 01:38:31,000
Speaker 1: to him levels, you know what I mean. And so

1814
01:38:31,120 --> 01:38:32,960
Speaker 1: once he gets outside, he turns around, he sees the

1815
01:38:33,000 --> 01:38:35,599
Speaker 1: whole mansion is collapse. He's obviously concerned about his family,

1816
01:38:35,920 --> 01:38:39,000
Speaker 1: but then he hears Letty yell out. He turns around.

1817
01:38:39,360 --> 01:38:41,320
Speaker 1: He's relieved. You can see the joy on his face.

1818
01:38:41,400 --> 01:38:44,920
Speaker 1: She's alive, that they're alive. He hugs her, and then

1819
01:38:45,080 --> 01:38:49,960
Speaker 1: after they hug, she looks at him and silence, and

1820
01:38:50,280 --> 01:38:52,880
Speaker 1: you can see this. It was such great acting. You

1821
01:38:52,960 --> 01:38:56,240
Speaker 1: can see this transference of sadness from her to him

1822
01:38:56,840 --> 01:39:01,080
Speaker 1: as he realized something was seriously wrong. They get to

1823
01:39:01,200 --> 01:39:06,400
Speaker 1: the car, which Woody is back together again, which is

1824
01:39:06,439 --> 01:39:08,040
Speaker 1: why I think it's gotta be some type of magic

1825
01:39:08,080 --> 01:39:11,840
Speaker 1: spell or some shit. How are they doing this? You

1826
01:39:11,960 --> 01:39:12,439
Speaker 1: know what I mean?

1827
01:39:13,760 --> 01:39:16,120
Speaker 2: Like a transformer, right, Like I.

1828
01:39:16,160 --> 01:39:18,760
Speaker 1: Hope we see William again because I feel like William.

1829
01:39:18,560 --> 01:39:22,879
Speaker 2: I think is still alive, and I think the girl.

1830
01:39:22,960 --> 01:39:29,120
Speaker 1: Christina's definitely still alive. So but but who knows. She's

1831
01:39:29,160 --> 01:39:32,760
Speaker 1: so ambitious too, because you gotta think like her whole

1832
01:39:32,800 --> 01:39:35,080
Speaker 1: thing was I'm being frozen out of my dad's dream

1833
01:39:35,120 --> 01:39:37,479
Speaker 1: of immortality, but she was trying to help him accomplish that,

1834
01:39:38,600 --> 01:39:39,240
Speaker 1: So who.

1835
01:39:39,240 --> 01:39:41,479
Speaker 2: Knows what Now he not there, she can make her

1836
01:39:41,520 --> 01:39:42,240
Speaker 2: own rule.

1837
01:39:42,400 --> 01:39:44,160
Speaker 1: And she didn't really seem to be helping him out

1838
01:39:44,200 --> 01:39:45,880
Speaker 1: of the goodness of her heart. It was like you

1839
01:39:46,080 --> 01:39:48,760
Speaker 1: are a tool to be using my father's plan, so

1840
01:39:48,960 --> 01:39:52,000
Speaker 1: I will protect you in that way at.

1841
01:39:51,840 --> 01:39:53,880
Speaker 2: Any rate, though she might fuck around and just be

1842
01:39:53,960 --> 01:39:55,439
Speaker 2: a problem, right.

1843
01:39:55,439 --> 01:39:59,479
Speaker 1: At any rate. They get to the car and that's

1844
01:39:59,520 --> 01:40:04,639
Speaker 1: when they start playing Leon Bridges River and we see

1845
01:40:04,840 --> 01:40:08,519
Speaker 1: that in the back of the car, Man Trials is

1846
01:40:08,600 --> 01:40:12,000
Speaker 1: holding George in the back seat and George is dead,

1847
01:40:13,080 --> 01:40:17,160
Speaker 1: and Take apologizes and say he's so sorry. I'm sorry,

1848
01:40:17,280 --> 01:40:20,080
Speaker 1: Uncle George, and then we go to the credits.

1849
01:40:20,200 --> 01:40:22,559
Speaker 2: Yeah, because it was one of those things where basically

1850
01:40:22,920 --> 01:40:25,839
Speaker 2: he was like, oh, I'm thinking him after the ceremony,

1851
01:40:25,840 --> 01:40:26,719
Speaker 2: I guess when he died.

1852
01:40:26,840 --> 01:40:30,479
Speaker 1: So that beant that was the end of that, and

1853
01:40:30,680 --> 01:40:33,439
Speaker 1: that means Uncle George, you know if that's his real daddy,

1854
01:40:33,720 --> 01:40:35,920
Speaker 1: that's his real daddy. He watched that, Yes it is.

1855
01:40:36,000 --> 01:40:38,000
Speaker 1: And now they got to come back to Chicago and

1856
01:40:38,600 --> 01:40:42,639
Speaker 1: tell his wife and Dee his daughter or slash little sister.

1857
01:40:42,680 --> 01:40:45,599
Speaker 1: I don't know what we're what we're talking about.

1858
01:40:46,160 --> 01:40:48,080
Speaker 2: I don't know if you know they did the portunity

1859
01:40:48,160 --> 01:40:53,000
Speaker 2: tests or anything like that. And who knows if his

1860
01:40:53,200 --> 01:40:56,040
Speaker 2: daddy will tell him that Uncle George may possibly be

1861
01:40:56,880 --> 01:40:59,040
Speaker 2: of being his father, he may or may not tell him,

1862
01:40:59,479 --> 01:41:02,479
Speaker 2: or either some you know, because shit like that. Who

1863
01:41:02,680 --> 01:41:05,840
Speaker 2: knows who knew, so eventually it might not be them,

1864
01:41:05,920 --> 01:41:07,519
Speaker 2: but somebody might slip up and tell them.

1865
01:41:07,720 --> 01:41:13,160
Speaker 1: Do you think Christina knew that the ceremony wouldn't work,

1866
01:41:15,080 --> 01:41:15,960
Speaker 1: like it was a setup.

1867
01:41:16,840 --> 01:41:18,280
Speaker 2: No, I don't think she knew. I just think she

1868
01:41:18,439 --> 01:41:21,360
Speaker 2: wasn't allowed to be there, you know, because it was

1869
01:41:21,439 --> 01:41:23,519
Speaker 2: men only because I think if she would have been

1870
01:41:23,560 --> 01:41:25,320
Speaker 2: allowed to be there, she would have been there. I

1871
01:41:25,400 --> 01:41:27,439
Speaker 2: think the only reason why she wasn't there is because

1872
01:41:27,760 --> 01:41:29,679
Speaker 2: the bylaws didn't allow her to be in the room.

1873
01:41:30,479 --> 01:41:36,840
Speaker 1: Yeah, yeah, I hear you. Yeah, so it was That's why.

1874
01:41:36,720 --> 01:41:38,519
Speaker 2: I think she's probably gonna end up being a problem

1875
01:41:38,560 --> 01:41:40,800
Speaker 2: because she's like, I'm gonna see this to the end.

1876
01:41:41,400 --> 01:41:44,000
Speaker 2: So it wouldn't be surprising if, you know, they go

1877
01:41:44,160 --> 01:41:46,080
Speaker 2: back and she fucking around and show up again.

1878
01:41:47,080 --> 01:41:49,880
Speaker 1: Yeah. So what are you looking forward to next week? Hmm?

1879
01:41:50,320 --> 01:41:53,800
Speaker 2: To see how they gonna tell his wife that she

1880
01:41:54,040 --> 01:41:56,200
Speaker 2: not gonna be traveling with her husband with the made

1881
01:41:56,280 --> 01:41:59,760
Speaker 2: up green book. Yeah, Hippolyta, Yeah like that that's not

1882
01:42:00,040 --> 01:42:02,880
Speaker 2: gonna go well, like what because you know, I don't

1883
01:42:02,920 --> 01:42:05,080
Speaker 2: know what they're gonna tell her, But how are you

1884
01:42:05,160 --> 01:42:08,080
Speaker 2: gonna be able to explain that, you know, my husband

1885
01:42:08,160 --> 01:42:12,200
Speaker 2: died of a gunshot wound in the middle of nowhere,

1886
01:42:12,760 --> 01:42:15,320
Speaker 2: you know, off of where he told me he was

1887
01:42:15,400 --> 01:42:17,560
Speaker 2: gonna go. Why was you know, there's a lot of

1888
01:42:17,680 --> 01:42:19,200
Speaker 2: questions that she's gonna she has.

1889
01:42:19,600 --> 01:42:22,200
Speaker 1: Yeah, it's so weird though, because there's not there's a

1890
01:42:22,320 --> 01:42:25,800
Speaker 1: lack of evidence for things like I think they might

1891
01:42:25,840 --> 01:42:27,880
Speaker 1: be able to say he got shot in Simmonsville or something.

1892
01:42:27,960 --> 01:42:30,760
Speaker 1: I mean, the back window got shot out. But the

1893
01:42:30,840 --> 01:42:32,960
Speaker 1: fact that they would have to lie to his wife

1894
01:42:33,120 --> 01:42:36,040
Speaker 1: to cover this up is gonna be a problem, you know,

1895
01:42:36,360 --> 01:42:39,320
Speaker 1: And can everybody keep their lives straight and all that shit.

1896
01:42:39,720 --> 01:42:41,800
Speaker 2: I think she's gonna she's gonna find out the truth,

1897
01:42:42,120 --> 01:42:44,720
Speaker 2: you know, or either she's gonna be be like this

1898
01:42:45,200 --> 01:42:48,479
Speaker 2: really don't add up, or do her own investigation because

1899
01:42:48,720 --> 01:42:50,920
Speaker 2: you know, they kind of drop hints not to her. Funny,

1900
01:42:51,000 --> 01:42:53,080
Speaker 2: this is not a dumb woman, you know, because she

1901
01:42:53,320 --> 01:42:55,400
Speaker 2: was like, hey, you know, why can't I go out

1902
01:42:55,439 --> 01:42:57,240
Speaker 2: and do things? Because you know I wrote I wrote

1903
01:42:57,280 --> 01:42:59,839
Speaker 2: before you know, and this was off your notes. Imagine

1904
01:42:59,840 --> 01:43:01,040
Speaker 2: what I could do if I could do it on

1905
01:43:01,160 --> 01:43:03,960
Speaker 2: my own, so you know, wouldn't surprise me if this

1906
01:43:04,040 --> 01:43:06,680
Speaker 2: becomes the biggest investigation on her to find out what

1907
01:43:06,840 --> 01:43:09,120
Speaker 2: really happened to a husband because she's not gonna believe them.

1908
01:43:09,720 --> 01:43:14,080
Speaker 1: Yeah so, but yeah, I don't know, man, this is interesting.

1909
01:43:14,439 --> 01:43:16,960
Speaker 1: I think I want to see because the previews showed

1910
01:43:17,000 --> 01:43:20,360
Speaker 1: them moving into like a house and hippo, I mean

1911
01:43:20,600 --> 01:43:25,519
Speaker 1: hippolt of course being suspicious about how Uncle George died,

1912
01:43:25,960 --> 01:43:29,519
Speaker 1: but you know, how is that gonna affect d his daughter?

1913
01:43:30,280 --> 01:43:33,280
Speaker 1: And I also want to see, like, how what is

1914
01:43:33,400 --> 01:43:35,080
Speaker 1: up with this house thing, because it looks like they're

1915
01:43:35,080 --> 01:43:40,400
Speaker 1: gonna tackle moving into the white side of Chicago in

1916
01:43:40,520 --> 01:43:42,840
Speaker 1: a house and the obstacles that come with that because

1917
01:43:42,880 --> 01:43:46,240
Speaker 1: white people were not playing that shit back then. Like

1918
01:43:46,320 --> 01:43:48,320
Speaker 1: you think they don't play now, they weren't playing back

1919
01:43:48,360 --> 01:43:52,160
Speaker 1: then either. So all right, y'all, thank you for listening.

1920
01:43:52,320 --> 01:43:55,800
Speaker 1: Hopefully this has been a welcome distraction from the news

1921
01:43:55,920 --> 01:43:59,040
Speaker 1: of the world and shit, I know there's no NBA

1922
01:43:59,160 --> 01:44:03,280
Speaker 1: games tonight and all that stuff, but I'm just Karen's

1923
01:44:03,400 --> 01:44:08,880
Speaker 1: completely out of the loop. So yeah, yeah, hopefully it's

1924
01:44:08,880 --> 01:44:11,559
Speaker 1: a welcome distraction from just the weight of the world

1925
01:44:11,640 --> 01:44:12,880
Speaker 1: and stuff like that for people.

1926
01:44:13,000 --> 01:44:13,160
Speaker 6: Man.

1927
01:44:13,320 --> 01:44:16,559
Speaker 1: So uh, thank y'all for listening and we'll be back

1928
01:44:16,600 --> 01:44:20,799
Speaker 1: with another love Craft recap next week. Until then, Saturday

1929
01:44:21,000 --> 01:44:23,840
Speaker 1: is our feedback show, Thursday is Ballsy Sports, and we

1930
01:44:23,880 --> 01:44:26,439
Speaker 1: should be doing a NERD on Friday. So until then,

1931
01:44:26,800 --> 01:44:28,080
Speaker 1: I love you, Love you wo