WEBVTT - It's a Numbers Game: Reel Values: The Morality and Meaning Behind Great Films

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<v Speaker 1>Welcome back to a numbers game with Ryan Gardosky. Thank

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<v Speaker 1>you guys for being here again. Today's Thursday, October sixteenth,

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<v Speaker 1>twenty twenty five. The next election for your local office

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<v Speaker 1>is coming up in eighteen days. Make a plan and

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<v Speaker 1>go vote, vote by mail, vote early, vote on election day.

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<v Speaker 1>Just make sure your voice is heard in your local elections.

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<v Speaker 1>Now usually start rambling up polls that have come out

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<v Speaker 1>in this party election. But it's crazy. We are in

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<v Speaker 1>a drought of polling. Even though the election is so close,

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<v Speaker 1>we are in a complete drought for quality polls. The

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<v Speaker 1>only statistic I could share with you at an election

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<v Speaker 1>is that in New Jersey they broke One of my

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<v Speaker 1>very smart autistic friends broke down precinct data based on

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<v Speaker 1>race and ethnicity, and he found that in districts that

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<v Speaker 1>are a majority white, they are voting about ten percent

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<v Speaker 1>higher on average than districts that are precincts that are

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<v Speaker 1>majority Black, Hispanic, or Asian. Now that is interesting. So

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<v Speaker 1>why is it interesting is because this is all mail

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<v Speaker 1>in ballads. By the way, if you are less likely

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<v Speaker 1>to show up early for your male in ballot, because

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<v Speaker 1>if if you have an outstanding ballot, you get a

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<v Speaker 1>ballot mail to you, and you're so enthusiastic vote. You

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<v Speaker 1>want to go vote for Trump or Obama, whoever it is.

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<v Speaker 1>You're gonna go vote the first day you get the ballot, right,

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<v Speaker 1>You're so excited to vote. If you put the ballot

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<v Speaker 1>on the table and it collects dust for week one,

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<v Speaker 1>week two, week three, you're not that enthusiastic to go vote.

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<v Speaker 1>So will these people who get mail in ballads vote?

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<v Speaker 1>Most of them absolutely will. But if they're not excited

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<v Speaker 1>to go vote by mail one it's delivered to their house,

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<v Speaker 1>how excited will they be to show up on election day?

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<v Speaker 1>That is a big question. That is the question that

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<v Speaker 1>has plagued mikey Ryl's campaign this entire time. She's not

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<v Speaker 1>popular with a lot of minority voters, and it is

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<v Speaker 1>starting to show in the mail in ballads, even though

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<v Speaker 1>she has a very very strong ground game. So I

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<v Speaker 1>told you all that this episode be a non political episode.

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<v Speaker 1>I said, I wanted to do something easy in light.

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<v Speaker 1>There's a lot of dark news I'm in the last

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<v Speaker 1>few weeks to months, you know, since I think Charlie

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<v Speaker 1>Kirk's assassination. So I said, let's do something not intense.

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<v Speaker 1>Let's do something free of a lot of polling conversation,

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<v Speaker 1>and let's just talk about something interesting. And I said,

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<v Speaker 1>let's do a movie episode. I picked ten movies for

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<v Speaker 1>conservatives to watch. Movies are very tough for me to

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<v Speaker 1>give advice on because I am not a movie snob.

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<v Speaker 1>But the movies I tend to like are only liked

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<v Speaker 1>by movie snobs. So I like a lot of art

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<v Speaker 1>house films, some foreign films. I like a lot of

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<v Speaker 1>love old movies. You know, it hurts my heart. And

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<v Speaker 1>when I say old movies, it hurts my heart when

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<v Speaker 1>people sit there and say young people sit there and

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<v Speaker 1>say movies made before two thousand are old, because no

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<v Speaker 1>they're not. My grandparents, my mom's parents put a very

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<v Speaker 1>big influence on me. I grew up watching a lot

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<v Speaker 1>of movies from the forties and fifties and sixties. And

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<v Speaker 1>to any zoomer listening, this is going to shock you.

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<v Speaker 1>But back then, if you watched a movie on television

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<v Speaker 1>and you didn't write the name down, there is a

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<v Speaker 1>likely chance you would never see that movie again. I

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<v Speaker 1>mean unless it came on you know, like TBS would

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<v Speaker 1>play it multiple times. I watched the satire about World

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<v Speaker 1>War Two, about the French resistance in Africa. Don't know

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<v Speaker 1>the name of it. Loved the movie, Never be able

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<v Speaker 1>to see it again. I saw a movie about a

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<v Speaker 1>British kid. It was a kid's show about a British

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<v Speaker 1>kid who like went to an alternate reality to talk

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<v Speaker 1>about time and wasting time, and it was I loved

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<v Speaker 1>that movie when I saw it when I was a kid.

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<v Speaker 1>Can never see it again, don't know the name of it,

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<v Speaker 1>We'll never be able to find it. That was your

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<v Speaker 1>relationship to television growing up in the nineties and to

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<v Speaker 1>movies in the nineties. Unless you knew about it and

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<v Speaker 1>you knew the name of it, you were never seeing

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<v Speaker 1>those things ever again. I and anyway, So that's where

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<v Speaker 1>I come from in my opinion, what an old movie is.

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<v Speaker 1>And it's very difficult. So they said for me to

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<v Speaker 1>recommend movies, I like a lot of things that people

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<v Speaker 1>don't like. For this list, I tried my hardest to

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<v Speaker 1>pick movies that you may not have heard of, but

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<v Speaker 1>you would find compelling.

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<v Speaker 2>Right.

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<v Speaker 1>I didn't want to pay like The Dark Night Rises

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<v Speaker 1>because everyone's seen that movie, right, even though it's a

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<v Speaker 1>great movie that has a very conservative message to it.

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<v Speaker 1>Everyone's seen it, So I don't, like I said there

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<v Speaker 1>in sand movie that everybody's seen. I picked movies that

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<v Speaker 1>were a little bit more obscure but also great and

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<v Speaker 1>a little bit more mainstream that I think that people

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<v Speaker 1>could watch them. So yeah, I did my homework. I

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<v Speaker 1>did my best. I brought my friend John mcintee one time,

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<v Speaker 1>who was the head who was Trump's ppo director for

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<v Speaker 1>the first term. I brought him to see a movie

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<v Speaker 1>called The Last Black Man in San Francisco, and he

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<v Speaker 1>still brings it up as like that was the worst

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<v Speaker 1>movie we have ever seen before in my life, and

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<v Speaker 1>of course you brought me to it. So I tried

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<v Speaker 1>really hard to pick something out. I tried really hard

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<v Speaker 1>to find something that I can recommend, and I think

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<v Speaker 1>most people would sit there and like that have a

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<v Speaker 1>great story, that have a lesson in them. I think

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<v Speaker 1>conservatives can take home with them and maybe things that

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<v Speaker 1>you haven't heard of. So my conversation about ten movies

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<v Speaker 1>every Conservation to watch is coming up next with me

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<v Speaker 1>on today's episode is my buddy, gian Carlo Sopo. He

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<v Speaker 1>is a writer of culture for National Review and an

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<v Speaker 1>all around great guy, also a media strategist for Hispanic outreach.

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<v Speaker 1>Gen Carlo, thank you for being here. It's great to

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<v Speaker 1>be with you. Okay, So, gian Carlo, you are a

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<v Speaker 1>movie buff. You write about culture. When someone says, what's

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<v Speaker 1>it like, give me a good movie? What would you

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<v Speaker 1>consider it a good What is the making is.

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<v Speaker 2>Of a good movie? You know? A lot of it

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<v Speaker 2>is really just instinctual, like I have to experience it.

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<v Speaker 2>I don't think there's a perfect formula. But I do

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<v Speaker 2>think that good movies tend to have a couple of

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<v Speaker 2>things in common. They tend to have some kind of

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<v Speaker 2>recognizable moral order, something that we could that we could recognize,

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<v Speaker 2>that we could say, Okay, I understand the rationale of

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<v Speaker 2>these characters. I understand there's some depth to them. I

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<v Speaker 2>understand what either doing, what they're doing, and what's driving

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<v Speaker 2>the story. I also think that there needs to be

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<v Speaker 2>an attention to craft. Not to go classical on you,

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<v Speaker 2>but I do believe that the definition that a quiet

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<v Speaker 2>has put forward for something being beautiful really holds right.

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<v Speaker 2>It has to have integrity, harmony, and radiance. You know

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<v Speaker 2>it when you see it. And then finally, I think

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<v Speaker 2>the very best movies speak to enduring themes, themes that

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<v Speaker 2>really resonate across the ages. That's why we're still talking

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<v Speaker 2>about The Godfather today. That's why we could look at

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<v Speaker 2>a film like Lawrence of Arabia, which is over sixty

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<v Speaker 2>years old, and really recognize something in it, because they

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<v Speaker 2>do tend to speak to enduring themes the humans care about.

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<v Speaker 2>They could be civilizational, psychological, whatever, but I do think

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<v Speaker 2>that those are three of the key components. And then, honestly, look,

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<v Speaker 2>it just has to click. There's a lot of subjectivity

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<v Speaker 2>in art. It's gonna click differently for some people. But

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<v Speaker 2>those are the three things that I look for.

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<v Speaker 1>So what we're gonna do is we're gonna give our

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<v Speaker 1>top ten list of movies that conservatives should watch. These

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<v Speaker 1>are not ranked, so number ten is not the least

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<v Speaker 1>best and number one is not the best. It's just

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<v Speaker 1>ten movies. I'm just gonna rank them because it's easy

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<v Speaker 1>to understand nine seven, eight, nine ten. Why did you

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<v Speaker 1>first of all pick the movies you picked?

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<v Speaker 2>So I've been working on a project now for most

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<v Speaker 2>of this year, pretty much the entire year that'll be

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<v Speaker 2>coming out in a few weeks, which is a list

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<v Speaker 2>of one hundred and fifty films that speak to the

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<v Speaker 2>conservative imagination. I don't want to show my cards a

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<v Speaker 2>little bit too early. In terms of the movies that

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<v Speaker 2>I've selected for that project, I could have easily made

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<v Speaker 2>that a list of two hundred and fifty films. So

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<v Speaker 2>I've tried to focus on films that were not on

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<v Speaker 2>that list, but also films that I think speak to

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<v Speaker 2>a certain conservative sensibility. Whether they're right politically right wing

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<v Speaker 2>or not doesn't really matter to me. If they're a

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<v Speaker 2>movie that if it's a movie that it's essential for

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<v Speaker 2>conservatives to see, uh, because it speaks to something that

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<v Speaker 2>that interests the conservative imagination. Those are the types of

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<v Speaker 2>films that that I selected. Yeah, and I.

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<v Speaker 1>Picked movies that were not like too. I like a

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<v Speaker 1>lot of arts nob films like I do. People hate

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<v Speaker 1>movies I go see, but they will never be a

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<v Speaker 1>mass shooting at a screening for a movie I'm going

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<v Speaker 1>to go see because I'll be the only person in

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<v Speaker 1>the theater. So the the so the movies they see

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<v Speaker 1>are a little bit more obscure, but more recent movies

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<v Speaker 1>than that. I tried to make it, and I because

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<v Speaker 1>I could watch old movies all day, but like I

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<v Speaker 1>try to make it a movie that people will kind

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<v Speaker 1>of interest in. So my first film that I suggested

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<v Speaker 1>to movies that people go see was hacks Our Ridge

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<v Speaker 1>from twenty sixteen, made by Mel Gibson. It was it's more.

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<v Speaker 1>It's not super well known. It's not saving Private Ryan,

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<v Speaker 1>but I think it's a very compelling anti war not

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<v Speaker 1>anti war, but it gives a cautionary tale about war,

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<v Speaker 1>especially World War Two, which is so oftentimes glamorized in Hollywood,

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<v Speaker 1>and the real cost of conflict and war. And there's

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<v Speaker 1>a real Christian element in it. And I love this

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<v Speaker 1>movie for that reason. I'm sure you've seen it.

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<v Speaker 2>It's a fantastic film. I think it's some of Gibson's

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<v Speaker 2>best work. It was nominated for Best Picture, right, i'd

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<v Speaker 2>say in twenty sixteen.

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<v Speaker 1>If it was not only for Best Actor, I knew that,

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<v Speaker 1>but I don't know it was not only for a

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<v Speaker 1>few wars. It wasn't at the box office. It didn't

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<v Speaker 1>make hundreds of millions dollars. It did fine, but some

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<v Speaker 1>people may have seen it, but it's not, as far

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<v Speaker 1>as World War two movies goes, not the most well known.

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<v Speaker 1>What's a movie you gave.

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<v Speaker 2>So the very first one on my list is They

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<v Speaker 2>Live by I've never seen It Yeah, by by John Carpenter.

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<v Speaker 2>It's a movie from the eighties. This is by no

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<v Speaker 2>means a conservative movie. In fact, the most common reading

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<v Speaker 2>of the film is that it's a Marxist film. It's

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<v Speaker 2>it's about an alien invasion. That's that's happened on Earth.

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<v Speaker 2>We're not aware of it. It's and but by just

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<v Speaker 2>by way of background, the film is a critique of

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<v Speaker 2>the Reagan administration. So it's essentially it's about mind control.

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<v Speaker 2>Humanity is dominated by these aliens. We don't know who

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<v Speaker 2>they are, we can't see them, but there's an underground

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<v Speaker 2>sect led by or not led by but he's been

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<v Speaker 2>joined by Roddy Piper, the old wrestler uh and and

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<v Speaker 2>they have like these really cool glasses where they could

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<v Speaker 2>when they wear the glasses, they look like like almost

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<v Speaker 2>like ray bans. They could see who's an alien and

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<v Speaker 2>who's not. And then they realized that the aliens control

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<v Speaker 2>all the media, they control all the banks, and there

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<v Speaker 2>are subliminal messages across society telling people consume conform. So

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<v Speaker 2>it's an amazing film in terms of if you're into

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<v Speaker 2>political filmmaking that is about as good as it gets.

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<v Speaker 2>It's fantastic. I love I love John Carpenter. Obviously I

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<v Speaker 2>don't share his politics, but he's a brilliant He's dead now, right, No, no, no, no,

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<v Speaker 2>he's still alive. But you know, yeah, to follow up, yeah,

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<v Speaker 2>to follow up Halloween The Fog They Live, you know,

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<v Speaker 2>I'm sorry, those two with They Live is a hell

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<v Speaker 2>of an addition to his canon. And that is just

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<v Speaker 2>like grade A eighties propaganda. That's just fantastic, all right.

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<v Speaker 2>I love that.

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<v Speaker 1>My second pick is the film X Machia from twenty

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<v Speaker 1>fourteen by Alex Garland. This is also not a super

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<v Speaker 1>well known movie. It is about artificial intelligence and at

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<v Speaker 1>the center of the the center theme of the movie

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<v Speaker 1>is what makes somebody a human?

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<v Speaker 2>A lot.

0:12:04.200 --> 0:12:06.319
<v Speaker 1>It's a very slow paced movie. This is not a

0:12:06.440 --> 0:12:10.199
<v Speaker 1>very action film movie. But it's about a billionaire who's

0:12:10.200 --> 0:12:15.839
<v Speaker 1>making a lifelike source, a lifelike you know, robot, and

0:12:16.480 --> 0:12:18.480
<v Speaker 1>someone who works with men who falls in love with them,

0:12:19.440 --> 0:12:21.560
<v Speaker 1>and there's a lot of moral questions. It's a lot

0:12:21.640 --> 0:12:26.280
<v Speaker 1>like Frankenstein. It's a lot like a lot of movies

0:12:26.280 --> 0:12:28.840
<v Speaker 1>in those themes of what you know life is who

0:12:28.880 --> 0:12:31.880
<v Speaker 1>God is. You know, can you become a guy when

0:12:31.880 --> 0:12:34.280
<v Speaker 1>you create this artificial life? A lot of those deep

0:12:34.360 --> 0:12:37.920
<v Speaker 1>questions not for everybody, but I really like it. I

0:12:37.960 --> 0:12:41.320
<v Speaker 1>think people should go see it, especially as AI is

0:12:41.520 --> 0:12:45.559
<v Speaker 1>advancing specifically quickly. And this is from ten years ago.

0:12:45.679 --> 0:12:47.240
<v Speaker 1>So that's my second pick.

0:12:47.280 --> 0:12:49.679
<v Speaker 2>What is yours? Well that and I just want to

0:12:49.720 --> 0:12:54.960
<v Speaker 2>say that's a fantastic pick, and he it is is

0:12:55.000 --> 0:12:56.679
<v Speaker 2>it would would it be unfair to say that it

0:12:56.760 --> 0:12:58.720
<v Speaker 2>is like an Elon Musk type character.

0:13:00.240 --> 0:13:03.560
<v Speaker 1>Well, Elon wasn't as well known back then. First of all,

0:13:03.600 --> 0:13:05.520
<v Speaker 1>I want to say the audience one more for one second,

0:13:06.520 --> 0:13:08.880
<v Speaker 1>Jim Carl and I did not like go through our list,

0:13:08.920 --> 0:13:11.120
<v Speaker 1>So I don't know we have repeat movies on them.

0:13:11.120 --> 0:13:12.520
<v Speaker 1>I don't think we do, because I think our tastes

0:13:12.520 --> 0:13:16.600
<v Speaker 1>a little different. It's it's an Elon Musk type fit. Well,

0:13:16.679 --> 0:13:19.199
<v Speaker 1>Elon also is not big on AI, so I mean

0:13:19.280 --> 0:13:21.120
<v Speaker 1>he was, I mean now he is, but two years

0:13:21.160 --> 0:13:24.319
<v Speaker 1>ago he called for a halting of AI research. So

0:13:24.800 --> 0:13:26.559
<v Speaker 1>I don't think it's him. I just think I think

0:13:26.559 --> 0:13:30.440
<v Speaker 1>it's a doctor Frankenstein character. It is that kind of

0:13:30.720 --> 0:13:34.520
<v Speaker 1>personality that does exist, and there are a lot of

0:13:34.520 --> 0:13:37.559
<v Speaker 1>people in Silicon Valley who you know, they may they

0:13:37.600 --> 0:13:40.200
<v Speaker 1>may have watched the Frankenstein movie or read the book

0:13:40.240 --> 0:13:42.080
<v Speaker 1>and rooted for the doctor and said, just do it

0:13:42.080 --> 0:13:44.760
<v Speaker 1>again until you get it right. So, yeah, that's what

0:13:44.840 --> 0:13:47.680
<v Speaker 1>I think anyway, So what was your second one? So

0:13:47.800 --> 0:13:50.880
<v Speaker 1>my second pick is A Man for All Seasons?

0:13:51.160 --> 0:13:55.480
<v Speaker 2>Okay, I've seen this, yeah, which is that is the

0:13:55.880 --> 0:14:00.200
<v Speaker 2>nineteen sixty six Classic Best Picture winner, The story of

0:14:00.920 --> 0:14:02.960
<v Speaker 2>I think if you're a Catholic, it's a must it's

0:14:02.960 --> 0:14:06.000
<v Speaker 2>an absolute must watch of you're a conservative, and it's

0:14:06.040 --> 0:14:08.839
<v Speaker 2>almost like sacramental if you're a Catholic. It's a story

0:14:09.040 --> 0:14:12.920
<v Speaker 2>story of Sir Thomas Moore and his falling out with

0:14:13.080 --> 0:14:16.400
<v Speaker 2>Henry the Eighth. I think it's it's not just only

0:14:16.440 --> 0:14:21.440
<v Speaker 2>a beautiful film in the cinematography and the story and everything,

0:14:21.800 --> 0:14:26.320
<v Speaker 2>but in terms of philosophical and moral complexity, it is.

0:14:26.920 --> 0:14:27.320
<v Speaker 1>Uh.

0:14:27.480 --> 0:14:31.320
<v Speaker 2>It stands on its own. Uh. There's there's nothing like it. Uh.

0:14:31.640 --> 0:14:36.960
<v Speaker 2>It's really a film for the ages. And you know

0:14:37.000 --> 0:14:42.360
<v Speaker 2>he obviously, uh well, Saint Thomas Moore is a patron

0:14:42.400 --> 0:14:47.040
<v Speaker 2>saint of the Catholic Church and a martyr. And you

0:14:47.120 --> 0:14:49.480
<v Speaker 2>see very clearly why in this film. This his level

0:14:49.520 --> 0:14:51.600
<v Speaker 2>of integrity. And the other thing too, what I like

0:14:51.600 --> 0:14:56.240
<v Speaker 2>about the film is that it's not it's not oversimplified

0:14:56.400 --> 0:14:59.400
<v Speaker 2>his moral choices. He does, he does try to get

0:14:59.440 --> 0:15:03.880
<v Speaker 2>out of what he's facing. He tried every possible avenue

0:15:03.960 --> 0:15:05.920
<v Speaker 2>and he but at the end of the day, he

0:15:06.000 --> 0:15:08.920
<v Speaker 2>felt that his soul was worth a lot more to

0:15:09.040 --> 0:15:12.000
<v Speaker 2>him than expedients. He just didn't want to bless essentially,

0:15:12.200 --> 0:15:16.360
<v Speaker 2>didn't want to bless the marriage. And it's it's it's

0:15:16.400 --> 0:15:19.400
<v Speaker 2>a monumental film, one of the greatests ever made.

0:15:20.280 --> 0:15:22.440
<v Speaker 1>All Right, that's uh, yeah, I like it. I've seen

0:15:22.480 --> 0:15:24.360
<v Speaker 1>it a long time ago now, but it is a

0:15:24.400 --> 0:15:28.160
<v Speaker 1>really good movie. My third pick is is an old

0:15:28.160 --> 0:15:30.400
<v Speaker 1>one of not the same that gave up close to

0:15:30.440 --> 0:15:33.720
<v Speaker 1>it. It is Zulu from nineteen sixty four by side Enfield.

0:15:33.720 --> 0:15:35.440
<v Speaker 2>This is a classic. This is.

0:15:37.000 --> 0:15:41.240
<v Speaker 1>The I'm now Michael, Sir Michael Kaine's early work is

0:15:41.280 --> 0:15:43.000
<v Speaker 1>and he's a he's the actor and one of the

0:15:43.000 --> 0:15:45.880
<v Speaker 1>actors in it. It is a story of the British

0:15:46.080 --> 0:15:48.360
<v Speaker 1>takeover of South Africa and that will fight with the

0:15:48.360 --> 0:15:51.440
<v Speaker 1>Wulu over the Zulus. And you know it's a good

0:15:51.440 --> 0:15:53.800
<v Speaker 1>movie because when you stream on HBM Max. There's a

0:15:53.880 --> 0:15:57.040
<v Speaker 1>warning disclaimer at the very beginning that says, this is

0:15:57.080 --> 0:16:00.120
<v Speaker 1>not culturally reflective of like the times, like this is

0:16:00.160 --> 0:16:01.880
<v Speaker 1>made in a certain time. When you have to make

0:16:02.320 --> 0:16:04.800
<v Speaker 1>a warning like that, it's offensive because it's of a

0:16:04.800 --> 0:16:08.240
<v Speaker 1>certain time. You know, it's a good movie. It really

0:16:08.280 --> 0:16:11.239
<v Speaker 1>glorifies British colonialism.

0:16:10.960 --> 0:16:12.840
<v Speaker 2>And I like it.

0:16:12.880 --> 0:16:15.440
<v Speaker 1>The acting is good, it's interesting, it moves, even though

0:16:15.440 --> 0:16:16.160
<v Speaker 1>it's a little long.

0:16:16.360 --> 0:16:18.240
<v Speaker 2>But it is a great, great.

0:16:18.320 --> 0:16:20.960
<v Speaker 1>Film, and I think that it's probably more accurate to

0:16:21.240 --> 0:16:24.200
<v Speaker 1>what happened than a movie that was made. Probably, Now,

0:16:25.400 --> 0:16:27.160
<v Speaker 1>what is your third if you haven't seen that, but

0:16:27.320 --> 0:16:28.680
<v Speaker 1>you like, make a comment on it, But if you

0:16:28.680 --> 0:16:30.400
<v Speaker 1>haven't seen it, then it's.

0:16:30.280 --> 0:16:33.000
<v Speaker 2>A great film. I watched it for the first time

0:16:33.080 --> 0:16:36.400
<v Speaker 2>last year actually, and I thought it was absolutely fantastic, right,

0:16:36.640 --> 0:16:39.320
<v Speaker 2>so great. Yeah, that battle scene at the very end

0:16:39.880 --> 0:16:42.040
<v Speaker 2>is one of the all time great battle scenes in

0:16:42.040 --> 0:16:46.000
<v Speaker 2>the history of cinema. It also just looks beautiful, I believe,

0:16:46.040 --> 0:16:50.040
<v Speaker 2>if I'm not mistaken that Martin SCORSESEI made a list

0:16:50.320 --> 0:16:53.600
<v Speaker 2>of the most beautiful looking films ever made and he

0:16:53.760 --> 0:16:57.240
<v Speaker 2>ranked that very high on it. So, okay, if you like,

0:16:57.400 --> 0:17:02.720
<v Speaker 2>if you like seeing beautiful art. That is you. You

0:17:02.760 --> 0:17:04.560
<v Speaker 2>really hit it out of the park with that choice.

0:17:05.320 --> 0:17:09.479
<v Speaker 2>So my thing is is a very obvious selection. Yet

0:17:10.080 --> 0:17:12.960
<v Speaker 2>I can't tell you, like, maybe it's just because we're

0:17:12.960 --> 0:17:14.960
<v Speaker 2>getting older and so many years have passed. You and

0:17:15.000 --> 0:17:18.520
<v Speaker 2>I are geriatric millennials. How I encounter people all the

0:17:18.560 --> 0:17:22.240
<v Speaker 2>time now who have not seen this film. I once

0:17:22.280 --> 0:17:25.199
<v Speaker 2>almost fired a client who told me they had not

0:17:25.280 --> 0:17:28.840
<v Speaker 2>seen this movie, And I'm just like, how can you

0:17:28.920 --> 0:17:31.360
<v Speaker 2>understand American culture without having seen this film? And that's

0:17:31.400 --> 0:17:33.480
<v Speaker 2>Francis Ford coppol is the Godfather.

0:17:34.520 --> 0:17:37.800
<v Speaker 1>Okay, I mean people of a certain age may not

0:17:37.920 --> 0:17:39.520
<v Speaker 1>have said I was a little older when I saw

0:17:39.560 --> 0:17:40.480
<v Speaker 1>The Phone for the first time.

0:17:40.560 --> 0:17:45.760
<v Speaker 2>Sure, yeah. And so obviously it's not just a gangster film.

0:17:45.840 --> 0:17:49.119
<v Speaker 2>And I think Coppola himself intended it almost as a

0:17:49.119 --> 0:17:52.840
<v Speaker 2>critique of American capitalism. In reality, I think it's a

0:17:52.880 --> 0:17:57.920
<v Speaker 2>moral parable. It's almost Shakespearean. It tells, obviously, the story

0:17:58.080 --> 0:18:02.320
<v Speaker 2>of a crime family and the moral compromises that they're

0:18:02.359 --> 0:18:06.800
<v Speaker 2>making in the process toward what they believe are good ends, right, Like, Hey,

0:18:07.000 --> 0:18:09.280
<v Speaker 2>we eventually want to get out of this mob business.

0:18:09.320 --> 0:18:12.760
<v Speaker 2>We want to go legitimate we want to protect each other.

0:18:12.840 --> 0:18:18.240
<v Speaker 2>We literally want to protect our children who are being murdered.

0:18:18.600 --> 0:18:23.160
<v Speaker 2>And it tells the story of how some of those

0:18:23.240 --> 0:18:26.280
<v Speaker 2>compromises it seems small, even if you think that they're

0:18:26.320 --> 0:18:30.119
<v Speaker 2>toward good ends, how they can ultimately doom someone and

0:18:30.160 --> 0:18:33.000
<v Speaker 2>then you just can't escape that evil. And then obviously

0:18:33.040 --> 0:18:35.200
<v Speaker 2>in the sequel we see how it could just destroy

0:18:35.280 --> 0:18:38.080
<v Speaker 2>a man from within and I absolutely kill his soul.

0:18:38.440 --> 0:18:43.640
<v Speaker 2>To me, it's it's a must watch for anyone left,

0:18:43.720 --> 0:18:46.679
<v Speaker 2>right or center, but especially I think if you're a

0:18:46.720 --> 0:18:50.440
<v Speaker 2>conservative and you want to understand culture, it's an absolute

0:18:50.600 --> 0:18:54.919
<v Speaker 2>must watch. It's maybe it's commonly listed on all of

0:18:54.960 --> 0:18:58.040
<v Speaker 2>these lists of the ten greatest movies ever made, and

0:18:58.160 --> 0:18:58.919
<v Speaker 2>for a good reason.

0:18:59.440 --> 0:19:01.720
<v Speaker 1>Yeah, it's one of those movies that if it's on,

0:19:01.840 --> 0:19:03.760
<v Speaker 1>if I passed by the television it's on, I will

0:19:03.760 --> 0:19:07.160
<v Speaker 1>stop and watch more than I should, even though I'm

0:19:07.200 --> 0:19:09.959
<v Speaker 1>busy doing something. Whenever I hear Diane Keaton's scream it

0:19:10.000 --> 0:19:13.720
<v Speaker 1>was an abortion, Michael, It's so, I mean, just peak

0:19:14.200 --> 0:19:16.480
<v Speaker 1>greatest And did you see there was an interesting story

0:19:16.560 --> 0:19:19.600
<v Speaker 1>since she died. That was an old interview that they

0:19:19.600 --> 0:19:22.800
<v Speaker 1>didn't want to hire al Pacino for that movie, and

0:19:22.840 --> 0:19:24.920
<v Speaker 1>Diane Keaton was like, I'm not doing about al Pacino,

0:19:24.960 --> 0:19:26.760
<v Speaker 1>and she got him cast them, which is crazy. I

0:19:26.760 --> 0:19:28.200
<v Speaker 1>think anyone besides al Pacino.

0:19:28.920 --> 0:19:32.280
<v Speaker 2>Yeah, they were looking at Nicholson originally, which would have

0:19:32.280 --> 0:19:32.880
<v Speaker 2>been horrible.

0:19:34.119 --> 0:19:36.640
<v Speaker 1>Okay, My next movie, I think this is number four

0:19:36.720 --> 0:19:39.320
<v Speaker 1>four on the list is it's a recent movie. But

0:19:39.359 --> 0:19:41.359
<v Speaker 1>it's a foreign language film, and I know people are

0:19:41.400 --> 0:19:43.199
<v Speaker 1>like a foreign line. I don't want to read. I

0:19:43.320 --> 0:19:47.520
<v Speaker 1>promise you this movie is brilliant. It's called Godzilla Minus one.

0:19:48.000 --> 0:19:51.840
<v Speaker 1>It's in twenty twenty three by Takashami Yamazaki.

0:19:51.920 --> 0:19:52.919
<v Speaker 2>I think I pronounced that name.

0:19:52.960 --> 0:19:54.800
<v Speaker 1>I know I didn't pronounce the name right, but whatever,

0:19:55.640 --> 0:19:58.080
<v Speaker 1>Godzilla minus one. I know you're like, oh, a Godzilla movie.

0:19:58.280 --> 0:20:01.639
<v Speaker 1>This is a beautiful post World War two. It's a

0:20:01.680 --> 0:20:04.600
<v Speaker 1>look at post World War two Japan. It is a

0:20:04.640 --> 0:20:06.399
<v Speaker 1>look at a man who was supposed to be a

0:20:06.440 --> 0:20:10.280
<v Speaker 1>Kamakazi pilot and decided not to fly his plane into

0:20:10.760 --> 0:20:14.480
<v Speaker 1>a warship, an American warship, and the guilt that comes

0:20:14.640 --> 0:20:20.160
<v Speaker 1>from losing a war, and the responsibility towards community, the blame,

0:20:20.320 --> 0:20:23.800
<v Speaker 1>the shame that goes with it, how to rebuild after

0:20:23.840 --> 0:20:27.040
<v Speaker 1>that it is like, if Godzilla was not in this movie,

0:20:27.160 --> 0:20:30.280
<v Speaker 1>it would still be a great movie. Godzilla just happens

0:20:30.280 --> 0:20:34.240
<v Speaker 1>to be in the movie, and it's I cannot cannot

0:20:34.600 --> 0:20:37.960
<v Speaker 1>recommend this movie enough. It is so, so, so good.

0:20:38.040 --> 0:20:40.040
<v Speaker 1>It was the best movie I saw in twenty twenty

0:20:40.080 --> 0:20:43.920
<v Speaker 1>three by far. So Okay, have you seen it? Yeah,

0:20:43.920 --> 0:20:45.119
<v Speaker 1>It's absolutely fantastic.

0:20:45.160 --> 0:20:47.560
<v Speaker 2>And what I love about this film is that you

0:20:47.600 --> 0:20:49.320
<v Speaker 2>watch it and you think it's like a two hundred

0:20:49.359 --> 0:20:52.080
<v Speaker 2>million dollar movie. I think they made it with like

0:20:52.119 --> 0:20:55.920
<v Speaker 2>fifteen million bucks or something like that, which in Hollywood

0:20:56.000 --> 0:20:58.439
<v Speaker 2>numbers is pretty small in terms of a budget, and

0:20:59.320 --> 0:21:02.080
<v Speaker 2>it looks for nomenal and like you said, the story,

0:21:03.000 --> 0:21:06.480
<v Speaker 2>there are scenes in it that are almost like Godzilla

0:21:06.520 --> 0:21:14.200
<v Speaker 2>as Jaws. Yes, yes, absolutely what I watched it. I'll

0:21:14.240 --> 0:21:18.120
<v Speaker 2>tell you a funny story. When my mother in law

0:21:18.200 --> 0:21:22.479
<v Speaker 2>moved to America from Cuba, it was the very that

0:21:22.560 --> 0:21:25.080
<v Speaker 2>weekend the movie came out, and one of the very

0:21:25.119 --> 0:21:27.240
<v Speaker 2>first things she did is that we took her to

0:21:27.720 --> 0:21:29.639
<v Speaker 2>watch that in the movie theaters and she was just

0:21:29.680 --> 0:21:32.679
<v Speaker 2>blown away. She'd never been she'd never been in a

0:21:32.760 --> 0:21:35.760
<v Speaker 2>normal movie theater. The movie theaters down there are very

0:21:35.760 --> 0:21:39.000
<v Speaker 2>different than ours and she was absolutely blown away. It

0:21:39.080 --> 0:21:41.160
<v Speaker 2>has that kind of an impact that is so impressive.

0:21:41.600 --> 0:21:43.600
<v Speaker 1>Okay, so what was your movie? Number four?

0:21:44.000 --> 0:21:47.000
<v Speaker 2>So my next one is I think one of the

0:21:47.040 --> 0:21:49.760
<v Speaker 2>great hidden gems of the twenty tents and it's by

0:21:49.840 --> 0:21:52.240
<v Speaker 2>Ridley Scott and it's called The Counselor.

0:21:53.600 --> 0:21:56.240
<v Speaker 1>I've not seen this one by Ridley Scott.

0:21:56.440 --> 0:22:00.240
<v Speaker 2>So this came out in twenty thirteen, and I don't

0:22:00.240 --> 0:22:02.000
<v Speaker 2>know if it was because of the politics of the

0:22:02.040 --> 0:22:06.480
<v Speaker 2>era or whatever, but it's a story about the border

0:22:06.960 --> 0:22:11.920
<v Speaker 2>right and it's about a lawyer who has a cartel

0:22:12.000 --> 0:22:17.200
<v Speaker 2>client and he essentially tells himself, Okay, I am going

0:22:17.240 --> 0:22:20.200
<v Speaker 2>to dabble in my client's business just this one time,

0:22:21.040 --> 0:22:23.720
<v Speaker 2>this one time, and that's it, and I'm not going

0:22:23.760 --> 0:22:29.640
<v Speaker 2>to touch this again. And unfortunately, like scripture teaches and

0:22:29.680 --> 0:22:32.639
<v Speaker 2>like life teaches itself, sometimes some some sins are so

0:22:32.760 --> 0:22:36.760
<v Speaker 2>bad that you just can't wash your hands of him.

0:22:37.160 --> 0:22:41.879
<v Speaker 2>And he sees how dabbling in the cartel business, along

0:22:41.920 --> 0:22:46.200
<v Speaker 2>with hybrid bardem, how it could really undo his entire existence,

0:22:46.240 --> 0:22:49.040
<v Speaker 2>in his entire life. It's a very bleak film. I'm

0:22:49.080 --> 0:22:53.760
<v Speaker 2>not going to tell you you're gonna feel great, but it's

0:22:53.800 --> 0:22:55.879
<v Speaker 2>a fantastic script, which is funny because it's like what

0:22:55.880 --> 0:22:58.280
<v Speaker 2>people hated about the film, and I like the script

0:22:59.760 --> 0:23:02.800
<v Speaker 2>and it's a very powerful story. And it also just

0:23:02.880 --> 0:23:06.800
<v Speaker 2>shows about very few films I think treat the border

0:23:06.840 --> 0:23:10.800
<v Speaker 2>with the seriousness that it deserves, and this is one

0:23:10.800 --> 0:23:13.439
<v Speaker 2>of those films that really got it right about some

0:23:13.520 --> 0:23:18.520
<v Speaker 2>of the dangers on our southern border. And it's absolutely fantastic.

0:23:18.600 --> 0:23:22.760
<v Speaker 2>It's got Brad Pitts in it too, Cameron Diaz. So

0:23:22.840 --> 0:23:24.680
<v Speaker 2>if you haven't seen it, make sure to check out

0:23:24.680 --> 0:23:25.720
<v Speaker 2>The counselor.

0:23:25.680 --> 0:23:28.440
<v Speaker 1>Okay, So my next movie is from number I think

0:23:28.600 --> 0:23:31.320
<v Speaker 1>six now or five or whatever. My next movie is

0:23:32.160 --> 0:23:34.359
<v Speaker 1>also in the art from the twenty tens. It is

0:23:34.440 --> 0:23:38.840
<v Speaker 1>Hotel Mumbai from twenty eighteen by the director was Anthony Maras.

0:23:39.200 --> 0:23:42.280
<v Speaker 1>It was about the Mumbai terrorist attacks in two thousand

0:23:42.280 --> 0:23:44.040
<v Speaker 1>and eight. I did not even know there were terrorist

0:23:44.040 --> 0:23:46.879
<v Speaker 1>attacks at the Hotel Mumbai in Mumbai, Doesney, because it

0:23:46.920 --> 0:23:49.919
<v Speaker 1>happened like two days after Obama was elected, so the

0:23:49.920 --> 0:23:52.920
<v Speaker 1>American media really didn't cover it. But it's about Islamic

0:23:53.000 --> 0:23:57.320
<v Speaker 1>terrorism in India. It is fast paced, it is foreign,

0:23:57.440 --> 0:23:59.680
<v Speaker 1>but they has a lot of English speaking in. It

0:23:59.720 --> 0:24:02.719
<v Speaker 1>is past, it is quick, it is action packed, it

0:24:02.760 --> 0:24:06.680
<v Speaker 1>has a real moral lesson in it. Absolutely a movie

0:24:06.720 --> 0:24:10.440
<v Speaker 1>I've seen probably three or four times and worth watching,

0:24:10.760 --> 0:24:13.639
<v Speaker 1>especially for people who are like, you know whatever, foreign films.

0:24:13.640 --> 0:24:17.000
<v Speaker 1>But this, I promise you it doesn't miss abeat. It's brilliant. Okay,

0:24:17.040 --> 0:24:17.879
<v Speaker 1>your next movie.

0:24:18.520 --> 0:24:21.880
<v Speaker 2>My next movie is also a foreign film. It is

0:24:22.400 --> 0:24:27.520
<v Speaker 2>nineteen sixty seven's Less Samurai by John Pierre Melville. Okay, now,

0:24:28.480 --> 0:24:32.760
<v Speaker 2>this is the coolest movie ever made. There is no

0:24:32.960 --> 0:24:35.720
<v Speaker 2>debate in terms of just the aesthetics. It is the

0:24:35.800 --> 0:24:40.240
<v Speaker 2>coolest movie ever made. It's been copied a million times.

0:24:40.440 --> 0:24:43.879
<v Speaker 2>Tarantino has copied it in reservoir dogs and in pulp fiction.

0:24:45.400 --> 0:24:51.919
<v Speaker 2>It tells the story of a you know, a professional

0:24:51.960 --> 0:24:57.480
<v Speaker 2>killer who is a hired gun and he's played by

0:24:57.600 --> 0:25:00.840
<v Speaker 2>Alain Delonne. So, for those who don't know, is align

0:25:00.920 --> 0:25:04.960
<v Speaker 2>the loan. He's uh, you know, just a terrific actor

0:25:05.000 --> 0:25:08.320
<v Speaker 2>who would have you know, It's funny because it's almost counterintuitive.

0:25:08.359 --> 0:25:11.159
<v Speaker 2>He would have gotten a lot farther in his career

0:25:11.160 --> 0:25:12.640
<v Speaker 2>if he weren't so damn handsome.

0:25:13.080 --> 0:25:15.680
<v Speaker 1>Uh, you know, you would have been taking a lot

0:25:16.320 --> 0:25:20.480
<v Speaker 1>same I have that same problem yeah.

0:25:19.240 --> 0:25:23.080
<v Speaker 2>So, uh you know. So it's about a killer, a

0:25:23.160 --> 0:25:27.840
<v Speaker 2>contract killer who has a moral code, and it's got

0:25:27.840 --> 0:25:30.480
<v Speaker 2>a great story. But the real reason I think for

0:25:30.640 --> 0:25:34.280
<v Speaker 2>watching this film is for the aesthetics. It's the director

0:25:34.359 --> 0:25:36.640
<v Speaker 2>is maybe the greatest director that you haven't that most

0:25:36.640 --> 0:25:38.800
<v Speaker 2>people haven't heard of. His name is John pire Mellville.

0:25:39.200 --> 0:25:41.399
<v Speaker 2>He made some of the best movies of the sixties.

0:25:42.200 --> 0:25:46.560
<v Speaker 2>He was an American file like, he loved America. That's

0:25:46.600 --> 0:25:49.840
<v Speaker 2>not it's not even his real name. He he adopted

0:25:49.880 --> 0:25:52.480
<v Speaker 2>that name. He was famous for driving around Paris and

0:25:52.520 --> 0:25:55.560
<v Speaker 2>a big Cadillac and wearing a stetson and and and

0:25:55.880 --> 0:25:57.879
<v Speaker 2>ray ban. So this this is the guy who loved

0:25:58.280 --> 0:26:01.280
<v Speaker 2>American gangster films and really wanted to bring that vibe

0:26:01.280 --> 0:26:03.800
<v Speaker 2>to France. It is a cool It is just one

0:26:03.840 --> 0:26:05.800
<v Speaker 2>of the coolest looking films I've ever seen. So if

0:26:05.800 --> 0:26:09.800
<v Speaker 2>you have not seen Les Samurai or The Samurai, definitely

0:26:09.880 --> 0:26:12.320
<v Speaker 2>check it out. It's been copied, I said by Tarantino.

0:26:13.200 --> 0:26:17.040
<v Speaker 2>One of its most direct descendants, though, is the Ryan

0:26:17.080 --> 0:26:21.879
<v Speaker 2>gosslingfilm Drive. Mm hmm, yeah, I saw it. Yeah, so

0:26:22.160 --> 0:26:24.600
<v Speaker 2>it's absolutely fantastic. It's one of my favorite movies.

0:26:24.960 --> 0:26:27.520
<v Speaker 1>Okay, is a my next one? Number six I actually

0:26:27.520 --> 0:26:30.040
<v Speaker 1>I counted because I was very off, But number six

0:26:30.080 --> 0:26:32.159
<v Speaker 1>of the ten that I suggest is an oldie, but

0:26:32.280 --> 0:26:34.439
<v Speaker 1>a classic and a class that people kind of forgot

0:26:34.480 --> 0:26:36.520
<v Speaker 1>in the last thirty years. It's from nineteen ninety one

0:26:36.560 --> 0:26:39.119
<v Speaker 1>by Steven Spielbert and it's Hook, and it is the

0:26:39.160 --> 0:26:41.679
<v Speaker 1>story of Peter Pan grown up. Robin Williams plays Peter Pan,

0:26:41.760 --> 0:26:45.800
<v Speaker 1>Julia Robbers plays tinker Bell, Dustin Hoffman plays Captain Hook.

0:26:45.880 --> 0:26:49.040
<v Speaker 1>And why it is great is if you deconstruct. I

0:26:49.040 --> 0:26:52.399
<v Speaker 1>watched the movie recently and deconstructed it is really a

0:26:52.480 --> 0:26:56.959
<v Speaker 1>celebration about fatherhood, and that's really the essence of the

0:26:57.160 --> 0:26:59.280
<v Speaker 1>entire movie is not about not growing up. It is

0:26:59.320 --> 0:27:05.000
<v Speaker 1>about five fatherhood and why bothers are important, and movies

0:27:05.040 --> 0:27:08.200
<v Speaker 1>like that don't get made very often. So nineteen ninety

0:27:08.240 --> 0:27:10.760
<v Speaker 1>one Hook is my thing, especially if you have younger

0:27:10.840 --> 0:27:13.600
<v Speaker 1>kids and it's not gonna be a Disney movie you

0:27:13.680 --> 0:27:15.320
<v Speaker 1>just turn on. It's a movie you kind of don't

0:27:15.359 --> 0:27:17.560
<v Speaker 1>remember to look for. Just check it out. It is

0:27:17.720 --> 0:27:20.160
<v Speaker 1>very very good. What was your next?

0:27:20.480 --> 0:27:26.320
<v Speaker 2>Don't those stories hit harder now as a dad? Yeah? Yeah,

0:27:26.359 --> 0:27:31.760
<v Speaker 2>So what's your nexte? My next? Movie is nineteen ninety

0:27:31.800 --> 0:27:36.480
<v Speaker 2>threes falling Down. Okay, I've never seen this, So this

0:27:36.520 --> 0:27:42.320
<v Speaker 2>is the Michael Douglas goes ape shit movie. So I

0:27:42.320 --> 0:27:44.760
<v Speaker 2>think it's a it's a look. It's a movie about alienation,

0:27:44.920 --> 0:27:50.880
<v Speaker 2>it's a movie about social instability. Conservatives who understand conservatism

0:27:51.200 --> 0:27:55.680
<v Speaker 2>will pick up on a lot here. You know you're

0:27:55.720 --> 0:27:58.800
<v Speaker 2>not gonna like this guy because he's a vigilante and

0:27:58.880 --> 0:28:02.760
<v Speaker 2>because he goes around shooting up a fast food place

0:28:02.800 --> 0:28:07.600
<v Speaker 2>because of false advertising, but you will appreciate how if

0:28:07.640 --> 0:28:12.080
<v Speaker 2>things move too fast, be it through societal change, due

0:28:12.080 --> 0:28:16.359
<v Speaker 2>to changes and laws, due to economic changes, due to

0:28:17.520 --> 0:28:20.199
<v Speaker 2>a lot of new people moving into your community, you

0:28:20.280 --> 0:28:25.840
<v Speaker 2>will recognize how that could really destabilize a society and

0:28:26.040 --> 0:28:29.560
<v Speaker 2>push people who were already vulnerable or on the margins

0:28:30.280 --> 0:28:35.040
<v Speaker 2>or on the fringes towards really dark places. So it's

0:28:35.040 --> 0:28:36.600
<v Speaker 2>not a perfect film. I think it could have been

0:28:36.600 --> 0:28:38.800
<v Speaker 2>a perfect film. I think they made some decisions in

0:28:38.800 --> 0:28:43.479
<v Speaker 2>the third act where you kind of you end up

0:28:43.480 --> 0:28:45.800
<v Speaker 2>thinking that what happens to him is what deserved to

0:28:45.800 --> 0:28:49.360
<v Speaker 2>happen to him. I think a Boulder version of that

0:28:49.480 --> 0:28:53.400
<v Speaker 2>movie would have had him a little bit more restrained

0:28:53.400 --> 0:28:55.120
<v Speaker 2>in the third act, like he shoots a cop in

0:28:55.120 --> 0:28:56.840
<v Speaker 2>the third act, you should not have done that in

0:28:56.880 --> 0:28:57.720
<v Speaker 2>the script.

0:28:58.360 --> 0:29:02.240
<v Speaker 1>Spoiler alert for anyone going to see it, Well, that's

0:29:02.280 --> 0:29:03.320
<v Speaker 1>not a major spoiler.

0:29:04.880 --> 0:29:10.080
<v Speaker 2>Yeah, that's not a major spoiler. But you it's a

0:29:10.200 --> 0:29:12.440
<v Speaker 2>kind of movie that I think if the studios had

0:29:12.440 --> 0:29:16.280
<v Speaker 2>had more balls in the early nineties, this is like

0:29:16.320 --> 0:29:18.280
<v Speaker 2>a feel good era and we were like in that

0:29:18.400 --> 0:29:23.040
<v Speaker 2>nineties glow where they would have made a film where

0:29:23.400 --> 0:29:25.680
<v Speaker 2>the ending would have been a little bit more ambiguous,

0:29:25.760 --> 0:29:28.840
<v Speaker 2>where you wouldn't have walked out of there thinking, Okay, well, yeah,

0:29:29.040 --> 0:29:31.400
<v Speaker 2>this guy's a case study, and not in What Not

0:29:31.480 --> 0:29:33.880
<v Speaker 2>to Do. You would have walked out of there thinking

0:29:33.920 --> 0:29:36.960
<v Speaker 2>a little bit more like, Okay, maybe he had a

0:29:37.000 --> 0:29:40.440
<v Speaker 2>point and yeah, and it would have forced you to

0:29:40.480 --> 0:29:42.520
<v Speaker 2>grapple with some of the tensions that he was dealing

0:29:42.600 --> 0:29:44.520
<v Speaker 2>with a little bit better. Okay.

0:29:44.600 --> 0:29:47.960
<v Speaker 1>My next one is I think number seven or six

0:29:48.080 --> 0:29:50.800
<v Speaker 1>or whatever. My next one is Sabrina from nineteen fifty

0:29:50.800 --> 0:29:53.320
<v Speaker 1>four by Billy Wilander. It is a black and white film.

0:29:53.360 --> 0:29:55.560
<v Speaker 1>It's an older film with Audrey Hepfern and Humphrey Bogart,

0:29:56.080 --> 0:29:58.520
<v Speaker 1>and it's an easy movie to watch. It's basically a

0:29:58.600 --> 0:30:01.400
<v Speaker 1>Cinderella story. Why I think Conservits could watch it is because

0:30:01.480 --> 0:30:04.720
<v Speaker 1>Humphrey Bogart gives one of the best defenses of capitalism

0:30:05.160 --> 0:30:07.560
<v Speaker 1>you will watch in a movie when he discusses why

0:30:07.600 --> 0:30:11.080
<v Speaker 1>he is so in love with his job and how

0:30:11.120 --> 0:30:14.640
<v Speaker 1>great industry is very very easy movie to watch, has

0:30:14.680 --> 0:30:17.840
<v Speaker 1>a good lesson in it, but overall quick and easy.

0:30:17.880 --> 0:30:19.920
<v Speaker 1>But I do love that movie from Billy. Billy Wilder's

0:30:19.960 --> 0:30:23.840
<v Speaker 1>probably top three greatest American directors that ever lived, so

0:30:23.920 --> 0:30:24.440
<v Speaker 1>it's great.

0:30:25.160 --> 0:30:28.360
<v Speaker 2>Absolutely. I'm glad you didn't mention the Harrison Ford remake.

0:30:28.440 --> 0:30:30.480
<v Speaker 1>And no, I would not do that to anybody.

0:30:33.520 --> 0:30:36.959
<v Speaker 2>My next film, it's a movie from nineteen seventy directed

0:30:37.000 --> 0:30:42.160
<v Speaker 2>by Bertolucci. It's an Italian film. It's called The Conformist,

0:30:42.200 --> 0:30:46.640
<v Speaker 2>which is it's a great lesson for anyone who works

0:30:46.640 --> 0:30:51.360
<v Speaker 2>in politics. It's a story about an operative for Mussolini

0:30:51.680 --> 0:30:56.640
<v Speaker 2>who essentially gets hired or ordered to knock off somebody

0:30:56.680 --> 0:31:00.240
<v Speaker 2>close to him. And what you eventually start realizing about

0:31:00.240 --> 0:31:04.120
<v Speaker 2>this guy is that he's just a careerist. He was

0:31:04.440 --> 0:31:08.440
<v Speaker 2>never really a Mussolini guy or a Fascist or whatever.

0:31:08.800 --> 0:31:10.480
<v Speaker 2>He was just a guy who was in this for

0:31:10.560 --> 0:31:14.720
<v Speaker 2>personal advance in it. So, you know, I think that

0:31:14.760 --> 0:31:16.560
<v Speaker 2>if you work in this business, it's always good to

0:31:16.600 --> 0:31:20.560
<v Speaker 2>have a north star and to be very clear about

0:31:20.640 --> 0:31:22.960
<v Speaker 2>why you're in this and I think this movie has

0:31:23.000 --> 0:31:24.960
<v Speaker 2>a lot to offer that. And by the end of

0:31:25.000 --> 0:31:27.560
<v Speaker 2>the film you see that he didn't believe in anything

0:31:27.600 --> 0:31:31.360
<v Speaker 2>at all. I'm not giving away any spoilers, but it's

0:31:31.400 --> 0:31:34.600
<v Speaker 2>also just one of the best looking films you'll ever see.

0:31:34.600 --> 0:31:39.720
<v Speaker 2>If you'd like cinematography, The Conformist is one of the best,

0:31:39.800 --> 0:31:41.840
<v Speaker 2>and honestly, it's also just one of the most influential

0:31:41.880 --> 0:31:42.520
<v Speaker 2>movies ever made.

0:31:42.600 --> 0:31:44.800
<v Speaker 1>One of you know something, very typical people in policies.

0:31:44.800 --> 0:31:47.880
<v Speaker 1>They end up not believing in anything at all. Okay,

0:31:47.960 --> 0:31:51.920
<v Speaker 1>my third to last mine is Belfast from twenty twenty

0:31:51.960 --> 0:31:55.720
<v Speaker 1>one by Kenneth Brana. This is the story of Belfast,

0:31:55.760 --> 0:31:59.160
<v Speaker 1>Ireland during the Troubles. I have family in Ireland during

0:31:59.160 --> 0:32:01.880
<v Speaker 1>that who moved from New York to Ireland during the troubles.

0:32:01.920 --> 0:32:04.120
<v Speaker 1>I should have a whole episode on that one day.

0:32:04.360 --> 0:32:07.760
<v Speaker 1>He but it is a story of life in Northern

0:32:07.800 --> 0:32:10.680
<v Speaker 1>Ireland and it is black and white for most of

0:32:10.680 --> 0:32:13.640
<v Speaker 1>the movie. It is sad and it is happy about

0:32:13.680 --> 0:32:16.800
<v Speaker 1>being said, it is the most Irish movie I've ever seen.

0:32:17.160 --> 0:32:19.440
<v Speaker 2>But I love it.

0:32:19.280 --> 0:32:24.840
<v Speaker 1>It's a story of childhood, youth and both longing for

0:32:25.080 --> 0:32:28.480
<v Speaker 1>a better life, of being being confined to certain things.

0:32:28.600 --> 0:32:31.120
<v Speaker 1>Everyone's on a different path, everyone's in a certain different thing,

0:32:31.600 --> 0:32:34.000
<v Speaker 1>and so there's a real love for community, even when

0:32:34.000 --> 0:32:39.360
<v Speaker 1>community is terrible. Great, great, great movie love it really

0:32:39.400 --> 0:32:41.200
<v Speaker 1>really recommend this. I shouldn't have my grandparents and it

0:32:41.240 --> 0:32:44.600
<v Speaker 1>was like their favorite movie ever. So Belfast by Kenneth Brono.

0:32:45.200 --> 0:32:45.640
<v Speaker 2>It's yours.

0:32:45.720 --> 0:32:46.240
<v Speaker 1>Yeah.

0:32:46.520 --> 0:32:51.200
<v Speaker 2>My next one is a movie called Joe from nineteen seventy.

0:32:51.600 --> 0:32:57.600
<v Speaker 2>This is a grindhouse movie. It's a okay, this is

0:32:57.640 --> 0:33:02.120
<v Speaker 2>like cinema veritas American style in the seventies. It is

0:33:02.200 --> 0:33:05.040
<v Speaker 2>directed by John Adilson, the same guy who did Rocky

0:33:05.560 --> 0:33:08.360
<v Speaker 2>and Lean On Me and The Karate Kid. And the

0:33:08.400 --> 0:33:10.200
<v Speaker 2>reason why I say that is because a lot of

0:33:10.200 --> 0:33:13.040
<v Speaker 2>people say that this is like an anti right wing movie,

0:33:13.400 --> 0:33:15.840
<v Speaker 2>and I don't think a guy who made those films

0:33:15.920 --> 0:33:20.640
<v Speaker 2>and was set to direct Reagan but died of cancer

0:33:21.080 --> 0:33:23.360
<v Speaker 2>before he was able to do it, it could be

0:33:23.440 --> 0:33:28.240
<v Speaker 2>really that anti right wing. So it's I think it's

0:33:28.240 --> 0:33:30.880
<v Speaker 2>better understood as a critique of the right from within

0:33:30.920 --> 0:33:34.720
<v Speaker 2>the right. So it's also a story of an upper

0:33:34.720 --> 0:33:42.480
<v Speaker 2>middle class executive whose daughter goes down the wrong starts

0:33:42.520 --> 0:33:45.520
<v Speaker 2>hanging out the wrong people in the counterculture, and she

0:33:45.600 --> 0:33:48.200
<v Speaker 2>gets involved with the hippie. The guy kills the hippie,

0:33:50.080 --> 0:33:53.600
<v Speaker 2>and so he's so the executive guy's already on the

0:33:53.600 --> 0:33:56.440
<v Speaker 2>wrong track. But then he goes to a bar and

0:33:56.480 --> 0:34:00.760
<v Speaker 2>there's this loud mouth at a bar who's saying, like

0:34:00.800 --> 0:34:06.880
<v Speaker 2>these obscene, crazy racist rants. And the whole point is

0:34:06.880 --> 0:34:09.200
<v Speaker 2>is like, this guy is a caricature. Everybody in this

0:34:09.280 --> 0:34:11.760
<v Speaker 2>movie is kind of a caricature of the worst versions

0:34:11.800 --> 0:34:16.399
<v Speaker 2>of themselves. But the point though, is that this guy

0:34:16.440 --> 0:34:18.719
<v Speaker 2>should have been at a stage where he's okay, like

0:34:18.800 --> 0:34:21.680
<v Speaker 2>facing justice and some kind of contrition. But because he

0:34:21.800 --> 0:34:24.920
<v Speaker 2>befriends this guy, he creates almost like a permission structure

0:34:24.960 --> 0:34:27.600
<v Speaker 2>for what he just did to his daughter's boyfriends. It

0:34:27.600 --> 0:34:30.759
<v Speaker 2>has a very tragic ending. It's also just a fun movie.

0:34:30.760 --> 0:34:33.040
<v Speaker 2>You're gonna laugh your ass off by hearing the things

0:34:33.040 --> 0:34:38.200
<v Speaker 2>that this guy says that are I could ever say

0:34:38.200 --> 0:34:41.200
<v Speaker 2>and we would all get canceled. But you can imagine

0:34:41.239 --> 0:34:44.680
<v Speaker 2>people laughing in movie theaters in the seventies watching some

0:34:44.719 --> 0:34:47.640
<v Speaker 2>of this. It's called Joe. It's not easy to find,

0:34:47.680 --> 0:34:51.600
<v Speaker 2>I think, but you probably it's probably found it on YouTube.

0:34:52.040 --> 0:34:55.319
<v Speaker 1>It may even be on Amazon Prime. This really quick story.

0:34:55.360 --> 0:34:57.400
<v Speaker 1>I was I would see Death Wish in the theaters

0:34:57.440 --> 0:34:59.120
<v Speaker 1>in New York, but it was like a very hipster

0:34:59.239 --> 0:35:01.839
<v Speaker 1>theater Death Wish from the seventies. And when watching it

0:35:02.280 --> 0:35:05.759
<v Speaker 1>too like hipster Transplants. Clearly Transplants said New York can

0:35:05.840 --> 0:35:08.520
<v Speaker 1>have possibly been that bad. It's like, I hate these people,

0:35:09.360 --> 0:35:11.840
<v Speaker 1>but I love movies from the seventies, so you mention it, okay.

0:35:12.000 --> 0:35:14.560
<v Speaker 1>Second to last from me, This is from twenty eighteen

0:35:14.680 --> 0:35:18.959
<v Speaker 1>by Armando in New Scene. He's a director. It's called

0:35:19.080 --> 0:35:21.759
<v Speaker 1>Death of Stalin. It is a dark comedy and I

0:35:21.840 --> 0:35:24.480
<v Speaker 1>mean dark, but it is very very funny if you

0:35:24.560 --> 0:35:28.000
<v Speaker 1>pay attention to the conversations happening. And I think, why

0:35:28.040 --> 0:35:31.400
<v Speaker 1>a conservation watch this movie is it's actually accurate. It

0:35:31.440 --> 0:35:35.920
<v Speaker 1>is more accurate than not accurate detail of what happens

0:35:35.920 --> 0:35:39.040
<v Speaker 1>in a non democracy when there is a transfer of power,

0:35:39.040 --> 0:35:41.080
<v Speaker 1>and how violent it is, and how the section of

0:35:41.120 --> 0:35:45.920
<v Speaker 1>power happens, and how oftentimes what follows is what follows

0:35:46.480 --> 0:35:49.640
<v Speaker 1>a dictator is usually chaos and destruction and not this

0:35:49.760 --> 0:35:53.719
<v Speaker 1>clean transition towards you know, Jeffersonian democracy. So Death of

0:35:53.760 --> 0:35:56.279
<v Speaker 1>Stalin from twenty eighteen is my second to last pick.

0:35:56.320 --> 0:35:59.560
<v Speaker 2>What's yours? That's a great pick. My second to last

0:35:59.760 --> 0:36:05.279
<v Speaker 2>is a silent film, nineteen twenty One's The Kid all Time?

0:36:05.640 --> 0:36:07.160
<v Speaker 1>Yeah, my favor at all time.

0:36:07.760 --> 0:36:09.680
<v Speaker 2>Yeah. It's one of the greatest movies of all time.

0:36:09.800 --> 0:36:12.279
<v Speaker 2>It's it's one of the greatest stories about well, it

0:36:12.400 --> 0:36:16.560
<v Speaker 2>is the greatest story about surrogate fatherhood. What I love

0:36:16.600 --> 0:36:19.520
<v Speaker 2>about this film and why I think conservatives should watch it,

0:36:19.560 --> 0:36:21.760
<v Speaker 2>is that it really speaks to a sense of duty.

0:36:22.440 --> 0:36:25.680
<v Speaker 2>This guy was not planning to be a dad. He

0:36:25.760 --> 0:36:28.959
<v Speaker 2>was just like some tramp. He like literally stumbles upon

0:36:29.000 --> 0:36:32.600
<v Speaker 2>a kid. There's a and he the only reason why

0:36:32.640 --> 0:36:34.520
<v Speaker 2>he takes him home is because he doesn't want the

0:36:34.560 --> 0:36:37.440
<v Speaker 2>cop who saw him stumble over the kid to think

0:36:37.480 --> 0:36:41.240
<v Speaker 2>that he was kidnapping the child. So he just acted

0:36:41.280 --> 0:36:43.360
<v Speaker 2>like everything was going was honckey dor and he just

0:36:43.400 --> 0:36:45.600
<v Speaker 2>took the kid home, and he ended up growing very

0:36:45.600 --> 0:36:48.880
<v Speaker 2>attached to the kid and raising him. It's a beautiful film,

0:36:49.760 --> 0:36:54.759
<v Speaker 2>Like everything that Chaplin did, It's it shows you some

0:36:54.840 --> 0:36:57.360
<v Speaker 2>of the rough edges of society at the time, but

0:36:58.080 --> 0:37:01.439
<v Speaker 2>with very deep, like humanistick lessons that you could really

0:37:01.480 --> 0:37:04.440
<v Speaker 2>take away. And it's one of my favorite films too.

0:37:04.719 --> 0:37:06.759
<v Speaker 1>That is my favorite, is my number one favorite movie

0:37:06.760 --> 0:37:08.160
<v Speaker 1>of old I see it constantly.

0:37:09.080 --> 0:37:09.400
<v Speaker 2>Okay.

0:37:09.440 --> 0:37:12.879
<v Speaker 1>My last pick for this number ten movie conservatives watch

0:37:13.000 --> 0:37:15.360
<v Speaker 1>is a movie called April Ninth. It was made in

0:37:15.400 --> 0:37:17.240
<v Speaker 1>twenty fifteen by Ronnie Ezra.

0:37:17.320 --> 0:37:18.000
<v Speaker 2>Have you heard of it?

0:37:18.640 --> 0:37:20.479
<v Speaker 1>I've not heard of this one. Okay, Wow, I found

0:37:20.520 --> 0:37:22.439
<v Speaker 1>on a movie that even Jim Carlos. It is free

0:37:22.480 --> 0:37:24.840
<v Speaker 1>on YouTube to watch. It is a Danish movie. It

0:37:24.880 --> 0:37:27.440
<v Speaker 1>is all in Danish. It is the story of Danish

0:37:27.480 --> 0:37:31.320
<v Speaker 1>resistance to Nazi Germany from the perspective of a lieutenant.

0:37:31.520 --> 0:37:34.719
<v Speaker 1>And it is really a question of what is your

0:37:35.080 --> 0:37:39.120
<v Speaker 1>role when you are faced with insurmountable odds? How much

0:37:39.160 --> 0:37:41.600
<v Speaker 1>do you owe to a cause or to a country

0:37:41.719 --> 0:37:43.840
<v Speaker 1>when you cannot succeed in what you're trying to do.

0:37:44.200 --> 0:37:46.400
<v Speaker 1>I think a lot of conservatives when things are very bleak,

0:37:46.680 --> 0:37:49.960
<v Speaker 1>would resonate with this message. It's a very very powerful movie.

0:37:49.960 --> 0:37:53.040
<v Speaker 1>There's one really powerful scene where the farm woman was

0:37:53.120 --> 0:37:55.239
<v Speaker 1>like you could just hide out and she goes, you know,

0:37:55.280 --> 0:37:58.200
<v Speaker 1>this country was Germany, then it was Denmark. Doesn't matter

0:37:58.239 --> 0:38:00.719
<v Speaker 1>to me, and he says it matters a lot to me. Beautiful,

0:38:00.760 --> 0:38:03.400
<v Speaker 1>beautiful movie in Danish, free on YouTube.

0:38:03.840 --> 0:38:08.000
<v Speaker 2>Jim Carlo, your last movie, So my final pick, and

0:38:08.040 --> 0:38:13.719
<v Speaker 2>on a positive note, is White Christmas. Kay, So I

0:38:13.760 --> 0:38:16.759
<v Speaker 2>wanted to end on a high note. I'm not going

0:38:16.840 --> 0:38:18.640
<v Speaker 2>to tell you that I think it's the greatest Christmas

0:38:18.640 --> 0:38:22.480
<v Speaker 2>movie ever made. It's a little kitch uh, it's a

0:38:22.480 --> 0:38:29.000
<v Speaker 2>little Sacharin, a little sentimental, but it's very sincere. So

0:38:27.880 --> 0:38:33.520
<v Speaker 2>it's it's about a couple of army buddies who they

0:38:33.560 --> 0:38:36.000
<v Speaker 2>essentially they go on vacation and they end up at

0:38:36.000 --> 0:38:39.600
<v Speaker 2>the at the at the Vermont Inn of their old

0:38:40.640 --> 0:38:44.560
<v Speaker 2>military superior and the place is about to go out

0:38:44.600 --> 0:38:49.680
<v Speaker 2>of business because it hasn't snowed, and so they essentially

0:38:50.440 --> 0:38:52.880
<v Speaker 2>so it's Bing Crosby and Danny k and they summon

0:38:54.040 --> 0:38:56.600
<v Speaker 2>they they're able to go on TV and they summon

0:38:57.320 --> 0:39:03.960
<v Speaker 2>their entire platoon to join them. At the end time, Yeah,

0:39:04.120 --> 0:39:08.200
<v Speaker 2>it does have one of the most heartwarming and beautiful

0:39:08.360 --> 0:39:11.399
<v Speaker 2>endings in all of cinema. I every time I watch

0:39:11.480 --> 0:39:13.360
<v Speaker 2>that film, I just look over to my wife, and

0:39:13.400 --> 0:39:15.680
<v Speaker 2>I'm like, yeah, this got to me. It's just a

0:39:15.719 --> 0:39:22.360
<v Speaker 2>great movie about camaraderie, patriotism and loyalty and friendship, and

0:39:23.239 --> 0:39:26.560
<v Speaker 2>you know it's it kind of masksself as a romantic film.

0:39:26.640 --> 0:39:28.839
<v Speaker 2>I don't really think that's that's the heart of it.

0:39:29.880 --> 0:39:31.760
<v Speaker 2>And I don't think it's a coincidence that that movie

0:39:31.800 --> 0:39:33.520
<v Speaker 2>was made at a time when we had a general

0:39:33.560 --> 0:39:37.960
<v Speaker 2>as president. So I think it's a It's a gorgeous

0:39:37.960 --> 0:39:41.680
<v Speaker 2>film and definitely put it on your watch list for

0:39:41.880 --> 0:39:42.800
<v Speaker 2>this Christmas season.

0:39:43.239 --> 0:39:45.359
<v Speaker 1>Well, gian Carlo, where could we go to read more

0:39:45.360 --> 0:39:46.000
<v Speaker 1>of your stuff?

0:39:47.239 --> 0:39:49.640
<v Speaker 2>So they could read me at National Review or they

0:39:49.680 --> 0:39:54.000
<v Speaker 2>can follow me on Twitter. I've been posting a lot

0:39:54.080 --> 0:39:57.319
<v Speaker 2>less there, just just busy with being a dad. But

0:39:57.480 --> 0:40:00.359
<v Speaker 2>you could follow me at National Review and I'll I'll

0:40:00.400 --> 0:40:02.360
<v Speaker 2>have a lot more to share about movies on this

0:40:02.400 --> 0:40:04.279
<v Speaker 2>project that I've been working on in the next couple weeks.

0:40:04.280 --> 0:40:05.279
<v Speaker 2>I'm really excited about it.

0:40:05.320 --> 0:40:07.239
<v Speaker 1>I'm going to retweet it when it comes out, So

0:40:07.280 --> 0:40:09.960
<v Speaker 1>I'm very excited. Giancarlo, thank you for coming on this podcast.

0:40:10.320 --> 0:40:11.560
<v Speaker 2>No, thank you for having me. Ryan.

0:40:11.760 --> 0:40:17.480
<v Speaker 1>Hey, we'll be right back after this. Now it's time

0:40:17.520 --> 0:40:20.120
<v Speaker 1>for the Ask Me Anything segment. If you guys want

0:40:20.120 --> 0:40:22.280
<v Speaker 1>to be part of the Ask Me Anything segment, email

0:40:22.360 --> 0:40:26.240
<v Speaker 1>me ryanat Numbers Gamepodcast dot com. That's Ryan at Numbers

0:40:26.320 --> 0:40:28.640
<v Speaker 1>gamepodcast dot com. I love getting these questions. I have

0:40:28.719 --> 0:40:30.640
<v Speaker 1>a few built ups, so I'm trying to get through

0:40:30.760 --> 0:40:34.160
<v Speaker 1>more than one per episode. This question comes from Jennifer

0:40:34.280 --> 0:40:36.960
<v Speaker 1>in Florida. She writes about a month ago she started

0:40:37.000 --> 0:40:40.640
<v Speaker 1>tracking local registration in her county, which has a large

0:40:40.719 --> 0:40:43.200
<v Speaker 1>university as a blue county in Florida. Because of the

0:40:43.239 --> 0:40:46.320
<v Speaker 1>Supervisor of Elections announced that she would be doing outreach

0:40:46.400 --> 0:40:50.600
<v Speaker 1>at college campus events. Weekly net registration by party has shown,

0:40:50.800 --> 0:40:54.239
<v Speaker 1>but she included the attachment that there are no new

0:40:54.320 --> 0:40:56.960
<v Speaker 1>Democrats in the last three weeks and one hundred and

0:40:56.960 --> 0:40:59.959
<v Speaker 1>seventy new Republicans and two hundred and sixteen new others.

0:41:00.640 --> 0:41:03.440
<v Speaker 1>Why do you think some people are registering as others

0:41:03.480 --> 0:41:06.799
<v Speaker 1>basically not in either party? And why are so few

0:41:06.800 --> 0:41:09.160
<v Speaker 1>registering as Democrats? And are you of ver any state

0:41:09.280 --> 0:41:12.000
<v Speaker 1>laws that require university students to vote in their home

0:41:12.080 --> 0:41:15.799
<v Speaker 1>precincts if they're still dependence on their parents. Okay, so

0:41:15.840 --> 0:41:20.600
<v Speaker 1>the first question is the purge three weeks ago about four.

0:41:20.640 --> 0:41:25.080
<v Speaker 1>A few weeks ago, Florida did a regular voter registration purge.

0:41:25.120 --> 0:41:27.000
<v Speaker 1>All states do it. They said, there in state who's

0:41:27.040 --> 0:41:29.640
<v Speaker 1>been inactive for years, and they assume that they moved.

0:41:29.440 --> 0:41:30.040
<v Speaker 2>Or they died.

0:41:30.239 --> 0:41:32.360
<v Speaker 1>And I looked at this data for this precinct and

0:41:32.600 --> 0:41:36.640
<v Speaker 1>this county, and there was enormous drop off for Democrats

0:41:36.640 --> 0:41:39.120
<v Speaker 1>who either had moved or died or were completely inactive

0:41:39.160 --> 0:41:43.040
<v Speaker 1>for a long period of time. So they registered not zero,

0:41:43.080 --> 0:41:45.799
<v Speaker 1>they registered more than zero, but the numbers that they

0:41:46.040 --> 0:41:50.280
<v Speaker 1>lost in that purge exceeded that the numbers that they gained.

0:41:51.200 --> 0:41:54.640
<v Speaker 1>And why are they registering so few voters is because

0:41:54.640 --> 0:41:58.440
<v Speaker 1>their brand is terrible. I mean the brand of you know,

0:41:59.719 --> 0:42:04.960
<v Speaker 1>if you're not registering for an election that's coming up, right,

0:42:05.000 --> 0:42:07.040
<v Speaker 1>if you like, if you like the presence she's coming up,

0:42:07.040 --> 0:42:07.759
<v Speaker 1>I got a register to vote.

0:42:07.760 --> 0:42:08.600
<v Speaker 2>I got to registered to vote.

0:42:08.680 --> 0:42:11.480
<v Speaker 1>Unless thing like that is happening that's motivating you to vote,

0:42:11.600 --> 0:42:13.960
<v Speaker 1>you're more than likely just either someone who just moved

0:42:13.960 --> 0:42:17.000
<v Speaker 1>to an area or someone who just turned eighteen. And

0:42:18.280 --> 0:42:22.280
<v Speaker 1>the Democratic Party is not They just don't have a leadership,

0:42:22.320 --> 0:42:25.080
<v Speaker 1>they don't have a message. They're very isolating to a

0:42:25.120 --> 0:42:28.439
<v Speaker 1>lot of different people. Republicans don't have an amazing brand name,

0:42:28.440 --> 0:42:30.959
<v Speaker 1>but it's better than Democrats. And a lot of people

0:42:30.960 --> 0:42:34.680
<v Speaker 1>are just picking independence because they don't want to belong

0:42:34.800 --> 0:42:37.000
<v Speaker 1>to a party one of the two parties that they

0:42:37.000 --> 0:42:40.360
<v Speaker 1>feel are you know, service to the country or to

0:42:40.520 --> 0:42:42.600
<v Speaker 1>voters as a whole. This is the question on voter

0:42:42.680 --> 0:42:46.840
<v Speaker 1>registration for college kids. I looked up the law in Florida.

0:42:47.280 --> 0:42:49.600
<v Speaker 1>College kids can register either at their home that their

0:42:49.640 --> 0:42:53.000
<v Speaker 1>parents live at, or at their college campus and their dorm,

0:42:53.520 --> 0:42:56.919
<v Speaker 1>so they don't need to have registered where where they're

0:42:56.920 --> 0:42:59.000
<v Speaker 1>dependent on their parents. They can register to vote in

0:42:59.080 --> 0:43:01.560
<v Speaker 1>the dorm that they live on. That is the case.

0:43:01.560 --> 0:43:03.439
<v Speaker 1>Every state is a little different. That is the case

0:43:03.440 --> 0:43:05.960
<v Speaker 1>in a lot of important swing states like Wisconsin, where

0:43:05.960 --> 0:43:08.600
<v Speaker 1>there's a lot of college kids at Wisconsin who register

0:43:08.960 --> 0:43:11.279
<v Speaker 1>at their dorms and they have to be lefties. But

0:43:11.320 --> 0:43:13.799
<v Speaker 1>that's a New Hampshire I think is the same exact way.

0:43:14.080 --> 0:43:16.560
<v Speaker 1>That's a big question from individual states. But Florida, you

0:43:16.560 --> 0:43:19.360
<v Speaker 1>can register at your dorm. I did look that up. Okay.

0:43:19.680 --> 0:43:22.759
<v Speaker 1>Next question comes from Ryan Shannon. He writes, farmers and

0:43:22.800 --> 0:43:25.959
<v Speaker 1>Democrats say you can't get rid of illegal workers because

0:43:26.000 --> 0:43:27.319
<v Speaker 1>our crops will go up.

0:43:27.680 --> 0:43:28.920
<v Speaker 2>You touched on the show.

0:43:29.000 --> 0:43:32.520
<v Speaker 1>On your show, why don't Republicans Dems whoever actually helps

0:43:32.800 --> 0:43:34.600
<v Speaker 1>shows a chart of how much it will cost the

0:43:34.719 --> 0:43:38.239
<v Speaker 1>strawberries would be how much if we hired Americans? I

0:43:38.360 --> 0:43:40.560
<v Speaker 1>will help one side of the aisle. So clearly they

0:43:40.560 --> 0:43:46.399
<v Speaker 1>don't care. Okay, So he said, welcome to my TED. Well,

0:43:46.480 --> 0:43:48.600
<v Speaker 1>thanks for coming to my TED Talk. Thank you Ryan

0:43:48.680 --> 0:43:49.840
<v Speaker 1>for asking that question.

0:43:50.120 --> 0:43:50.719
<v Speaker 2>I was by way.

0:43:50.760 --> 0:43:52.560
<v Speaker 1>It was National Ryan Day the other day, so I

0:43:52.560 --> 0:43:56.799
<v Speaker 1>hope you celebrated by liking and subscribing to this podcast.

0:43:56.120 --> 0:44:00.400
<v Speaker 1>The question of how much will crops go if you

0:44:00.560 --> 0:44:01.719
<v Speaker 1>hire only Americans?

0:44:01.960 --> 0:44:02.200
<v Speaker 2>One?

0:44:03.080 --> 0:44:05.440
<v Speaker 1>Okay, A, you don't need to hire only Americans. You

0:44:05.440 --> 0:44:08.520
<v Speaker 1>could hire h two A vs A holders because hwavs

0:44:08.560 --> 0:44:12.280
<v Speaker 1>holders all have an unlimited supply and they're legally here

0:44:12.719 --> 0:44:17.880
<v Speaker 1>and farmer farming companies manufacturing companies manufacturing, but agriculture companies

0:44:18.200 --> 0:44:21.560
<v Speaker 1>have to subsity have to pay for some of their

0:44:21.640 --> 0:44:25.359
<v Speaker 1>housing and transportation and other things in case they get

0:44:25.360 --> 0:44:27.320
<v Speaker 1>injured or where they have to stay. That would otherwise

0:44:27.320 --> 0:44:28.960
<v Speaker 1>who knows where they would go, But they don't want

0:44:28.960 --> 0:44:30.720
<v Speaker 1>to do that. They want to go to illegal aliens.

0:44:30.960 --> 0:44:31.160
<v Speaker 2>Two.

0:44:31.239 --> 0:44:34.719
<v Speaker 1>You can hire Americans. It's perfectly you know fine, and

0:44:34.800 --> 0:44:37.320
<v Speaker 1>a lot of places do hire Americans to do some things.

0:44:37.400 --> 0:44:40.239
<v Speaker 1>And third is that you could just mechanize. You can

0:44:40.280 --> 0:44:42.920
<v Speaker 1>go to machines and have a one time increase for

0:44:43.000 --> 0:44:45.839
<v Speaker 1>the cost that your your machine's never going to get sick,

0:44:45.880 --> 0:44:48.560
<v Speaker 1>it's going to work harder. There's cameras like this is

0:44:49.200 --> 0:44:52.480
<v Speaker 1>this is so, this is so nonsensical. They're arguing that

0:44:52.480 --> 0:44:53.800
<v Speaker 1>it's only going to go. But if you have to

0:44:53.880 --> 0:44:56.400
<v Speaker 1>hire an American for forty dollars an hour, it's just

0:44:56.560 --> 0:44:59.160
<v Speaker 1>that's not true. It's such a lie. And the reason

0:44:59.239 --> 0:45:01.399
<v Speaker 1>they can't keep a their estimate out is because look

0:45:01.400 --> 0:45:04.640
<v Speaker 1>at what happened during the terrified during the first Trump

0:45:04.760 --> 0:45:07.719
<v Speaker 1>term over things like tuna. They were saying, tuna cans,

0:45:07.760 --> 0:45:09.919
<v Speaker 1>we're going to cost like ten dollars a can because

0:45:09.960 --> 0:45:13.440
<v Speaker 1>of tax tariffs on aluminum. That never happened, like it was,

0:45:14.000 --> 0:45:16.000
<v Speaker 1>it was all a lie. A lot of these statistics

0:45:16.000 --> 0:45:18.839
<v Speaker 1>and numbers they throw out for projections are to make

0:45:18.880 --> 0:45:22.960
<v Speaker 1>a case for their side. Sometimes it happens a lot

0:45:23.000 --> 0:45:26.440
<v Speaker 1>of times it doesn't. Uh And as far as what

0:45:26.640 --> 0:45:30.520
<v Speaker 1>the answer is, the answer for your industry is to

0:45:30.640 --> 0:45:34.040
<v Speaker 1>do what other countries that don't depend on slave wage

0:45:34.320 --> 0:45:38.360
<v Speaker 1>labor to do. Japan does not import a million Mexicans

0:45:38.400 --> 0:45:42.160
<v Speaker 1>to pick rice every year. They've mechanized the process. We

0:45:42.239 --> 0:45:45.840
<v Speaker 1>can mechanize the process. We can make it cost efficient

0:45:45.840 --> 0:45:48.080
<v Speaker 1>that farmers can sit there on hire machines to do

0:45:48.120 --> 0:45:50.680
<v Speaker 1>the work and to make sure that crops grow. It

0:45:50.719 --> 0:45:54.200
<v Speaker 1>will make things cheaper. Ultimately, the one important detail is

0:45:54.200 --> 0:45:58.560
<v Speaker 1>that the number one driver of food costs, besides regular

0:45:58.640 --> 0:46:03.600
<v Speaker 1>monetary inflation, is energy supplied. How much it costs to

0:46:03.760 --> 0:46:07.400
<v Speaker 1>get your food to your local grocery store is a

0:46:07.640 --> 0:46:10.759
<v Speaker 1>big reason as to why your food prices are going up.

0:46:10.920 --> 0:46:14.520
<v Speaker 1>Energy energy, energy, energy, and then also electricity to store

0:46:14.640 --> 0:46:18.000
<v Speaker 1>and cool those things. And as electricity prices arising, is

0:46:18.680 --> 0:46:21.480
<v Speaker 1>that those numbers are moving and filtering down to your

0:46:21.600 --> 0:46:24.919
<v Speaker 1>local grocery store. So that's the answer. Why it's something

0:46:24.960 --> 0:46:27.080
<v Speaker 1>they don't care. They bring up these kinds of statistics

0:46:27.120 --> 0:46:30.080
<v Speaker 1>all the time. Ryan, It's just that they are using

0:46:30.120 --> 0:46:33.000
<v Speaker 1>whatever data they need to use to make their case

0:46:33.360 --> 0:46:35.720
<v Speaker 1>and for political reasons. It's not just the most accurate

0:46:35.719 --> 0:46:38.279
<v Speaker 1>place I think you would find them, but someone's going

0:46:38.320 --> 0:46:39.919
<v Speaker 1>to talk about it more so, thank you for bringing

0:46:39.920 --> 0:46:41.920
<v Speaker 1>this up. Thank you all for listening. If you like

0:46:42.000 --> 0:46:45.480
<v Speaker 1>this podcast, please like and subscribe to the iHeartRadio app,

0:46:45.520 --> 0:46:48.160
<v Speaker 1>Apple Podcasts, wherever you get your podcasts. Monday, we'll be

0:46:48.160 --> 0:46:51.120
<v Speaker 1>back to politics, back to the election season, back to campaigns,

0:46:51.160 --> 0:46:53.440
<v Speaker 1>so please like and subscribe check us out on Monday.

0:46:53.719 --> 0:46:54.640
<v Speaker 1>Have a great weekend.