WEBVTT - Ep 7: Disorganized Crime

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<v Speaker 1>Novel.

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<v Speaker 2>I read a lot of romance novels. People have a

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<v Speaker 2>tendency to make fun of them, mostly because it's a

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<v Speaker 2>genre largely targeted towards and written by women. Romance novels

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<v Speaker 2>are full of hope, humor, and yes, sometimes there's really

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<v Speaker 2>steamy sex. You like dragons and elves. You want to

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<v Speaker 2>know what it looks like when a whole hockey team

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<v Speaker 2>finds love. Maybe you'd like a fictionalized version of an

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<v Speaker 2>amish courtship, or what would it look like for a

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<v Speaker 2>rabbi to fall for a former sex worker. Romance has

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<v Speaker 2>it all, Pumpkin. There's even a world where Italian gangsters

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<v Speaker 2>learn there's more to life than money and violence. I'd

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<v Speaker 2>actually never read any mafia romances before I came across

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<v Speaker 2>you his story, so I figured i'd pick up a

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<v Speaker 2>few for research purposes. Of course, I asked my Twitter

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<v Speaker 2>followers what they liked about mafia stories and got a

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<v Speaker 2>variety of answers. People are fascinated by the strong sense

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<v Speaker 2>of loyalty, the found family narratives, and the protectiveness, plus

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<v Speaker 2>the secretive nature of the community. And there's much to

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<v Speaker 2>be said about size stepping government overreach. Everybody loves sticking

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<v Speaker 2>it to the man. Add in the mysts about Italian men,

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<v Speaker 2>their appreciation for good food, good living, and good loving,

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<v Speaker 2>and well, it can be hard to resist a good

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<v Speaker 2>mob romance. A lot of these images that feed into

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<v Speaker 2>the lore of gangsters were shaped by Eunice and Dewey's

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<v Speaker 2>conviction of Lucky Luciano.

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<v Speaker 3>Okay, a brief synopsis of America's fascination with the Italian mafia.

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<v Speaker 2>If I may.

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<v Speaker 3>In the nineteen thirties, when the Lucky Luciano trial first

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<v Speaker 3>started to hit the local papers, life imitated art and

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<v Speaker 3>aught imitated life.

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<v Speaker 4>In those days.

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<v Speaker 2>Until the trial of Lucky there may have been rising

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<v Speaker 2>public panic about the seeping influence of crime and corruption

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<v Speaker 2>on American life, but the gangsters themselves.

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<v Speaker 3>American people started to pick up sympathy for these guys.

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<v Speaker 3>You've got this crazy dichotomy between people fascinated with the

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<v Speaker 3>mob and people who hated and feared the mob. For

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<v Speaker 3>very good reason.

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<v Speaker 2>We can thank Hollywood for that.

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<v Speaker 3>Those early gangster movies were based on real life crime figures.

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<v Speaker 2>In the early thirties, Hollywood is turning out film after

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<v Speaker 2>film about anti hero gangsters. Whether it's Edward g Robinson

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<v Speaker 2>playing Rico in the nineteen thirty one movie Little.

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<v Speaker 5>Caesar Allison Rico.

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<v Speaker 6>I'm gonna talk to you, but you're not gonna hear

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<v Speaker 6>a word I say.

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<v Speaker 2>That would have been al Capone.

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<v Speaker 3>This is inside dope, and if it gets out, it'll

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<v Speaker 3>be just too bad for somebody.

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<v Speaker 2>Or Humphrey Bogart as Duke Manty in The Petrified Forest,

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<v Speaker 2>released in nineteen thirty six.

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<v Speaker 5>If you'll think I was kitten when I said I'd

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<v Speaker 5>be glad to knock you up.

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<v Speaker 3>People all love The Petrified Forest because that's Dilinger. You know,

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<v Speaker 3>Bogi really nailed it.

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<v Speaker 6>You're all right, Paly, I got good ideas. I'll try

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<v Speaker 6>that picture soos that don't hurt.

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<v Speaker 3>By the early thirties, it di was kissed that people

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<v Speaker 3>wanted to see the gangsters.

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<v Speaker 2>The government, unsurprisingly doesn't like this.

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<v Speaker 7>The gangster is being seen as the hero. We've got

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<v Speaker 7>to stop that. We've got to stop that.

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<v Speaker 2>So the government starts promoting their own style of hero

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<v Speaker 2>in films.

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<v Speaker 3>Now we're going to make movies about g men, you know,

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<v Speaker 3>government men, the FBI agents.

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<v Speaker 2>I don't think the public ever really bought that. After all,

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<v Speaker 2>having the law as Heroes doesn't exactly fit with most

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<v Speaker 2>people's experiences.

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<v Speaker 7>The general attitude towards criminality come nineteen thirty three as well.

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<v Speaker 7>The gangsters in fact that in many ways they're better

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<v Speaker 7>than the police. At least they're not being paid by

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<v Speaker 7>the state. They're not taking money and being paid by

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<v Speaker 7>the state, so they're cleaner than that.

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<v Speaker 2>Then there's Dewey, with his investigation into the Mob. This

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<v Speaker 2>mustachioled crusader works hard to frame Dutch Schultz and then

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<v Speaker 2>Lucky Luciano as public enemy number one. Dewey does start

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<v Speaker 2>to have some success here changing public attitudes. He begins

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<v Speaker 2>using radio broadcasts and newspaper headlines, and the hype of

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<v Speaker 2>Lucky's trial helps chase away any lingering doubts the public

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<v Speaker 2>may have about how bad the Mob is. By the

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<v Speaker 2>time of the guilty verdict, the legend of Lucky Luciano

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<v Speaker 2>and his downfall is being broadcast triumphantly across America. The

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<v Speaker 2>gangster who revolutionized the mob has been taken down the

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<v Speaker 2>boss of bosses laid Low, the original godfather. But even

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<v Speaker 2>as Lucky is led away from that courtroom in handcuffs,

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<v Speaker 2>people are already starting as to question the lines between

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<v Speaker 2>the truth and fiction.

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<v Speaker 8>Lucky Luciano, who is this guy? Who was he for real?

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<v Speaker 2>When it comes to unicon Dewey's prized mob conviction? Is

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<v Speaker 2>it possible the whole story of Lucky is a fraud?

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<v Speaker 2>From the teams at iHeartRadio and novel I'm Nicole Perkins

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<v Speaker 2>and this is the Godmother, Episode seven Disorganized Crime. On

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<v Speaker 2>June eighteenth, nineteen thirty six, twelve days after Lucky Luciano

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<v Speaker 2>was found guilty on charges of compulsory prostitution, he returns

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<v Speaker 2>to court for sentencing Dewey, Lucky, and the other co

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<v Speaker 2>defendants pushed past the crowds and step into the Manhattan courtroom.

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<v Speaker 2>There they all stand before Judge McCook, a judge you

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<v Speaker 2>might remember who had been specially appointed to take on

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<v Speaker 2>organis crime.

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<v Speaker 8>They were set on putting these guys away for as

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<v Speaker 8>long as they could, particularly Luciano.

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<v Speaker 2>A few weeks ago, Lucky had been all arrogance and

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<v Speaker 2>swagger as he took to the stand in that same courtroom.

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<v Speaker 2>But if he'd been surprised by the jury's eventual guilty verdict,

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<v Speaker 2>it was nothing compared to his slack jaw shock. As

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<v Speaker 2>Judge McCook reads his sentence aloud to the courtroom.

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<v Speaker 4>Holy Toledo for prostitution, you're giving me a life sentence.

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<v Speaker 8>Lucky Luciano took the harshest term from Judge McCook.

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<v Speaker 4>Thirty to fifty years in prison. It was a life sentence.

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<v Speaker 2>Once all sentences have been handed out, Lucky and the

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<v Speaker 2>other defendants are taken away for processing.

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<v Speaker 8>It was quickly determined they needed to be split up

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<v Speaker 8>and sent to different prisons so that they couldn't reorganize

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<v Speaker 8>this sex trafficking gang.

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<v Speaker 2>Lucky heads upstate to a prison on the Canadian border,

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<v Speaker 2>up the river.

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<v Speaker 6>As they say, he wasn't taken down by taxes like

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<v Speaker 6>al Capone or Waxi Garden. He wasn't shot in the

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<v Speaker 6>head by arrival like Dutch Schalt. He was brought down

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<v Speaker 6>by a bunch of two bit hores. Most men in

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<v Speaker 6>the underworld insisted it could not be true.

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<v Speaker 2>In the end, it's the women who bring Lucky low.

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<v Speaker 2>Lucky might be down, but he and his team of

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<v Speaker 2>expensive lawyers are far from done because, let's face it,

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<v Speaker 2>the prosecution's case hadn't exactly been watertight.

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<v Speaker 7>At best, questionable, if not don't right illegal.

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<v Speaker 2>So as that summer of nineteen thirty six passes, Lucky's

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<v Speaker 2>team starts to work on their appeal in an attempt

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<v Speaker 2>to swiftly free Lucky from his new home up the river.

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<v Speaker 2>And while they're working on that, what is Eunice Carter

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<v Speaker 2>doing what she does?

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<v Speaker 9>After Luciano's trial, Thomas Dewey's team continues to investigate organized crime.

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<v Speaker 2>She and Dewey are back in their office on the

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<v Speaker 2>Woolworth Building's fourteenth floor. She was a relative rookie when

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<v Speaker 2>she joined Dewey's investigation, But Eunice Harbor's ambitions of becoming

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<v Speaker 2>a judge one day It's a lofty goal on any scale,

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<v Speaker 2>let alone for a black woman in the footheels of

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<v Speaker 2>a vast mountain of systemic racism and sexism in America.

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<v Speaker 2>But I wouldn't be surprised if Eunice thought why not?

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<v Speaker 2>Her career as a prosecutor was off to the best

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<v Speaker 2>possible start with a high profile Lucky conviction. It's easy

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<v Speaker 2>to imagine Unice back in her office desk, light burning

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<v Speaker 2>her eyes as she goes back over every piece of

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<v Speaker 2>evidence in preparation for Lucky so appeal. She has to

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<v Speaker 2>know everything will be called into question. It was her

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<v Speaker 2>original work that got the conviction in the first place.

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<v Speaker 2>She may not have received kudos in public, but if

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<v Speaker 2>Lucky won his appeal, the prosecution's loss will definitely have

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<v Speaker 2>her name all over it. By nineteen thirty seven, Lucky's

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<v Speaker 2>lawyers think a do over might be imminent. There was

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<v Speaker 2>one obvious weakness in his original conviction.

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<v Speaker 6>The witnesses the Underworld had a strong self interest in

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<v Speaker 6>pressing the narrative that these women were unreliable witnesses.

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<v Speaker 2>It wasn't just what the witnesses had said on the stand,

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<v Speaker 2>it's the way Eunice and Dewey had coaxed that testimony

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<v Speaker 2>out of them in the first place.

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<v Speaker 10>So they were effectively held against their will in communicado

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<v Speaker 10>unlesson until they cooperate.

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<v Speaker 2>Lucky and his team are well aware of just how

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<v Speaker 2>shady the coercion of testimonies had been from the witnesses.

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<v Speaker 2>In fact, most of America is becoming aware. The public

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<v Speaker 2>has been reading a slow trickle of allegations that had

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<v Speaker 2>found their way into the newspapers. Some of the witnesses

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<v Speaker 2>who had cooperated with the prosecution are now talking to

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<v Speaker 2>reporters about their experiences. I wonder if Dewey's composure cracks

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<v Speaker 2>away from the courthouse as he reads the newspaper over

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<v Speaker 2>his breakfast each morning. Maybe he worries his mustache into disarray,

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<v Speaker 2>wondering who could be leaking all of this information. Readers

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<v Speaker 2>aren't just learning about brutal coercion. Eunice and Dewey may

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<v Speaker 2>have turned the bad cop dial up a little too high,

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<v Speaker 2>but they'd also been using the good cop routine.

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<v Speaker 6>It is certainly true that the ones who were willing

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<v Speaker 6>to talk were given special treatment. They didn't have to

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<v Speaker 6>stay necessarily in the jails. In some cases, they were

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<v Speaker 6>put into secret apartments.

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<v Speaker 10>Dewey's assistant prosecutors was taking the girls out the bar

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<v Speaker 10>and getting drunk with them.

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<v Speaker 2>I'm pretty sure Unis wasn't the assistant prosecutor taking the

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<v Speaker 2>girls out, but who knows.

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<v Speaker 10>The idea of whining and dining the ones who were

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<v Speaker 10>released from jail was fairly outrageous.

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<v Speaker 2>And the newspaper reports are now alleging that this coaxing

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<v Speaker 2>of the witnesses didn't stop with simple nights out on

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<v Speaker 2>the town. Apparently, certain promises were made to the witnesses

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<v Speaker 2>about rewards After a positive conviction, several.

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<v Speaker 10>Of them received emoluments that were highly unusual. Two of

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<v Speaker 10>the women were sent on a cruise around the world,

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<v Speaker 10>paid for by doing as prosecutors.

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<v Speaker 2>When the trial began, Judge McCook reminded the jurors of

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<v Speaker 2>the sex workers humanity, But maybe he should have delivered

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<v Speaker 2>that message to the prosecution as well. These witnesses had

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<v Speaker 2>been exploited at every turn by their customers, the mob,

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<v Speaker 2>the prosecution, the defense, and now the press. Yes, everyone

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<v Speaker 2>wants these little birdies to sing for their supper, with

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<v Speaker 2>promises of gilded cages for protection, but there's no real

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<v Speaker 2>safety after you read out the mob is there. The

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<v Speaker 2>good guys want you to be grateful as if they

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<v Speaker 2>saved you. The bad guys want you punished, and the

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<v Speaker 2>press wants you to keep singing. But all those gilded

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<v Speaker 2>cages flake and rust, So which one do you choose.

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<v Speaker 2>There's no way to be truly free, is there. Dewey

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<v Speaker 2>and his team are about to learn the hard way

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<v Speaker 2>that some of their key witnesses are falling back into

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<v Speaker 2>the hands of the mob. Koki Flow was one of

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<v Speaker 2>the prosecution's key witnesses. You remember Koki, She was going

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<v Speaker 2>through detox on the stand. Koch's testimony, like nearly all

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<v Speaker 2>the witnesses, had put her life in great danger. No

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<v Speaker 2>one likes a snitch, especially if they're pointing fingers at

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<v Speaker 2>the boss of bosses. But if Dewey was worried about

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<v Speaker 2>the safety of Kochi or any of the rest of

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<v Speaker 2>the women, he didn't show signs of it, at least

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<v Speaker 2>not in his media briefings.

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<v Speaker 3>His press releases afterwards were more of a justification of

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<v Speaker 3>what had been done during the trial. He was very

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<v Speaker 3>mute on what steps were being taken to protect the women.

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<v Speaker 2>After the trial, when Lucky is convicted, Cokey and Millie Harris,

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<v Speaker 2>one of the other trial witnesses, understandably decide to get

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<v Speaker 2>the hell out of Dodge. They flee upstate to Rochester,

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<v Speaker 2>New York, and whole up in a cheap hotel. Breathing

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<v Speaker 2>fresh air and looking over their shoulders.

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<v Speaker 10>They began writing these stories that they were hired to

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<v Speaker 10>write for Liberty Magazine.

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<v Speaker 2>They were offered the magazine deal in exchange for their

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<v Speaker 2>life stories.

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<v Speaker 10>A series of stories was called Underworld Nights.

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<v Speaker 2>Liberty Magazine is a popular magazine that features stories from

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<v Speaker 2>people of all walks of life, including celebrities, politicians, and

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<v Speaker 2>former sex workers turned prosecution witnesses. The series of articles

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<v Speaker 2>is published.

0:15:38.560 --> 0:15:41.280
<v Speaker 10>Once they finished that and they were paid for that,

0:15:41.880 --> 0:15:44.680
<v Speaker 10>they couldn't go back to New York to their old lives,

0:15:45.000 --> 0:15:47.800
<v Speaker 10>so they decided to go on a road trip and

0:15:47.840 --> 0:15:50.280
<v Speaker 10>they bought a car. They took the southern route out

0:15:50.320 --> 0:15:54.600
<v Speaker 10>to California, California.

0:15:54.680 --> 0:15:59.760
<v Speaker 2>Because Flow and Millie aren't just magazine writers now, in

0:15:59.800 --> 0:16:04.000
<v Speaker 2>the aftermath of the trial, they'd also been offered a

0:16:04.080 --> 0:16:04.840
<v Speaker 2>movie deal.

0:16:06.560 --> 0:16:09.200
<v Speaker 10>They were under the impression that this film deal was

0:16:09.200 --> 0:16:11.720
<v Speaker 10>imminent and they wanted to be in LA when the

0:16:11.760 --> 0:16:12.680
<v Speaker 10>film deal went down.

0:16:16.880 --> 0:16:20.040
<v Speaker 2>The ladies don't end up in Tinseltown right away. Maybe

0:16:20.040 --> 0:16:22.280
<v Speaker 2>they want to make their money stretch a little longer,

0:16:22.560 --> 0:16:26.280
<v Speaker 2>or try their hand at living straight. Because before long

0:16:26.800 --> 0:16:30.560
<v Speaker 2>they're living in Pomona, just outside of LA and they're

0:16:30.600 --> 0:16:33.960
<v Speaker 2>getting short of cash because they've spent their remaining money

0:16:34.040 --> 0:16:37.400
<v Speaker 2>on a kind of a strange new business.

0:16:37.880 --> 0:16:40.440
<v Speaker 10>They decided to open a gas station and Pomona, of

0:16:40.480 --> 0:16:42.680
<v Speaker 10>all things, and the two of them opened a gas

0:16:42.720 --> 0:16:47.000
<v Speaker 10>station and they ran it for a while, and Koki

0:16:47.080 --> 0:16:48.120
<v Speaker 10>Flow is okay.

0:16:47.840 --> 0:16:51.240
<v Speaker 2>With that, But for Millie Harris. It's not so simple.

0:16:52.120 --> 0:16:55.320
<v Speaker 2>Hollywood tends to take its time, and the film about

0:16:55.320 --> 0:16:58.640
<v Speaker 2>their lives still hasn't come about yet. And the gas

0:16:58.640 --> 0:17:03.080
<v Speaker 2>station Pomona life isn't quite what she'd anticipated. I'm sure

0:17:03.240 --> 0:17:05.919
<v Speaker 2>it lacked all the glitz and glam of New York City,

0:17:06.359 --> 0:17:11.399
<v Speaker 2>and she's a city girl. Plus she's carrying an emotional weight.

0:17:14.840 --> 0:17:16.160
<v Speaker 10>She wanted to get back to New York.

0:17:16.440 --> 0:17:19.040
<v Speaker 2>She missed her husband, a husband she had helped put

0:17:19.040 --> 0:17:20.720
<v Speaker 2>away alongside.

0:17:20.160 --> 0:17:23.120
<v Speaker 10>Lucky who was in jail and sing sing.

0:17:23.480 --> 0:17:25.360
<v Speaker 2>Maybe the guilt is eating away at her.

0:17:25.520 --> 0:17:30.119
<v Speaker 10>Because Millie Harris, without Kochie Flow's knowledge, started communicating with

0:17:30.240 --> 0:17:34.240
<v Speaker 10>the lawyers for Luciana who were handling his appeal, and

0:17:34.480 --> 0:17:38.080
<v Speaker 10>an investigator wanted to get her to recant her testimony,

0:17:38.160 --> 0:17:38.760
<v Speaker 10>which she did.

0:17:39.359 --> 0:17:43.520
<v Speaker 2>Eventually, both women returned to New York together, back to

0:17:43.560 --> 0:17:50.880
<v Speaker 2>their old lives. Cochie goes back on heroin, she became.

0:17:50.720 --> 0:17:53.359
<v Speaker 10>An addict again. They both went into a sanitarium to

0:17:53.359 --> 0:17:55.840
<v Speaker 10>try to take the cure to get off of heroin,

0:17:56.080 --> 0:17:59.159
<v Speaker 10>and it was during that time that they signed these

0:17:59.200 --> 0:18:01.359
<v Speaker 10>affidavits recanting their testimony.

0:18:01.760 --> 0:18:04.320
<v Speaker 2>Sometimes the fear of something new is as much of

0:18:04.359 --> 0:18:13.280
<v Speaker 2>a prison as anything else. By March nineteen thirty seven,

0:18:14.160 --> 0:18:20.320
<v Speaker 2>all the prosecution's key witnesses have officially turned. Eunice and

0:18:20.400 --> 0:18:23.919
<v Speaker 2>Dewey have lost the very foundation of their case against Lucky,

0:18:24.880 --> 0:18:28.280
<v Speaker 2>and Lucky's defense is picking up steam. All they have

0:18:28.359 --> 0:18:31.240
<v Speaker 2>to do now is get these recanted statements in front

0:18:31.280 --> 0:18:35.919
<v Speaker 2>of an appeals court, get the conviction overturned, and then

0:18:36.480 --> 0:18:40.359
<v Speaker 2>Lucky will be a free man. Dewey is clearly worried

0:18:40.400 --> 0:18:44.440
<v Speaker 2>about this too. He re enlists Eunice as his assistant

0:18:44.440 --> 0:18:48.080
<v Speaker 2>for an April nineteen thirty seven hearing for a retrial.

0:18:49.119 --> 0:18:53.040
<v Speaker 2>But Eunice, Dewey, and Lucky haven't factored in Judge McCook,

0:18:53.880 --> 0:18:58.160
<v Speaker 2>that belligerent, dedicated, anti mob judge who had already come

0:18:58.240 --> 0:19:01.600
<v Speaker 2>up with his own plan for this turn and of events.

0:19:01.200 --> 0:19:03.160
<v Speaker 10>McCook did something that was highly unusual.

0:19:08.000 --> 0:19:11.400
<v Speaker 2>You see, back in June of nineteen thirty six, when

0:19:11.400 --> 0:19:14.280
<v Speaker 2>the Blue Ribbon jury had dropped the bombshell of Lucky

0:19:14.359 --> 0:19:19.159
<v Speaker 2>Luciano's conviction, When Dewey was striding triumphantly from the courtroom

0:19:19.520 --> 0:19:23.840
<v Speaker 2>and Eunice was well not there as the drama played out,

0:19:24.640 --> 0:19:32.240
<v Speaker 2>another scene was also taking place, this one behind closed doors.

0:19:33.640 --> 0:19:36.680
<v Speaker 2>Judge McCook, instead of taking a well earned break after

0:19:36.760 --> 0:19:39.439
<v Speaker 2>ruling over the trial of the Century, is in his

0:19:39.560 --> 0:19:42.719
<v Speaker 2>office surrounded by sex workers.

0:19:43.320 --> 0:19:46.800
<v Speaker 10>After the verdict, and while the motion for new trial

0:19:46.880 --> 0:19:50.080
<v Speaker 10>was pending, he called all seventy some women who were

0:19:50.119 --> 0:19:53.680
<v Speaker 10>still in jail into his chambers.

0:19:54.200 --> 0:19:57.880
<v Speaker 2>These seventy women are the sex workers and madams who

0:19:57.880 --> 0:20:01.240
<v Speaker 2>have been witnesses in the trial. And this isn't some

0:20:01.560 --> 0:20:02.639
<v Speaker 2>post trial party.

0:20:03.160 --> 0:20:05.800
<v Speaker 10>And without any notice to the defense or without any

0:20:05.800 --> 0:20:09.840
<v Speaker 10>defense lawyer being present, on the record, with a prosecutor present,

0:20:10.200 --> 0:20:12.720
<v Speaker 10>he made them reassert their testimony.

0:20:13.040 --> 0:20:17.240
<v Speaker 2>All seventy women are told to swear again that their

0:20:17.320 --> 0:20:19.000
<v Speaker 2>testimony was accurate.

0:20:19.520 --> 0:20:23.000
<v Speaker 10>Highly unusual to do that, outrageous. Actually, the case really

0:20:23.160 --> 0:20:26.800
<v Speaker 10>reeks a prosgatorial misconduct, at least by today's standards.

0:20:31.080 --> 0:20:33.359
<v Speaker 2>These women don't have a cushy life at the start

0:20:33.400 --> 0:20:35.840
<v Speaker 2>of Lucky's trial, and we know it took a lot

0:20:35.880 --> 0:20:38.880
<v Speaker 2>to persuade them to testify in the first place. Their

0:20:38.920 --> 0:20:41.960
<v Speaker 2>lives leading up to the trial had been severely uprooted,

0:20:42.480 --> 0:20:45.399
<v Speaker 2>and it probably didn't get any easier after their names

0:20:45.400 --> 0:20:49.399
<v Speaker 2>had been dragged through the press. Plus, I imagine the

0:20:49.440 --> 0:20:53.439
<v Speaker 2>mob and their defense attorneys probably weren't very sweet when

0:20:53.480 --> 0:20:56.680
<v Speaker 2>it came time to convince them to recant. It's been

0:20:56.960 --> 0:21:02.720
<v Speaker 2>one harrowing experience after another, and now recanting their testimony

0:21:03.080 --> 0:21:07.919
<v Speaker 2>means nothing. Lucky's defense team tries everything they have to

0:21:07.960 --> 0:21:12.439
<v Speaker 2>get the case invalidated. In fact, by October tenth, nineteen

0:21:12.520 --> 0:21:15.280
<v Speaker 2>thirty eight, they've taken this all the way to the

0:21:15.400 --> 0:21:16.720
<v Speaker 2>highest court in the land.

0:21:17.280 --> 0:21:23.600
<v Speaker 3>The conviction was analyzed by the appellate and was denied

0:21:23.920 --> 0:21:27.600
<v Speaker 3>for an appeal. They denied a retrial, and they denied

0:21:27.680 --> 0:21:29.000
<v Speaker 3>a mistrial.

0:21:29.040 --> 0:21:32.440
<v Speaker 2>Thanks in part to Judge McCook's early intervention.

0:21:33.119 --> 0:21:35.760
<v Speaker 8>Judge McCook, I'm not saying it was a crooked trial.

0:21:35.920 --> 0:21:38.879
<v Speaker 8>I'm just saying, in nineteen thirty six, don't be a

0:21:38.960 --> 0:21:45.080
<v Speaker 8>high profile criminal. They put him away in a manner

0:21:46.160 --> 0:21:50.879
<v Speaker 8>that today standards I would hope wouldn't hold water.

0:21:51.760 --> 0:21:55.879
<v Speaker 3>It was not fair, but it was considered fair for

0:21:56.040 --> 0:21:56.840
<v Speaker 3>its time.

0:21:57.480 --> 0:22:02.080
<v Speaker 2>Dewey and Unice's triumph is now set in stone. It

0:22:02.119 --> 0:22:06.119
<v Speaker 2>looks like Charles Lucky Luciano is stuck in jail for

0:22:06.200 --> 0:22:10.560
<v Speaker 2>the foreseeable future, and as he languishes there while his

0:22:10.640 --> 0:22:14.119
<v Speaker 2>lawyers try and fail to win an appeal, Eunice and

0:22:14.200 --> 0:22:18.720
<v Speaker 2>Dewey are already busy again. They both continue their fight

0:22:18.760 --> 0:22:25.119
<v Speaker 2>against organized crime, although with very different results. Unice is

0:22:25.160 --> 0:22:30.960
<v Speaker 2>now diligently prosecuting Numbers runners in Harlem.

0:22:32.040 --> 0:22:36.440
<v Speaker 9>She winds up taking down some numbers racket leaders in Harlem,

0:22:36.840 --> 0:22:41.639
<v Speaker 9>which is sort of met with mixed feelings within the

0:22:41.680 --> 0:22:42.560
<v Speaker 9>Harlem community.

0:22:43.320 --> 0:22:47.000
<v Speaker 2>Unice's success on this front isn't met with blanket approval.

0:22:47.600 --> 0:22:50.840
<v Speaker 9>There's definitely a lot of people who are very happy

0:22:50.920 --> 0:22:54.080
<v Speaker 9>because they do not want there to be criminal activity

0:22:54.160 --> 0:22:56.840
<v Speaker 9>in their community. But then also when you look at

0:22:56.840 --> 0:23:00.439
<v Speaker 9>the newspapers, not only black owned papers in carl but

0:23:00.520 --> 0:23:03.959
<v Speaker 9>across the city, there's editorials that are like, why is

0:23:04.000 --> 0:23:06.439
<v Speaker 9>this woman targeting her own community?

0:23:10.840 --> 0:23:13.280
<v Speaker 2>In order to get ahead in the predominantly white world

0:23:13.320 --> 0:23:17.280
<v Speaker 2>of law and justice, Unice has to prosecute people who

0:23:17.359 --> 0:23:20.840
<v Speaker 2>walk the same streets as she does. It's a fine line.

0:23:21.520 --> 0:23:24.119
<v Speaker 2>I imagine she has to prove to her white colleagues

0:23:24.200 --> 0:23:27.280
<v Speaker 2>she won't be biased in her work, while also trying

0:23:27.320 --> 0:23:30.679
<v Speaker 2>to prove her self trustworthy to her Harlem community.

0:23:30.760 --> 0:23:34.919
<v Speaker 5>We talk frequently today about the constraints on black womanhood

0:23:35.040 --> 0:23:38.600
<v Speaker 5>in the public eye. Right we know that black women

0:23:38.760 --> 0:23:43.280
<v Speaker 5>are subjected to more critique, to more hate, to a

0:23:43.280 --> 0:23:47.680
<v Speaker 5>different set of standards than other people. These pressure from

0:23:47.720 --> 0:23:52.000
<v Speaker 5>within the black community to be a representative of the

0:23:52.080 --> 0:23:56.800
<v Speaker 5>race would also presumably have made Unice Carter fuel pressure

0:23:57.040 --> 0:24:01.760
<v Speaker 5>even when she wasn't in white spaces.

0:24:04.680 --> 0:24:08.119
<v Speaker 2>During this time. Whenever Unice Carter opens the paper and

0:24:08.119 --> 0:24:12.719
<v Speaker 2>sees her name, it's not with professional accolades or recognition.

0:24:12.760 --> 0:24:17.240
<v Speaker 2>In the society pages, she reads judgments of her loyalty,

0:24:17.640 --> 0:24:22.200
<v Speaker 2>her character, and her image. The newspapers that used to

0:24:22.240 --> 0:24:27.760
<v Speaker 2>praise Unice now judge her as harshly as any jury. Meanwhile,

0:24:28.560 --> 0:24:49.680
<v Speaker 2>Dewey is receiving a much more positive reception in the media.

0:24:50.960 --> 0:24:54.080
<v Speaker 2>By the end of nineteen thirty seven, Thomas Dewey is

0:24:54.160 --> 0:24:57.640
<v Speaker 2>no longer a special prosecutor. He gets sworn in as

0:24:57.680 --> 0:25:01.560
<v Speaker 2>one of five New York District jorneys with a power

0:25:01.640 --> 0:25:05.760
<v Speaker 2>to decide who gets prosecuted. The law was only ever

0:25:05.880 --> 0:25:10.199
<v Speaker 2>a stepping stone. He wants to break into politics. The

0:25:10.280 --> 0:25:13.119
<v Speaker 2>following year, he's on the move again. He runs and

0:25:13.200 --> 0:25:17.080
<v Speaker 2>loses a gubernatorial race, but in nineteen forty two he

0:25:17.160 --> 0:25:21.359
<v Speaker 2>runs again and is successfully elected governor of New York.

0:25:22.359 --> 0:25:26.359
<v Speaker 2>His dreams of political office have come true. His rise

0:25:26.520 --> 0:25:30.800
<v Speaker 2>is by any standards, meteoric. He's ridden a wave of

0:25:30.880 --> 0:25:35.160
<v Speaker 2>popularity that followed Lucky's prosecution, far higher and faster than

0:25:35.160 --> 0:25:38.239
<v Speaker 2>many might have expected. How did he manage it?

0:25:38.960 --> 0:25:42.560
<v Speaker 3>Not in cooperation with police and federal law enforcement departments throughout.

0:25:42.320 --> 0:25:43.120
<v Speaker 10>The United States.

0:25:43.440 --> 0:25:46.640
<v Speaker 1>The only national program that brings you authentic police case

0:25:46.800 --> 0:25:50.720
<v Speaker 1>history gain in Muster.

0:26:02.600 --> 0:26:06.560
<v Speaker 2>In the immediate aftermath of Lucky's trial. Dewey is not

0:26:06.800 --> 0:26:08.720
<v Speaker 2>shy about trumpeting his performance.

0:26:09.320 --> 0:26:14.080
<v Speaker 4>He gave his reports on WNYC radio. He also regularly

0:26:14.080 --> 0:26:18.320
<v Speaker 4>gave interviews. Dewey, by thirty seven thirty eight was in

0:26:18.359 --> 0:26:20.960
<v Speaker 4>the news. He was the guy who put Lucciano away.

0:26:21.080 --> 0:26:22.159
<v Speaker 4>He was the gangbuster.

0:26:22.640 --> 0:26:26.719
<v Speaker 2>Gangbusters is a law versus gangster fact based radio drama.

0:26:27.160 --> 0:26:30.600
<v Speaker 2>It first aired in nineteen thirty five. It's a program

0:26:30.640 --> 0:26:34.399
<v Speaker 2>that Dewey becomes associated with by nineteen thirty six. In

0:26:34.480 --> 0:26:39.040
<v Speaker 2>nineteen thirty nine, a book called ninety Times Guilty is published.

0:26:39.720 --> 0:26:43.480
<v Speaker 2>It tells a now familiar story of Lucky Luciano as

0:26:43.520 --> 0:26:47.280
<v Speaker 2>a shadowy mafia figure pulling the strings of the underworld,

0:26:47.680 --> 0:26:52.760
<v Speaker 2>a criminal mastermind. Hickman Powell, a former political reporter for

0:26:52.800 --> 0:26:55.680
<v Speaker 2>The New York Herald Tribune writes the book while working

0:26:55.680 --> 0:26:59.679
<v Speaker 2>for Thomas Dewey as a volunteer speechwriter and researcher.

0:27:00.119 --> 0:27:03.919
<v Speaker 1>Ninety Times Guilty came out with the idea that Luciano

0:27:04.000 --> 0:27:07.879
<v Speaker 1>had centralized, organized modernized the American mafia.

0:27:08.040 --> 0:27:10.639
<v Speaker 2>It's a great pr strategy for Dewey to lean into.

0:27:11.160 --> 0:27:14.399
<v Speaker 7>He knows that victory of a kingping boss is going

0:27:14.440 --> 0:27:16.600
<v Speaker 7>to be incredibly good publicity for him.

0:27:16.960 --> 0:27:21.040
<v Speaker 2>The only problem is this book was largely fiction. It

0:27:21.080 --> 0:27:23.520
<v Speaker 2>combines some of the hype about Lucky that Dewey has

0:27:23.520 --> 0:27:26.880
<v Speaker 2>been feeding to the press with some new tar tales.

0:27:27.080 --> 0:27:29.960
<v Speaker 1>The idea that Luciano organized crime in America because he'd

0:27:30.000 --> 0:27:34.000
<v Speaker 1>killed sixty to eighty Greeces as they were called old

0:27:34.080 --> 0:27:38.439
<v Speaker 1>style mafia gangsters. It gives credence to the idea that

0:27:38.480 --> 0:27:41.240
<v Speaker 1>he was a dominant figure in organized crime in America nationally.

0:27:41.760 --> 0:27:42.920
<v Speaker 10>It was just a.

0:27:42.720 --> 0:27:46.280
<v Speaker 1>Completely made up story that true crime writers ran with.

0:27:46.920 --> 0:27:49.960
<v Speaker 2>And it isn't just these scenes of vicious mob murders

0:27:49.960 --> 0:27:54.440
<v Speaker 2>this book has fictionalized. It's also cementing a bigger lie

0:27:54.480 --> 0:27:55.360
<v Speaker 2>about Lucky too.

0:28:00.000 --> 0:28:03.320
<v Speaker 8>I'm not trying to be the cheerleader for Lucky Luciano.

0:28:04.400 --> 0:28:12.399
<v Speaker 8>But I realized the opposition had a self righteous, zealous

0:28:12.440 --> 0:28:15.240
<v Speaker 8>campaign going and they needed a poster boy.

0:28:15.880 --> 0:28:18.280
<v Speaker 7>If you want to make your name, there's no point

0:28:18.320 --> 0:28:23.320
<v Speaker 7>in putting some small time hoodlum from downtown Manhattan in prison.

0:28:23.640 --> 0:28:26.040
<v Speaker 7>That's not going to make you famous. But you get

0:28:26.119 --> 0:28:29.040
<v Speaker 7>the boss of all bosses of the mafia, and suddenly

0:28:29.240 --> 0:28:30.520
<v Speaker 7>you were all over the papers.

0:28:31.440 --> 0:28:35.040
<v Speaker 2>Dewey needed to position Lucky as the one true face

0:28:35.119 --> 0:28:38.520
<v Speaker 2>of crime in America. It was vital for people to

0:28:38.560 --> 0:28:41.600
<v Speaker 2>think it had been Lucky pulling all the strings. And

0:28:41.680 --> 0:28:44.840
<v Speaker 2>now that he's been taken down, the war on crime

0:28:44.920 --> 0:28:45.480
<v Speaker 2>has been won.

0:28:46.240 --> 0:28:49.840
<v Speaker 1>By the end of nineteen thirties, with Dewey's success as

0:28:49.880 --> 0:28:53.440
<v Speaker 1>well as Whover's success, American newspapers are saying, well, we've

0:28:53.440 --> 0:28:54.480
<v Speaker 1>beaten organized crime.

0:28:54.960 --> 0:28:56.120
<v Speaker 10>Of course they hadn't.

0:28:56.560 --> 0:28:59.840
<v Speaker 2>The book is part of a winning career political strategy.

0:28:59.400 --> 0:29:04.320
<v Speaker 8>For doing There's something to be said of criminal poster boys.

0:29:04.440 --> 0:29:08.560
<v Speaker 8>Your El Choppels, your John Gotties, your Frank Lucas, your

0:29:08.640 --> 0:29:15.520
<v Speaker 8>Lucky Luciano. Who makes them that? Are they really the

0:29:15.600 --> 0:29:23.480
<v Speaker 8>face of the problem poster boy for whom.

0:29:21.880 --> 0:29:25.000
<v Speaker 2>Dewey's plan of using an anti organized crime crusade to

0:29:25.040 --> 0:29:29.240
<v Speaker 2>get to power has been used many times since. Remember

0:29:29.280 --> 0:29:33.320
<v Speaker 2>Giuliani versus the Mob in the nineties. Dewey and his

0:29:33.400 --> 0:29:37.600
<v Speaker 2>subsequent imitators are able to gain traction because they're tapping

0:29:37.640 --> 0:29:40.640
<v Speaker 2>into an already existing rich current in America.

0:29:41.480 --> 0:29:45.960
<v Speaker 7>White supremacy is absolutely central to organized crime. I don't

0:29:45.960 --> 0:29:47.640
<v Speaker 7>think you can discuss one without the other.

0:29:48.320 --> 0:29:52.200
<v Speaker 2>Lucky arriving into the squalor poverty and xenophobia of the

0:29:52.200 --> 0:29:55.520
<v Speaker 2>Lower East Side of New York is an ideal candidate.

0:29:56.200 --> 0:29:58.200
<v Speaker 1>Now, a lot of the mafia stuff is a reworking

0:29:58.280 --> 0:30:02.120
<v Speaker 1>of nativist idea as bad in America has to come

0:30:02.160 --> 0:30:04.760
<v Speaker 1>from somewhere else. It's foreign, it's the other.

0:30:05.400 --> 0:30:08.040
<v Speaker 2>We still see this today, right, If.

0:30:07.920 --> 0:30:12.280
<v Speaker 7>It is organized crime within America, it's by so called

0:30:12.360 --> 0:30:18.240
<v Speaker 7>immigrant groups, it's Mexican nacos, it's Russian mafia, it's the mafia.

0:30:18.760 --> 0:30:22.360
<v Speaker 7>You don't tend to think of organized crime as being American.

0:30:22.840 --> 0:30:26.160
<v Speaker 7>I think what happened in the nineteen twenties and nineteen

0:30:26.280 --> 0:30:31.240
<v Speaker 7>thirties was this drive to demonize people in a way

0:30:31.280 --> 0:30:32.760
<v Speaker 7>that really hadn't been attempted before.

0:30:33.160 --> 0:30:37.200
<v Speaker 1>Organized crime is totally and only to do with Italians

0:30:37.200 --> 0:30:39.760
<v Speaker 1>who've got the braun and Jews who've got the brain

0:30:40.560 --> 0:30:44.800
<v Speaker 1>using those ethnic stereotypes, which is essentially the analysis that

0:30:44.880 --> 0:30:48.560
<v Speaker 1>the US government followed, and certainly true crime writers.

0:30:48.800 --> 0:30:51.720
<v Speaker 2>So you get this fertile ground for Dewey's projection of

0:30:51.800 --> 0:30:56.040
<v Speaker 2>Lucky as the mafia boogeyman, an evil puppet master responsible

0:30:56.080 --> 0:30:58.040
<v Speaker 2>for all of society's ills.

0:30:58.560 --> 0:31:02.960
<v Speaker 7>If you create a super demon, you're more likely to

0:31:03.000 --> 0:31:06.800
<v Speaker 7>get funding, you're more likely to get political power, you're

0:31:06.800 --> 0:31:10.400
<v Speaker 7>more likely to remain in political power. And also if

0:31:10.400 --> 0:31:12.440
<v Speaker 7>you screw up, you can say, well, how on earth

0:31:12.480 --> 0:31:13.959
<v Speaker 7>do you expect us to be able to deal with this?

0:31:13.960 --> 0:31:16.000
<v Speaker 7>They're all over the place. They're far too big for us.

0:31:16.360 --> 0:31:19.640
<v Speaker 1>There's a career opportunity for prosecutors in America that do

0:31:19.880 --> 0:31:24.600
<v Speaker 1>tend to use their trials and convictions to advance their

0:31:24.640 --> 0:31:29.920
<v Speaker 1>political prospects. And I'd argue the prosecution of Lucky Luciana was,

0:31:30.320 --> 0:31:31.840
<v Speaker 1>to use London terms, a fit up.

0:31:32.320 --> 0:31:41.000
<v Speaker 2>In other words, Lucky's trial was rigged. So what is

0:31:41.080 --> 0:31:44.800
<v Speaker 2>the truth about Lucky Luciano? Was he truly the godfather

0:31:45.080 --> 0:31:45.800
<v Speaker 2>of the mafia?

0:31:46.320 --> 0:31:48.360
<v Speaker 7>Categorically no, not at all.

0:31:48.720 --> 0:31:51.960
<v Speaker 1>An important career criminal who now other career criminals became

0:31:52.080 --> 0:31:55.400
<v Speaker 1>rich enough during prohibition to be able to afford hotel

0:31:55.480 --> 0:31:58.800
<v Speaker 1>rooms in the ward Off historia. But the mythology stems

0:31:58.840 --> 0:32:02.640
<v Speaker 1>from Dewey calling the greatest gangster in America. He was

0:32:02.680 --> 0:32:06.920
<v Speaker 1>a career criminal, an extortionist in a city full of extortionists.

0:32:07.520 --> 0:32:09.680
<v Speaker 2>It's not that doing in units had the wrong man.

0:32:10.520 --> 0:32:13.920
<v Speaker 2>It was that there never really was just one mafia

0:32:13.960 --> 0:32:18.560
<v Speaker 2>puppet master controlling all vice and organized crime. One thing

0:32:18.640 --> 0:32:22.520
<v Speaker 2>Lucky is guilty of, though, with his scarred face, sharp

0:32:22.600 --> 0:32:25.840
<v Speaker 2>clothes and ritzy address, is standing out.

0:32:26.520 --> 0:32:32.440
<v Speaker 8>If you dressed better and had nicer cars than the governor,

0:32:33.720 --> 0:32:38.360
<v Speaker 8>people notice, And if you have a wow factor that

0:32:38.640 --> 0:32:45.520
<v Speaker 8>makes enemies ears perk up, you're going to become that

0:32:45.680 --> 0:32:50.160
<v Speaker 8>de facto face of everything those people are out to get.

0:32:51.000 --> 0:32:53.880
<v Speaker 1>Government liked to make the battle against organized crime good

0:32:53.960 --> 0:32:56.160
<v Speaker 1>versus evil. We are the good guys, they are the

0:32:56.160 --> 0:32:59.920
<v Speaker 1>bad guys. But there's so many different shades of great.

0:33:00.920 --> 0:33:05.040
<v Speaker 2>This framing of Lucky as the boss of organized crime

0:33:05.480 --> 0:33:08.680
<v Speaker 2>is still the way we understand the mafia today. It

0:33:08.720 --> 0:33:12.040
<v Speaker 2>doesn't just come from Hollywood's portrayal of the mob. It

0:33:12.160 --> 0:33:15.680
<v Speaker 2>also comes from a deliberate manipulation of the public and

0:33:15.720 --> 0:33:19.600
<v Speaker 2>the law. It's a falsehood that originates as much from

0:33:19.600 --> 0:33:23.400
<v Speaker 2>our criminal justice system as it does from those la writers'

0:33:23.480 --> 0:33:26.360
<v Speaker 2>rooms Millie and Kokie Flow wanted to get into.

0:33:26.600 --> 0:33:29.160
<v Speaker 1>I mean, The Godfather was a great film, but for me,

0:33:29.240 --> 0:33:32.640
<v Speaker 1>a great misrepresentation of the issue of organized crime in America,

0:33:32.680 --> 0:33:34.920
<v Speaker 1>based partly on the Luciana legend.

0:33:35.440 --> 0:33:39.000
<v Speaker 7>Why is it that Luchana has this reputation that he

0:33:39.040 --> 0:33:42.719
<v Speaker 7>doesn't deserve. Well, the answer lies really with Thomas Dewey.

0:33:42.960 --> 0:33:47.800
<v Speaker 7>Dewey manipulated the press very successfully, and that mythology has

0:33:47.960 --> 0:33:51.600
<v Speaker 7>never really been challenged sufficiently, I don't think to this day.

0:33:52.720 --> 0:33:56.000
<v Speaker 2>But what about Eunice Carter? How much is she on

0:33:56.080 --> 0:33:56.720
<v Speaker 2>the hook for this?

0:33:56.760 --> 0:33:57.000
<v Speaker 7>Too?

0:34:00.760 --> 0:34:04.360
<v Speaker 1>A team player, which is a good thing, but not

0:34:04.400 --> 0:34:07.840
<v Speaker 1>necessarily if you're in a team that is involved in

0:34:07.960 --> 0:34:13.200
<v Speaker 1>manipulating justice for political advancement, which it was in Dewey's case.

0:34:14.239 --> 0:34:20.680
<v Speaker 8>Eunice Carter was probably a good fit for Thomas Dewey's

0:34:21.080 --> 0:34:28.160
<v Speaker 8>office because she too was career motivated. She had bigger

0:34:28.239 --> 0:34:32.600
<v Speaker 8>barriers and hurdles to jump just because of who she was.

0:34:33.800 --> 0:34:37.680
<v Speaker 8>I believe she was probably as determined, if not more

0:34:38.719 --> 0:34:46.520
<v Speaker 8>than Dewey to carry out their vision of justice.

0:34:46.800 --> 0:34:49.839
<v Speaker 10>But for Unice Carter, Thomas Dewey would not have been

0:34:49.880 --> 0:34:53.120
<v Speaker 10>able to convict Lucky Luciano. I don't know that Luciano

0:34:53.160 --> 0:34:54.800
<v Speaker 10>would ever have been convicted of anything.

0:34:56.520 --> 0:35:00.680
<v Speaker 2>I guess you could say Eunice Carter is the godmother

0:35:01.200 --> 0:35:10.920
<v Speaker 2>of the Godfather. But while this undercurrent of American life

0:35:11.320 --> 0:35:17.320
<v Speaker 2>is giving Dewey's career a seemingly unstoppable upwards trajectory, unsurprisingly,

0:35:17.920 --> 0:35:21.200
<v Speaker 2>it isn't having the same impact on Unice. And as

0:35:21.239 --> 0:35:25.319
<v Speaker 2>America enters the forties and Dewey's career continues to take off,

0:35:26.440 --> 0:35:31.359
<v Speaker 2>Eunice's professional life seems to languish. In nineteen thirty eight,

0:35:31.840 --> 0:35:35.080
<v Speaker 2>Eunice is named to Dewey's staff to lead something called

0:35:35.400 --> 0:35:39.680
<v Speaker 2>the Abandonment Bureau of Women's Courts. Here, her time is

0:35:39.719 --> 0:35:43.480
<v Speaker 2>spent on cases covering everything from divorce and marital issues

0:35:43.719 --> 0:35:47.720
<v Speaker 2>to custody and child support. She'd stay there until nineteen

0:35:47.760 --> 0:35:51.960
<v Speaker 2>forty five, with none of the upwards career trajectory she'd

0:35:52.000 --> 0:35:58.359
<v Speaker 2>hope for after Lucky's prosecution. I can't imagine Eunice's disappointment

0:35:58.440 --> 0:36:01.760
<v Speaker 2>as she watches her boss Dewey reached his professional dreams

0:36:02.200 --> 0:36:04.279
<v Speaker 2>based on the success of the case that could not

0:36:04.400 --> 0:36:11.120
<v Speaker 2>have happened without her. Actually, yes, I can imagine it. Sadly,

0:36:11.800 --> 0:36:18.200
<v Speaker 2>it's an old tale. If Thomas Dewey refuses to grab

0:36:18.320 --> 0:36:21.120
<v Speaker 2>drinks with his colleagues so he can keep working, he

0:36:21.200 --> 0:36:24.720
<v Speaker 2>may have been seen as dedicated and focused. If Eunice

0:36:24.719 --> 0:36:28.160
<v Speaker 2>Carter refuses, she's seen as not being a team player

0:36:28.360 --> 0:36:32.200
<v Speaker 2>or trying to show up her coworkers. And if she does,

0:36:32.719 --> 0:36:35.520
<v Speaker 2>she could be dinged as not taking her work seriously enough.

0:36:36.560 --> 0:36:38.680
<v Speaker 2>How is she supposed to know how to get ahead

0:36:39.080 --> 0:36:42.239
<v Speaker 2>if every step is used to hold her back. The

0:36:42.280 --> 0:36:46.920
<v Speaker 2>struggle of navigating a predominantly white, predominantly male field is

0:36:47.040 --> 0:36:50.200
<v Speaker 2>enough on its own, but add in the concerns of

0:36:50.239 --> 0:36:53.759
<v Speaker 2>your own black community. Why are you a prosecutor? Why

0:36:53.760 --> 0:36:57.600
<v Speaker 2>aren't you looking out for us? Unice's medal is probably

0:36:57.680 --> 0:37:00.960
<v Speaker 2>tested on a daily basis, and as a black woman,

0:37:01.360 --> 0:37:06.279
<v Speaker 2>she's expected to show uncommon resilience. She can't control what

0:37:06.320 --> 0:37:08.880
<v Speaker 2>people think of her, so it wouldn't surprise me if

0:37:08.920 --> 0:37:12.080
<v Speaker 2>she focused on what she could control her pursuit of

0:37:12.120 --> 0:37:15.719
<v Speaker 2>a judgeship. But in the nineteen forties, Unice is not

0:37:15.800 --> 0:37:19.160
<v Speaker 2>really seeing the rewards of her work, Unice has stayed

0:37:19.160 --> 0:37:22.000
<v Speaker 2>close to Dewey, and Dewey has his sight set on

0:37:22.040 --> 0:37:26.800
<v Speaker 2>a political win far higher than Governor. He's inching closer

0:37:26.800 --> 0:37:30.759
<v Speaker 2>to the White House. Surely it's just a matter of

0:37:30.800 --> 0:37:34.359
<v Speaker 2>time before he brings Unis along with him. Right, He's

0:37:34.440 --> 0:37:38.600
<v Speaker 2>become a bit like found family for Unice, brought together

0:37:38.719 --> 0:37:43.120
<v Speaker 2>by the intense, complicated loyalty of the mafia. But family

0:37:43.800 --> 0:37:47.239
<v Speaker 2>can also be a source of betrayal. If Unice hadn't

0:37:47.320 --> 0:37:52.040
<v Speaker 2>learned that yet, she was about to find out. That's

0:37:52.040 --> 0:38:08.600
<v Speaker 2>coming up in episode eight of The Godmother. On this

0:38:08.760 --> 0:38:11.440
<v Speaker 2>episode of a Godmother, you heard Hi.

0:38:11.640 --> 0:38:15.680
<v Speaker 3>My name is Ellen Paulson. I research and I write

0:38:15.920 --> 0:38:21.800
<v Speaker 3>books about women who were involved with notorious gangsters in desperadoes.

0:38:22.440 --> 0:38:25.239
<v Speaker 11>My name is Christopher Alfhelps and I worked for the

0:38:25.320 --> 0:38:28.560
<v Speaker 11>University of Exeter. I've published two books and several articles

0:38:28.640 --> 0:38:31.520
<v Speaker 11>on the organized crime in the United States. I tend

0:38:31.560 --> 0:38:34.080
<v Speaker 11>to specialize in a periage from eighteen sixty five to

0:38:34.160 --> 0:38:35.160
<v Speaker 11>nineteen forty one.

0:38:35.520 --> 0:38:39.440
<v Speaker 8>My name is Christian SIBERLINI and I am an organized

0:38:39.520 --> 0:38:41.640
<v Speaker 8>crime historian and author.

0:38:41.920 --> 0:38:46.360
<v Speaker 4>My name is Robert Whalen, and I'm an Emerathus Professor

0:38:46.400 --> 0:38:49.880
<v Speaker 4>of history at Queen's University of Charlotte here in Charlotte,

0:38:49.880 --> 0:38:50.640
<v Speaker 4>North Carolina.

0:38:50.960 --> 0:38:54.160
<v Speaker 10>My name is Chuck Greeves. Before becoming a writer, I

0:38:54.239 --> 0:38:57.120
<v Speaker 10>spent twenty five years as a Los Angeles trial lawyer.

0:38:57.360 --> 0:39:03.600
<v Speaker 10>My fourth novel was basically fictionalization of the famous nineteen

0:39:03.640 --> 0:39:05.520
<v Speaker 10>thirty six vice trial.

0:39:05.800 --> 0:39:09.440
<v Speaker 6>I'm Debbie Applegate. I'm a historian and biographer, and I

0:39:09.440 --> 0:39:13.839
<v Speaker 6>am the author of Madam, The Biography of Polyadler Icon

0:39:14.040 --> 0:39:15.160
<v Speaker 6>of the Jazz Age.

0:39:15.400 --> 0:39:18.000
<v Speaker 9>I am Claire White, and I am the director of

0:39:18.120 --> 0:39:21.480
<v Speaker 9>Education at the Mob Museum in downtown Las Vegas.

0:39:21.600 --> 0:39:22.840
<v Speaker 2>I'm Sarah J. Jackson.

0:39:23.120 --> 0:39:26.200
<v Speaker 5>I am an Associate Professor of Communication at the Annenberg

0:39:26.239 --> 0:39:30.440
<v Speaker 5>School for Communication at the University of Pennsylvania and an

0:39:30.480 --> 0:39:33.479
<v Speaker 5>affiliate with the Africana and African American Studies Program Here.

0:39:33.640 --> 0:39:37.520
<v Speaker 1>I'm Mike woodowis author of Organized Crime in American Power

0:39:37.560 --> 0:39:40.640
<v Speaker 1>and a teacher at the University of West of England.

0:39:41.120 --> 0:39:43.640
<v Speaker 1>And I think, with Christopher we are professionally story in

0:39:43.680 --> 0:39:46.000
<v Speaker 1>to look at the issue of organized crime in particular.

0:39:51.560 --> 0:39:55.600
<v Speaker 2>The Godmother is produced by Novel for iHeartRadio. For more

0:39:55.680 --> 0:39:59.879
<v Speaker 2>from novel, visit novel dot Audio. The Godmother is host

0:40:00.200 --> 0:40:05.040
<v Speaker 2>and written by me Nicole Perkins. Our producer is Leona Hamid.

0:40:05.600 --> 0:40:11.280
<v Speaker 2>Additional production from Ajuajima Broumpong, Ronald Young Junior and Zaiana Yusuf.

0:40:11.880 --> 0:40:16.040
<v Speaker 2>Our editor is Ajua Jima Broompong. Additional story editing from

0:40:16.080 --> 0:40:19.400
<v Speaker 2>Max O'Brien and Mith Lee Raw, and our researcher is

0:40:19.480 --> 0:40:23.880
<v Speaker 2>Zaiana Yusuf. Additional research from Mohammed Ahmed. David Waters is

0:40:23.880 --> 0:40:28.360
<v Speaker 2>our executive producer. Field production by Tnito Romani and Pallas Shaw,

0:40:28.880 --> 0:40:33.400
<v Speaker 2>Sound design, mixing and scoring by Daniel Kempsen. Our score

0:40:33.520 --> 0:40:37.640
<v Speaker 2>was written, performed and recorded by Jeff Parker. Music supervision

0:40:37.680 --> 0:40:42.280
<v Speaker 2>by Nicholas Alexander and David Waters. Production management and endless

0:40:42.280 --> 0:40:47.480
<v Speaker 2>patients from Sharie Houston, Sarah Tobin and Charlotte Wolfe. Fact

0:40:47.520 --> 0:40:52.080
<v Speaker 2>checking by Fendell Fulton and Dania Suleiman. Story development by

0:40:52.080 --> 0:40:57.520
<v Speaker 2>Madeline Parr, Jess Swinburne and Zaiana Yusuf. Willard Foxton is

0:40:57.560 --> 0:41:01.520
<v Speaker 2>our creative director of Development. Special thanks to Leah Carter,

0:41:02.080 --> 0:41:09.240
<v Speaker 2>Stephen Carter, Angela J. Davis, Andrew Fernley, Marilyn Greenwald, Sondra Lebedy,

0:41:10.040 --> 0:41:16.800
<v Speaker 2>Katherine Godfrey, Nadia Maidie, Amalia Sortland, Shawn Glenn, Neil Krishnan,

0:41:17.719 --> 0:41:22.799
<v Speaker 2>Julia Bromberg, Katrina Norvelle, Carly Frankel, and all the team

0:41:22.920 --> 0:41:32.760
<v Speaker 2>at w Emmy Novel